The Project Gutenberg EBook of Index of the Project Gutenberg Works of Alfred Henry Lewis, by Alfred Henry Lewis This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. Title: Index of the Project Gutenberg Works of Alfred Henry Lewis Author: Alfred Henry Lewis Editor: David Widger Release Date: August 16, 2018 [EBook #57708] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK INDEX OF THE PG WORKS OF ALFRED HENRY LEWIS *** Produced by David Widger
CONTENTS
CHAPTER I. The Great Wolfville Strike.
CHAPTER II. The Grinding of Dave Tutt.
CHAPTER III. The Feud of Pickles.
CHAPTER IV. Johnny Florer's Axle Grease.
CHAPTER V. Toothpick Johnson's Ostracism.
CHAPTER VI. The Wolfville Daily Coyote.
CHAPTER VII. Cherokee Hall Plays Poker.
CHAPTER VIII. The Treachery of Curly Ben
CHAPTER IX. Colonel Sterett's Reminiscences
CHAPTER X. How the Dumb Man Rode.
CHAPTER XI. How Prince Hat Got Help.
CHAPTER XII. How Wolfville Made a Jest.
CHAPTER XIII. Death; and the Donna Anna.
CHAPTER XIV. How Jack Rainey Quit.
CHAPTER XV. The Defiance of Gene Watkins.
CHAPTER XVI. Colonel Sterett's War Record.
CHAPTER XVII. Old Man Enright's Love.
CHAPTER XVIII. Where Whiskey Billy Died.
CHAPTER XIX. When the Stage Was Stopped.
CONTENTS
CHAPTER I. WOLFVILLE'S FIRST FUNERAL.
CHAPTER II. THE STINGING LIZARD.
CHAPTER III. THE STORY OF WILKINS
CHAPTER IV. THE WASHWOMAN'S WAR.
CHAPTER V. ENRIGHT'S PARD, JIM WILLIS.
CHAPTER VI. TUCSON JENNIES HEART.
CHAPTER VII. TUCSON JENNIE'S JEALOUSY.
CHAPTER VIII. THE MAN FROM RED DOG.
CHAPTER X. TEXAS THOMPSON'S "ELECTION."
CHAPTER XL. A WOLFVILLE FOUNDLING.
CHAPTER XII. THE MAN FROM YELLOWHOUSE.
CHAPTER XIII. JACKS UP ON EIGHTS.
CHAPTER XIV. THE RIVAL DANCE-HALLS.
CHAPTER XV. SLIM JIM'S SISTER.
CHAPTER XVI. JAYBIRD BOB'S JOKE.
CHAPTER XVII. BOGGS'S EXPERIENCE.
CHAPTER XVIII. DAWSON & RUDD, PARTNERS.
CHAPTER XIX. MACE BOWMAN, SHERIFF.
CHAPTER XX. A WOLFVILLE THANKSGIVING.
CHAPTER XXL. BILL HOSKINS'S COON.
CHAPTER XXII. OLD SAM ENRIGHT'S "ROMANCE."
CHAPTER XXIII. PINON BILL'S BLUFF.
CONTENTS
CHAPTER I. The Dismissal of Silver Phil.
CHAPTER II. Colonel Sterett's Panther Hunt,
CHAPTER III. How Faro Nell Dealt Bank.
CHAPTER IV. How The Raven Died.
CHAPTER V. The Queerness of Dave Tutt.
CHAPTER VI. With the Apache's Compliments.
CHAPTER VII. The Mills of Savage Gods.
CHAPTER VIII. Tom and Jerry; Wheelers.
CHAPTER IX. The Influence of Faro Nell.
CHAPTER X. The Ghost of the Bar-B-8.
CHAPTER XI. Tucson Jennie's Correction.
CHAPTER XII. Bill Connors of the Osages.
CHAPTER XIII. When Tutt first saw Tucson.
CHAPTER XIV. The Troubles of Dan Boggs.
CHAPTER XV. Bowlegs and Major Ben.
CHAPTER XVI. Toad Allen's Elopement.
CHAPTER XVII. The Clients of Aaron Green.
CHAPTER XVII. Colonel Sterett Relates Marvels.
CHAPTER XIX. The Luck of Hardrobe.
CHAPTER XX. Colonel Coyote Clubbs.
CHAPTER XXI. Long Ago on the Rio Grande.
CHAPTER
I. How Richard Began to Woo
CHAPTER
II. How a President is Bred
CHAPTER
III. How Mr. Gwynn Dined with the Harleys
CHAPTER
IV. How a Speakership was Fought for
CHAPTER
V. How Richard was Taught Many Things
CHAPTER
VI. How Storri Had a Vivid Imagination
CHAPTER
VII. How Richard Gained in Knowledge
CHAPTER
VIII. How Storri Wooed Mrs. Hanway-Harley
CHAPTER
IX. How Storri Made an Offer of His Love
CHAPTER
X. How Storri Plotted a Vengeance
CHAPTER
XI. How Mr. Harley Found Himself a Forger
CHAPTER
XII. How Mr. Fopling was Inspired
CHAPTER
XIII. How the San Reve Gave Storri Warning
CHAPTER
XIV. How They Talked Politics at Mr. Gwynn's
CHAPTER
XV. How Richard Met Inspector Val
CHAPTER
XVI. How Richard Received a Letter
CHAPTER
XVII. How Northern Consolidated was Sold
CHAPTER
XVIII. How Storri Explored for Gold
CHAPTER
XIX. How London Bill Took a Pal
CHAPTER
XX. How Storri Foolishly Wrote a Message
CHAPTER
XXI. How the Gold Came Down
CHAPTER
XXII. How the San Reve Kept Her Storri
CHAPTER
XXIII. How Richard and Dorothy Sailed Away
One of the Most Reverend of the Senate Walruses
At the Door of the Caucus Room
"Sit Down!" Thundered Mr. Harley
"It'll Take Two Months to Dig that Tunnel"
CONTENTS
INTRODUCTION By ALFRED HENRY LEWIS
THE MORMON MENACE OR, THE CONFESSIONS OF JOHN DOYLE LEE
CHAPTER I - THE STORMY YOUTH OF LEE
CHAPTER II - LEE BEGINS A CAREER
CHAPTER III - LEE BECOMES A MORMON
CHAPTER IV - THE SAINTS BESET WITH TROUBLES
CHAPTER VI - LEE LOCATES THE GARDEN OF EDEN
CHAPTER VII - THE SAINTS GATHER AT NAUVOO
CHAPTER VIII - LEE AS A MISSIONARY
CHAPTER IX - MORMONISM AND ITS ORIGIN
CHAPTER X - LEE CASTS OUT DEVILS
CHAPTER XI - HOT FOR LEE IN TENNESSEE
CHAPTER XII - OF PECULIAR INTEREST IN NAUVOO
CHAPTER XIII - DEATH OF JOSEPH SMITH
CHAPTER XIV - THE DOCTRINE OF SEALING
CHAPTER XV - THE SAINTS TURN WESTWARD
CHAPTER XVI - LEE GOES TO SANTA FE
CHAPTER XVII - LEE IS TREATED BADLY BY THE BRETHREN
CHAPTER XVIII - THE DANITE AND HIS DUTY
CHAPTER XIX - THE MOUNTAIN MEADOWS
CHAPTER XX - THE MUSTER OF THE DANITES
CHAPTER XXI - THE BLOOD FEAST OF THE DANITES
CHAPTER XXII - THE DANITE CHIEF REPORTS TO BRIGHAM
CHAPTER XXIII - LEE NEARS THE END
APPENDIX II - THE STORY OF LEE'S ARREST
APPENDIX III - DEATH OF JOHN DOYLE LEE
CHAPTER | PAGE | |
I | DEAD SHOT BAKER | 7 |
II | OLD MAN ENRIGHT'S UNCLE | 39 |
III | CYNTHIANA, PET-NAMED ORIGINAL SIN | 61 |
IV | OLD MONTE, OFFICIAL DRUNKARD | 99 |
V | HOW THE MOCKING BIRD WAS WON | 126 |
VI | THAT WOLFVILLE-RED DOG FOURTH | 148 |
VII | PROPRIETY PRATT, HYPNOTIST | 176 |
VIII | THAT TURNER PERSON | 198 |
IX | RED MIKE | 225 |
X | HOW TUTT SHOT TEXAS THOMPSON | 260 |
XI | THE FUNERAL OF OLD HOLT | 295 |
XII | SPELLING BOOK BEN | 320 |
PAGE | |
We makes four trips back and forth between Wolfville and Red Dog, crackin' off our good old '45's at irreg'lar intervals, Faro Nell on her calico pony as the Goddess of Liberty, bustin' away with the rest. . . . Frontispiece | 170 |
We're all discussin' the doin's of this yere road-agent when Dan gets back from Red-Dog, an' the result is he unloads his findin's on a dead kyard. | 18 |
Dead Shot stops short at this hitch in the discussion, by reason of a bullet from the Lightin' Bug's pistol which lodges in his lung. | 28 |
The second evening Old Stallins is with us, Dan Boggs an' Texas Thompson uplifts his aged sperits with the "Love Dance of the Catamounts." | 42 |
"It's you, Oscar, that I want," observes Miss Bark. "I concloodes, upon sober second thought, to accept your offer of marriage." | 90 |
A couple of Enright's riders comes a packin' a live bobcat into town. | 118 |
Turkey Track, seein' he's afoot an' thirty miles from his home ranch pulls his gun an' sticks up the mockin' bird's buckboard. | 138 |
We sees the Turner person aboard an' wishes him all kinds of luck. | 222 |
"What's the subject?" Peets asks. "That, my friend, is the 'Linden in October,'" returns Mike, as though he's a showin' us a picture of Heaven's front gate. | 238 |
"Him an' Annalinda shore do constitoote a picture. 'Thar's a pa'r to draw to,' says Nell to Texas, her eyes like brown diamonds." | 280 |
Thar's a bombardment which sounds like a battery of gatlings, the whole punctchooated by a whirlwind of "whoops!" | 316 |
"Onless girls is barred," declares Faro Nell, from her perch on the chair "I've a notion to take a hand." | 336 |
CONTENTS
CONTENTS
III.—HOW PIOGGI WENT TO ELMIRA
XII.—THE GOING OF BIFF ELLISON
CONTENTS
CHAPTER I—FROM THEOLOGY TO LAW
CHAPTER II—THE GENTLEMAN VOLUNTEER
CHAPTER III—COLONEL BENEDICT ARNOLD EXPLAINS
CHAPTER IV—THE YOUNG FRENCH PRIEST
CHAPTER V—THE WRATH OF WASHINGTON
CHAPTER VI—POOR PEGGY MONCRIEFFE
CHAPTER VII—THE CONQUERING THEODOSIA
CHAPTER VIII—MARRIAGE AND THE LAW
CHAPTER IX—SON-IN-LAW HAMILTON
CHAPTER X—THAT SEAT IN THE SENATE
CHAPTER XI—THE STATESMAN FROM NEW YORK
CHAPTER XII—IDLENESS AND BLACK RESOLVES
CHAPTER XIII—THE GRINDING OF AARON’S MILL
CHAPTER XIV—THE TRIUMPH OF AARON
CHAPTER XV—THE INTRIGUE OF THE TIE
CHAPTER XVI—THE SWEETNESS OF REVENGE
CHAPTER XVII—AARON I, EMPEROR OF MEXICO
CHAPTER XVIII—THE TREASON OF WILKINSON
CHAPTER XIX—HOW AARON IS INDICTED
CHAPTER XX—HOW AARON IS FOUND INNOCENT
CHAPTER XXI—THE SAILING AWAY OF AARON.
CHAPTER XXII—HOW AARON RETURNS HOME
CHAPTER XXIII—GRIEF COMES KNOCKING
CHAPTER XXIV—THE DOWNFALL OF KING CAUCUS
CHAPTER XXV—THE SERENE LAST DAYS
CONTENTS
CHAPTER I—HOW THE BOSS CAME TO NEW YORK
CHAPTER II—THE BOSS MEETS WITH POLITICS
CHAPTER III—THE BOSS SEES THE POWER OF TAMMANY
CHAPTER IV—THE BOSS ENTERS THE PRIMARY GRADE OF POLITICS
CHAPTER V—THE BATTLE OF THE BALLOTS
CHAPTER VI—THE RED JACKET ASSOCIATION
CHAPTER VII—HOW THE BOSS WAS NAMED FOR ALDERMAN
CHAPTER VIII—THE FATE OF SHEENY JOE
CHAPTER IX—HOW BIG KENNEDY BOLTED
CHAPTER X—HOW JIMMY THE BLACKSMITH DIED
CHAPTER XI—HOW THE BOSS STOOD AT BAY FOR HIS LIFE
CHAPTER XIII—BIG KENNEDY AND THE MUGWUMPS
CHAPTER XIV—THE MULBERRY FRANCHISE
CHAPTER XV—THAT GAS COMPANY INJUNCTION
CHAPTER XVI—THE BOSS IS DEAD; LONG LIVE THE BOSS!
CHAPTER XVII—THE REPUTABLE OLD GENTLEMAN IS MAYOR
CHAPTER XVIII—HOW THE BOSS TOOK THE TOWN
CHAPTER XIX—THE SON OF THE WIDOW VAN FLANGE
CHAPTER XX—THE MARK OF THE ROPE
CHAPTER XXI—THE REVEREND BRONSON'S REBELLION
CHAPTER XXII—THE MAN OF THE KNIFE
CHAPTER XXIII—THE WEDDING OF BLOSSOM
CHAPTER XXIV—HOW VAN FLANGE WENT INTO STOCKS
CHAPTER XXV—PROFIT AND LOSS; MAINLY THE LATTER
CHAPTER XXVI—THE VICTOR AND THE SPOILS
CHAPTER XXVII—GOLD CAME, AND DEATH STEPPED IN
CHAPTER XXVIII—BEING THE EPILOGUE
CONTENTS
CHAPTER I—SALISBURY AND THE LAW
CHAPTER II—THE ROWAN HOUSE SUPPER
CHAPTER III—THE BLOOMING RACHEL
CHAPTER IV—COLONEL WAIGHTSTILL AVERY OFFENDS
CHAPTER V—THE WINNING OF A WIFE
CHAPTER VI—DEAD-SHOT DICKINSON
CHAPTER VII—HOW THE GENERAL FOUGHT
CHAPTER VIII—ENGLAND AND GRIM-VISAGED WAR
CHAPTER IX—THE GENERAL AT THE HORSESHOE
CHAPTER XI—THE TWO FLAGS AT PENSACOLA
CHAPTER XII—THE GENERAL GOES TO NEW ORLEANS
CHAPTER XIII—THE WATCH FIRES OF THE ENGLISH
CHAPTER XIV—THE BATTLE IN THE DARK
CHAPTER XV—COTTON BALES AND SUGAR CASKS
CHAPTER XVI—THE EIGHTH OF JANUARY
CHAPTER XVII—THE SLAUGHTER AMONG THE STUBBLE
CHAPTER XVIII—ODDS AND ENDS OF TIME
CHAPTER XIX—THE KILLING EDGE OF SLANDER
CHAPTER XX—THE GENERAL GOES TO THE WHITE HOUSE
CHAPTER XXI—WIZARD LEWIS URGES A CHANGE IN FRONT
CHAPTER XII—THE DOWNFALL OF MACHIAVELLI CLAY
CHAPTER XXIII—THE FEDERAL UNION: IT MUST BE PRESERVED
CHAPTER XXIV—THE ROUT OF TREASON
CHAPTER XXV—THE GRAVE AT THE GARDEN'S FOOT
CONTENTS
CONTENTS
CHAPTER I—HIS BAPTISM OF THE SEA
CHAPTER IV—THE KILLING OF MUNGO
CHAPTER V—THE SAILOR TURNS PLANTER
CHAPTER VI—THE FIRST BLOW IN VIRGINIA
CHAPTER VIII—THE PLANTER TURNS LIEUTENANT
CHAPTER IX—THE CRUISE OF THE “PROVIDENCE”
CHAPTER X—THE COUNSEL OF CADWALADER
CHAPTER XI—THE GOOD SHIP RANGER
CHAPTER XII—HOW THE “RANGER” TOOK THE “DRAKE”
CHAPTER XIII—THE DUCHESS OF CHARTRES
CHAPTER XIV—THE SAILING OF THE “RICHARD”
CHAPTER XV—THE “RICHARD” AND THE “SERAPIS”
CHAPTER XVI—HOW THE BATTLE RAGED
CHAPTER XVII—THE SURRENDER OF THE “SERAPIS”
CHAPTER XVIII—DIPLOMACY AND THE DUTCH
CHAPTER XIX—NOW FOR THE TRAITOR LANDAIS
CHAPTER XX—AIMEE ADELE DE TELISON
CHAPTER XXI—ANTONY AND CLEOPATRA
CHAPTER XXII—THE FÊTE OF THE DUCHESS DE CHARTRES
CHAPTER XXIII—THE WEDDING WITHOUT BELLS
CHAPTER XXIV—THAT HONEYMOON SUB ROSA
CHAPTER XXV—CATHERINE OF RUSSIA
CHAPTER XXVI—AN ADMIRAL OF RUSSIA
CHAPTER XXVII—THE HOUSE IN THE RUE TOURNON
CHAPTER XXVIII—LOVE AND THOSE LAST DAYS
CONTENTS
CHAPTER I—THE LUSTROUS PEG O'NEAL
CHAPTER II—PORT WINE DUFF AND PIGEON-BREAST
CHAPTER III—PEG'S MEETING WITH THE MAJOR
CHAPTER IV—THE JEW AND HIS SPANISH SWORD
CHAPTER V—REVEREND CAMPBELL AND THE MAGPIE
CHAPTER VI—THE STORM GATHERS AGAINST PEG
CHAPTER VII—THE SECRETARY, SUAVE AS CREAM.
CHAPTER VIII—THE MAD CAPRICIOUS PEG
CHAPTER IX—THE GENERAL SELECTS HIS SUCCESSOR.
CHAPTER X—THE MAJOR AND PEG AT CROSSES
CHAPTER XI—THE GENERAL MAKES PROVERBS
CHAPTER XII—HOW PEG WOULD WEAR THE CORAL.
CHAPTER XIII—THE SON OF THE SPANISH BULL-FIGHTER
CHAPTER XIV.—THE FEDERAL UNION: IT MUST BE PRESERVED.
CHAPTER XV—HOW PEG WAS SAVED FROM PEG.
CHAPTER XVI.—LOVE'S FUNERAL IN THE SNOW.
CONTENTS
CHAPTER I.—HOW I CAME TO THE INN.
CHAPTER II.—THE WINNING OF SAUCY PAOLI.
CHAPTER III.—HOW FORKED TONGUE WAS BURNED.
CHAPTER IV.—THAT TOBACCO UPSET.
CHAPTER VI.—THAT WOLFVILLE CHRISTMAS.
CHAPTER VII.—THE PITT STREET STRINGENCY.
CHAPTER VIII.—THAT STOLEN ACE OF HEARTS.
CHAPTER IX.—CHIQUITA OF CHAPARITA.
CHAPTER X.—HOW STRONGARM WAS AN ELK.
CHAPTER XI.—THAT SMUGGLED SILK.
CHAPTER XII.—THE WIPING OUT OF McCANDLAS.
CHAPTER XIII.—HOW JIM BRITT PASSED HIS BILL.
CHAPTER XIV.—HOW TO TELL THE LAST FOUR.
CHAPTER XV.—HOW MOH-KWA FED THE CATFISH.
CHAPTER XVI.—THE EMPEROR’S CIGARS.
CHAPTER XVII.—THE GREAT STEWART CAMPAIGN.
CHAPTER XVIII.—THE RESCUE OF CONNELLY.
CHAPTER XIX.—MOH-KWA AND THE THREE GIFTS.
CHAPTER XX.—THE GERMAN GIRL’S DIAMONDS.
CHAPTER XXI.—THE LUCK OF COLD-SOBER SIMMS.
CHAPTER XXII.—HOW PRINCE RUPERT LOST.
CHAPTER XXIII.—WHEN I RAN THE SHOTGUN.
CHAPTER XXIV.—WHEN THE CAPITOL WAS MOVED.
CHAPTER XXV.—HOW THE FILIBUSTERER SAILED.
CHAPTER XXVI.—HOW MOH-KWA SAVED STRIKE-AXE.
CHAPTER XXVII.—THE FLIM FLAM MURPHY.
End of the Project Gutenberg EBook of Index of the Project Gutenberg Works of Alfred Henry Lewis, by Alfred Henry Lewis *** END OF THIS PROJECT GUTENBERG EBOOK INDEX OF THE PG WORKS OF ALFRED HENRY LEWIS *** ***** This file should be named 57708-h.htm or 57708-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/5/7/7/0/57708/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you'll have to check the laws of the country where you are located before using this ebook. 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that * You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." * You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. * You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. * You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and The Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is in Fairbanks, Alaska, with the mailing address: PO Box 750175, Fairbanks, AK 99775, but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation's web site and official page at www.gutenberg.org/contact For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.