The Author of Beltraffio, by Henry James

Much as I wished to see him, I had kept my letter of introduction for three weeks in my pocket-book. I was nervous and timid about meeting him,—conscious of youth and ignorance, convinced that he was tormented by strangers, and especially by my country-people, and not exempt from the suspicion that he had the irritability as well as the brilliancy of genius. Moreover, the pleasure, if it should occur (for I could scarcely believe it was near at hand), would be so great that I wished to think of it in advance, to feel that it was in my pocket, not to mix it with satisfactions more superficial and usual In the little game of new sensations that I was playing with my ingenuous mind, I wished to keep my visit to the author of Beltraffio as a trump card. It was three years after the publication of that fascinating work, which I had read over five times, and which now, with my riper judgment, I admire on the whole as much as ever. This will give you about the date of my first visit (of any duration) to England; for you will not have forgotten the commotion—I may even say the scandal—produced by Mark Ambient’s masterpiece. It was the most complete presentation that had yet been made of the gospel of art; it was a kind of aesthetic war-cry. People had endeavored to sail nearer to “truth” in the cut of their sleeves and the shape of their sideboards; but there had not as yet been, among English novels, such an example of beauty of execution and genuineness of substance. Nothing had been done in that line from the point of view of art for art This was my own point of view, I may mention, when I was twenty-five; whether it is altered now I won’t take upon myself to say—especially as the discerning reader will be able to judge for himself. I had been in England, briefly, a twelvemonth before the time to which I began by alluding, and had learned then that Mr. Ambient was in distant lands—was making a considerable tour in the East: so there was nothing to do but to keep my letter till I should be in London again. It was of little use to me to hear that his wife had not left England, and, with her little boy, their only child, was spending the period of her husband’s absence—a good many months—at a small place they had down in Surrey. They had a house in London which was let. All this I learned, and also that Mrs. Ambient was charming (my friend the American poet, from whom I had my introduction, had never seen her, his relations with the great man being only epistolary); but she was not, after all, though she had lived so near the rose, the author of Beltraffio, and I did not go down into Surrey to call on her. I went to the Continent, spent the following winter in Italy, and returned to London in May. My visit to Italy opened my eyes to a good many things, but to nothing more than the beauty of certain pages in the works of Mark Ambient I had every one of his productions in my portmanteau,—they are not, as you know, very numerous, but he had preluded to Beltraffio by some exquisite things,—and I used to read them over in the evening at the inn. I used to say to myself that the man who drew those characters and wrote that style understood what he saw and knew what he was doing. This is my only reason for mentioning my winter in Italy. He had been there much in former years, and he was saturated with what painters call the “feeling” of that classic land. He expressed the charm of the old hill-cities of Tuscany, the look of certain lonely grass-grown places which, in the past, had echoed with life; he understood the great artists, he understood the spirit of the Renaissance, he understood everything. The scene of one of his earlier novels was laid in Borne, the scene of another in Florence, and I moved through these cities in company with the figures whom Mark Ambient had set so vividly upon their feet. This is why I was now so much happier even than before in the prospect of making his acquaintance.

At last, when I had dallied with this privilege long enough, I despatched to him the missive of the American poet He had already gone out of town; he shrank from the rigor of the London “season” and it was his habit to migrate on the first of June. Moreover, I had heard that this year he was hard at work on a new book, into which some of his impressions of the East were to be wrought, so that he desired nothing so much as quiet days. This knowledge, however, did not prevent me—cet âge est sans pitié—from sending with my friend’s letter a note of my own, in which I asked Mr. Ambient’s leave to come down and see him for an hour or two, on a day to be designated by himself. My proposal was accompanied with a very frank expression of my sentiments, and the effect of the whole projectile was to elicit from the great man the kindest possible invitation. He would be delighted to see me, especially if I should turn up on the following Saturday and would remain till the Monday morning. We would take a walk over the Surrey commons, and I could tell him all about the other great man, the one in America. He indicated to me the best train, and it may be imagined whether on the Saturday afternoon I was punctual at Waterloo. He carried his benevolence to the point of coming to meet me at the little station at which I was to alight, and my heart beat very fast as I saw his handsome face, surmounted with a soft wide-awake, and which I knew by a photograph long since enshrined upon my mantelshelf, scanning the carriage windows as the train rolled up. He recognized me as infallibly as I had recognized him; he appeared to know by instinct how a young American of an æsthetic turn would look when much divided between eagerness and modesty. He took me by the hand, and smiled at me, and said: “You must be—a—you, I think!” and asked if I should mind going on foot to his house, which would take but a few minutes. I remember thinking it a piece of extraordinary affability that he should give directions about the conveyance of my bag, and feeling altogether very happy and rosy, in fact quite transported, when he laid his hand on my shoulder as we came out of the station.

I surveyed him, askance, as we walked together; I had already—I had indeed instantly—seen that he was a delightful creature. His face is so well known that I need n’t describe it; he looked to me at once an English gentleman and a man of genius, and I thought that a happy combination. There was just a little of the Bohemian in his appearance; you would easily have guessed that he belonged to the guild of artists and men of letters. He was addicted to velvet jackets, to cigarettes, to loose shirt-collars, to looking a little dishevelled. His features, which were fine, but not perfectly regular, are fairly enough represented in his portraits; but no portrait that I have seen gives any idea of his expression. There were so many things in it, and they chased each other in and out of his face. I have seen people who were grave and gay in quick alternation; but Mark Ambient was grave and gay at one and the same moment. There were other strange oppositions and contradictions in his slightly faded and fatigued countenance. He seemed both young and old, both anxious and indifferent. He had evidently had an active past, which inspired one with curiosity, and yet it was impossible not to be more curious still about his future. He was just enough above middle height to be spoken of as tall, and rather lean and long in the flank. He had the friendliest, frankest manner possible, and yet I could see that he was shy. He was thirty-eight years old at the time Beltraffio was published. He asked me about his friend in America, about the length of my stay in England, about the last news in London and the people I had seen there; and I remember looking for the signs of genius in the very form of his questions, and thinking I found it. I liked his voice.

There was genius in his house, too, I thought, when we got there; there was imagination in the carpets and curtains, in the pictures and books, in the garden behind it, where certain old brown walls were muffled in creepers that appeared to me to have been copied from a masterpiece of one of the pre-Raphaelites. That was the way many things struck me at that time, in England; as if they were reproductions of something that existed primarily in art or literature. It was not the picture, the poem, the fictive page, that seemed to me a copy; these things were the originals, and the life of happy and distinguished people was fashioned in their image. Mark Ambient called his house a cottage, and I perceived afterwards that he was right; for if it had not been a cottage it must have been a villa, and a villa, in England at least, was not a place in which one could fancy him at home. But it was, to my vision, a cottage glorified and translated; it was a palace of art, on a slightly reduced scale,—it was an old English demesne. It nestled under a cluster of magnificent beeches, it had little creaking lattices that opened out of, or into, pendent mats of ivy, and gables, and old red tiles, as well as a general aspect of being painted in water-colors and inhabited by people whose lives would go on in chapters and volumes. The lawn seemed to me of extraordinary extent, the garden-walls of incalculable height, the whole air of the place delightfully still, private, proper to itself. “My wife must be somewhere about,” Mark Ambient said, as we went in. “We shall find her perhaps; we have got about an hour before dinner. She may be in the garden. I will show you my little place.”

We passed through the house, and into the grounds, as I should have called them, which extended into the rear. They covered but three or four acres, but, like the house, they were very old and crooked, and full of traces of long habitation, with inequalities of level and little steps—mossy and cracked were these—which connected the different parts with each other. The limits of the place, cleverly dissimulated, were muffled in the deepest verdure. They made, as I remember, a kind of curtain at the further end, in one of the folds of which, as it were, we presently perceived, from afar, a little group. “Ah, there she is!” said Mark Ambient; “and she has got the boy.” He made this last remark in a slightly different tone from any in which he yet had spoken. I was not fully aware of it at the time, but it lingered in my ear and I afterwards understood it.

“Yes, my only child. He’s always in his mother’s pocket She coddles him too much.” It came back to me afterwards, too—the manner in which he spoke these words. They were not petulant; they expressed rather a sudden coldness, a kind of mechanical submission. We went a few steps further, and then he stopped short and called the boy, beckoning to him repeatedly.

“Dolcino, come and see your daddy!” There was something in the way he stood still and waited that made me think he did it for a purpose. Mrs. Ambient had her arm round the child’s waist, and he was leaning against her knee; but though he looked up at the sound of his father’s voice, she gave no sign of releasing him. A lady, apparently a neighbor, was seated near her, and before them was a garden-table, on which a tea-service had been placed.

Mark Ambient called again, and Dolcino struggled in the maternal embrace, but he was too tightly held, and after two or three fruitless efforts he suddenly turned round and buried his head deep in his mother’s lap. There was a certain awkwardness in the scene; I thought it rather odd that Mrs. Ambient should pay so little attention to her husband. But I would not for the world have betrayed my thought, and, to conceal it, I observed that it must be such a pleasant thing to have tea in the garden. “Ah, she won’t let him come!” said Mark Ambient, with a sigh; and we went our way ‘till we reached the two ladies. He mentioned my name to his wife, and I noticed that he addressed her as “My dear,” very genially, without any trace of resentment at her detention of the child. The quickness of the transition made me vaguely ask myself whether he were henpecked,—a shocking conjecture, which I instantly dismissed. Mrs. Ambient was quite such a wife as I should have expected him to have; slim and fair, with a long neck and pretty eyes and an air of great refinement. She was a little cold, and a little shy; but she was very sweet, and she had a certain look of race, justified by my afterwards learning that she was “connected” with two or three great families. I have seen poets married to women of whom it was difficult to conceive that they should gratify the poetic fancy,—women with dull faces and glutinous minds, who were none the less, however, excellent wives. But there was no obvious incongruity in Mark Ambient’s union. Mrs. Ambient, delicate and quiet, in a white dress, with her beautiful child at her side, was worthy of the author of a work so distinguished as Beltraffio. Bound her neck she wore a black velvet ribbon, of which the long ends, tied behind, hung down her back, and to which, in front, was attached a miniature portrait of her little boy. Her smooth, shining hair was confined in a net She gave me a very pleasant greeting, and Dolcino—I thought this little name of endearment delightful—took advantage of her getting up to slip away from her and go to his father, who said nothing to him, but simply seized him and held him high in his arms for a moment, kissing him several times.

I had lost no time in observing that the child, who was not more than seven years old, was extraordinarily beautiful He had the face of an angel,—the eyes, the hair, the more than mortal bloom, the smile of innocence. There was something touching, almost alarming, in his beauty, which seemed to be composed of elements too fine and pure for the breath of this world. When I spoke to him, and he came and held out his hand and smiled at me, I felt a sudden pity for him, as if he had been an orphan, or a changeling, or stamped with some social stigma. It was impossible to be, in fact, more exempt from these misfortunes, and yet, as one kissed him, it was hard to keep from murmuring “Poor little devil!” though why one should have applied this epithet to a living cherub is more than I can say. Afterwards, indeed, I knew a little better; I simply discovered that he was too charming to live, wondering at the same time that his parents should not have perceived it, and should not be in proportionate grief and despair. For myself, I had no doubt of his evanescence, having already noticed that there is a kind of charm which is like a death-warrant.

The lady who had been sitting with Mrs. Ambient was a jolly, ruddy personage, dressed in velveteen and rather limp feathers, whom I guessed to be the vicar’s wife,—our hostess did not introduce me,—and who immediately began to talk to Ambient about chrysanthemums. This was a safe subject, and yet there was a certain surprise for me in seeing the author of Beltraffio even in such superficial communion with the Church of England. His writings implied so much detachment from that institution, expressed a view of life so profane, as it were, so independent, and so little likely, in general, to be thought edifying, that I should have expected to find him an object of horror to vicars and their ladies—of horror repaid on his own part by good-natured but brilliant mockery. This proves how little I knew as yet of the English people and their extraordinary talent for keeping up their forms, as well as of some of the mysteries of Mark Ambient’s hearth and home. I found afterwards that he had, in his study, between smiles and cigar-smoke, some wonderful comparisons for his clerical neighbors; but meanwhile the chrysanthemums were a source of harmony, for he and the vicaress were equally fond of them, and I was surprised at the knowledge they exhibited of this interesting plant. The lady’s visit, however, had presumably already been long, and she presently got up, saying she must go, and kissed Mrs. Ambient Mark started to walk with her to the gate of the grounds, holding Dolcino by the hand.

“Stay with me, my darling,” Mrs. Ambient said to the boy, who was wandering away with his father.

Mark Ambient paid no attention to the summons, but Dolcino turned round and looked with eyes of shy entreaty at his mother. “Can’t I go with papa?”

“But please don’t ask me, mamma,” said the child, in his little clear, new voice.

“I must ask you when I want you. Come to me, my darling.” And Mrs. Ambient, who had seated herself again, held out her long, slender hands.

Her husband stopped, with his back turned to her, but without releasing the child. He was still talking to the vicaress, but this good lady, I think, had lost the thread of her attention. She looked at Mrs. Ambient and at Dolcino, and then she looked at me, smiling very hard, in an extremely fixed, cheerful manner.

“He’s very tired—he has run about all day. He ought to be quiet till he goes to bed. Otherwise he won’t sleep.” These declarations fell successively and gravely from Mrs. Ambient’s lips.

Her husband, still without turning round, bent over the boy and looked at him in silence. The vicaress gave a genial, irrelevant laugh, and observed that he was a precious little pet “Let him choose,” said Mark Ambient. “My dear little boy, will you go with me or will you stay with your mother?”

“Papa, I don’t think I can choose,” the child answered, making his voice very low and confidential. “But I have been a great deal with mamma to-day,” he added in a moment.

“And very little with papa! My dear fellow, I think you have chosen!” And Mark Ambient walked off with his son, accompanied by re-echoing but inarticulate comments from my fellow-visitor.

His wife had seated herself again, and her fixed eyes, bent upon the ground, expressed for a few moments so much mute agitation that I felt as if almost any remark from my own lips would be a false note. But Mrs. Ambient quickly recovered herself, and said to me civilly enough that she hoped I did n’t mind having had to walk from the station. I reassured her on this point, and she went on, “We have got a thing that might have gone for you, but my husband wouldn’t order it.”

She was silent a minute, and then she said, “I believe the Americans walk very little.”

She looked at me seriously, and I began to perceive a certain coldness in her pretty eyes. “I suppose your distances are so great?”

“Yes; but we break our marches I I can’t tell you what a pleasure it is for me to find myself here,” I added. “I have the greatest admiration for Mr. Ambient.”

“Oh, yes, I have seen some of them,” said Mrs. Ambient, looking away, very far from me, rather as if such a vision were before her at the moment Something in her tone seemed to indicate that the vision was scarcely edifying, and I guessed very quickly that she was not in sympathy with the author of Beltraffio. I thought the fact strange, but, somehow, in the glow of my own enthusiasm, I did n’t think it important; it only made me wish to be rather explicit about that enthusiasm.

“For me, you know,” I remarked, “he is quite the greatest of living writers.”

“Of course I can’t judge. Of course he’s very clever,” said Mrs. Ambient, smiling a little.

“He’s magnificent, Mrs. Ambient! There are pages in each of his books that have a perfection that classes them with the greatest things. Therefore, for me to see him in this familiar way,—in his habit as he lives,—and to find, apparently, the man as delightful as the artist, I can’t tell you how much too good to be true it seems, and how great a privilege I think it.” I knew that I was gushing, but I could n’t help it, and what I said was a good deal less than what I felt. I was by no means sure that I should dare to say even so much as this to Ambient himself, and there was a kind of rapture in speaking it out to his wife which was not affected by the fact that, as a wife, she appeared peculiar. She listened to me with her face grave again, and with her lips a little compressed, as if there were no doubt, of course, that her husband was remarkable, but at the same time she had heard all this before and couldn’t be expected to be particularly interested in it. There was even in her manner an intimation that I was rather young, and that people usually got over that sort of thing. “I assure you that for me this is a red-letter day,” I added.

She made no response, until after a pause, looking round her, she said abruptly, though gently, “We are very much afraid about the fruit this year.”

My eyes wandered to the mossy, mottled, garden walls, where plum-trees and pear-trees, flattened and fastened upon the rusty bricks, looked like crucified figures with many arms. “Does n’t it promise well?” I inquired.

Then there was another pause. Mrs. Ambient kept her eyes fixed on the opposite end of the grounds, as if she were watching for her husband’s return with the child. “Is Mr. Ambient fond of gardening?” it occurred to me to inquire, irresistibly impelled as I felt myself, moreover, to bring the conversation constantly back to him.

“Ah, well then, I hope your crop will be better than you fear. It’s a lovely old place,” I continued. “The whole character of it is that of certain places that he describes. Your house is like one of his pictures.”

“Oh, it has got his tone,” I said, laughing, and insisting on my point the more that Mrs. Ambient appeared to see in my appreciation of her simple establishment a sign of limited experience.

It was evident that I insisted too much. “His tone?” she repeated, with a quick look at me, and a slightly heightened color.

“Oh, yes, he has indeed! But I don’t in the least consider that I am living in one of his books; I should n’t care for that, at all,” she went on, with a smile which had in some degree the effect of converting her slightly sharp protest into a joke deficient in point “I am afraid I am not very literary,” said Mrs. Ambient. “And I am not artistic.”

“I am very sure you are not ignorant, not stupid,” I ventured to reply, with the accompaniment of feeling immediately afterwards that I had been both familiar and patronizing. My only consolation was in the reflection that it was she, and not I, who had begun it She had brought her idiosyncrasies into the discussion.

“Well, whatever I am, I am very different from my husband. If you like him, you won’t like me. You need n’t say anything. Your liking me is n’t in the least necessary!”

She looked as if she had not heard me, which was the best thing she could do; and we sat some time without further speech. Mrs. Ambient had evidently the enviable English quality of being able to be silent without being restless. But at last she spoke; she asked me if there seemed to be many people in town. I gave her what satisfaction I could on this point, and we talked a little about London and of some pictures it presented at that time of the year. At the end of this I came back, irrepressibly, to Mark Ambient.

“Does n’t he like to be there now? I suppose he does n’t find the proper quiet for his work. I should think his things had been written, for the most part, in a very still place. They suggest a great stillness, following on a kind of tumult. Don’t you think so? I suppose London is a tremendous place to collect impressions, but a refuge like this, in the country, must be much better for working them up. Does he get many of his impressions in London, do you think?” I proceeded from point to point in this malign inquiry, simply because my hostess, who probably thought me a very pushing and talkative young man, gave me time; for when I paused—I have not represented my pauses—she simply continued to let her eyes wander, and, with her long fair fingers, played with the medallion on her neck. When I stopped altogether, however, she was obliged to say something, and what she said was that she had not the least idea where her husband got his impressions. This made me think her, for a moment, positively disagreeable; delicate and proper and rather aristocratically dry as she sat there. But I must either have lost the impression a moment later, or been goaded by it to further aggression, for I remember asking her whether Mr. Ambient were in a good vein of work, and when we might look for the appearance of the book on which he was engaged. I have every reason now to know that she thought me an odious person.

She gave a strange, small laugh as she said, “I am afraid you think I know a great deal more about my husband’s work than I do. I haven’t the least idea what he is doing,” she added presently, in a slightly different, that is a more explanatory, tone, as if she recognized in some degree the enormity of her confession. “I don’t read what he writes!”

She did not succeed (and would not, even had she tried much harder) in making it seem to me anything less than monstrous. I stared at her, and I think I blushed. “Don’t you admire his genius? Don’t you admire Beltraffio?”

She hesitated a moment, and I wondered what she could possibly say. She did not speak—I could see—the first words that rose to her lips; she repeated what she had said a few minutes before. “Oh, of course he ‘s very clever!” And with this she got up; her husband and little boy had reappeared. Mrs. Ambient left me and went to meet them; she stopped and had a few words with her husband, which I did not hear, and which ended in her taking the child by the hand and returning to the house with him. Her husband joined me in a moment, looking, I thought, the least bit conscious and constrained, and said that if I would come in with him he would show me my room. In looking back upon these first moments of my visit to him, I find it important to avoid the error of appearing to have understood his situation from the first, and to have seen in him the signs of things which I learnt only afterwards. This later knowledge throws a backward light, and makes me forget that at least on the occasion of which I am speaking now (I mean that first afternoon), Mark Ambient struck me as a fortunate man. Allowing for this, I think he was rather silent and irresponsive as we walked back to the house, though I remember well the answer he made to a remark of mine in relation to his child.

“That’s an extraordinary little boy of yours,” I said. “I have never seen such a child.”

He turned quickly, grasping my arm an instant. “Oh, don’t call him that, or you ‘ll—you ‘ll—!”

And in his hesitation he broke off suddenly, laughing at my surprise. But immediately afterwards he added, “You will make his little future very difficult.”

I declared that I wouldn’t for the world take any liberties with his little future—it seemed to me to hang by threads of such delicacy. I should only be highly interested in watching it.

“You Americans are very sharp,” said Ambient “You notice more things than we do.”

“Ah, if you want visitors who are not struck with you, you should n’t ask me down here!”

He showed me my room, a little bower of chintz, with open windows where the light was green, and before he left me he said irrelevantly, “As for my little boy, you know, we shall probably kill him between us, before wo have done with him!” And he made this assertion as if he really believed it, without any appearance of jest, with his fine, near-sighted, expressive eyes looking straight into mine.

“You had better give him to me to keep for you,” I said. “Let me remove the apple of discord.”

I laughed, of course, but he had the air of being perfectly serious. “It would be quite the best thing we could do. I should be quite ready to do it.”

Mark Ambient lingered there, with his hands in his pockets. I felt, within a few moments, as if I had, morally speaking, taken several steps nearer to him. He looked weary, just as he faced me then, looked preoccupied, and as if there were something one might do for him. I was terribly conscious of the limits of my own ability, but I wondered what such a service might be, feeling at bottom, however, that the only thing I could do for him was to like him. I suppose he guessed this, and was grateful for what was in my mind; for he went on presently, “I have n’t the advantage of being an American. But I also notice a little, and I have an idea that—a—” here he smiled and laid his hand on my shoulder, “that even apart from your nationality, you are not destitute of intelligence! I have only known you half an hour, but—a—” And here he hesitated again. “You are very young, after all.”

“But you may treat me as if I could understand you!” I said; and before he left me to dress for dinner he had virtually given me a promise that he would.

When I went down into the drawing-room—I was very punctual—I found that neither my hostess nor my host had appeared. A lady rose from a sofa, however, and inclined her head as I rather surprisedly gazed at her. “I dare say you don’t know me,” she said, with the modern laugh. “I am Mark Ambient’s sister.” Whereupon I shook hands with her, saluting her very low. Her laugh was modern—by which I mean that it consisted of the vocal agitation which, between people who meet in drawing-rooms, serves as the solvent of social mysteries, the medium of transitions; but her appearance was—what shall I call it?—mediaeval. She was pale and angular, with a long, thin face, inhabited by sad, dark eyes, and black hair intertwined with golden fillets and curious chains. She wore a faded velvet robe, which clung to her when she moved, fashioned, as to the neck and sleeves, like the garments of old Venetians and Florentines. She looked pictorial and melancholy, and was so perfect an image of a type which I, in my ignorance, supposed to be extinct, that while she rose before me I was almost as much startled as if I had seen a ghost. I afterwards perceived that Miss Ambient was not incapable of deriving pleasure from the effect she produced, and I think this sentiment had something to do with her sinking again into her seat, with her long, lean, but not ungraceful arms locked together in an archaic manner on her knees, and her mournful eyes addressing themselves to me with an intentness which was a menace of what they were destined subsequently to inflict upon me. She was a singular, self-conscious, artificial creature, and I never, subsequently, more than half penetrated her motives and, mysteries. Of one thing I am sure, however: that they were considerably less extraordinary than her appearance announced. Miss Ambient was a restless, disappointed, imaginative spinster, consumed with the love of Michael-Angelesque attitudes and mystical robes; but I am pretty sure she had not in her nature those depths of unutterable thought which, when you first knew her, seemed to look out from her eyes and to prompt her complicated gestures. Those features, in especial, had a misleading eloquence; they rested upon you with a far-off dimness, an air of obstructed sympathy, which was certainly not always a key to the spirit of their owner; and I suspect that a young lady could not really have been so dejected and disillusioned as Miss Ambient looked, without having committed a crime for which she was consumed with remorse, or parted with a hope which she could not sanely have entertained. She had, I believe, the usual allowance of vulgar impulses: she wished to be looked at, she wished to be married, she wished to be thought original. It costs me something to speak in this irreverent manner of Mark Ambient’s sister, but I shall have still more disagreeable things to say before I have finished my little anecdote, and moreover,—I confess it,—I owe the young lady a sort of grudge. Putting aside the curious cast of her face, she had no natural aptitude for an artistic development,—she had little real intelligence. But her affectations rubbed off on her brother’s renown, and as there were plenty of people who disapproved of him totally, they could easily point to his sister as a person formed by his influence. It was quite possible to regard her as a warning, and she had done him but little good with the world at large. He was the original, and she was the inevitable imitation. I think he was scarcely aware of the impression she produced, beyond having a general idea that she made up very well as a Rossetti; he was used to her, and he was sorry for her,—wishing she would marry and observing that she did n’t Doubtless I take her too seriously, for she did me no harm, though I am bound to add that I feel I can only half account for her. She was not so mystical as she looked, but she was a strange, indirect, uncomfortable, embarrassing woman. My story will give the reader at best so very small a knot to untie that I need not hope to excite his curiosity by delaying to remark that Mrs. Ambient hated her sister-in-law. This I only found out afterwards, when I found out some other things. But I mention it at once, for I shall perhaps not seem to count too much on having enlisted the imagination of the reader if I say that he will already have guessed it Mrs. Ambient was a person of conscience, and she endeavored to behave properly to her kinswoman, who spent a month with her twice a year; but it required no great insight to discover that the two ladies were made of a very different paste, and that the usual feminine hypocrisies must have cost them, on either side, much more than the usual effort. Mrs. Ambient, smooth-haired, thin-lipped, perpetually fresh, must have regarded her crumpled and dishevelled visitor as a very stale joke; she herself was not a Rossetti, but a Gainsborough or a Lawrence, and she had in her appearance no elements more romantic than a cold, ladylike candor, and a well-starched muslin dress.

It was in a garment, and with an expression, of this kind, that she made her entrance, after I had exchanged a few words with Miss Ambient. Her husband presently followed her, and there being no other company we went to dinner. The impression I received from that repast is present to me still. There were elements of oddity in my companions, but they were vague and latent, and did n’t interfere with my delight It came mainly, of course, from Ambient’s talk, which was the most brilliant and interesting I had ever heard. I know not whether he laid himself out to dazzle a rather juvenile pilgrim from over the sea; but it matters little, for it was very easy for him to shine. He was almost better as a talker than as a writer; that is, if the extraordinary finish of his written prose be really, as some people have maintained, a fault. There was such a kindness in him, however, that I have no doubt it gave him ideas to see me sit open-mouthed, as I suppose I did. Not so the two ladies, who not only were very nearly dumb from beginning to the end of the meal, but who had not the air of being struck with such an exhibition of wit and knowledge. Mrs. Ambient, placid and detached, met neither my eye nor her husband’s; she attended to her dinner, watched the servants, arranged the puckers in her dress, exchanged at wide intervals a remark with her sister-in-law, and while she slowly rubbed her white hands between the courses, looked out of the window at the first signs of twilight—the long June day allowing us to dine without candles.. Miss Ambient appeared to give little direct heed to her brother’s discourse; but on the other hand she was much engaged in watching its effect upon me. Her lustreless pupils continued to attach themselves to my countenance, and it was only her air of belonging to another century that kept them from being importunate. She seemed to look at me across the ages, and the interval of time diminished the vividness of the performance. It was as if she knew in a general way that her brother must be talking very well, but she herself was so rich in ideas that she had no need to pick them up, and was at liberty to see what would become of a young American when subjected to a high aesthetic temperature.

The temperature was æsthetic, certainly, but it was less so than I could have desired, for I was unsuccessful in certain little attempts to make Mark Ambient talk about himself I tried to put him on the ground of his own writings, but he slipped through my fingers every time and shifted the saddle to one of his contemporaries. He talked about Balzac and Browning, and what was being done in foreign countries, and about his recent tour in the East, and the extraordinary forms of life that one saw in that part of the world. I perceived that he had reasons for not wishing to descant upon literature, and suffered him without protest to deliver himself on certain social topics, which he treated with extraordinary humor and with constant revelations of that power of ironical portraiture of which his books are full. He had a great deal to say about London, as London appears to the observer who does n’t fear the accusation of cynicism, during the high-pressure time—from April to July—of its peculiarities. He flashed his faculty of making the fanciful real and the real fanciful over the perfunctory pleasures and desperate exertions of so many of his compatriots, among whom there were evidently not a few types for which he had little love. London bored him, and he made capital sport of it; his only allusion, that I can remember, to his own work was his saying that he meant some day to write an immense grotesque epic of London society. Miss Ambient’s perpetual gaze seemed to say to me: “Do you perceive how artistic we are? Frankly now, is it possible to be more artistic than this? You surely won’t deny that we are remarkable.” I was irritated by her use of the plural pronoun, for she had no right to pair herself with her brother; and moreover, of course, I could not see my way to include Mrs. Ambient. But there was no doubt that, for that matter, they were all remarkable, and, with all allowances, I had never heard anything so artistic. Mark Ambient’s conversation seemed to play over the whole field of knowledge and taste, and to flood it with light and color.

After the ladies had left us he took me into his study to smoke, and here I led him on to talk freely enough about himself. I was bent upon proving to him that I was worthy to listen to him, upon repaying him for what he had said to me before dinner, by showing him how perfectly I understood. He liked to talk; he liked to defend his ideas (not that I attacked them); he liked a little perhaps—it was a pardonable weakness—to astonish the youthful mind and to feel its admiration and sympathy. I confess that my own youthful mind was considerably astonished at some of his speeches; he startled me and he made me wince. He could not help forgetting, or rather he could n’t know, how little personal contact I had had with the school in which he was master; and he promoted me at a jump, as it were, to the study of its innermost mysteries. My trepidations, however, were delightful; they were just what I had hoped for, and their only fault was that they passed away too quickly; for I found that, as regards most things, I very soon seized Mark Ambient’s point of view. It was the point of view of the artist to whom every manifestation of human energy was a thrilling spectacle, and who felt forever the desire to resolve his experience of life into a literary form. On this matter of the passion for form,—the attempt at perfection, the quest for which was to his mind the real search for the holy grail,—he said the most interesting, the most inspiring things. He mixed with them a thousand illustrations from his own life, from other lives that he had known, from history and fiction, and above all from the annals of the time that was dear to him beyond all periods,—the Italian cinque-cento. I saw that in his books he had only said half of his thought, and what he had kept back—from motives that I deplored when I learnt them later—was the richer part It was his fortune to shock a great many people, but there was not a grain of bravado in his pages (I have always maintained it, though often contradicted), and at bottom the poor fellow, an artist to his fingertips, and regarding a failure of completeness as a crime, had an extreme dread of scandal. There are people who regret that having gone so far he did not go further; but I regret nothing (putting aside two or three of the motives I just mentioned), for he arrived at perfection, and I don’t see how you can go beyond that The hours I spent in his study—this first one and the few that followed it; they were not, after all, so numerous—seem to glow, as I look back on them, with a tone which is partly that of the brown old room, rich, under the shaded candlelight where we sat and smoked, with the dusky, delicate bindings of valuable books; partly that of his voice, of which I still catch the echo, charged with the images that came at his command. When we went back to the drawing-room we found Miss Ambient alone in possession of it; and she informed us that her sister-in-law had a quarter of an hour before been called by the nurse to see Dolcino, who appeared to be a little feverish.

“Feverish! how in the world does he come to be feverish?” Ambient asked. “He was perfectly well this afternoon.”

“Beatrice must be very happy—she has an opportunity to triumph!” Mark Ambient said, with a laugh of which the bitterness was just perceptible.

“Surely not if the child is ill,” I ventured to remark, by way of pleading for Mrs. Ambient.

“My dear fellow, you are not married—you don’t know the nature of wives!” my host exclaimed.

“Beatrice is perfect as a mother,” said Miss Ambient, with a tremendous sigh and her fingers interlaced on her embroidered knees.

“I shall go up and see the child,” her brother went on. “Do you suppose he’s asleep?”

“Beatrice won’t let you see him, Mark,” said the young lady, looking at me, though she addressed, our companion.

“Damn her point of view!” cried the author of Beltraffio. And he left the room; after which we heard him ascend the stairs.

I sat there for some ten minutes with Miss Ambient, and we naturally had some conversation, which was begun, I think, by my asking her what the point of view of her sister-in-law could be.

“Oh, it’s so very odd,” she said. “But we are so very odd, altogether. Don’t you find us so? We have lived so much abroad. Have you people like us in America?”

“You are not all alike, surely; so that I don’t think I understand your question. We have no one like your brother—I may go so far as that.”

“Oh, yes—oh, yes. Well, she does n’t like his ideas. She doesn’t like them for the child. She thinks them undesirable.”

Being quite fresh from the contemplation of some of Mark Ambient’s arcana, I was particularly in a position to appreciate this announcement. But the effect of it was to make me, after staring a moment, burst into laughter, which I instantly checked when I remembered that there was a sick child above.

“What has that infant to do with ideas?” I asked “Surely, he can’t tell one from another. Has he read his father’s novels?”

“He’s very precocious and very sensitive, and his mother thinks she can’t begin to guard him too early.” Miss Ambient’s head drooped a little to one side, and her eyes fixed themselves on futurity. Then suddenly there was a strange alteration in her face; she gave a smile that was more joyless than her gravity—a conscious, insincere smile, and added, “When one has children, it’s a great responsibility—what one writes.”

“Children are terrible critics,” I answered. “I am rather glad I have n’t got any.”

“Do you also write then? And in the same style as my brother? And do you like that style? And do people appreciate it in America? I don’t write, but I think I feel.” To these and various other inquiries and remarks the young lady treated me, till we heard her brother’s step in the hall again, and Mark Ambient reappeared. He looked flushed and serious, and I supposed that he had seen something to alarm him in the condition of his child. His sister apparently had another idea; she gazed at him a moment as if he were a burning ship on the horizon, and simply murmured, “Poor old Mark!”

“No, but I ‘m disappointed. She won’t let me in. She has locked the door, and I ‘m afraid to make a noise.” I suppose there might have been something ridiculous in a confession of this kind, but I liked my new friend so much that for me it did n’t detract from his dignity. “She tells me—from behind the door—that she will let me know if he is worse.”

I had exchanged a glance with Mark in which it is possible that he read that my pity for him was untinged with contempt, though I know not why he should have cared; and as, presently, his sister got up and took her bedroom candlestick, he proposed that we should go back to his study. We sat there till after midnight; he put himself into his slippers, into an old velvet jacket, lighted an ancient pipe, and talked considerably less than he had done before.

There were longish pauses in our communion, but they only made me feel that we had advanced in intimacy. They helped me, too, to understand my friend’s personal situation, and to perceive that it was by no means the happiest possible. When his face was quiet, it was vaguely troubled; it seemed to me to show that for him, too, life was a struggle, as it has been for many another man of genius. At last I prepared to leave him, and then, to my ineffable joy, he gave me some of the sheets of his forthcoming book,—it was not finished, but he had indulged in the luxury, so dear to writers of deliberation, of having it “set up,” from chapter to chapter, as he advanced,—he gave me, I say, the early pages, the prémices, as the French have it, of this new fruit of his imagination, to take to my room and look over at my leisure. I was just quitting him when the door of his study was noiselessly pushed open, and Mrs. Ambient stood before us. She looked at us a moment, with her candle in her hand, and then she said to her husband that as she supposed he had not gone to bed, she had come down to tell him that Dolcino was more quiet and would probably be better in the morning. Mark Ambient made no reply; he simply slipped past her in the doorway, as if he were afraid she would seize him in his passage, and bounded upstairs, to judge for himself of his child’s condition. Mrs. Ambient looked slightly discomfited, and for a moment I thought she was going to give chase to her husband. But she resigned herself, with a sigh, while her eyes wandered over the lamp-lit room, where various books, at which I had been looking, were pulled out of their places on the shelves, and the fumes of tobacco seemed to hang in mid-air. I bade her good-night, and then, without intention, by a kind of fatality, the perversity which had already made me insist unduly on talking with her about her husband’s achievements, I alluded to the precious proof-sheets with which Ambient had intrusted me and which I was nursing there under my arm. “It is the opening chapters of his new book,” I said. “Fancy my satisfaction at being allowed to carry them to my room!”

She turned away, leaving me to take my candlestick from the table in the hall; but before we separated, thinking it apparently a good occasion to let me know once for all—since I was beginning, it would seem, to be quite “thick” with my host—that there was no fitness in my appealing to her for sympathy in such a case; before we separated, I say, she remarked to me with her quick, round, well-bred utterance, “I dare say you attribute to me ideas that I have n’t got I don’t take that sort of interest in my husband’s proof-sheets. I consider his writings most objectionable!”

PART II.

I had some curious conversation the next morning with Miss Ambient, whom I found strolling in the garden before breakfast The whole place looked as fresh and trim, amid the twitter of the birds, as if, an hour before, the housemaids had been turned into it with their dustpans and feather-brushes, I almost hesitated to light a cigarette, and was doubly startled when, in the act of doing so, I suddenly perceived the sister of my host, who had, in any case, something of the oddity of an apparition, standing before me. She might have been posing for her photograph. Her sad-colored robe arranged itself in serpentine folds at her feet; her hands locked themselves listlessly together in front; and her chin rested upon a cinque-cento ruff. The first thing I did, after bidding her good-morning, was to ask her for news of her little nephew,—to express the hope that she had heard he was better. She was able to gratify this hope, and spoke as if we might expect to see him during the day. We walked through the shrubberies together, and she gave me a great deal of information about her brother’s ménage, which offered me an opportunity to mention to her that his wife had told me, the night before, that she thought his productions objectionable.

“She does n’t usually come out with that so soon!” Miss Ambient exclaimed, in answer to this piece of gossip. “Poor lady, she saw that I am a fanatic.” “Yes, she won’t like you for that. But you must n’t mind, if the rest of us like you! Beatrice thinks a work of art ought to have a ‘purpose.’ But she’s a charming woman—don’t you think her charming?—she’s such a type of the lady.”

“She’s very beautiful,” I answered; while I reflected that though it was true, apparently, that Mark Ambient was mismated, it was also perceptible that his sister was perfidious. She told me that her brother and his wife had no other difference but this one, that she thought his writings immoral and his influence pernicious. It was a fixed idea; she was afraid of these things for the child. I answered that it was not a trifle—a woman’s regarding her husband’s mind as a well of corruption, and she looked quite struck with the novelty of my remark. “But there has n’t been any of the sort of trouble that there so often is among married people,” she said. “I suppose you can judge for yourself that Beatrice isn’t at all—well, whatever they call it when a woman misbehaves herself. And Mark does n’t make love to other people, either. I assure you he does n’t! All the same, of course, from her point of view, you know, she has a dread of my brother’s influence on the child—on the formation of his character, of his principles. It is as if it were a subtle poison, or a contagion, or something that would rub off on Dolcino when his father kisses him or holds him on his knee. If she could, she would prevent Mark from ever touching him. Every one knows it; visitors see it for themselves; so there is no harm in my telling you. Isn’t it excessively odd? It comes from Beatrice’s being so religious, and so tremendously moral, and all that and then, of course, we must n’t forget,” my companion added, unexpectedly, “that some of Mark’s ideas are—well, really—rather queer!”

I reflected, as we went into the house, where we found Ambient unfolding the Observer at the breakfast-table, that none of them were probably quite so queer as his sister. Mrs. Ambient did not appear at breakfast, being rather tired with her ministrations, during the night, to Dolcino. Her husband mentioned, however, that she was hoping to go to church. I afterwards learned that she did go, but I may as well announce without delay that he and I did not accompany her. It was while the church-bell was murmuring in the distance that the author of Beltraffio led me forth for the ramble he had spoken of in his note. I will not attempt to say where we went, or to describe what we saw. We kept to the fields and copses and commons, and breathed the same sweet air as the nibbling donkeys and the browsing sheep, whose woolliness seemed to me, in those early days of my acquaintance with English objects, but a part of the general texture of the small, dense landscape, which looked as if the harvest were gathered by the shears. Everything was full of expression for Mark Ambient’s visitor,—from the big, bandy-legged geese, whose whiteness was a “note,” amid all the tones of green, as they wandered beside a neat little oval pool, the foreground of a thatched and whitewashed inn, with a grassy approach and a pictorial sign,—from these humble wayside animals to the crests of high woods which let a gable or a pinnacle peep here and there, and looked, even at a distance, like trees of good company, conscious of an individual profile. I admired the hedgerows, I plucked the faint-hued heather, and I was forever stopping to say how charming I thought the thread-like footpaths across the fields, which wandered, in a diagonal of finer grain, from one smooth stile to another. Mark Ambient was abundantly good-natured, and was as much entertained with my observations as I was with the literary allusions of the landscape. We sat and smoked upon stiles, broaching paradoxes in the decent English air; we took short cuts across a park or two, where the bracken was deep and my companion nodded to the old woman at the gate; we skirted rank covers, which rustled here and there as wo passed, and we stretched ourselves at last on a heathery hillside, where, if the sun was not too hot, neither was the earth too cold, and where the country lay beneath us in a rich blue mist. Of course I had already told Ambient what I thought of his new novel, having the previous night read every word of the opening chapters before I went to bed.

“I am not without hope of being able to make it my best,” he said, as I went back to the subject, while we turned up our heels to the sky. “At least the people who dislike my prose—and there are a great many of them, I believe—will dislike this work most” This was the first time I had heard him allude to the people who couldn’t read him,—a class which is supposed always to sit heavy upon the consciousness of the man of letters. A man organized for literature, as Mark Ambient was, must certainly have had the normal proportion of sensitiveness, of irritability; the artistic ego, capable in some cases of such monstrous development, must have been, in his composition, sufficiently erect and definite. I will not therefore go so far as to say that he never thought of his detractors, or that he had any illusions with regard to the number of his admirers (he could never so far have deceived himself as to believe he was popular); but I may at least affirm that adverse criticism, as I had occasion to perceive later, ruffled him visibly but little, that he had an air of thinking it quite natural he should be offensive to many minds, and that he very seldom talked about the newspapers, which, by the way, were always very stupid in regard to the author of Beltraffio. Of course he may have thought about them—the newspapers—night and day; the only point I wish to make is that he did n’t show it; while, at the same time, he did n’t strike one as a man who was on his guard. I may add that, as regards his hope of making the work on which he was then engaged the best of his books, it was only partly carried out. That place belongs, incontestably, to Beltraffio, in spite of the beauty of certain parts of its successor. I am pretty sure, however, that he had, at the moment of which I speak, no sense of failure; he was in love with his idea, which was indeed magnificent, and though for him, as, I suppose, for every artist, the act of execution had in it as much torment as joy, he saw his work growing a little every day and filling-out the largest plan he had yet conceived. “I want to be truer than I have ever been,” he said, settling himself on his back, with his hands clasped behind his head; “I want to give an impression of life itself. No, you may say what you will, I have always arranged things too much, always smoothed them down and rounded them off and tucked them in,—done everything to them that life does n’t do. I have been a slave to the old superstitions.”

“You a slave, my dear Mark Ambient? You have the freest imagination of our day!”

“All the more shame to me to have done some of the things I have! The reconciliation of the two women in Ginistrella, for instance, which could never really have taken place. That sort of thing is ignoble; I blush when I think of it! This new affair must be a golden vessel, filled with the purest distillation of the actual; and oh, how it bothers me, the shaping of the vase—the hammering of the metal! I have to hammer it so fine, so smooth; I don’t do more than an inch or two a day. And all the while I have to be so careful not to let a drop of the liquor escape! When I see the kind of things that Life does, I despair of ever catching her peculiar trick. She has an impudence, life! If one risked a fiftieth part of the effects she risks! It takes ever so long to believe it. You don’t know yet, my dear fellow. It is n’t till one has been watching life for forty years that one finds out half of what she’s up to! Therefore one’s earlier things must inevitably contain a mass of rot. And with what one sees, on one side, with its tongue in its cheek, defying one to be real enough, and on the other the bonnes gens rolling up their eyes at one’s cynicism, the situation has elements of the ludicrous which the artist himself is doubtless in a position to appreciate better than any one else. Of course one mustn’t bother about the bonnes gens.” Mark Ambient went on, while my thoughts reverted to his ladylike wife, as interpreted by his remarkable sister.

“To sink your shaft deep, and polish the plate through which people look into it—that’s what your work consists of,” I remember remarking.

“Ah, polishing one’s plate—that is the torment of execution!” he exclaimed, jerking himself up and sitting forward. “The effort to arrive at a surface—if you think a surface necessary—some people don’t, happily for them! My dear fellow, if you could see the surface I dream of, as compared with the one with which I have to content myself. Life is really too short for art—one hasn’t time to make one’s shell ideally hard. Firm and bright—firm and bright!—the devilish thing has a way, sometimes, of being bright without being firm. When I rap it with my knuckles it doesn’t give the right sound. There are horrible little flabby spots where I have taken the second-best word, because I could n’t for the life of me think of the best. If you knew how stupid I am sometimes! They look to me now like pimples and ulcers on the brow of beauty!”

“Very bad? It’s the highest social offence I know; it ought—it absolutely ought—I’m quite serious—to be capital If I knew I should be hanged else, I should manage to find the best word. The people who could n’t—some of them don’t know it when they see it—would shut their inkstands, and we should n’t be deluged by this flood of rubbish!”

I will not attempt to repeat everything that passed between us, or to explain just how it was that, every moment I spent in his company, Mark Ambient revealed to me more and more that he looked at all things from the standpoint of the artist, felt all life as literary material There are people who will tell me that this is a poor way of feeling it, and I am not concerned to defend my statement, having space merely to remark that there is something to be said for any interest which makes a man feel so much. If Mark Ambient did really, as I suggested above, have imaginative contact with “all life,” I, for my part, envy him his arriere-pensée. At any rate it was through the receipt of this impression of him that by the time we returned I had acquired the feeling of intimacy I have noted. Before we got up for the homeward stretch, he alluded to his wife’s having once—or perhaps more than once—asked him whether he should like Dolcino to read Beltraffio. I think he was unconscious at the moment of all that this conveyed to me—as well, doubtless, of my extreme curiosity to hear what he had replied. He had said that he hoped very much Dolcino would read all his works—when he was twenty; he should like him to know what his father had done. Before twenty it would be useless; he would n’t understand them.

“And meanwhile do you propose to hide them,—to lock them up in a drawer?” Mrs. Ambient had inquired.

“Oh, no; we must simply tell him that they are not intended for small boys. If you bring him up properly, after that he won t touch them.”

To this Mrs. Ambient had made answer that it would be very awkward when he was about fifteen; and I asked her husband if it was his opinion in general, then, that young people should not read novels.

“Good ones—certainly not!” said my companion. I suppose I had had other views, for I remember saying that, for myself, I was not sure it was bad for them, if the novels were “good” enough. “Bad for them, I don’t say so much!” Ambient exclaimed. “But very bad, I am afraid, for the novel!” That oblique, accidental allusion to his wife’s attitude was followed by a franker style of reference as we walked home. “The difference between us is simply the opposition between two distinct ways of looking at the world, which have never succeeded in getting on together, or making any kind of common ménage, since the beginning of time. They have borne all sorts of names, and my wife would tell you it’s the difference between Christian and Pagan. I may be a pagan, but I don’t like the name; it sounds sectarian. She thinks me, at any rate, no better than an ancient Greek. It’s the difference between making the most of life and making the least, so that you ‘ll get another better one in some other time and place. Will it be a sin to make the most of that one too, I wonder; and shall we have to be bribed off in the future state, as well as in the present? Perhaps I care too much for beauty—I don’t know; I delight in it, I adore it, I think of it continually, I try to produce it, to reproduce it. My wife holds that we shouldn’t think too much about it She’s always afraid of that, always on her guard. I don’t know what she has got on her back! And she’s so pretty, too, herself! Don’t you think she’s lovely? She was, at any rate, when I married her. At that time I was n’t aware of that difference I speak of—I thought it all came to the same thing: in the end, as they say. Well, perhaps it will, in the end. I don’t know what the end will be. Moreover, I care for seeing things as they are; that’s the way I try to show them in my novels. But you must n’t talk to Mrs. Ambient about things as they are. She has a mortal dread of things as they are.”

“She’s afraid of them for Dolcino,” I said: surprised a moment afterwards at being in a position—thanks to Miss Ambient—to be so explanatory; and surprised even now that Mark should n’t have shown visibly that he wondered what the deuce I knew about it But he did n’t; he simply exclaimed, with a tenderness that touched me,—

“Ah, nothing shall ever hurt him!” He told me more about his wife before we arrived at the gate of his house, and if it be thought that he was querulous, I am afraid I must admit that he had some of the foibles as well as the gifts of the artistic temperament; adding, however, instantly, that hitherto, to the best of my belief, he had very rarely complained. “She thinks me immoral—that’s the long and short of it,” he said, as we paused outside a moment, and his hand rested on one of the bars of his gate; while his conscious, demonstrative, expressive, perceptive eyes,—the eyes of a foreigner, I had begun to account them, much more than of the usual Englishman,—viewing me now evidently as quite a familiar friend, took part in the declaration. “It’s very strange, when one thinks it all over, and there’s a grand comicality in it which I should like to bring out. She is a very nice woman, extraordinarily well behaved, upright and clever, and with a tremendous lot of good sense about a good many matters. Yet her conception of a novel—she has explained it to me once or twice, and she does n’t do it badly, as exposition—is a thing so false that it makes me blush. It is a thing so hollow, so dishonest, so lying, in which life is so blinked and blinded, so dodged and disfigured, that it makes my ears burn. It’s two different ways of looking at the whole affair,” he repeated, pushing open the gate. “And they are irreconcilable!” he added, with a sigh. We went forward to the house, but on the walk, half way to the door, he stopped, and said to me, “If you are going into this kind of thing, there’s a fact you should know beforehand; it may save you some disappointment. There’s a hatred of art, there’s a hatred of literature!” I looked up at the charming house, with its genial color and crookedness, and I answered, with a smile, that those evil passions might exist, but that I should never have expected to find them there. “Oh, it doesn’t matter, after all,” he said, laughing; which I was glad to hear, for I was reproaching myself with having excited him.

If I had, his excitement soon passed off, for at lunch he was delightful; strangely delightful, considering that the difference between himself and his wife was, as he had said, irreconcilable. He had the art, by his manner, by his smile, by his natural kindliness, of reducing the importance of it in the common concerns of life; and Mrs. Ambient, I must add, lent herself to this transaction with a very good grace. I watched her, at table, for further illustrations of that fixed idea of which Miss Ambient had spoken to me; for, in the light of the united revelations of her sister-in-law and her husband, she had come to seem to me a very singular personage. I am obliged to say that the signs of a fanatical temperament were not more striking in my hostess than before; it was only after a while that her air of incorruptible conformity, her tapering, monosyllabic correctness, began to appear to be themselves a cold, thin flame. Certainly, at first, she looked like a woman with as few passions as possible; but if she had a passion at all, it would be that of Philistinism. She might have been—for there are guardian-spirits, I suppose, of all great principles—the angel of propriety. Mark Ambient, apparently, ten years before, had simply perceived that she was an angel, without asking himself of what He had been quite right in calling my attention to her beauty. In looking for the reason why he should have married her, I saw, more than before, that she was, physically speaking, a wonderfully cultivated human plant—that she must have given him many ideas and images. It was impossible to be more pencilled, more garden-like, more delicately tinted and petalled.

If I had had it in my heart to think Ambient a little of a hypocrite for appearing to forget at table everything he had said to me during our walk, I should instantly have cancelled such a judgment, on reflecting that the good news his wife was able to give him about their little boy was reason enough for his sudden air of happiness. It may have come partly, too, from a certain remorse at having complained to me of the fair lady who sat there,—a desire to show me that he was after all not so miserable. Dolcino continued to be much better, and he had been promised he should come downstairs after he had had his dinner. As soon as we had risen from our own meal Ambient slipped away, evidently for the purpose of going to his child; and no sooner had I observed this than I became aware that his wife had simultaneously vanished. It happened that Miss Ambient and I, both at the same moment, saw the tail of her dress whisk out of a doorway, which led the young lady to smile at me, as if I now knew all the secrets of the Ambients. I passed with her into the garden, and we sat down on a dear old bench which rested against the west wall of the house. It was a perfect spot for the middle period of a Sunday in June, and its felicity seemed to come partly from an antique sun-dial which, rising in front of us and forming the centre of a small, intricate parterre, measured the moments ever so slowly, and made them safe for leisure and talk. The garden bloomed in the suffused afternoon, the tall beeches stood still for an example, and, behind and above us, a rose-tree of many seasons, clinging to the faded grain of the brick, expressed the whole character of the place in a familiar, exquisite smell. It seemed to me a place for genius to have every sanction, and not to encounter challenges and checks. Miss Ambient asked me if I had enjoyed my walk with her brother, and whether we had talked of many things.

“Well, of most things,” I said, smiling, though I remembered that we had not talked of Miss Ambient.

“Oh, I guess I agree with them all.” I was very particular, for Miss Ambient’s entertainment, to guess.

“Of course it is difficult for a woman to know how far to go,” said my companion. “I adore everything that gives a charm to life. I am intensely sensitive to form. But sometimes I draw back—don’t you see what I mean?—I don’t quite see where I shall be landed. I only want to be quiet, after all,” Miss Ambient continued, in a tone of stifled yearning which seemed to indicate that she had not yet arrived at her desire. “And one must be good, at any rate, must not one?” she inquired, with a cadence apparently intended for an assurance that my answer would settle this recondite question for her. It was difficult for me to make it very original, and I am afraid I repaid her confidence with an unblushing platitude. I remember, moreover, appending to it an inquiry, equally destitute of freshness, and still more wanting perhaps in tact, as to whether she did not mean to go to church, as that was an obvious way of being good. She replied that she had performed this duty in the morning, and that for her, on Sunday afternoon, supreme virtue consisted in answering the week’s letters. Then suddenly, without transition, she said to me, “It’s quite a mistake about Dolcino being better. I have seen him, and he’s not at all right.”

She appeared for a moment to be counting the leaves on one of the great beeches. “As regards most matters, one can easily say what, in a given situation, my sister-in-law would do. But as regards this one, there are strange elements at work.”

“Elements of affection, of course; elements of anxiety. Why do you call them strange?”

She repeated my words. “Elements of affection, elements of anxiety. She is very anxious.”

Miss Ambient made me vaguely uneasy; she almost frightened me, and I wished she would go and write her letters. “His father will have seen him now,” I said, “and if he is not satisfied he will send for the doctor.”

“The doctor ought to have been here this morning. He lives only two miles away.”

I reflected that all this was very possibly only a part of the general tragedy of Miss Ambient’s view of things; but I asked her why she had n’t urged such a necessity upon her sister-in-law. She answered me with a smile of extraordinary significance, and told me that I must have very little idea of what her relations with Beatrice were; but I must do her the justice to add that she went on to make herself a little more comprehensible by saying that it was quite reason enough for her sister not to be alarmed that Mark would be sure to be. He was always nervous about the child, and as they were predestined by nature to take opposite views, the only thing for Beatrice was to cultivate a false optimism. If Mark were not there, she would not be at all easy. I remembered what he had said to me about their dealings with Dolcino,—that between them they would put an end to him; but I did not repeat this to Miss Ambient: the less so that just then her brother emerged from the house, carrying his child in his arms. Close behind him moved his wife, grave and pale; the boy’s face was turned over Ambient’s shoulder, towards his mother. We got up to receive the group, and as they came near us Dolcino turned round. I caught, on his enchanting little countenance, a smile of recognition, and for the moment would have been quite content with it. Miss Ambient, however, received another impression, and I make haste to say that her quick sensibility, in which there was something maternal, argues that, in spite of her affectations, there was a strain of kindness in her. “It won’t do at all—it won’t do at all,” she said to me under her breath. “I shall speak to Mark about the doctor.”

The child was rather white, but the main difference I saw in him was that he was even more beautiful than the day before. He had been dressed in his festal garments,—a velvet suit and a crimson sash,—and he looked like a little invalid prince, too young to know condescension, and smiling familiarly on his subjects.

Mark placed him on the ground; he had shining, pointed slippers, with enormous bows. “Are you happy now, Mr. Ambient?”

“Oh, yes, I am particularly happy,” Dolcino replied. The words were scarcely out of his mouth when his mother caught him up, and in a moment, holding him on her knees, she took her place on the bench where Miss Ambient and I had been sitting. This young lady said something to her brother, in consequence of which the two wandered away into the garden together. I remained with Mrs. Ambient; but as a servant had brought out a couple of chairs I was not obliged to seat myself beside her. Our conversation was not animated, and I, for my part, felt there would be a kind of hypocrisy in my trying to make myself agreeable to Mrs. Ambient I didn’t dislike her—I rather admired her; but I was aware that I differed from her inexpressibly. Then I suspected, what I afterwards definitely knew and have already intimated, that the poor lady had taken a dislike to me; and this of course was not encouraging. She thought me an obtrusive and even depraved young man, whom a perverse Providence had dropped upon their quiet lawn to flatter her husband’s worst tendencies. She did me the honor to say to Miss Ambient, who repeated the speech, that she didn’t know when she had seen her husband take such a fancy to a visitor; and she measured, apparently, my evil influence by Mark’s appreciation of my society. I had a consciousness, not yet acute, but quite sufficient, of all this; but I must say that if it chilled my flow of small-talk, it did n’t prevent me from thinking that the beautiful mother and beautiful child, interlaced there against their background of roses, made a picture such as I perhaps should not soon see again. I was free, I supposed, to go into the house and write letters, to sit in the drawing-room, to repair to my own apartment and take a nap; but the only use I made of my freedom was to linger still in my chair and say to myself that the light hand of Sir Joshua might have painted Mark Ambient’s wife and son. I found myself looking perpetually at Dolcino, and Dolcino looked back at me, and that was enough to detain me. When he looked at me he smiled, and I felt it was an absolute impossibility to abandon a child who was smiling at one like that. His eyes never wandered; they attached themselves to mine, as if among all the small incipient things of his nature there was a desire to say something to me. If I could have taken him upon my own knee, he perhaps would have managed to say it; but it would have been far too delicate a matter to ask his mother to give him up, and it has remained a constant regret for me that on that Sunday afternoon I did not, even for a moment, hold Dolcino in my arms. He had said that he felt remarkably well, and that he was especially happy; but though he may have been happy, with his charming head pillowed on his mother’s breast, and his little crimson silk legs depending from her lap, I did not think he looked well. He made no attempt to walk about; he was content to swing his legs softly and strike one as languid and angelic.

Mark came back to us with his sister; and Miss Ambient, making some remark about having to attend to her correspondence, passed into the house. Mark came and stood in front of his wife, looking down at the child, who immediately took hold of his hand, keeping it while he remained. “I think Ailingham ought to see him,” Ambient said; “I think I will walk over and fetch him.”

“That ‘s Gwendolen’s idea, I suppose,” Mrs. Ambient replied, very sweetly.

“Is that the truth, or are you only saying it to be agreeable? You have a great idea of being agreeable, you know.”

The boy seemed to meditate on this distinction this imputation, for a moment; then his exaggerated eyes, which had wandered, caught my own as I watched him. “Do you think me agreeable?” he inquired, with the candor of his age, and with a smile that made his father turn round to me, laughing, and ask, mutely, with a glance, “Is n’t he adorable?”

“Then why don’t you hop about, if you feel so lusty?” Ambient went on, while the boy swung his hand.

“Oh, yes; I know how mamma holds you when I come near!” Ambient exclaimed, looking at his wife.

She turned her charming eyes up to him, without deprecation or concession, and after a moment she said, “You can go for Allingham if you like, I think myself it would be better. You ought to drive.”

“She says that to get me away,” Ambient remarked to me, laughing; after which he started for the doctor’s.

I remained there with Mrs. Ambient, though our conversation had more pauses than speeches. The boy’s little fixed white face seemed, as before, to plead with me to stay, and after a while it produced still another effect, a very curious one, which I shall find it difficult to express. Of course I expose myself to the charge of attempting to give fantastic reasons for an act which may have been simply the fruit of a native want of discretion; and indeed the traceable consequences of that perversity were too lamentable to leave me any desire to trifle with the question. All I can say is that I acted in perfect good faith, and that Dolcino’s friendly little gaze gradually kindled the spark of my inspiration. What helped it to glow were the other influences,—the silent, suggestive garden-nook, the perfect opportunity (if it was not an opportunity for that, it was an opportunity for nothing), and the plea that I speak of, which issued from the child’s eyes, and seemed to make him say, “The mother that bore me and that presses me here to her bosom—sympathetic little organism that I am—has really the kind of sensibility which she has been represented to you as lacking; if you only look for it patiently and respectfully. How is it possible that she should n’t have it? How is it possible that I should have so much of it (for I am quite full of it, dear, strange gentleman), if it were not also in some degree in her? I am my father’s child, but I am also my mother’s, and I am sorry for the difference between them!” So it shaped itself before me, the vision of reconciling Mrs. Ambient with her husband, of putting an end to their great disagreement The project was absurd, of course, for had I not had his word for it—spoken with all the bitterness of experience—that the gulf that divided them was wellnigh bottomless? Nevertheless, a quarter of an hour after Mark had left us, I said to his wife that I could n’t get over what she told me the night before about her thinking her husband’s writings “objectionable.” I had been so very sorry to hear it, had thought of it constantly, and wondered whether it were not possible to make her change her mind. Mrs. Ambient gave me rather a cold stare; she seemed to be recommending me to mind my own business. I wish I had taken this mute counsel, but I did not. I went on to remark that it seemed an immense pity so much that was beautiful should be lost upon her.

“Nothing is lost upon me,” said Mrs. Ambient “I know they are very beautiful.”

“Don’t you like papa’s books?” Dolcino asked, addressing his mother, but still looking at me. Then he added to me, “Won’t you read them to me, American gentleman?”

“I would rather tell you some stories of my own,” I said. “I know some that are very interesting.” “When will you tell them? To-morrow?” “To-morrow, with pleasure, if that suits you.” Mrs. Ambient was silent at this. Her husband, during our walk, had asked me to remain another day; my promise to her son was an implication that I had consented, and it is not probable that the prospect was agreeable to her. This ought, doubtless, to have made me more careful as to what I said next; but all I can say is that it did n’t. I presently observed that just after leaving her the evening before, and after hearing her apply to her husband’s writings the epithet I had already quoted, I had, on going up to my room, sat down to the perusal of those sheets of his new book which he had been so good as to lend me. I had sat entranced till nearly three in the morning. I had read them twice over. “You say you have n’t looked at them. I think it ‘s such a pity you should n’t Do let me beg you to take them up. They are so very remarkable. I ‘m sure they will convert you. They place him in—really—such a dazzling light. All that is best in him is there. I have no doubt it’s a great liberty, my saying all this; but excuse me, and do read them!”

She bent her head and closed his lips with a kiss. “Of course I know he has worked immensely over them,” she said; and after this she made no remark, but sat there looking thoughtful, with her eyes on the ground. The tone of these last words was such as to leave me no spirit for further pressure, and after expressing a fear that her husband had not found the doctor at home, I got up and took a turn about the grounds. When I came back, ten minutes later, she was still in her place watching her boy, who had fallen asleep in her lap. As I drew near she put her finger to her lips, and a moment afterwards she rose, holding the child, and murmured something about its being better that he should go upstairs. I offered to carry him, and held out my hands to take him; but she thanked me and turned away with the child seated on her arm, his head on her shoulder. “I am very strong,” she said, as she passed into the house, and her slim, flexible figure bent backwards with the filial weight So I never touched Dolcino.

I betook myself to Ambient’s study, delighted to have a quiet hour to look over his books by myself. The windows were open into the garden; the sunny stillness, the mild light of the English summer, filled the room, without quite chasing away the rich dusky tone which was a part of its charm, and which abode in the serried shelves where old morocco exhaled the fragrance of curious learning, and in the brighter intervals, where medals and prints and miniatures were suspended upon a surface of faded stuff. The place had both color and quiet; I thought it a perfect room for work, and went so far as to say to myself that, if it were mine to sit and scribble in, there was no knowing but that I might learn to write as well as the author of Beltraffio. This distinguished man did not turn up, and I rummaged freely among his treasures. At last I took down a book that detained me awhile, and seated myself in a fine old leather chair by the window to turn it over. I had been occupied in this way for half-an-hour,—a good part of the afternoon had waned,—when I became conscious of another presence in the room, and, looking up from my quarto, saw that Mrs. Ambient, having pushed open the door in the same noiseless way that marked, or disguised, her entrance the night before, had advanced across the threshold. On seeing me she stopped; she had not, I think, expected to find me. But her hesitation was only of a moment; she came straight to her husband’s writing-table as if she were looking for something. I got up and asked her if I could help her. She glanced about an instant, and then put her hand upon a roll of papers which I recognized, as I had placed it in that spot in the morning on coming down from my room.

“Is this the new book?” she asked, holding it up. “The very sheets, with precious annotations.” “I mean to take your advice;” and she tucked the little bundle under her arm. I congratulated her cordially, and ventured to make of my triumph, as I presumed to call it, a subject of pleasantry. But she was perfectly grave, and turned away from me, as she had presented herself, without a smile; after which I settled down to my quarto again, with the reflection that Mrs. Ambient was a queer woman. My triumph, too, suddenly seemed to me rather vain. A woman who could n’t smile in the right place would never understand Mark Ambient. He came in at last in person, having brought the doctor back with him. “He was away from home,” Mark said, “and I went after him, to where he was supposed to be. He had left the place, and I followed him to two or three others, which accounts for my delay.” He was now with Mrs. Ambient looking at the child, and was to see Mark again before leaving the house. My host noticed, at the end of ten minutes, that the proof-sheets of his new book had been removed from the table; and when I told him, in reply to his question as to what I knew about them, that Mrs. Ambient had carried them off to read, he turned almost pale for an instant with surprise. “What has suddenly made her so curious?” he exclaimed; and I was obliged to tell him that I was at the bottom of the mystery. I had had it on my conscience to assure her that she really ought to know of what her husband was capable. “Of what I am capable? Elle ne s’en dottie que trop!” said Ambient, with a laugh; but he took my meddling very good-naturedly, and contented himself with adding that he was very much afraid she would burn up the sheets, with his emendations, of which he had no duplicate. The doctor paid a long visit in the nursery, and before he came down I retired to my own quarters, where I remained till dinner-time. On entering the drawing-room at this hour, I found Miss Ambient in possession, as she had been the evening before.

“I was right about Dolcino,” she said, as soon as she saw me, with a strange little air of triumph. “He is really very ill.”

“Very ill! Why, when I last saw him, at four o’clock, he was in fairly good form.”

“There has been a change for the worse, very sudden and rapid, and when the doctor got here he found diphtheritic symptoms. He ought to have been called, as I knew, in the morning, and the child ought n’t to have been brought into the garden.”

“He would be happy anywhere. I have no doubt he is happy now, with his poor little throat in a state—” she dropped her voice as her brother came in, and Mark let us know that, as a matter of course, Mrs. Ambient would not appear. It was true that Dolcino had developed diphtheritic symptoms, but he was quiet for the present, and his mother was earnestly watching him. She was a perfect nurse, Mark said, and the doctor was coming back at ten o’clock. Our dinner was not very gay; Ambient was anxious and alarmed, and his sister irritated me by her constant tacit assumption, conveyed in the very way she nibbled her bread and sipped her wine, of having “told me so.” I had had no disposition to deny anything she told me, and I could not see that her satisfaction in being justified by the event made poor Dolcino’s throat any better. The truth is that, as the sequel proved, Miss Ambient had some of the qualities of the sibyl, and had therefore, perhaps, a right to the sibylline contortions. Her brother was so preoccupied that I felt my presence to be an indiscretion, and was sorry I had promised to remain over the morrow. I said to Mark that, evidently, I had better leave them in the morning; to which he replied that, on the contrary, if he was to pass the next days in the fidgets, my company would be an extreme relief to him. The fidgets had already begun for him, poor fellow; and as we sat in his study with our cigars after dinner, he wandered to the door whenever he heard the sound of the doctor’s wheels. Miss Ambient, who shared this apartment with us, gave me at such moments significant glances; she had gone upstairs before rejoining us to ask after the child His mother and his nurse gave a tolerable account of him; but Miss Ambient found his fever high and his symptoms very grave. The doctor came at ten o’clock, and I went to bed after hearing from Mark that he saw no present cause for alarm. He had made every provision for the night, and was to return early in the morning.

I quitted my room at eight o’clock the next day, and, as I came downstairs, saw, through the open door of the house, Mrs. Ambient standing at the front gate of the grounds, in colloquy with the physician. She wore a white dressing-gown, but her shining hair was carefully tucked away in its net, and in the freshness of the morning, after a night of watching, she looked as much “the type of the lady” as her sister-in-law had described her. Her appearance, I suppose, ought to have reassured me; but I was still nervous and uneasy, so that I shrank from meeting her with the necessary question about Dolcino. None the less, however, was I impatient to learn how the morning found him; and, as Mrs. Ambient had not seen me, I passed into the grounds by a roundabout way, and, stopping at a further gate, hailed the doctor just as he was driving away. Mrs. Ambient had returned to the house before he got into his gig.

“Excuse me, but as a friend of the family, I should like very much to hear about the little boy.”

The doctor, who was a stout, sharp man, looked at me from head to foot, and then he said, “I’m sorry to say I have n’t seen him.”

“Mrs. Ambient came down to meet me as I alighted, and told me that he was sleeping so soundly, after a restless night, that she did n’t wish him disturbed. I assured her I would n’t disturb him, but she said he was quite safe now and she could look after him herself.”

“No, sir; I ‘ll be hanged if I come back!” exclaimed Dr. Allingham, who was evidently very angry. And he started his horse again with the whip.

I wandered back into the garden, and five minutes later Miss Ambient came forth from the house to greet me. She explained that breakfast would not be served for some time, and that she wished to catch the doctor before he went away. I informed her that this functionary had come and departed, and I repeated to her what he had told me about his dismissal. This made Miss Ambient very serious, very serious indeed, and she sank into a bench, with dilated eyes, hugging her elbows with crossed arms. She indulged in many ejaculations, she confessed that she was infinitely perplexed, and she finally told me what her own last news of her nephew had been. She had sat up very late,—after me, after Mark,—and before going to bed had knocked at the door of the child’s room, which was opened to her by the nurse. This good woman had admitted her, and she had found Dolcino quiet, but flushed and “unnatural,” with his mother sitting beside his bed. “She held his hand in one of hers,” said Miss Ambient, “and in the other—what do you think?—the proof-sheets of Mark’s new book! She was reading them there, intently: did you ever hear of anything so extraordinary? Such a very odd time to be reading an author whom she never could abide!” In her agitation Miss Ambient was guilty of this vulgarism of speech, and I was so impressed by her narrative that it was only in recalling her words later that I noticed the lapse. Mrs. Ambient had looked up from her reading with her finger on her lips—I recognized the gesture she had addressed to me in the afternoon—and, though the nurse was about to go to rest, had not encouraged her sister-in-law to relieve her of any part of her vigil. But certainly, then, Dolcino’s condition was far from reassuring,—his poor little breathing was most painful; and what change could have taken place in him in those few hours that would justify Beatrice in denying the physician access to him? This was the moral of Miss Ambient’s anecdote, the moral for herself at least. The moral for me, rather, was that it was a very singular time for Mrs. Ambient to be going into a novelist she had never appreciated, and who had simply happened to be recommended to her by a young American she disliked. I thought of her sitting there in the sick-chamber in the still hours of the night, after the nurse had left her, turning over those pages of genius and wrestling with their magical influence.

I must relate very briefly the circumstances of the rest of my visit to Mark Ambient,—it lasted but a few hours longer,—and devote but three words to my later acquaintance with him. That lasted five years,—till his death,—and was full of interest, of satisfaction, and, I may add, of sadness. The main thing to be said with regard to it, is that I had a secret from him. I believe he never suspected it, though of this I am not absolutely sure. If he did, the line he had taken, the line of absolute negation of the matter to himself, shows an immense effort of the will. I may tell my secret now, giving it for what it is worth, now that Mark Ambient has gone, that he has begun to be alluded to as one of the famous early dead, and that his wife does not survive him; now, too, that Miss Ambient, whom I also saw at intervals during the years that followed, has, with her embroideries and her attitudes, her necromantic glances and strange intuitions, retired to a Sisterhood, where, as I am told, she is deeply immured and quite lost to the world.

Mark came in to breakfast after his sister and I had for some time been seated there. He shook hands with me in silence, kissed his sister, opened his letters and newspapers, and pretended to drink his coffee. But I could see that these movements were mechanical, and I was little surprised when, suddenly, he pushed away everything that was before him, and, with his head in his hands and his elbows on the table, sat staring strangely at the cloth.

“What is the matter, fratello mio?” Miss Ambient inquired, peeping from behind the urn.

He answered nothing, but got up with a certain violence and strode to the window. We rose to our feet, his sister and I, by a common impulse, exchanging a glance of some alarm, while he stared for a moment into the garden. “In Heaven’s name what has got possession of Beatrice?” he cried at last, turning round with an almost haggard face. And he looked from one of us to the other; the appeal was addressed to me as well as to his sister.

“She has locked herself up with the boy—bolted and barred the door; she refuses to let me come near him!” Ambient went on.

“She refused to let the doctor see him an hour ago!” Miss Ambient remarked, with intention, as they say on the stage.

“Refused to let the doctor see him? By heaven, I ‘ll smash in the door!” And Mark brought his fist down upon the table, so that all the breakfast-service rang.

I begged Miss Ambient to go up and try to have speech of her sister-in-law, and I drew Mark out into the garden. “You ‘re exceedingly nervous, and Mrs. Ambient is probably right,” I said to him. “Women know; women should be supreme in such a situation. Trust a mother—a devoted mother, my dear friend!” With such words as these I tried to soothe and comfort him, and, marvellous to relate, I succeeded, with the help of many cigarettes, in making him walk about the garden and talk, or listen at least to my own ingenious chatter, for nearly an hour. At the end of this time Miss Ambient returned to us, with a very rapid step, holding her hand to her heart.

“Is he dying? Has she killed him?” poor Ambient cried, flinging away his cigarette.

“I don’t know what she has done! But she’s frightened, and now she wants the doctor.”

“He told me he would be hanged if he came back!” I felt myself obliged to announce.

“Precisely—therefore Mark himself must go for him, and not a messenger. You must see him, and tell him it ‘s to save your child. The trap has been ordered—it’s ready.”

“To save him? I ‘ll save him, please God!” Ambient cried, bounding with his great strides across the lawn.

As soon as he had gone I felt that I ought to have volunteered in his place, and I said as much to Miss Ambient; but she checked me by grasping my arm quickly, while we heard the wheels of the dog-cart rattle away from the gate. “He’s off—he’s off—and now I can think! To get him away—while I think—while I think!”

Her manner was habitually that of such a prophetess of ill that my first impulse was to believe I must allow here for a great exaggeration. But in a moment I saw that her emotion was real. “Dolcino is dying then,—he is dead?”

“It’s too late to save him. His mother has let him die! I tell you that because you are sympathetic, because you have imagination,” Miss Ambient was good enough to add, interrupting my expression of horror. “That’s why you had the idea of making her read Mark’s new book!”

“What has that to do with it? I don’t understand you; your accusation is monstrous.”

“I see it all; I’m not stupid,” Miss Ambient went on, heedless of the harshness of my tone. “It was the book that finished her; it was that decided her!”

“Decided her? Do you mean she has murdered her child?” I demanded, trembling at my own words.

“She sacrificed him; she determined to do nothing to make him live. Why else did she lock herself up, why else did she turn away the doctor? The book gave her a horror; she determined to rescue him,—to prevent him from ever being touched. He had a crisis at two o’clock in the morning. I know that from the nurse, who had left her then, but whom, for a short time, she called back. Dolcino got much worse, but she insisted on the nurse’s going back to bed, and after that she was alone with him for hours.”

“She held him in her arms, she pressed him to her breast, not to see him; but she gave him no remedies; she did nothing the doctor ordered. Everything is there, untouched. She has had the honesty not even to throw the drugs away!”

I dropped upon the nearest bench, overcome with wonder and agitation, quite as much at Miss Armbient’s terrible lucidity as at the charge she made against her sister-in-law. There was an amazing coherency in her story, and it was dreadful to me to see myself figuring in it as so proximate a cause.

“You think it necessary to protest, but you are quite ready to believe me. You have received an impression of my sister-in-law, you have guessed of what she is capable.”

I do not feel bound to say what concession, on this point, I made to Miss Ambient, who went on to relate to me that within the last half-hour Beatrice had had a revulsion; that she was tremendously frightened at what she had done; that her fright itself betrayed her; and that she would now give heaven and earth to save the child. “Let us hope she will!” I said, looking at my watch and trying to time poor Ambient; whereupon my companion repeated, in a singular tone, “Let us hope so!” When I asked her if she herself could do nothing, and whether she ought not to be with her sister-in-law, she replied, “You had better go and judge; she is like a wounded tigress!”

I never saw Mrs. Ambient till six months after this, and therefore cannot pretend to have verified the comparison. At the latter period she was again the type of the lady. “She’ll treat him better after this,” I remember Miss Ambient saying, in response to some quick outburst (on my part) of compassion for her brother. Although I had been in the house but thirty-six hours, this young lady had treated me with extraordinary confidence, and there was therefore a certain demand which, as an intimate, I might make of her. I extracted from her a pledge that she would never say to her brother what she had just said to me; she would leave him to form his own theory of his wife’s conduct. She agreed with me that there was misery enough in the house, without her contributing a new anguish, and that Mrs. Ambient’s proceedings might be explained, to her husband’s mind, by the extravagance of a jealous devotion. Poor Mark came back with the doctor much sooner than we could have hoped, but we knew, five minutes afterwards, that they arrived too late. Poor little Dolcino was more exquisitely beautiful in death than he had been in life. Mrs. Ambient’s grief was frantic; she lost her head and said strange things. As for Mark’s—but I will not speak of that. Basta, as he used to say. Miss Ambient kept her secret,—I have already had occasion to say that she had her good points,—but it rankled in her conscience like a guilty participation, and, I imagine, had something to do with her retiring ultimately to a Sisterhood. And, à propos of consciences, the reader is now in a position to judge of my compunction for my effort to convert Mrs. Ambient. I ought to mention that the death of her child in some degree converted her. When the new book came out—it was long delayed—she read it over as a whole, and her husband told me that a few months before her death,—she failed rapidly after losing her son, sank into a consumption, and faded away at Mentone,—during those few supreme weeks she even dipped into Beltraffio.

*** END OF THE PROJECT GUTENBERG EBOOK THE AUTHOR OF BELTRAFFIO ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

The Project Gutenberg eBook of The Author of Beltraffio

THE AUTHOR OF BELTRAFFIO.

By Henry James

1885

Contents

PART I.

PART II.

THE FULL PROJECT GUTENBERG LICENSE

The Project Gutenberg eBook of The Author of Beltraffio

THE AUTHOR OF BELTRAFFIO.

By Henry James 1885

Contents

PART I.

PART II.

THE FULL PROJECT GUTENBERG LICENSE

By Henry James

1885