The Project Gutenberg EBook of The Only True Mother Goose Melodies, by 
Munroe and Francis

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: The Only True Mother Goose Melodies
       Without Addition or Abridgement

Author: Munroe and Francis

Release Date: May 4, 2009 [EBook #28687]

Language: English

Character set encoding: UTF-8

*** START OF THIS PROJECT GUTENBERG EBOOK THE ONLY TRUE MOTHER GOOSE ***




Produced by Louise Hope, David Edwards and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
book was produced from scanned images of public domain
material from the Google Print project.)

Title Page Text

[Copyright secured.]

HISTORY OF THE GOOSE FAMILY.

[From the Boston Transcript.]

COTTON MATHER AND MOTHER GOOSE.

11

GOOSE’S MELODIES.

Little boy blue, come blow your horn, The sheep’s in the meadow, the cow’s in the corn, What! is this the way you mind your sheep, Under the haycock fast asleep?

12

There was a mad man, And he had a mad wife, And they lived all in a mad lane! They had three children all at a birth, And they too were mad every one. The father was mad, The mother was mad, The children all mad beside; And upon a mad horse they all of them got, And madly away did ride.

13

Baa, baa, black sheep, have you any wool? Yes, marry have I, three bags full, One for my master, and one for my dame, And one for the little boy that lives in the lane.

To market, to market, to buy a penny bun,

Home again, home again, market is done.

14

The man in the wilderness, Asked me, How many strawberries Grew in the sea? I answered him as I thought good, As many red herrings As grew in the wood.

Little Robin Redbreast Sat upon a tree, Up went the Pussy-Cat, And down went he; Down came Pussy-Cat, Away Robin ran, Says little Robin Redbreast— Catch me if you can.
Little Robin Redbreast jumped upon a spade, Pussy-Cat jumped after him, and then he was afraid. Little Robin chirped and sung, and what did pussy say? Pussy-Cat said Mew, mew mew,—and Robin flew away.

15

Sing a song of sixpence, a bag full of rye, Four and twenty blackbirds baked in a pie: When the pie was opened, the birds began to sing; And wasn’t this a dainty dish to set before the king? The king was in the parlour, counting out his money; The queen was in the kitchen, eating bread and honey; The maid was in the garden, hanging out the clothes, There came a little blackbird and nipt off her nose.

16

Lady-bird, Lady-bird, Fly away home, Your house is on fire, Your children will burn.

One, Two — buckle my shoe; Three, Four — open the door; Five, Six — pick up sticks; Seven, Eight — lay them straight; Nine, Ten — a good fat hen; Eleven, Twelve — I hope you’re well. Thirteen, Fourteen — draw the curtain; Fifteen, Sixteen — the maid’s in the kitchen; Seventeen, Eighteen — she’s in waiting. Nineteen, Twenty — my stomach’s empty.

Snail, Snail, Come out of your hole, Or else I’ll beat you black as a coal. Snail, Snail, Put out your head, Or else I’ll beat you till you’re dead.

17

The man in the moon came down too soon To inquire the way to Norridge; The man in the south, he burnt his mouth With eating cold plum porridge.

18

When I was a little boy, I lived by myself, And all the bread and cheese I got I put upon a shelf; The rats and the mice, they made such a strife, I was forced to go to London to buy me a wife. The streets were so broad, and the lanes were so narrow. I was forced to bring my wife home in a wheelbarrow; The wheelbarrow broke, and my wife had a fall, And down came the wheelbarrow, wife and all.

Charley Wag,

Ate the pudding and left the bag.

19

Sing, Sing! —— What shall I sing? The Cat’s run away with the Pudding-Bag String.

When I was a little boy, I washed my mammy’s dishes,

Now I am a great boy I roll in golden riches.

20

Bye, Baby bunting, Father’s gone a hunting, Mother’s gone a milking, Sister’s gone a silking, And Brother’s gone to buy a skin, To wrap the Baby bunting in.

’Twas once upon a time, when Jenny Wren was young,

So daintily she danced and so prettily she sung,

Robin Redbreast lost his heart, for he was a gallant bird;

So he doffed his hat to Jenny Wren, requesting to be heard.

O, dearest Jenny Wren, if you will but be mine,

You shall feed on cherry-pie and drink new currant wine,

I’ll dress you like a goldfinch or any peacock gay;

So, dearest Jen, if you’ll be mine, let us appoint the day.

Jenny blushed behind her fan and thus declared her mind:

Since, dearest Bob, I love you well, I take your offer kind;

Cherry-pie is very nice and so is currant wine,

But I must wear my plain brown gown and never go too fine.

21

Cushy Cow bonny, let down your milk, And I will give you a gown of silk, A gown of silk and a silver tee, If you’ll let down your milk to me.

22

There were two blind men went to see Two cripples run a race, The bull did fight the humblebee And scratched him in the face.

Fa, Fe, Fi, Fo, Fum!

I smell the blood of an Englishman.

Be he live or be he dead,

I’ll grind his bones to make me bread.

23

Richard and Robin were two pretty men; They laid abed till the clock struck ten; Robin starts up and looks at the sky, Oh ho! brother Richard, the sun’s very high, Do you go before with the bottle and bag, And I’ll follow after on little Jack Nag.

Round about, round about, Gooseberry Pie, My father loves good ale, And so do I.

24

We’ll go to the wood, says Richard to Robin,

We’ll go to the wood, says Robin to Bobin,

We’ll go to the wood, says John all alone,

We’ll go to the wood, says every one.

What to do there? says Richard to Robin,

What to do there? says Robin to Bobin,

What to do there? says John all alone,

What to do there? says every one.

We’ll shoot at a wren, says Richard to Robin,

We’ll shoot at a wren, says Robin to Bobin,

We’ll shoot at a wren, says John all alone,

We’ll shoot at a wren, says every one.

Then pounce, then pounce, says Richard to Robin,

Then pounce, then pounce, says Robin to Bobin,

25

Then pounce, then pounce, says John all alone,

Then pounce, then pounce, says every one.

She’s dead, she’s dead, says Richard to Robin,

She’s dead, she’s dead, says Robin to Bobin,

She’s dead, she’s dead, says John all alone,

She’s dead, she’s dead, says every one.

How get her home? says Richard to Robin,

How get her home? says Robin to Bobin,

How get her home? says John all alone,

How get her home? says every one.

In a cart and six horses, says Richard to Robin,

In a cart and six horses, says Robin to Bobin,

In a cart and six horses, says John all alone,

In a cart and six horses, says every one.

How shall we dress her? says Richard to Robin,

How shall we dress her? says Robin to Bobin,

How shall we dress her? says John all alone,

How shall we dress her? says every one.

We’ll hire seven cooks, says Richard to Robin,

We’ll hire seven cooks, says Robin to Bobin,

We’ll hire seven cooks, says John all alone,

We’ll hire seven cooks, says every one.

26

There was an old woman lived under the hill, And if she’s not gone she lives there still. Baked apples she sold, and cranberry pies, And she’s the old woman that never told lies.

Shoe the colt, Shoe the colt, Shoe the wild mare; Here a nail, There a nail, Colt must go bare.

27

There were two birds sat upon a stone, Fal de ral — al de ral — laddy. One flew away, and then there was one, Fal de ral — al de ral — laddy. The other flew after, and then there was none, Fal de ral — al de ral — laddy. So the poor stone was left all alone, Fal de ral — al de ral — laddy. One of these little birds back again flew, Fal de ral — al de ral — laddy. The other came after, and then there were two, Fal de ral — al de ral — laddy. Says one to the other, Pray how do you do, Fal de ral — al de ral — laddy. Very well, thank you, and pray how are you, Fal de ral — al de ral — laddy.

28

I’ll tell you a story About Mary Morey, And now my story’s begun. I’ll tell you another About her brother, And now my story’s done.

Nose, Nose, jolly red Nose, And what gave you that jolly red Nose? Nutmegs and cinnamon, spices and cloves, And they gave me this jolly red Nose.

Sweep, sweep, Chimney sweep, From the bottom to the top, Sweep all up, Chimney sweep, From the bottom to the top. Climb by rope, Or climb by ladder, Without either I’ll climb farther.

29

One misty, moisty morning, When cloudy was the weather, I chanced to meet an old man clothed all in leather. He began to compliment, and I began to grin, How do you do, and how do you do? And how do you do again?

In April’s sweet month, When the leaves ’gin to spring, Little lambs skip like fairies And birds build and sing.

30

There was an old woman tost up in a blanket, Seventy times as high as the moon, What she did there, I cannot tell you, But in her hand she carried a broom. Old woman, old woman, old woman, said I, O whither, O whither, O whither so high? To sweep the cobwebs from the sky, And I shall be back again by and by.

Shoe the horse, and shoe the mare, But let the little colt go bare.

31

The north wind doth blow, And we shall have snow, And what will poor robin do then? Poor thing! He’ll sit in the barn And keep himself warm, And hide his head under his wing. Poor thing!

Cold and raw the north winds blow

Bleak in the morning early,

All the hills are covered with snow,

And winter’s now come fairly.

32

Hey, my kitten, my kitten, And hey my kitten my deary, Such a sweet pet as this Was neither far nor neary. Here we go up, up, up, And here we go down, down, downy, 33 Here we go backward and forward, And here we go round, round, roundy. Where was a jewel and pretty, Where was a sugar and spicey? Hush a bye babe in the cradle, And we’ll go abroad in a tricey. Did his papa torment it? And vex his own baby will he? Give me a hand and I’ll beat him, With your red coral and whistle. Here we go up, up, up, And here we go down, down, downy, And here we go backward and forward, And here we go round, round, roundy.

The two grey Kits, And the grey Kits’ mother, All went over The bridge together. The bridge broke down. They all fell in, May the rats go with you, Says Tom Bolin.

34

Hark! hark! the dogs do bark, The beggars have come to town; Some in rags, and some in tags, And some in velvet gowns.

Diddle diddle dumpling, my son John Went to bed with his breeches on, One stocking off, and one stocking on, Diddle diddle dumpling, my son John.

35

As I was going to Derby upon a market day,

I met the finest ram, sir, that ever fed on hay,

On hay, on hay, on hay,

I met the finest ram, sir, that ever fed on hay.

This ram was fat behind, sir; this ram was fat before;

This ram was ten yards round, sir; indeed he was no more.

No more, no more, no more;

This ram was ten yards round, sir; indeed he was no more.

The horns grew on his head, sir, they were so wondrous high,

As I’ve been plainly told, sir, they reached up to the sky.

The sky, the sky, the sky,

As I’ve been plainly told, sir, they reached up to the sky.

The tail grew on his back, sir, was six yards and an ell,

And it was sent to Derby to toll the market bell,

The bell, the bell. the bell,

And it was sent to Derby to toll the market bell.

Hogs in the garden, catch ’em, Towser; Cows in the corn-field, run boys, run, Cats in the cream-pot, run girls, run girls; Fire on the mountains, run boys, run.

36

The Cuckoo is a bonny bird, She sings as she flies, She brings us good tidings, And tells us no lies. She sucks little bird’s eggs To make her voice clear, And never cries Cuckoo! Till Spring of the year.

Lavender blue, and Rosemary green,

When I am king, you shall be queen,

Call up my maids at four of the clock,

Some to the wheel, and some to the rock,

Some to make hay, and some to shell corn,

And you and I shall keep the bed warm.

The lion and the Unicorn Were fighting for the crown — The lion beat the unicorn All about the town. Some gave them white bread, And some gave them brown, Some gave them plum-cake, And sent them out of town.

37

Little Johnny Pringle had a little Pig. It was very little, so was not very big. As it was playing beneath the shed, In half a minute poor Piggy was dead. So Johnny Pringle he sat down and cried, And Betty Pringle she laid down and died. There is the history of one, two and three, Johnny Pringle, Betty Pringle, and Piggy Wiggie.

38

	You owe me five shillings, Say the bells of St. Helen’s. When will you pay me? Say the bells of Old Bailey. When I grow rich, Say the bells of Shoreditch. When will that be? Say the bells of Stepney. I do not know, Says the great Bell of Bow.
Two sticks in an apple, Ring the bells of Whitechapel. Halfpence and farthings, Say the bells of St. Martin’s. Kettles and pans, Say the bells of St. Ann’s. Brickbats and tiles, Say the bells of St. Giles. Old shoes and slippers, Say the bells of St. Peter’s. Pokers and tongs, Say the bells of St. John’s.

39

Once in my life I married a wife, And where do you think I found her? On Gretna Green, in velvet sheen, And I took up a stick to pound her. She jumped over a barberry-bush, And I jumped over a timber, I showed her a gay gold ring, And she showed me her finger.

40

Ride a cock horse to Charing-Cross, To see a young woman Jump on a white horse, With rings on her fingers And bells on her toes, And she shall have music Wherever she goes.

Johnny shall have a new bonnet, And Johnny shall go to the fair, And Johnny shall have a new ribbon To tie up his bonny brown hair. And why may not I love Johnny, And why may not Johnny love me? And why may not I love Johnny As well as another body? And here’s a leg for a stocking, And here’s a foot for a shoe, And he has a kiss for daddy, And two for his mammy also. And why may not I love Johnny? And why, &c. &c.

41

Who comes here?   A Grenadier. What do you want?   A pot of beer. Where’s your money?   I forgot. Got you gone, you drunken sot.

Smiling girls, rosy boys, Come and buy my little toys, Monkeys made of gingerbread And sugar horses painted red.

42

There was an old woman, she liv’d in a shoe, She had so many children she didn’t know what to do. She gave them some broth without any bread, She whipt them all soundly and put them to bed.

Heigh ding a ding, what shall I sing?

How many holes in a skimmer?

Four and twenty. I’m half starving!

Mother, pray give me some dinner.

43

Hey rub-a-dub, ho rub-a-dub, three maids in a tub, And who do you think was there? The butcher, the baker, the candlestick-maker, And all of them gone to the fair.

To be sung in a high wind. Arthur O’Bower has broken his band, And he comes roaring up the land, King of Scots with all his power Never can turn Sir Arthur O’Bower.

44

Hush-a-bye, baby, upon the tree top, When the wind blows the cradle will rock; When the bough breaks the cradle will fall, Down tumble cradle and baby and all.

Daffy-down-dilly is new come to town,

With a petticoat green, and a bright yellow gown,

And her white blossoms are peeping around.

45

There was an old woman, and what do you think? She liv’d upon nothing — but victuals and drink: Victuals and drink were the chief of her diet, And yet this old lady scarce ever was quiet.

The rose is red, the violet blue,

The gillyflower sweet — and so are you.

These are the words you bade me say

For a pair of new gloves on Easter-day.

46

Great A, little a, bouncing B, The Cat’s in the Cupboard, and she can’t see.

The little black dog ran round the house, And set the bull a roaring, And drove the monkey in the boat, Who set the oars a rowing, And scared the cock upon the rock, Who cracked his throat with crowing.

47

Oh, what a sweet little white Mouse! Oh, what a dear little bright Mouse! With his eyes of pink, Going winky-wink, Oh, what a sweet little white Mouse. My little Pink, I suppose you think, I cannot do without you, I’ll let you know Before I go, How little I care about you.

Tell tale tit, your tongue shall be slit,

And all the dogs in our town shall have a bit.

Saturday night shall be my whole care

To powder my locks and curl my hair;

On Sunday morning my love will come in

And marry me then with a pretty gold ring.

48

Dear Sensibility, O la! I heard a little lamb cry, baa! Says I, “So you have lost mamma?” “Ah!” The little lamb, as I said so, Frisking about the fields did go, And, frisking, trod upon my toe. “Oh!”

Pease porridge hot, pease porridge cold,

Pease porridge in the pot nine days old.

Can you spell that with four letters?

Yes, I can — T H A T.

49

There was a man in our town, And he was wond’rous wise, He jump’d into a bramble-bush, And scratch’d out both his eyes; And when he saw his eyes were out, With all his might and main He jump’d into another bush, And scratch’d them in again.

50

As I was going to sell my eggs, I met a thief with bandy legs, Bandy legs and crooked toes, I tript up his heels and he fell on his nose.

Old mistress McShuttle Lived in a coal-scuttle, Along with her dog and her cat; What they ate I can’t tell, But ’tis known very well, That none of the party were fat.

51

Hen.	Cock, cock, cock, cock, I’ve laid an egg, Am I to gang ba-are-foot?
Cock.	Hen, hen, hen, hen, I’ve been up and down, To every shop in town, And cannot find a shoe To fit your foot, If I’d crow my hea-art out.

[To be said very quickly, except the last two words in each verse, which are to be “screamed” out.]

52

Pussy sits behind the log, How can she be fair? Then comes in the little dog, Pussy, are you there? So, so, dear mistress Pussy, Pray tell me how you do? I thank you, little dog, I’m very well just now.

How many days has my baby to play? Saturday, Sunday, Monday, Tuesday, Wednesday, Thursday, Friday, Saturday, Sunday, Monday.

Pat a cake, pat a cake, Baker’s man! So I do, master, as fast as I can. Pat it, and prick it, And mark it with T. And then it will serve For Tommy and me.

53

There was a man and he had naught, And robbers came to rob him; He crept up to the chimney top, And then they thought they had him. But he got down on t’other side, And then they could not find him: He ran fourteen miles in fifteen days, And never look’d behind him.

54

Ding——dong——bell, the cat’s in the well, Who put her in? little Johnny Green. Who pulled her out? great Johnny Stout. What a naughty boy was that, To drown poor pussy cat; Who never did him any harm, And killed the mice in his father’s barn.

Lazy Tom with jacket blue,

Stole his father’s gouty shoe.

The worst of harm that dad can wish him,

Is his gouty shoe may fit him.

55

Bonny lass! bonny lass! Will you be mine? You shall neither wash dishes Nor serve the wine, But sit on a cushion and sew up a seam, And you shall have strawberries, sugar and cream.

I won’t be my father’s Jack, I won’t be my father’s Jill, I will be the fiddler’s wife, And have music when I will. T’other little tune, t’other little tune, Prythee, love, play me t’other little tune.

56

LONDON BRIDGE.
	London bridge is broken down, Dance over my Lady Lee, London bridge is broken down, With a gay ladye. How shall we build it up again? Dance over my Lady Lee, How shall we build it up again? With a gay ladye.

We’ll build it up with gravel and stone, Dance over my Lady Lee, We’ll build it up with gravel and stone, With a gay ladye. Gravel and stone will be washed away, Dance over my Lady Lee, Gravel and stone will be washed away, With a gay ladye. We’ll build it up with iron and steel, Dance over my Lady Lee, We’ll build it up with iron and steel, With a gay ladye. 57 Iron and steel will bend and break, Dance over my Lady Lee, Iron and steel will bend and break, With a gay ladye. We’ll build it up with silver and gold, Dance over my Lady Lee, We’ll build it up with silver and gold, With a gay ladye. Silver and gold will be stolen away, Dance over my Lady Lee, Silver and gold will be stolen away, With a gay ladye. We’ll set a man to watch it then, Dance over my Lady Lee, We’ll set a man to watch it then, With a gay ladye. Suppose the man should fall asleep, Dance over my Lady Lee, Suppose the man should fall asleep, With a gay ladye. We’ll put a pipe into his mouth, Dance over my Lady Lee, We’ll put a pipe into his mouth, With a gay ladye.

58

Tom, Tom, the piper’s son, Stole a pig, and away he run; The pig was eat, And Tom was beat, And Tom ran crying down the street.

Little king Boggen he built a fine hall,

Pie-crust and pastry-crust, that was the wall;

The windows were made of black-puddings and white,

And slated with pancakes — you ne’er saw the like.

59

To bed, to bed, says Sleepy-Head; Let’s stay awhile, says Slow; Put on the pot, says Greedy-Sot, We’ll sup before we go.

Dingty diddledy, my mammy’s maid,

She stole oranges, I am afraid:

Some in her pocket, some in her sleeve,

She stole oranges, I do believe.

60

Ride away, ride away, Johnny shall ride, And he shall have pussy-cat Tied to one side; And he shall have little dog Tied to the other, And Johnny shall ride To see his grandmother.

Hush-a-bye, baby, lie still with thy daddy,

Thy mammy is gone to the mill,

To get some meal to bake a cake;

So pray, my dear baby, lie still.

Little lad, little lad, Where were you born? Far off in Lancashire, under a thorn, Where they sup butter-milk With a ram’s horn; And a pumpkin scoop’d, With a yellow rim, Is the bonny bowl they breakfast in.

61

Pretty John Watts, We are troubled with rats, Will you drive them out of the house? We have mice too in plenty, That feast in the pantry, But let them stay and nibble away, What harm in a little brown mouse?

Shake a leg, wag a leg, when will you gang?

At midsummer, mother, when the days are lang.

62

See saw, sacradown, sacradown, Which is the way to Boston town? One foot up, the other foot down. That is the way to Boston town.

Tom Brown’s two little Indian boys, One ran away, The other wouldn’t stay, Tom Brown’s two little Indian boys.

Hop away, skip away, my baby wants to play.

My baby wants to play every day.

63

Bow, wow, wow, whose dog are thou? Little Tom Tinker’s dog, bow, wow, wow.

Bobby Shaftoe’s gone to sea,

Silver buckles on his knee;

He’ll come back and marry me,

Pretty Bobby Shaftoe.

Bobby Shaftoe’s fat and fair,

Combing down his yellow hair,

He’s my love forevermore,

Pretty Bobby Shaftoe.

64

Pussy cat, pussy cat, where have you been? I’ve been to London to see the Queen. Pussy cat, pussy cat, what did you there? I frightened a little mouse under the chair.

Taffy was a Welchman, Taffy was a thief,

Taffy came to my house and stole a piece of beef;

I went to Taffy’s house, Taffy wan’t at home,

Taffy came to my house and stole a marrow-bone;

I went to Taffy’s house, Taffy was in bed,

I took the marrow-bone, and beat about his head.

65

Boys and girls, come out to play, The moon does shine as bright as day, Leave your supper, and leave your sleep, And meet your playfellows in the street; Come with a whoop, and come with a call, And come with a good will, or not at all. Up the ladder and down the wall, A halfpenny roll will serve us all. You find milk and I’ll find flour, And we’ll have pudding in half an hour.

66

Ride a cock horse to Banbury-cross To see what Tommy can buy; A penny white loaf, a penny white cake, And a two penny apple pie.

Ride a cock horse to Shrewsbury-cross, To buy little Johnny a galloping horse It trots behind and it ambles before, And Johnny shall ride till he can ride no more.

67

Jemmy Jed went into a shed, And made of a ted of straw his bed; An owl came out and flew about, And Jemmy Jed up stakes and fled. Wan’t Jemmy Jed a staring fool, Born in the woods to be scar’d by an owl?

How many miles to Babylon?

Threescore miles and ten.

Can I get there by candle-light?

Yes, and back again.

68

Oh I am so happy, A little girl said, As she sprang like a lark From her low trundle bed. It is morning, bright morning, Good morning, Papa! Oh give me one kiss, For good morning, mamma!

Trip upon trenchers, And dance upon dishes, My mother sent me for yeast, some yeast, She bid me tread lightly, And come again quickly, For fear the young men would play me some jest. Yet didn’t you see, yet didn’t you see, What naughty tricks they put upon me? They broke my pitcher, and spilt my water, And huff’d my mother, and chid her daughter, And kissed my sister instead of me.

69

What’s the news of the day, Good neighbour, I pray? They say the balloon Has gone up to the moon.

There was an old man in a velvet coat,

He kiss’d a maid and gave her a groat;

The groat was crack’d and would not go.

Ah, old man, do you serve me so?

70

Three wise men of Gotham Went to sea in a bowl, And if the bowl had been stronger My song had been longer.

Wash me and comb me And lay me down softly, And set me on a bank to dry, That I may look pretty, When some one comes by.

71

Up in the green orchard there is a green tree, The finest of pippins that ever you see; The apples are ripe, and ready to fall, And Reuben and Robin shall gather them all.

Harry cum Parry, when will you marry?

When apples and pears are ripe,

I’ll come to your wedding without any bidding,

And stay with the bride all night.

72

Jog on, jog on, the footpath way, And merrily jump the style, boys, A merry heart goes all the day, Your sad one tires in a mile, boys.

I will sing you a song Of the days that are long, Of the woodcock and the sparrow, Of the little dog that burnt his tail, And he shall be whipt to-morrow.

73

I had a little Doll, The prettiest ever seen, She washed me the dishes, And kept the house clean. She went to the mill To fetch me some flour, And always got it home In less than an hour; She baked me my bread, She brewed me my ale, She sat by the fire And told many a fine tale.

When I was a little he, My mother took me on her knee, Smiles and kisses gave with joy, And call’d me oft her darling boy.

74

Is master Smith within? — Yes, that he is. Can he set a shoe?   Ay, marry, two. Here a nail, and there a nail, Tick — tack — too.

Charley loves good cake and ale,

Charley loves good candy,

Charley loves to kiss the girls,

When they are clean and handy.

75

John O’Gudgeon he was a wild man, He whipt his children now and then, When he whipt them, he made them dance, Out of Ireland into France.

Peter, Peter, pumpkin eater, Had a wife and couldn’t keep her; He put her in a pumpkin shell, And then he kept her very well. Peter, Peter, pumpkin eater, Had another and didn’t love her; Peter learnt to read and spell, And then he loved her very well.

76

Jack and Jill went up the hill, To draw a pail of water; Jack fell down and broke his crown And Jill came tumbling after. There was an old man, And he had a calf, And that’s half; He took him out of the stall, And put him on the wall, And that’s all.

There was a little man, And he had a little gun, And his bullets were made of lead, He shot John Sprig Through the middle of his wig, And knocked it right off his head.

77

Goosey, goosey, gander, where dost thou wander? Up stairs and down stairs, and in my lady’s chamber; There I met an old man that would not say his prayers, I took him by his hind legs and threw him down stairs.

The girl in the lane, That couldn’t speak plain, Cried, Gobble, gobble, gobble; The man on the hill, That couldn’t stand still, Went hobble, hobble, hobble.

78

Robert Barns, fellow fine, Can you shoe this horse of mine, So that I may cut a shine? Yes, good sir, and that I can, As well as any other man; There a nail, and here a prod, And now, good sir, your horse is shod.

Hey ding a ding, ding, I heard a bird sing,

The parliament soldiers are gone to the king.

79

	Pibroch of Donnel Dhu, Pibroch of Donnel, Wake thy voice anew, Summon Clan-Connel. Come away, come away, Hark to the summons! Come in your war array, Gentles and commons!
Come as the winds come, When forests are rended, Come as the waves come, When navies are stranded. Faster come, faster come, faster and faster, Chief, vassal, page and groom, Tenant and master. Fast they come, fast they come, See how they gather! Wide waves the eagle plume blended with heather. Cast your plaids, draw your blades, Forward each man set! Pibroch of Donnel Dhu, now for the onset!

80

Jack Sprat could eat no fat; His wife could eat no lean; So ’twixt them both they cleared the cloth, And lick’d the platter clean.

There was a little boy went into a barn,

And lay down on some hay;

A calf came out and smelt about,

And the little boy ran away.

81

The sow came in with the saddle, The little pig rock’d the cradle, The dish jump’d up on the table To see the pot swallow the ladle. The spit that stood behind the door Threw the pudding-stick on the floor. Odsplut! said the gridiron, Can’t you agree? I’m the head constable, Bring them to me.

82

Little Tommy Tucker, Sing for your supper: What shall I sing? White bread and butter. How shall I cut it Without any knife? How shall I marry Without any wife?

I would, if I could; if I couldn’t, how could I?

I couldn’t without I could, could I?

Could you without you could, could ye? could ye? could ye?

You couldn’t without you could, could ye?

Oh that I were where I would be! Then should I be where I am not; But where I am, there I must be, And where I would be I can not.

83

Hiccory, diccory, dock, The mouse run up the clock; The clock struck one, and down he run, Hiccory, diccory, dock.

84

Jacky, come give me your fiddle, If ever you mean to thrive. Nay, I’ll not give my fiddle To any man alive. If I should give my fiddle, They’ll think that I’m gone mad, For many a joyful day My fiddle and I have had.

85

There was a Piper had a Cow, And he had naught to give her, He pull’d out his pipes and play’d her a tune, And bade the cow consider. The cow considered very well, And gave the piper a penny, And bade him play the other tune, “Corn rigs are bonny.”

86

Away, pretty robin, fly home to your nest, To make you my captive I still should like best, And feed you with worms and with bread: Your eyes are so sparkling, your feathers so soft, Your little wings flutter so pretty aloft, And your breast is all cover’d with red.

Handy-spandy, Jacky dandy,

Loves plum-cake and sugar candy.

He bought some at a grocer’s shop,

And pleased away went hop, hop, hop.

87

When good King Arthur ruled his land He was a goodly king; He stole three pecks of barley meal To make a bag-pudding. A bag-pudding the king did make, And stuff’d it well with plums; And in it put great lumps of fat, As big as my two thumbs. The king and queen did eat thereof, And noblemen beside; And what they could not eat that night, The queen next morning fried.

88

Rock-a-bye, baby, your cradle is green, Father’s a nobleman, mother’s a queen, And Betty’s a lady, and wears a gold ring, And Johnny’s a drummer, and drums for the king.

See saw, Jack-a-daw,

Johnny shall have a new master;

Johnny shall have but a penny a day,

Because he can work no faster.

About the bush, Willie, about the bee-hive,

About the bush, Willie, I’ll meet thee alive.

89

We’re three brethren out of Spain, Come to court your daughter Jane. My daughter Jane she is too young, She has no skill in a flattering tongue. Be she young or be she old, It’s for her gold she must be sold, So fare you well, my lady gay, We shall return another day.

Mistress Mary, quite contrary,

How does your garden grow?

With silver bells and cockle shells,

And maidens all in a row.

90

When I was a little boy, my mother kept me in, Now I am a great boy, and fit to serve the king; I can handle a musket, I can smoke a pipe, I can kiss a pretty girl at ten o’clock at night.

91

	Mary had a pretty bird, Feathers bright and yellow, Slender legs, upon my word He was a pretty fellow.
The sweetest notes he always sung, Which much delighted Mary, And often where the cage was hung, She stood to hear Canary.

This is the way the ladies ride,

Prim, prim, prim;

This is the way the gentlemen ride,

Trim, trim, trim.

Presently come the country-folks,

Hobbledy gee, hobbledy gee.

92

One, Two, Three, Four, Five, I caught a hare alive.

Six, Seven, Eight, Nine, Ten, I let it go again.

Cock a doodle doo, My dame has lost her shoe; My master’s lost his fiddlestick, And knows not what to do.

Tom, Tom, of Islington, Married a wife on Sunday, Bro’t her home on Monday, Hired a house on Tuesday, Fed her well on Wednesday, Sick was she on Thursday, Dead was she on Friday, Sad was Tom on Saturday, To bury his wife on Sunday.

93

I had a little husband no bigger than my thumb, I put him in a pint pot, and there I bid him drum; I bought a little handkerchief to wipe his little nose, And a pair of little garters to tie his little hose.

As I was going to St. Ives,

I met seven wives,

Every wife had seven sacks,

Every sack had seven cats,

Every cat had seven kits.

Kits, cats, sacks and wives,

How many were going to St. Ives?

94

Miss Jane had a bag, and a mouse was in it, She opened the bag, he was out in a minute; The Cat saw him jump, and run under the table, And the dog said, catch him, puss, soon as you’re able.

Cross Patch, draw the latch, Sit by the fire and spin; Take a cup, and drink it up, Then call your neighbours in.

95

See-saw, Margery Daw, Sold her bed, and lay upon straw. Was not she a dirty slut, To sell her bed and lay in the dirt?

What care I how black I be?

Twenty pounds will marry me

If twenty won’t, forty shall,

I’m my mother’s bouncing girl.

96

Here’s A, B, C, D, E, F, and G, H, I, J, K, L, M, N, O, P, Q, R, S, T, U, W, V, X, Y, and Z, And oh, dear me, When shall I learn My A, B, C.

Milk-man, milk-man, where have you been?

In Buttermilk channel up to my chin,

I spilt my milk, and I spoilt my clothes,

And got a long icicle hung to my nose.

I like little pussy, her coat is so warm,

And if I don’t hurt her she’ll do me do harm;

So I’ll not pull her tail, nor drive her away,

But pussy and I very gently will play.

97

There was an old woman Sold puddings and pies, She went to the mill, And the dust flew in her eyes. While through the streets, To all she meets, She ever cries, Hot Pies — Hot Pies.

A cow and a calf, An ox and a half, Forty good shillings and three. Is not that enough tocher For a shoemaker’s daughter, A bonny sweet lass With a coal-black ee?

98

The little Robin grieves When the snow is on the ground, For the trees have no leaves, And no berries can be found. The air is cold, the worms are hid, For Robin here what can be done? Let’s strow around some crums of bread, And then he’ll live till snow is gone.

99

	Little Jack Nory Told me a story How he tried Cock-horse to ride, Sword and scabbard by his side, Saddle, leaden spurs and switches, His pocket tight With cents all bright,
Marbles, tops, puzzles, props, Now he’s put in jacket and breeches.

There were two blackbirds sitting on a hill, One name Jack, and the other name Jill; Fly away, Jack — fly away, Jill, Come again, Jack — come again, Jill.

100

	Willie boy, Willie boy, Where are you going? O let us go with you, This sunshiny day.
I’m going to the meadow, To see them a mowing, I’m going to help the girls Turn the new hay.

Wee Willie Winkie runs through the town,

Upstairs and downstairs in his night gown;

Tapping at the window, crying at the lock,

“Are the babes in their beds, for it’s now ten o’clock?”

Title Page

End of the Project Gutenberg EBook of The Only True Mother Goose Melodies, by 
Munroe and Francis

*** END OF THIS PROJECT GUTENBERG EBOOK THE ONLY TRUE MOTHER GOOSE ***

***** This file should be named 28687-h.htm or 28687-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/2/8/6/8/28687/

Produced by Louise Hope, David Edwards and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
book was produced from scanned images of public domain
material from the Google Print project.)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit: http://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     http://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.