Project Gutenberg's Punchinello, Vol. 1, No. 6, May 7, 1870, by Various

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Punchinello, Vol. 1, No. 6, May 7, 1870

Author: Various

Release Date: November 5, 2003 [EBook #9960]
[Most recently updated: July 13, 2020]

Language: English

Character set encoding: UTF-8

*** START OF THIS PROJECT GUTENBERG EBOOK PUNCHINELLO, MAY 7, 1870 ***




Produced by Cornell University, Joshua Hutchinson, Steve Schulze
and the Online Distributed Proofreading Team.

PUNCHINELLO

Vol. I. No. 6.

SATURDAY, MAY 7, 1870.

PUBLISHED BY THE

PUNCHINELLO PUBLISHING COMPANY,

83 NASSAU STREET, NEW YORK.

CONANT'S PATENT BINDERS for "Punchinello," to preserve the paper for binding, will be sent, postpaid, on receipt of One Dollar, by "Punchinello Publishing Company," 83 Nassau Street, New-York City.

Ye Yonge Manne is born, and his parents hasten with him to ye abode of
ye BROWN, praying that he may be christened among ye upper tenne.

And when ye Yonge Manne takes a daughter of ye upper tenne to wife, ye
BROWN sees that he is married in ye BROWN his church.

Ye BROWN demands if ye parents put in their coal in ye Summer time; and,
being told that they do, he has ye Yonge Manne christened in his church,
and when he grows up ye BROWN introduces him into Society.

And when ye Yonge Manne he dies, ye BROWN arranges with all ye gardeners
and black-goods men. And so, ye Yonge Manne, he is done entirely BROWN.

THE BACHELOR'S MOVING-DAY.

    AHA!
  A mere half-hour's bother!
  Suppose I were a father—
A luckless wight, called "Pa"!

    I'd say,
  "Now curse the restless rover
  That first (despising clover!)
Invented Moving-day!"

    O yes!
  Especially, if moving
  Was likely to be proving
(As usual) a mess!

    Why, look!
  You've got no end of articles.
  Sure to be smashed to particles,
Or "snaked off" with a "hook"!

    You've got
  Chairs, bedsteads, tables, crockery—
  (Recital seems a mockery!)
You've got—what have you not?

    What's worse,
  Your things won't fit new places,
  Your wife won't like new faces—
Your very maid will curse!

    Your hat
  And other things do fall so!
  And children they do bawl so!
Good heavens! think of that,

    And think
  Of possible colds and fevers—
  Cartmen that prove deceivers—
Nothing to eat or drink!

    Small bliss
  For bachelors so lonely—.
  Tired of one thing only:
But they escape all this!

    And pray,
  What man with sons and daughters
  Don't sigh for bachelor quarters
About the First of May?

Printed, according to Act of Congress, in the year 1870, by the PUNCHINELLO PUBLISHING COMPANY, in the Clerk's Office of the District Court of the United States, for the Southern District of New York.

At the Banquet of the Army of the Potomac in Philadelphia, Mr. DANIEL DOUGHERTY made one of the most extraordinary speeches on record, if we except certain forensic efforts of Mr. PUNCHINELLO delivered during the earlier stages of his career from his box. Mr. DOUGHERTY is a Soarer, and a Spreader, and a Screamer. Speaking metaphorically, be goes higher, measures more from the tip of one wing to the other, and is more suggestive of the warbling of a locomotive in his speech than any other Eagle in Philadelphia, which is saying a great deal. DANIEL is a Giant of Rhetoric, and would remind us of the Big Gentleman from Cardiff, only that mysterious personage is too heavy to Soar; for which reason he usually occupies the ground floor, which Mr. DOUGHERTY does not do by any manner of means.

It was this extraordinary capacity of Mr. DOUGHERTY for Soaring which caused him to be called upon by the Army of the Potomac for a speech. The great D. begins by declaring that he would rather speak for his country than for Pennsylvania, which, considering that he also declared that he came "as a modest spectator," does not strike us as the depth of humility. However, "my bosom," said Mr. D., "is not confined to any locality;" and we believe that Mr. PECKSNIFF said something like this of his own frontal linen. Yet, we should like to know what Mr. DOUGHERTY does for a chest when his own has gone upon its extensive journeys; something temporary is done, we suppose, with a pad. But the Bosom was at the Banquet, and the proprietor was there to thump it, until it must have sounded and reverberated; and if Mr. DOUGHERTY had also thumped his head, there would have been equal evidence of hollowness within. "May my tongue never prove a traitor!" cried the orator. Mr. PUNCHINELLO hastens to reassure him. The tongue is well enough, and is likely to be. It's something a little higher up that is likely to give out.

If the applause of the brave men before him was what Mr. DOUGHERTY wanted, (besides his dinner,) then of applause he got the Stomach under his Bosom full. The speech was received, according to the reporters, with a roaring which has not been equalled since the Lions in the Den roared at the other DANIEL, until they found that the good man was neither to be roared or sneezed at with impunity. The cheering was "tremendous." The cheering was "terrific." The cheering was "prolonged." And there stood "the Bosom not confined to any locality," but just then swelling, and expanding, and dilating—shall we for once be fine, and say like an Ocean Billow? Voices which shouted at Gettysburg now hailed Mr. DANIEL DOUGHERTY as a Conquering Hero—the conqueror of their cars! Once in a while there was "great laughter" when Mr. D.D. hadn't said any thing specially funny—that is, if Mr. PUNCHINELLO is a judge of fun; and if he isn't, who in all the world is? There are two kinds of laughter—the laughing at and the laughing with; and we have known "tremendous" and even "vociferous" applause to be very suspicious.

It must be a source of calm satisfaction to General GRANT to know that he is considered the "great and glorious GRANT" by Mr. DANIEL DOUGHERTY; although DANIEL once considered Mr. BUCHANAN, poor man! to be equally "great and glorious." So DANIEL also considers SHERMAN to be "immortal," and SHERIDAN "unconquerable," and MEADE "glorious." Adjectives are cheap, you know; and D.D., Esq., has evidently a great stock of them in his Wandering Bosom. Only, great soldiers, who know the precise value of Mr. DOUGHERTY'S military opinions, might not care to have them laid on too thickly.

Mr. PUNCHINELLO has written to Mr. DOUGHERTY'S Family Doctor to inquire into the state of Mr. D's health after this tremendous effort, and he sends us a bulletin that Mr. D. is "as well as could be expected." We do not know what he means by this; it seems to us to lack scientific precision. The point upon which we wished to be informed was, whether Mr. D. did or did not break any thing—not the tumblers on the table, for that we should expect; but any thing in the way of blood-vessels. Not to put too fine a point upon it, How's the Bosom?

AMERICAN CUTLERY IN FRANCE.

The great pride, the dulce decus of Americans, has long been in their pocket hardware, and the skill with which they use it. But we must henceforth look to our laurels. France is competing alarmingly with us in the use of the revolver. They were always a revolutionary people, were the French, and revolving seems, therefore, to suit their temper to a T, (Gunpowder T, of course.) Since the slaying of NOIR by BONAPARTE, the affectation of readiness with the pistol has become quite the thing in Paris. New-York and Paris will soon be exactly alike in the bullet business—especially Paris. PAUL DE CASSAGNAC, it seems, has been invited by some anonymous person to meet him at a certain hour in front of the mairie of the Seventeenth arrondissement, for the purpose of having his brains removed with a revolver. PAUL declined to go, however. The Mairie mentioned in the cartel was not the one for PAUL. Probably he would have gone to VIRGINIA, had he been invited to do so; but never a MAIRIE for the faithful PAUL. And might have come by way of New-York, where he would soon have grown so used to having his brains removed with a revolver that the process would have become a pleasure to him.

PHILADELVINGS.

PUNCHINELLO cannot help liking Philadelphia, and always feels a pang of sympathy whenever any thing happens to that plain old city. One reason for this is, (and he is not ashamed of the weakness,) that Philadelphia likes PUNCHINELLO and takes, weekly, he would not be vain enough to say how many hundred copies of his journal. And now Philamaclink, as her natives love to call her, is afflicted with a terrible disease—a fearful attack of chronic Legislature. Even when the active symptoms of this dread malady have subsided, the effects linger, and the consequent suffering is excruciating. One of the direst of the effects of the last attack is a dreadful bill—not a bile—which has caused a utilization sewage company to appear upon her body corporate. It is almost impossible for sister cities to understand the torments of such an affliction. Nobody can now clear away their own dirt—Councils, Board of Health, or any body else. If rooms are swept, the sewage company must take up the dust; if a pig-pen or a stable needs cleaning, the company must do it; if the lady of a house throws the slops out of her breakfast cups, the company must carry them away; if a man knocks the ashes from his cigar, he must save them for the company; if, anywhere in the city, a foul word is spoken, the company must have the benefit of it. Even the birds in the squares must not cleanse their nests without a printed permit from the company. If a bedstead is cleaned, the company must have the bugs. Only one dirty thing is safe from this all-powerful corporation, and that is the legisiative delegation from the city. If the refuse matter were taken from that, there would be nothing left. It has been proposed that the Legislature itself should be purified; but this idea is Utopian, PUNCHINELLO fears. If Niagara were squirted through its halls, the water would be dirtied, but the halls would not be cleansed. Alas, poor city! Trampled under the heels of the aristocratic HONG and PENNY BUNN, what is there to hope for it?

But all has not been told. There are about eight hundred thousand inhabitants in the place. Some twenty thousand of these owe small sums for unpaid taxes, averaging about nine and a quarter cents to a man. To collect these sums, an army of seventy-two thousand able-bodied men, at salaries of one thousand dollars per annum, has been commissioned by the PENNY BUNN Legislature.

Alas, poor city! But all has not been told. A private firm has prevailed upon the imbecile old farmers from the western and interior counties to give them the right to build a private freight railroad through many of the principal streets of the Quaker City. This road will run through several school-house yards, and the time-tables are to be so arranged that trains shall always be due at those points at recess time. Every fiftieth private house along the lines is to have a road-station and freight-depot in its front-parlor, and all male residents on said routes are to serve in turn, without pay, as brakesmen and switch-tenders. The owners of all vehicles injured by the trains are to be heavily fined, and the families of individuals allowing themselves to be killed are to be mulcted in heavy damages.

Alas, poor city! But all has not yet been told. A counterfeit tax-bill has been passed by the Legislature. All the sums handed in to the State Treasury by the tax collectors have been found to be "bogus" money. This action has been indorsed by the Legislature, and the action of that body is hereafter to be of the same character as the funds paid in by its creatures.

Alas, poor city! But all has not yet been told. Colonel FORNEY intends resuming his "Occasional" letters in the Press!

Enough! Humanity can bear no more.

Query by a Constitutional Student.

When the Governor or President V-toes a bill, is he supposed to put his foot on it?

THE PLAYS AND SHOWS.

PECTACLES are proverbially fit for old eyes. Probably that is the reason why the spectacle of the Twelve Temptations is so dear to the aged eyes of the gray-haired old gentlemen who occupy the front seats at the Grand Opera House. It is certainly a brilliant spectacle, though, like the ideal scene to which Mrs. NICKLEBY's eccentric and vegetarian lover once referred, it consists principally of "gas and gaiters." Not that it is exclusively an Old Folks' entertainment; for, as the critics say of portentously dull juvenile books, "it will be found as interesting to the young as to the old." Though the dullest of dramas, it is so brightened by brilliant legs that it dazzles every beholder. Why, then, should the stern advocate of the legitimate drama refuse to acknowledge that the Twelve Temptations has its redeeming legs? How runs the ancient proverb, "Singed milk is better than it looks;" or that equally ancient philosophical maxim, "There is no use in crying over spilt cats"? The stupid story of ULRIC'S folly is made more attractive than one would suppose that it could be, and we need not weep over the fact that it is a spectacle, and not a SHAKESPEAREAN tragedy.

The bold explorers who have reached the remote Opera House, fought their way past the misanthropic door-keeper, and gained their seats, are first reduced to a state of mental chaos by the performance of a maddening overture, and are then fitted to appreciate the play, which proceeds after the following pattern:

Act 1. Curtain rises upon a score of Unintelligible Demons, who sing this impressive chorus:

    "Oh! um um um um
    For um um um um
    And um um um um
    To um um um um."

Exeunt Demons. Enter RUDOLPH THE TEMPTER. He remarks to the surrounding scenery—"ULLERIC'S soul must be mine, or else the dark abodes of torment await me. I will tempt him. Great Master, appear."

The Great Master—a major-general of fiends—appears, and, approving of RUDOLPH'S virtuous resolve, they descend to—well, they descend below the Erie Building, to drink to his success. Scene changes to ULRIC'S home. Enter ULRIC and family, including Aged Mother, Virtuous Heroine, Hated Rival, and Demoniac Servant.

ULRIC. "Motherr, this slife is intollerrabble; I will do any thing to escape frrrom it."

Enter RUDOLPH and Unintelligible Demons (disguised.) They sing as before.

    "Oh! um um um um," etc.

ULRIC. "The song says terruly. I will go with you, though you were the fiend himself."

Consternation on the part of every one. Demoniac Servant remarks, "Ha! ha!" ULRIC and the Demons sink through the floor. Scene changes to the Studio of Eblis.

RUDOLPH. "Take this collar. Behold these stripes painted upon it. Whatever you wish you shall have at the price of five years of your life. A stripe will vanish each time your wish is gratified. (Aside.) The stripes are only cloth, you know, and you can pull 'em off when your back is turned to the audience. Is it a bargain?"

ULRIC. "It 'er is." (Malignant crash from the orchestra.)

RUDOLPH. "ULLERIC, 'tis well. Now thou shall behold our sports."

Enter ballet girls, dressed in red gaiters and torches. They dance the Demon Cancan, waving their torches and scattering the flames. Old Gentleman, in the front row hears such charming little asides as, "Drat you, MARY SMITH, you've burnt my hand." "I'll slap your face, Miss, if you step on my foot again." "O NELLY! my hair's a-coming down."

Curtain finally falls upon a blaze of light and a bewildering wealth of legs.

Old Gentleman, in front row. "Well, he! he! that's pretty good; he! he! Devilish pretty girls some of 'em; he! he!"

Virtuous Matron. "My dear, isn't it shameful. I never saw any thing so disgusting."

Sceptical Husband. "Then perhaps we'd better go at once."

Virtuous Matron. "N—no. I'll sit through one more act, and see if it gets any worse."

Fast Young Man. "They're all padded, you know. You can't feel sure about one of 'em. There were gals in the Crook who used to pad their's from here to here"—(adds explanatory pantomime.)

Travelled Man, who has been to Paris. "These girls can't dance, I assure you. Now, at the Châtelet they do these things differently."

Admiring Friend to Travelled Man. "What spectacles did you see at the Châtelet?"

Travelled Man, (who was in Paris only two days, and never saw even the outside of the theatre.) "It was—let me see—Oh! Moses in Egypt was the name of the piece. It was gorgeous; full of Egyptian scenery, and Egyptian dancing girls and things."

Admiring Friend, (with aggravating persistence.) "Do you mean Rossini's Moses?"

Travelled Man, (quite desperate.) "Of course! He's the rival of OFFENBACH, you know. But come, let's go and take something."

(They go, the faith of the Admiring Friend in the Travelled Man's veracity being, however, perceptibly shaken.)

Three more acts follow. ULRIC makes a dozen wishes, all of which are gratified, and all of which have the inevitable effect of transporting him into scenes pervaded by the female leg to an extent that easily reconciles him to the successive loss of five years of his life. He finally becomes King of Egypt, and, after having fought against the Crusaders in defence of those well-known Mohammedan gods, ISIS and OSIRIS, is carried down a trap by exulting demons. An Intolerable Comic Man opens up hitherto unknown wastes of dreariness, and sings a comic song that is positively more tedious than an article from the Nation. The Demoniac Servant is continually shot up through spring traps, in order to remark, "Ha! ha!" and to immediately disappear again. The Aged Mother travels from Flanders to Egypt without changing her dress or combing her back hair, for the vain purpose of begging "ULLERIC" to repent. Consumptive Knights fight terrific broad-sword duels with a thirst for combat that beer alone is subsequently able to allay. The Virtuous HEROINE displays a very neat pair of ankles, but without winning "ULLERIC" from the devil of his ways. Half a dozen ballets are successively introduced, in which the skirts of the dancers are seen to decrease as rapidly and steadily as the stripes on ULRIC'S magic collar. Finally, a grand Transformation Scene, which has nothing whatever to do with the play, exhibits the best legs of the company in the most favorable attitudes, and the green baize curtain falls upon the great spectacle of the day.

Virtuous Matron. "Well, I never! It's positively indecent. I'd like to take a whip to those shameless hussies."

Sceptical Husband. "PAGE offered me a proscenium box the other day. Suppose we take it to-morrow night?"

Virtuous Matron. "I'll go to please you, my dear. And really the scenery is pretty."

Wretched Man, who is shameless enough to admit that he likes it. "I like it. The ballet's good, the scenery is splendid, and the music might be worse. Why don't these ladies, who come here and sit it through, have the honesty to admit that they come because they like it? But no; they go away, and at the next party, where they wear dresses lower in the neck than any I've seen on the stage to night, they'll abuse the poor girls who have danced here for their amusement. Their malignant modesty does not deserve the respect of an intelligent figurante. If they are sincere, why do they come here?"

Which question still puzzles the perturbed mind of MATADOR.

Give 'em Rope.

We clip the following from the Express:

"There seem to be more legal loopholes for convicted murderers to escape through than for any other class of criminals."

That is too true, by a great deal. There should be but one "legal loophole" for a convicted murderer, and the authorities should not let him escape through the loop of it—they should Knot.

A MOVING INCIDENT.
Pat, (to Bridget.) “TAKE YOUR MASTHER’S TRUNK TO THE RAILROAD, IS IT? OCH! BOTHER—DON’T YOU SEE I’M MOVIN’ A FAMILY?”

THE "TOBACCO PARLIAMENT" OF OHIO.

For genial law-making in America commend us to the Ohio House of Representatives. While we haven't learned that the legislation of this august body has been particularly hazy of late, we think it must have been wholesome, for we are assured that much of it has been thoroughly "fumigated" through the exertions of the majority of its members, who perform their functions with pipes in their mouths, while drawn up in semi-circle around a couple of fire-places built expressly for their accommodation—"one on each side of the speaker's desk," Who wouldn't legislate, (and early, too,) if he could do it with his feet on the fender, his well-flavored Havana or best Virginia leaf in his mouth, and the privilege of cracking jokes and telling naughty stories ad interim? Go it, ye Buckeye lawmakers! Shall we hear of any sympathy for Cuba in that quarter?

A "Woman's Physic."

(MRS. C—N TO MRS. MCF—D.)

CABLE NEWS.

[EXCLUSIVELY FOR PUNCHINELLO.]

GREAT BRITAIN.

The Great PUNCHINELLO dinner has come off! JENKINS was there, and was to have telegraphed an account. But he was not so well as usual the next day, the Thames water having got into his head. JENKINS never could take much water. So your correspondent is obliged to trust to his memory—unaffected by the water, which he did not take.

Old London Tavern was the scene of this banquet, given by the literati of England in honor of the long-wished-for coming of PUNCHINELLO. The dining-hall was decorated for the occasion with appropriate portraits. There were HOGARTH, CERVANTES, ADDISON, MOLIÈRE, SWIFT, STERNE, GOLDSMITH, TOM HOOD, IRVING, THACKERAY, DICKENS, and ARTEMUS WARD. A number of the waiters were costumed in character. From my seat, I recognized SAM WELLER, (right behind me;) the Fat Boy of Pickwick; SANCHO PANZA, and JEAMES YELLOWPLUSH.

Mr. PUNCH was represented at the head of the table so well that you could know him at once from his weekly frontispiece. On one side of him sat CHARLES DICKENS; on the other, your humble ambassador. It would be rather invidious to name the other hundred guests; not to be there was to be nowhere in literature. Near me there sat Lord LYTTON, TOM HUGHES, PRÉVOST PARADOL, EDMOND ABOUT, CHARLES KINGSLEY, PAUL FÉVAL, and the Rev. JOHN CUMMING.

Asking, in a whisper, of Mr. PUNCH how the latter very staid individual came to be there, I understood that, of all the absurd men of this century, he was selected as the most representatively preposterous. The PRINCE OF WALES was not asked, lest his morals might be hurt by something that was said. And it is so important, you know, for the British nation—(for the rest, see the Saturday Review.) And then Madame GEORGE SAND was to be there, who sometimes wears trowsers.

MATTHEW ARNOLD was spoken to about it; but he replied gruffly,

"PUNCHINELLO is Goliath of the Philistines!" and declined.

JOHN STUART MILL was too busy over his next book, which is to be "On the Subjection of Horses." But every body else was there, so we did not miss these grave and reverend seigniors.

How the twenty-five courses came on and went off, from the ox-tail soup and salmon to the dessert, it would need the tongue or pen of SOYER or PIERRE BLOT to narrate; as it needed the capacity of a FALSTAFF to do justice to them. And then, when the cover was removed, came the time of trial to your correspondent. "The Queen" and "the President" were drunk with all the honors. Then Mr. PUNCH called out, through his magnificent old nose, so that you might have heard him across the Channel, "Health and long life to PUNCHINELLO!"

Now, your correspondent had remembered Mr. HAWTHORNE'S experience at a Lord Mayor's dinner, and had begged Mr. PUNCH by all means to let him off without a speech. But, more worldly-wise than HAWTHORNE, he didn't believe that Mr. PUNCH would keep his promise; so he had prepared a speech, beginning, "Not anticipating any occasion to open my lips in this illustrious company, you must allow me to speak altogether on the impulse of the moment." (Hear, hear.) So this had to be delivered; but for the rest of it, and of the dinner, you must wait for my next telegram. Mr. PUNCH is going to have the speech published in pamphlet form, for distribution among his numerous constituents. So, now for the rest of my news.

FRANCE.

The PRINCE OF MONACO has declared war against France. OLLIVIER proposes to send the PRINCE IMPERIAL to extinguish him with a corps of infantry, armed with popguns; no one to be admitted to the corps who is more than four years old. MONACO aspires to be a sort of LOPEZ.

TURKEY.

Sultan ABDUL AZIZ has just had a visit from a friend of JOHN BRIGHT'S. To the surprise of every body, even his most intimate friends, the Sultan immediately made up his mind to turn Quaker! He came down stairs, and went into mosque, the other day, with a broad-brimmed hat, straight coat, and drab trowsers; and insisted on all the ladies of his hareem putting on plain bonnets, and holding a "silent meeting" in the Seraglio! How it bothered them to do that last thing you may well suppose! More anon, from PRIME.

A Bit of Fish.

SECRETARY FISH is said to preserve a decidedly spruce appearance at the State Dinners. Fish is nothing if not Fin-ical.

FISH SAUCE.

The sight of a thick, four-pound steak, just cut from a halibut that must have weighed, (the idea of a fish wading!) some two hundred pounds, reminds us that trout-fishing is just now in full operation. What a strange, weird mystery there is about mental associations! Long, long ago, we possessed a favorite trout-rod fitted with a Hollow Butt, and so it is that whenever we see a Halibut, trouting comes to our mind.

Yesterday, frogs were croaking, and insects all in green livery, with gilt buttons, contributed to Nature's Great Boston Jubilee of music with their hum. How ridiculous it seems that insects should have a hum!—and yet the Bee has its Hum in its hive.

It is at this season that enthusiastic anglers always get water on the brain. Their dreams are of gurgling brooks. They have visions of mill-ponds, with beautiful little cascades sluicing into them over dams. They stand, in imagination, on bridges, in the eddies beneath which they discern the wagging of silvery tails and rosy fins; and a very common form of nightmare with them is to fancy that the reel of the fishing-rod won't work, just as they are going to wind up a four-pound trout.

Now, also, is the time when friend gives much advice to friend on the subject of the "gentle art." (A trout's opinion on this branch of art, by the by, would be worth having. Perhaps he might not consider it so gentle.)

One student of the angle will say to another, "Always fish up the stream. Fish lie with their heads to the current and their tails in the opposite direction: therefore, by casting up-stream, you run the less chance of being seen by them."

Another says, "Be sure you make your casts down-stream; your bob-flies like it better, as you can see by the way they dance on the ripples."

Quoth another, "Always soak your casting-lines with water before you start for the river-side;" while a fourth instructs you never to straighten your lines with water, but by passing them through a piece of India rubber doubled between the finger and thumb.

Our advice is, Never cast against the wind. In fact, you can't do it; and if you try it, you run the risk of getting strabismus—that is, the Cast in your eye. Artificial flies, like artificial flowers, never should follow nature. Manufacturers of both articles perfectly understand this; and hence the superiority of their productions to the mere realities that flutter and bloom for their brief hour, and then die. There is nothing in entomology so beautiful as a well-busked trout or salmon fly. And then it is comparatively indestructible. Take a natural May Fly and squeeze it in your hand. It is reduced to a pulp. Try the same experiment with an artificial one, and its plumage remains unruffled—which is more than you do, since the chance is that you will have to employ a surgeon to extract the hook from the ball of your thumb.

We are assured by a broker, who, in Spring-time, always becomes a brooker, that by far the surest lure for a large trout is the Greenback Fly. He is acquainted with a man who, whenever he goes a-fishing, always has a four-pound trout to pack in ice and send up to a friend in the city. By post, a letter is dispatched to the same quarter, containing a warm description of the playing and landing of that noble fish. The sender usually states that he captured it with the famous fly known to anglers as the Green Drake. Facts are against him, though; and it is well understood by his friends that the fish was first taken by some poaching rascal with a scoop-net, and subsequently hooked by the angler with a five-dollar Greenback Fly.

Nothing in life is more beautiful than a five-dollar Greenback Fly—except, of course, a ten-dollar one, or one of indefinitely larger denomination.

Provided with this most charming and effective of lures, the angler is always sure to fill his creel. He incurs no fatigue in doing so, either, for all the boys of the village become his humble servants to command; and if there be a four-pound trout in the miller's pond, he is sure to hook it with the Greenback Fly, while the boys generally "hook it" also, lest the miller should catch them at their tricks.

How to make the Greenback Fly—Give it to your wife. Much has been said concerning the efficacy of the Water Fly as a lure. For our own part, we have not tried it. We know rather less about it than we do about the Water Cure; but we cheerfully print the following directions on the subject, taken from the fly-leaf of an old book.

How to make the Water Fly: Fall into it.

HALL AND HAYES.

The friends of Dr. HAYKS and those of Captain HALL are engaged in a heated discussion as to which of the two ought to be sent by Congress in search of the North Pole. As the public does not know who is right and who is wrong, we present our readers with the arguments of each party; so that they can decide which explorer is the man for the post—we should say, pole.

WHAT THE HAYES PARTY SAYS.

1. The Pole being surrounded by water, must be reached by boats. HAYES is a sailor and HALL is not. Therefore HAYES is the man to sail to the Pole.

2. HAYES is a Bostonian; HALL is a Western man. Bostonians are famed for their skill in prying into every thing; while Western men stupidly mind their own business. Therefore HAYES is naturally fitted to become an explorer.

3. HALL spent his time while in the Arctic Region in the society of Esquimaux. HAYES attended to his ship, and lived on pork and beef like a Christian. Therefore HAYES is the better man.

4. HAYES understands the use of instruments, and can take observations of the temperature of hot springs, if any are found. HALL knows nothing about instruments, and could not tell the time by a barometer if his life depended upon it. Therefore HAYES should be the Congressional favorite.

5. HALL is hot-tempered and once killed one of his crew. HAYES is a cool man and never killed any body, except as a medical practitioner. Cool men are at home in the Arctic Region. Therefore send HAYES.

WHAT THE HALL PARTY SAYS.

1. If the Pole is surrounded by water, it must be a visible point of land. HALL is a landsman, and therefore the proper man to send in search of land. To send a sailor like HAYES in quest of land would be absurd. Therefore HALL is the right man.

2. HALL is a steady, hardworking, energetic Western man. HAYES is a meddling Yankee. Of course HALL is the better man for carrying out a difficult enterprise.

3. HALL has lived in the Arctic land as the Arctic people do; while HAYES knows nothing of the people of that region. Therefore HALL is by far the best man to send.

4. HAYES can have no use for his instruments in a place where there is nothing but ice. HAYES would, therefore, only add to the cost of the expedition. HALL can take all necessary observations with his eyes, which cost Congress nothing and are easily carried. Therefore HALL is by all odds the man for the expedition.

5. If HALL is hot-tempered, so much the better. He will keep warm with less consumption of fuel. That he killed a mutineer is proof of his resolute adherence to discipline. HAYES would never enforce discipline if he dared to inflict no more punishment for mutiny than a draught of Epsom salts. Therefore HALL is plainly the man to command an exploring party.

Here we have the arguments which both sides advance, and our readers can easily make up their minds. As for ourselves, the true course for Congress to pursue seems so plainly evident that if we were asked which is the best man, the Doctor or the Captain, we should unhesitatingly answer in the negative.

CINCINNATUS SWEENY.

CINCINNATUS SWEENY

(Adapted from AUTHOR'S Classical Dictionary, p. 351.)

"CINCINNATUS had retired to his patrimony, aloof from popular tumults. The successes of the Equi, (young Democracy,) however, rendered the appointment of a Dictator necessary, and CINCINNATUS was chosen to that high office. He laid aside his rural habiliments, assumed the ensigns of absolute power, levied a new army, marched all night to bring the necessary succor to the Consul MINCIUS, (W. M. TWEED,) who was surrounded by the enemy and blockaded in his camp, (Albany,) and before morning surrounded the enemy's army, and reduced it to a condition exactly similar to that in which the Romans had been placed. The baffled Equi were glad to submit to the victor's terms, and CINCINNATUS, returning in, triumph to Rome, (New-York,) laid down his dictatorial power after having held it only fourteen days, and returned to his farm" (Central Park.)

SPRING FEVER,

The Difference.

GOLDEN calves were worshipped by men of old. Modern men prefer to worship saw-dust calves.

Dramatic Query.

Is Canada to be the Theatre of a Fenian War? It seems that the Canadian Volunteers think so; and, to do justice to the performance, they have taken possession of the whole Front-tier.

The Original Bow.

The EL-bow.

THE SICK EAGLE.
COLUMBIA. “DO LET THE POOR BIRD OUT, MR. B.; HE DROOPS SADLY.”
Mr. BOOTWELL. “REALLY I DON’T SEE ANY THING THE MATTER WITH HIM, MA’AM. HIS CAGE IS ALL GOLD, AND HE SURELY OUGHT TO BE CONTENTED.”

N EXCELLENT OLD SONG MADE NEW.

BY A DEFAULTER.

Is there for his dishonesty
Who hangs his head, and a' that?
The coward slave, we pass him by,
And dare to steal for a' that.
For a' that and a' that,
Our grabs and games, and a' that,
Our business is to make a pile
And swindle SAM, and a' that.

What though the people curse and swear
At losing gold, and a' that?
Their fiercest wrath we'll proudly bear,
And cash is cash for a' that.
For a' that and a' that,
Their lawyers, courts, and a' that.
The lucky rogue who wins his pile
Is king of men for a' that.

The President knows how to beat
In battle, siege, and a' that;
But we're the lads for swift retreat,
Although he growl, and a' that.
For a' that and a' that,
Our bonds and oaths and a' that,
A bouncing swag's the better thing
For gentlemen, and a' that.

Then let us pray that come it may,
As come it shall for a' that,
That plundering gents may keep the sway,
And help themselves, and a' that.
For a' that and a' that.
Leg bail's the thing, and a' that;
For travelling improves the mind,
The body saves, and a' that.

THE THIRTEENTH MAN IN THE OMNIBUS.

The New-York omnibus was constructed to seat and carry twelve persons; certainly not more. Indeed, when twelve men, of nominal size, sit squarely on the seats and do not clownishly cross their legs, one may ride in an omnibus with comfort. Nay, with these conditions, he may generally escape having his toes crushed, his shins kicked, his shoes soiled, or his trowsers daubed with mud by his neighbor. But alas! how often is this paradisiacal state disturbed by the intrusion of "the thirteenth man in the omnibus."

Shall I attempt to portray the creature? He is pretty well known, and perhaps the picture will be recognized. Sometimes he may be seen standing at the corner of the street lying in wait for the "bus." He is never known to walk toward its starting-place, lest he might be confounded with the "twelve" by getting inside before the seats are filled. No; he is "nothing if not" odd. His very hat never sits squarely upon his head like the hat of a gentleman. It is either elevated in front like a sophomore's, or depressed on one side, as if he had just come from a cheap spree in the Bowery, or was troubled with some obtrusive "bump" that kept his hat awry. If by chance he gets a seat inside the omnibus, (as "accidents will happen," etc.,) he must cross his legs and wipe the mud from his ill-shod feet upon your trowsers or your wife's dress.

Indeed, methinks it was he who invented sitting cross-legged in a public vehicle. Do savages ever sit thus when in close company? I have never been able to imagine what special human sin this ingenious mode of annoyance was meant to punish. It has been suggested that it might be the man's pantomimic protest against sitting at all. But the saddest commentary upon this vice of our hero is, that by some mysterious magnetism of awkwardness and ill-breeding, he has betrayed into imitation of it men whose early education has been less neglected than his own.

Sometimes, as he gets into the "'bus," he carries in his hand or mouth the stump of a half-burned, extinct cigar, which fills the atmosphere with a rank and sickening odor. More frequently he is dressed in well-worn black, and his clothes reek with noisome exhalations of stale tobacco-smoke. Shall I finish his picture? I verily believe he is the original Loafer.

Methinks I see him in my mind's eye. I am riding in a Broadway ominibus. I have just handed up my fare, and, taking my seat, have surrendered myself to a sweet half-hour of reverie. I disdain to spoil my eyes or waste my time by newspaper-reading. I dream, and save my time for better things, as I conceive.

The stage is full. "Twelve inside." The driver does not seem to get along. He is constantly stopping or turning his horses to the sidewalk, right or left. You wonder what is the matter. You begin to think the whole town is striving to get a ride down with you in that particular "'bus." At every street-corner we linger or stop. Suddenly the door is pulled open with a jerk and our enemy leaps in. He sees the seats are filled, but he does not hesitate. There is always room for him. Indeed, his "spirit rises with the occasion." He becomes pertinacious as he is offensive. He tramples upon more than one pair of feet in his struggle to reach the middle of the omnibus. The passengers patiently submit to the intrusion with that quiet good nature with which Americans usually suffer imposition invasive of good manners, or petty social rights. They seem to feel they can "stand it" if he can.

His mode of paying his fare evolves a climax of unconscious impertinence. In order to have free use of one hand to pass up his money, he grasps cane or umbrella with the other hand, by which he holds the pendent strap. By this means he loses control of the lower end of his stick, which thereby becomes an automatic instrument of torture, menacing your face and eyes in quite a savage way. Indeed, his apparent unconsciousness that he is a nuisance, and ought to be kicked out, really approaches the sublime.

He is a pet of the driver, of course. Some innocent people wonder that the drivers of omnibuses or cars should feel so very charitably disposed toward the human family in general, as to take up extra passengers when all seats are filled. Short-sighted mortals! Do you not see it! The more passengers, beyond the complement of the "'bus," the more perquisites for an ill-requited profession.

To return to our black sheep. Look where he stands. As he grows weary, he grasps the straps on either side to steady him. His attitude is a cunningly devised mode of tormenting his fellow-passengers. Either elbow of our nondescript just reaches the hat of your opposite neighbor or yourself. With each jolt of the stage, by a little dexterity of movement, or want of it, he can knock the hats over the eyes of two persons at a time, and by a little shifting of his position he can frequently bring down four by a single spasmodic lunge. When he is fresher, as in the morning, and can hold his own weight, he falls in his more natural posture. Would you know what that may be? Did you ever observe one of the descendants of the Lost Tribes who inhabit Chatham street dreamily waiting for a passing rustic? He is apparently in a comatose state. His abdomen is drawn in; his body is bent like a section of a hoop; his eyes are cast down; while both his hands are thrust deeply into his trowser's pockets.

But I grow weary of the subject, and stop by commending the Thirteenth Man in the Omnibus to curiosity-hunters as a fungus growth of humanity nursed by over-virtuous forbearance.

Hyperborean.

The hyperbole of bores it is, to bore Congress for a hundred thousand dollars to go to the Pole! If Captain HALL wants adventure, let him travel to the Halls of the MONTEZUMAS. If he wishes only to be left out in the cold, let him go to Chili; or else up in a balloon; or let him make himself Republican candidate for something in New York. We believe the North Pole would rather be let alone. The whole subject is, at all events, too HAYES-y just now to be comprehended. There is a sort of KANE-ine madness, which shows itself not in fear of water but in an insane disposition to do big things on ice. Haul off, Captain HALL!

Meteorological Query.

Is a temperance lecture synonymous with a Water Spout?

THE SPIRIT OF THE NAVY.

ITS PORTER. ITS SAILS.

Impressions of an Outsider.

MR. PUNCHINELLO: According to your instructions, your correspondent proceeded to Washington, and there interviewed our present efficient Secretary of the Navy, Admiral PORTER. I found him in his office, surrounded by bills-of-sale of main-tops, carronades, iron-clads, bo'sen's whistles, navy-yards, and other naval articles, the proceeds of which were needed for the future experiments of the Department. These papers were being bound up into bundles and stowed away by his assistant, ROBESON.

After the ordinary greetings had passed between the admiral and your correspondent, the following conversation ensued:

Cor. Admiral, what do you think of the Fifteenth Amendment?

Ad. All right. When Americans want votes, I say, give 'em to 'em.

Cor, (A little apprehensively.) Votes are different from boats, then, admiral?

Ad. Certainly. What do the negroes want with boats?

Cor. How are you satisfied, Mr. Secretary, with the plan of always providing you with a civilian as an assistant?

Ad. I don't like it. Can't help it, though. This one, however, (pointing his thumb over his shoulder at ROBESON,) don't give me much trouble. Quiet man.

Cor. What do you think of the condition of Cuba,

Ad. Very nice indeed! Got Admiral POOR out there, cruising around. Just like a picnic, you know.

Cor. Are you in favor of the recognition of Cuban Independence?

Ad. No, sir! What's the good? POOR might have to come home, then.

Cor. You think, then, that recognition would not be a Poor policy?

Ad. Yes—no! No—yes! Doormat! You know what I mean.

Cor.(quickly.) Oh! yes. Certainly,sir! But what is your opinion upon the woman question?

Ad. Don't care a snap. Let 'em vote. Won't make a difference 'board ship.

Cor. You think, then that women will never be sailors, Admiral?

Ad. Nothing they could do. Except to trim the boats; look out for the mizen sheets or somethg o' that kind. Couldn't expect 'em, even in a calm, to be brisk in manning the yards, much less martingales.

Cor. What is your opinion, Admiral, of SHERIDAN'S work among the Piegans?

Ad. (laughing). Neat job. How was that for Lo?

Cor. Good. Do you believe the Pope's infallible, Admiral?

Ad. The Pope's what?

Cor. Do you think that there is no such word as fail with PIO Nono?

Ad. No, no!

Cor. The Empress EUGENIE, Admiral, and Queen VICTORIA—which do you think is the prettiest of these women?

Ad. Never saw 'em swimmin'. Can't say.

Cor. What is your opinion about McFARLAND? Was he justifiable, think you?

Ad. No! Poor shot.

Cor. Have you seen Frou Frou, Admiral?

Ad. Yes. In New-York.

Cor. How did you like it, sir?

Ad. Not much. Do for folks whose taste for that sort of thing is DAILY bred.

Cor. What do you think of oar new City Charter?

Ad. Is it a ship?

Cor. Yes, sir. It is a sort of hardship for New-York.

Ad. Well, the city must be used to that. Will take in its ale pretty much as usual, I reckon.

Cor. What, sir, do you think of Chicago?

Ad. Ah! go way.

Cor. (oblivious of hint.) Where do you buy your pantaloon stuff, Mr. Secretary?

Ad. (sharply.) Where the woodbine twineth.

Cor. Admiral, have you any children?

Ad. (loudly.) ROBESON!

Cor. My dear sir, you surprise me! Is he your son?

Ad. (to assistant.) ROBESON! Did you see MIKE HAINES?

Cor. One moment. Admiral! Let me ask of you, in which, if any, of our New-York companies is your life insured; and do you wear the patent perforated buckskin?—

Here the interview terminated. Your correspondent suddenly discovered that he would have barely time to catch the N. Y. Express, and he took leave with a renewed respect for the spirit of our Navy and its head.

SNIQUE.

COME, GENTLE SPRING.

SPRING has come. Now is the time to ask your friends for seed and roots, and to tell somebody they ought to see about the garden. Turn your chickens into your neighbors' grounds, and the cow too, if you think she would like to go there. Now also is the time for house-cleaning, as well as for settling up one's affairs generally; so, after you have called in all the money due you, and paid out as little as possible, perhaps you had better go out West for a week or so.

The sort of Liquor most apt to Tell upon a Man.

PEACH Brandy.

Opinions of the Press.

The Sun thinks that the World's end would be a god-send.

It also thinks that the Tribune is a try weakly and unique daily, besides being a four centenary.

It thinks that the fact of the Times being out of Joint is the reason it is getting the cold Shoulder from its subscribers.

It thinks that the Herald is not the leading paper, though it may have Ben-it.

It thinks that the Sun is awful shiny.

The Politician's Half-and-Half.

DEMAGOGUE and Demijohn.

CONDENSED CONGRESS.

SENATE.

OFTY Mr. SUMNER wished to know what Mr. CARPENTER meant by pursuing him. He was used to being blackguarded by the enemies of his country, but now he was hounded in the house of his friends. He had looked through the whole Congressional Library and failed to find a precedent for the course of the carping CARPENTER, except in the case of the classic chap who had warmed a viper which had turned again and rent him. He did not mean to say that Mr. CARPENTER was a viper, but he thought nobody but an Adder would put this and that together as Mr. CARPENTER had done.

Mr. CARPENTER said that the passion of his friend from Boston for maundering about himself amounted to a mild mania. All he had done was to suggest that SUMNER had upheld States Rights twenty years ago, and now pretended that he was never any such person.

Mr. SUMNER said that twenty years ago the States Rights boot was upon the other leg. ÆNEAS SILVIUS had well observed that it made a heap of difference whose ox was gored, and HORACE had pointed out the difference between tweedle-dum and tweedle-dee. Unless his reading of the Cyclopedia had failed to inform him, he believed that there was a game known as "Heads I win, tails you lose." That was his little game. When Massachusetts States Rights were invoked to aid the colored man, States Rights were good. When Southern States Rights were invoked to crush the colored man, States Rights were bad. As for him, give him liberty or give him rats.

Mr. HARLAN wished to know why the Pacific Railway grant should be passed. No officer of that railway had been to see him about it. He did not believe in legislation of this kind. If a thing were worth having, it was certainly worth asking for. He had no objection to breaking old "ties," but he was averse to paying for new ones, unless he had some personal reason for it. He wished he were altogether in the same position as some of his colleagues, including these "bonds."

WILSON, and CASSERLY, and THURMAN, and THAYER said that HARLAN was of no account, and that was the reason why he had not been "seen." As long as a majority was prepared, it was wasting money to conciliate any body else.

Mr. DRAKE said he had a better thing than the Pacific Railway. It was a bill to provide that the Army and Navy of the United States might be put on a war-footing on the application of any three colored persons. This did not seem to be profitable, but it was. The profit in it was a JOB, but much subtler than in the Pacific Railway. He hoped Senators would see the illimitable vistas of patronage opened by the bill.

HOUSE.

Mr. BUTLER insisted upon his bill to annex Dominica. Somebody had said that we had plenty of Dominicans already in the Southern States. This was net so. He wanted to be Governor-General of Dominica. It was true that silverware was not rife in that island, but there was an infinitude of potential voters, who could be converted into coin. The House refused to see it, however, and proceeded to discuss the case of SYPHER. Mr. BROOKS said SYPHER was nothing. He did not see how SYPHER, who was a nullity, could be figured out to be a member of Congress. Besides, SYPHER lived in Pennsylvania.

Mr. KELLEY said that was the very reason why SYPHER should be admitted. Every body knew, who knew any thing of arithmetic, that a SYPHER in the proper place amounted to a great deal. He would like to know what objection there was to Pennsylvanians representing Louisiana? A Pennsylvanian was sure to be right on the tariff, and a Louisianian was sure to be wrong. Therefore a Pennsylvanian was a much better representative than a Louisianian. Besides, SYPHER's hands were not red with loyal blood, neither had he waded knee-deep in patriotic gore.

Mr. BUTLER wanted to annex Dominica.

Mr. Cox said he did not object to SYPHER'S coming in because he was a Pennsylvanian. He was an Ohio man, and represented a New-York district. But be thought there were too many SYPHERS here now. An integer or two would be more useful to maintain the integrity of the House.

Mr. BUTLER said he would like to introduce a bill to annex Dominica.

Mr. FARNSWORTH said he didn't care any thing about the merits of the case. He knew the committee was all right. It was a martter of comity to go with the committee. If the House added a SYPHER, it would increase their strength ten fold.

Mr. STOKES said he would not weep for SYPHER if he were rejected. But he would sigh for SYPHER, if he could cipher SYPHER in.

Mr. BUTLER moved a bill to annex Dominica.

SYPHER tried to swear himself in, but he had been so much irritated by the previous proceedings that he found that he had sworn himself out.

The House adjourned, except Mr. BUTLER, who was preparing a bill to annex Dominica.

A REMONSTRANCE.

MR. PUNCHINELLO: In the Express of Saturday, April 17th, I read the following announcement, printed at the foot of the regular weather table, furnished for that journal by Professor THATCHER:

"Prediction.—It will not rain within 3¾ days from 8 P.M.

"A. E. THATCHER."

The positive character of this prediction made it very, welcome. My wife and myself had been invited by friends in Westchester County to go to their house on Saturday evening, stay all night, and pass the following day—Easter-Sunday—with them. We had nearly made up our minds to do it. They are very pleasant folks to visit, especially about Easter time; for the man of the house has a mania for hens, and, being a dyer by trade, his poultry, using the refuse of the drugs instead of gravel to aid their digestion, lay natural painted eggs of the most varied and delicate tints. If I am strict in any matter of religion, it is with regard to having a blow-out of eggs at Easter. My wife is as fond of eggs as myself, (the yolk sits lightly, she says, which is a joke upon yoke,) and she required no egging on to persuade her to accept the invitation. We were doubtful about the weather, though; but the "Professor's" prediction decided us, and we went.

I thought it felt mighty like rain as we walked the short distance from the railway station to our host's. I had rain-pains in my back, and my wife said her corns were shooting. Nor did our punctual aches deceive us. Between that Saturday night and Easter-Sunday morning it began to rain. Easter-Sunday was the wettest day I remember ever to have experienced. There was no "let up" of the deluge throughout that day and Easter-Monday. We—my wife and I—are suffering dreadfully from the effects of Easter-eggs, which we were obliged to devour by the stack merely to kill time, as we could not walk out. Should we die, I will let you know; but really it was too bad of "Professor" THATCHER.

WEATHERBOUND.

P.S.—Who is "Professor" THATCHER?

THE BIRD OF WISDOM IN IOWA.

Civilization, it seems, is making some headway in Iowa. Boys are no longer allowed to shoot small birds there, especially song-birds. And so the little warblers can pipe it all day, if they like, and when they grow tired and hungry, they are welcome to refresh their small systems at the strawberry beds. There is one feature of the regulation in question, however, that does pain us. While vocal and fly-gobbling talents are tenderly fostered, dignified Wisdom is not only neglected, but persecuted. Our old friend the Owl is reputed by the people of Iowa to be rather particular in his diet, (as all wise creatures are,) and to prefer a nice young spring chicken to almost any other "delicacy of the season"—a proof of wisdom and refinement that proved too much for the people of Iowa. And so they have left the poor old Owl out of the protective enactment; and it is not only legal to shoot him, but meritorious. The legislators could have stood the wisdom, perhaps by itself; and possibly they might have respected the taste; but the combination troubled them, and could not, of course, be tolerated.

“THE MERRY FIRST OF MAY.”
First Young Wife. “OH! THIS HORRID HOUSE-MOVING—AN'T YOU DISTRACTED ABOUT IT, DEAR?”
Second Ditto. “O DEAR! NO. WE HAVE ARRANGED IT NICELY. CHARLES WILL SEE TO THE FURNITURE AND THINGS, AND I WILL SUPERINTEND THE REMOVAL OF FIDO MYSELF.”

HOW A DISCIPLE OF FOX BECAME A LOVER OF BULL.

PHILADELPHIA, 4th Month, 13th, 1870.

FRIEND PUNCHINELLO: I know thee treats our good city with more consideration than thy brother journalists, and so it is that I address the on this occasion. Last night I listened to the fiddle of OLE BULL. I had long known of this man, even from the time when I first attired myself in a coat, (called by the world after the name of the abdomen of a fish,) as one who

But having recently been made aware of the fact that this fiddler only availed himself, in his vain exhibitions, of a part of the felis which was not necessary to its felicity after death, I determined to give a portion of my worldly goods toward the building of a light-house on the Norway coast, for which purpose, I heard it averred, this man's performances were given; and I went to the building where the fiddling was to be, to see if it were done with fidelity for this end.

As I sat in the upper seats of the house, serenely elevated above the vain throng, the man BULL appeared before me. His mien was humble and his hair was of a gray tinge, which I attributed to the ceaseless gratings of the instrument which he held on his arm, as carefully as if it had been an immortal child.

At first, though I labored conscientiously toward that end, I could discover nothing in the sounds he made which reminded me in the least degree of a Norwegian light-house. But suddenly I forgot that useful monument. Against my will, I seemed to be wafted aloft, even to where the seats were cheaper; and anon, I felt as though I disported among the shameless figures on the ceiling of the house. I now forgot all things earthly, even that suspicious bill which friend HOPKINS paid in to my cashier on Second-day. Yea, my whole being became, as it were, strung upon the entrails of a cat and tickled with the tail of horse. I felt as if I were wafted aloft on a blanket of shivering scrapes while quivering angels gently swung me among the stickery stars! And there I heard a melody as though the edges of glass skies were softly rubbed together. Then all was stiller, stiller, until methought I heard nothing but one consumptive angel breathing in his sleep. But even that sound dribbled away, until the last drop seemed to me about to be sucked down into a hole at the bottom of the airy void, when suddenly there came a rush as though a vast light-house of brass had fallen into a sea of tinkling cymbals, and I jumped so violently that my spectacles slipped from off my nose and fell among the vain ones below.

A second time now came the fiddler forth, and soon methought I stood within a surgeon's operating hall. The player drew his bow as though it were a knife, gliding over the limb of a subject in a sleep.

So keen the blade, so soft the touch, the sleeper did not wake! I clutched my knees—my breath did cease!

The skin divides!

And still he sleeps.

The muscles and the tendons fall apart!

He moves not.

Oh! That glittering blade

It deeper goes!

A—Ah!

He wakes!

He yells!

Horror! And now, through flesh and bones that vengeful weapon grinds!

'Mid screams and oaths!

Down falls the leg...

I staggered forward. My hat, which much clamor in the rear had not made me remove, fell over the iron rail and plunged, resounding ike a sinful drum, upon the head of a painted Jersey belle below.

I heeded not, but groped me to the door.

And now I write to thee, friend PUNCHINELLO. Can thee buy me such a fiddle in New-York? Thy friend,

VENTER CLUPLE.

A Puzzler.

The Belgians, it is said, are anxious to have the letter h dropped from the French alphabet. As that contains no w, how, in the event of a new elision, will the Parisians, who are so fond of English words, manage to spell wheelwright?

A Blow that Hurteth not.

The Blow of a flower.

A Pleasant Prospect.

If the new Superintendent of the New-York Police Force is to be as severely tried as was his predecessor, then, surely, JOURDAN will have a hard road to travel."

"OUT OF THE STREETS."

Motto for Unsuccessful Croquet-Players.

"Hoops deferred make the heart sick."

Timid Tax-payer. "WHAT! GOING TO PAVE THIS STREET AGAIN? WHY, IT WAS NEWLY PAVED ONLY A WEEK AGO!" Gentlemanly Contractor. "PAVED? NOT MUCH! FOUNDATION LAID, ONLY; AND NOW WE'RE GOIN' TO PUT THE JOBBER'S PATENT TOP-SOLID-SUPERSTRUCTURE OVER THAT! "	WALTHAM WATCHES 3-4 PLATE. 16 and 20 Sizes. To the manufacture of these fine Watches the Company have devoted all the science and skill in the art at their command, and confidently claim that, for fineness and beauty, no less than for the greater excellences of mechanical and scientific correctness of design and execution, these watches are unsurpassed anywhere. In this country the manufacture of this fine grade of Watches is not even attempted except at Waltham. FOR SALE BY ALL LEADING JEWELLERS.
	Bowling Green Savings-Bank, 33 BROADWAY, NEW-YORK. Open Every Day from 10 A.M. to 3 P.M. Deposits of any sum, from Ten Cents to Ten Thousand Dollars, will be received. Six Per Cent Interest, Free of Government Tax. INTEREST ON NEW DEPOSITS Commences on the first of every month. HENRY SMITH, President. REEVES E. SELMES, Secretary. WALTER ROCHE, EDWARD HOGAN, Vice-Presidents.
PRANG'S CHROMOS are celebrated for their close resemblance to Oil Paintings. Sold in all Art and Bookstores throughout the world. PRANG'S WEEKLY BULLETIN: "Bo-Peep," "Queen of the Woods," "First Lesson in Music," "Travelling Comedians," "City and Country Life." Illustrated Catalogues sent on receipt of a stamp by L. PRANG & CO., Boston.
PUNCHINELLO: TERMS TO CLUBS. WE OFFER AS PREMIUMS FOR CLUBS FIRST: DANA BICKFORD'S PATENT FAMILY SPINNER, The most complete and desirable machine ever yet introduced for spinning purposes. SECOND: BICKFORD'S CROCHET AND FANCY WORK MACHINES. These beautiful little machines are very fascinating, as well as useful; and every lady should have one, as they can make every conceivable kind of crochet or fancy work upon them. THIRD: BICKFORD'S AUTOMATIC FAMILY KNITTER. This is the most perfect and complete machine in the world. It knits every thing. FOURTH: AMERICAN BUTTONHOLE, OVERSEAMING, AND SEWING-MACHINE. This great combination machine is the last and greatest improvement on all former machines. No. 1, with finely finished Oiled Walnut Table and Cover, complete, price, $75. No. 2, same machine without the buttonhole parts, etc., price, $60. WE WILL SEND THE Family Spinner, price, $8, for 4 subscribers and $16. No.1 Crochet, price, $8, for 4 subscribers and $16. No.2 Crochet, price, $15, for 6 subscribers and $24. No.1 Automatic Knitter, 72 needles, price, $30, for 12 subscribers and $48. No.2 Automatic Knitter, 84 needles, price, $33, for 13 subscribers and $52. No.3 Automatic Knitter, 100 needles, price, $37, for 15 subscribers and $60. No.4 Automatic Knitter, 2 cylinders, 72 needles 1 100 needles price, $40. for 16 subscribers and $64. No. 1 American Buttonhole and Overseaming Machine, price, $75, for 30 subscribers and $120. No. 2 American Buttonhole and Overseaming Machine, without buttonhole parts, etc., price, $60, for 25 subscribers and $100. Descriptive Circulars Of all these machines will be sent upon application to this office, and full instructions for working them will be sent to purchasers. Parties getting up Clubs preferring cash to premiums, may deduct seventy-five cents upon each full subscription sent for four subscribers and upward, and after the first remittance for four subscribers may send single names as they obtain them, deducting the commission. Remittances should be made in Post-Office Orders, Bank Checks, or Drafts on New-York City; or if these can not be obtained, then by Registered Letters, which any post-master will furnish. Charges on money sent by express must be prepaid, or the net amount only will be credited. Directions for shipping machines must be full and explicit, to prevent error. In sending subscriptions give address, with Town, County, and State. The postage on this paper will be twenty cents per year, payable quarterly in advance, at the place where it is received. Subscribers in the British Provinces will remit twenty cants in addition to subscription. All communications, remittances, etc., to be addressed to P.O. Box 2783. PUNCHINELLO PUBLISHING COMPANY No. 83 Nassau Street, NEW-YORK S.W. GREEN, PRINTER, CORNER JACOB AND FRANKFORT STREETS.

End of the Project Gutenberg EBook of Punchinello, Vol. 1, No. 6, May 7, 1870, by Various

*** END OF THIS PROJECT GUTENBERG EBOOK PUNCHINELLO, MAY 7, 1870 ***

***** This file should be named 9960-h.htm or 9960-h.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/9/9/6/9960/

Produced by Cornell University, Joshua Hutchinson, Steve Schulze
and the Online Distributed Proofreading Team.

Updated editions will replace the previous one--the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for the eBooks, unless you receive
specific permission. If you do not charge anything for copies of this
eBook, complying with the rules is very easy. You may use this eBook
for nearly any purpose such as creation of derivative works, reports,
performances and research. They may be modified and printed and given
away--you may do practically ANYTHING in the United States with eBooks
not protected by U.S. copyright law. Redistribution is subject to the
trademark license, especially commercial redistribution.

START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full
Project Gutenberg-tm License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project
Gutenberg-tm electronic works

1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg-tm electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg-tm electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the
person or entity to whom you paid the fee as set forth in paragraph
1.E.8.

1.B. "Project Gutenberg" is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg-tm
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation ("the
Foundation" or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg-tm electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg-tm mission of promoting
free access to electronic works by freely sharing Project Gutenberg-tm
works in compliance with the terms of this agreement for keeping the
Project Gutenberg-tm name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg-tm License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg-tm work. The Foundation makes no
representations concerning the copyright status of any work in any
country outside the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg-tm License must appear
prominently whenever any copy of a Project Gutenberg-tm work (any work
on which the phrase "Project Gutenberg" appears, or with which the
phrase "Project Gutenberg" is associated) is accessed, displayed,
performed, viewed, copied or distributed:

  This eBook is for the use of anyone anywhere in the United States and
  most other parts of the world at no cost and with almost no
  restrictions whatsoever. You may copy it, give it away or re-use it
  under the terms of the Project Gutenberg License included with this
  eBook or online at www.gutenberg.org. If you are not located in the
  United States, you'll have to check the laws of the country where you
  are located before using this ebook.

1.E.2. If an individual Project Gutenberg-tm electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase "Project
Gutenberg" associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg-tm
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg-tm License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg-tm work in a format
other than "Plain Vanilla ASCII" or other format used in the official
version posted on the official Project Gutenberg-tm web site
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original "Plain
Vanilla ASCII" or other form. Any alternate format must include the
full Project Gutenberg-tm License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works
provided that

* You pay a royalty fee of 20% of the gross profits you derive from
  the use of Project Gutenberg-tm works calculated using the method
  you already use to calculate your applicable taxes. The fee is owed
  to the owner of the Project Gutenberg-tm trademark, but he has
  agreed to donate royalties under this paragraph to the Project
  Gutenberg Literary Archive Foundation. Royalty payments must be paid
  within 60 days following each date on which you prepare (or are
  legally required to prepare) your periodic tax returns. Royalty
  payments should be clearly marked as such and sent to the Project
  Gutenberg Literary Archive Foundation at the address specified in
  Section 4, "Information about donations to the Project Gutenberg
  Literary Archive Foundation."

* You provide a full refund of any money paid by a user who notifies
  you in writing (or by e-mail) within 30 days of receipt that s/he
  does not agree to the terms of the full Project Gutenberg-tm
  License. You must require such a user to return or destroy all
  copies of the works possessed in a physical medium and discontinue
  all use of and all access to other copies of Project Gutenberg-tm
  works.

* You provide, in accordance with paragraph 1.F.3, a full refund of
  any money paid for a work or a replacement copy, if a defect in the
  electronic work is discovered and reported to you within 90 days of
  receipt of the work.

* You comply with all other terms of this agreement for free
  distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg-tm electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from both the Project Gutenberg Literary Archive Foundation and The
Project Gutenberg Trademark LLC, the owner of the Project Gutenberg-tm
trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm
electronic works, and the medium on which they may be stored, may
contain "Defects," such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg-tm
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg-tm work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg-tm work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at
www.gutenberg.org



Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation's EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state's laws.

The Foundation's principal office is in Fairbanks, Alaska, with the
mailing address: PO Box 750175, Fairbanks, AK 99775, but its
volunteers and employees are scattered throughout numerous
locations. Its business office is located at 809 North 1500 West, Salt
Lake City, UT 84116, (801) 596-1887. Email contact links and up to
date contact information can be found at the Foundation's web site and
official page at www.gutenberg.org/contact

For additional contact information:

    Dr. Gregory B. Newby
    Chief Executive and Director
    gbnewby@pglaf.org

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular
state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate

Section 5. General Information About Project Gutenberg-tm electronic works.

Professor Michael S. Hart was the originator of the Project
Gutenberg-tm concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg-tm eBooks with only a loose network of
volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our Web site which has the main PG search
facility: www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.