The Project Gutenberg eBook of The new book of Niagara: Scenes in summer and winter This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: The new book of Niagara: Scenes in summer and winter Author: Anonymous Release date: July 31, 2022 [eBook #68656] Language: English Original publication: United States: Robert Allan Reid, 1901 Credits: Juliet Sutherland, Charlie Howard, and the Online Distributed Proofreading Team at https://www.pgdp.net *** START OF THE PROJECT GUTENBERG EBOOK THE NEW BOOK OF NIAGARA: SCENES IN SUMMER AND WINTER *** Transcriber’s Note This picture book has no Table of Contents. [Illustration: (cover) THE NEW BOOK OF NIAGARA _Scenes in Summer and Winter_] [Illustration: THE NEW BOOK OF NIAGARA _Scenes in Summer and Winter_] ❦ “_Niagara is an awful symbol of Infinite power--a version of Infinite beauty--a shrine, a temple erected by the hand of the Almighty for all the children of men._”--_Oration by Jas. C. Carter._ ❦ BUFFALO, N. Y. ROBERT ALLAN REID, PUBLISHER, 253–257 ELLICOTT STREET. Copyrighted, 1901, by Robert Allan Reid. All rights reserved. [Illustration: GENERAL VIEW OF THE FALLS. Favorite positions for this view are Hennepin View in Prospect Park and the New Steel Bridge. At the left is the American Fall with Luna Island and Goat Island dividing it from the Horseshoe Fall. The Maid of the Mist, near her landing, and the inclined railway are minor objects of interest.] [Illustration: CANADIAN FALL, AND MAID OF THE MIST. A trip on the “Maid of the Mist” past the Falls is one of the most fascinating of the experiences to be had at Niagara. The views of the descending floods, the swirling water below and the rainbow through the mist all lend enchantment to the trip.] [Illustration: AMERICAN FALL FROM PROSPECT POINT. It is while standing at or near Prospect Point that the very large majority of people who visit Niagara get their first view of the wondrous cataract. At one wide sweep of vision Niagara is before you and you see the water pour over the edge of the precipice, falling with stupendous power on the rocks below.] [Illustration: AMERICAN FALL FROM BELOW. Standing on the rocks at the foot of the Inclined Railway in Prospect Park and looking at the down-pour of water over the American Fall, a new impression of Niagara’s greatness comes over you, and you marvel at the beauty of the mighty flood.] [Illustration: THE FALLS BY MOONLIGHT. Under the light of the full moon of summer time, when Nature has done her best to make the locality all about delightful, the mind is made receptive of the moonlight softness, and the beauty of the scene impresses all with its magnificence.] [Illustration: PROSPECT POINT IN WINTER. In winter and summer alike Prospect Point is one of the main vantage spots from which to view Niagara. Immediately below the Point the mountain grows to an unlimited size as the spray freezes, and builds it by night and by day. In the ice bridge season there is no better place to view it than Prospect Point.] [Illustration: TERRAPIN ROCK AND HORSESHOE FALL FROM GOAT ISLAND. The Horseshoe or Canadian Fall, as a single object, is regarded as the sublimest thing in Nature. The Canadian Rapids have a fall of 55 feet in three-quarters of a mile before reaching the Falls, while it is estimated that the volume of water is ten times greater than that passing over the American Fall.] [Illustration: HORSESHOE FALL FROM BELOW. The height of the Horseshoe Fall is 165 feet and the stupendous nature of the Fall is more impressive when the visitor stands at the water’s edge in the gorge and looks upward at the flood descending in such graceful lines.] [Illustration: TERRAPIN POINT IN WINTER. The scene at Terrapin Point in winter is one of brilliancy and splendor. The spray-cloud of the Horseshoe Fall is wafted to the shores of Goat Island where King Winter’s breadth congeals it all to a marble-like formation, and the snowy whiteness of the spectacle is dazzling in the bright sunlight.] [Illustration: ICE MOUNTAIN AND ICE BRIDGE. The beauty of this scene varies yearly, for the wind and weather have all to do with the magnitude of the formations. When the weather is exceedingly cold the ice mountain, between the American Fall and the Inclined Railway, attains a magnificent height. The ice also forms from shore to shore, enabling people to pass at will to the Canadian side, and forming what is popularly called the ice bridge.] [Illustration: OBSERVATION TOWER VIEW OF GOAT ISLAND AND RAPIDS. This view shows “the dividing of the waters” of Niagara River, and in the immediate front the American Rapids are seen flowing tumultuously onward towards the towering cataract. Far across beyond Goat Island are the Canadian Rapids. The greater grandeurs and immense boundaries of which are best seen from Victoria Park on the Canadian side.] [Illustration: BRINK OF THE AMERICAN FALL. Probably there is no one sight which impresses itself more strongly upon the great majority of beholders than this view of the brink of the American Fall. Such mighty on-rushing torrents, so powerful, yet so smoothly and alluringly moving on over the precipice, and so near is the visitor to what seems an abyss of destruction that the scene is never forgotten.] [Illustration: THE AMERICAN FALL FROM GOAT ISLAND. This view across American Fall is one never to be forgotten. Here the brink of the Fall is seen in all its beauty, while far across the Fall, Prospect Park, with its constant crowds, forms part of the picture. A fine view of the Upper Steel Bridge is also here enjoyed.] [Illustration: HORSESHOE FALL BY SEARCHLIGHT. This photographic masterpiece, the crest of the Horseshoe Fall by searchlight, taken from Falls View, is the only one of its kind ever made. “The scene is entrancing as the searchlight kisses the water into new beauty.” ON THE BRIDGE AT MIDNIGHT. This is a night scene, the Upper Steel Bridge, made possible by the recent advancement in photography.] [Illustration: WHIRLPOOL RAPIDS. The Whirlpool Rapids begin within sight of the Falls. The gorge narrows to 300 feet and the current rushes onward at a speed of 40 miles an hour and the foam-crested waters are entrancingly beautiful.] [Illustration: THE WHIRLPOOL. The Whirlpool is about two miles below the Falls and is the greatest known river pocket. Into it the Rapids plunge in all their fury, and a gyrating motion is given the entire body of water. Here the river turns at right angles, causing one of the most mysterious and fascinating features of this mighty stream of water.] [Illustration: INCLINED RAILWAY. AMERICAN FALL. LUNA ISLAND. CAVE OF THE WINDS. GOAT ISLAND. HORSESHOE FALL. TABLE ROCK. VICTORIA PARK. PANORAMIC VIEW OF NIAGARA FALLS FROM THE CANADIAN SIDE.] [Illustration: THE CANADIAN RAPIDS AND HORSESHOE FALL, FROM FALLS VIEW STATION. This is one of the grand views to be had from the Canadian side of the river. The rapids, by their great descent and vastness, convey an impressive effect to the mind, and, together with the Falls and scenery of Victoria Park, combines to make one of the most pleasing pictures about Niagara. The entire length of the park is traversed by the electric cars, which are so great a convenience about Niagara, for tourists.] [Illustration: AMERICAN FALL FROM CANADIAN SIDE. Standing in Victoria Park, one gets a full front view of the American Fall, while at the right of the scene is Center Fall, flowing between Luna and Goat Islands. The American Fall has a width of 1,000 feet, a height of 158 feet, while the Rapids above descend forty feet in a half mile. All visitors should go to the Canadian side for the Canadian Fall and Rapids, the most imposing features of the Falls, are there best seen with their wonderful rainbow and mist effects, while the beauties of Victoria Park itself well repay a visit.] [Illustration: THE GORGE. The life work of Niagara River has been and continues to be the digging of the Niagara Gorge through which it flows. Those who have studied the subject thoroughly have reached the conclusion that the great trench was excavated by the running of the river itself. In its length, the gorge is in one sense a measure of the age of the river.] [Illustration: SCENE ON THE “GORGE ROUTE.” This Electric road runs along the New York Shore, for much of the way, about twenty feet up from the water, and affords unequaled views of the Whirlpool Rapids, the great bridge and cliffs, the Whirlpool and all scenic features. The objects of interest along the Gorge Route are only second to the two great cataracts themselves.] [Illustration: HORSESHOE OR CANADIAN FALL IN WINTER. The intensity of the mighty grasp of winter is at no point better portrayed than in its effects on the Horseshoe Fall. Gradually the waters are chilled and frozen until where yesterday the river plunged over the precipice in gleeful, laughing manner, huge stalactites of ice are hung reaching from the cliff-top to the slope below.] [Illustration: ICE FORMATION AT CAVE OF THE WINDS. In February, 1896, for a period of four days, the Cave of the Winds was dry, the water of the Fall being kept back by the ice formation. Visitors sought the cavern and roamed about admiring the icy scenes on every side. The photograph for the picture above was then made, and it may never be possible to obtain the same again.] [Illustration: UPPER STEEL ARCH BRIDGE. This wonderful example of man’s handiwork connects the extreme lower points of Prospect Park on the American side, with Victoria Park on the Canadian side. It has a single deck, is 1,268 feet long, 49 feet wide and 190 feet above the water, and was built in 1898. Splendid views are had from this bridge.] [Illustration: THE ICE PALACE. The Ice Palace, a thing of beauty in the production of which man essayed to supplement Nature, was erected in the State Reservation in the winter of 1898. “An area of 120 by 160 feet was covered by its gleaming walls of crystal. The entire structure was gay with bunting and flags by day and brilliant with electrical illumination by night.”] [Illustration: BRIDGES AT NIAGARA. LUNA ISLAND BRIDGE. BRIDGE TO THIRD SISTER ISLAND. BRIDGE TO SECOND SISTER ISLAND. RUSTIC BRIDGE TO WILLOW ISLAND.] [Illustration: LOWER STEEL ARCH BRIDGE. This bridge spans the river at its narrowest part. It was built in 1897 by the Grand Trunk Railroad Company. It has two decks, the upper for railway trains and the lower for carriages and pedestrians. The arch has a span of 550 feet.] [Illustration: TABLE ROCK AND THE DEVIL’S PULPIT. This rocky plateau is located over the Devil’s Hole, on the American side, 300 feet above the wild waters of the Gorge. It has been the scene of many recorded and traditional battles and sanguinary struggles. Grand sweeps of scenery are to be witnessed from this commanding site.] [Illustration: DEVIL’S HOLE. The Devil’s Hole is a dark and gloomy chasm in the high bank, and has a depth of 150 feet. It is said to have been a store house for ammunition in early times. It is reached by the City trolley line and by the Gorge Road.] [Illustration: BROCK’S MONUMENT Stands on Queenston Heights, about four miles below the Whirlpool. It was erected to commemorate the memory of Sir Isaac Brock who fell in battle in the war of 1812. It is a noble shaft, 100 feet high, capped with a statue of Brock. It is seen for many miles in all directions.] [Illustration: SUSPENSION BRIDGE AT LEWISTON. This Suspension Bridge is now the only one which spans Niagara River. It links Queenston on the Canadian side with Lewiston on the American side, seven miles below the Falls, and is crossed by the Belt Line trolley route about the Gorge. The suspended span is 800 feet, and it has a cable span of 1040 feet.] [Illustration: A FAMILIAR WINTER SCENE IN PROSPECT PARK. In winter the high winds which prevail, sometimes for days at a time, catch the spray from the American Fall and carry it far back into the forest growth, the trees become ice-laden, and the transformation that takes place is beautiful in the extreme.] [Illustration: THE RED MAN’S FACT THE WHITE MAN’S FANCY FROM THE FAMOUS PAINTINGS BY JAMES FRANCIS BROWN. To the Indians the thundering of the water was the voice of the Great Spirit; the spray-cloud his habitation. A portion of the crops and spoils of the chase were annually offered as tokens, and the fairest maiden of a tribe was sacrificed by being sent over the falls in a canoe laden with fruits and flowers. No less than the Red Man, is his successor, the White Man, impressed with the majesty of the Creator’s power as displayed in the grandeurs of Niagara. “Between falling flood and rising cloud, you imagine a mystical meaning in the passage of body to soul, of matter to spirit, of human to divine.”] [Illustration: ROCK OF AGES, AT CAVE OF THE WINDS. Surrounded with an atmosphere of sentiment is this view at Niagara. It forms an artistic and pleasing picture. Evidently at some remote time in the past the rock has fallen from the cliff above. The famous cave of the winds lies back of the Center Fall. It is 100 feet high, 100 feet wide and 60 feet deep.] *** END OF THE PROJECT GUTENBERG EBOOK THE NEW BOOK OF NIAGARA: SCENES IN SUMMER AND WINTER *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.