The Project Gutenberg EBook of Animal Children, by Edith Brown Kirkwood

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Animal Children
       The Friends of the Forest and the Plain

Author: Edith Brown Kirkwood

Illustrator: M. T. Ross

Release Date: February 17, 2006 [EBook #17782]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK ANIMAL CHILDREN ***




Produced by Juliet Sutherland, Sjaani and the Online
Distributed Proofreading Team at http://www.pgdp.net

Animal Children

The Friends of the Forest and the Plain.

By

Edith Brown Kirkwood

Drawings by
M.T. Ross

Published by
P.F. Volland & Co.
Chicago

Copyright 1913
P.F. Volland & Company
All Rights Reserved

Ninth Edition

To all children who find
friends in the Forest or on
the Plain, and especially to
Samuel and to Gilbert, this
book is lovingly dedicated.

FOREWORD

hen God made the world He planted the flowers and the grass and the trees to make things beautiful to look upon; He swung the sun and the moon and the stars in the sky to make things bright; He put the birds in the trees to fill the air with music, and when He made the animals we believe that he intended them to be the friends of man.

Why, isn't the dog the best playmate that a boy can have? Did any one ever hear of Towser or Gyp being false friends? And the soft, dainty, cunning bit of a fluffy ball of a kitten who comes rubbing its downy sides against the tiny girl's skirts begging for a return caress, is there a play-fellow more lovable? And the squirrel who comes begging at the window for nuts; the bunny rabbit who snuggles its delicate nose, trustingly, under the little boy's chin; the horse who has been man's friend in times of trouble and of peace, bearing his burdens or scampering with him over the fields and roads in play; the cow who has sent her good milk to the babies of all time; the sheep and the goats who have given of their wool to keep us warm,—we love them all dearly.

In this volume we have tried to make friends and playmates of all of the animals. You have loved the "Flower Children" and the "Bird Children" whom the publisher already has made your playmates. We feel that you are going to be just as happy to know the "Animal Children." Therefore we add to "The Little Cousins of the Field and Garden" and "The Little Playmates of the Flower Children," this volume—"The Friends of the Forest and the Plain."

EDITH BROWN KIRKWOOD M.T. Ross

ANIMAL CHILDREN

	Sometimes I am so sorry that my papa is a king, It's really most annoying and hurts like everything To have the little girls and boys all want to run away, For if I am a Lion prince, I'm a baby, anyway!
	Some jungle boys, by mischief made quite bold, Once took the baby Tiger, so we're told, And in broad stripes they smeared his coat so fine, And 'round his neck they hung a "Fresh Paint" sign.
	This monkey thought the Leopard's spots Were pasted on for polka-dots, He asked her how much it would cost New ones to buy if those were lost.
	In her red and white gown Miss Weasel's so pert We are very afraid she's a gay little flirt; She is fearful of no one—beast, reptile or man, Just winks and cries gaily: "Catch me, if you can."
	This dapper young chappy is Dude Ocelot, With coat trimmed in many a dash and a spot; He's graceful and elegant, sly, too, as well, Just what he'll do next no one ever can tell.
	The chetah is a great big cat But very quick, for all of that, She's cunning but she's gentle, too, And if you're good she's good to you.
	The little Bobcat and Canadian Lynx Just must be related (so everyone thinks). Except for their ears they're alike as two pins, And look every whit as if they were twins.
	A dainty, fastidious man is Lord Otter Who can live just as well on land as in water, He'll eat but the flakiest part of a fish, And this he considers his favorite dish.
	"It really is a bother to be sought by everyone" The vain young Ermine boasted. "Why, it keeps me on the run To get away from kings and queens and peers and ladies great— It truly gets me all fussed up and in a dreadful state."
	Young ferret, detective, said: "I'll show you where To track the bold rabbit right into his lair." Then he never saw bunny right under his eyes, But went swaggering off looking wondrously wise.
	"Now, Johnnie, my child," said wise Mamma Sable, "When you see a trap run as fast as you're able, Or else, ere you know it, your skin will be gone As a beautiful fur for some lady to don."
	Mother opossum says she'd like to ask Just why other mothers should find it a task To care for one baby. Why, here she has four, And there's plenty of room on her tail for some more!
	Mr. and Mrs. Mongoose are popular as can be, The reason being very plain, as you will all agree, They are cunning and affectionate and clean and very nice, They kill all snakes and insects and naughty rats and mice.
	It must be very easy for the busy Beaver mother To feed the Beaver sister and her little Beaver brother, For when they beg: "We're hungry, give us something to eat, please!" She sends them off to nibble at the bark of the big trees.
	The puma is a bandit who'll not meet you face to face But waits to spring upon you from some well-hidden place. He'll strike you when your back is turned, but away he's sure to fly If you should turn to look him right squarely in the eye.
	Lemur stays in bed all day And waits until the night to play; That's why his soft feet make no sound And why his eyes are big and round.
	The bowery boy of the woods is young Mink, His coat is so lovely one never would think That'd he do naughty things, but we've often been told He is tricky and wicked and saucy and bold.
	"I'm not so very big around and not great as to length, But one thing Peccaries have learned—in numbers there is strength. Now, if you do not bother me I will not bother you, But all my friends and family will help me if you do."
	who is this boy in clothes so neat? Young Spring-bok, Africa's athlete. He lives up in the mountains tall, And as a jumper beats them all.
	The Long-Eared Bat and the Flying Fox and the Flying Squirrel, too, Decided to give an aero-meet just to show what they could do. So they formed a club and went around and invited everyone, Then up they flew and did their stunts, and had a lot of fun.
	She is dainty as snowdrops that fall from the skies, Is this dear little Kitten with bright, shiny eyes And velvety ears and pretty pink nose And lovely white suit of soft, furry clothes.
	Baby raccoon takes all his food and goes straight to the pool, He eats not one small bite of it until it's wet and cool. Now, although you may think this strange and stop to wonder why, He, no doubt, thinks it just as queer for you to like yours dry.
	The greatest of travelers that one can meet Is the little Deer-mouse with the pretty white feet; North, south, east or west she will go at her will, And never, no never, is known to keep still.
	The baby zebra ne'er should roam So very far away from home, Lest someone, thinking her striped gown Was candy-stick, might eat her down.
	"I'm stopping for a moment just to say 'How-do-you-do?' I've just been decorated with this ribbon of deep blue Because of all the gracefulness with which I trot and prance— No wonder that you give Sir Horse your most admiring glance!"
	This tale is not so very new, And, no doubt, has been told to you, But Donkey went to school to play, And now he sits dressed up this way.
	Here is the only baby who never makes a noise (Which must be very puzzling to little girls and boys). Yet the Giraffe is happy 'though he cannot shout or sing, For with that great long neck of his he can reach anything.
	The tapir feeds on leaves and fruit He's very, very hard to suit, For boys who don't like bread and meat Have to find other things to eat.
	He has climbed to the top of a rocky throne To look down on a land once so proudly his own, His people are scattered, he has no place to go, He is weary and sad, poor King Buffalo.
	"Lemonade, lemonade," the bold monkey cried, "It's only five cents, and it's cooling beside." Miss Camel just sniffed and tossed high her head,— "I drink only every nine days, sir," she said.
	Milk or meat or leather for shoes,— Almost anything that we choose,— We'll find the good Cow gives with joy To every nice little girl and boy.
	I wonder where the names come from (I'm sure that you do, too). For instance, there's the animal that has been called the Gnu. His race is just as strange, too, for no one seems to know Just what he is—an antelope, horse, bull or buffalo.
	Big moose came boldly from behind the tall trees, And said in loud voice: "Who called, if you please? I'm ready to meet any one who says 'Fight,' But we'll come in the open and do the thing right."
	I am not sure I'd care to meet This Big Horn Goat upon the street. Not when his eyes and smile and air Just seem to shout: "Come, if you dare!'
	Brave soldier ibex stalks before the mountain fortress high, And watches eagerly to note a stranger passing by. "Who's there?" he calls, and to his friends he whistles the alarm, And off they go to mountain tops where they are safe from harm.
	The chamois lives in the mountains high, He's ever and ever and ever so spry; He leaps and he plays with never a fall— I'm sure that you never could do that at all.
	Billy Goat and Nanny Goat went out one day to tea. They promised Mother Goat they'd be good as they could be, But on the way they passed some goats who cried: "Oh, see the dude!" And then they had to go back home for Billy got real rude.
	Her coat is soft as velvet, of a lovely yellow-brown, With a bit of fawn for trimming and a lining white as down. Her eyes are large and kindly, she is gentle, too, as well, You would love a little playmate as sweet as Miss Gazelle.
	A sturdy young American is Rocky Mountain Goat With big, strong horns upon his head, and shaggy, furry coat; He loves to scramble over rocks or leap a mountain brook, And should you chase him he will fly into his hidden nook.
	"We reindeer come straight from your own Santa Claus, In our gallop of joy we never will pause; We eat from the mountain-tops, drink from the dells, And use for our skipping-ropes merry sleigh-bells."
	A large and handsome personage is the Most Noble Yak, His mantle is a fringe of hair that drapes his sides and back; He's very, very grand, indeed, when he stands up, you see— In fact, he's just as noble as a noble ought to be.
	When young Mrs. Kangaroo goes for a hop, To call or to market or, perhaps, out to shop, She has no nice carriage where baby can ride, So he creeps in a pocket that hangs at her side.
	He does not care when the sleet comes down, or the chilly wind blows strong, For he wears a hat that is made of horn and a fur coat, warm and long. He never gets frostbitten toes 'though in snow and ice he plays; Now being a Muskox can't be bad in the long, cold winter days!
	"The very best I have, sir, fine and a whole yard wide, It wears, and has no bother of a right and wrong side; I'm sure she'd like a dress of it—it will not spot or pull." Then Miss Alpaca added: "I know—it's my own wool."
	This dear little Sheep has lost Bo-Peep, She wandered away as he lay asleep, He has found her bonnet and shepherd's crook, But for little Bo-Peep in vain does he look.
	Young Miss Rhinoceros gave a beach party; She greeted her friends with a welcome most hearty. They laughed and they joked and they swam in the sea, And the party was gay, as a party should be.
	She comes from Spain, this proud, proud Dame, Mistress Merino is her name. Her wool weaves into dress goods rare, Her skin makes gloves the ladies wear.
	Merry guinea pigs one day Went out in the fields to play. Daisy smiled and wished that they Would never, never go away.
	Here is a Sister Piggy and a Brother Piggy, too, The story they are telling here would not apply to you, For selfish little sisters who make their brothers cry Do not belong in houses but with piggies in the sty.
	Now here's a little lady who seems a wee bit shy, Or is it that a teardrop is trembling in her eye? Well, I am sure that you or I would make an awful fuss If we should have to have her name—"Miss Hippopotamus."
	In animal land, as everywhere, there lives a Mr. Boar Who never is contented unless he holds the floor; His fellows all may frown at him but he cannot refrain From pushing into everything—he's so selfish and so vain.
	Mother and father and little Miss Bear Went out for a walk and a bit of fresh air, Not through the dark woods (the old tale to repeat) But in their best clothes, right down the front street.
	When little Miss Polar Bear goes out to skate, She never is bothered by having to wait Until mother wraps her all snugly in fur, For those are the clothes that she carries with her!
	Just look about and see if you Can find a friend who's quite as true As this old Doggie that you see A-smiling here at you and me.
	I'm just a little Puppy and good as good can be, And why they call me naughty, I'm sure I cannot see, I've only carried off one shoe and torn the baby's hat And chased the ducks and spilled the milk—there's nothing bad in that!
	The mandrill looks so very queer I'm glad he lives way off from here; He's purple, blue, red, black and brown, I'm sure he is the jungle clown.
	The baby gorilla, of the family called Ape, Is very like you in size and in shape, But he lives in the jungle with black hair for clothes And he gets very naughty the older he grows.
	This cute little brother and sister you see Seated cosily high on the limb of a tree Are the Marmoset twins, whose appealing round eyes Look from flower-like faces in wond'ring surprise.
	"I've climbed up here to smile at you and, oh, what do you think? I've scattered master's papers and upset all of his ink, But then if little Monkeys always were so very good They'd not be little monkeys who just can't act as they should."
	He is so very lazy that he is even loath To walk upon his own feet—this funny boy named Sloth. He swings upon the branches from morning until night, And eats the leaves about him with laziest delight.
	He works on tunnels night and day, This Marmot boy from far away. When winter comes then in he creeps, And there until the spring he sleeps.
	The woodchuck resides in a hole in the ground, He is surly and cross, and he never is found Out in the bright sunlight unless it's to see If he can't make more winter for you and for me.
	This naughty boy just eats and eats until he is a sight, He eats until he cannot hold another tiny bite. Of course, he's just an animal—they call him Wolverine— But does he make you think of boys that you have ever seen?
	Old Mr. Walrus climbs out of the deep For a breath of air and an hour of sleep. You will note that he isn't much on looks But his skin we make into pocket-books.
	He sits on the top of a gay wooden stand, He stands on his head or he shakes your hand, He dances a jig or he trumps a chant— This jolly old circus Elephant.
	Naughty, naughty Squirrel baby, just as mother has you dressed In your ribbons and your laces and your go-to-meeting best, Then to run and grab an apple and get yourself all mussed! Are you not afraid that mother will be very, very fussed?
	To market, to market, with baskets of eggs, Jack Rabbit goes hurrying on his long legs; He'll buy him some colors—red, green, yellow, blue, And when Easter comes 'round you know what he'll do.
	Chipmunk is a jolly lad, Always friendly—never sad, Shares with friends his wheat grains yellow, He's a genuine good fellow.
	The coney lives in Palestine But he is very seldom seen. You see he is so small and shy He hides when folks are passing by.
	They call this boy the Coati, His name is strange, and so is he. He laps to drink, digs with his snout. On ground or trees he runs about.
	The cute little dogs that live on the prairie Were having a party and making quite merry, When Big Dog, on watch, heard a noise and called "Hush!" And into their holes went the guests in a rush!
	What do you suppose is in Gray Wolf's pack He carries so stealthily over his back? Some chickens, a lamb and an old mother hen He has stolen to hide away in his den.
	His manners are so charming and his eyes so very bright, I do believe that we might call young Fox a gallant knight; But then when he is cunning and just a little pert, I'm not so sure but we should call this same young fox a flirt.
	We just want to ask if you ever have seen a Much dirtier boy than this little Hyena? He has played in the street at making mud pies Till nothing is clean save the whites of his eyes.
	Beau coyote sings a nightly tune To his lady fair in the big, round moon. She smiles and throws moonbeams to him And he serenades till her light is dim.
	Tommie and Tillie Badger went out in the field to play. Said Tommie: "Here, I'll teach you—put down your head this way, Then toss your heels into the air and give a little twirl— You can't help turning somersaults although you are a girl."
	Miss Leopard Spermophilus, with her high-sounding name, Says just to be called "Gopher" is really a shame, And she's right here to tell you—if this knowledge you should lack— She's the only one who wears the stars and stripes upon her back.
	Doggy barked and said: "What fun To make that Porcupine girl run; Girls for boys to tease were meant."— But girls with pins are different.
	Sir Knight Armadillo, from tail tip to nose In armor that's sure to bring terror to foes, Goes forth with his weapons to his battle ground, And looks like a pineapple walking around.
	Away in Australia the Echidna stays. He is noted because of his strange little ways; His claws are so sharp that in manner quite tragic, When frightened he sinks in the ground as by magic.
	Miss Ant Eater's mouth is so dreadfully small It scarce seems it could be a real mouth at all, And her long, furry tail is her blanket at night, It covers and tucks her in all snug and tight.
	This queer little Mole has a star for a nose Just the shade of the pink in a dew-wet rose. He lives down in the ground where 'tis always like night, So perhaps his star nose is to twinkle for light.
	Here we have Mr. Duckbill of no little fame; His mouth, you will see, is what gives him his name. He can walk, swim or burrow and (so we have heard) His wife, Mrs. Duckbill, lays eggs like a bird.
	Such a dainty little person in her coat of pale, clear gray, Is this maiden, Miss Chinchilla, and the hunter-folks all say She is so clean she's exquisite and never dreams of harm When they go to take her silken fur which helps to keep her warm.
	The circus fat lady is big Mrs. Whale With her very large head and her very long tail, And her ears and her eyes almost covered from sight In the folds of thick skin that wraps her up tight.

INDEX

End of the Project Gutenberg EBook of Animal Children, by Edith Brown Kirkwood

*** END OF THIS PROJECT GUTENBERG EBOOK ANIMAL CHILDREN ***

***** This file should be named 17782-h.htm or 17782-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/1/7/7/8/17782/

Produced by Juliet Sutherland, Sjaani and the Online
Distributed Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.