The Project Gutenberg EBook of Making a Rose Garden, by Henry H. Saylor This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Making a Rose Garden Author: Henry H. Saylor Release Date: July 27, 2011 [EBook #36872] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK MAKING A ROSE GARDEN *** Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) MAKING A ROSE GARDEN _THE HOUSE & GARDEN MAKING BOOKS_ It is the intention of the publishers to make this series of little volumes, of which _Making a Rose Garden_ is one, a complete library of authoritative and well illustrated handbooks dealing with the activities of the home-maker and amateur gardener. Text, pictures and diagrams will, in each respective book, aim to make perfectly clear the possibility of having, and the means of having, some of the more important features of a modern country or suburban home. Among the titles already issued or planned for early publication are the following: _Making a Lawn_; _Making a Tennis Court_; _Making a Garden Bloom This Year_; _Making a Fireplace_; _Making Roads and Paths_; _Making a Poultry House_; _Making a Hotbed and Cold-frame_; _Making Built-in Bookcases_, _Shelves and Seats_; _Making a Rock Garden_; _Making a Water Garden_; _Making a Perennial Border_; _Making a Shrubbery Group_; _Making a Naturalized Bulb Garden_; with others to be announced later. [Illustration: An English rose garden that is nearly ideal in its arrangement. All the paths are of grass, the beds being sunk a few inches below the turf level in order to conserve the moisture.] MAKING A ROSE GARDEN _By_ HENRY H. SAYLOR NEW YORK McBRIDE, NAST & COMPANY 1912 COPYRIGHT, 1912, BY McBRIDE, NAST & CO. Published February, 1912 CONTENTS PAGE INTRODUCTION 1 CLASSIFICATION 3 LOCATION AND SOIL 11 PREPARATION AND PLANTING 20 FERTILIZING 25 PRUNING 30 PESTS 38 PROPAGATION 40 WINTER PROTECTION 44 LISTS OF DEPENDABLE ROSES 46 GLOSSARY OF TERMS 51 THE ILLUSTRATIONS A ROSE GARDEN WITH THE IDEAL ARRANGEMENT OF GRASS PATHS _Frontispiece_ FACING PAGE ULRICH BRUNNER, A RED HYBRID PERPETUAL ROSE 4 MARECHAL NEIL, A TENDER CLIMBING TEA ROSE 8 KILLARNEY, ONE OF THE BEST HYBRID TEAS 12 A GARDEN FOR ROSES ONLY 14 A DORMANT TEA ROSE AS IT COMES FROM THE GROWER 22 A STOCK OF MANETTI GRAFTED WITH AN IMPROVED VARIETY 42 A "STANDARD" ROSE 44 INTRODUCTION I well remember the caution given me by a noted horticulturist when, in the sudden awakening to the joys of gardening, I was about to attempt the cultivation of nearly everything named in the largest seed and plant catalogue I could find: "Leave the rose alone; it is not worth fighting for." And leave it alone I did, until one day I was browsing about an old book shop and came upon a well-thumbed copy of good old Dean Hole's "A Book About Roses." Let me tell you that there is something radically wrong with the person who can read that book and then go on plodding along his dreary, roseless way. But why, if there is such a book as that to be had, do I presume to put forth what can at best be but a feeble ray in its predecessor's blaze of inspiration? Merely because Dean Hole's book, and a later volume by the Rev. Andrew Foster-Melliar that is almost as inspiring, with perhaps even more helpful guidance, are both written for the English rosarian and for a cool, moist climate that necessitates a somewhat different method of procedure throughout as compared with that which would bring success in growing roses here in America. Then too, there is to my mind something encouraging in a very small book, a book that will merely attempt to lay the foundations for the superstructure that, after all, only experience can bring. Perhaps there are those who, like myself, are content with the bare essentials of classification, content to be told the basic rudiments of cultivation, and who are in haste to be done with all of these homely means to an end, that they may begin growing roses. Making a Rose Garden CLASSIFICATION When one considers the fact that the majority of botanists recognize over a hundred species of the genus _Rosa_, and that a French botanist lists and describes 4,266 species from Europe and western Asia alone, it will readily be understood that this chapter can give but a rough, working knowledge of groups and species. Fortunately the amateur rosarian in the United States is concerned with very few of the species, largely for the reason that the efforts of our rosegrowers have naturally been confined to a few important groups where general merit is most strongly marked. Indeed, for the purposes of a modest rose garden, one would not go far wrong if he limited his choice of varieties to the Hybrid Teas, Hybrid Perpetuals and a few of the Teas, with several of the _wichuraiana_ and _rugosa_ hybrids for trellis and hedge. The name Hybrid Perpetual is borne by an enormous group of roses which have been derived from various species, crossed and recrossed until the parentage is in most cases hopelessly involved. The "Perpetual" half of the name signifies that the rose continues to bloom more or less frequently throughout the summer. As a matter of fact, it is usually _less_. Teas or Tea-scented China roses form a distinct group that is readily recognized by the characteristic scent of the flowers and by the smoothness of its leaves. Teas are, in a way, the aristocrats of the rose garden. They bloom with no great blare of trumpets in June, like the Perpetuals, but they keep steadily at their work of producing exquisite blooms, one or two at a time, throughout the summer. Their one serious handicap is a lack of hardiness, which they possess only in a slight and very variable degree; and they must be very carefully protected in the north to bring them safely through the winter. Even though I were forced to buy new plants each spring, however, I would not have a rose garden without Teas. [Illustration: Ulrich Brunner, a red Hybrid Perpetual that has achieved an excellent reputation. The H.P. type is characterized by hardiness and great freedom of bloom in June. Thereafter throughout the summer the burden of display must be borne by the Teas and Hybrid Teas.] Hybrid Teas, as the name signifies, are successful crosses between the Tea and roses in the Hybrid Perpetual group. This class combines the persistence of the Tea with the sturdier growth of the Perpetuals, and from it we shall probably get the great bulk of our garden roses for some years to come. The Moss Rose, of which you will surely want a representative in your garden, belongs in the Provence group, as will be seen in the tabular classification at the end of this chapter. Who does not know its beautiful buds in their setting of mossy stems? This rose, like many a one that has not gotten such a grip on our affections, has refused steadfastly to mix its blood with another species, and has retained its good points and its bad ones for over three hundred years. It is quite hardy but is rather susceptible to mildew. There are other roses, too, outside the larger and best-known groups--roses that, because of some superlative merit in one direction or because of past associations, lay a strong hand on our heart-strings and plead for an obscure corner of the new rose garden: the bristling Scotch Rose, the fragrant Damasks, the sweetbrier or eglantine with its inimitable fragrant foliage, the Penzance Brier Hybrids, the White Banksian of southern gardens with its odor of violets, the Persian Yellow of our grand-mothers' gardens, and the hundred-petaled Cabbage Rose, parent of the Moss. Climbing roses are to be found in many of the groups--Wichuraiana, Ayrshire, Polyantha, Musk, Noisette and as sports in the Hybrid Perpetual, Tea and Hybrid Tea groups. It is in another class, however, that we may look for the ideal American roses of the future. Not many years ago, came to us three natives of Japan, _Rosa wichuraiana_, _Rosa multiflora_ and _Rosa rugosa_. From the first two has been developed by our American hybridizers the race of Ramblers, while from the third has come such sturdy children as Conrad F. Meyer, perhaps the ideal hedge rose for our northern climate. In the estimation of Professor Charles S. Sargent, the dean of American horticulture, it is along the line of _rugosa_ hybrids that we shall succeed in filling our gardens with large, beautiful, hardy and continuously flowering roses. The climate of the South and California seems ideally suited to the Teas, producing a wealth of exquisite bloom that fills those of us that live in more trying surroundings with envy. In the South also they have the Cherokee Rose (_Rosa laevigata_ or _sinica_), flourishing along roadsides and in great masses on the prairies, its long, arching stems bearing a wealth of pure white, single flowers, four or five inches across, in a setting of brilliant, evergreen foliage. It is one of our American hybridizers' hopes and aims to cross this with a hardy rose to gain sufficient stamina for the North. And out in Oregon, the Hybrid Perpetuals and Hybrid Teas grow to a size and beauty that is unsurpassed the world over. Practically every kind of rose can be grown in the Puget Sound district, and the amateurs of that locality seem to have as little trouble with rose pests as we do here with our hardy decorative shrubs. [Illustration: Marechal Neil, a tender climbing Tea rose, dark golden-yellow in color, requires winter protection in the North. The Tea is the aristocrat of the rose garden, unapproached for delicate fragrance, refined form of the individual blooms, and continued flowering throughout the summer.] To sum up the whole matter of classification and to show the relative positions of many groups that, for lack of space, have not even been mentioned above, the following tabular key is given--a slightly modified form of the classification given in the Cyclopedia of American Horticulture: _I. Summer-flowering Roses, blooming once only_ A. Large-flowered (double). 1. Growth branching or pendulous; leaf wrinkled. _Provence_ Moss Pompon Sulphurea 2. Growth firm and robust; leaf downy. _Damask and French_ Hybrid French Hybrid Provence Hybrid Bourbon Hybrid China 3. Growth free; leaf whitish above; spineless. _Alba_ B. Small-flowered (single and double). 1. Growth climbing; flowers produced singly. _Ayrshire_ 2. Growth short-jointed, generally, except in Alpine. _Briers_ Austrian Scotch Sweet Penzance Prairie Alpine 3. Growth climbing; flowers in clusters. _Multiflora_ Polyantha 4. Growth free; foliage persistent (more or less shiny). _Evergreen_ Sempervirens Wichuraiana Cherokee Banksian 5. Growth free; foliage wrinkled. _Pompon_ _II. Summer- and Autumn-flowering Roses, blooming more or less continuously_ A. Large-flowered. 1. Foliage very rough. _Hybrid Perpetual_ _Hybrid Tea_ _Moss_ 2. Foliage rough. _Bourbon_ _Bourbon Perpetual_ 3. Foliage smooth. _China_ Tea Lawrenceana (Fairy) B. Smaller-flowered. 1. Foliage deciduous a. Habit climbing. _Musk_ Noisette _Ayrshire_ _Polyantha_ Wichuraiana Hybrids b. Habit dwarf, bushy. _Perpetual Briers_ Rugosa Lucida Microphylla Berberidifolia Scotch 2. Foliage more or less persistent. _Evergreen_ Macartney Wichuraiana LOCATION AND SOIL If there is any secret in connection with the growing of beautiful roses in abundance, it lies in the strict observance of a few fundamental principles through which the rose plants, or bushes if you will, are given a location and soil which they will find congenial and nourishing. If for one moment you may have thought that success depends upon some particular insecticide for the annihilation of the aphis, or some hard-and-fast rule for pruning, or the use of a fertilizer having magical attributes, dismiss that thought from your mind, once and for all time. Insecticides, judicious pruning and suitable manuring have each an important part in the campaign, but transcending all of these is the first choice of location and the preparation of the garden in which the roses are to grow. Warfare against the rose's enemies can be but a one-sided, hopeless struggle if we are working against nature all the way through. Far easier and more certain in effect will be our first efforts to establish the rose plants themselves so firmly in healthful, congenial surroundings that they, rather than we, will bear the brunt of the battle against the insect pests. In China I am told that a custom once prevailed whereby the emperor paid his physician a good salary as long as the ruler kept his good health. If he fell ill the physician's pay stopped; if he died, off came the practitioner's head. Be generous in the amount of thought and care you give in providing health, food and strength for your rose plants, and as a result you will have to give very little thought and care to curing disease and killing off the rose-bugs and slugs. In the first place let us take up the matter of situation. Unfortunately most of us will have little leeway in this, for the average suburban place is not one that will offer hill and valley, windswept open space and warm shelter. The ideal location is to be found neither on a hilltop where the winter winds would play havoc with our winter protection, nor in a low hollow where frosts are always more frequent. A gentle slope to the south, well above nearby low spots into which the cold air will drain, sheltered in some way from the north, would be all that we could ask. In the matter of this shelter, however, we meet a further difficulty, for our rose garden must be kept well away from any trees. It is a matter of common knowledge that the root system of a tree will, as a rule, extend as far out from the base as the tree rises about the ground. Obviously it would be merely a waste of time and effort to locate the rose garden where the hungry roots of trees would rob it of the food supply furnished the roses. In general, therefore, we shall have to use the wall of a house or a garden wall for our needed protection, though in case of necessity we could sink a masonry wall or an iron plate as a barrier between the upper rich soil of our rose beds and the roots of the sheltering trees. [Illustration: Killarney, the comparatively new Hybrid Tea rose, having a beautiful shell-pink color, has achieved a wide popularity. The Hybrid Tea combines in a measure the hardiness of the Hybrid Perpetual with the continuous flowering habit of the Tea.] Sun, it is perhaps unnecessary to say, is essential, though it will be found that if the beds are in shade for the first part of the morning one will have greater opportunity of enjoying the roses at their best--before the dew has been drunk from their petals by the thirsty midsummer rays. The matter of the size and design of the rose bed is of comparatively little importance; what really is vital, however, is that the roses be permitted to have the beds to themselves--absolutely. But recently I read a magazine article purporting to be good advice for the rose-growing amateur. Therein appeared words of regret that the rose must needs have such bare, gaunt stalks, and suggesting as a remedy the growing of some vine about the base of the bush--I am not sure, indeed, that the honeysuckle was not specifically named for the place. I can well imagine that the result might be a very beautiful honeysuckle, but we should look there for the rose in vain. [Illustration: Keep the roses by themselves; they will not only thrive better, but their beauty seems not to be increased by comparison with other flowers.] The Queen of Flowers will brook no liberties of this kind. She insists upon reigning alone in her glory, and anyone who dares presume to introduce even a low-growing, shallow-rooted ground cover with the intention of making the rose bed seem less bare, will never see his roses at their best. Personally I have never felt that a rose garden need be in the least unattractive. There is one type of beauty that might be represented by a carpet of creeping phlox; there is another that belongs to the rose garden, bearing its single blooms here and there, sparsely, among the green foliage and thorny stems. In the former instance one looks at the mass effect without a thought of the beauty of individual flowers; in the latter case one's glance seeks out instinctively the single bloom to drink in its beauty and fragrance. Ah, but you say, how about the time when there is not a single rose in sight? There need be no such time between spring and fall if you plant your rose garden to best advantage. There is no need nor reason to put all the June-blooming roses together, with the Teas and Hybrid Teas off by themselves in another place. If the remontant types are interspersed throughout your garden you need never, between May and October, look for a rose in vain. The shape of the beds, too, may be such as to avoid an appearance of "too much dirt" in the rose garden. For my own part I would have a rectangular garden and simple parallelograms for the beds, although the rose garden about a central feature has its strong attractions. But if you arrange the beds in long narrow units--four feet wide for a double row of plants or twenty inches wide for a single row, and as long as your purse will allow, having the paths between the rows of turf rather than gravel or brick, and the beds slightly sunk below this turf, the rose garden need never be less than most attractive. Avoid beds wider than will accommodate two rows of plants, for it is essential that every rose bush in the garden be immediately accessible from a path. [Illustration: A suggestion for a rectangular rose garden with paths of turf. The beds are about forty inches wide, the paths four feet, excepting the center one, which is five feet in width. A hedge, which might be of _rugosa_, contributes a desirable air of seclusion.] To those intensely practical persons who object to walking through dew-wet paths in the morning tour of the rose garden, let me point out the obvious impossibility of having gravel paths immediately adjacent to the rose beds, and the continued care required to keep in a presentable condition a narrow strip of sod between path and bed. Now as to the preparation of the rose bed itself. First of all, dig the soil out to a depth of two feet at least, keeping the top soil and sods and the subsoil in separate piles as they are taken out. Loosen up the floor of the trench with a pick and on this, if the ground needs draining, which it will if it is a compact, sodden surface, put a layer of stones, cinders and other material that will not decompose. On top of this place the best of the sub-soil mixed with a generous dressing of well-rotted manure. Finally, add the sod, well broken up, and the top soil, also enriched with manure. Then fill in the bed with enough good top soil, unmanured, to bring it two or three inches above the adjoining surface. Make sure that the surface of the bed, after it has settled, will be about one inch below that of the adjoining sod in order to retain the moisture from rain. This preparation of the bed should be done at least several weeks in advance of planting time. In composing the soil for the rose bed, it is well to remember that the Hybrid Perpetuals require a heavy soil containing some clay. For Teas and Hybrid Teas a lighter, warmer soil is better. In his most admirable "Book of the Rose," the Rev. Andrew Foster-Melliar tells an amusing incident in connection with soil. The good rector was dining out and had been served with a generous portion of plum pudding. It was very dark, rich, strong and greasy. Absent-mindedly he sat back in his chair gazing at the dish intently. His hostess, noticing his hesitancy, asked if anything were wrong with the pudding. "Oh, no," replied the rector unthinkingly, "I was thinking what rare stuff it would be to grow roses in." Top soil from an old pasture, if it be a moderately heavy loam, taken with the grass roots and chopped very fine, will do excellently for the Hybrid Perpetuals. For the Teas and Hybrid Teas, mix with soil of this kind about one-quarter of its bulk of sand and leaf mold to lighten it. Remember that all the manure that is used should be incorporated with the lower two-thirds of the bed; the upper third should not contain any recently added manure as it is apt to harm the roots of new plants. PREPARATION AND PLANTING In the vicinity of New York and further north, I think it will be found that spring planting is best. South of Philadelphia many roses are set out in the fall, for here they become well established before cold weather sets in, and are therefore ready to start active growth at the first touch of spring. If spring planting is chosen the plants must be put in the ground early--at the very first opportunity--so that they will have time to become firmly established before hot weather. Pot-grown plants from a greenhouse cannot, of course, be set out until all danger from frost is past. Roses that are planted so late cannot be expected to show really satisfying results in bloom the first year. Roses that are planted early in the spring, if field-grown stock as explained below, will with proper cultivation give at least a reasonable amount of bloom the first year, though not so much as in later years. One hears a great deal of argument on the question of whether roses are best grown on their own roots or when grown on a sturdier stock, such as Manetti for Hybrid Perpetuals and brier for Hybrid Teas, which are probably the best rose stocks for this country. It seems to be the general consensus of opinion that roses budded on these stocks will thrive much more luxuriantly and give much better blooms than those which depend upon their own root systems. It is necessary, however, to set the point at which the shoot is budded to the stock about two inches beneath the surface; otherwise there is the constant danger that suckers will spring from the root and, if overlooked for a time, these will kill the more desirable shoots. Several kinds of roses are offered by the dealers for setting out in the spring. There are the pot-grown roses mentioned above--the only form in which many of the climbers may be readily obtained. Mail-order houses make a practice of sending out the Hybrid Perpetuals, Hybrid Teas and Teas also in this form of very young plants grown from cuttings under glass during the winter. Costing more, and surely far more dependable, are the field-grown roses that have originally been budded on Manetti or brier and, usually in two-year-old form, taken out of the ground the previous fall while dormant, to lie in cold houses until ready for planting. Such roses as these will surely bloom the first season and are far better equipped for the shock of being set into the open ground again than the pot-grown plants that have never had a taste of real garden life. A word of warning might profitably be uttered against the cheap roses budded on _multiflora_ stock, grown in Holland and sold in some of the department stores. They are short-lived and very poor in comparison with plants on brier and Manetti. _Multiflora_ has been entirely discarded as a stock by English and Irish growers. Roses on their own roots have the advantage of being cheaper, due to the saving of labor in striking cuttings rather than budding--one-year-old plants costing a dollar for six to a dozen; two-year and three-year-old bushes, which are, of course, far more desirable, cost more in proportion. Dormant, field-grown budded roses cost, in the two-year-old size, from thirty-five cents to a dollar each. [Illustration: A dormant Tea rose as it is received from the grower for planting in March. After planting it should be still further pruned.] Before setting the plants examine each carefully and cut off the broken roots with a sharp knife, as well as all eyes that may appear on the root stock, in order to forestall suckers. The plants should be set immediately upon their receipt from the nurseryman, so that they will not become dried out. If they seem dry it may be well to puddle the roots in thin mud just before setting. Make the hole large enough to accommodate all of the plant's roots without crowding, remembering to put the budding point not less or more than two inches below the surface and with the roots spread out nearly horizontally, but inclining downward towards their ends and without crossing one another. This will not be an easy matter, for in shipment the roots will have probably been so compressed that they extend almost directly downward from the collar. After the plants have been firmly set and the earth carefully packed in around the roots, rake the soil to loosen it up over the whole surface. The soil will probably be moist enough at the time to need no watering. With the pot-grown plants, the moist ball of earth that comes about the roots is carefully retained intact and placed in the hole prepared for the plant. Set the plant firmly in place by pressure with the soles of your shoes, give a generous watering and finally break up the surface of the soil with a rake. It is absolutely essential to keep the surface of the ground loosened with a hoe and a sharp steel rake throughout the summer. After very hard rain loosen the soil as soon as it is dry enough to work, to conserve the moisture. FERTILIZING In striking contrast to the exquisite beauty of the rose is the food that we must give it in abundance if we would have the most healthy plants. But for the true rose enthusiast the turning over of a muck heap to find manure in just the right form, or the dilution of the by-products of the cow barn with water to make the best stimulant, have nothing about them that is in the least objectionable. If the soil at our disposal is inclined to be rich in clay, we can probably do no better than incorporate well-decomposed stable manure with it, by raking it, well pulverized, into the surface in the early spring. In sandy or gravelly soils, however, cow manure or that from the pigsty will serve far better. It must be remembered that when properly set out the rose plant is comparatively shallow-rooted, so that this raking of fine old manure into the soil must be just that, and _not_ the deep digging of half-rotted manure into the bed with a spading-fork. The aim in the method advocated is to put the solid manure where the spring rains will carry it in time to the feeding roots, and in the liquid form in which it is readily assimilated. The theory of this manurial feeding will make clear the fact that a proper application of liquid manure has practically all the advantages of the former method without its drawbacks. For solid manure, if applied to the beds in quantities sufficient to be of real value, has a tendency to keep the needed air out of the top soil, and to bring in its train an abundance of weeds that will be hard to exterminate. So that, with the exception of light sandy soils, where the humus is needed, we shall do well to feed the rose garden liquid nourishment. The time when this stimulant will be most effective is in the months of May and June, when most of the plants are putting all their efforts into the forming buds. Withhold the liquid in dry spells, for it is most appreciated immediately after a good, soaking rain. Avoid getting the manure on the foliage, and make sure that it errs on the side of weakness rather than strength. Suspending a burlap sack containing a bushel of cow manure in a barrel of water for two days, will give a solution that needs dilution with its own bulk of water. A half-gallon to a plant each week will be a sufficient normal feeding. Immediately after dosing the beds go over them with a rake or prong-hoe and loosen up the surface to prevent evaporation. A vital principle in feeding rose plants is one that seems to be overlooked instinctively by seven out of ten amateur gardeners. It is this: A strong-growing, healthy plant needs and will absorb a large quantity of liquid manure; a sickly plant, or one that is not yet well established, does not need and cannot absorb even the normal quantity of this food. Yet how often are we tempted to feed to excess this weakling and withhold food from that nearby sturdy bush, because the latter "doesn't need it." Just bear in mind the fact that we do not give burgundy to a puny child that is struggling against the effects of malnutrition, but that a healthy, growing boy can consume an astonishing amount of food and drink. To review the year's activities in fertilizing: let us put a top dressing of rough manure over the beds in the fall, about three inches deep, with further protection where the climate demands it. In the spring we shall rake off the coarse portion of this covering, leaving the finely pulverized manure to be raked gently into the top soil if it needs this additional humus (the manure's food value will have been washed down by the winter's rain and snow). If our soil is clayey the whole top dressing will be hoed off. In May and June come the generous applications of the liquid manure, and for the Teas and Perpetuals that really do continue to flower, these applications may well be continued through the summer at less frequent intervals, leaving off at the end of August, let us say, so as not to encourage unnecessarily the late summer's growth of wood. Although not many of us, in all probability, will meet the unusual condition of having for our rose gardens only an over-fertilized soil in a long-used garden, it may be well to mention the fact that such a soil will not produce good roses. Treatment with lime will help matters for a time, but if within the range of possibility we should remake the garden with virgin soil. The use of nitrate of soda and like stimulants may be undertaken sparingly in the spring, but these are better left to those gardeners who have learned, possibly through disastrous experiences, how properly to use them. PRUNING The rose is one of those plants that seem to need the firm hand of man to direct them in the way they should grow. If left to their own devices, most of the highly cultivated roses revert quickly to lower types; they need the pitiless pruning-knife to spur them to their best endeavor. It will readily be seen that severe pruning, as a general principle, tends towards greater beauty of individual blooms, while light pruning is conducive to a better rounded-out form of bush at the expense of the flowers. Or, again, the severe pruning gives quality of bloom as opposed to quantity of bloom. Always cut back the plants severely when first setting them out--Teas and Hybrid Teas less than the Hybrid Perpetuals, and the climbers least of all. Unreasonable as it may seem, the plants of vigorous habit of growth need less pruning than the less active ones. Pruning may be started with the dwarf Hybrid perpetuals in March--leaving four or five canes three feet in length if large masses of bloom are wanted. The result will be a large number of small flowers. If, on the other hand, fewer and larger flowers are wanted, all weak growth should be removed and every healthy cane retained and cut back in preparation for the plant's development. The weakest should not have more than four inches of wood left on the root, while the strongest may have eight or nine inches. Always prune a cane about a quarter of an inch above an outside bud unless the cane is very far from the vertical, when an inside one should be left for the terminal shoot. See that the wood is not torn or bruised in the operation. The pruning of Hybrid Teas and Teas had better be postponed until the first signs of life appear. The bark becomes greener and the dormant buds begin to swell. Dead or dying wood will then readily be noticeable and it may be removed. Remember that these two classes do not need such severe pruning as do the Hybrid Perpetuals; twice the amount of wood may safely be left if it seems promising. Dormant rose plants bought in the spring will arrive from the growers already partly pruned. In general, from one-half to two-thirds of the remaining length of cane should be cut off when the plants are set out, removing entirely all bruised or dead wood. Bear in mind always, if your conscience revolts at such severe cutting, that the strongest dormant buds are nearest the base of the plant and it is these we want to force into growth to bear the prize blooms. With the ramblers very little cutting is needed; merely cut back the shoots that seem to be outdistancing their neighbors by too much, and cut out entirely the dead canes. The _rugosa_ is intended to be a bush rather than a strong, lean plant for prize blooms. Merely cut out old, dry wood and trim back the longer shoots to the desired form. Use a first-class pair of pruning shears in order that the work may be done quickly and, above all, with clean cuts that show no tearing or abrasion of the bark. PESTS Once more let me repeat the fact that by far the most effective campaign against the insects and other pests that infest rose plants is to be found, not in sprayings and dustings, but rather in maintaining to the best of our ability a condition of health in the plant itself. Prevention here, as always, is better than cure. Nor can it be too strongly emphasized that the daily use of a powerful but finely divided spray from the hose will make life on the rose plant miserable for practically all of the parasites. The following are the chief enemies that we may encounter in the rose garden. They are briefly described so as to be recognizable when found, and for the annihilation or keeping in check of each is given one of the many remedies. Practically every rosarian develops, after a time, his own pet formulae for these poisons, so that rose books will be found to contain a wonderfully varied assortment of weapons--so numerous in fact that one would think the army of rose pests could never live to continue their depredations another season. _Aphis or Green Fly_ A small, pale green louse, winged or wingless, with a soft, fat, oval body apparently too big for its legs. A single aphis in five generations may become the progenitor of 6,000,000,000. Tobacco smoke is an excellent weapon, or, if a spray is found more convenient to apply, a solution of 4 oz. of tobacco stems boiled for 10 min. in 1 gal. of soft water, will do. The same weight of quassia chips may be substituted for the tobacco. If the tobacco is used, the cheapest that can be bought is the best for the purpose. Strain the solution and add 4 oz. of soft soap while it is still hot, stirring well to dissolve the soap. Another remedy--1 qt. of soft soap boiled in 2 qts. of soft water, adding 1 pt. of paraffin before cooling--is well recommended. It should be applied diluted with soft water to ten times its bulk. The paraffin acts as an astringent which, together with the soft soap, cleanses the plant of honey-dew, which is exuded by the aphis to protect its feet against cold and wet. _Mildew_ A fungous disease that may appear when the rose plants are in a damp, shady or ill-ventilated location. Although some varieties are more susceptible than others to this disease, the rose garden located out in the open, where the air has unobstructed access, will not be troubled much by mildew. When the disease appears late in the autumn it need not be feared. Dusting flowers of sulphur upon the foliage, taking care to reach the under side of leaves as well as the upper, and upon the ground about the plants, is a well established remedy. It will be found convenient to shake the powder from a baking-powder can, the end of which is punched with holes, if a regular powder gun is not at hand. Use the sulphur in the early morning, when the dew will help to hold it on the leaves, or else spray the plants with water beforehand. _Rose Thrip_ A small, yellowish white insect with transparent wings, usually found on the _under_ side of the rose leaves. This pest appears in swarms and in an astonishingly short time turns the foliage yellow. If the pest appears, spray the rose plants daily with a hose as suggested above. If this does not prove efficacious, dust the under side of the leaves with white hellebore in a powder gun. Whale oil soap solution, in the proportions of 5 oz. of soap to 1 gal. of water, is a very good remedy. It is easier to dissolve the soap if the water is hot. _Rose Caterpillar or Leaf-roller_ Several kinds of caterpillars may appear, varying from one-half to three-quarters of an inch in length, and either green, yellow or brown in color. They have a habit of enveloping themselves in the rose leaves, or boring their way into the flower buds. In the latter case they are very apt to be overlooked. Powdered hellebore will hinder their progress, but by far the most effective weapons are the finger and thumb--gloved, if you insist. _Rose Chafer or Rose-bug_ This brown beetle, less than one-half inch in length, is one of the best-known rose pests. It is a slow-moving creature that appears suddenly in armies in the blooming season in June, and is the more annoying for the reason that it devotes its attention almost entirely to the flowers themselves. Paris green, dusted over the plants, will kill the pest, but this poison has a disagreeable way of showing no intelligent discrimination in the choice of its victims. Really the only satisfactory method of attack is to knock the stupid creatures off the flowers into a tin of kerosene and then burn it. _Rose Slug_ The larvae of a saw-fly which comes up out of the ground in May and June. The female makes incisions in the leaves and deposits her eggs, which hatch out in about two weeks. The slugs will eat an astonishing amount of leaf if not checked. They are about a half-inch long, green, and will be found on the upper side of the leaf. Powdered white hellebore, dusted on the foliage, or the solution of whale oil soap mentioned for the Rose Thrip, will keep it in check. _White Grub_ An underground enemy that feeds on the roots of rose plants. The withering or sickliness of the plant is sufficient reason to cause a thorough search to be made by lifting it. The grub, which is provided with six legs near the head, and which coils itself into a crescent shape when in repose, is particularly fond of strawberry plants, so it will be well to keep these some distance away from the rose garden. There is no insecticide that will be effective, because of the underground point of attack. Lifting the plant and removing the grub is the only thing that can be done. _Bark Louse or White Scale_ This appears when the rose bush is grown in a damp, shady place. It is snow white and individual scales are about one-tenth of an inch in diameter, irregularly round. Cut off and burn badly infested shoots. Spray with 1 lb. of soap in 1 gal. of water in early winter and again in early spring. Weaker summer applications may be used also--1 lb. in 4 or 6 gal. once in three weeks throughout the season will reach all the larvae. _Our Allies_ It is well to remember that there are friends of the rose in the lower animal world as well as enemies--the toad, lady-bug, ground-bird and swallow, particularly. The toad is sometimes brought by the English gardeners from a distance to help wage war on the pests; the lady-bug may be passed thankfully by when seen; and it may be well to try attracting the birds to the rose garden by scattering a few crumbs there daily--not too many, but just enough to arouse a real appetite for insect pests. PROPAGATION The propagation of his own stock is a task for which the expert is better fitted than the beginner for whom this book is written. Nevertheless, I doubt whether the amateur will pass through his first year of rose growing without wishing to make an attempt to multiply the stock of those roses which have with him been most successful, or to bud a choice variety from a friend's garden on the foster-parent stock for his own place. Whereas in England the process of budding is carried on very widely and with fair success among amateur and professional rosarians alike, with us this means of propagation seems fraught with greater difficulty. Excepting in the case of varieties that do not readily root from cuttings, this latter method of propagation is generally adopted where roses on their own roots are desired. The best time for taking cuttings from a plant is towards the end of the summer, when the ripe wood of the current year's growth will be available. Ten inches is a convenient length for the pieces and some rosarians feel that if a "heel," or portion of older wood, remains on the lower end there will be greater likelihood of rooting. Remove all but the two top leaves and set the cutting in a light soil, or even in pure sand, so that only the two upper buds are exposed. Leave the cuttings in the ground until the following autumn, when those that have taken root may be transplanted and set at a less depth in their permanent quarters. Budding is a far more interesting process to carry through, and by it we may have sturdier roses on a stock like Manetti or brier. A very sharp knife is required, with some raffia for tying the bud securely into the stock. In the limited scope of this book I can but indicate very roughly the general procedure, and, indeed, budding is far more readily learned by watching a skilled rosarian do it than by reading many pages of description. Briefly, then, a bud, which may be found under any petiole, is carefully sliced, with its surrounding bark and backing of wood, from the half-ripe stalk of the variety to be propagated, leaving the petiole in place to serve as a handle. This is probably best done in July. After removing very gently the wood backing from the bark and bud, the latter are slipped into a T-shaped incision in the foster stock, this incision to be made through the bark to the actual wood of the stalk. The bud and its supporting bark are inserted between the wood and bark of the stock, the latter then being wrapped with a few turns of raffia to hold the bud in place. After a period of a month the bud will either have taken hold or failed, and the tie may be removed. The rose plants that we buy already budded on Manetti or brier are produced in this way, excepting that the bud is inserted very low on the stock, so that the junction will be underground. This is the more desirable place for budding, insuring, if we nip the suckers as they may appear, a plant that above ground shows only the shoots of the desired variety. [Illustration: A shoot of an improved variety of rose grafted and held in place with raffia to the stock of a sturdy growth like Manetti. At the right is a "sucker" or growth from the root, and it must be cut off as soon as it appears.] Grafting is practiced only in the case of roses grown under glass, when the scions are cleft into stocks of Manetti or brier grown in pots for the purpose. Layering is used as a means of increasing the stock only in the case of roses that do not readily strike from cuttings. It consists of bending down a long shoot so that a section of it may be pegged underground to take root. Propagation by seed is limited to the efforts to obtain new varieties after cross-fertilization, and is a discouragingly slow and uncertain process. WINTER PROTECTION It will be a red-letter day for amateur rosarians when the existing favorites among rose plants shall have been so improved by cross-breeding that we can leave off all the winter overcoats of straw, brush and earth, with the happy knowledge that spring will find as many live plants in the rose garden as we rejoiced in during the previous season. [Illustration: In England the "standard" rose, having a long stem of the foster stock, is quite common. With us it is less frequently seen on account of the bother of proper winter protection.] Although the Hybrid Perpetuals are, for the most part, sufficiently hardy to withstand an ordinary winter unprotected, it is still the part of wisdom to conserve their energy and health by hoeing up the earth about their bases and putting over all a top dressing of rough manure when protecting the Hybrid Teas and Teas. In the northern states it will be well to tie up the tops of the latter with straw or to surround the bed with a border of boards or wire netting, after winter has set in, and cover the plants with a thick blanket of leaves held down by brush. This protection should be removed gradually in March. Where the winters are particularly severe, a still more certain precaution is to dig up the plants and lay them in well-drained trenches, covering them with earth and a further layer of leaves, straw or brush. The aim is not to protect the plants from freezing at all, but to prevent the alternate freezing and thawing that is so disastrous. Another treatment for tender roses is to winter them in boxes of soil in a cool cellar. In case this is done, see that the earth is not allowed to dry out entirely. At planting time in the spring the dormant plants will be taken out, dipped in a bucket of thin mud and replanted in the garden. While we may be willing for the present to take such precautions with the garden roses, most of us will not care to coddle the climbers to anything like this extent. Beyond hoeing up a mound of earth about the bases of these and top-dressing them, we shall let the climbers fight their own battles, and leave the result to the principle of the survival of the fittest. LISTS OF DEPENDABLE ROSES It is a difficult matter, indeed, to select, from the experience of rose growers and from the long lists of the nurserymen's catalogues, a few that may be safely named as the best roses. In fact, it is a task that no one would care to undertake. It may be helpful, however, to add the following list; these are by no means the only good roses, but in choosing any or all of these the amateur cannot well go astray. For the benefit of his experience and advice regarding these lists, I am indebted, among others, to Dr. Robert Huey, of Philadelphia--probably the most experienced amateur grower of roses in the United States. It has been thought best not to attempt individual descriptions nor to go very far into details of color. The lists, then, are grouped into rough sub-divisions under the main colors, and it will be understood that "pink," for instance, will include a rather wide range of varying tints. HYBRID PERPETUALS _White_--Merveille de Lyon, White Baroness, Frau Karl Druschki, Margaret Dickson, Mabel Morrison, Gloire Lyonnaise (in reality a Hybrid Tea, but as it blooms only in June it may be included in the Hybrid Perpetual class). _Pink_--Baroness Rothschild, Caroline D'Arden, Heinrich Schultheis, Her Majesty, Lady Arthur Hill, Mrs. George Dickson, Mrs. Harkness, Susan Marie Rodocanachi, Mrs. John Laing, Paul Neyron, Marie Finges, Marquise de Castellane, Mrs. R. S. Sharman-Crawford, Souvenir de la Malmaison. _Red_--Captain Hayward, Fisher Holmes, General Jacqueminot, Oscar Cordel, Ulrich Brunner, Duke of Edinburgh, Duke of Teck, Anne de Diesbach, Duke of Fife, Etienne Levet, Prince Arthur, Ard's Rover (climber). Prince Camille de Rohan is the best of the very dark roses, among which also are Sultan of Zanzibar, Louis Van Houtte, and Xavier Olibo. These, however, are weak growers and frequently do not bring their blossoms to perfection. TEAS _White_--White Maman Cochet, Hon. Edith Gifford. _Pink_--William R. Smith, Maman Cochet, Souvenir d'un Ami, Duchesse de Brabant, Mrs. B. R. Cant. _Yellow_--Harry Kirk, Etoile de Lyon, Francisca Krueger, Isabelle Sprunt, Safrano, Marie Van Houtte. HYBRID TEAS _White or light-colored and mixed_--Viscountess Folkestone, Pharisaer, Molly Sharman-Crawford, Ellen Wilmot, Grace Molyneaux, Antoine Revoire, Joseph Hill, Mrs. A. R. Waddell, Betty, Prince de Bulgarie, La Tosca, Kaiserin Augusta Victoria. _Pink_--Killarney, Lady Alice Stanley, Lady Ursula, Dean Hole, Lyon Rose, Dorothy Page Roberts, Madame Edmee Metz, Lady Ashtown, Mrs. Charles Custis Harrison, Caroline Testout, La France. _Yellow_--Duchess of Wellington, Mrs. Aaron Ward, Madame Ravary, Madame Melanie Soupert, Madame Hector Leuillot, Melody. _Red_--George C. Waud, Lawrent Carle, Gruss an Teplitz, Chateau de Closvoges, Etoile de France. MOSS ROSES _White_--Blanche Moreau. _Pink_--Crested Moss. RUGOSA AND ITS HYBRIDS _White_--Blanc Double de Coubert; _Rosa rugosa_, var. _alba_. _Pink_--Conrad F. Meyer. _Red_--Arnold; _Rosa rugosa_, var. _rubra_. WICHURAIANA HYBRIDS _White_--Wichuraiana, White Dorothy. _Pink_--Lady Gay, Dorothy Perkins, W. C. Egan, Sargent. _Red_--Hiawatha. NOISETTES _Yellow_--Cloth of Gold, Reve d'Or (climber), Fortune's Yellow. POLYANTHAS _White_--Trier, Catherine Ziemet. _Pink_--Tausendschoen, Clothilde Soupert. _Red_--Carmine Pillar. PRAIRIE ROSES _White_--Baltimore Belle. _Pink_--Rosa _setigera_. AUSTRIAN BRIERS _Yellow_--Harrison's Yellow, Persian Yellow, Austrian Copper. A GLOSSARY OF TERMS Anther--a rounded knob-like form at the top of the stamen, containing the pollen. Callus--a swelling which occurs at the base of a cutting previous to the formation of roots. Calyx--the narrow green leaves or sepals forming the covering for the bud. Corymb--a group of flower stalks arising from a common stalk and forming a level top. Cutting--a section of a stalk containing several eyes or dormant buds, taken for the propagation of a new plant. Disbud--to deprive a stalk of flower buds by pinching or rubbing these off. It is done in order to throw more energy into the remaining bud or buds. Hep or hip--the seed pod. Hybrid--a new species resulting from the cross-fertilization of two species. Leaflet--a single member of the compound leaf borne by all rose plants. Maiden plant--a plant blooming for the first time after being budded or grafted to a stock. Ovary--the hollow lower end of a pistil, containing the embryo seeds. Panicle--a cluster of flowers borne irregularly on a stem. Petiole--the stalk to which the several leaflets are attached. Pistil--the seed-bearing organ in the center of a flower, consisting of one or more styles, one or more stigmas and the ovary. Pollen--the powdery substance found in the anthers. Remontant--applied to roses that flower the second time in a summer. Sepals--the narrow green leaves of a pithy texture forming the calyx. Sport--a shoot or sucker from a plant, showing some peculiar feature or features distinguishing it from its parent. Stamens--the male organs surrounding the pistil. Stigma--the upper end of the pistil, capable of receiving the pollen and connected with the ovary by a tube extending down through the style. Style--the erect columnar support of the stigma. Sucker--a branch or shoot proceeding from the root or stem of a plant, below the surface of the ground. Frequently used as meaning a shoot from the root-stock of a budded or grafted plant. End of the Project Gutenberg EBook of Making a Rose Garden, by Henry H. Saylor *** END OF THIS PROJECT GUTENBERG EBOOK MAKING A ROSE GARDEN *** ***** This file should be named 36872.txt or 36872.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/6/8/7/36872/ Produced by The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.