The Project Gutenberg EBook of Quotes and Images From The Short Stories of Maupassant, by Guy de Maupassant, Edited and Arranged by David Widger This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Quotes and Images From The Short Stories of Maupassant Author: Guy de Maupassant Editor: David Widger Release Date: September 4, 2004 [EBook #7549] Last Updated: October 26, 20112 Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK QUOTES FROM MAUPASSANT *** Produced by David Widger
Volume I. A Study by Pol. Neveux Boule De Suif Two Friends The Lancer's Wife The Prisoners Two Little Soldiers Father Milon A Coup D'etat Lieutenant Lare's Marriage The Horrible Madame Parisse Mademoiselle Fifi A Duel Volume II. The Colonel's Ideas Mother Sauvage Epiphany The Mustache Madame Baptiste The Question of Latin A Meeting The Blind Man Indiscretion A Family Affair Beside Schopenhauer's Corpse Volume III. Miss Harriet Little Louise Roque The Donkey Moiron The Dispenser of Holy Water The Parricide Bertha The Patron The Door A Sale The Impolite Sex A Wedding Gift The Relic Volume IV. The Moribund The Gamekeeper The Story of a Farm Girl The Wreck Theodule Sabot's Confession The Wrong House The Diamond Necklace The Marquis De Fumerol The Trip of the Horla Farewell The Wolf The Inn Volume V. Monsieur Parent Queen Hortense Timbuctoo Tombstones Mademoiselle Pearl The Thief Clair De Lune Waiter, a "Bock" After Forgiveness In the Spring A Queer Night in Paris Volume VI. That Costly Ride Useless Beauty The Father My Uncle Sosthenes The Baroness Mother and Son The Hand A Tress of Hair On the River The Cripple A Stroll Alexandre The Log Julie Romaine The Rondoli Sisters Volume VII. The False Gems Fascination Yvette Samoris A Vendetta My Twenty-five Days "The Terror" Legend of Mont St. Michel A New Year's Gift Friend Patience Abandoned The Maison Tellier Denis My Wife The Unknown The Apparition
Volume VIII. Clochette The Kiss The Legion of Honor The Test Found on a Drowned Man The Orphan The Beggar The Rabbit His Avenger My Uncle Jules The Model A Vagabond The Fishing Hole The Spasm In the Wood Martine All over The Parrot A Piece of String Volume IX. Toine Madame Husson's Rosier The Adopted Son A Coward Old Mongilet Moonlight The First Snowfall Sundays of a Bourgeois A Recollection Our Letters The Love of Long Ago Friend Joseph The Effeminates Old Amable Volume X. The Christening The Farmer's Wife The Devil The Snipe The Will Walter Schnaff's Adventure At Sea Minuet The Son That Pig of a Morin Saint Anthony Lasting Love Pierrot A Normandy Joke Father Matthew Volume XI. The Umbrella Belhomme's Beast Discovery The Accursed Bread The Dowry The Diary of a Mad Man The Mask The Penguins Rock A Family Suicides An Artifice Dreams Simon's Papa Volume XII. The Child A Country Excursion Rose Rosalie Prudent Regret A Sister's Confession Coco A Dead Woman's Secret A Humble Drama Mademoiselle Cocotte The Corsican Bandit The Grave Volume XIII. Old Judas The Little Cask Boitelle A Widow The Englishmen of Etretat Magnetism A Fathers Confession A Mother of Monsters An Uncomfortable Bed A Portrait The Drunkard The Wardrobe The Mountain Pool A Cremation Misti Madame Hermet The Magic Couch
Anguish of suspense made men even desire the arrival of enemies Dependent, like other emotions, on surroundings Devouring faith which is the making of martyrs and visionaries Freemasonry made up of those who possess Great ones of this world who make war I am learning my trade Insolent like all in authority Legitimized love always despises its easygoing brother Like all women, being very fond of indigestible things Presence of a woman, that sovereign inspiration Spirit of order and arithmetic in the business house Subtleties of expression to describe the most improper things Thin veneer of modesty of every woman Thrill of furious and bestial anger which urges on a mob to massacre
Chronic passion for cleaning Greatest shatterer of dreams who had ever dwelt on earth Hardly understand at all those bellicose ardors Key of a door Kiss of the man without a mustache Let us be indignant, or let us be enthusiastic Muscles of their faces have never learned the motions of laughter Resisted that feeling of comfort and relief Unconscious brutality which is so common in the country What is sadder than a dead house
Did wrong in doing her duty Don't talk about things you know nothing about Impenetrable night, thicker than walls and empty Love is always love, come whence it may "My God! my God!" without believing, nevertheless, in God Pines, close at hand, seemed to be weeping Preserved in a pickle of innocence She was an ornament, not a home
The warm autumn sun was beating down on the farmyard. Under the grass, which had been cropped close by the cows, the earth soaked by recent rains, was soft and sank in under the feet with a soggy noise, and the apple trees, loaded with apples, were dropping their pale green fruit in the dark green grass. The servant, Rose, remained alone in the large kitchen, where the fire was dying out on the hearth beneath the large boiler of hot water. From time to time she dipped out some water and slowly washed her dishes, stopping occasionally to look at the two streaks of light which the sun threw across the long table through the window, and which showed the defects in the glass. The fowls were lying on the steaming dunghill; some of them were scratching with one claw in search of worms, while the cock stood up proudly in their midst. When he crowed, the cocks in all the neighboring farmyards replied to him, as if they were uttering challenges from farm to farm. Neither could there be any scruples about an unequal match between them, for in the country every one is very nearly equal; the farmer works with his laborers, who frequently become masters in their turn, and the female servants constantly become the mistresses of the establishments without its making any change in their life or habits. Is it not rather the touch of Love, of Love the Mysterious, who seeks constantly to unite two beings, who tries his strength the instant he has put a man and a woman face to face?
Calling all religious things "weeper's wares" Everyone has his share How much excited cowardice there often is in boldness Love has no law People do not think as they speak, and do not speak as they act Rage of a timid man She saw that he would yield on every point
As he had never enjoyed anything, he desired nothing Do you know how I picture God? Don't know what to say, for I am always terribly stupid at first Hotel bed: Who has occupied it the night before? Irresistible force of mutual affection Isn't for the fun of it, anyhow! Love must unsettle the mind Machine for bringing children into the world Moments of friendly silence One cannot both be and have been Only by going a long distance from home Sadness of existences that have had their day Well-planned disorder When did you lie, the last time or now?
A sceptical genius has said: "God made man in his image and man has returned the compliment." This saying is an eternal truth, and it would be very curious to write the history of the local divinity of every continent as well as the history of the patron saints in each one of our provinces. The negro has his ferocious man-eating idols; the polygamous Mahometan fills his paradise with women; the Greeks, like a practical people, deified all the passions. Pierre Letoile was silent. His companions were laughing. One of them said: "Marriage is indeed a lottery; you must never choose your numbers. The haphazard ones are the best."—Another added by way of conclusion: "Yes, but do not forget that the god of drunkards chose for Pierre." No noise in the little park, no breath of air in the leaves; no voice passes through this silence. One ought to write at the entrance to this district: 'No one laughs here; they take care of their health.' "Listen, Jacques. He has forbidden me to see you again, and I will not play this comedy of coming secretly to your house. You must either lose me or take me."—"My dear Irene, in that case, obtain your divorce, and I will marry you."—"Yes, you will marry me in—two years at the soonest. Yours is a patient love."
"Do you know the people who live in the little red cottage at the end of the Rue du Berceau?"—Madame Bondel was out of sorts. She answered: "Yes and no; I am acquainted with them, but I do not care to know them." It seems that he had led a bad life, that is to say, he had squandered a little money, which action, in a poor family, is one of the greatest crimes. With rich people a man who amuses himself only sows his wild oats. He is what is generally called a sport. But among needy families a boy who forces his parents to break into the capital becomes a good-for-nothing, a rascal, a scamp. And this distinction is just, although the action be the same, for consequences alone determine the seriousness of the act. "Why; you are just the same as the others, you fool!" That was indeed bravado, one of those pieces of impudence of which a woman makes use when she dares everything, risks everything, to wound and humiliate the man who has aroused her ire. This poor man must also be one of those deceived husbands, like so many others. He had said sadly: "There are times when she seems to have more confidence and faith in our friends than in me." That is how a husband formulated his observations on the particular attentions of his wife for another man. That was all. He had seen nothing more. He was like the rest—all the rest! He awaited he knew not what, possessed with that vague hope which persists in the human heart in spite of everything. He awaited in the corner of the farmyard in the biting December wind, some mysterious aid from Heaven or from men, without the least idea whence it was to arrive. A number of black hens ran hither and thither, seeking their food in the earth which supports all living things. Ever now and then they snapped up in their beaks a grain of corn or a tiny insect; then they continued their slow, sure search for nutriment.
Full of that common sense which borders on stupidity Let them respect my convictions, and I will respect theirs Love that is sacred—not marriage! Mediocrities and the fools always form the immense majority Night-robe of streams and meadows Only being allowed to read religious works or cook-books Poetry did not seem to be the strong point Purgatory and paradise according to the yearly income She went through life in a mood of perpetual discontent So stupid and they pretend they know everything Spend his time quietly regretting the past The tomb is the boundary of conjugal sinning When we love, we have need of confession World has made laws to combat our instincts
"I heard 'birr! birr!' and a magnificent covey rose at ten paces from me. I aimed. Pif! paf! and I saw a shower, a veritable shower of birds. There were seven of them!"—And they all went into raptures, amazed, but reciprocally credulous. She was still smiling as she looked at him; she even began to laugh; and he lost his head trying to find something suitable to say, no matter what. But he could think of nothing, nothing, and then, seized with a coward's courage, he said to himself: 'So much the worse, I will risk everything,' and suddenly, without the slightest warning, he went toward her, his arms extended, his lips protruding, and, seizing her in his arms, he kissed her. My elder sons never loved me, never petted me, scarcely treated me as a mother, but during my whole life I did my duty towards them, and I owe them nothing more after my death. The ties of blood cannot exist without daily and constant affection. An ungrateful son is less than, a stranger; he is a culprit, for he has no right to be indifferent towards his mother.
I held my tongue, and thought over those words. Oh, ethics! Oh, logic! Oh, wisdom! At his age! So they deprived him of his only remaining pleasure out of regard for his health! His health! What would he do with it, inert and trembling wreck that he was? They were taking care of his life, so they said. His life? How many days? Ten, twenty, fifty, or a hundred? Why? For his own sake? Or to preserve for some time longer the spectacle of his impotent greediness in the family. But all at once one envelope made me start. My name was traced on it in a large, bold handwriting; and suddenly tears came to my eyes. That letter was from my dearest friend, the companion of my youth, the confidant of my hopes; and he appeared before me so clearly, with his pleasant smile and his hand outstretched, that a cold shiver ran down my back. Yes, yes, the dead come back, for I saw him! Our memory is a more perfect world than the universe: it gives back life to those who no longer exist. But she shook with rage, and got up one of those conjugal scenes which make a peaceable man dread the domestic hearth more than a battlefield where bullets are raining.
Monsieur Saval, who was called in Mantes "Father Saval," had just risen from bed. He was weeping. It was a dull autumn day; the leaves were falling. They fell slowly in the rain, like a heavier and slower rain. M. Saval was not in good spirits. He walked from the fireplace to the window, and from the window to the fireplace. Life has its sombre days. It would no longer have any but sombre days for him, for he had reached the age of sixty-two. He is alone, an old bachelor, with nobody about him. How sad it is to die alone, all alone, without any one who is devoted to you! He pondered over his life, so barren, so empty. He recalled former days, the days of his childhood, the home, the house of his parents; his college days, his follies; the time he studied law in Paris, his father's illness, his death. He then returned to live with his mother. They lived together very quietly, and desired nothing more. At last the mother died. How sad life is! He lived alone since then, and now, in his turn, he, too, will soon be dead. He will disappear, and that will be the end. There will be no more of Paul Saval upon the earth. What a frightful thing! Other people will love, will laugh. Yes, people will go on amusing themselves, and he will no longer exist! Is it not strange that people can laugh, amuse themselves, be joyful under that eternal certainty of death? If this death were only probable, one could then have hope; but no, it is inevitable, as inevitable as that night follows the day.
How I understood them, these who weak, harassed by misfortune, having lost those they loved, awakened from the dream of a tardy compensation, from the illusion of another existence where God will finally be just, after having been ferocious, and their minds disabused of the mirages of happiness, have given up the fight and desire to put an end to this ceaseless tragedy, or this shameful comedy. Suicide! Why, it is the strength of those whose strength is exhausted, the hope of those who no longer believe, the sublime courage of the conquered! Yes, there is at least one door to this life we can always open and pass through to the other side. Nature had an impulse of pity; she did not shut us up in prison. Mercy for the despairing! If genius is, as is commonly believed, a sort of aberration of great minds, then Algernon Charles Swinburne is undoubtedly a genius. Great minds that are healthy are never considered geniuses, while this sublime qualification is lavished on brains that are often inferior but are slightly touched by madness.
If you wish to read the entire context of any of these quotations, select a short segment and copy it into your clipboard memory—then open the following eBook and paste the phrase into your computer's find or search operation.
These quotations were collected from the short stories of Maupassant by David Widger while preparing etexts for Project Gutenberg. Comments and suggestions will be most welcome.
End of the Project Gutenberg EBook of Quotes and Images From The Short Stories of Maupassant, by Guy de Maupassant, Edited and Arranged by David Widger *** END OF THIS PROJECT GUTENBERG EBOOK QUOTES FROM MAUPASSANT *** ***** This file should be named 7549-h.htm or 7549-h.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/7/5/4/7549/ Produced by David Widger Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.