The Project Gutenberg eBook, The Songs of Ranild, by Anonymous, Edited by Thomas Wise, Translated by George Borrow This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Songs of Ranild Author: Anonymous Editor: Thomas Wise Release Date: May 15, 2009 [eBook #28830] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE SONGS OF RANILD***
Transcribed from the 1913 Thomas J. Wise pamphlet by David Price, email ccx074@pglaf.org
by
GEORGE BORROW
London:
printed for private circulation
1913
Up Riber’s street the dance they ply,
The Castle’s won, the Castle’s
won!
There dance the knights most merrily,
For young King Erik Erikson.
On Riber’s bridge the dance it goes,
The Castle’s won, the Castle’s
won!
There dance the knights in scollop’d shoes,
For young King Erik Erikson.
’Twas Riber Wolf the dance who led,
The Castle’s won, the Castle’s
won!
In faith to his King he had been bred,
For young King Erik Erikson.
p.
6And next him danced the Tage Mouse,
The Castle’s won, the Castle’s
won!
Who Seneschal was in Ribe house,
For young King Erik Erikson.
And then danced bold Sir Saltensee,
The Castle’s won, the Castle’s
won!
Followed by wealthy kinsmen three,
For young King Erik Erikson.
The noble Limbekk dances next,
The Castle’s won, the Castle’s
won!
Whose power the King had often vext,
For young King Erik Erikson.
After him danced the Byrge Green,
The Castle’s won, the Castle’s
won!
Then many a knight of handsome mien,
For young King Erik Erikson.
And then came dancing Hanke Kann,
The Castle’s won, the Castle’s
won!
His Lady followed, good Dame Ann,
For young King Erik Erikson.
p.
7The next that came was the Ridder Rank,
The Castle’s won, the Castle’s
won!
His Lady behind him, Berngard Blank,
For young King Erik Erikson.
And then the high Volravn came,
The Castle’s won, the Castle’s
won!
His wife behind, who has no name,
For young King Erik Erikson.
And then came dancing Sir Iver Helt,
The Castle’s won, the Castle’s
won!
Who followed his sovereign over the Belt,
For young King Erik Erikson.
Long stood the Ranild Lang apart,
The Castle’s won, the Castle’s
won!
Ere he to join the dance had heart,
For young King Erik Erikson.
“And were it not for my lovely hair,
The Castle’s won, the Castle’s
won!
In that brave dance I’d have a share,
For young King Erik Erikson.
p.
8“But for my cheeks so rosy red,
The Castle’s won, the Castle’s
won!
The foremost in that dance I’d tread,”
For young King Erik Erikson.
Then Ranild Lang to dance began,
The Castle’s won, the Castle’s
won!
And a ditty sang as he led the van,
For young King Erik Erikson.
Sweet he warbled, light he sprang,
The Castle’s won, the Castle’s
won!
After him every warrior sang,
For young King Erik Erikson.
Then up the Spendel Sko arose,
The Castle’s won, the Castle’s
won!
And on Ranild Lang her troth bestows,
For young King Erik Erikson.
With silk was snooded her hair of gold,
The Castle’s won, the Castle’s
won!
She danced before them free and bold,
For young King Erik Erikson.
p.
9And into the Castle they dance their way,
The Castle’s won, the Castle’s
won!
With drawn swords ’neath their scarlet array.
For young King Erik Erikson.
Never, I ween, was a braver dance,
The Castle’s won, the Castle’s
won!
It wins the Castle of Rosenkrands,
For young King Erik Erikson.
To saddle his courser Ranild cried:
For thus the tale was told to me—
“To visit the rich Greve I will ride,
Though banish’d from the land we
be.”
To the house came Ranild spurring hard,
For thus the tale was told to me—
There stood the Greve arrayed in mard,
Though banish’d from the land we be.
“Hail, hail, Sir Greve, arrayed so fine!
For thus the tale was told to me—
I want my bride, the little Kirstine,
Though banish’d from the land I be.”
p.
11Then up and spoke her mother dear:
For thus the tale was told to me—
“Thou hast no bride, Sir Ranild, here,
For banish’d from the land ye be.”
“O if I can’t my little bride get,
For thus the tale was told to me—
On fire your house and your gear I’ll set,
Though banish’d from the land I be.”
“O rather than ruin us in thy wrath,
For thus the tale was told to me—
Receive thy bride and ride thy path,
Though banish’d from the land ye
be.”
They o’er her threw the blue cloak with speed,
For thus the tale was told to me—
And placed her upon Sir Ranild’s steed,
Though banish’d from the land he be.
They had for their bridal bed alone,
For thus the tale was told to ne—
The holt, the field, and the mead new mown,
For banish’d from the land they be.
p.
12“The forest can hear, and the mead can view,
For thus the tale was told to me—
We here must live as outlaws do,
For banish’d from the land we be.”
“Hadst thou not helped the King to slay,
For thus the tale was told to me—
In peace at home we now might stay,
But banish’d from the land we be.”
He struck her a blow the table o’er,
For thus the tale was told to me—
“Should’st guard thy tongue, child, guests before,
Though banish’d from the land we
be.”
He struck her on her face so fair:
For thus the tale was told to me—
“In Erik’s death I had no share,
Though banished from the land I be.”
So wide around the tidings bound
That Ranild’s prisoner taken;
Had he been aware how it would fare
He had not Hielm forsaken.
The death of woe, spaed long ago,
They’ll wreak on him now, I reckon.
Into the hall steps Ranild tall,
And withouten trepidation;
Bids his Lord good bye, and the chivalry
Who have at court their station.
O, Lord Christ! be each man kept free
From misfortune and tribulation.
p.
14“In mind dost bear, King Erik dear,
On whom may blessings pour,
That service I wrought in your father’s court,
Of all his swains the flower?
Both in and out I’ve borne you about
In sunshine and in shower.”
“Yes, service you wrought in my father’s court,
For money and clothes imparted,
And betrayed his life to the foeman’s knife,
Like a monster treacherous hearted.
And as sure as now the crown’s on my brow,
To the wheel thou shalt be carted.”
“Hew off, I intreat, my hands and feet,
Most willingly them I proffer;
My eyes blood red tear out of my head,
And the worst death let me suffer;
But all the pains that Ranild gains
For his treason scarce enough are.”
p.
15“Thine eyeballs twain thou may’st retain,
And thy hands and feet unriven;
But thou thy breath shalt yield to a death
The cruellest under heaven;
And be it known, for my father alone
This punishment is given.”
Ranild they brought from Roskild out,
He wrung his hands with sorrow;
And the women all salt tears let fall,
Who lived in that ancient borough.
The wretched wight wished all good night,
And a light heart on the morrow.
Ranild they bore the town before,
The wheel his sight saluted:
“Christ guard each noble from such like trouble,”
In agony he shouted,
“If at Hielm I’d staid it had better sped,
Nor to that had I been devoted.
p.
16“Would God would send a trusty friend,
Who would my message carry,
To Kirstine fair, who sits in care,
To Ranild true to tarry.
O Christ help all my babies small,
And bless my bosom’s dearie!
“Ye Christian folk, whom, with dying look,
On the mead I am discerning,
A pater pray for my soul, to stay
Of God the anger burning;
That me He receive this very eve
To the joys for which I’m yearning.”
Child Stig and Child Findal two brothers were they,
There ne’er were two brothers more gallant and gay.
Child Stig serves the Dane King in bower and hall,
High dames brushed his hair, and fair maidens withal.
Child Stig by the board of the Monarch he stood,
To him little Kirstin was cruel of mood.
“Full seven years I have been Lord of the Rune,
Of its power I’ll make trial this same
afternoon.”
p.
18With his right hand he skinked the wine and the mead
And cast with his left the Rune characters dread.
To cast them on Kirstin the gallant Stig meant,
But under the dress of Rigissa they went.
O pallid as ashes the gallant Stig grew,
And red as the blood was Rigissa to view.
The gallant Child Stig placed his cap on his head,
And unto his foster dame’s chamber he sped.
“Dear Foster dame, give me some counsel, I pray,
How I may escape from this palace away.
“To cast the Rune letters at Kirstin I meant,
But under the dress of Rigissa they went.
“I will mount my good courser so true and so tried,
And away to the ends of the earth I will ride.”
p.
19Said she: “Shouldst thou travel all Finland
around,
This night at thy couch will Rigissa be found.
“And e’en shouldst thou ride to the earth’s
farthest land,
This night by thy couch she will certainly stand.
“But, Child Stig, I advise thee, call up a good
heart,
And home to thy bed and thy slumbers depart.
“She’ll tap on the door of thy chamber, I ween,
But still do thou keep, let her in by no mean.
“But ten fingers has she, so tiny and small,
And with them from the door she will pick the nails all.
“She will set herself down on the side of thy bed,
And play with the long yellow locks of thy head.
“So fondly she’ll stroke thy fair cheek in the
dark,
But do thou remain as thou wert stiff and stark.
p.
20“She’ll kiss thee full oft on thy lips rosy
red,
But do thou lie still as were life from thee fled.”
Child Stig he gave ear to his foster dame’s rede,
And away to his bed he betook him with speed.
’Twas late in the even, and down fell the dew,
Rigissa flung o’er her her mantle of blue.
The lovely maid she her blue mantle put on,
And unto the chamber of Stig she is gone.
On the door of the chamber begins she to knock:
“Arise, O Child Stig, and thy chamber unlock.”
“At the Ting to appear, I have summoned no wight,
And none I’ll admit to my chamber at night.”
She’s fingers, ten fingers, so tiny and small,
And out of the door she has picked the nails all.
Fifteen iron nails, and a big stud of brass,
Then into the chamber Rigissa could pass.
p.
21She sat herself down by the side of the bed,
And played with the locks of the young gallant’s head.
She kissed him full oft on his mouth rosy red,
But still he remained as were life from him fled.
In her arms the young Stig she so fondly did press,
But quiet he lay nor returned her caress.
Child Stig he awoke, and cast up his eyes:
“Who wakes me from sleep in this manner?” he
cries.
“If I cannot, Rigissa, my rest for thee take,
To the Dane King, thy brother, complaint I will make.”
“O thou may’st complain if thou feelest
inclin’d,
But thou art the man on whom standeth my mind.”
The very next morning ere high was the sun,
Child Stig to complain to the Dane King is gone.
p.
22“Dear Lord, I have this to complain of to thee,
For thy sister at night I at rest cannot be.”
The King in displeasure his footboy address’d:
“To come to my presence my sister request.”
Rigissa came in, ’fore the table stood she:
“What mean’st thou, O brother, by sending for
me?”
“O here is a knight doth complaint of thee make,
He cannot at night his repose for thee take.”
“It is but God’s truth that his chamber I
sought,
But nothing unseemly betwixt us was wrought.
“Steel, glowing steel, I will bear on my hand,
And of crime with Child Stig I acquitted will stand.”
Long stood the Dane King, full of thought was his head:
“With no better man I my sister can wed.”
p.
23All hearts in the Dane King’s palace were gay,
The Dane King has given his sister away.
There was pleasure and smiling in every look,
For his beloved Lady Child Stig the maid took.
Child Stig he brews ale, and the wine doth prepare,
He the Dane King invites to his castle so fair.
The King and his gallant men all biddeth he,
And the Queen of the Danes of the party should be.
Outspake the fair Queen, on her steed as she rode:
“Methinks I behold of Child Stig the abode.”
And thereto the page at her bridle replied:
“Of Stig the brave castle is known far and wide.
“Within with the richest of gold it is graced,
Without with white silver ’tis all over cased.”
p.
24And, lo, when the gate of the castle they gained,
Five shaggy white bears stood before it enchained.
And when in procession they entered the court,
Within it the hart and the roebuck did sport.
In the midst of the court was a silver trough long,
Of birds and of animals round it a throng.
Above spread the poplar and linden their shade,
In its coolness the hart and the little hind played.
An apartment they entered, full lofty and fair,
Was crowded with women so courtly of air.
All of red amber composed was the floor,
The roof with gilt letters was written all o’er.
The table it was of the red shining gold
The napkin of Agerwool rare to behold.
p.
25The walls were constructed of fair marble stone,
The beams of the roof of the whitest whale bone.
On the floor they are dancing with rapture so high,
Tall, slender, and stately Sir Stig dances by.
Straight and slim as a sapling Child Stig dances up,
In each hand holding a fair silver cup.
Child Stig to the health of his bonny bride quaffed,
And forest and meadow delightedly laughed.
The forest it bloomed, the boughs leaves put forth—
She excels every damsel in beauty and worth.
Late in the evening the mist it descends,
Child Stig his young bride to her chamber attends.
p.
26Now gallant Child Stig has o’ercome his
distress,
He sleeps in the arm of a lovely princess.
And Damsel Rigissa is free from her fright,
By the side of Child Stig she reposes each night.
p. 27London:
Printed for THOMAS J. WISE, Hampstead, N.W.
Edition limited to Thirty Copies.
p. 28Copyright
in the United States of America
by Houghton, Mifflin & Co. for Clement
Shorter.
***END OF THE PROJECT GUTENBERG EBOOK THE SONGS OF RANILD***
***** This file should be named 28830-h.htm or 28830-h.zip****** This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/2/8/8/3/28830 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://www.gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://www.gutenberg.org/about/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://www.gutenberg.org/fundraising/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://www.gutenberg.org/fundraising/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.