Project Gutenberg's The Nursery, August 1873, Vol. XIV. No. 2, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Nursery, August 1873, Vol. XIV. No. 2 Author: Various Release Date: March 29, 2008 [EBook #24939] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK NURSERY, AUG. 1873, VOL.XIV. NO.2 *** Produced by Emmy, Juliet Sutherland and the Online Distributed Proofreading Team at https://www.pgdp.net Music by Linda Cantoni.
| IN PROSE. | |
| PAGE. | |
| The Mother's Prayer | 33 |
| Coosie and Carrie | 36 |
| The Fourth of July Cake | 38 |
| How our School came to have the Nursery | 42 |
| Where the Dandelions went | 43 |
| The Bird's Nest | 44 |
| Meditations of a Shut-out One | 46 |
| Dreaming and Doing | 48 |
| Prairie Dogs | 51 |
| A Journey to California | 55 |
| A Letter to George | 58 |
| The Blackberry Frolic | 60 |
IN VERSE. | |
| PAGE. | |
| Charley's Opinion | 35 |
| Song of the Brook | 41 |
| Bobolink | 50 |
| Dear Little Mary | 53 |
| Little Jack Homer (with music) | 64 |
THE MOTHER'S PRAYER.
When that little boy, whose name was Edward, grew up, it seemed as if his mother's prayer had been answered, and that, in making it, she had been wiser than she knew or dreamed.
She had not prayed that he might be wise; but somehow the love in his heart seemed to make him wise, and to lead him to choose what is best, and to remember all the good things he was taught.
She had not prayed that he might be rich; but it turned out that he was so anxious to help and serve others, that he found the only way to do that was to get the means of helping: and so he became diligent, thrifty, and prompt in business, till at last he had the means he sought.
Edward's mother had not prayed that he might be handsome; but there was so much love and good-will manifest in his face, that people loved to look on it: and its expression made it handsome, for beauty attends love like its shadow.
The prayer had not been that he might be happy; but—dear me! how can there be love in the heart without happiness? Edward had no time for moping discontent, for revenge, or anger. He was too busy thinking what he might do for others; and, in seeking their happiness, he found his own.
But was he learned? Of course, when he found it pleased his parents to have him attend to his studies, he did his best: and though there were many boys quicker and apter than he, yet Edward generally caught up with them at last; for love made him attentive and earnest.
But last of all, though Edward loved others, did others love him? That is the simplest question of all. You must first give love if you would get it. Yes: everybody loved Edward, simply because he loved everybody. And so I advise those little boys and girls who think they are not loved, to put themselves the question, "But do you love?"
Cousin Charles said, "Come and see the sheep." So I went to where he was standing on the front porch, and calling "Co-nan, co-nan, co-nan!" The gate was open; and the sheep and lambs were coming into the yard.
I asked, "Why do you tell John to drive the sheep into the yard?" Charles answered, "Because it has been raining hard; and the brook in the meadow has grown so big, that I am afraid the sheep will get drowned in it.
"Last year we found a sheep lying dead in the brook. Her two lambs were standing near by, crying for her. We took them to the house, and fed them with milk. We named them Coosie and Carrie. Mother can tell you about them."
Then I ran to auntie, and said, "Oh! tell me all about Coosie and Carrie." So my aunt told me about them; and this is what she said:—
When the two little lambs were first brought in, Mary, the cook, made a nice bed for them in one corner of the kitchen. Then she put some warm milk in a bottle, and took one of the lambs up in her lap and fed it. Oh, how pleased it was! And the other lamb stood by crying until its turn came.
The lambs soon grew fat and strong, and ran about the yard. But they made themselves quite at home in the house; and we could not keep them out.
One day I went into my room; and there were Coosie and Carrie jumping up and down upon my spring-bed.
I sat down and laughed heartily; and the lambs kept on jumping, and looked as if they were trying to laugh too. But I could not have such saucy lambs about the house any longer: so they were driven to the meadow with the rest of the flock.
Auntie and I laughed again, to think of the lambs' frolic;[37] and I said, "O auntie! how I wish they would eat out of my hand now! Do you think they will?"
"I am afraid not," said she. "They have been with the flock a whole year, and I suppose are no longer tame; but you can try. Take some apples to them."
So, with some apples in my hand, I went out, calling "Co-nan, co-nan!" The sheep were afraid, and walked away, crying "Baa-a-ah;" and the little lambs answered, "Baa-a-ah."
I followed slowly; and at last one sheep stood still. I went up close to her, calling "Coosie, Carrie!" for I knew it must be one or the other. She ate the apples out of my hand, and let me pat her head, and feel her soft wool.
The next time I went out with apples, two sheep came to my call. They looked exactly alike to me; but Mary told me which was Coosie, and which was Carrie. After that,[38] they did not wait to be called, but came running up as soon as they saw me.
When the sheep were driven away into the meadow-lot again, I stood near the gate to see them go. The old sheep walked along quietly; but the lambs jumped and frisked about, and kicked up their heels in a very funny way. The sheep called out "Baa-a-ah!" and the lambs answered, "Baa-a-ah!" and sometimes it sounded like "Maa-a-ah."
Coosie and Carrie ran up, and licked my hand as I said good-by. Now, were they not dear little pets?
Fred.—Oh! look here, Bessy and Maggy: come and see the splendid Fourth of July cake that mother has made!
Bessy.—You must not touch it, Fred: mother will be displeased if you touch it.
Fred.—I want to see if she has salted it well. Look at the currants and the raisins!
Bessy.—And how nicely it is sugared and frosted!
Maggy.—Me see; me see!
Fred.—There! Maggy has put her whole hand in. What will mother say?
Bessy.—It will do no harm now for me to taste it.
Fred.—Isn't it nice?[39]
Maggy.—Me want plum.
Bessy.—Maggy mustn't stick her hand in. She will spoil mamma's nice cake.
Maggy.—Me want taste. You and Fred taste.
Fred.—Hark! I hear mother's step on the stairs. Now scatter, all three! Lick your fingers clean, and run.
Bessy.—I wish we hadn't touched the cake.
Mother.—What's this? Who has been at my cake,—my cake that I took so much pains to make handsome?
Bessy.—Fred wanted to see if it was properly salted.[40]
Mother.—Here's the mark of Maggy's hand! And here's a deep hole which Fred's naughty finger must have made! And here, Bessy, are your marks. I'm ashamed of you all. Meddling with my nice cake without leave.
Bessy.—I'm very sorry I touched it, mother.
Fred.—So am I; but I wanted to see if it was well seasoned.
Mother.—Well seasoned, sir? You deserve to be well seasoned with a rod. Now, your punishment shall be, not to taste a crumb of this nice cake, any one of you. I shall give it to the poor family opposite.
Fred.—Hoo-oo-oo-oo! Oh, don't!
Maggy.—Don't, mamma; don't!
Bessy.—Such a beautiful cake!
Mother.—The cake shall be given to the poor; and you must be contented with your bread and water.
Fred.—Forgive us this once, mother. Remember it's the Fourth of July,—a day when we all want to be jolly.
Mother.—They who would be jolly, must begin by being good. The cake goes to those who need it much more than we do.
What was the song of the meadow brook,
As under the willows his way he took? Wouldn't you like to know? "Let me play a while as I will: By and by I must turn the mill, As farther down I go. "Daisies, hanging over my side, Beautiful daisies, starry-eyed, Kiss me for I must go! But think of me as I turn the wheel, Grinding the corn into powdery meal And drifts of golden snow."
A. D. W. |
There are fifty little boys and girls who go to the Blank street Primary School. Brown heads, black heads, yellow heads, all shades of heads, may there be seen studying their A, B, C. Some are very pretty, and some are very plain; but they are all good children. I think so, and I ought to know; for I am their teacher.
Well, they read and sing and spell; and some of the larger ones write a little. But we all get tired of doing the same thing day after day; and I felt that my little pupils needed a change.
So, one day, I said to them, "If you will each of you learn a little verse so as to say it very nicely, we will have a good time next Saturday morning. There shall be no lessons,—nothing but speaking and singing."
Some of the little children looked as if they did not know[43] what I meant. But the older ones came to me, one after another, and said, "Please find a piece for me to learn."
So I undertook to find pieces for them all. I thought that was an easy thing to do; but, when I came to try it, it proved to be a hard task. I looked through all my books and papers, without finding much of any thing to suit me.
I was almost ready to give up the whole plan, when a bright little boy handed me a book with a green cover, and said, "I think there are some nice pieces in this."
I took the book, and looked it through. First I looked at the pictures; and they pleased me so well, that I turned back to the first page, and began to read. The more I read, the better I liked it; and, before I got to the end, I was delighted.
"Why, Johnny," said I, "I thank you for bringing me this. It is the very thing we want."
I sent out at once, and bought twelve back numbers of "The Nursery;" and, before Saturday morning came, each of the children had learned a piece from them by heart.
Since then "The Nursery" has been in regular use in our school; and we depend upon having a new number every month. Every one of the children wishes to be the owner of a copy: so I think we shall soon make up quite a large club.
When Willy was two years old, he lived in a red farmhouse with a yard in front of it. The dandelions were very thick there; so that the yard looked yellow, instead of green.
One bright morning Willy's mamma put on his straw hat, and sent him out in the yard to play. She knew the yard[44] had a high fence; and he could not open the gate; so he was safe.
When it was time for him to have a nap, and mamma went to call him, she noticed that a great many of the dandelions were gone. She wondered where they were; but, as Willy could not talk much, she did not ask him about them.
A short time after, while Willy was asleep in his crib, his mamma went out to draw some water. When the bucket came up full of water, the top was all yellow with dandelions. Looking down into the well, she could see no water at all, only dandelions.
It was no wonder, then, where the blossoms had gone. Willy had been very busy trying to fill up the well!
Last summer little Josie, with her papa and mamma, went into the country to spend a few weeks with her grandmother. Grandmother lives on a farm; and Josie had many happy times, tumbling about in the hay, hunting hens' eggs in the barn, and watching the birds and squirrels.
One day her papa told her that he had found a bird's-nest in the orchard, with some queer little birds in it. Of course, Josie was very anxious to see it; but papa was too busy to go with her then: so mamma said that she would go.
Josie clapped her hands, and said, "Oh! you are a good mamma;" and they started at once for the orchard. A pair of kingbirds had built a nest on a low branch of an apple-tree; and in the nest were two little baby-birdies. As soon as the old birds saw Josie and her mamma coming, they began to scold, and fly about in great alarm.[45]
I guess the father-bird said, "Oh, dear! here come some giants; and, if we are not very fierce, they will steal away our babies. So, mother-bird, you just sit here on this cherry-tree, and scream, while I stand ready on the apple-tree to fly at them if they come near our nest."
Josie and her mamma walked slowly along, not knowing how angry the kingbirds were getting, until they came to the apple-tree. "Here is the nest, Josie," said mamma; and they went close to the tree. But the mother-bird began to scream, and fly about, and seemed to feel so badly, that mamma said, "We will go away from the nest, Josie; for we are making the old bird unhappy." But Josie said, "Oh! do let me take just one peep at the little birdies. Do, mamma, hold me up to the nest just once!"
Now, all this time the father-bird had kept so still that they did not know he was on the tree just above their heads;[46] but, as soon as mamma lifted Josie so that she might look into the nest, he flew straight down at them, pecked at Josie's hands, pulled mamma's hair, and beat her face with his wings. Josie was frightened, and began to cry; but mamma held her close in her arms, and ran away from the tree as fast as she could.
When they reached the gate, and stopped to rest, they heard the old birds talking it over. I guess the father-bird said, "There! I've driven those wicked thieves away. They'll never dare to come here again." And the little birds began to cry, "Tweet, tweet!" And the mother-bird sat down in the nest, and said, "There, darlings, just tuck your little heads under my wings and go to sleep. No one shall harm my dear babies."
Josie says, "I think they were real cross not to let a little girl just look at their babies." But I think they were brave birds to take such good care of their little ones. What do you think about it, little "Nursery" folks?
Well, now, do you call that good manners? My master shut the gate in my face, as much as to say, "Stay where you are, Bob." Then he goes in to dine and play chess with the parson, and leaves me here to watch and wait.
Three hours, I do believe, I have been here on the watch,—three long, long hours. And there he sits yonder with the folks in the summer-house. The roast meat seems to be deliciously done, if I may judge from the odor. Just one little bone for me, if you please, good master mine.
What do I see? He gives a bone to that scamp Fido;[47] but for me, his trusty one, who, year in and year out, have guarded yard and stable so faithfully,—for me he has nothing, not even a mouthful! And here I sit hungering and thirsting till my tongue sticks to the roof of my mouth.
But stop! I hear a whistle. Yes, it comes from my master. And there comes Betty with a whole plateful of bones in her hand! After all, there isn't a master like mine in all the world. I knew he wouldn't forget old Bob. Yes, here they come. Truly a patient waiter is no loser. Bow-wow!
Amy was a dear good girl in many things; but she had one bad habit: she was too apt to waste time in dreaming of doing, instead of doing.
In the village where she lived, Mr. Thornton kept a small shop, where he sold fruit of all kinds, including berries in their season.
One day he said to Amy, "Would you like to make some money?"
"Of course I would!" said Amy; "for my dear mother often has to deprive herself of things she needs, so that she may buy shoes or clothes for me."
"Well, Amy, I noticed some fine ripe blackberries along by the stone walls in Mr. Green's five-acre lot; and he said that I or anybody else was welcome to them. Now, if you will pick the ripest and best, I will pay you sixteen cents a quart for them."
Amy was delighted at the thought, and ran home and got her basket, and called her little dog Quilp, with the intention of going at once to pick the blackberries.
Then she thought she would like to find out, with the aid of her slate and pencil, how much money she should make, if she were to pick five quarts. She found she should make eighty cents,—almost enough to buy a new calico dress.
"But supposing I should pick a dozen quarts: how much should I earn then?" So she stopped and figured that out. "Dear me! It would come to a dollar and ninety-two cents!"
Amy then wanted to know how much fifty, a hundred, two hundred, quarts would give her; and then, how much she should get if she were to put thirty-two dollars in the savings bank, and receive six per cent interest on it.[49]
DREAMING AND DOING.
Quilp grew very impatient, but Amy did not heed his barking; and, when she was at last ready to start, she found it was so near to dinner-time that she must put off her enterprise till the afternoon.
As soon as dinner was over, she took her basket, and hurried to the five-acre lot; but a whole troop of boys from the public school were there before her. It was Saturday afternoon. School did not keep; and they were all out with their baskets.
Amy soon found that all the large ripe berries had been gathered. Not enough to make up a single quart could she find. The boys had swept the bushes clean. All Amy's grand dreams of making a fortune by picking blackberries were at an end. Slowly and sadly she made her way home, recalling on the way the words of her teacher, who once said to her, "One doer is better than a hundred dreamers."
Annie and her baby-brother went to ride with their papa and mamma. They crossed the river on a long bridge; and beyond it they saw horses and cows feeding on the green prairie.
"What are all these heaps of dirt for?" said Annie.
"We are just entering 'dog-town,'" said her papa; "and those are the houses of the inhabitants. Do you see the two little fellows sitting up on that mound?"
"Yes," said Annie; "but they look like little fat squirrels; don't they, mamma?"
Baby pointed his little chubby finger, and said, "Ish!"
"They are prairie-dogs," said mamma; "but are sometimes called the 'wish-ton-wish' and 'prairie marmot,' and sometimes 'prairie marmot squirrel.' It is like the marmot because it burrows in the ground, and like the squirrel because it has cheek-pouches."
"Well, what do they call them dogs for?" said Annie.
"Let us stop and watch them," said her papa. "Hark! do you hear them bark?"
"Yes: it is a little squeaking bark," said Annie. "It sounds like 'chip-chip-chip.'"
"Now see," said her papa, "how funnily that little fellow sits up, with his fore-paws hanging down, and watches us."
Annie shook the whip; and the prairie-dog scampered into[52] his hole. Up he popped his head again in a moment, and jerked his short tail, and barked.
This seemed a signal for the whole town. On almost every mound appeared two or three dogs; and they set up such a barking and jerking of tails, that everybody in the wagon laughed and shouted.
"Now we will ride up close to the mound," said papa, as he started up old Fox, and sung a bit of the old song:—
There were several bushels of dirt in the mound. In the centre of it was the hole, which was very large at the entrance. The earth all around was worn very smooth and hard.
Here the little dogs sit and bark and jerk, ready to dodge into their hole in a moment. They all looked fat and clumsy. Their color is reddish-brown. Owls and rattlesnakes are often found living with them; but Annie did not see any.
DEAR LITTLE MARY.
Dear little Mary,
Susan and Loo, Jenny and Lizzie, And Margaret too; Now the sun's peeping, Softly and sly, In at the window, Pets, where you lie! Up, up, my darlings, Up and away! Out to the meadows [54]Sweet with new hay; Out where the berries, Dewy and red, Hang in great clusters, High overhead! |
Two little girls, Annette and Lisette, went to California with their parents in 1849. There was no Pacific Railroad at that time; and the journey across the plains was a long and a hard one.
Annette and Lisette rode in the great wagon drawn by oxen. They thought that fine fun. At night they slept in a tent. On pleasant days they walked with their mamma for miles over the green prairies, plucking wild-flowers as they went along.
They saw great numbers of the funny little prairie-dogs sitting in the doors of their cunning houses; sometimes they caught sight of an antelope; and they often passed great herds of shaggy buffaloes.
They liked the prairie-dogs and the antelopes; but they[56] were afraid of the buffaloes; and, when their papa went out to shoot one, they would almost cry for fear he would get hurt. But, when he came back with plenty of nice buffalo-meat, they had a real feast; for they had had no meat but salt-pork for many a day, and they did not like that very well.
Sometimes a storm would come up with fearful peals of thunder, and flashes of lightning. More than once the tent was blown down, and the rain came pouring on them; but the little girls put their heads under the bed-clothes, and crept close to their mamma, and never minded the storm.
After travelling in this way three or four months, they were still many, many days' journey away from California, and Annette and Lisette began to wish themselves back in their old home; for now the plains were no longer green and bright with flowers, but hot, sandy, and dusty, with only ugly little bushes, called "sage-bushes," growing on them.
Sometimes they would have to go all day without water; for the water was so warm and impure, that nobody could drink it,—not even the cattle. They saw several hot springs, so hot that they could not put their hands in them; but their mamma found them very nice for washing clothes.
Late in the fall they crossed the Sierra Nevada Mountains; and, oh! how steep and narrow and rough the road was! Often their papa had to fasten logs of wood to the wagons to keep them from going down the mountains too fast. Sometimes a wagon would upset, and go rolling down hill.
Yet the children enjoyed being in the mountains; for they liked to play under the tall pine-trees, picking up the cones, and hunting for lumps of pine-gum, and hearing all[57] the time the sweet music of the wind as it sang in the branches.
But in a few days the weather got very cold. Heavy snow-storms came on. One night twenty head of cattle were frozen to death; and as there were few oxen left, and the flour was almost gone, the little girls began to be very much afraid that they should perish too.
Luckily their papa shot some fat deer, which gave them plenty to eat; and, after many hardships, the whole party reached the Sacramento River in safety. Here they got on board of a flat-boat, and went to Sacramento City, where they lived in a tent for many months. I may some time tell you how they went to the mines.
A journey to California is a very easy matter now-a-days. You may go by railroad all the way, and have every comfort by day and night.
Annette and Lisette have made the journey more than once in a palace car; but they often think of the times when they were two happy little girls riding over the prairies in a baggage-wagon, or playing together under the mountain pines.
Salt-Lake City, Utah.
"Why, where are you going, Nelly?" asked Martin Ray of his sister, as, with a plate of pudding for him, she entered his chamber where he was confined to his bed.
Poor Martin had broken his leg by a fall from a tree, and he had to keep very still.
"We have made up a blackberry-party," said Nelly. "The girls and boys are waiting for me at the door; and I can only stop a minute to say that you must be good, and not fret while I am away."
"Don't be late in returning home," said Martin; "for mother is going to take me down stairs for the first time, this afternoon; and I want to see you before I go up to bed."
"All the sweetest berries I can find shall be saved for you," said Nelly, as she tied the little scarf about her neck, put on her hat, and kissed Martin for good-by.
Nelly's companions were waiting impatiently for her at[61] the door; and, when she came, they raised a shout of "Here she is!" Then they set off, through a shady lane, on their walk to Squire Atherton's woods, along the borders of which the blackberries grew in great profusion.
Soon they came to a place where a brook crossed between two fields, with such a narrow plank for a bridge that some of the girls did not half like going over it; for the brook seemed to be quite full and deep.
"What a fuss you girls make about trifles!" cried Robert Wood. "Who but a girl would think of being frightened at a bridge like this?"
"Stop that, Robert," said Harry Thorp. "I will help them across in a way that will prevent all danger."
Harry plucked up a stout bulrush that grew near by, and held it out over the plank to the girls to serve as a kind of support for them to hold by. Susan Maples was the first to lay hold of the thick end of the bulrush, by which Harry led her across. Then the other girls followed; but, just as[62] Nelly got on, Robert Wood shook the plank, and tried to scare her.
He did not succeed in this; for Nelly was thinking of her dear brother at home with his broken leg, and she felt that she would not be afraid of a much more dangerous crossing than that over the plank.
After a walk of a mile, they came to the edge of the wood. "Jewels of jet! Look here!" cried Harry Thorp. "See the bouncers! Here's sweetness! Here's blackness! Here's richness!"
And, true enough, there they were. Never were high-bush blackberries finer or riper; but the largest and ripest seemed always the hardest to get at. The boys cut hooked sticks, with which they pulled down the branches; and their mouths were soon black with the juice of the berries. Then the girls began filling their baskets.
The sun was low in the west when Nelly remembered her promise to Martin, and said, "Now for home!" to which the rest cried, "Agreed!"[63]
But the girls had not gone far before they began eating the berries from their baskets, and offering them to one another,—all but Nelly Ray. She did not eat any of her blackberries, nor did she give any away; and yet she had the best basketful of all.
She had, besides, a branch of a bush, with berries on it, which she was carrying very carefully; so that she kept a few steps behind the other girls.
When Nelly reached home, she looked in at the open door, and saw Martin down stairs for the first time since his accident. He was wrapped in shawls; and Nelly said, as she put the full basket on his knees, and waved the branch before his eyes, "Why, brother, they have wrapped you up so, and your face is so pale, that you look like a girl."
"Looks are nothing: behavior is all," said Martin, laughing. "Why, Nelly, what a splendid feast we shall have! What big ones! Thank you, dear, dear sister."
As she heard those words, and saw his pleased looks, Nelly felt she was well repaid for all her trouble.
| 2 "I don't like cold lamb; Give me raspberry-jam:" But old Mother Hubbard said, "No! If a boy cannot eat Such nice, wholesome meat, To bed without food he must go." | 3 So little Jack Horner, Who cried in the corner, Was washed clean, and put into bed: After sleeping all night, He awoke fresh and bright, And was glad to eat plain meat and bread. |
This issue was part of an omnibus. The original text for this issue did not include a title page or table of contents. This was taken from the July issue with the "No." added. The original table of contents covered the second half of 1873. The remaining text of the table of contents can be found in the rest of the year's issues.
End of the Project Gutenberg EBook of The Nursery, August 1873, Vol. XIV.
No. 2, by Various
*** END OF THIS PROJECT GUTENBERG EBOOK NURSERY, AUG. 1873, VOL.XIV. NO.2 ***
***** This file should be named 24939-h.htm or 24939-h.zip *****
This and all associated files of various formats will be found in:
https://www.gutenberg.org/2/4/9/3/24939/
Produced by Emmy, Juliet Sutherland and the Online
Distributed Proofreading Team at https://www.pgdp.net Music
by Linda Cantoni.
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."
- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.
1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law. The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.
1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.
Section 2. Information about the Mission of Project Gutenberg-tm
Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers. It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.
Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.
Section 3. Information about the Project Gutenberg Literary Archive
Foundation
The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising. Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.
The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations. Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org. Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org
For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org
Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation
Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.
The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org
While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.
International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.
Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations. To donate, please visit: https://pglaf.org/donate
Section 5. General Information About Project Gutenberg-tm electronic
works.
Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone. For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.
Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included. Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.
Most people start at our Web site which has the main PG search facility:
https://www.gutenberg.org
This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.