The Project Gutenberg EBook of The Sweet Girl Graduates, by Rea Woodman This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Sweet Girl Graduates Author: Rea Woodman Release Date: March 4, 2010 [EBook #31506] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE SWEET GIRL GRADUATES *** Produced by Roger Frank and the Online Distributed Proofreading Team at https://www.pgdp.net
A FARCE
In Three Acts and an Epilogue
BY
REA WOODMAN, M.A.
Author of "She Organized a Club," "The Master's Birthday,"
and "The Professor."
Copyright, 1902, by Rea Woodman.
Eldridge Entertainment House
FRANKLIN, OHIO
To My Own Boys and Girls, The Class of 1902
SYNOPSIS
ACT. I.
Sitting Room of the De Smythe Home.
Wednesday Morning at 10 o'clock.
"We'll have the prettiest frock if it breaks the R. I. P. R. R.!"
ACT. II.
Sitting Room of the De Smythe Home.
Thursday afternoon at 3 o'clock.
"Deep, deep are the meanings of life."
ACT. III.
Hallway of the De Smythe Home.
Friday Morning at 9 o'clock.
"Mr. Bulbus, the lilies are lovely."
EPILOGUE.
Dining Room in the home of Mr. and Mrs. Jack Hamilton.
A Friday Morning in May, 1905.
"Therefore, Valeria squints."
CHARACTERS
Miss Maude De Smythe, The Sweet Girl,
Secretary of the Class of 1902.
Mrs. De Smythe, Her Mother,
Who is threatened with nervous prostration.
Mr. De Symthe, Her Father,
President of the R. I. P. Railroad.
Mr. Jack Hamilton, Her Beau,
President of the Class of 1902.
Miss Matilda Hoppenhoer, Her Aunt,
Who never graduated, thank Heaven!
Miss Valeria Reynolds, Her Dearest Friend,
Whom she loves very much.
Madam Sateene, Her Dressmaker.
Madam Rantum, Her Elocution Teacher, (late of the Boston School.)
Professor Grindem, Principal of the High School.
Mr. Chinese Bulbus, The Florist.
Katherine, The Maid.
(Sitting-room of the DeSmythe home; "confusion worse confounded;" everything topsy-turvy. Mrs. DeSmythe on couch; Madam Sateene and she looking over lace samples, of which they have a great number. Madam in "swell" street costume.)
Mrs. De S. (tossing samples in a heap). There's positively nothing like it! Nothing anywhere near it!
Madam No, and nothing that can be used.
Mrs. De S. (snatching a bit of lace from the heap). There! That's a lover's knot pattern. Why, it–
Madam No, that's a sailor's knot. There is a great difference.
Mrs. De S. (vaguely). I don't see it.
Madam (patiently). You see the loop in this bends down and in this, it bends–goes up. Every difference in the world, my dear Mrs. De Smythe.
Mrs. De S. (meekly, but convinced). Wouldn't it do? All bunched up?
Madam But it is not to be bunched up!
Mrs. De S. (with a profound sigh). What can we do? And I threatened with an attack!
Madam I don't know! (rises, sits down, then groans). I am at my wit's end. Let me think.
Mrs. De S. (with an inspiration). Take the lace off!
Madam (crushingly). My dear Mrs. De Smythe, the gown is modelled for lace.
Mrs. De S. (helplessly). Oh!
(Madam sits in brown study, tapping her forehead.)
Madam Let me see; Wednesday morning. (looks at watch). Ten o'clock. It might be done. Practically two days. (sits staring at wall). No, it couldn't! We might use chiffon.
6Mrs. De S. Maude hates chiffon.
Madam (with professional coldness). Chiffon is a very artistic trimming.
Mrs. De S. (wearily). It may be–it may be, but you know Maude.
(Enter Miss Hoppenhoer.)
Miss H. (looks around; sniffs at the untidiness). Jennie, you look ready to faint!
Mrs. De S. Sit down. Don't stand there like–a–wooden Indian!
Miss H. They don't keel over every few minutes, anyhow! (sits with a thud). You look ready to faint!
Mrs. De S. I feel ready to faint; the lace has given out.
Miss H. (picking up things). The lace–?
Mrs. De S. (with infinite patience). The lace, you know, for Maude's dress.
Miss H. (blankly). Eh–what dress?
Madam (in polite surprise). Why, Miss Hoppenhoer, what dress?
Mrs. De S. (shrilly). What dress,–oh, Matilda!
Miss H. (commencing to "straighten" room in earnest). Oh, is that all? I thought the President had been assassinated!
Mrs. De S. Matilda! I must say you don't seem much interested. I should think you would,–your own niece, too!
Miss H. (tragically). Look at this room,–look at this room! It is a disgrace to a Christian community! Think of the breakfast we had–or rather, that we didn't have! And yesterday! And now you down sick–down sick! Does it take a month to graduate? (dusts an upholstered chair vigorously). It's such (bang) such non-(bang) nonsense!
7Mrs. De S. Nonsense to graduate! Matilda Hoppenhoer! Do stop thrashing about! Ugh, that dust! (coughs weakly). Katherine will do that.
Miss H. (pounding sofa cushions). Katherine is busy; she has ten miles of flutin' to flute!
Mrs. De S. (coughing). Well, stop, anyway! My nerves are bad today.
Miss H. You are worn out. We're all as cross as bears!
Madam (emerging from a brown study). What shall I do? And only a yard needed! I think chiffon–
Miss H. (straightening out a rug). Use ribbon.
Madam (with dignity). They used ribbon last year.
Miss H. Fringe, then,–fringe is very dressy.
Madam They used fringe two years ago.
Miss H. (snapping her up). Well, what's the idea? To use something that hasn't never been used?
(Maude comes in, breathless.)
Maude (sitting down hard). Goodness, I'm tired! Auntie, your grammar is bad–very bad. What are you doing?
Miss H. (sarcastically). Getting you ready to graduate.
Maude (peeling off her gloves). Well sir, I've just been racing around! O, Valeria's going to have chiffon.
Madam (dramatically). Chiffon!
Maude (tossing her hat on the floor). Yes, and it's awfully pretty.
Madam Chiffon! Is she? (Sits, from sheer weakness.)
Maude (beginning to undo sundry packages). Yes, and–why, what's the matter?
Madam (gasping). Chiffon!
Maude (a light dawning). Am I? Am I?
Miss H. (winding yarn into a ball). Am you what? Sit down, child, sit down, you look like a statute!
Mrs. De S. (firmly). You are.
Maude We can't both have chiffon! I won't be a copy-tale! I won't!
Mrs. De S. (sitting erect and speaking with authority). Listen, dearie. The lace has given out.
Maude (stamping her foot). Get more!
Mrs. De S. We can't.
Madam And the gown is so modelled that we can use nothing else.
Maude I won't have chiffon! I won't–I won't–I won't.
Mrs. De S. (warningly). Do not let Madame Sateene see you in a passion.
Maude Madam would be in a passion herself! She knows how I feel! O dear! (begins to sob). Everything is going wrong! I w-w-won't graduate, so there now!
Miss H. (mounting a chair to straighten a picture). That's sensible! You needn't. I never did.
Mrs. De S. Matilda, do not encourage the child! Of course she must graduate. Everybody does.
Miss H. (sarcastically). If everybody stood on their heads, I suppose we'd have to!
Mrs. De S. You cannot judge in such matters, Matilda. You are very old-fashioned.
Miss H. (upsetting contents of work basket in lap). Maybe so, maybe so, but I am alive, and that child'll be dead if–
Mrs. De S. (holds her head). Matilda, for heaven's sake, stop!
Maude I'll telephone Valeria. May be she–
Mrs. De S. (with decision). Maude, sit down! You will do nothing of the sort. Mrs. Reynolds is such a talker! The whole town would know it in ten minutes. 9 Besides, at the Tuesday Club she cut me–actually cut me! I will not permit it.
Maude I don't think that ought to count, now. I suppose I have to have something to wear.
Madam What do you say to a Paris muslin?
Maude (listlessly). What is a Paris muslin?
Madam A sort of fine organdie.
Maude Swell?
Mrs. De S. Maudie! Would Madam Sateene propose anything else? She doesn't want you to look like a fright. Now, I think,–(pauses, listening). Why there is papa's voice!
Maude Papa, bless his old bones! Papa, come in here, quick! Hurry up!
(Mr. De Smythe comes in hastily.)
Mr. De S. What is it–what is it? Is Mamma worse?
Maude (in tragic attitude). I can't graduate!
Mr. De S. (with profound astonishment). Can't graduate? Can't graduate? Didn't you pass?
Maude (scornfully). Pass! That doesn't matter! My dress, my dress, my dress!
Mr. De S. (immensely relieved). Oh, your dress! Isn't it fine enough?
Madam Why, you see, Mr. De Smythe, the–
Maude (sobbing and clinging to his neck). I got to have chiffon, ugly, limp, old chiffon! It is so–so–d–drabbled!
Mr. De S. Well, never mind! Hus-s-h! You'll make Mamma worse. You needn't graduate! Never mind.
Maude Oh, oh!
Mr. De S. Never mind, little girl, you needn't graduate! Never mind!
Maude Oh, I–I must. The presents are coming in.
Miss H. (shortly). Return 'em.
10Maude You wouldn't, if they were yours! You know you wouldn't! Oh, you're all so mean!
Madam (soothingly). Let's have Paris muslin. It'll be lovely.
Mrs. De S. It's too stiff.
Miss H. And sounds too furrin! Haven't we got any American muslin? I'd rather wear gunny sack.
Mr. De S. Hurrah for Matilda! A female Patrick Henry!
Mrs. De S. Papa, don't speak so loud!
Mr. De S. (contritely). I beg your pardon, Mamma,–your poor head!
Maude I want something pretty! Not–not just–just any old thing!
Madam (with awful dignity). Paris muslin is beautiful.
Maude The other girls have silk.
Mr. De S. Then you must have silk, too,–decidedly. Mustn't she, Mamma?
Mrs. De S. (sighing). I do not know, Papa, I do not know. This is a dreadful time,–a dreadful time. I fear I shall not live to see her graduate! (sighs dismally). But you will all enjoy it. Matilda, will you heat the salt bags?
(Miss Hoppenhoer bounces out.)
Maude (flies to couch). O, you precious, precious Mamma! Don't you dare get sick and die!
(Katherine opens the door.)
Katherine Miss Reynolds and Mr. Hamilton.
Maude Hello, Valeria, how you vas? Jack, did you get 'em?
Jack (bows to ladies, shakes hands with Mr. De Smythe). Couldn't Maude, nothing but red.
Maude Red! I can't wear red! Madam Sateene, can I?
11Madam (after due deliberation). Yes, you can. You will need a touch of color.
Valeria Why don't you carry pink ones?
Jack Pink roses are lovely. You carried pink ones at the Junior Banquet, didn't you, Val?
Valeria (thoughtfully). Did I? Yes, I did! Bridesmaid, I think they were.
Maude I hate pink roses!
Mrs. De S. Maudie, Maudie, do not be so vehement!
Mr. De S. Never mind about the roses. They are a side issue. The question is, "Wherewithal shall you be clothed!" I must be off to earn your daily cake. Let's decide.
Maude (pensively). Jack, do you like Paris muslin?
Jack Is it anything like Plaster of Paris?
Maude Jack, behave! I am so worried! (signs of tears.)
Valeria She's just tired, poor dear; don't tease her, Jack.
Maude (with dignity). I am not tired. He can't tease me, thank you, Valeria. I think, Madam, I will have Paris muslin. Silk is so common.
Jack Why don't you have bobinet?
Valeria Why, Jack, bobinet is–
Jack I know what bobinet is; heavy and kind of corded,–dead swell.
Maude That's pique!
Mr. De S. Well, children, defer that discussion until the Fourth of July. Is there time for a whole new rig?
Madam Y-e-s,–I think so.
Mr. De S. Cheer up, everybody! We'll have the prettiest frock in the outfit, if it breaks the R.I.P. Railroad! We are the people! I must go hunt those papers–things are stirred up so! Good-bye, Mamma, don't worry! Madam Sateene will save us! (goes).
12Madam (rising with alacrity). I shall go look at Paris muslins. Shall I bring you samples?
Mrs. De S. No, I am not able to decide. We trust to you absolutely, Madam Sateene, absolutely. (groans). I believe I am going to have an attack! Oh, dear, my nerves! They actually twitch! I wish Matilda were of some use in such matters. Because she never graduated, she thinks Maude shouldn't! Jack, do you see my smelling salts?
(Jack hunts for the salts. Girls talk apart. Madam makes memoranda.)
Madam Miss Maude, how would you like ribbon, very narrow satin ribbon?
Maude Kate Saunders had that in–let me see,–oh, in 1900.
Valeria And that French Girl,–Giggre–wore it last year.
Madam O dear! (grimly). Anybody ever use rope?
Jack (grinning). Only men–for neck-ties mostly. I can't find it, Mrs. De Smythe.
Mrs. De S. Then Matilda has put it in the medicine chest. She is so neat! I can't help it–I don't want to have an attack! What shall I do? But I am afraid I–I am going to have one!
Maude (with signs of tears). O, Mamma, don't have an attack! What shall I do? No roses, no dress, no nothing!
Madam (resolutely). Well, you shall have a dress, about noon, to give you (with a tragic sweep of hand) if it is my last effort! Mrs. De Smythe, I'll drop in and report! (Goes hastily.)
Valeria I must go. I stopped for a list of my committee.
Maude (absently). Don't go. What committee?
Valeria Committee on Decorations.
Maude (vaguely). Committee on–?
13Valeria Decorations. Wake up!
Maude (goes to desk). O yes! (rummages). This desk is disgraceful! Here it is! (Reads crumpled paper.) "Be it resolved–" goodness, that's about poor Ned Woodruff! Jack, who was on that committee?
Jack (smoothing Valeria's gloves on his knee). Miss Secretary, I do not keep the minutes.
Maude Well, you were presiding! (rummaging). Here it is,–six,–is that enough? Five, rather,–Hal Taylor won't serve.
Valeria (taking the list). O yes, he will.
Maude Said he wouldn't! Told Mabel Hopeland so last night.
Valeria (calmly). Yes, he will.
Maude Well, he said he wouldn't.
Valeria (pocketing the list, unmoved). He will if I ask him.
Maude (shutting desk with a bang). Oh!
(Enter Miss Hoppenhoer, with shawls, salt bags, etc.)
Miss H. Jennie, you'd better go to bed.
Mrs. De S. (sadly). I will. I hope I shall not have an attack.
Miss H. Attack! We'll all have an attack before Friday night! (She busies herself about the couch. Valeria and Maude go out.)
Miss H. Now, can you walk, do you think? I'd better call Katherine, hadn't I? Katherine! Be careful of that bag–it's hot–awful hot! Lean on me–(they go out, but Miss Hoppenhoer runs back to pick up things).
Jack Can't I help you! A fellow never knows what to do when–when–anybody has an attack.
(Maude returns.)
Jack Come on, Maude, I've got an old tandem out there. Let's take a spin.
Miss H. (dropping a shawl and two bottles). Got a what?
14Jack Go get ready, Maude. A tandem.
(Maude goes.)
Miss H. (moveless with astonishment). You ride it?
Jack (respectfully). Yes, ma'am.
Miss H. (aghast). Ride it?
Jack (fascinated). Yessum. (earnestly). Yes, ma'am.
Miss H. Ride a tantrum! Well, such goings on! And all of it comes from graduating! Thank Heaven, I never graduated!
(Commences to pick up things. Curtain.)
(Sitting-room of the De Smythe home. Bouquets with cards attached. Maude's desk, open, in confusion. Her hat and gloves on a chair. Jack, Miss Rantum and Maude, latter "practicing.")
Miss R. (decidedly). It is best to hold it in one hand.
Jack (surprised beyond measure). Oh, are you going to read it?
Maude (standing in the middle of the room). W-e-1-1, not exactly read it, you know.
Maude I really know it–almost.
Jack Then don't hold the paper.
Maude (apprehensively). Oh, but if I should forget!
Jack (confidently). You won't!
Maude I might! Oh, it's very easy for you to say orate, for you can!
Jack (conscious of ability). Yes, but you could, too.
Miss R. What is the subject of your oration, Mr. Hamilton?
Jack (modestly). "Universality in Statecraft."
15Maude And it's a dandy! You ought to hear him when he comes to, "For of all the nations, builded of power and sealed with blood–" (in tremendous tones).
Jack Oh, now, Maude, I say, let up.
Maude Well, honest, you are fine. No I should die if I forgot,–just simply die.
Miss R. It is wiser for her to hold her manuscript, I think. This is an essay, not an oration.
Maude (sitting down and getting up, a la Delsarte). Of course, Jack, don't you see? It is an essay, not an oration. Now, did I get up right?
Miss R. Try it again.
Maude (repeats the operation and advances very stiffly). Is that it?
Jack (judicially). Too corky.
Miss R. Be leisurely. Leisure is elegance. And bend more. Try it again,–so. (illustrates).
Maude (doing likewise). I do hope I won't drop anything. How was that?
Miss R. (hesitating). A trifle–just a trifle–well, er-stiff. Of all things, a lady must rise well.
Jack Yes, not as if she were shot out of a cannon!
Maude Jack, you keep still!
Miss R. Try it again–so. (illustrates). Bend from the waist.
(Maude does so amid solemn silence.)
Jack (graciously). That was better.
Miss R. Now, go on.
Maude (reading). "Life's Inner Meanings."
Miss R. Louder and more deliberately. "Life's Inner Meanings."
Maude "Life's Inner Meanings."
Miss R. Go on, not too fast. Don't hold it so high and bend the body forward from the waist.
Maude (in high shrill tones). "As a traveler, among 16 the mighty mountains, fails to realize the height to which he has climbed–" (Stops, winded.)
Miss R. Compose yourself, compose yourself! Your voice is–well, unnatural.
Jack Yes, it's squeaky.
Maude (with heat). It isn't! You're awfully mean! I've got to be heard!
Miss R. Try it again. Use a deeper tone. "As a traveler, among the mighty mountains, fails to realize the height–" Now, go on.
Maude (nervously). "As a traveler, among the mighty mountains, fails to realize the height to which he has climbed, so we, in Life's dusty pathway, cannot estimate the distance we have traveled." O, Miss Rantum, that isn't right!
Miss R. No, not exactly, not precisely right. You see, you–
Jack Why don't you use "journeyed" instead of "traveled"?
Maude (ignoring him). Miss Rantum, what is the matter with it? I'm not doing as well as I did last week!
Miss R. No, you really aren't, but–
Jack I say, why don't you change–
Maude (imploringly). What is the matter, Miss Rantum?
Miss R. It isn't firm. You don't seem to know what you are saying.
Maude (in grave-yard tones). "As the traveler, among the mighty mountains, fails to–"
Jack (ditto). Finally, my beloved brethren–
Miss R. (hastily). Lighter, but firmly. Use a conversational tone, "As the traveler, among the mountains;" "It is a very pleasant day," "How do you do?" See?
Maude (in light, quivering tones). "As a traveler, 17 among the mountains–mighty mountains–fails to realize the height to which he has climbed–has climbed, so we, in Life's dusty pathway, cannot estimate the distance we have traveled."
Jack "Climbed–climbed." I don't like "climbed" there; wouldn't "attained" be better?
Maude Professor Grindem didn't say so.
Jack "Attained" is a prettier word.
Maude (earnestly). Do you think so?
Miss R. "Climbed" is better. It is a real traveler and real mountains, hence "climbed." "Attained" sounds as if it were ideals, you know.
Maude (sighing profoundly). Yes, I think so, too. Besides, it's too late to change it now. I'd forget.
Jack All right! "On with the dance." I'm no judge.
Miss R. Go on with the next paragraph.
Maude The next isn't a paragraph.
Miss R. (very patiently and gently). Well, go on with the next.
Maude "Among life's bright flowers, its rugged slopes, its pleasant walleys–"
Miss R. Valleys.
Maude "Its pleasant walleys, its–"
Miss R. Valleys.
Maude (nervously). Let me start over.
Miss R. Well, only use deeper tones. (She sits down.)
Maude (very slowly). "Among life's bright flowers, its rugged slopes, its pleasant walleys–valleys, its dangerous pitfalls, we cannot realize the magnitood of the common things about us."
Miss R. "Magnitude," not "tood."
Maude "The magnitude of the common things about us."
18Miss R. Touch "common things" more lightly; "of the common things about us,"–"common things."
Maude (takes a sprint). We cannot realize the magnitood–tude–of the "common–" oh, dear, I can never say it!"
Miss R. Yes, you can. You are doing well,–remarkably well.
Maude O Miss Rantum!
Jack You are, honest Injun! It'll be dandy.
Miss R. Please read,–are you tired standing?
Maude (dismally). No,–I got to get it.
Miss R. Please read that second paragraph–sentence–again.
Maude (taking a brace). Among life's bright flowers, its rugged slopes–
Miss R. R-r-r-rugged slopes.
Maude Rugged slopes.
Miss R. No, r-r-rugged slopes. Trill your "r."
Maude (flatly). I can't.
Jack What's the use? I don't think she need. People only do that on Decoration Day. "Br-rave, r-rugged heroes," you know.
(Enter Katherine.)
Katherine Miss Maude, a letter from you–for you, I mean. (Hands one in awestruck manner and escapes.)
Jack That girl is scared to death at anything that looks like writing. Did you see her?
Miss R. (leaning back in her chair). Is she of foreign extraction?
Jack No, foreign distraction.
Maude (falling into a chair and opening letter). From Valeria. She can't come over this afternoon. She's got to, to–I can't make it out. (spells slowly). B-a-an, B-a-n–
19Jack Banana, maybe. She's got to banana. Let me see it, I'm used to her hand.
Maude Indeed! (elaborately). Indeed, you are! Maybee this is your note?
Jack You needn't get so mad. Let her banana. I don't care!
Maude (springing up). Neither do I! Take the note!
(Katherine appears at the door.)
Katherine (in much trepidation). Perfesser Grindem.
Jack (pleasantly). All right Katherine, we are perpared!
(Enter Professor Grindem.)
Grindem (bows profoundly, repeatedly). Ah, good morning, ladies, good morning! Mr. Hamilton, ah, good morning! How is the work progressing?
(Jack shakes hands. Miss Rantum bows distantly.)
Maude (tearing note into tiny bits). I shall be scared to death.
Grindem (cordially). Not at all, Miss Maude, ah, not at all! Not at all! You will feel power,–power is ahem!–power is a great thing–a great thing.
Maude (dejectedly). Yes, Professor.
(Enter Mrs. De Smythe)
Grindem May I hear the–ah, Mrs. De Smythe, good morning!
(Mrs. De Smythe adjusts herself on couch.)
Mrs. De S. Yes, Maudie, dear, read it all to us. O Matilda, Matilda, my salts! Now, Maudie!
(Miss Hoppenhoer bustles in and takes her station behind couch.)
Maude (painfully taking "position"). "Life's Inner Meanings."
20Mrs. De S. A very pretty subject, I think.
Miss H. (sniffs). A very pretty broad one, I think!
Maude (impressively). "Life's Inner Meanings."
Miss R. Stand straighter, Miss Maude–so.
Jack I think that's awkward,–looks as if she were going to cry "Lay on, Macduff!"
Maude Why, Jack Hamilton!
Mrs. De S. Jack's only joking. Why don't you go on?
Maude "Life's Inner Meanings," (then, very rapidly). "As a traveler among the mighty mountains, fails to realize the height to which he has climbed, so we, in Life's dusty pathway, cannot estimate the distance we have traveled. Among life's bright flowers, its rugged slopes, its pleasant walleys–valleys, its dangerous pitfalls, we cannot realize the magnitood–tude–magnitude of the common things about us." (Stops, breathless.)
Miss R. Don't sway so. Hold the body firm.
Mrs. De S. There's no hurry, child.
Jack That pace would kill!
Miss R. (to Professor Grindem). Her voice is not deep enough. It lacks impressiveness.
Grindem Yes, it lacks power–power, I should say.
Maude (near tears). I can't get a new voice for this old essay!
Miss H. Yes, you ought to; you ought to be made over if you're going to graduate!
Mrs. De S. Do go on; I am very fond of the next part.
Maude (continues). "We stand upon the brink–"
Miss R. More rapidly there, "We stand upon the brink!"
Maude (in exact imitation). "We stand upon the brink."
Jack (ditto). That is, if we don't fall off–
21Maude Make Jack be still or I–I–can't!
Jack Beg your pardon, but really, 'a brink,' you know.
Maude "We stand upon the brink–who can guess what say the dashing waters beneath? Who can interpret the silence of the eternal stars? We rest in the walley–valley, who can understand the whispering of the leaves? Who can read the secrets of the ocean blue? O, deep are the inner meanings,–deep, deep are the mysteries of nature, infinite are the suggestions of life!"
Grindem Too, rapidly, Miss Maude,–too rapidly. Those are grand sentiments,–give 'em time–give 'em time.
Miss R. There is not enough emotion in the climax: "Deep, deep are the mysteries of nature!" Read it (in a cellerage tone). "Deep, deep are the mysteries of nature!"
Maude (using the "vox humana stop"). "Deep, deep are the mysteries of nature!"
Mrs. De S. (soothingly). You are not doing so well, Maudie, today.
Miss H. No, I think you get worse.
Maude Nobody c-could! You all find fault. (weeps). You couldn't do any better–none of you–so there now!
Miss H. Never mind! It doesn't matter. Don't graduate.
Maude (still weeping). It does matter! It d-does! I don't want to disgrace the family.
Miss H. Ought to have commenced sooner, then, if you didn't!
Voice from without. Who's going to disgrace the family? I'd like to see 'em try it.
(As Mr. De Smythe appears, Professor Grindem and Jack go out, in deep converse.)
Maude I am!
Mr. De S. Oh, no, you're not,–not by the R.I.P. 22 Railroad! (cheerfully). You won't be permitted to, Miss! Doesn't the dress fit?
Maude (with intense scorn). The dress! Oh, Papa, my piece!
Mr. De S. O, you're piece! Say it to me! I haven't heard it today.
Maude You're making fun of me!
Miss H. The child is worn out.
Maude I am not worn out! I am not a baby! (collapses). I wish I was d-d-dead!
Mrs. De S. O dear! O dear! Maudie, child!
Maude I just w-wish I was.
Mr. De S. W-h-y-ee! When I have brought you your present! I am astonished!
Maude Have you? Oh, Papa, have you? Let me see!
Mr. De S. (taking out of his pocket a tiny case). No more tears?
Maude (rubbing eyes hard). No–never.
Mr. De S. Honest? I've never seen so many tears. We are a Johnstown flood lately. (Gives jeweler's case.)
Maude A watch! A w-a-t-c-h!! (flies at him).
(Re-enter Jack and Mr. Bulbus.)
Mr. Bulbus. (bows awkwardly). I come to see about them decorations.
Maude (rapturously). A watch!
Mr. De S. Guess we don't need 'em, Mr. Bulbus. There is something going on at the school that night.
Maude I was afraid it would be books. (She and Jack examine the watch aside.)
Mrs. De S. We might have a reception.
Miss H. Jennie, you'll be sick! Mark my words, you'll have an attack!
Mrs. De S. But it's so nearly over–
Mr. De S. Ought we to have one? Does everybody?
23Miss H. (sarcastically). Does everybody have what? Have an attack?
Mr. De S. (patiently). A reception.
Mrs. De S. It's the thing to do, isn't it, Miss Rantum?
Miss R. (looks up from Maude's MS., which she has been studying). I beg your pardon, Mrs. De Smythe?
Mrs. De S. It's the thing to do–to have a reception, isn't it?
Miss R. They always do in Boston.
Maude Do what in Boston?
Miss R. They have receptions. (with great dignity).
Jack And Beans.
(Miss Rantum straightens up to retort, but Mr. De Smythe cuts in.)
Mr. De S. And here is Mr. Bulbus waiting! He is a business man, you know. When do you want him, Jennie?
Mr. B. (confusedly). Yes, sir.
Maude (sweetly). You'd just as soon wait, wouldn't you, Mr. Bulbus?
Mr. B. (blushing, drops hat). Yes, I-d–I'd–I'd rather.
Mrs. De S. We must decide while Mr. Bulbus is here, so we can get his suggestions.
Mr. B. (standing like a stork). Yes'sum.
Miss R. (preparing to depart). Well, Miss Maude, I think we will not need another rehearsal.
Maude Oh, Miss Rantum, do you think I can do it all right?
Miss R. Yes, I think so. You must rest this evening.
Maude The Juniors are to give us a spread.
Miss R. (definitely). But you must not go. Mr. De Smythe, may I speak to you?
Mr. De S. Go on with your reception business. Mr. Bulbus hasn't all day. (Goes out with Miss Rantum.)
24Mr. B. (changes weight to other foot). Yes, sir.
Mrs. De S. Won't you be seated, Mr. Bulbus?
Mr. B. (sits on edge of small chair). Yessum, thank yer.
Maude Let's have just the graduating class.
Jack No, I'm dead tired of the push! Let's have a picked crowd,–friends of "the highly contracting parties," you know.
Mrs. De S. We ought to have your professors.
Maude We'd have to invite Grindem, and he's so awfully–
Mrs. De S. Professor Grindem is a very delightful gentleman, Maudie!
Jack (in imitation). Yes, ahem, he has–power–ahem,–power is–power is a wonderful thing, a wonderful thing!
Mrs. De S. Well, as to the decorations.
Maude Smilax from the chandelier–
Jack Don't let's have any smilax. It's too much like funerals.
(Mr. De Smythe returns.)
Mr. De S. Well, Mr. Bulbus, have they decided?
Mrs. De S. No, Papa, we can't decide who to have.
Mrs. De S. Let that slide now, and go into a committee of the whole on decorations.
Maude Let's–but I don't want the faculty.
Jack You'd like to have Professor Graham. All girls are gone on him.
Mrs. De S. We needn't order cut flowers. All of Maudie's–(stops to cough).
Miss H. (throws down her darning). Jennie, you'll have an attack! I won't be no committee! I won't encourage this nonsense. Education is all right; everybody needs a little,–enough to make an honest livin'. But look at your mother, look at your father! They're plumb wore out settin' up nights to get you graduated! 25 In my day when girls got through school they quit, they didn't go to Commencin' and carrin' on! I won't be no committee of the whole nor no other kind. When you're all dead nobody can blame me! (walks out, sniffing disdainfully).
Mrs. De S. (rising hastily). Oh, dear, now she'll go sweep every room in the house! (goes out in haste).
Maude (springs up). Mamma mustn't wear herself out. It would be all right if Auntie had graduated. (goes in haste).
Mr. De S. (gazing helplessly after them all). Matilda's Declaration of Independence! (seating himself resignedly). Draw up your chairs, gentlemen. We'll have to 'wait til the clouds roll by'.
(Curtain falls on the three men looking at each other silently.)
(Hallway of the DeSmythe house. Flowers on extra tables, cards attached. Door bell in vestibule rings constantly; flowers and packages arriving. Maude's picture hat, gloves and fan on chair. Mr. Bulbus on ladder, measuring the wall. Katherine enters and re-enters, with flowers and gifts. Miss Hoppenhoer flits in and out. Everybody nervous.)
Katherine The bill's been a-ringin' all morning like that. (arranges flowers).
Mr. B. I should think you'd be tired. Ain't yer?
Katherine No, it's as exciting as a wedding.
Mr. B. You wimmen like weddin's. I never see a woman as didn't.
Katherine (wonderingly). Are you going to decorate the hall?
Mr. B. (largely). Of course,–palms and ropes of smilax–
26(Enter Jack, carrying his hat and gloves.)
Jack (agreeably). Good morning, Katherine. I let myself in, you not being a regiment. (Katherine goes). Good morning, Mr. Bulbus. You look pretty festive in here. (examines bouquets, reading cards aloud and commenting). "Compliments of Harold Taylor."–Umph, got them here in time, I should say. "With love of Edith."–girls always put on "with love of." "Wishing you a joyous day. Dick Dowell." That's nice of Dick, considering the late unpleasantness. "Lucile," of course; "Lucile" in white and gold! A girl couldn't graduate unless she had three 'Luciles' and a 'Maurine!' Golden Gate roses! Whew, that means dough! Professor Graham, I'll bet! He's got dough and cheek–
(Maude runs down the stairs.)
Jack O, hello, Maude! (gives a long whistle). Aren't we fine? Swagger!
Maude (imploringly). Jack, how do I look?
Jack Turn around,–slowly. (Maude revolves very slowly.)
Maude (anxiously). Well?
Jack You look–you look–out of sight! By George, you do!
Maude (caressing her dress skirt). You like the train?
(Mr. Bulbus gets down and goes out, unnoticed by Maude.)
Jack It's splendid. You're a–a queen! I'd kiss you–
Maude (startled). H-u-s-h! Mr. Bulbus!
Jack (coolly). Oh, he's gone.
Maude Goodness, what if he'd been there!
Jack (comfortably). He wasn't.
Maude (trying to see the back of her train in glass). But you didn't know it!
27Jack Don't you think I didn't know it! 'Spose I want to make the poor duffer green with envy? I can't kiss you anyway, you're too fine.
Maude No, I can't even sit down! Jack, you look awfully handsome.
Jack Thank you. Would you wear a rose?
Maude Of course–one of Dick's. Nice of Dick, wasn't it? (gets one; puts it on; an operation requiring time and patience).
Jack Don't leave so much green show. I want a contrast, not a study in tints.
Maude Don't touch me! Hold your arms out straight.
Jack (standing like a sign post). Then hurry up! I am not the stuff martyrs are made of.
Maude Is that all right?
Jack Stand off and get the effect. How can I tell?
Maude (standing back). Put down your arms!
Jack (obediently). Well?
Maude (with enthusiasm). Perfectly lovely! My, I shall be proud of you! For pity's sake, don't look at me!
Jack Can't help it.
Maude I don't mean now–goosey! I mean when I read. If I should forget!
Jack You won't! Keep your eye on Old South Church and–
Maude On what?
Jack I beg your pardon. On Miss Rantum.
Maude Oh! It must be time,–where is everybody?
Jack I'm here, (sits on arm of chair and gazes at her.)
Maude O you, yes! But I mean mamma! I am so nervous!
Jack You girls just try to be nervous. You think it's becoming.
(Enter Mrs. De Smythe, in black silk.)
28Mrs. De S. The carriages have come. Where can Papa be?
Maude (in dismay). O, it isn't time, is it? O horrors, where is my essay? Jack, please look in my desk.
(Jack dashes out.)
Maude Mamma, is my hair all right?
Mrs. De S. Yes, Maudie, yes, (dismally) you look lovely.
(Jack dashes in, essay in hand.)
Jack Here it is, but don't practice now.
Maude (pacing the floor). "As a traveler, among the mighty mountains, fails to realize–to realize the heights to which he has climbed, so we, in Life's dusty pathway, cannot estimate the distance we have–we have,–cannot estimate the distance we have–" There, I knew I didn't know it! What shall I do?
Jack (brilliantly). Open your manuscript.
(Katherine enters, with letters and small package.)
Maude (unseeing, resumes). "Deep, deep are the mysteries of nature, infinite are–are–"
Mrs. De S. Maudie, here is a letter from Uncle John. (withholds package).
Maude (drops essay). O, I wonder what he sent! Is this all!
Mrs. De S. Why, Maudie! Read it.
Maude (tears it open; reads). "My dearest Niece: Hail to the happy day! 'Way down here in South Africa, 'mong monkeys and Boers, I feel the excitement. We don't graduate down here, but we know people who do. Never, I know, has the house of De Smythe been so shaken. In honor thereof, I am sending a–a–" O, goodness, I can't–"a diamond ring,"–a diamond! Hasn't it come?
Mrs. De S. Does he say when?
Maude (referring to the letter). He says "I am 29 sending–" Katherine is such a stupy! (calls). Katherine–
Mrs. De S. Maybe this is it. (gives package).
(Katherine comes with pink roses.)
Maude O, O. O.! Isn't it a beauty! Jack, look!
Jack (just glancing). Umph! Yes, I see.
Maude Dear Uncle John! Everybody is so good! It's bigger than Valeria's. Must I wear gloves? I don't care, I just won't.
Mrs. De S. Your roses, Maudie.
Maude O, your roses, Jack! They're lovely!
Jack (slowly). The red weren't pretty, so I got pink. I hope you'll–
Maude (rapturously). I just love pink roses!
(Katherine comes in with a big package.)
Maude (tearing away pink ribbons and tissue papers). "With Valeria's dearest love." A bonbon dish! Isn't it lovely! And violets on it!
Jack (with a grimace). It will hold two pounds!
Maude It isn't a bit too big! If you won't fill it–well, there are others. I'm forgetting my piece. "Deep, deep are the mysteries–"
Jack Are you going to say it?
Maude No, but I must really know it, you know, so I can look up often.
Jack "O, I see clearly," said the blind man.
Mrs. De S. Dear, dear, this is just as if you were getting married! (sinks into a chair; she has been examining the flowers). The presents and the flowers and the carriages and–and everything. O, suppose you were–suppose you were!
Maude (with intense indignation). But I'm not! I'm graduating!
Jack (disconsolately). I don't think they're much alike!
30Mrs. De S. But where is Papa?
Jack As I came, I saw him at the drug store.
Mrs. De S. The drug store! Why in the world–oh, I remember now,–I sent him. We'll never get off.
(Miss Hoppenhoer's voice is heard from somewhere, "O Jennie!")
Mrs. De S. (rising and collecting things dropped). I wonder what's happened now? I hope Papa isn't killed! (hurries out).
Maude (gazing at her ring). Aren't my presents pretty?
Jack Yes, but you are prettier.
Maude (archly). Thank you, Mr. Hamilton, but aren't you a little rash? (holds roses to her face by way of contrast.)
Jack (critically). No, I think not, on mature consideration. Your hair looks like gold–California gold, and those lovely lilies! Who gave you those lilies-of-the-valley? (suddenly).
Maude (evasively). Why California gold?
Jack O, it's redder, and then, it is a native product. You'd be mad if I said antique gold.
Maude But do you like antique gold better?
Jack That isn't the point. Who gave you those lilies?
Maude Aren't they dear?
Jack (cruelly). Don't know,–didn't buy 'em. Whose tribute are they?
Maude "Tribute" sounds like a funeral.
Jack (with awful meaning). There may be a funeral. Whose are they?
Maude (demurely). Mine.
Jack (with infinite patience). You know what I mean, (with terrible calmness). Who gave you those?
Maude (preparing to cry). You're awfully cross, I think.
31(Mr. Bulbus enters in rear hunting something. Maude sees him.)
Jack (unmoved). Who gave you those?
Maude (graciously, sweetly). Mr. Bulbus, the lilies are lovely.
Mr. B. (surprised into dropping a hammer). Yes'sum, I'm glad you–you like 'em. (retreats in confusion.)
Jack Oh! (slowly). That's awfully nice of you.
(Enter Mrs. De Smythe and Miss Hoppenhoer, bonnets and gloves on.)
Mrs. De S. Where is your father? It's time to go.
Jack Past time. Grindem said to be there at 9:30.
Mrs. De S. What shall we do? I knew he would be late! I hope I shall not have an attack!
Miss H. (grimly). No, I hope not–in that dress!
Mrs. De S. As if one's dress made any difference with an attack! O, there he is! Well, Papa, you–good morning, Madam.
(Mr. De Smythe and Madam Sateene come in together.)
Mr. De S. My, how fine we look!
Maude Madam Sateene, this shoulder–wrinkles.
Madam Let me see. (Madam and Maude consult apart.)
Mrs. De S. We ought to go.
Mr. De S. Miss Rantum hasn't come.
Jack (looking up from his own Ms.) O, I forgot! Miss Baked Beans will meet us there. She couldn't come here.
Maude She promised she would!
Mr. De S. All ready. How many of these do we take? (indicating flowers). Need a dray?
Maude Only Jack's–and I carry them. Jack, you 32 carry my essay and fan. (puts on hat). Is it straight? Where are my roses?
(Miss Hoppenhoer gives Mr. De Smythe two shawls and he goes.)
Madam (anxiously). Wait one moment. (adjusts Maude's train). Now.
Miss H. Have you any lemon drops?
Maude Of course not,–nobody carries lemon drops! Where is my handkerchief!
Jack (sheepishly, taking it out of his vest). Here it is.
Mr. De S. (from door). Come on, you people.
Mrs. De S. O dear, dear, I shall never stand it.
Miss H. (collecting salts and fans). We're coming.
Mrs. De S. O dear,–kiss me, Maudie. (sits down exhausted). It's just like a wedding! I can't stand it! Some day you'll be getting married!
(Mr. Bulbus enters in the rear and just stands.)
Jack (cheerfully). I hope so.
Maude (arranging train to carry it gracefully). Poor Mamma!
Mr. De S. (from outside). Come on! Matilda, bring Mamma!
Mrs. De S. O, O, O!
Maude Brace up, Mamma, you must.
Mrs. De S. (to her handkerchief). And only yesterday she was a baby!
Miss H. (snappishly.) And only day before yesterday you were!
Mrs. De S. (from outside). Come on–we must go.
Chorus We're coming! (All start, collecting fans, handkerchiefs, and gathering up trains, adjusting bonnets anew, etc.)
Maude (as they rush for the door). O, look out 33 for my flowers! Jack, got my piece? I know I shall forget! What if we're late? Good-bye, Mr. Bulbus! (all go).
(Curtain drops on Mr. Bulbus, gazing after Maude in a sort of trance.)
EPILOGUE.
(A Wednesday morning in May, 1905. Mr. and Mrs. Jack Hamilton at breakfast. He reading a paper, totally absorbed. She opening her letters; there are two by her plate.)
Maude (reading letter and talking to herself). Well, Well! (reading). I am not angry–not in the least. You dear old girl! (drops letter and meditates). You dear old girl! (resumes reading). I know better,–you wouldn't! (reads about a page without comment, then) W-h-y! Why! O goodness gracious! Jack!
(Jack looks over top of paper absently, then resumes reading.)
Maude (explosively). Jack, what do you think? Only fancy–Valeria is–Jack, listen! Put down your horrid paper! Valeria is married.
(He looks at her vacantly.)
Jack Well?
Maude Well? Listen: Valeria is married.
Jack (waking to the situation). Is that so! Valeria–well, well. I'm not astonished.
Maude (pensively). Why not?
Jack (at a venture). O, because–she is so–so handsome.
Maude (scornfully). She isn't handsome! Where are your eyes? She's clever–clever, that's what Valeria is. But not handsome,–certainly not. She squints.
Jack (staring). I thought you were so fond of her.
Maude (with dignity). I am, I am awfully fond of 34 her–I've always been. But (cuttingly) affection doesn't blind me. I can love her and see her faults. Nobody ever called Valeria handsome.
Jack (hunting his place on the page). Maybe it was stunning.
Maude (with intense emphasis). Stunning!
Jack (turning the page with a prodigious rattling). Hal used to rave over her.
Maude O! Hal, he–don't rattle your paper so, you make me nervous! Hal didn't care for her.
Jack (absently). No, I suppose not, I suppose not. Of course, nobody could.
(Silence. Both read.)
Maude (intent on letter and all to herself). I wonder what she wore! She is too old for white. (reads aloud). "You'll be surprised, my dear." Yes, I confess I am. (gazing at coffee urn thoughtfully). Yes, I am. (resumes reading). Where was I? "I want to tell you first, dear." Here it is. So she did wear white–now, I am astonished. (reads on). For pity sakes! Jack
Jack (starts violently, crushing paper). A man might as well live on Vesuvius.
Maude (in great excitement). But, Jack, guess who married her.
Jack (with calm certainty). The man in the Moon. He's too jolly to mind squints.
Maude Just guess. You never can.
Jack (impatiently, much wrought upon.) Then tell me.
Maude (in an explosive). Hal!
Jack (inanely). Hal!
Maude (calmly, the mine sprung). Hal Taylor.
Jack Hal Taylor. Well, I am–bobbed!
Maude I'm not surprised.
Jack You said Hal didn't care for her.
35Maude (very slowly). He doesn't, Jack. Hal was–roped in.
Jack (stares, then gives vent to a long whistle of astonishment). Well, you women!
Maude Don't talk to me. I am disgusted!
Jack (ruefully). Well! (He stares, folds napkin, unfolds it and takes up his newspaper.)
Maude Don't sit there, just saying "Well" all the time!
Jack (slowly). Say, what is it to you?
Maude (sobs a little). She h-has deceived me–basely deceived me. But I don't care. I shall send her a cut-glass berry dish,–maybe a Tiffany c-c-cut! (dries her eyes resolutely). Coffee, dear?
Jack (irritably; a trifle suspicious yet). Yes, don't I always take coffee?
Maude (plaintively). Don't scold me. I cannot endure much more. To think Valeria–
Jack (with decision, carving the steak). Don't think, then. Drop it. What's your other letter?
Maude (sadly). I don't care–I don't care for anything. (takes a biscuit). The biscuits are burned.
Jack No, they are not. Never mind–give the letter to me.
(Maude gazes pensively at nothing. Jack opens the letter with a fork, and reads silently.)
Jack (to himself, muttering). Of course, it's money,–always money. Only a dollar and fifty cents apiece,–a man ought not growl. Umph! "The happy old days." Yes, I remember.
Maude (meekly). Remember what, Jack, dear? (He reads. Silence. She folds and unfolds Valeria's letter.)
Jack (suddenly). By George!
Maude (buttering a biscuit, slowly). What is it?
Jack By George!
36Maude What is it? A woman might as well live on–on Vesuvius!
Jack George Graham is in the New York legislature!
Maude Professor George De Witt Graham!
Jack (reading while he speaks). The same, my dear. We're to banquet him; it seems he's made a big speech.
Maude He was very handsome, and nice to us girls. He pulled us all through chemistry.
Jack (absently). Yes, he was a good wire puller. And now he's Senator, Senator in New York. That's great.
Maude How do you know? Is that from him?
Jack This is the Alumni Letter.
Maude Alumni?
Jack (slowly and elaborately). Yes, my dear, the Alumni Letter,–Alumni. We graduated in 1902,–possibly you remember the circumstances. You ought to.
Maude How long ago it seems,–how long, long ago!
Jack Thank you. It is. Three years.
(Silence. He stirs coffee.)
Maude The lace for my dress gave out,–do you remember? And I wore Paris muslin and Mamma was sick.
Jack It was a great day! You remember your Aunt?
Maude Poor Aunty! I can see her now–so 'fraid I would forget–sitting on the edge of her chair! And those lemon drops,–I thought I should faint when Bob brought 'em up!
Jack Yes, I remember how his shoes squeaked! And Bob would usher!
Maude Poor Aunty, I hope she is happier now out among the Hottentots. Aren't they Hottentots?
Jack (with scholarly precision). Your Aunt, my dear, is in Korea. Korea is an island just east of–
Maude (vaguely). Well aren't the Hottentots there, 37 too? I thought they were all together over there somewhere,–all fat and dusty together, with their queer hats like plates,–all praying and embroidering lovely silks.
Jack As I was saying, Korea is east of–of Asia.
Maude (taking another biscuit). Asia was always hard for me. The rivers had such dreadful names! "1902! 1902! We are the people, who are you?" What fun we had! Let's go back!
Jack Haven't time. You write 'em greetings and so on, and enclose three dollars. I wonder where old Grindem is?
Maude Old Grindem! You remember his side whiskers? I couldn't bear that man! He was horrid on Commencement day–wouldn't wait one second! Not one second! And Valeria, (she sighs heavily). Poor Valeria!
Jack (cheerfully). You looked mighty pretty that day. You didn't need any lace.
(She sighs gently and shakes her head.)
Jack (with desperate cheerfulness). And your hair was like gold,–and those lilies-of-the-valley! I remember I went so far as to think of Solomon. How is it? "Solomon in all his glory–all his glory was–was–Solomon was"–how is it?
Maude "Was not arrayed like one of these."
Jack O yes–"like one of these," of course. "Solomon in all his glory was not arrayed like one of these." You were a sort of female Solomon. Not a Mrs. Solomon,–perish the thought!
Maude (reproachfully). Jack!
Jack (still cheerfully). Who gave you those lilies? Come on–tell me now. This is a sort of anniversary when "all things shall be made clear." Old Bulbus?
(She braces herself with visible effort.)
Jack It was awfully hard on me, your just carrying my roses and putting old Bulbus' lilies in your Solomon hair.
38Maude They weren't B-B-Bulbuses.
Jack Honest?
Maude H-honest.
Jack (gravely). Whose were they?
(Silence. Maude twists her napkin.)
Jack (more gravely). Whose were they, Mrs. Hamilton?
Maude You won't be mad?
Jack Do I get "mad"? I am not a two-year-old!
Maude Nor cross?
Jack Whose lilies were those, I ask!
Maude (sitting very erect). I am going to tell you!
Jack (a trifle viciously). See that you do.
Maude Hal sent those lilies.
Jack (incredulous). Hal Taylor?
Maude (with a dead period). Hal Taylor.
(He gazes at her sternly; she hides her face behind the coffee urn.)
Jack Therefore, Valeria squints!
Maude O don't, Jack!
Jack (severely). The vanity of woman!
Maude (rising quickly and coming round to his chair). But I have your roses, Jack, in the box with my dress! And I shall send Valeria a cut-glass berry-bowl–maybe a Tiffany cut!
(He pulls her down to him as curtain falls.)
End of the Project Gutenberg EBook of The Sweet Girl Graduates, by Rea Woodman *** END OF THIS PROJECT GUTENBERG EBOOK THE SWEET GIRL GRADUATES *** ***** This file should be named 31506-h.htm or 31506-h.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/3/1/5/0/31506/ Produced by Roger Frank and the Online Distributed Proofreading Team at https://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.