The Project Gutenberg EBook of Spoon River Anthology, by Edgar Lee Masters

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Title: Spoon River Anthology

Author: Edgar Lee Masters

Posting Date: January 27, 2010 [EBook #1280] Release Date: April, 1998 Last Updated: February 3, 2016

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK SPOON RIVER ANTHOLOGY ***

Produced by an anonymous Project Gutenberg volunteer

Spoon River Anthology

by Edgar Lee Masters

Contents:

  Armstrong, Hannah
  Arnett, Harold
  Atherton, Lucius

  Ballard, John
  Barker, Amanda
  Barrett, Pauline
  Bartlett, Ezra
  Bateson, Marie
  Beatty, Tom
  Beethoven, Isaiah
  Bennett, Hon. Henry
  Bindle, Nicholas
  Blind Jack
  Bliss, Mrs. Charles
  Blood, A. D.
  Bloyd, Wendell P.
  Bone, Richard
  Branson, Caroline
  Brown, Jim
  Brown, Sarah
  Browning, Elijah
  Burleson, John Horace
  Butler, Roy

  Cabanis, Flossie
  Calhoun, Granville
  Calhoun, Henry C.
  Campbell, Calvin
  Carman, Eugene
  Cheney, Columbus
  Childers, Elizabeth
  Church, John M.
  Churchill, Alfonso
  Circuit Judge, The
  Clapp, Homer
  Clark, Nellie
  Clute, Aner
  Compton, Seth Conant, Edith
  Culbertson, E. C.

  Davidson, Robert
  Dement, Silas
  Dixon, Joseph
  Drummer, Frank
  Drummer, Hare
  Dunlap, Enoch
  Dye, Shack

Ehrenhardt, Imanuel

  Fallas, State's Attorney
  Fawcett, Clarence
  Fluke, Willard
  Foote, Searcy
  Ford, Webster
  Fraser, Benjamin
  Fraser, Daisy
  French, Charlie
  Frickey, Ida

  Garber, James
  Gardner, Samuel
  Garrick, Amelia
  Godbey, Jacob
  Goldman, Le Roy
  Goode, William
  Goodpasture, Jacob
  Graham, Magrady
  Gray, George
  Green, Ami
  Greene, Hamilton
  Griffy the Cooper
  Gustine, Dorcas

  Hainsfeather, Barney
  Hamblin, Carl
  Hatfield, Aaron
  Hawkins, Elliott
  Hawley, Jeduthan
  Henry, Chase
  Herndon, William H.
  Heston, Roger
  Higbie, Archibald
  Hill, Doc
  Hill, The
  Hoheimer, Knowlt
  Holden, Barry
  Hookey, Sam
  Howard, Jefferson
  Hueffer, Cassius
  Hummel, Oscar
  Humphrey, Lydia
  Hutchins, Lambert
  Hyde, Ernest

  James, Godwin
  Jones, Fiddler
  Jones, Franklin
  Jones, "Indignation"
  Jones, Minerva
  Jones, William

  Karr, Elmer
  Keene, Jonas
  Kessler, Bert
  Kessler, Mrs.
  Killion, Captain Orlando
  Kincaid, Russell
  King, Lyman
  Knapp, Nancy
  Konovaloff, Ippolit
  Kritt, Dow

Layton, Henry

  M'Cumber, Daniel
  McDowell, Rutherford
  McFarlane, Widow
  McGee, Fletcher
  McGee, Ollie
  M'Grew, Jennie
  M'Grew, Mickey
  McGuire, Jack
  McNeely, Mary
  McNeely, Washington
  Malloy, Father
  Many Soldiers
  Marsh, Zilpha
  Marshall, Herbert
  Mason, Serepta
  Matheny, Faith
  Matlock, Davis
  Matlock, Lucinda
  Melveny, Abel
  Merritt, Mrs.
  Merritt, Tom
  Metcalf, Willie
  Meyers, Doctor
  Meyers, Mrs.
  Micure, Hamlet
  Miles, I. Milton
  Miller, Julia
  Miner, Georgine Sand
  Moir, Alfred

Newcomer, Professor

  Osborne, Mabel
  Otis, John Hancock

  Pantier, Benjamin
  Pantier, Mrs. Benjamin
  Pantier, Reuben
  Peet, Rev. Abner
  Pennington, Willie
  Penniwit, the Artist
  Petit, the Poet
  Phipps, Henry
  Poague, Peleg
  Pollard, Edmund
  Potter, Cooney
  Puckett, Lydia
  Purkapile, Mrs.
  Purkapile, Roscoe
  Putt, Hod

  Reece, Mrs. George
  Rhodes, Ralph
  Rhodes, Thomas
  Richter, Gustav
  Robbins, Hortense
  Roberts, Rosie
  Ross, Thomas, Ir.
  Russian Sonia
  Rutledge, Anne

  Sayre, Johnnie
  Scates, Hiram
  Schirding, Albert
  Schmidt, Felix
  Scott, Julian
  Sewall, Harlan
  Sharp, Percival
  Shaw, "Ace"
  Shelley, Percy Bysshe
  Shope, Tennessee Claflin
  Sibley, Amos
  Sibley, Mrs.
  Simmons, Walter
  Sissman, Dillard
  Slack, Margaret Fuller
  Smith, Louise
  Somers, Jonathan Swift
  Somers, Judge
  Sparks, Emily
  Spooniad, The
  Standard, W. Lloyd Garrison
  Stewart, Lillian

  Tanner, Robert Fulton
  Taylor, Deacon
  Theodore the Poet
  Throckmorton, Alexander
  Tompkins, Josiah
  Town Marshal, The
  Trainor, the Druggist
  Trevelyan, Thomas
  Trimble, George
  Tripp, Henry
  Tubbs, Hildrup
  Turner, Francis
  Tutt, Oaks

Unknown, The

Village Atheist, The

  Wasson, John
  Weirauch, Adam
  Weldy, "Butch"
  Wertman, Elsa
  Whedon, Editor
  Whitney, Harmon
  Wiley, Rev. Lemuel
  Will, Arlo
  William and Emily
  Williams, Dora
  Williams, Mrs.
  Wilmans, Harry
  Witt, Zenas

Yee Bow

Zoll, Perry

The Hill

  Where are Elmer, Herman, Bert, Tom and Charley,
  The weak of will, the strong of arm, the clown, the boozer, the fighter?
  All, all are sleeping on the hill.

  One passed in a fever,
  One was burned in a mine,
  One was killed in a brawl,
  One died in a jail,
  One fell from a bridge toiling for children and wife—
  All, all are sleeping, sleeping, sleeping on the hill.

  Where are Ella, Kate, Mag, Lizzie and Edith,
  The tender heart, the simple soul, the loud, the proud, the happy one?—
  All, all are sleeping on the hill.

  One died in shameful child-birth,
  One of a thwarted love,
  One at the hands of a brute in a brothel,
  One of a broken pride, in the search for heart's desire;
  One after life in far-away London and Paris
  Was brought to her little space by Ella and Kate and Mag—
  All, all are sleeping, sleeping, sleeping on the hill.

  Where are Uncle Isaac and Aunt Emily,
  And old Towny Kincaid and Sevigne Houghton,
  And Major Walker who had talked
  With venerable men of the revolution?—
  All, all are sleeping on the hill.

  They brought them dead sons from the war,
  And daughters whom life had crushed,
  And their children fatherless, crying—
  All, all are sleeping, sleeping, sleeping on the hill.
  Where is Old Fiddler Jones
  Who played with life all his ninety years,
  Braving the sleet with bared breast,
  Drinking, rioting, thinking neither of wife nor kin,
  Nor gold, nor love, nor heaven?
  Lo! he babbles of the fish-frys of long ago,
  Of the horse-races of long ago at Clary's Grove,
  Of what Abe Lincoln said
  One time at Springfield.

Hod Putt

  HERE I lie close to the grave
  Of Old Bill Piersol,
  Who grew rich trading with the Indians, and who
  Afterwards took the Bankrupt Law
  And emerged from it richer than ever
  Myself grown tired of toil and poverty
  And beholding how Old Bill and other grew in wealth
  Robbed a traveler one Night near Proctor's Grove,
  Killing him unwittingly while doing so,
  For which I was tried and hanged.
  That was my way of going into bankruptcy.
  Now we who took the bankrupt law in our respective ways
  Sleep peacefully side by side.

Ollie McGee

  Have you seen walking through the village
  A Man with downcast eyes and haggard face?
  That is my husband who, by secret cruelty
  Never to be told, robbed me of my youth and my beauty;
  Till at last, wrinkled and with yellow teeth,
  And with broken pride and shameful humility,
  I sank into the grave.
  But what think you gnaws at my husband's heart?
  The face of what I was, the face of what he made me!
  These are driving him to the place where I lie.
  In death, therefore, I am avenged.

Fletcher McGee

  She took my strength by minutes,
  She took my life by hours,
  She drained me like a fevered moon
  That saps the spinning world.
  The days went by like shadows,
  The minutes wheeled like stars.
  She took the pity from my heart,
  And made it into smiles.
  She was a hunk of sculptor's clay,
  My secret thoughts were fingers:
  They flew behind her pensive brow
  And lined it deep with pain.
  They set the lips, and sagged the cheeks,
  And drooped the eye with sorrow.
  My soul had entered in the clay,
  Fighting like seven devils.
  It was not mine, it was not hers;
  She held it, but its struggles
  Modeled a face she hated,
  And a face I feared to see.
  I beat the windows, shook the bolts.
  I hid me in a corner
  And then she died and haunted me,
  And hunted me for life.

Robert Fulton Tanner

   IF a man could bite the giant hand
   That catches and destroys him,
   As I was bitten by a rat
   While demonstrating my patent trap,
   In my hardware store that day.
   But a man can never avenge himself
   On the monstrous ogre Life.
   You enter the room—that’s being born;
   And then you must live—work out your soul,
   Aha! the bait that you crave is in view:
   A woman with money you want to marry,
   Prestige, place, or power in the world.
   But there’s work to do and things to conquer—
   Oh, yes! the wires that screen the bait.
   At last you get in—but you hear a step:
   The ogre, Life, comes into the room,
   (He was waiting and heard the clang of the spring)
   To watch you nibble the wondrous cheese,
   And stare with his burning eyes at you,
   And scowl and laugh, and mock and curse you,
   Running up and down in the trap,
   Until your misery bores him.

Cassius Hueffer

  THEY have chiseled on my stone the words:
  "His life was gentle, and the elements so mixed in him
  That nature might stand up and say to all the world,
  This was a man."
  Those who knew me smile
  As they read this empty rhetoric.
  My epitaph should have been:
  "Life was not gentle to him,
  And the elements so mixed in him
  That he made warfare on life
  In the which he was slain."
  While I lived I could not cope with slanderous tongues,
  Now that I am dead I must submit to an epitaph
  Graven by a fool!

Serepta Mason

  MY life's blossom might have bloomed on all sides
  Save for a bitter wind which stunted my petals
  On the side of me which you in the village could see.
  From the dust I lift a voice of protest:
  My flowering side you never saw!
  Ye living ones, ye are fools indeed
  Who do not know the ways of the wind
  And the unseen forces
  That govern the processes of life.

Amanda Barker

  HENRY got me with child,
  Knowing that I could not bring forth life
  Without losing my own.
  In my youth therefore I entered the portals of dust.
  Traveler, it is believed in the village where I lived
  That Henry loved me with a husband's love
  But I proclaim from the dust
  That he slew me to gratify his hatred.

Chase Henry

  IN life I was the town drunkard;
  When I died the priest denied me burial
  In holy ground.
  The which redounded to my good fortune.
  For the Protestants bought this lot,
  And buried my body here,
  Close to the grave of the banker Nicholas,
  And of his wife Priscilla.
  Take note, ye prudent and pious souls,
  Of the cross—currents in life
  Which bring honor to the dead, who lived in shame

Judge Somers

  How does it happen, tell me,
  That I who was most erudite of lawyers,
  Who knew Blackstone and Coke
  Almost by heart, who made the greatest speech
  The court-house ever heard, and wrote
  A brief that won the praise of Justice Breese
  How does it happen, tell me,
  That I lie here unmarked, forgotten,
  While Chase Henry, the town drunkard,
  Has a marble block, topped by an urn
  Wherein Nature, in a mood ironical,
  Has sown a flowering weed?

Benjamin Pantier

  TOGETHER in this grave lie Benjamin Pantier, attorney at law,
  And Nig, his dog, constant companion, solace and friend.
  Down the gray road, friends, children, men and women,
  Passing one by one out of life, left me till I was alone
  With Nig for partner, bed-fellow; comrade in drink.
  In the morning of life I knew aspiration and saw glory,
  The she, who survives me, snared my soul
  With a snare which bled me to death,
  Till I, once strong of will, lay broken, indifferent,
  Living with Nig in a room back of a dingy office.
  Under my Jaw-bone is snuggled the bony nose of Nig
  Our story is lost in silence. Go by, Mad world!

Mrs. Benjamin Pantier

  I know that he told that I snared his soul
  With a snare which bled him to death.
  And all the men loved him,
  And most of the women pitied him.
  But suppose you are really a lady, and have delicate tastes,
  And loathe the smell of whiskey and onions,
  And the rhythm of Wordsworth's "Ode" runs in your ears,
  While he goes about from morning till night
  Repeating bits of that common thing;
  "Oh, why should the spirit of mortal be proud?"
  And then, suppose;
  You are a woman well endowed,
  And the only man with whom the law and morality
  Permit you to have the marital relation
  Is the very man that fills you with disgust
  Every time you think of it while you think of it
  Every time you see him?
  That's why I drove him away from home
  To live with his dog in a dingy room
  Back of his office.

Reuben Pantier

  WELL, Emily Sparks, your prayers were not wasted,
  Your love was not all in vain.
  I owe whatever I was in life
  To your hope that would not give me up,
  To your love that saw me still as good.
  Dear Emily Sparks, let me tell you the story.
  I pass the effect of my father and mother;
  The milliner's daughter made me trouble
  And out I went in the world,
  Where I passed through every peril known
  Of wine and women and joy of life.
  One night, in a room in the Rue de Rivoli,
  I was drinking wine with a black-eyed cocotte,
  And the tears swam into my eyes.
  She though they were amorous tears and smiled
  For thought of her conquest over me.
  But my soul was three thousand miles away,
  In the days when you taught me in Spoon River.
  And just because you no more could love me,
  Nor pray for me, nor write me letters,
  The eternal silence of you spoke instead.
  And the Black-eyed cocotte took the tears for hers,
  As well as the deceiving kisses I gave her.
  Somehow, from that hour, I had a new vision
  Dear Emily Sparks!

Emily Sparks

  Where is my boy, my boy
  In what far part of the world?
  The boy I loved best of all in the school?—
  I, the teacher, the old maid, the virgin heart,
  Who made them all my children.
  Did I know my boy aright,
  Thinking of him as a spirit aflame,
  Active, ever aspiring?
  Oh, boy, boy, for whom I prayed and prayed
  In many a watchful hour at night,
  Do you remember the letter I wrote you
  Of the beautiful love of Christ?
  And whether you ever took it or not,
  My, boy, wherever you are,
  Work for your soul's sake,
  That all the clay of you, all of the dross of you,
  May yield to the fire of you,
  Till the fire is nothing but light!…
  Nothing but light!

Trainor, the Druggist

  Only the chemist can tell, and not always the chemist,
  What will result from compounding
  Fluids or solids.
  And who can tell
  How men and women will interact
  On each other, or what children will result?
  There were Benjamin Pantier and his wife,
  Good in themselves, but evil toward each other;
  He oxygen, she hydrogen,
  Their son, a devastating fire.
  I Trainor, the druggist, a miser of chemicals,
  Killed while making an experiment,
  Lived unwedded.

Daisy Fraser

  Did you ever hear of Editor Whedon
  Giving to the public treasury any of the money he received
  For supporting candidates for office?
  Or for writing up the canning factory
  To get people to invest?
  Or for suppressing the facts about the bank,
  When it was rotten and ready to break?
  Did you ever hear of the Circuit Judge
  Helping anyone except the "Q" railroad,
  Or the bankers? Or did Rev. Peet or Rev. Sibley
  Give any part of their salary, earned by keeping still,
  Or speaking out as the leaders wished them to do,
  To the building of the water works?
  But I Daisy Fraser who always passed
  Along the street through rows of nods and smiles,
  And caughs and words such as "there she goes."
  Never was taken before Justice Arnett
  Without contributing ten dollars and costs
  To the school fund of Spoon River!

Benjamin Fraser

  THEIR spirits beat upon mine
  Like the wings of a thousand butterflies.
  I closed my eyes and felt their spirits vibrating.
  I closed my eyes, yet I knew when their lashes
  Fringed their cheeks from downcast eyes,
  And when they turned their heads;
  And when their garments clung to them,
  Or fell from them, in exquisite draperies.
  Their spirits watched my ecstasy
  With wide looks of starry unconcern.
  Their spirits looked upon my torture;
  They drank it as it were the water of life;
  With reddened cheeks, brightened eyes,
  The rising flame of my soul made their spirits gilt,
  Like the wings of a butterfly drifting suddenly into sunlight.
  And they cried to me for life, life, life.
  But in taking life for myself,
  In seizing and crushing their souls,
  As a child crushes grapes and drinks
  From its palms the purple juice,
  I came to this wingless void,
  Where neither red, nor gold, nor wine,
  Nor the rhythm of life are known.

Minerva Jones

  I AM Minerva, the village poetess,
  Hooted at, jeered at by the Yahoos of the street
  For my heavy body, cock-eye, and rolling walk,
  And all the more when "Butch" Weldy
  Captured me after a brutal hunt.
  He left me to my fate with Doctor Meyers;
  And I sank into death, growing numb from the feet up,
  Like one stepping deeper and deeper into a stream of ice.
  Will some one go to the village newspaper,
  And gather into a book the verses I wrote?—
  I thirsted so for love
  I hungered so for life!

"Indignation" Jones

  You would not believe, would you
  That I came from good Welsh stock?
  That I was purer blooded than the white trash here?
  And of more direct lineage than the
  New Englanders And Virginians of Spoon River?
  You would not believe that I had been to school
  And read some books.
  You saw me only as a run-down man
  With matted hair and beard
  And ragged clothes.
  Sometimes a man's life turns into a cancer
  From being bruised and continually bruised,
  And swells into a purplish mass
  Like growths on stalks of corn.
  Here was I, a carpenter, mired in a bog of life
  Into which I walked, thinking it was a meadow,
  With a slattern for a wife, and poor Minerva, my daughter,
  Whom you tormented and drove to death.
  So I crept, crept, like a snail through the days
  Of my life.
  No more you hear my footsteps in the morning,
  Resounding on the hollow sidewalk
  Going to the grocery store for a little corn meal
  And a nickel's worth of bacon.

"Butch" Weldy

  AFTER I got religion and steadied down
  They gave me a job in the canning works,
  And every morning I had to fill
  The tank in the yard with gasoline,
  That fed the blow-fires in the sheds
  To heat the soldering irons.
  And I mounted a rickety ladder to do it,
  Carrying buckets full of the stuff.
  One morning, as I stood there pouring,
  The air grew still and seemed to heave,
  And I shot up as the tank exploded,
  And down I came with both legs broken,
  And my eyes burned crisp as a couple of eggs.
  For someone left a blow—fire going,
  And something sucked the flame in the tank.
  The Circuit Judge said whoever did it
  Was a fellow-servant of mine, and so
  Old Rhodes' son didn't have to pay me.
  And I sat on the witness stand as blind
  As lack the Fiddler, saying over and over,
  "I didn't know him at all."

Doctor Meyers

  No other man, unless it was Doc Hill,
  Did more for people in this town than I.
  And all the weak, the halt, the improvident
  And those who could not pay flocked to me.
  I was good-hearted, easy Doctor Meyers.
  I was healthy, happy, in comfortable fortune,
  Blest with a congenial mate, my children raised,
  All wedded, doing well in the world.
  And then one night, Minerva, the poetess,
  Came to me in her trouble, crying.
  I tried to help her out—she died—
  They indicted me, the newspapers disgraced me,
  My wife perished of a broken heart.
  And pneumonia finished me.

Mrs. Meyers

  HE protested all his life long
  The newspapers lied about him villainously;
  That he was not at fault for Minerva's fall,
  But only tried to help her.
  Poor soul so sunk in sin he could not see
  That even trying to help her, as he called it,
  He had broken the law human and divine.
  Passers by, an ancient admonition to you:
  If your ways would be ways of pleasantness,
  And all your pathways peace,
  Love God and keep his commandments.

Knowlt Hoheimer

  I WAS the first fruits of the battle of Missionary Ridge.
  When I felt the bullet enter my heart
  I wished I had staid at home and gone to jail
  For stealing the hogs of Curl Trenary,
  Instead of running away and joining the army.
  Rather a thousand times the county jail
  Than to lie under this marble figure with wings,
  And this granite pedestal Bearing the words, "Pro Patria."
  What do they mean, anyway?

Lydia Puckett

  KNOWLT HOHEIMER ran away to the war
  The day before Curl Trenary
  Swore out a warrant through Justice Arnett
  For stealing hogs.
  But that's not the reason he turned a soldier.
  He caught me running with Lucius Atherton.
  We quarreled and I told him never again
  To cross my path.
  Then he stole the hogs and went to the war—
  Back of every soldier is a woman.

Frank Drummer

  OUT of a cell into this darkened space—
  The end at twenty-five!
  My tongue could not speak what stirred within me,
  And the village thought me a fool.
  Yet at the start there was a clear vision,
  A high and urgent purpose in my soul
  Which drove me on trying to memorize
  The Encyclopedia Britannica!

Hare Drummer

  Do the boys and girls still go to Siever's
  For cider, after school, in late September?
  Or gather hazel nuts among the thickets
  On Aaron Hatfield's farm when the frosts begin?
  For many times with the laughing girls and boys
  Played I along the road and over the hills
  When the sun was low and the air was cool,
  Stopping to club the walnut tree
  Standing leafless against a flaming west.
  Now, the smell of the autumn smoke,
  And the dropping acorns,
  And the echoes about the vales
  Bring dreams of life.
  They hover over me.
  They question me:
  Where are those laughing comrades?
  How many are with me, how many
  In the old orchards along the way to Siever's,
  And in the woods that overlook
  The quiet water?

Doc Hill

  I WENT UP and down the streets
  Here and there by day and night,
  Through all hours of the night caring for the poor who were sick.
  Do you know why?
  My wife hated me, my son went to the dogs.
  And I turned to the people and poured out my love to them.
  Sweet it was to see the crowds about the lawns on the day of my
  funeral,
  And hear them murmur their love and sorrow.
  But oh, dear God, my soul trembled, scarcely able
  To hold to the railing of the new life
  When I saw Em Stanton behind the oak tree
  At the grave,
  Hiding herself, and her grief!

Sarah Brown

  MAURICE, weep not, I am not here under this pine tree.
  The balmy air of spring whispers through the sweet grass,
  The stars sparkle, the whippoorwill calls,
  But thou grievest, while my soul lies rapturous
  In the blest Nirvana of eternal light!
  Go to the good heart that is my husband
  Who broods upon what he calls our guilty love:—
  Tell him that my love for you, no less than my love for him
  Wrought out my destiny—that through the flesh
  I won spirit, and through spirit, peace.
  There is no marriage in heaven
  But there is love.

Percy Bysshe Shelley

  MY father who owned the wagon-shop
  And grew rich shoeing horses
  Sent me to the University of Montreal.
  I learned nothing and returned home,
  Roaming the fields with Bert Kessler,
  Hunting quail and snipe.
  At Thompson's Lake the trigger of my gun
  Caught in the side of the boat
  And a great hole was shot through my heart.
  Over me a fond father erected this marble shaft,
  On which stands the figure of a woman
  Carved by an Italian artist.
  They say the ashes of my namesake
  Were scattered near the pyramid of Caius Cestius
  Somewhere near Rome.

Flossie Cabanis

  FROM Bindle's opera house in the village
  To Broadway is a great step.
  But I tried to take it, my ambition fired
  When sixteen years of age,
  Seeing "East Lynne," played here in the village
  By Ralph Barrett, the coming
  Romantic actor, who enthralled my soul.
  True, I trailed back home, a broken failure,
  When Ralph disappeared in New York,
  Leaving me alone in the city—
  But life broke him also.
  In all this place of silence
  There are no kindred spirits.
  How I wish Duse could stand amid the pathos
  Of these quiet fields
  And read these words.

Julia Miller

  WE quarreled that morning,
  For he was sixty—five, and I was thirty,
  And I was nervous and heavy with the child
  Whose birth I dreaded.
  I thought over the last letter written me
  By that estranged young soul
  Whose betrayal of me I had concealed
  By marrying the old man.
  Then I took morphine and sat down to read.
  Across the blackness that came over my eyes
  I see the flickering light of these words even now:
  "And Jesus said unto him, Verily
  I say unto thee, To-day thou shalt
  Be with me in paradise."

Johnnie Sayre

  FATHER, thou canst never know
  The anguish that smote my heart
  For my disobedience, the moment I felt
  The remorseless wheel of the engine
  Sink into the crying flesh of my leg.
  As they carried me to the home of widow Morris
  I could see the school-house in the valley
  To which I played truant to steal rides upon the trains.
  I prayed to live until I could ask your forgiveness—
  And then your tears, your broken words of comfort!
  From the solace of that hour I have gained infinite happiness.
  Thou wert wise to chisel for me:
  "Taken from the evil to come."

Charlie French

  DID YOU ever find out
  Which one of the O'Brien boys it was
  Who snapped the toy pistol against my hand?
  There when the flags were red and white
  In the breeze and "Bucky" Estil
  Was firing the cannon brought to Spoon River
  From Vicksburg by Captain Harris;
  And the lemonade stands were running
  And the band was playing,
  To have it all spoiled
  By a piece of a cap shot under the skin of my hand,
  And the boys all crowding about me saying:
  "You'll die of lock-jaw, Charlie, sure."
  Oh, dear! oh, dear!
  What chum of mine could have done it?

Zenas Witt

  I WAS sixteen, and I had the most terrible dreams,
  And specks before my eyes, and nervous weakness.
  And I couldn't remember the books I read,
  Like Frank Drummer who memorized page after page.
  And my back was weak, and I worried and worried,
  And I was embarrassed and stammered my lessons,
  And when I stood up to recite I'd forget
  Everything that I had studied.
  Well, I saw Dr. Weese's advertisement,
  And there I read everything in print,
  Just as if he had known me;
  And about the dreams which I couldn't help.
  So I knew I was marked for an early grave.
  And I worried until I had a cough
  And then the dreams stopped.
  And then I slept the sleep without dreams
  Here on the hill by the river.

Theodore the Poet

  As a boy, Theodore, you sat for long hours
  On the shore of the turbid Spoon
  With deep-set eye staring at the door of the crawfish's burrow,
  Waiting for him to appear, pushing ahead,
  First his waving antennae, like straws of hay,
  And soon his body, colored like soap-stone,
  Gemmed with eyes of jet.
  And you wondered in a trance of thought
  What he knew, what he desired, and why he lived at all.
  But later your vision watched for men and women
  Hiding in burrows of fate amid great cities,
  Looking for the souls of them to come out,
  So that you could see
  How they lived, and for what,
  And why they kept crawling so busily
  Along the sandy way where water fails
  As the summer wanes.

The Town Marshal

  THE: Prohibitionists made me Town Marshal
  When the saloons were voted out,
  Because when I was a drinking man,
  Before I joined the church, I killed a Swede
  At the saw-mill near Maple Grove.
  And they wanted a terrible man,
  Grim, righteous, strong, courageous,
  And a hater of saloons and drinkers,
  To keep law and order in the village.
  And they presented me with a loaded cane
  With which I struck Jack McGuire
  Before he drew the gun with which he killed
  The Prohibitionists spent their money in vain
  To hang him, for in a dream
  I appeared to one of the twelve jurymen
  And told him the whole secret story.
  Fourteen years were enough for killing me.

Jack McGuire

  THEY would have lynched me
  Had I not been secretly hurried away
  To the jail at Peoria.
  And yet I was going peacefully home,
  Carrying my jug, a little drunk,
  When Logan, the marshal, halted me
  Called me a drunken hound and shook me
  And, when I cursed him for it, struck me
  With that Prohibition loaded cane—
  All this before I shot him.
  They would have hanged me except for this:
  My lawyer, Kinsey Keene, was helping to land
  Old Thomas Rhodes for wrecking the bank,
  And the judge was a friend of
  Rhodes And wanted him to escape,
  And Kinsey offered to quit on
  Rhodes For fourteen years for me.
  And the bargain was made.
  I served my time
  And learned to read and write.

Jacob Goodpasture

  WHEN Fort Sumter fell and the war came
  I cried out in bitterness of soul:
  "O glorious republic now no more!"
  When they buried my soldier son
  To the call of trumpets and the sound of drums
  My heart broke beneath the weight
  Of eighty years, and I cried:
  "Oh, son who died in a cause unjust!
  In the strife of Freedom slain!"
  And I crept here under the grass.
  And now from the battlements of time, behold:
  Thrice thirty million souls being bound together
  In the love of larger truth,
  Rapt in the expectation of the birth
  Of a new Beauty,
  Sprung from Brotherhood and Wisdom.
  I with eyes of spirit see the Transfiguration
  Before you see it.
  But ye infinite brood of golden eagles nesting ever higher,
  Wheeling ever higher, the sun-light wooing
  Of lofty places of Thought,
  Forgive the blindness of the departed owl.

Dorcas Gustine

  I WAS not beloved of the villagers,
  But all because I spoke my mind,
  And met those who transgressed against me
  With plain remonstrance, hiding nor nurturing
  Nor secret griefs nor grudges.
  That act of the Spartan boy is greatly praised,
  Who hid the wolf under his cloak,
  Letting it devour him, uncomplainingly.
  It is braver, I think, to snatch the wolf forth
  And fight him openly, even in the street,
  Amid dust and howls of pain.
  The tongue may be an unruly member—
  But silence poisons the soul.
  Berate me who will—I am content.

Nicholas Bindle

  Were you not ashamed, fellow citizens,
  When my estate was probated and everyone knew
  How small a fortune I left?—
  You who hounded me in life,
  To give, give, give to the churches, to the poor,
  To the village!—me who had already given much.
  And think you not I did not know
  That the pipe-organ, which I gave to the church,
  Played its christening songs when Deacon Rhodes,
  Who broke and all but ruined me,
  Worshipped for the first time after his acquittal?

Harold Arnett

  I LEANED against the mantel, sick, sick,
  Thinking of my failure, looking into the abysm,
  Weak from the noon-day heat.
  A church bell sounded mournfully far away,
  I heard the cry of a baby,
  And the coughing of John Yarnell,
  Bed-ridden, feverish, feverish, dying,
  Then the violent voice of my wife:
  "Watch out, the potatoes are burning!"
  I smelled them . . . then there was irresistible disgust.
  I pulled the trigger . . . blackness . . . light . . .
  Unspeakable regret . . . fumbling for the world again.
  Too late! Thus I came here,
  With lungs for breathing . . . one cannot breathe here with lungs,
  Though one must breathe
  Of what use is it To rid one's self of the world,
  When no soul may ever escape the eternal destiny of life?

Margaret Fuller Slack

  I WOULD have been as great as George Eliot
  But for an untoward fate.
  For look at the photograph of me made by Penniwit,
  Chin resting on hand, and deep—set eyes—
  Gray, too, and far-searching.
  But there was the old, old problem:
  Should it be celibacy, matrimony or unchastity?
  Then John Slack, the rich druggist, wooed me,
  Luring me with the promise of leisure for my novel,
  And I married him, giving birth to eight children,
  And had no time to write.
  It was all over with me, anyway,
  When I ran the needle in my hand
  While washing the baby's things,
  And died from lock—jaw, an ironical death.
  Hear me, ambitious souls,
  Sex is the curse of life.

George Trimble

  Do you remember when I stood on the steps
  Of the Court House and talked free-silver,
  And the single-tax of Henry George?
  Then do you remember that, when the Peerless Leader
  Lost the first battle, I began to talk prohibition,
  And became active in the church?
  That was due to my wife,
  Who pictured to me my destruction
  If I did not prove my morality to the people.
  Well, she ruined me:
  For the radicals grew suspicious of me,
  And the conservatives were never sure of me—
  And here I lie, unwept of all.

"Ace" Shaw

  I NEVER saw any difference
  Between playing cards for money
  And selling real estate,
  Practicing law, banking, or anything else.
  For everything is chance.
  Nevertheless
  Seest thou a man diligent in business?
  He shall stand before Kings!

Willard Fluke

  MY wife lost her health,
  And dwindled until she weighed scarce ninety pounds.
  Then that woman, whom the men
  Styled Cleopatra, came along.
  And we—we married ones
  All broke our vows, myself among the rest.
  Years passed and one by one
  Death claimed them all in some hideous form
  And I was borne along by dreams
  Of God's particular grace for me,
  And I began to write, write, write, reams on reams
  Of the second coming of Christ.
  Then Christ came to me and said,
  "Go into the church and stand before the congregation
  And confess your sin."
  But just as I stood up and began to speak
  I saw my little girl, who was sitting in the front seat—
  My little girl who was born blind!
  After that, all is blackness.

Aner Clute

  OVER and over they used to ask me,
  While buying the wine or the beer,
  In Peoria first, and later in Chicago,
  Denver, Frisco, New York, wherever I lived
  How I happened to lead the life,
  And what was the start of it.
  Well, I told them a silk dress,
  And a promise of marriage from a rich man—
  (It was Lucius Atherton).
  But that was not really it at all.
  Suppose a boy steals an apple
  From the tray at the grocery store,
  And they all begin to call him a thief,
  The editor, minister, judge, and all the people—
  "A thief," "a thief," "a thief," wherever he goes
  And he can't get work, and he can't get bread
  Without stealing it, why the boy will steal.
  It's the way the people regard the theft of the apple
  That makes the boy what he is.

Lucius Atherton

  WHEN my moustache curled,
  And my hair was black,
  And I wore tight trousers
  And a diamond stud,
  I was an excellent knave of hearts and took many a trick.
  But when the gray hairs began to appear—
  Lo! a new generation of girls
  Laughed at me, not fearing me,
  And I had no more exciting adventures
  Wherein I was all but shot for a heartless devil,
  But only drabby affairs, warmed-over affairs
  Of other days and other men.
  And time went on until I lived at
  Mayer's restaurant,
  Partaking of short-orders, a gray, untidy,
  Toothless, discarded, rural Don Juan. . . .
  There is a mighty shade here who sings
  Of one named Beatrice;
  And I see now that the force that made him great
  Drove me to the dregs of life.

Homer Clapp

  OFTEN Aner Clute at the gate
  Refused me the parting kiss,
  Saying we should be engaged before that;
  And just with a distant clasp of the hand
  She bade me good-night, as I brought her home
  From the skating rink or the revival.
  No sooner did my departing footsteps die away
  Than Lucius Atherton,
  (So I learned when Aner went to Peoria)
  Stole in at her window, or took her riding
  Behind his spanking team of bays
  Into the country.
  The shock of it made me settle down
  And I put all the money I got from my father's estate
  Into the canning factory, to get the job
  Of head accountant, and lost it all.
  And then I knew I was one of Life's fools,
  Whom only death would treat as the equal
  Of other men, making me feel like a man.

Deacon Taylor

  I BELONGED to the church,
  And to the party of prohibition;
  And the villagers thought I died of eating watermelon.
  In truth I had cirrhosis of the liver,
  For every noon for thirty years,
  I slipped behind the prescription partition
  In Trainor's drug store
  And poured a generous drink
  From the bottle marked "Spiritus frumenti."

Sam Hookey

  I RAN away from home with the circus,
  Having fallen in love with Mademoiselle Estralada,
  The lion tamer.
  One time, having starved the lions
  For more than a day,
  I entered the cage and began to beat Brutus
  And Leo and Gypsy.
  Whereupon Brutus sprang upon me,
  And killed me.
  On entering these regions
  I met a shadow who cursed me,
  And said it served me right. . . .
  It was Robespierre!

Cooney Potter

  I INHERITED forty acres from my Father
  And, by working my wife, my two sons and two daughters
  From dawn to dusk, I acquired
  A thousand acres.
  But not content,
  Wishing to own two thousand acres,
  I bustled through the years with axe and plow,
  Toiling, denying myself, my wife, my sons, my daughters.
  Squire Higbee wrongs me to say
  That I died from smoking Red Eagle cigars.
  Eating hot pie and gulping coffee
  During the scorching hours of harvest time
  Brought me here ere I had reached my sixtieth year.

Fiddler Jones

  THE earth keeps some vibration going
  There in your heart, and that is you.
  And if the people find you can fiddle,
  Why, fiddle you must, for all your life.
  What do you see, a harvest of clover?
  Or a meadow to walk through to the river?
  The wind's in the corn; you rub your hands
  For beeves hereafter ready for market;
  Or else you hear the rustle of skirts
  Like the girls when dancing at Little Grove.
  To Cooney Potter a pillar of dust
  Or whirling leaves meant ruinous drouth;
  They looked to me like Red-Head Sammy
  Stepping it off, to "Toor-a-Loor."
  How could I till my forty acres
  Not to speak of getting more,
  With a medley of horns, bassoons and piccolos
  Stirred in my brain by crows and robins
  And the creak of a wind-mill—only these?
  And I never started to plow in my life
  That some one did not stop in the road
  And take me away to a dance or picnic.
  I ended up with forty acres;
  I ended up with a broken fiddle—
  And a broken laugh, and a thousand memories,
  And not a single regret.

Nellie Clark

  I WAS only eight years old;
  And before I grew up and knew what it meant
  I had no words for it, except
  That I was frightened and told my
  Mother; And that my Father got a pistol
  And would have killed Charlie, who was a big boy,
  Fifteen years old, except for his Mother.
  Nevertheless the story clung to me.
  But the man who married me, a widower of thirty-five,
  Was a newcomer and never heard it
  'Till two years after we were married.
  Then he considered himself cheated,
  And the village agreed that I was not really a virgin.
  Well, he deserted me, and I died
  The following winter.

Louise Smith

  HERBERT broke our engagement of eight years
  When Annabelle returned to the village From the
  Seminary, ah me!
  If I had let my love for him alone
  It might have grown into a beautiful sorrow—
  Who knows?—filling my life with healing fragrance.
  But I tortured it, I poisoned it
  I blinded its eyes, and it became hatred—
  Deadly ivy instead of clematis.
  And my soul fell from its support
  Its tendrils tangled in decay.
  Do not let the will play gardener to your soul
  Unless you are sure
  It is wiser than your soul's nature.

Herbert Marshall

  ALL your sorrow, Louise, and hatred of me
  Sprang from your delusion that it was wantonness
  Of spirit and contempt of your soul's rights
  Which made me turn to Annabelle and forsake you.
  You really grew to hate me for love of me,
  Because I was your soul's happiness,
  Formed and tempered
  To solve your life for you, and would not.
  But you were my misery.
  If you had been
  My happiness would I not have clung to you?
  This is life's sorrow:
  That one can be happy only where two are;
  And that our hearts are drawn to stars
  Which want us not.

George Gray

  I HAVE studied many times
  The marble which was chiseled for me—
  A boat with a furled sail at rest in a harbor.
  In truth it pictures not my destination
  But my life.
  For love was offered me and I shrank from its disillusionment;
  Sorrow knocked at my door, but I was afraid;
  Ambition called to me, but I dreaded the chances.
  Yet all the while I hungered for meaning in my life.
  And now I know that we must lift the sail
  And catch the winds of destiny
  Wherever they drive the boat.
  To put meaning in one's life may end in madness,
  But life without meaning is the torture
  Of restlessness and vague desire—
  It is a boat longing for the sea and yet afraid.

Hon. Henry Bennett

  IT never came into my mind
  Until I was ready to die
  That Jenny had loved me to death, with malice of heart.
  For I was seventy, she was thirty—five,
  And I wore myself to a shadow trying to husband
  Jenny, rosy Jenny full of the ardor of life.
  For all my wisdom and grace of mind
  Gave her no delight at all, in very truth,
  But ever and anon she spoke of the giant strength
  Of Willard Shafer, and of his wonderful feat
  Of lifting a traction engine out of the ditch
  One time at Georgie Kirby's.
  So Jenny inherited my fortune and married Willard—
  That mount of brawn! That clownish soul!

Griffy the Cooper

  THE cooper should know about tubs.
  But I learned about life as well,
  And you who loiter around these graves
  Think you know life.
  You think your eye sweeps about a wide horizon, perhaps,
  In truth you are only looking around the interior of your tub.
  You cannot lift yourself to its rim
  And see the outer world of things,
  And at the same time see yourself.
  You are submerged in the tub of yourself—
  Taboos and rules and appearances,
  Are the staves of your tub.
  Break them and dispel the witchcraft
  Of thinking your tub is life
  And that you know life.

A. D. Blood

  IF YOU in the village think that my work was a good one,
  Who closed the saloons and stopped all playing at cards,
  And haled old Daisy Fraser before Justice Arnett,
  In many a crusade to purge the people of sin;
  Why do you let the milliner's daughter Dora,
  And the worthless son of Benjamin Pantier
  Nightly make my grave their unholy pillow?

Dora Williams

  WHEN Reuben Pantier ran away and threw me
  I went to Springfield. There I met a lush,
  Whose father just deceased left him a fortune.
  He married me when drunk.
  My life was wretched.
  A year passed and one day they found him dead.
  That made me rich. I moved on to Chicago.
  After a time met Tyler Rountree, villain.
  I moved on to New York. A gray-haired magnate
  Went mad about me—so another fortune.
  He died one night right in my arms, you know.
  (I saw his purple face for years thereafter. )
  There was almost a scandal.
  I moved on, This time to Paris. I was now a woman,
  Insidious, subtle, versed in the world and rich.
  My sweet apartment near the Champs Elysees
  Became a center for all sorts of people,
  Musicians, poets, dandies, artists, nobles,
  Where we spoke French and German, Italian, English.
  I wed Count Navigato, native of Genoa.
  We went to Rome. He poisoned me, I think.
  Now in the Campo Santo overlooking
  The sea where young Columbus dreamed new worlds,
  See what they chiseled: "Contessa Navigato
  Implora eterna quiete."

Mrs. Williams

  I WAS the milliner
  Talked about, lied about,
  Mother of Dora,
  Whose strange disappearance
  Was charged to her rearing.
  My eye quick to beauty
  Saw much beside ribbons
  And buckles and feathers
  And leghorns and felts,
  To set off sweet faces,
  And dark hair and gold.
  One thing I will tell you
  And one I will ask:
  The stealers of husbands
  Wear powder and trinkets,
  And fashionable hats.
  Wives, wear them yourselves.
  Hats may make divorces—
  They also prevent them.
  Well now, let me ask you:
  If all of the children, born here in Spoon River
  Had been reared by the
  County, somewhere on a farm;
  And the fathers and mothers had been given their freedom
  To live and enjoy, change mates if they wished,
  Do you think that Spoon River
  Had been any the worse?

William and Emily

  THERE is something about
  Death Like love itself!
  If with some one with whom you have known passion
  And the glow of youthful love,
  You also, after years of life
  Together, feel the sinking of the fire
  And thus fade away together,
  Gradually, faintly, delicately,
  As it were in each other's arms,
  Passing from the familiar room—
  That is a power of unison between souls
  Like love itself!

The Circuit Judge

  TAKE note, passers-by, of the sharp erosions
  Eaten in my head-stone by the wind and rain—
  Almost as if an intangible Nemesis or hatred
  Were marking scores against me,
  But to destroy, and not preserve, my memory.
  I in life was the Circuit judge, a maker of notches,
  Deciding cases on the points the lawyers scored,
  Not on the right of the matter.
  O wind and rain, leave my head-stone alone
  For worse than the anger of the wronged,
  The curses of the poor,
  Was to lie speechless, yet with vision clear,
  Seeing that even Hod Putt, the murderer,
  Hanged by my sentence,
  Was innocent in soul compared with me.

Blind Jack

  I HAD fiddled all day at the county fair.
  But driving home "Butch" Weldy and Jack McGuire,
  Who were roaring full, made me fiddle and fiddle
  To the song of Susie Skinner, while whipping the horses
  Till they ran away. Blind as I was, I tried to get out
  As the carriage fell in the ditch,
  And was caught in the wheels and killed.
  There's a blind man here with a brow
  As big and white as a cloud.
  And all we fiddlers, from highest to lowest,
  Writers of music and tellers of stories
  Sit at his feet,
  And hear him sing of the fall of Troy.

John Horace Burleson

  I WON the prize essay at school
  Here in the village,
  And published a novel before I was twenty-five.
  I went to the city for themes and to enrich my art;
  There married the banker's daughter,
  And later became president of the bank—
  Always looking forward to some leisure
  To write an epic novel of the war.
  Meanwhile friend of the great, and lover of letters,
  And host to Matthew Arnold and to Emerson.
  An after dinner speaker, writing essays
  For local clubs. At last brought here—
  My boyhood home, you know—
  Not even a little tablet in Chicago
  To keep my name alive.
  How great it is to write the single line:
  "Roll on, thou deep and dark blue Ocean, roll!"

Nancy Knapp

  WELL, don't you see this was the way of it:
  We bought the farm with what he inherited,
  And his brothers and sisters accused him of poisoning
  His fathers mind against the rest of them.
  And we never had any peace with our treasure.
  The murrain took the cattle, and the crops failed.
  And lightning struck the granary.
  So we mortgaged the farm to keep going.
  And he grew silent and was worried all the time.
  Then some of the neighbors refused to speak to us,
  And took sides with his brothers and sisters.
  And I had no place to turn, as one may say to himself,
  At an earlier time in life;
  "No matter, So and so is my friend, or I can shake this off
  With a little trip to Decatur."
  Then the dreadfulest smells infested the rooms.
  So I set fire to the beds and the old witch-house
  Went up in a roar of flame,
  As I danced in the yard with waving arms,
  While he wept like a freezing steer.

Barry Holden

  THE very fall my sister Nancy Knapp
  Set fire to the house
  They were trying Dr. Duval
  For the murder of Zora Clemens,
  And I sat in the court two weeks
  Listening to every witness.
  It was clear he had got her in a family
  And to let the child be born
  Would not do.
  Well, how about me with eight children,
  And one coming, and the farm
  Mortgaged to Thomas Rhodes?
  And when I got home that night,
  (After listening to the story of the buggy ride,
  And the finding of Zora in the ditch,)
  The first thing I saw, right there by the steps,
  Where the boys had hacked for angle worms,
  Was the hatchet!
  And just as I entered there was my wife,
  Standing before me, big with child.
  She started the talk of the mortgaged farm,
  And I killed her.

State's Attorney Fallas

  I, THE scourge-wielder, balance-wrecker,
  Smiter with whips and swords;
  I, hater of the breakers of the law;
  I, legalist, inexorable and bitter,
  Driving the jury to hang the madman, Barry Holden,
  Was made as one dead by light too bright for eyes,
  And woke to face a Truth with bloody brow:
  Steel forceps fumbled by a doctor's hand
  Against my boy's head as he entered life
  Made him an idiot. I turned to books of science
  To care for him.
  That's how the world of those whose minds are sick
  Became my work in life, and all my world.
  Poor ruined boy! You were, at last, the potter
  And I and all my deeds of charity
  The vessels of your hand.

Wendell P. Bloyd

  THEY first charged me with disorderly conduct,
  There being no statute on blasphemy.
  Later they locked me up as insane
  Where I was beaten to death by a Catholic guard.
  My offense was this:
  I said God lied to Adam, and destined him
  To lead the life of a fool,
  Ignorant that there is evil in the world as well as good.
  And when Adam outwitted God by eating the apple
  And saw through the lie,
  God drove him out of Eden to keep him from taking
  The fruit of immortal life.
  For Christ's sake, you sensible people,
  Here's what God Himself says about it in the book of Genesis:
  "And the Lord God said, behold the man
  Is become as one of us" (a little envy, you see),
  "To know good and evil" (The all-is-good lie exposed):
  "And now lest he put forth his hand and take
  Also of the tree of life and eat, and live forever:
  Therefore the Lord God sent Him forth from the garden of Eden." (The
  reason I believe God crucified His Own Son
  To get out of the wretched tangle is, because it sounds just like Him. )

Francis Turner

  I COULD not run or play
  In boyhood.
  In manhood I could only sip the cup,
  Not drink—For scarlet-fever left my heart diseased.
  Yet I lie here
  Soothed by a secret none but Mary knows:
  There is a garden of acacia,
  Catalpa trees, and arbors sweet with vines—
  There on that afternoon in June
  By Mary's side—
  Kissing her with my soul upon my lips
  It suddenly took flight.

Franklin Jones

  IF I could have lived another year
  I could have finished my flying machine,
  And become rich and famous.
  Hence it is fitting the workman
  Who tried to chisel a dove for me
  Made it look more like a chicken.
  For what is it all but being hatched,
  And running about the yard,
  To the day of the block?
  Save that a man has an angel's brain,
  And sees the ax from the first!

John M. Church

  I WAS attorney for the "Q"
  And the Indemnity Company which insured
  The owners of the mine.
  I pulled the wires with judge and jury,
  And the upper courts, to beat the claims
  Of the crippled, the widow and orphan,
  And made a fortune thereat.
  The bar association sang my praises
  In a high-flown resolution.
  And the floral tributes were many—
  But the rats devoured my heart
  And a snake made a nest in my skull

Russian Sonia

  I, BORN in Weimar
  Of a mother who was French
  And German father, a most learned professor,
  Orphaned at fourteen years,
  Became a dancer, known as Russian Sonia,
  All up and down the boulevards of Paris,
  Mistress betimes of sundry dukes and counts,
  And later of poor artists and of poets.
  At forty years, passe, I sought New York
  And met old Patrick Hummer on the boat,
  Red-faced and hale, though turned his sixtieth year,
  Returning after having sold a ship-load
  Of cattle in the German city, Hamburg.
  He brought me to Spoon River and we lived here
  For twenty years—they thought that we were married
  This oak tree near me is the favorite haunt
  Of blue jays chattering, chattering all the day.
  And why not? for my very dust is laughing
  For thinking of the humorous thing called life.
  Barney Hainsfeather

  IF the excursion train to Peoria
  Had just been wrecked, I might have escaped with my life—
  Certainly I should have escaped this place.
  But as it was burned as well, they mistook me
  For John Allen who was sent to the Hebrew Cemetery
  At Chicago,
  And John for me, so I lie here.
  It was bad enough to run a clothing store in this town,
  But to be buried here—ach!

Petit, the Poet

  SEEDS in a dry pod, tick, tick, tick,
  Tick, tick, tick, like mites in a quarrel—
  Faint iambics that the full breeze wakens—
  But the pine tree makes a symphony thereof.
  Triolets, villanelles, rondels, rondeaus,
  Ballades by the score with the same old thought:
  The snows and the roses of yesterday are vanished;
  And what is love but a rose that fades?
  Life all around me here in the village:
  Tragedy, comedy, valor and truth,
  Courage, constancy, heroism, failure—
  All in the loom, and oh what patterns!
  Woodlands, meadows, streams and rivers—
  Blind to all of it all my life long.
  Triolets, villanelles, rondels, rondeaus,
  Seeds in a dry pod, tick, tick, tick, Tick, tick, tick, what little iambics,
  While Homer and Whitman roared in the pines?

Pauline Barrett

  ALMOST the shell of a woman after the surgeon's knife
  And almost a year to creep back into strength,
  Till the dawn of our wedding decennial
  Found me my seeming self again.
  We walked the forest together,
  By a path of soundless moss and turf.
  But I could not look in your eyes,
  And you could not look in my eyes,
  For such sorrow was ours—the beginning of gray in your hair.
  And I but a shell of myself.
  And what did we talk of?—sky and water,
  Anything, 'most, to hide our thoughts.
  And then your gift of wild roses,
  Set on the table to grace our dinner.
  Poor heart, how bravely you struggled
  To imagine and live a remembered rapture!
  Then my spirit drooped as the night came on,
  And you left me alone in my room for a while,
  As you did when I was a bride, poor heart.
  And I looked in the mirror and something said:
  "One should be all dead when one is half-dead—"
  Nor ever mock life, nor ever cheat love."
  And I did it looking there in the mirror—
  Dear, have you ever understood?

Mrs. Charles Bliss

  REVEREND WILEY advised me not to divorce him
  For the sake of the children,
  And Judge Somers advised him the same.
  So we stuck to the end of the path.
  But two of the children thought he was right,
  And two of the children thought I was right.
  And the two who sided with him blamed me,
  And the two who sided with me blamed him,
  And they grieved for the one they sided with.
  And all were torn with the guilt of judging,
  And tortured in soul because they could not admire
  Equally him and me.
  Now every gardener knows that plants grown in cellars
  Or under stones are twisted and yellow and weak.
  And no mother would let her baby suck
  Diseased milk from her breast.
  Yet preachers and judges advise the raising of souls
  Where there is no sunlight, but only twilight,
  No warmth, but only dampness and cold—
  Preachers and judges!

Mrs. George Reece

  To this generation I would say:
  Memorize some bit of verse of truth or beauty.
  It may serve a turn in your life.
  My husband had nothing to do
  With the fall of the bank—he was only cashier.
  The wreck was due to the president, Thomas Rhodes,
  And his vain, unscrupulous son.
  Yet my husband was sent to prison,
  And I was left with the children,
  To feed and clothe and school them.
  And I did it, and sent them forth
  Into the world all clean and strong,
  And all through the wisdom of Pope, the poet:
  "Act well your part, there all the honor lies."

Rev. Lemuel Wiley

  I PREACHED four thousand sermons,
  I conducted forty revivals,
  And baptized many converts.
  Yet no deed of mine
  Shines brighter in the memory of the world,
  And none is treasured more by me:
  Look how I saved the Blisses from divorce,
  And kept the children free from that disgrace,
  To grow up into moral men and women,
  Happy themselves, a credit to the village.

Thomas Ross, Jr.

  THIS I saw with my own eyes: A cliff—swallow
  Made her nest in a hole of the high clay-bank
  There near Miller's Ford.
  But no sooner were the young hatched
  Than a snake crawled up to the nest
  To devour the brood.
  Then the mother swallow with swift flutterings
  And shrill cries
  Fought at the snake,
  Blinding him with the beat of her wings,
  Until he, wriggling and rearing his head,
  Fell backward down the bank
  Into Spoon River and was drowned.
  Scarcely an hour passed
  Until a shrike
  Impaled the mother swallow on a thorn.
  As for myself I overcame my lower nature
  Only to be destroyed by my brother's ambition.

Rev. Abner Peet

  I HAD no objection at all
  To selling my household effects at auction
  On the village square.
  It gave my beloved flock the chance
  To get something which had belonged to me
  For a memorial.
  But that trunk which was struck off
  To Burchard, the grog-keeper!
  Did you know it contained the manuscripts
  Of a lifetime of sermons?
  And he burned them as waste paper.

Jefferson Howard

  MY valiant fight! For I call it valiant,
  With my father's beliefs from old Virginia:
  Hating slavery, but no less war.
  I, full of spirit, audacity, courage
  Thrown into life here in Spoon River,
  With its dominant forces drawn from
  New England, Republicans, Calvinists, merchants, bankers,
  Hating me, yet fearing my arm.
  With wife and children heavy to carry—
  Yet fruits of my very zest of life.
  Stealing odd pleasures that cost me prestige,
  And reaping evils I had not sown;
  Foe of the church with its charnel dankness,
  Friend of the human touch of the tavern;
  Tangled with fates all alien to me,
  Deserted by hands I called my own.
  Then just as I felt my giant strength
  Short of breath, behold my children
  Had wound their lives in stranger gardens—
  And I stood alone, as I started alone
  My valiant life! I died on my feet,
  Facing the silence—facing the prospect
  That no one would know of the fight I made.

Albert Schirding

  JONAS KEENE thought his lot a hard one
  Because his children were all failures.
  But I know of a fate more trying than that:
  It is to be a failure while your children are successes.
  For I raised a brood of eagles
  Who flew away at last, leaving me
  A crow on the abandoned bough.
  Then, with the ambition to prefix
  Honorable to my name,
  And thus to win my children's admiration,
  I ran for County Superintendent of Schools,
  Spending my accumulations to win—and lost.
  That fall my daughter received first prize in
  Paris For her picture, entitled, "The Old Mill"—
  (It was of the water mill before Henry Wilkin put in steam.)
  The feeling that I was not worthy of her finished me.

Jonas Keene

  WHY did Albert Schirding kill himself
  Trying to be County Superintendent of Schools,
  Blest as he was with the means of life
  And wonderful children, bringing him honor
  Ere he was sixty?
  If even one of my boys could have run a news-stand,
  Or one of my girls could have married a decent man,
  I should not have walked in the rain
  And jumped into bed with clothes all wet,
  Refusing medical aid.

Yee Bow

  THEY got me into the Sunday-school
  In Spoon River And tried to get me to drop
  Confucius for Jesus. I could have been no worse off
  If I had tried to get them to drop Jesus for Confucius.
  For, without any warning, as if it were a prank,
  And sneaking up behind me, Harry Wiley,
  The minister's son, caved my ribs into my lungs,
  With a blow of his fist.
  Now I shall never sleep with my ancestors in Pekin,
  And no children shall worship at my grave.

Washington McNeely

  RICH, honored by my fellow citizens,
  The father of many children, born of a noble mother,
  All raised there
  In the great mansion—house, at the edge of town.
  Note the cedar tree on the lawn!
  I sent all the boys to Ann Arbor, all of the girls to Rockford,
  The while my life went on, getting more riches and honors—
  Resting under my cedar tree at evening.
  The years went on. I sent the girls to Europe;
  I dowered them when married.
  I gave the boys money to start in business.
  They were strong children, promising as apples
  Before the bitten places show.
  But John fled the country in disgrace.
  Jenny died in child-birth—
  I sat under my cedar tree.
  Harry killed himself after a debauch, Susan was divorced—
  I sat under my cedar tree. Paul was invalided from over study,
  Mary became a recluse at home for love of a man—
  I sat under my cedar tree.
  All were gone, or broken-winged or devoured by life—
  I sat under my cedar tree.
  My mate, the mother of them, was taken—
  I sat under my cedar tree,
  Till ninety years were tolled.
  O maternal Earth, which rocks the fallen leaf to sleep.

Mary McNeely

  PASSER-BY,
  To love is to find your own soul
  Through the soul of the beloved one.
  When the beloved one withdraws itself from your soul
  Then you have lost your soul.
  It is written: "l have a friend,
  But my sorrow has no friend."
  Hence my long years of solitude at the home of my father,
  Trying to get myself back,
  And to turn my sorrow into a supremer self.
  But there was my father with his sorrows,
  Sitting under the cedar tree,
  A picture that sank into my heart at last
  Bringing infinite repose.
  Oh, ye souls who have made life
  Fragrant and white as tube roses
  From earth's dark soil,
  Eternal peace!

Daniel M'Cumber

  WHEN I went to the city, Mary McNeely,
  I meant to return for you, yes I did.
  But Laura, my landlady's daughter,
  Stole into my life somehow, and won me away.
  Then after some years whom should I meet
  But Georgine Miner from Niles—a sprout
  Of the free love, Fourierist gardens that flourished
  Before the war all over Ohio.
  Her dilettante lover had tired of her,
  And she turned to me for strength and solace.
  She was some kind of a crying thing
  One takes in one's arms, and all at once
  It slimes your face with its running nose,
  And voids its essence all over you;
  Then bites your hand and springs away.
  And there you stand bleeding and smelling to heaven
  Why, Mary McNeely, I was not worthy
  To kiss the hem of your robe!

Georgine Sand Miner

  A STEPMOTHER drove me from home, embittering me.
  A squaw-man, a flaneur and dilettante took my virtue.
  For years I was his mistress—no one knew.
  I learned from him the parasite cunning
  With which I moved with the bluffs, like a flea on a dog.
  All the time I was nothing but "very private," with different men.
  Then Daniel, the radical, had me for years.
  His sister called me his mistress;
  And Daniel wrote me:
  "Shameful word, soiling our beautiful love!"
  But my anger coiled, preparing its fangs.
  My Lesbian friend next took a hand.
  She hated Daniel's sister.
  And Daniel despised her midget husband.
  And she saw a chance for a poisonous thrust:
  I must complain to the wife of Daniel's pursuit!
  But before I did that I begged him to fly to London with me.
  "Why not stay in the city just as we have?" he asked.
  Then I turned submarine and revenged his repulse
  In the arms of my dilettante friend.
  Then up to the surface, Bearing the letter that Daniel wrote me
  To prove my honor was all intact, showing it to his wife,
  My Lesbian friend and everyone.
  If Daniel had only shot me dead!
  Instead of stripping me naked of lies
  A harlot in body and soul.

Thomas Rhodes

  VERY well, you liberals,
  And navigators into realms intellectual,
  You sailors through heights imaginative,
  Blown about by erratic currents, tumbling into air pockets,
  You Margaret Fuller Slacks, Petits,
  And Tennessee Claflin Shopes—
  You found with all your boasted wisdom
  How hard at the last it is
  To keep the soul from splitting into cellular atoms.
  While we, seekers of earth's treasures
  Getters and hoarders of gold,
  Are self-contained, compact, harmonized,
  Even to the end.

Penniwit, the Artist

  I LOST my patronage in Spoon River
  From trying to put my mind in the camera
  To catch the soul of the person.
  The very best picture I ever took
  Was of Judge Somers, attorney at law.
  He sat upright and had me pause
  Till he got his cross-eye straight.
  Then when he was ready he said "all right."
  And I yelled "overruled" and his eye turned up.
  And I caught him just as he used to look
  When saying "I except."

Jim Brown

  WHILE I was handling Dom Pedro
  I got at the thing that divides the race between men who are
  For singing "Turkey in the straw" or
  "There is a fountain filled with blood"—
  (Like Rile Potter used to sing it over at Concord).
  For cards, or for Rev. Peet's lecture on the holy land;
  For skipping the light fantastic, or passing the plate;
  For Pinafore, or a Sunday school cantata;
  For men, or for money;
  For the people or against them.
  This was it: Rev. Peet and the Social Purity Club,
  Headed by Ben Pantier's wife,
  Went to the Village trustees,
  And asked them to make me take Dom Pedro
  From the barn of Wash McNeely, there at the edge of town,
  To a barn outside of the corporation,
  On the ground that it corrupted public morals.
  Well, Ben Pantier and Fiddler Jones saved the day—
  They thought it a slam on colts.

Robert Davidson

  I GREW spiritually fat living off the souls of men.
  If I saw a soul that was strong
  I wounded its pride and devoured its strength.
  The shelters of friendship knew my cunning
  For where I could steal a friend I did so.
  And wherever I could enlarge my power
  By undermining ambition, I did so,
  Thus to make smooth my own.
  And to triumph over other souls,
  Just to assert and prove my superior strength,
  Was with me a delight,
  The keen exhilaration of soul gymnastics.
  Devouring souls, I should have lived forever.
  But their undigested remains bred in me a deadly nephritis,
  With fear, restlessness, sinking spirits,
  Hatred, suspicion, vision disturbed.
  I collapsed at last with a shriek.
  Remember the acorn;
  It does not devour other acorns.

Elsa Wertman

  I WAS a peasant girl from Germany,
  Blue-eyed, rosy, happy and strong.
  And the first place I worked was at Thomas Greene's.
  On a summer's day when she was away
  He stole into the kitchen and took me
  Right in his arms and kissed me on my throat,
  I turning my head. Then neither of us
  Seemed to know what happened.
  And I cried for what would become of me.
  And cried and cried as my secret began to show.
  One day Mrs. Greene said she understood,
  And would make no trouble for me,
  And, being childless, would adopt it.
  (He had given her a farm to be still. )
  So she hid in the house and sent out rumors,
  As if it were going to happen to her.
  And all went well and the child was born—
  They were so kind to me.
  Later I married Gus Wertman, and years passed.
  But—at political rallies when sitters-by thought I was crying
  At the eloquence of Hamilton Greene—
  That was not it. No! I wanted to say:
  That's my son!
  That's my son.

Hamilton Greene

  I WAS the only child of Frances Harris of Virginia
  And Thomas Greene of Kentucky,
  Of valiant and honorable blood both.
  To them I owe all that I became,
  Judge, member of Congress, leader in the State.
  From my mother I inherited
  Vivacity, fancy, language;
  From my father will, judgment, logic.
  All honor to them
  For what service I was to the people!

Ernest Hyde

  MY mind was a mirror:
  It saw what it saw, it knew what it knew.
  In youth my mind was just a mirror In a rapidly flying car,
  Which catches and loses bits of the landscape.
  Then in time
  Great scratches were made on the mirror,
  Letting the outside world come in,
  And letting my inner self look out.
  For this is the birth of the soul in sorrow,
  A birth with gains and losses.
  The mind sees the world as a thing apart,
  And the soul makes the world at one with itself.
  A mirror scratched reflects no image—
  And this is the silence of wisdom.

Roger Heston

  OH many times did Ernest Hyde and I
  Argue about the freedom of the will.
  My favorite metaphor was Prickett's cow
  Roped out to grass, and free you know as far
  As the length of the rope.
  One day while arguing so, watching the cow
  Pull at the rope to get beyond the circle
  Which she had eaten bare,
  Out came the stake, and tossing up her head,
  She ran for us.
  "What's that, free-will or what?" said Ernest, running.
  I fell just as she gored me to my death.

Amos Sibley

  NOT character, not fortitude, not patience
  Were mine, the which the village thought I had
  In bearing with my wife, while preaching on,
  Doing the work God chose for me.
  I loathed her as a termagant, as a wanton.
  I knew of her adulteries, every one.
  But even so, if I divorced the woman
  I must forsake the ministry.
  Therefore to do God's work and have it crop,
  I bore with her
  So lied I to myself
  So lied I to Spoon River!
  Yet I tried lecturing, ran for the legislature,
  Canvassed for books, with just the thought in mind:
  If I make money thus,
  I will divorce her.

Mrs. Sibley

  THE secret of the stars—gravitation.
  The secret of the earth—layers of rock.
  The secret of the soil—to receive seed.
  The secret of the seed—the germ.
  The secret of man—the sower.
  The secret of woman—the soil.
  My secret: Under a mound that you shall never find.

Adam Weirauch

  I WAS crushed between Altgeld and Armour.
  I lost many friends, much time and money
  Fighting for Altgeld whom Editor Whedon
  Denounced as the candidate of gamblers and anarchists.
  Then Armour started to ship dressed meat to Spoon River,
  Forcing me to shut down my slaughter-house
  And my butcher shop went all to pieces.
  The new forces of Altgeld and Armour caught me
  At the same time. I thought it due me, to recoup the money I lost
  And to make good the friends that left me,
  For the Governor to appoint me Canal Commissioner.
  Instead he appointed Whedon of the Spoon River Argus,
  So I ran for the legislature and was elected.
  I said to hell with principle and sold my vote
  On Charles T. Yerkes' street-car franchise.
  Of course I was one of the fellows they caught.
  Who was it, Armour, Altgeld or myself
  That ruined me?

Ezra Bartlett

  A CHAPLAIN in the army,
  A chaplain in the prisons,
  An exhorter in Spoon River,
  Drunk with divinity, Spoon River—
  Yet bringing poor Eliza Johnson to shame,
  And myself to scorn and wretchedness.
  But why will you never see that love of women,
  And even love of wine,
  Are the stimulants by which the soul, hungering for divinity,
  Reaches the ecstatic vision
  And sees the celestial outposts?
  Only after many trials for strength,
  Only when all stimulants fail,
  Does the aspiring soul
  By its own sheer power
  Find the divine
  By resting upon itself.

Amelia Garrick

  YES, here I lie close to a stunted rose bush
  In a forgotten place near the fence
  Where the thickets from Siever's woods
  Have crept over, growing sparsely.
  And you, you are a leader in New York,
  The wife of a noted millionaire,
  A name in the society columns,
  Beautiful, admired, magnified perhaps
  By the mirage of distance.
  You have succeeded,
  I have failed In the eyes of the world.
  You are alive, I am dead.
  Yet I know that I vanquished your spirit;
  And I know that lying here far from you,
  Unheard of among your great friends
  In the brilliant world where you move,
  I am really the unconquerable power over your life
  That robs it of complete triumph.

John Hancock Otis

  As to democracy, fellow citizens,
  Are you not prepared to admit
  That I, who inherited riches and was to the manor born,
  Was second to none in Spoon River
  In my devotion to the cause of Liberty?
  While my contemporary, Anthony Findlay,
  Born in a shanty and beginning life
  As a water carrier to the section hands,
  Then becoming a section hand when he was grown,
  Afterwards foreman of the gang, until he rose
  To the superintendency of the railroad,
  Living in Chicago,
  Was a veritable slave driver,
  Grinding the faces of labor,
  And a bitter enemy of democracy.
  And I say to you, Spoon River,
  And to you, O republic,
  Beware of the man who rises to power
  From one suspender.

The Unknown

  YE aspiring ones, listen to the story of the unknown
  Who lies here with no stone to mark the place.
  As a boy reckless and wanton,
  Wandering with gun in hand through the forest
  Near the mansion of Aaron Hatfield,
  I shot a hawk perched on the top
  Of a dead tree. He fell with guttural cry
  At my feet, his wing broken.
  Then I put him in a cage
  Where he lived many days cawing angrily at me
  When I offered him food.
  Daily I search the realms of Hades
  For the soul of the hawk,
  That I may offer him the friendship
  Of one whom life wounded and caged.
  Alexander Throckmorton

  IN youth my wings were strong and tireless,
  But I did not know the mountains.
  In age I knew the mountains
  But my weary wings could not follow my vision—
  Genius is wisdom and youth.

Jonathan Swift Somers (Author of the Spooniad)

  AFTER you have enriched your soul
  To the highest point,
  With books, thought, suffering,
  The understanding of many personalities,
  The power to interpret glances, silences,
  The pauses in momentous transformations,
  The genius of divination and prophecy;
  So that you feel able at times to hold the world
  In the hollow of your hand;
  Then, if, by the crowding of so many powers
  Into the compass of your soul,
  Your soul takes fire,
  And in the conflagration of your soul
  The evil of the world is lighted up and made clear—
  Be thankful if in that hour of supreme vision
  Life does not fiddle.

Widow McFarlane

  I WAS the Widow McFarlane,
  Weaver of carpets for all the village.
  And I pity you still at the loom of life,
  You who are singing to the shuttle
  And lovingly watching the work of your hands,
  If you reach the day of hate, of terrible truth.
  For the cloth of life is woven, you know,
  To a pattern hidden under the loom—
  A pattern you never see!
  And you weave high-hearted, singing, singing,
  You guard the threads of love and friendship
  For noble figures in gold and purple.
  And long after other eyes can see
  You have woven a moon-white strip of cloth,
  You laugh in your strength, for Hope overlays it
  With shapes of love and beauty.
  The loom stops short!
  The pattern's out
  You're alone in the room!
  You have woven a shroud
  And hate of it lays you in it.

Carl Hamblin

  THE press of the Spoon River Clarion was wrecked,
  And I was tarred and feathered,
  For publishing this on the day the
  Anarchists were hanged in Chicago:
  "l saw a beautiful woman with bandaged eyes
  Standing on the steps of a marble temple.
  Great multitudes passed in front of her,
  Lifting their faces to her imploringly.
  In her left hand she held a sword.
  She was brandishing the sword,
  Sometimes striking a child, again a laborer,
  Again a slinking woman, again a lunatic.
  In her right hand she held a scale;
  Into the scale pieces of gold were tossed
  By those who dodged the strokes of the sword.
  A man in a black gown read from a manuscript:
  "She is no respecter of persons."
  Then a youth wearing a red cap
  Leaped to her side and snatched away the bandage.
  And lo, the lashes had been eaten away
  From the oozy eye-lids;
  The eye-balls were seared with a milky mucus;
  The madness of a dying soul
  Was written on her face—
  But the multitude saw why she wore the bandage."

Editor Whedon

  To be able to see every side of every question;
  To be on every side, to be everything, to be nothing long;
  To pervert truth, to ride it for a purpose,
  To use great feelings and passions of the human family
  For base designs, for cunning ends,
  To wear a mask like the Greek actors—
  Your eight-page paper—behind which you huddle,
  Bawling through the megaphone of big type:
  "This is I, the giant."
  Thereby also living the life of a sneak-thief,
  Poisoned with the anonymous words
  Of your clandestine soul.
  To scratch dirt over scandal for money,
  And exhume it to the winds for revenge,
  Or to sell papers,
  Crushing reputations, or bodies, if need be,
  To win at any cost, save your own life.
  To glory in demoniac power, ditching civilization,
  As a paranoiac boy puts a log on the track
  And derails the express train.
  To be an editor, as I was.
  Then to lie here close by the river over the place
  Where the sewage flows from the village,
  And the empty cans and garbage are dumped,
  And abortions are hidden.

Eugene Carman

  RHODES, slave! Selling shoes and gingham,
  Flour and bacon, overalls, clothing, all day long
  For fourteen hours a day for three hundred and thirteen days
  For more than twenty years.
  Saying "Yes'm" and "Yes, sir", and "Thank you"
  A thousand times a day, and all for fifty dollars a month.
  Living in this stinking room in the rattle-trap "Commercial."
  And compelled to go to Sunday School, and to listen
  To the Rev. Abner Peet one hundred and four times a year
  For more than an hour at a time,
  Because Thomas Rhodes ran the church
  As well as the store and the bank.
  So while I was tying my neck-tie that morning
  I suddenly saw myself in the glass:
  My hair all gray, my face like a sodden pie.
  So I cursed and cursed: You damned old thing
  You cowardly dog! You rotten pauper!
  You Rhodes' slave! Till Roger Baughman
  Thought I was having a fight with some one,
  And looked through the transom just in time
  To see me fall on the floor in a heap
  From a broken vein in my head.

Clarence Fawcett

  THE sudden death of Eugene Carman
  Put me in line to be promoted to fifty dollars a month,
  And I told my wife and children that night.
  But it didn't come, and so I thought
  Old Rhodes suspected me of stealing
  The blankets I took and sold on the side
  For money to pay a doctor's bill for my little girl.
  Then like a bolt old Rhodes accused me,
  And promised me mercy for my family's sake
  If I confessed, and so I confessed,
  And begged him to keep it out of the papers,
  And I asked the editors, too.
  That night at home the constable took me
  And every paper, except the Clarion,
  Wrote me up as a thief
  Because old Rhodes was an advertiser
  And wanted to make an example of me.
  Oh! well, you know how the children cried,
  And how my wife pitied and hated me,
  And how I came to lie here.

W. Lloyd Garrison Standard

  VEGETARIAN, non—resistant, free-thinker, in ethics a Christian;
  Orator apt at the rhine-stone rhythm of Ingersoll.
  Carnivorous, avenger, believer and pagan.
  Continent, promiscuous, changeable, treacherous, vain,
  Proud, with the pride that makes struggle a thing for laughter;
  With heart cored out by the worm of theatric despair.
  Wearing the coat of indifference to hide the shame of defeat;
  I, child of the abolitionist idealism—
  A sort of Brand in a birth of half-and-half.
  What other thing could happen when I defended
  The patriot scamps who burned the court house
  That Spoon River might have a new one
  Than plead them guilty?
  When Kinsey Keene drove through
  The card—board mask of my life with a spear of light,
  What could I do but slink away, like the beast of myself
  Which I raised from a whelp, to a corner and growl?
  The pyramid of my life was nought but a dune,
  Barren and formless, spoiled at last by the storm.

Professor Newcomer

  EVERYONE laughed at Col. Prichard
  For buying an engine so powerful
  That it wrecked itself, and wrecked the grinder
  He ran it with.
  But here is a joke of cosmic size:
  The urge of nature that made a man
  Evolve from his brain a spiritual life—
  Oh miracle of the world!—
  The very same brain with which the ape and wolf
  Get food and shelter and procreate themselves.
  Nature has made man do this,
  In a world where she gives him nothing to do
  After all—(though the strength of his soul goes round
  In a futile waste of power.
  To gear itself to the mills of the gods)—
  But get food and shelter and procreate himself!

Ralph Rhodes

  ALL they said was true:
  I wrecked my father's bank with my loans
  To dabble in wheat; but this was true—
  I was buying wheat for him as well,
  Who couldn't margin the deal in his name
  Because of his church relationship.
  And while George Reece was serving his term
  I chased the will-o-the-wisp of women
  And the mockery of wine in New York.
  It's deathly to sicken of wine and women
  When nothing else is left in life.
  But suppose your head is gray, and bowed
  On a table covered with acrid stubs
  Of cigarettes and empty glasses,
  And a knock is heard, and you know it's the knock
  So long drowned out by popping corks
  And the pea-cock screams of demireps—
  And you look up, and there's your Theft,
  Who waited until your head was gray,
  And your heart skipped beats to say to you:
  The game is ended. I've called for you,
  Go out on Broadway and be run over,
  They'll ship you back to Spoon River.

Mickey M'Grew

  IT was just like everything else in life:
  Something outside myself drew me down,
  My own strength never failed me.
  Why, there was the time I earned the money
  With which to go away to school,
  And my father suddenly needed help
  And I had to give him all of it.
  Just so it went till I ended up
  A man-of—all-work in Spoon River.
  Thus when I got the water-tower cleaned,
  And they hauled me up the seventy feet,
  I unhooked the rope from my waist,
  And laughingly flung my giant arms
  Over the smooth steel lips of the top of the tower—
  But they slipped from the treacherous slime,
   And down, down, down, I plunged
  Through bellowing darkness!

Rosie Roberts

  I WAS sick, but more than that, I was mad
  At the crooked police, and the crooked game of life.
  So I wrote to the Chief of Police at Peoria:
  "l am here in my girlhood home in Spoon River,
  Gradually wasting away.
  But come and take me, I killed the son
  Of the merchant prince, in Madam Lou's
  And the papers that said he killed himself
  In his home while cleaning a hunting gun—
  Lied like the devil to hush up scandal
  For the bribe of advertising.
  In my room I shot him, at Madam Lou's,
  Because he knocked me down when I said
  That, in spite of all the money he had,
  I'd see my lover that night."

Oscar Hummel

  I STAGGERED on through darkness,
  There was a hazy sky, a few stars
  Which I followed as best I could.
  It was nine o'clock, I was trying to get home.
  But somehow I was lost,
  Though really keeping the road.
  Then I reeled through a gate and into a yard,
  And called at the top of my voice:
  "Oh, Fiddler! Oh, Mr. Jones!"
  (I thought it was his house and he would show me the way home. )
  But who should step out but A. D. Blood,
  In his night shirt, waving a stick of wood,
  And roaring about the cursed saloons,
  And the criminals they made?
  "You drunken Oscar Hummel", he said,
  As I stood there weaving to and fro,
  Taking the blows from the stick in his hand
  Till I dropped down dead at his feet.

Josiah Tompkins

  I WAS well known and much beloved
  And rich, as fortunes are reckoned
  In Spoon River, where I had lived and worked.
  That was the home for me,
  Though all my children had flown afar—
  Which is the way of Nature—all but one.
  The boy, who was the baby, stayed at home,
  To be my help in my failing years
  And the solace of his mother.
  But I grew weaker, as he grew stronger,
  And he quarreled with me about the business,
  And his wife said I was a hindrance to it;
  And he won his mother to see as he did,
  Till they tore me up to be transplanted
  With them to her girlhood home in Missouri.
  And so much of my fortune was gone at last,
  Though I made the will just as he drew it,
  He profited little by it.

Roscoe Purkapile

  SHE loved me.
  Oh! how she loved me I never had a chance to escape
  From the day she first saw me.
  But then after we were married I thought
  She might prove her mortality and let me out,
  Or she might divorce me. But few die, none resign.
  Then I ran away and was gone a year on a lark.
  But she never complained. She said all would be well
  That I would return. And I did return.
  I told her that while taking a row in a boat
  I had been captured near Van Buren Street
  By pirates on Lake Michigan,
  And kept in chains, so I could not write her.
  She cried and kissed me, and said it was cruel,
  Outrageous, inhuman! I then concluded our marriage
  Was a divine dispensation
  And could not be dissolved,
  Except by death.
  I was right.

Mrs. Purkapile

  HE ran away and was gone for a year.
  When he came home he told me the silly story
  Of being kidnapped by pirates on Lake Michigan
  And kept in chains so he could not write me.
  I pretended to believe it, though I knew very well
  What he was doing, and that he met
  The milliner, Mrs. Williams, now and then
  When she went to the city to buy goods, as she said.
  But a promise is a promise
  And marriage is marriage,
  And out of respect for my own character
  I refused to be drawn into a divorce
  By the scheme of a husband who had merely grown tired
  Of his marital vow and duty.

Mrs. Kessler

  MR. KESSLER, you know, was in the army,
  And he drew six dollars a month as a pension,
  And stood on the corner talking politics,
  Or sat at home reading Grant's Memoirs;
  And I supported the family by washing,
  Learning the secrets of all the people
  From their curtains, counterpanes, shirts and skirts.
  For things that are new grow old at length,
  They're replaced with better or none at all:
  People are prospering or falling back.
  And rents and patches widen with time;
  No thread or needle can pace decay,
  And there are stains that baffle soap,
  And there are colors that run in spite of you,
  Blamed though you are for spoiling a dress.
  Handkerchiefs, napery, have their secrets—
  The laundress, Life, knows all about it.
  And I, who went to all the funerals
  Held in Spoon River, swear I never
  Saw a dead face without thinking it looked
  Like something washed and ironed.

Harmon Whitney

  OUT of the lights and roar of cities,
  Drifting down like a spark in Spoon River,
  Burnt out with the fire of drink, and broken,
  The paramour of a woman I took in self-contempt,
  But to hide a wounded pride as well.
  To be judged and loathed by a village of little minds—
  I, gifted with tongues and wisdom,
  Sunk here to the dust of the justice court,
  A picker of rags in the rubbage of spites and wrongs,—
  I, whom fortune smiled on!
  I in a village,
  Spouting to gaping yokels pages of verse,
  Out of the lore of golden years,
  Or raising a laugh with a flash of filthy wit
  When they bought the drinks to kindle my dying mind.
  To be judged by you,
  The soul of me hidden from you,
  With its wound gangrened
  By love for a wife who made the wound,
  With her cold white bosom, treasonous, pure and hard,
  Relentless to the last, when the touch of her hand,
  At any time, might have cured me of the typhus,
  Caught in the jungle of life where many are lost.
  And only to think that my soul could not react,
  Like Byron's did, in song, in something noble,
  But turned on itself like a tortured snake—judge me this way,
  O world.

Bert Kessler

  I WINGED my bird,
  Though he flew toward the setting sun;
  But just as the shot rang out, he soared
  Up and up through the splinters of golden light,
  Till he turned right over, feathers ruffled,
  With some of the down of him floating near,
  And fell like a plummet into the grass.
  I tramped about, parting the tangles,
  Till I saw a splash of blood on a stump,
  And the quail lying close to the rotten roots.
  I reached my hand, but saw no brier,
  But something pricked and stung and numbed it.
  And then, in a second, I spied the rattler—
  The shutters wide in his yellow eyes,
  The head of him arched, sunk back in the rings of him,
  A circle of filth, the color of ashes,
  Or oak leaves bleached under layers of leaves.
  I stood like a stone as he shrank and uncoiled
  And started to crawl beneath the stump,
  When I fell limp in the grass.

Lambert Hutchins

  I HAVE two monuments besides this granite obelisk:
  One, the house I built on the hill,
  With its spires, bay windows, and roof of slate.
  The other, the lake-front in Chicago,
  Where the railroad keeps a switching yard,
  With whistling engines and crunching wheels
  And smoke and soot thrown over the city,
  And the crash of cars along the boulevard,—
  A blot like a hog-pen on the harbor
  Of a great metropolis, foul as a sty.
  I helped to give this heritage
  To generations yet unborn, with my vote
  In the House of Representatives,
  And the lure of the thing was to be at rest
  From the never—ending fright of need,
  And to give my daughters gentle breeding,
  And a sense of security in life.
  But, you see, though I had the mansion house
  And traveling passes and local distinction,
  I could hear the whispers, whispers, whispers,
  Wherever I went, and my daughters grew up
  With a look as if some one were about to strike them;
  And they married madly, helter-skelter,
  Just to get out and have a change.
  And what was the whole of the business worth?
  Why, it wasn't worth a damn!

Lillian Stewart

  I WAS the daughter of Lambert Hutchins,
  Born in a cottage near the grist—mill,
  Reared in the mansion there on the hill,
  With its spires, bay—windows, and roof of slate.
  How proud my mother was of the mansion
  How proud of father's rise in the world!
  And how my father loved and watched us,
  And guarded our happiness.
  But I believe the house was a curse,
  For father's fortune was little beside it;
  And when my husband found he had married
  A girl who was really poor,
  He taunted me with the spires,
  And called the house a fraud on the world,
  A treacherous lure to young men, raising hopes
  Of a dowry not to be had;
  And a man while selling his vote
  Should get enough from the people's betrayal
  To wall the whole of his family in.
  He vexed my life till I went back home
  And lived like an old maid till I died,
  Keeping house for father.

Hortense Robbins

  MY name used to be in the papers daily
  As having dined somewhere,
  Or traveled somewhere,
  Or rented a house in Paris,
  Where I entertained the nobility.
  I was forever eating or traveling,
  Or taking the cure at Baden-Baden.
  Now I am here to do honor
  To Spoon River, here beside the family whence I sprang.
  No one cares now where I dined,
  Or lived, or whom I entertained,
  Or how often I took the cure at Baden-Baden.

Jacob Godbey

  How did you feel, you libertarians,
  Who spent your talents rallying noble reasons
  Around the saloon, as if Liberty
  Was not to be found anywhere except at the bar
  Or at a table, guzzling?
  How did you feel, Ben Pantier, and the rest of you,
  Who almost stoned me for a tyrant
  Garbed as a moralist,
  And as a wry-faced ascetic frowning upon Yorkshire pudding,
  Roast beef and ale and good will and rosy cheer—
  Things you never saw in a grog-shop in your life?
  How did you feel after I was dead and gone,
  And your goddess, Liberty, unmasked as a strumpet,
  Selling out the streets of Spoon River
  To the insolent giants
  Who manned the saloons from afar?
  Did it occur to you that personal liberty
  Is liberty of the mind,
  Rather than of the belly?

Walter Simmons

  MY parents thought that I would be
  As great as Edison or greater:
  For as a boy I made balloons
  And wondrous kites and toys with clocks
  And little engines with tracks to run on
  And telephones of cans and thread.
  I played the cornet and painted pictures,
  Modeled in clay and took the part
  Of the villain in the "Octoroon."
  But then at twenty—one I married
  And had to live, and so, to live
  I learned the trade of making watches
  And kept the jewelry store on the square,
  Thinking, thinking, thinking, thinking,—
  Not of business, but of the engine
  I studied the calculus to build.
  And all Spoon River watched and waited
  To see it work, but it never worked.
  And a few kind souls believed my genius
  Was somehow hampered by the store.
  It wasn't true.
  The truth was this:
  I did not have the brains.

Tom Beatty

  I WAS a lawyer like Harmon Whitney
  Or Kinsey Keene or Garrison Standard,
  For I tried the rights of property,
  Although by lamp-light, for thirty years,
  In that poker room in the opera house.
  And I say to you that Life's a gambler
  Head and shoulders above us all.
  No mayor alive can close the house.
  And if you lose, you can squeal as you will;
  You'll not get back your money.
  He makes the percentage hard to conquer;
  He stacks the cards to catch your weakness
  And not to meet your strength.
  And he gives you seventy years to play:
  For if you cannot win in seventy
  You cannot win at all.
  So, if you lose, get out of the room—
  Get out of the room when your time is up.
  It's mean to sit and fumble the cards
  And curse your losses, leaden-eyed,
  Whining to try and try.

Roy Butler

  IF the learned Supreme Court of Illinois
  Got at the secret of every case
  As well as it does a case of rape
  It would be the greatest court in the world.
  A jury, of neighbors mostly, with "Butch" Weldy
  As foreman, found me guilty in ten minutes
  And two ballots on a case like this:
  Richard Bandle and I had trouble over a fence
  And my wife and Mrs. Bandle quarreled
  As to whether Ipava was a finer town than Table Grove.
  I awoke one morning with the love of God
  Brimming over my heart, so I went to see Richard
  To settle the fence in the spirit of Jesus Christ.
  I knocked on the door, and his wife opened;
  She smiled and asked me in.
  I entered— She slammed the door and began to scream,
  "Take your hands off, you low down varlet!"
  Just then her husband entered.
  I waved my hands, choked up with words.
  He went for his gun, and I ran out.
  But neither the Supreme Court nor my wife
  Believed a word she said.

Searcy Foote

  I WANTED to go away to college
  But rich Aunt Persis wouldn't help me.
  So I made gardens and raked the lawns
  And bought John Alden's books with my earnings
  And toiled for the very means of life.
  I wanted to marry Delia Prickett,
  But how could I do it with what I earned?
  And there was Aunt Persis more than seventy
  Who sat in a wheel-chair half alive
  With her throat so paralyzed, when she swallowed
  The soup ran out of her mouth like a duck—
  A gourmand yet, investing her income
  In mortgages, fretting all the time
  About her notes and rents and papers.
  That day I was sawing wood for her,
  And reading Proudhon in between.
  I went in the house for a drink of water,
  And there she sat asleep in her chair,
  And Proudhon lying on the table,
  And a bottle of chloroform on the book,
  She used sometimes for an aching tooth!
  I poured the chloroform on a handkerchief
  And held it to her nose till she died.—
  Oh Delia, Delia, you and Proudhon
  Steadied my hand, and the coroner
  Said she died of heart failure.
  I married Delia and got the money—
  A joke on you, Spoon River?

Edmund Pollard

  I WOULD I had thrust my hands of flesh
  Into the disk—flowers bee-infested,
  Into the mirror-like core of fire
  Of the light of life, the sun of delight.
  For what are anthers worth or petals
  Or halo-rays? Mockeries, shadows
  Of the heart of the flower, the central flame
  All is yours, young passer-by;
  Enter the banquet room with the thought;
  Don't sidle in as if you were doubtful
  Whether you're welcome—the feast is yours!
  Nor take but a little, refusing more
  With a bashful "Thank you", when you're hungry.
  Is your soul alive? Then let it feed!
  Leave no balconies where you can climb;
  Nor milk-white bosoms where you can rest;
  Nor golden heads with pillows to share;
  Nor wine cups while the wine is sweet;
  Nor ecstasies of body or soul,
  You will die, no doubt, but die while living
  In depths of azure, rapt and mated,
  Kissing the queen-bee, Life!

Thomas Trevelyan

  READING in Ovid the sorrowful story of Itys,
  Son of the love of Tereus and Procne, slain
  For the guilty passion of Tereus for Philomela,
  The flesh of him served to Tereus by Procne,
  And the wrath of Tereus, the murderess pursuing
  Till the gods made Philomela a nightingale,
  Lute of the rising moon, and Procne a swallow
  Oh livers and artists of Hellas centuries gone,
  Sealing in little thuribles dreams and wisdom,
  Incense beyond all price, forever fragrant,
  A breath whereof makes clear the eyes of the soul
  How I inhaled its sweetness here in Spoon River!
  The thurible opening when I had lived and learned
  How all of us kill the children of love, and all of us,
  Knowing not what we do, devour their flesh;
  And all of us change to singers, although it be
  But once in our lives, or change—alas!—to swallows,
  To twitter amid cold winds and falling leaves!

Percival Sharp

  OBSERVE the clasped hands!
  Are they hands of farewell or greeting,
  Hands that I helped or hands that helped me?
  Would it not be well to carve a hand
  With an inverted thumb, like Elagabalus?
  And yonder is a broken chain,
  The weakest-link idea perhaps—but what was it?
  And lambs, some lying down,
  Others standing, as if listening to the shepherd—
  Others bearing a cross, one foot lifted up—
  Why not chisel a few shambles?
  And fallen columns!
  Carve the pedestal, please,
  Or the foundations; let us see the cause of the fall.
  And compasses and mathematical instruments,
  In irony of the under tenants, ignorance
  Of determinants and the calculus of variations.
  And anchors, for those who never sailed.
  And gates ajar—yes, so they were;
  You left them open and stray goats entered your garden.
  And an eye watching like one of the Arimaspi—
  So did you—with one eye.
  And angels blowing trumpets—you are heralded—
  It is your horn and your angel and your family's estimate.
  It is all very well, but for myself
  I know I stirred certain vibrations in Spoon River
  Which are my true epitaph, more lasting than stone.

Hiram Scates

  I TRIED to win the nomination
  For president of the County-board
  And I made speeches all over the County
  Denouncing Solomon Purple, my rival,
  As an enemy of the people,
  In league with the master-foes of man.
  Young idealists, broken warriors,
  Hobbling on one crutch of hope,
  Souls that stake their all on the truth,
  Losers of worlds at heaven's bidding,
  Flocked about me and followed my voice
  As the savior of the County.
  But Solomon won the nomination;
  And then I faced about,
  And rallied my followers to his standard,
  And made him victor, made him King
  Of the Golden Mountain with the door
  Which closed on my heels just as I entered,
  Flattered by Solomon's invitation,
  To be the County—board's secretary.
  And out in the cold stood all my followers:
  Young idealists, broken warriors
  Hobbling on one crutch of hope—
  Souls that staked their all on the truth,
  Losers of worlds at heaven's bidding,
  Watching the Devil kick the Millennium
  Over the Golden Mountain.

Peleg Poague

  HORSES and men are just alike.
  There was my stallion, Billy Lee,
  Black as a cat and trim as a deer,
  With an eye of fire, keen to start,
  And he could hit the fastest speed
  Of any racer around Spoon River.
  But just as you'd think he couldn't lose,
  With his lead of fifty yards or more,
  He'd rear himself and throw the rider,
  And fall back over, tangled up,
  Completely gone to pieces.
  You see he was a perfect fraud:
  He couldn't win, he couldn't work,
  He was too light to haul or plow with,
  And no one wanted colts from him.
  And when I tried to drive him—well,
  He ran away and killed me.

Jeduthan Hawley

  THERE would be a knock at the door
  And I would arise at midnight and go to the shop,
  Where belated travelers would hear me hammering
  Sepulchral boards and tacking satin.
  And often I wondered who would go with me
  To the distant land, our names the theme
  For talk, in the same week, for I've observed
  Two always go together.
  Chase Henry was paired with Edith Conant;
  And Jonathan Somers with Willie Metcalf;
  And Editor Hamblin with Francis Turner,
  When he prayed to live longer than Editor Whedon,
  And Thomas Rhodes with widow McFarlane;
  And Emily Sparks with Barry Holden;
  And Oscar Hummel with Davis Matlock;
  And Editor Whedon with Fiddler Jones;
  And Faith Matheny with Dorcas Gustine.
  And I, the solemnest man in town,
  Stepped off with Daisy Fraser.

Abel Melveny

  I BOUGHT every kind of machine that's known—
  Grinders, shellers, planters, mowers,
  Mills and rakes and ploughs and threshers—
  And all of them stood in the rain and sun,
  Getting rusted, warped and battered,
  For I had no sheds to store them in,
  And no use for most of them.
  And toward the last, when I thought it over,
  There by my window, growing clearer
  About myself, as my pulse slowed down,
  And looked at one of the mills I bought—
  Which I didn't have the slightest need of,
  As things turned out, and I never ran—
  A fine machine, once brightly varnished,
  And eager to do its work,
  Now with its paint washed off—
  I saw myself as a good machine
  That Life had never used.

Oaks Tutt

  MY mother was for woman's rights
  And my father was the rich miller at London Mills.
  I dreamed of the wrongs of the world and wanted to right them.
  When my father died, I set out to see peoples and countries
  In order to learn how to reform the world.
  I traveled through many lands. I saw the ruins of Rome
  And the ruins of Athens, And the ruins of Thebes.
  And I sat by moonlight amid the necropolis of Memphis.
  There I was caught up by wings of flame,
  And a voice from heaven said to me:
  "Injustice, Untruth destroyed them.
  Go forth Preach Justice! Preach Truth!"
  And I hastened back to Spoon River
  To say farewell to my mother before beginning my work.
  They all saw a strange light in my eye.
  And by and by, when I talked, they discovered
  What had come in my mind.
  Then Jonathan Swift Somers challenged me to debate
  The subject, (I taking the negative):
  "Pontius Pilate, the Greatest Philosopher of the World."
  And he won the debate by saying at last,
  "Before you reform the world, Mr. Tutt
  Please answer the question of Pontius Pilate:
  "What is Truth?"

Elliott Hawkins

  I LOOKED like Abraham Lincoln.
  I was one of you, Spoon River, in all fellowship,
  But standing for the rights of property and for order.
  A regular church attendant,
  Sometimes appearing in your town meetings to warn you
  Against the evils of discontent and envy
  And to denounce those who tried to destroy the Union,
  And to point to the peril of the Knights of Labor.
  My success and my example are inevitable influences
  In your young men and in generations to come,
  In spite of attacks of newspapers like the Clarion;
  A regular visitor at Springfield
  When the Legislature was in session
  To prevent raids upon the railroads
  And the men building up the state.
  Trusted by them and by you, Spoon River, equally
  In spite of the whispers that I was a lobbyist.
  Moving quietly through the world, rich and courted.
  Dying at last, of course, but lying here
  Under a stone with an open book carved upon it
  And the words "Of such is the Kingdom of Heaven."
  And now, you world-savers, who reaped nothing in life
  And in death have neither stones nor epitaphs,
  How do you like your silence from mouths stopped
  With the dust of my triumphant career?

Enoch Dunlap

  How many times, during the twenty years
  I was your leader, friends of Spoon River,
  Did you neglect the convention and caucus,
  And leave the burden on my hands
  Of guarding and saving the people's cause?—
  Sometimes because you were ill;
  Or your grandmother was ill;
  Or you drank too much and fell asleep;
  Or else you said: "He is our leader,
  All will be well; he fights for us;
  We have nothing to do but follow."
  But oh, how you cursed me when I fell,
  And cursed me, saying I had betrayed you,
  In leaving the caucus room for a moment,
  When the people's enemies, there assembled,
  Waited and watched for a chance to destroy
  The Sacred Rights of the People.
  You common rabble! I left the caucus
  To go to the urinal.

Ida Frickey

  NOTHING in life is alien to you:
  I was a penniless girl from Summum
  Who stepped from the morning train in Spoon River.
  All the houses stood before me with closed doors
  And drawn shades—l was barred out;
  I had no place or part in any of them.
  And I walked past the old McNeely mansion,
  A castle of stone 'mid walks and gardens
  With workmen about the place on guard
  And the County and State upholding it
  For its lordly owner, full of pride.
  I was so hungry I had a vision:
  I saw a giant pair of scissors
  Dip from the sky, like the beam of a dredge,
  And cut the house in two like a curtain.
  But at the "Commercial" I saw a man
  Who winked at me as I asked for work—
  It was Wash McNeely's son.
  He proved the link in the chain of title
  To half my ownership of the mansion,
  Through a breach of promise suit—the scissors.
  So, you see, the house, from the day I was born,
  Was only waiting for me.

Seth Compton

  WHEN I died, the circulating library
  Which I built up for Spoon River,
  And managed for the good of inquiring minds,
  Was sold at auction on the public square,
  As if to destroy the last vestige
  Of my memory and influence.
  For those of you who could not see the virtue
  Of knowing Volney's "Ruins" as well as Butler's "Analogy"
  And "Faust" as well as "Evangeline,"
  Were really the power in the village,
  And often you asked me
  "What is the use of knowing the evil in the world?"
  I am out of your way now, Spoon River,
  Choose your own good and call it good.
  For I could never make you see
  That no one knows what is good
  Who knows not what is evil;
  And no one knows what is true
  Who knows not what is false.

Felix Schmidt

  IT was only a little house of two rooms—
  Almost like a child's play-house—
  With scarce five acres of ground around it;
  And I had so many children to feed
  And school and clothe, and a wife who was sick
  From bearing children.
  One day lawyer Whitney came along
  And proved to me that Christian Dallman,
  Who owned three thousand acres of land,
  Had bought the eighty that adjoined me
  In eighteen hundred and seventy-one
  For eleven dollars, at a sale for taxes,
  While my father lay in his mortal illness.
  So the quarrel arose and I went to law.
  But when we came to the proof,
  A survey of the land showed clear as day
  That Dallman's tax deed covered my ground
  And my little house of two rooms.
  It served me right for stirring him up.
  I lost my case and lost my place.
  I left the court room and went to work
  As Christian Dallman's tenant.

Richard Bone

  When I first came to Spoon River
  I did not know whether what they told me
  Was true or false.
  They would bring me the epitaph
  And stand around the shop while I worked
  And say "He was so kind," "He was so wonderful,"
  "She was the sweetest woman," "He was a consistent Christian."
  And I chiseled for them whatever they wished,
  All in ignorance of the truth.
  But later, as I lived among the people here,
  I knew how near to the life
  Were the epitaphs that were ordered for them as they died.
  But still I chiseled whatever they paid me to chisel
  And made myself party to the false chronicles
  Of the stones,
  Even as the historian does who writes
  Without knowing the truth,
  Or because he is influenced to hide it.

Silas Dement

  It was moon-light, and the earth sparkled
  With new-fallen frost.
  It was midnight and not a soul abroad.
  Out of the chimney of the court-house
  A gray-hound of smoke leapt and chased
  The northwest wind.
  I carried a ladder to the landing of the stairs
  And leaned it against the frame of the trap-door
  In the ceiling of the portico,
  And I crawled under the roof and amid the rafters
  And flung among the seasoned timbers
  A lighted handful of oil-soaked waste.
  Then I came down and slunk away.
  In a little while the fire-bell rang—
  Clang! Clang! Clang!
  And the Spoon River ladder company
  Came with a dozen buckets and began to pour water
  On the glorious bon-fire, growing hotter
  Higher and brighter, till the walls fell in
  And the limestone columns where Lincoln stood
  Crashed like trees when the woodman fells them.
  When I came back from Joliet
  There was a new court house with a dome.
  For I was punished like all who destroy
  The past for the sake of the future.

Dillard Sissman

  THE buzzards wheel slowly
  In wide circles, in a sky
  Faintly hazed as from dust from the road.
  And a wind sweeps through the pasture where I lie
  Beating the grass into long waves.
  My kite is above the wind,
  Though now and then it wobbles,
  Like a man shaking his shoulders;
  And the tail streams out momentarily,
  Then sinks to rest.
  And the buzzards wheel and wheel,
  Sweeping the zenith with wide circles
  Above my kite. And the hills sleep.
  And a farm house, white as snow,
  Peeps from green trees—far away.
  And I watch my kite,
  For the thin moon will kindle herself ere long,
  Then she will swing like a pendulum dial
  To the tail of my kite.
  A spurt of flame like a water-dragon
  Dazzles my eyes—
  I am shaken as a banner.

E. C. Culbertson

  Is it true, Spoon River,
  That in the hall—way of the New Court House
  There is a tablet of bronze
  Containing the embossed faces
  Of Editor Whedon and Thomas Rhodes?
  And is it true that my successful labors
  In the County Board, without which
  Not one stone would have been placed on another,
  And the contributions out of my own pocket
  To build the temple, are but memories among the people,
  Gradually fading away, and soon to descend
  With them to this oblivion where I lie?
  In truth, I can so believe.
  For it is a law of the Kingdom of Heaven
  That whoso enters the vineyard at the eleventh hour
  Shall receive a full day's pay.
  And it is a law of the Kingdom of this World
  That those who first oppose a good work
  Seize it and make it their own,
  When the corner—stone is laid,
  And memorial tablets are erected.

Shack Dye

  THE white men played all sorts of jokes on me.
  They took big fish off my hook
  And put little ones on, while I was away
  Getting a stringer, and made me believe
  I hadn't seen aright the fish I had caught.
  When Burr Robbins, circus came to town
  They got the ring master to let a tame leopard
  Into the ring, and made me believe
  I was whipping a wild beast like Samson
  When I, for an offer of fifty dollars,
  Dragged him out to his cage.
  One time I entered my blacksmith shop
  And shook as I saw some horse-shoes crawling
  Across the floor, as if alive—
  Walter Simmons had put a magnet
  Under the barrel of water.
  Yet everyone of you, you white men,
  Was fooled about fish and about leopards too,
  And you didn't know any more than the horse-shoes did
  What moved you about Spoon River.

Hildrup Tubbs

  I MADE two fights for the people.
  First I left my party, bearing the gonfalon
  Of independence, for reform, and was defeated.
  Next I used my rebel strength
  To capture the standard of my old party—
  And I captured it, but I was defeated.
  Discredited and discarded, misanthropical,
  I turned to the solace of gold
  And I used my remnant of power
  To fasten myself like a saprophyte
  Upon the putrescent carcass
  Of Thomas Rhodes, bankrupt bank,
  As assignee of the fund.
  Everyone now turned from me.
  My hair grew white,
  My purple lusts grew gray,
  Tobacco and whisky lost their savor
  And for years Death ignored me
  As he does a hog.

Henry Tripp

  THE bank broke and I lost my savings.
  I was sick of the tiresome game in Spoon River
  And I made up my mind to run away
  And leave my place in life and my family;
  But just as the midnight train pulled in,
  Quick off the steps jumped Cully Green
  And Martin Vise, and began to fight
  To settle their ancient rivalry,
  Striking each other with fists that sounded
  Like the blows of knotted clubs.
  Now it seemed to me that Cully was winning,
  When his bloody face broke into a grin
  Of sickly cowardice, leaning on Martin
  And whining out "We're good friends, Mart,
  You know that I'm your friend."
  But a terrible punch from Martin knocked him
  Around and around and into a heap.
  And then they arrested me as a witness,
  And I lost my train and staid in Spoon River
  To wage my battle of life to the end.
  Oh, Cully Green, you were my savior—
  You, so ashamed and drooped for years,
  Loitering listless about the streets,
  And tying rags round your festering soul,
  Who failed to fight it out.

Granville Calhoun

  I WANTED to be County Judge
  One more term, so as to round out a service
  Of thirty years.
  But my friends left me and joined my enemies,
  And they elected a new man.
  Then a spirit of revenge seized me,
  And I infected my four sons with it,
  And I brooded upon retaliation,
  Until the great physician, Nature,
  Smote me through with paralysis
  To give my soul and body a rest.
  Did my sons get power and money?
  Did they serve the people or yoke them,
  To till and harvest fields of self?
  For how could they ever forget
  My face at my bed-room window,
  Sitting helpless amid my golden cages
  Of singing canaries,
  Looking at the old court-house?

Henry C. Calhoun

  I REACHED the highest place in Spoon River,
  But through what bitterness of spirit!
  The face of my father, sitting speechless,
  Child-like, watching his canaries,
  And looking at the court-house window
  Of the county judge's room,
  And his admonitions to me to seek
  My own in life, and punish Spoon River
  To avenge the wrong the people did him,
  Filled me with furious energy
  To seek for wealth and seek for power.
  But what did he do but send me along
  The path that leads to the grove of the Furies?
  I followed the path and I tell you this:
  On the way to the grove you'll pass the Fates,
  Shadow-eyed, bent over their weaving.
  Stop for a moment, and if you see
  The thread of revenge leap out of the shuttle
  Then quickly snatch from Atropos
  The shears and cut it, lest your sons
  And the children of them and their children
  Wear the envenomed robe.

Alfred Moir

  WHY was I not devoured by self-contempt,
  And rotted down by indifference
  And impotent revolt like Indignation Jones?
  Why, with all of my errant steps
  Did I miss the fate of Willard Fluke?
  And why, though I stood at Burchard's bar,
  As a sort of decoy for the house to the boys
  To buy the drinks, did the curse of drink
  Fall on me like rain that runs off,
  Leaving the soul of me dry and clean?
  And why did I never kill a man Like Jack McGuire?
  But instead I mounted a little in life,
  And I owe it all to a book I read.
  But why did I go to Mason City,
  Where I chanced to see the book in a window,
  With its garish cover luring my eye?
  And why did my soul respond to the book,
  As I read it over and over?

Perry Zoll

  MY thanks, friends of the
  County Scientific Association,
  For this modest boulder,
  And its little tablet of bronze.
  Twice I tried to join your honored body,
  And was rejected
  And when my little brochure
  On the intelligence of plants
  Began to attract attention
  You almost voted me in.
  After that I grew beyond the need of you
  And your recognition.
  Yet I do not reject your memorial stone
  Seeing that I should, in so doing,
  Deprive you of honor to yourselves.

Magrady Graham

  TELL me, was Altgeld elected Governor?
  For when the returns began to come in
  And Cleveland was sweeping the East
  It was too much for you, poor old heart,
  Who had striven for democracy
  In the long, long years of defeat.
  And like a watch that is worn
  I felt you growing slower until you stopped.
  Tell me, was Altgeld elected,
  And what did he do?
  Did they bring his head on a platter to a dancer,
  Or did he triumph for the people?
  For when I saw him
  And took his hand,
  The child-like blueness of his eyes
  Moved me to tears,
  And there was an air of eternity about him,
  Like the cold, clear light that rests at dawn
  On the hills!

Archibald Higbie

  I LOATHED YOU, Spoon River.
  I tried to rise above you,
  I was ashamed of you.
  I despised you
  As the place of my nativity.
  And there in Rome, among the artists,
  Speaking Italian, speaking French,
  I seemed to myself at times to be free
  Of every trace of my origin.
  I seemed to be reaching the heights of art
  And to breathe the air that the masters breathed
  And to see the world with their eyes.
  But still they'd pass my work and say:
  "What are you driving at, my friend?
  Sometimes the face looks like Apollo's
  At others it has a trace of Lincoln's."
  There was no culture, you know, in Spoon River
  And I burned with shame and held my peace.
  And what could I do, all covered over
  And weighted down with western soil
  Except aspire, and pray for another
  Birth in the world, with all of Spoon River
  Rooted out of my soul?

Tom Merritt

  AT first I suspected something—
  She acted so calm and absent-minded.
  And one day I heard the back door shut
  As I entered the front, and I saw him slink
  Back of the smokehouse into the lot
  And run across the field.
  And I meant to kill him on sight.
  But that day, walking near Fourth Bridge
  Without a stick or a stone at hand,
  All of a sudden I saw him standing
  Scared to death, holding his rabbits,
  And all I could say was, "Don't, Don't, Don't,"
  As he aimed and fired at my heart.

Mrs. Merritt

  SILENT before the jury
  Returning no word to the judge when he asked me
  If I had aught to say against the sentence,
  Only shaking my head.
  What could I say to people who thought
  That a woman of thirty-five was at fault
  When her lover of nineteen killed her husband?
  Even though she had said to him over and over,
  "Go away, Elmer, go far away,
  I have maddened your brain with the gift of my body:
  You will do some terrible thing."
  And just as I feared, he killed my husband;
  With which I had nothing to do, before
  God Silent for thirty years in prison
  And the iron gates of Joliet
  Swung as the gray and silent trusties
  Carried me out in a coffin.

Elmer Karr

  WHAT but the love of God could have softened
  And made forgiving the people of Spoon River
  Toward me who wronged the bed of Thomas Merritt
  And murdered him beside?
  Oh, loving hearts that took me in again
  When I returned from fourteen years in prison!
  Oh, helping hands that in the church received me
  And heard with tears my penitent confession,
  Who took the sacrament of bread and wine!
  Repent, ye living ones, and rest with Jesus.

Elizabeth Childers

  DUST of my dust,
  And dust with my dust,
  O, child who died as you entered the world,
  Dead with my death!
  Not knowing
  Breath, though you tried so hard,
  With a heart that beat when you lived with me,
  And stopped when you left me for Life.
  It is well, my child.
  For you never traveled
  The long, long way that begins with school days,
  When little fingers blur under the tears
  That fall on the crooked letters.
  And the earliest wound, when a little mate
  Leaves you alone for another;
  And sickness, and the face of
  Fear by the bed;
  The death of a father or mother;
  Or shame for them, or poverty;
  The maiden sorrow of school days ended;
  And eyeless Nature that makes you drink
  From the cup of Love, though you know it's poisoned;
  To whom would your flower-face have been lifted?
  Botanist, weakling?
  Cry of what blood to yours?—
  Pure or foul, for it makes no matter,
  It's blood that calls to our blood.
  And then your children—oh, what might they be?
  And what your sorrow?
  Child! Child Death is better than Life.

Edith Conant

  WE stand about this place—we, the memories;
  And shade our eyes because we dread to read:
  "June 17th, 1884, aged 21 years and 3 days."
  And all things are changed.
  And we—we, the memories, stand here for ourselves alone,
  For no eye marks us, or would know why we are here.
  Your husband is dead, your sister lives far away,
  Your father is bent with age;
  He has forgotten you, he scarcely leaves the house
  Any more. No one remembers your exquisite face,
  Your lyric voice!
  How you sang, even on the morning you were stricken,
  With piercing sweetness, with thrilling sorrow,
  Before the advent of the child which died with you.
  It is all forgotten, save by us, the memories,
  Who are forgotten by the world.
  All is changed, save the river and the hill—
  Even they are changed.
  Only the burning sun and the quiet stars are the same.
  And we—we, the memories, stand here in awe,
  Our eyes closed with the weariness of tears—
  In immeasurable weariness

Father Malloy

  YOU are over there, Father Malloy,
  Where holy ground is, and the cross marks every grave,
  Not here with us on the hill—
  Us of wavering faith, and clouded vision
  And drifting hope, and unforgiven sins.
  You were so human, Father Malloy,
  Taking a friendly glass sometimes with us,
  Siding with us who would rescue Spoon River
  From the coldness and the dreariness of village morality.
  You were like a traveler who brings a little box of sand
  From the wastes about the pyramids
  And makes them real and Egypt real.
  You were a part of and related to a great past,
  And yet you were so close to many of us.
  You believed in the joy of life.
  You did not seem to be ashamed of the flesh.
  You faced life as it is,
  And as it changes.
  Some of us almost came to you, Father Malloy,
  Seeing how your church had divined the heart,
  And provided for it,
  Through Peter the Flame,
  Peter the Rock.

Ami Green

  NOT "a youth with hoary head and haggard eye",
  But an old man with a smooth skin
  And black hair! I had the face of a boy as long as I lived,
  And for years a soul that was stiff and bent,
  In a world which saw me just as a jest,
  To be hailed familiarly when it chose,
  And loaded up as a man when it chose,
  Being neither man nor boy.
  In truth it was soul as well as body
  Which never matured, and I say to you
  That the much-sought prize of eternal youth
  Is just arrested growth.

Calvin Campbell

  YE who are kicking against Fate,
  Tell me how it is that on this hill-side
  Running down to the river,
  Which fronts the sun and the south-wind,
  This plant draws from the air and soil
  Poison and becomes poison ivy?
  And this plant draws from the same air and soil
  Sweet elixirs and colors and becomes arbutus?
  And both flourish?
  You may blame Spoon River for what it is,
  But whom do you blame for the will in you
  That feeds itself and makes you dock-weed,
  Jimpson, dandelion or mullen
  And which can never use any soil or air
  So as to make you jessamine or wistaria?

Henry Layton

  WHOEVER thou art who passest by
  Know that my father was gentle,
  And my mother was violent,
  While I was born the whole of such hostile halves,
  Not intermixed and fused,
  But each distinct, feebly soldered together.
  Some of you saw me as gentle,
  Some as violent,
  Some as both.
  But neither half of me wrought my ruin.
  It was the falling asunder of halves,
  Never a part of each other,
  That left me a lifeless soul.

Harlan Sewall

  You never understood,
  O unknown one,
  Why it was I repaid
  Your devoted friendship and delicate ministrations
  First with diminished thanks,
  Afterward by gradually withdrawing my presence from you,
  So that I might not be compelled to thank you,
  And then with silence which followed upon
  Our final Separation.
  You had cured my diseased soul.
  But to cure it
  You saw my disease, you knew my secret,
  And that is why I fled from you.
  For though when our bodies rise from pain
  We kiss forever the watchful hands
  That gave us wormwood, while we shudder
  For thinking of the wormwood,
  A soul that's cured is a different matter,
  For there we'd blot from memory
  The soft—toned words, the searching eyes,
  And stand forever oblivious,
  Not so much of the sorrow itself
  As of the hand that healed it.

Ippolit Konovaloff

  I WAS a gun-smith in Odessa.
  One night the police broke in the room
  Where a group of us were reading Spencer.
  And seized our books and arrested us.
  But I escaped and came to New York
  And thence to Chicago, and then to Spoon River,
  Where I could study my Kant in peace
  And eke out a living repairing guns
  Look at my moulds! My architectonics
  One for a barrel, one for a hammer
  And others for other parts of a gun!
  Well, now suppose no gun—smith living
  Had anything else but duplicate moulds
  Of these I show you—well, all guns
  Would be just alike, with a hammer to hit
  The cap and a barrel to carry the shot
  All acting alike for themselves, and all
  Acting against each other alike.
  And there would be your world of guns!
  Which nothing could ever free from itself
  Except a Moulder with different moulds
  To mould the metal over.

Henry Phipps

  I WAS the Sunday-school superintendent,
  The dummy president of the wagon works
  And the canning factory,
  Acting for Thomas Rhodes and the banking clique;
  My son the cashier of the bank,
  Wedded to Rhodes, daughter,
  My week days spent in making money,
  My Sundays at church and in prayer.
  In everything a cog in the wheel of things—as—they-are:
  Of money, master and man, made white
  With the paint of the Christian creed.
  And then:
  The bank collapsed.
  I stood and hooked at the wrecked machine—
  The wheels with blow-holes stopped with putty and painted;
  The rotten bolts, the broken rods;
  And only the hopper for souls fit to be used again
  In a new devourer of life,
  When newspapers, judges and money-magicians
  Build over again.
  I was stripped to the bone, but I lay in the Rock of Ages,
  Seeing now through the game, no longer a dupe,
  And knowing "'the upright shall dwell in the land
  But the years of the wicked shall be shortened."
  Then suddenly, Dr. Meyers discovered
  A cancer in my liver.
  I was not, after all, the particular care of God
  Why, even thus standing on a peak
  Above the mists through which I had climbed,
  And ready for larger life in the world,
  Eternal forces
  Moved me on with a push.

Harry Wilmans

  I WAS just turned twenty-one,
  And Henry Phipps, the Sunday-school superintendent,
  Made a speech in Bindle's Opera House.
  "The honor of the flag must be upheld," he said,
  "Whether it be assailed by a barbarous tribe of Tagalogs
  Or the greatest power in Europe."
  And we cheered and cheered the speech and the flag he waved
  As he spoke.
  And I went to the war in spite of my father,
  And followed the flag till I saw it raised
  By our camp in a rice field near Manila,
  And all of us cheered and cheered it.
  But there were flies and poisonous things;
  And there was the deadly water,
  And the cruel heat,
  And the sickening, putrid food;
  And the smell of the trench just back of the tents
  Where the soldiers went to empty themselves;
  And there were the whores who followed us, full of syphilis;
  And beastly acts between ourselves or alone,
  With bullying, hatred, degradation among us,
  And days of loathing and nights of fear
  To the hour of the charge through the steaming swamp,
  Following the flag,
  Till I fell with a scream, shot through the guts.
  Now there's a flag over me in
  Spoon River. A flag!
  A flag!

John Wasson

  OH! the dew-wet grass of the meadow in North Carolina
  Through which Rebecca followed me wailing, wailing,
  One child in her arms, and three that ran along wailing,
  Lengthening out the farewell to me off to the war with the British,
  And then the long, hard years down to the day of Yorktown.
  And then my search for Rebecca,
  Finding her at last in Virginia,
  Two children dead in the meanwhile.
  We went by oxen to Tennessee,
  Thence after years to Illinois,
  At last to Spoon River.
  We cut the buffalo grass,
  We felled the forests,
  We built the school houses, built the bridges,
  Leveled the roads and tilled the fields
  Alone with poverty, scourges, death—
  If Harry Wilmans who fought the Filipinos
  Is to have a flag on his grave
  Take it from mine.

Many Soldiers

  THE idea danced before us as a flag;
  The sound of martial music;
  The thrill of carrying a gun;
  Advancement in the world on coming home;
  A glint of glory, wrath for foes;
  A dream of duty to country or to God.
  But these were things in ourselves, shining before us,
  They were not the power behind us,
  Which was the Almighty hand of Life,
  Like fire at earth's center making mountains,
  Or pent up waters that cut them through.
  Do you remember the iron band
  The blacksmith, Shack Dye, welded
  Around the oak on Bennet's lawn,
  From which to swing a hammock,
  That daughter Janet might repose in, reading
  On summer afternoons?
  And that the growing tree at last
  Sundered the iron band?
  But not a cell in all the tree
  Knew aught save that it thrilled with life,
  Nor cared because the hammock fell
  In the dust with Milton's Poems.

Godwin James

  HARRY WILMANS! You who fell in a swamp
  Near Manila, following the flag
  You were not wounded by the greatness of a dream,
  Or destroyed by ineffectual work,
  Or driven to madness by Satanic snags;
  You were not torn by aching nerves,
  Nor did you carry great wounds to your old age.
  You did not starve, for the government fed you.
  You did not suffer yet cry "forward"
  To an army which you led
  Against a foe with mocking smiles,
  Sharper than bayonets.
  You were not smitten down
  By invisible bombs.
  You were not rejected
  By those for whom you were defeated.
  You did not eat the savorless bread
  Which a poor alchemy had made from ideals.
  You went to Manila, Harry Wilmans,
  While I enlisted in the bedraggled army
  Of bright-eyed, divine youths,
  Who surged forward, who were driven back and fell
  Sick, broken, crying, shorn of faith,
  Following the flag of the Kingdom of Heaven.
  You and I, Harry Wilmans, have fallen
  In our several ways, not knowing
  Good from bad, defeat from victory,
  Nor what face it is that smiles
  Behind the demoniac mask.

Lyman King

  YOU may think, passer-by, that Fate
  Is a pit-fall outside of yourself,
  Around which you may walk by the use of foresight
  And wisdom.
  Thus you believe, viewing the lives of other men,
  As one who in God-like fashion bends over an anthill,
  Seeing how their difficulties could be avoided.
  But pass on into life:
  In time you shall see Fate approach you
  In the shape of your own image in the mirror;
  Or you shall sit alone by your own hearth,
  And suddenly the chair by you shall hold a guest,
  And you shall know that guest
  And read the authentic message of his eyes.

Caroline Branson

  WITH our hearts like drifting suns, had we but walked,
  As often before, the April fields till star—light
  Silkened over with viewless gauze the darkness
  Under the cliff, our trysting place in the wood,
  Where the brook turns! Had we but passed from wooing
  Like notes of music that run together, into winning,
  In the inspired improvisation of love!
  But to put back of us as a canticle ended
  The rapt enchantment of the flesh,
  In which our souls swooned, down, down,
  Where time was not, nor space, nor ourselves—
  Annihilated in love!
  To leave these behind for a room with lamps:
  And to stand with our Secret mocking itself,
  And hiding itself amid flowers and mandolins,
  Stared at by all between salad and coffee.
  And to see him tremble, and feel myself
  Prescient, as one who signs a bond—
  Not flaming with gifts and pledges heaped
  With rosy hands over his brow.
  And then, O night! deliberate! unlovely!
  With all of our wooing blotted out by the winning,
  In a chosen room in an hour that was known to all!
  Next day he sat so listless, almost cold
  So strangely changed, wondering why I wept,
  Till a kind of sick despair and voluptuous madness
  Seized us to make the pact of death.
  A stalk of the earth-sphere,
  Frail as star-light;
  Waiting to be drawn once again Into creation's stream.
  But next time to be given birth
  Gazed at by Raphael and St. Francis
  Sometimes as they pass.
  For I am their little brother,
  To be known clearly face to face
  Through a cycle of birth hereafter run.
  You may know the seed and the soil;
  You may feel the cold rain fall,
  But only the earth—sphere, only heaven
  Knows the secret of the seed
  In the nuptial chamber under the soil.
  Throw me into the stream again,
  Give me another trial—
  Save me, Shelley!

Anne Rutledge

  OUT of me unworthy and unknown
  The vibrations of deathless music;
  "With malice toward none, with charity for all.',
  Out of me the forgiveness of millions toward millions,
  And the beneficent face of a nation
  Shining with justice and truth.
  I am Anne Rutledge who sleep beneath these weeds,
  Beloved in life of Abraham Lincoln,
  Wedded to him, not through union, But through separation.
  Bloom forever, O Republic,
  From the dust of my bosom!

Hamlet Micure

  IN a lingering fever many visions come to you:
  I was in the little house again
  With its great yard of clover
  Running down to the board-fence,
  Shadowed by the oak tree,
  Where we children had our swing.
  Yet the little house was a manor hall
  Set in a lawn, and by the lawn was the sea.
  I was in the room where little Paul
  Strangled from diphtheria,
  But yet it was not this room—
  It was a sunny verandah enclosed
  With mullioned windows
  And in a chair sat a man in a dark cloak
  With a face like Euripides.
  He had come to visit me, or I had gone to visit him—I could not tell.
  We could hear the beat of the sea, the clover nodded
  Under a summer wind, and little Paul came
  With clover blossoms to the window and smiled.
  Then I said: "What is "divine despair" Alfred?"
  "Have you read 'Tears, Idle Tears'?" he asked.
  "Yes, but you do not there express divine despair."
  "My poor friend," he answered, "that was why the despair
  Was divine."

Mabel Osborne

  YOUR red blossoms amid green leaves
  Are drooping, beautiful geranium!
  But you do not ask for water.
  You cannot speak!
  You do not need to speak—
  Everyone knows that you are dying of thirst,
  Yet they do not bring water!
  They pass on, saying:
  "The geranium wants water."
  And I, who had happiness to share
  And longed to share your happiness;
  I who loved you, Spoon River,
  And craved your love,
  Withered before your eyes, Spoon River—
  Thirsting, thirsting,
  Voiceless from chasteness of soul to ask you for love,
  You who knew and saw me perish before you,
  Like this geranium which someone has planted over me,
  And left to die.

William H. Herndon

  THERE by the window in the old house
  Perched on the bluff, overlooking miles of valley,
  My days of labor closed, sitting out life's decline,
  Day by day did I look in my memory,
  As one who gazes in an enchantress' crystal globe,
  And I saw the figures of the past
  As if in a pageant glassed by a shining dream,
  Move through the incredible sphere of time.
  And I saw a man arise from the soil like a fabled giant
  And throw himself over a deathless destiny,
  Master of great armies, head of the republic,
  Bringing together into a dithyramb of recreative song
  The epic hopes of a people;
  At the same time Vulcan of sovereign fires,
  Where imperishable shields and swords were beaten out
  From spirits tempered in heaven.
  Look in the crystal!
  See how he hastens on
  To the place where his path comes up to the path
  Of a child of Plutarch and Shakespeare.
  O Lincoln, actor indeed, playing well your part
  And Booth, who strode in a mimic play within the play,
  Often and often I saw you,
  As the cawing crows winged their way to the wood
  Over my house—top at solemn sunsets,
  There by my window,
  Alone.

Rutherford McDowell

  THEY brought me ambrotypes
  Of the old pioneers to enlarge.
  And sometimes one sat for me—
  Some one who was in being
  When giant hands from the womb of the world
  Tore the republic.
  What was it in their eyes?—
  For I could never fathom
  That mystical pathos of drooped eyelids,
  And the serene sorrow of their eyes.
  It was like a pool of water,
  Amid oak trees at the edge of a forest,
  Where the leaves fall,
  As you hear the crow of a cock
  From a far—off farm house, seen near the hills
  Where the third generation lives, and the strong men
  And the strong women are gone and forgotten.
  And these grand—children and great grand-children
  Of the pioneers!
  Truly did my camera record their faces, too,
  With so much of the old strength gone,
  And the old faith gone,
  And the old mastery of life gone,
  And the old courage gone,
  Which labors and loves and suffers and sings
  Under the sun!

Hannah Armstrong

  I WROTE him a letter asking him for old times, sake
  To discharge my sick boy from the army;
  But maybe he couldn't read it.
  Then I went to town and had James Garber,
  Who wrote beautifully, write him a letter.
  But maybe that was lost in the mails.
  So I traveled all the way to Washington.
  I was more than an hour finding the White House.
  And when I found it they turned me away,
  Hiding their smiles.
  Then I thought: "Oh, well, he ain't the same as when I boarded him
  And he and my husband worked together
  And all of us called him Abe, there in Menard."
  As a last attempt I turned to a guard and said:
  "Please say it's old Aunt Hannah Armstrong
  From Illinois, come to see him about her sick boy
  In the army."
  Well, just in a moment they let me in!
  And when he saw me he broke in a laugh,
  And dropped his business as president,
  And wrote in his own hand Doug's discharge,
  Talking the while of the early days,
  And telling stories.

Lucinda Matlock

  I WENT to the dances at Chandlerville,
  And played snap-out at Winchester.
  One time we changed partners,
  Driving home in the moonlight of middle June,
  And then I found Davis.
  We were married and lived together for seventy years,
  Enjoying, working, raising the twelve children,
  Eight of whom we lost
  Ere I had reached the age of sixty.
  I spun,
  I wove,
  I kept the house,
  I nursed the sick,
  I made the garden, and for holiday
  Rambled over the fields where sang the larks,
  And by Spoon River gathering many a shell,
  And many a flower and medicinal weed—
  Shouting to the wooded hills, singing to the green valleys.
  At ninety—six I had lived enough, that is all,
  And passed to a sweet repose.
  What is this I hear of sorrow and weariness,
  Anger, discontent and drooping hopes?
  Degenerate sons and daughters,
  Life is too strong for you—
  It takes life to love Life.

Davis Matlock

  SUPPOSE it is nothing but the hive:
  That there are drones and workers
  And queens, and nothing but storing honey—
  (Material things as well as culture and wisdom)—
  For the next generation, this generation never living,
  Except as it swarms in the sun-light of youth,
  Strengthening its wings on what has been gathered,
  And tasting, on the way to the hive
  From the clover field, the delicate spoil.
  Suppose all this, and suppose the truth:
  That the nature of man is greater
  Than nature's need in the hive;
  And you must bear the burden of life,
  As well as the urge from your spirit's excess—
  Well, I say to live it out like a god
  Sure of immortal life, though you are in doubt,
  Is the way to live it.
  If that doesn't make God proud of you
  Then God is nothing but gravitation
  Or sleep is the golden goal.

Jennie M'Grew

  NOT, where the stairway turns in the dark
  A hooded figure, shriveled under a flowing cloak!
  Not yellow eyes in the room at night,
  Staring out from a surface of cobweb gray!
  And not the flap of a condor wing
  When the roar of life in your ears begins
  As a sound heard never before!
  But on a sunny afternoon,
  By a country road,
  Where purple rag-weeds bloom along a straggling fence
  And the field is gleaned, and the air is still
  To see against the sun-light something black
  Like a blot with an iris rim—
  That is the sign to eyes of second sight. . .
  And that I saw!

Columbus Cheney

  THIS weeping willow!
  Why do you not plant a few
  For the millions of children not yet born,
  As well as for us?
  Are they not non-existent, or cells asleep
  Without mind?
  Or do they come to earth, their birth
  Rupturing the memory of previous being?
  Answer!
  The field of unexplored intuition is yours.
  But in any case why not plant willows for them,
  As well as for us?
  Marie Bateson
  You observe the carven hand
  With the index finger pointing heavenward.
  That is the direction, no doubt.
  But how shall one follow it?
  It is well to abstain from murder and lust,
  To forgive, do good to others, worship God
  Without graven images.
  But these are external means after all
  By which you chiefly do good to yourself.
  The inner kernel is freedom,
  It is light, purity—
  I can no more,
  Find the goal or lose it, according to your vision.

Tennessee Claflin Shope

  I WAS the laughing-stock of the village,
  Chiefly of the people of good sense, as they call themselves—
  Also of the learned, like Rev. Peet, who read Greek
  The same as English.
  For instead of talking free trade,
  Or preaching some form of baptism;
  Instead of believing in the efficacy
  Of walking cracks, picking up pins the right way,
  Seeing the new moon over the right shoulder,
  Or curing rheumatism with blue glass,
  I asserted the sovereignty of my own soul.
  Before Mary Baker G. Eddy even got started
  With what she called science I had mastered the "Bhagavad Gita,"
  And cured my soul, before Mary Began to cure bodies with souls—
  Peace to all worlds!

Imanuel Ehrenhardt

  I BEGAN with Sir William Hamilton's lectures.
  Then studied Dugald Stewart;
  And then John Locke on the Understanding,
  And then Descartes, Fichte and Schelling,
  Kant and then Schopenhauer—
  Books I borrowed from old Judge Somers.
  All read with rapturous industry
  Hoping it was reserved to me
  To grasp the tail of the ultimate secret,
  And drag it out of its hole.
  My soul flew up ten thousand miles
  And only the moon looked a little bigger.
  Then I fell back, how glad of the earth!
  All through the soul of William Jones
  Who showed me a letter of John Muir.

Samuel Gardner

  I WHO kept the greenhouse,
  Lover of trees and flowers,
  Oft in life saw this umbrageous elm,
  Measuring its generous branches with my eye,
  And listened to its rejoicing leaves
  Lovingly patting each other
  With sweet aeolian whispers.
  And well they might:
  For the roots had grown so wide and deep
  That the soil of the hill could not withhold
  Aught of its virtue, enriched by rain,
  And warmed by the sun;
  But yielded it all to the thrifty roots,
  Through which it was drawn and whirled to the trunk,
  And thence to the branches, and into the leaves,
  Wherefrom the breeze took life and sang.
  Now I, an under—tenant of the earth, can see
  That the branches of a tree
  Spread no wider than its roots.
  And how shall the soul of a man
  Be larger than the life he has lived?

Dow Kritt

  SAMUEL is forever talking of his elm—
  But I did not need to die to learn about roots:
  I, who dug all the ditches about Spoon River.
  Look at my elm!
  Sprung from as good a seed as his,
  Sown at the same time,
  It is dying at the top:
  Not from lack of life, nor fungus,
  Nor destroying insect, as the sexton thinks.
  Look, Samuel, where the roots have struck rock,
  And can no further spread.
  And all the while the top of the tree
  Is tiring itself out, and dying,
  Trying to grow.

William Jones

  ONCE in a while a curious weed unknown to me,
  Needing a name from my books;
  Once in a while a letter from Yeomans.
  Out of the mussel-shells gathered along the shore
  Sometimes a pearl with a glint like meadow rue:
  Then betimes a letter from Tyndall in England,
  Stamped with the stamp of Spoon River.
  I, lover of Nature, beloved for my love of her,
  Held such converse afar with the great
  Who knew her better than I.
  Oh, there is neither lesser nor greater,
  Save as we make her greater and win from her keener delight.
  With shells from the river cover me, cover me.
  I lived in wonder, worshipping earth and heaven.
  I have passed on the march eternal of endless life.

William Goode

  To all in the village I seemed, no doubt,
  To go this way and that way, aimlessly. .
  But here by the river you can see at twilight
  The soft—winged bats fly zig-zag here and there—
  They must fly so to catch their food.
  And if you have ever lost your way at night,
  In the deep wood near Miller's Ford,
  And dodged this way and now that,
  Wherever the light of the Milky Way shone through,
  Trying to find the path,
  You should understand I sought the way
  With earnest zeal, and all my wanderings
  Were wanderings in the quest.

J. Milton Miles

  WHENEVER the Presbyterian bell
  Was rung by itself, I knew it as the Presbyterian bell.
  But when its sound was mingled
  With the sound of the Methodist, the Christian,
  The Baptist and the Congregational,
  I could no longer distinguish it,
  Nor any one from the others, or either of them.
  And as many voices called to me in life
  Marvel not that I could not tell
  The true from the false,
  Nor even, at last, the voice that
  I should have known.

Faith Matheny

  AT first you will know not what they mean,
  And you may never know,
  And we may never tell you:—
  These sudden flashes in your soul,
  Like lambent lightning on snowy clouds
  At midnight when the moon is full.
  They come in solitude, or perhaps
  You sit with your friend, and all at once
  A silence falls on speech, and his eyes
  Without a flicker glow at you:—
  You two have seen the secret together,
  He sees it in you, and you in him.
  And there you sit thrilling lest the
  Mystery Stand before you and strike you dead
  With a splendor like the sun's.
  Be brave, all souls who have such visions
  As your body's alive as mine is dead,
  You're catching a little whiff of the ether
  Reserved for God Himself.

Willie Metcalf

  I WAS Willie Metcalf.
  They used to call me "Doctor Meyers,"
  Because, they said, I looked like him.
  And he was my father, according to Jack McGuire.
  I lived in the livery stable,
  Sleeping on the floor
  Side by side with Roger Baughman's bulldog,
  Or sometimes in a stall.
  I could crawl between the legs of the wildest horses
  Without getting kicked—we knew each other.
   On spring days I tramped through the country
  To get the feeling, which I sometimes lost,
  That I was not a separate thing from the earth.
  I used to lose myself, as if in sleep,
  By lying with eyes half-open in the woods.
  Sometimes I talked with animals—even toads and snakes—
  Anything that had an eye to look into.
  Once I saw a stone in the sunshine
  Trying to turn into jelly.
  In April days in this cemetery
  The dead people gathered all about me,
  And grew still, like a congregation in silent prayer.
  I never knew whether I was a part of the earth
  With flowers growing in me, or whether I walked—
  Now I know.

Willie Pennington

  THEY called me the weakling, the simpleton,
  For my brothers were strong and beautiful,
  While I, the last child of parents who had aged,
  Inherited only their residue of power.
  But they, my brothers, were eaten up
  In the fury of the flesh, which I had not,
  Made pulp in the activity of the senses, which I had not,
  Hardened by the growth of the lusts, which I had not,
  Though making names and riches for themselves.
  Then I, the weak one, the simpleton,
  Resting in a little corner of life,
  Saw a vision, and through me many saw the vision,
  Not knowing it was through me.
  Thus a tree sprang
  From me, a mustard seed.

The Village Atheist

  YE young debaters over the doctrine
  Of the soul's immortality
  I who lie here was the village atheist,
  Talkative, contentious, versed in the arguments
  Of the infidels. But through a long sickness
  Coughing myself to death I read the
  Upanishads and the poetry of Jesus.
  And they lighted a torch of hope and intuition
  And desire which the Shadow
  Leading me swiftly through the caverns of darkness,
  Could not extinguish.
  Listen to me, ye who live in the senses
  And think through the senses only:
  Immortality is not a gift,
  Immortality is an achievement;
  And only those who strive mightily
  Shall possess it.

John Ballard

  IN the lust of my strength
  I cursed God, but he paid no attention to me:
  I might as well have cursed the stars.
  In my last sickness I was in agony, but I was resolute
  And I cursed God for my suffering;
  Still He paid no attention to me;
  He left me alone, as He had always done.
  I might as well have cursed the Presbyterian steeple.
  Then, as I grew weaker, a terror came over me:
  Perhaps I had alienated God by cursing him.
  One day Lydia Humphrey brought me a bouquet
  And it occurred to me to try to make friends with God,
  So I tried to make friends with Him;
  But I might as well have tried to make friends with the bouquet.
  Now I was very close to the secret,
  For I really could make friends with the bouquet
  By holding close to me the love in me for the bouquet
  And so I was creeping upon the secret, but—

Julian Scott

  TOWARD the last
  The truth of others was untruth to me;
  The justice of others injustice to me;
  Their reasons for death, reasons with me for life;
  Their reasons for life, reasons with me for death;
  I would have killed those they saved,
  And save those they killed.
  And I saw how a god, if brought to earth,
  Must act out what he saw and thought,
  And could not live in this world of men
  And act among them side by side
  Without continual clashes.
  The dust's for crawling, heaven's for flying—
  Wherefore, O soul, whose wings are grown,
  Soar upward to the sun!

Alfonso Churchill

  THEY laughed at me as "Prof. Moon,"
  As a boy in Spoon River, born with the thirst
  Of knowing about the stars.
  They jeered when I spoke of the lunar mountains,
  And the thrilling heat and cold,
  And the ebon valleys by silver peaks,
  And Spica quadrillions of miles away,
  And the littleness of man.
  But now that my grave is honored, friends,
  Let it not be because I taught
  The lore of the stars in Knox College,
  But rather for this: that through the stars
  I preached the greatness of man,
  Who is none the less a part of the scheme of things
  For the distance of Spica or the Spiral Nebulae;
  Nor any the less a part of the question
  Of what the drama means.

Zilpha Marsh

  AT four o'clock in late October
  I sat alone in the country school-house
  Back from the road, mid stricken fields,
  And an eddy of wind blew leaves on the pane,
  And crooned in the flue of the cannon-stove,
  With its open door blurring the shadows
  With the spectral glow of a dying fire.
  In an idle mood I was running the planchette—
  All at once my wrist grew limp,
  And my hand moved rapidly over the board,
  'Till the name of "Charles Guiteau" was spelled,
  Who threatened to materialize before me.
  I rose and fled from the room bare-headed
  Into the dusk, afraid of my gift.
  And after that the spirits swarmed—
  Chaucer, Caesar, Poe and Marlowe,
  Cleopatra and Mrs. Surratt—
  Wherever I went, with messages,—
  Mere trifling twaddle, Spoon River agreed.
  You talk nonsense to children, don't you?
  And suppose I see what you never saw
  And never heard of and have no word for,
  I must talk nonsense when you ask me
  What it is I see!

James Garber

  Do you remember, passer-by, the path
  I wore across the lot where now stands the opera house
  Hasting with swift feet to work through many years?
  Take its meaning to heart:
  You too may walk, after the hills at Miller's Ford
  Seem no longer far away;
  Long after you see them near at hand,
  Beyond four miles of meadow;
  And after woman's love is silent
  Saying no more: "l will save you."
  And after the faces of friends and kindred
  Become as faded photographs, pitifully silent,
  Sad for the look which means:
  "We cannot help you."
  And after you no longer reproach mankind
  With being in league against your soul's uplifted hands—
  Themselves compelled at midnight and at noon
  To watch with steadfast eye their destinies;
  After you have these understandings, think of me
  And of my path, who walked therein and knew
  That neither man nor woman, neither toil,
  Nor duty, gold nor power
  Can ease the longing of the soul,
  The loneliness of the soul!

Lydia Humphrey

  BACK and forth, back and forth, to and from the church,
  With my Bible under my arm
  'Till I was gray and old;
  Unwedded, alone in the world,
  Finding brothers and sisters in the congregation,
  And children in the church.
  I know they laughed and thought me queer.
  I knew of the eagle souls that flew high in the sunlight,
  Above the spire of the church, and laughed at the church,
  Disdaining me, not seeing me.
  But if the high air was sweet to them, sweet was the church to me.
  It was the vision, vision, vision of the poets
  Democratized!

Le Roy Goldman

  WHAT will you do when you come to die,
  If all your life long you have rejected Jesus,
  And know as you lie there,
  He is not your friend?"
  Over and over I said, I, the revivalist.
  Ah, yes! but there are friends and friends.
  And blessed are you, say I, who know all now,
  You who have lost ere you pass,
  A father or mother, or old grandfather or mother
  Some beautiful soul that lived life strongly
  And knew you all through, and loved you ever,
  Who would not fail to speak for you,
  And give God an intimate view of your soul
  As only one of your flesh could do it.
  That is the hand your hand will reach for,
  To lead you along the corridor
  To the court where you are a stranger!

Gustav Richter

  AFTER a long day of work in my hot—houses
  Sleep was sweet, but if you sleep on your left side
  Your dreams may be abruptly ended.
  I was among my flowers where some one
  Seemed to be raising them on trial,
  As if after-while to be transplanted
  To a larger garden of freer air.
  And I was disembodied vision
  Amid a light, as it were the sun
  Had floated in and touched the roof of glass
  Like a toy balloon and softly bursted,
  And etherealized in golden air.
  And all was silence, except the splendor
  Was immanent with thought as clear
  As a speaking voice, and I, as thought,
  Could hear a
  Presence think as he walked
  Between the boxes pinching off leaves,
  Looking for bugs and noting values,
  With an eye that saw it all:
  "Homer, oh yes! Pericles, good.
  Caesar Borgia, what shall be done with it?
  Dante, too much manure, perhaps.
  Napoleon, leave him awhile as yet.
  Shelley, more soil. Shakespeare, needs spraying—"
  Clouds, eh!—

Arlo Will

  DID you ever see an alligator
  Come up to the air from the mud,
  Staring blindly under the full glare of noon?
  Have you seen the stabled horses at night
  Tremble and start back at the sight of a lantern?
  Have you ever walked in darkness
  When an unknown door was open before you
  And you stood, it seemed, in the light of a thousand candles
  Of delicate wax?
  Have you walked with the wind in your ears
  And the sunlight about you
  And found it suddenly shine with an inner splendor?
  Out of the mud many times
  Before many doors of light
  Through many fields of splendor,
  Where around your steps a soundless glory scatters
  Like new—fallen snow,
  Will you go through earth, O strong of soul,
  And through unnumbered heavens
  To the final flame!

Captain Orlando Killion

  OH, YOU young radicals and dreamers,
  You dauntless fledglings
  Who pass by my headstone,
  Mock not its record of my captaincy in the army
  And my faith in God!
  They are not denials of each other.
  Go by reverently, and read with sober care
  How a great people, riding with defiant shouts
  The centaur of Revolution,
  Spurred and whipped to frenzy,
  Shook with terror, seeing the mist of the sea
  Over the precipice they were nearing,
  And fell from his back in precipitate awe
  To celebrate the Feast of the Supreme Being.
  Moved by the same sense of vast reality
  Of life and death, and burdened as they were
  With the fate of a race,
  How was I, a little blasphemer,
  Caught in the drift of a nation's unloosened flood,
  To remain a blasphemer,
  And a captain in the army?

Joseph Dixon

  WHO carved this shattered harp on my stone?
  I died to you, no doubt. But how many harps and pianos
  Wired I and tightened and disentangled for you,
  Making them sweet again—with tuning fork or without?
  Oh well! A harp leaps out of the ear of a man, you say,
  But whence the ear that orders the length of the strings
  To a magic of numbers flying before your thought
  Through a door that closes against your breathless wonder?
  Is there no Ear round the ear of a man, that it senses
  Through strings and columns of air the soul of sound?
  I thrill as I call it a tuning fork that catches
  The waves of mingled music and light from afar,
  The antennae of
  Thought that listens through utmost space.
  Surely the concord that ruled my spirit is proof
  Of an Ear that tuned me, able to tune me over
  And use me again if I am worthy to use.

Russell Kincaid

  IN the last spring I ever knew,
  In those last days, I sat in the forsaken orchard
  Where beyond fields of greenery shimmered
  The hills at Miller's Ford;
  Just to muse on the apple tree
  With its ruined trunk and blasted branches,
  And shoots of green whose delicate blossoms
  Were sprinkled over the skeleton tangle,
  Never to grow in fruit.
  And there was I with my spirit girded
  By the flesh half dead, the senses numb
  Yet thinking of youth and the earth in youth,—
  Such phantom blossoms palely shining
  Over the lifeless boughs of Time.
  O earth that leaves us ere heaven takes us!
  Had I been only a tree to shiver
  With dreams of spring and a leafy youth,
  Then I had fallen in the cyclone
  Which swept me out of the soul's suspense
  Where it's neither earth nor heaven.

Aaron Hatfield

  BETTER than granite, Spoon River,
  Is the memory-picture you keep of me
  Standing before the pioneer men and women
  There at Concord Church on Communion day.
  Speaking in broken voice of the peasant youth
  Of Galilee who went to the city
  And was killed by bankers and lawyers;
  My voice mingling with the June wind
  That blew over wheat fields from Atterbury;
  While the white stones in the burying ground
  Around the Church shimmered in the summer sun.
  And there, though my own memories
  Were too great to bear, were you, O pioneers,
  With bowed heads breathing forth your sorrow
  For the sons killed in battle and the daughters
  And little children who vanished in life's morning,
  Or at the intolerable hour of noon.
  But in those moments of tragic silence,
  When the wine and bread were passed,
  Came the reconciliation for us—
  Us the ploughmen and the hewers of wood,
  Us the peasants, brothers of the peasant of Galilee—
  To us came the Comforter
  And the consolation of tongues of flame!

Isaiah Beethoven

  THEY told me I had three months to live,
  So I crept to Bernadotte,
  And sat by the mill for hours and hours
  Where the gathered waters deeply moving
  Seemed not to move:
  O world, that's you!
  You are but a widened place in the river
  Where Life looks down and we rejoice for her
  Mirrored in us, and so we dream And turn away, but when again
  We look for the face, behold the low-lands
  And blasted cotton-wood trees where we empty
  Into the larger stream!
  But here by the mill the castled clouds
  Mocked themselves in the dizzy water;
  And over its agate floor at night
  The flame of the moon ran under my eyes
  Amid a forest stillness broken
  By a flute in a hut on the hill.
  At last when I came to lie in bed
  Weak and in pain, with the dreams about me,
  The soul of the river had entered my soul,
  And the gathered power of my soul was moving
  So swiftly it seemed to be at rest
  Under cities of cloud and under
  Spheres of silver and changing worlds—
  Until I saw a flash of trumpets
  Above the battlements over Time.

Elijah Browning

  I WAS among multitudes of children
  Dancing at the foot of a mountain.
  A breeze blew out of the east and swept them as leaves,
  Driving some up the slopes. . . .
  All was changed.
  Here were flying lights, and mystic moons, and dream-music.
  A cloud fell upon us.
  When it lifted all was changed.
  I was now amid multitudes who were wrangling.
  Then a figure in shimmering gold, and one with a trumpet,
  And one with a sceptre stood before me.
  They mocked me and danced a rigadoon and vanished. . . .
  All was changed again.
  Out of a bower of poppies
  A woman bared her breasts and lifted her open mouth to mine.
  I kissed her.
  The taste of her lips was like salt.
  She left blood on my lips.
  I fell exhausted.
  I arose and ascended higher, but a mist as from an iceberg
  Clouded my steps.
  I was cold and in pain.
  Then the sun streamed on me again,
  And I saw the mists below me hiding all below them.
  And I, bent over my staff, knew myself
  Silhouetted against the snow.
  And above me
  Was the soundless air, pierced by a cone of ice,
  Over which hung a solitary star!
  A shudder of ecstasy, a shudder of fear
  Ran through me.
  But I could not return to the slopes—
  Nay, I wished not to return.
  For the spent waves of the symphony of freedom
  Lapped the ethereal cliffs about me.
  Therefore I climbed to the pinnacle.
  I flung away my staff.
  I touched that star
  With my outstretched hand.
  I vanished utterly.
  For the mountain delivers to
  Infinite Truth
  Whosoever touches the star.

Webster Ford

  Do you remember, O Delphic Apollo,
  The sunset hour by the river, when Mickey M'Grew
  Cried, "There's a ghost," and I, "It's Delphic Apollo,".
  And the son of the banker derided us, saying, "It's light
  By the flags at the water's edge, you half-witted fools."
  And from thence, as the wearisome years rolled on, long after
  Poor Mickey fell down in the water tower to his death
  Down, down, through bellowing darkness, I carried
  The vision which perished with him like a rocket which falls
  And quenches its light in earth, and hid it for fear
  Of the son of the banker, calling on Plutus to save me?
  Avenged were you for the shame of a fearful heart
  Who left me alone till I saw you again in an hour
  When I seemed to be turned to a tree with trunk and branches
  Growing indurate, turning to stone, yet burgeoning
  In laurel leaves, in hosts of lambent laurel,
  Quivering, fluttering, shrinking, fighting the numbness
  Creeping into their veins from the dying trunk and branches!
  'Tis vain, O youth, to fly the call of Apollo.
  Fling yourselves in the fire, die with a song of spring,
  If die you must in the spring. For none shall look
  On the face of Apollo and live, and choose you must
  'Twixt death in the flame and death after years of sorrow,
  Rooted fast in the earth, feeling the grisly hand,
  Not so much in the trunk as in the terrible numbness
  Creeping up to the laurel leaves that never cease
  To flourish until you fall. O leaves of me
  Too sere for coronal wreaths, and fit alone
  For urns of memory, treasured, perhaps, as themes
  For hearts heroic, fearless singers and livers—
  Delphic Apollo.

The Spooniad

  OF John Cabanis, wrath and of the strife
  Of hostile parties, and his dire defeat
  Who led the common people in the cause
  Of freedom for Spoon River, and the fall
  Of Rhodes, bank that brought unnumbered woes
  And loss to many, with engendered hate
  That flamed into the torch in Anarch hands
  To burn the court—house, on whose blackened wreck
  A fairer temple rose and Progress stood—
  Sing, muse, that lit the Chian's face with smiles
  Who saw the ant-like Greeks and Trojans crawl
  About Scamander, over walls, pursued
  Or else pursuing, and the funeral pyres
  And sacred hecatombs, and first because
  Of Helen who with Paris fled to Troy
  As soul-mate; and the wrath of Peleus, son,
  Decreed to lose Chryseis, lovely spoil
  Of war, and dearest concubine.
                                     Say first,
  Thou son of night, called Momus, from whose eyes
  No secret hides, and Thalia, smiling one,
  What bred 'twixt Thomas Rhodes and John Cabanis
  The deadly strife? His daughter Flossie, she,
  Returning from her wandering with a troop
  Of strolling players, walked the village streets,
  Her bracelets tinkling and with sparkling rings
  And words of serpent wisdom and a smile
  Of cunning in her eyes. Then Thomas Rhodes,
  Who ruled the church and ruled the bank as well,
  Made known his disapproval of the maid;
  And all Spoon River whispered and the eyes
  Of all the church frowned on her, till she knew
  They feared her and condemned.
                                     But them to flout
  She gave a dance to viols and to flutes,
  Brought from Peoria, and many youths,
  But lately made regenerate through the prayers
  Of zealous preachers and of earnest souls,
  Danced merrily, and sought her in the dance,
  Who wore a dress so low of neck that eyes
  Down straying might survey the snowy swale
  'Till it was lost in whiteness.
                                     With the dance
  The village changed to merriment from gloom.
  The milliner, Mrs. Williams, could not fill
  Her orders for new hats, and every seamstress
  Plied busy needles making gowns; old trunks
  And chests were opened for their store of laces
  And rings and trinkets were brought out of hiding
  And all the youths fastidious grew of dress;
  Notes passed, and many a fair one's door at eve
  Knew a bouquet, and strolling lovers thronged
  About the hills that overlooked the river.
  Then, since the mercy seats more empty showed,
  One of God's chosen lifted up his voice:
  "The woman of Babylon is among us; rise
  Ye sons of light and drive the wanton forth!"
  So John Cabanis left the church and left
  The hosts of law and order with his eyes
  By anger cleared, and him the liberal cause
  Acclaimed as nominee to the mayoralty
  To vanquish A. D. Blood.
                                     But as the war
  Waged bitterly for votes and rumors flew
  About the bank, and of the heavy loans
  Which Rhodes, son had made to prop his loss
  In wheat, and many drew their coin and left
  The bank of Rhodes more hollow, with the talk
  Among the liberals of another bank
  Soon to be chartered, lo, the bubble burst
  'Mid cries and curses; but the liberals laughed
  And in the hall of Nicholas Bindle held
  Wise converse and inspiriting debate.

  High on a stage that overlooked the chairs
  Where dozens sat, and where a pop—eyed daub
  Of Shakespeare, very like the hired man
  Of Christian Dallman, brow and pointed beard,
  Upon a drab proscenium outward stared,
  Sat Harmon Whitney, to that eminence,
  By merit raised in ribaldry and guile,
  And to the assembled rebels thus he spake:
  "Whether to lie supine and let a clique
  Cold-blooded, scheming, hungry, singing psalms,
  Devour our substance, wreck our banks and drain
  Our little hoards for hazards on the price
  Of wheat or pork, or yet to cower beneath
  The shadow of a spire upreared to curb
  A breed of lackeys and to serve the bank
  Coadjutor in greed, that is the question.
  Shall we have music and the jocund dance,
  Or tolling bells? Or shall young romance roam
  These hills about the river, flowering now
  To April's tears, or shall they sit at home,
  Or play croquet where Thomas Rhodes may see,
  I ask you? If the blood of youth runs o'er
  And riots 'gainst this regimen of gloom,
  Shall we submit to have these youths and maids
  Branded as libertines and wantons?"
                                     Ere
  His words were done a woman's voice called "No!"
  Then rose a sound of moving chairs, as when
  The numerous swine o'er-run the replenished troughs;
  And every head was turned, as when a flock
  Of geese back-turning to the hunter's tread
  Rise up with flapping wings; then rang the hall
  With riotous laughter, for with battered hat
  Tilted upon her saucy head, and fist
  Raised in defiance, Daisy Fraser stood.
  Headlong she had been hurled from out the hall
  Save Wendell Bloyd, who spoke for woman's rights,
  Prevented, and the bellowing voice of Burchard.
  Then, mid applause she hastened toward the stage
  And flung both gold and silver to the cause
  And swiftly left the hall.
                                     Meantime upstood
  A giant figure, bearded like the son
  Of Alcmene, deep-chested, round of paunch,
  And spoke in thunder: "Over there behold
  A man who for the truth withstood his wife—
  Such is our spirit—when that A. D. Blood
  Compelled me to remove Dom Pedro—"
                                     Quick
  Before Jim Brown could finish, Jefferson Howard
  Obtained the floor and spake: "Ill suits the time
  For clownish words, and trivial is our cause
  If naught's at stake but John Cabanis, wrath,
  He who was erstwhile of the other side
  And came to us for vengeance. More's at stake
  Than triumph for New England or Virginia.
  And whether rum be sold, or for two years
  As in the past two years, this town be dry
  Matters but little— Oh yes, revenue
  For sidewalks, sewers; that is well enough!
  I wish to God this fight were now inspired
  By other passion than to salve the pride
  Of John Cabanis or his daughter.
  Why Can never contests of great moment spring
  From worthy things, not little? Still, if men
  Must always act so, and if rum must be
  The symbol and the medium to release
  From life's denial and from slavery,
  Then give me rum!"
                                     Exultant cries arose.
  Then, as George Trimble had o'ercome his fear
  And vacillation and begun to speak,
  The door creaked and the idiot, Willie Metcalf,
  Breathless and hatless, whiter than a sheet,
  Entered and cried: "The marshal's on his way
  To arrest you all. And if you only knew
  Who's coming here to—morrow; I was listening
  Beneath the window where the other side
  Are making plans."
                                     So to a smaller room
  To hear the idiot's secret some withdrew
  Selected by the Chair; the Chair himself
  And Jefferson Howard, Benjamin Pantier,
  And Wendell Bloyd, George Trimble, Adam Weirauch,
  Imanuel Ehrenhardt, Seth Compton, Godwin James
  And Enoch Dunlap, Hiram Scates, Roy Butler,
  Carl Hamblin, Roger Heston, Ernest Hyde
  And Penniwit, the artist, Kinsey Keene,
  And E. C. Culbertson and Franklin Jones,
  Benjamin Fraser, son of Benjamin Pantier
  By Daisy Fraser, some of lesser note,
  And secretly conferred.
                                     But in the hall
  Disorder reigned and when the marshal came
  And found it so, he marched the hoodlums out
  And locked them up.
                                     Meanwhile within a room
  Back in the basement of the church, with Blood
  Counseled the wisest heads. Judge Somers first,
  Deep learned in life, and next him, Elliott Hawkins
  And Lambert Hutchins; next him Thomas Rhodes
  And Editor Whedon; next him Garrison Standard,
  A traitor to the liberals, who with lip
  Upcurled in scorn and with a bitter sneer:
  "Such strife about an insult to a woman—
  A girl of eighteen "—Christian Dallman too,
  And others unrecorded. Some there were
  Who frowned not on the cup but loathed the rule
  Democracy achieved thereby, the freedom
  And lust of life it symbolized.

  Now morn with snowy fingers up the sky
  Flung like an orange at a festival
  The ruddy sun, when from their hasty beds
  Poured forth the hostile forces, and the streets
  Resounded to the rattle of the wheels
  That drove this way and that to gather in
  The tardy voters, and the cries of chieftains
  Who manned the battle. But at ten o'clock
  The liberals bellowed fraud, and at the polls
  The rival candidates growled and came to blows.
  Then proved the idiot's tale of yester-eve
  A word of warning. Suddenly on the streets
  Walked hog-eyed Allen, terror of the hills
  That looked on Bernadotte ten miles removed.
  No man of this degenerate day could lift
  The boulders which he threw, and when he spoke
  The windows rattled, and beneath his brows
  Thatched like a shed with bristling hair of black,
  His small eyes glistened like a maddened boar.
  And as he walked the boards creaked, as he walked
  A song of menace rumbled. Thus he came,
  The champion of A. D. Blood, commissioned
  To terrify the liberals. Many fled
  As when a hawk soars o'er the chicken yard.
  He passed the polls and with a playful hand
  Touched Brown, the giant, and he fell against,
  As though he were a child, the wall; so strong
  Was hog-eyed Allen. But the liberals smiled.
  For soon as hog-eyed Allen reached the walk,
  Close on his steps paced Bengal Mike, brought in
  By Kinsey Keene, the subtle-witted one,
  To match the hog-eyed Allen. He was scarce
  Three-fourths the other's bulk, but steel his arms,
  And with a tiger's heart. Two men he killed
  And many wounded in the days before,
  And no one feared.
                                     But when the hog-eyed one
  Saw Bengal Mike his countenance grew dark,
  The bristles o'er his red eyes twitched with rage,
  The song he rumbled lowered. Round and round
  The court-house paced he, followed stealthily
  By Bengal Mike, who jeered him every step:
  "Come, elephant, and fight! Come, hog-eyed coward!
  Come, face about and fight me, lumbering sneak!
  Come, beefy bully, hit me, if you can!
  Take out your gun, you duffer, give me reason
  To draw and kill you. Take your billy out.
  I'll crack your boar's head with a piece of brick!"
  But never a word the hog-eyed one returned
  But trod about the court-house, followed both
  By troops of boys and watched by all the men.
  All day, they walked the square. But when Apollo
  Stood with reluctant look above the hills
  As fain to see the end, and all the votes
  Were cast, and closed the polls, before the door
  Of Trainor's drug store Bengal Mike, in tones
  That echoed through the village, bawled the taunt:
  "Who was your mother, hog—eyed?" In a trice
  As when a wild boar turns upon the hound
  That through the brakes upon an August day
  Has gashed him with its teeth, the hog—one
  Rushed with his giant arms on Bengal Mike
  And grabbed him by the throat. Then rose to heaven
  The frightened cries of boys, and yells of men
  Forth rushing to the street. And Bengal Mike
  Moved this way and now that, drew in his head
  As if his neck to shorten, and bent down
  To break the death grip of the hog-eyed one;
  'Twixt guttural wrath and fast-expiring strength
  Striking his fists against the invulnerable chest
  Of hog-eyed Allen. Then, when some came in
  To part them, others stayed them, and the fight
  Spread among dozens; many valiant souls
  Went down from clubs and bricks.
                                     But tell me, Muse,
  What god or goddess rescued Bengal Mike?
  With one last, mighty struggle did he grasp
  The murderous hands and turning kick his foe.
  Then, as if struck by lightning, vanished all
  The strength from hog—eyed Allen, at his side
  Sank limp those giant arms and o'er his face
  Dread pallor and the sweat of anguish spread.
  And those great knees, invincible but late,
  Shook to his weight. And quickly as the lion
  Leaps on its wounded prey, did Bengal Mike
  Smite with a rock the temple of his foe,
  And down he sank and darkness o'er his eyes
  Passed like a cloud.
                                     As when the woodman fells
  Some giant oak upon a summer's day
  And all the songsters of the forest shrill,
  And one great hawk that has his nestling young
  Amid the topmost branches croaks, as crash
  The leafy branches through the tangled boughs
  Of brother oaks, so fell the hog—eyed one
  Amid the lamentations of the friends
  Of A. D. Blood.
                                     Just then, four lusty men
  Bore the town marshal, on whose iron face
  The purple pall of death already lay,
  To Trainor's drug store, shot by Jack McGuire.
  And cries went up of "Lynch him!" and the sound
  Of running feet from every side was heard
  Bent on the

THE END

The late Mr. Jonathan Swift Somers, laureate of Spoon River planned The Spooniad as an epic in twenty-four books, but unfortunately did not live to complete even the first book. The fragment was found among his papers by William Marion Reedy and was for the first time published in Reedy's Mirror of December 18th, 1914.

End of Project Gutenberg's Spoon River Anthology, by Edgar Lee Masters

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