The Project Gutenberg EBook of The Spy, by Richard Harding Davis

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Spy

Author: Richard Harding Davis

Release Date: May 12, 2006 [EBook #1818]
Last Updated: March 4, 2018

Language: English

Character set encoding: UTF-8

*** START OF THIS PROJECT GUTENBERG EBOOK THE SPY ***




Produced by Don Lainson; David Widger







THE SPY


By Richard Harding Davis







My going to Valencia was entirely an accident. But the more often I stated that fact, the more satisfied was everyone at the capital that I had come on some secret mission. Even the venerable politician who acted as our minister, the night of my arrival, after dinner, said confidentially, “Now, Mr. Crosby, between ourselves, what's the game?”

“What's what game?” I asked.

“You know what I mean,” he returned. “What are you here for?”

But when, for the tenth time, I repeated how I came to be marooned in Valencia he showed that his feelings were hurt, and said stiffly: “As you please. Suppose we join the ladies.”

And the next day his wife reproached me with: “I should think you could trust your own minister. My husband NEVER talks—not even to me.”

“So I see,” I said.

And then her feelings were hurt also, and she went about telling people I was an agent of the Walker-Keefe crowd.

My only reason for repeating here that my going to Valencia was an accident is that it was because Schnitzel disbelieved that fact, and to drag the hideous facts from me followed me back to New York. Through that circumstance I came to know him, and am able to tell his story.

The simple truth was that I had been sent by the State Department to Panama to “go, look, see,” and straighten out a certain conflict of authority among the officials of the canal zone. While I was there the yellow-fever broke out, and every self-respecting power clapped a quarantine on the Isthmus, with the result that when I tried to return to New York no steamer would take me to any place to which any white man would care to go. But I knew that at Valencia there was a direct line to New York, so I took a tramp steamer down the coast to Valencia. I went to Valencia only because to me every other port in the world was closed. My position was that of the man who explained to his wife that he came home because the other places were shut.

But, because, formerly in Valencia I had held a minor post in our legation, and because the State Department so constantly consults our firm on questions of international law, it was believed I revisited Valencia on some mysterious and secret mission.

As a matter of fact, had I gone there to sell phonographs or to start a steam laundry, I should have been as greatly suspected. For in Valencia even every commercial salesman, from the moment he gives up his passport on the steamer until the police permit him to depart, is suspected, shadowed, and begirt with spies.

I believe that during my brief visit I enjoyed the distinction of occupying the undivided attention of three: a common or garden Government spy, from whom no guilty man escapes, a Walker-Keefe spy, and the spy of the Nitrate Company. The spy of the Nitrate Company is generally a man you meet at the legations and clubs. He plays bridge and is dignified with the title of “agent.” The Walker-Keefe spy is ostensibly a travelling salesman or hotel runner. The Government spy is just a spy—a scowling, important little beast in a white duck suit and a diamond ring. The limit of his intelligence is to follow you into a cigar store and note what cigar you buy, and in what kind of money you pay for it.

The reason for it all was the three-cornered fight which then was being waged by the Government, the Nitrate Trust, and the Walker-Keefe crowd for the possession of the nitrate beds. Valencia is so near to the equator, and so far from New York, that there are few who studied the intricate story of that disgraceful struggle, which, I hasten to add, with the fear of libel before my eyes, I do not intend to tell now.

Briefly, it was a triangular fight between opponents each of whom was in the wrong, and each of whom, to gain his end, bribed, blackmailed, and robbed, not only his adversaries, but those of his own side, the end in view being the possession of those great deposits that lie in the rocks of Valencia, baked from above by the tropic sun and from below by volcanic fires. As one of their engineers, one night in the Plaza, said to me: “Those mines were conceived in hell, and stink to heaven, and the reputation of every man of us that has touched them smells like the mines.”

At the time I was there the situation was “acute.” In Valencia the situation always is acute, but this time it looked as though something might happen. On the day before I departed the Nitrate Trust had cabled vehemently for war-ships, the Minister of Foreign Affairs had refused to receive our minister, and at Porto Banos a mob had made the tin sign of the United States consulate look like a sieve. Our minister urged me to remain. To be bombarded by one's own war-ships, he assured me, would be a thrilling experience.

But I repeated that my business was with Panama, not Valencia, and that if in this matter of his row I had any weight at Washington, as between preserving the nitrate beds for the trust, and preserving for his country and various sweethearts one brown-throated, clean-limbed bluejacket, I was for the bluejacket.

Accordingly, when I sailed from Valencia the aged diplomat would have described our relations as strained.

Our ship was a slow ship, listed to touch at many ports, and as early as noon on the following day we stopped for cargo at Trujillo. It was there I met Schnitzel.

In Panama I had bought a macaw for a little niece of mine, and while we were taking on cargo I went ashore to get a tin cage in which to put it, and, for direction, called upon our consul. From an inner room he entered excitedly, smiling at my card, and asked how he might serve me. I told him I had a parrot below decks, and wanted to buy a tin cage.

“Exactly. You want a tin cage,” the consul repeated soothingly. “The State Department doesn't keep me awake nights cabling me what it's going to do,” he said, “but at least I know it doesn't send a thousand-dollar-a-minute, four-cylinder lawyer all the way to this fever swamp to buy a tin cage. Now, honest, how can I serve you?” I saw it was hopeless. No one would believe the truth. To offer it to this friendly soul would merely offend his feelings and his intelligence.

So, with much mystery, I asked him to describe the “situation,” and he did so with the exactness of one who believes that within an hour every word he speaks will be cabled to the White House.

When I was leaving he said: “Oh, there's a newspaper correspondent after you. He wants an interview, I guess. He followed you last night from the capital by train. You want to watch out he don't catch you. His name is Jones.” I promised to be on my guard against a man named Jones, and the consul escorted me to the ship. As he went down the accommodation ladder, I called over the rail: “In case they SHOULD declare war, cable to Curacoa, and I'll come back. And don't cable anything indefinite, like 'Situation critical' or 'War imminent.' Understand? Cable me, 'Come back' or 'Go ahead.' But whatever you cable, make it CLEAR.”

He shook his head violently and with his green-lined umbrella pointed at my elbow. I turned and found a young man hungrily listening to my words. He was leaning on the rail with his chin on his arms and the brim of his Panama hat drawn down to conceal his eyes.

On the pier-head, from which we now were drawing rapidly away, the consul made a megaphone of his hands.

“That's HIM,” he called. “That's Jones.”

Jones raised his head, and I saw that the tropical heat had made Jones thirsty, or that with friends he had been celebrating his departure. He winked at me, and, apparently with pleasure at his own discernment and with pity for me, smiled.

“Oh, of course!” he murmured. His tone was one of heavy irony. “Make it 'clear.' Make it clear to the whole wharf. Shout it out so's everybody can hear you. You're 'clear' enough.” His disgust was too deep for ordinary words. “My uncle!” he exclaimed.

By this I gathered that he was expressing his contempt.

“I beg your pardon?” I said.

We had the deck to ourselves. Its emptiness suddenly reminded me that we had the ship, also, to ourselves. I remembered the purser had told me that, except for those who travelled overnight from port to port, I was his only passenger.

With dismay I pictured myself for ten days adrift on the high seas—alone with Jones.

With a dramatic gesture, as one would say, “I am here!” he pushed back his Panama hat. With an unsteady finger he pointed, as it was drawn dripping across the deck, at the stern hawser.

“You see that rope?” he demanded. “Soon as that rope hit the water I knocked off work. S'long as you was in Valencia—me, on the job. Now, YOU can't go back, I can't go back. Why further dissim'lation? WHO AM I?”

His condition seemed to preclude the possibility of his knowing who he was, so I told him.

He sneered as I have seen men sneer only in melodrama.

“Oh, of course,” he muttered. “Oh, of course.”

He lurched toward me indignantly.

“You know perfec'ly well Jones is not my name. You know perfec'ly well who I am.”

“My dear sir,” I said, “I don't know anything about you, except that your are a damned nuisance.”

He swayed from me, pained and surprised. Apparently he was upon an outbreak of tears.

“Proud,” he murmured, “AND haughty. Proud and haughty to the last.”

I never have understood why an intoxicated man feels the climax of insult is to hurl at you your name. Perhaps because he knows it is the one charge you cannot deny. But invariably before you escape, as though assured the words will cover your retreat with shame, he throws at you your full title. Jones did this.

Slowly and mercilessly he repeated, “Mr.—George—Morgan—Crosby. Of Harvard,” he added. “Proud and haughty to the last.”

He then embraced a passing steward, and demanded to be informed why the ship rolled. He never knew a ship to roll as our ship rolled.

“Perfec'ly satisfact'ry ocean, but ship—rolling like a stone-breaker. Take me some place in the ship where this ship don't roll.”

The steward led him away.

When he had dropped the local pilot the captain beckoned me to the bridge.

“I saw you talking to Mr. Schnitzel,” he said. “He's a little under the weather. He has too light a head for liquors.”

I agreed that he had a light head, and said I understood his name was Jones.

“That's what I wanted to tell you,” said the captain. “His name is Schnitzel. He used to work for the Nitrate Trust in New York. Then he came down here as an agent. He's a good boy not to tell things to. Understand? Sometimes I carry him under one name, and the next voyage under another. The purser and he fix it up between 'em. It pleases him, and it don't hurt anybody else, so long as I tell them about it. I don't know who he's working for now,” he went on, “but I know he's not with the Nitrate Company any more. He sold them out.”

“How could he?” I asked. “He's only a boy.”

“He had a berth as typewriter to Senator Burnsides, president of the Nitrate Trust, sort of confidential stenographer,” said the captain. “Whenever the senator dictated an important letter, they say, Schnitzel used to make a carbon copy, and when he had enough of them he sold them to the Walker-Keefe crowd. Then, when Walker-Keefe lost their suit in the Valencia Supreme Court I guess Schnitzel went over to President Alvarez. And again, some folks say he's back with the Nitrate Company.”

“After he sold them out?”

“Yes, but you see he's worth more to them now. He knows all the Walker-Keefe secrets and Alvarez's secrets, too.”

I expressed my opinion of every one concerned.

“It shouldn't surprise YOU,” complained the captain. “You know the country. Every man in it is out for something that isn't his. The pilot wants his bit, the health doctor must get his, the customs take all your cigars, and if you don't put up gold for the captain of the port and the alcalde and the commandant and the harbor police and the foreman of the cargadores, they won't move a lighter, and they'll hold up the ship's papers. Well, an American comes down here, honest and straight and willing to work for his wages. But pretty quick he finds every one is getting his squeeze but him, so he tries to get some of it back by robbing the natives that robbed him. Then he robs the other foreigners, and it ain't long before he's cheating the people at home who sent him here. There isn't a man in this nitrate row that isn't robbing the crowd he's with, and that wouldn't change sides for money. Schnitzel's no worse than the president nor the canteen contractor.”

He waved his hand at the glaring coast-line, at the steaming swamps and the hot, naked mountains.

“It's the country that does it,” he said. “It's in the air. You can smell it as soon as you drop anchor, like you smell the slaughter-house at Punta-Arenas.”

“How do YOU manage to keep honest,” I asked, smiling.

“I don't take any chances,” exclaimed the captain seriously. “When I'm in their damned port I don't go ashore.”

I did not again see Schnitzel until, with haggard eyes and suspiciously wet hair, he joined the captain, doctor, purser, and myself at breakfast. In the phrases of the Tenderloin, he told us cheerfully that he had been grandly intoxicated, and to recover drank mixtures of raw egg, vinegar, and red pepper, the sight of which took away every appetite save his own. When to this he had added a bottle of beer, he declared himself a new man. The new man followed me to the deck, and with the truculent bearing of one who expects to be repelled, he asked if, the day before, he had not made a fool of himself.

I suggested he had been somewhat confidential. At once he recovered his pose and patronized me.

“Don't you believe it,” he said. “That's all part of my game. 'Confidence for confidence' is the way I work it. That's how I learn things. I tell a man something on the inside, and he says: 'Here's a nice young fellow. Nothing standoffish about him,' and he tells me something he shouldn't. Like as not what I told him wasn't true. See?”

I assured him he interested me greatly.

“You find, then, in your line of business,” I asked, “that apparent frankness is advisable? As a rule,” I explained, “secrecy is what a—a person in your line—a—”

To save his feelings I hesitated at the word.

“A spy,” he said. His face beamed with fatuous complacency.

“But if I had not known you were a spy,” I asked, “would not that have been better for you?”

“In dealing with a party like you, Mr. Crosby,” Schnitzel began sententiously, “I use a different method. You're on a secret mission yourself, and you get your information about the nitrate row one way, and I get it another. I deal with you just like we were drummers in the same line of goods. We are rivals in business, but outside of business hours perfect gentleman.”

In the face of the disbelief that had met my denials of any secret mission, I felt to have Schnitzel also disbelieve me would be too great a humiliation. So I remained silent.

“You make your report to the State Department,” he explained, “and I make mine to—my people. Who they are doesn't matter. You'd like to know, and I don't want to hurt your feelings, but—that's MY secret.”

My only feelings were a desire to kick Schnitzel heavily, but for Schnitzel to suspect that was impossible. Rather, he pictured me as shaken by his disclosures.

As he hung over the rail the glare of the sun on the tumbling water lit up his foolish, mongrel features, exposed their cunning, their utter lack of any character, and showed behind the shifty eyes the vacant, half-crooked mind.

Schnitzel was smiling to himself with a smile of complete self-satisfaction. In the light of his later conduct, I grew to understand that smile. He had anticipated a rebuff, and he had been received, as he read it, with consideration. The irony of my politeness he had entirely missed. Instead, he read in what I said the admiration of the amateur for the professional. He saw what he believed to be a high agent of the Government treating him as a worthy antagonist. In no other way can I explain his later heaping upon me his confidences. It was the vanity of a child trying to show off.

In ten days, in the limited area of a two-thousand-ton steamer, one could not help but learn something of the history of so communicative a fellow-passenger as Schnitzel. His parents were German and still lived in Germany. But he himself had been brought up on the East Side. An uncle who kept a delicatessen shop in Avenue A had sent him to the public schools and then to a “business college,” where he had developed remarkable expertness as a stenographer. He referred to his skill in this difficult exercise with pitying contempt. Nevertheless, from a room noisy with type-writers this skill had lifted him into the private office of the president of the Nitrate Trust. There, as Schnitzel expressed it, “I saw 'mine,' and I took it.” To trace back the criminal instinct that led Schnitzel to steal and sell the private letters of his employer was not difficult. In all of his few early years I found it lying latent. Of every story he told of himself, and he talked only of himself, there was not one that was not to his discredit. He himself never saw this, nor that all he told me showed he was without the moral sense, and with an instinctive enjoyment of what was deceitful, mean, and underhand. That, as I read it, was his character.

In appearance he was smooth-shaven, with long locks that hung behind wide, protruding ears. He had the unhealthy skin of bad blood, and his eyes, as though the daylight hurt them, constantly opened and shut. He was like hundreds of young men that you see loitering on upper Broadway and making predatory raids along the Rialto. Had you passed him in that neighborhood you would have set him down as a wire-tapper, a racing tout, a would-be actor.

As I worked it out, Schnitzel was a spy because it gave him an importance he had not been able to obtain by any other effort. As a child and as a clerk, it was easy to see that among his associates Schnitzel must always have been the butt. Until suddenly, by one dirty action, he had placed himself outside their class. As he expressed it: “Whenever I walk through the office now, where all the stenographers sit, you ought to see those slobs look after me. When they go to the president's door, they got to knock, like I used to, but now, when the old man sees me coming to make my report after one of these trips he calls out, 'Come right in, Mr. Schnitzel.' And like as not I go in with my hat on and offer him a cigar. An' they see me do it, too!”

To me, that speech seemed to give Schnitzel's view of the values of his life. His vanity demanded he be pointed at, if even with contempt. But the contempt never reached him—he only knew that at last people took note of him. They no longer laughed at him, they were afraid of him. In his heart he believed that they regarded him as one who walked in the dark places of world politics, who possessed an evil knowledge of great men as evil as himself, as one who by blackmail held public ministers at his mercy.

This view of himself was the one that he tried to give me. I probably was the first decent man who ever had treated him civilly, and to impress me with his knowledge he spread that knowledge before me. It was sale, shocking, degrading.

At first I took comfort in the thought that Schnitzel was a liar. Later, I began to wonder if all of it were a lie, and finally, in a way I could not doubt, it was proved to me that the worst he charged was true.

The night I first began to believe him was the night we touched at Cristobal, the last port in Valencia. In the most light-hearted manner he had been accusing all concerned in the nitrate fight with every crime known in Wall Street and in the dark reaches of the Congo River.

“But, I know him, Mr. Schnitzel,” I said sternly. “He is incapable of it. I went to college with him.”

“I don't care whether he's a rah-rah boy or not,” said Schnitzel, “I know that's what he did when he was up the Orinoco after orchids, and if the tribe had ever caught him they'd have crucified him. And I know this, too: he made forty thousand dollars out of the Nitrate Company on a ten-thousand-dollar job. And I know it, because he beefed to me about it himself, because it wasn't big enough.”

We were passing the limestone island at the entrance to the harbor, where, in the prison fortress, with its muzzle-loading guns pointing drunkenly at the sky, are buried the political prisoners of Valencia.

“Now, there,” said Schnitzel, pointing, “that shows you what the Nitrate Trust can do. Judge Rojas is in there. He gave the first decision in favor of the Walker-Keefe people, and for making that decision William T. Scott, the Nitrate manager, made Alvarez put Rojas in there. He's seventy years old, and he's been there five years. The cell they keep him in is below the sea-level, and the salt-water leaks through the wall. I've seen it. That's what William T. Scott did, an' up in New York people think 'Billy' Scott is a fine man. I seen him at the Horse Show sitting in a box, bowing to everybody, with his wife sitting beside him, all hung out with pearls. An' that was only a month after I'd seen Rojas in that sewer where Scott put him.”

“Schnitzel,” I laughed, “you certainly are a magnificent liar.”

Schnitzel showed no resentment.

“Go ashore and look for yourself,” he muttered. “Don't believe me. Ask Rojas. Ask the first man you meet.” He shivered, and shrugged his shoulders. “I tell you, the walls are damp, like sweat.”

The Government had telegraphed the commandant to come on board and, as he expressed it, “offer me the hospitality of the port,” which meant that I had to take him to the smoking-room and give him champagne. What the Government really wanted was to find out whether I was still on board, and if it were finally rid of me.

I asked the official concerning Judge Rojas.

“Oh, yes,” he said readily. “He is still incomunicado.”

Without believing it would lead to anything, I suggested:

“It was foolish of him to give offence to Mr. Scott?”

The commandant nodded vivaciously.

“Mr. Scott is very powerful man,” he assented. “We all very much love Mr. Scott. The president, he love Mr. Scott, too, but the judges were not sympathetic to Mr. Scott, so Mr. Scott asked our president to give them a warning, and Senor Rojas—he is the warning.”

“When will he get out?” I asked.

The commandant held up the glass in the sunlight from the open air-port, and gazed admiringly at the bubbles.

“Who can tell,” he said. “Any day when Mr. Scott wishes. Maybe, never. Senor Rojas is an old man. Old, and he has much rheumatics. Maybe, he will never come out to see our beloved country any more.”

As we left the harbor we passed so close that one could throw a stone against the wall of the fortress. The sun was just sinking and the air became suddenly chilled. Around the little island of limestone the waves swept through the sea-weed and black manigua up to the rusty bars of the cells. I saw the barefooted soldiers smoking upon the sloping ramparts, the common criminals in a long stumbling line bearing kegs of water, three storm-beaten palms rising like gallows, and the green and yellow flag of Valencia crawling down the staff. Somewhere entombed in that blotched and mildewed masonry an old man of seventy years was shivering and hugging himself from the damp and cold. A man who spoke five languages, a just, brave gentleman. To me it was no new story. I knew of the horrors of Cristobal prison; of political rivals chained to criminals loathsome with disease, of men who had raised the flag of revolution driven to suicide. But never had I supposed that my own people could reach from the city of New York and cast a fellow-man into that cellar of fever and madness.

As I watched the yellow wall sink into the sea, I became conscious that Schnitzel was near me, as before, leaning on the rail, with his chin sunk on his arms. His face was turned toward the fortress, and for the first time since I had known him it was set and serious. And when, a moment later, he passed me without recognition, I saw that his eyes were filled with fear.

When we touched at Curacoa I sent a cable to my sister, announcing the date of my arrival, and then continued on to the Hotel Venezuela. Almost immediately Schnitzel joined me. With easy carelessness he said: “I was in the cable office just now, sending off a wire, and that operator told me he can't make head or tail of the third word in your cable.”

“That is strange,” I commented, “because it's a French word, and he is French. That's why I wrote it in French.”

With the air of one who nails another in a falsehood, Schnitzel exclaimed:

“Then, how did you suppose your sister was going to read it? It's a cipher, that's what it is. Oh, no, YOU'RE not on a secret mission! Not at all!”

It was most undignified of me, but in five minutes I excused myself, and sent to the State Department the following words:

“Roses red, violets blue, send snow.”

Later at the State Department the only person who did not eventually pardon my jest was the clerk who had sat up until three in the morning with my cable, trying to fit it to any known code.

Immediately after my return to the Hotel Venezuela Schnitzel excused himself, and half an hour later returned in triumph with the cable operator and ordered lunch for both. They imbibed much sweet champagne.

When we again were safe at sea, I said: “Schnitzel, how much did you pay that Frenchman to let you read my second cable?”

Schnitzel's reply was prompt and complacent.

“One hundred dollars gold. It was worth it. Do you want to know how I doped it out?”

I even challenged him to do so. “'Roses red'—war declared; 'violets blue'—outlook bad, or blue; 'send snow'—send squadron, because the white squadron is white like snow. See? It was too easy.”

“Schnitzel,” I cried, “you are wonderful!”

Schnitzel yawned in my face.

“Oh, you don't have to hit the soles of my feet with a night-stick to keep me awake,” he said.

After I had been a week at sea, I found that either I had to believe that in all things Schnitzel was a liar, or that the men of the Nitrate Trust were in all things evil. I was convinced that instead of the people of Valencia robbing them, they were robbing both the people of Valencia and the people of the United States.

To go to war on their account was to degrade our Government. I explained to Schnitzel it was not becoming that the United States navy should be made the cat's-paw of a corrupt corporation. I asked his permission to repeat to the authorities at Washington certain of the statements he had made.

Schnitzel was greatly pleased.

“You're welcome to tell 'em anything I've said,” he assented. “And,” he added, “most of it's true, too.”

I wrote down certain charges he had made, and added what I had always known of the nitrate fight. It was a terrible arraignment. In the evening I read my notes to Schnitzel, who, in a corner of the smoking-room, sat, frowning importantly, checking off each statement, and where I made an error of a date or a name, severely correcting me.

Several times I asked him, “Are you sure this won't get you into trouble with your 'people'? You seem to accuse everybody on each side.”

Schnitzel's eyes instantly closed with suspicion.

“Don't you worry about me and my people,” he returned sulkily. “That's MY secret, and you won't find it out, neither. I may be as crooked as the rest of them, but I'm not giving away my employer.”

I suppose I looked puzzled.

“I mean not a second time,” he added hastily. “I know what you're thinking of, and I got five thousand dollars for it. But now I mean to stick by the men that pay my wages.”

“But you've told me enough about each of the three to put any one of them in jail.”

“Of course, I have,” cried Schnitzel triumphantly.

“If I'd let down on any one crowd you'd know I was working for that crowd, so I've touched 'em all up. Only what I told you about my crowd—isn't true.”

The report we finally drew up was so sensational that I was of a mind to throw it overboard. It accused members of the Cabinet, of our Senate, diplomats, business men of national interest, judges of the Valencia courts, private secretaries, clerks, hired bullies, and filibusters. Men the trust could not bribe it had blackmailed. Those it could not corrupt, and they were pitifully few, it crushed with some disgraceful charge.

Looking over my notes, I said:

“You seem to have made every charge except murder.”

“How'd I come to leave that out?” Schnitzel answered flippantly. “What about Coleman, the foreman at Bahia, and that German contractor, Ebhardt, and old Smedburg? They talked too much, and they died of yellow-fever, maybe, and maybe what happened to them was they ate knockout drops in their soup.”

I disbelieved him, but there came a sudden nasty doubt.

“Curtis, who managed the company's plant at Barcelona, died of yellow-fever,” I said, “and was buried the same day.”

For some time Schnitzel glowered uncertainly at the bulkhead.

“Did you know him?” he asked.

“When I was in the legation I knew him well,” I said.

“So did I,” said Schnitzel. “He wasn't murdered. He murdered himself. He was wrong ten thousand dollars in his accounts. He got worrying about it and we found him outside the clearing with a hole in his head. He left a note saying he couldn't bear the disgrace. As if the company would hold a little grafting against as good a man as Curtis!”

Schnitzel coughed and pretended it was his cigarette.

“You see you don't put in nothing against him,” he added savagely.

It was the first time I had seen Schnitzel show emotion, and I was moved to preach.

“Why don't you quit?” I said. “You had an A-1 job as a stenographer. Why don't you go back to it?”

“Maybe, some day. But it's great being your own boss. If I was a stenographer, I wouldn't be helping you send in a report to the State Department, would I? No, this job is all right. They send you after something big, and you have the devil of a time getting it, but when you get it, you feel like you had picked a hundred-to-one shot.”

The talk or the drink had elated him. His fish-like eyes bulged and shone. He cast a quick look about him. Except for ourselves, the smoking-room was empty. From below came the steady throb of the engines, and from outside the whisper of the waves and of the wind through the cordage. A barefooted sailor pattered by to the bridge. Schnitzel bent toward me, and with his hand pointed to his throat.

“I've got papers on me that's worth a million to a certain party,” he whispered. “You understand, my notes in cipher.”

He scowled with intense mystery.

“I keep 'em in an oiled-silk bag, tied around my neck with a string. And here,” he added hastily, patting his hip, as though to forestall any attack I might make upon his person, “I carry my automatic. It shoots nine bullets in five seconds. They got to be quick to catch me.”

“Well, if you have either of those things on you,” I said testily, “I don't want to know it. How often have I told you not to talk and drink at the same time?”

“Ah, go on,” laughed Schnitzel. “That's an old gag, warning a fellow not to talk so as to MAKE him talk. I do that myself.”

That Schnitzel had important papers tied to his neck I no more believe than that he wore a shirt of chain armor, but to please him I pretended to be greatly concerned.

“Now that we're getting into New York,” I said, “you must be very careful. A man who carries such important documents on his person might be murdered for them. I think you ought to disguise yourself.”

A picture of my bag being carried ashore by Schnitzel in the uniform of a ship's steward rather pleased me.

“Go on, you're kidding!” said Schnitzel. He was drawn between believing I was deeply impressed and with fear that I was mocking him.

“On the contrary,” I protested, “I don't feel quite safe myself. Seeing me with you they may think I have papers around MY neck.”

“They wouldn't look at you,” Schnitzel reassured me. “They know you're just an amateur. But, as you say, with me, it's different. I GOT to be careful. Now, you mightn't believe it, but I never go near my uncle nor none of my friends that live where I used to hang out. If I did, the other spies would get on my track. I suppose,” he went on grandly, “I never go out in New York but that at least two spies are trailing me. But I know how to throw them off. I live 'way down town in a little hotel you never heard of. You never catch me dining at Sherry's nor the Waldorf. And you never met me out socially, did you, now?”

I confessed I had not.

“And then, I always live under an assumed name.”

“Like 'Jones'?” I suggested.

“Well, sometimes 'Jones',” he admitted.

“To me,” I said, “'Jones' lacks imagination. It's the sort of name you give when you're arrested for exceeding the speed limit. Why don't you call yourself Machiavelli?”

“Go on, I'm no dago,” said Schnitzel, “and don't you go off thinking 'Jones' is the only disguise I use. But I'm not tellin' what it is, am I? Oh, no.”

“Schnitzel,” I asked, “have you ever been told that you would make a great detective?”

“Cut it out,” said Schnitzel. “You've been reading those fairy stories. There's no fly cops nor Pinks could do the work I do. They're pikers compared to me. They chase petty-larceny cases and kick in doors. I wouldn't stoop to what they do. It's being mixed up the way I am with the problems of two governments that catches me.” He added magnanimously, “You see something of that yourself.”

We left the ship at Brooklyn, and with regret I prepared to bid Schnitzel farewell. Seldom had I met a little beast so offensive, but his vanity, his lies, his moral blindness, made one pity him. And in ten days in the smoking-room together we had had many friendly drinks and many friendly laughs. He was going to a hotel on lower Broadway, and as my cab, on my way uptown, passed the door, I offered him a lift. He appeared to consider the advisability of this, and then, with much by-play of glancing over his shoulder, dived into the front seat and drew down the blinds. “This hotel I am going to is an old-fashioned trap,” he explained, “but the clerk is wise to me, understand, and I don't have to sign the register.”

As we drew nearer to the hotel, he said: “It's a pity we can't dine out somewheres and go to the theatre, but—you know?”

With almost too much heartiness I hastily agreed it would be imprudent.

“I understand perfectly,” I assented. “You are a marked man. Until you get those papers safe in the hands of your 'people,' you must be very cautious.”

“That's right,” he said. Then he smiled craftily.

“I wonder if you're on yet to which my people are.”

I assured him that I had no idea, but that from the avidity with which he had abused them I guessed he was working for the Walker-Keefe crowd.

He both smiled and scowled.

“Don't you wish you knew?” he said. “I've told you a lot of inside stories, Mr. Crosby, but I'll never tell on my pals again. Not me! That's MY secret.”

At the door of the hotel he bade me a hasty good-by, and for a few minutes I believed that Schnitzel had passed out of my life forever. Then, in taking account of my belongings, I missed my field-glasses. I remembered that, in order to open a trunk for the customs inspectors, I had handed them to Schnitzel, and that he had hung them over his shoulder. In our haste at parting we both had forgotten them.

I was only a few blocks from the hotel, and I told the man to return.

I inquired for Mr. Schnitzel, and the clerk, who apparently knew him by that name, said he was in his room, number eighty-two.

“But he has a caller with him now,” he added. “A gentleman was waiting for him, and's just gone up.”

I wrote on my card why I had called, and soon after it had been borne skyward the clerk said: “I guess he'll be able to see you now. That's the party that was calling on him, there.”

He nodded toward a man who crossed the rotunda quickly. His face was twisted from us, as though, as he almost ran toward the street, he were reading the advertisements on the wall.

He reached the door, and was lost in the great tide of Broadway.

I crossed to the elevator, and as I stood waiting, it descended with a crash, and the boy who had taken my card flung himself, shrieking, into the rotunda.

“That man—stop him!” he cried. “The man in eighty-two—he's murdered.”

The clerk vaulted the desk and sprang into the street, and I dragged the boy back to the wire rope and we shot to the third story. The boy shrank back. A chambermaid, crouching against the wall, her face colorless, lowered one hand, and pointed at an open door.

“In there,” she whispered.

In a mean, common room, stretched where he had been struck back upon the bed, I found the boy who had elected to meddle in the “problems of two governments.”

In tiny jets, from three wide knife-wounds, his blood flowed slowly. His staring eyes were lifted up in fear and in entreaty. I knew that he was dying, and as I felt my impotence to help him, I as keenly felt a great rage and a hatred toward those who had struck him.

I leaned over him until my eyes were only a few inches from his face.

“Schnitzel!” I cried. “Who did this? You can trust me. Who did this? Quick!”

I saw that he recognized me, and that there was something which, with terrible effort, he was trying to make me understand.

In the hall was the rush of many people, running, exclaiming, the noise of bells ringing; from another floor the voice of a woman shrieked hysterically.

At the sounds the eyes of the boy grew eloquent with entreaty, and with a movement that called from each wound a fresh outburst, like a man strangling, he lifted his fingers to his throat.

Voices were calling for water, to wait for the doctor, to wait for the police. But I thought I understood.

Still doubting him, still unbelieving, ashamed of my own credulity, I tore at his collar, and my fingers closed upon a package of oiled silk.

I stooped, and with my teeth ripped it open, and holding before him the slips of paper it contained, tore them into tiny shreds.

The eyes smiled at me with cunning, with triumph, with deep content.

It was so like the Schnitzel I had known that I believed still he might have strength enough to help me.

“Who did this?” I begged. “I'll hang him for it! Do you hear me?” I cried.

Seeing him lying there, with the life cut out of him, swept me with a blind anger, with a need to punish.

“I'll see they hang for it. Tell me!” I commanded. “Who did this?”

The eyes, now filled with weariness, looked up and the lips moved feebly.

“My own people,” he whispered.

In my indignation I could have shaken the truth from him. I bent closer.

“Then, by God,” I whispered back, “you'll tell me who they are!”

The eyes flashed sullenly.

“That's my secret,” said Schnitzel.

The eyes set and the lips closed.

A man at my side leaned over him, and drew the sheet across his face.








End of the Project Gutenberg EBook of The Spy, by Richard Harding Davis

*** END OF THIS PROJECT GUTENBERG EBOOK THE SPY ***

***** This file should be named 1818-h.htm or 1818-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/1/8/1/1818/

Produced by Don Lainson; David Widger

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  “Project Gutenberg” is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation (“the Foundation”
 or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase “Project Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
“Plain Vanilla ASCII” or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original “Plain Vanilla ASCII” or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, “Information about donations to
     the Project Gutenberg Literary Archive Foundation.”

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
“Defects,” such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.