This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org
Title: Anthropology
As a Science and as a Branch of University Education in the United States
Author: Daniel Garrison Brinton
Release Date: February 22, 2010 [eBook #31360]
Language: English
Character set encoding: UTF-8
***START OF THE PROJECT GUTENBERG EBOOK ANTHROPOLOGY***
Note: | Images of the original pages are available through Internet Archive/American Libraries. See http://www.archive.org/details/anthropologyassc00brinrich |
Transcriber’s Note
Two typographical errors were identified but not corrected
in this e-book. They are marked,
and what is thought to be the correct text is shown in the popup. A
description of these errors is found in the list at
the end of the text.
Inconsistent spelling, hyphenation, and capitalization have been maintained.
BY
DANIEL G. BRINTON, A.M., M.D., LL.D.,
PROFESSOR OF AMERICAN ARCHÆOLOGY AND LINGUISTICS IN THE UNIVERSITY OF PENNSYLVANIA,
AND OF GENERAL ETHNOLOGY AT THE ACADEMY OF NATURAL SCIENCES, PHILADELPHIA;
CORRESPONDING MEMBER OF THE ANTHROPOLOGICAL SOCIETIES OF WASHINGTON,
NEW YORK, PARIS, BERLIN, ST. PETERSBURG,
VIENNA, MUNICH, FLORENCE, ETC.
PHILADELPHIA:
1892.
This very brief presentation of the claims of Anthropology for a recognized place in institutions of the higher education in the United States will, I hope, receive the thoughtful consideration of the officers and patrons of our Universities and Post-Graduate Departments.
The need of such a presentation was urged upon me not long since by the distinguished president of a New England University. Impressed with the force of his words, I make an earnest appeal to our seats of advanced learning to establish a branch of Anthropology on the broad lines herein suggested. It may be but one chair in their Faculties of Philosophy; but the rightful claims of this science will be recognized only when it is organized as a department by itself, with a competent corps of professors and docents, with well-appointed laboratories and museums, and with fellowships for deserving students.
Who is the enlightened and liberal citizen ready to found such a department, and endow it with the means necessary to carry out both instruction and original research?
I do not plead for any one institution, or locality, or individual; but simply for the creation in the United States of the opportunity of studying this highest of the sciences in a manner befitting its importance.
Man himself is the only final measure of his own activities. To his own force and faculties all other tests are in the end referred. All sciences and arts, all pleasures and pursuits, are assigned their respective rank in his interest by reference to those physical powers and mental processes which are peculiarly the property of his own species.
Hence, the Study of Man, pursued under the guidance of accurate observation and experimental research, embracing all his nature and all the manifestations of his activity, in the past as well as in the present, the whole co-ordinated in accordance with the inductive methods of the natural sciences—this study must in the future unfailingly come to be regarded as the crown and completion of all others—and this is Anthropology.
The value of the applications of this science can scarcely be overestimated.
In government and law, in education and religion, men have hitherto been dealt with according to traditional beliefs or a priori theories of what they may or ought to be. When we learn through scientific [4]research what they really are, we shall then, and then only, have a solid foundation on which to build the social, ethical and political structures of the future. It is the appreciation of this which has given the extraordinary impetus to the study of Sociology—a branch of Anthropology—within the last decade.
Anthropology alone furnishes the key and clue to History. This also is meeting recognition. No longer are the best histories mainly chronicles of kings and wars, but records of the development and the decline of peoples; and what constitutes a “people,” and shapes its destiny, is the very business of Ethnology to explain.
So likewise in hygiene and medicine, in ethics and religion, in language and arts, in painting, architecture, sculpture and music, the full import and often unconscious intention of human activity can only be understood, and directed in the most productive channels, by such a careful historical and physical analysis as Anthropology aims to present.
The world of science has been recognizing more fully, year by year, the paramount importance of the systematic study of Anthropology to the aspirations of modern civilization.
The first Anthropological Society—that of Paris—was founded by Paul Broca, in May, 1859. It has been rapidly followed by the organization of similar societies in London, Berlin, St. Petersburg, Vienna, Brussels, Munich, Madrid, Florence, Washington, New York, and many other centres of enlightened thought. In 1882 the American Association for the Advancement of Science organized its Section of Anthropology; and in 1884 the British Association for the Advancement of Science followed this example. It is a well known fact that these sections are more attractive to the general public, and are better supplied with material than any other sections in the Associations. This augurs well for the zeal with which students would welcome the creation of special departments for instruction in all branches of the science.
The first School of Anthropology was founded also by Broca, at Paris,[5] in the year 1876. It began with a corps of five professors, a number which it has now doubled, the demand for more extended instruction having steadily increased. The courses have been as well attended as any others, either at the Collége de France, or at the Sorbonne. A second school is organized in connection with the Museum of Natural History at the Jardin des Plantes. It has counted among its instructors various illustrious names, and its courses have also been highly popular.
Several of the German universities have organized a department of Anthropology. In those of Munich, Berlin, Marburg, and Buda Pesth the chairs are filled respectively by Ranke, Bastian, Von den Steinen, and Von Török. In the University of Leipzig, Dr. E. Schmidt is docent in Anthropology; and the same position is held in Berlin by Dr. Von Luschan. In a number of other institutions, lectures on the branch are given. The first degree in Anthropology was conferred by the University of Munich three years ago. The University of Brussels has established a full chair of Anthropology, occupied by Professor Houze; and a similar position is filled in the Musée Polytechnique, at Moscow, by Professor Dimitri Anoutchine.
In the United States, regular courses on Physical Anthropology and Ethnology have been given by me for the last six years, at the Academy of Natural Sciences, Philadelphia. But the only educational institutions which have distinctly recognized the branch are Clark University, Worcester, Mass., where Dr. Franz Boas is docent in Anthropology, and which, in March of this year, conferred the first degree in Anthropology given in America; and the University of Chicago, in which Dr. Frederick Starr is Assistant Professor of Anthropology. I cannot learn that any full professorship of the science has been established in this country.
Considerable attention has been paid to the subject by the scientists connected with the National Museum, the Smithsonian Institution, the Army Medical Museum, and especially the Bureau of Ethnology at Washington. The last mentioned, under the efficient administration of Major J. W. Powell, has enriched the literature of Anthropology with[6] a series of publications not exceeded in value by those of any other government.
The Study of Man in accordance with the laws of inductive research is, therefore, the aim and meaning of Anthropology. The subject is a broad one,—in space, as wide as the world; in time, longer than all history; in depth, reaching to the innermost consciousness. A man may be regarded merely as a specimen of a certain species of vertebrates; or, in his multifarious relations as a member of a social organization. We may study him as a living being; or seek to trace his actions and origin in ages long before history begins. Hence, Anthropology is divided into several associated departments devoted to the exploration of its varied realms of research. They may conveniently be divided into four, of nearly equal importance. An acquaintance with all of them is essential to the equipment of a sound anthropologist.
The first is the study of the physical nature of man, his anatomy, physiology and biology, so far as these bear on the distinctions of races, peoples, and nations. Psychology, so far as it is an experimental and inductive science, belongs in this department. This general division has been called by French writers “special Anthropology”, and by the Germans “somatic Anthropology”; but we need for it a single term, and none better could be found than that suggested by the German expression. I call it, therefore, Somatology, a word long since," domesticated in the vocabulary of English and American medical science, and explained in the dictionaries as “a discourse or discussion on the human body”.
The second division is Ethnology. This is, in its methods, historic and analytic. It contemplates man as a social creature. It is more concerned with the mental, the psychical part of man, than with his physical nature, and seeks to trace the intellectual development of communities by studying the growth of government, laws, arts, languages, religions, and society.
The third division, Ethnography, is geographic and descriptive in its[7] plans of research. It studies the subdivision and migrations of races, local traits, peculiarities and customs, and confines itself to matters of present observation.
Finally, Archæology comes in to supply the material which neither history nor present observation can furnish. It pries into the obscurity of the remotest periods of man’s life on earth, and gathers thousands of facts forgotten by historians and overlooked by contemporaries. Often these unconsidered trifles prove of priceless value, and furnish the key to the real life of ancient nations.
Anthropology is not a theoretical science. It is essentially experimental and practical, a science of observation and operative procedures. It cannot be learned by merely reading books and attending lectures. The student must literally put his hand to the work.
For that reason every institution for teaching Anthropology must have a Laboratory attached to it; and in that Laboratory the best part of the work will be done.
Such a Laboratory will naturally be divided into two departments; one devoted to the study of the physical characteristics of man, the other to the investigation of the products of his industry. The former will be more especially related to the branch of Somatology; the latter, to those of Ethnology, Ethnography, and Archæology. The efforts of the Laboratory instructors will be directed to training the perceptions of the students in the requirements of this science and to giving them the practical knowledge and manual dexterity necessary to employ its tests.
Connected with the Laboratory, and really forming part of it, will be a Museum, of such extent as circumstances permit. It will include crania and osteological specimens; art-products, arranged both ethnologically, that is, in series showing their evolution, and ethnographically, that is, illustrating the geographical provinces and ethnic areas from which they are derived; and archæological specimens typical of prehistoric and proto-historic culture.
[8]Hand in hand with the Laboratory work should proceed Library Labor. There is a strong tendency in students of sciences of observation to read only for immediate purposes and on current topics. Few acquaint themselves with the history even of their own special branches; an ignorance which often results injuriously on the effectiveness of their work. To correct this, a series of tasks in the literature of the science should regularly be assigned.
Finally, all that has been proposed must be supplemented by a course of Field-work, in which the student must be trained to apply his acquirements in really adding to the stores of knowledge by independent and unaided exertion.
I do not rest satisfied with presenting these general statements. More detail will very properly be demanded by any one seriously considering the foundation of a chair or department in this branch.
I have drawn up, therefore, and append, a scheme for a course or courses of lectures; a plan for laboratory instruction; another for library work; a sketch of what should be done in the field; and finally, I name a few of the best text-books on the various subdivisions of the general science.
I would ask the particular attention of those interested in this science to the classification and nomenclature which I here present. It is the result of a careful collation of all the leading European writers on the subject and of consultation with several of the most thoughtful in this country.
There is, unfortunately, considerable diversity in the arrangements and terms adopted by different authors, and it is most desirable that a uniform phraseology be adopted in all countries. That which I offer aims to be exhaustive of the science and to adopt, wherever practicable, the expressions sanctioned by the greater number of distinguished living authorities in its literature.
A. Internal Somatology.
a. Osteology.—Bones of the skeleton, names, forms, measures, proportions, peculiarities, such as flattened tibia, perforated humerus, form of pelvis, os calcis, etc. Craniology; measurements of skull and face, sutures, angles, nasal and orbital indices, dentition, artificial deformations.
b. Myology and Splanchnology.—The muscular system and viscera so far as they concern racial peculiarities, as deficient calves, proportions of liver and lungs, etc. Steatopygy.
B. External Somatology.
Stature and Proportion. Anthropomometry. Tests for strength and endurance. Color of skin, hair, and eyes. Color scales. Shape and growth of hairs. Canons of proportion. Physical beauty.
C. Psychology.
Application of experimental psychology to races. Comparative rates of nervous impulse, sensation, muscular movements, and mental processes. Right- and left-handedness. Anomalous brain actions.
D. Developmental and Comparative Somatology.
Embryology of man. Doctrines of heredity and congenital transmission. Teratology, or the production of varieties and monstrosities. Ethnic and racial anatomy. Evolution of man. Comparative anatomy of man and anthropoids. Simian and lemurian analogies. Fossil remains of man.
Biology of man. Changes produced by nutrition (food supply), climate, humidity, altitude, etc. Comparative physiology and pathology. Medical geography. Comparative nosology of different races. Criminal anthropology. Pathology of races. Fertility and sterility of races. Reproduction and stirpiculture. Comparative longevity. Immunity from disease. Vital statistics. Anatomical classifications of races. (Historical review; present opinions.)
A. Definitions and Methods.
Meaning of Race, People (ethnos, folk), Nation, Tribe. Culture and civilization. Measures and stages of culture. Causes and conditions of ethnic progress. Ethnic aptitudes for special lines of progress. Ethnic psychology (Völkerpsychologie).
B. Sociology.
a. Government.—Primitive forms. The gens; the tribe; the confederacy; chieftainship; monarchy; theocracy; democracy, etc.
b. Marriage.—Theories of primitive marriage; promiscuity; polygamy; polyandry; monogamy. Limitations of marriage. Forms and rites of marriage. Laws of descent and consanguinity. Social position of woman. Gynocracy.
c. Laws.—Origin of laws. Primitive ethics. Dualism of ethics. Evolution of the moral sense. The Taboo. Blood revenge. Tenures of land. Classes above law. Castes. Privileged classes. Codified laws. International laws.
C. Technology.
a. The Utilitarian Arts.—Manufacture of tools, utensils, weapons, and agricultural, etc., implements. Architecture and building. Clothing and fashions. Means of transportation by land and water. Agriculture. Domestication of plants and animals. Weights, measures, and instruments of precision. Media of exchange, currency, money, articles of barter and commerce.
b. The Esthetic Arts.—Theory of the sense of the beautiful. Decorative designs in line and color. Skin-painting. Tattooing. Sculpture and modeling. Music and musical instruments. Scents and flowers. Games and festivals.
D. Religion.
a. Psychological Origin of Religions.—Principles and method of the science of religion. Personal, family, and tribal religions. Ancestral worship. Doctrines of animism; fetichism; polytheism; henotheism; monotheism; universal religions.
b. Mythology.—Definition and growth of myths. Solar light and storm myths. Creation and deluge myths. Relation of myths to language.
c. Symbolism and Religious Art.—Relation of symbolism to fetichism. Primitive idols. Charms and amulets. Tokens. Tombs, temples, altars. Sacrifice. Symbolism of colors and numbers. Special symbols; the bird; the serpent; trees; the cross; the svastika; the circle, etc.
d. Religious Teachers and Doctrines.—The priestly class. Shamanism. Theocracies. Secret orders. Initiations. Diviners. Augurs and prophets. Doctrines of soul. Fatalism.
e. Analysis of Special Religions.—Egyptian religion; Buddhism; Judaism; Christianity; Mohammedanism, etc.
E. Linguistics.
a. Gesture and Sign Language.—Examples. Plan of thought in relation to picture writing.
b. Spoken Language.—Articulate and inarticulate speech. Imitative sounds. The phonology of languages. Universal alphabets. Logical relations of the parts of speech. The vocabulary and the grammar of languages. Distinctions between languages and dialects. Mixed languages and jargons. Relations of language to ethnography. Polyglottic and monoglottic peoples. Causes of changes in language. Extent and nature of such changes. Examples. Classifications of languages. Relative excellence of languages. Criteria of superiority. Rules for the scientific comparison of languages.
c. Recorded Language.—Systems of recording ideas. Thought-writing. Pictography. Symbolic and ideographic writing. Examples. Sound-writing. Evolution of the phonetic alphabets. Egyptian, Cuneiform, Chinese, Aztec, and other phonetic systems.
d. Forms of Expression.—Rhythmical. Origin of meter. Poetry of primitive peoples. Rhythm and rhyme. Characters of prose. Relation of prose and poetry to national language and character. Dramatic. The primitive drama and its development.
F. Folk-lore.
Definition, nature, and value of folk-lore. Methods of its study. Relations to history and character of a people. Traditional customs. Traditional narratives. Folk-sayings. Superstitious beliefs and practices.
A. The Origin and Subdivisions of Races.
Theories of monogenism and polygenism. Doctrine of “geographical provinces” or “areas of characterization.” The continental areas at the date of man’s appearance on the earth. Eurafrica, Austafrica, Asia, America, Oceanica. Causes and consequences of the migrations of races and nations.
a. The Eurafrican Race.—Types of the white race. Its first home. Early migrations. The South Mediterranean branch (Hamitic and Semitic stocks). The North Mediterranean branch (Euskaric, Aryan, and Caucasic stocks).
b. The Austafrican Race.—Former geography of Africa. The Negrillos or Pigmies. The true Negroes. The Negroids. The race in other continents. Negro slavery.
c. The Asian Race.—The Sinitic branch (Chinese, Thibetans, Indo-Chinese). The Sibiric branch (the Tungusic, Mongolic, Tataric, Finnic, Arctic, and Japanese groups).
d. The American Race.—Peopling of America. Groups of North and South American tribes.
e. Insular and Litoral Peoples.—The Negritic stock (Negritos, Papuans, Melanesians). The Malayic stock (Western Malayans, Eastern, or Polynesians). The Australic stock (Australian tribes; Dravidians and Kols, of India).
A. General Archæology.
a. Geology of the epoch of man. Late tertiary and quaternary periods. Glacial phenomena. River drift. Diluvial and alluvial deposits. Physical geography of the quaternary. Prehistoric botany and zoölogy.
b. Prehistoric Ages.—The Age of Stone (chipped stone, or palæolithic period; polished stone, or neolithic period). The Age of Bronze. The Age of Iron. Epochs, stations, and examples. Methods of study of stone and bone implements, pottery, and other ancient remains. Indications of prehistoric commerce. Palethnology. Proto-historic epoch.
B. Special Archæology.
Egyptian, Assyrian, Phenician, Classical, and Medieval Archæology.
Archæology of the various areas in America. Art in stone, bone, shell, wood, clay, paper, etc., in these areas.
A. Physical Laboratory.
Comparing and identifying bones. Measuring skulls. Dissections of anthropoids and human subjects. Examination of brains. Study of embryology and teratology. Practical study of the hair, skin, nails, etc., of different races. Use of color scales, etc. Practice in anthropomometry, with the necessary instruments. Testing for sense perceptions.
B. Technological Laboratory.
Study of stone implements; simple and compound; rough and polished; primary and secondary chipping; cleavage; firing; bulb of percussion; mineralogy of implements; patine, etc. Bone implements.
Study of metal implements. Hammering, smelting, casting. Results of exposure. Analysis of alloys. Coins, etc. Study of pottery. Pastes; burning; glazing; forms; decorative designs; painting and coloring.
Textile materials; ancient cloth and basket work; feather work.
Methods of making casts and models; taking squeezes, rubbings, copies, and photographs. Drawing, shading, and coloring ethnographic charts.
Practice in preserving, mounting, arranging, and classifying specimens. Tests for the detection of frauds. Incrustations, dendrites, etc. Practice in reducing unknown tongues to writing, by the ear. Practice in the repetition of unfamiliar phonetic elements. Study of the actions of the lingual muscles in the production of sounds.
Researches in the history of anthropology.
Making lists of works and articles on special subjects, with brief abstracts.
Notes of the proceedings of anthropological societies and the contents of journals.
Presentation of the theories of particular writers on the science.
Familiarize the student with the past and present literature of his branch.
Methods of surveying, photographing, and plotting ancient remains.
Plans for taking field-notes.
Instruction in the proper methods of opening mounds, shell heaps, etc., and in excavating rock-shelters and caverns. The preserving and packing of specimens.
[14]Study of quaternary geology; alluvial deposits; river terraces; glacial scratches; moraines; river drift; loess; elevation and subsidence.
The collection of languages and dialects; of folk-lore, and local peculiarities.
As the plan of study here proposed is largely that which I have pursued and developed in my own lectures and published works on the subject, I may be permitted to insert the following list of these:—
Anthropology and Ethnology. 4to, pp. 184. In Vol. I of the Iconographic Encyclopædia (Philadelphia, 1886).
Prehistoric Archæology. 4to, pp. 116. In Vol. II of the Iconographic Encyclopædia (Philadelphia, 1886).
Races and Peoples; Lectures on the Science of Ethnography. 8vo, pp. 313 (N. D. C. Hodges, New York, 1890).
The American Race; a Linguistic Classification and Ethnographic Description of the Native Tribes of North and South America. 8vo, pp. 392 (N. D. C. Hodges, New York, 1891).
In addition to these I would name the following as among the best works for the student of this branch:—
Anthropologische Methoden. By Dr. Emil Schmidt (Leipzig, 1888).
Eléments d’Anthropologie Générale. By Dr. Paul Topinard (Paris). Also L’Homme dans la Nature (Paris, 1891), by the same author.
Précis d’Anthropologie. By Hovelacque and Hervé (Paris).
Allgemeine Ethnographie. By Friederich Müller.
Die Urgeschichte des Menschen. By Moritz Hoernes (Leipzig, 1891).
La Préhistorique Antiquité de l’Homme. By G. de Mortillet (Paris).
Anthropology. By Dr. Tylor (New York).
To this list I add the names of some others of the distinguished foreign living writers on various departments of Anthropology:—
In France: Bertrand, Collignon, Letourneau, de Nadaillac. In England: Buckland, Flower, Gallon, M. Müller. In Germany: Andree, Bastian, Meyer, F. Müller, Ranke, Schaafhausen, Steinthal, Virchow, Ratzel, Gerland. In Italy: Giglioli, Mantegazza.
It is highly likely that many modifications and improvements on this scheme will suggest themselves to instructors; but I may say for it that it is the carefully considered result of a comparison of the methods[15] employed in the European schools, combined with a personal experience of some years in the presentation of the topics to classes.
Of course, the amount of attention which will be given to the separate divisions of the subject will depend on the position which the branch occupies in the student’s plan of studies—whether a major or a minor. If the latter, he should attend a course of thirty or forty lectures about equally divided between the four headings under which the science is here presented, and should give double as many hours to laboratory work.
This is the minimum which would give him any adequate notion of the science. If, on the other hand, it be taken as a major, or principal subject, the greater part of his time for two or three years will be fully occupied in preparing himself for independent work, or for the instruction of others.
The following misspelling and typographical error were not corrected:
Page | Error | Correction |
6 | since, | since |
14 | Elements | Eléments |
***END OF THE PROJECT GUTENBERG EBOOK ANTHROPOLOGY***
******* This file should be named 31360-h.txt or 31360-h.zip *******
This and all associated files of various formats will be found in:
http://www.gutenberg.org/3/1/3/6/31360
Updated editions will replace the previous one--the old editions will be renamed.
Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.
*** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://www.gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS,' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.gutenberg.org/fundraising/pglaf. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://www.gutenberg.org/about/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://www.gutenberg.org/fundraising/pglaf While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://www.gutenberg.org/fundraising/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Each eBook is in a subdirectory of the same number as the eBook's eBook number, often in several formats including plain vanilla ASCII, compressed (zipped), HTML and others. Corrected EDITIONS of our eBooks replace the old file and take over the old filename and etext number. The replaced older file is renamed. VERSIONS based on separate sources are treated as new eBooks receiving new filenames and etext numbers. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks. EBooks posted prior to November 2003, with eBook numbers BELOW #10000, are filed in directories based on their release date. If you want to download any of these eBooks directly, rather than using the regular search system you may utilize the following addresses and just download by the etext year. http://www.gutenberg.org/dirs/etext06/ (Or /etext 05, 04, 03, 02, 01, 00, 99, 98, 97, 96, 95, 94, 93, 92, 92, 91 or 90) EBooks posted since November 2003, with etext numbers OVER #10000, are filed in a different way. The year of a release date is no longer part of the directory path. The path is based on the etext number (which is identical to the filename). The path to the file is made up of single digits corresponding to all but the last digit in the filename. For example an eBook of filename 10234 would be found at: http://www.gutenberg.org/dirs/1/0/2/3/10234 or filename 24689 would be found at: http://www.gutenberg.org/dirs/2/4/6/8/24689 An alternative method of locating eBooks: http://www.gutenberg.org/dirs/GUTINDEX.ALL *** END: FULL LICENSE ***