Project Gutenberg's ...Or Your Money Back, by Gordon Randall Garrett This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: ...Or Your Money Back Author: Gordon Randall Garrett Release Date: November 18, 2007 [EBook #23534] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK ...OR YOUR MONEY BACK *** Produced by Greg Weeks, Bruce Albrecht, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net
There are times when I don't know my own strength. Or, at least, the strength of my advice. And the case of Jason Howley was certainly an instance of one of those times.
When he came to my office with his gadget, I heard him out, trying to appear both interested and co-operative—which is good business. But I am forced to admit that neither Howley nor his gadget were very impressive. He was a lean, slope-shouldered individual, five-feet-eight or nine—which was shorter than he looked—with straight brown hair combed straight back and blue eyes which were shielded with steel-rimmed glasses. The thick, double-concave lenses indicated a degree of myopia that must have bordered on total blindness without glasses, and acute tunnel vision, even with them.
He had a crisp, incisive manner that indicated he was either a man who knew what he was doing or a man who was trying to impress me with a ready-made story. I listened to him and looked at his gadget without giving any more indication than necessary of what I really thought.
When he was through, I said: "You understand, Mr. Howley that I'm not a patent lawyer; I specialize in criminal law. Now, I can recommend—"
But he cut me off. "I understand that, counselor," he said sharply. "Believe me, I have no illusion whatever that this thing is patentable under the present patent system. Even if it were, this gadget is designed to do something that may or may not be illegal, which would make it hazardous to attempt to patent it, I should think. You don't patent new devices for blowing safes or new drugs for doping horses, do you?"
"Probably not," I said dryly, "although, as I say, I'm not qualified to give an opinion on patent law. You say that gadget is designed to cause minute, but significant, changes in the velocities of small, moving objects. Just how does that make it illegal?"
He frowned a little. "Well, possibly it wouldn't, except here in Nevada. Specifically, it is designed to influence roulette and dice games."
I looked at the gadget with a little more interest this time. There was nothing new in the idea of inventing a gadget to cheat the red-and-black wheels, of course; the local cops turn up a dozen a day here in the city. Most of them either don't work at all or else they're too obvious, so the users get nabbed before they have a chance to use them.
The only ones that really work have to be installed in the tables themselves, which means they're used to milk the suckers, not rob the management. And anyone in the State of Nevada who buys a license to operate and then uses crooked wheels is (a) stupid, and (b) out of business within a week. Howley was right. Only in a place where gambling is legalized is it illegal—and unprofitable—to rig a game.
The gadget itself didn't look too complicated from the outside. It was a black plastic box about an inch and a half square and maybe three and a half long. On one end was a lensed opening, half an inch in diameter, and on two sides there were flat, silver-colored plates. On the top of it, there was a dial which was, say, an inch in diameter, and it was marked off just exactly like a roulette wheel.
"How does it work?" I asked.
He picked it up in his hand, holding it as though it were a flashlight, with the lens pointed away from him.
"You aim the lens at the wheel," he explained, "making sure that your thumb is touching the silver plate on one side, and your fingers touching the plate on the other side. Then you set this dial for whatever number you want to come up and concentrate on it while the ball is spinning. For dice, of course, you only need to use the first six or twelve numbers on the dial, depending on the game."
I looked at him for a long moment, trying to figure his angle. He looked back steadily, his eyes looking like small beads peering through the bottoms of a couple of shot glasses.
"You look skeptical, counselor," he said at last.
"I am. A man who hasn't got the ability to be healthily skeptical has no right to practice law—especially criminal law. On the other hand, no lawyer has any right to judge anything one way or the other without evidence.
"But that's neither here nor there at the moment. What I'm interested in is, what do you want me to do? People rarely come to a criminal lawyer unless they're in a jam. What sort of jam are you in at the moment?"
"None," said Howley. "But I will be very soon. I hope."
Well, I've heard odder statements than that from my clients. I let it ride for the moment and looked down at the notes I'd taken while he'd told me his story.
"You're a native of New York City?" I asked.
"That's right. That's what I said."
"And you came out here for what? To use that thing on our Nevada tables?"
"That's right, counselor."
"Can't you find any games to cheat on back home?"
"Oh, certainly. Plenty of them. But they aren't legal. I wouldn't care to get mixed up in anything illegal. Besides, it wouldn't suit my purpose."
That stopped me for a moment. "You don't consider cheating illegal? It certainly is in Nevada. In New York, if you were caught at it, you'd have the big gambling interests on your neck; here, you'll have both them and the police after you. And the district attorney's office."
He smiled. "Yes, I know. That's what I'm expecting. That's why I need a good lawyer to defend me. I understand you're the top man in this city."
"Mr. Howley," I said carefully, "as a member of the Bar Association and a practicing attorney in the State of Nevada, I am an Officer of the Court. If you had been caught cheating and had come to me, I'd be able to help you. But I can't enter into a conspiracy with you to defraud legitimate businessmen, which is exactly what this would be."
He blinked at me through those shot-glass spectacles. "Counselor, would you refuse to defend a man if you thought he was guilty?"
I shook my head. "No. Legally, a man is not guilty until proven so by a court of law. He has a right to trial by jury. For me to refuse to give a man the defense he is legally entitled to, just because I happened to think he was guilty, would be trial by attorney. I'll do the best I can for any client; I'll work for his interests, no matter what my private opinion may be."
He looked impressed, so I guess there must have been a note of conviction in my voice. There should have been, because it was exactly what I've always believed and practiced.
"That's good, counselor," said Howley. "If I can convince you that I have no criminal intent, that I have no intention of defrauding anyone or conspiring with you to do anything illegal, will you help me?"
I didn't have to think that one over. I simply said, "Yes." After all, it was still up to me to decide whether he convinced me or not. If he didn't, I could still refuse the case on those grounds.
"That's fair enough, counselor," he said. Then he started talking.
Instead of telling you what Jason Howley said he was going to do, I'll tell you what he did do. They are substantially the same, anyway, and the old bromide about actions speaking louder than words certainly applied in this case.
Mind you, I didn't see or hear any of this, but there were plenty of witnesses to testify as to what went on. Their statements are a matter of court record, and Jason Howley's story is substantiated in every respect.
He left my office smiling. He'd convinced me that the case was not only going to be worthwhile, but fun. I took it, plus a fat retainer.
Howley went up to his hotel room, changed into his expensive evening clothes, and headed out to do the town. I'd suggested several places, but he wanted the biggest and best—the Golden Casino, a big, plush, expensive place that was just inside the city limits. In his pockets, he was carrying less than two hundred dollars in cash.
Now, nobody with that kind of chicken feed can expect to last long at the Golden Casino unless they stick to the two-bit one-armed bandits. But putting money on a roulette table is in a higher bracket by far than feeding a slot machine, even if you get a steady run of lemons.
Howley didn't waste any time. He headed for the roulette table right away. He watched the play for about three spins of the wheel, then he took out his gadget—in plain sight of anyone who cared to watch—and set the dial for thirteen. Then he held it in his hand with thumb and finger touching the plates and put his hand in his jacket pocket, with the lens aimed at the wheel. He stepped up to the table, bought a hundred dollars worth of chips, and put fifty on Number Thirteen.
"No more bets," said the croupier. He spun the wheel and dropped the ball.
"Thirteen, Black, Odd, and Low," he chanted after a minute. With a practiced hand, he raked in the losers and pushed out Howley's winnings. There was sixteen hundred dollars sitting on thirteen now. Howley didn't touch it.
The wheel went around and the little ball clattered around the rim and finally fell into a slot.
"Thirteen, Black, Odd, and Low," said the croupier. This time, he didn't look as nonchalant. He peered curiously at Howley as he pushed out the chips to make a grand total of fifty-one thousand two hundred dollars. The same number doesn't come up twice in succession very often, and it is very rare indeed that the same person is covering it both times with a riding bet.
"Two thousand limit, sir," the croupier said, when it looked as though Howley was going to let the fifty-one grand just sit there.
Howley nodded apologetically and pulled off everything but two thousand dollars worth of chips.
The third time around, the croupier had his eyes directly on Howley as he repeated the chant: "Thirteen, Black, Odd, and Low." Everybody else at the table was watching Howley, too. The odds against Howley—or anyone else, for that matter—hitting the same number three times in a row are just under forty thousand to one.
Howley didn't want to overdo it. He left two thousand on thirteen, raked in the rest, and twisted the dial on his gadget over a notch.
Everyone at the table gasped as the little ball dropped.
"That was a near miss," whispered a woman standing nearby.
The croupier said: "Fourteen, Red, Even, and Low." And he raked in Howley's two thousand dollars with a satisfied smile. He had seen runs of luck before.
Howley deliberately lost two more spins the same way. Nobody who was actually cheating would call too much attention to himself, and Howley wanted it to look as though he were trying to cover up the fact that he had a sure thing.
He took the gadget out of his pocket and deliberately set it to the green square marked 00. Then he put it back in his pocket and put two thousand dollars on the Double Zero.
There was more than suspicion in the croupier's eyes when he raked in all the bets on the table except Howley's. It definitely didn't look good to him. A man who had started out with a fifty-dollar bet had managed to run it up to one hundred seventy-four thousand two hundred dollars in six plays.
Howley looked as innocent as possible under the circumstances, and carefully dropped the dial on his gadget back a few notches. Then he bet another two thousand on High, an even money bet.
Naturally, he won.
He twisted the dial back a few more notches and won again on High.
Then he left it where it was and won by betting on Red.
By this time, of course, things were happening. The croupier had long since pressed the alarm button, and five men had carefully surrounded Howley. They looked like customers, but they were harder-looking than the average, and they were watching Howley, not the wheel. Farther back from the crowd, three of the special deputies from the sheriff's office were trying to look inconspicuous in their gray uniforms and white Stetsons and pearl-handled revolvers in black holsters. You can imagine how inconspicuous they looked.
Howley decided to do it up brown. He reset his gadget as surreptitiously as possible under the circumstances, and put his money on thirteen again.
"Thirteen, Black, Odd, and Low," said the croupier in a hollow voice.
The five men in evening dress and the three deputies moved in closer.
Howley nonchalantly scraped in his winnings, leaving the two thousand on the thirteen spot.
There was a combination of hostility and admiration in every eye around the table when the croupier said, "Thirteen, Black, Odd, and Low" for the fifth time in the space of minutes. And everyone of those eyes was turned on Jason Howley.
The croupier smiled his professional smile. "I'm sorry, ladies and gentlemen; we'll have to discontinue play for a while. The gentleman has broken the bank at this table." He turned the smile on Howley. "Congratulations, sir."
Howley smiled back and began stacking up over three hundred thousand dollars worth of plastic disks. It made quite a pile.
One of the deputies stepped up politely. "I'm an officer, sir," he said. "May I help you carry that to the cashier's office?"
Howley looked at the gold star and nodded. "Certainly. Thanks."
The other two deputies stepped up, too, and the three of them walked Howley toward the cashier's office. Behind them came the five men in dinner jackets.
"You'll have to step into the office to cash that much, sir," said one of the deputies as he opened the door. Howley walked in as though he hadn't a care in the world. He put his chips on the desk, and the deputies followed suit, while one of the dinner-jacketed men closed the door.
Then one of the deputies said: "I believe this gentleman is carrying a gun."
He had his own revolver out and had it pointed at Howley's middle. "Carrying a concealed weapon is illegal in this city," he went on. "I'm afraid we'll have to search you."
Howley didn't object. He put his hands up high and stood there while his pockets were frisked.
"Well, well," said the deputy coolly. "What on Earth is this?"
It was Howley's gadget, and the dial still pointed to Thirteen—Black, Odd, and Low.
The next morning, I went down to the jail in response to a phone call from Howley. The special deputies had turned him over to the city police and he was being held "under suspicion of fraud." I knew we could beat that down to an "attempt to defraud," but the object was to get Howley off scott-free. After Howley told me the whole story, I got busy pushing the case through. As long as he was simply being held on suspicion, I couldn't get him out on bail, so I wanted to force the district attorney or the police to prefer charges.
Meanwhile, I made sure that Howley's gadget had been impounded as evidence. I didn't want anyone fiddling with it before the case went to court—except, of course, the D. A. and his men. There wasn't much I could do to keep it out of their hands.
After throwing as much weight around as I could, including filing a petition for a writ of habeas corpus with Judge Grannis, I went over to Howley's hotel with a signed power of attorney that Howley had given me, and I got a small envelope out of the hotel safe. It contained a baggage check.
I went over to the bus depot, turned over the check to the baggage department, and went back to my office with a small suitcase. I locked myself in and opened the case. Sure enough, it contained three dozen of the little gadgets.
Then I sat down to wait. By noon, Judge Grannis had issued the writ of habeas corpus, and, rather than release Jason Howley, the police had booked him, and District Attorney Thursby was getting the case ready for the grand jury. There was over a quarter of a million dollars at stake, and the men behind the Golden Casino were bringing pressure to bear. If Howley wasn't convicted, they'd have to give him his money—and that was the last thing they wanted to do. A quarter of a million bucks isn't small potatoes, even to a gambling syndicate.
It wasn't until early on the morning of the third day after Howley's arrest that I got a tip-off from one of my part-time spies. I scooped up the phone when it rang and identified myself.
"Counselor? Look, this is Benny." I recognized the voice and name. Benny was one of the cabbies that I'd done favors for in the past.
"What's the trouble, Benny?"
"Oh, no trouble. I just got a little tip you might be interested in."
"Fire away."
"Well, the D.A. and some of his boys went into the Golden Casino about ten minutes ago, and now they're closin' up the place. Just for a little while, I understand. Hour, maybe. They're chasin' everyone out of the roulette room."
"Thanks, Benny," I said, "thanks a lot."
"Well, I knew you was working on that Howley case, and I thought this might be important, so I—"
"Sure, Benny. Come by my office this afternoon. And thanks again."
I hung up and started moving.
Within ten minutes, I was pulling up and parking across the street from the Golden Casino. I locked the car and dodged traffic to get across the street, as though I'd never heard of laws against jaywalking.
There were still plenty of people in the Casino. The bar was full, and the dice and card games were going full blast. The slot machines were jingling out their infernal din while fools fed coins into their insatiable innards.
But the roulette room was closed, and a couple of be-Stetsoned deputies were standing guard over the entrance. I headed straight for them.
Both of them stood pat, blocking my way, so I stopped a few feet in front of them.
"Hello, counselor," said one. "Sorry, the roulette room's closed."
I knew the man slightly. "Let me in, Jim," I said. "I want to see Thursby."
The men exchanged glances. Obviously, the D.A. had given them orders.
"Can't do it, counselor," said Jim. "We're not to let anyone in."
"Tell Thursby I'm out here and that I want to see him."
He shrugged, opened the door, stuck his head inside, and called to District Attorney Thursby to tell him that I was outside. I could hear Thursby's muffled "Damn!" from within. But when he showed up at the door, his face was all smiles.
"What's the trouble?" he asked pleasantly.
I smiled back, giving him my best. "No trouble at all, Thursby. I just wanted to watch the experiment."
"Experiment?" He looked honestly surprised, which was a fine piece of acting. "We're just checking to see if the table's wired, that's all. If it is, your client may be in the clear; maybe we can hang it on the croupier."
"And get a conspiracy charge on my client, too, eh? Well, if you don't mind, I'd like to watch that table check myself. You know how it is."
Thursby hesitated, then he scowled. "Oh, all right. Come on in. But stay out of the way."
I grinned. "Sure. All I want to do is protect my client's interests."
Thursby just grunted and opened the door wider to let me in. He was a shrewd lawyer, a good D.A., and basically honest, even if he did have a tendency to bend under pressure from higher up.
They were checking the table, all right. They had three specialists going over it with everything from fine tooth combs to Geiger counters. They found nothing. No magnets, no wires, no mechanical gimmicks. Nothing.
It took them an hour to take that table apart, check it, and put it back together again. When it was all over, Thursby glanced at me, then said: "O.K., boys; that does it. Let's go."
The men looked at him oddly, and I knew why.
"Aren't you going to test my client's gadget?" I asked innocently.
Thursby looked angrily baffled for a moment, then he clamped his lips grimly. "As long as we're here, I guess we might as well."
I knew perfectly well it was what he had intended to do all along.
"One of you guys spin that wheel," he said to the technicians. One of them gave the wheel a spin and dropped the ball. It clattered on its merry way and dropped into a slot. Forty-two.
Thursby took the gadget out of his pocket. It was still set at Thirteen.
The men who had surrounded Howley on the night of his arrest had been keeping their eyes open, and they had seen how Howley had handled the thing. Well—almost how. Thursby had the lens opening pointed at the wheel, but his thumb and fingers weren't touching the silver plates properly.
"Spin it again," he said.
Everyone's eyes were on the ball as it whirled, so I had time to get my own copy of Howley's gadget out and set it at Thirteen. I hoped the thing would work for me. I concentrated on Thirteen, making sure my thumb and fingers were placed right.
Evidently they were. The ball fell into Thirteen, Black, Odd, and Low.
A huge grin spread over Thursby's face, but he was man enough not to turn and grin at me. "Try it again," he said.
Thirteen, Black, Odd, and Low.
"I wonder how the thing works?" said Thursby, looking at the gadget in a sort of pleased awe.
"You'd better be able to prove that it does work, Thursby," I said, trying to put irritation into my voice.
This time, he did grin at me. "Oh, I think we can prove that, all right." He turned back to the technician. "Spin it once more, Sam, and show the defense counsel, here, how it works."
The technician did as he was told. "Thirteen, Black, Odd, and Low," he chanted, grinning.
"Let's try another number," Thursby said. He turned the dial to One. And this time, when he pointed it, his fingers were touching the plates in the right places.
"Just a minute," I said. "Let me spin that thing."
"Be my guest, counselor," said Thursby.
I spun the wheel and scooted the ball along the rim. It dropped into a slot. One, Red, Odd, and Low. I looked as disappointed and apprehensive as I could.
"Co-incidence," I said. "Nothing more. You haven't proved anything."
Thursby's grin widened. "Of course I haven't," he said with a soothing, patronizing tone. "But I don't have to prove anything until I get to court."
Then he looked at the technicians and jerked his head toward the door. "Let's go, boys. Maybe the counselor wants to look over the table for himself. Maybe he thinks we've got it rigged."
There was a chorus of guffaws as they walked out. I just stood there, scowling, trying to keep from laughing even harder than they were.
Jason Howley sat next to me at the defense table, just inside the low partition that divided the court from the public. There weren't many people in the auditorium itself; listening to some poor dope get himself sentenced for cheating at gambling is considered pretty dull entertainment in the State of Nevada.
Thursby had managed to push the indictment through the grand jury in a hurry, but, as he sat across the room from me at the prosecution table, I thought I could detect a false note in the assumed look of confidence that he was trying to wear.
Howley tapped me on the shoulder. I turned around, and he whispered: "How much longer?"
I tapped my wrist watch. "Couple minutes. Judge Lapworth is one of those precisionists. Never a moment late or early. Getting jumpy?"
He shook his head gently and smiled. "No. You've handled this even better than I'd have imagined. You thought of things I didn't even know existed. I'm no lawyer; I can see that."
I returned the smile. "And I don't invent gimmicks, either. So what?"
His eyes looked at me from behind the distorting negative lenses. "I've been wondering, counselor—why are you so interested in this? I mean, I offered you a pretty good fee, and all that, but it seems to me you're taking an unusual interest in the case."
I grinned at him. "Mr. Howley, my profession is Law—with a capital L. The study of the Law isn't like the study of physics or whatever; these are manmade laws—commands, not descriptions. They don't necessarily have anything to do with facts at all. Take the word 'insanity,' for instance; the word isn't even used by head-shrinkers any more because it's a legal definition that has nothing whatever to do with the condition of the human mind.
"Now, any such set of laws as that can't possibly be self-consistent and still have some use on an action level. A lawyer's job is to find the little inconsistencies in the structure, the places where the pieces have been jammed together in an effort to make them look like a structured whole. To find, in other words, the loopholes and use them.
"And when I find a loophole, I like to wring everything I can out of it. I'm enjoying this."
Howley nodded. "I see. But what if something—"
I held up my hand to silence him, because the door to the judges' chambers opened at that moment, and Judge Lapworth came in as the bailiff announced him. We all stood up while the bailiff intoned his "Oyez, oyez."
Thursby made a short preliminary speech to the jury, and I requested and was granted permission to hold my own opening statement until the defense was ready to present its case.
Thursby was looking worried, although it took a trained eye to see it. I was pretty sure I knew why. He had been pushed too hard and had gone too fast. He'd managed to slide through the grand jury too easily, and I had managed to get the trial date set for a week later. Thursby's case was far from being as tight as he wanted it.
I just sat still while the prosecution brought forth its witnesses and evidence. The croupier, the deputies, several employees of the Golden Casino, and a couple of patrons all told their stories. I waived cross-examination in every case, which made Thursby even edgier than he had been.
When he called in the head of the technicians who had inspected the table at the casino, I made no objection to his testimony, but I made my first cross-examination.
"Mr. Thompson, you have stated your qualifications as an expert on the various devices which have been used to illegally influence the operation of gambling devices in this state."
Thursby said: "Oh, if the Court please, I should like to remind counsel for the defense that he has already accepted the qualifications of the witness."
"I am not attempting to impugn the qualifications of the witness," I snapped.
Judge Lapworth frowned at Thursby. "Are you making an objection, Mr. District Attorney?"
Thursby pursed his lips, said, "No, Your Honor," and sat down.
"Proceed with the cross-examination," said the judge.
"Mr. Thompson," I said, "you have testified that you examined the table at the Golden Casino for such devices and found none. Is that right?"
"That's right," he said positively.
"Have you seen the device labeled People's Exhibit A, which was found by the officers on the person of the defendant?"
"Well ... yes. I have."
"Have you examined this device?"
Thursby was on his feet. "Objection, Your Honor! This material was not brought out in direct examination!"
"Sustained," said Judge Lapworth.
"Very well, Your Honor," I said. Then I turned back to Thompson. "As an expert in this field, Mr. Thompson, you have examined many different devices for cheating gambling equipment, haven't you?"
"Yes, I have."
"How many, would you say?"
"Oh ... several hundred."
"Several hundred different types?"
"No. Several hundred individual devices. Most of them are just variations of two or three basic types."
"And you are familiar with the function of these basic types and their variations?"
"I am."
"You know exactly how all of them work, then?"
He saw where I was heading. "Most of them," he hedged.
Thursby saw where I was heading, too, and was sweating. I'd managed to get around his objection.
"Have you ever examined any which you could not understand?"
"I ... I don't quite know what you mean."
"Have you ever," I said firmly, "come across a device used in cheating which you could not comprehend or explain the operation of?"
Thursby stood up. "Same objection as before, Your Honor."
"Your Honor," I said, "I am merely trying to find the limitations of the witness' knowledge; I am not trying to refute his acknowledged ability."
"Overruled," said Judge Lapworth. "The witness will answer the question."
I repeated the question.
"Yes," Thompson said in a low voice.
"More than once?"
"Only once."
"Only once. You did find one device which didn't operate in any fashion you can explain. Is that right?"
"That's right."
"Can you tell me what this device was?"
Thompson took a deep breath. "It was People's Exhibit A—the device taken from the defendant at the time of his arrest."
There was a buzz in the courtroom.
"No more questions," I said, turning away. Then, before Thompson could leave the stand, I turned back to him. "Oh, just one moment, Mr. Thompson. Did you examine this device carefully? Did you take it apart?"
"I opened it and looked at it."
"You just looked at it? You didn't subject it to any tests?"
Thompson took a deep breath. "No."
"Why not?"
"There wasn't anything inside it to test."
This time, there was more than just a buzz around the courtroom. Judge Lapworth rapped for order.
When the room was quiet, I said: "The box was empty, then?"
"Well, no. Not exactly empty. It had some stuff in it."
I turned to the judge. "If the Court please, I would like to have the so-called device, Exhibit A, opened so that the members of the jury may see for themselves what it contains."
Judge Lapworth said: "The Court would like very much to see the internal workings of this device, too. Bailiff, if you will, please."
The bailiff handed him the gadget from the exhibit table.
"How does it open?" asked the judge. He turned to Thompson. "Will the witness please open the box?"
Reluctantly, Thompson thumbed the catch and slid off the top.
The judge took it from him, looked inside, and stared for a long moment.
I had already seen the insides. It was painted white, and there were inked lines running all over the inside, and various pictures—a ball, a pair of dice, a roulette wheel—and some other symbols that I didn't pretend to understand.
Otherwise, the box was empty.
After a moment, Judge Lapworth looked up from the box and stared at Thursby. Then he looked at Thompson. "Just what tests did you perform on this ... this thing, Mr. Thompson?"
"Well, Your Honor," Thompson said, visibly nervous, "I checked it for all kinds of radiation and magnetism. There isn't anything like that coming from it. But," he added lamely, "there wasn't much else to test. Not without damaging the box."
"I see." His honor glared at Thursby, but didn't say anything to him. He simply ordered the box to be shown to the jury.
Thursby was grimly holding his ground, waiting.
"Have you any more questions, counselor?" the judge asked.
"No, Your Honor, I have not."
"Witness may step down," said his honor to Thompson.
Thursby stood up. "If the Court please, I would like to stage a small demonstration for the members of the jury."
The Court gave permission, and a roulette wheel was hauled in on a small table.
I watched with interest and without objection while Thursby demonstrated the use of the gadget and then asked each of the jurors in turn to try it. It was a long way from being a successful demonstration. Some of the jurors didn't hold the thing right, and some of those that did just didn't have the mental ability required to use it. But that didn't bother Thursby.
"Your Honor, and Gentlemen of the Jury," he said, "you are all aware that a device constructed for the purpose of cheating at any gambling game is not necessarily one hundred per cent infallible. It doesn't have to be. All it has to do is turn the odds in favor of the user.
"You are all familiar with loaded dice, I'm sure. And you know that loading dice for one set of numbers merely increases the probability that those numbers will come up; it does not guarantee that they will come up every time.
"It is the same with marked cards. Marking the backs of a deck of cards doesn't mean that you will invariably get a better hand than your opponent; it doesn't even mean that you will win every hand.
"The device taken from the defendant at the Golden Casino does not, as you have seen, work every time. But, as you have also seen, it certainly does shift the odds by a considerable percentage. And that, I submit, is illegal under the laws of this state."
He went on, building on that theme for a while, then he turned the trial over to the defense.
"Call Dr. Pettigrew to the stand," I said.
I heard Thursby's gasp, but I ignored it.
A chunky, balding man with a moon face and an irritated expression came up to be sworn in. He was irritated with me for having subpoenaed him, and he showed it. I hoped he wouldn't turn out to be hostile.
"You are Dr. Herbert Pettigrew?" I asked.
"That is correct."
"State your residence, please."
"3109 La Jolla Boulevard, Los Angeles, California."
"You are called 'Doctor' Pettigrew, I believe. Would you tell the Court what right you have to that title?"
He looked a little miffed, but he said: "It is a scholarly title. A Doctorate of Philosophy in physics from Massachusetts Institute of Technology."
"I see. Would you mind telling the Court what other academic degrees you have?"
He reeled off a list of them, all impressive.
"Thank you, doctor," I said. "Now, what is your present occupation?"
"I am a Professor of Physics, at the University of California in Los Angeles."
I went on questioning him to establish his ability in his field, and by the time I was finished, the jury was pretty well impressed with his status in the scientific brotherhood. And not once did Thursby object.
Then I said, "Dr. Pettigrew, I believe you came to this city on a professional matter?"
"Yes, I did." He didn't hesitate to answer, so I figured I hadn't got his goat too much.
"And what was the nature of that matter?"
"I was asked to come here by Mr. Harold Thursby, the District Attorney, to perform some scientific tests on the ... er ... device ... the device known as People's Exhibit A."
"Did you perform these tests?"
"I did."
"At the request of District Attorney Thursby, is that right?"
"That is correct."
"May I ask why Mr. Thursby did not call you as a witness for the prosecution?"
Thursby, as I had expected, was on his feet. "Objection! The question calls for a conclusion of the witness!"
"Sustained," said Judge Lapworth.
"Dr. Pettigrew," I said, "what were your findings in reference to Exhibit A?"
He shrugged. "The thing is a plastic box with a dial set in one side, a plastic lens in one end, and a couple of strips of silver along two other sides. Inside, there are a lot of markings in black ink on white paint." He gestured toward the exhibit table. "Just what you've seen; that's all there is to it."
"What sort of tests did you perform to determine this, Dr. Pettigrew?" I asked.
He took a long time answering that one. He had X-rayed the thing thoroughly, tested it with apparatus I'd never heard of, taken scrapings from all over it for microchemical analysis, and even tried it himself on a roulette wheel. He hadn't been able to make it work.
"And what is your conclusion from these findings?" I asked.
Again he shrugged. "The thing is just a box, that's all. It has no special properties."
"Would you say that it could be responsible for the phenomena we have just seen? By that, I mean the peculiar action of the roulette wheel, demonstrated here by the prosecution."
"Definitely not," he stated flatly. "The box could not possibly have any effect on either the wheel or the ball."
"I see. Thank you, doctor; that's all. Cross-examine."
Thursby walked over to the witness stand with a belligerent scowl on his face. "Dr. Pettigrew, you say that the box couldn't possibly have had any effect on the wheel. And yet, we have demonstrated that there is an effect. Don't you believe the testimony of your own senses?"
"Certainly I do!" snapped Pettigrew.
"Then how do you account for the behavior of the roulette wheel as you have just seen it demonstrated in this court?"
I suppressed a grin. Thursby was so mad that he was having trouble expressing himself clearly.
"In several ways!" Pettigrew said sharply. "In the first place, that wheel could be rigged."
Thursby purpled. "Now, just a minute! I—"
I started to object, but Judge Lapworth beat me to it.
"Are you objecting to the answer, Mr. District Attorney?"
"The witness is insinuating that I falsified evidence!"
"I am not!" said Pettigrew, visibly angry. "You asked me how I could account for its behavior, and I told you one way! There are others!"
"The wheel will be examined," said Judge Lapworth darkly. "Tell us the other ways, Dr. Pettigrew."
"Pure chance," said Pettigrew. "Pure chance, Your Honor. I'm sure that everyone in this courtroom has seen runs of luck on a roulette wheel. According to the laws of probability, such runs must inevitably happen. Frankly, I believe that just such a run has occurred here. I do not think for a minute that Mr. Thursby or anyone else rigged that wheel."
"I see; thank you, Dr. Pettigrew," said the judge. "Any further questions, Mr. District Attorney?"
"No further questions," Thursby said, trying to hide his anger.
"Call your next witness," said the judge, looking at me.
"I call Mr. Jason Howley to the stand."
Howley sat down and was sworn in. I went through the preliminaries, then asked: "Mr. Howley, you have seen People's Exhibit A?"
"I have."
"To whom does it belong?"
"It is mine. It was taken from me by—"
"Just answer the question, please," I admonished him. He knew his script, but he was jumping the gun. "The device is yours, then?"
"That's right."
"Under what circumstances did this device come into the hands of the police?"
He told what had happened on the night of the big take at the Golden Casino.
"Would you explain to us just what this device is?" I asked when he had finished.
"Certainly," he said. "It's a good luck charm."
I could hear the muffled reaction in the courtroom.
"A good luck charm. I see. Then it has no effect on the wheel at all?"
"Oh, I wouldn't say that," Howley said disarmingly. He smiled and looked at the jury. "It certainly has some effect. It's the only good luck charm I ever had that worked."
The jury was grinning right back at him. They were all gamblers at heart, and I never knew a gambler yet who didn't have some sort of good luck charm or superstition when it came to gambling. We had them all in the palms of our hands.
"What I mean is, does it have any physical effect on the wheel?"
Howley looked puzzled. "Well, I don't know about that. That's not my field. You better ask Dr. Pettigrew."
There was a smothered laugh somewhere in the courtroom.
"Just how do you operate this good luck charm, Mr. Howley?" I asked.
"Why, you just hold it so that your thumb touches one strip of silver and your fingers touch the other, then you set the dial to whatever number you want to come up and wish."
"Wish? Just wish, Mr. Howley?"
"Just wish. That's all. What else can you do with a good luck charm?"
This time, the judge had to pound for order to stop the laughing.
I turned Howley over to Thursby.
The D.A. hammered at him for half an hour trying to get something out of Howley, but he didn't get anywhere useful. Howley admitted that he'd come to Nevada to play the wheels; what was wrong with that? He admitted that he'd come just to try out his good luck charm—and what was wrong with that? He even admitted that it worked for him every time—
And what was wrong, pray, with that?
Thursby knew he was licked. He'd known it for a long time. His summation to the jury showed it. The expressions on the faces of the jury as they listened showed it.
They brought in a verdict of Not Guilty.
When I got back to my office, I picked up the phone and called the Golden Casino. I asked for George Brockey, the manager. When I got him on the phone and identified myself, he said, "Oh. It's you." His voice didn't sound friendly.
"It's me," I said.
"I suppose you're going to slap a suit for false arrest on the Casino now, eh, counselor?"
"Not a bit of it, George," I said. "The thought occurred to me, but I think we can come to terms."
"Yeah?"
"Nothing to it, George. You give us the three hundred grand and we don't do a thing."
"Yeah?" He didn't get it. He had to fork over the money anyway, according to the court order, so what was the deal?
"If you want to go a little further, I'll tell you what we'll do. We'll give you one of our little good luck charms, if you'll promise to call your boys off Howley."
"Nobody's on Howley," he said. "You ought to know better than that. In this state, if we get whipped in court, we play it square. Did you think we were going to get rough?"
"No. But you kind of figured on lifting that gadget as soon as he gets it back from the D.A., didn't you? I saw your boys waiting at his hotel. I'm just telling you that you don't have to do that. We'll give you the gadget. There are plenty more where that came from."
"I see," Brockey said after a long pause. "O.K., counselor. It's a deal."
"Fine. We'll pick up the money later this evening, if that's O.K."
"Sure, counselor. Anytime. Anytime at all." He hung up.
I grinned at Howley, who was sitting across the desk from me. "Well, that winds it up."
"I don't get it," Howley said. "Why'd you call up Brockey? What was the purpose of that 'deal'?"
"No deal," I told him. "I was just warning him that killing you and taking the gadget wouldn't do any good, that we've covered you. He won't bother having anything done to you if he knows that the secret of the gadget is out already."
Howley's eyes widened behind those spectacles of his. "You mean they'd kill me? I thought Nevada gamblers were honest."
"Oh, they are, they are. But this is a threat to their whole industry. It's more than that, it may destroy them. Some of them might kill to keep that from happening. But you don't have to worry now."
"Thanks. Tell me, do you think we've succeeded?"
"In what you set out to do? Certainly. When we mail out those gadgets to people all over the state, the place will be in an uproar. With all the publicity this case is getting, it'll have to work. You now have a court decision on your side, a decision which says that a psionic device can be legally used to influence gambling games.
"Why, man, they'll have to start investigating! You'll have every politico in the State of Nevada insisting that scientists work on that thing. To say nothing of what the syndicate will do."
"All I wanted to do," said Howley, "was force people to take notice of psionics. I guess I've done that."
"You certainly have, brother. I wonder what it will come to?"
"I wonder, myself, sometimes," Howley said.
That was three and a half years ago. Neither Howley nor I are wondering now. According to the front page of today's Times, the first spaceship, with a crew of eighty aboard, reached Mars this morning. And, on page two, there's a small article headlined: ROCKET OBSOLETE, SAY SCIENTISTS.
It sure is.
THE END
End of Project Gutenberg's ...Or Your Money Back, by Gordon Randall Garrett *** END OF THIS PROJECT GUTENBERG EBOOK ...OR YOUR MONEY BACK *** ***** This file should be named 23534-h.htm or 23534-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/5/3/23534/ Produced by Greg Weeks, Bruce Albrecht, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.