The Project Gutenberg eBook of Clarissa Dormer This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Clarissa Dormer or, The advantages of good instruction Author: Anonymous Release date: August 2, 2023 [eBook #71319] Language: English Original publication: United Kingdom: J. Harris, 1808 Credits: Produced by Donald Cummings and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) *** START OF THE PROJECT GUTENBERG EBOOK CLARISSA DORMER *** [Illustration: Clariſsa Dormer. _Pub. Oct 14-1808, by I. Harris, Corner St. Paul’s Church Yd._] CLARISSA DORMER: OR, THE ADVANTAGES OF _GOOD INSTRUCTION_. [Illustration: logo] LONDON: PRINTED FOR J. HARRIS, SUCCESSOR TO E. NEWBERY, AT THE ORIGINAL JUVENILE LIBRARY, AT THE CORNER OF ST. PAUL’S CHURCH-YARD. [Illustration: decoration] 1808. H. Bryer, Printer, Bridge-Street, Blackfriars. CLARISSA DORMER: [Illustration: decoration] The parents of Clarissa Dormer were natives of one of our West India settlements. They were not black enough to be esteemed descendants of those unhappy beings whom perfidy or avarice brought into the hands of Europeans, nor yet so fair as to pass for natives of our temperate clime. Born amid the tears and groans of their fellow creatures, and taught by example to tyrannize over the miserable Africans, they were callous to their sufferings, and unmindful of the barbarities inflicted upon them. One only child (Clarissa) was the fruit of their marriage, and heiress to their vast possessions. Dearer to them than their lives or riches, they would not suffer her to be contradicted in any thing, from the moment her little legs were able to carry her; and from the instant she knew how to frame a wish or feel a want, her will was a law. Every slave on the plantation must serve her, in preference to any other business. Can it be wondered at then, that, before she was five years of age, she was a tyrant? At a prodigious expence, a governess from England was engaged to attend her. The gentleman who was agent for Mr. Dormer in this business, saw many before his choice was absolutely decided. He well knew the tempers and habits of those with whom the lady would have to deal; and he wished to act with justice on both sides. At length, his choice fell on Miss Melville, a young lady born to happier prospects, educated under the eyes of the most tender and indulgent, as well as the most accomplished parents, whose pride she had been, and who had spared no cost to bestow upon her a most liberal education. Versed in all the elegant accomplishments, as well as the more solid and useful parts of female education, she was at once the woman of fashion and the domestic character. Fortune, however, seemed to use her unkindly, by depriving her first of her parents, and then of a considerable part of her property, through the means of an unjust executor. These losses were too severe to be viewed with indifference; but they were nevertheless endured with a degree of composure which proved that reason, and not passion, governed her mind. Mr. Franklin’s choice could not have fallen upon a worthier object; but, anxious as he was to fulfil the commission with which he was intrusted, he yet felt it his duty to lay before the person he engaged, every particular relative to the family in which she was to reside. “Mr. and Mrs. Dormer,” said he to Miss Melville, “have no other child than Clarissa; and I am sorry to say that she has been spoiled by too much indulgence. She must not be corrected; and even if she strikes you, you must not complain. Her parents are both passionate, and, I believe, proud of their wealth; yet they want not generosity; and I am persuaded, if you can but gain the affections of the child, you may live in comfort. Your good sense will lead you to adopt some means of gaining authority over a child, who, though wayward, is not destitute either of good nature or good sense. The salary is very handsome; and if, after twelve months residence, you do not wish to continue, they agree to pay your passage back to England.――You may take a few days to consider the subject, and I shall make no farther inquiries till I receive your answer.” The result was, that Miss Melville accepted the situation, embarked, and, after a fine passage, arrived safe at ――――. On her landing, she was received by Mr. Dormer, who conducted her to his plantation in the mountains. Mrs. Dormer was a vulgar, untaught woman. She had filled her daughter’s head with a set of ideas which served to put all order at defiance. “Come, Clary,” said she, “come, my love, and see your governess: she has come home with papa.” Little Miss, who had no better English than the slaves with whom she associated, and upon whom no pains had yet been bestowed to correct it, pouted, flung, and said, “_Clary no go――Clary no like new govness――She stay play with black Susy, kill flies, and catchee de lizards._” Much persuasion was necessary to induce her to accompany her mother into the drawing-room. At length she complied, hid herself behind the door, and just took a peep now and then at Miss Melville. “Will you not welcome me to your house, Miss Dormer,” said Miss Melville, in the sweetest tone of voice imaginable. Clara hung down her head.――At length she gained confidence, advanced nearer and nearer, and soon became troublesome with her caresses. “Poor thing!” said her mother, “I am vastly glad to see she likes you: she will learn all the better, and be so happy!” The next morning Miss Melville entered on her task. Clara was very averse to being taught; but the gentle manner adopted with her, made the first day’s task pass off tolerably easy; the second and third were not to be complained of; but it soon became necessary to make use of bribes, and various other schemes, to induce her to read. Miss Melville, however, found the mother more irrational than her daughter. She was constantly detaching her from her studies; sometimes complaining that too much reading would hurt her eyesight; at others, that she would study herself into a fever; yet she was constantly worrying her with enquiries respecting her improvement, and dictating the manner in which she should be taught. When she saw Clara appear unhappy at being called to attend on Miss Melville, she would say, “Dear Miss, don’t worry the poor child about her books; she has time enough before her; let her come to her lessons when she pleases: she will get on a great deal sooner for not being worried.” It required much patience to bear all this, but not more than Miss Melville possessed. She resolved to persevere in the use of every allurement she could invent to induce Clara to receive her instructions. The following circumstance favoured her wishes, and produced the desired effect. At the time Mr. Dormer commissioned Mr. Franklin to procure a governess for his daughter, he impowered him also to purchase one of Stodart’s best pianos, as necessary for her instruction. Miss Melville being perfectly mistress of the instrument, it became a great source of amusement to the whole family; Clara in particular became fond of music to excess, and was constantly importuning her governess to play to her. In answer to her frequent requests, Miss Melville agreed to play her a tune every time she read a lesson, and informed her, that, as soon as she could read and spell, she would be capable of learning the notes, and playing on the piano. “Indeed!” exclaimed Clara. “Yes, indeed,” said Miss Melville; “and I believe you will soon learn to play.” Clara paid great attention to her book, and soon learnt to read and spell with propriety. “I can read now,” said she to Miss Melville, “will you teach me to play?” “Willingly; and I hope you will have patience to surmount every difficulty.” “Is music so very difficult to learn?” said Clara. “Yes,” answered Miss Melville, “if you mean to excel; and I hope that will be your endeavour: many pretend to play, who only know how to gingle the keys; but I hope, if you begin, you will be more than a pretender.” As this was a science in which Clara particularly delighted, she made a very rapid progress, as indeed she did in every thing she undertook; but unfortunately she had many bad habits, as well as real errors, from which it was necessary she should be reformed. Among the most prominent of these was the vice of lying.――The following anecdote will shew some of its effects. Among those things upon which Miss Melville set the highest value, were the letters of her deceased parents, which she kept locked up in a trunk, and would often retire to read them in private. She had miniatures of her parents, which were kept in the same place. One day Clara caught her with the picture of her mother in her hand, weeping over it. Unwilling the child should see her in tears, she hastily returned the miniature to its place, locked the box, and came away. Clara related what she had seen to her mother, who, with a curiosity natural to little minds, was eager to discover the secret into which her daughter was unable to penetrate. Mrs. Dormer requested Miss Melville to visit a lady at the next plantation; and Clara, the moment her back was turned, seized the box, and conveyed it to her mother, who had not time to satisfy her curiosity before Miss Melville returned for an ornament which she had left in it through mistake. The box was not to be found. Mrs. Dormer and her daughter declared that they knew nothing of it; but a slave, who had accidentally seen it in Clara’s arms, as she carried it to her mother, said, “_Missy Melville, you no cry――me telle you where de box be._” “Oh, where, where, good Dinah, tell me,” returned Miss Melville; “I would rather lose every thing else in the world, than that box.” “_Missy Clara_,” replied Dinah, “_carry it to Madam, in de dressing-room._” Miss Melville hurried to demand her box. “Who told you it was here?” said Mrs. Dormer; “I have not seen it; and I am sure Clara never touched it.” “No, that I did not,” cried the young lady, encouraged to assert a falsehood by the example of her mother――“Dinah has been telling you some story about the box, I suppose.” Dinah was called. “Do you know any thing of Miss Melville’s box, Dinah?” said Mrs. Dormer. “_Me see Missy Clara bring de box――――_” “Hold your tongue this instant,” cried Mrs. Dormer, in a violent passion; “call the overseer; let him see Dinah flogged for an hour, and let it be done immediately.” “For mercy’s sake, Madam, I intreat you, and beg as the greatest favour, that you will not punish the poor creature,” said Miss Melville; “she meant no ill――she did not mean to offend――pray spare her, and let your anger fall upon me.” “Upon you!” exclaimed Mrs. Dormer; “I cannot flog you; but I have her in my power; and she shall be beat till I have pieces of flesh from her back.” Mrs. Dormer in this said no more than she saw executed. Poor Dinah was tied by her two hands to the whipping-post; and the brutal overseer, as unfeeling as his barbarous mistress, inflicted the punishment, till the poor slave, unable to endure more, sunk beneath the lash, without exhibiting any signs of life. “You have killed her,” said Miss Melville, running to the assistance of the unfortunate girl, “you have killed her; and for what? for telling the truth?――Yes, shame on you, Clara! you know you took the box from my chamber, and carried it to your mamma’s; and yet you could see this unhappy girl beaten almost, if not quite to death, for declaring what she had seen――Where is your feeling? Where is your humanity?” “A fig’s end for feeling and humanity too,” replied Mrs. Dormer; “what has feeling or humanity to do with slaves? We buy them for our use, we feed and clothe them, and we have a right to treat them as we please?” “You have certainly no right to treat them with cruelty or injustice,” said Miss Melville. “Cruelty and injustice!” exclaimed Mrs. Dormer; “I beg, Miss, you won’t put such nonsense into the creatures’ heads, or they will mutiny, and perhaps murder us.” “They would do neither, I am persuaded, were they well treated,” said Miss Melville. “You are very impertinent, Miss,” said Mrs. Dormer; “but I wish to have no more words at present.” The following morning, when Clara attended her usual lesson, she could not help noticing the coldness and indifference with which she was treated by her governess. She felt it keenly; and after endeavouring for some time to conceal her feelings, she burst into tears, and said, “I know I was very wicked yesterday; I told lies, and saw Dinah beat for telling the truth.――Oh, Miss Melville! do forgive! do pardon me!” “Your pardon does not rest with me,” said Miss Melville; “you may be assured that though Providence has suffered this poor creature to become a slave, you have no right to treat her with cruelty or injustice. A great and benevolent mind would use power only to promote the happiness of those who are under its government. You know not how much you may need the friendship of your slaves; and your conduct should be such as would entitle you to their esteem. I am sorry to see it otherwise. Your cruelty was manifested in the sufferings of Dinah; and the unjust punishment inflicted on her, was not your only fault; that was but secondary to your first; the untruth you told was the primary cause of the poor girl’s sufferings. I have long endeavoured to instil into your mind a high value for truth, and an aversion to falsehood of every kind. I am grieved to see how very lightly you think of my lessons, and how poor a compliment you pay my instructions. Be assured, that lying is a most dangerous and detestable vice; and a liar is more to be dreaded than any other character. Locks, bolts and bars may secure us from the thief; but what can secure us from the tongue of the liar? How many scandals are fabricated――how many families set together by the ears――how many parents have their hearts turned against their children, husbands weaned from their wives, brothers from their sisters, and the most intimate, firm and steady friendships broken, by the tongue of the liar. I beg you, then, my dear Clara, never more to be guilty of a vice which is offensive both to God and man.” Miss Melville’s lessons, often repeated, made a deep impression on the mind of Clara. To the slaves she became gentle and kind; and during the illness of Dinah, which was the consequence of her undeserved punishment, none attended her with more kindness than Clara, who endeavoured, by every means in her power, to make her amends for her sufferings. Clara soon gained the esteem of all the slaves, and was so universally beloved, that there was not a person in the house, or on the plantation, but what would almost have sacrificed their lives to serve her. Mrs. Dormer was the only person who disapproved of the happy change in her conduct; natural affection, however, was a sufficient security for her kindness to her only daughter, and therefore Clara lived in friendship with all around her. About twelve months after the event which has been recounted, Mr. Dormer died, leaving to his widow the plantation, with the reversion to Clara, to whom he also left considerable property in the English funds. Unchecked by the power or influence of a husband, the widow now exercised her authority over the slaves with an iron hand. She not only had them punished unjustly, but frequently ordered the punishments to be inflicted with a severity too horrible to be described.――But “The worm we tread on, thus it feels, “Resents the pressure of our heels, “And turns again.” A conspiracy, secret, and dreadful in its consequences, broke out in the plantation among the slaves, who rose in the dead of the night, to revenge the sufferings they had endured. About a dozen of these ill-used people entered the house of Mrs. Dormer, and murdered the overseer and whipper-in, and then proceeded to search for their mistress, who had retreated for safety, from her own apartment to Miss Melville’s. “Oh, save me, save me!――the slaves have mutinied――they have killed the overseer and whipper-in, and are now searching for me――What shall I do?――Where shall I conceal myself?” cried Mrs. Dormer. [Illustration: Clariſsa Dormer.] “Hush! hush, madam!” said Miss Melville; “I beseech you be quiet.”――She had just time to squeeze herself between the bed and the wainscot, before the slaves entered, brandishing weapons of different kinds, and enquiring for Mrs. Dormer. Dinah was compelled to attend them, and to give them all the information they required. “_Who be dat lady?_” said the ringleader to Dinah, pointing to Miss Melville. “_She be good lady_,” said Dinah; “_she pity poor blacky man and woman――she never get poor slave beat, but cry, cry, weep, weep, to see dem hurt._” “_We no killy you, Missy――we only fight wid dem dat use poor black ill――get him beat――order bad Jackson to flog, flog, flog, till poor slave fall down, almost dead._” Clara was seized by another of the slaves; but was set at liberty after a similar account had been given of her conduct by Dinah and Susan; and they were ordered out of the room, but with such marks of respect as convinced them that they had nothing to fear on their own account; but their distress respecting Mrs. Dormer was great indeed. In a short time they heard several of the female slaves cry out, “_Jasper, Jasper, we find her――come, take de vile wretch away._” A shriek from Mrs. Dormer convinced Clara and Miss Melville what had happened. They attempted to appease the fury of the slaves by arguments and intreaties; but in vain: they were commanded to be silent; and resistance would have been irrational. Mrs. Dormer was dragged to the very post at which her cruel orders had frequently been put in execution, and treated by her slaves with as little mercy as she had treated them. Their lives had been spared for future service; but they had no wish to see her survive. As soon as it was light, Miss Melville and Clara ventured out in search of Mrs. Dormer. Their imaginations had already anticipated the affecting scene. Clara fainted when she saw the mangled body of her parent, and was afterwards conducted by her amiable companion, to the next plantation. A little reflection, however, convinced them that they had nothing to fear from those DISCRIMINATING SLAVES who had deemed them worthy their clemency, at a time they came to execute vengeance on an individual under the same roof. In a short time Miss Dormer undertook the management of her own affairs; and Miss Melville was still retained, as her friend, adviser, and companion. No slaves were treated so well as those of Miss Dormer; indeed it is improper to call them slaves; for she made them all free; and few plantations ever flourished like hers. At a time when a dangerous insurrection broke out among the Maroons, over the greatest part of the island, the free men of Clara refused to join in the association; and, by forming a phalanx round their mistress, preserved both her life and property, while those of many others were lost. The moral of this little history will speak for itself. Humanity is due to all; difference of colour, or inequality of rank, can never warrant the exercise of oppression or injustice; and the abolition of the slave trade, lately effected by the persevering efforts of Mr. Wilberforce and the attention of a discerning legislature, is at once the best security for the peace and prosperity of our colonies, and an honour to the British character. _H. Bryer, Printer, Bridge-Street, Blackfriars._ * * * * * Transcriber’s Notes: ――Text in italics is enclosed by underscores (_italics_). ――Punctuation and spelling inaccuracies were silently corrected. ――Archaic and variable spelling has been preserved. *** END OF THE PROJECT GUTENBERG EBOOK CLARISSA DORMER *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.