Ann has a large black cat, of which she is very fond. See how she clasps it in her arms! She pets it and hugs it from morning till night. I think the cat loves Ann too; for it does not even try to scratch her.
Project Gutenberg's The Nursery, September 1881, Vol. XXX, by Various This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Nursery, September 1881, Vol. XXX A Monthly Magazine for Youngest Readers Author: Various Release Date: February 22, 2013 [EBook #42158] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, SEPTEMBER 1881 *** Produced by Emmy, Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net Music transcribed by Veronika Redfern.
IN PROSE. |
|
PAGE | |
"Home in Sight" | 257 |
Nellie and Kitty | 259 |
The Prisoner | 260 |
Two Pets | 264 |
The Wounded Lamb | 268 |
Lisa | 270 |
Drawing-Lesson | 273 |
The Pet Fawn | 275 |
The little Flower-Girl | 278 |
Feeding the Ducks | 281 |
Lonely Jack | 284 |
IN VERSE. |
|
Contentment | 261 |
The Brook | 262 |
Blueberrying | 265 |
The Soldiers | 272 |
Jenny and Benny | 274 |
How the Sheep found Bo-peep | 277 |
Mabel and the Bust | 280 |
"Tit for Tat" | 283 |
Little Busybody | 287 |
The Morning Sail (with music) | 288 |
So said the bluff old captain to his passengers. Up they came, one after another, at the summons. The lady who was so worn down with sea-sickness sat with her head resting languidly on her husband's shoulder. The rest stood in groups, looking out upon the water.
The voyage had been a long one, and, though they were[258] not all sea-sick, all were heartily sick of the sea,—all except two little children, a girl and a boy, whose faces were always bright and merry.
"What is there to be seen, captain?" said the children's mother, after trying in vain to make out any thing except sea and sky.
"Don't you know?" said the old man. "Let me point it out then to this little sailor."
So, taking little Willie in his arms while the vessel leaned before the breeze, he pointed with his forefinger, and said, "Do you see that dark-blue cloud right on the edge of the water, just where it meets the sky?"
"Yes, I see it," said the bright-eyed youngster.
"Well, do you know what it is, my lad? It isn't a cloud at all. That's land. Now do you know what land it is?"
"No, sir," said Willie.
"Then I'll tell you. It is old Cape Cod.—We are in sight of home, ladies and gentlemen," said the captain addressing his passengers. "We shall make Boston Light to-night, if this wind holds good."
This speech brought great applause. Then the captain sang out,—
"Hold me up," said little Ellen, "and let me see."
Then the captain held her up too; and when the children's mother, who had a fine voice, started the song,—
She was just going to cry, when the kitten jumped up on the bed, and stood there with such a comical look, that, instead of crying, Nellie could not help laughing.
Then she got a string and began to play with kitty; so that when the nurse came in she found them both quite happy.
One day, Nellie was playing with her doll, and put it down[260] in her lap. Kitty, who had been watching her all the time, jumped up in Nellie's lap, pushed the doll out, and lay down, looking at her mistress, as if to say,—
"What did you take her up for? I am the only one that has any right here."
The sparrow looks saucily at him, saying, "Ah, ha, Sir Hawk! You have scared me many a time with your sharp[261] claws and hooked beak; but now I am a match for you. It was fine fun for you to kill little chickens. Now you see what comes of it."
"Yes indeed," cries the turkey, "he killed seven dear little chickens. How glad I am that he is caught at last! I'll give him a piece of my mind now, but he can't have any more chickens."
"Ah!" says the hawk, "you talk very bravely; but, if I were let out of this cage, you would not stare at me much longer."
The fowls walk slowly away without saying more. But the pert young sparrow bristles up, and dares the hawk to come out and fight him. It is very easy to be brave when there is no danger.
Ann has a large black cat, of which she is very fond. See how she clasps it in her arms! She pets it and hugs it from morning till night. I think the cat loves Ann too; for it does not even try to scratch her.
But here is a better pet than a cat. It is a dear little babe in its nurse's arms. The nurse is taking it out for a walk. She loves it dearly, and see how lovingly it clings to her! Love wins love, you know.
They listened, keeping very still, but could not make out where the sound came from. Then Mary, the eldest of the three, said, "Let us each go a different way, and hunt till we find the poor little thing."
They did so; and in a few minutes, Lulu the youngest called to the others, "I've found it! I've found it! Come, Mollie and Bessie, come quick and help me; for the dear little lamb is hurt, and I'm afraid it will die."
You may be sure that they all ran quickly, and it was well that they did; for the lamb had broken its leg, and could not have lived much longer if some one had not taken care of it. They found Lulu trying to help the poor creature; but she could do little except to soothe it.
Just then Bessie looked up, and saw the farmer not far off. She called loudly to him. He came at once, took the lamb tenderly in his arms, carried it home, laid it on a soft bed, and gave it some warm milk.
Very soon the lamb began to revive, much to the delight of the children; and little Lulu would hardly leave its side all that day.
With such kind care the lamb got well fast. It soon became a great pet with all the little girls, though their uncle said, that, as Lulu had found it, she should give it a name, and call it hers.
For some time she was quite puzzled to know what to call it; but one day, when Bessie was stroking it, she said, "Why lambie, your fleece is as fine and soft as floss!"[269]
"Oh, now I know what to call this pet," said Lulu, "I'll call it Flossy," and it went by that name all summer.
The next winter, when their uncle came to see them in the city, the children inquired for their little pet, Flossy.
"Flossy is a big sheep now," he said; "but I think she[270] remembers you, for when I go among the flock, she always comes and rubs her nose against me, and looks up, as much as to say, 'Where are those three girls that used to play with me last summer?'"
They would start in the morning, and after sailing about, and catching a good load of fish, would come home at noon to the nice dinner which Lisa's elder sister had prepared for them.
One day Lisa was alone in the house. Her sister had gone away to spend the day, and her father was out fishing. A heavy storm came up. It rocked the house, and blew the shutters to and fro; but Lisa never heeded it, for she was thinking of her father.
After the storm had ceased, she went to the door and looked out. An old fisherman was passing with his son. She asked him about her father. He pointed out the place where he had seen him before the storm, and said, "I fear that your father's boat has been driven upon the rocks, for it is no longer to be seen."
Without a moment's delay, Lisa tied on her hat, and hastened down to the shore. She got into a boat, and was pushing off, when an old sailor stopped her, and asked her where she was going.
"I am going in search of my father," said she.[271]
"I will go with you, my good girl," said the sailor; and he sprang into the boat, and took the oars.
They rowed out to the rocks, for the sea had gone down. Poor Lisa's heart sank within her as she gazed upon that angry coast; for the first thing that caught her eyes was a fragment of a boat.
Yes, her father's boat had surely been wrecked. "Oh, my dear, dear father!" said Lisa, bursting into tears, "I shall never see him again."
But hark! There comes a shout, "Boat ahoy!" Lisa's heart beats wildly, for it is her father's voice. Quick as thought, the sailor pulls to the place where the sound came from. And there Lisa found her father clinging to a rock. What a joyful meeting there was! And how happy Lisa felt to think that she had gone so promptly to the rescue!
There were thankful hearts in the fisherman's cottage that night; and Lisa never forgot the good old sailor who had proved such a true friend in time of need.
Was ever child so lovely! Was ever child so fair! Had ever child such bright blue eyes, Such lips, such golden hair! Say, is there any baby With this one to compare? |
|
Oh, yes! there is one other That's just as good as she: It is my baby-brother, Whose picture here you see. |
My dear little Boy,—In a lonely place, just at the edge of a wood, where I was detained, week before last, I came across a most delightful[276] little pet. You could not guess in twenty guesses what it was, and so I will tell you at once.
It was a fawn about eight months old. I am sure if you could have seen him you would never have given papa a moment's rest till you had him as your own pet; and perhaps I shall have something to say to you about that by and by.
Well, this charming little pet was of a light yellowish-brown color, and over his whole body were white spots about the size of a dime.
Some boys had surprised him asleep, when he was about a week old, and had carefully taken him home with them. There he had been tended and made much of by the whole family, and so he had grown to have a genuine affection for his captors.
He was allowed full freedom to go about the woods as he chose, and never failed to return at night; and when called by name—for the boys had named him Dick—he would come bounding up as if he dearly loved to be petted.
It was amusing to see him eat milk. When the saucer was set before him and he commenced to lap the milk, he would beat a tattoo with one of his front feet. He never lapped his saucer of milk without, in this manner, beating the floor with his hoof.
Now, my little boy, I do wish that these boys might be induced to sell this fawn. If I could get him, don't you think a little boy that I could name would have a beautiful pet? But we will not expect too much, will we?
I want to tell my little readers that Albert has a fawn which he calls his own and pets and caresses. It has a blue ribbon around its neck with a little bell attached, and we all laugh to see it beat a tattoo with its little foot while it laps milk from a saucer. Albert says, "It's ten times more beautiful, and a hundred times dearer than papa wrote about."
One morning, as Helen was watering and trimming her plants at the open window,—for the air is warm and pleasant in Nice, even in winter,—she heard a soft voice calling just underneath, "Mademoiselle, achetez mes fleurs, s'il vous plait?" In English this means, "Please buy my flowers, miss?"
Helen looked down, and there stood a little barefooted,[279] dark-eyed girl, a good deal smaller than herself, holding up a bunch of roses and violets. Her face was so sweet and smiling, that Helen could not refuse her: so she said in French, "How much are they, little girl?"
"Dix centimes seulement" ("only two cents"), she replied.
"Come round to the door, and I will buy them," said Helen.
The girl ran quickly to the door. When Helen learned from her that her mother was very poor, she gave her more than the price of her flowers; and the little girl's face fairly beamed with delight when she went away.
She had just come in with her large family from a swim in the pond.
"Quack, quack!" said the duck, waddling up, and opening her great bill.
"Don't let the old duck swallow your finger, Johnny!" said Ellen.
Johnny dropped the bread. The greedy duck snatched it, and in less than half a minute she opened her great bill again, and quacked for more.
Meanwhile grandma had been throwing out meal to the ducklings. But one pert little duckling was not satisfied with that.[282]
He lifted up his head, and fluttered his little bits of wings, and opened his mouth, and tried to quack, as much as to say,—
"I don't like meal and water. I want to have what ma has. Give me some too."
This made Ellen laugh: it was so like some children that she had seen!
Jack thought there never before had been such fortunate creatures as they were, and did not dream of separation from his dear friends. But one day a man came up with a rope, and, before the donkeys knew what he was doing, threw it over poor little Jack's neck, and tried to lead him away.
But Jack hadn't the least intention of going. Oh, dear, no! He planted his feet firmly on the ground, while the man pulled, and pulled, and pulled, but could not make him stir a step. At last the man gave up and went away; but he came back the next day with two more men.
Then, spite of Jack's firmness, his legs were bound, and he was laid in a wagon, and carried miles and miles away from all his dear companions.
His new home was a small farm where there were no friends for him at all. Jack soon grew so lonely, that he even felt anxious to scrape acquaintance with the hens and chickens. But they all rushed wildly away as soon he approached; and one old hen cackled out, "Good gracious, my children, my children! do keep out of the way of that ugly beast."
Jack was so grieved that he did not dare to make any more attempts at sociability that day; and, indeed there was no one else he could speak to, except Growler, the big bull-dog.
"A fine day, sir," said Jack, carelessly sauntering by the kennel.
"Bow-wow-wow!" barked Growler, making a frantic rush for Jack's legs.
Now donkeys don't often run; but Jack ran then as fast as he could go, straight across to the other end of the field, and right into a lot of the most delicious nettles.
But what pleasure can one find in dainty fare when one is alone? Jack stood looking around till he happened to spy a goat who seemed to be about as sad as himself.
"Are you homesick?" asked Jack.
"No," said the goat mournfully.
"Some other kind of sick?" suggested Jack, glad to find some one who would give him a civil answer.
"No," answered the goat; "but my mouth waters to taste those little tender twigs on that tree just out of my reach. If I only had a box," he added, shaking his head, "or something to stand on, I could get them easily."
"Jump up on my back, and eat as many as you want," said Jack, ever ready to do a favor.
The goat hesitated. "I am afraid I might hurt you," he said.
"Nothing ever hurts me," responded Jack. "Jump up." So the goat took courage, made a leap, and landed safely on the donkey's back.
Jack stood there patiently while his new friend made a dainty feast.
"Is it good?" he asked.
"Delicious! Oh, so nice! But"—and the goat broke off in a frightened manner. "Don't you see?" he began again after a moment. "There's the farmer looking at us. Oh, dear me, what will he do?"
"Nothing," said Jack. "Go on eating, and let him look if he wants to."
"No, no! I had better get down," said the goat.
"Don't be afraid," the donkey insisted. "Stay there, and eat as much as you want."
The goat was not willing to be thought a coward: so, with one eye still on the farmer, he began to eat again. His master, after staring at the strange couple for a moment, burst into a loud laugh, and went away.
"There, I've had enough," the goat said with a sigh of pleasure, as he jumped off Jack's back. "Thank you very much. Let's be friends."[287]
Jack was so delighted with this suggestion, that he brayed until the hills re-echoed with the sound of his voice. And from that day to this the donkey and goat have been inseparable friends. We never see one without the other.
Obvious punctuation errors repaired.
The original text for the July issue had a table of contents that spanned six issues. This was divided amongst those issues.
Additionally, only the July issue had a title page. This page was copied for the remaining five issues. Each issue had the number added on the title page after the Volume number.
Page 279, actual translation of "Dix centimes seulement" is "only ten cents" not "two" as the original states.
End of Project Gutenberg's The Nursery, September 1881, Vol. XXX, by Various *** END OF THIS PROJECT GUTENBERG EBOOK THE NURSERY, SEPTEMBER 1881 *** ***** This file should be named 42158-h.htm or 42158-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/4/2/1/5/42158/ Produced by Emmy, Juliet Sutherland and the Online Distributed Proofreading Team at http://www.pgdp.net Music transcribed by Veronika Redfern. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation's web site and official page at www.gutenberg.org/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.