The Project Gutenberg EBook of A Chilhowee Lily, by
Charles Egbert Craddock (AKA Mary Noailles Murfree)
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: A Chilhowee Lily
1911
Author: Charles Egbert Craddock (AKA Mary Noailles Murfree)
Release Date: November 19, 2007 [EBook #23554]
Last Updated: March 8, 2018
Language: English
Character set encoding: UTF-8
*** START OF THIS PROJECT GUTENBERG EBOOK A CHILHOWEE LILY ***
Produced by David Widger
Tall, delicate, and stately, with all the finished symmetry and distinction that might appertain to a cultivated plant, yet sharing that fragility of texture and peculiar suggestion of evanescence characteristic of the unheeded weed as it flowers, the Chilhowee lily caught his eye. Albeit long familiar, the bloom was now invested with a special significance and the sight of it brought him to a sudden pause.
The cluster grew in a niche on the rocky verge of a precipice beetling over the windings of the rugged primitive road on the slope of the ridge. The great pure white bloom, trumpet-shaped and crowned with its flaring and many-cleft paracorolla, distinct against the densely blue sky, seemed the more ethereal because of the delicacy of its stalk, so erect, so inflexibly upright. About it the rocks were at intervals green with moss, and showed here and there heavy ocherous water stain. The luxuriant ferns and pendant vines in the densely umbrageous tangle of verdure served to heighten by contrast the keen whiteness of the flower and the isolation of its situation.
Ozias Crann sighed with perplexity as he looked, and then his eye wandered down the great hosky slope of the wooded mountain where in marshy spots, here and there, a sudden white flare in the shadows betokened the Chilhowee lily, flowering in myraids, holding out lures bewildering in their multitude.
“They air bloomin' bodaciously all over the mounting,” he remarked rancorously, as he leaned heavily on a pickaxe; “but we uns hed better try it ter-night ennyhows.”
It was late in August; a moon of exceeding lustre was in the sky, while still the sun was going down. All the western clouds were aflare with gorgeous reflections; the long reaches of the Great Smoky range had grown densely purple; and those dim Cumberland heights that, viewed from this precipice of Chilhowee, were wont to show so softly blue in the distance, had now a variant amethystine hue, hard and translucent of effect as the jewel itself.
The face of one of his companions expressed an adverse doubt, as he, too, gazed at the illuminated wilderness, all solitary, silent, remote.
“'Pears like ter me it mought be powerful public,” Pete Swolford objected. He had a tall, heavy, lumpish, frame, a lackluster eye, a broad, dimpled, babyish face incongruously decorated with a tuft of dark beard at the chin. The suit of brown jeans which he wore bore token variously of the storms it had weathered, and his coarse cowhide boots were drawn over the trousers to the knee. His attention was now and again diverted from the conversation by the necessity of aiding a young bear, which he led by a chain, to repel the unwelcome demonstrations of two hounds belonging to one of his interlocutors. Snuffling and nosing about in an affectation of curiosity the dogs could not forbear growling outright, as their muzzles approached their shrinking hereditary enemy, while the cub nestled close to his master and whimpered like a child.
“Jes' so, jes' so, Honey. I'll make 'em cl'ar out!” Swofford replied to the animal's appeal with ready sympathy. Then, “I wish ter Gawd, Eufe, ye'd call yer dogs off,” he added in a sort of aside to the youngest of the three mountaineers, who stood among the already reddening sumac fringing the road, beside his horse, athwart which lay a buck all gray and antlered, his recently cut throat still dripping blood. The party had been here long enough for it to collect in a tiny pool in a crevice in the rocky road, and the hounds constrained to cease their harassments of the bear now began to eagerly lap it up. The rifle with which Eufe Kinnicutt had killed the deer was still in his hands and he leaned upon it; he was a tall, finely formed, athletic young fellow with dark hair, keen, darkly greenish eyes, full of quickly glancing lights, and as he, too, scanned the sky, his attitude of mind also seemed dissuasive.
“'Pears like thar won't be no night, ez ye mought call night, till this moon goes down,” he suggested. “'Pears nigh ez bright ez day!”
Ozias Crann's lank, angular frame; his narrow, bony face; his nose, long yet not large, sharp, pinched; his light grey eyes, set very closely together; his straggling reddish beard, all were fitting concomitants to accent the degree of caustic contempt he expressed. “Oh, to be sure!” he drawled. “It'll be powerful public up hyar in the mounting in the midnight,—that's a fac'!—an' moonlight is mighty inconvenient to them ez wants ter git spied on through totin' a lantern in cur'ous places.”
This sarcasm left the two remonstrants out of countenance. Pete Swofford found a certain resource in the agitations of his bear, once more shrinking and protesting because of the dogs. “Call off yer hound-dogs, Rufe,” he cried irritably, “or I'll gin 'em a bullet ter swallow.”
“Ye air a plumb fool about that thar bar, Pete,” Kinnicutt said sourly, calling off the hounds nevertheless.
“That thar bar?” exclaimed Swofford. “Why, thar never war sech a bar! That thar bar goes ter mill, an' kin fetch home grist,—ef I starts him out in the woods whar he won't meet no dogs nor contrairy cattle o' men he kin go ter mill all by his lone!—same ez folks an' the bes' kind o' folks, too!”
In fact the bear was even now begirt with a meal-bag, well filled, which although adding to his uncouth appearance and perhaps unduly afflicting the sensibilities of the horse, who snorted and reared at the sight of him, saved his master the labor of “packing” the heavy weight.
Swofford had his genial instincts and in return was willing to put up with the cubbishness of the transport,—would wait in the illimitable patience of the utterly idle for the bear to climb a tree if he liked and pleasantly share with him the persimmons of his quest;—would never interfere when the bear flung himself down and wallowed with the bag on his back, and would reply to the censorious at home, objecting to the dust and sand thus sifting in with the meal, with the time honored reminder that we are all destined “to eat a peck of dirt” in this world.
“Whenst ye fust spoke o' digging” said Kinnicutt, interrupting a lengthening account of the bear's mental and moral graces, “I 'lowed ez ye mought be sayin' ez they air layin' off ter work agin in the Tanglefoot Mine.”
Ozias Crann lifted a scornful chin. “I reckon the last disasters thar hev interrupted the company so ez they hain't got much heart todes diggin' fur silver agin over in Tanglefoot Cove. Fust,” he checked off these misfortunes, by laying the fingers of one hand successively in the palm of the other, “the timbers o' one o' the cross cuts fell an' the roof caved in an' them two men war kilt, an' thar famblies sued the company an' got mo' damages 'n the men war bodaciously wuth. Then the nex' thing the pay agent, ez war sent from Glaston, war held up in Tanglefoot an' robbed—some say by the miners. He got hyar whenst they war out on a strike, an' they robbed him 'cause they warn't paid cordin' ter thar lights, an' they did shoot him up cornsider'ble. That happened jes' about a year ago. Then sence, thar hev been a awful cavin' in that deep shaft they hed sunk in the tunnel, an' the mine war flooded an' the machinery ruint—I reckon the company in Glaston ain 't a-layin' off ter fly in the face o' Providence and begin agin, arter all them leadin's ter quit.”
“Some believe he warh't robbed at all,” Kinnicutt said slowly. He had turned listlessly away, evidently meditating departure, his hand on his horse's mane, one foot in the stirrup.
“Ye know that gal named Loralindy Byars?” Crann said craftily.
Kinnicutt paused abruptly. Then as the schemer remained silent he demanded, frowning darkly, “What's Loralindy Byars got ter do with it?”
“Mighty nigh all!” Crann exclaimed, triumphantly.
It was a moment of tense suspense. But it was not Crann's policy to tantalize him further, however much the process might address itself to his peculiar interpretation of pleasure. “That thar pay agent o' the mining company,” he explained, “he hed some sort'n comical name—oh, I remember now, Renfrow—Paul Renfrow—waal—ye know he war shot in the knee when the miners way-laid him.”
“I disremember now ef it war in the knee or the thigh,” Swofford interposed, heavily pondering.
Kinnicutt's brow contracted angrily, and Crann broke into open wrath: “an' I ain't carin', ye fool—what d' ye interrupt fur like that?”
“Wall,” protested Swofford, indignantly, “ye said 'ye know' an' I didn't know.”
“An' I ain't carin'—the main p'int war that he could neither ride nor walk. So the critter crawled! Nobody knows how he gin the strikers the slip, but he got through ter old man Byars's house. An' thar he staid till Loralindy an' the old 'oman Byars nussed him up so ez he could bear the pain o' bein' moved. An' he got old man Byars ter wagin him down ter Colb'ry, a-layin' on two feather beds 'count o' the rocky roads, an' thar he got on the steam kyars an' he rid on them back ter whar he kem from.”
Kinnicutt seemed unable to longer restrain his impatience. He advanced a pace. “Ye appear ter 'low ez ye air tellin' news—I knowed all that whenst it happened a full year ago!”
“I reckon ye know, too, ez Loralindy hed no eyes nor ears fur ennybody else whilst he war hyar—but then he war good-lookin' an' saaft-spoken fur true! An' now he hev writ a letter ter her!”
Crann grinned as Kinnicutt inadvertently gasped. “How do you uns know that!” the young man hoarsely demanded, with a challenging accent of doubt, yet prescient despair.
“'Kase, bubby, that's the way the story 'bout the lily got out. I was at the mill this actial day. The miller hed got the letter—hevin' been ter the post-office at the Crossroads—an' he read it ter her, bein' ez Loralindy can't read writin'. She warn't expectin' it. He writ of his own accord.”
A sense of shadows impended vaguely over all the illuminated world, and now and again a flicker of wings through the upper atmosphere betokened the flight of homing birds. Crann gazed about him absently while he permitted the statement he had made to sink deep into the jealous, shrinking heart of the young mountaineer, and he repeated it as he resumed.
“She warn't expectin' of the letter. She jes' stood thar by the mill-door straight an' slim an' white an' still, like she always be—ter my mind like she war some sort'n sperit, stiddier a sure enough gal—with her yaller hair slick an' plain, an' that old, faded, green cotton dress she mos' always wears, an' lookin' quiet out at the water o' the mill-dam ter one side, with the trees a-wavin' behind her at the open door—jes' like she always be! An' arter awhile she speaks slow an' saaft an axes the miller ter read it aloud ter her. An' lo! old man Bates war rej'iced an' glorified ter the bone ter be able ter git a peek inter that letter! He jes' shet down the gates and stopped the mill from runnin' in a jiffy, an' tole all them loafers, ez hangs round thar mosly, ter quit thar noise. An' then he propped hisself up on a pile o' grist, an' thar he read all the sayin's ez war writ in that letter. An' a power o' time it tuk, an' a power o' spellin' an' bodaciously wrastlin' with the alphabit.”
He laughed lazily, as he turned his quid of tobacco in his mouth, recollecting the turbulence of these linguistic turmoils.
“This hyar feller—this Renfrow—he called her in the letter 'My dear friend'—he did—an' lowed he hed a right ter the word, fur ef ever a man war befriended he hed been. He lowed ez he could never fur-get her. An' Lord! how it tickled old man Bates ter read them sentiments—the pride-ful old peacock! He would jes' stop an' push his spectacles back on his slick bald head an' say, 'Ye hear me, Loralindy! he 'lows he'll never furget the keer ye tuk o' him whenst he war shot an' ailin' an' nigh ter death. An' no mo' he ought, nuther. But some do furget sech ez that, Loralindy—some do!'”
An' them fellers at the mill, listenin' ter the letter, could sca'cely git thar consent ter wait fur old man Bates ter git through his talk ter Loralindy, that he kin talk ter every day in the year! But arter awhile he settled his spectacles agin, an' tuk another tussle with the spellin,' an' then he rips out the main p'int o' the letter. “This stranger-man he 'lowed he war bold enough ter ax another favior. The cuss tried ter be funny. 'One good turn desarves another,' he said. 'An' ez ye hev done me one good turn, I want ye ter do me another.' An' old man Bates hed the insurance ter waste the time a-laffin' an' a-laffin' at sech a good joke. Them fellers at the mill could hev fund it in thar hearts ter grind him up in his own hopper, ef it wouldn't hev ground up with him thar chance o' ever hearin' the end o' that thar interestin' letter. So thar comes the favior. Would she dig up that box he treasured from whar he told her he hed buried it, arter he escaped from the attack o' the miners? An' would she take the box ter Colb'ry in her grandad's wagin, an' send it ter him by express. He hed tole her once whar he hed placed it—an' ter mark the spot mo' percisely he hed noticed one Chilhowee lily bulb right beside it. An' then says the letter, 'Good bye, Chilhowee Lily!' An' all them fellers stood staring.”
A light wind was under way from the west Delicate flakes of red and glistening white were detached from the clouds. Sails—sails were unfurling in the vast floods of the skies. With flaunting banners and swelling canvas a splendid fleet reached half way to the zenith. But a more multitudinous shipping still swung at anchor low in the west, though the promise of a fair night as yet held fast.
“An' now,” said Ozias Crann in conclusion, “all them fellers is a-diggin'.”
“Whut's in the box!” demanded Swof-ford, his big baby-face all in a pucker of doubt.
“The gold an' silver he ought ter hev paid the miners, of course. They always 'lowed they never tuk a dollar off him; they jes' got a long range shot at him! How I wish,” Ozias Crann broke off fervently, “how I wish I could jes' git my hands on that money once!” He held out his hands, long and sinewy, and opened and shut them very fast.
“Why, that would be stealin'!” exclaimed Kinnicutt with repulsion.
“How so? 't ain't his'n now, sure—he war jes' the agent ter pay it out,” argued Crann, volubly.
“It belongs ter the mine owners, then—the company.” There was a suggestion of inquiry in the younger man's tone.
“'Pears not—they sent it hyar fur the percise purpose ter be paid out!” the specious Crann replied.
“Then it belongs ter the miners.”
“They hedn't yearned it—an' ef some o' them hed they warn't thar ter receive it, bein' out on a strike. They hed burnt down the company's office over yander at the mine in Tanglefoot Cove, with all the books an' accounts, an' now nobody knows what's owin' ter who.”
Kinnicutt's moral protests were silenced, not satisfied. He looked up moodily at the moon now alone in the sky, for only a vanishing segment of the great vermilion sphere of the sun was visible above the western mountains, when suddenly he felt one of those long grasping claws on his arm. “Now, Rufe, bubby,” a most insinuating tone, Crann had summoned, “all them fool fellers air diggin' up the face of the yearth, wharever they kin find a Chilhowee lily—like sarchin' fur a needle in a haystack. But we uns will do a better thing than that. I drawed the idee ez soon ez I seen you an' Pete hyar this evenin' so onexpected. 'Them's my pardners,' I sez ter myself. 'Pete ter holp dig an' tote ef the box be heavy. An' you ter find out edzac'ly whar it be hid.' You uns an' Loralindy hev been keepin' company right smart, an' ye kin toll Loralindy along till she lets slip jes' whar that lily air growin'. I'll be bound ez she likes ye a sight better 'n that Renfrow—leastwise ef 't warn't fur his letter, honeyin' her up with complimints, an' she hevin' the chance o' tollin' him on through doin' him sech faviors, savin' his life, an' now his money—shucks it's mo' our money 'n his'n; 't ain 't his 'n! Gol-darn the insurance o' this Renfrow! His idee is ter keep the money his own self, an' make her sen' it ter him. Then 'Good-bye, Chilhowee Lily!'”
The night had come at last, albeit almost as bright as day, but with so ethereal, so chastened a splendor that naught of day seemed real. A world of dreams it was, of gracious illusions, of far vague distances that lured with fair promises that the eye might not seek to measure. The gorgeous tints were gone, and in their stead were soft grays and indefinite blurring browns, and every suggestion of silver that metal can show flashed in variant glitter in the moon. The mountains were majestically sombre, with a mysterious sense of awe in their great height There were few stars; only here and there the intense lustre of a still planet might withstand the annihilating magnificence of the moon.
Its glamour did not disdain the embellishment of humbler objects. As Rufe Kinnicutt approached a little log cabin nestling in a sheltered cove he realized that a year had gone by since Renfrow had seen it first, and that thus it must have appeared when he beheld it. The dew was bright on the slanting roof, and the shadow of oak trees wavered over it. The mountain loomed above. The zigzag lines of the rail fence, the bee-gums all awry ranged against it, the rickety barn and fowl-house, the gourd vines draping the porch of the dwelling, all had a glimmer of dew and a picturesque symmetry, while the spinning wheel as Loralinda sat in the white effulgent glow seemed to revolve with flashes of light in lieu of spokes, and the thread she drew forth was as silver. Its murmuring rune was hardly distinguishable from the chant of the cicada or the long droning in strophe and antistrophe of the waterside frogs far away, but such was the whir or her absorption that she did not perceive his approach till his shadow fell athwart the threshold, and she looked up with a start.
“Ye 'pear powerful busy a-workin' hyar so late in the night,” he exclaimed with a jocose intonation.
She smiled, a trifle abashed; then evidently conscious of the bizarre suggestions of so much ill-timed industry, she explained, softly drawling: “Waal, ye know, Granny, she be so harried with her rheumatics ez she gits along powerful poor with her wheel, an' by night she be plumb out'n heart an' mad fur true. So arter she goes ter bed I jes' spins a passel fur her, an' nex' mornin' she 'lows she done a toler'ble stint o' work an' air consider'ble s'prised ez she war so easy put out.”
She laughed a little, but he did not respond. With his sensibilities all jarred by the perfidious insinuation of Ozias Crann, and his jealousy all on the alert, he noted and resented the fact that at first her attention had come back reluctantly to him, and that he, standing before her, had been for a moment a less definitely realized presence than the thought in her mind—this thought had naught to do with him, and of that he was sure.
“Loralindy,” he said with a turbulent impulse of rage and grief; “whenst ye promised to marry me ye an' me war agreed that we would never hev one thought hid from one another—ain't that a true word!”
The wheel had stopped suddenly—the silver thread was broken; she was looking up at him, the moonlight full on the straight delicate lineaments of her pale face, and the smooth glister of her golden hair. “Not o' my own,” she stipulated. And he remembered, and wondered that it should come to him so late, that she had stood upon this reservation and that he—poor fool—had conceded it, thinking it concerned the distilling of whisky in defiance of the revenue law, in which some of her relatives were suspected to be engaged, and of which he wished to know as little as possible.
The discovery of his fatuity was not of soothing effect. “'T war that man Renfrew's secret—I hearn about his letter what war read down ter the mill.”
She nodded acquiescently, her expression once more abstracted, her thoughts far afield.
He had one moment of triumph as he brought himself tensely erect, shouldering his gun—his shadow behind him in the moonlight duplicated the gesture with a sharp promptness as at a word of command.
“All the mounting's a-diggin' by this time!” He laughed with ready scorn, then experienced a sudden revulsion of feeling. Her face had changed. Her expression was unfamiliar. She had caught together the two ends of the broken thread, and was knotting them with a steady hand, and a look of composed security on her face, that was itself a flout to the inopportune search of the mountaineers and boded ill to his hope to discover from her the secret of the cache. He recovered himself suddenly.
“Ye 'lowed ter me ez ye never keered nuthin' fur that man, Renfrow,” he said with a plaintive appeal, far more powerful with her than scorn.
She looked up at him with candid reassuring eyes. “I never keered none fur him,” she protested. “He kem hyar all shot up, with the miners an' mounting boys hot foot arter him—an' we done what we could fur him. Gran'daddy 'lowed ez he warn't 'spon-sible fur whut the owners done, or hedn't done at the mine, an' he seen no sense in shootin' one man ter git even with another.”
“But ye kep' his secret!” Kinnicutt persisted.
“What fur should I tell it—'t ain't mine?”
“That thar money in that box he buried ain't his'n, nuther!” he argued.
There was an inscrutable look in her clear eyes. She had risen, and was standing in the moonlight opposite him. The shadows of the vines falling over her straight skirt left her face and hair the fairer in the silver glister.
“'Pears like ter me,” he broke the silence with his plaintive cadence, “ez ye ought ter hev tole me. I ain't keerin' ter know 'ceptin' ye hev shet me out. It hev hurt my feelin's powerful ter be treated that-a-way. Tell me now—or lemme go forever!”
She was suddenly trembling from head to foot. Pale she was always. Now she was ghastly. “Rufe Kinnicutt,” she said with the solemnity of an adjuration, “ye don't keer fur sech ez this, fur nuthin'. An' I promised!”
He noted her agitation. He felt the clue in his grasp. He sought to wield his power, “Choose a-twixt us! Choose a-twixt the promise ye made ter that man—or the word ye deny ter me! An' when I'm gone—I'm gone!”
She stood seemingly irresolute.
“It's nuthin' ter me,” he protested once more. “I kin keep it an' gyard it ez well ez you uns. But I won't be shet out, an' doubted, an' denied, like ez ef I wan't fitten ter be trested with nuthin'!”
He stood a moment longer, watching her trembling agitation, and feeling that tingling exasperation that might have preceded a blow.
“I'm goin',” he threatened.
As she still stood motionless he turned away as if to make good his threat. He heard a vague stir among the leaves, and turning back he saw that the porch was vacant.
He had overshot the mark. In swift repentance he retraced his steps. He called her name. No response save the echoes. The house dogs, roused to a fresh excitement, were gathering about the door, barking in affected alarm, save one, to whom Kinnicutt was a stranger, that came, silent and ominous, dragging a block and chain from under the house. Kinnicutt heard the sudden drowsy plaints of the old rheumatic grandmother, as she was rudely awakened by the clamors, and presently a heavy footfall smote upon the puncheons that floored the porch. Old Byars himself, with his cracked voice and long gray hair, had left his pipe on the mantel-piece to investigate the disorder without.
“Hy're Rufe!” he swung uneasily posed on his crutch stick in the doorway, and mechanically shaded his eyes with one hand, as from the sun, as he gazed dubiously at the young man, “hain't ye in an' about finished yer visit t—or yer visitation, ez the pa'son calls it He, he, he! Wall, Loralindy hev gone up steers ter the roof-room, an' it's about time ter bar up the doors. Waal, joy go with ye, he, he, he! Come off, Tige, ye Bose, hyar! Cur'ous I can't 'larn them dogs no manners.”
A dreary morrow ensued on the splendid night. The world was ful of mists; the clouds were resolved into drizzling rain; every perspective of expectation was restricted by the limited purlieus of the present. The treasure-seekers digging here and there throughout the forest in every nook in low ground, wherever a drift of the snowy blossoms might glimmer, began to lose hope and faith. Now and again some iconoclastic soul sought to stigmatize the whole rumor as a fable. More than one visited the Byars cabin in the desperate hope that some chance word might fall from the girl, giving a clue to the mystery.
By daylight the dreary little hut had no longer poetic or picturesque suggestion. Bereft of the sheen and shimmer of the moonlight its aspect had collapsed like a dream into the dullest realities. The door-yard was muddy and littered; here the razor-back hogs rooted unrebuked; the rail fence had fallen on one side, and it would seem that only their attachment to home prevented them from wandering forth to be lost in the wilderness; the clap-boards of the shiny roof were oozing and steaming with dampness, and showed all awry and uneven; the clay and stick chimney, hopelessly ont of plumb, leaned far from the wall.
Within it was not more cheerful; the fire smoked gustily into the dim little room, illumined only by the flicker of the blaze and the discouraged daylight from the open door, for the batten shutters of the unglazed window were closed. The puncheon floor was grimy—the feet that curiosity had led hither brought much red clay mire upon them. The poultry, all wet and dispirited, ventured within and stood about the door, now scuttling in sudden panic and with peevish squawks upon the unexpected approach of a heavy foot. Loralinda, sitting at her spinning wheel, was paler than ever, all her dearest illusions dashed into hopeless fragments, and a promise which she did not value to one whom she did not love quite perfect and intact.
The venerable grandmother sat propped with pillows in her arm-chair, and now and again adjured the girl to “show some manners an' tell the neighbors what they so honed to know.” With the vehemence of her insistence her small wizened face would suddenly contract; the tortures of the rheumatism, particularly rife in such weather, would seize upon her, and she would cry aloud with anguish, and clutch her stick and smite her granddaughter to expedite the search for the primitive remedies of dried “yarbs” on which her comfort depended.
“Oh, Lord!” she would wail as she fell back among the pillows. “I'm a-losin' all my religion amongst these hyar rheumatics. I wish I war a man jes' ter say 'damn 'em' once! An' come good weather I'll sca'cely be able ter look Loralindy in the face, considering how I hector her whilst I be in the grip o' this misery.”
“Jes' pound away, Granny, ef it makes ye feel ennywise better,” cried Loralinda, furtively rubbing the weales on her arm. “It don't hurt me wuth talkin' 'bout. Ye jes' pound away, an' welcome!”
Perhaps it was her slender, elastic strength and erect grace, with her shining hair and ethereal calm pallor in the midst of the storm that evoked the comparison, for Ozias Crann was suddenly reminded of the happy similitude suggested by the letter that he had heard read and had repeated yesterday to his cronies as he stood in the road. The place was before him for one illumined moment—the niche in the cliff, with its ferns and vines, the delicate stately dignity of the lilies outlined against the intense blue of the sky.
The reminiscence struck him like a discovery. Where else could the flower have been so naturally noticed by this man, a stranger, and remembered as a mark in the expectation of finding it once more when the bulb should flower again—as beside the county road? He would have been hopelessly lost a furlong from the path.
Crann stood for a moment irresolute, then silently grasped his pickaxe and slunk out among the mists on the porch.
He berated his slow mind as he hurried invisible through the vast clouds in which the world seemed lost. Why should the laggard inspiration come so late if it had come at all? Why should he, with the clue lying half developed in his own mental impressions, have lost all the vacant hours of the long, bright night, have given the rumor time to pervade the mountains, and set all the idlers astir before he should strike the decisive blow!
There, at last, was the cliff, beetling far over the mist-filled valley below. A slant of sunshine fell on the surging vapor, and it gleamed opalescent. There was the niche, with the lilies all a-bloom. He came panting up the slope under the dripping trees, with a dash of wind in his face and the odor of damp leafage and mold on the freshening air.
He struck the decisive blow with a will. The lilies shivered and fell apart The echoes multiplied the stroke with a ringing metallic iteration.
The loiterers were indeed abroad. The sound lured them from their own devious points of search, and a half dozen of the treasure-seekers burst from the invisibilities of the mists as Ozias Crann's pickaxe cleaving the mold struck upon the edge of a small japanned box hidden securely between the rocks, a scant foot below the surface. A dangerous spot for a struggle, the verge of a precipice, but the greed for gain is a passion that blunts the sense of peril. The wrestling figures, heedless of the abyss, swayed hither and thither, the precious box among them; now it was captured by a stronger grasp, now secured anew by sheer sleight-of-hand. More than once it dropped to the ground, and at last in falling the lock gave way, and scattered to the wind were numberless orderly vouchers for money already paid, inventories of fixtures, bills for repairs, reports of departments—various details of value in settling the accounts of the mine, and therefore to be transmitted to the main office of the mining company at Glaston. “Ef I hed tole ye ez the money warn't thar, ye wouldn't hev believed me,” Lora-linda Byars said drearily, when certain disappointed wights, who had sought elsewhere and far a-field, repaired to the cabin laughing at their own plight and upbraiding her with the paucity of the cache. “I knowed all the time what war in that box. The man lef' it thar in the niche arter he war shot, it bem' heavy ter tote an' not wuth much. But he brung the money with him, an' tuk it off, bein', he said, without orders from the owners, the miners hevin' burnt down the offices, an' bruk open the safe an' destroyed all the papers, ceptin' that leetle box. I sewed up the man's money myself in them feather beds what he lay on whenst he war wagined down 'ter Colb'ry ter take the kyars. He 'lowed the compn'y mought want them papers whenst they went into liquidation, ez he called it, an' tole me how he hed hid 'em.”
Rufe Kinnicutt wondered that she should have been so unyielding. She did not speculate on the significance of her promise. She did not appraise its relative value with other interests, and seek to qualify it. Once given she simply kept it. She held herself no free agent. It was not hers.
The discovery that the lure was gold revealed the incentive of her lover's jealous demand to share the custody of the secret. His intention was substituted for the deed in her rigid interpretation of integrity. It cost her many tears. But she seemed thereafter to him still more unyielding, as erect, fragile, ethereally pure and pale she noted his passing no more than the lily might. He often thought of the cheap lure of the sophisms that had so deluded him, the simple obvious significance of the letter, and the phrase, “Goodbye, Chilhowee Lily,” had also an echo of finality for him.
End of the Project Gutenberg EBook of A Chilhowee Lily, by
Charles Egbert Craddock (AKA Mary Noailles Murfree)
*** END OF THIS PROJECT GUTENBERG EBOOK A CHILHOWEE LILY ***
***** This file should be named 23554-h.htm or 23554-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/3/5/5/23554/
Produced by David Widger
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase “Project Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
“Plain Vanilla ASCII” or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original “Plain Vanilla ASCII” or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, “Information about donations to
the Project Gutenberg Literary Archive Foundation.”
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
“Defects,” such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
http://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.