Title: The Works of Lord Byron, Vol. 7. Poetry
Author: Baron George Gordon Byron Byron
Editor: Ernest Hartley Coleridge
Release date: December 20, 2008 [eBook #27577]
Language: English
Credits: Produced by Jonathan Ingram, David Cortesi, and the Online
Distributed Proofreading Team at http://www.pgdp.net
Of the seventy-three "Epigrams and Jeux d'Esprit," which are printed at the commencement of this volume, forty-five were included in Murray's one-volume edition of 1837, eighteen have been collected from various publications, and ten are printed and published for the first time.
The "Devil's Drive," which appears in Moore's Letters and Journals, and in the sixth volume of the Collected Edition of 1831 as an "Unfinished Fragment" of ninety-seven lines, is now printed and published for the first time in its entirety (248 lines), from a MS. in the possession of the Earl of Ilchester. "A Farewell Petition to J. C. H. Esq.;" "My Boy Hobbie O;" "[Love and Death];" and "Last Words on Greece," are reprinted from the first volume of Murray's Magazine (1887).
[vi] A few imperfect and worthless poems remain in MS.; but with these and one or two other unimportant exceptions, the present edition of the Poetical Works may be regarded as complete.
In compiling a "Bibliography of the successive Editions and Translations of Lord Byron's Poetical Works," I have endeavoured, in the first instance, to give a full and particular account of the collected editions and separate issues of the poems and dramas which were open to my inspection; and, secondly, to extract from general bibliographies, catalogues of public and private libraries, and other sources bibliographical records of editions which I have been unable to examine, and were known to me only at second-hand. It will be observed that the title-pages of editions which have passed through my hands are aligned; the titles of all other editions are italicized.
I cannot pretend that this assortment of bibliographical entries is even approximately exhaustive; but as "a sample" of a bibliography it will, I trust, with all its imperfections, be of service to the student of literature, if not to the amateur or bibliophile. With regard to nomenclature and other technicalities, my aim has been to put the necessary information as clearly and as concisely as possible, rather than to comply with the requirements of this or that formula. But the path of the bibliographer is beset with difficulties. "Al Sirat's arch"—"the bridge of breadth narrower [vii] than the thread of a famished spider, and sharper than the edge of a sword" (see The Giaour, line 483, note 1)— affords an easier and a safer foothold.
To the general reader a bibliography says little or nothing; but, in one respect, a bibliography of Byron is of popular import. It affords scientific proof of an almost unexampled fame, of a far-reaching and still potent influence. Teuton and Latin and Slav have taken Byron to themselves, and have made him their own. No other English poet except Shakespeare has been so widely read and so frequently translated. Of Manfred I reckon one Bohemian translation, two Danish, two Dutch, three French, nine German, three Hungarian, three Italian, two Polish, one Romaic, one Roumanian, four Russian, and three Spanish translations, and, in all probability, there are others which have escaped my net. The question, the inevitable question, arises—What was, what is, the secret of Byron's Continental vogue? and why has his fame gone out into all lands? Why did Goethe enshrine him, in the second part of Faust, "as the representative of the modern era ... undoubtedly to be regarded as the greatest genius of our century?" (Conversations of Goethe, 1874, p. 265).
It is said, and with truth, that Byron's revolutionary politics commended him to oppressed nationalities and their sympathizers; that he was against "the tramplers"—Castlereagh, and the Duke of Wellington, and the Holy Alliance; that he stood for liberty. Another point in his favour was his freedom from cant, his indifference [viii] to the pieties and proprieties of the Britannic Muse; that he had the courage of his opinions. Doubtless in a time of trouble he was welcomed as the champion of revolt, but deeper reasons must be sought for an almost exclusive preference for the works of one poet and a comparative indifference to the works of his rivals and contemporaries. He fulfilled another, perhaps a greater ideal. An Englishman turns to poetry for the expression in beautiful words of his happier and better feelings, and he is not contented unless poetry tends to make him happier or better—happier because better than he would be otherwise. His favourite poems are psalms, or at least metrical paraphrases, of life. Men of other nations are less concerned about their feelings and their souls. They regard the poet as the creator, the inventor, the maker par excellence, and he who can imagine or make the greatest eidolon is the greatest poet. Childe Harold and The Corsair, Mazeppa and Manfred, Cain and Sardanapalus were new creations, new types, forms more real than living man, which appealed to their artistic sense, and led their imaginations captive. "It is a mark," says Goethe (Aus meinem Leben: Dichtung und Wahreit, 1876, iii. 125), "of true poetry, that, as a secular gospel, it knows how to free us from the earthly burdens which press upon us, by inward serenity, by outward charm.... The most lively, as well as the gravest works have the same end—to moderate both pleasure and pain through a happy mental representation." [ix] It is passion translated into action, the pageantry of history, the transfiguration into visible lineaments of living moods and breathing thoughts which are the notes of this "secular gospel," and for one class of minds work out a secular redemption.
It was not only the questionable belief that he was on the side of the people, or his ethical and theological audacities, or his prolonged Continental exile, which won for Byron a greater name abroad than he has retained at home; but the character of his poetry. "The English may think of Byron as they please" (Conversations of Goethe, 1874, p. 171), "but this is certain, that they can show no poet who is to be compared to him. He is different from all the others, and, for the most part, greater." The English may think of him as they please! and for them, or some of them, there is "a better oenomel," a vinum Dæmonum, which Byron has not in his gift. The evidence of a world-wide fame will not endear a poet to a people and a generation who care less for the matter than the manner of verse, or who believe in poetry as the symbol or "credo" of the imagination or the spirit; but it should arrest attention and invite inquiry. A bibliography is a dull epilogue to a poet's works, but it speaks with authority, and it speaks last. Finis coronat opus!
I must be permitted to renew my thanks to Mr. G. F. Barwick, Superintendent of the Reading Room, Mr. Cyril Davenport, and other officials of the British Museum, of [x] all grades and classes, for their generous and courteous assistance in the preparation and completion of the Bibliography. The consultation of many hundreds of volumes of one author, and the permission to retain a vast number in daily use, have entailed exceptional labour on a section of the staff. I have every reason to be grateful.
I am indebted to Mr. A. W. Pollard, of the British Museum, for advice and direction with regard to bibliographical formulas; to Mr. G. L. Calderon, late of the staff, for the collection and transcription of the title-pages of Polish, Russian, and Servian translations; and to Mr. R. Nisbet Bain for the supervision and correction of the proofs of Slavonic titles.
To Mr. W. P. Courtney, the author of Bibliotheca Cornubiensis, I owe many valuable hints and suggestions, and the opportunity of consulting some important works of reference.
I have elsewhere acknowledged the valuable information with regard to certain rare editions and pamphlets which I have received from Mr. H. Buxton Forman, C.B.
My especial thanks for laborious researches undertaken on my behalf, and for information not otherwise attainable, are due to M. J. E. Aynard, of Lyons; Signor F. Bianco; Professor Max von Förster, of Wurtzburg; Professor Lajos Gurnesovitz, of Buda Pest; Dr. Holzhausen, of Bonn; Mr. Leonard Mackall, of Berlin; Miss Peacock; Miss K. Schlesinger; M. Voynich, of Soho [xi] Square; Mr. Theodore Bartholomew, of the University Library of Cambridge; Mr. T. D. Stewart, of the Croydon Public Library; and the Librarians of Trinity College, Cambridge, and University College, St. Andrews.
I have also to thank, for special and generous assistance, Mr. J. P. Anderson, late of the British Museum, the author of the "Bibliography of Byron's Works" attached to the Life of Lord Byron by the Hon. Roden Noel (1890); Miss Grace Reed, of Philadelphia, for bibliographical entries of early American editions; and Professor Vladimir Hrabar, of the University of Dorpat, for the collection and transcription of numerous Russian translations of Byron's Works.
To Messrs. Clowes, the printers of these volumes, and to their reader, Mr. F. T. Peachey, I am greatly indebted for the transcription of Slavonic titles included in the Summary of the Bibliography, and for interesting and useful information during the progress of the work.
In conclusion, I must once more express my acknowment of the industry and literary ability of my friend Mr. F. E. Taylor, of Chertsey, who has read the proofs of this and the six preceding volumes.
The Index is the work of Mr. C. Eastlake Smith.
ERNEST HARTLEY COLERIDGE.
November, 1903.
1798.
[First published, Letters and Journals, 1830, i. 28.]
[1] "Swan Green" should be "Swine Green." It lay about a quarter of a mile to the east of St. James's Lane, where Byron lodged in 1799, at the house of a Mr. Gill. The name appears in a directory of 1799, but by 1815 it had been expunged or changed euphoniæ gratiâ. (See A New Plan of the Town of Nottingham, ... 1744.)
Moore took down "these rhymes" from the lips of Byron's nurse, May Gray, who regarded them as a first essay in the direction of poetry. He questioned their originality.
September, 1807.
[First published, Letters and Journals, 1830, i. 106.]
1806.
[First published, Atlantic Monthly, December, 1898.
[2]]
[2] [I am indebted to the courtesy of Mr. Pierre De La Rose for sending me a copy of the foregoing Version of Ossian's Address to the Sun, which was "Privately printed at the Press of Oliver B. Graves, Cambridge, Massachusetts, June the Tenth, MDCCCXCVIII.," and was reprinted in the Atlantic Monthly in December, 1898. A prefatory note entitled, "From Lord Byron's Notes," is prefixed to the Version: "In Lord Byron's copy of The Poems of Ossian (printed by Dewick and Clarke, London, 1806), which, since 1874, has been in the possession of the Library of Harvard University as part of the Sumner Bequest. The notes which follow appear in Byron's hand." (For the Notes, see the Atlantic Monthly, 1898, vol. lxxxii. pp. 810-814.)
It is strange that Byron should have made two versions (for another "version" from the Newstead MSS., see Poetical Works, 1898, i. 229-231) of the "Address to the Sun," which forms the conclusion of "Carthon;" but the Harvard version appears to be genuine. It is to be noted that Byron appended to the earlier version eighteen lines of his own composition, by way of moral or application.]
1.
2.
3.
4.
5.
Falmouth Roads, June 30, 1809.
[First published, Letters and Journals, 1830, i. 230-232.]
[3] [For Francis Hodgson (1781-1852), see Letters, 1898, i. 195, note 1.]
[4] [Compare Peter Pindar's Ode to a Margate Hoy—
[5] [Murray was "Joe" Murray, an ancient retainer of the "Wicked Lord." Bob was Robert Rushton, the "little page" of "Childe Harold's Good Night." (See Poetical Works, 1899, ii. 26, note 1.)]
[6] [For "the stanza," addressed to the "Princely offspring of Braganza," published in the Morning Post, December 30, 1807, see English Bards, etc., line 142, note 1, Poetical Works, 1898, i. 308, 309.]
1809.
[First published, Lord Byron's Works, 1833, xvii. 241.]
[7] [Dives was William Beckford. See Childe Harold, Canto I. stanza xxii. line 6, Poetical Works, 1899, ii. 37, note 1.]
Constantinople, June 7th, 1810.
[First published, Murray's Magazine, 1887, vol. i. pp. 290, 291.]
[8] [For John Cam Hobhouse (1786-1869), afterwards Lord Broughton de Gyfford, see Letters, 1898, i. 163, note i.]
[9] [Fletcher was an indifferent traveller, and sighed for "a' the comforts of the saut-market." See Byron's letters to his mother, November 12, 1809, June 28, 1810.—Letters, 1898, i. 256, 281.]
[10] [Hobhouse's Miscellany (otherwise known as the Miss-sell-any) was published in 1809, under the title of Imitations and Translations from The Ancient and Modern Classics. Byron contributed nine original poems. The volume was not a success. "It foundered ... in the Gulph of Lethe."—Letter to H. Drury, July 17, 1811, Letters, 1898, i. 319.]
[11] [The word "Sale" may have a double meaning. There may be an allusion to George Sale, the Orientalist, and translator of the Koran.]
[12] ["In Matthews I have lost my 'guide, philosopher, and friend.'"—Letter to R. C. Dallas, September 7, 1811, Letters, 1898, ii. 25. (For Charles Skinner Matthews, see Letters, 1898, i. 150, note 3.)]
[13] [Compare—
Don Juan, Canto V. stanza xvii. lines 8, 9. The "doctrine" is Horatian, but the words occur in Ovid, Metam., lib. ii. line 137.—Poetical Works, 1902, vi. 273, note 2.]
[14] [Hobhouse's Journey through Albania and other Provinces of Turkey, 4to, was published by James Cawthorn, in 1813.]
June, 1810.
[First published, Letters and Journals, 1830, i. 227.]
[15] ["I am just come from an expedition through the Bosphorus to the Black Sea and the Cyanean Symplegades, up which last I scrambled with as great risk as ever the Argonauts escaped in their hoy. You remember the beginning of the nurse's dole in the Medea [lines 1-7], of which I beg you to take the following translation, done on the summit;—[A 'damned business'] it very nearly was to me; for, had not this sublime passage been in my head, I should never have dreamed of ascending the said rocks, and bruising my carcass in honour of the ancients."—Letter to Henry Drury, June 17, 1810, Letters, 1898, i. 276.
Euripides, Medea, lines 1-7—
Εἴθ' ὤφελ'
Ἀργοῦς μὴ
διαπτάσθαι
σκάφος κ.τ.λ.
]
October, 1810.
[First published, Letters and Journals, 1830, i. 240.]
[16] ["The English Consul ... forced a physician upon me, and in three days vomited and glystered me to the last gasp. In this state I made my epitaph—take it."—Letter to Hodgson, October 3, 1810, Letters, 1898, i. 298.]
Athens, 1810.
[First published, Lord Byron's Works, 1832, ix. 4.]
Malta, May 16, 1811.
[First published, Lord Byron's Works, 1832, ix. 10.]
[17] [For Joseph Blacket (1786-1810), see Letters, 1898, i. 314, note 2; see, too, Poetical Works, 1898, i. 359, note 1, and 441-443, note 2. The Epitaph is of doubtful authenticity.]
September 14, 1811.
[First published, Letters and Journals, 1830, i. 295 (note).]
[i] Is fame like his so brittle?—[MS.]
[18] ["On a leaf of one of his paper books I find an epigram, written at this time, which, though not perhaps particularly good, I consider myself bound to insert."—Moore, Life, p. 137, note 1. The reference is to Moore's M.P.; or, The Blue Stocking, which was played for the first time at the Lyceum Theatre, September 9, 1811. For Moore's nom de plume, "The late Thomas Little, Esq.," compare Praed's The Belle of the Ball-Room—
[First published, Life, Writings, Opinions, etc., 1825, ii. 192.]
[19] ["A person observing that Mr. Dallas looked very wise on a certain occasion, his Lordship is said to have broke out into the following impromptu."—Life, Writings, Times, and Opinions of Lord Byron, 1825, ii. 191.]
1.
2.
3.
4.
[First published, Morning Chronicle, Monday, March 2, 1812.]
[See a Political Ode by Lord Byron, hitherto unknown as his production, London, John Pearson, 46, Pall Mall, 1880, 8º. See, too, Mr. Pearson's prefatory Note, pp. 5, etc.]
[20] ["Lord Byron to Editor of the Morning Chronicle.
Sir,—I take the liberty of sending an alteration of the two last lines of stanza 2d, which I wish to run as follows:—
I wish you could insert it tomorrow for a particular reason; but I feel much obliged by your inserting it at all. Of course do not put my name to the thing—believe me,
Your obliged
and very obedient servant,
BYRON.
8, St. James's Street,
Sunday, March 1, 1812."]
[21] [For Byron's maiden speech in the House of Lords, February 27, 1812, see Letters, 1898, ii. 424-430.]
[22] [Richard Ryder (1766-1832), second son of the first Baron Harrowby, was Home Secretary, 1809-12.]
[23] Lord E., on Thursday night, said the riots at Nottingham arose from a "mistake."
1.
2.
3.
1812.
[First published in The Two Duchesses, by Vere Foster, 1898, p. 374.]
[24] [Caroline Rosalie Adelaide St. Jules (1786-1862) married, in 1809, the Hon. George Lamb (see English Bards, etc., line 55, Poetical Works, 1898, i. 300, note 1), fourth son of the first Viscount Melbourne.]
1.
2.
Undated, ?1812.
[From an autograph MS. in the possession of Mr. Murray, now for the first time printed.]
[First published, Letters and Journals, 1830, i. 401.]
[25] [Moore's "Intercepted Letters; or, The Twopenny Post-Bag, By Thomas Brown, the Younger," was published in 1813.]
[26] [James Henry Leigh Hunt (1784-1859) was imprisoned February, 1813, to February, 1815, for a libel on the Prince Regent, published in the Examiner, March 12, 1812.—Letters, 1898, ii. 205-208, note 1.]
[27] [For "Sotheby's Blues," see Introduction to The Blues, Poetical Works, 1901, iv. 570, et ibid., 579, 580.]
[28] [Katherine Sophia Manners was married in 1793 to Sir Gilbert Heathcote. See Letters, 1898, ii. 402, 406.]
[29] [See Catullus, xxix. 1-4—
1.
2.
3.
4.[19]
5.
6.
June 2, 1813.
[First published, Letters and Journals, 1830, i. 396.]
[30] [One evening, in the late spring or early summer of 1813, Byron and Moore supped on bread and cheese with Rogers. Their host had just received from Lord Thurlow [Edward Hovell Thurlow, 1781-1829] a copy of his Poems on Several Occasions (1813), and Byron lighted upon some lines to Rogers, "On the Poem of Mr. Rogers, entitled 'An Epistle to a Friend.'" The first stanza ran thus—
"Byron," says Moore, "undertook to read it aloud;—but he found it impossible to get beyond the first two words. Our laughter had now increased to such a pitch that nothing could restrain it. Two or three times he began; but no sooner had the words 'When Rogers' passed his lips, than our fit burst forth afresh,—till even Mr. Rogers himself ... found it impossible not to join us. A day or two after, Lord Byron sent me the following:—'My dear Moore, "When Rogers" must not see the enclosed, which I send for your perusal.'"—Life, p. 181; Letters, 1898, ii. 211-213, note 1.]
Thurlow's poems are by no means contemptible. A sonnet, "To a Bird, that haunted the Water of Lacken, in the Winter," which Charles Lamb transcribed in one of Coleridge's note-books, should be set over against the absurd lines, "On the Poems of Mr. Rogers."
Select Poems, 1821, p. 90.
[See "Fragments of Criticism," Works of Charles Lamb, 1903, iii. 284.]
[31] [Hermilda in Palestine was published in 1812, in quarto, and twice reissued in 1813, as part of Poems on Various Occasions (8vo). The Lines upon Rogers' Epistle to a Friend appeared first in the Gentleman's Magazine for April, 1813, vol. 83, p. 357, and were reprinted in the second edition of Poems, etc., 1813, pp. 162, 163. The lines in italics, which precede each stanza, are taken from the last stanza of Lord Thurlow's poem.]
1.
2.
3.
[First published, Letters and Journals, 1830, i. 397.]
[32] ["On the same day I received from him the following additional scraps ['To Lord Thurlow']. The lines in Italics are from the eulogy that provoked his waggish comments."—Life, p. 181. The last stanza of Thurlow's poem supplied the text—
[33] [Lord Thurlow affected an archaic style in his Sonnets and other verses. In the Preface to the second edition of Poems, etc., he writes, "I think that our Poetry has been continually declining since the days of Milton and Cowley ... and that the golden age of our language is in the reign of Queen Elizabeth."]
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
12.
13.
14.
15.
16.
17.
18.
19.
20.
21.
22.
23.
24.
25.
26.
27.
December 9, 1813.
[Stanzas 1, 2, 3, 4, 5, 8, 10, 11, 12, 17, 18, first published,
Letters and Journals, 1830, i. 471-474: stanzas 6, 7,
9, 13, 14, 15, 16, 19-27, now published for the first
time from an autograph MS. in the possession of the
Earl of Ilchester.]
[ii] The Devil's Drive. A Sequel to Porson's Devil's Walk.—[MS. H.]
[34] ["I have lately written a wild, rambling, unfinished rhapsody, called 'The Devil's Drive,' the notion of which I took from Porson's Devil's Walk."—Journal, December 17, 18, 1813, Letters, 1898, ii. 378. "Though with a good deal of vigour and imagination, it is," says Moore, "for the most part rather clumsily executed, wanting the point and condensation of those clever verses of Coleridge and Southey, which Lord Byron, adopting a notion long prevalent, has attributed to Porson." The Devil's Walk was published in the Morning Post, September 6, 1799. It has been published under Porson's name (1830, ed. H. Montague, illustrated by Cruikshank). (See Poetical Works, 1898, i. 30, note 1.)]
[35] [Lord Yarmouth, nicknamed "Red Herrings," the eldest son of the Regent's elderly favourite, the Marchioness of Hertford (the "Marchesa" of the Twopenny Post-Bag), lived at No. 7, Seamore Place, Mayfair. Compare Moore's "Epigram:" "'I want the Court Guide,' said my lady, 'to look If the House, Seymour Place, be at 30 or 20,'" etc.—Poetical Works, 1850, p. 165.]
[36] [The allusion may be to a case which was before the courts, the Attorney-General v. William Carver and Brownlow Bishop of Winchester (see Morning Chronicle, November 17, 1813). Carver held certain premises under the Bishop of Winchester, at the entrance of Portsmouth Harbour, which obstructed the efflux and reflux of the tide. "The fact," said Mr. Serjeant Lens, in opening the case for the Crown, "was of great magnitude to the entire nation, since it effected the security, and even the existence of one of the principal harbours of Great Britain."]
[37] [The Russian and Austrian troops at the battle of Leipsic, October 16, 1813, were, for the most part, veterans, while the Prussian contingent included a large body of militia.]
[38] [For the incident of the "broken bridge" Byron was indebted to the pages of the Morning Chronicle of November 8, 1813, "Paris Papers, October 30"—
"The Emperor had ordered the engineers to form fougades under the grand bridge which is between Leipsic and Lindenau, in order to blow it up at the latest moment, and thus to retard the march of the enemy and give time to our baggage to file off. General Dulauloy had entrusted the operation to Colonel Montford. The Colonel, instead of remaining on the spot to direct it, and to give the signal, ordered a corporal and four sappers to blow up the bridge the instant the enemy should appear. The corporal, an ignorant fellow, and ill comprehending the nature of the duty with which he was charged, upon hearing the first shot discharged from the ramparts of the city, set fire to the fougades and blew up the bridge. A part of the army was still on the other side, with a park of 80 pieces of artillery and some hundreds of waggons. The advance of this part of the army, who were approaching the bridge, seeing it blow up, conceived it was in the power of the enemy. A cry of dismay spread from rank to rank. 'The enemy are close upon our rear, and the bridges are destroyed!' The unfortunate soldiers dispersed, and endeavoured to effect their escape as well as they could. The Duke of Tarentum swam across the river. Prince Poniatowsky, mounted on a spirited horse, darted into the water and appeared no more. The Emperor was not informed of this disaster until it was too late to remedy it.... Colonel Montfort and the corporal of the sappers have been handed over to a court- martial."]
[39] [Compare Don Juan, Canto VIII. stanza cxxxii. line 4. Sir Walter Scott (Journal, October 30, 1826 [1890, i. 288]), tells the same story of "an old woman who, when Carlisle was taken by the Highlanders in 1745, chose to be particularly apprehensive of personal violence, and shut herself up in a closet, in order that she might escape ravishment. But no one came to disturb her solitude, and ... by and by she popped her head out of her place of refuge with the pretty question, 'Good folks, can you tell me when the ravishing is going to begin?'" In 1813 Byron did not know Scott, and must have stolen the jest from some older writer. It is, probably, of untold antiquity.]
[40] [The "Four-Horse" Club, founded in 1808, was incorrectly styled the Four-in-Hand Club, and the Barouche Club. According to the Club rules, the barouches were "yellow-bodied, with 'dickies,' the horses bay, with rosettes at their heads, and the harness silver-mounted. The members wore a drab coat reaching to the ankles, with three tiers of pockets, and mother-o'-pearl buttons as large as five-shilling pieces. The waistcoat was blue, with yellow stripes an inch wide; breeches of plush, with strings and rosettes to each knee; and it was de rigueur that the hat should be 3-1/2 inches deep in the crown." (See Driving, by the Duke of Beaufort, K.G., 1894, pp. 251-258.)
The "ancient peer" may possibly be intended for the President of the Club, Philip Henry, fifth Earl of Chesterfield (1755-1815), who was a member of the Privy Council, and had been Postmaster-General and Master of the Horse.]
[41] [Sir Thomas Tyrwhitt (circ. 1762-1833) was the son of the Rev. Edmund Tyrwhitt, Rector of Wickham Bishops, etc., and nephew of Thomas Tyrwhitt, the editor of the Canterbury Tales. He was Private Secretary to the Prince of Wales, auditor of the Duchy of Cornwall (1796), and Lord Warden of the Stannaries (1805). He was knighted May 8, 1812. He was sent in the following year in charge of the Garter mission to the Czar, and on that occasion was made a Knight of the Imperial Order of St. Anne, First Class. He held the office of Gentleman Usher of the Black Rod, 1812-1832. "Tommy Tyrwhitt" was an important personage at Carlton House, and shared with Colonel McMahon the doubtful privilege of being a confidential servant of the Prince Regent. Compare Letter III. of Moore's Twopenny Post-Bag, 1813, p. 12. "From G. R. to the E. of Y——th."
See Gentleman's Magazine, March, 1833, vol. 103, pt. i. pp. 275, 276.]
[42] ["Vetus" [Edward Sterling] contributed a series of letters to the Times, 1812, 1813. They were afterwards republished. Vetus was not a Little Englander, and his political sentiments recall the obiter dicta of contemporary patriots; e.g. "the only legitimate basis for a treaty, if not on the part of the Continental Allies, at least for England herself [is] that she should conquer all she can, and keep all she conquers. This is not by way of retaliation, however just, upon so obdurate and rapacious an enemy—but as an indispensable condition of her own safety and existence." The letters were reviewed under the heading of "Illustrations of Vetus," in the Morning Chronicle, December 2, 10, 16, 18; 1813. The reviewer and Byron did not take the patriotic view of the situation.]
[43] [Robert Banks Jenkinson (1770-1828), second Earl of Liverpool, on the assassination of Perceval, became Prime Minister, June 7, 1812; John Fane (1759-1841), tenth Earl of Westmoreland, was Lord Privy Seal, 1798-1827; Charles Howard (1746-1815), eleventh Duke of Norfolk, known as "Jockey of Norfolk," was a Protestant and a Liberal, and at one time a friend of the Prince of Wales. Wraxall, Posthumous Memoirs, 1836, i. 29, says that "he might have been mistaken for a grazier or a butcher by his dress and appearance." He figures largely in Gillray, see e.g. "Meeting of the Moneyed Interest," December, 1798. John Pitt (1756-1835), second Earl of Chatham, the hero of the abortive Walcheren expedition, had been made a general in the army January 1, 1812. He "inherited," says Wraxall, ibid., iii. 129, "his illustrious father's form and figure; but not his mind."]
[44] [Edward Law (1750-1818), first Baron Ellenborough, Lord Chief Justice of the King's Bench, 1802-18, was given to the use of strong language. His temper (see Moore's "Sale of the Tools") was "none of the best." On one occasion, speaking in the House of Lords (March 22, 1813) with regard to the "delicate investigation," he asserted that the accusation ["that the persons intrusted had thought fit to fabricate an unauthorized document"] "was as false as hell;" and by way of protest against the tedious harangues of old Lord Darnley, "I am answerable to God for my time, and what account can I give at the day of judgment if I stay here longer?"]
[45] [Compare Moore's "Insurrection of the Papers"—
[46] [George Rose (1744-1818) was at this time Treasurer of the Navy. Wraxall, who quotes the "Probationary Odes" with regard to his alleged duplicity, testifies that he "knew him well in his official capacity, during at least twelve years, and never found him deficient in honour or sincerity" (Posthumous Memoirs, 1836, i. 148). Moore ("Parody of a Celebrated Letter") makes the Regent conceive how shocked the king would be to wake up sane and find "that R—se was grown honest, or W—stm—rel—nd wiser."]
[47] [Ernest Augustus (1771-1851), Duke of Cumberland and King of Hanover, fifth son of George III., was gazetted as Field-Marshal November 27, 1813. His "wounds," which, according to the Duke's sworn testimony, were seventeen in number, were inflicted during an encounter with his valet, Joseph Sellis (? Sélis), a Piedmontese, who had attempted to assassinate the Prince (June 1, 1810), and, shortly afterwards, was found with his throat cut. A jury of Westminster tradesmen brought in a verdict of felo de se against Sellis. The event itself and the trial before the coroner provoked controversy and the grossest scandal. The question is discussed and the Duke exonerated of the charges brought against him, by J. H. Jesse, Memoirs, etc., of George III., 1864, iii. 545, 546, and by George Rose, Diaries, etc., 1860, ii. 437-446. The scandal was revived in 1832 by the publication of a work entitled The Authentic Memoirs of the Court of England for the last Seventy Years. The printer and publisher of the work was found guilty. (See The Trial of Josiah Phillips for a Libel on the Duke of Cumberland, 1833.)]
[48] ["At half-past nine [Wednesday, December 8, 1813] there was a grand dress party at Carlton House, at which her Majesty and the Prince Regent most graciously received the following distinguished characters from the Russian Court, viz. the Count and Countess Leiven, Mad. La Barrone (sic) de Staël, Monsieur de Staël," etc.—Morning Chronicle, December 10, 1813.]
[49] [In the review of Madame de Staël's De L'Allemagne (Edinburgh Review, October, 1813, vol. 22, pp. 198-238), Sir James Mackintosh enlarged upon and upheld the "opinions of Kant" as creative and seminal in the world of thought. In the same article he passes in review the systems of Hobbes, Paley, Bentham, Reid, etc., and finds words of praise and admiration for each in turn. See, too, a passage (p. 226) in which he alludes to Coleridge as a living writer, whose "singular character and unintelligible style" might, in any other country but England, have won for him attention if not approval. His own "conversion" from the extreme liberalism of the Vindiciæ Gallicæ of 1791 to the philosophic conservatism of the Introductory Discourse (1798) to his lecture on The Law of Nature and Nations, was regarded with suspicion by Wordsworth and Coleridge, who, afterwards, were still more effectually "converted" themselves.]
[50] [See Introduction to The Waltz, Poetical Works, 1898, i. 475.]
[51] [Illusion, or the Trances of Nourjahad, a melodrama founded on The History of Nourjahad, By the Editor of Sidney Bidulph (Mrs. Frances Sheridan, née Chamberlaine, 1724-1766), was played for the first time at Drury Lane Theatre, November 25, 1813. Byron was exceedingly indignant at being credited with the authorship or adaptation. (See Letter to Murray, November 27, 1813, Letters, 1898, ii. 288, note 1.) Miss Sophia Lee, who wrote some of the Canterbury Tales, "made a very elegant musical drama of it" (Memoirs of Mrs. F. Sheridan, by Alicia Lefanu, 1824, p. 296); but this was not the Nourjahad of Drury Lane.]
[52] [Millbank Penitentiary, which was built in the form of a pentagon, was finally taken in hand in the spring of 1813. Solitary confinement in the "cells" was, at first, reserved as a punishment for misconduct.—Memorials of Millbank, by Arthur Griffiths, 1875, i. 57.]
[First published, Poetical Works, Paris, 1819, vi. 125.]
[53] ["I cannot conceive how the Vault has got about; but so it is. It is too farouche; but truth to say, my satires are not very playful."—Letter to Moore, March 12, 1814, Letters, 1899, iii. 57-58. Moore had written to him, "Your lines about the bodies of Charles and Henry are, I find, circulated with wonderful avidity; even some clods in this neighbourhood have had a copy sent to them by some 'young ladies in town.'"—Ibid., p. 57, note 3.
The discovery "that King Charles I. was buried in the vault of King Henry VIII.," was made on completing the mausoleum which George III. caused to be built in the tomb-house. The Prince Regent was informed of the circumstance, and on April 1, 1813, the day after the funeral of his mother-in-law, the Duchess of Brunswick, he superintended in person the opening of the leaden coffin, which bore the inscription, "King Charles, 1648" (sic). See An Account of what appeared on Opening the Coffin of King Charles the First, by Sir H. Halford, Bart., 1813, pp. 6, 7. Cornelia Knight, in her Autobiography (1861, i. 227), notes that the frolic prince, the "Adonis of fifty," who was in a good humour, and "had given to Princess Charlotte the centre sapphire of Charles's crown," acted "the manner of decapitation on my shoulders." He had "forgotten" Cromwell, who, as Lord Auchinleck reminded Dr. Johnson, had "gart kings ken that they had a lith in their neck!"]
[54] [From an autograph MS. in the possession of the Hon. Mrs. Norbury.
The first wrapper has written upon it, "The original Impromptu within is in the handwriting of the noble author Lord Byron, given to Mr. Norbury [private secretary to Lord Granville] by Mr. Dallas, his Lordship's valued relative."
Second wrapper, "Autograph of Lord Byron—tres précieux."
Third (outside) wrapper, "Autographe célèbre de Lord Byron."]
?1814.
[From an autograph MS. in the possession of Mr. A. H.
Hallam Murray, now for the first time printed.]
May 29, 1814.
[First published in The Champion, July 31, 1814.]
[56] ["The gentlemen of the Champion, and Perry, have got hold (I know not how) of the condolatory Address to Lady Jersey on the picture-abduction by our Regent, and have published them— with my name, too, smack—without even asking leave, or inquiring whether or no! Damn their impudence, and damn every thing. It has put me out of patience, and so, I shall say no more about it."— Letter to Moore, August 3, 1814, Letters, 1899, iii. 118. For Byron's letter to Lady Jersey, of May 29, 1814, and a note from her with reference to a lost(?) copy of the verses, vide ibid., p. 85. Mrs. Anne Mee (1775?-1851) was a miniature-painter, who was employed by the Prince Regent to take the portraits of fashionable beauties.]
[57] [Compare Childe Harold, Canto IV. stanza lix. line 3, Poetical Works, 1899, ii. 374, note 2.]
[58] [See Conversations ...with the Countess of Blessington, 1834, p. 50.]
June, 1814.
[First published, Letters and Journals, 1830, i. 561, 562 (note).]
[59] [The two first stanzas of Southey's "Carmen Triumphale, for the Commencement of the Year 1814," end with the line—
[60] ["The newspapers will tell you all that is to be told of emperors, etc. They have dined, and supped, and shown their flat faces in all thoroughfares and several saloons."—Letter to Moore, June 14, 1814, Letters, 1899, iii. 93, 94.
From June 6 to June 27, 1814, the Emperor of Russia, and the King of Prussia were in England. Huge crowds watched all day and night outside the Pulteney Hotel (105, Piccadilly), where the Emperor of Russia stayed. Among the foreigners in London were Nesselrode, Metternich, Blücher, and Platoff, Hetman of the Cossacks. The two latter were the heroes of the mob. Ibid., p. 93, note 1.]
[61] ["The Emperor," says Lady Vernon (Journal of Mary Frampton, pp. 225, 226), "is fond of dancing.... He waltzed with Lady Jersey, whom he admires, to the great discomposure of the Regent, who has quarrelled with her."]
?1814.
[From an autograph MS., now for the first time printed.]
[62] [The phrase, "rotten borough," was used by Sir F. Burdett, Examiner, October 12, 1812.]
March 27, 1815.
[First published, Letters and Journals, 1830, i. 611.]
[63] [It may be taken for granted that the "source" of this epigram was a paragraph in the Morning Chronicle of March 27, 1815: "In the Moniteur of Thursday we find the Emperor's own account of his jaunt from the Island of Elba to the palace of the Thuilleries. It seems certainly more like a jaunt of pleasure than the progress of an invader through a country to be gained."]
[First published, Poetical Works, 1831, vi. 454.]
1.
2.
3.
?1816.
[First published, Nicnac, March 25, 1823.]
[64] ["A short time before Lord Byron quitted England, in 1816, he addressed these lines to an individual by whom he deemed himself injured; they are but little known."—Nicnac, March 25, 1823.]
1.
2.
3.
December 24, 1816.
[First published, Letters and Journals, 1830, ii. 58.]
[65] [The term "Luddites" dates from 1811, and was applied first to frame-breakers, and then to the disaffected in general. It was derived from a half-witted lad named Ned Lud, who entered a house in a fit of passion, and destroyed a couple of stocking-frames. The song was an impromptu, enclosed in a letter to Moore of December 24, 1816. "I have written it principally," he says, "to shock your neighbour [Hodgson?] who is all clergy and loyalty—mirth and innocence—milk and water." See Letters, 1900, iv. 30; and for General Lud and "Luddites," see Letters, 1898, ii. 97, note 1.]
December 24, 1816.
[First published, Letters and Journals, 1830, ii. 58, 59.]
March 25, 1817.
[First published, Letters and Journals, 1830, ii. 91.]
[66] [Margaret of Anjou, by Margaret Holford, 1816.]
[67] [Ilderim, a Syrian Tale, by H. Gaily Knight, 1816.]
VERSICLES.
March 25, 1817.
[First published, Letters and Journals, 1830, ii. 87.]
[68] [Christabel, etc., by S. T. Coleridge, 1816.]
[69] [The Missionary of the Andes, a Poem, by W. L. Bowles, 1815.]
[70] [Waterloo and other Poems, by J. Wedderburn Webster, 1816.]
[71] [The White Doe of Rylstone, or the Fate of the Nortons, a Poem, by W. Wordsworth, 1815.]
[72] [Glenarvon, a Novel [by Lady Caroline Lamb], 1816.]
[First published, Letters, 1900, iv. 93.]
[73] [À propos of Maturin's tragedy, Manuel (vide post, p. 48, note 1), Byron "does into English" the Latin proverb by way of contrast to the text, "Whom the Lord loveth He chasteneth; blessed be the Name of the Lord" (Letter to Murray, April 2, 1817).]
1.
2.
3.
4.
5.
July, 1817.
[First published, Waltz, London, W. Benbow, 1821, p. 29.]
[74] ["This should have been written fifteen months ago; the first stanza was."—Letter to Moore, July 10, 1817.]
August 21, 1817.
[First published, Letters and Journals, 1830, ii. 139-141.
Lines 67-82 first published, Letters, 1900, iv. 161.]
[75] ["By the way," writes Murray, Aug. 5, 1817 (Memoir, etc., i. 386), "Polidori has sent me his tragedy! Do me the kindness to send by return of post a delicate declension of it, which I engage faithfully to copy."
"I never," said Byron, "was much more disgusted with any human production than with the eternal nonsense, and tracasseries, and emptiness, and ill-humour, and vanity of this young person; but he has some talent, and is a man of honour, and has dispositions of amendment. Therefore use your interest for him, for he is improved and improvable;" and, in a letter to Murray, Aug. 21, 1817, "You want a 'civil and delicate declension' for the medical tragedy? Take it."—For J. W. Polidori (1795-1821), see Letters, 1899, iii, 284 note I.]
[76] [Maturin's second tragedy, Manuel, produced at Drury Lane, March 8, 1817, with Kean as "Manuel Count Valdis, failed, and after five nights was withdrawn." It was published in 1817. "It is," says Byron (letter to Murray, June 14, 1817), "the absurd work of a clever man."—Letters, 1900, iv. 134, and note I.]
[77] [Sotheby published, in 1814, Five Tragedies, viz. "The Confession," "Orestes," "Ivan," "The Death of Darnley," and "Zamorin and Zama."]
[78] [Ina, A Tragedy, by Mrs. Wilmot [Barberina Ogle (1768-1854), daughter of Sir Chaloner Ogle], afterwards Lady Dacre, was produced at Drury Lane, April 22, 1815. Her "tragedy," writes Byron to Moore, April 23, 1815, "was last night damned." See Letters, 1898, ii. 332, note 3, etc.; ibid., 1899, iii. 195, note I.]
[79] [George Hammond (1763-1853) was a distinguished diplomatist, who twice (1795-1806 and 1807-1809) held the office of Under-secretary of State for Foreign Affairs. He is associated with the foundation of the Anti-Jacobin and the Quarterly Review. In the drawing-room of Albemarle Street, he was Murray's "chief 4-o'clock man," until his official duties compelled him to settle at Paris.—Letters, 1900, iv. 160, note 1.
John Dent, M.P., a banker, was nicknamed "Dog Dent" because he was concerned in the introduction of the Dog-tax Bill in 1796. In 1802 he introduced a Bill to abolish bull-baiting.—Ibid]
[80] [Sir John Malcolm (1769-1833), soldier, administrator, and diplomatist, published (January, 1815) his History of Persia.—Letters, 1899, iii. 113, note 1.]
[81] [For "Dark Hamilton," W. R. Hamilton (1777-1859), see Childe Harold, Canto II. stanza xiii. var. I, Poetical Works, 1899, ii. 108, note 1. Lines 61, 62 were added October 12, 1817.]
[82] [Madame de Staël's Considérations sur la Révolution Française was offered to Murray in June, 1816 (Memoir, etc., 1891, i. 316), and the sum of £4000 asked for the work. During the negotiations, Madame de Staël died (July 14, 1817), and the book was eventually published by Messrs. Baldwin and Cradock.—Letters, 1900, iv. 94, note.]
[83] [Byron and the elder Schlegel met at Copet, in 1816, but they did not take to each other. Byron "would not flatter him," perhaps because he did not appreciate or flatter Byron.]
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
11.
Venice, January 8, 1818.
[First published, Letters and Journals, 1830, ii. 156, 157;
stanzas 3, 5, 6, 10, 11, first published, Letters, 1900, iv. 191-193.]
[84] [The Fourth Canto of Childe Harold.]
[85] [Murray bought a half-share in Blackwood's Edinburgh Monthly Magazine in August, 1818, and remained its joint proprietor till December, 1819, when it became the property of William Blackwood. But perhaps the reference is to Byron's Swiss Journal of September, 1816.]
[86] [Henry Gaily Knight (1786-1846), who was a contemporary of Byron at Trinity College, Cambridge, was a poetaster, and, afterwards, a writer of works on architecture. His Oriental verses supplied Byron with a subject for more than one indifferent jeu d'esprit.]
[87] [Phrosyne, a Grecian tale, and Alashtar, an Arabian tale, were published in 1817. In a letter to Murray, September 4, 1817, Byron writes, "I have received safely, though tardily, the magnesia and tooth-powder, Phrosine and Alashtar. I shall clean my teeth with one, and wipe my shoes with the other."—Letters, 1901, iv.]
[88] [Sotheby's Farewell to Italy and Occasional Poems were published in 1818, as the record of a tour which he had taken in 1816-17 with his family, Professor Elmsley, and Dr. Playfair. For Byron's unfinished skit on Sotheby's Tour, see Letters, 1900, iv. Appendix V. pp. 452, 453.]
[89] [Observations, Anecdotes, and Characters of Books and Men, by the Rev. Joseph Spence, arranged, with notes, by the late Edmund Malone, Esq., 1 vol. 8vo, 1820.]
[90] [The Life of Mary Queen of Scots, by George Chalmers, 2 vols. 4to, 1819.]
[91] [Thomas Gordon (1788-1841) entered the Scots Greys in 1808. Two years later he visited Ali Pasha (see Letters, 1898, i. 246, note 1) in Albania, and travelled in Persia and Turkey in the East. From 1813 to 1815 he served in the Russian Army. He wrote a History of the Greek Revolution, 1832, 2 vols., but it does not appear that he was negotiating with Murray for the publication of any work at this period.]
[92] Vide your letter.
[93] [Probably Sir Robert John Wilmot (1784-1841) (afterwards Wilmot Horton), Byron's first cousin, who took a prominent part in the destruction of the "Memoirs," May 17, 1824. (For Lady Wilmot Horton, the original of "She walks in beauty," see Poetical Works, 1900, iii. 381, note 1.)]
[94] [Stanzas 12, 13, 14 cannot be published.]
February 20, 1818.
[First published, Letters and Journals, 1830, ii. 134.]
[95] [Richard Belgrave Hoppner (1786-1872), second son of John Hoppner, R.A., was appointed English Consul at Venice, October, 1814. (See Letters, 1900, iv. 83, note 1.) The quatrain was translated (see the following poem) into eleven different languages—Greek, Latin, Italian (also the Venetian dialect), German, French, Spanish, Illyrian, Hebrew, Armenian, and Samaritan, and printed "in a small neat volume in the seminary of Padua." For nine of these translations see Works, 1832, xi. pp. 324-326, and 1891, p. 571. Rizzo was a Venetian surname. See W. Stewart Rose's verses to Byron, "Grinanis, Mocenijas, Baltis, Rizzi, Compassionate our cruel case," etc., Letters, iv. 212.]
February, 1818.
[From an autograph MS. in the possession of Mr. Murray,
now for the first time printed.]
[96] [Byron must have added the Fourth Canto of Childe Harold to the complete edition of the Poetical Works in six volumes. See Murray's list, dated "Albemarle Street, London, January, 1818." The seventh volume of the Collected Works was not issued till 1819.]
[97] [A French translation of the Bride of Abydos appeared in 1816, an Italian translation of the Lament of Tasso in 1817. Goethe (see Letters, 1901, v. 503-521) translated fragments of Manfred in 1817, 1818, but the earliest German translation of the entire text of Manfred was issued in 1819.]
[98] [See the last line of the Italian translation of the quatrain.]
TO MR. MURRAY.
1.
2.
3.
4.
5.
6.
Venice, April 11, 1818.
[First published, Letters and Journals, 1830, ii. 171.]
[99] [William Strahan (1715-1785) published Johnson's Dictionary, Gibbon's Decline and Fall, Cook's Voyages, etc. He was great-grandfather of the mathematician William Spottiswoode (1825-1883).
Jacob Tonson (1656?-1736) published for Otway, Dryden, Addison, etc. He was secretary of the Kit-Cat Club, 1700. He was the publisher (1712, etc.) of the Spectator.
Barnaby Bernard Lintot (1675-1736) was at one time (1718) in partnership with Tonson. He published Pope's Iliad in 1715, and the Odyssey, 1725-26.]
[101] [Mrs. Rundell's Domestic Cookery, published in 1806, was one of Murray's most successful books. In 1822 he purchased the copyright from Mrs. Rundell for £2000 (see Letters, 1898, ii. 375; and Memoir of John Murray, 1891, ii. 124).]
[102] [The sixth edition of Childe Harold's Pilgrimage (1813) was "printed by T. Davison, Whitefriars, for John Murray, Bookseller to the Admiralty, and the Board of Longitude." Medwin (Conversations, 1824, p. 259) attributes to Byron a statement that Murray had to choose between continuing to be his publisher and printing the "Navy Lists," and "that there was no hesitation which way he should decide: the Admiralty carried the day." In his "Notes" to the Conversations (November 2, 1824) Murray characterized "the passage about the Admiralty" as "unfounded in fact, and no otherwise deserving of notice than to mark its absurdity."]
1.
2.
3.
4.
5.
6.
7.
April 11, 1818.[107]
[103] [For Fop's Alley, see Poetical Works, 1898, i. 410, note 2.]
[104] [H. Gally Knight (1786-1846) was at Cambridge with Byron.]
[105] [William Upton was the author of Poems on Several Occasions, 1788, and of the Words of the most Favourite Songs, Duets, etc., sung at the Royal Amphitheatre, Westminster Bridge, etc. In the dedication to Mrs. Astley he speaks of himself as the author of the Black Cattle, Fair Rosamond, etc. He has also been credited with the words of James Hook's famous song, A Lass of Richmond Hill, but this has been disputed. (See Notes and Queries, 1878, Series V. vol. ix. p. 495.)]
[106] [Compare—
Alashtar (by H. G. Knight), 1817, Canto I, stanza viii, lines 5, 6.]
[107] [From an autograph MS. in the possession of Mr. Murray, now for the first time printed. For stanzas 3, 4, 6, see Letters, 1900, iv. 219, 220. For stanzas 1, 2, 3 of "Another Simple Ballat. To the tune of Tally i.o. the Grinder" (probably a variant of Dibdin's song, "The Grinders, or more Grist to the Mill"), vide ibid., pp. 220, 221.]
1.
2.
3.
4.
5.
6.
7.
April 11, 1818.
[From an autograph MS. in the possession of Mr. Murray,
now for the first time printed.]
August 12, 1819.
[First published, Letters and Journals, 1830, ii. 235.]
[108] ["Would you like an epigram—a translation? It was written on some Frenchwoman, by Rulhières, I believe."—Letter to Murray, August 12, 1819, Letters, 1900, iv. 346.
Claude Carloman de Rulhière (1718-1791), historian, poet, and epigrammatist, was the author of Anecdotes sur la revolution de Russie en l'anneé 1762, Histoire de l'anarchie de Pologne (1807), etc. His epigrams are included in "Poésies Diverses," which are appended to Les jeux de Mains, a poem in three cantos, published in 1808, and were collected in his Oeuvres Posthumes, 1819; but there is no trace of the original of Byron's translation. Perhaps it is after de Rulhière, who more than once epigrammatizes "Une Vieille Femme."]
1.
2.
3.
4.
1819.
[First published, Philadelphia Record, December 28, 1891.]
[109] [The MS. of the "Epilogue" is inscribed on the margin of a copy of Wordsworth's Peter Bell, inserted in a set of Byron's Works presented by George W. Childs to the Drexel Institute. (From information kindly supplied by Mr. John H. Bewley, of Buffalo, New York.)
The first edition of Peter Bell appeared early in 1819, and a second edition followed in May, 1819. In Byron's Dedication of Marino Faliero, "To Baron Goethe," dated October 20, 1820 (Poetical Works, 1891, iv. 341), the same allusions to Sir George Beaumont, to Wordsworth's "place in the Excise," and to his admission that Peter Bell had been withheld "for one and twenty years," occur in an omitted paragraph first published, Letters, 1891, v. 101. So close a correspondence of an unpublished fragment with a genuine document leaves little doubt as to the composition of the "Epilogue."]
[110] [The missing line may be, "To permanently fill a station," see Preface to Peter Bell.]
January 2, 1820.
[First published, Letters and Journals, 1830, ii. 294.]
[111] [Medwin (Conversations, 1824, p. 156) prints an alternative—
January 2, 1820.
[First published, Letters and Journals, 1830, ii. 295.]
or—
January 2, 1820.
[First published, Letters and Journals, 1830, ii. 295.]
[112] [Cobbett, by way of atonement for youthful vituperation (he called him "a ragamuffin deist") of Tom Paine, exhumed his bones from their first resting-place at New Rochelle, and brought them to Liverpool on his return to England in 1819. They were preserved by Cobbett at Normanby, Farnham, till his death in 1835, but were sold in consequence of his son's bankruptcy in 1836, and passed into the keeping of a Mr. Tilly, who was known to be their fortunate possessor as late as 1844. (See Notes and Queries, 1868, Series IV. vol. i. pp. 201-203.)]
January 2, 1820.
[First published, Lord Byron's Works, 1833, xvii. 246.]
[First published, Letters and Journals, 1830, ii. 494.]
New Song to the tune of
1.
2.
3.
4.
5.
6.
7.
8.
March 23d, 1820.
[First published Murray's Magazine, March, 1887, vol. i. pp. 292, 293.]
[113] [John Cam Hobhouse (1786-1869) (see Letters, 1898, i. 163, note 1) was committed to Newgate in December, 1819, for certain passages in a pamphlet entitled, A Trifling Mistake in Thomas Lord Erskine's recent Preface, which were voted (December 10) a breach of privilege. He remained in prison till the dissolution on the king's death, February 20, 1820, when he stood and was returned for Westminster. Byron's Liberalism was intermittent, and he felt, or, as Hobhouse thought, pretended to feel, as a Whig and an aristocrat with regard to the free lances of the Radical party. The sole charge in this "filthy ballad," which annoyed Hobhouse, was that he had founded a Whig Club when he was an undergraduate at Cambridge. He assured Murray (see his letter, November, 1820, Letters, vol. iv. Appendix XI. pp. 498-500) that he was not the founder of the club, and that Byron himself was a member. "As for his Lordship's vulgar notions about the mob" he adds, "they are very fit for the Poet of the Morning Post, and for nobody else." There is no reason to suppose that Byron was in any way responsible for the version as sent to the Morning Post.]
"MY BOY HOBBY O.
[Another Version.]
To the Editor of the Morning Post.
Sir,—A copy of verses, to the tune of 'My boy Tammy,' are repeated in literary circles, and said to be written by a Noble Lord of the highest poetical fame, upon his quondam friend and annotator. My memory does not enable me to repeat more than the first two verses quite accurately, but the humourous spirit of the Song may be gathered from these:—
1.
2.
3.
4.
5.
6.
7.
8.
April 9, 1820.
[First published, Miscellaneous Poems, printed for J. Bumpus, 1824.]
[114] ["I send you 'a Song of Triumph,' by W. Botherby, Esqre price sixpence, on the election of J. C. H., Esqre., for Westminster (not for publication)."—Letter to Murray, April 9, 1820, Letters, 1901, v. 6.]
Sept. 28, 1820.
[First published, Letters, 1900, v. 83.]
[115] [For Felicia Dorothea Browne (1793-1835), married in 1812 to Captain Hemans, see Letters, iii. 368, note 2. In the letter which contains these verses he writes, "I do not despise Mrs. Heman; but if she knit blue stockings instead of wearing them it would be better." Elsewhere he does despise her: "No more modern poesy, I pray, neither Mrs. Hewoman's nor any female or male Tadpole of poet Wordsworth's."—Ibid., v. 64.]
November 5, 1820.
[First published, Letters and Journals, 1830, ii. 377.]
[116] [The lines were sent in a letter to Moore (November 5, 1820) by way of Autoepitaphium, "if 'honour should come unlooked for' to any of your acquaintance;" i.e. if Byron should fall in the cause of Italian revolution, and Moore should not think him worthy of commemoration, here was a threnody "ready at hand."]
November 5, 1820.
[First published, Medwin's Conversations, 1824, p. 106.]
[117] ["For the anniversary of January 2, 1821, I have a small grateful anticipation, which, in case of accident, I add."—Letter to Moore, November 5, 1820, Letters, 1891, v. 112.]
December 10, 1820.
[First published, Letters and Journals, 1830, ii. 540.]
[118] [Written on seeing the following paragraph in a newspaper: "Lady Byron is this year the lady patroness at the annual Charity Ball, given at the Town Hall, at Hinckley, Leicestershire...."—Life, p. 535. Moore adds that "these verses [of which he only prints two stanzas] are full of strong and indignant feeling,—every stanza concluding pointedly with the words 'Charity Ball.'"]
Or—
January 6, 1821.
[First published, Letters and Journals, 1830, ii. 442.]
[119] [The allusion is explained in Rivington's Annual Register, October 30, 1820 (vol. lxii. pp. 114, 115)—
"ADDRESSES TO THE QUEEN.
" ... The most splendid exhibition of the day was that of the brass-founders and braziers. The procession was headed by a man dressed in a suit of burnished plate armour of brass, and mounted on a handsome black horse, the reins being held by pages ... wearing brass helmets.... A man in a complete suite of brass armour ... was followed by two persons, bearing on a cushion a most magnificent imitation of the imperial Crown of England. A small number of the deputation of brass-founders were admitted to the presence of her Majesty, and one of the persons in armour advanced to the throne, and bending on one knee, presented the address, which was enclosed in a brass case of excellent workmanship."—See Letters, 1901, v. 219, 220, note 2.
In a postscript to a letter to Murray, dated January 19, 1821, he writes, "I sent you a line or two on the Braziers' Company last week, not for publication. The lines were even worthy
He adds, in a footnote, "Mestri and Fusina are the ferry trajects to Venice: I believe, however, that it was at Fusina that Moore and I embarked in 1819, when Thomas came to Venice, like Coleridge's Spring, 'slowly up this way.'"
Again, in a letter to Moore, dated January 22, 1821, he encloses slightly different versions of both epigrams, and it is worth noting that the first line of the pendant epigram has been bowdlerized, and runs thus—
—Letters, 1901, v. 226, 230.]
[First published, Letters and Journals, 1830, ii. 414.]
[120] ["To-morrow is my birthday—that is to say, at twelve o' the clock, midnight; i.e. in twelve minutes I shall have completed thirty and three years of age!!! and I go to my bed with a heaviness of heart at having lived so long, and to so little purpose. * * * It is three minutes past twelve—''Tis the middle of night by the castle clock,' and I am now thirty-three!—
but I don't regret them so much for what I have done, as for what I might have done."—Extracts from a Diary, January 21, 1821, Letters, 1901, v. 182.
In a letter to Moore, dated January 22, 1821, he gives another version—
Ibid., p. 229.]
[N.D. ? 1821.]
[First published, Lord Byron's Works, 1833, xvii. 245]
To the air of "How now, Madam Flirt," in the Beggar's Opera.[121]
BOWLES.
CAMPBELL.
February 22, 1821.
[First published, The Liberal, 1823, No. II. p. 398.]
[121] [Compare the Beggar's Opera, act ii. sc. 2—
Air, "Good morrow, Gossip Joan."
Bowles replied to Campbell's Introductory Essay to his Specimens of the English Poets, 7 vols., 1819, by The Invariable Principles of Poetry, in a letter addressed to Thomas Campbell. For Byron's two essays, the "Letter to.... [John Murray]" and "Observations upon Observations," see Letters, 1901, v. Appendix III. pp. 536-592.]
May 25, 1821.
[First published, Medwin's Conversations, 1824, p. 121.]
July 30, 1821.
[First published, Letters and Journals, 1830, ii. 506.]
[122] [For Croker's "article" on Keats's Endymion (Quarterly Review, April, 1818, vol. xix. pp. 204-208), see Don Juan, Canto XI. stanza lx. line 1, Poetical Works, 1902, vi. 445, note 4.]
Aug. 2, 1821.
[First published, The Liberal, 1823, No. II. p. 396.]
1.
2.
3.
4.
August 23, 1821.
[First published, Letters and Journals, 1830, ii. 517.]
[123] [Horace Walpole's Memoirs of the Last Nine Years of the Reign of George II. ]
[124] [Memoirs by James Earl Waldegrave, Governor of George III. when Prince of Wales.]
[125] ["Can't accept your courteous offer [i.e. £2000 for three cantos of Don Juan, Sardanapalus, and The Two Foscari.] These matters must be arranged with Mr. Douglas Kinnaird. He is my trustee, and a man of honour. To him you can state all your mercantile reasons, which you might not like to state to me personally, such as 'heavy season'—'flat public'—'don't go off'—'lordship writes too much'—'won't take advice'—'declining popularity'—'deductions for the trade'—'make very little'—'generally lose by him'—'pirated edition'—'foreign edition'—'severe criticisms,' etc., with other hints and howls for an oration, which I leave Douglas, who is an orator, to answer."—Letter to Murray, August 23, 1821, Letters, 1901, v. 348.]
1821.
[First published, Conversations of Lord Byron, 1824, p. 235.]
[126] [Napoleon bequeathed to Lady Holland a snuff-box which had been given to him by the Pope for his clemency in sparing Rome. Lord Carlisle wrote eight (not seven) stanzas, urging her, as Byron told Medwin, to decline the gift, "for fear that horror and murder should jump out of the lid every time it is opened."—Conversations, 1824, p. 362. The first stanza of Lord Carlyle's verses, which teste Medwin, Byron parodied, runs thus—
The snuff-box is now in the jewel-room in the British Museum.]
1.
2.
3.
4.
5.
6.
7.
8.
9.
[First published, Works (Galignani), 1831, p. 116.]
[127] [George Frederick Nott (1767-1841), critic and divine, was Rector of Harrietsham and Woodchurch, a Prebendary of Winchester and of Salisbury. He was Bampton Lecturer in 1802, and, soon afterwards, was appointed sub-preceptor to the Princess Charlotte of Wales. He was a connoisseur of architecture and painting, and passed much of his time in Italy and at Rome. When he was at Pisa he preached in a private room in the basement story of the house in Pisa where Shelley was living, and fell under Byron's displeasure for attacking the Satanic school, and denouncing Cain as a blasphemous production. "The parsons," he told Moore (letter, February 20, 1820), "preached at it [Cain] from Kentish Town to Pisa." Hence the apostrophe to Dr. Nott. (See Records of Shelley, Byron, and the Author, by E. T. Trelawny, 1887, pp. 302, 303.)]
[128] [According to Lady Anne Hamilton (Secret History of the Court of England, 1832, i. 198-207), the Princess Charlotte incurred the suspicion and displeasure of her uncles and her grandmother, the Queen, by displaying an ardent and undue interest in her sub-preceptor. On being reproved by the Queen for "condescending to favour persons in low life with confidence or particular respect, persons likely to take advantage of your simplicity and innocence," and having learnt that "persons" meant Mr. Nott, she replied by threatening to sign a will in favour of her sub-preceptor, and by actually making over to him by a deed her library, jewels, and all other private property. Lady Anne Hamilton is not an accurate or trustworthy authority, but her extremely circumstantial narrative was, no doubt, an expansion of the contemporary scandal to which Byron's lampoon gave currency.]
[From an autograph MS. in the possession of Mr. Murray, now for the first time printed.]
?August, 1822.
[First published, The Liberal, No. I. October 18, 1822, p. 164.]
March 8-9, 1823.
[First published, Lord Byron's Works, 1833, xvii. 246.]
[129] [This fragment was found amongst Lord Byron's papers, after his departure from Genoa for Greece.]
April, 1823.
[First published, Letters and Journals, 1830, ii. 635.]
[130] [With the view of inducing these friends [Lord and Lady Blessington] to prolong their stay at Genoa, he suggested their taking a pretty villa, called "Il Paradiso," in the neighbourhood of his own, and accompanied them to look at it. Upon that occasion it was that, on the lady expressing some intention of residing there, he produced the following impromptu.—Life, 577.]
June 19, 1823.
[First published, Letters, 1901, vi. 238.]
1.
2.
3.
[From an autograph MS. in the possession of Mr. Murray, now for the first time printed.]
[131] "Bouwah!" is their war-cry.
1.
2.
3.
4.
5.
6.
[First published, Murray's Magazine, February, 1887, vol. i. pp. 145, 146.]
[132] ["The last he ever wrote. From a rough copy found amongst his papers at the back of the 'Song of Suli.' Copied November, 1824.—John C. Hobhouse."
"A note, attached to the verses by Lord Byron, states they were addressed to no one in particular, and were a mere poetical Scherzo. —J. C. H."]
[First published, Murray's Magazine, February, 1887, vol. i. p. 146.]
1.
2.
3.
4.
5.
6.
7.
8.
9.
10.
Missolonghi, Jan. 22, 1824.
[First published, Morning Chronicle, October 29, 1824.]
[133] ["This morning Lord Byron came from his bedroom into the apartment where Colonel Stanhope and some friends were assembled, and said with a smile—'You were complaining, the other day, that I never write any poetry now:—this is my birthday, and I have just finished something, which, I think, is better than what I usually write.' He then produced these noble and affecting verses, which were afterwards found written in his journals, with only the following introduction: 'Jan. 22; on this day I complete my 36th year.'"—A Narrative of Lord Byron's Last Journey to Greece, 1825, p. 125, by Count Gamba. In the Morning Chronicle, October 29, 1824, the lines are headed, "Lord Byron's Latest Verses," and are prefaced by the following note: "We have been indebted to a friend for the following immortal verses, the last he ever composed. Four of the lines have already appeared in an article in the Westminster Review" ("Lord Byron in Greece," July, 1824, vol. ii. p. 227).]
[iii] Is like to——.—[M.C.]
[iv] —— it is not here.—[M.C.]
[v] —— seals the hero's bier.—[M.C.]
[vi] The steed—the Banner—and the Field.—[MS. B.M.]
[134] I. [The slain were borne on their shields. Witness the Spartan mother's speech to her son, delivered with his buckler: "either with this or on this" (B.M. Addit. MS. 31,038).]
[vii] My life-blood tastes——.—[M.C.]
[ix] I tread reviving——.—[M.C.]
The/ Poetical Works/ of/ Lord Byron./ In Two Volumes./
Vol. I./ [Vol. II.] From the last London Edition./
Philadelphia:/ Published by Moses Thomas,/ No. 52, Chesnut
Street./ William Fry, Printer./ 1813./ [16º.
[A bound copy: smooth blue calf, lettered "Lord Byron."]
Collation—
Vol. I.—Title, one leaf; Cont.; Half-title; Dedication; and Text, pp. 1-203.
Vol. II—Title, one leaf; Cont.; Half-title; Preface, etc, pp. i.-xii.; Text, pp. 1-261.
Contents—
Vol. I.:—Poems, Original and Translated | p. 1 |
English Bards, etc. | p. 137 |
Vol. II.:—Childe Harold's Pilgrimage, Canto I. (xciii. stanzas) | p. 13 |
Canto II. (lxxxviii. stanzas) | p. 9 |
Notes | p. 99 |
Poems (xx.) | p. 156 |
The Giaour (1215 lines) | p. 205 |
Note | p. 261 |
Note (Vol. I.).—On fly-leaf: "To the Rt Honourable Lord Byron from his obt. servant Geo Ticknor, June 20. 1815."[90]
"This book was given to me by Lord Byron, April 20, 1816, on his leaving England. Scrope Davies."
ΑΠΟ: ΙΩ:
Κεφ. θ.
Καὶ ἐν ταῖς ἡμέραις ἐκείναις ζητήσουσιν οἱ ἄνθρωποι τὸν θάνατον καὶ οὐχ εὑρήσουσιν αὐτὸν' καὶ ἐπιθυμήσουσιν ἀποθανεῖν, καὶ φεύξεται ὁ θάνατος ἀπ' αὐτῶν
On second fly-leaf: "Semper ego tui memoriam colam; semper tua imago ante oculos observabitur; semper idem mihi eras; qui idem semper eras bonis omnibus."
These volumes which were presented by George Ticknor to Lord Byron,[I] and, in turn, presented by him to Scrope Davies, passed into the hands of Sir Francis Burdett (1770-1844), and are now in the possession of his grandson, Mr. F. B. Money-Coutts.
[I] "He [Byron] spoke to me of a copy of the American edition of his poems, which I had sent him, and expressed his satisfaction at seeing it in a small form, because in that way, he said, nobody would be prevented from purchasing it" ("Journal," June 21, 1815).—Life, Letters, and Journals of George Ticknor, Boston, 1876, i. 62.
The/ Poetical Works/ of/ Lord Byron./ From the last London Edition./ In Two Volumes./ Volume I./ [Vol. II.] Boston:/ Published by Cummings & Hilliard,/ No. I, Cornhill./ Joseph T. Buckingham, Printer,/ 1814./ [12º.
Collation—
Vol. I.: pp. xi. + 308—Title, one leaf, pp. i., ii.; Cont., pp. iii., iv.; Lord Byron [excerpt from the Analectic Magazine], pp. v.-xi.; Text, pp. 1-308.
Vol. II.: pp. iv. + 251—Title, one leaf, pp. i, ii; Cont., pp. iii, iv; Text, pp. 1-251.
Contents—
Vol. I.:—Poems, Original and Translated | p. 1 |
English Bards, etc. (Third Edition) (1050 lines), with Postscript | p. 123 |
Childe Harold's Pilgrimage, Cantos I., II. (First Edition), with Notes, etc. | p. 179 |
Vol. II.:—Poems [Twenty-six, i.e. poems issued with Sec. Ed. of Childe Harold, and six (not tabulated) issued with the Corsair] | p. 1 |
The Giaour (Fifth Edition) | p. 47 |
The Bride of Abydos (Seventh Edition) | p. 103 |
The Corsair (Sixth Edition) | p. 159 |
Prize Prologue (Oct. 1812) (Second Edition) | p. 241 |
Ode to Napoleon Buonaparte (Second Edition: sixteen stanzas) | p. 245 |
The/ Works/ of/ The Right Honorable/ Lord Byron./ In Four Volumes./ Vol. I./ [Vol. II., etc.] Childe Harold./ London:/ Printed for John Murray, Albemarle Street./ 1815./ [8º.
Collation—
Vol. I.: pp. xviii. + 218—Gen. Half-title, one leaf, pp. i., ii.; Title (R. T. Davison, Lombard-Street,/ White-Friars, London.), pp. iii., iv.; General Contents to the Four Volumes, pp. v.-x.*; Half-title (R. Motto—Le Cosmopolite), n.p.; Prefaces, pp. xi.-xviii.; Cont. to Vol. I., one leaf, n.p.; Text, pp. 1-218. The Imprint is at the foot of p. 218.
Note.—In the earlier copies of Vol. I. of this edition, the misplaced "Advertisement" to The Giaour is on pp. i., ii., and pp. ix.*, x.*, giving Cont. of Hebrew Melodies, are not inserted.
Vol. II.: pp. 1-202—Gen. Half-title, one leaf; Title (R. Imprint); Cont. to Vol. II.; Half-title; Dedication; Text, pp. 1-202. The Imprint is in the centre of the last page, p. [204].
Vol. III.: pp. viii. + 9-228—Gen. Half-title, one leaf; Title (R. Imprint); Cont. to Vol. III.; Half-title, pp. i., ii.; Dedication to Thomas Moore, Esq., pp. iii.-viii.; Text, pp. 9-228. The Imprint is at the foot of p. 228.
Vol. IV.: pp. viii. [ix.*, x.*] + 203—Gen. Half-title, one leaf; Title (R. Imprint), pp. i.-iv.; Cont. to Vol. IV., pp. v.-x.*; Text, pp. 1-203.
Contents—
Vol. I.:—To Ianthe, Childe Harold's Pilgrimage, Cantos I., II., (N. App.) | p. 3 |
Romaic Books and Authors, etc. | p. 188 |
Vol. II.:—The Giaour (N.) | p. 1 |
The Bride of Abydos, Cantos I., II. (N.) | p. 103 |
Vol. III.:—The Corsair, Cantos I.-III. (N.) | p. i. |
Lara, Cantos I., II. (N.) | p. 133 |
Vol. IV.:—Ode to Napoleon Buonaparte (N.) | p. 1 |
Poems (N.) [xxxvi., consisting of xxix. pub. in the Seventh Ed. of Childe Harold, vi. pub. in the Second Ed. of the Corsair, and Verses on Sir P. Parker.] | p. 17 |
Hebrew Melodies (24) | p. 143 |
Note.—In later issues of Vol. III., 1815, the note on the "Pirates of Barrataria" is inserted and paginated 133*-137*.
The/ Works/ of The/ Right Hon. Lord Byron./ In Two Volumes./ Vol. I./ [Vol. II.] London:/ Printed for John Murray, Albemarle-Street./ 1815/ [8º.[92]
Contents—
Vol. I.: The Title, as above, is prefixed to Childe Harold's Pilgrimage, Cantos I., II. (Fourth Ed.), 1812, and Hebrew Melodies (First Ed.), 1815, pp. 1-53.
Vol. II.: The Title, as above, is prefixed to Childe Harold's Pilgrimage, Canto III.; Childe Harold, etc., Canto the Fourth; Romance Muy Doloroso, Translation, etc., pp. xiv. + 257; The Lament of Tasso (Sixth Ed.), 1818, pp. 1-18; Poems (N.) (Second Ed.), 1816; Monody, etc. (New Ed.), 1810; Ode to Napoleon (Second Ed.), 1814, pp 1-14.
Note.—These general titles were advertised, in July, 1815, for the purpose of binding, in two volumes, poems which were uniformly printed but had been separately issued. It is evident that they were still to be procured after the collected editions of 1815, 1817, 1818 had been published. In other copies the Contents are arranged in a different order.
The Poetical Works, etc. From the last London Edition. In Three Volumes. New York: Published by David Huntington. 1815.
[E. Kölbing, Prisoner of Chillon, 1896.]
The Works, etc. Including several poems now first collected. Together with an Original Biography. Embellished with a portrait, title-page, and six other engravings. In Three Vols. Philadelphia: Published by Moses Thomas, J. Maxwell, Printer. 1816. [12º.
[Kölbing.]
The/ Works/ of/ The Right Honourable/ Lord Byron./ In Five Volumes./ Vol. I./ [Vol. II., etc.] Childe Harold./ London:/ John Murray, Albemarle-Street./ 1817. [8º.
Collation—
Vol. I.:—Title, one leaf, pp. iii., iv.; Half-title (R. Motto), pp. v., vi.; Pref., pp. vii.-xiv.; Cont., n.p.; Text, pp. 1-218. The Imprint (T. Davison, Lombard Street,/ Whitefriars, London/), is in the centre of the last page.
Vol. II.: pp. 1-202—Title, one leaf; Cont. to Vol. II.; Half-title; Dedication; Advertisement; Text, pp. 1-202. The Imprint is in the centre of the last page, p. [204].
[93] Vol. III.: pp. viii. + 9-222: Title, one leaf; Cont. to Vol. III.; Half-title, pp. i. ii.; Dedication to Thomas Moore, Esq., pp. iii.-viii.; Text, pp. 9-222. The Imprint is in the centre of the last page, p. [224].
Vol. IV.: Title, one leaf; pp. iii., iv.; Cont. to Vol. IV., v.-viii.; Text. The Imprint is in the centre of the last page.
Vol. V.: pp. vi. + 184—Title, one leaf; Dedication, pp. i., ii.; Advertisement, pp. iii., iv.; Cont. to Vol. V., pp. v., vi.; Half-title; Text, pp. 1-184. The Imprint is at the foot of p. 184.
Note.—The Cont. of Vols. I.-IV., 1817, are identical with the Cont. of Vols. I.-IV., 1815.
Contents—
Vol. V.:-Siege of Corinth (N.) | p. 1 |
Parisina (N.) | p. 79 |
Poems (eleven, as pub. in Poems, 1816) | p. 127 |
Monody, etc. (N.) | p. 171 |
Poems./ By Lord Byron./ New-York:/ Published by Thomas Kirk and Thomas R. Mercein,/ Moses Thomas, M. Carey and Son, Philadelphia;/ Wells and Lilly, Boston;/ and Coale and Maxwell, Baltimore./ T. and W. Mercein, Printers, 93, Gold Street./ 1817./ [12º.
Collation—
Pp. 1-64 (title-page unnumbered).
The/ Works/ of/ The Right Honourable/ Lord Byron./ Vol. I./ [Vol. II., etc.] Childe Harold./ London:/ John Murray, Albemarle-Street./ 1818.
Collation—
Vol. I.: pp. xiv. + 218—Half-title (R. T. Davison, Lombard Street,/ Whitefriars, London./), etc. (Vide supra, Vol. I., 1817).
Vol. II.: pp. 1-202—Half-title (R. Imprint), etc. (Vide supra, Vol. II., 1817).
Vol. III.: pp. viii. + 9-222 (Vide supra, Vol. III., 1817).
Vol. IV.: pp. viii. + 203—Half-title (R. Imprint) (Vide supra, Vol. IV., 1817).
Vol. V.:/ pp. 1-184—Half-title, The Siege, etc., one leaf; Title [The/ Works/ etc./ The Siege of Corinth—Parisina— Poems./ London:/John Murray, Albemarle-Street,/ 1818./]; Cont. of Vol. V.; Advertisement; Dedication, "To John Hobhouse, Esq.;" Text, pp. 1-104; The Imprint, T. Davison, Lombard-street,/ Whitefriars, London,/ is at the foot of p. 184.
Vol. VI.: pp. 1-187—Gen. Half-title (R. T. Davison, Lombard Street, Whitefriars, London); Title, one leaf [The Works,/ etc. In Six Volumes (in some copies "In six," etc., does not appear)]; Cont. to Vol. VI.; Half-title; Text, pp. 1-187, + Publisher's[94] List, pp. 189-192. The Imprint is at the foot of p. 192.
Vol. VII.: pp. 1-273—Title [The/ Works, etc./ 1819.] (R. London:/ Printed by T. Davison, Whitefriars/); Cont. to Vol. VII.; Text, pp. 1-273 + Publisher's Advertisement of Historical Illustrations (R. London:/ Printed by Thomas Davison, Whitefriars/).
Vol. VIII.: pp. 1-165—Gen. Half-title (R. Imprint); Title [The/ Works, etc./ 1820]; Cont. to Vol. VIII.; Text, pp. 1-165 + Publisher's List (ten pages, with Imprint at the foot of p. [10]).
Note.—For Contents for Vols. I.-V., vide supra, Ed. 1817.
Contents—
Vol. VI.: — Sonnet | p. 1 |
The Prisoner of Chillon (N.) (and six poems, N.) | p. 3 |
To Manfred (N.) | p. 67 |
Lament of Tasso | p. 169 |
Vol. VII.: — Childe Harold's Pilgrimage, Canto III. (N.) | p. 1 |
Canto IV. (N.) | p. 81 |
Vol. VIII.: — Beppo (N.) | p. 1 |
Mazeppa | p. 57 |
Ode | p. 113 |
A Fragment | p. 127 |
Romance Muy Doloroso (Transl.) | p. 145 |
Sonetto di Vittorelli (Transl.) | p. 162 |
Note.—Vols. I.-IV. of the Edition of 1818 are illustrated by "Twelve Plates engraved by Charles Heath, and other Artists, from the original Designs of [Tho.] Stothard." The "original Designs," water-colour drawings, were presented by Lord Byron to the third Lord Holland, and are now in the possession of the Earl of Ilchester.
The Works of the right honourable Lord Byron. Comprehending all his suppressed poems. Embellished with a portrait, and a Sketch of his Lordship's life. Vols. I.-VI. Paris: Published by Galignani, at the French, English, Italian, German and Spanish library, Nº 18, Rue Vivienne, 1818, in 12º.
[Bibliographie de la France, June 13, 1818.]
The Works of Lord Byron. In Thirteen Volumes. Published by Gerard Fleischer. Leipzic. 1818-1822. [8º.
[Kayser, Index Verborum. 1834. See, too, Jahrbücher der Literatur. Vienna, 1821. Vol. xv. pp. 105-145.]
The/ Works/ of/ Lord Byron./ Vol. I./ [Vol. II., etc.] London:/ John Murray, Albemarle-Street./ 1819./ [8º.[95]
Collation—
Vol. I.: pp. xv. + 479—Title, one leaf, pp. iii., iv.; Cont. to Vol. I., pp. v., vi.; Half-title, with Motto, pp. vii., viii.; Preface, etc., pp. ix.-xv.; Text, pp. 1-479. The Imprint (London:/ Printed by Thomas Davison, Whitefriars./) is in the centre of the last page, p. [480].
Vol. II.: pp. 1-491—Gen. Half-title (R. Imprint); Title, one leaf; Cont. to Vol. II.; Text, pp. 1-491; Notes to Beppo, p. [493], one leaf.
Vol. III.: pp. viii. + 330—Gen. Half-title (R. Imprint), pp. i., ii.; Title, one leaf, pp. iii., iv.; Cont. to Vol. III., pp. v.-viii.; Text, pp. 1-330. The Imprint is at the foot of the last page, p. 330.
Note.—In Vol. I. the text and notes of Cantos I., II. of Childe Harold are identical with the Eleventh Edition of 1819, the text with the Tenth Edition of 1815. The text of Cantos III. and IV. is all but identical with the text of the editions of 1816, 1818, but the notes have been reset.
Contents—
Vol. I.: Childe Harold's, etc. Cantos I., II. (N.) | p.1 |
Canto III. (N.). | p. 195 |
Canto IV. (N.). | p. 273 |
Vol. II.:—The Giaour (N.) | p. 1 |
The Bride of Abydos (N.) | p. 79 |
The Corsair (N.) | p. 149 |
Lara (N.) | p. 251 |
The Siege of Corinth (N.) | p. 317 |
Parisina (N.) | p. 373 |
The Prisoner of Chillon (N.) | p. 411 |
Beppo (N.) | p. 439 |
Vol. III.:—Manfred (N.) | p. 1 |
Hebrew Melodies (23) | p. 81 |
Ode to Napoleon Buonaparte (N.) | p. 121 |
Monody, etc. (N.) | p. 137 |
Lament of Tasso | p. 147 |
Poems (N.) | p. 163 |
Note.—The Poems include thirty pub. with Childe Harold, Ed. 10, 1815; six pub. with the Corsair, Ed. 2, 1814; eleven pub. in Poems, 1816; A Sketch, etc. (now first included); six pub. with The Prisoner of Chillon, 1816, and the translation from the Spanish Ballad (Romance, etc.) and the Italian Sonnet pub. with Childe Harold, Canto IV., 1818-fifty-six pieces in all.
The/ Works/ of/ The Right Honourable/ Lord Byron./ Comprehending all his Suppressed Poems,/ Embellished with a Portrait and a Sketch of His/ Lordship's Life./ Vol. I./ [Vol. II., etc.] Childe Harold's Pilgrimage,/ Cantos I. and II.—The Giaour./ Second Edition./ Paris./ Published by Galignani,/ At the French, English, Italian, German and Spanish/ Library, No. 18, Rue Vivienne./ 1819 [12º.[96]
Collation—
Vol. I.: pp. viii. + viii. + 276—Title, one leaf; Advertisement, one leaf; Memoir of the R.H. Lord Byron, pp. i.-viii.; Text, pp. i.-viii., 9-284. Frontispiece: Portrait of Lord Byron by G. Harlow, Lith. de G. Engelmann.
Vol. II.: pp. 1-244—Gen. Half-title (R. Printed by A. Belin); Title, one leaf; Text, pp. 1-244.
Vol. III.: pp. 1-230—Gen. Half-title, etc., as above; Text, pp. 1-230.
Vol. IV.: pp. 1-211—Gen. Half-title, etc., as above; Text, pp. 1-211.
Vol. V.: pp. 1-225—Gen. Half-title, as above; Dedication, pp. iii.-x.; Text, pp. 11-235.
Vol. VI.: pp. 1-130—Gen. Half-title, etc., as above; Text, pp. 1-130 + six pages of General Index.
Contents—
Vol. I.:—Childe Harold's, etc., Cantos I., II. (N.) | p. 9 |
The Giaour (N.) | p. 207 |
Vol. II.:—The Bride, etc. (N.) | p. 1 |
The Corsair (N.) | p. 71 |
Lara (N.) | p. 179 |
Vol. III.:—Ode to N.B. (N.) | p. 1 |
Poems (xxxvi.) (N.) | p. 13 |
Hebrew Melodies | p. 79 |
The Siege, etc. (N.) | p. 107 |
Parisina (N.) | p. 163 |
Poems, 1816 | p. 195 |
Monody, etc. (N.) | p. 222 |
Vol. IV.:—The Prisoner of Chillon, etc. (N.) | p. 1 |
Manfred (N.) | p. 51 |
The Lament of Tasso | p. 125 |
Childe Harold's, etc., Canto IV. (N.) | p. 139 |
Vol. V.:—Childe Harold's, etc., Canto IV. (N.) | p. 1 |
Publisher's Advt. | p. [220] |
Romance Muy Doloroso (Transl.) | p. 221 |
Sonetto di Vittorelli (Transl.) | p. 234 |
Vol. VI.:—Beppo | p. 1 |
Suppressed Poems: English Bards, etc. | p. 47 |
Ode ("Oh, shame to thee," etc.) | p. 121 |
Windsor Poetics | p. 125 |
A Sketch | p. 126 |
Mazeppa | p. 5 |
Ode (To Venice) | p. 47 |
A Fragment | p. 57 |
Note.—Bound up with, and, possibly, an integral part of Vol. VI., is Mazeppa. Collation: pp. 1-69. 12º. Half-title (R. Printed by A. Belin); pp 1, 2; Title, one leaf (Mazeppa,/ A Poem.: By Lord Byron./ Second Edition./ Paris:/ Published by Galignani,/ At the French, English, Italian, German and Spanish/ Library, Nº 18, Rue Vivienne./ 1819./), pp. 3, 4; Second half-title; Advertisement, pp. 7, 8; and Text, pp. 9-69. (For Contents, vide supra.)
The Works of the R.H. Lord Byron. In Six Volumes. Zwickau. Printed for Brothers Schumann, 1819.
[Jahrbücher der Lit.][97]
The Works, etc. In Seven Volumes. Brussels: published at the English Repository of Arts, 1819.
[Kölbing.]
Works of Lord Byron. New York. 1820. Four Volumes. [18º.
[Cat. of Library of Boston Athenæum.]
Contents—
Vol. I.:—Childe Harold's, etc.
Vol. II.:—Bride, etc.—Corsair—Lara—The Giaour.
Vol. III.:—Siege, etc.—Prisoner of Chillon—Parisina—Beppo—English Bards, etc.—Mazeppa—Ode—Fragment—Don Juan.
Vol. IV.:—Hebrew Melodies—Ode to N.B.—Monody, etc.—Lament of Tasso—Manfred—Poems.
The/ Works/ of/ Lord Byron./ Vol. I./ [Vol. II., etc.] London:/ John Murray, Albemarle-Street./ 18217 [8º.
Collation—
Vol. I.: pp. xvi. + 216—Gen. Half-title (R. (a) Thomas Davison, Whitefriars.) pp. i., ii.; Title, one leaf, pp. iii., iv.; Cont. to Vol. I., pp. v., vi.; Preface, etc., pp. vii.-xi.; Text, pp. 1-216. The Imprint (b) (London:/ Printed by Thomas Davison, Whitefriars.) is at the foot of p. 216.
Vol. II.: pp. 1-272—Gen. Half-title (R. Imprint (a)); Title, one leaf; Cont. to Vol. II.; Text, pp. 1-237. The Imprint (b) is at the foot of p. 272.
Vol. III.: pp. 1-237—Gen. Half-title (R. Imprint (a)); Title, one leaf; Cont. to Vol. III.; Text, pp. 1-237. The Imprint (b) is in the centre of p. [240].
Vol. IV.: pp. 1-274—Gen. Half-title (R. Imprint (a)); Title, one leaf; Cont. to Vol. IV.; Text, pp. 1-274. The Imprint (b) is in the centre of p. [276].
Vol. V.: pp. viii. + 284—Gen. Half-title (R. Imprint (a)), pp. i., ii.; Title, one leaf; Cont. to Vol. V., pp.[v.]-viii.; Text, pp. 1-284. The Imprint (b) is at the foot of p. 284.
Contents—
Vol. I.:—Childe Harold's, etc., Cantos I., II. (N. App.) | p. i. |
Vol. II.:—Childe Harold's, etc., Canto III. (N.) | p. 1 |
Canto IV. (N.) | p. 77 |
Vol. III.:—The Giaour (N.) | p. 1 |
The Bride, etc. (N.) | p. 75 |
The Corsair (N.) | p. 143 |
Vol. IV.:—Lara (N.) | p. 1 |
The Siege (N.) | p. 63 |
Parisina | p. 117 |
The Prisoner (N.) | p. 153 |
Beppo (N.) | p. 179 |
Mazeppa | p. 235 |
Vol. V.:—Manfred (N.) | p. 1 |
Hebrew Melodies | p. 73 |
Ode to N.B. (N.) | p. 104 |
Monody, etc | p. 121 |
Lament of Tasso | p. 127 |
Poems (N.) | p. 141 |
Note.—The Poems (fifty-seven in all) include the Ode to Venice.
Lord Byron's/ Works./ Volume the First./ [Volume the Second, etc.] Containing:/ The Bride of Abydos—The Corsair—Lara—/Parisina, etc./ Paris/ Sold by François Louis,/ At his French and English Library,/ Rue Hautefeuille, Nº 10;/ And Baudry,/ At the Foreign Library,/ Rue du Coq Saint Honoré, Nº 9./ 1821./ [12º.
Collation—
Vol. I.: pp. xii. + 216—Title, one leaf, pp. iii., iv.; "Memoir of Lord Byron," pp. v.-xii.; Text, pp. 1-216.
Vol. II. pp. 1-240—Title, one leaf; Text, pp. 1-240.
Vol. III.: pp. 1-[224]—Title, one leaf; Text, pp. 1-224 + 4 n.p.
Vol. IV.: pp. 1-[228]—Title, one leaf; Text, pp. 1-224 + 4 n.p.
Vol. V.: pp. 1-244—Title, one leaf; Text, pp. 1-244.
Contents—
Vol. I.:—The Bride, etc., Cantos I., II. (N.) | p. 1 |
The Corsair, Cantos I.-III. (N.) | p. 55 |
Lara, Cantos I., II. (N.) | p. 131 |
Parisina | p. 179 |
Ode to N.B. | p. 203 |
Ode to Venice | p. 211 |
Vol. II.:—English Bards, etc | p. 1 |
Don Juan, Cantos I., II. (N.) | p. 55 |
The Giaour (N.) | p. 167 |
Vol. III.:—Childe Harold, Cantos I.-IV.(N.) | p. 1 |
Beppo | p. 187 |
Fare Thee Well | p. 219 |
Darkness | p. 221 |
Stanzas for Music ("There be none," etc.) | p. [224] |
Vol. IV.:—Siege, etc. (N.) | p. 1 |
Manfred (N.) | p. 43 |
Mazeppa | p. 107 |
Prisoner of Chillon, a Fable, Sonnet, etc. (N.) | p. 139 |
Sonnet ("Rousseau," etc.) | p. 160 |
Lament of Tasso | p. 161 |
Various Poems:[J] A Sketch, etc. (and 34 others) | p. 173 |
Vol. V.:—Hours of Idleness (i.e. Poems Original and Translated), "The Second English Edition," On Leaving Newstead Abbey, etc | p. 1 |
Critique, etc | p. 116 |
Fugitive Pieces (including Windsor Poetics, first pub. by Murray, and the spurious Ode, "Oh, shame to thee," etc.) | p. 163 |
The Curse of Minerva (full text) | p. 177 |
Avis ("Le Vampire, faussement attribué à Lord Byron, est de Polidori, jeune médecin qui a vécu quelque temps à Genève avec le poëte anglais," etc.) | p. 191 |
The Vampyre, A Tale | p. 192 |
Extract of a Letter from Geneva | p. 194 |
Introduction | p. 201 |
The Vampyre | p. 207 |
A Fragment (June 17, 1816) | p. 237 |
[J] [Six "Hebrew Melodies" are included in Various Poems.]
The/ Works/ of/ Lord Byron,/ comprehending the/ Suppressed Poems./ Embellished with a Portrait, And a Sketch of His Life./ Vol. I./ [Vol. II., etc.] Paris:/ Published by A. and W. Galignani,/ At the French, English, Italian, German and Spanish Library,/ Nº 18, Rue Vivienne./ 1822.7 [8º.
Collation— Vol. I.: pp. 106 + 265—Gen. Half-title (R. Printed by A. Belin); Title, one leaf, pp. 1, 2; Contents to Vol. I., pp. 3, 4; The Life of Lord Byron [By J. W. Lake], pp. 5-106; Text, pp. 1-264.
Vol. XVI: pp. 204—Gen. Half-title (R. Imprint); Title, one leaf; Text, pp. 1-204.
Contents—
Vol. I.:—Hours of Idleness | p. 1 |
Translations and Imitations | p. 63 |
Fugitive Pieces | p. 97 |
Critique [E.R. Jan. 1808] | p. 153 |
English Bards, etc. | p. 161 |
Lines written by Mr. Fitzgerald in a copy of English Bards, etc., with his Lordship's Reply | p. 234 |
The Curse of Minerva | p. 235 |
An Ode ("Oh, shame to thee," etc.) | p. 255 |
Windsor Poetics | p. 259 |
A Sketch, etc. | p. 260 |
Vol. XVI.:—The Deformed Transformed | p. 1 |
Transl. of Morgante Maggiore | p. 105 |
Lord Byron's Speeches | p. 157 |
Note.—The frontispiece of Vol. I. is an engraving of the Portrait by G. Sanders.
Don Juan was included in successive volumes in accordance with the date of publication: Cantos I., II. in Vol. VII.; Cantos III., IV., V. in Vol. VIII.; Cantos VI.-XI. in Vol. XIV; and Cantos XII.-XVI. in Vol. XV.
Volumes XIII.-XV. of this Edition were issued in 1823, and Vol. XVI. in 1824.
The/ Works/ of/ Lord Byron./ In Four Volumes./ Vol. I./ [Vol. II., etc.] London:/ John Murray, Albemarle Street./ 1823 [8º[100]
Collation—
Vol. I.: pp. xi. + 303—Title, one leaf, pp. iii., iv.; Gen. Cont., pp. v., xi.; Cont. of Vol. I.; Text, pp. 1-303. The Imprint (London:/ Printed by Thomas Davison, Whitefriars/) is in the centre of the last page.
Vol. II.: pp. 1-359—Title, one leaf; Cont. of Vol. II.; Text, pp. 1-359. The Imprint is in the centre of the last page, p. [360].
Vol. III.: pp. 1-345—Title, one leaf; Cont. of Vol. III.; Text, pp. 1-345; Notes to Beppo, one leaf, p. [347]. The Imprint is in the centre of the last page, p. [348].
Vol. IV.: pp. viii. + 372—Title, one leaf, pp. iii., iv.; Cont. of Vol. IV., pp. v.-viii.; Text, pp. 1-372. The Imprint is at the foot of p. 372.
Contents—
Vol. I.:—Childe Harold's, etc., Cantos I., II. (N. App.) | p. 1 |
Canto III. (N.) | p. 223 |
Vol. II.:—Childe Harold's, etc., Canto IV. (N.) | p. 1 |
The Giaour (N.) | p. 207 |
The Bride, etc., Cantos I., II. (N.) | p. 287 |
Vol. III.:—The Corsair, Cantos I.-III. (N.) | p. 1 |
Lara, Cantos I., II. (N.) | p. 105 |
The Siege, etc. (N.) | p. 169 |
Parisina (N.) | p. 225 |
The Prisoner of Chillon, Sonnet (N.) | p. 265 |
Beppo (N.) | p. 293 |
Vol. IV.:—Mazeppa (N.) | p. 1 |
Manfred (N.) | p. 43 |
Hebrew Melodics (N.) | p. 121 |
Ode to N.B. (N.) | p. 159 |
Monody, etc. (N.) | p. 175 |
Lament of Tasso | p. 185 |
Poems (57) (N.) | p. 203 |
Note.—This edition of 1823, 4 vols. 8º, differs from the 3 vols. 8º of 1819, by the addition of Mazeppa and the Ode to Venice. The Front, of Vol. I. is "Lord Byron," by T. Phillips, R.A., engr. by C. Warren.
The Works of Lord Byron. In Twelve Vols. Paris: Printed for Baudry, etc. 1822-1824. [12º.
Note.—The Life and Genius of Lord Byron, by Sir Cosmo Gordon, is affixed to the twelfth volume. See La France Littéraire, by J. M. Quérard. 1827.
The Works of Lord Byron, comprehending the suppressed Poems. Embellished with a portrait, and a sketch of his life. In Twelve Volumes. Printed by A. Belin. Published by Galignani. 1823. [12º.
[B. de la F., May 24, 1823.][101]
The/ Works/ of/ Lord Byron./ Vol. V./ Containing/ Hours of Idleness—Fugitive Pieces—English/ Bards and Scotch Reviewers—Waltz—/Miscellaneous Poems, etc./ London:/ Knight and Lacey, Paternoster-Row./ 1824./ [8º.
Collation—
Vol. V.: pp. xiii. + 154 + 9 + vi. + 57 + vii. + 61—Gen. Half-title; Title (R. T. C. Hansard, Paternoster-Row Press); Preface; Cont., pp. [i.]-xiii.; Second Half-title; Text, pp. 2-154, etc.
Note.—The Imprint (T. C. Hansard/ Paternoster-Row/) is at the foot of the last page (p. 62). Four pages (n.p.) of publishers' list of Sherwood, Jones & Co., etc., dated London, June, 1824, are bound up with Vol. V.
Vol. VI.: pp. vi. + 308 + 2 pages (n.p.)—Gen. Half-title; Title [The/ etc. In Seven Volumes./ Vol. VI./ London:/ Printed for John and Henry L. Hunt,/ Tavistock Street./ 1824./] (R. London:/ Printed By C. H. Reynell, Broad-Street, Golden-Square/); Second Half-title; Dedication; Preface, pp. i.-vi.; Dramatis Personæ, p. [viii.] (B.A.); Text, pp. 9-308; Note to the Translation of the Morgante Maggiore, one leaf, pp. [309, 310].
Vol. VII.: pp. 1-286—Gen. Half-title; Title [The, etc./ Tavistock-Street./ 1825./], (R. Imprint as above); Text, pp. 1-286.
Contents—
Vol. V.:—Hours of Idleness | p. 1 |
Review, etc. | p. 1 |
English Bards, etc. | p. i. |
Waltz [N] | p. i. |
Ode ("Oh, shame to thee," etc.) | p. 19 |
Adieu to Malta | p. 23 |
Madame Lavalette | p. 26 |
The Curse of Minerva (111 lines) | p. 28 |
Farewell to England | p. 35 |
To my Daughter, etc. | p. 46 |
Ode to ... St. Helena | p. 50 |
To the Lily of France | p. 53 |
To Jessy | p. 56 |
To T. Moore, Esq. ("My Boat," etc.) | p. 58 |
Lines to Mr. Hobhouse | p. 60 |
Enigma [H.] | p. 61 |
Vol. VI.:—Werner | p. i. |
Heaven and Earth | p. 197 |
Transl. of Morgante Maggiore (Advt.) | p. 259 |
Vol. VII.:—The Age of Bronze | p. I |
The Island | p. 37 |
Appendix (Extract from the Voyage of Capt. Bligh) | p. 109 |
The Vision of Judgment | p. 125 |
Appendix (Court of King's Bench, Thursday, January 15, 1824. The King v. John Hunt) | p. 187 |
The Deformed Transformed | p. 191 |
Note (1).—In Vol. V. the pagination of the "Postscript" of English Bards, etc., pp. 45-47, is incorrect.[102]
Note (2).—In Vol. VII. (pp. 125, sq.) in the edition of the Vision of Judgment, issued after the verdict in the case of the King v. John Hunt, January 15, 1824, stanzas viii., ix. (lines 1, 2), xliii. (lines 1-6), xliv., xlv. (lines 1-6), xlvii. (lines 4, 8), are omitted in the text, but are quoted in the report of the trial.
Note (3).—The following slip, headed "Notice to the Binder," is inserted between a fly-leaf and the general half-title of Vols. VI., VII.: "In order that each purchaser of the two concluding volumes of Lord Byron's Works may be enabled with them to complete his particular set,—whatever edition he possesses, an extra Title-page is given with each—there being several editions in print, comprising the same marks in different numbers of volumes. In binding these two last volumes, therefore, the binder should be instructed which of the Title-pages to retain." Four pages (n.p.) consisting of General Half-title (B.R.) and Title-page as above [In Eight volumes./ Vol. VII., Vol. VIII./] with Imprint as above, at foot of Reverse, are bound up with Vols. VI., VII. Volume VIII. was not issued.
The Works, etc. In Eight Volumes. London: John Murray, etc., 1825. [Small] 8º.
The/ Works /of/ Lord Byron./ In Six Volumes./ Vol. V./ London:/ John Murray, Albemarle Street./ 1825./ [8º.
Collation—
Vol. V.: pp. 1-404—Title, one leaf; Cont. of Vol. V.; Text, pp. 1-404. The Imprint (London:/ Printed by Thomas Davison, Whitefriars/) is at the foot of p. 404.
Vol. VI.: pp. viii. + 319—Title, one leaf; Cont. of Vol. VI.; Text, pp 1-319. The Imprint is in the centre of the last page, p. [320].
Contents—
Vol. V.:—Marino Faliero (N. App.) | p. 1 |
Prophecy of Dante, Cantos I.-IV. (N.) | p. 243 |
Cain | p. 291 |
Vol. VI.:—Sardanapalus (N) | p. 1 |
The Two Foscari (App.) | p. 171 |
The/ Complete Works/ of/ Lord Byron/ With/ A Biographical and Critical notice/ By J. W. Lake, Esq./ Vol. I. [Vol. II., etc.] Childe Harold's Pilgrimage./ [Monogram.] Paris/ From the Press of Jules Didot senior,/ vi, Rue Du Pont-de-Lodi./ Published by[103] Baudry, Rue du Coq-Saint-Honoré,/ And Amyot, Rue De La Paix./ 1825./ [8º.
Collation—
Vol. I.: pp. c. + 353—Title, one leaf; Cont. of the First Vol.; A Biographical, etc., pp. i.-c.; Text, pp. 1-353.
Vol. II.: pp. 1-432—Title, one leaf; Cont. of the Second Vol.; Text, pp. 1-432.
Vol. III.: pp. 1-466—Title, one leaf; Cont. of the Third Vol.; Text, pp. 1-466.
Vol. IV.: pp. 1-426—Title, one leaf; Cont. of the Fourth Vol.; Text, pp. 1-426.
Vol. V.: pp. 1-435—Title, one leaf; Cont. of the Fifth Vol.; Text, pp. 1-435; Note to Cain, one leaf, p. [437].
Vol. VI.: pp. vii. + 529—Title, one leaf, pp. iii., iv.; Cont. of the Sixth Vol., pp. v.-viii.; Text, pp. 1-529.
Vol. VII.: pp. viii. + 528—Title, one leaf, pp. iii., iv.; Cont. of the Seventh Vol., pp. v.-viii.; Text, pp. 1-528.
Note.—The Frontispiece of Vol. I. is an engraving of the Portrait of Lord Byron by G. Sanders.
Contents—
Vol. I.:—A Biographical, etc. | p. i |
Childe Harold's, etc., Cantos I.-III (N.) | p. 1 |
Dedication | p. 205 |
Canto IV. (N.) | p. 213 |
Vol. II.:—Don Juan, Cantos I.-V. (N.) | p. 1 |
Preface to Cantos VI., VII., VIII. | p. 301 |
Cantos VI.-VIII. (N.) | p. 307 |
Vol. III.:—Don Juan, etc., etc. | |
Canto IX. (N.) | p. 1 |
Canto XVI. (N.) | p. 247 |
Beppo (N.) | p. 295 |
The Vision of Judgment (N.) | p. 333 |
The Giaour (N.) | p. 373 |
Parisina | p. 435 |
Vol. IV.:—Manfred (N.) | p. 1 |
Marino Faliero (N.), Preface, etc. | p. 267 |
Vol. V.:—The Two Foscari (N.) | p. 1 |
Appendix | p. 123 |
Werner (N.) | p. 143 |
Cain (N.) | p. 331 |
Vol. VI.:—Heaven and Earth (N.) | p. i |
The Deformed, etc. (N.) | p. 53 |
The Bride, etc. (N.) | p. 133 |
The Corsair (N.) | p. 193 |
Lara (N.) | p. 279 |
The Siege, etc. (N.) | p. 331 |
The Prisoner of Chillon (N.), Sonnet, etc. | p. 377 |
Mazeppa (N.), Advt., etc. | p. 399 |
The Island (N.), Advt., etc. | p. 435 |
The Lament of Tasso, Advt. | p. 517 |
Vol. VII.:—The Prophecy of Dante (N.), Dedication, etc. | p. 1 |
The Age of Bronze (N.) | p. 45 |
The Curse of Minerva (N.) | p. 77 |
Hours of Idleness | p. 95 |
Critique, etc. | p. 211 |
English Bards, etc., Preface | p. 221 |
Hebrew Melodies | p. 277 |
Miscellaneous Poems, and The Dream, etc. | p. 301 |
Morgante Maggiore (N.), Advt. | p. 439 |
Letter to * * * | p. 475 |
Parliamentary Speeches, Debate on the Framework Bill | p. 505 |
Note.—The Miscellaneous Poems (67) include the following forgeries: Ode ("Oh, shame to thee," etc.), p. 345; Madame Lavalette, p. 349; Farewell to England, p. 356; To my Daughter, P. 366.
Works of Lord Byron. Philadelphia. 1825. Eight Vols. [8º.
Contents—
Vol. I.:—Childe Harold's Pilgrimage.
Vol. II.:—Giaour—Two Foscari—Werner.
Vol. III.:—Bride, etc.—Corsair—Cain, a Mystery—Sardanapalus.
Vol. IV.:—Lara—English Bards, and Scotch Reviewers— Marino Faliero-Siege, etc.—Prisoner of Chillon—Song.
Vol. V.:—Manfred—Parisina—Deformed Transformed—Vision of Judgment—Beppo—Age of Bronze—Heaven and Earth—Curse of Minerva, etc.
Vol. VI.:—Mazeppa—The Dream—The Island—Prophecy of Dante—Lament of Tasso—Ode to Buonaparte—Monody, etc.—Hebrew Melodies—Miscellaneous Poems.
Vols. VII., VIII.:—Don Juan.
[Catalogue of the Boston Athenæum Library, 1874.]
The Works of the R.H. Lord Byron. In Eight Vols. New York: published by Wm. Borrodaile, at his wholesale Book Store, 114, Fulton Street. 1825.
[Kölbing.]
The Works of Lord Byron. Complete in Thirty-two Volumes. Published by the Brothers Schumann, Zwickau. 1825-1827. [16º.
Note.—Vol. XXXIII. was issued in 1838. [Kayser, 1841.]
The Works of Lord Byron, comprising the suppressed poems. In Thirteen Volumes. Paris. Printed by Didot aîné.[105] Published by A. and W. Galignani, No. 18, Rue Vivienne. 1826. [32º.
[B. de la F., June 3, 1826.]
The/ Works/ of/ Lord Byron/ Including/ The Suppressed Poems./ Complete in one volume/. Paris:/ Published by A. and W. Galignani,/No. 18, Rue Vivienne./ 1826./ [8º.
Collation—
Pp. xliii. + 716—Gen. Half-title (R. Printed by Jules Didot, Senior,/ Printer to his Majesty, Rue du Pont de Lodi, Nº 6/); Title-page, one leaf, pp. i., ii.; Cont., pp. iii., iv.; The Life of Lord Byron [by J. W. Lake], pp. v.-xliii.; Text, pp. 1-716.
The Front. is a Portrait of Lord Byron by F. Sieurac, engr. by J. T. Wedgwood. The Title-vignette is a harp, etc., resting on foliage (bays and oak leaves).
The Facsimile of the Letter from Lord Byron to M. Galignani, dated Venice, April 27, 1819, is inserted between the "Contents" and the "Life," etc.
Note (1).—Among Miscellaneous Poems are The Irish Avatar, p. 515; Ode ("Oh, shame to thee," etc.), p. 539; Windsor Poetics, p. 540; and Carmina Byronis in C. Elgin, p. 541. The Volume concludes (pp. 711-716) with Poems Attributed to Lord Byron, viz.—
Childish Recollections (32 lines) | p. 711 |
Lord Byron to his Lady ("How strangely," etc.) | ib. |
Ode to the Island of St. Helena | ib. |
To the Lily of France | p. 712 |
Madame Lavalette | ib. |
Adieu to Malta | ib. |
Enigma ("'Twas whispered," etc.) | p. 713 |
The Triumph of the Whale | ib. |
To Jessy | ib. |
To my Daughter | p. 714 |
To Lady Caroline Lamb | p. 715 |
The Farewell ("When man compelled," etc.) | ib. |
Lines ("Would you get to the House," etc.) | ib. |
Verses ("All hail, Mont Blanc," etc.) | ib. |
To a Lady ("And wilt thou weep," etc.) | 716 |
Stanzas ("I heard thy fate," etc.)[A] | ib. |
Lines found in the Travellers' Book at Chamouni | ib. |
Lines found in Lord Byron's Bible[B] | ib. |
Note (2).—This edition was reissued, in 1827, on different paper. An impression of the portrait by F. Sieurac, in an unfinished state, precedes the Frontispiece.
[A] "Stanzas" were published Poetical Works, 1899, iii. 425, 426, with the title, "On the Death of the Duke of Dorset." Note (I) on p. 425 is incorrect.
The Works, etc. Complete. One Vol. Frankfort o. M. Printed by and for H. L. Broenner. 1826. 4º, pp. xvi. + 776.
[Kölbing.]
Note.—A Second Edition, pp. xlvi. + 804, including Morgante Maggiore and Parliamentary Speeches, was issued in 1829, vide post, No. xl.; and a third, pp. xxx. + 784, including Francesca di Rimini, Hints from Horace, and The Blues, etc., in 1837. According to Kayser, the First Edition appeared in 1827, a second in 1829, and a third, "considerably augmented," in 1837.
The Works, etc. In Six Volumes. London: John Murray, etc. 1827. [Small 8º.
[Kölbing.]
The/ Works/ of/ Lord Byron./ In Four Volumes./ Vol. I./ [Vol. II., etc.] London:/ John Murray, Albemarle-Street./ 1828./ [12º.
Collation—
Vol. I.: pp. ix. + 362—Gen. Half-title, Works/ of/ Lord/ Byron./ (R. London: Printed by Thomas Davison Whitefriars/), pp. i., ii.; Title, one leaf, pp. iii., iv.; Gen. Cont., pp. v.-ix.; Cont. of Vol. I. (n.p.); Text, pp. 1-362.
The Front., "Lord Byron," is engr. by E. Finden from a portrait by G. (sic) Phillips, R.A.
Vol. II.: pp. 1-424—Gen. Half-title (R. Imprint); Cont. of Vol. II.; Text, pp. 1-424. The Imprint is at the foot of p. 424.
The Front., "Medora" (Corsair, i. 379), is engr. by E. Finden from a drawing by H. Corbould.
Vol. III.: pp. vii. + 383—Half-title (R. Imprint), pp. i., ii.; Title, one leaf, pp. iii., iv.; Cont. of Vol. III., pp. v.-vii.; Text, pp. 1-383. The Imprint is in the centre of the last page, p. [384].
The Front., "Lord Byron" ("When late I saw thy ... child"), is engr. by E. Finden from a drawing by H. Corbould.
Vol. IV.: pp. 1-429—Gen. Half-title (R. Imprint); Title, one leaf; Cont. of Vol. IV.; Text, pp. 1-429. The Imprint is in the centre of the last page, p. [430].
The Front., "Sardanapalus" (act iv. sc. 1, line 1), is engr. by E. Finden from a drawing by H. Corbould.
[107]Contents—
Vol. I.:—Childe Harold's, etc., Cantos I.-IV. (N.) | p. 1 |
Vol. II.:—The Giaour (N.) | p. 1 |
The Corsair, Cantos I.-III. (N.) | p. 61 |
Lara, Cantos I., II. (N.) | p. 143 |
The Bride, etc., Cantos I., II. (N.) | p. 195 |
Siege, etc. (N.) | p. 253 |
Parisina (N.) | p. 299 |
The Prisoner of Chillon, Sonnet, etc. (N.) | p. 331 |
Beppo (N.) | p. 353 |
Mazeppa | p. 391 |
Vol. III.:—Manfred (N.) | p. 1 |
Hebrew Melodies: "She walks in beauty" (and 22 others) | p. 61 |
Ode to N.B. (N.) | p. 89 |
Monody, etc. | p. 99 |
Lament of Tasso | p. 105 |
Poems: Written in an Album (and 55 others) | p. 119 |
Ode [to Venice] | p. 249 |
Notes to the Poems | p. 255 |
Prophecy of Dante, Cantos I.-IV. (N.) | p. 259 |
Cain | p. 299 |
Vol. IV.:—Marino Faliero (App.) | p. 1 |
Sardanapalus (N.) | p. 175 |
The Two Foscari (App.) | p. 303 |
The/ Works/ of/ Lord Byron/ Including/ The Suppressed Poems./ Complete in One Volume./ Paris:/ Published by A. and W. Galignani,/ No. 18, Rue Vivienne./ 1828./ 8º.
Collation—
Pp. xl. + 718.
Note.—This edition closely corresponds with that issued by A. and W. Galignani in 1826-7, q.v. ante, No. xxxi. The "Life of Lord Byron," by J. W. Lake, is abbreviated and corrected. Among Attributed Poems are the following additions: A Drinking Song ("Fill the goblet," etc.), p. 716; Remember Thee, ibid.; To Mary ("Remind me not," etc.), p. 717; Verses ("There was a time," etc.), ibid.; On Leaving England, ibid.; and the following omissions: Verses ("All hail, Mont Blanc," etc.), 1826, p. 715; and Lines found in Lord Byron's Bible, 1826, p. 716.
The Works of Lord Byron. Complete in One Volume. Title-Vignette. Published by Broenner, Frankfort. 1828, 8º.
Note.—A Second Edition was issued in 1829, and a third, "considerably augmented," in 1837. [Kayser.]
The/ Works/ of/ Lord Byron./ In Six Volumes./ Vol. I./ [Vol. II., etc.] London:/ John Murray, Albemarle-Street./ 1829./ 8º.[108]
Collation—
Vol. I.:—Gen. Half-title, "Byron" (R. London: Printed by Thomas Davison, Whitefriar's), pp. i., ii; Title, one leaf, pp. iii, iv.; General Cont., pp. v.-ix.; Cont. of Vol. I., n.p.; Text, pp. 1-235. The Imprint is in the centre of the last page, p. [236].
Vol. II.: Gen. Half-title (R. Imprint); Title, one leaf; Cont. of Vol. II.; Text, pp. 1-297. The Imprint is in the centre of the last page, p. [300].
Vol. III.: Gen. Half-title, etc., as in Vol. II.; Text pp. 1-282. The Imprint is in the centre of the last page, p. [284].
Vol. IV.: pp. vii. + 275—Half-title (R. Imprint), pp. i., ii.; Title, one leaf, pp. iii., iv.; Cont. of Vol. IV., pp. v.-vii.; Text, pp. 1-275. The Imprint is in the centre of the last page, p. [276].
Vol. V.: Half-title, etc., as in Vol. II.; Text, pp. 1-26. The Imprint is at the foot of p. 264.
Vol. VI.: pp. viii. + 266—Half-title (R. Imprint), pp. i., ii.; Title, one leaf, pp. iii, iv.; Cont. of Vol. VI. (B.R.), pp. v., vi.; Preface, pp. vii., viii.; Text, pp. 1-266. The Imprint is in the centre of the last page, p. [268].
Contents—
Vol. I.:—Childe Harold's, etc., Cantos I.-III. (Pref. N.) | p. 1 |
Vol. II.:—Childe Harold's, etc., Canto IV. (N.) | p. 1 |
The Giaour (N.) | p. 157 |
The Corsair, Cantos I.-III. (N.) | p. 217 |
Vol. III.:—Lara, Cantos I., II. (N.) | p. 1 |
The Bride, etc., Cantos I., II. (N.) | p. 53 |
Siege, etc. (N.) | p. 111 |
Parisina (N.) | p. 157 |
The Prisoner, etc. (Sonnet, N.) | p. 189 |
Beppo (N.) | p. 211 |
Mazeppa | p. 249 |
Vol. IV.:—Manfred (N.) | p. 1 |
Hebrew Melodies: "She walks," etc. (and 21 others) | p. 61 |
Ode to N.B. (N.) | p. 85 |
Monody, etc. | p. 95 |
Lament of Tasso | p. 101 |
Poems: Written in an Album (and 56 others) (N.) | p. 115 |
Prophecy of Dante, Cantos I.-IV. (N.) | p. 235 |
Vol. V.:—Marino Faliero (A) | p. 1 |
Cain | p. 179 |
Vol. VI.:-Sardanapalus (N.) | p. 1 |
The Two Foscari (A) | p. 135 |
Notes to Captain Medwin's, etc. | p. 253 |
The/ Works/ of/ Lord Byron./ In Four Volumes./ Vol. I./ [Vol. II., etc.] London:/ John Murray, Albemarle-Street./ 1829./ 12º.
Collation—
Vol. I.:—Gen. Half-title, "Byron" (R. (a) Printed by Thomas Davison, Whitefriars); Title, one[109] leaf, pp. iii., iv.; Gen. Cont., pp. v.-x.; Cont. of Vol. I., n.p.; Text, pp. 1-357. The Imprint (b) (London:/ Printed by Thomas Davison, Whitefriars/), is in the centre of the last page, p. [360].
Vol. II.: pp. 1-424—Gen. Half-title (R. Imprint (a)); Title, one leaf; Cont. of Vol. II.; Text, pp. 1-424. The Imprint (b) is at the foot of p. 424.
Vol. III.:—Gen. Half-title (R. Imprint (a)); Title, one leaf, pp. iii., iv.; Cont. of Vol. III., pp. v.-viii.; Text, pp. 1-383. The Imprint (b) is at the foot of the last page, p. [384].
Vol. IV.: pp. 1-412—Half-title (R. Imprint (a)); Title, one leaf; Cont. of Vol. IV.; Text, pp. 1-412. The Imprint (b) is at the foot of p. 412.
Contents—
The Cont. of Vols. I., II., III. of the Edition of 1829 are identical with the Cont. of Vols. I., II., III. of the Edition of 1828. The pagination of the Text 1829 follows the pagination of the Text 1828, but the type of 1829 is not the type of 1828.
Vol. IV. (1829):—Marino Faliero | p. 1 |
Appendix | p. 147 |
Sardanapalus (N.) | p. 161 |
The Two Foscari | p. 289 |
Appendix | p. 381 |
Notes on Captain Medwin's "Conversations of Lord Byron" | p. 401 |
Note.—The original Italian and French Versions of the Cronica di Sanuto, and the extracts from the works of P. Daru and P. L. Ginguené, which appeared in 1828, are omitted in 1829, and the notes (by John Murray) on Captain Medwin's Conversations, etc. (1824), are inserted.
The Poetic Works, etc., including his Don Juan—all his minor poems, and the suppressed pieces of Cain, and the V. of Judgment, all complete. In Two Vols. Second Edition. Philadelphia: Published by the Washington Press. 1829. [4º and 6º.
The/ Works/ of/ Lord Byron./ Complete/ In One Volume./ [Title-vignette, "Ship in Storm," engraved on steel by C. Tremonet.] The Second Edition, considerably augmented./ Francfort O.M./ Printed by and for H. L. Broenner./ 1829./ [8º.
Collation—
Pp. xlvi + Cont., one leaf + 804—Title, one leaf; Life, etc., by J. W. Lake, pp. i.-xli. + A Character of Lord Byron, by Sir W. Scott, pp. xlii., xliii. + "Goethe und Byron" (including[110] the stanzas "Ein freundlich Wort," etc.) + "Lord Byron's Last Lines," pp. xliv.-xlivi. + Cont., one leaf, n.p. + Text, pp. 1-804.
Note.—The Miscellaneous Poems include Ode "Oh, shame to thee," etc., and On Sir John Moore's Burial, p. 650. The Attributed Poems are identical with those published in Paris, 1826 (No. xxxi.), except that they include To Miss Chaworth ("Remind me not," etc.), and exclude Lines Found in Lord Byron's Bible. The Notes to Childe Harold's, etc., and other poems are printed continuously, pp. 715-792. The Waltz, together with the Notes, is on pp. 795-798.
The/ Works/ of/ Lord Byron./ In Four Volumes./ Vol. I./ [Vol. II., etc.] London:/ John Murray, Albemarle-Street./ 1830./ [16º.
Collation—
Vol. I.: pp. ix. + 359—Title (R. (a) Thomas Davison, London.), pp. i., ii.; General Cont., pp. iii.-ix.; Cont. of Vol. I., p. x.; Text, pp. 1-359. The Imprint (b) (London:/ Printed by Thomas Davison, Whitefriars/) is in the centre of the last page, p. [360].
The Frontispiece, "Lord Byron," is engraved by E. Finden from a portrait by T. Phillips, R.A.
Vol. II.: pp. iv. + 424—Title (R. Imprint), pp. i., ii.; Cont. of Vol. II., pp. iii., iv.; Text, pp. 1-383. The Imprint (b) is at the foot of p. 424.
Vol. III.: pp. vi. + 383—Title (R. Imprint), pp. i., ii.; Cont. of Vol. III., pp. iii.-vi.; Text, pp. 1-383. The Imprint (b) is in the centre of the last page, p. [384].
Vol. IV.: pp. 1-415—Title (R. Imprint); Cont. of Vol. IV., one leaf; Text, pp. 1-415. The Imprint (b) is in the centre of the last page, p. [384].
The Front, of Vol. II. is that of Vol. II., ed. 1828; the Front. of Vol. III. that of Vol. IV., 1828; and the Front. of Vol. IV. that of Vol. III., 1828.
Note.—The Cont. of Vols. I.-IV., 1830, are identical with the Cont. of Vols. I.-IV., 1829. The Notes have been partly re-set.
The Complete Works, etc., including his lordship's suppressed poems with others never before published. (With portrait and fac-simile.) Paris, Galignani, 1830. [12º.
[Quérard, 1846.]
The/ Works/ of/ Lord Byron./ In Six Volumes./ Vol. I./ [Vol. II., etc.] London:/ John Murray, Albemarle-Street./ 1831./ [16º.[111]
Collation—
Vols. I.-IV. of Ed. 1831 are identical with Vols. I.-IV. of Ed. 1830. The Frontispieces of Vols. III., IV., which were transposed in Ed. 1830, are restored to their original position, as in Ed. 1828.
Vol. V.: pp. xii. + 475—Gen. Half-title (R. (a) Thomas Davison, London), pp. i., ii.; Title, one leaf, pp. iii., iv.; Editor's Advt. to Hours of Idleness, pp. v.-vii.; Cont. of Vol. V., pp. ix.-xii.; Text, pp. 1-475; Publisher's Advt. of the Life of Lord Byron (2 Vols. 4to).... by Thomas Moore, Esq., p. [477]. The Imprint (b) (London:/ Printed by Thomas Davison, Whitefriars:/) is in the centre of p. 476.
The Frontispiece, "Heaven and Earth," is engr. by E. Finden from a drawing by H. Richter.
Vol. VI.: pp. viii. + 459—Gen. Half-title (R. Imprint), pp. i., ii.; Title, one leaf, pp. iii., iv.; Cont. to Vol. VI., pp. v.-viii.; Text, pp. 1-459. The Imprint (b) is in the centre of the last page, p. [460].
The Frontispiece, "The Island," is engr. by E. Finden from a drawing by H. Richter.
Contents—
Vol. V.:—Hours of Idleness: Preface, etc. | p. 1 |
On leaving Newstead Abbey (and 64 others) | p. 11 |
Critique from Edinb. Rev. | p. 203 |
English Bards, etc. | p. 209 |
Hints from Horace | p. 273 |
The Curse of Minerva | p. 329 |
The Waltz | p. 345 |
Age of Bronze | p. 365 |
The Vision of Judgment | p. 397 |
Morgante Maggiore | p. 441 |
Vol. VI.:—Werner | p. 1 |
The Deformed Transformed | p. 157 |
Heaven and Earth | p. 227 |
The Island: Cantos I.-IV. App. | p. 277 |
Poems: | |
The Blues | p. 351 |
Fragment ("Hills of Annesly") | p. 368 |
The Prayer of Nature | ib. |
Fragment ("Young Oak," etc., 10 lines) | p. 371 |
On Revisiting Harrow | p. 372 |
L'amitie, etc. | p. 373 |
To my Son | p. 377 |
Epitaph on John Adams | p. 379 |
Fragment ("Forget this World," etc.) (20 lines) | p. 380 |
To Mrs. —— ("When man expell'd," etc.) | p. 381 |
A Love-song ("Remind," etc.) | p. 382 |
Stanzas to —— ("There was a time," etc.) | p. 383 |
To the Same ("And wilt thou weep," etc.) | p. 384 |
Song ("Fill the goblet," etc.) | p. 386 |
Stanzas to —— on leaving England | p. 387 |
Lines to Mr. Hodgson | p. 390 |
Epistle to ("Oh, banish," etc.) | p. 393 |
The Devil's Drive | p. 396 |
Additional stanzas to the Ode to Napoleon | p. 400 |
Stanzas for Music ("I speak not," etc.) | p. 401 |
Address—at the Caledonian Meeting | p. 402 |
Lines—for the opening of "The Siege of Corinth" | p. 404[112] |
Extract, "Could I remount," etc. | p. 406 |
To Augusta | p. 407 |
On the bust of Helen by Canova | p. p. 413 |
To Thomas Moore ("My boat," etc.) | ib. |
To Mr. Murray ("Strahan," etc.) | p. 414 |
Stanzas to the River Po | p. 416 |
The Irish Avatar | p. 419 |
On the Prince Regent's returning the picture, etc. | p. 425 |
To Belshazzar | p. 427 |
Sonnet to George the Fourth | p. 428 |
Francesca of Rimini | p. 429 |
Stanzas ("Oh, talk not to me," etc.) | p. 431 |
To the Countess of B—- | p. 432 |
Lines from a letter to T. Moore ("So we'll," etc.) | p. 434 |
Epistle to Dr. [Polidori] | ib. |
Ep. ("My dear Mr. Murray") | p. 437 |
To Mr. J. Murray ("For Oxford," etc.) | p. 439 |
On this Day, etc. | p. 440 |
From the Portuguese | p. 442 |
Paraphrase from ... the Medea | p. 443 |
Epitaph ("Youth, Nature," etc.) | ib. |
On Moore's Last ... Farce | p. 444 |
On Lord T.'s poems | ib. |
To Lord T. | p. 445 |
To Thomas Moore ("Oh, you," etc.) | p. 446 |
Fragment of an Ep. to T. Moore ("What say I," etc.) | p. 447 |
On Napoleon's Escape from Elba | p. 449 |
Fragment ... On hearing that Lady Byron was ill (6 lines) | ib. |
To Thomas Moore ("What are you," etc.) | ib. |
Song for the Luddites | p. 450 |
Versicles | p. 451 |
To Mr. Murray ("To hook," etc.) | ib. |
On the birth of J. W. R. Hoppner | p. 452 |
Epigram (from Rulhieres) (sic) | p. 453 |
Epigr. ("To-day it is," etc.) | ib. |
Epigr. ("Here's a Happy," etc.) | ib. |
Epigr. ("This day of all," etc.) | p. 454 |
Endorsement to the deed, etc. | ib. |
Epitaph for William Pitt | ib. |
Epigr. ("In digging," etc.) | p. 455 |
Stanzas ("When a man," etc.) | ib. |
On his Thirty-third Birthday | ib. |
Epigr. ("The Brasiers," etc.) | p. 456 |
Epigr. ("The world," etc.) | ib. |
The Charity Ball | p. 457 |
Impromptu | ib. |
Windsor Poetics | p. 458 |
Lines in the Travellers' Book at Orchomenus | ib. |
Note.—List of publications by John Murray, January 4, 1831— "A fifth and sixth vol. of Lord Byron's Works: containing E.B., etc., Heaven & E., The Def. Trans., The Island, etc., etc., forming the portion of the Works recently purchased by Mr. Murray, and rendering them the first and only complete edition (Don Juan being alone excepted). 2 vols. 12º.[113] Printed for the first time, to match with the Edition of Lord Byron's Works in 4 vols. 18º."
The/ Complete works/ of/ Lord Byron,/ Including/ his Lordship's Suppressed Poems,/ With others never before published./ In one Volume./ Paris./ Published by A. and W. Galignani,/ No. 18, Rue Vivienne./ 1831./ [8º.
Collation—
Pp. xxiv. + 730—Half-title (R. Printed by J. Smith, Rue Montmorency, Paris./); Title, one leaf; Cont., pp. i.-iv.; The Life of Lord Byron [abridged from the Life by J. W. Lake] pp. v.-xxiv.; Text, pp. 1-730.
The Frontispiece, a portrait of Lord Byron, engr. by J. T. Wedgwood from a painting by W. E. West, in arabesque frame, rests on miniatures of Newstead Abbey and Missolunghi (sic) designed by F. Sieurac. The Title-vignette is tomb, harp, willows, etc. A lithograph of letter, April 27, 1819, to the Editor of Galignani's Messenger, is inserted between the Life and the Text.
Contents—
This edition includes Hours of Idleness (Sec. Ed.), English Bards, etc., The Curse of Minerva, The Waltz, all poems published by John Murray before 1831, a selection of poems included in Moore's Notices of the Life, etc., poems published by John Hunt, Letter to ... on Bowles' Strictures on Pope, Fragment, Parliamentary Speeches, and the following spurious and additional poems:—
Madame Lavalette | p. 699 |
Ode ("Oh, shame to thee," etc.) | p. 705 |
Carmina Byronis in C. Elgin | p. 707 |
Ode to the Island of St. Helena | ib. |
Enigma on the letter H | p. 708 |
To Jessy | ib. |
To my Daughter | p. 709 |
Lines to Mr. Hobhouse | p. 710 |
Lines found in the Travellers' book at Chamouni | ib. |
Stanzas to her who can best understand them | p. 712 |
In the Valley of Waters | p. 713 |
Francesca | ib. |
Faith, Wisdom, Love and Power | ib. |
Thermopylæ | p. 714 |
Song, "Do you know Dr. Nott?" | p. 716 |
To Mr. Hobhouse, "What made you," etc. (20 lines) | p. 717 |
Enigma on the letter I | p. 720 |
To Memory ("Oh, memory," etc.) | p. 721 |
To my dear Mary Anne | ib. |
On an Old Lady ("In Nottingham," etc.) | p. 722 |
Note.—Among the Attributed Poems are To the Lily of[114] France, p. 729; The Triumph of the Whale, ib.; To Lady C. Lamb, ib.; Stanzas ("I heard thy fate," etc.), p. 730.
The Works, etc., including the suppressed poems. Also a Sketch of his Life. By J. W. Lake. Complete in one Vol. Philadelphia. Published by Henry Adams and sold by John Griggs. 1831. [4º.
Collation—
Pp. xxxix. + 176.
The/ Works/ of/ Lord Byron:/ With/ His Letters and Journals,/ And His Life,/ By Thomas Moore, Esq./ In Fourteen Volumes./ Vol. I. [Vol. II., etc.] London:/ John Murray, Albemarle Street./ 183./ [8º.
Collation—
Vol. I.: pp. xv. + 359—Title (R. Imprint, London:/ Printed by A. Spottiswoode,/ New-Street-Square./), pp. i., ii.; Cont. of Vol. I., pp. iii., iv.; Half-title, pp. v., vi.; Dedication to Sir W. Scott, pp. vii., viii.; Preface to the First Vol. of First Ed., pp. ix., x.; Preface to the Sec. Vol., pp. xi.-xv.; Text (Notices of the Life of Lord Byron), pp. 1-359.
The Frontispiece, "Lord Byron at the Age of 19," is engr. by W. Finden from the portrait by G. Sanders: the Title-vignette, "Cadiz," is engr. by E. Finden from a drawing by C. Stansfield.
Vol. II.: pp. 1-341—The Frontispiece "Tepaleen," is engr. by F. Finden from a drawing by W. Purser; the Title-vignette, "Constantinople," is engr. by E. Finden from a drawing by C. Stansfield.
Vol. III.: pp. 1-376—The Front., "Marathon," and the Title-vignette, "A Street in Athens," are engr. by E. Finden from drawings by C. Stansfield.
Vol. IV.: pp. 1-359—The Front., "The Wengen Alps," and the Title-vignette, "The Coliseum from the Orto Farnese," are engr. by E. Finden from drawings by J. D. Harding.
Vol. V.: pp. 1-376—The Front., "Sta Maria Dalla Spina," is engr. by E. Finden from a drawing by J. M. W. Turner, R.A.; the Title-vignette, the "Hellespont," is engr. by E. Finden from a drawing by J. D. Harding.
Vol. VI.: pp. 1-416—The Front., "Newstead Abbey" [from the Monk's Garden], and the Title-vignette, "The Fountain at Newstead Abbey," are engr. by E. Finden from drawings by W. Westall, A.R.A.
Vol. VII.: pp. xv. + 319—Gen. Half-title (R. Imprint), pp. i., ii.; Title, one leaf, pp. iii., iv.; Advt. (editorial, June, 1832), pp. v.-vii.; Cont. of Vol. VII., pp. ix.-xv.; Text, pp. 1-319. The Imprint is in the centre of the last page, p. [320].[115]
The Front., "The Gate of Theseus," and the Title-vignette, "The Plains of Troy," are engr. by E. Finden from drawings by J. M. W. Turner, R.A. A facsimile of the two first stanzas of To D—— faces p. 12.
Vol. VIII.: pp. x. + 328—Gen. Half-title (R. Imprint), pp. i., ii.; Title, one leaf, pp. iii., iv.; Advt. (editorial, July 20, 1832), pp. v.-x.; Cont. of Vol. VIII., n.p.; Text, pp. 1-328. The Imprint is at the foot of p. 328.
The Front., "Bacharach," and the Title-vignette, "The Castle of St. Angelo," are engr. by E. Finden from drawings by J. M. W. Turner, R. A. A facsimile of Childe Harold's, etc., Canto III. stanza xci. faces p. 174. In earlier copies the facsimile faced p. [viii.] of Vol. IX. See Note on reverse of p. vii. of that volume.
Vol. IX.: pp. vii. + 360—Title (R. Imprint), pp. i., ii.; Advt. (editorial, July 20, 1832), pp. iii., iv.; Cont. of Vol. IX., pp. v.-vii.; Text, pp. 1-360. The Imprint is at the foot of p. 360.
The Front., "Petrarch's Tomb," is engr. by E. Finden from a drawing by J. M. W. Turner, R.A.; the Title-vignette, "Seville," is engr. by E. Finden.
Vol. X.: pp. xix. + 316—Gen. Half-title (R. Imprint), pp. i., ii.; Title, one leaf, pp. iii., iv.; Advt. (editorial, September 16, 1832), pp. v.-xiii.; Cont. of Vol. X., pp. xv.-xix.; Text, pp. 1-316. The Imprint is at the foot of p. 316.
The Front., "Corinth," is engr. by E. Finden from drawings by J. M. W. Turner, R.A., and W. Page; the Title-vignette, "Athens and the Island of Egina," is engr. by E. Finden from drawings by C. Stansfield and W. Page.
Vol. XI.: pp. viii. + 326—Gen. Half-title (R. Imprint), pp. i., ii.; Title, one leaf, pp. iii., iv.; Advt. (editorial, October 10, 1832), pp. v., vi.; Cont. of Vol. XI., pp. vii., viii.; Text, pp. 1-326. The Imprint is at the foot of p. 326.
The Front., "The Bridge of Sighs," and the Title-vignette, "The Bernese Alps," are engr. by E. Finden, from drawings by J. M. W. Turner, R.A.
Vol. XII.: pp. vi. + 324—Gen. Half-title (R. Imprint), pp. i., ii.; Title, one leaf, pp. iii., iv.; Advt. (editorial, November 10, 1832), pp. v., vi.; Cont. of Vol. XII., n.p.; Text, pp. 1-324. The Imprint is at the foot of p. 324.
The Front., "Florence," is engr. by E. Finden from drawings by J. D. Harding and G. Moran, junr.; the Title-vignette, "San Georgio Maggiore," is engr. by E. Finden from a drawing by C. Stansfield, A.R.A.
Vol. XIII.: pp. vi. + 369—Half-title (R. Imprint), pp. i., ii.; Title, one leaf, pp. iii., iv.; Advt. (editorial, December 12, 1832), pp. v., vi.; Cont. of Vol. XIII., n.p.; Text, pp. 1-369. The Imprint is in the centre of the last page, p. [370].
The Front., "The Arch of Titus," is engr. by E. Finden, from drawings by C. Stansfield and W. Page; the Title-vignette, "The Walls of Rome," is engr. by E. Finden from a drawing by J. M. W. Turner, R.A.[116]
Vol. XIV.: pp. 1-360—Gen. Half-title (R. Imprint), pp. [i., ii.]; Title, one leaf, pp. [iii., iv.]; Advt. (editorial, January 10, 1833), pp. [v., vi.]; Text, pp. 1-360. The Imprint is at the foot of p. 360.
The Front., "Parnassus," and the Title-vignette, "The Field of Waterloo," are engr. by E. Finden from drawings by J. M. W. Turner, R.A.
Vol. XV.: pp. vi. + 334—Half-title (R. Imprint), pp. i. ii.; Title, one leaf, pp. iii., iv.; Advt. (editorial, February 15, 1833), pp. v., vi.; Cont. of Vol. XV., n.p.; Text, pp. 1-334. The Imprint is at the foot of p. 334.
The Front., "Scio," and the Title-vignette, "Genoa," are engr. by E. Finden from drawings by J. M. W. Turner, R.A.
Vol. XVI.: pp. vi. + 335—Half-title (R. Imprint), pp. i., ii.; Title, one leaf, pp. iii., iv.; Advt. (editorial, March 15, 1833), pp. v., vi.; Cont. of Vol. XVI., n.p.; Text, pp. 1-335. The Imprint is in the centre of the last page, p. [336].
The Front., "Cologne," and the Title-vignette, "St. Sophia," are engr. by E. Finden from drawings by J. M. W. Turner, R.A.
Vol. XVII.: pp. viii. + 304—Half-title (R. Imprint), pp. i., ii; Title, one leaf, pp. iii., iv.; Advt. (editorial, May 15, 1833), pp. v., vi.; Cont. of Vol. XVII., pp. vii., viii.; Text, pp. 1-248; Index, pp. 249-304. The Imprint is at the foot of p. 304.
The Front., "The School of Homer," and the Title-vignette, "The Castellated Rhine," are engr. by E. Finden from drawings by J. M. W. Turner, R.A.
Contents—
Vols. I.-V.:—Notices of the Life of Lord Byron. | |
Vol. VI.:—The Life, etc., from February, 1823-April, 1824 | p.1 |
App.: cont. two epistles from the Armenian, etc. | p. 269 |
Miscellaneous Pieces in Prose: | |
Review of Wordsworth's Poems, 1807 | p. 293 |
Review of Gell's Geography of Ithaca, etc., 1811 | p. 296 |
Parliamentary Speeches, etc. | p. 314 |
A Fragment. [The Vampyre.] 1816 | p. 339 |
Letter to John Murray, Esq., etc. | p. 346 |
Observations upon "Observations," etc. [Now first published.] | p. 382 |
Vol. VII.:—Hours of Idleness: a Series of Poems, Original and Translated: | |
Dedication. | p. 1 |
Preface | p. 5 |
On the Death of a Young Lady (and 69 others) | p. 9 |
Article from the Edin. Rev. | p. 188 |
Occasional Pieces: written in 1807-8: | |
The Adieu (and 15 others) | p. 195 |
English Bards and Scotch Reviewers | p. 219 |
Occasional Pieces: written in 1808-1810: | |
Well, thou art happy (and 15 others) | p. 291 |
Vol. VIII.:—Childe Harold's Pilgrimage: Preface to the First and Second Cantos | p. 3 |
To Ianthe | p. 9 |
Canto the First [Canto the Second, etc.] | p. 11[117] |
Dedication of Canto the Fourth | p. 189 |
Historical Notes to Canto the Fourth | p. 271 |
Vol. IX.:—Occasional Pieces: written in 1811-1813: | |
Lines written beneath a Picture (and 31 others) | p. 3 |
Hints from Horace | p. 47 |
The Curse of Minerva | p. 107 |
The Waltz | p. 123 |
The Giaour | p. 141 |
The Bride, etc. | p. 203 |
The Corsair (Dedication, etc.) | p. 257 |
Appendix: Remarks on the Romaic, etc. | p. 339 |
Vol. X.:—Ode to N.B. | p. 1 |
Lara (Cantos I., II. (N.)) | p. 17 |
Hebrew Melodies: She walks in Beauty (and 22 others) | p. 75 |
The Siege, etc. | p. 99 |
Parisina | p. 149 |
Domestic Pieces: | |
Fare Thee Well (and five others) | p. 185 |
Monody, etc. | p. 211 |
The Prisoner of Chillon | p. 221 |
The Dream | p. 243d |
Occasional Pieces: 1814-1816: | |
The Devil's Drive (and 28 others) | p. 257 |
Vol. XI.:—Manfred | p. 1 |
The Lament of Tasso | p. 77 |
Beppo | p. 95 |
Mazeppa | p. 143 |
Ode on Venice | p. 179 |
The Morgante Maggiore (Canto I.) | p. 187 |
The Prophecy of Dante (Cantos I.-IV.) | p. 259 |
Occasional Pieces: | |
Versicles (and 14 others) | p. 307 |
Vol. XII.:—Francesca of Rimini | p. 1 |
Stanzas to the Po | p. 13 |
Stanzas (Written on the Road, etc.) | p. 19 |
The Blues | p. 21 |
Marino Faliero (App.) | p. 43 |
The Vision of Judgment (App.) | p. 231 |
Occasional Pieces: | |
Stanzas ["Could Love for ever"] (and 5 others) | p. 317 |
Vol. XIII.:—Heaven and Earth | p. 1 |
Sardanapalus | p. 55 |
The Two Foscari | p. 197 |
The Deformed Transformed | p. 301 |
Vol. XIV.:—Cain (App.) | p. 1 |
Werner | p. 113 |
The Age of Bronze | p. 263 |
The Island | p. 299 |
Stanzas: To a Hindoo Air | p. 357 |
Lines ("On this day," etc.) | p. 358 |
Vol. XV.:—Preface to Don Juan | p. 3 |
Testimonies of Authors | p. 5 |
Letter to the Editor of "My Grandmother's Review" | p. 41 |
Some Observations upon an article in Blackwood's Magazine (August, 1819. [Now first pub.]) | p. 55 |
Fragment ("I would to heaven," etc.) | p. 100 |
Dedication to Robert Southey, Esq. | p. 101 |
Don Juan (Cantos I.-III.) | p. 109 |
Vol. XVI.:—Don Juan (Cantos IV., V., App.) | p. 1 |
Preface to Cantos VI., VII., VIII. | p. 127 |
Cantos VI.-X. | p. 133 |
Vol. XVII.:—Don Juan (Cantos XI.-XVI.) | p. 1[118] |
Appendix: Farewell to Malta (and nine additional occasional pieces) | p. 239 |
Concluding Page of Lord Byron's "Observations upon an Article," etc. | p. 247 |
Index | p. 249 |
Note (1).—The Title-pages of Vols. XIII., XIV., XV., XVI., issued in 1833, do not specify the total number of volumes. The Title-pages of Vol. I. issued in 1835, Vol. II. in 1833, and Vol. IX. in 1834, print the words, "In Seventeen Volumes." There were probably other variations. There is an illustrated Title-page ornamented with a Title-vignette (vide supra et ante) to each volume.
Note (2).—The editor of these volumes was John Wright (1770?-1844), the editor of Cobbett's Parliamentary History, and the ninth and tenth volumes of Boswell's Life of Johnson (1836), and of Sir Henry Cavendish's Debates of the House of Commons during the Thirteenth Parliament of Great Britain, etc., two vols. 1841-3.
The Complete Works, etc., including his suppressed poems and others never before published. In Four Volumes. Paris, Baudry. 1832. [8º.
[Katalog der Bucher, von Eduard Grisebach, 1894, p. 127.]
Note.—The Front. is "Lord Byron," from a portrait by Hopwood. Quérard, 1846, gives the names of the publishers of this edition as Baudry, Barrois, Amyot.
The Works, etc., In Verse and Prose. Including his Letters, Journals, etc. With a sketch of his Life. New York: George Dearborn, Publisher. 1833. 4º. pp. xxviii., 203, 619. ["... The first complete edition of the Poetical and Prose Works of Lord Byron."—Publisher's Advt.]
Note.—The Catalogue of the Library of Congress, 1880, describes this or a Second Edition as consisting of two vols. in one, 8º.
The/ Complete Works/ of Lord Byron,/ Reprinted from the last London Edition,/ with considerable additions, now first published;/ Containing/ Notes and Illustrations/ By/ Moore, Walter Scott, Campbell, Jeffrey, Egerton Brydges, Wilson, Hobhouse,/ Dallas, Hunt, Milman, Lockhart, Bowles, Heber, Medwin, Gamba, Croby, Ugo Foscolo,[119] Ellis,/ Kennedy, Parry, Stanhope, Gait, Nathan, Lady Blessington, Mrs. Shelley, etc./ And/ A Complete Index;/ To which is prefixed/ A Life,/ By Henry Lytton Bulwer, Esq., M.P.,/ In one Volume./ Paris/ Published by A. and W. Galignani and Co./ 1835./ [8º.
Collation—
Pp. xxxiii. + 935—Half-title (R. Printed by H. and A. Firmin Didot, rue Jacob, No. 24.), pp. i., ii.; Title, pp. iii., iv.; (Publisher's) Advt., pp. v., vi.; Cont. pp. vii.-x.; The Life of Lord Byron, pp. xi.-xxxiii.; Text pp. 1-908; Index, pp. 909-935.
The Frontispiece is a portrait of Lord Byron, engr. by J. T. Wedgwood from a painting by W. E. West. The portrait in arabesque frame rests on picture of Newstead Abbey and Missolunghi (sic), designed by F. Sieurac. There is a lithographed vignette of tomb, harp, wreath, etc., on the title-page, and a lithograph of the memorial tablet in the chancel of Hucknall Torkard. A facsimile of the letter dated Venice, April 27, 1819, precedes the text, and facsimiles of original MS. of "To D——," and of Childe Harold, Canto IV. stanza xcii., face pp. 3, 122.
Miscellaneous Poems—
On an Old Lady ("In Nottingham," etc.) | p. 842 |
On Lord Elgin ("Noseless himself," etc.) | p. 864 |
Stanzas to her who can best understand them | p. 887 |
Epigram from Martial ("The Laureate's House," etc.) | p. 888 |
To Mr. Hobhouse ("Would you get," etc.) | ib |
To Mr. Hobhouse ("What made you," etc.) | ib |
On Queen Caroline | p. 901 |
Elegy on the Recovery of Lady —— | p. 903 |
Song, "Do you know Doctor Nott?" | ib |
To —— ("But once I dared," etc.) | p. 904 |
On Sam Rogers ("Nose and Chin," etc.) | ib |
On Lady Milbank's Dog Trim | p. 905 |
Lines to Lady Holland ("Lady, accept," etc.) | ib |
Attributed Poems: | |
To Jessy ("There is a mystic," etc.) | p. 906 |
Lines found in the Travellers' Book at Chamouni | ib |
To Lady Caroline Lamb | p. 907 |
To the Prince of Whales | ib |
On the letter I | p. 908 |
To my dear Mary Anne | ib |
Stanzas ("I heard thy fate," etc.) | ib |
Note.—This edition includes the contents of "the last [edition] published in London in seventeen volumes," together with the poems published in the Appendix to the Works of Lord Byron (1832-1833, xvii. 238-248), and the following pieces not recognized or collected by John Murray.[120]
The Complete Works, etc. In Four Volumes. Paris, Baudry, Amyot, Truchy. 1835. [8º.
[Quérard, 1846.]
Note.—This edition was reissued in 1840.
The/ Works/ of/ Lord Byron./ Complete In One Volume./ With Notes By/
Thomas Moore, Esq., | Professor Wilson, |
Lord Jeffrey, | J. G. Lockhart, Esq., |
Sir Walter Scott, | George Ellis, Esq., |
Bishop Heber, | Thomas Campbell, Esq., |
Samuel Rogers, Esq., | Rev. H. H. Milmand, |
etc. etc. etc. |
London:/ John Murray, Albemarle Street./ 1837./ [8º.
Collation—
Pp. viii. + 827—Title (R. London:/ Printed by A. Spottiswoode,/ New-Street-Square./), pp. i., ii.; Contents, pp. iii.-vi.; Chronology of Lord Byron's Life and Works, pp. vii., viii.; Text, pp. 1-812; Index, pp. 813-827. The Imprint, as above, is at the foot of p. 827.
The Frontispiece, "Lord Byron at the age of 19," is engr. by E. Finden from the portrait by G. Sanders. The illustrated Title is embellished with a vignette of "Newstead Abbey," engr. by E. Finden from a painting by T. Creswick.
The Dedication is enclosed in an arabesque of oak branches issuing from a shield bearing the arms and motto. (Industria) of Sir Robert Peel. It runs as follows: To/ The Right Honorable/ Sir Robert Peel, Bart./ etc. etc. etc./ This/ Collective Edition/ of The Works of His/ "School and Form Fellow,"/ Is/ Respectfully Inscribed/ By His/ Faithful and Obedient Servant/ John Murray,/ February Fifth./ MDCCCXXXVII./
Facsimiles of Lord Byron's Handwriting at Various Periods of His Life, viz.: I. At Harrow in 1803. II. From the Giaour, 1813. First draft. III. Marriage Signatures of Lord and Lady Byron, January 2, 1815. IV. From Lord Byron's Diary, 1821. V. From Lord Byron's last letter to Mr. Murray, dated Missalonghi, February 2, 1824 (four pages, n.p.) are inserted between the "Chronology," etc., and the Text.
The first edition was bound in brown cloth. Lord Byron's Coat of Arms, with Coronet, Supporters and Motto, is stamped in gold on the cover.
Note.—This Edition, which is printed in double columns enclosed by a double line, has been reissued at brief intervals from 1838 to 1902.
The contents of this volume includes the contents of Vols.[121] VII.-XVII. of the Ed. 1832, 1833, together with the following additions already printed (except No. 4) in Vols. I.-VI.:—
Contents—
1. Translation of ... Nurse's Dole ("Oh, how I wish," etc.) | p. 546 |
2. My Epitaph ("Youth, Nature," etc.) | ib |
3. Remember thee! Remember thee! | p. 554 |
4. John Keats | p. 574 |
5. Impromptu ("Beneath Blessington's eyes") | p. 577 |
6. To the Countess of Blessington | ib |
Appendix: Conversations of Lord Byron as related by Thomas Medwin, Esq., compared with a Portion of His Lordship's Correspondence. Published, Ed. 1828, iv. 419-429. | p. 809 |
The/ Complete Works/ of/ Lord Byron/ From the last London Edition,/ Now first collected and arranged, and Illustrated/ With all the notes/ By Sir Walter Scott [and 24 others— five lines] To which is prefixed the Life of the Author/ By John Galt, Esq./ In one Volume./ Paris:/ Baudry's European Library,/ Rue Du Coq, near the Louvre./ A. and W. Galignani and Co., 18, Rue Vivienne./ Sold also by Amyot, Rue de la Paix; Truchy, Boulevard des Italiens; Theophile Barrois, Jun.,/ Rue Richelieu; at the Librairie des Etrangers, 55, Rue Neuve-Saint-Augustin;/ And by all the Principal Booksellers on the Continent./ 1837./ [8º.
Collation—
Pp. II + cxxii + 954—Half-title (R. Printed by Casimir, 12, Rue de la Vieille-Monnaie); Title, one leaf; Publisher's Advt., pp. 1-6; Contents, pp. 7-11; The Life of Lord Byron. By John Galt, Esq., pp. i.-cxxii.; Text, pp. 1-941; Index, pp. 943-954. The Imprint, as above, is at the foot of p. 954.
The Frontispiece, "Lord Byron at the age of 17" (sic), is engr. by Blanchard from the painting by G. Sanders. The Title-page is embellished with a vignette of a shipwreck.
Facsimiles of Lord Byron's Handwriting, etc. (as in No. li.), four pages (n.p.), are inserted between the "Life," and the Text.
Note.—This volume "contains all the works of Lord Byron carefully reprinted from the [last eleven volumes of the] London edition published by Mr. Murray in 1833." The prose pieces published in Vol. VI. of the same edition are included. The additional poems printed in the Appendix of Vol. XVII., 1833, "occupy respectively their proper places."
Galt's Life of Lord Byron was first published in 1830 as No. 1 of G. A. Gleig's "National Library."[122]
The Works, etc., Complete in one Vol. With Notes by Th. Moore, Lord Jeffrey, etc. Authorized Foreign Edition. London and Leipzig: Black and Armstrong. 1837.
Note.—Kayser (1841) records the issue of The Works in seventeen volumes, and The Complete Works in ten volumes (pocket edition), by the same publisher. (See, too, The Prisoner of Chillon, by E. Kölbing, 1896)
Lord Byron's Complete Works. In Seven Vols. Mannheim. Henry Hoff. 1837. [16º.
[Kayser, 1841.]
The Complete Works, etc. Including the Suppressed Poems and Supplementary pieces selected from his papers after his Death. In one Vol. Paris. Published by Gamier, Palais-Royal. 1839. [4º.
[Kölbing.]
Collation—
Pp. xlv. + 724.
The/ Poetical Works/ of/ Lord Byron./ In Eight Volumes./ Vol. I.—Part I./ London:/ John Murray, Albemarle Street. 1839.-[4º.
Note.—This edition (printed by A. Spottiswoode, New-Street-Square), together with Letters and Journals of Lord Byron, etc., by T. Moore. 2 v. 1830. 4º. ("to which have been added the Letter to [John Murray] on the Rev. W. L. Bowles' Strictures on the life and writings of Pope.... Second Edition, and a few other printed papers, also numerous views, portraits, autograph letters," etc.) bound in 44 vols. with the gen. Title (The/ Poetical Works,/ Letters and Journals,/ of/ Lord Byron:/ with/ Notices of His Life./ By/ Thomas Moore, Esq./ Vol. I. [Vol. II.] London: 1844./), printed expressly for the purpose and prefixed to each volume, which is known as the "Watts" Collection (B.M.C. 44, e-h), was arranged by the late William Watts, Esq., Member of the Philharmonic Society, who died at Jersey, December 28, 1859, aged 81. (See Kölbing's P. of Chillon, 1896, pp. 90-92.)
The Works, etc. Complete in Five Vols. Leipzig: Bernhard Tauchnitz. 1842. [8º.
[Kölbing.]
Note.—A Second Edition was issued in 1886.[123]
The Works, etc. A New Edition. Edited by Thomas Moore, Esq. Complete in four volumes. With Engravings. Philadelphia. Carey and Hart. 1843.
[Kölbing.]
The Complete Works, etc.... A Life by Thomas Moore, Esq. In One Volume. With a Portrait. Second Edition. Frankfort o. M. Published by Joseph Baer.; 1846. [8º.
[Kölbing.]
The/ Works of Lord Byron;/ In Verse and Prose./ Including/ His Letters, Journals, etc./ With/ A Sketch of His Life./ Hartford:/ Published by Silas Andrus and Son./ 1847./ [8º.
Collation—
Pp. xxviii. + 319 + 627—Illustrated Title as above (n.d.), pp. iii., iv.; Title (R. Publishers' Advt, New York, Jan. 1834), pp. v., vi.; Cont. pp. vii.—xiv.; The Life of Lord Byron [By Fitz Green Halleck], pp. xv.-xxviii.; Text (i.) Letters (635), Extracts from a Journal, and Prose Pieces, pp. 1-319; Text (ii.) Poems, etc., pp. 1-627.
The Front., "Lady Noel Byron," is engr. by A. Dick from a painting by W. J. Newton. The vignette or illust. title is Lord Byron, engr. by A. Dick from a painting by W. E. West. To face p. 1 of the Poems is "Diodati," engr. by M. Osborne from a sketch by W. Purser; to face p. 156, "Mazeppa," engr. by Illman and Pilbrow from a painting by H. Verner; facsimiles of Lord Byron's handwriting face pp. 25, 384.
The volume was issued in roan binding, with portrait of Byron stamped in gold on the covers.
Among "Poems not included in any Collection of Lord Byron's Works until after his Death," pp. 467-488, are the following pieces not included in the London editions of 1831, 1832, and of 1833.
To my dear Mary Anne | p. 472 |
To Miss Chaworth ("Oh, memory," etc.) | ib. |
To Lady Caroline Lamb | p. 480 |
"In the Valley of Waters," etc. | p. 482 |
Stanzas to her who can best understand them | p. 486 |
The/ Works/ of/ Lord Byron:/ With a/ Life and Illustrative Notes,/ By/ William Anderson, Esq.,/ Author of Landscape Lyrics, Scottish Popular Biography, etc./ In Two Volumes./ Vol. I./ [Vol. II.] A Fullarton & Co.:/ Stead's Place, Leith Walk, Edinburgh;/ and 106, Newgate Street, London./ n.d. [1850.] [8º.
Collation—
Vol. I.: pp. ccxxiv. + 270—Title (R. Edinburgh:/ Fullarton and Macnab, Printers, Leith Walk), pp. i., ii.; Preface, pp. iii., iv.; Cont. of Vol. I. pp. v., vi.; Life of Lord Byron, pp. vii.-ccxxiv.; Text, pp. 1-270. The Imprint, as above, is at the foot of p. 270.
The Front. ["Lord Byron at the age of 19"] is engr. by E. Finden from the painting by G. Sanders. The illustrated Title-page [The/ Works/ of/ Lord Byron/ With Notes and Illustrations./ Vol. I./ Edinburgh:/ A Fullarton & Co./ Stead's Place, Leith Walk./] is embellished with a vignette of "Lausanne," engr. by W. Finden from a drawing by C. Stansfield, A.R.A.
Vol. II.: pp. 1-465—Title (R. Imprint as above); Cont. of Vol. II.; Text, pp. 1-465. The Imprint, as above, is at the foot of p. 465.
The Front., "Newstead Abbey," is engr. by E. Finden from a drawing by W. Westall, A.R.A. The illustrated Title-page is embellished with a vignette, "Villeneuve," engr. by E. Finden from a drawing by C. Stansfield, A.R.A.
Note.—These volumes contain all that "the existing laws of copyright [1850] allows to be free;" e.g. all the dramas except Manfred and Cain, The Island, The Age of Bronze, etc., are omitted. In Vol. i. the Life and Text are illust. by 56 Plates; in Vol. II. the Text is illust. by 41 Plates. Two pages (B.R.) headed, "Directions for placing the Plates," and "Directions for placing Plates in Supplement," are bound up with Vol. II.
The/ Poetical Works/ of/ Lord Byron./ Complete in One Volume./ Collected and Arranged, with Illustrative Notes,/ By/ Thomas Moore/ [and 9 others]. With a Portrait, and View of Newstead Abbey./ Philadelphia./ 1850./ [8º.
Collation—
Pp. 829.
Note.—Reissued by the same firm with different addresses in 1854, 1869, 1878, etc. This edition is a reproduction of Murray's one-volume edition of 1837.[125]
The/ Poetical Works/ of/ Lord Byron./ Containing/ The Giaour,/ [and 17 others]. Also/ Several Attributed and Suppressed Poems not/ Included in Other Editions./ With a Memoir,/ By/ Henry Lytton Bulwer, Esq./ London:/ Henry G. Bohn, York Street, Covent Garden./ 1851./ [12º.
Collation—
Pp. xlviii. + 641.
Attributed Poems—
Ode ("Oh, shame to thee") | p. 624 |
Madame Lavalette | p. 626 |
Farewell to England | p. 627 |
To my Daughter, Etc. | p. 627 |
Ode to the Island of St. Helena | p. 636 |
To the Lily of France | p. 638 |
To Jessy | p. 640 |
Lines addressed to Mr. Hobhouse | p. 641 |
Enigma (H.) | ib. |
Note.—The Front. is "Lord Byron," by Harlow, Sanders, and Phillips (three vignettes), with arabesque border surmounted by arms and coronet. The Title-vignette (on illustrated Title-page, dated 1847) is "Newstead Abbey."
The Poetical Works, etc. Complete in One Volume. Philadelphia: Lippincott, Grambo and Co., successors to Grigg, Elliot and Co., Nº 14, North Fourth Street. 1851. [6º.
Note.—A reissue, entitled The Globe Edition, Philadelphia, Claxton, Remsen, and Haffelfinger, appeared in 1870.
The/ Complete Works/ of/ Lord Byron./ Reprinted from the Last London Edition;/ Containing Besides the/ Notes and Illustrations/ By/ Moore, (and 24 others = 4 lines). Considerable Additions and Original Notes;/ To which is Prefixed/ a Life/ By Thomas Moore, Esq./ [Abbreviated.] In One Volume, with a Portrait./ Second Edition./ Frankfort o.M./ Published by Joseph Baer, Bookseller./ 1852./ [8º.
Collation—
Pp. xlviii. + 1004.
The Front., "Lord Byron at the age of 19," is engr. by C. Deucker from the painting by G. Sander (sic).[126]
The "Miscellaneous Poems" are identical with the Miscellaneous Poems of No. xlviii., save for the omission of the lines, "In Nottingham County," etc., and twelve lines from the ballad "On Mr. Hobhouse."
The/ Illustrated/ Byron/ with upwards of/ Two Hundred Engravings/ From Original Drawings/ By/ Kenny Meadows/ Birket Foster/ Hablot K. Browne/ Gustave Janet/ and/ Edward Morin./ Henry Vizetelly London. Gough Sq., Fleet St./ [1854, 1855.] [8º.
Collation—
Pp. viii. + 632.
Poetical Works, with a memoir of his life. (2 vols.) Philadelphia. 1853. [8º.
[Detroit Public Library.]
Poetical Works, etc. With life and notes by Allan Cunningham. Family ed. London, Charles Daly, 17 Greville Street, Hatton Gardens. [1854.] [12º.
[Cat. of Lib. of Congress, 1880.]
Collation—
Pp. xxii. + 544. 10 pl.
The Works, etc., embracing his suppressed poems, and a sketch of his life. Illustrated. New edition, complete in one volume. Boston: Phillips, Sampson, and Company, 110 Washington Street. 1854. [4º.
[Kölbing.]
Collation—
Pp. vi. + 1071.
The/ Poetical Works/ of/ Lord Byron./ In Six Volumes— Vol. I./ [Vol. II., etc.] A New Edition./ With Portrait./ London:/ John Murray, Albemarle Street./ 1855./ [8º.
Note.—Front., Portrait of Lord Byron, by T. Phillips, R.A., engr. by E. Finden. [Murray's "Library Edition," reissued in 1857 and in 1867.][127]
(In this Edition Objectionable Pieces have been excluded.)/ The/ Poetical Works/ of/ Lord Byron./ With Life./ Eight engravings on Steel./ Edinburgh:/ Gall and Inglis, 6 George Street;/ London: Houlston and Wright./ [1857.] [8º.
Collation—
Pp. xix. + 524.
Note.—The Ed. omits Canto IV. of Childe Harold, all the dramas except Manfred, and gives "extracts" from Don Juan, "a poem unfit to be printed in this collection entire." Another edition, including the Fourth Canto of Childe Harold's, etc., Mazeppa, and the Ode on Venice, enclosed in coloured vignette borders, was issued in 1881.
The Poetical Works, etc. Complete in One Vol. Illustrated. New York. Leavitt and Allen. 1857. [4º.
[Kölbing.]
Collation—
Pp. xxxiii. + 935.
The/ Poetical Works/ of/ Lord Byron./ Complete./ New Edition, The Text Carefully Revised./ With Portrait./ London: John Murray, Albemarle Street./ 1857./ [8º.
Collation—
Pp. viii. + 685. The Front., "Statue of Byron by Thorwaldsen," is engr. by W. Holl.
Note.—The arrangement of the poems differs from the edition of 1837. [Hours of Idleness; Occasional Pieces; Hebrew Melodies; Domestic Pieces; Later "Occasional Pieces;" The Satires; Childe Harold; The Tales; The Dramas; Beppo; Don Juan; Notes; Index.] This edition is known as the "Pearl" Edition. There was a reissue in 1867, with a new Title-page and without the line-border.
The Poetical Works, etc. Collected and arranged with notes by Sir Walter Scott, Lord Jeffrey, Professor Wilson, Thomas Moore, etc. New and Complete Edition. With Portrait and Illustrated Engravings. London: John Murray, etc. 1859. [8º.[128]
Collation—
Pp. x. + 827.
Note.—This edition was reissued in 1866, 1873, 1876, and 1883.
The Poetical Works, etc. With copious illustrative notes, and a memoir of his life. Complete in One Vol. Illust. with elegant steel engravings. Philadelphia: James B. Smith & Co., No. 27, South Seventh Street. 1859. [8º.
[Kölbing.]
Collation—
Pp. 715.
The Poetical Works, etc. Collected and arranged with notes by Sir Walter Scott, Lord Jeffrey, etc. New and Complete Edition. With Portrait. London: 1860. Leipzig. B. Tauchnitz. [8º.
Collation—
Pp. x. + 828.
Note.—An edition of The Works, etc., forming part of the "Collection of British Authors" (16º), was issued by B. Tauchnitz, at Leipzig, 1865-1870. [Kayser, 1865, 1871.]
The Poetical Works, etc. In Three Vols. F. A. Brockhaus. Leipzig. 1860. [8º.
Note.—Part of the "Library of British Poets." A Second Edition was issued in 1867. [Kayser, 1866.]
The/ Poetical Works/ of/ Lord Byron./ With Illustrations/ By Keeley Halswelle./ Edinburgh: William P. Nimmo, 2 St. David Street./ London: Simpkin, Marshall & Co./ 1861. [8º
Collation—
Pp. xxii + 673.
Note.—The Life of Lord Byron, pp. v.-xv., is by Alexander Leighton. The dramas are represented by Manfred, Heaven and Earth, and Cain; the Satires by English Bards, etc., The Waltz, and Vision of Judgment, ... Don Juan by numerous extracts. Red line-borders.[129]
The/ Poetical Works/ of/ Lord Byron./ In Ten Volumes./ Vol. I. [Vol. II., etc.] Boston:/ Little, Brown and Company./ New York: Phinney, Blakeman and Mason./ Cincinnati: Rickey, Mallory and Co./ 1861./ [8º.
Note (1).—Vol. I. contains Life of Lord Byron [Excerpt from the Encycl. Brit., by J. H. Lister], pp. xi.-xxxv.; Hours of Idleness (71), and all the "Occasional Pieces," 1807-1824. Vol. II., The Satires; Ode to N.B.; Heb. Melodies; "Domestic Pieces;" Ode on Venice; Monody, etc.; Lament of Tasso, etc. Vol. III., Beppo; Proph. of Dante; Francesca, etc.; the Poems published in The Liberal; The Age of Bronze. Vol. IV., Childe Harold's, etc. Vol. V., "The Tales." Vols. VI., VII., VIII., The Dramas. Vols. IX., X., Don Juan. The Front. of Vol. I. is "Byron," by T. Phillips, R.A.
Note (2).—This edition professes to be an amended reprint of the London Edition of 1856 in Six Volumes. Doubtful and "attributed" poems are not included.
The Poetical Works, etc. With Life of the Author, and Copious Notes. Beautifully illustrated. Family Edition. Halifax: Milner and Sowerby. 1863. [8º.
Collation—
Pp. xv. + 702.
Note.—Two other editions of the same work were issued in 1865 by the firm, imprinted London; Milner and Sowerby, Paternoster Row. [Kölbing.]
The Poetical Works/ of Lord Byron./ With Illustrations./ [Life by A. Leighton.] New Edition Carefully Revised./ Edinburgh:/ William P. Nimmo./ [1868.] [8º.
Collation—
Pp. 437.
Note.—This edition includes three dramas, Manfred, Cain, Heaven and Earth; Childe Harold, and Don Juan, but omits Hints from Horace, The Age of Bronze, The Island, The Blues, etc., and occasional Pieces first included in the ed. of 1831.
The Poetical Works/ of Lord Byron./ Reprinted from the Original Editions./ With explanatory notes, etc./ London:/ Frederick Warne and Company./ Bedford[130] Street, Covent Garden./ New York: Scribner, Welford and Co./ [1868.] [16º.
Collation—
Pp. vii. + 638.
Note.—Part of the "Chandos Classics."
Kölbing notes another edition, pp. viii. + 668.
A Third Edition: London and New York.
A Fourth Edition: Portrait and Original Illustrations. Part of "The Lansdowne Poets."
The/ Poetical Works/ of/ Lord Byron:/ With/ Life and Portrait,/ and/ Sixteen Illustrations./ By F. Gilbert./ London:/ John Dicks, 313, Strand./ [1869.] [8º.
Collation—
Pp. xv. + 457. Double columns.
The Poetical Works, etc. New Edition. In Eight Volumes. London: John Murray, Albemarle Street. 1870. [8º.
[Kölbing.]
The/ Poetical Works/ of/ Lord Byron./ Edited, with a Critical Memoir,/ By/ William Michael Rossetti./ Illustrated by/ Ford Madox Brown./ London:/ E. Moxon, Son, & Co., Dover Street./ 1870./ [8º.
Collation—
Pp. xx. + 604.
Note.—Hints from Horace, Translation of Francesca of Rimini, and Occasional Pieces, first included in the edition of 1831, are omitted. This edition was reissued in 1872.
The Complete/ Poetical Works/ of/ Lord Byron/ with an Introductory Memoir/ by/ William B. Scott/ With Illustrations/ London/ George Routledge and Sons/ The Broadway, Ludgate/ New York: 416, Broome Street/ [1874] [8º.
The Poetical Works/ of/ Lord Byron/ Illustrated Edition/ London/ Virtue and Co., City Road and Ivy Lane/ [1874] [8º.
Collation—
Pp. cliv. + 614.
The Front., "Byron," is engr. by W. J. Edwards from the portrait by T. Phillips, R.A. The Title-vignette is "The Corsairs' Isle," and there are fifty other line engravings.
Note.—This edition includes six "Attributed Poems," but omits Hints from Horace, Transl. of Francesca of Rimini, and the Occasional Pieces first collected in the editions of 1831 and 1832-1833. This edition was reissued in 1879.
Poetical Works, etc., embracing his suppressed poems, and a sketch of his life. New Edition.... (Portrait ... 8 plates.) Boston: Lee & Shepard. 1874. [8º.
[Cat. of Lib. of Congress, 1880.]
The/ Poetical Works/ of/ Lord Byron./ London:/ Ward, Lock, and Co., Warwick House,/ Dorset Buildings, Salisbury Square, E.C./ [1878.] [8º.
Collation—
Pp. vii. + 604. [Double column.]
The Poetical Works, etc., complete in one Vol. Collected and arranged, with illustrative notes by Thomas Moore, etc., ... Boston: Lee and Shepard, 1878. [8º.
Collation—
Pp. 829.
Note.—A reproduction of Murray's Edition of 1855. [Kölbing.]
The/ Poetical Works/ of/ Lord Byron./ Edited, With a Critical Memoir,/ By/ William Michael Rossetti./ Illustrated by/ Thomas Seccombe./ London:/ Ward, Lock, & Co., Warwick House,/ Dorset Buildings, Salisbury Square, E.C./ [1880.] [8º.
Collation—
Pp. xx. + 604.[132]
Note.—Part of "Moxon's Popular Poets." This edition does not contain Hints from Horace, Francesca of Rimini, or the Occasional Pieces first collected in the editions of 1831, 1832-1833. The Prefatory Note is by W. M. Rossetti. Double columns bordered with red lines. The same edition, bordered with different red lines and printed on large paper, was issued in 1881.
The Poetical Works/ of/ Lord Byron./ Reprinted from the Original Editions,/ With Life, Explanatory Notes, etc./ London:/ Frederick Warne and Co.,/ Bedford Street, Strand./ [1881.] [8º.
Collation—
Pp. xvi. + 720.
Note.—"This edition (known as 'The Albion Edition') contains the whole of Byron's Poems and Dramas, with his Original Notes."—Publisher's Preface. The Albion Edition was reissued by Warne and Co. in 1897.
The Complete/ Poetical Works/ of/ Lord Byron/ With an Introductory Memoir/ By/ William B. Scott/ London/ George Routledge and Sons/ Broadway, Ludgate Hill/ New York: 9, Lafayette Place/ 1883/ [8º.
Collation—
Pp. 750.
The Front. is the portrait of Lord Byron by G. Sanders; the vignette on Title-page is "Newstead Abbey."
Note.—This edition (double column), which includes all poems published in the one-volume edition of 1837 (No. li.), was reissued in three volumes, 1883, 1886, 1887. Each volume concludes with an Index of First Lines.
The/ Poetical Works/ of/ Lord Byron./ With Life./ Engravings on Steel./ Gall & Inglis./ Edinburgh:/ Bernard Terrace./ London:/ 25 Paternoster Sqr. / [1881.] [8º.
Collation—
Pp. xviii. + 576.
Note.—This edition, which repeats the order and contents of that issued by Gall and Inglis in 1857 (No. lxxi.), adds the Fourth Canto of Childe Harold's, etc., Mazeppa, and the Ode on Venice. Coloured vignette-borders.[133]
The/ Poetical Works/ of/ Lord Byron./ With Original and Additional Notes./ In Twelve Volumes./ Vol. I./ [Vol. II., etc.] Hours of Idleness./ English Bards and Scotch Reviewers./ London:/ Suttaby and Co., Amen Corner./ New York:/ Scribner and Welford./ 1885./ [8º.
Note.—This edition includes all poems contained in the edition of 1837, but omits the prose pieces.
The Poetical Works, etc. Complete in one vol. Collected and arranged with illustrative notes by Thomas Moore, etc. New York: P. F. Collier. [1886?] [Folio.
Collation—
Pp. viii. + 820. [Kölbing.]
The Poetical Works/ of/ Lord Byron./ Edited by/ Mathilde Blind./ Miscellaneous Poems./ London:/ Walter Scott, 24, Warwick Lane, E.G./ and Newcastle-on-Tyne./ 1886./ [16º.
Collation—
Pp. xxviii. + 280.
Note.—Part of the "Canterbury Poets." This volume contains Introductory Notice by Mathilde Blind, pp. vii.-xxviii.; "Miscellaneous Poems" (including Vision of Judgment, Manfred, Cain, etc.), pp. 1-280.
The Poetical Works/ etc. Edited by/ Mathilde Blind./ Childe Harold./ Don Juan./ London, etc./ 1886./ [16º.
Collation—
Pp. 1-369.
Note.—These volumes (Nos. xcvii., xcviii.) were issued separately. Red line-borders.
The Life and Works of, etc., With Notes and Illustrations. ["Centenary Edition."] In Two Volumes. Thomas C. Jack, London, Edinb. and Glasgow. 1888.
[Kölbing.]
The Complete/ Poetical Works/ of/ Lord Byron/ With an Introductory Memoir/ By/ William B. Scott/ London/ George Routledge and Sons, Limited/ Broadway, Ludgate Hill/ Glasgow, Manchester, and New York/ 1890/ [8º.
Collation—
Pp. 750. Double columns.
Note.—Part of "Routledge's Popular Library." The Front. is an illust. of Childe Harold, Canto III. stanza xxi., and the Title-vignette, "Newstead Abbey."
The Poetical Works, etc. New York: John W. Lovell, Company, 50, Worth Street, Corner Mission Place. 1890? [8º.
Collation—
Pp. ii. + 544. [Kölbing.]
The/ Poetical Works/ of/ Lord Byron./ With Original and Additional Notes./ In Twelve Volumes./ Vol. I. [Vol. II., etc.] Hours of Idleness./ English Bards and Scotch Reviewers./ Griffith Farran Okeden & Welsh/ Newbery House, Charing Cross Road/ London, and Sydney./ [1891.] [8º.
Note.—This edition (The "Bijou Byron") is a reissue of The Poetical Works, etc., published by Suttaby and Co. (No. xcv.) in 1885.
The Poetical Works, etc., Complete Edition. In Three Vols. William W. Gibbings. London. 1892.
Note.—A reprint of the Leipzig edition of 1880, published by F. A. Brockhaus.
Works. "Bijou Ed." 12 Vols. Philadelphia, J. B. Lippincott Co. 1892. [Pocket size.
[Amer. Cat., 1892.]
Dramatic and Poetical Works. "Newstead Ed." Philadelphia, D. McKay. 1895. [8º.
[Amer. Cat., 1895.]
Collation—
Pp. 720.
Oxford Miniature Byron/ The/ Poetical Works/ of/ Lord Byron/ In Four Volumes—Vol. I./ London/ Henry Frowde/ Oxford University Press Warehouse/ Amen Corner, E.C./ New York: 91 and 93, Fifth Avenue/ 1896/ [16º.
Note.—"We are indebted to the courtesy of Mr. John Murray, publisher of the edition of 1867, for permission to use any copyright matter contained in that issue."—Publisher's Advt.
The Poetical/ Works of/ Lord/ Byron/ London/ Bliss/ Sands & Co/ XII. Burl-/ Eigh St./ Strand/ W.C./ [1897] [4º.
Collation—
Pp. xvi + 727.
Note.—This edition forms part of "The Apollo Poets." The Front., "Lord Byron," is a Lamerciergravure, printed in Paris, of the portrait by T. Phillips, R.A.
Poetical Works, etc. New Edition, carefully revised. With illustrations. W. P. Nimmo. 1897. [8º.
[English Catalogue, 1898.]
Note.—Part of the "Edinburgh Library of Standard Authors."
Poetical Works. (Ed. by T. Moore.) In four volumes. Philadelphia, J. B. Lippincott Co. 1897. [12º.
[Amer. Cat., 1898.]
The Poetical Works, etc. With Notes, and a memoir of the author. Pictorial Edition. London: George Henny & Co., Bartholomew Close. [n.d.]
[Kölbing.]
Collation—
Pp. cliv. + 344.[136]
The Poetical Works, etc. With explanatory notes and a life of the author, by Thomas Moore. Illustrated with numerous fine steel engravings, embracing the principal female characters, landscape and historical subjects. First quarto edition complete in [? one] volume. New York: Johnson, Fry and Company, 27 Beekman Street. n.d. [4º.
[Kölbing.]
Collation—
Pp. ii. + 740 + xxviii.
The Poetical Works, etc. Complete in one volume. Collected and arranged with illustrative notes by Thomas Moore, etc. New York: P. F. Collier. [1889?] [Fol.
[Kölbing.]
Collation—
Pp. viii. + 820.
The Poetical Works, etc. New York: Hurst & Co., Publishers, 122 Nassau Street. [n.d.]
[Kölbing.]
Collation—
Pp. vi. + 608.
Oeuvres/ Complètes/ de Lord Byron,/ Traduites de l'Anglais/ Par MM.A.—P. et E.—D.S.; [Amédée Pichot et Eusèbe de Salle]/ Troisième édition,/ Entièrement revue et corrigée./ Tome premier./ Paris,/ Ladvocat, Libraire, Palais-Royal,/ Galerie de Bois, No. 195./ 1821./ [12º.
Note.—Vols. I.-VIII. were issued in 1821; Vols. IX. and X. (in two parts) in 1822. Vol. I. (pp. i.-xlv.) is preceded by Notice sur Lord Byron, et ses Ecrits, par Amédée Pichot. Vols. XI.-XV. (Oeuvres, etc./ Traduites de l'Anglais/ Par A. P. [137] ... T./) with Gen. half-title, Oeuvres/ de/ Lord Byron./ Inédites,/ were issued in 1824.
In the Museum copy of this edition an unnumbered volume entitled Essai/ Sur le Génie et le Caractère/ de Lord Byron,/ Par A. P.... T.,/ Précédé/ d'une Notice Préliminaire/ Par M. Charles Nodier./ Extracts de la Quatrième Edition des Oeuvres/ Complètes de Lord Byron,/ (six volumes in-8 ornés de vignettes.) Paris./ Ladvocat, etc./ 1824,/ which includes an essay Sur la Mort de Byron, and a transl. of Heaven and Earth, pp. 195-252, is bound up with Vol. XV.
Note (1).—"Oeuvres de lord Byron. Quatrième édition, entièrement revue et corrigée par A. P.... T.; précédée d'une notice sur lord Byron, par M. Charles Nodier; ornée de vignettes ... A Paris, chez Ladvocat, libraire, Palais-Royal, galerie de bois, No. 195 (Impr. Firmin Didot), MDCCCXXII.-MDCCCXXV. (1822-1825), 8 vols. in-8, conv. impr. Tome I: [Tome II., etc. (in 8 vols.)], 2 ff. (faux-titre et titre); xvi. pp. (notice préliminaire de Ch. Nodier); clii. pp. (Essai sur lord Byron); 4 pp. (Table générale des matières pour les tomes I. à VI.); 249 pp.; et 1 f.n. ch. (annonce d'ouvrages).
"Frontispiece gravé par Godefroy; portrait de lord Byron, gravé par Dequevauvilliers; et 5 figures gravées d'après Richard Westall, par Godefroy, Mougeot, Dequevauvilliers, etc.
"Tome II., etc., etc.
"Les tomes II., III., IV., V., portent la date de 1822; les tomes I. et VI., celle de 1823; le tome VII., celle de 1824; et le tome VIII., la date de 1825." [Manuel de l'Amateur de Livres du XIXe siècle. Par Georges Vicaire. Paris, 1894. Fascic. 3 (1re Partie), pp. 989, 990.]
Note (2).—"La prem. édit, de cette trad, parut de 1819 à 1820, et formait 10 vol. in-12; la seconde Ã[dit. fut. publ. de 1820 Ã 1822, et formait 5 vol. in-8." [Quérard, La France Littéraire, 1827, i. 581.]
"Oeuvres complètes, VI. édit.... Paris, Ladvocat, Delangle, 1829 et ann. suiv., 20 vol. gr. in-18, fig.—Autre édit. Paris, Furne, 1830-35, 6 vol. in-8, et avec 6 vignettes ajoutées. XI. édit., avec une notice historique sur lord Byron, des notes et des pièces inédites. Paris, Furne, Ch. Gosselin, 1842, grand in-8 à deux colonnes, avec 15 vignettes." [Quérard, La Littérature Française Contemporaine. 1827-1844. 1846, ii. 486.]
Oeuvres complètes/ de/ Lord Byron,/ avec notes et commentaires,/ Comprenant/ Ses Mémoires publiés par Thomas Moore,/ et ornées d'un beau portrait de l'auteur./ Traduction nouvelle/ Par M. Paulin Paris,/ de la Bibliothèque du roi./ Tome premier./ Paris./ Dondey-Dupré Père et Fils, impr.—libr., éditeurs,/ Rue Saint-Louis, Nº 46,/ et rue Richelieu, Nº 47 bis./ 1830./ [8º.[138]
Note (1).—The Front. of Vol. I., "Noel Byron," is engr. by Adele Ethiou, after the portrait by T. Phillips, R.A. The engraver has added a wreath of bay leaves.
Vols. I.-X. were issued in 1830; Vols. XI., XII., XIII., in 1831.
Note (2).-"Il y a une seconde édition, Paris, etc., Dondey-Dupré, 1836, in-8, 13 vol." [Quérard, 1846, ii. 486.]
Oeuvres complètes/ de/ Lord Byron,/ Traduction nouvelle,/ d'après la dernière édition de Londres,/ Par/ Benjamin Laroche,/ Traducteur des Oeuvres de J. Bentham, Cooper, etc.;/ avec les notes et commentaires de Sir Walter Scott, etc. [Three Lines]. Précédées de/ l'histoire de la vie et des ouvrages de Lord Byron,/ Par John Galt./ Tome premier./ Paris./ Charpentier, Libraire- éditeur,/ Rue de Seine, No. 31./ 1836./ [8º.
Note.—The Front. of Vol. I. is "Byron," after the portrait by T. Phillips, R.A. Vol. I. was issued in 1836, Vols. II.-IV. in 1837. The translator (Post-Scriptum, Vol. IV. p. [827]) claims to have accomplished his work from beginning to end without collaboration or assistance: "cette traduction a été commencée, poursuivie et achevée par Moi Seul."
"IIe édit.... précédée de l'histoire de la vie ... de lord Byron par H. Romand, Paris ... 1837, grand in 8, avec une gravure.
"IIIe édit., précédée d'une Notice sur la vie de lord Byron, par M. Émile Souvestre, Paris, 1838, in-8, avec portrait et fac-simile.
"IVe édit. Paris, 1840, 1841. 4 vol. in 12.
"Ve édit, ornée d'un fac-simile, et précédée d'une Notice sur lord Byron ... par M. Villemain. Paris, 1843. Grand in-8." [Quérard, 1846, ii. 487.]
"La Ire édition de cette traduction a été publiée en 1836, 4 vol.... Depuis elle a été réimprimée environ 10 fois, d'abord par M. Charpentier et puis par M. Lecou, et en dernier lieu par MM. Hachette et Cie." [Lorenz. Cat. Gén. 1867, i. 407.]
Oeuvres, traduites en vers français par Orby Hunter, 2 vols. (Paris, Chapelle. 1841-1842.) [8º.
[Lorenz, Cat. Gén., 1867, i. 407.]
Oeuvres/ de/ Lord Byron/ Traduites en vers français/ Par/ Orby Hunter & Pascal Ramé/ Tome.[139] fred,—Beppo,—Le Corsair,—Lara/ et Poésies diverses/ Paris/ Daussin,/ Libraire/ Place et rue Favart,/ 8 bis/ 1845/ [8º.
Vols. I.-III. were issued in 1845.
Note.—Vol. II. contains Marino Faliero; La Fiancée, etc.; Parisina; "Inscription sur le Monument d'un chien," etc.; A Venise; "Ode sur l'étoile," etc.; "Adieu!—Elégié." Vol. III. contains Don Juan, Chants I.-VI.; Notes.
Oeuvres complètes de lord Byron. Traduction nouvelle de Louis Barré, illustrée par Ch. Mettais, E. Bocourt, Ed. Frère, Edition Bry aîné Paris, en vente à la librairie centrale des publications à 20 centimes, 5, rue du Pont-de-Lodi, 5 (Typ. Gaittet et Cie.), 1856, gr. in 4.
Collation—
2 ff. (faux-titre et litre); et 400 pp. Texte imprimé sur deux colonnes.
[Manuel de l'Amateur, etc., 1894. Fasc. 3 (I'e Partie), p. 990.]
Oeuvres/ de/ Lord Byron/ Traduction nouvelle/ Précédée d'un/ Essai sur Lord Byron/ Par/ Daniel Le Sueur/ Heures d'oisiveté—Childe Harold/ Paris/ Alphonse Lemerre, éditeur/ 23-31, passage Choiseul, 23-31./ 1891./ [12º.
Note.—The Front., "Lord Byron," is engr. by Fredéric Massé after the portrait by G. Sanders. The Title-vignette bears a motto, Fac et Spera, and the initials A. L. A second volume (unnumbered), containing Le Giaour; La Fiancée, etc.; Le Corsair; Lara, etc., was issued in 1892. This translation, advertised as Oeuvres Complètes, and described by Lorenz as "Traduction couronnée par l'Académie française," has not been continued.
Lord Byron's Poesien. In 31 volumes. Brothers Schumann, Zwickau. 1821-1828. [16º.
Note.—Among the several translators were Julius Körner, Wilhelm Reinhold, Heinrich Doering, August Schumann, Christian Karl Meissner, etc. Vols. I.-VI. appeared in 1821; Vols. VII.-XII. in 1822; Vols. XIII., XIV. in 1824;[140] Vols. XV.-XX. in 1825; Vol. XXI. in 1826; Vols. XXII.-XXVIII. in 1827; and Vols. XXIX.-XXXI. in 1828.
[Lord Byron in Deutschland, von Dr. Cäsar Flaischlen, Centralblatt für Bibliothekswesen, 1890, vii. 462-464.]
Lord Byron's/ sämmtliche Werke./ Herausgegeben/ von/ Dr. Adrian,/ ordentlichem öffentlichem Professor der neueren Litteratur an der/ Universität zu Giessen./ Erster Theil./ Lord Byron's Leben./ Mit dem Bildniss, einem Facsimile der Handschrift und der/ Abbildung des Stammsitzes Lord Byron's./ Frankfurt am Main./ Gedruckt und verlegt von Johann David Sauerländer./ 1830./ [12º.
Note.—Vols. X. and XII. were issued in 1831. The several translators were G. H. Barmann, O.L.B. Wolff, K. L. Kannegiesser, A. Hungari, P. von Haugwitz, Ph. A. G. von Meyer (the author of Byron's Leben, i. 3-326), and The Editor. This edition was reissued in twelve vols. (12º) in 1837. [Kayser, 1841.]
Dichtungen von Lord Byron. Deutsch v. Gustav Pfizer. 4 Sammlungen. Stuttgart, Liesching. 1836-1839. [8º.
Note.—There was a reissue of this work in 1851.
[Centralblatt, etc., 1890, vii. 468, 469.]
Lord Byron's sämmtliche Werke. Deutsch v. Adolf Böttger [1 vol., with life and portrait.] Leipzig, Otto Wigand. 1839-40. [8º.
[Kayser, 1841.].
Note.—This edition was reissued at Leipzig by Otto Wigand in 1 vol. 8º in 1841, 1844, 1845; in 12 vols. 16º in 1841, 1842, and 1847; in diamond edition, in 12 vols. 16º in 1850, 1852, 1856, 1860, 1861; and in 8 vols. 8º in 1854, 1863, 1864. For the latest edition, vide post, No. xiii. [Kayser, 1848, 1853, 1860, 1865. See, too, Centralblatt, etc., 1890, vii. 457.]
Lord Byron's/ sämmtliche Werke./ Nach den/ Anforderungen unserer Zeit/ neu übersetzt von/ Mehreren./ Zweite unveränderte Ausgabe./ Erster Band./ Pforzheim./ Verlag von Dennig Finck & Co./ [Ten Vols.] 1842./ [16º.[141] Note (1).—The several translators were E. Ortlepp, Dr. Kottenkamp, H. Kurtz, Professor Duttenhofer, Bardili, Bernd von Guseck.
Note (2).—This edition was first issued in small octavo by Hoffmann at Stutgard, in 1839, and reissued (16º) by Scheible, Rieger, and Sattler, 1845, 1846; and in 12 vols. (16º) by Rieger at Stutgard, in 1856. [Centralblatt, etc., 1890, vii. 466.]
Lord Byron's sämmtliche Werke. [8 Bde.] Deutsch von A. Neidhardt. Berlin, Hofmann. 1865. [8º.
[Kayser, 1871.]
Dichtungen/ von/ Lord Byron./ Deutsch/ von/ Wilhelm Schäffer./ Die Belagerung von Korinth./ Der Gefangene von Chillon. Die Insel./ Hildburghausen./ Verlag des Bibliographischen Instituts. 1865. [8º.
Note.—This collected edition of translations forms part of the Bibliothek ausländischer Klassiker, etc.
Don Juan, Cantos I.-VI., transl. by W. Schäffer, was issued in two vols. in 1867; Childe Harold's, etc., transl. by A. H. Janert, in 1868; Corsair, Mazeppa, Beppo, by W. Schäffer, in 1870; Manfred, Cain, Heaven and Earth, Sardanapalus, by W. Grüzmacher, in 1872; Lyrical Pieces, by Heinrich Stadelmann, in 1872; The Giaour, Bride of Abydos, Lara, Parisina, by Adolf Strodtmann, in 1872.
Lord Byron's ausgewählte Werke, uebersetzt von Mehreren [4 bde.], herausg. von A. Strodtmann. Leipzig, Bibl. Inst. 1865-1872. [8º.
[Centralblatt, etc., 1890, vii. 466.]
Lord Byron's/ sämmtliche Werke/ in drei Bänden./ Frei überzetzt/ von/ Adolf Seubert./ Erster Band./ Leipzig./ Druck und Verlag von Philipp Reclam jun./ [1874.] [8º.
Lord Byron's Werke. Deutsch v. Dr. Adalbert Schroeter. [6 Bde.] Uebersetzt, mit Einleitung und Anmerkungen versehen. Stuttgart. In; Coll. Spemann. 1885-1890. [8º.
[Centralblatt, etc., 1890, vii, 470.]
Lord Byron's poetische Werke. In älteren Uebertragungen; eingeleitet durch e. Studie v. Henry T. Tuckermann. Stuttgart. Cotta'sche Bibl. der Weltlitteratur, 1886. [In eight vols.] [8º.
[Kayser, 1887.]
Lord Byron's Werke./ Uebersetz/ von/ Otto Gildemeister./ In sechs Bänden./ Erster Band./ Vierte Auflage./ Berlin./ Druck und Verlag von Georg Reimer./ 1888./ [8º.
Note.—A First Edition appeared in 1864, a second in 1866, and a third in 1877. [Kayser, 1865, 1871, 1883.]
Byron's/ sämmtliche Werke./ Von/ Adolf Böttger./ Achte Auflage./ Erster Band./ Leipzig,/ Verlag von Otto Wigand./ 1901./ [8 Bde.] [8º.
Τα Απαντα / του / Βυρωνος / Τομος Πρωτος / Εν Αθηναις / Εκ του τυπογραφειου των καταστηματων / Ανεστη κωνστατινιδου 1895/ [Three Vols.] [8º.
Note.—This translation includes Mazeppa, Parisina, Childe Harold, The Siege of Corinth, The Bride of Abydos, The Corsair, The Curse of Minerva, Don Juan, The Giaour.
The paper wrapper and the title-page are embellished with a lithograph of the portrait by T. Phillips, R.A.
Opere complete/ di/ Lord Byron/ voltate dall' originale inglese in prosa italiana/ Da/ Carlo Rusconi/ Con note ed illustrazioni del volgarizzatore/ nonchè dei signori/ Moore (and 33 others = 6 lines)/ a cui si aggiungono/ I dialoghi di Lord Byron compilati da M. Medwin/ Un saggio sul di lui genio—una prefazione—E un' appendice/ parte desunti da altri scritti, parte tradotti,/ parte originali./ Padova/ coi tipi della Minerva/ 1842/ [8º.
Note.—This edition, which forms one volume, pp. xxxix. + 1561,[143] was issued in two parts. A dedication ("A Sua Eccellenza/ Lord Holland/ Ministro Plenipotenziario D'Inghilterra/ alla Corte di Toscana"/) is prefixed to Part I., pp. [ix.]-[xi.].
Opere/ di/ Giorgio Lord Byron/ Precedute/ da alcune avvertenze critiche/ Sulle stesse/ e da un discorso/ di/ Cesare Cantù/ prima edizione napolitana adorna di figure incise/ Napoli/ Francesco Rossi-Romano editore/ Trinità Maggiore, 6/ 1853/ [8º.
Note.—The Front. is a lithograph of "Lord Byron nell' età di 17 anni," after the portrait by G. Sanders.
The several translators were Giuseppe Gazzino, Giuseppe Nicolini, Pietro Isola, Pellegrino Rossi, Andrea Maffei, Marcello Mazzoni, and P. G. B. Cereseto.
The translation includes Childe Harold, eight tales, and four dramas.
Opere di Lord Byron tradotte ed annotate da Gabr. De Stefano. Napoli, 1857. [8º.
[Pagliaini, 1901.]
Collation—
Pp. 625.
Opere/ di/ Lord Giorgio Byron/ Precedute/ da un saggio intorno al genio e al carattere/ Del medesimo/ Volume unico/ Napoli/ Presso Pasquale Perrone libraio-/Editore/ via Costantinopoli, 107./ 1886/ [8º.
Note.—The translations include Childe Harold, Don Juan, eight tales, and seven dramas. A reissue with a portrait, and, apparently, wanting pp. 669-[711] of the appendix, appeared in 1891 (Ferdinando Bideri, editore/ Via Costantinopoli, 89).
Poezye/ Lorda Byrona/ w tłumaczeniu Polskiém. Wydane staraniem/ Bolesława Maurycego Wolffa./ Tom. I./ W[e,]drówki Czajlda-Harolda./ Petersburg./ Nakadem i Drukiem B. M. Wolffa./ 1857./ [12º.
Note.—No more published.[144]
Poezye Lorda Byrona w przekładzie polskich poetów. Zbiorowe wydanie, pod red. Piotra Chmielowskiego. ("Biblioteka Najcelnijszych Utworów.") [8º. Warszawa, 1885, etc.
Сочиненія Лорда Байрона Въ переводахъ русскихъ Поэтовъ изданных полъ редакціею Н.В. Гербеля 5 tom. С.-Петербургъ 1864-66 [16º.
Second edition of Gerbel. С.-Петербургъ, 1874-77. In 4 vols.
Third edition. С.-Петербургъ, 1883-84. In 3 vols.
Байронъ. Европейскіе Классики Въ русскомъ переводѣ П. Вейнберга С.-Петербургъ 1876.
Note.—The translations include Hebrew Melodies, Sardanapalus, Manfred, Childe Harold's, etc., and Don Juan.
Biblioteca Universal./ Coleccion/ de los/ Mejores autores/ Antiguos y modernos,/ Nationales y extranjeros./ Tomo LXIII./ Lord Byron/ Madrid./ Direccion y administracion/ calle de Leganitos, 18, 2.0/ 1880./ [16º.
This translation includes The Corsair, Lara, Darkness, and Hebrew Melodies (6), The Lament of Tasso. The Prologo is by Rafael Ginard de La Rosa.
Byron's Poetiska Berättelser. Öfversättning af Talis Qualis [C. W. A. Strandberg]. 1. Maseppa.—2. Belägringen af Korinth.—3. Fången på Chillon.—4. Parisina—5. Beppo.—6. Giaurn.—7. Bruden från Abydos.—8. On Eller Christian OCH Hans Ställbröder. [8 vols.] Stockholm, J. L. Brudins Förlag. 1854-1856. [12º.
The Beauties of Byron, with a sketch of his life and a dissertation on his genius and writings. By Thomas Parry. London: J. Sudbury. 1823.
[Kölbing.]
The Beauties of Byron. Extracts from the works of the Right Hon. Lord Byron. Embellished with engravings on steel. London: J. Limbird. 1827.
[Kölbing.]
Life/ and/ Select Poems/ of/ Lord Byron,/ Arranged, etc./ By C. Hulbert,/ Author of Literary Beauties, Poetical Bouquet, Museum of the World, etc./ London: Sold by all the Booksellers./ [1828.] [12º.
Collation—
Pp. 84.
The Beauties of Lord Byron, selected by B. F. French, 10th ed. [Pp. xi. + 204, 3 pl.] Philadelphia. 1828. [24º
[Cat. of Library of Congress, 1880.]
The/ Beauties/ of/ Byron,/ Consisting of/ Selections From His Works./ By J. W. Lake./ [L.B. in Gothic letters, enclosed in bay and oak leaves.] Paris,/ Baudry, at the English, Italian,/ Spanish, German, and Portuguese Library,/ Rue du Coq Saint-Honoré, No. 9./ Bobée and Hingray, rue de Richelieu, No. 14./ 1829./ [16º
Collation—
Pp. viii. + 230.
Lord Byron's Select Works. Vols. I.-III. Frankfort a. M Brönner. 1831, 1832. [12º
[Kayser, 1834.]
Childe Harold's Pilgrimage; The Giaour; The Siege, etc.; Parisina; The Island; The Prisoner, etc.; Beppo; Mazeppa; The Prophecy, etc.; The Waltz; The Lament, etc.; Hebrew Melodies; Misc. in Prose. By Lord Byron. Paris. 1832. (1 vol.) [8º.
["Le Moniteur de la librairie." Courrier de l'amateur de livres. Paris, Barrois. 4e Annèe, 1845, p. 122. (Bibl. Nat. 9, 5610.)][146]
Lord Byron's Select Poetical Works, containing the Corsair, Lara, the Giaour, the Siege, etc., the Bride, etc., Parisina, Mazeppa, the Prisoner, etc. Paris and Lyons. 1835. [12º.
[Kayser, 1841.]
Lord Byron's Select Works. Consisting of Cain, a Mystery; Hours of Idleness; English Bards, etc., with Occ. Pieces and Life of the Author. Asher, London and Berlin. 1837. [32º.
[Kayser, 1841.]
The/ Beauties/ of/ Byron:/ Consisting of/ Selections from the Popular Works of/ This most admired Writer./ By Alfred Howard, Esq./ A new Edition./ London:/ Printed for Thomas Tegg and Son, 73, Cheapside;/ R. Griffin and Co., Glasgow./ T. T. and H. Tegg, Dublin:/ also, J. and S. A. Tegg, Sydney and Hobart Town./ 1837./ [12º.
Collation—
Pp. 192.
The/ Beauties/ of/ Byron,/ consisting of/ selections from his Works./ By Alfred Howard, Esq./ London:/ Printed by T. Davison,/ For Thomas Tegg, No. 73, Cheapside;/ R. Griffin and Co. Glasgow;/ and/ J. Cummings, Dublin./ [n.d.] [12º.
Collation—
Pp. 212.
Note.—The following advertisement is printed on the R. of the Gen. Half-title: "To the few persons who have not read Lord Byron's poems, but who, after perusing these specimens, will undoubtedly wish to read the whole of them, we beg leave to say that the only correct editions are published by Mr. Murray, of Albemarle Street, and Messrs. J. & H. L. Hunt, of Tavistock Street. The first eight volumes are to be had from the former publisher; the last two from the latter. All other editions are piracies, and inflict even more injury on the sense and poetry of the noble bard than they do on the property of the proprietors."[147]
Byron's Select Works, containing the Corsair; Lara; Giaour; the Bride, etc.; the Siege, etc.; the Prisoner, etc.; Select Poems, etc., etc.; to which is prefixed a biographical notice of Lord B. by J. W. Lake. Paris, Truchy. 1843. [12º.
[Le Moniteur, etc., 1845, p. 122. See, too, Bibl. de la France, Aug. 12, 1843, vol. xxxii. p. 413.]
A Selection from Lord Byron's Poetical Works, containing, etc. Intended for the use of young people, and provided with explanatory German notes by Charles Graeser. Marienwerder, Edward Levysohn. 1846.
[Kölbing.]
Select Poetical Works of Lord Byron. Containing, etc. With a memoir by Henry Lytton Bulwer, Esq. London, Adam Scott. 1848.
[Kölbing.]
Lord Byron's Select Works, with an Appendix, containing songs and ballads for the use of schools, edited by F. Breier. Oldenburg, Schulze. 1848. [8º.
[Kayser, 1853.]
Selections/ From The/ Writings of Lord Byron./ Poetry./ By a Clergyman./ London:/ John Murray, Albemarle Street./ 1854./ [8º.
Collation—
Pp. viii. + 175.
Note.—The Selection (two vols.—Prose, Poetry) is one of a series called "Murray's Railway Reading." The editor was the Rev. Whitwell Elwin, sometime editor of the Q.R.
Moxon's Miniature Poets./ A/ Selection From/ The Works/ of/ Lord Byron./ Edited and Prefaced by Algernon Chas. Swinburne./ London:/ Edward Moxon & Co., Dover Street./ 1866./ [8º.[148]
Collation—
Pp.xxxii.+244.
Note.—The Selection was reissued by Ward, Lock, and Co. in 1885.
Songs by/ Lord Byron/ [Crest, motto Crede Byron.]/ London/ Virtue & Co., Publishers/ 26 Ivy Lane, Pater noster Row/ 1872/ [16º.
Collation—
Pp. 270.
Note.—There is an index of "Songs set to Music," pp. 268-270.
Selections from the Writings of Lord Byron. New Edition. With Portrait. London, John Murray. 1874.
[Kölbing.]
Beautés de Byron: Childe Harold, le Corsaire, Lara, le Giaour, le Siège, etc., Don Juan, Extraits (texte anglais) avec préface et notes en français, par A. Biard. Paris, Delagrave. 1876. [12º
[Lorenz, 1886.]
Favourite Poems./ By/ Lord Byron./ Illustrated./ Boston:/ James R. Osgood and Company./ Late Ticknor & Fields, and Fields, Osgood & Co./ 1877./ [16º.
Collation—
Pp. 127.
The Beauties of Byron. An Original Selection. Stuttgart, Paul Neff.
[Kölbing.]
Poetry of Byron/ Chosen and Arranged by/ Matthew Arnold/ London/ Macmillan and Co./ 1881/ [8º.
Collation—
Pp. xxxvi. + 276.[149]
Note.—The title-page is illustrated by an engraving, by G. J. Stodart, of Thorwaldsen's statue of Lord Byron. The preface (pp. vii.-xxxi.) is by Matthew Arnold.
Routledge's World Library/ "Syllables govern the World." John Selden/ Gems from Byron/ With an Introduction/ By the/ Rev. Hugh Reginald Haweis, M.A./ London/ George Routledge and Sons/ Broadway, Ludgate Hill/ New York: 9 Lafayette Place/ 1886/ [16º.
Collation—
Pp. 158.
Selections/ From The Poetry of/ Lord Byron/ Edited with/ An Introduction and Notes/ By/ Frederic Ives Carpenter, Ph.D./ Instructor in English, the University of Chicago/ Dir in klar und truben Tagen/ Lied und Mut war schon und gross./ II. 'Faust,' iii. 1. 1426./ New York/ Henry Holt and Company/ 1900/ [8º.
Collation—
Pp. lviii. + 412.
Poems/ of/ Lord Byron/ Selected and arranged for use in Schools/ By/ C. Linklater Thomson/ Head-Mistress of the Solihull School for Girls, [etc., three lines]./ London/ Adam and Charles Black/ 1901/ [8º.
Collation—
Pp. ix. + 67.
Lord Byron's/ Armenian Exercises/ and Poetry./ Venice/ In the Island of S. Lazzaro./ 1886/ [8º
Collation—
Pp. 167 + Index, pp. [169]-[172].
Note.—The Title-page is dated 1886, the paper wrapper (yellow) 1870. Among the exercises are Pieces of Armenian History, The Epistle of Paul to the Corinthians, etc.; and among the translations are "The Destruction of Sennacherib," "On Waterloo," "To the Duke of Dorset," etc.[150]
Choix de Poésies de Byron, de W. Scott et Th. Moore; trad. libre de l'angl. Genève et Paris, Paschoud. 1820. [Two Vols.] [8º.
[Quérard, 1827.]
Les Beautés de lord Byron, galerie de quinze tableaux tirés de ses oeuvres, accompagnée d'un texte traduit par Amédée Pichot. Paris, Aubert, Giraldon. 1838. [4º.
[Quérard, 1846.]
Écrin poétique/ de/ littérature anglaise./ Traduction en vers français,/ Avec notes historiques,/ De poèmes, épisodes et fragments choisis/ de Lord Byron,/ Thomas Moore, Gray, Graham, etc./ Ornée du portrait de lord Byron/ et de jolies vignettes de Thompson./ Par D. Bonnefin./ Chevalier de la légion d'honneur,/ A Paris,/ Chez L. Hachette,/ Libraire de l'Université Royale de France,/rue Pierre-Sarrazin, no. 12./ 1841./ [8º
Collation—
Pp. ix. + 473.
Chefs-d'oeuvre de lord Byron. (Le Pèlerinage, etc., Lara, la Fiancée, etc., Parisina, Mazeppa, le Siége, etc., le Prisonnier, etc.) La traduction françoise en regard par M. le comte d'Hautefeuille; précédés d'un essai sur la vie et les oeuvres de lord Byron et de ses contemporains, renfermant l'histoire de la poésie anglaise au xixe siècle, par D. O'Sullivan. 1847. Place de la Madelaine, 24. [8º
[Lorenz, 1866.]
Rough Hewing/ of/ Lord Byron/ In French,/ With the English Text./ By Francis D'Autrey./ ... Obscurus fio./ Horace, Ars Poetica./ London:/ J. W. Kolckmann,/ Foreign Library,/ 1, Princes Street, Cavendish Square, W./ 1869./ [8º.
Collation—
Pp. 233.[151]
Chefs-d'oeuvre de lord Byron. Traduits en vers français par A. Regnault. (Two Vols.) 1874. [8º.
[Lorenz, 1876.]
Lord Byron's ausgewählte Dichtungen. Aus d. Engl. übertragen. Leipzig, Wienbrack. 1838. [8º.
[Kayser, 1841.]
Byron-Anthologie./ Auserwähltes/ aus/ Lord Byron's Dichtungen,/ übertragen/ von/ Eduard Hobein./ Schwerin./ Stiller'sche Hofbuchhandlung./ (G. Bolhoevener.) 1866. [8º.
Collation—
Pp. 187.
Auswahl aus Byron: Childe Harold (III. and IV.), Prisoner, etc., Mazeppa. Hrsg. v. J. Hengesbach. 1892. [12º.
[Kayser, 1895.]
Collation—
Pp. viii. + 116.
Note.—Part of Textausgaben französischer u. englischer Schriftsteller f. den Schulgebrauch, hrsg. v. Osk. Schmager.
Poemi/ di/ Lord G. Byron/ Tradotti/ dall' originale inglese/ da/ Pietro Isola/ Socio corrispondente della R. Accademia delle scienze ed arti/ di Alessandria/ Torino/ Presso Giuseppe Pomba/ 1827/ [8º.
Collation—
Pp. 204.
Opere scelte, tradotte da M. Mazzoni. Milano. 1852. [8º.
[Pagliaini, 1901.]
A'Mici Amici./ [1873.] [8º.
Collation—
Pp. 27.
Note.—A translation of a few detached passages, by P. Isola, entitled "In partendo dall' Inghilterra," etc. There is no Title-page.
An Ode./ On/ The Star of the Legion of Honour./ Napoleon's Farewell./ Fare Thee Well./ And/ A Sketch, etc./ By Lord Byron./ New-York:/ Published by Van Winkle and Wiley,/ No. 3 Wall-Street./ 1816./ [8º.
Collation—
Title, one leaf, pp. 3, 4; Text, pp. 5-24.
Note.—The Half-title is probably missing. The "Ode" is the Ode from the French ("We do not curse thee, Waterloo!"). The edition contains the five pieces enumerated on the title.
Three Poems,/ not Included in the Works of/ Lord Byron./ Lines to Lady J——./ The Ænigma./ The Curse of Minerva./ [Motto from Ter. Andria, five lines.] London:/ Printed for Effingham Wilson,/ Royal Exchange./ 1818./ [8º.
Collation—
Title (R. John Hill, Printer, 32, Water Lane, Blackfriars.), pp. 3, 4; Note on the Lines to Lady Jersey, pp. 5, 6; Text and Notes, pp. 7-18. The second poem is Miss Fanshaw's Enigma (Letter H); the third, The Curse of Minerva (112 lines).
English Bards,/ and/ Scotch Reviewers;/ A Satire./ Ode to the Land of the Gaul.—Sketch/ From Private Life.—Windsor/ Poetics, etc./ By/ The Right Honorable/ Lord Byron./ Second Edition./ Paris:/ Published by Galignani/ At the French, English, Italian, German and Spanish/ Library, No. 18, Rue Vivienne,/ 1818./ [12º.
Collation—
Pp. 84, With half-title, "Suppressed/ Poems." English Bards, etc., a reprint of the Fourth Edition of 1811, numbers 1052 lines.[153]
The/ Works/ of/ The Right Honourable/ Lord Byron;/ Containing/ English Bards, and/ Scotch Reviewers;/ The Curse of Minerva,/ And the Waltz,/ An/ Apostrophic Hymn./ Philadelphia:/ Published By M. Thomas./ 1820./ [8º.
Collation—
Pp. viii. + 151.
Note.—The English Bards, etc., is a reprint of the Fourth Edition of 1050 lines. The Curse of Minerva is the complete edition of 312 lines. The "Fugitive Pieces" are: (1) To Jessy; (2) "My Boat is on the Shore;" (3) Lines addressed to Mr. Hobhouse; (4) Adieu to Malta; (5) Enigma [To the Letter H]. It will be observed that, with the exception of No. 5, all these pieces are genuine.
Poems/ By/ The Right Honourable/ Lord Byron;/ With/ His Memoirs./ London:/ Published by Jones and Company,/ No. 3, Warwick Square./ 1825./ [8º.
Collation—
Pp. 292 + Cont., p. [293].
This edition contains Hours of Idleness, English Bards, etc. (3rd ed.), "Poems on His Domestic Circumstances" (twenty-five, including eight forgeries), and the whole of Don Juan.
The/ Miscellaneous Poems/ of/ Lord Byron./ London:/ Benbow, Printer and Publisher, 252, High/ Holborn./ 1825./ [12º.
Collation—
Pp. 94.
Note.—The collection numbers fifty-three poems, including the twenty-five published by R. Bumpus in 1824 (No. xi. of "Poems on His Domestic Circumstances"), and twenty-eight others (all genuine), including the Ode to Napoleon Buonaparte, and the Monody on the Death of Sheridan.
Don Juan,/ Complete;/ English Bards and Scotch/ Reviewers;/ Hours of Idleness;/ The Waltz;/ and all the other Minor Poems:/ By/ Lord Byron./ [Emblem (Dove and olive-branch):—motto (Perseverantia et Amicis).] London:/ Printed and Published by J. F. Dove,/ St. John's Square./ 1827./ [12º.[154]
Collation—
Pp. iv. + 574.
Note.—A second Title-page, with Title-vignette. English Bards, etc., numbers 1050 lines. Among the "Minor Poems" are the seven forgeries: (1) Farewell to England; (2) To my Daughter; (3) Ode—St. Helena; (4) To the Lily of France; (5) Ode ("Oh, shame to thee," etc.); (6) Madame Lavalette; (7) Enigma (Letter H); and The Curse of Minerva (111 lines).
Don Juan;/ Hours of Idleness;/ English Bards and Scotch Reviewers;/ The Waltz;/ and other Poems./ By Lord Byron./ In Two Volumes./ Vol. I. [Vol. II.] London: J. F. Dove, St. John's Square./ 1828./ [12º.
Collation—
Vol. I.: pp. xiv. + 384.
Vol. II.: pp. iv. + 428.
Note.—These pirated volumes were occasionally bound up with Murray's four-volume edition of 1828, and numbered Vols. V., VI.
The/ Miscellaneous Works/ of/ Lord Byron./ Containing/ Werner, a Tragedy; Heaven and Earth;/ Morgante Maggiore; Age of Bronze; The Island;/ Vision of Judgment;/ and The Deformed Transformed./ London:/ Printed for Hunt and Clarke,/ Tavistock Street;/ and sold by all Booksellers./ 1830./ [8º.
Collation—
Pp. vi. + 7-308 + 286—Title, one leaf; Half-title (Werner); pp. i., ii.; Dedication, pp. iii., iv.; Preface, pp. v., vi.; Dramatis Personæ, p. [8]; Text (Werner, Heaven and Earth, Translation of Morgante Maggiore), pp. 9-308; Text (The Age of Bronze, The Island (App.), The Vision of Judgment (App.), The Deformed Transformed), pp. 1-286. The Imprint (London:/ Printed by C. H. Reynell, Broad Street, Golden Square./) is at the foot of p. 286.
The Corsair—Lara. Tales by Lord Byron, with a notice and explanatory arguments by Lake. Paris. 1830. [12º.
[Le Moniteur, etc., 1845.]
The Bride of Abydos—The Corsair—Lara—Curse of Minerva—Morg. Magg.—Hours of Idleness—Engl.[155] Bards, etc.—Miscell. Poems. [In one vol.] By Lord Byron. Paris. 1832. [8º.
[Le Moniteur, etc., 1845.]
Manfred—Marino Faliero—Sardanapalus—The Two Foscari—Cain—Werner—Heaven and Earth—The Deformed Transf. By Lord Byron. [In one vol.] Paris. 1832. [8º.
[Le Moniteur, etc., 1845.]
Don Juan—The Age of Bronze—The Vision of Judgment. By Lord Byron. [In one vol.] Paris. 1832. [8º.
[Le Moniteur, etc., 1845.]
Miscellanies./ By/ Lord Byron./ In Three Volumes./ Vol. I./ [Vol. II., etc.] London:/ John Murray, Albemarle Street./ 1837./ [12º.
Collation—
Vol. I.: pp. vi. + 316.
Vol. II.: pp. iv. + 305.
Vol. III.: pp. viii. + 288.
Note.—Vol. I. contains Hours of Idleness; English Bards, etc.; Hints from Horace.
Vol. II. contains The Curse of Minerva; The Waltz; Ode to N.B.; Hebrew Melodies; The Morgante Maggiore; The Prophecy of Dante; The Blues; The Vision of Judgment; The Age of Bronze.
Vol. III. contains "Occasional Pieces," 1807-1824; "Domestic Pieces," 1816; Monody, etc.; The Dream; Darkness; The Lament of Tasso; Ode on Venice; Francesco da Rimini; and, interspersed with these, pp. 171-261, other minor pieces and epigrams. The App. (pp. 265-288) contains "Remarks on the Romaic," etc.
Tales./ By Lord Byron./ In Two Volumes./ Vol. I./ London:/ John Murray,/ Albemarle Street./ 1837./ [12º.
Collation—
Vol. I.: pp. 263.
Vol. II.: pp. 260.
Note.—Vol. I. contains The Giaour; The Bride, etc.; The Corsair; Lara. Vol. II. contains The Siege, etc.; Parisina; The Prisoner, etc.; Beppo; Mazeppa; The Island.[156]
Lord Byron's/ Tales:/ Consisting of/ The Giaour, The Bride of Abydos,/ The Corsair, Lara;/ With all the Notes:/ Hebrew Melodies,/ and other Poems./ Halifax:/ Printed and Published by William Milner,/ Cheapside./ 1845./ [16º.
Collation—
Pp. viii. + 9-256.
Note.—Among the "Poems" are twelve pieces, "The Illuminated City," "The Wreath," "A Child at Prayer," etc., which are, apparently, attributed to Lord Byron, but are neither his compositions nor capable of being described as forgeries or imitations. They precede six genuine poems.
For an interesting account (by W. Roberts) of other editions (1838, 1865, etc.), published at Halifax, see Notes and Queries, 1886, iv. S. v. 225, etc.; and The Antiquarian Magazine, vol. xii., July-November, 1887, pp. 101-106.
The Giaour,/ and/ The Bride of Abydos./ By/ Lord Byron./ London:/ H. G. Clarke & Co., 278, Strand./ 1848./ [16º.
Collation—
Pp. 154.
note.—Part of "Clarke's Cabinet Series."
Miscellanies./ By Lord Byron./ In Two Volumes.—Vol. I./ [Vol. II.] London:/ John Murray, Albemarle Street./ 1853./ [16º.
Collation—
Vol. I.: pp. vii. + 364.
Vol. II.: pp. viii. + 360.
Note.—Vol. I. contains Hours of Idleness; English Bards, etc.; Hints from Horace; The Curse of Minerva; The Waltz; Ode to Napoleon Buonaparte; Hebrew Melodies; Domestic Pieces; Monody, etc.; The Dream.
Vol. II. contains The Lament of Tasso; Ode on Venice; The Morgante Maggiore; The Prophecy of Dante; Francesca of Rimini; The Blues; The Vision of Judgment; The Age of Bronze; Occasional Pieces, 1807-1824.
Tales and Poems/ By Lord Byron./ Containing/ The Giaour./ Bride of Abydos./ The Corsair./ Lara./ Siege[157] of Corinth./ Parisina./ Prisoner of Chillon./ Mazeppa./ The Island./ London: John Murray, Albemarle Street./ 1853./ [16º.
Collation—
Pp. vi. + 7-358.
Beppo and Don Juan./ By Lord Byron./ In Two Volumes.—Vol. I./ [Vol. II.] London:/John Murray, Albemarle Street./ 1853./ [16º.
Collation—
Vol. I.: pp. 353.
Vol. II.: pp. 367.
Poems/ By/ The Right Honourable/ Lord Byron;/ With/ His Memoirs./ London:/ Thomas Nelson & Sons,/ Paternoster Row./ 1855./ [32º.
Collation—
Pp. xvi. + 174.
Note.—"Poems on Domestic Circumstances," etc. (pp. 133-174) are identical with those published by J. F. Dove, 1827, pp. 536-574 (see No. vii.); and the entire contents of the volume are identical with Poems/ By the/ Right Honourable Lord Byron./, which form part (Vol. II. pp. 1-46) of "The Cabinet Edition of the British Poets." In Four Volumes./ London:/ Henry G. Bohn, York Street, Covent Garden./ 1851./ [8º.
Lord Byron's Tales and Poems. Leipzig, Brockhaus. 1857. [8º.
[Kayser, 1860.]
Poems./ By Lord Byron./ [Motto: "Like an archangel," etc., twelve lines, Anon.] With Eight Illustrations,/ By Birket Foster, John Gilbert, etc./ London:/ Routledge, Warne, and Routledge,/ Farringdon Street;/ New York: 56, Walker Street./ 1859./ [8º.
Collation—
Pp. xxxii. + 539.
Eastern Tales:/ By/ Lord Byron./ Comprising/ The Corsair, Lara, The Giaour,/ The Bride of Abydos, and[158] The Siege of Corinth./ With the Author's original Introductions and Notes./ Illustrated./ London:/ David Bogue, 86, Fleet Street./ [1859.] [8º.
Collation—
Pp. 5-265.
Byron's/ Siege of Corinth/ And/ Ode to Napoleon Buonaparte./ With Notes/ For students for the first examination in Arts,/ University of Madras./ 1877./ Madras:/ Addison and Co., 18, Mount Road./ 18767 [8º.
Collation—
Pp. 56.
Poems/ By/ Lord Byron/ London/ George Routledge and Sons/ Broadway, Ludgate Hill./ New York: 416 Broome Street/ [1880.] [8º.
Collation—
Pp. xxxii. + 719.
Note.—Part of the "Excelsior Series."
Poems/ of/ Lord Byron./ Carefully Selected./ In Two Volumes./ Vol. I./ [Vol. II.] Cassell & Company, Limited:/ London, Paris, New York, & Melbourne./ [1886.] [32º.
Collation—
Vol. I.: pp. 3-316.
Vol. II.: pp. x. + 11-316.
Note.—Part of Cassell's "Miniature Library of the Poets."
Byron's/ Prisoner of Chillon/ und/ Siege of Corinth./ Mit bibliographischem Material,/ litterarischer Einleitung und sachlichen/ Anmerkungen für Studierende/ Herausgegeben/ von/ J. G. C. Schuler./ Halle./ Max Niemeyer./ 1886./ [8º.
Collation—
Pp. 92 + "Lesarten aus Byron's MSS.," pp. 93, 94.
Note.—No. 8 of "Materialen für das Neuenglische Seminar." Herausg. v. Ernst Regel.[159]
The Corsair. Lara. Illustrated by Gambard and Mittis. With Introduction by M. F. Sweetser. Boston, Joseph Knight & Co. 1893. [32º.
[Amer. Cat., 1894.]
Collation—
Pp. 142.
Note.—Part of the "World's Classics."
Korsár. Lara/ Básnické Povídky/ Lorda Byrona/ Pṙeložil/ Cěněk Ibl./ V Praze/ Tiskem A Nákladem Dra Ed. Grégra/ 1885/ [8º.
Collation—
Pp. 128.
Note.—Poesie Svetova, Pt. xxiii., 1871, etc.
Udvalgte/ Dramatiske Digte/ Og/ Fortoellinger/ Af/ Byron./ Oversatte af Edv. Lembcke./ Første Bind./ (Dramatiske Dicte.)/ KjøBenHavn./ Forlagt af J. H. Schubothes. Boghandel./ Græbes Bogtrykkeri./ 1873./ [8º.
Collation—
Vol. I.: pp. 594.
Vol. II.: [1876] pp. 422.
Note.—Vol. I. contains Sardanapalus; Manfred; Cain; Marino Faliero.
Vol. II. contains The Siege, etc.; Mazeppa; The Bride, etc.; Corsair; Giaour; Lara; The Prisoner, etc.; The Island.
Byron:/ Manfred,/ Fangen paa Chillon og Mazeppa./ Oversat af/ Alfred Ipsen./ København./ Forlagt af P. Hauberg & Comp. og Jul. Gjellerup./ Trykt hos Martius Truelsen. [1889?] [16º.
Collation—
Pp. 136.[160]
Beppo./ Dommedagssynet./ Af/ Lord Byron./ Oversatte/ Af/ Alfred Ipsen./ København,/ Forlagt Af I. H. Schubothes Boghandel./ Græbes Bogtrykkeri./ 1891./ [8º.
Collation—
Pp. 88.
Navolgingen/ van/ Lord Byron./ Door/ Nicolaas Beets./ De gevangene van Chillon./ Mazeppa. Parisina. Fragmenten. Joodsche zangen./ Verscheiden gedichten./ Nieuwe, Herziene Uitgave./ Vermeederd met een Woord over Byrons Poëzy./ Te Haarlem, By/ De Erven F. Bonn./ 1848./ [8º.
Collation—
Pp. xl. + 170.
Note.—The vignette (a bunch of cornflowers) on the illustrated title-page (Gedichten/ van/ Nicolaas Beets./) is engraved by J. W. Kaiser.
Gedichten/ van/ Lord Byron./ Door/ J. J. L. Ten Kate./ Eerste Volledige Uitgave./ Te Leiden, Bij A. W. Sijthoff. [1870?] [8º.
Collation—
Pp. 242.
Le Corsaire, Mazeppa, traduits en vers français suivis de poésies diverses, par Lucien Méchin, 1848. Paris, Paulin. [12º.
[Lorenz, 1840-1865.]
Le/ Prisonnier de Chillon/ Lara/ Parisina/ Poémes de Lord Byron,/ Traduits en vers/ et/ Poésies diverses/ Par H. Gomont/ Membre correspondant de l'Académie de Stanislas/ Paris/ Amyot, Libraire/ Rue de la Paix, 6/ [the second column] Nancy./ Mlle Gonet, libraire/ Rue des Dominicains, 14/ 1862/ [12º.
Collation—
Pp. viii. + 228.[161]
Le Corsaire, Lara, le Siége de Corinthe. Traduction nouvelle par Paul Lorencin. (Libraire de la Bibliothèque Nationiale, tom. 117.) 1868. [32º.
[Lorenz, 1876.]
Chefs-D'oeuvre/ de/ Lord Byron/ Traduits en vers français/ par/ A. Regnault/ Bibliothécaire et archiviste honoraire du Conseil D'État/ Membre de l'Académie de Lyon/ Auteur d'une histoire du Conseil D'État,/ D'un Voyage en Orient (Gréce, Turquie, Egypte)/ Et de notices historiques sur Moscou et Saint-Pétersbourg/ Tome premier/ Paris/ Amyot, Librairie-Editeur/ 8, rue de la Paix, 8/ Et à la librairie, Galignani/ 224, rue de Rivoli, 224/ 1874/ Touts droits réservés/ [8º.
Collation—
Vol. I.: pp. xxxii. + 518.
Vol. II.: pp. 511.
Note.—Vol. I. contains Childe Harold's, etc.; The Bride, etc.; The Giaour; The Siege, etc.; Manfred [Scènes Détachées].
Vol. II. contains The Corsair; Lara; Mazeppa; The Prisoner, etc.; Parisina; Beppo; Juan and Haidee; Poésies Diverses.
Lord Byron/ Les/ Deux Foscari/ Tragédie historique/ Beppo/ Poème humoristique/ Traduction en vers (ornée de 15 vignettes)/ Par/ Achille Morisseau/ Paris/ Calmann Lévy, éditeur/ 3, rue Auber, 3/ 1881/ [8º.
Collation—
Pp. xiii. + 258.
Le Corsaire. Lara. Illustrations de Gambard et Mittis. Paris, Dentre. 1892. [32º.
Fait partie de la "Petite Collection Guillaume," Lorenz, 1900.
Gefangener von Chillon u. Parisina, nebst e. Anh. seiner lyrischen Gedichte, übers. durch Paul Graf v. Haugwitz. Breslau, W. G. Korn. Übers. 1821. [8º.
[Kayser, 1834.]
Manfred.—Die Finsterniss.—Der Traum. Aus d. Engl. übersetzt von Er. Köpke. Berlin, Schröder. 1835. [8º.
[Kayser, 1841.]
Der Giaur. Hebräische Gesänge. Aus dem Engl. übers. von Friederike Friedmann. Leipzig. 1854. Brockhaus. [16º.
[Kayser, 1860.]
Kain./ Ein Mysterium./ Mazeppa./ Von/ Lord Byron./ Aus dem Englischen übersetzt/ von/ Friederike Friedmann./ Leipzig:/ F. A. Brockhaus./ 1855./ [16º.
Collation—
Pp. 154.
Manfred. Der Gefangene von Chillon, Hebräische Gesänge, u. Lyrische Gedichte. Deutsch von A. R. Niele. Münster, Coppenrath. 1857. [16º.
[Kayser, 1859.]
Lord Byron's/ Mazeppa, Korsar und Beppo./ In das Deutsche übertragen/ von/ Wilhelm Schäffer./ Stulta est elementia, quam tot ubique/ Vatibus occurras, perituræ parcere chartæ./ Juvenal./ [Emblem—Griffin with shield bearing motto "F. A. B. 1805."] Leipzig: F. A. Brockhaus./ 1864./ [8º.
Collation—
Pp. 138.
Die Braut von Abydos./ Der Traum./ Zwei Gedichte./ von/ Lord Byron./ Im Versmass des Originals übertragen/ von/ Dr. Otto Riedel./ Hamburg./ Hermann Grüning./ 1872./ [16º.
Collation—
Pp. 80.
Der Gefangene v. Chillon. Mazeppa. Von Lord Byron.
[Kayser, 1877.]
Note.—No. 557 of the "Universal Bibliothek." Leipzig, 1871-1876.
Der Gefangene v. Chillon. Parisina. Zwei poet. Erzählungen, übers. v. Otto Michaeli. Halle. 1887-1890. [8º.
Note.—Part of the "Bibl. der Gesamt-Litteratur des In-u. Auslandes." [Kayser, 1891.]
Byron Lord'/ Élete's Munkái./ Irta/ Petrichevich Horváth Lázár./ Harmadik Rész./ Pesten./ Nyomtatta Landerer és Heckenast./ 1842./ [12º.
Collation—
Pp. 154 + Sajtó-hibák, p. [155].
Note.—The translations include Mazeppa; The Dream; and sixteen lyrical pieces.
Bandinginn Í Chillon/ og/ Dramurinn,/ Eptir/ Byron Lávard./ Steingrímur Thorsteinson,/ Íslenzkadi./ Kaupmannahöfn./ Utgefandi Páll Sveinsson./ Prentad Hjá Louis Klein./ 1866./ [12º.
Collation—
Pp. 70.
Poemi/ di/ Lord G. Byron/ Tradotti dall' originale inglese/ Da/ Pietro Isola/ Socio corrispondente/ della R. Accademia delle scienze ed arti di Alessandria./ Primo volume/ Lugano/ coi tipi di Francesco Veladini e Comp./ 1832./ [8º.
Collation—
Vol. I.: pp. 221 + Note, Indice, pp. [222]-[224]. N.B.—Pp. 1-19 are not numbered.
Vol. II.: pp. 298 + Indice, p. [299], Pp. 1-13 are not numbered.
Poemi/ di/ Giorgio Lord Byron/ Recati in italiano/ da/ Giuseppe Nicolini/ con alcuni componimenti originali/ del traduttore./ Milano/ Per Giuseppe Crespi e C./ 1834./ [8º.
Collation—
Pp. 433 + Indice, p. [435].
Note.—The Title-vignette is a portrait of Lord Byron.
Poemi/ di Giorgio Lord Byron/ Recati in italiano/ Da Giuseppe Nicolini/ Nuova edizione eseguita su quella del 1837/ Riveduta ed aumentata dal traduttore/ Vol. I./ [Vol. II.] Milano/ Presso la ditta Angelo Bonfanti 1842/ [12º.
Collation—
Vol. I.: pp. 283.
Vol. II.: pp. 255.
Poemi e novelle. Milano, Sonzogno. 1882. [16º.
[Pagliaini, 1901.]
Collation—
Pp. 107.
Opere/ Edite e postume/ di Giacinto Casella/ Già Accademico della Crusca/ Con prefazione del Prof. Alessandro d'Ancona,/ Uno scritto critico sul Properzio del Prof. G. Rigutini/ E una notizia biografica sull' autore/ Scritta da sua moglie./ Due Vol.—Vol. I./ Parte I.—Il Pellegrinaggio d'Aroldo, la Parisina,/ il Beppo e la sposa d'Abido, di Lord Byron.—Sopra M. Aurora., di S. Fenzi./ Un frammento dal Lambros, di D. Solomos./ Parte II.—Liriche originali./ Firenze,/ Tipografia di G. Barbéra./ 1884./ [8º.
Collation—
Vol. I.: pp. lvi. + 438 + Errata Corrige, p. [439].
Vol. II.: pp. xviii. + 450 [Text = pp. 3-450] + Indice, etc., p. [451].
Note.—The translations of Childe Harold, Parisina, Beppo, and the Bride, etc., are on pp. 1-311 of the first part of the first volume.
Misteri e canti; Caino; Parisina; Un sogno. Traduzione di Andrea Maffei. Milano, Hoepli. 1886. [64º.
[Pagliaini, 1901.]
Collation—
Pp. 198.
Misteri, novelle e liriche. Traduzione di Andrea Maffei. Firenze, Le Monnier. 1890. [64º.
[Pagliaini, 1901.]
Collation—
Pp. xxxviii. + 441.
Poemata i powieści ... Przez B. hr. K. [Brunona hr. Kicińskiego]. Tom. 1. (Obłęźenie Koryntu, Korsarz.) Warszawa, 1820. [8º.
Part of "Biblioteka Romansów," etc. Wyd. przez W. Malccką.
Powieści, przekład Wandy Maleckiéj. (Mazepa, przek. H. Dembińskiego, Paryzyna, Giaur, Upiór.) pp. 196. w druk, J. Wróblewskiego: Warszawa, 1828. [8º.
Wybór Romansów, wyd. W. Maleckiéj. Tom. xiii.
[Another edition.] Warszawa, 1831. [8º.
Paryzyna, Kalmar i Orla, dwa poemata ... Przekład Ign. Szydłowskiego. pp. 58.
druk. J. Zawadzkiego: Wilno, 1834. [8º.
Poezye/ Lorda Byrona/ tłumaczone/ Giaur/ przez/ Adama Mickiewicza,/ Korsarz/ Przez/ Edwarda Odyńca./ Wydanie Alexandra Jełowickiego./ W. Pary[.z]u./ 1835/ [12º.
Collation—
Pp. xiv. + 202.
Tłómaczenia/ Antoniego Edwarda/ Odyńca./ Tom Drugi./ Narzeczona z Abydos./ W Lipsku/ u Breitkopfa i Haertela./ 1838./
Collation—
Pp. 216.
Note.—The translation of the Bride of Abydos, with the Notes, is on pp. 1-83 of this volume.
Tłomaczenia/ Antoniego Edwarda/ Odyńca./ Tom Trzeci./ Korsarz./ Niebo i Ziemia./ W Lipsku/ u Breitkopfa i Haertela./ 1841./ [12º.
Collation—
Pp. 201.
Note.—The translation of the Corsair, with Notes, is on pp. 1-112; of Heaven and Earth, pp. 116-201.
Poemata. Z oryginału przełožył Ant. Zawadzki. (Żale Tassa; Werner; Narzeczona z Abydos; Wyspa.) pp. 392. H. Skimborowicz: Warszawa, 1846. [8º.
Pięć Poematów/ Lorda Birona/ Przełožył/ Franciszek Dzieržykraj Morawski./ Nakladem Autora./ Leszno./ Drukiem Ernesta Günthera./ 1853./ [8º.
Collation—
Pp. 272.
Note.—The translations include Manfred; Mazeppa; The Siege, etc.; Parisina; and The Prisoner, etc.
KRUZER (Karol) Przekłady i rymy własne. 5 tom. druk. E. Skiwskiego: Warszawa, 1876. [8º.
Tom. 3. Parisina. Lara. Kain. Poezje ulotne.
Tom. 4. Poezje ulotne Lorda Byrona.
Traducçōes/ Poeticas/ de/ Francisco José Pinheiro Guimarāes/ Bacharel em sciencias sociaes e juridicas/ Childe[167] Harold e Sardanapalo,/ De Lord Byron;/ O Roubo da Madeixa, de Pope;/ Hernani, de Victor Hugo/ Rio de Janeiro/ Typographia universal de Laemmert/ Rua dos Invalidos, 61 B./ 1863./ [8º.
Collation—
Pp. 636.
Note.—The Title-page, a Dedication, and O Sonho, an imitation of Byron's Dream, are unpaged. The translations of Childe Harold, Cantos I.-IV., and of Sardanapalus, are on pp. 1-424.
Din Scrierile/ Loui/ Lord Byron/ 3 Pt/ Tradduce/ de/ J. Eliad/ Boukouresti/ In Tipographia loui Eliad/ 1834/ [8º.
Collation—
Pp. 74.
Note.—The Title-page, in old Roumanian character, has been transliterated. The translations consist of The Prisoner of Chillon, The Lament of Tasso, and Beppo. The volume concludes with a Half-title, The Vampire.
Odas/ A Napoleon,/ Por lord Byron./ Traduccion castellana./ [Emblem—eagle flying to the sun.] Paris,/ Libreria americana,/ Calle del Temple, Nº 69./ 1830./ [12º.
Collation—
Pp. 60.
Note.—The translations include the Ode to Napoleon Buonaparte; Napoleon's Farewell; On the Star of "The Legion of Honour"; From the French; Ode from the French.
Biblioteca Jané./ Poemas/ de Lord/ Byron,/ Con notas, comentarios y aclaraciones/ Primera version española, en vista de la ultima edicion/ Por Ricardo Canales./ Lara.—El Sitio de Corinto.—Parisina.—Mazeppa./—La Peregrinacion de Childe—Harold.—Las Lamentaciones/ del Tasso.—Beppo./ Barcelona./ Jané Hermanos, Editores./ Ronda de San Antonia, 58./ [?1876.] [8º.
Collation—
Pp. 352 + Indice, p. [353].
Cuatro poemas/ de/ Lord Byron/ Traducidos en verso castellano/ Por/ Antonio Sellen/ Parisina.—El prisionero de Chillon.—/ Los lamentos del Tasso.—La novia de Abydos/ New York./ Imprenta y librería de N. Ponce Leon, 40 y 42 Broadway/ 1877/ [12º.
Collation—
Pp. xiii. + 15-111.
D. Juan/ El Hijo de Doña Inés/ Poema de/ Lord Byron/ seguido de/ Las lamentaciones del Tasso/ del proprio autor/ Version de/ J.A.R./ Ilustrada con dibujos à la pluma/ Por R. Escaler/ Barcelona/ Administracion: Nueva San Francisco, 11 y 13/ 1883/ [8º.
Collation—
Pp. viii. + 9-414 + Indice, p. [415].
Note.—Part of the "Biblioteca Amena é Instructiva."
Dramas/ By/ Lord Byron./ In Two Volumes./ Vol. I./ London:/ John Murray, Albemarle Street./ 1837./ [12º.
Collation—
Vol. I.: pp. 403.
Vol. II.: pp. 391.
Note.—Vol. I. contains Manfred; Marino Faliero; Heaven and Earth; Sardanapalus. Vol. II. contains The Two Foscari; Cain; The Deformed Transformed; Werner. The Title-vignette on the illustrated Title-page of Vol. I. is "Fall of the Staubach," engraved by E. Finden, from a drawing by G. Bulmer from a sketch by Mrs. Somerville. These volumes, together with the Miscellanies, Tales, etc., were bound in green cloth, with Lord Byron's arms with supporters stamped in gold on one side.
Dramas./ By Lord Byron./ In Two Volumes.—Vol. I./ Containing/ Manfred./ Marino Faliero./ Heaven and Earth./ Sardanapalus./ London:/ John Murray, Albemarle Street./ 1853./ [8º.
Collation—
Vol. I.: pp. 325. The Imprint (Bradbury & Evans, Printers, Whitefriars.) is at the foot of p. 325.
[169] Vol. II.: pp. 318. The Imprint (London: Bradbury & Evans, Printers, Whitefriars.) is at the foot of p. 318.
Note.—Vol. II. contains The Two Foscari, Cain, The Deformed Transformed, and Werner.
Lord Byrons/ Dramatische Werke./ Deutsch/ von/ W. Grüzmacher./ Manfred. Kain. Himmel und Erde. Sardanapal./ Hildburghausen./ Verlag des Bibliographischen Instituts./ 1870./ [8º.
Collation—
Pp. 323 + Inhalt, p. [324].
Note.—No. 112 of the "Bibliothek Ausländischer Klassiker."
Marino Faliero/ E/ I Due Foscari/ Tragedie/ di/ Lord G. Byron/ Versione dall' originale inglese/ del/ P. G. B. Cereseto/ Delle scuole pie./ Savona 1845./ Presso Luigi Sambolino/ Editore-librajo./ [8º.
Collation—
Pp. 304.
Tragedie/ di/ Giorgio Lord Byron/ Traduzione/ del/ Cav. Andrea Maffei./ Sardanapalo.—Marino Faliero./ I Due Foscari./ Firenze./ Felice Le Monnier./ 1862./ [8º.
Collation—
Pp. 493 + Indice, p. [495].
Poemas dramáticos/ De Lord Byron/ Caín.—Sardanápalo.—Manfredo./ Traducidos en verso castellano/ Por D. José Alcalá Galiano/ con una carta prólogo de/ D. Marcellino Menéndez y Pelayo/ Madrid/ Imprenta de A. Pérez Dubrull/ Flor Baja, núm. 22./ 1886./ [8º.
Collation—
Pp. xxxvi. + 382.
Note.—Vol. 45 of the "Coleccion de Escritores Castellanos."
The/ Age of Bronze;/ or,/ Carmen Seculare et Annus Haud Mirabilis./ "Impar Congressus Achilli."/ London, 1823:/ Printed for John Hunt,/ 22, Old Bond street./ [8º.
Collation—
Half-title (R. London: Printed by C. H. Reynell, Broad Street, Golden Square./), pp. 1, 2; Title, one leaf, pp. 3, 4; Text, pp. 5-36. The Imprint (London:/ C. H. Reynell, Printer, 45, Broad-Street, Golden-Square.) is at the foot of p. 36.
Note.—The Second and Third Editions are identical with the First, save that in the Third Edition the Imprint at the foot of p. 36 runs thus: London:/ Printed by C. H. Reynell, Broad Street, Golden-Square. A page of advertisements ("Works about to be published by Mr. John Hunt, 22, Old Bond Street") follows p. 36 in the Second Edition. The Age of Bronze was reissued by John Hunt in 1825 and in 1830 (the Miscellaneous Works, Part II. pp. 1-35), and by (?) W. Dugdale, 1824, together with other poems; and, in France, by A. and W. Galignani, Paris, 1823 (12º.), but was not included in any of John Murray's Collected Editions till 1831.
Beppo,/ A Venetian Story./ Rosalind. Farewell, Monsieur Traveller: Look, you lisp, and wear/ Strange suits; disable all the benefits of your own country; be out of love/ with your Nativity, and almost chide God for making you that countenance/ you are; or I will scarce think that you have swam in a Gondola./ As You Like It, Act iv. Sc. 1./ Annotation of the Commentators./ That is, been at Venice, which was much visited by the young English/ gentlemen of those times, and was then what Paris is now—the seat of all dissoluteness. S.A./ Second Edition./ London:/ John Murray, Albemarle-Street./ 1818./ [8º.
Collation—
Pp. 49. The Imprint (T. Davison, Lombard-Street, Whitefriars, London./) is at the foot of the Reverse of the Half-title.
Note (1).—The Text numbers 95 stanzas.
Note (2).—"Beppo, a Venetian Story. [Quotation.] London: John Murray, Albemarle Street. 1818. 8vo. Pp. 49" (the First Edition), is included in the catalogue of the Rowfant Library, 1886, p. 146.
Beppo,/ A Venetian Story./ By Lord Byron./ [Motto, nine lines, as above.] Fifth Edition./ London:/ John Murray, Albemarle-Street./ 1818./ [8º.
Collation—
Pp. 51. The Imprint, as above, is at the foot of p. 51. The Imprint (T. Davison, Lombard-Street, Whitefriars./) is at the foot of the Reverse of the Half-title.
Note.—The Text numbers 99 stanzas. Byron sent four additional stanzas, viz. stanzas xxviii., xxxviii., xxxix., lxxx., to Murray circ. March 9, 1818. A Second Edition of Beppo, vide supra, was published March 12, 1818, and the fifth, May 30, 1818. The intervening editions, third and fourth, were not advertised in the Morning Chronicle, Morning Post, Courier, and, in the absence of direct evidence, it may be conjectured that the additional stanzas first appeared in the Fifth Edition. A Sixth Edition, and a Seventh Edition identical with the Fifth Edition, were issued in 1818.
Beppo; a Venetian Story. Boston. 1818. [12º.
Collation—
Pp. 36.
Beppo, A Venetian Story. Paris, A. and W. Galignani. 1821. [12º.
[Quérard, 1827.]
Vertalingen/ En/ Navolgingen/ In Poezy/ door/ Mr. J. Van Lennep./ [Motto, seven lines.] Te Amsterdam, bij/ P. Meljer Warnars./ 1834./ [8º.
Collation—
Beppo,/ Eine Venetiansche/ Vertelling./ Naar het Engelsch/ van/ Lord Byron./ pp. 119-159.
Note.—The Title-vignette is the Muse of Poetry with Cupids and scrolls labelled Walter Scott, Moore, Byron, and Shakespeare.
S. Clogenson/ Beppo/ Poëme/ de Byron/ Traduit en vers français, avec texte anglais en regard/ Paris,/ Michel[172] Lévy frères, libraires éditeurs/ Rue Vivienne, 2 bis, et boulevard des Italiens, 15/ à la librairie-nouvelle./ 1865./ [12º.
Collation—
Pp. 159 + Notes, pp. [161, 162].
Беппо ... пер. Д. Минаева. ["Современникъ," 1863. No. 8.]
Beppo, novela veneciana, por L.B. traduccion castellana. Paris, 1830. [8º.
[Le Moniteur, etc., 1845.]
Beppo,/ En Venetiansk Historia/ AF/ Lord Byron./ Af Lord Byron./ Öfversättning/ Af/ Talis Qualis./ Stockholm,/ J. L. Brudins Förlag./ [8º.
Collation—
Pp. 48. (A Preliminary Note, n.p., on fly-leaf.)
Note.—Part (No. 5) of "Byron's Poetiska Berättelser," 1853, etc.
The/ Bride of Abydos./ A Turkish Tale./ By Lord Byron./ Had we never loved so kindly,/ Had we never loved so blindly,/ Never met or never parted,/ We had ne'er been broken-hearted./ Burns./ London/ Printed by T. Davison, Whitefriars, For John Murray, Albemarle-Street./ 1813./ [8º.
Collation—
Title, one leaf; Dedication, one leaf; Text, pp. 1-60; Notes, pp. 61-72. The Imprint (T. Davison, Lombard Street,/ Whitefriars, London/) is at the foot of p. 72.
Note.—Canto I. numbers 483 lines; Canto II., 724 lines (not, as numbered, 722 lines, line 492 being numbered 490).
The/ Bride of Abydos./ A Turkish Tale./ By Lord Byron./ [Motto, five lines, as above.] Second Edition./ London:/ Printed by T. Davison, Whitefriars,/ For John Murray, Albemarle-Street./ 1813./ [8º.
[173]Collation—
Vide supra.
Note.—Canto II. numbers 730 lines (not, as numbered, 724). On p. 45, after line 401, six additional lines ("Blest as the Muezzin's, ... long-loved voice endears") are inserted; but line 414 is numbered 410, and the wrong enumeration of the First Edition is repeated. A Third Edition is identical with the Second.
The/ Bride of Abydos,/ etc. Fourth Edition,/ etc. 1813./ [8º.
Collation—
Vide supra.
Note.—Canto II. numbers 732 lines. The additions in the Fourth Edition are lines 662, 663 (p. 157), "Hark—— to the hurried," etc. The enumeration of the lines is correct. A Fifth Edition is identical with the Fourth.
The/ Bride of Abydos,/ etc. Sixth Edition,/ etc. 1814./ [8º.
This edition is identical with the Second and Third Editions. Lines 622, 623 are omitted. Seventh, Eighth, and Tenth Editions, issued in 1814, are identical with the Fourth. An Eleventh Edition was issued in 1815.
The Bride of Abydos./ A Turkish Tale./ By Lord Byron./ Had we never loved so kindly,/ Had we never loved so blindly,/ Never met or never parted,/ We had ne'er been broken-hearted./ Burns./ Philadelphia:/ Published by Moses Thomas,/ No. 52 Chestnut-Street./ William Fry, Printer./ 1814./ [12º.
Collation—
Pp. 72.
The Bride of Abydos:/ A Turkish Tale,/ By Lord Byron./ [Motto.] [London, 1844.]
Collation—
Pp. 1-39.
Note.—Part of "Clarke's Home Library."
Lorda Byrona/ Nevěsta z Abydu./ Pověst turecká./ Z anglického prěložil/ Josef V. Frič./ V Praze./ Tisk a náklad Jaroslava Pospíšila./ 1854./ [16º.
Collation—
Pp. 66.
Абидонска Невѣста, поболгарилъ Н.Д. Катрамов' Москва, 1850.
De/ Abydeensche/ Verloofde./ Uit het Engelsch van/ Lord Bijron/ door/ Mr. J. Van Lennep./ Te Amsterdam, bij/ P. Meijer Warnars./ 1826./ [8º.
Collation—
Pp. iv. + 67.
Note.—The Title-vignette represents a pillar with skull and cross-bones struck by lightning. The "ghastly-turbaned head" (line 1208) hovers above. There is a Half-title, with Motto and Transl., on the Reverse.
Zuleika et Selim, on la vierge d'Abydos: par lord Byron: trad, de l'anglais par Léon Thiessé; et suivi de notes augmentées du Fare Thee Well, et autres morceaux du même auteur. A Paris, chez Plancher. 1816. [12º.
[B. de la France, Oct. 5, 1816.]
La Fiancée d'Abydos, poëme en 11 chants, avec des notes; imité de l'angl. par Aug. Clavareau, Gand, Houdin. 1823. [8º.
[Quérard, 1827.]
Die Braut von Abydos. Deutsch. v. Dr. J. v. Adrian. Frankfurt-a-M., Sauerländer. 1819. [8º.
[Centralblatt, 1890, vii. 456.]
Die Braut von Abydos, eine türkische Sage. Getreu in's Deutsche übers. u. seinen Schülern gewidmet von Finck de Bailleul. Landau. 1843. [8º.
[Kayser, 1848.]
Die Braut von Abydos. Aus der engl. in freie, deutsche Dichtg. übertrag. von Frdr. Kley. Halle, Schmidt. 1884. [8º.
[Kayser, 1887.]
Collation—
Pp. 62.
Az abydoszi ara. [The Bride of Abydos, transl. by Tercsi.] Hangok a multból és Byrontol énekek. pp. 25-66. B'pest. 1884.
[Egyetemes Philologiai Közlöny, 1901, xxv. 227.]
La fidanzata d'Abido. Traduzione di Giov. Giovio. Milano, Guglielmini. 1854. [8º.
[Pagliaini, 1901.]
Dziewica z Abydos, poema. Prezkt. Wł. hr. Ostrowskiego. Warszawa, Glücksberg. 1818. [8º.
Collation—
Pp. 94.
Абидосская НевѢста. Турецкая повѢстъ М. Каченовскій. Выборъ изъ сочиненій лорда Байрона. 1821.
Note.—Bride of Abydos, pp. 177-255.
Невѣста Абидосская. Турецкая повѢстъ лорда Байрона. Перевелъ съ англійскаго Иванъ Коэловъ.
pp. i.-x. 1-92. С.-Петербургъ, 1826. 8º.
Second Edition С.-Петербургъ, 1831. 16º.
Абидосская Невѣста ... Передѣлана ... М. Политковской Москва, 1859.
Collation—
Pp. 1-57.
Bruden Från Abydos,/ En Turkisk Berättelse/ Af/ Lord Byron./ Öfversättning./ Stockholm,/ J. L. Brudins Förlag./ [8º.
Collation—
Pp. 72.
Note.—No. 7 of "Byron's Poetiska Berättelser," 1853, etc.
[Note.—Cain, A Mystery was published by John Murray, together with Sardanapalus, A Tragedy, and The Two Foscari, A Tragedy, Dec. 21, 1821; vide post, Sardanapalus, A Tragedy, No. i. (p. 293).]
Cain;/ A Mystery./ By the author of Don Juan./ "Now the Serpent was more subtil than any beast of/ the field which the Lord God had made."/ Gen. iii. I./ London:/ Printed for the Booksellers,/ By W. Benbow, Castle-Street, Leicester-Square./ 1822./ [12º.
Collation—
Pp. vii. + 8-93.
Cain;/ A Mystery./ By Lord Byron./ To which is added/ a Letter from the Author/ To/ Mr Murray, the original Publisher./ "Now the Serpent was more subtil than any Beast of the Field which the Lord/ God had made."/ Gen. iii. I./ Second Edition./ London:/ Printed and Published by R. Carlile, 55, Fleet Street./ 1822./ [8º.
Collation—
Pp. iv. + 5-23 + Letter, etc., p. [24].
Cain;/ A Mystery./ By Lord Byron./ "Now the Serpent was more subtil than any beast of the/ field which the Lord God had made."/ Gen. iii. I./ London:/ Printed for the Booksellers,/ By H. Gray, No. 2, Barbican./ 1822./ [12º. [177]
Collation—
Pp. vii. + 8-72.
Cain, A Mystery. New York. 1822. [24.
Collation—
Pp. 100.
Cain, a Mystery. Paris, A. and W. Galignani. 1822. [12º.
[Quérard, 1827.]
Cain,/ A Mystery./ By Lord Byron./ "Now the Serpent was more subtil than any beast of the/ field which the Lord God had made."/ Gen. iii. I./ London:/ Printed for the Booksellers,/ Published by W. Benbow, 252, High Holborn./ 1824./ [12º.
Collation—
Pp. vii. + 8-85.
Lord Byron's/ Cain, A Mystery:/ with/ Notes:/ Wherein the/ Religion of the Bible/ Is considered, in reference to acknowledged/ Philosophy and Reason./ By Harding Grant;/ Author of "Chancery Practice."/ "Judge Righteous Judgment,"/ "Prove all things."/ "Justify the ways of God."/ London:/ William Crofts, 19, Chancery Lane./ 1830./ [8º.
Collation—
Pp. xvi. + 432.
Cain;/ A Mystery./ By Lord Byron./ "Now the Serpent was more subtil than any beast of the field/ which the Lord God had made."—Gen. iii. I./ To which is added/ A Letter from the Author/ To/ Mr. Murray, the original Publisher./ London:/ J. Watson, 33, Windmill Street,/ Finsbury./ 1832./ [12º.
Collation—
Pp. iv. + 5-47 + Letter, etc., p. [48].
Cain, a Mystery. Breslau, Kern. 1840. [16º.
[Kayser, 1841.]
Cain./ By/ Lord Byron./ "I tread on air, and sink not; yet I fear to sink."/ New and Complete Edition.—Price One Penny./ London: J. Dicks, 313, Strand; and all Booksellers./ New York Samuel French & Son, 122, Nassau Street—Sole Agents./ 1883, etc./ [12º.
Collation—
Pp. 143-160.
Note.—No. 203 of "Dicks' Standard Plays."
Kain/ Dramatická Báseň/ Lorda Byrona/ Prěložil/ Jose Durdík/ V Praze/ Tisk a náklad dra. Ed. Grégra/ 1871/ [8º.
Collation—
Pp. 117.
Caïn,/ Mystère dramatique/ En trois actes,/ De Lord Byron,/ Traduit en vers français,/ Et réfuté dans une suite de remarques philosophiques/ et critiques;/ Précédé/ d'une lettre adressée à Lord Byron, sur les motifs/ et le but de cet ouvrage,/ Par Fabre d'Olivet./ à Paris,/ Chez Servier, libraire,/ rue de L'Oratoire, No. 6./ 1823./ [8º.
Collation—
Pp. 248 + p. [249], Table (R. "Fautes à corriger").
Cain, ein Mysterium. Deutsch v. G. Parthey. Berlin, Nicola'ische Buchh. 1831. [12º.
[Centralblatt, vii. 468.]
Cain. Ein Mysterium. Von Lord Byron. Frei übers. v. Adf. Seubert. Leipzig. 1871-1876.
[Kayser, 1877.]
Collation—
Pp. 70.
Note.—No. 779 of Universal Bibliothek.
קין, שיר-חזיון על-פי כתבי הקדש/מאת/לורד בירון/תרגם מאנגלית
לעברית/דוד פרישמן/ווארשא תר"ס
Collation—
Pp. xl. + 44.
Kain. [Cain, transl. by Ilona Györy.] Franklin-Társulat 1895.
[Eg. Phil. Köz., 1901, xxv. 222.]
Kain. [Cain, transl. by Lajos Mikes.] (Magyar Könyvtár, p. 128.) B'pest, Lampel. 1898.
[Eg. Phil. Köz., 1901, xxv. 224.]
Kain./ Mistero/ de/ Lord Byron/ (Bajron)./ Tradukis A. Kofman./ Nurnbergo./ Presejo de W. Tümmel./ 1896./ [8º.
Collation—
Pp. ix. + 102.
Caino: mistero, tradotto da Andrea Maffei. Milano, Pirola. 1852-6. [8º.
[Pagliaini, 1901.]
Kain./ Poemat Dramatyczny/ Lorda Bajrona/ W trzech aktach/ przełożyl/ Adam Pajgert./ A waż był chytrzejszy nad wszystkie/ zwierzęta polne, które uczynił Pan Bóg./ Genezis R. III. w. I./ Lwów/ Nakładem Wydawnictwa Dziennika Literackiego./ 1868./ [8º.
Collation—
Pp. 125.
Каинъ ... Переводъ Ефрена Барышева. С.-Петербургъ, 1881.
Каинъ ... Переводъ П.А. Каленова. Москва, 1883.
Childe Harold's Pilgrimage./ A Romaunt./ By/ Lord Byron./ L'univers est une espèce de livre, dont on n'a lu que la première page quand on n'a vu que son pays./ J'en ai feuilleté un assez grand nombre, que j'ai trouvé également mauvaises. Cet examen ne m'a point/ été infructueux. Je haïssais ma patrie. Toutes les impertinences des peuples divers, parmi lesquels j'ai vécu,/ m'ont réconcilié avec elle. Quand je n'aurais tiré d'autre bénéfice de mes voyages que celui-là, je n'en re/gretterais ni les frais, ni les fatigues./ Le Cosmopolite./ London:/ Printed for John Murray, 32, Fleet-Street;/ William Blackwood, Edinburgh; and John Cumming, Dublin./ By Thomas Davison, White-Friars./ 1812./ [4º.
Collation—
Title, one page, pp. i., ii.; Preface, pp. iii.-vi.; Cont. (Errata on Reverse); Sec. Half-title, pp. 1, 2; Text, pp. 3-226 + two pages of publisher's advertisements, pp. [227, 228]. The Imprint (T. Davison, Lombard Street,/ Whitefriars, London./) is at the foot of p. [228].
Contents—
Childe Harold's Pilgrimage, Canto I | p. 1 |
Childe Harold's Pilgrimage, Canto II | p. 59 |
Notes to Canto I | p. 111 |
Notes to Canto II | p. 119 |
Poems— | |
I. Written in an Album | p. 165 |
II. To... | p. 166 |
III. Stanzas | p. 169 |
IV. Stanzas | p. 171 |
V. Written at Athens | p. 177 |
VI. Written after Swimming, etc. | p. 178 |
VII. Song | p. 181 |
VIII. Translation of a Greek War Song | p. 183 |
IX. Translation of a Romaic Song | p. 186 |
X. Written Beneath a Picture | p. 189 |
XI. On Parting | p. 190 |
XII. To Thyrza | p. 192 |
XIII. Stanzas | p. 195 |
XIV. To Thyrza | p. 197 |
Appendix— | |
Romaic Books and Authors | p. 203 |
Specimens of the Romaic | p. 207 |
Fac Simile of a Romaic Letter [inserted between Cont. and Half-title] |
Childe Harold's Pilgrimage./ A Romaunt./ By/ Lord Byron./ [Motto from Le Cosmopolite, seven lines.] The Second Edition./ London:/ Printed for John Murray, Fleet Street;/ William Blackwood, Edinburgh; and John Cumming,/ Dublin./ By Thomas Davison, White-Friars./ 1812./ [8º.
Collation—
Half-title; Title, one leaf; Preface; Cont., pp. i.-xii.; Note on the Errors in the Inscriptions at Orchomenus, n.p.; Text, pp. 1-300. The Imprint (T. Davison,/ Lombard Street, Whitefriars, London./) is at the foot of p. 300.
Contents—
Childe Harold's Pilgrimage, Cantos I. (93 stanzas), II. (88 stanzas) (N.) | pp. 3-201 |
Poems (as in First Ed., Nos. I.-XIV.) | pp. 205-237 |
XV. Euthanasia | p. 241 |
XVI. Stanzas ("And thou art dead," etc.) | p. 244 |
XVII. Stanzas ("If sometimes," etc.) | p. 249 |
XVIII. On a Cornelian Heart, etc. | p. 252 |
XIX. To a Youthful Friend | p. 253 |
XX. To —— ("Well! thou art happy") | p. 260 |
Appendix | p. 267 |
Specimens of the Romaic | p. 273 |
Fac Simile of a Romaic Letter | [inserted between Half-title and Title] |
Childe Harold's Pilgrimage,/ A Romaunt: and/ Other Poems./ By/ Lord Byron./ [Motto from Le Cosmopolite, six lines.] Third Edition./ London: Printed by T. Davison, Whitefriars./ For John Murray, Fleet Street;/ W. Blackwood, Edinburgh; and J. Cumming, Dublin./ 1812./ [8º.
Note.—Collation and Cont. are identical with those of the Second Edition. The Note on the Errors in the Inscriptions at Orchomenus is omitted. The Fac Simile of a Romaic Letter is inserted at the end of the volume, after p. 300.
Childe Harold's Pilgrimage,/ a Romaunt:/ and/ Other Poems./ By Lord Byron./ [Motto from Le Cosmopolite, six lines.] Fourth Edition./ London:/ Printed by T. Davison, Whitefriars,/ For John Murray, Fleet Street;/ William Blackwood, and J. Ballantyne and Co. Edin-/ Burgh; and J. Cumming, Dublin./ 1812./ [8º.
Collation—
Title, one leaf, pp. iii., iv.; Preface, pp. v.-ix.; Addition to the Preface, pp. ix.-xii.; Cont., pp. xi., xii. (sic); Text, pp. 1-300.[182] The Imprint is at the foot of p. 300.
Note.—The Cont. are identical with those of the Second Edition. The Fac Simile of the Romaic Letter is inserted at the beginning of the volume (in a bound copy between pp. 184, 185).
Childe Harold's Pilgrimage,/ A Romaunt:/ and/ Other Poems./ By/ Lord Byron./ [Motto from Le Cosmopolite, six lines.] Fifth Edition./ London:/ Printed by T. Davison, Whitefriars,/ For John Murray, (removed to) Albemarle-Street;/ William Blackwood, Edinburgh; and J. Cumming,/ Dublin./ 1812./ [8º.
Collation—
Half-title, pp. iii., iv.; Title, one leaf, pp. v., vi.; Preface, pp. vii.-xi.; Addition to the Preface, pp. xi.-xiv.; Cont., pp. xv.-xvi.; Text, pp. 1-300. The Imprint is at the foot of p. 300.
Note.—The Cont. are identical with those of the Second Edition; but the Fac Simile of the Romaic Letter is not mentioned in the Table of Cont. nor inserted in the volume.
Childe Harold's Pilgrimage,/ A Romaunt:/ and/ Other Poems./ By Lord Byron./ [Motto—Le Cosmopolite.] The First American Edition./ Philadelphia:/ Published by Moses Thomas,/ No. 52, Chestnut-Street./ William Fry, Printer. 1812./ [12º.
Collation—
Pp. 179.
Note.—"For sale in Philadelphia, by the publisher, M. Carey, and Bradford and Inskip; in New York, by Inskip and Bradford, and J. Eastburn; in Boston, by Munroe and Francis, and West and Blake; and in Baltimore, by F. Lucas, Junr. William Fry, Printer. 1812."
Childe Harold's Pilgrimage,/ A Romaunt:/ And/ Other Poems./ By/ Lord Byron./ [Motto from Le Cosmopolite, six lines.] The Sixth Edition./ London:/ Printed by T. Davison, Whitefriars,/ For John Murray, Bookseller to the Admiralty,/ And to the Board of Longitude,/ 50, Albemarle-Street./ 1813./ [8º.
Note.—The Collation and Cont. are identical with those of the Fifth Edition; but in the Table of Cont. the words "Fac Simile of a Romaic Letter" occur as in the Fourth Edition; but in the copy belonging to the British Museum the letter is not inserted. In the Sixth Edition the words Childe Harold's Pilgrimage are printed in Roman type, and the words A Romaunt in Gothic type, whereas in all other editions Childe, etc., is in Gothic, and A Romaunt in Roman type. [183]
Childe Harold's Pilgrimage,/ A Romaunt:/ And/ Other Poems./ By/ Lord Byron./ [Motto from Le Cosmopolite, six lines.] Seventh Edition./ London:/ Printed by Thomas Davison, Whitefriars,/ For John Murray, Albemarle-Street,/1814./ [8º.
Collation—
Half-title; Title, one leaf; Preface, etc.; Cent., pp. iii.-xvi.; Text, pp. 1-296. The Imprint (T. Davison, Lombard-Street,/ Whitefriars, London./) is at the foot of p. 296. The Fac Simile of the Romaic Letter is inserted between pp. 294, 295.
Contents—
To Ianthe | p. 3 |
Childe Harold's, etc., Canto I. (93 stanzas) | p. 6 |
Childe Harold's, etc., Canto II. (98 stanzas) | p. 65 |
Notes to Canto I. | p. 121 |
Notes to Canto II. | p. 125 |
Poems— | |
Nos. I.-XX. as in Eds. II.-VI. | p. 191 |
XXI. From the Portuguese | p. 245 |
XXII. Impromptu in Reply to a Friend | p. 246 |
XXIII. Address to Drury-Lane Theatre | p. 246 |
XXIV. To Time | p. 250 |
XXV. Translation of a Romaic Love Song | p. 252 |
XXVI. A Song ("Thou art not false," etc.) | p. 255 |
XXVII. Origin of Love | p. 257 |
XXVIII. Remember him | p. 257 |
XXIX. Lines inscribed upon a Cup formed from a Skull | p. 261 |
Romaic Books and Authors | p. 264 |
Specimen of the Romaic | p. 271 |
Childe Harold's Pilgrimage,/ A Romaunt:/ And/ Other Poems./ By/ Lord Byron./ [Motto from Le Cosmopolite, five lines.] Eighth Edition./ London:/ Printed for John Murray, Albemarle-Street:/ By Thomas Davison, Whitefriars./ 1814./ [8º.
Collation— Title, one leaf, pp. i., ii.; Preface, pp. iii.-vii.; Addition to the Preface, pp. vii.-x; Cont., pp. xi., xii.; Text, pp. 1-296.
Note.—The Cont. are identical with those of the Seventh Edition.
Childe Harold's Pilgrimage,/ A Romaunt:/ And/ Other Poems./ By/ Lord Byron./ [Motto from Le Cosmopolite, five lines.] Tenth Edition./ London:/ Printed for John Murray; Albemarle-Street,/ 1815./ [8º.
Collation— Title (R. T. Davison, Lombard street/ Whitefriars, London./), pp. i., ii.; Preface, pp. iii.-vii.; Addition to the Preface, pp. vii.-x.; Cont., pp. xi., xii.; Text, pp. 1-302. The Imprint (T. Davison, Lombard-Street, /Whitefriars, London./) is in the centre of p. [304].
Note.—The Cont. are identical with those of the Seventh Edition, save for the insertion of a thirtieth (No. XXX., p. 263) poem, "On the Death of Sir Peter Parker."
Childe Harold's Pilgrimage./ Canto the Third./ By Lord Byron./ "Afin que cette application vous forçât de penser à autre chose; il n'y a/ en vérité de remède que celui-là et le temps."/ Lettre du Roi de Prusse à D'Alembert, Sept. 7, 1776./ London:/ Printed for John Murray, Albemarle-Street./ 1816./ [8º.
Collation— Half-title (R. Published This Day in 8vo. 5s.6d./ The Prisoner Of Chillon;/ A Dream;/ And Other Poems./ By the Right Hon. Lord Byron./ T. Davison, Lombard Street,/ Whitefriars, London./); Title, one leaf; Text, pp. 1-79.
Note (1).—The Imprint, as above, is at the foot of p. 79; and on the reverse of p. 79, "List of the Poems," etc.
Note (2).—Childe Harold's Pilgrimage, Canto III., was published at Boston, 1817, 16º, pp. 72; and, together with The Prisoner of Chillon and other Poems, at Philadelphia, 1817, 16º.
Childe Harold's Pilgrimage./ Canto the Fourth./ By Lord Byron./ Visto ho Toscana, Lombardia, Romagna,/ Quel Monte che divide, e quel che serra/ Italia, e un mare e l'altro, che la bagna./ Ariosto, Satira iii./ London:/ John Murray, Albemarle-Street./ 1818./ [8º.
Collation— Title, pp. i., ii.; Dedication, pp. iii.-xiv.; Cont., n.p.; Text, pp. 1-257. The Imprint (T. Davison, Lombard-Street, Whitefriars, London.) is at the foot of p. [259].
[185]Contents—
Childe Harold's, etc., Canto IV. [N.] | p. 3 |
Poems. Romance, etc. | p. 240 |
Translation | p. 241 |
Per Monaca. Sonetto di Vittorelli | p. 256 |
Translation | p. 257 |
Note (1).—In another copy, Cont., n.p., precedes the Dedication.
Note (2).—Childe Harold's Pilgrimage, Canto IV., to which are added Beppo, and other Poems, was published at Philadelphia in 1818, 24º, pp. 270.
Childe Harold's/ Pilgrimage./ Canto the Fourth./ By Lord Byron./ [Motto—Ariost., Sat. iii., four lines.] New York:/ Published by James Eastburn and Co./ At the Literary Rooms, Broadway./ Clayton & Kingsland, Printers./ 1818./ [12º.
Collation—
Pp. 143.
Childe Harold's Pilgrimage,/ A Romaunt:/ And/ Other Poems./ By/ Lord Byron./ [Motto from Le Cosmopolite, six lines.] Eleventh Edition./ London:/ John Murray, Albemarle-Street./ 1819./ [8º.
Note.—The Collation of the preliminary matter is identical with that of the Tenth Edition. The Cont. are also identical, save that on p. 274 a note headed "Conclusion" (on pp. 301, 302 of the Tenth Edition) is omitted. The Imprint (London:/ Printed by Thomas Davison, Whitefriars./) is at the foot of p. 274.
Childe Harold's/ Pilgrimage./ A Romaunt,/ In Four Cantos./ By the Right Honourable/ Lord Byron./ In Two Volumes./ Vol. I./ [Vol. II.] Containing Cantos I., II./ London:/ John Murray,/ Albemarle-Street./ 1819./ [8º.
Collation—
Vol. I.: Title (R. London:/ Printed by T. Davison, Whitefriars./), pp. iii., iv.; Half-title (R. Motto, Le Cosmopolite, eight lines), pp. v., vi.; Preface, pp. vii.-xiv.; Cont., one leaf; Text, pp. 1-218. The Imprint (T. Davison, Lombard Street,/ Whitefriars, London./) is in the centre of p. [220].
Vol. II.: Title (R. Imprint, as above); Cont., one leaf; Text, pp. 1-273; Advt. of Historical Illustrations (R. Imprint, London:/ Printed by Thomas Davison, Whitefriars), pp. [275, 276].
Childe Harold's Pilgrimage. [Two vols.] Leipzig, Brockhaus. 1820. [8º.
[Kayser, 1834.]
Childe Harold's/ Pilgrimage./ A Romaunt./ By Lord Byron./ London:/ Printed and Published by W. Dugdale,/ Russell Court, Drury Lane./ 1825./ [12º.
Collation—
Pp. vi. + 7-182.
Childe Harold's Pilgrimage. [Two vols.] Paris, A. and W. Galignani. 1825. [32º.
Childe Harold's/ Pilgrimage,/ A Romaunt:/ By Lord Byron./ London:/ Printed and Published by W. Dugdale/ 23, Russell Court, Drury Lane./ 1826./ [12º.
Collation—
Pp. vi. + 1-162.
Childe Harold's/ Pilgrimage;/ A Romaunt./ In Four Cantos./ By Lord Byron./ London:/ Printed for Thomas Colmer,/ 2, Bell-Isle, Battle Bridge./ 1827./ [24º.
Collation—
Pp. vi. + 161.
Childe Harold's Pilgrimage, a poem by Lord Byron. [Two vols.] Paris. 1827. [16º.
[Le Moniteur; etc., 1845.]
Childe Harold's Pilgrimage./ A Romaunt./ By the/ Right Hon. Lord Byron./ London:/ John Buncombe, 19, Little Queen Street,/ Holborn./ [1831?] [12º.
Collation—
Pp. viii. + 9-270.
Note.—The Front. is "Lord Byron," by T. Phillips, R.A., engraved by R. Page.
Childe Harold's/ Pilgrimage./ A Romaunt/ By/ Lord Byron./ Campe's Edition./ Nuremberg and New York./ Printed and Published by/ Frederick Campe and Cº/ [1831.] [12º.
Collation—
Pp. 333.
Childe Harold's/ Pilgrimage./ A Romaunt./ By Lord Byron./ London:/ John Murray, Albemarle Street./ 1837. [8º.
Collation—
Pp. 329. The Imprint (London:/ Printed by A. Spottiswoode,/ New-Street-Square.) is in the centre of p. [330].
Note.—The Front., "Byron," is engraved by E. Finden, from the portrait by E. Sanders. The Vignette, or illustrated Title, is the "Lake of Geneva," engraved by E. Finden from a drawing by G. Stainfield, R.A. This edition is bound in green cloth, stamped with coat-of-arms, uniform with No. xiv. of Miscellaneous Poems.
Childe Harold's Pilgrimage. Mannheim, Hoffmann. 1837. [12º.
[Kayser, 1841.]
Childe Harold's Pilgrimage./ A Romaunt./ By Lord Byron./ London:/ John Murray, Albemarle Street./ 1841. [8º.
Collation—
Half-title (R. Motto from Le Cosmopolite, seven lines), pp. i., ii.; Title (R. Bradbury and Evans, Printers extraordinary to the Queen, Whitefriars.), pp. iii., iv.; Preface, and Addition to Preface, pp. v.-viii.; List of Embellishments, pp. ix.-xi.; Half-title, pp. xiii., xiv.; To Ianthe, pp. xv., xvi.; Text, pp. 1-320. The Imprint, as above, is at the foot of p. 320.
Note.—The Front. is a portrait of "Lord Byron, in his Albamanian Dress," by T. Phillips, R.A., engraved by W. Finden. The Title-vignette on illustrated title is the "Monument of Lysicrates," drawn by H. Warren, engraved by W. Finden. There are fifty-nine other "embellishments," and, inserted between pp. [228], [229], a Map of Lord Byron's Route through Spain, Portugal, Holland, etc., with "Picturesque Border."
Childe Harold's Pilgrimage, with Notes by Lord Byron, Carton demi rel. Jolie éd. London. 1842. [12º.
[Le Moniteur, etc., 1845.]
Childe Harold's Pilgrimage./ A Romaunt./ By Lord Byron./ London:/ John Murray, Albemarle Street./ 1853./ [8º.
Collation—
Pp. xii. (To Ianthe, pp. xi., xii.) + 311. The Imprint (London:/ Bradbury and Evans, Printers, Whitefriars./) is in the centre of P. [312].
Childe Harold herausg. von Aug. Mommsen. Hamburg, Th. Niemeyer. 1853. [Hamburg, 1869.] [8º.
[Kayser, 1860.]
Collation—
Pp. iv. + 189.
Childe Harold's/ Pilgrimage,/ von/ Lord Byron./ [Two Vols.] Erklärt/ von/ Ferd. Brockerhoff./ Erstes Bändchen./ Berlin./ Verlag von Th. Chr. Fr. Enslin./ 1854./ [8º.
Collation—
Pp. 163.
Note.—Bdchn. of Sammlung englischer Schriffsteller. Berlin, Th. Enslin. 1853-1855. "Siebentes Bändchen" contains Cantos I., II.; "Neuntes Bändchen" (pp. 214), published in 1855, contains Cantos III., IV.
Childe Harold's Pilgrimage/ A Romaunt/ By Lord Byron/ Illustrated From Original Sketches/ London:/ John Murray, Albemarle Street./ 1859./ [8º.
Collation—
Title (R. Motto, Le Cosmopolite, six lines; Note, two lines); Vignette, "Newstead Abbey" (R. The Illustrations drawn on Wood by Percival Skelton./ Engraved by J. W. Whymper and J. Cooper./); List of Illustrations, four pages; Text, pp. 1-329. The Imprint (Printed by R. and R. Clark, Edinburgh) is at the foot of p. 329.
Note.—This edition was reissued in 1869.
Childe Harold's Pilgrimage./ A Romaunt./ By Lord Byron./ New Edition./ London:/ John Murray, Albemarle Street./ 1860./ [8º.
Collation—
Pp. 192. The Imprint (London: Printed by William Clowes and Sons, Stamford Street) is at the foot of p. 192.
Note.—Murray's Complete Edition. Price One Shilling. The Front. is "The Earliest Portrait of Byron. Taken at the age of 7 years, from an original by Kay, Edinburgh," engraved by E. Finden.
Childe Harold's Pilgrimage./ A Romaunt./ By Lord Byron./ A New Edition./ London:/ John Murray, Albemarle Street./ 1860./ [8º.
Collation—
Pp. 60. The Imprint (London: Printed by William Clowes and Sons, Stamford Street,/ And Charing Cross./) is on Reverse of Title.
Note.—"Murray's Complete Edition." Price Sixpence. The Front. is a lithograph of the portrait of Lord Byron, by T. Phillips, R.A.
Childe Harold's Pilgrimage. A Romaunt. Leipzig, B. Tauchnitz. 1862. [16º.
[Kayser, 1865.]
Childe Harold's/ Pilgrimage/ A Romaunt/ By/ Lord Byron/ With a Memoir/ By/ William Spalding, A.M./ Professor of Logic and Rhetoric in the University of Saint Andrews/ Illustrated/ London/ Charles Griffin and Company/Stationer's Hall Court/ [1866] [8º.
Collation—
Pp. 180.
Note.—The Front, is an engraving of the medallion by E. W. Wyon.
Childe Harold's Pilgrimage. A Romaunt. Mit erläut. Anmerkungen zum Schul-u. Privatunterricht bearb. von P. Weeg. 1867. [8º.
[190]Note.—No. V., Sammlung gediegener u. interessanter Werke der englischen Litteratur. Münster, Brunn's Verl. 1868-1870. [Kayser, 1871.]
Byron's/ Childe Harold's/ Pilgrimage/ A Romaunt/ With Notes/ W. & R. Chambers/ London and Edinburgh/ 1877/ [12º.
Collation—
Pp. 180.
Lord Byron/ Childe Harold's/ Pilgrimage/ Édition classique/ Par/ James Darmesteter/ Docteur ès-Lettres/ Directeur-Adjoint à l'École des Hautes Études/ Paris/ librairie Ch. Delagrave/ 15, rue Soufflot, 15/ 1882/ [8º.
Collation—
Pp. xxxv. + 342.
Childe Harold's Pilgrimage. Texte anglais, revu et annoté par l'abbé A. Julien. Paris, Poussielque frères. 1883. [12º.
[Lorenz, 1886.]
Clarendon Press Series/ Byron/ Childe Harold/ Edited/ With Introduction and Notes/ By/ H. F. Tozer, M.A./ Fellow and Tutor of Exeter College, Oxford/ At the Clarendon Press/ 1885/ [All rights reserved]/ [8º.
Collation—
Pp. 336.
Childe Harold's Pilgrimage. Illustrated. London, Chatto. 1885. [8º.
[Eng. Cat., 1891.]
Lord Byron,/ Childe Harold's/ Pilgrimage./ A Romaunt./ Erklärt/ von/ August Mommsen./ Berlin./ Weidmannsche Buchhandlung./ 1885./ [8º.
Collation—
Pp. xxxvi. + 367.
Cassell's National Library./ Childe Harold's/ Pilgrimage./ By/ Lord Byron./ Cassell & Company, Limited:/ London, Paris, New York & Melbourne./ 1886./ [16º.
Collation—
Pp. 192.
Childe Harold's/ Pilgrimage/ A Romaunt/ By Lord Byron/ Illustrated/ Boston/ Ticknor and Company/ 1886/ [8º.
Collation—
Pp. 236.
Childe Harold's Pilgrimage: edited with Notes by W. J. Rolfe, Philadelphia. 1886. [16º.
[Detroit Public Library.]
Childe Harold's Pilgrimage. Leipzig, Gressner & Schramm. 1886. [16º.
[Kayser, 1887.]
Childe Harold's Pilgrimage. By Lord Byron. Im Auszuge m. Anmerkgn. zum Schulgebrauch hrsg. v. Mart. Krummacher. Mit Anmerkgn. unter dem Text.
Note.—No. 13 of "English Authors." Bielefeld, Velhagen, and Klasing. 1885-1886. [Kayser, 1887.]
Childe Harold's/ Pilgrimage/ A Romaunt/ By/ Lord Byron/ London/ George Routledge and Sons/ Broadway, Ludgate Hill/ Glasgow and New York/ 1888/ [16º.
Collation—
Pp. viii. + 9-320.
Note.—Part of "Routledge's Pocket Library."
Childe Harold's Pilgrimage. Im Auszuge hrsg. v. Mart. Krummacher. 1891. [Reissued in 1893.] [12º.
Note.—Part of "English Authors," vide supra, No. xlvii.
Sir John Lubbock's Hundred Best Books/ 29/ Childe Harold's/ Pilgrimage/ A Romaunt/ By/ Lord Byron/ London/ George Routledge and Sons, Limited/ Broadway, Ludgate Hill/ Manchester and New York/ 1892/ [8º.
Collation—
Pp. x. + 11-249.
Byron's/ Childe Harold/ With Introduction and Notes/ By/ H. G. Keene, Hon. M.A. Oxon.,/ Fellow of Calcutta University, Author of "A Manual of/ French Literature," etc./ London/ George Bell & Sons, York St., Covent Garden/ And New York/ 1893/ [8º.
Collation—
Pp. xx. + 255.
Byron/ Childe Harold/ Texte Anglais/ Publié avec une Notice, des Arguments/ Et des Notes en Français/ Par Émile Chasles/ Inspecteur général de l'Instruction publique/ Paris/ Librairie Hachette et C'ie/ 79, Boulevard Saint-Germain, 79/ 1893/ [8º.
Collation—
Pp. xxvi. + 261.
Note.—This edition was reissued in 1894.
Childe Harold's Pilgrimage: a Romaunt. New York, T. Y. Crowell & Co. 1894.
[Amer. Cat., 1895.]
Collation—
Pp. 9 + 283.
Arnold's British Classics for Schools/ General Editor:/ J. Churton Collins, M.A./ Childe Harold's/ Pilgrimage/ Edited by/ The Rev. E. C. Everard Owen, M.A./ Late Fellow of New College, Oxford; Assistant Master/ In Harrow School./ Edward Arnold/ London/ 37 Bedford Street/ New York/ 70 Fifth Avenue/ [1897] [8º.
Collation—
Pp. lxii. + 236.
Childe/ Harold/ A Romaunt/ George/ Gordon/ Lord/ Byron/ 1898. Published. by. J. M. Dent. / And. Co.. Aldine. House. London. E.C./ [8º.
Collation—
Pp. xii. + 310 + Note (one leaf) by Editor, I.G., October 1, 1898.
Note.—Part of the "Temple Classics," edited by Israel Gollmer, M.A. The Front. is a photogravure of the portrait of "George Gordon Lord Byron," by T. Phillips, R.A.
Childe Harold's/ Pilgrimage/ A Romaunt by Lord Byron/ Cantos I. and II./ Edited with Notes and an Introduction by/ Edward E. Morris/ Professor of English in the University of Melbourne/ London/ Macmillan and Co., Limited/ New York: The Macmillan Company/1899/ All rights reserved/ [8º.
Collation—
Pp. xxxvi. + 115.
Childe Harold's/ Pilgrimage/ A Romaunt by Lord Byron/ Cantos III. and IV./ Edited with Notes and an Introduction by/ Edward E. Morris/ Professor of English in the University of Melbourne/ London/ Macmillan and Co., Limited/ New York: The Macmillan Company/ 1899/ All rights reserved/ [8º.
Collation—
Pp. xxxvi. + 168.
Note.—The Introduction (pp. vii.-xxxvi.) is a repetition of the Introduction to the preceding volume.
Childe Harold's Pilgrimage: a Romaunt. Cantos 1, 2, 3, and 4; Edited with Notes and Introduction by E. Morris. New York, The Macmillan Co. [Two vols.] 1899. [8º.
[Amer. Cat., 1900.]
Collation—
Vol. I.: pp. 36 + 115.
Vol. II.: pp. 36 + 168.
Note.—Part of "Macmillan's English Classics."
Childe Harold's Pilgrimage: a Romaunt. Edited with Introduction and Notes by Andrew J. George. New York., The Macmillan Co. 1899. [16º.
[Amer. Cat., 1900.]
Collation—
Pp. 34 + 282.
Note.—Part of "Macmillan's Pocket English Classics."
Childe Harold's Pilgrimage. New York, Cassell. 1900.
[Amer. Cat., 1901.]
Collation—
Pp. 192.
Note.—Part of "Cassell's National Library," N.S.
Lord Byron/ Childe Harold's/ Pilgrimage/ Canto II./ Edited by/ John Downie, M.A./ Editor of Macaulay's Lives of Johnson and Goldsmith, Etc. Etc./ London/ Blackie and Son, Limited, 50 Old Bailey, E.C./ Glasgow and Dublin/ 1901/ [8º.
Collation—
Pp. 47.
Lord Byron/ Childe Harold's/ Pilgrimage/ Canto III./ Edited by/ John Downie, M.A./ [etc., vide supra, No. lxi.] 1901/ [8º.
Collation—
Pp. 47.
Note.—This and the preceding volume form part of "Blackie's English Classics."
Lord Byron/ Childe Harold's Pilgrimage/ Italy/ [Canto IV.] Venice/ Printed/ at the Armenian Monastery of S. Lazarus/ 1872/ [16º.
Collation—
Pp. 147.
Note.—The Armenian verse, translated by Gheuond Alíshanian, accompanies the English original. The Notes are in the Armenian language. [195]
Childe Haroldova pout' Prelozila El. Krásnohorská [in Kabinetní Knihovna]. 1890.
Junker Harolds Pilgrimsfart./ Et Romantisk Kvad./ Af/ Byron./ Oversat af/Adolf Hansen/Kjøbenhavn./ Forlagt af J. H. Schubothes Boghandel./ Græbes Bogtrykkerei. 1880/ [8º.
Collation—
Pp. 237.
Le Pélerinage de Childe Harold, poème romantique de lord Byron, traduit en vers français par l'auteur des Helléniennes et des Mélodies poétiques. Paris, Dupont. 1828. [18º.
[Quérard, 1846.]
Collation—
Pp. 288.
Le Pélerinage de Childe Harold, traduit par P.A. Deguer. Paris, Ponthieu. 1828. [18º.
[Quérard, 1846.]
Collation—
Pp. 84.
Le Pélerinage/ de/ Childe Harold/ Traduction en vers français/ Par/ Eugène Quiertant./ [Motto, Le Cosmopolite, nine lines.] Paris/ Librairie de Ch. Blériot,/ rue Bonaparte, 25. 1861./ [8º.
Collation—
Pp. viii. + 266 + "Note de L'Éditeur," one leaf.
Note.—Le premier chant de cette traduction avail déja été publié en 1852. [Lorenz, 1867.]
Childe Harold/ Poëme de Lord Byron/ Traduit en vers français/ Par/ Lucien Davésiès de Pontès./ Tome premier./ Paris/ E. Dentu, libraire-éditeur,/ Galerie D'Orléans, Palais-Royal./ 1862./ [8º.
Collation—
Vol. I.: pp. lv. + 232.
Vol. II.: pp. 334 + "Errata," one leaf, p. [335].
Le Pélerinage de Childe Harold, traduit en vers d'après l'édition anglaise de 1812; précédé de Marie-Magdaleine, poëme, et de diverses poésies, par Victor Robert Jones, Saint-Quentin, imprimerie Monreau. 1862. [12º.
[Lorenz, 1867.]
Childe Harold, poëme de lord Byron, traduit en vers français par Lucien Davésiès de Pontès, 2e édition revue et corrigée par le bibliophile Jacob. Paris, Amyot. 1870. [12º.
[Lorenz, 1876.]
Childe Harold. Expliqué littéralement, traduit en français et annoté par H. Bellet. Paris, Hachette et Cie. 1881. [12º.
[Lorenz, 1886.]
Childe Harold's Pilgrimage. Traduction française littérale, par l'Abbé A. Julien. Paris, Poussielque frères. 1883. [12º.
[Lorenz, 1886.]
Childe Harold, Édition classique, précédée d'une notice littéraire, par M. A. Elwall. Paris, Delalain frères. 1892. [12º.
[Lorenz, 1900.]
Childe Harold, Édition classique, avec une notice biographique et littéraire, un appendice et des notes par Douglas Gibb. Paris, Belin frères. 1892. [12º.
[Lorenz, 1900.]
Harold, der Verwiesene. Aus. d. Engl. v. Karl Baldamus. Leipzig, Hartmann. 1835. [8º.
[Kayser, 1841.]
Ritter Harold's Pilgerfahrt./ Aus dem Englischen/ des/ Lord Byron./ Im Versmass des Originals übersetzt/von/ Zedlitz:/ Stuttgart und Tübingen,/ Verlag der J. GJ. G. Cotta'schen Buchhandlung. 1836./ [8º.
Collation—
Pp. xvi. + 381 + Berichtungen, p. [382].
Jungherrn Harold's Pilgerfahrt. Aus d. Engl. ins Deutsche übersetzt von Dr. Herm. v. Pommer Esche. Stralsund, Löffler'sche Buch. 1839. [8º.
[Kayser, 1841.]
Erster Gesang des Childe Harald. Freie Uebertragung in Reimen v. C. D. Ansbach, Dollfuss. 1845. [12º.
[Kayser, 1848.]
Byron's/ Ritter Harold/ von/ Adolf Böttger/ Diamantausgabe./ Leipzig./ Druck und Verlag von Otto Wigand./ 1846./ [16º.
Collation—
Pp. 194.
Note.—The Front. is a portrait of "Byron" (by G. Sanders), engraved by A. H. Payne.
Childe Harold's/ Pilgerfahrt/ von/ Lord George Gordon Byron./ Aus dem Englischen im Versmass des Originals/ übersetzt/ von/ Alexander Büchner./ Frankfurt a/ M./ Verlag von Meidinger Sohn und Cie./ 1853./ [16º.
Collation—
Pp. xxiii. + 342.
Note.—The translation was reissued in 1855.
Harold's/ Pilgerfahrt./ Aus dem Englischen des Lord Byron./ Uebersetzt von/ Erich von Monbart./ Köln, 1865./ Druck, Franz Greven, Burgmauer-Ecke 113. [8º.
Collation—
Pp. 143.
Childe Harold's/ Pilgerfahrt/ von/ Lord Byron./ Deutsch/ von/ A. H. Janert./ Hildburghausen./ Verlag des Bibliographischen Instituts./ 1868./ [8º.
Collation—
Pp. 191.
Note.—No. 87 of the "Bibliothek ausländischer Klassiker."
Jung Harold's/ Pilgerfahrt./ Von Byron./ Aus dem Englischen metrisch übersetzt/ von/ Ferdinand Schmidt./ Berlin./ Verlag von W. O. H. Stempelmann./ 1869./ [12º.
Collation—
Pp. 132 + "Anmerkungen," pp. [133, 134].
Ritter Harold's Pilgerfahrt. Eine Romanze v. Lord Byron. Frei ubers. v. Adf. Seubert. [16º.
[Kayser, 1877.]
Collation—
Pp. 224.
Note.—Nos. 516, 517 of the "Universal Bibliothek," Leipzig, 1871-76.
Childe Harold's Pilgerfahrt. Ein Epos. Übertr. v. F. Dobbert. 1893. [8º.
[Kayser, 1894.]
Collation—
Pp. vi. + 192.
Note.—Part of the "Bibliothek der Gesammtlitteratur d. In u. Auslandes."
Childe Harold/ Byron/ után/ anya nyelvéböl magyarra forditotta/ Bickersteth Johanka/ Nyomtatta Puky Miklos Genfben/ 1857/ [8º.
Collation—
Pp. 211. [Line-borders.]
L'Italia,/ Canto IV./ del pellegrinaggio/ di Childe HARold,/ Scritto/ da Lord Byron,/ E tradotto/ da Michele Leoni./ Italia,/ 1819./ [8º.
Collation—
Pp. 77.
Il pellegrinaggio del Giovine Aroldo: poema di Lord Byron, tradotto dá Giuseppe Gazzino genovese. Genova, tipografia arcivescovile, 1836. [8º.
[Bibl. Ital., Nov.-Dec., 1836.]
L'Italia/ Canto/ di Lord Byron/ Accomodato/ All' indole del verso italiano/ da/ Melchior Missirini/ Publicato per cura/ del professore/ Francesco Longhena./ Milano/ Coi tipi di Vincenzo Guglielmini/ 1848/ [8º.
Collation—
Pp. 95.
Il pellegrinaggio del giovane Aroldo: poema recato in italiano da Fr. Armenio. Napoli, 1858. [8º.
[Pagliaini, 1901.]
Il pellegrinaggio del giovane Aroldo: con la traduzione armena. Ultimo canto. Venezia. t.s. Lazard, 1860. [8º.
[Pagliaini, 1901.]
Byron/ Pellegrinaggio D'Aroldo/ Traduzione/di/Giovanni Giovio/ [Then something on poetry/] Schak./ Milano/ Giuseppe Bernardoni/ Tipografo-editore/ 1866/ [8º.
Collation—
Pp. xxxiii. + 122 + "Note," pp. [125, 126].
Italia/ Canto di Giorgio Byron/ Tradotto/ da/ Andrea Maffei./ Firenze,/ Successori le Monnier./ 1872./ [8º.
Collation—
Pp. 190.
Note.—This edition was reissued in 1874 and in 1897.
Il pellegrinaggio/ D'Aroldo./ Poema/ di Lord Byron/ Tradotto/ da Carlo Faccioli./ [Emblem, rose and butterfly, with motto, "Non Bramo Altr' Esca."] Firenze,/ G. Barbèra, editore./ 1873./ [8º.
Collation—
Pp. xii. + 249 + Indice, p. [251].
Poezye w tłumaczeniu polskiém. Tom. I. (przez Michała Budzyúskiego): Wedrówki Czaild Harolda. pp. 256. M. Wolf: Petersburg, 1857. [8º.
Pielgrzymka Czajlda Harolda ... z=polszczone przez Wiktora z Baworowa, etc. we Lwowie, 1857. [12º.
Wędrówki Czaild-Harolda ...Przełożył Frederyk Krauze. 1865-71.
Wędrówki Rycerza Harolda ...Przekład Jana Kasprowicza. Warszawa, 1895.
Wędrówki Czaild-Harolda ... Tłómaczony ... przez A. A. K[rajewskiego], Kraków, 1896.
Чайльдъ-Гарольдъ ... пер. Д. Минаева. ["Русское Слово," 1864.]
Чайльдъ-Гарольдъ ... пер. П.А. Козлова. ["Русская Мыслъ," 1890. No. 1, 2, 11.]
Childe Harolds/ Pilgrimsfärd/ Af/ Lord Byron./ Öfversatt Af/ A. F. Skjöldebrand./ Stockholm./ Tryckt Hos Johan Hörberg,/ 1832./ [8º.
Collation—
Pp. 192.
The Corsair,/ A Tale./ By Lord Byron./ "—— I suoi pensieri in lui dormir non ponno."/ Tasso, Canto decimo, Gerusalemme Liberata./ London:/ Printed by Thomas Davison, Whitefriars, For John Murray, Albemarle-Street./ 1814./ [8º.
Collation—
Half-title, one leaf, pp. i., ii.; Title, one leaf, pp. iii., iv.; Dedication, "To Thomas Moore, Esq.," pp. v.-xi.; Text (and Notes), pp. 1-100.
Note.—The Text numbers 1863 lines, the half-lines 154, 159, 669 being reckoned as whole lines. Other half-lines are not so reckoned, and the First Edition actually numbers 1860 lines.
The Corsair,/ A Tale./ By Lord Byron./ "—— I suoi pensieri in lui dormir non ponno."/ Tasso, Canto decimo, Gerusalemme Liberata./ Second Edition./ London:/ Printed by Thomas Davison, Whitefriars,/ For John Murray, Albemarle-Street./ 1814./ [8º.
[202]Collation—
Half-title, etc. (vide supra); Text, with Notes and Six Poems, pp. 1-108. The Imprint (T. Davison, Lombard Street,/ Whitefriars, London./) is at the foot of p. 108.
Poems—
To a Lady weeping | p. [101] |
From the Turkish | p. 102 |
Sonnet, To Genevra ("Thine eyes," etc.) | p. 104 |
Sonnet, To Genevra ("Thy cheek," etc.) | p. 105 |
Inscription on the Monument of a Newfoundland Dog | p. 106 |
Farewell ("Farewell! if ever," etc.) | p. 108 |
The Corsair,/ A Tale./ ... Third Edition./ ... 1814./ [8º.
Collation—
Vide supra, No. 1. The Imprint (Printed by T. Davison, Lombard-Street,/ Fleet Street./) is at the foot of p. 100.
Note.—The Poems which were inserted in the Second Edition pp. [101]-108, were omitted in the Third Edition.
The Corsair,/ A Tale./ ... Fourth Edition.... 1814./ [8º.
Collation—
Vide supra, the Second Edition, No. ii.
Note.—The Poems inserted in the Second, and omitted in the Third, are included in the Fourth Edition.
The Corsair,/ A Tale./ By Lord Byron./ [Motto as above, No. i.] Fifth Edition./ London:/ Printed for John Murray, Albemarle-Street;/ By Thomas Davison, Whitefriars,/ 1814./ [8º.
Collation—
Vide supra, the Second Edition, No. ii.
The Corsair,/ A Tale./ ... Sixth Edition./ ... 1814./ [8º.
Collation—
For Title, vide supra, the Fifth Edition, No. v.
The Corsair,/ A Tale./ ... Seventh Edition./ ... 1814./ [8º.
[203]Collation—
Vide supra, Second Edition, No. ii.
Note.—In this edition the last four lines of Canto I. stanza xi. ("The first may turn ... still it stings!") were added, together with the Note, to Canto II., p. 33, line 18, "It has been objected," etc. The poem numbers 1863 lines, the additional lines not being included in the numeration.
The Corsair,/ A Tale./ By Lord Byron./ [Motto as above.] From the Fifth London Edition./ New-York:/ Published by Eastburn, Kirk, and Co./ Literary Rooms, Corner of Wall and Nassau Streets./ 1814./ [6º.
Collation—
Pp. xi. + 108.
Note.—The Corsair was also published in Philadelphia in 1814, 16º.
The Corsair;/ A Tale./ By Lord Byron./ [Motto as above.] Ninth Edition./ London:/ Printed for John Murray, Albemarle-Street./ 1815./ [8º.
Collation—
Half-title, one leaf, pp. i., ii.; Title, one leaf, pp. iii., iv.; Dedication, pp. v.-xi.; Text, with Notes, pp. 1-112. The Imprint (T. Davison, Lombard-Street,/ Whitefriars, London./) is at the foot of p. 112.
Note.—The poem numbers 1864 lines, the four new lines at the end of Canto I. stanza xi. being included in the numeration. Pp. 101-104 contain "Note 17, p. 95, last line," on the Pirates of Barataria, and (secondly) on Archbishop Blackbourne.
The Corsair,/ A Tale./ By Lord Byron./ [Motto as above.] Tenth Edition./ London:/ John Murray, Albemarle-Street./ 1818./ [8º.
Collation—
Half-title (R. London:/ Printed by T. Davison, Whitefriars./), pp. 1, 2; Title, one leaf, pp. 3, 4; Dedication, pp. 5-9; Text, pp. 11-96; Notes, pp. 97-105; Poems, pp. [107]-114.
Note.—The poem is (incorrectly) numbered 1873 lines, line 1506 being numbered 1511.
The Corsair./ A Tale./ By Lord Byron./ [Motto as above.] London: Printed and Published by W. Dugdale,/ 23, Russell Court, Drury Lane./ 1825./ [12º.
Collation—
Pp. 72.
The Corsair./ A Tale./ By Lord Byron./ "—— I suoi pensieri in lui dormir non ponno"—Tasso./ [London, 1844.] [8º.
Collation—
Pp. iv. + 5-48.
Note.—Part of "Clarke's Home Library."
The Corsair:/ A Tale./ By/ Lord Byron./ London: Archd. K. Murray & Co.,/ 30 Queen Square, W.C.:/ Glasgow: 243 Parliamentary Road./ 1867./ [16º.
Collation—
Pp. 122.
Note.—Part of "Murray's Standard Poets."
Der Korsar, eine Erzählung. [Deutsch v.] F. L. von Tschirsky. Berlin, Maurer. 1816. [12º.
[Centralblatt, etc., 1890, vol. vii, p. 472.]
Der Korsar, eine Erzählung. [Deutsch von] Elise von Hohenhausen. Altona, Hammerich. 1820. [8º.
[Centralblatt, etc., 1890, vii. 461.]
Der Korsar. Erzählung. Aus d. Engl. übers. v. Friederike Friedmann. Leipzig, Brockhaus. 1852. [16º.
[Kayser, 1853.]
Collation—
Pp. 90.
Der Corsar. Gedicht, Aus d. Engl. von Viet. v. Arentsschild. Mainz, Iabern. 1852. [16º.
[Kayser, 1853.]
Collation—
Pp. 139.
Der Korsar. Eine Erzählg. v. Lord Byron. Frei übers. v. Adf. Seubert. Leipzig, Ph. Reclam, jr. [1871-76.] [16º. [Kayser, 1877.]
Collation—
Pp. 69.
Note.—No. 406 of the "Universal-Bibliothek."
A Kalóz./ Irta/ Lord Byron./ Angolból Forditotta/ Kacziány Géza./ Budapest./ Franklin-Társulat/ Magyar Irod. Intézet és Könyvnyomda./ 1892./ [16º.
Collation—
Pp. 74.
Il Corsaro/ Novella/ di/ Lord Byron/ Versione in prosa/ di L. C./ Torino/ Vedova Pomba e figli/ 1819/ [8º.
Collation—
Pp. v. + 131.
Note.—The Front. is a lithograph of the portrait of "Giorgio Byron," by G. H. Harlow. A translation, "Al Tempo," "Time on whose arbitrary wing," pp. [129], 131, follows the Notes to the Corsair. The translation includes the four additional lines at the end of Canto I. stanza xi., but not the Note on the "Pirates of Barataria."
Il Corsaro/ Novella/ di/ Lord Byron/ Versione in prosa/ di L.C./ Seconda edizione riveduta dall' autore./ Milano/ Presso Rodolfo Vismara/ 1820/ [8º.
Collation—
Pp. 4 + 5-123.
Note.—For Front., vide supra, No. i.
Il Corsaro, novella di lord Byron. Traduzione dall' inglese di Giuseppe Nicolini. Milano, tip. di Giovanni Silvestri. 1842. [16º.
[Bibl. Ital., June, 1842.]
Collation—
Pp. xlviii. + 106.
Il Corsaro, novella Inglese, tradotta da Eritreo Migdonio. Firenze, 1842, tipografia Piatti.
[Bibl. Ital., July, 1843.]
Il/ Corsaro/ di/ Lord Byron/ Versione del Cavaliere/ Luigi Serenelli Honorati/ Già Presid. di Corte d'Appello/ Bologna/ Tip. Mareggiani All' Insegna di Dante/ 1797, Via Malcontenti, 1797/ 1870/ [8º.
Collation—
Pp. 95.
II Corsaro/ Novella di Lord Byron/ Versione/ di/ Carlo Rosnati/ [1879] [8º.
Collation—
Pp. 96 + Sonnet, "Santa Rosa," p. [97].
Морской разбойникъ Переводъ В. Олина (Въ прозѣ). С.-Петербургъ, 1827.
El Corsario. Por el Byron, traducido en castellano por M.... Imp. de David à Paris. A Paris, rue du Temple, N. 69. 1827. [18º.
[Bibl. de le France, Aug. 22, 1827.]
El/ Corsario/ Por/ Lord Byron./ Valencia:/ Imprenta de Cabrerizo./ 1832./ [32º.
Collation—
Pp. 272.
Corsaren./ Af/ Lord Byron./ [Motto as above.] Stockholm,/ Tryckt Hos Joh. Beckman, 1868./
Collation—
Pp. 96.
Note.—"Ofversattning af Talis Qualis."
The Curse of Minerva./ London:/ Printed by T. Davison, Lombard Street, Whitefriars./ 1812./ [4º.
Collation—
Title, one leaf, pp. 1, 2; Text, pp. 3-25. The Imprint (Printed by T. Davison, Lombard Street,/ Whitefriars, London./) is in the centre of p. [27].
Note.—The pages of the Text measure 280 x 220.
The/ Curse of Minerva./ A Poem,/ By the Right Honourable/ Lord Byron/—— Pallas te hac [sic] vulnere, Pallas/ Immolat, et poenam scelerato ex sanguine sumit./ Philadelphia:/ Printed for De-Silver and Co./ 1815./ [8º.
Collation—
Pp. 24.
Note.—It is probable that this edition, which closely resembles the later separate issues of the Corsair, the Bride of Abydos, and the Giaour, was printed in London.
The/ Curse of Minerva./ A Poem./ By the Right Honourable/ Lord Byron./—— Pallas te hac [sic] vulnere, Pallas/ Immolat, et poenam scelerato ex sanguine sumit./ Third Edition./ Paris./ Published by Galignani/ at the French, English, Italian, German and Spanish/ Library, No. 18, Rue Vivienne./ 1818./ [12º.
Collation—
Half-title, one leaf, pp. 1, 2; Title, one leaf, pp. 3, 4; Text, pp. 5-[21]. The Imprint (Printed by A. Belin) is at the foot of P. [21].
Note (1).—A Fourth Edition, identical with the Third, was issued by Galignani in 1820. Quérard (1827) records the issue of a Second Edition, published by A. and W. Galignani in 1818.
Note (2).—The Curse of Minerva (full text) is included in the fifth volume of the edition of Byron's Works published by Louis and Baudry in 1825 (see W. No. xviii.); in the first volume of the Fifth Edition, in sixteen volumes, published by A. and W. Galignani in 1822 (see W. No. xix.), but was not published, in its entirety, in England till 1831 (see W. No. xliii.).
For a bibliographical note on The Curse of Minerva, first published as The Malediction of Minerva, or The Athenian Marble Market (111 lines), in the New Monthly Magazine, April, 1818, vol. iii. p. 240, and often reprinted in a mutilated form, see Poetical Works, 1898, i. 452.[208]
The/ Deformed Transformed;/ A Drama. By the/ Right Hon. Lord Byron./ London, 1824:/ Printed for J. and H. L. Hunt,/ Bond Street, and Tavistock Street./ [8º.
Collation—
Half-title (R. London:/ Printed by C. H. Reynell, Broad Street, Golden Square./), pp. 1, 2; Title, pp. 3, 4; Author's Advt., p. 6; Dramatis Personæ, one leaf, pp. 7, 8; Text, pp. 9-88. The Imprint, as above, is at the foot of p. 88.
Note.—A Second and Third Editions, identical with the First, were issued in 1824.
The Deformed Transformed, a drama by the Right hon. lord Byron. Impr. de A. Belin, à Paris, chez A. et W. Galignani, 1824. [12º.
[Bibl. de le France, March 27, 1824.]
Note.—La Metamorphose du Bossu forms part (pp. 1-103) of Tome Quinzième of Oeuvres Complètes de Lord Byron. Paris, Ladvocat/ 1824./ (See Transl. of Coll. Ed. No. i.)
The/ Deformed Transformed./ By/ Lord Byron./ [Illustration, "What do I see?"] New and Complete Edition. —Price one Penny./ London: J. Dicks, 313, Strand; all Booksellers./ [1883, etc.] [12º.
Collation—
Pp. 583-597.
Note.—The Deformed Transformed is No. 113 of "Dicks' Standard Plays."
Budapesti/ Árvizkönyv./ etc. Szerkeszti/ B. Eötvös József./ Negyedik Rötet./ Pesten,/ Kiadja Heckenast Gusztáv./ 1840./ [8º.
Collation—
Lord Byron'/ Elváltoztatott Idomtalanjából/ Töredek,/ Lukács Móricztól./ pp. 111-140.
Don Juan./ "Difficile est proprie communia dicere."/ Hor. Epist. ad Pison./ London:/ Printed by Thomas Davison, Whitefriars./ 1819./ [4º.
Collation—
Half-title, one leaf; Title, one leaf; Second Half-title, pp. 1, 2; Text, pp. 3-227. The Imprint (London:/ Printed by Thomas Davison, Whitefriars./) is in the centre of p. [228].
Contents—
Canto I. | p. 3 |
Notes to Canto I. | p. [115] |
Canto II. | p. [119] |
Note (1).—The following lines and stanzas are omitted: Canto I. stanzas xv,, cxxix. lines 7, 8, cxxx. lines 7, 8, cxxxi. The omissions were first included in the Text in the edition of 1833. (See vol. xv. p. 40.)
Note (2).—For the "Dedication" in pamphlet form, vide post, p. 304.
Don Juan./ "Difficile est proprie communia dicere."/ Hor. Epist. ad Pison./ A New Edition./ London:/ Printed by Thomas Davison, Whitefriars./ 1819./ [8º.
Collation—
Half-title, one leaf; Title, one leaf; Second Half-title, pp. 1, 2; Text, pp. 3-227. The Imprint, as above, is in the centre of p. [228].
Note.—For omitted lines and stanzas, vide supra, No. i. "A New Edition," identical with that of 1819, was issued in 1820.
Don Juan./ "Difficile est," etc. Hor. Epist. ad Pison./ An exact Copy from the Quarto Edition./ London./ Published by J. Onwhyn, No. 4, Catherine-Street./ Strand./ Price Four Shillings./ 1819./ [8º.
Collation—
Title, pp. 1, 2; Half-title, pp. 3, 4; Text, pp. 5-117. The Imprint (E. Thomas, Printer, Denmark-Court, Strand) is at the foot of p. 117.
Don Juan./ "Difficile est," etc./ Hor. Epist. ad Pison./ London:/ Printed by Thomas Davison, Whitefriars./ 1820./ [8º.
Note.—This edition is identical with the "New Edition" of 1820, but is in smaller type, and the size is crown, not post, octavo.
Don Juan./ "Difficile," etc./ Hor. Epist. ad Pison./ An exact copy from the Quarto Edition./ London:/ Printed for Sherwin and Co. Paternoster Row./ Price Four Shillings./ 1820./ [8º.
Collation—
Half-title, one leaf, pp. 1, 2; Title, one leaf, pp. 3, 4; Text, pp. 5-117. The Imprint (Sherwin and Co. Printers, Paternoster Row.) is at the foot of p. 117.
Don Juan./ "Difficile est proprie communia dicere."/ Hor. Epist. ad Pison./ A New Edition./ London:/ Printed by Thomas Davison, Whitefriars./ 1822./ [8º.
Collation—
Half-title (R. London:/ Printed by Thomas Davison, Whitefriars./); Title, one leaf, etc., vide supra, No. ii.
Note.—The "New Edition" of 1822, with the exception of the first Half-title, is identical with the "New Edition" of 1819.
Don Juan,/ Cantos III, IV, and V./ "Difficile est," etc./ Hor. Epist. ad Pison./ London: Printed by Thomas Davison, Whitefriars./ 1821./ [8º.
Collation—
Half-title, one leaf; Title, one leaf; Second Half-title, pp. 1,2; Text, pp. 3-218. The Imprint, as above, is in the centre of p. [220].
Contents—
Canto III. | p. 3 |
Notes to Canto III. | p. 65 |
Canto IV. | p. 71 |
Notes to Canto IV. | p. 131 |
Canto V. | p. 135 |
Notes to Canto V. | p. 215 |
Note.—Canto V. stanza lxi. is omitted. This edition of Cantos III., IV., V. was issued in post and in crown octavo.
Don Juan./ "Difficile est," etc./ Hor. Epist. ad Pison./ Cantos III. IV. and V./ London:/ Printed for Sherwin and Co. Paternoster Row./ Price Four Shillings./ 1821./ [8º.
Collation—
Title, pp. 3, 4; Text, pp. 5-114. The Imprint (Printed by Sherwin and Co./ Paternoster-Row./) is at the foot of p. 114.
Don Juan./ Cantos III, IV, and V./ "Difficile est," etc. Hor. Epist. ad Pison./ Fifth Edition,/ Revised and Corrected./ London:/ Printed by Thomas Davison, Whitefriars./ 1822./ [8º.
Collation—
Half-title, one leaf; Title, one leaf; Second Half-title, pp. 1, 2; Text, pp. 3-222. The Imprint (London:/ Printed by Thomas Davison, Whitefriars) is in the centre of p. [224].
Note.—The additional matter consists of the citations and corrections of ten of Bacon's apophthegms, and a defence of the literary merits of Voltaire, pp. 217-222, which was omitted from the First Edition (see letter to Murray, August 21, 1821, Letters, 1901, v. 351).
Don Juan./ A/ Poem,/ By/ Lord Byron./ London./ Printed & Sold by W. Benbow./ At the Lord Byron's Head./ 9, Castle Street, Leicester Square./ 1822./ [12º.
Collation—
[Cantos I.-V.], pp. 214 + Notes to Canto First, etc., pp. [215]-[220]. The Imprint (Sudbury, Printer, High Holborn) is at the foot of p. [220].
Don Juan./ "Difficile est," etc./ Hor. Epist. ad Pison./ With/ A Preface,/ By a Clergyman./ London:/ Printed by and for Hodgson & Co.,/ 10, Newgate Street./ 1822./ [12º.
Collation—
Half-title, pp. i., ii.; Title, pp. iii., iv.; Publisher's Preface, pp. v.-x.; Text, pp. 3-226. The Imprint (Printed by Hodgson and Co. 10, Newgate Street, London.) is at the foot of p. 226.
Note.—The Front. is a lithograph of "Lord Byron." This[212] edition was reissued in 1823 with another Front., a lithograph of "Lord Byron," after the portrait by G. Harlow.
Don Juan./ In Five Cantos./ A New Edition, with Notes./ [Title-vignette,? Newstead Abbey.] And/ Three Engravings after Corbould./ London:/ Printed by and for Peter Griffin,/ Tabernacle Walk,/ and sold by all Booksellers in Town and Country./ [1823.] [12º.
Collation—
Half-title, one leaf; Title (R. Arliss. Typ. London); Second Half-title, with motto, "Difficile est," etc./ Hor./; Cont.; Text [Cantos I.-V.], pp. 1-180.
Note.—A paper cover with ornamental border bears the date MDCCCXXIII.
Don Juan./ "Difficile est," etc./ Hor. Epist. ad Pison./ A Correct Copy from the original edition./ London:/ Printed by G. Smeeton, St. Martin's Church Yard,/ Charing Cross./ [1826?] [8º.
Collation—
Title, one leaf, pp. 1, 2; Text, pp. 3-215 + Notes to Canto I., etc., pp. [217]-[228]. The Imprint (Printed by G. Smeeton, St. Martin's Church Yard.) is at the foot of p. [228].
Note.—There is an illustrated Title (Don Juan/ Cantos 1 to 5/ London./ Printed by G. Smeeton St. Martins Church Yard./) with Title-vignette, head of Lord Byron encircled with bay leaves, and six coloured illustrations by I. R. Cruikshank.
Don Juan./ Cantos VI.—VII.—And VIII./ "Dost thou think because thou art virtuous, there shall be no more/ Cakes and Ale?"—"Yes, by St. Anne; and Ginger shall be hot i' the/ mouth too!"—Twelfth Night, or What you Will./ Shakespeare./ London, 1823:/ Printed for John Hunt,/ 38, Tavistock Street, Covent Garden, And/ 22, Old Bond Street./ [8º.
Collation—
Title (R. London:/ Printed by C. H. Reynell, Broad Street, Golden Square./), pp. i., ii.; Preface to Cantos VI.—VII.—and VIII., pp. [iii.]-vii.; Second Half-title, one leaf; Text, pp. 1-184; "Publications by John Hunt ... July, 1823," pp. [185], [186].
Note.—Notes to Canto VIII. are on pp. [183], 184. This[213] edition was reissued in 1825—Printed for Hunt and Clarke,/ Tavistock Street, Covent Garden./ The pagination, etc., is identical with that of the edition of 1823. The Imprint (London:/ Printed by C. H. Reynell, Broad Street, Golden Square./) is on p. [186].
Don Juan./ Cantos VI.—VII.—VIII./ "Dost thou think," etc. [Motto, four lines]./ London: Printed and Published by W. Dugdale, 19, Tower Street, Seven Dials./ 1823./ [12º.
Collation—
Title, one leaf, pp. i., ii.; Preface, pp. iii., iv.; Text, pp. 1-221 + Notes to Cantos IX. X. XI., pp. [223], [224]. The Imprint (Benbow, Printer, 9, Castle-Street, Leicester-square, London.) is at the foot of p. [224].
Note.—This edition includes Cantos IX., X., XI.
Don Juan./ Cantos VI.—VII.—VIII./ "Dost thou think," etc. [Motto, four lines]./ London: 1823./ Printed for John Hunt, 22, Old Bond-Street, and 38, Tavistock-/ Street, Covent Garden./ [12º.
Collation—
Title (R. London:/ Printed by C. H. Reynell, Broad Street, Golden Square./), pp. i., ii.; Preface, pp. iii.-vi.; Text, pp. 7-97. The Imprint, as above, is at the foot of p. 97.
Don Juan./ Cantos IX.—X.—And XI./ "Dost thou think because thou art virtuous, there shall be no more/ Cakes and Ale?"—"Yes, by St. Anne; and Ginger shall be hot i' the/ mouth too!"—Twelfth Night, or What you Will./ Shakspeare./ London, 1823:/ Printed for John Hunt,/ 38, Tavistock Street, Covent Garden, And/ 22, Old Bond Street./ [8º.
Collation—
Title, one leaf, pp. 1, 2; Half-title, pp. 3, 4; Text, pp. 5-151. The Imprint (London;/ Printed by C. H. Reynell, Broad Street, Golden Square./) is in the centre of p. [152].
Note (1).—The Notes to Canto IX. are on pp. [49], 50; the Notes to Canto X. on pp. [97]-99; and the Notes to Canto XI. on pp. [149]-151. Canto XI. stanza lvii. lines 5-8 and stanza lviii. are omitted.[214]
Note (2).—The motto is here given in full; and note "Shakspeare," not "Shakespeare," as before.
Don Juan./ Cantos IX.—X.—XI./ "Dost thou think," etc. [Motto, four lines]./ Shakespeare./ London, 1823:/ Printed for John Hunt, 38, Tavistock Street, Covent/ Garden; and 22, Old Bond Street./ [12º.
Collation—
Title (R. Printed by G. H. Reynell,/ 45, Broad-Street, Golden-Square,/), pp. 1, 2; Text, pp. 3-72.
Don Juan./ Cantos XII.—XIII.—And XIV./ [Motto as above, three lines.] Shakspeare./ London, 1823:/ Printed for John Hunt,/ 38, Tavistock Street, Covent Garden, and/ 22, Old Bond-Street./ [8º.
Collation—
Title (R. London./ Printed by C. H. Reynell, Broad Street, Golden Square./), pp. 1, 2; Half-title, pp. 3, 4; Text, pp. 5-168. The Imprint, as above, is at the foot of p. 168.
Note.—The Notes to Canto XII. are on pp. [51], 52; the Notes to Canto XIII. on pp. [111], 112; and the Notes to Canto XIV. on pp. [167], 168.
Don Juan./ Cantos XII.—XIII.—XIV./ "Dost thou think," etc. [Motto, four lines]./ London, 1823:/ Printed for John Hunt, 38, Tavistock Street, Covent/ Garden: and 22, Old Bond-Street./ [12º.
Collation—
Title (R. Printed by G. H. Reynell,/ 45, Broad-Street, Golden-Square./), pp. 1, 2; Text, pp. 3-83 + six pages of "Publications by John Hunt," dated December, 1823. This edition is bound in a paper cover with ornamental border—Don Juan./ Cantos/ XII. XIII. XIV./ Price One Shilling./
Don Juan./ Cantos XII.—XIII.—XIV./ "Dost thou think," etc. [Motto, four lines (Shakspeare)]./ London:/ Printed for the Booksellers./ 1823./ [12º.
Collation—[215]
Title (R. Sudbury, Printer, 252, High Holburn.), pp. 1, 2; Text, pp. 3-83. The Imprint, as above, is at the foot of p. 83.
Don Juan,/ Cantos XII, XIII, XIV./ "Dost thou think," etc. [Motto, four lines (Shakespeare)]./ Paris:/ Published by A. and W. Galignani,/ at the French, English, Italian, German, and Spanish Library,/ No. 18, Rue Vivienne./ 1824./ [12º.
Collation—
Half-title (R. Paris: Printed by A. Belin.); Title, one leaf; Half-title, with Motto, pp. 1, 2; Text, pp. 3-162 + Notes to Canto XIV., pp. [163], [164].
Don Juan./ Cantos XV. And XVI./ [Motto as above, three lines.] Shakspeare./ London, 1824:/ Printed for John and H. L. Hunt,/ Tavistock Street, Covent Garden. [8º.
Collation—
Title (R. Imprint as above), pp. 1, 2; Half-title, pp. 3, 4; Text, pp. 5-125; [Works] Published by John and H. L. Hunt, ... March, 1824, pp. [131], [132]. The Imprint, as above, is in the centre of p. [130].
Note.—The Notes to Canto XV. are on pp. [55]-57; the Notes to Canto XVI. on pp. [127]-129. The following note is on p. [126]: ["The errors of the press in this Canto,—if there be any,—are not to be attributed to the Author, as he was deprived of the opportunity of correcting the proof-sheets."]
Don Juan./ Cantos XV. and XVI./ "Dost thou think," etc. [Motto, three lines]. Shakspeare./ London, 1824:/ Printed for John and H. L. Hunt,/ Tavistock Street, Covent Garden./ [12º.
Collation—
Title (R. London:/ Printed by C. H. Reynell, Broad Street, Golden Square./), pp. 1, 2; Half-title, one leaf, pp. 3, 4; Text, pp. 5-130. The Imprint, as above, is at the foot of p. 130.
Don Juan./ Cantos XV. and XVI./ "Dost thou think," etc. [Motto, four lines]./ Shakspeare./ London:/ Printed for the Booksellers./ 1824./ [12º.
Collation[216]
Title (R. Sudbury, Printer, 252, High Holborn.), pp. 1, 2; Text, pp. 3-62. The Imprint, as above, is at the foot of p. 62.
Don Juan./ Cantos XV. and XVI./ "Dost thou think," etc. [Motto, three lines]./ Shakspeare./ London, 1824:/ Printed for John Hunt, 38, Tavistock-Street, Covent/ Garden; and 22, Old Bond-Street./ [12º.
Collation—
Title (R. Printed by G. H. Reynell/ 45, Broad-Street, Golden-Square./), pp. 1, 2; Text, pp. 3-62.
Note.—The Title-page and setting of the Notes, and the quality of the paper of this edition differ from that of the preceding, but the text appears to have been set up from the same type.
Don Juan,/ Cantos XV, XVI./ "Dost thou think," etc. [Motto, four lines]./ Paris: Published by A. and W. Galignani,/ At the French, English, Italian, German, and Spanish Library,/No. 18, Rue Vivienne./ 1824./ [12º.
Collation—
Half-title (R. Paris: Printed by A. Belin.); Title, one page; Second Half-title, with Motto, pp. 1, 2; Text, pp. 3-125.
Don Juan./ By/ Lord Byron./ Cantos I. To VI./ "Difficile est proprie communia dicere."/ Hor./ Vol. I./ [Vol. II.] London: Printed for the Booksellers./ MDCCCXXVI./ [8º.
Collation—
Vol. I.: General Title (The/ Works/ of/ Lord Byron./ Vol. XII./ London:/ Printed for the Booksellers./ 1826); Title (R. Thomas White, Printer,/ Johnson's Court./); Text, pp. 1-353. The Imprint, as above, is at the foot of p. [354].
Vol. II.: General Title (The/ Works,/ etc. Vol. XIII./ etc.); Title (Don Juan./ By/ Lord Byron./ Cantos VII. To XVI./ "Dost thou think," etc. [Motto, three lines]./ Shakspeare./ Vol. II., etc.) (R. Imprint as above); Half-title, pp. 1, 2; Text, PP. 3-398.
Don Juan:/ In/ Sixteen Cantos./ By Lord Byron./ "Difficile est proprie communia dicere."/ Hor. Epist. ad Pison./ Complete in one volume./ London:/ Printed for William Clark,/ 60, Paternoster-Row./ 1826./ [16º.[217]
Collation—
Title (R. W. Wilson, Printer,/ 57, Skinner-Street, London./), pp. i., ii.; Biographical Notice, pp. iii.-xii.; Text, pp. 1-432. The Imprint (W. Wilson, Printer, 57, Skinner-Street, London.) is at the foot of p. 452.
Don Juan:/ In/ Sixteen Cantos./ By the/ Right Hon. Lord Byron./ Difficile est proprie communia dicere./ Hor. Epist. ad Pison./ Complete in one volume./ With a short Biographical Memoir of the/ Author./ [Title-vignette, the Royal Arms.] London:/ Printed for T. and J. Allman,/ Great Queen-Street, Lincoln's Inn Fields./ 1827./ [16º.
Collation—
Half-title, one leaf; Title (R. Doncaster:/ Printed by C. and J. White, Baxter-Gate./), pp. i., ii.; Biographical Memoir, pp. iii.-ix.; Text, pp. 1-537. The Imprint, as above, is at the foot of p. 537.
Note.—The Front. (dated 1828) is a portrait of Lord Byron by T. Phillips, R.A., engraved by W. Wise.
Don Juan./ "Difficile est proprie communia dicere."/ Hor. Epist. ad Pison./ In Two Volumes./ Vol. I./ London:/ Thomas Davison, Whitefriars./ 1828./ [8º.
Don Juan./ "Dost thou think, because thou art virtuous, there shall be/ no more cakes and ale?—Yes, by St. Anne; and ginger/ shall be hot i' the mouth too!"—Twelfth Night; or What/ you Will./ Shakspeare./ In Two Volumes. Vol. II./ London:/ Thomas Davison, Whitefriars./ 1828./ [8º.
Collation—
Vol. I.: Half-title, one leaf; Title, one leaf; Text, pp. 1-343. The Imprint (London:/ Printed by Thomas Davison, Whitefriars./) is in the centre of p. [344].
Vol. II.: Half-title, one leaf; Title, one leaf; Text, pp. 1-371. The Imprint, as above, is in the centre of p. [372].
Note.—The Front. to Vol. I. is "Don Juan, C. ii. St. 89," drawn by R. Westall, R.A., and engraved by E. Finden; the Front. to Vol. II. is "Don Juan, Canto II. St. 144," by the same artist and engraver.
Don Juan./ By/ Lord Byron./ Cantos I. To VI./ "Difficile est proprie communia dicere."/ Hor./ Vol. I./ London:/ Printed for the Booksellers./ 1828./ [8º.
Don Juan./ By/ Lord Byron./ Cantos VII. To XVI./ "Dost thou think," etc. [Motto, three lines]./ Shakespeare./ Vol. II./ London: Printed for the Booksellers./ 1828./ [8º.
Collation—
Vol. I.: Half-title, one leaf; Title (R. Hamblin, Printer, 63, Upper Thames Street.); Text, pp. 1-351. The Imprint, as above, is at the foot of p. [352].
Vol. II.: Half-title, one leaf; Title (R. Imprint as above); Second Half-title, one leaf, pp. 1, 2; Text, pp. 3-392. The Imprint, as above, is at the foot of p. 392.
Don Juan in 16 Cantos. Campe's Edition. Nuremberg and New York, Campe and Co. 1832. [12º.
[Kayser, 1834.]
Don Juan,/ In/ Sixteen Cantos,/ With Notes;/ By Lord Byron./ "Difficile est," etc./ Horace./ "Dost thou think," etc. [Motto, three lines. "Shaks."]/ London: Printed for Scott and Webster,/ 36, Charter-House Square./ 1833./ [12º.
Collation—
Title, one leaf, pp. 1, 2; Text, pp. 3-359. The Imprint (C. Morris, Printer, 20, Sydney Grove, Sydney St.) is at the foot of p. 359.
Note.—The Front. is "Don Juan and Julia," by H. Corbould, engraved by C. Heath. The Title-vignette of the illustrated Title (Don Juan:/ Complete./ By Lord Byron./ London:/ Engraved for the English Classics,/ Published by Scott & Webster./) is from a drawing by H. Corbould, engraved by C. Heath.
Don Juan,/ In/ Sixteen Cantos,/ With Notes;/ By Lord Byron./ "Difficile est," etc./ Horace./ "Dost thou think," etc. [Motto, three lines. "Shaks."]./ London/ Printed for the Booksellers. 1835./ [12º.
Collation—
Vide supra, No. vii.
Note.—The Front. and illustrated Title are omitted.
Don Juan./ By/ Lord Byron./ In Two Volumes./ Vol. I./ [Vol. II.] London:/ John Murray, Albemarle Street./ 1837./ [8º.
Collation—
Vol. I.: pp. 376. The Imprint (London:/ Printed by A. Spottiswoode,/ New-Street-Square./) is at the foot of p. 376.
Vol. II.: pp. 395. The Imprint, as above, is in the centre of p. [396].
Note.—The Title-vignette of illustrated Title of Vol. I. is "Cape Colonna Sunium," engraved by E. Finden from a drawing by T. Helpman. The Title-vignette of illustrated Title of Vol. II. is "The Brig of Balgownie near Aberdeen," engraved by E. Finden from a drawing by G. Bulmer. The vols. are bound in green cloth, with coat-of-arms in gold.
Don Juan. Mannheim, Hofmann. 1838. [16º.
[Kayser, 1841.]
Don Juan:/ In/ Sixteen Cantos./ By/ Lord Byron./ "Difficile est," etc./ Hor. Epist. ad Pison./ London: H. G. Bohn, York Street, Covent Garden./ 1849./ [12º.
Collation—
Title, one leaf, pp. 1, 2; Text, pp. 3-438.
Note.—The Front. is "The Siesta of Haidée and Juan." The Title-vignette on illustrated Title (Don Juan,/ etc. London. MDCCCXLVI./ (sic)) is Newstead Abbey from the Lake.
Don Juan/ By Lord Byron/ Complete Edition with Notes/ "Dost thou think," etc. [Motto, three lines]/ London and New York/ George Routledge and Sons/ [1874] [16º.
Collation—
Half-title, one leaf, pp. 1, 2; Title (R. Charles Dickens and Evans,/ Crystal Palace Press./), pp. 3, 4; Text, pp. 5-431. The Imprint, as above, is in the centre of p. [432].
Don Juan./ By/ Lord Byron./ "Difficile est," etc./ "Dost thou think," etc. [Motto, three lines (Shakespeare)]./ London: Chatto & Windus, Piccadilly./ 1875./ [16º.
Collation—[220]
Half-title, one leaf; Title, one leaf; List of Cantos, pp. 1, 2; Text, pp. 3-359.
Note.—Part of "The Golden Library."
Don Juan/ By/ Lord Byron/ "Difficile est," etc./ Complete Edition, with Notes/ London/ George Routledge and Sons/ Broadway, Ludgate Hill/ New York: 9 Lafayette Place/ 1886/ [8º.
Collation—
Half-title, one leaf; Title (R. Advt. of Routledge's Large Type Three-Volume Classics.); Text, pp. 1-476. The Imprint (R. Clay and Sons, London and Bungay.) is at the foot of p. 476.
Note.—The Front. is "Don Juan," from Canto IV. stanza xvii. The same issue without the Front. forms part of Routledge's "Excelsior Series."
Don Juan.... Metrisk bearbeidet efter den engelske Original af H. Schou. 1. Hefte Fredericia. 1854. [4º.
Collation—
Pp. 16.
Note.—No more published. Without Title-page; the above Title appears on the wrapper.
Byron: Don Juan./ Oversat Paa Dansk/ Af/ Holger Drachmann./ Med Indledningsdigt Af Oversaetteren./ KjøBenHavn./ Forlagt Af J. H. Schubothes Boghandel./ Groebes Bogtrykkeri./ 1880./ [8º.
Note.—The translation was issued in parts. The first volume, containing Cantos I.-VI. pp. 1-437, was completed in 1882. A second volume (1890-1902) contains Cantos VII.-XVI. pp. 1-465.
Don Juan, poeme héroï-comique en 16 chants, traduit et précédé de la vie de Lord Byron [par A.P.] avec notes et commentaires. Tomes i. et ii. Deux Volumes. Impr. de P. Renouard à Paris. A Paris, rue Poupée, n. 16. 1827. [Tome III. was issued Sept. 15.] [18º.
[Bibl. de la France, June 2, 1827.]
Don Juan. Traduit en vers français. 2 vol. Paris, Librairie centrale. 1866. [12º.
[Lorenz, 1876.]
Paul Lehodey./ Don Juan/ de/ Lord Byron,/ Traduction nouvelle, précédée d'une préface/ de M. Legouvé,/ de l'Académie française./ Paris,/ DeGorge-Cadot, libraire-éditeur,/ 37, rue Serpente./ [1869.] [8º.
Collation—
Pp. xi. + 450 + Table des Matières, p. [451].
Don Juan. Traduit en vers français par Adolphe Fauvel. Troisiéme Édition, entièrement revue et corrigée, 1878. Paris, Lemerre. [8º.
[Lorenz, 1886.]
Note.—La Ire édition de cette traduction est de 1866, la 2e de 1868.
Don Juan, aus d. Engl. Im Versmass des Originals übersetzt von Ad. v. Marées. Essen, Bädeker. 1839. [12º.
[Kayser, 1841.]
Byron's/ Don Juan/ übersetzt/ von/ Otto Gildemeister./ "Difficile est proprie communia dicere."/ Horatius./ "Vermeinst du, weil du tugendhaft," etc. [Motto, six lines]./ Shakspeare./ Bremen./ Druck und Verlag von Carl Schünemann./ 1845./ [8º.
Collation—
Vol. I.: pp. 314.
Vol. II.: pp. 276.
Byron's/ Don Juan/ von/ Adolf Böttger./ Diamantausgabe./ Leipzig,/ Verlag von Otto Wigand./ 1849./ [8º.
Collation—
Pp. 413.
Note.—The Front. is "Haidie." This edition was reissued in 1858.
Byron's/ Don Juan./ Deutsch/ von/ Wilhelm Schäffer./ Erster Theil./ Erster und Zweiter Gesang./ Hildburghausen./ Verlag des Bibliographischen Instituts./ 1867./ [8º.
Collation—
Vol. I.: pp. 124.
Vol. II. (Cantos III.-VI.): pp. 152.
Note.—Nos. 47, 48 of the "Bibliothek ausländischer Klassiker."
Don Giovanni: poema, tradotto da Ant. Caccia. Torino, 1853. [16º.
[Pagliaini, 1901.]
Don Giovanni ridotto in 8a rima da Antonietta Sacchi, Milano, Guglielmini, 1865. [8º.
[Pagliaini, 1901.]
Giorgio Byron/ Aidea/ Episodio del don Giovanni/ Saggio d'una traduzione completa/ di/ Vittorio Betteloni/ Verona/ Stabilimento tipografico di G. Civelli/ 1875/ [8º.
Collation—
Pp. 119.
Il/ Don Juan/ di/ Lord Byron/ Recato/ In altrettante stanze italiane/ dal cavaliere/ Enrico Casali/ Milano/ Natale Battezzati editore/ 1876/ [8º.
Collation—
Pp. 548 + Indice, p. [549].
Don Giovanni. Traduzione di Vitt. Betteloni, Milano, Ottino, 1880. [8º.
[Pagliaini, 1901.]
Don Żuan./ Lorda Bajrona./ Pieśń/ Pierwsza/ przełożona/ przez/ Wiktora z Baworowa. Tarnopol./ Drukiem Józefa Pawłowskiego./ 1863./ Na dochód Rannych./ [8º.
Collation—
Pp. v. + 60.
Note.—This edition was issued during the last Polish insurrection, for the benefit of the wounded.
Ustęp z drugiéj pieśni Don Żuana, przełożył Wiktor z Baworowa. pp. 28. Druk. "Czasu." Kraków, 1877. [8º.
Don Żuan, pieśń trzecia, przekład Wiktora z Baworowa. pp. 35. redak. "Przeglądu Polskiego," Druk. "Czasu." Kraków, 1877. [8º.
Don Żuan, pieśń druga, trzecia i czwarta. Opowiadanie o Haidzie; przekład Wiktora z Baworowa. pp. 118. viii. Tow. Bratniéj Pomocy Słuchaczów Wszechn. Lwowskiéj: Tarnopol, 1879. [8º.
Don Żuan ... Przekład Edwarda Porębowicza. Warszawa, 1885.
Don Juan/ dela/ Lord Byron./ Poema epica./ Tradusa de I. Eliade./ [Emblem—Cupid and Mask.]/ Eliade: Bucurescĭ./ In tipograsia lui Eliade./ 1847./ [8º.
Collation—
Pp. 183.
Донъ-Жуанъ ... Переводъ И. Жандра. С.-Петербургъ, 1846. [8º.
Collation—
Pp. 1-91.
Донъ-Жуанъ ... Вольный переводъ В. Любичъ-Романовича. С.-Петербургъ, [1847.] 2 vols. [12º.
Донъ-Жуанъ ... Глава первая. Переводъ Н.А. Маркевича. Лейпзигъ, 1862. [16º.
Collation—
Pp. 164.
Донъ-Жуанъ ... Перев. Д. Минаева. С.-Петербургъ, 1866, 67.
Донъ-Жуанъ ... Переводъ П. Козлова. Иэданіе 2-e с примѣчаніями П. Вейнберга. С.-Петербургъ, 1889. 2 vols.
Донъ-Жуанъ ... Переводъ А. Козлова. 2 tom. С.-Петербургъ, 1892.
Дон-Жуанъ ... Перевод у прози Окице Глушчевиѣа 2 свес. Београд, 1888.
Don Juan, novela. Por lord Byron. Deux Volumes. Impr. de Decourchant, à Paris, A Paris rue du Temple, N. 69. 1829. [18º.
[Bibl. de le France, January 24, 1829.]
Don Juan/ Poema/ de/ Lord Byron./ Traduccion de/ F. Villalva/ Difficile est proprie communia dicere./ Horacio. Epistola á los Pisones./ Tomo 1/ Madrid/ Librería de Leocadio Lopez/13—Calle del Cármen—13/ 1876/ [8º.[225]
Collation—
Vol. I.: pp. xv. + 384 + Indice, p. [385].
Vol. II.: pp. 420 + Indice, p. [421].
Don Juan/ Af/ Lord Byron./ Första Sången./ Med upplysande och utwalde Noter./ Öfversatt ifrån Engelska Originalet./ Stockholm,/ Nordströmska Boktryckeriet,/ 1838./ [8º.
Collation—
Pp. 80.
Don Juan/ Af/ Lord Byron./ Förra Delen./ Sångerna I-VI./ Stockholm,/ J. L. Brudins Förlag. [1857.] [8º.
Collation—
Vol. I.: pp. 349.
Vol. II.: [Sednare Delen. Sångerna VII.-XVI.—1862], pp. 384.
Note.—This edition ("Öfversättning Af Carl. Wilh. Aug. Strandberg") was issued in paper covers with vignette portrait of Lord Byron.
The/ British Bards,/ A Satire./ [1808.] [4º.
Collation—
No Title-page. Pp. 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16 [pp. 17, 18, 19, 20, proof-sheets of 84 lines:—(line 1), "Health to Immortal Jeffrey! once in name;"—(line 84), "Her son, and vanish'd in a Scottish mist" + p. 21, proof-sheet uniform with pp. 1-16, of 20 lines:—(line 1), "Illustrious Holland! hard would be his lot;"—(line 20), "Reforms each error, and refines the whole"], pp. 19, 20, 21, 22, 23, 24, 25, 26, 27, 28, 29.
Signature C is at the foot of p. 5; D, p. 9; E, p. 13; G, p. 21; H, p. 25.
Pp. 1-16 contain 284 lines: (line 1), "Time was, e'er yet in these degenerate days;" (line 284), "Of Jefferies! monarch of the Scourge and, chain." (Lines 281-284 are erased.)
Pp. 19-29 contain 200 lines: (line 1), "Now to the drama turn, oh! motley sight;" (line 200), "And urge thy bards, to gain a name like thine." The last line of p. 29 is numbered 520, and the date 1808 is subscribed.[226]
Note.—The page measures 278 X 218. The water-mark on the last page (p. 29) is 1807; the water-mark on the original wrapper, "J. W. & B. B. 1806." A wrapper of the original sheets is inscribed, "This is the original Satire which Ld B. put into my hands. It was printed in the Country, where he had been staying. He added 110 lines before it was published. R.C.D." (B.M., E.G. 2028.)
English Bards,/ And/ Scotch Reviewers./ A Satire./ I had rather be a kitten, and cry, mew!/ Than one of these same metre ballad-mongers./ Shakspeare./ Such shameless Bards we have; and yet 'tis true,/ There are as mad, abandon'd Critics too./ Pope./ London:/ Printed for James Cawthorn, British Library,/ No. 24, Cockspur Street./ [1809.] [12º.
Collation—
Half-title, one leaf, pp. i., ii.; Title (R. T. Collins, Printer, No. 1, Harvey's Buildings, Strand), pp. iii., iv.; Preface, pp. v., vi.; Text (696 lines), pp. 1-54. The Imprint (T. Collins, Printer, Harvey's Buildings, Strand) is at the foot of p. 54.
Note.—The words "Scotch Reviewers" on the Title are in Gothic characters. Facsimile of the Title-page faces p. xiv. of Poetical Works, 1898, vol. i.
English Bards,/ And/ Scotch Reviewers;/ A Satire./ By/ Lord Byron./ I had rather be a kitten, and cry, mew!/ Than one of these same metre ballad-mongers./ Shakspeare./ Such shameless Bards we have; and yet 'tis true,/ There are as mad, abandon'd Critics too./ Pope./ Second Edition,/ With/ Considerable Additions and Alterations./ London:/ Printed for James Cawthorn, British Library, No. 24,/ Cockspur Street./ 1809./ [8º.
Collation—
Half-title, one leaf, pp. i., ii.; Title (R. Printed by Deans & Co. Hart-Streeet, Covent Garden./), pp. iii., iv.; Preface to the Second Edition, pp. v.-vii.; Text (1050 lines), pp. 1-82; Postscript, pp. 83-85. The Imprint, as above, is at the foot of p. 85. The Advt. (In the Press,/ And speedily will be published,/ Henry Count de Kolinsky, a Polish Tale./) is in the centre of p. [86].
Note.—The words "A Satire" on the Title, and the words "Scotch Reviewers" on the Half-title, are in Gothic characters.
English Bards,/ And/ Scotch Reviewers;/ A Satire./ By/ Lord Byron./ I had rather be a kitten, and cry, mew!/ Than one of these same metre ballad-mongers./ Shakspeare./ Such shameless Bards we have; and yet 'tis true,/ There are as mad, abandon'd Critics too./ Pope./ Third Edition./ London:/ Printed for James Cawthorn, British Library, No. 24,/ Cockspur Street./ 1810./ [8º.
Collation—
Half-title, one leaf, pp. i., ii.; Title (R. Printed by T. Collins, Harvey's Buildings, Strand, London.), pp. iii., iv.; Preface to the Third Edition, pp. v.-vii.; Text (1050 lines), pp. 1-82; Postscript, pp. 83-85 + Advt. of "Books Published by James Cawthorn," etc., pp. [86]-[88]. The Imprint (Printed by T. Collins, No. 1, Harvey's Buildings, Strand, London.) is at the foot of p.[88].
Note.—The Advt. of "The British Circulating Library, 24 Cockspur Street," etc., is dated March 30, 1810. The words "A Satire" and "London" on the Title, and the words "English Bards" on Half-title, are in Gothic characters.
English Bards,/ And/ Scotch Reviewers;/ A Satire./ By/ Lord Byron./ I had rather be a kitten, and cry, mew!/ Than one of these same metre ballad-mongers./ Shakspeare./ Such shameless Bards we have; and yet 'tis true,/ There are as mad, abandon'd Critics too./ Pope./ Fourth Edition./ London:/ Printed for James Cawthorn, British Library, No. 24,/ Cockspur Street./ 1810./ [8º.
Collation—
Half-title, one leaf, pp. i., ii.; Title (R.Printed by T. Collins, Harvey's Buildings, Strand, London.), pp. iii., iv.; Preface to the Third Edition, pp. v.-vii.; Text (1050 lines), pp. 1-82; Postscript, pp. 83-85 + "Books Published by James Cawthorn," etc., pp.[86]-[88]. The Imprint (Printed by T. Collins, No. 1, Harvey's Buildings, Strand, London) is at the foot of p.[88].
Note.—The Advt. of the "British Circulating Library, 24, Cockspur Street," etc., is dated March 30, 1810. The words "Satire" and "London" on the Title, and the words "English Bards" on the Half-title, are in Gothic characters.
English Bards,/ And/ Scotch Reviewers;/ A Satire./ By/ Lord Byron./ I had rather be a kitten, and cry, mew!/ Than one of these same metre ballad-mongers./ Shakespeare/ Such shameless Bards we have; and yet 'tis true,/ There are as mad, abandon'd Critics too./ Pope./[228] Fourth Edition./ London:/ Printed for James Cawthorn, British Library, No. 24,/ Cockspur Street; and Sharpe and Hailes, Piccadilly./ 1811./ [8º.
Collation—
Half-title, one leaf, pp. i., ii.; Title (R. Printed by Cox, Son, and Baylis, Gt. Queen Street, London.), pp. iii., iv.; Preface, pp. v.-vii.; Text (1052 lines), pp. 1-82; Postscript, pp. 83-85 + "Books published by James Cawthorn," etc., pp. [87], [88]. The Imprint (Printed by Cox, Son, and Baylis, Great Queen Street, Lincoln's-Inn-Fields./) is at the foot of p. 85.
Note.—On the Title-page of another copy of this edition there is a period instead of a comma after "James Cawthorn." The word "Satire" on the Title, and the words "Scotch Reviewers" on the Half-title, are in Gothic characters.
[Fifth Edition.] [8º.
[For Title-page, vide supra, Fourth Edition, 1811, No. vi. No special Title-page for a Fifth Edition was printed.]
Collation—
Text, pp. 1-83. [Signature B, p. [1]; C, p. 17; D, p. 33; E, p. 49; F, p. 65; G, p. 81.] There is no Imprint on pp. [1], 83, or on p. [84]. The Text numbers 1070 lines.
Note (1).—The Half-title prefixed to the Title-page of the Fourth Edition of 1811, which precedes the Museum copy of the Fifth Edition, bears the MS. signature, "R. C. Dallas," and a blank leaf the following note: "This is one of the very few copies preserved of the suppressed edition, which would have been the Fifth. No Title-page was printed—the one prefixed was taken from the preceding edition."
Note (2)—Mr. S. Leicester Warren (Lord de Tabley) records the following MS. notes inscribed in a copy of the Fifth Edition, which had formerly belonged to James Boswell, jun., and was then in the possession of Mr. J. R. P. Kirby, of Bloomsbury Street:—
A. A note on the abortive duel between Jeffrey and Moore is dated November 4, 1811.
B. A note on the fly-leaf in the handwriting of James Boswell, jun.—
"This copy purports on the title-page to be the fourth edition, but is in truth the fifth. Having pointed out to Murray, the bookseller, a variation between the copy of the fifth edition and this, he borrowed it from me, that he might show it to Lord Byron to have the circumstance explained; that his lordship told him he had printed the fifth edition, but, before its publication, having repented of the work altogether, he determined to destroy the whole impression. But the printer, as he observed, must have retained at least this one copy, and, by putting a false title-page, had sold it as the fourth edition," etc.—Notes and Queries, 1887, Series V. vol. vii. pp. 203, 204.[229]
Mr. Murray's copy of the Fifth Edition contains, on the fly-leaves at the beginning of the volume, MS. versions of (1) The Curse of Minerva, pp. [i.]-[xi.]; (2) The Answer to Fitzgerald's Epigram, written at the "Alfred," on English Bards, etc., p. [xv.]; and on p. xvi. the following MS. Title-page:—
English Bards/ and Scotch Reviewers; a/ Satire/ By Lord Byron./ I had rather be a kitten, and cry, mew!/ Than one of these same metre ballad-mongers./ Shakspere./ Such shameless Bards we have; and yet 'tis true,/ There are as mad, abandon'd critics too./ Pope./ Fifth Edition,/ Unpublished; with considerable additions./ London:/ Printed for James Cawthorne,/ Cockspur Street./ 1812./
At the end of the volume a MS. version of "Lines on the Removing Lady Jersey's Portrait from the Gallery of Beauties," is on pp. [85], [86], and a MS. version of "On a Recent Discovery, 1813," on p. [89].
P. xiv. is headed by the following MS. note: "Lord Byron has two copies of this work, R. C. Dallas, Esq., has likewise two copies, and Mr. Leigh Hunt one."
English Bards, etc.; a Satire. 1st Amer. from 3rd London Ed. Philadelphia. 1811. [8º.
[Cat. of Boston Athenæum Library, 1874.]
English Bards, and Scotch Reviewers; A Satire. By Lord Byron. Charleston: Moxford, Wellington & Co., 1811. [8º.
English Bards, and Scotch Reviewers. Boston. 1814. [12º.
Collation—
Pp. 72.
English Bards/ And/ Scotch Reviewers;/ A Satire./ By Lord Byron./ From the last London Edition./ I had rather be a kitten, and cry mew!/ Than one of these same metre ballad-mongers./ Shakspeare./ Such shameless bards we have; and yet 'tis true/ There are as mad, abandon'd critics too./ Pope./ New York:/ Published by A. T. Goodrich & Co., 124 Broad-/Way, Corner of Cedar-Street./ I. Seymour, print./ 1817;./ [12º.
Collation—
Title, one leaf, pp. i., ii.; Preface to the Third Edition, pp. iii., iv.; Text, pp. 5-54.
Note.—The text numbers 1050 lines, but lacks the Postscript. The misprint "ingenious" for "ingenuous youth," in footnote (p. 7) to line 56, which belongs to the Fourth Edition of 1811, and was corrected by Byron for the Fifth Edition, occurs in this edition.
English Bards, And/ Scotch Reviewers;/ A Satire./ Ode to the Land of the Gaul.—Sketch/ From Private Life.—Windsor/ Poetics, Etc./ By/ The Right Honorable/ Lord Byron./ Second Edition./ Paris:/ Published by Galignani/ At the French, English, Italian, German, and Spanish/ Library, No. 18, Rue Vivienne./ 1818./ [12º.
Collation—
Title, one leaf; Second Half-title, pp. 1, 2; Preface, pp. 3-5; Text, pp. 7-70; Postscript, pp. 71-73; Ode, etc., pp. 75-84.
Note.—The Text numbers 1052 lines. This edition follows the Fourth Edition of 1811. The misprint "ingenious" for "ingenuous" is in a footnote, p. 10. A Third Edition, identical with the Second, was issued in 1819.
English Bards,/ And/ Scotch Reviewers;/ A Satire./ With Notes and Preface,/ By/ Lord Byron./ Brussels,/ Published at the English Repository of Arts, No. 602,/ Rue de L'Impératrice./ Printed by Demanet, Rue des Bogards./ 1819./ [8º.
Collation—
Title, one leaf; Half-title with Mottoes, pp. 1, 2; Preface, pp. [3]-[5]; Text, pp. 7-62; Postscript, pp. 63, 64.
Note.—The Front. is "Lord Byron," "lith. par Toland." The Text numbers 1052 lines. This edition follows the Fourth Edition of 1811. The misprint "ingenious" is at the foot of p. 10.
English Bards,/ And/ Scotch Reviewers;/ A Satire./ By/ The Right Honorable/ Lord Byron./ I had rather be a kitten, and cry, mew!/ Than one of these same metre ballad-mongers./ Shakspeare./ Such shameless Bards we have; and yet 'tis true,/ There are as mad, abandon'd Critics too./ Pope./ Geneva:/ Published by P. G. Ledouble,/ No. 24, Rue de la Cité./ 1820./ [12º.
Collation—[231]
Half-title (R. Advt. of Joseph Forsyth's Remarks on Antiquities, etc., and Imprint, Printed by Sestié Fils.); Title, one leaf, pp. 1, 2; Preface, pp. 3-5; Text, pp. 1-66; Postscript, pp. 67, 68.
Note.—The Text numbers 1052 lines. This edition follows the Fourth Edition of 1811.
English Bards,/ and/ Scotch Reviewers./ A Satire./ By Lord Byron./ I had rather be a kitten, and cry, Mew!/ Than one of these same metre ballad-mongers./ Shakespeare./ Such shameless Bards we have; and yet, 'tis true,/ There are as mad, abandon'd Critics too./ Pope./ London:/ Benbow, Printer and Publisher, Byron's Head,/ Castle-Street, Leicester-Square./ 1823,/ [12º.
Collation—
Pp. v. + [7]-61. The Imprint (W. Benbow, Printer, Castle-st. Leicester-sq.) is at the foot of p. 61.
Note.—The Text numbers 1050 lines. This edition follows the Third Edition of 1810.
English Bards/ And/ Scotch Reviewers;/ A Satire./ By Lord Byron./ [Mottoes as above, six lines.] A New Edition,/ With a Life of the Author./ To which is added/ Fare Thee Well, A Poem./ Glasgow:/ Printed by James Starke,/ and sold by All the Booksellers./ 1824./ [12º.
Collation—
Pp. xiv. + 15-52 + Fare Thee Well! pp. [53], [54].
Note.—The Text numbers 1050 lines, as in the Third Edition. The misprint "ingenious" for "ingenuous" occurs in a footnote to p. 16.
English Bards/ and/ Scotch Reviewers:/ A Satire./ By Lord Byron./ [Mottoes as above, six lines ("Shakspeare").] A New Edition,/ With a life of the Author./ To which is added/ Fare Thee Well, A Poem./ Glasgow:/ Printed for M'Intosh & Co./ And sold by All the Booksellers./ 1825./ [12º.
Collation—
Pp. xiv. + 34.
Note.—The Text numbers 1050 lines. This edition is differently paginated from the preceding, and the Notes are reset (the misprint "ingenious" is corrected), but the Text, Preface, and the[232] "Life of the Author" seem to have been set up from the same type.
English Bards/ and/ Scotch Reviewers;/ A Satire,/ By Lord Byron./ London:/ Printed and Published by W. Dugdale,/ 23, Russell Court, Drury Lane./ 1825./ [12º.
Collation—
Pp. 50.
Note.—The Text numbers 1050 lines. The Notes are printed after the text, pp. 35-50. In Note 3 the misprint "ingenious" is retained. The English Bards, and Scotch Reviewers (Third Edition, of 1050 lines) was included in the British Satirist, Glasgow, 1826, 12º, pp. 1-46, and formed part (pp. 139-178) of a collection of Satires, Gilford's Baviad and Mæviad, etc., published by J. F. Dove, London, 1827, 12º. The misprint "ingenious" has been corrected in both these issues.
English Bards,/ And/ Scotch Reviewers,/ A Satire./ By/ Lord Byron./ I had rather be a kitten, and cry, mew,/ Than one of these same metre ballad-mongers./ Shakspeare./ Such shameless bards we have; and yet, 'tis true,/ There are as mad abandoned critics too. Pope./ A New Edition./ London:/ Printed by T. Kay, at the Egyptian Press, 1, Welbeck Street,/ Cavendish Square, For the Booksellers./ 1827./ [8º
Collation—
Half-title, pp. i., ii.; Title, pp. iii., iv.; Preface, pp. v.-vii.; Text, pp. 1-78; Postscript (sic), pp. [79]-80. The Imprint (Printed by T. Kay, 1, Welbeck Street, Cavendish Square.) is at the foot of p. 80.
Note.—The Text follows the Third Edition of 1810. The misprint "ingenious" occurs in a footnote to p. 4. The words "A Satire," "Shakspeare," and "Pope" on the Title-page are in Gothic characters.
Fare Thee Well. First Version, consisting of Thirteen Stanzas, dated March 18, 1816. [249 x 190.
Collation—
Pp. [1]-[3].
Fare Thee Well! [Printed and distributed, April 4, 1816.] [4º.
Collation—
Pp. [1]-3. P. [4] is blank. A copy of this pamphlet in the British Museum is marked as "Privately printed for Lord Byron," and measures 237 x 173. The watermark is "J. Green, 1815."
Note.—The Text numbers 60 lines. Lines 1-24 are on p. [1]; lines 25-56 on p. 2; and lines 57-60 on p. 3. In line 28 "may" is printed "ḿay." Fare Thee Well was first published in The Champion, Sunday, April 14, 1816.
Fare Thee Well. Second Version, consisting of Sixty Lines, dated Monday, "April 7, 1816." [250 x 190.
Collation—
Pp. 1-3.
A Sketch from Private Life, consisting of 104 lines, dated March 30th, 1816. [250 x 190.
Collation—
Pp. [1]-4.
A Sketch, etc. Another copy, dated March 30, 1816, and endorsed, "Correct with most particular care, and print off 50 copies, and keep standing. 1816, April 2."
Fare Thee Well!—A Sketch, etc.—Napoleon's Farewell.—On the Star of the Legion of Honour.—An Ode. By Lord Byron. London: Printed for Sherwood, Neely and Jones, Paternoster Row, 1816. [8º.
Collation—
Pp. 27.
Note.—"Original blue paper cover."—Catalogue of Rowfant Library, 1886, p. 146.
Fare Thee Well,/ A Poem./ A Sketch/ From Private Life,/ A Poem,/ By Lord Byron./ Bristol:/ Printed for Barry & Son, High-Street./ 1816./ [8º.
Collation—
Half-title, pp. 1, 2; Title (R. Barry & Son, Printers.), pp. 3, 4; Text (Fare Thee Well), pp. 5-7; (A Sketch, etc.), pp. 8-12. The Imprint, as above, is at the foot of p. 12.
The Text is identical with that of the pamphlet.
Fare Thee Well!/ And/ Other Poems./ By Lord Byron./ Edinburgh:/ Printed for John Robertson,/ 132, High Street./ 1816./ [8º.
Collation—
Title, one leaf, pp. 1, 2; Text, pp. 3-32. The Imprint (Walker and Greig, Printers) is at the foot of p. 32.
Contents—
Fare Thee Well | p. 3 |
A Sketch | p. 7 |
Napoleon's Farewell | p. 13 |
On the Star of "The Legion of Honour" | p. 15 |
Ode from the French | p. 18 |
Ode ("Oh, shame to thee," etc.) | p. 25 |
Madame Lavalette | p. 30 |
Note.—An editorial note (p. 24) states that the Ode "Oh, shame to thee" was first published in the Morning Chronicle, July 31, 1815, under the signature "Brutus." "It has been ascribed by many to the Author of the Pleasures of Hope." A second note (p. 30) apologizes for the inclusion of "Madame Lavalette" [first published in the Examiner, January 21, 1816], which "has appeared in some other Editions of these Poems."
The Giaour,/ A Fragment of/ A Turkish Tale./ By Lord Byron./ "One fatal remembrance—one sorrow that throws/ "Its bleak shade alike o'er our joys and our woes—/ "To which Life nothing brighter nor darker can bring,/ "For which joy hath no balm—and affliction no sting."/ Moore./ London:/ Printed by T. Davison, Whitefriars,/ For John Murray, Albemarle-Street./ 1813./ [8º.
Collation—
Half-title, one leaf; Title, one leaf; Dedication, "To Samuel Rogers, Esq.;" Text, pp. 1-41. The Imprint (T. Davison, Lombard-Street,/ Whitefriars, London./) is in the centre of p. [42].
Note.—The First Edition of the Giaour (June 5, 1813) numbers 685 lines.
The Giaour,/ A Fragment of/ A Turkish Tale./ By Lord Byron./ "One fatal remembrance—one sorrow that throws/ "Its bleak shade alike o'er our joys and our[235] woes— / "O'er which Life nothing brighter nor darker can fling,/ "For which joy hath no balm—and affliction no sting." / Moore./ A New Edition, with some Additions./ London:/ Printed by T. Davison, Whitefriars,/ For John Murray, Albemarle-Street./ 1813./ [8º.
Collation—
Half-title, one leaf; Title, one leaf; Dedication as above; Advt., "The tale," etc.; Text, pp. 1-47. The Imprint, as above (No. i.), is in the centre of p. [48].
Note.—The Second Edition of the Giaour, published at the end of June or the beginning of July, numbers 816 lines. Note the misprints in third line of the motto, "O'er which" for "To which," and "fling" for "bring." The first edition of the Song, A Selection of the Irish Melodies, 1807, i. 45, and other editions read "bring."
The Giaour,/ A Fragment of/ A Turkish Tale./ By Lord Byron./ "One fatal remembrance," etc. [Motto, four lines, as in the Second Edition]./ Moore./ Third Edition,/ With Considerable Additions./ London:/ Printed by T. Davison, Whitefriars,/ For John Murray, Albemarle-Street./ 1813./ [8º.
Collation—
Half-title (R. Advt. of "Madame de Stael's Long Suppressed Work" [De L'Allemagne]); Title, one leaf; Dedication; Advt., pp. 1, 2; Text, pp. 3-53 + Advt. of "Books Lately Published by John Murray," pp. [54]-[56]. The Imprint (T. Davison, Lombard Street,/ Whitefriars, London./) is at the foot of p. [56].
Note.—The Text numbers 950 lines. The numbers 5, 10, etc., are printed on the margin. The First and Second Editions are not numbered.
The Giaour,/ A Fragment of/ A Turkish Tale./ By Lord Byron./ "One fatal remembrance—one sorrow that throws/ It's bleak shade alike o'er our joys and our woes—/ O'er which Life nothing brighter nor darker can fling,/ For which joy hath no balm—and affliction no sting."/ Moore./ From the Third London Edition./ Boston:/ Printed by John Eliot,/ No. 5, Court Street./ 1813.
Collation—
Pp. 72.
Note.—The Giaour was also published at Philadelphia in 1813, 53 pp. 24º.
The Giaour,/ A Fragment of/ A Turkish Tale./ By Lord Byron./ "One fatal remembrance," etc. [Motto, four lines, as in Second Edition]./ Moore./ Fifth Edition,/ With Considerable Additions./ London:/ Printed by T. Davison, Whitefriars,/ For John Murray, Albemarle Street./ 1813./ [8º.
Collation—
Half-title, one leaf; Title, one leaf; Advt.; Text, pp. 1-66.
Note.—The Text numbers 1215 lines. The concluding note, "The circumstance," etc., is enlarged (p. 66) by nine lines: "I do not know"—"Hall of Eblis." The Dedication is wanting in the copy of the Fifth Edition in the British Museum.
The Giaour,/ etc./ Sixth Edition,/ etc./ 1813./ [8º.
Collation—
Title, one leaf; Dedication; Advt.; Text, pp. 1-66.
Note.—The Text numbers 1215 lines. The Half-title is missing in the Museum copy.
The Giaour,/ A Fragment of/ A Turkish Tale./ By Lord Byron./ "One fatal remembrance," etc. [Motto, four lines, as in the First Edition, "bring" for "fling," etc.]./ Moore./ Seventh Edition, With some Additions./ London:/ Printed by Thomas Davison, Whitefriars,/ For John Murray, Albemarle Street./ 1813./ [8º.
Collation—
Half-title, one leaf; Title, one leaf; Dedication; Advt.; Text, pp. 1-75. The Imprint (T. Davison, Lombard Street,/ Whitefriars, London./) is in the centre of p. [76].
Note.—The Text numbers 1334 lines. The Notes are printed at the end (pp. 65-75) of the volume.
The Giaour,/ etc./ The Ninth Edition,/ etc./ 1814./ [8º.
Collation—
Vide supra, No. vi.
Note.—The Half-title is missing in the Museum copy.
The Giaour,/ etc./ The Tenth Edition,/ etc./ 1814./ [8º.
Collation—[237]
Vide supra, No. vi.
Note.—Four pages of "Interesting Works Published in February, 1814, By John Murray, Bookseller of the Admiralty, and Board of Longitude," etc., are bound up with the Tenth Edition.
The Giaour,/ etc./ The Eleventh Edition,/ etc./ 1814./ [8º.
Collation—
Vide supra, No. vi.
Note.—The Half-title is missing in the Museum copy.
The Giaour,/ etc./ The Twelfth Edition./ London:/ Printed for John Murray, Albemarle-Street:/ By Thomas Davison, Whitefriars./ 1814./ [8º.
Collation—
Vide supra, No. vi.
The Giaour,/ etc./ The Fourteenth Edition./ London:/ Printed for John Murray, Albemarle-Street./ 1815./ [8º.
Collation—
Half-title, one leaf; Title (R. T. Davison, Lombard-Street,/ Whitefriars, London,/); Dedication; Advt.; Text, pp. 1-75. The Imprint, as above, is in the centre of p. [76].
Note.—Four pages of Advts., dated "Albemarle—Street, London, January, 1818," are bound up with the Fourteenth Edition.
The Giaour;/ A Fragment of/ A Turkish Tale./ [Motto, four lines.] Moore./ London:/ Printed and Published by W. Dugdale,/ 23, Russell Court, Drury Lane./ 1825./ [12º.
Collation—
Pp. 51. The Imprint (W. Dugdale, Printer, 23, Russell Court, Drury Lane) is at the foot of p. [52].
The Giaour:/ A/ Fragment of a Turkish Tale./ By/ Lord Byron./ London: John Murray, Albemarle Street./ Sold also by/ Tilt and Bogue, Fleet Street:/ Edinburgh, Oliver and Boyd: Dublin, John Gumming./ 1842./ [12º.[238]
Collation—
Pp. 67. The Imprint (London:/ Printed by A. Spottiswoode,/ New-Street-Square./) is in the centre of p. [68].
The Giaour:/ A Fragment of a Turkish Tale,/ By Lord Byron./ [Motto, four lines.] Moore./ [1844.] [8º.
Collation—
Pp. 40. The Imprint (H. G. Clarke and Co., 66, Old Bailey) is at the foot of p. 40.
Note.—Part of "Clarke's Home Library."
Le Giaour, fragments d'un cante turc, poème traduit de l'anglais de lord Byron, par J. M. H. Bigeon, Paris, Ponthieu, Ledoyen, 1828. [18º.
[Quérard, 1846.]
Der Gauer, Bruchstück einer türkischen Erzählung, nach der 7. englischen Ausgabe im Deutschen metrisch bearbeitet. Berlin, F. Dümmler. 1819. [12º.
[Centralblalt, etc., 1890, vol. vii. p. 456.]
Der Gjaur. In deutsche Verse übersetzt v. Arthur v. Nordstern. Mit d. engl. Text zur Seite. Leipzig, Göschen. 1820. [8º.
[Kayser, 1834.]
Der Gjaur. Bruchstück e. türk. Erzählg. v. Lord Byron. Frei übers. v. Adf. Seubert. Leipzig. 1871-76. [16º.
[Kayser, 1877.]
Collation—
Pp. 48.
Note.—No. 669 of the Universal-Bibliothek.
Il Giaurro, frammento di novella turca; recato dall' ingl. in versi ital. da Pellegrino Rossi. Genova e Parigi, Paschoud, 1817. [12º.
[Quérard, 1827.]
Il Giaurro. Traduzione di Andrea Maffei. Milano, Hoepli. 1884. [64º.
[Pagliaini, 1901.]
Giaur, ułomki powieści tureckiéj, poema ... Przeldadania Władysl. hr. Ostrowskiego. pp. 83. W drukarni bibliotecznéj; Puławy, 1830. [8º.
Giaur, Ułamki powieści tureckiéj, tłum. Adam Mickiewicz, Ksiegarnia Katol.: Paryż, 1834 [Wrocław, 1835]. [8º.
Ποιηματα Βυρωνος / ὁ Γκιαουρ / τεμαχιον / τουρκικου Διηγηματος / Μεταφρασις Αἰκατερινης κ. Δοσιου / Ἐκδιδεται το Δευτερον / Ὑπο / Ἀρ. Κ. Δοσιου / Ἀθηνησι / Τυποις Ἀνδρεου Κορομηλα / / 1873/ [4º.
Collation—
Half-title, one leaf; Title, one leaf; Translator's Advt.; Προλογος , pp. ά-ί + Text, pp. 1-69 + Παροραματα , p. [70].
Σακελλαριου Βιβλιοθηκη του Λαου / Ποιηματα Βυρωνος / ὁ Γκιαουρ / τεμαχιον / τουρκικου / Διηγηματος / Μεταφρασις / Αἰκατερινης κ. Δοσιου / Ἐν Ἀθηναις / Τυποις και Ἀναλωμασι Π. Δ. Σακελλαριου / [1898?] [8º.
Collation—
Pp. 91. The Imprint (Τυπογραφειον Π. Δ. Σακελλαριου ἐν Ἀθηναις ) is in the centre of p. [92].
Джяуръ. Отрывки изъ одной турецкой повѣсти. " Выборъ из сочиненій лорда Байрона " М. Каченвекаго. pp. 107-176. 1821.
Джяуръ. Отрывки турецкой повѣсти. ... Переводъ Н.Р. pp. 31. Москва, 1822. [8º.
Гяуръ ... Перевелъ Е. Мишель. [In prose.] С.-Петербургъ, 1862. [8º.
Collation—
Pp. 49.
Гяуръ ... Перев. размѣромъ подлинника В. Петровъ. С.-Петербургъ, 1873.
Гяуръ Байрона и Крымскіе сонеты Минкевича. Перевелъ В.А. Петровъ. Изданіе 2-ое. С.-Петербургъ, 1874.
Ђаур лорда Бајрона. Сроски од Ац. Поповиђа. pp. 67. Д. Хипц: у Новот-Саду,, 1860. [12º.
El Giaur ó el infiel, por lord Byron. Traduccion Castellana. Paris, 1828: Madrid, lib. Europea. [12º. [Dicc. Gen. de Bibl. Esp. por D. Dion. Hidalgo, 1862.]
Giaurn,/ Ett. Stycke Af en Turkish Berättelse,/ Af/ Lord Byron./ Öfversättning / Stockholm./ J. L. Brudins Förlag./ 1855./ [8º.
Collation—
Pp. 80.
Note.—No. 6 of "Byron's Poetiska Berattelser," translated by Talis-Qualis.
[Note.—For the First Edition of Heaven and Earth, see The Liberal, No. II., pp. 165-206 (London, L. Hunt, 1822).]
Heaven and Earth,/ A Mystery;/ Founded on the Following Passage in Genesis,/ Chap. vi./ "And it came to pass ... that the sons of God saw the/ daughters of men that they were fair; and they took them/ wives of all which they chose."/ "And woman wailing for her Demon lover."/ Coleridge./ London:/ Benbow, Printer and Publisher, 252, High Holborn./ 1824./ [12º.
Collation—
Pp. 35 + "Benbow's Catalogue of Books," p. [36]. The Imprint (Benbow, Printer, 9, Castle Street, Leicester Square, London) is at the foot of p. [36].
Heaven and Earth, a Mystery, Paris, Galignani, 1823. [12º.
[Quérard, 1827.]
Heaven and Earth, etc. [12º.
Collation—
Pp. 36.
Note.—This edition, printed by (?) W. Dugdale in (?) 1825, bears neither Title-page nor Imprint, and is bound up with The Bride of Abydos, printed for Thomas Wilson in 1825, and The Corsair, printed and published by W. Dugdale in 1825.
Essai/ Sur Le Génie et Le Caractère/ de Lord Byron,/ Par A.P.... T.;/ etc./ Paris./ Ladvocat, Libraire, Palais- Royal,/ Galerie de Bois, No. 195./ 1824/ [12º.
Collation—
Half-title, Le Ciel/ Et La Terre./ Mystère/ Fondé sur ce Passage de La Genèse:/ (Chap. VI)/: "Et il arriva ... que les fils de Dieu virent que les filles des/ hommes étaient belles; et ils prirent pour femmes/ celles d'entre elles qu'ils choisirent./ "La femme regrettant son dèmon bien-aimé."/ (Coleridge.)/ (R. Personnages.), pp. [195], [196] + Text, pp. 197-252.
[242]Cielo e terra: mistero, tradotto da Andrea Maffei. Milano, Gnocchi, 1853. [16º.
[Pagliaini, 1901.]
Небо и Земля. Н.В. Гербель, " Полное собраніе стихотвореній. " Tom. i.
A Selection of/ Hebrew Melodies/ Ancient and Modern/ with appropriate Symphonies and accompaniments/ By/ I: Braham & I: Nathan/ the Poetry written expressly for the work/ By the Right Honble/ Lord Byron/ entd at Stars Hall/ [Title-vignette, angel holding crown] 1st Number/ Published and Sold by I: Nathan No. 7 Poland Street Oxford Strt / and to be had at the principal Music and Booksellers/ Price one Guinea/ [1815] [fol.
[The Title-page is enclosed in an ornamental border, and below the words, "Drawn by Edward Blore" is the signature "I. Braham;" and below the words, "Engraved by W. Lowry," the signature "I. Nathan."]
Collation—
Part I.: Illuminated Dedication "To Her Royal Highness the Princess Charlotte of Wales," one leaf; Preface, signed "I. Braham, I. Nathan," and dated "London, April, 1815," one leaf; Index to the First Number, one leaf; Music and Words, pp. 1-64.
Part II.: Title (A Selection of,/ etc.... By the Right Honorable Lord Byron.)/ [Motto], "The harp the Monarch Minstrel swept," etc., five lines./ See Page 4./ Lord Byron./ 2nd Number, Price 1 Guinea./ Entd at Stationers' Hall./ Published and Sold, etc./ Prickett scrip. et sculp./ [The Title-vignette is King David playing a harp with angel and tripod, engraved by H. Moses.] The title is signed "I. Nathan."
Collation—
Title, one leaf; Dedication, as above, one leaf; Index to the Second Number, one leaf; Music and Words, pp. 65-133.
Contents—Part I.—
She walks, etc. | p. 1 |
The Harp, etc. | p. 5 |
If that high World | p. 14 |
The wild Gazelle | p. 19 |
Oh, weep for those | p. 25 |
On Jordan's Banks | p. 29 |
Jephtha's Daughter | p. 36 |
Oh, snatch'd away | p. 41 |
My Soul is dark | p. 44 |
I saw thee weep | p. 49 |
Thy days are done | p. 52 |
It is the Hour | p. 63 |
Part II.—[243]
Warriors and Chiefs | p. 65 |
We sate down and wept | p. 71 |
Vision of Belshazzar | p. 75 |
Herod's Lament | p. 83 |
Were my Bosom | p. 86 |
The Destruction of Sennacherib | p. 91 |
Thou whose spell | p. 97 |
When Coldness wraps | P. 107 |
Fame, Wisdom, Love | p. 111 |
From the last Hill | p. 115 |
Francisca | p. 120 |
Sun of the Sleepless | p. 129 |
Note.—For a reissue, with additions, of this collection, see Fugitive Pieces and Reminiscences of Lord Byron, etc., by I. Nathan, 1829, No. xii., p. 254.
Hebrew Melodies./ By Lord Byron./ London:/ Printed for John Murray, Albemarle-Street./ 1815./ [8º.
Collation—
Half-title (Hebrew Melodies. T. Davison, Lombard-Street,/ Whitefriars, London./), one leaf; Title, one leaf; Advt.; Cont.; Text (Hebrew Melodies), pp. 1-53.
Note.—The Cont. are identical with the preceding, save that the lines, "Francisca," a variant of Parisina (lines 15-28), are omitted; the lines From Job are inserted pp. 49, 50; and the stanzas "On the Death of Sir Peter Parker" (pp. 51-53) are printed at the end of the volume.
Hebrew Melodies. Boston. 1815. [24º.
Collation—
Pp. 2 + 43.
Hebrew Melodies. Philadelphia. 1815. [16º.
Hebrew Melodies./ By the Right Honourable/ Lord Byron./ London: Printed and Published by W. Dugdale,/ Green Street, Leicester Square./ 1823./ [12º.
Collation—
Pp. 36. The Imprint (Printed by W. Dugdale, Great Street, Leicester Square./) is at the foot of p. 36.
Note.—The lines "It is the Hour" (Parisina, 1-14) and "Francisca" (ibid., lines 15-28) are omitted.
Hebrew Melodies./ By Lord Byron./ London:/ Printed and Published by W. Dugdale,/ 23, Russell Court, Drury Lane./ 1825./ [12º.
Collation—
Pp. 22. The Imprint (Printed by W. Dugdale, 23, Russell Court, Drury Lane.) is at the foot of p. 22.
Note.—For Cont., vide supra, No. v.
Hebrcjské melodie. Přeložili Jaroslen Vrchlický a J. V. Sládek. v Praze, 1890.
Lord Byron:/ Jødiske sange./ oversatte/ af/ F. Andresen Halmrast/ Christiania./ Jacob Dybwads forlag./ 1889./
Collation—
Pp. 41 + Indhold, pp. [43], [44].
Hebräische Gesänge./ Aus dem Englischen/ des Lord Byron/ von/ Franz Theremin./ Mit beigedrucktem englischen Text./ Berlin./ Verlag von Dunker und Humblot./ 1820./ [12º.
Collation—
Pp. viii. + 3-87.
Hebräische Gesänge. Aus d. Engl. übersetzt von Jos. Emn. Hitscher. Mit gegenüberstehendem Originale. Laibach, 1833. [8º.
[Kayser, 1841.]
Germanische/ Melodien./ Theilweise/ frei nach Lord Byron's hebräischen Melodien/ von/ Hugo Oelbermann./ Bonn./ Rheinische Verlags-Anstalt./ 1862./ [8º.
Collation—
Pp. 49.
[245]Lord Byron's/ Hebräische Gesänge./ Aus dem Englischen/ übertragen/ und mit sachlichen Einleitungen und Bemerkungen/ versehen/ von/ Eduard Nickles./ Karlsruhe./ Druck und Verlag von Friedrich Gutsch./ 1863./
Collation—
Pp. 105 + Anmerkung, p. 106 + Anhang, pp. 107-112.
Note.—The English text is printed over against the German. The "Anhang" contains translations of "In the valley," etc., and "They say that hope," etc.
Hebräischer Gesänge./ Aus d. Engl. übers. von Heinr. Stadelmann. Memmingen. 1866. Hartwig in Comm. [16º.
[Kayser, 1871.]
Hebrew Melodies/ of/ Lord Byron/ Translated by/ Dr. S. Mandelkern./ Leipzig./ 1890./ [8º.
Collation—
Pp. 45 + Cont. (Hebrew character) (R. Advt. of Hebrew Poems (with vowel points) of Dr. S. Mandelkern), pp. [47], [48].
Note.—The Hebrew translation is over against the English text. The Title-page, which is in Hebrew and English, is enclosed in an arabesque border.
Melodie ebraiche/ di/ Lord G. Byron/ Versione/ di P. P. Parzanese/ Napoli/ dalla tipografia all' insegna di Tasso/ via Concezione a Toledo No. 3./ 1837/
Collation—
Pp. 47.
Note.—Printed on green paper.
Le Melodie ebree, coll' aggiunta di alcuni altri poemetti. Ivrea, 1855. [16º.
[Pagliaini, 1901.]
Еврейскія мереводъ П. Козлова. С.-Петербургъ, 1860.
[246]Hebreiska Melodier/ af/ Lord Byron./ Öfversatta/ af/ Theodor Lind./ Helsingfors,/ Theodor Sederholms Forlag./ [1862.] [8º.
Collation—
Pp. 41 + Innehåll, p. [43].
Fugitive Pieces By/ George Gordon Lord Byron/ A Facsimile Reprint of/ The Suppressed/ Edition of/ 1806/ [Title-vignette, Venus Anadyomene in shell with attendant Cupids.] London/ Printed for Private Circulation/ 1886/ [4º.
Collation—
Advt. of issue (No. 22 of 100 numbered copies) of—Printers,/ Chiswick Press, Tooks Court,/ Chancery Lane, London./ signed (MS.) "Charles Whittingham & Co.," pp. i., ii.; Half-title (Byron's Fugitive Pieces), pp. iii., iv.; Title, one leaf, pp. v., vi.; Preface (editorial of facsimile), pp. vii.-x. + blank leaf + Half-title (Fugitive Pieces), one leaf + Dedication—"To/ Those Friends,/ At/ Whose Request They were printed,/ For whose/ Amusement or Approbation/ They are/ Solely Intended;/ These Trifles are respectfully Dedicated,/ by the/ Author."/ (R. As these Poems were never intended to meet the public eye, no apology is necessary for the form in which they now appear. They are printed merely for the perusal of a few friends to whom they are dedicated; who will look upon them with indulgence; and as most of them were composed between the age of 15 and 17, their defects will be pardoned or forgotten, in the youth and inexperience of the Writer.) + Text, pp. [1]-66; (the Imprint (Printed by S. and J. Ridge, Newark.) is at the foot of p. 66) + p. [67] (emblem-heraldic lion with shield and monogram, subscribed with the Imprint, Chiswick Press:—C. Whittingham and Co., Tooks Court,/ Chancery Lane./).
Contents-
On Leaving N...st...d | p. [i] |
To E. | p. 3 |
On the Death of Young Lady, Cousin to the Author and very Dear to him | p. 4 |
To D. | p. 5 |
To... | p. 6 |
To Caroline | p. 7 |
To Maria —— | p. 10 |
Fragment of School Exercises, From the Prometheus Vinctus of Oeschylus(sic) | p. 11 |
Lines in "Letters of an Italian Nun," etc. | p. 12 |
Answer to the above, addresse'd to Miss —— | p. 13 |
On a change of Masters, At a Great Public School | p. 14 |
Epitaph on a Beloved Friend ... p. 15 | |
Adrian's Address to his Soul, when dying | p. 16 |
Translation | p. 16 |
To Mary | p. 17 |
"When to their airy hall, my father's voice" | p. 19 |
To —— | p. 20 |
"When I hear you express an, affection so warm" | p. 21 |
On a distant view of the Village and School of Harrow on The Hill. 1806. | p. 23 |
Thoughts Suggested by a College Examination | p. 25 |
To Mary, on Receiving her Picture | p. 28 |
On the Death of Mr. Fox, the following illiterate Impromptu appeared in the Morning Post | p. 30 |
To which the Author of these Pieces sent the subjoined Reply, for insertion in the Morning Chronicle | p. 30 |
To a Lady, who presented the Author a Lock of Hair, etc. | p. 31 |
To a Beautiful Quaker | p. 33 |
To Julia | p. 36 |
To Woman | p. 38 |
An Occasional Prologue, etc. | p. 39 |
To Miss E. P. | p. 41 |
To Tear | p. 43 |
Reply to some verses of J. M. B. Pigot, Esq., on the Cruelty of His Mistress | p. 46 |
Granta, A Medley | p. 49 |
To the Sighing Strephon | p. 54 |
The Cornelian | p. 57 |
To A —— | p. 59 |
As the Author was discharging his Pistols in a Garden, Two Ladies, etc. | p. 61 |
Translation form Catullus: Ad Lesbiam | p. 63 |
Translation of the Epitaph on Virgil and Tibullus by Domitius Marsus | p. 64 |
Imitation of Tibullus "Sulpitia ad Cerintum" Lib. Quart. | p. 64 |
Translation from Cattulus: Luctus de Morte Passeris | p. 65 |
Imitated from Catullus. To Anna | p. 66 |
Note.—The original volume measures 8¾ ins. x 7½ ins. The wrapper is of plain greenish-grey paper. The full Titles are given in the Table of Cont. or in the heading of the Poems in Poetical Works, 1898, vol. i. pp. xviii., etc. In the original issue the pages are numbered on the head of each page, and subscribed with a double rule. "Ornaments" are to be found on pp. [1], 3, 13, 14, 16, 40, 58, 60, 64, 66.
The signatures B (p. [1]) to S (p. 65) are in due sequence. The numbers at the head of the pages are subscribed with a double rule.
Poems/ On/ Various Occasions./ Virginibus Puerisque Canto./ Hor. Lib. 3. Od. 1./ Newark: Printed by S. & J. Ridge./ MDCCCVII./ [8º.
Collation—
Pp. 12 + 144—Half-title, one leaf, pp. [1], [2]; Title, one leaf, pp. [3], [4]; Dedication (as above), pp. [5], [6]; Author's Advt., dated December 23, 1806, pp. [7], [8]; Cont., pp. [9]-11; Text, 1-144. The Imprint (Printed by S, and J. Ridge, Newark.) is at the foot of p. 144.
Contents—
On leaving Newstead | p. 1 |
On a distant view, etc. | p. 4 |
To D. | p. 7 |
Epitaph on a beloved Friend | p. 8 |
A Fragment | p. 10 |
Fragments of School Exercises | p. 11 |
To E. | p. 13 |
Reply to some verses of J. M. B. Pigot, Esq., etc. | p. 14 |
To the sighing Strephon | p. 17 |
The Tear | p. 21 |
To Miss —— | p. 26 |
Lines written in "Letters," etc. | p. 28 |
Answer to the foregoing | p. 29 |
The Cornelian | p. 30 |
On the Death of a Young Lady | p. 33 |
To Emma | p. 35 |
To M. S. G. | p. 38 |
To Caroline | p. 41 |
To Caroline | p. 43 |
To Caroline | p. 46 |
Stanzas to a Lady with the Poems of Camoens | p. 48 |
To Mary, on receiving her Picture | p. 50 |
To Lesbia | p. 52 |
To Woman | p. 55 |
To M. | p. 57 |
Lines addressed to a Young Lady | p. 59 |
To M. S. G. | p. 62 |
To a beautiful Quaker | p. 64 |
To a Lady who presented the Author with a Lock of her hair | p. 67 |
Translations And Imitations. | |
Adrian's Address to his Soul | p. 73 |
Translation | p. 74 |
Translation from Catullus | p. 75 |
Translation of the Epitaph on Virgil, etc. | p. 77 |
Imitation from Tibullus | p. 78 |
Translation from Catullus | p. 79 |
Imitation from Catullus | p. 81 |
Fragment from Horace | p. 82 |
Translation | p. 83 |
Fragment of a Translation from Virgil | p. 85 |
Fugitive Pieces. | |
On a change of Masters, etc. | p. 89 |
Thoughts suggested, etc. | p. 91 |
An occasional Prologue | p. 95 |
On the Death of Mr. Fox . | p. 97 |
Granta, a Medley | p. 100 |
The first kiss of Love | p. 107 |
Childish Recollections | p. 109 |
Answer to some verses from Montgomery | p. 121 |
Love's last Adieu | p. 125 |
Lines addressed to the Rev. J. T. Becher | p. 128 |
Reply to a Friend | p. 131 |
Elegy on Newstead Abbey | p. 134 |
Note.—The Title measures 193 X 113. The first signature, C, is on p. 9; M, on p. 81; O (not N), on p. 89; Q, on p. 105; U, on p. 137. Signature P is omitted on p. 97.
The "ornaments" of the Quarto reappear on pp. [1], 9, 25, 32. The numbers at the head of the pages are subscribed with a double rule. A facsimile of the Title-page faces p. x. of vol. i. of the Poetical Works, 1898.
Hours of Idleness,/ A/ Series of Poems,/ Original/ And/ Translated,/ By George Gordon, Lord Byron,/ A Minor./ Μητ' αρ με μαλ' αινεε μητε τι νεικει . / Homer. Iliad, 10./ Virginibus puerisque Canto;/ Horace./ He whistled as he went for want of thought./ Dryden./ Newark: Printed and sold by S. and J. Ridge;/ Sold also by B. Crosby and Co. Stationer's Court;/ Longman, Hurst, Rees, and Orme, Paternoster-/Row; F. and C. Rivington, St. Paul's Church-/Yard; and J. Mawman, In the Poultry,/ London./ 1807./ [8º.
Collation—
Half-title (Hours/ of/ Idleness.), one leaf, pp. i., ii.; Title, one leaf, pp. iii., iv.; Preface, pp. [v.]-xiii. (R. Errata); Text, pp. [1]-187. The Imprint (Printed by S. and F. Ridge, Newark.) is at the foot of p. 187.
Contents—
On leaving Newstead | p. 1 |
On a distant view, etc. | p. 4 |
Epitaph on a Friend | p. 7 |
A Fragment | p. 9 |
The Tear | p. 10 |
An occasional Prologue | p. 15 |
On the Death of Mr. Fox | p. 17 |
Stanzas ... with the Poems of Camoens | p. 20 |
The first Kiss of Love | p. 22 |
To M—— | p. 25 |
To Woman | p. 27 |
To M. S. G. | p. 29 |
To a beautiful Quaker | p. 31 |
To —— | p. 34 |
To Mary, on receiving her Picture | p. 37 |
Love's last Adieu | p. 39 |
Damætas | p. 43 |
To Marion | p. 44 |
Oscar of Alva | p. 47 |
Translations And Imitations. | |
Adrian's Address, etc. | p. 71 |
Translation | p. 72 |
Translation from Catullus | p. 73 |
Translation from the Epitaph of Virgil, etc. | p. 75 |
Translation from Catullus | p. 76 |
Imitation from Catullus | p. 78 |
Translation from Anacreon. To the Lyre | p. 79 |
Translation from Anacreon. Ode 3 | p. 81 |
Fragments of School Exercises | p. 84 |
Episode of Nisus and Euryalus | p. 86 |
Translation from the Medea of Euripides | p. 106 |
Fugitive Pieces. | |
Thoughts suggested by a College Examination | p. 113 |
Answer to some elegant Verses, etc. | p. 118 |
Granta, a Medley | p. 121 |
Lachin Y Gair | p. 129 |
To Romance | p. 133 |
Elegy on Newstead Abbey | p. 137 |
Childish Recollections | p. 148 |
The Death of Calmar and Orla | p. 169 |
To E. N. L., Esq. | p. 173 |
To —— | p. 184 |
[250] Note (1).—A facsimile of the Title-page (2) faces p. xii. of vol. i. of the Poetical Works, 1898. It has been alleged that large-paper copies of this edition were issued from the Newark press. It is certain that large copies (a copy in the British Museum, cut for binding, measures 220 X 122), printed on paper bearing a water-mark dated 1806, were thrown upon the market at an early period, but it has not been ascertained at what date or in what place they were printed. They are undoubtedly deliberate forgeries. They purport, even in respect of errata, to be identical with the genuine issue of 1807; but they were not set up from the same type, and it is inconceivable that a second issue, set up from different type and with slightly different ornaments, was printed by Ridge for piratical purposes. To cite a few obvious differences—in the title of the large-paper copies the first A of the word "TRANSLATED" is printed Λ, and the Greek ν in αινεε and νεικει appears as υ (not ν reversed); in the Errata on the reverse of p. xiii., [Page] "153 Note" is incorrectly given as "163 Note," and this slip on the part of the falsarius is more remarkable, as two other errata in the Errata are carefully reproduced; in the Greek motto on p. 22 the letter ρ twice appears as ς ; and, finally, the ornaments on pp. 1 and 187, though intended to be, are not identical. In the Museum copy a portrait of "Lord Byron, from a sketch taken on his leaving England," engraved by I. West, and "Published by V. Hone, Ludgate Hill, 1819," precedes the title-page, and, together with the binding, affords good, if not conclusive, proof that this copy was printed before 1820.
See, for a correspondence on these L.P. copies of 1807, the Athenæum, June, 1898, pp. 694, 695.
See, too, for further interesting and conclusive evidence that the ornament on p. 187 of the L.P. copies was not printed from the Newark block, Newark as a Publishing Town, by T. M. Blagg, 1898, pp. 28-30.
Note (2).—An autograph note, dated May 20th, 1812, signed "Byron," is inserted on the fly-leaf of a large-paper copy in the Rowfant Library (Catalogue, 1886, p. 144).
Poems/ Original and Translated,/ By/ George Gordon, Lord Byron./ Μητ' αρ' με μαλ' αινεε μητε τι νεικει . / Homer. Iliad, 10./ He whistled as he went for want of thought./ Dryden./ Second Edition./ Newark:/ Printed and sold by S. and J. Ridge;/ Sold also by B. Crosby and Co. Stationer's Court;/ Longman, Hurst, Rees, and Orme, Paternoster-/Row; F. & C. Rivington, St Paul's Church-/ Yard, and J. Mawman, in the/ Poultry, London./ 1808./ [8º.
Collation—
[? a Half-title]; Title, one leaf, pp. ii., iii.; Dedication (To The Right Honourable/ Frederick,/ Earl of Carlisle,/ Knight of the Garter,/ etc., etc./ The Second Edition/ Of/ These Poems is inscribed,/, By/ His Obliged Ward,/ And/ Affectionate Kinsman,/ The Author.), pp. iv., v.; Cont, pp. [vi.]-viii. (R. Errata); [251] Text, pp. [1]-174. The Imprint (Printed by S. and J. Ridge, Newark-upon-Trent) is at the foot of p. 174.
Contents—
On leaving Newstead Abbey | p. 1 |
Epitaph on a Friend | p. 5 |
A fragment | p. 7 |
The Tear | p. 8 |
An occasional Prologue | p. 13 |
On the death of Mr. Fox | p. 15 |
Stanzas ... with the Poems of Camoens | p. 18 |
To M. | p. 20 |
To Woman | p. 22 |
To M. S. G. | p. 24 |
Song | p. 26 |
To —— | p. 30 |
To Mary, on receiving her picture | p. 33 |
Damætas | p. 36 |
To Marion | p. 38 |
Oscar of Alva | p. 41 |
To the Duke of D. | p. 62 |
Translations And Imitations. | |
Adrian's address, etc. | p. 71 |
Translation | p. 72 |
Translation from Catullus | p. 73 |
Translation of the Epitaph, etc. | p. 75 |
Translation from Catullus | p. 76 |
Imitated from Catullus | p. 78 |
Translation from Anacreon. To his Lyre | p. 79 |
Translation from Anacreon. Ode 3 | p. 81 |
Fragments of School Exercises | p. 84 |
Episode of Nisus and Euryalus | p. 86 |
Translation from the Medea of Euripides | p. 105 |
Fugitive Pieces. | |
Thoughts suggested by a College Examination | p. 111 |
To the Earl of —— | p. 116 |
Granta, a Medley | p. 123 |
Lachin y Gair | p. 131 |
To Romance | p. 135 |
Elegy on Newstead Abbey | p. 140 |
The death of Calmar and Orla | p. 151 |
To E. N. L., Esq. | p. 160 |
To —— | p. 165 |
Stanzas | p. 168 |
Lines written beneath an Elm, in the Churchyard of Harrow on the Hill | p. 172 |
Note.—The Front. is a lithograph of Harrow-on-the-Hill, with quotation—
A facsimile of the Title-page faces p. xii. of vol. i. of the Poetical Works, 1898.
Imitations and Translations/ From the / Ancient and Modern Classics,/ Together with/ Original Poems/ Never Before Published./ Collected by/ J. C. Hobhouse, B.A./ of Trinity College, Cambridge./ "Nos hæc novimus esse nihil."/ London:/ Printed for Longman, Hurst, Rees, and Orme,/ Paternoster-Row./ 1809./ [8º.[252]
Collation—
Half-title with Imprint (T. Davison, Whitefriars,/ London.), pp. i., ii.; Title, one leaf, pp. iii., iv.; Preface, pp. v.-xi.; Cont., pp. xiii.-xv. (R. "Errata."); Text, pp. 1-255. The Imprint, as above, is in the centre of p. [256].
Note.—Lord Byron contributed nine poems (signed L.B.; see Preface, p. xi., to this volume) to this volume, viz.: (i.) To a Youthful Friend ("Few years have past," etc.), p. 185; (ii.) Inscription on the Monument of a Favourite Dog, p. 190; (iii.) To—— ("Well! thou art happy," etc.), p. 192; (iv.) The Farewell To a Lady ("When man expell'd," etc.), p. 195; (v.) A Love Song to —— ("Remind me not," etc.), p. 197; (vi.) Stanzas To the Same ("There was a time," etc.), p. 200; (vii.) To the Same ("And wilt thou weep," etc.), p. 202; (viii.) Song ("Fill the goblet again," etc.), p. 204; (ix.) Stanzas to —— on leaving England ("'Tis done," etc.), p. 227.
Hours of Idleness;/ A/ Series of Poems,/ Original and Translated,/ By George Gordon, Lord Byron,/ A Minor./ Μητ' αρ' με μαλ' αινεε μητε τι νεικει . / Homer. Iliad, 10./ He whistled as he went for want of thought./ Dryden./ Second Edition./ Paris:/ Published by Galignani,/ At the French, English, Italian, German, and Spanish/ Library, No. 18, Rue Vivienne./ 1819./ [12º.
Collation—
Half-title, one leaf; Title, one leaf; Advt.; Dedication; Cont.; Text, pp. 1-149 + "Critique ... Ed. Rev., No. 22," etc., pp. [150]-158.
Note.—A reproduction of Poems Original and Translated, Newark, 1808.
Hours of Idleness:/ A Series of Poems,/ Original and Translated./ By/ Lord Byron./ Μητ' αρ' με μαλ' αινεε μητε τι νεικει . / Homer. Iliad, 10./ He whistled as he went for want of thought./ Dryden./ London:/ Printed for Sherwin and Co. 24, Paternoster Row./ 1820./ [8º.
Collation—
Half-title, pp. i., ii.; Title, pp. iii., iv.; Dedication, pp. v., vi.; Cont., pp. vii., viii.; Text, pp. 1-160. The Imprint (Sherwin and Co., Printers,/ Paternoster Row./) is at the foot of p. 160.
Note.—A reproduction of Poems Original and Translated, Newark, 1808. The Front. (a sketch of Harrow-on-the-Hill) is[253] engraved by Eastgate from a painting by H. Halsted, Esq. It is a reproduction (re-touched) of the Front. to the Newark Edition of 1808.
There were two issues of this edition (A and B). In A (Printed for Sherwin and Co. 24 Paternoster Row) the Front. is without letters; the past tenses and participles are printed "bloom'd," "mail-cover'd," etc.; and on p. 160 the Imprint, as above, is at the foot of p. 160. In B (Printed for W. T. Sherwin, etc.) the Front. is subscribed with the name of painter and engraver; the past tenses are printed "bloomed," etc., in full; and the Imprint (Sherwin, Printer,/ Paternoster Row./) is at the foot of p. 160.
Hours of Idleness;/ etc./ Third Edition./ Paris: Published by Galignani,/ etc./ 1820./ [12º.
Collation—
This edition is identical with that of 1819, No. vi. p. 252. The Cont. are printed at the end of the volume.
Hours of Idleness,/ A Series/ Of Poems,/ Original and Translated./ By a Noble Author./ Virginibus puerisque Canto./ Horace./ He whistled as he went for want of thought./ Dryden./ London:/ Benbow, Printer and Publisher, Castle Street,/ Leicester Square. 1822./ [12º.
Collation—
Title, pp. i., ii.; Preface, pp. iii.-viii. + Cont. + Text, pp. 9-183.
Note.—A reissue of Hours of Idleness, Newark, 1807.
Hours of Idleness:/ A/ Series of Poems,/ Original and Translated./ By George Gordon, Lord Byron./ A Minor./ Paris:/ Published by A. and W. Galignani,/ At the French, English, Italian, German, and Spanish Library, No. 18, Rue Vivienne./ 1822./ [12º.
Collation—
Half-title (R. Printed by A. Belin), one leaf; Title, one leaf; Cont.; Text (including Second Half-title and Dedication), pp. 1-152 + Critique, etc., pp. [153]-168.
Note.—A reissue of the Newark edition of 1808, but a distinct edition from those published by Galignani in 1819, 1820.
Hours of Idleness,/ A/ Series of Poems,/ Original and[254] Translated./ By Lord Byron./ Virginibus puerisque canto.—Horace./ He whistled as he went, for want of thought.—Dryden./ A New Edition./ Glasgow.—Printed by J. Starke./ 1825./ [8º.
Collation—
Title, one leaf; Preface, pp. i.-iii. (R. Cont.); Text, pp. 1-84.
Note.—This edition, a reissue of Hours of Idleness, Newark, 1807, was bound in a paper wrapper with ornamental border, uniform with "English Bards, and Scotch Reviewers—price sixpence."
Fugitive Pieces/ and/ Reminiscences/ of/ Lord Byron:/ Containing an entire new Edition of/ The Hebrew Melodies,/ With the Addition of/ Several never before Published;/ The whole illustrated with/ Critical, Historical, Theatrical, Political, and Theological/ Remarks, Notes, Anecdotes, Interesting Conversations,/ And Observations, made by that Illustrious Poet;/ Together with his Lordship's Autograph;/ also some/ Original Poetry, Letters and Recollections/ of/ Lady Caroline Lamb./ By I. Nathan,/ Author of an Essay on the History and Theory of Music,/ The Hebrew Melodies, etc., etc./ "Pascitur in vivis Livor, post Fata quiescit:"/ "Tune (sic) suus, ex merito, quemque tuetur Honos." Ovid./ London:/ Printed for Whittaker, Treacher, and Co./ Ave Maria Lane./ 1829./ [8º.
Collation—
Pp. xxxvi. + 196. The Imprint (Plummer and Brewis, Printers, Love Lane, Eastcheap.) is at the foot of p. 191.
Note.—The Fugitive Pieces include the two selections from Parisina included in Hebrew Melodies No. i., and three "original pieces of Lord Byron, which have never before appeared in print;" viz. "I speak not—I trace not," etc., "In the valley of waters," and "They say that hope is happiness."
Poems./ By Lord Byron./ Second Edition/ London:/ Printed for John Murray, Albemarle-Street;/ By W. Bulmer and Co. Cleveland-Row, St. James's,/ 1816./ [8º.
Collation—
Half-title, one leaf, pp. i., ii.; Title, one leaf, iii., iv.; Advt., pp. v., vi.; Cont., pp. vii., viii.; Text, pp. 9-39 + Notes, p. [40]. The Imprint (London: Printed by W. Bulmer and Co./ Cleveland-row, St. James's./) is at the foot of p. [40].
Contents—[255]
To —— ("When all around," etc.) | p. 9 |
Bright be the place | p. 13 |
When we two parted | p. 14 |
Stanzas for Music ("There's not a joy," etc.) | p. 16 |
Stanzas for Music ("There be none," etc.) | p. 19 |
Fare Thee Well | p. 21 |
Ode (We do not curse," etc.) | p. 25 |
From the French | p. 31 |
On the Star, etc. | p. 34 |
Napoleon's Farewell | p. 37 |
To Samuel Rogers, Esq. | p. 39 |
Notes | p. 40 |
Note.—The motto from Coleridge's Christabel ("Alas! they had been friends in youth") (14 lines) is on p. 20.
Poems/ on His/ Domestic/ Circumstances./ I. Fare Thee Well!/ II. A Sketch From Private Life./ By Lord Byron./ With the/ Star of the Legion of Honour,/ And other Poems./ London:/ Printed for W. Hone, 55, Fleet Street./ 1816./ Price One Shilling./ [8º.
Collation—
Title, one leaf, pp. 3, 4; Text, pp. 5-31 + Note ("The first two Poems were last produced.—The other/ five follow in the order wherein they were written."/ April, 1816.), p. [32]. The Imprint (Hay and Turner, Printers, Newcastle Street, Strand.) is at the foot of p. [40].
Contents—
Fare Thee Well | p. 5 |
A Sketch, etc. | p. 9 |
Ode ("Oh, shame to thee," etc.) | p. 15 |
Fare Well to France | p. 20 |
Madame Lavalette | p. 22 |
Waterloo | p. 24 |
On the Star, etc. | p. 29 |
Note.—The Half-title is missing in the Museum copy. The Note prefixed to "Waterloo" in the Morning Chronicle (March 15, 1816) is reprinted, together with the heading, "Said to be done into English Verse by R. S****, P.L. P.R. Master of the Royal Spanish Inqn.—etc., etc., etc."
Poems/ on His/ Domestic Circumstances,/ etc./ With The/ Star of the Legion of Honour,/ And Four Other Poems./ Second Edition./ London:/ Printed for W. Hone, 55, Fleet Street,/ And Sold by J. M. Richardson, No. 23, Cornhill;/ J. Blacklock, Royal Exchange; G. Hebert, 36,/ Poultry; Simpkin and Marshall,/ Stationers'/ Court; W. Reynolds, 137, Oxford Street; and by/ All other Booksellers./ 1816./ [8º.
Collation—
Gen. Half-title (New/ Poems,/ By/ Lord Byron./) (R. Hay & Turner, Printers, Newcastle-Street, Strand.), pp. 1, 2; Title, one leaf, pp. 3, 4; Text, pp. 5-31. The Note and Imprint, as above, are on p. [32].
Poems,/ etc./ By Lord Byron./ With the/ Star of the Legion of Honour,/ etc., etc./ Sixth Edition./ Containing Eight Poems./ London:/ Printed for W. Hone, 55, Fleet Street,/ etc., etc. 1816./ [8º.
Collation—
Title (Imprint as above), pp. 1, 2; Text, pp. 3-31. The Note (altered to "The other Six follow," etc.) and the Imprint, as above, are on p. [32].
Note.—The additional poem is the Adieu to Malta on pp. 12- 14. The lines Fare Thee Well, which are printed in the First and Second Editions in stanzas, are in the Sixth Edition printed continuously.
Poems,/ etc./ By Lord Byron./ With His/ Memoirs and Portrait./ Eighth Edition./ Containing/ Nine Poems./ Fare Thee Well!/ A Sketch From Private Life./ On the Star of "The Legion of Honour."/ Adieu to Malta./ The/ Curse of Minerva./ Waterloo./ And Three Others./ London:/ Printed for W. Hone, 55, Fleet Street,/ etc./ 1816./ [8º.
Collation—
Title (R. Imprint as above), pp. 1, 2; Memoirs, etc., pp. 3-6; Text, pp. 7-32.
Note.—The additional poem is the mutilated version of The Curse of Minerva (111 lines). The Front. is a lithograph of "Lord Byron," after F. Sieurac.
Poems/ etc./ By Lord Byron,/ etc./ Fifteenth Edition./ Containing/ Nine Poems,/ etc./ London:/ Printed for W. Hone, 55, Fleet Street,/ etc./ 1816./ [8º.
Collation—
Title (R. Imprint as above), pp. 1, 2; Memoirs, etc., pp. 3-8 + Text, pp. 8-40.
[257] Note.—The Text of the Fifteenth Edition is identical with the Text of the Sixth Edition (pp. 3-[32]), including Note and Imprint on p. [32]. The Curse of Minerva is on pp. 33-40. The Imprint, as above, is repeated on the foot of p. 40.
Lord Byron's/ Poems,/ on His Own/ Domestic Circumstances./ Fare Thee Well./ Dublin:/ Printed by W. Espy, 59, Dame-Street./ 1816./ [8º.
Collation— Half-title (Poems, etc./ Entered at Stationers'-Hall./), one leaf, pp. 1, 2; Title, one leaf, pp. 3, 4; Preface, pp. 5, 6; Text, pp. 7-15.
Note.—The edition contains Fare Thee Well, and A Sketch, etc., without the other poems published by Hone.
Poems/ on His/ Domestic Circumstances,/ etc. etc./ By/ Lord Byron./ Second Edition./
To which is Prefixed,/ Memoirs of His Life./ Bristol:/ Printed for W. Sheppard, Exchange,/ And may be had of all the Booksellers./ 1816./ [12º.
Collation—
Title, one leaf, pp. i., ii.; Memoirs, etc., pp. iii.-vi.; On Reading Lord Byron's Farewell to England, pp. i.-iii. (R. Cont.); Text, pp. 1-50. The Imprint (Mary Bryan, Printer,(51)Corn-Street, Bristol.) is at the foot of p. 50.
Note.—This edition contains the nine poems published by Hone (1816), four forgeries, six of the Poems published by Murray in 1816, and, with a separate pagination, the lines On Reading Lord Byron's Farewell to England ("——Still my bosom's indignation").
Poems on His Domestic Circumstances, etc. Boston. 1816. [24º.
[Catalogue of the Boston Athenæum Library.]
Poems,/ etc./ By Lord Byron,/ etc./ Twenty-Third Edition./ Containing/ Nine Poems,/ etc./ London:/ Printed for W. Hone,/ 55, Fleet Street, and 67, Old Bailey,/ (Three Doors from Ludgate Hill,)/ And Sold By J. M. Richardson,/ etc./ 1817/ [8º.
Collation—
Pp. 32.
Poems,/ on His/ Domestic Circumstances,/ By/ The Right Honourable/ Lord Byron:/ To which are added,/ Several Choice Pieces from His Lordship's Works./ "Lord Biron.—By heaven I do love; and it hath taught me/ to rhyme, and to be melancholy; and here is part of my rhyme,/ and here my melancholy."/ Shakespeare's Love's Labour Lost./ London:/ Printed for J. Limbird, 355, Strand, (East End/ of Exeter 'Change),/ By W. Sears, 45, Gutter Lane, Cheapside./ 1823/ [12º.
Collation—
Pp. vi. + 48. The Imprint (Printed by W. Sears, 45, Gutter Lane, Cheapside, London.) is at the foot of p. 48.
Note.—The collection contains twenty-four poems, including the forgeries, To my Daughter, etc.; Farewell to England; Ode ("Oh, shame to thee," etc.); and Madame Lavalette.
Miscellaneous Poems,/ Including those on His/ Domestic Circumstances./ By Lord Byron./ To which are prefixed/ Memoirs of the Author, and a Tribute/ To his Memory/ By Sir Walter Scott./ London:/ Printed for John Bumpus, 85, Newgate Street;/ And R. Griffin, & Co., Glasgow./ 1824/
Collation—
Pp. xx. + 21-72. The Imprint (Printed by A. Hancock, Middle Row Place, Holborn.) is at the foot of p. 72.
Note.—The collection numbers twenty-five poems, including the forgeries, Ode ("Oh, shame to thee," etc.); Madame Lavalette; Farewell to England; To my Daughter, etc.; Ode to—St Helena; [259] To the Lily of France; The Enigma [H.]; and three (genuine) stanzas from the lines, "Well, thou art happy," here entitled Song to Inez; and the lines To Jessy.
Miscellaneous Poems/ on His Domestic and Other/ Circum- stances./ By Lord Byron./ London:/ Printed By and for William Cole,/ 10 Newgate-Street./ 1825./ [12º.
Collation—
Pp. 54. The Imprint (Printed by William Cole, 10, Newgate Street.) is at the foot of p. 54.
Note.—The edition contains twenty-nine pieces, viz. the twenty-five poems published by John Bumpus in 1824 (No. xl.), together with The Isles of Greece; Were my Bosom, etc.; Herod's Lament, etc.; and Lord Byron's Latest Verses ("On this day I complete my thirty-sixth year").
Note.—Two sets of proofs of a portion of Hints from Horace, formerly the property of R. C. Dallas, are preserved in the British Museum (Eg. 2029). Proof A consists of 100 lines of the English translation (lines 173-272); Proof B, pp. [87]-128, consists of 272 lines of the English translation (lines 1-272) and (on opposite pages) 188 lines of the original Latin. These proof-sheets, which must have followed proofs of the Fifth Edition of English Bards, etc., are preceded by a Half-title, Hints from Horace (Gothic characters), and by the following subsidiary title:—
Hints from Horace:/ Being a/ Partial Imitation, in English Verse, of the Epistle,/ "Ad Pisones de Arte Poetica;"/ And intended as a Sequel to/ English Bards and Scotch Reviewers./ [Gothic characters.] "Ergo fungar vice Cotis, acutum/ Reddere quæ ferrum valet, exsors ipsa secandi."/ Hor. De Arte Poet. 304-5./ "Rhymes are difficult things; they are stubborn things, sir."/ Fielding's Amelia, Vol. III./ Book and Chap. V./ Athens, Franciscan Convent,/ March 12, 1811./
The publication of Hints from Horace had been entrusted by Dallas to Cawthorn in July-August, 1811. It may be gathered from various sources (Letters, 1898, ii. 24, 54, 56) that Byron was at work on the proofs as late as September 4; that by October 11 he had resolved to defer the publication of the Hints; and that, accordingly on October 13, 1811, "they stood still." It was not, however, till after the appearance of Childe Harold's, etc. (May-June, 1812) that Byron determined to suppress the already printed Fifth Edition of English Bards, and at the same time to abandon the publication of his two other Satires. At this time, says Dallas (Recollections of the Life of Lord Byron, 1898, p. 241), "the Hints from Horace was far advanced." In his Recollections, etc. (pp. 104-113), he gives, by way of a "fair specimen," 156 [260] "lines of the still-unpublished poem; and, as these extracts are taken from the first 211 lines, and his text corresponds with proof B (see Poetical Works, 1898, i. 390, variants ii., iii.), it may be inferred that Dallas transcribed them from his fragmentary proof-sheets, and that the press was stopped at line 272. In 1830, in his Notices of the Life of Lord Byron (vol. i. pp. 263-269), Moore printed 165 lines of the "Paraphrase;" but his selections are drawn from lines 1-458, and it is evident that he had access to an original MS. (MS. M.), which is now in Mr. Murray's possession. The full text, which follows the same MS., was first published in vol. v. pp. 273-327 of the six-volume edition of 1831 (vide ante, No. xliii. of "Collected Editions").
Byron wrote the Irish Avatar at Ravenna, September 16, 1821. On the 17th he sent a copy of the verses to Moore, then resident at Paris; and on September 20 he desired Moore to get "twenty copies of the whole carefully and privately printed off." A copy is in the possession of Mr. H. Buxton Forman, C.B., and I am indebted to his kindness for the following description: "The pamphlet consists of four 8vo leaves, viz. half-title ('The Irish Avatar,' in bold capitals, with blank verse), pp. [1], [2] + Text, pp. 3-8. The poem begins on the third page with a dropped head, 'The Irish Avatar' again, and the first four verses. Pp. 4-7 contain six verses each, and p. 8 the remaining four, making up thirty-two in all. The date at the end of p. 8 is 'September 16, 1821.' There is no title-page proper; a headline, 'The Irish Avatar,' occurs on pp. 4-8, which pages are numbered in Arabic figures in the outside corners, and the thirty-two stanzas are also numbered in Arabic figures. The poem is printed on a half-sheet of a peculiar fine-ribbed paper." Twenty stanzas of The Irish Avatar were printed by Medwin in Conversations of Lord Byron, 1824, pp. 216-220, and in a second edition, 1824, pp. 332-338. In a "new edition" of the Conversations, etc., 1824, pp. 264-270, the entire poem, numbering thirty-two stanzas, was published for the first time in England (see Athenæum, July 27, 1901). The Irish Avatar was first published by Murray in 1831 (Works, vi. 419-425).
The Island,/ or/ Christian and His Comrades./ By the/ Right Hon. Lord Byron./ London, 1823:/ Printed for John Hunt,/ 22, Old Bond Street./ [8º.
Collation—
Half-title (R. London: Printed by C. H. Riynell, Broad-Street, Golden-Square), pp. 1, 2, Title, one leaf, pp. 3, 4; Author's Advt., p. 6; Text, pp. 7-79 + Appendix, pp. 81-94. The[261] Imprint, as above, is at the foot of p. 94.
Note.—A Second and a Third Edition, identical with the First, were published by John Hunt in 1823. The Island forms part (pp. 193-244) of a collection of Miscellaneous Poems, Hebrew Melodies, The Deformed Transformed, etc., printed and published by W. Dugdale, 23, Russell Court, Drury Lane, in 1825.
The Island;/ or/ Christian and His Comrades./ By The Right Hon. Lord Byron./ Paris:/ Published by A. and W. Galignani,/ At the French, English, Italian, German, and Spanish Library,/ No. 18, Rue Vivienne./ 1823/ [12º.
Collation—
Half-title (R. Paris: Printed by A. Belin), one leaf; Title, one leaf; Second Half-title, pp. 1, 2; Author's Advt., pp. 3, 4; Text + App., pp. 5-95.
The Island, or Christian and His Comrades. New York. 1823. [12º.
[Cat. of Books in Bates Hall of Pub. Library of Boston.]
Die Insel, ober Christian u. seine Kameraden. Aus d. Engl. (v. F. L. Breuer). Mit gegenübersteh. Originaltext. Leipzig, Brockhaus. 1827. [8º.
[Kayser, 1834.]
L'Isola, poema di lord Byron, traduzione di Morrone. Napoli, tipographia di De Muro, 1840. [8º.
[Bibliographia Italiana, Oct., 1840.]
Wyspa czyli Chrystyan i jego towarzysze ...Przekład Adama Pajgerta. pp. 62, druk. "Czasu": Kraków, 1859. [8º.
[262]Ön/ Eller/.. Christian och Hans Stallbröder./ Af/ Lord Byron./ Öfversättning. [Af/ Talis Qualis.] Stockholm,/ J. L. Brudins Förlag./ [1856.] [8º.
Collation—
Pp. 88.
Note.—No. 8 of "Byron's Poetiska Berättelser."
The/ Lament of Tasso./ By Lord Byron./ London:/ John Murray, Albemarle-Street./ 1817./ [8º.
Collation—
Title, one leaf, pp. 3, 4; Note (on MSS., etc.), pp. 5, 6; Text, pp. 7-19 + p. [20], Advt. of Poems. The Imprint (T. Davison, Lombard-Street,/ Whitefriars, London./) is at the foot of p. [20].
Note.—The Half-title (? missing) is not in the Museum copy.
The/ Lament of Tasso./ By Lord Byron./ Second Edition./ London:/ John Murray, Albemarle-Street./ 1817/./ [8º.
Collation—
Title, one leaf, pp. 3, 4; Advt., pp. 5, 6; Text, pp. 7-18.
The/ Lament of Tasso./ etc./ Third Edition,/ etc./ 1817./ [8º.
Collation—
Vide supra, No. i.
The/ Lament of Tasso,/ etc./ Fourth Edition,/ etc./ 1817./ [8º.
Collation—
Half-title (The Lament,/ etc./ Fourth Edition./ 1 s. 6 d.) (R. T. Davison, Lombard-Street, Whitefriars, London.), pp. 1, 2, etc. Vide supra, No. i.
Note.—The Imprint (T. Davison, Lombard-Street,/ Whitefriars, London./) is at the foot of p. [20]. Twelve pp. of "Books Printed for John Murray," dated "August, 1817," are bound up with the Fourth Edition.
The Lament,/ etc./ Sixth Edition./ 1818./ [8º.
Collation— Vide supra, No. iv. Note.—Four pp. of Advts., dated "Albemarle-Street, London, January, 1818," are bound up with the Sixth Edition.
Lamento/ del/ Tasso/ di Lord Byron/ Recato in italiano/ Da Michele Leoni/ Pisa/ Presso Niccolò Capurro/ co' caratteri di F. Didot/ 1818/ [4º.
Collation—
Pp. ix. + 1-27 + Nota dell' Autore, p. [28].
Note.—The Front, is "Tasso in the Hospital of Sant' Anna," drawn by C. Meritoni, and engraved by Lasinio Figlio. The Italian translation is printed on opposite pages to the English Text.
La/ Magion del Terrore/ ... La Fantasia e il Disinganno/ ed altri metrici componimenti/ di Gaetano Polidori/ colle sue traduzioni/ Del Lamento del Tasso/ di Lord Byron/ ... Londra 1843./ Impresso da J. Wilson e W. Ward nella pri-/vata stamperia dell' autore al numero 15 di/ Park Village East, Regent's Park./ [16º.
Collation—
Pp. 112-133.
Guglielmo Godio/ II Lamento di Tasso/ Versione da Byron/ [Six other pieces.] Torino/ Tipografia di Vincenzo Bona/Via Ospedale, 3 e Lagrange, 7/ 1873./ [8º.
Collation—
Pp. 21 + 23-47, Estri Lontani, etc.
Lara,/ A Tale./ Jacqueline,/ A Tale./ London:/ Printed for J. Murray, Albemarle-Street,/ By T. Davison, Whitefriars./ 1814./ [8º.
Collation—
[264]Half-title (Poems), one leaf; Title, one leaf; Advt.; Cont. (R. Note. Canto I., page 3, line 1, The Serfs, etc.); Second Half-title; Text, pp. 3-128 (Lara, pp. 1-93; Jacqueline, pp. 95-128) + "Books Printed for John Murray," etc., pp. [129]-[132]. The Imprint (T. Davison, Lombard-street,/ Whitefriars, London./) is at the foot of p. [132].
Note.—This edition was issued in blue-paper boards with green back, the title-label being Lara/ Jacqueline/ 7s. 6d./ The pages measure 170 x 105.
Lara,/ A Tale./ By Lord Byron./ Fourth Edition./ London:/ Printed for John Murray, Albemarle-Street./ 1814./ [8º.
Collation—
Half-title (Lara); Imprint (T. Davison, Lombard Street,/ Fleet-street.), one leaf; Title, one leaf; Second Half-title; Text, pp. 8-70. The Imprint (T. Davison, Lombard-street,/ Whitefriars, London./) is in the centre of p. [72]. In other copies the Text ends at p. 70, and a note on Section xxiv., Canto II. pp. 71-74, concludes the volume. The Imprint is not repeated.
Lara. Boston. 1814. [12º.
Collation—
Pp. iv. + 8-98.
Lara. New York. 1814. [24º.
Collation—
Pp. 136.
Lara,/ A Tale./ By Lord Byron./ Fifth Edition./ London:/ John Murray, Albemarle-Street./ 1817./ [8º.
Collation—
Half-title (R. T. Davison, Lombard-street, Whitefriars, London.); Title, one leaf; Text, pp. 1-74 + Advt. of "Poems By the Right Hon. Lord Byron" (R. T. Davison, Lombard-street,/ Whitefriars, London./), pp. [75], [76].
Note.—The additional pages (pp. 71-74) contain a note on "The event in section 24, Canto 2d, suggested by the death, or rather burial, of the Duke of Gandia."
Note.—"Lara./ A Tale./ By Lord Byron."/forms part (pp. 135-174) of a volume "Printed for Thomas Wilson, Oxford Street. 1825. 12º." The Imprint (Printed by W. Dugdale, etc.) is at the foot of p. 174.[265]
Lara,/ a Tale by/ Lord Byron:/ Illustrated by C. B. Birch,/ Art-Union of London./ MDCCCLXXIX./ [fol.
Collation—
Text, pp. 1-12. The Imprint (Harrison and Sons, Printers in Ordinary to Her Majesty, S. Martin's Lane.) is at the foot of p. 12. The Text is followed by twenty plates.
Lara ... Přeložil Č. Ibla. [In "Poesie Světová."] v Praze, 1885. [8º.
Lara. Übers. v. W. Schäffer u. A Strodtmann. 1886. Leipzig, Bibl. Institut. [16º.
Collation—
Pp. 91.
Note.—No. 88 of "Meyer's Volksbücher."
Il Lara/ di Lord Byron/ Tradotto dal signor/ Girolamo Co Bazoldo,/ Maggiore di S.M. Britannica re d'Annover./ con giunta/ di tre altre traduzioni dall' inglese, una dal tedesco,/ e tre canzoni dell' autore./ [Title-vignette, Cupid with harp.] Parigi./ Dai Torchi di Pillet Maggiore,/ In via des Grands-Augustins, N'o. 7./ 1828./ [24º.
Collation—
Pp. 1-83 + Il Pensieroso, etc., pp. 85-138 + Indice, p. [139].
Note.—This edition was issued in green-paper covers.
Lara. Traduzione di Andrea Maffei, Milano, Hoepli, 1882. [64º.
[Pagliaini, 1901.]
[266]Lara, poemat w 2 pieśniach, przekład Jul. Korsaka. pp. 70 druk. J. Zawadzkiego: Wilno, 1833. [8º.
Лара лорда Бајрона. Србски од Ац. Поповиђа. pp. 72. Д. Хипц: у Новот-Саду, 1860. 12º.
Lara, novela española. Por lord Byron, traducida al castellano, Paris. 1828. [18º.
[B. de la France, May 17, 1828.]
Lara/ Af/ Lord Byron./ Stockholm,/ Tryckt Hos Joh. Beckman./ 1869./ [8º.
Collation—
Pp. 5-64.
Note.—"Öfversättning Af Tails Qualis"—a pseudonym of Carl Wilhelm August Strandberg.
Manfred,/ A/ Dramatic Poem./ By Lord Byron./ London:/ John Murray, Albemarle-Street./ 1817./ [8º.
Collation—
Half-title (Manfred) (R. T. Davison, Lombard-Street, Whitefriars, London), pp. 1, 2; Title, one leaf, pp. 3, 4; Dramatis Personæ, pp. 5, 6; Text, pp. 7-75; Notes, pp. [79]-80. The Imprint (T. Davison, Lombard-Street,/ Whitefriars, London./) is at the foot of p. 80.
Note.—The First Edition was issued with another title-page (B): Manfred,/ A/ Dramatic Poem./ "There are more things in heaven and earth, Horatio,/"Than are dreamt of in your philosophy."/ By Lord Byron./ London:/ John Murray, Albemarle-Street./ 1817./ 8º.
There is no half-title in the Museum copy of this alternative First Edition.
Manfred,/ etc./ Second Edition,/ etc./ 1817./ [8º.
[267]Note.—The Second Edition is identical with the alternative form (B) of the First Edition. There is no Imprint on p. 80. An Advt. of "Poems by the Right Hon. Lord Byron" is on p. [82].
Manfred,/ A/ Dramatic Poem./ "There are more things in heaven and earth, Horatio,/ Than are dreamt of in your philosophy."/ By Lord Byron./ Philadelphia:/ Published by M. Thomas./ J. Maxwell, Printer./ 1817./ [12º.
Collation—
Pp. 72.
Note.—Manfred was also published at New York in 1817, 24º, pp. 70.
Manfred./ A Dramatic Poem./ By Lord Byron./ "There are more things," etc. [Motto, two lines]./ London:/ Printed and Published by W. Dugdale,/ 23, Russell Court, Drury Lane./ 1824./ [12º.
Collation—
pp. 55 + "Notes to Manfred," p. [56]. The Imprint (Printed by W. Dugdale, Russell Court, Drury Lane, London) is at the foot of p. [56].
Note.—Manfred./ A Dramatic Poem./ By Lord Byron./forms part (pp. 175-[216]) of a volume Printed for Thomas Wilson, Oxford Street./ 1825. 12º. The Imprint (Printed by W. Dugdale, etc.), as above, is at the foot of p. [216].
Manfred,/ A/ Dramatic Poem./ "There are more things in heaven and earth,/ Horatio,/ "Than are dreamt of in your philosophy."/ By Lord Byron./ Brussels:/ Printed at the British Press./ [8º.
Collation—
Title, one leaf, pp. 3, 4; Dramatis Personæ, pp. 5, 6; Text, pp. 7-72; Notes, pp. [73], 74; Observations, pp. [75]-81.
Manfred./ A Choral Tragedy,/ In Three Acts,/ By/ Lord Byron./ Thomas Hailes Lacy,/ 89, Strand, London./ [1863.] [12º.
Collation—
Pp. 1-41 + "Costumes," p. [42]. The Imprint (Printed by Thomas Scott, Warwick Court, Holborn.) is at the foot of p. 41.
[268] Note.—Vol. 60 of Lacy's "Acting Edition Plays." Pp. 2-6 contain the playbill of Manfred "As Performed at the Theatre Royal, Drury Lane (under the Management of Messrs. Edmund Falconer and F. B. Chatterton), on Saturday, October 10th, 1863."
Manfred./ Lord Byron./ [Title-vignette, "Hear me, hear me—Astarte."] New and Complete Edition.—Price one Penny./ London. J. Dicks, 313 Strand; all Booksellers./ [1883, etc.] [8º.
Collation—
Pp. 161-173.
Note.—No. 59 of "Dicks' Standard Plays."
Manfred ... Přelozil Jos. V. Frič. Praze, 1882.
Manfred,/ af/ Lord Byron./ Oversat/ af/ P. F. Wulff./ There are more things, etc. [Motto, two lines.]/ Hamlet./ Kjøbenhavn, 1820./ Forlagt af Universitets-Boghandler Brummer./ Trykt i der Poppske Bogtrykkerie./ [12º.
Collation—
Pp. 107 + Rettelse, p. [108].
Manfred./ Et Dramatisk Digt/ af/ Byron./ Oversat/ af/ Edvard Lembcke./ Kjøbenhavn 1843./ I Commission hos C. A. Reikel./ Trykt hos Bianco Luno./ [8º.
Collation—
Pp. 109.
Manfred./ Een Dramatisch Gedicht/ Naar/ Lord Byron,/ Door/ Johan Rudolph Steinmetz./ Amsterdam,/ H. J. Van Kesteren./ 1857./ [8º.
Collation—
Pp. xv. + 59 + "Aanteekenigen," pp. [60]-[63] + "Verbeteringen," p. [64].
[269]Byron's/ Manfred./ Een Dramatisch Gedicht./ Metrische Vertaling./ (Toegewijd Aan Mr. C. Vosmaer)/ Van/ W. Gosler./ Heusden.-H. Wuijster./ 1882./ [8º.
Collation— Pp. vii. + 78.
Note.—The Front, is a photograph of "Ernst Possart in de rol van Manfred" (Verg: lllustrirte Zeitung van 12 Nov. 1881).
Manfred/ Poëme dramatique/ Par/ Lord Byron,/ Traduit/ Par madame la comtesse de Lalaing/ Née comtesse de Maldeghem./ Horatio, il est dans le ciel et sur la terre/ plus de choses que n'en peut concevoir/ votre philosophie./ Hamlet./ Seconde édition./ Bruxelles./ Imprimerie de J. Stienon,/ Faubourg de Louvain, 19./ 1852/ [8º.
Collation— Pp. 61 + "Notes," p. [63].
Manfred/ Poème dramatique de Byron/ Adaptation nouvelle, en vers/ de/ Émile Moreau/ Paris/ Paul Ollendorff, éditeur/ 28 bis, rue de Richelieu, 28 bis/ 1887/ Tous droits réservés/ [8º.
Collation— Pp. vii. + 28. The Imprint (Paris,—Typ. G. Chamervi, 19, Rue des Saints Pêres—20832) is at the foot of p. 28.
Lord Byron/ Manfred/ Poème dramatique en 3 actes/ Traduction en vers/ Par/ C. Trèbla/ Toulouse/ Edouard Privat, éditeur, rue des Tourneurs/ 1888/ [8º.
Collation—
Pp. xiii. + 15-89 + Errata, p. [91]. The Imprint (Montauban, Imp. et Lith. Ed. Forestiè, rue du Vieux-Palais, 23) is in the centre of p. [90].
Manfred./ A Tragedy/ By/ Lord Byron./ Leipzig:/ F. A. Brockhaus./ 1819./
Manfred./ Trauerspiel von Lord Byron./ Teutsch/ von/ Adolf Wagner./ Leipzig:/ F. A. Brockhaus./ 1819./
[270] Collation—
English Title, as above, p. 2; German Title, as above, pp. 3, 4; Half-title (R. Dramatis Personæ), pp. 5, 6; Personen, p. 7; English and German Texts, pp. 8-209; Anmerkungen, pp. 211-239. The Imprint (Druck und papier von Friedrick Vieweg/ In Braunschweig/) is in the centre of p. 240.
Note.—I am indebted to the kindness of Mr. Leonard L. Mackall, of Berlin, for the substance of the following note on this work:—
"Pages 213-233 of the Anmerkungen" are devoted to an essay on the play as a whole. This essay is evidently the "Appendix to an English Work," to which Byron refers in the letter accompanying the suppressed Dedication to Marino Faliero. "In the Appendix to an English Work, lately translated into German, and published at Leipzig, a judgment of yours upon English poetry is quoted as follows: 'That in English poetry great genius, universal power, a feeling of profundity, with sufficient tenderness and force are to be found, but that altogether these do not constitute poets,'" etc., etc. (see Poetical Works, 1901, v. 340, 341, and Letters, 1900, v. 100-103). The originals of the Dedication and Letters were conveyed to Goethe by John Murray the third, in 1830 (? 1831) (see Goethe-Jahrbuch, 1899, xx. pp. 31-35, where the "Dedication" is printed in full for the first time), and are preserved at Weimar in the "red portfolio" (cf. Eckermann, March 26, 1826), in which Goethe kept all his papers connected with Byron. The "judgments" quoted by Byron through "an Italian abstract" from Wagner's Appendix (pp. 217-218) there read inaccurately as follows: "In der Englischen Poesie," sagt Goethe, "man findet durchaus einen grossen, tüchtigen, weltgeübten Verstand, ein tiefes, zartes, Gemüth, ein vortreffliches Wollen, ein leidenschaftliches Wirken ... das alles zuzammengenommen macht noch keinen Poeten ... nach dieser Ansicht zeigen die meisten Englischen Gedichte einen düstern Ueberdruss des Lebens." These sentences, which should be read in the light of the context, will be found in Goethe's Dichtung und Wahrheit, Th. iii. Buch. 13 (1814, now Wirke, Weimar ed. xxviii. 213, 214), the book (Aus meinem Leben, Dichtung und Wahrheit), which is held up to ridicule in the Edinburgh Review, June, 1816, vol. xxvi. pp. 304-317.
Manfred, übersetzt von Thdr. Armin, Göttingen, Kübler, 1836. [8º.
[Kayser, 1841.]
Byron's Manfred./ Einleitung, Uebersetzung und/ Anmerkungen./ Ein Beitrag/ zur Kritik der gegenwärtigen deutschen dramatischen/ Kunst und Poesie./ von/ [271] Posgarn./ [i.e. G. F. W. Suckow] Breslau,/ im Verlage bei Josef Mar und Komp./ 1839./ [8º.
Collation—
Pp. 212.
Manfred, Ein dramat. Gedicht übers. v. O.S. Seeman. Berlin, Weidle, 1843. [8º
[Kayser, 1848.]
Lord Byron's/ Manfred./ Deutsch/ von/ Hermann von Kösen./ "Mehr Dinge giebt's im Himmel und auf Erden/ Als eure Weisheit sich wohl träumen lässt."/ (Hamlet.)/ Leipzig,/Voigt & Günther./ 1858./ [16º
Collation—
Half-title, Title, and "Zueignung," 8 pp.; Text, pp. 1-86. The Imprint (Druck von Giesecke & Devrient) is at the foot of p. 86.
Byron's/ Manfred./ Erklärt und übersetzt/ von/ L. Freytag./ Berlin./ Verlag von Gebrüder Pætel./ 1872./ [16º
Collation—
Pp. 158. The Imprint (Druck von G. Bernstein in Berlin) is at the foot of p. 158.
Manfred, dramat. Gedicht v. Lord Byron. Frei übers. v. Adf. Seubert. [16º.
[Kayser, 1877.]
Collation—
Pp. 47.
Note.—No. 586 of the Universal-Bibliothek, Leipzig, 1871-76.
Manfred./ Dramatische Dichtung in drei Abtheilungen/ von/ Lord Byron./ Musik von Robert Schumann./ Jeder Nachdruck dieses Textbuches, auch von Seiten der Theater-directionen für/ ihre Aufführungen, ist verboten./ Leipzig,/ Druck und Verlag von Breitkopf und Härtel./ [8º.
Collation—
Pp. 36.
Note.—No. 66 of Serie III., Breitkopf und Härtel's Textbibliothek, 1879-90.
[272]Manfred. Ein dramatisches Gedicht. Freie Uebersetzung von Thierry Preyer. Frankfurt, Neumann, 1883. [4º.
[Kayser, 1883.]
Collation—
Pp. 59.
Byron Lord'/ Élete's Munkái/ Irta/ Petrichevich Horváth Lázár./ Második Rész./ Pesten./ Nyomtatta Landerer és Heckenast./ 1842./ [8º.
Collation—
Pp. xi. + 134 + Jegyzések Manfredhez, pp. [135], [136] + Sajtó-hibák, p. [137].
Manfred./ Drámai Költemény 3 Felvonásban./ Irta:/ Lord Byron György./ Angolból forditotta:/ Dr. Kludik Imre./ Byron és a Világfájdalom./ Irta: Dr. Kludik Imre./ Ára: 40 kr./ Második Kiadás./ Szolnok, 1884./ Nyomatott Bakos Istvánnál./ [8º.
Collation—
Manfred, pp. 1-65 + Byron és a Világfájdalom, pp. 69-112.
Manfred/ Lord Byron Drámai Költeménye/ Forditotta/ Ábrányi Emil./ Budapest 1891/ Singer és Wolfher Könyvkereskedése./ [8º.
Collation—
Pp. 98.
Manfredo. Traduzione di Marcello Mazzoni. Milano, P. M. Visaj. 1832. [8º.
[Library of Congress, Washington, 1880.]
Collation—
Pp. 91.
[273]Tragedie/ di/ Silvio Pellico/ Francesca da Rimini/ [etc., five lines] Manfredo,/ Poema drammatico di Lord Byron,/ (versione in prosa)./ Firenze./ Felice le Monnier./ 1859./ [8º.
Collation— Manfredo, etc., pp. 437-473.
Manfredo: poema drammatico. Traduzione di Andrea Maffei. Firenze, Le Monnier, 1870. [16º.
[Pagliaini, 1901.]
Collation—
Pp. xi. + 100
Manfred, poemat dramatyczny, przekład Edm. Stan. Bojanowskiego. W. G. Korn: Wrocław, 1835. [12º.
Manfred, poemat ... Przekład wolny na wiersz polski przez Michała Chodźke ... Z4 obrazkami, wyrysował Kossak, etc. pp. 89. w drukarni L, Martinet: Paryż, [1859]. [8º. [Published also by Schmidt at Halle.]
O Μαμφρεδ / Δραματικον Ποιημα / του / Λορδου Βυρωνος. / Μεταφρασις / Εππικου Γκρην. / ὁ οὐρανὸς, Ὁράτἰ, ἔχειπλείονακ' ἡ γν / παῤ ὅσα οἱ φιλόσοφοι φαντάζεσθε / Shakspere. / Εν Πατραις / τυπογραφειον και Βιβλιοπωλειον Ευσταθιου Π. Χριστοδουλου. / Παρὰ τὴν ὁδὸν Ἑρμοῠ. / 1864./ [8º.
Collation—
Pp. 79 + Παροραματα , p. [80].
Stoenescu (Th.M.) Teatru ... Manfred, dupe Lord Byron. Editura "Revisteĭ Literare:" Bucurescĭ, 1896. [8º.
Collation—
Manfred, pp. 173-228.
Манфредъ. Драматическая поема въ трехъ дѢйствіяхъ Переводъ М. Вронченко.
Манфредъ ... Переводъ А. Бородина [" Пантеонъ," 1841. No. 2.]
Манфредъ ... Перев. Е. Зарина. [" Библіотека для Чтенія. [С.-Петербургъ, 1858, No. 8.]
Манфредъ ... Переводъ Д. Минаева ["Русское Слово," 1863. No. 4.]
Manfredo, drama en tres actos. Por lord Byron. Imp. de Decourchant à Paris. A Paris, rue du Temple, n. 69. 1829. [18º
[Bibl. de la France, October 17, 1829.]
Manfredo,/ Poema dramático/ de/ Lord Byron./ Traducido en verso directamente del inglés al castellano/ Por/ D. José Alcalá Galiano/ y Fernandez de las Peñas./ Madrid:/ Imprenta de A. Vicente, Preciados, 74./ 1861./ [8º.
Collation—
Pp. xiii. + 85.
Lord Byron./ Manfredo/ y/ Oscar de Alva/ Version castellana/ de Ángel R. Chaves./ Madrid,/ Imprenta de Eduardo Martinez,/ Calle del príncipe, número, 25./ 1876./ [8º.
Collation—
Pp. xix. + Manfredo, 1-54 + Oscar de Alva, pp. 55-78 + Indice, p. [79].
Marino Faliero,/ Doge of Venice./ An Historical Tragedy,/ In Five Acts./ With Notes./ The Prophecy of Dante,/ A Poem./ By Lord Byron./ London: John Murray, Albemarle-Street./ 1821./ [8º.
Collation—
Half-title (R. London:/ Printed by Thomas Davison, Whitefriars) pp. i., ii.; Title, one leaf, pp. iii., iv.; Cont., pp. v., vi.; Half-title, with Motto ("Dux inquieti turbidus Adriæ."/ Horace./), pp. vii., viii.; Preface, pp. ix.-xxi.; Text, pp. 1-261. The Imprint, as above, is in the centre of p. [262].
Contents—
Marino Faliero | p. 1 |
Notes | p. 169 |
Appendix | p. 173 |
Prophecy of Dante | p. 209 |
Notes | p. 257 |
Marino Faliero, etc./ Second Edition, etc./ 1821./ [8º.
Collation—
Vide supra, No. i. Note that in some copies of the First Edition lines 500-507, act v. sc. 1, do not appear. In the Second Edition and in other copies of the First Edition they have been inserted. (See Poetical Works, 1901, iv. 447.)
Note.—Another edition (pp. xxi. + 261), in small octavo, was issued by John Murray in 1823.
Marino Faliero, Doge of Venice. 179 pp. Philadelphia, M. Carey and Sons. 1821. [8º. [Library of Congress, Washington, 1880.]
Marino Faliero, doge of Venice, an historical tragedy in five acts, with notes. By the right hon. lord Byron. Impr. de Belin à Paris—A Paris chez Galignani. [12º. [Bibl. de la France, June 29, 1821.]
Marino Faliero,/ Doge of Venice:/ An Historical Tragedy,/ In Five Acts./ By/ Lord Byron./ "Dux inquieti turbidus Adriæ."—Horace./ London:/ John Murray, Albemarle Street./ Sold also by/ Tilt and Bogue, Fleet Stree nburgh, Oliver and Boyd: Dublin, John Cumming./ 1842./ [12º.
[276]Collation—
Title (R. London:/ Printed by H. Spottiswoode,/ New-Street-Square./); Text, pp. 3-162. The Imprint, as above, is at the foot of p. 162.
Marino Faliero./ By/ Lord Byron./ [Title-Vignette, "The Gory Head rolls down the Giant's steps!"]/ New and Complete Edition.—Price one Penny./ London J. Dicks 313 Strand; All Booksellers./ [1883, etc.] [8º.
Collation—
Pp. 461-492.
Note.—No. 153 of "Dicks' Standard Plays."
Marino Faliero/ Doge von Venedig./ Geschichtliche Tragödie/ von/ Lord Byron./ Freie Übersetzung/ von/ Thierry Preyer./ Frankfurt am Main./ Alfred Neumann'sche Buchhandlung./ 1883./ [4º.
Collation— Title, one leaf; Personen; Vorrede, 8 pp. + Text, pp. 1-147. The Imprint (C. Naumann's Druckerei, Frankfurt a. M.) is in the centre of p. [148].
Lord Byron's/ Marino Faliero./ Für das herzoglich Sachsen-Meiningen'sche Hoftheater/ übersetzt und bearbeitet/ von A. Fitger./ Oldenburg./ Schulzesche Hof-Buchhandlung und Hof-Buchdruckerei./ (A. Schwartz.)/ [8º.
Collation—
Title (R. Alle Rechte Vorbehalten); Vorwort (R. "Personen"); Text, pp. 1-84.
Mazeppa,/ A Poem./ By Lord Byron./ London:/ John Murray, Albemarle-Street./ 1819./ [8º.
[277]Collation—
Half-title (R. London:/ Printed by Thomas Davison, Whitefriars.); Title, one leaf; Half-title (Mazeppa), pp. 1, 2; Advt. (quotation from Voltaire, Hist, de Charles XII., pp. 196, 216), pp. 3, 4; Text, pp. 5-69. The Imprint, as above, is in the centre of p. [70] + "Lord Byron's Poems," etc., p. 71.
Contents—
Mazeppa | p. 5 |
Ode ("Oh Venice! Venice!") | p. 47 |
A Fragment (Augustus Darvell) | p. 57 |
Mazeppa, A Poem./ By Lord Byron./ Second Edition./ Paris:/ Published by Galignani,/ At the French, English, Italian, German, and Spanish/ Library, Nº 18, Rue Vivienne./ 1819 [12º.
Collation—
Half-title (R. Printed by A. Belin), pp. 1, 2; Title, one leaf, pp. 3, 4; Second Half-title, pp. 5, 6; Advt., pp. 7, 8; Text, pp. 9-69.
Contents—
Mazeppa | p. 9 |
Ode ("Oh Venice!" etc.) | p. 47 |
A Fragment | p. 57 |
Mazeppa, a poem [with fragments]. Boston. 1819. [24º.
[Cat. of Books in Bates Hall of Pub. Lib. of Boston, 1866.]
Collation—
Pp. 56.
Mazeppa, a Poem. Paris, Galignani, 1822. [12º.
[Quérard, 1827.]
Mazeppa,/ A Poem./ By Lord Byron./ London:/ Printed and Published by W. Dugdale,/ 52 Russell Court, Drury Lane, 1824./ [12º.
Collation—
Pp. ii. + 5-35. The Imprint (Printed by W. Dugdale, Russell Court, Drury Lane, London.) is at the foot of p. 35.
[278]Mazeppa. a Poem. Mit Worterklärung u. einer Lebenskizze des Dichters, von H. M. Melford. Braunschweig, Vieweg. 1834. [12º.
[Kayser, 1841.]
Mazeppa,/ or the/ Wild Horse/ of the/ Ukraine,/ A Poem, by/ Lord Byron./ London:/ T. Goode, 30, Aylesbury-st.,/ Clerkenwell./ [1854?] [32º.
Collation—
Pp. 48.
Note.—The Front, (lithograph of Lord Byron) is on p. 1. The Title is printed on the wrapper (black glazed paper) in gold letters. The volume measures 60 X 40.
Mazeppa./ AF / Lord Byron./ Öfversättning. [Af Talis Qualis.] Stockholm,/Alb. Bonniers Förlag./ [1853.] [8º.
Part of "Byron's Poetiska Berättelser."
Mazeppa. Ein Gedicht. Aus d. Engl. treu übertragen v. Th. Hell. Nebst beigedr. Urschrift. Leipzig, Hinrichs. 1820. [8º.
[Kayser, 1834.]
Mazeppa, übers. im Versmass des Originals v. Dr. jur. Everhard Brauns. Herausg. von Dr. jur. Engelbrecht, Göttingen, Kübler. 1836. [8º.
[Kayser, 1841.]
Nachgelassenes/ von/ Ferdinand Freiligrath./ Mazeppa,/ nach Lord Byron./ der Eggesterstein,/ Erzählung./ Stuttgart./ G. J. Göschen'sche Verlagshandlung./ 1883./ [8º.
Collation—
Pp. viii. + 88.
[279]Byron Lord'/ Élete's munkái./ Irta/ Petrichevich Horváth Lázár./ Harmadik Rész./ Pesten./ Nyomtatta Landerer és Heckenast. 1842./ [8º.
Collation—
Title, one leaf; Half-title, one leaf; Dedication; Figyelmezletés (Advt.); Second Half-title; Text (Mazeppa), pp. 1-[80] + Oda, etc., pp. [81]-154 + Sajtó-hibák, p. [155].
Il Mazeppa. Versione di Ant. Arioti. Palermo, Lo Bianco. 1847. [16º.
[Pagliaini, 1901.]
Mazeppa./ Traduzione/ da/ Georgio Byron./ Di/ I. Virzì./ Palermo,/Luigi Pedone Lauriel/ Editore/ 1876./ [8º.
Collation—
Pp. 63.
Mazeppa. Traduzione di Andrea Maffei. Milano, Hoepli. 1886. [64º.
[Pagliaini, 1901.]
Mazepa, poemat. Przekład wolny na wiersz polski przez Michała Chodźkę. pp. 39. Schmidt: w Hali, 1860. [8º.
(Together with Lamartine's Death of Jonathan.)
Mazepa, poemat, przekład wolny na wiersze polskie przez Michała Chodźkę, wydanie ozdobione rycinami, etc. pp. 66. Księg. polska: Paryź [1860]. [8º.
Выборъ изъ сочиненій лорда Байрона. М. Каченовскаго. 1821.
Collation—
Mazepa, pp. 69-107.
Note.—In Prose.
Мазепа. Изъ сочиненій лорда Байрона. А. Воейкова "Новости литературы," 1824. кн. x. pp. 9-33.
Note.—In Prose.
Мазепа ... пер. Д. Михайловскаго ["Современнихъ," 1858. No. 5.]
Мазепа ... Перев. И. Гогніева. ["Драматическій Сборникъ." С.-Петербургъ, 1860, кн. 4.]
Mazeppa, novela, por L.B. traducida al castellano. Paris, 1830. [18º.
[Moniteur, etc., 1845.]
Monody/ On the Death of/ The Right Honourable/ R. B. Sheridan,/ Written at the Request of a Friend,/ To be spoke at/ Drury Lane Theatre./ London: Printed for John Murray, Albemarle Street./ 1816./ [8º.
Collation—
Half-title (Monody./ [Price One Shilling.]/ Entered at Stationers' Hall) (R. London: Printed by C. Roworth, Bell-yard, Temple-bar.), pp. 1, 2; Title, one leaf, pp. 3, 4; Text, pp. 5-11 + pp. [13]-[15], Advts. of Books published by John Murray. The Imprint, as above, is at the foot of p. [15].
Monody/ on the Death of/ The Right Honourable/ R. B. Sheridan./ Spoken at/ Drury Lane Theatre./ By Lord [281] Byron./ New Edition./ London:/ Printed for John Murray, Albemarle-Street./ 1817./ [8º.
Collation—
Half-title as above (R. T. Davison, Lombard-street, Whitefriars, London.), pp. 1, 2; Title, one leaf, pp. 3, 4; Text, pp. 5-11 + List of the Poems, etc., p. [12]. The Imprint (T. Davison, Lombard-Street,/ Whitefriars, London./) is at the foot of p. [12].
Monody,/ etc./ New Edition,/ etc./ 1818./ [8º.
Collation—
Half-title (R. London:/ Printed by T. Davison, Whitefriars.), pp. 1, 2; Title, one leaf, pp. 3, 4; Text, pp. 5-11 + "Lord Byron's Poems," etc., p. [12]. The Imprint, as above, is at the foot of p. [12].
Note.—Four pp. of Advts., dated "Albemarle-Street, London, May, 1818," are bound up with this edition.
A Political/ Ode/ By/ Lord Byron/ Hitherto Unknown as His Production./ London/ John Pearson 46 Pall Mall./ 1880./ [8º.
Collation—
Half-title (R. [One hundred copies privately printed.]), pp. 1, 2; Title, one leaf, pp. 3, 4; Note, pp. 5, 6; [Copy of Lord Byron's Letter ... March 1, 1812], pp. 7, 8; Text, pp. [9], [10], 11.
Traduction de l'Ode/ de/ Lord Byron,/ Sur/ La bataille de Waterloo./ Par Aristide Guilbert./ Londres:/ Hunt et Clark,/ 38, Tavistock Street./ MDCCCXXVI./ [8º.
Collation—
Pp. vii. + 9-28. The Imprint (De l'Imprimerie de Thomas Davison,/ 10, Duke Street, Smithfield, London./) is at the foot of p. 28.
Contents—
Preface | p. v. |
Ode | p. 9. |
Notes | p. 17 |
Ode/ To/ Napoleon Buonaparte./ "Expende Annibalem:— quot libras in duce summo/ Invenies?"—— / Juvenal, Sat. X./ The Second Edition./ London:/ Printed for John Murray, Albemarle-Street,/ By W. Bulmer and Co. Cleveland-Row,/St James'./ 1814/ [8º.
Collation—
Half-title (Ode, etc./ Entered at Stationers' Hall./), pp. 1, 2; Title, one leaf, pp. 3, 4; Note from Gibbon's Decl. and Fall (vol. 6, p. 220), pp. 5, 6; Text (xv. stanzas), pp. 7-14 + Advt. of books "By the Right Hon. Lord Byron," p. [15]. The Imprint (Printed by W. Bulmer and Co./ Cleveland-Row, St James's./) is at the foot of p. [15].
Note.—The First Edition of the Ode is in the Rowfant Library Catalogue, 1886, p. 145.
An Ode to Napoleon Bonaparte. From the 3d Lond. ed. Philadelphia, E. Earle. 1814. [8º.
[Catalogue of Library of Congress, 1880.]
Collation—
Pp. 11.
Note.—The Ode to Napoleon Buonaparte was also published at Boston, 1814, 8º, pp. 13; and at New York, 1814, 8º, pp. 13.
Ode to Napoleon Buonaparte. Sixth Edition. London. 1814. [8º.
[Cat. of Manchester Free Library, 1864.]
Collation—
Pp. 17.
Ode to Napoleon Buonaparte. Ninth Edition. London, M. 1814. [8º.
[Library of the University, St. Andrews, N.B.]
Collation—
Pp. 17.
Ode/ To/ Napoleon Buonaparte./ By Lord Byron./ etc./ Twelfth Edition./ London:/ Printed for John Murray, Albemarle-Street./ 1816./ [8º.
[283] Collation—
Half-title (Ode, etc.) (R. T. Davison, Lombard-street,/ Whitefriars, London./), pp. 1, 2; Title, one leaf, pp. 3, 4; Note, pp. 5, 6; Second Half-title, pp. 7, 8; Text (xvi. stanzas), pp. 9-17 + Advt. of books "By the Right Hon. Lord Byron," p. [19]. The Imprint, as above, is at the foot of p. [19].
Ode,/ etc./ Thirteenth Edition./ London:/ John Murray, Albemarle-Street./ 1818./ [8º.
Collation—
Vide supra, No. i.
Odas a Napoleon. Por Lord Byron. Imp. de Decourchant, à Paris. 1829. A Paris, rue du Temple, n. 69. [18º.
[Bibl. de la France, October 17, 1829.]
[For First Edition of Parisina, vide infra, The Siege of Corinth, No. i.]
Parisina./ Af/ Lord Byron./ Öfversättning. [Af Talis Qualis.] Stockholm, J. W. Brudins Förlag. [1854.] [8º.
Collation—
Pp. 36. No. 4 of "Byron's Poetiska Berättelser."
Adolphe Krafft/ Parisina/ Poème/ de Lord Byron/ et fragment de/ Nicolas de Ferrare/ Drame/ Tiré des documents historiques/ Avec commentates et notices./ Paris/ Ernest Leroux, éditeur/ 28, rue Bonaparte, 28/ 1900 Tous droits réservés./ [8º.
Collation—
Pp. xiv. + 55 + Errata, p. [57] + Table des Matières, p. [59].
Note.—The Text of Parisina is on pp. 8-26.
Gedichte/ von/ Jacob Vinc. Cirkel./ Mit übersetzungen/ von W. Scott's Feld von Waterloo und Byrons/ Parisina etc./ Münster,/ in Commission der Coppenrathschen Buch-und Kunsthandlung./ 1825./ [8º.
Collation—[284] Pp. 159. The Imprint (Münster, gedruckt mit Coppenrathschen Schriften) is on p. [160].
Note.—The Text of Parisina, etc., is on pp. 127-156.
Parisina/ Poema/ di/ Lord Byron/ Traduzione italiana in versi./ Milano/ Da Placido Maria Visaj/ Stampatore-Librajo nei Tre Re/ 1821./ [8º.
Collation—
Pp. 27.
Parisina: poema tradotto da Andrea Maffei. Milano, Gnocchi. 1853. [16º.
[Pagliaini, 1901.]
Collation—
Pp. 40.
Parisina. Traduzione di Carlo Dall'Oro. Mantova, Negretti. 1854. [8º.
[Pagliaini, 1901.]
Parisina, Traduzione in versi sciolti di Paolo Pappalardo. Palermo. 1855. [8º.
[Pagliaini, 1901.]
Parisina. Traduzione di Ant. Canepa. Geneva, Artisti tip. 1864. [16º.
[Pagliaini, 1901.]
Collation—
Pp. 24.
Паризина ... Переводъ В. Вердеревскаго. С.-Петербургъ, 1827
[285] Parisina, novela. For L. B. Imp. de Decourchant, à Paris. 1830. [18º.
[Bibl. de la France, October 17, 1829.]
The/ Prisoner of Chillon,/ And/ Other Poems./ By Lord Byron./ London:/ Printed for John Murray, Albemarle-Street./ 1816./ [8º.
Collation—
Half-title (The/ Prisoner of Chillon,/ etc./) (R. Advt. of Third Canto of Childe Harold, and Imprint, T. Davison, Lombard-street,/ Whitefriars, London./), one leaf; Title, one leaf; Cont.; ext, pp. 1-60.
Contents—
Sonnet on Chillon | p. 1 |
The Prisoner of Chillon | p. 3 |
Poems— | |
Sonnet | p. 23 |
Stanzas to —— | p. 24 |
Darkness | p. 27 |
Churchill's Grave | p. 32 |
The Dream | p. 35 |
The Incantation | p. 46 |
Prometheus | p. 50 |
Notes | p. 55 |
Note.—On p. 3 the Text is headed "The Prisoner of Chillon. A Fable."
The/ Prisoner of Chillon./ A Poem/ By Lord Byron./ Lausanne./ Hignou & Company. Book-sellers./ 1818./ [8º.
Collation—
Title, one leaf, pp. 1, 2; Text, pp. 8-29.
Note.—The Front, is a lithograph of "Chillon." The seven poems are not included in this edition.
The/ Prisoner/ of/ Chillon,/ By Lord Byron,/ London:/ Printed by W. Chubb, Fetter Lane./ 1824./ [12º.
Collation—
Pp. 35. The Imprint (W. P. Chubb, Printer, Fetter Lane, London.) is at the foot of p. 35.
The/ Prisoner of Chillon,/ By Lord Byron./ [n.d.? 1825.] [12º.
[286] Collation—
Pp. 1-18.
Note.—This edition, which is without a separate Title-page and bears no Imprint, is bound up with The Bride of Abydos, etc., Printed for Thomas Wilson, Oxford Street. 1825.
The/ Prisoner/ of/ Chillon./ By Lord Byron./ Geneva./ Published by Barbezat and Delarue,/ Booksellers, 177, Rue du Rhône./ 1830/ [16º.
Collation—
Half-title (R. Printed by Barbezat and Dalarue.), pp. 1, 2; Title, one leaf, pp. 3, 4; Sonnet on Chillon, pp. 5, 6; Text, pp. 7-32.
Note.—The volume with the above title is bound in pink paper cover with title-vignette (helmet, spear, and wreath of bay-leaves), and dated M.DCCC'XVIII.
The/ Prisoner of Chillon/ By/ Lord Byron/ Le prisonnier de Chillon/ Par/ Lord Byron/ précédé d'une/ Notice historique sur le château de Chillon/ Par/ D. Martignier/ Lausanne/ Librairie Martignier et Chavannes/ 1857/ [8º.
Collation—
Half-title (R. Lausanne.—Printed by Corbaz and Rouiller sen.), pp. 1, 2; Title, one leaf, pp. 3, 4; Notice, etc., pp. 5-7; Hist. de Chillon, pp. 8-21; Text and Notes, pp. 25-46. The seven poems are not included in this edition.
The/ Prisoner/ of/ Chillon
Poem/ By/ Lord Byron./ Illuminated by/ W. & G. Audsley./
Architects./ 1865 [4º.
Collation—
Illuminated Half-title; Title; 17 pp. of Text with illuminated borders, etc. + p. 18 (Chromo-lithographed/ By/ W. R. Tymms./ Printed & Published by/ Day & Son,/ [Limited],/ London)./
Byron's/ Prisoner of Chillon./ With Notes for Teachers and Scholars./ London:/ T. J. Allman, 463, Oxford Street./ [1874.] [16º.
Collation—
Pp. 32.
Note.—No. 8 of "Allman's English Classics for Elementary Schools."
[287]Byron's/ Prisoner of Chillon./ With Life, Notes,/ Grammatical & Miscellaneous Questions,/ etc., etc./ By R. S. Davies,/ Head Master of Holy Trinity Schools, Hull./ Hull: A. Brown, Scholastic Publisher./ London: Simpkin, Marshall, & Co./ Leeds: Arnold; Bean & Son./ Darlington: The Education Depot./ Price Twopence./ [1877-] [12º.
Collation—
Pp. 24.
Note.—Part of "Brown's Series of English Classics."
The/ Prisoner of Chillon./ By/ Lord Byron./ With Prefatory and Explanatory Notes./ [Monogram, with Motto, Lucem Libris Disseminamus.] London: Blackie & Son, 49 & 50 Old Bailey, E.C./ Glasgow, Edinburgh, and Dublin./ 1879./ [6º.
Collation—
Pp. 32.
Note.—Part of "Blackie's School Classics."
Byron's/ Prisoner of Chillon:/ With Life and Notes./ For Pupil Teachers and the Upper Standards in/ Schools./ Manchester: J. B. Ledsham, 31, Corporation Street;/ London: Simpkin, Marshall & Co./ [1879.] [16º.
Collation—
Pp. 35.
Note.—Part of the "World School Series."
The/ Prisoner of Chillon/ By/ Lord Byron/ And Part of/ The 3rd Canto of Child [sic] Harold/ With a Short Description of the Castle/ And a Notice of the Chief Historical Events/ and Legends connected with its History/ Selected from authentic sources by an English resident./ Fourth Edition/ Vevey/ Loertscher & Son, Editors/ 1880/ [8º.
Collation—
Pp. 59. The Text of The Prisoner of Chillon is on pp. 43-53.
The Prisoner of Chillon. A Fable. Erklärt v. F. Fischer. Berlin, Weidmann. 1884. [8º.
[Kayser, 1887.]
The Prisoner of Chillon, with introduction and explanatory notes by Th. C. Cann, Firenze, Bencini, 1885. [16º.
[Pagliaini, 1901.]
Byron's Prisoner of Chillon and Part of Mazeppa. With Life and Notes. London and Edinburgh. 1894.
[Kölbing, p. 257.]
Note.—Part of "Chambers' Reprints of English Classics."
The Prisoner of Chillon, by Lord Byron. Special Subject. London. Stewart & Co., The Holborn Viaduct Steps, E.C. Edinburgh and Glasgow: Menzies & Co.
[Kölbing, p. 257.]
The/ Prisoner of Chillon/ By/ Lord Byron/ With Notes/ Explanatory, Analytical, and Grammatical/ Embracing/ Figures of Speech, and Metre/ By the/ Rev. Henry Evans, D.D./ Commissioner of National Education/ Dublin/ Blackie & Son, Limited, 89 Talbot Street/ London and Glasgow/ 1896/ [16º.
Collation—
Pp. 36.
Note—Part of "English Classics for Intermediate Schools and Colleges."
Byron./ The Prisoner of Chillon./ A Fable./ With Life, Introduction, Notes, etc./ Dublin:/ Fallon & Co., 16 Lower Sackville Street./ [Copyright. All Rights Reserved.] [1896.] [16º.
Collation—
Pp. 36.
Note.—Part of "School and College Series. Edited by Rev. T. A. Finlay, M.A., F.R.U.I. Price Sixpence, Net."
The/ Prisoner of Chillon/ And/ Other Poems/ By/ Lord Byron/ In kritischen Texten/ Mit/ Einleitung und Anmerkungen/ Herausgegeben/ von Eugen Kölbing/ Weimar/ Verlag von Emil Felber/ 1896/ [8º.
[289]Collation—
Pp. ix. + 450.
De Gevangene van Chillon; in: Gedichten van K. L. Ledeganck' met eene Levensschets des Dichters door J. F. J. Heremans. Gent, 1856.
[Kölbing, p. 265.]
Le Prisonnier de Chillon, Poème de Lord Byron librement traduit en vers blancs, précédé d'une notice historique et descriptive du château de Chillon. Vevey. G. Blanchoud, libraire-éditeur.
[Kölbing, p. 264.]
Bonnivard/ A/ Chillon/ Souviens-toi du temps d'autrefois./ (Deut. xxxii. 7.)/ Drame historique/ En un acte et trois tableaux/ Suivi d'une notice historique et du poème de lord Byron, intitulé: Le Prisonnier de Chillon/ Par un Huguenot/ Genève/ Imprimerie Wyss et Duchêne, rue Verdaine/ 1892/ [8º.
Collation—
Pp. 96. There is a prose translation of The Prisoner of Chillon, pp. 74-85.
Note.—The Front, is a lithograph of "Chillon."
Lord Byron's Gefangener von Chillon (am Genfer See). Aus dem Englischen metrisch übertragen von G. Kreyenberg. Lausanne, 1861.
[Kölbing, p. 261.]
Der/ Gefangene von Chillon./ Dichtung/ von/ Lord Byron./ In deutscher Uebersetzung mit historischer Einleitung / von / [290] / M. von der Marwitz./ Vevey & Lausanne,/ Richard Lesser./ [1865.] [8º.
Collation—
Pp. xi. + 16.
Note.—The Front, is a "Photog. de R. Lesser & Cie., Vevey," of four female figures supporting a mirror reflecting the dungeon of Chillon.
Der Gefangene von Chillon. Eine Fabel von Georg Gordon Lord Byron. Wortgreteu nach H. R. Mecklenburgs Gründsatzen in deutsche Prosa übersetzt und eingehend erläutert von D'. phil. R.T. Berlin, 1886.
[Kölbing, p. 262.]
Der/ Gefangene von Chillon./ Von/ Lord Byron./ Uebersetzt von J. G. Hagmann./ S'. Gallen & Leipzig/ Verlag von Busch & Co./ [1892.] [16º.
Collation—
Pp. 29.
Note.—The Front, is a lithograph of "Chillon."
Il prigionero di Chillon, poema romantico trad. in prosa italiana. In Indicatore Livornese, N. 44, del II Gennaio del 1830.
[Saggio di Bibliografie, Milano, Levino Robecchi, 1887.]
Il prigionero di Chillon: Traduzione di Andrea Maffei, Milano, Gnocchi, 1853. [16º.
[Pagliaini, 1901.]
Шильонскій Узникъ, нозма лорда Байрона. Переводъ съ англійскаго В. Жуковскаго. pp. i.-viii. 1-24. С.-Петербургъ, 1822. 8º.
Collation—
Pp. i.-viii. + 1-24.
[291] El preso de Chillon, novela. For lord Byron, traduccion castellana. Imp. de Decourchant, à Paris. 1829. [18º.
[Bibl. de la France, Oct. 17, 1829.]
Fangen Pa Chillon,/ En Dikt/ Af/ Lord Byron./ Öfversättning./ [Af/ Talis Qualis.]/ Stockholm,/ Albert Bonniers Förlag./ [1853, etc.] [8º.
Collation—
Pp. 30.
Note.—No. 3 of "Byron's Poetiska Berättelser."
Note.—The Prophecy of Dante was first published in the same volume with Marino Faliero, 1821. See No. i. (p. 275).
The Prophecy of Dante. Philadelphia. 1821. [12º.
Collation—
Pp. 48.
The Prophecy of Dante. Paris, Galignani, 1821. [12º.
[Quérard, 1827.]
The/ Prophecy of Dante./ A Poem./ By Lord Byron./ "'Tis the sunset of life gives me mystical lore,/ "And coming events cast their shadows before."/ Campbell./ London:/ Printed and Published by W. Dugdale,/ 23, Russell Court, Drury Lane./ 1825/ [12º.
Collation—
Pp. vi. + 7-32. The Imprint (W. Dugdale, Printer, 23, Russell Court, Drury Lane.) is at the foot of p. 32.
The/ Prophecy of Dante./ (Cantos I., 11.)/ By/ Lord Byron./ With Critical and Explanatory Notes,/ By L. W. Potts,/ Lecturer on History at the Birkbeck Institute, London./ London:/ Blackie & Son, 49 & 50 Old Bailey, E.C./ Glasgow, Edinburgh, and Dublin./ 1879./ [16º.
[292] Collation—
Pp. 32. The Imprint (Glasgow: W. G. Blackie and Co., Printers, Villafield.) is at the foot of p. 32.
Note.—Part of "Blackie's School Manuals."
Oeuvres de Dante Alighieri. La Divine Comédie, Traduction A. Brizeux. La Vie Nouvelle, Traduction E. J. Delécluze. Paris, Charpentier, libraire-éditeur. 29, rue de Seine. 1842. [8º.
Profezia di Dante Alighieri, scritta da lord Byron, e tradotta dell'inglesc. Impr. de Clò, à Paris. Paris, chez Barrois aîné, 1821. [8º.
[Bibl. de la France, October 26, 1821.]
La Profezia di Dante. Di Lord Byron. Tradotta in terza rima da L. Da Ponte. Nuova-Jorca: Publicata da R. E. W. A. Bartow, 250 Pearl-St. Gray & Bunce, Stampatori. 1821. [12º.
Collation—
Pp. 72.
Note.—The Italian is printed over against the English. There is a double Dedication (pp. 3-7), "A Madamgella Giulia Livingston," and "A Lord Byron."
La Profezia di Dante: poema, reso in versi italiani da Giov. Giovio, Milano, Bernardoni, 1856. [8º.
[Pagliaini, 1901.]
La Profezia di Dante: poema accommodate all'indole del verso italiano da Melchiorre Missirini, publicato da Fr. Longhena, Milano Guglielmini, 1858. [8º.
[Pagliaini, 1901.]
[293] La Profecia del Dante./ Poema escrito y dedicado/ à la/ Condesa Guiccioli/ En 1819,/ Por lord Byron,/ al visitar en Ravena la tumba de aquel./ Traducido del Frances/ Por/ Antonio Maria Vizcayno,/ y dedicado a su bien amigo/ El Sr. Lic. D. Jose Agustin de Escudero./ Magistrado del supremo tribunal de guerra y marina./ Mexico: 1850./ Imprenta de J. M. Lara, calle de la Palma núm. 4./ [8º.
Collation—
Title, etc., 6 pp. + Text, pp. 28.
Sardanapalus,/ A Tragedy./ The Two Foscari,/ A Tragedy./ Cain,/ A Mystery./ By Lord Byron./ London:/ John Murray, Albemarle-Street./ 1821./ [8º.
Collation—
Pp. viii. + 439. Half-title (R. London: Printed by Thomas Davison, Whitefriars.), pp. i., ii.; Title, one leaf, pp. iii., iv.; Cont., pp. v., vi.; Preface, pp. vii., viii.; Text, pp. 1-439. The Imprint, as above, is on p. [440].
Contents—
Sardanapalus, A Tragedy | p. 1 |
Notes | p. 171 |
The Two Foscari, A Tragedy | p. 175 |
Appendix | p. 305 |
Cain, A Mystery | p. 331 |
Sardanapalus, a Tragedy; The Two Foscari, a Tragedy; Cain, a Mystery. Boston. 1822. [16º.
Collation—
Pp. 309.
Sardanapalus:/ A Tragedy./ By/ Lord Byron./ London:/ John Murray, Albemarle Street,/ 1829./ [8º.
Collation—
Title, one leaf, pp. 1, 2; Half-title, one leaf, pp. 3, 4; Dedication, pp. 5, 6; Author's Note, pp. 7, 8; Dramatis Personæ, n.p.; Text, pp. 9-134.
Note.—The Dedication to "The illustrious Goëthe," which was omitted from the edition of 1821 (No. i.), is inserted.
[294] Sardanapalus: A Tragedy by Lord George Gordon Byron. Arnsberg, Ritter. 1849. [16º.
[Kayser, 1854.]
Note.—Part of "Sammlung Englischer Schauspiele der neuesten Zeit."
Sardanapalus,/ King of Assyria./ A Tragedy./ In Five Acts./ By/ Lord Byron./ Adapted for Representation by/ Charles Kean./ Thomas Hailes Lacy,/ Wellington Street, Strand,/ London./ [1853.] [12º.
Collation—
Pp. 56.
Note.—No. 155 of "Lacy's Acting Edition of Plays."
Lord Byron's/ Historical Tragedy/ of/ Sardanapalus./ Arranged for Representation,/ In Three [sic] Acts,/ By Charles Calvert./ Manchester: John Heywood, 141 and 143, Deansgate./ [1877?] [8º.
Collation—
Pp. vii. + 56.
Note.—A list of "Opinions of the Press" (see Poetical Works, 1901, v. 9) is printed on p. 56 and on the inner leaf of the paper cover.
Sardanapalus./ By/ Lord Byron./ [Title-vignette, "Myrrha, Embrace me: yet once more—yet once more."] New and Complete Edition.—Price One Penny./ London: J. Dicks, 313, Strand: All Booksellers./ [1883, etc.] [12º.
Collation—
Pp. 495-524.
Note.—No. 50 of "Dicks' Standard Plays."
Sardanapal ... Přeložil František Krsek. ("Sborník světové poesie." svaz. 3.) pp. 204. Otto: v Praze, 1891. [8º. [295]
Sardanapale,/ Tragédie,/ Imitée de Lord Byron,/ par L. Alvin,/ Et représentée pour la première fois sur le Théatre Royal/ de Bruxelles, Le 11 Janvier 1834./ Bruxelles,/ Gambier, libraire, rue des Éperonniers Nº 16./ et chez tous les libraires de royaume./ 1834./ [8º.
Collation—
Pp. xviii. + 122.
Sardanapal./ Trauerspiel in fünf Akten. Aus dem Engl. übers. von Emma Herz. Posen, Merzbach. 1854. [16º.
[Kayser, 1860.]
Collation—
Pp. 214.
Sardanapal./ Trauerspiel in fünf Aufzügen/ von/ Lord Byron./ Bühnenbearbeitung/ Nach der Uebersetzung von Adolf Böttger/ mit einem/ "Vorspiel"/ von/ Max Zerbst./ Jena 1888./ Friedr. Mauke's Verlag./ (A. Schenk.)/ [1888.] [8º.
Collation—
Pp. 117.
Lord Byron's/ Sardanapal/ Eine Tragödie/ frei übertragen und für die Bühne bearbeitet/ von/ Josef Kainz/ Berlin W/ F. Fontane & Co./ 1897/
Collation—
Pp. 214.
Sardanapalo/ Tragedia in 5 atti/ di/ G. Byron/ Milano/ Edoardo Sonzogno, editore/ 14.—Via Pasquirolo.—14./ 1884./ [8º.
Collation—
Pp. 91.
Note.—No. 77 of the "Biblioteca Universale."
Sardanapal, tragedya, przekład Fryderyka Krauzégo. pp. 132. wyd. red. "Biblioteki Warszawskiéj": Warszawa, 1872. [8º.
Σαρδαναπαλος, / Τραγῳδια του Λορδου Βυρῳνος / Μεταφρασθεισα ἐκ τοῦ Ἀγγλικοῦ, ο / υιος της Δουλης / και / Ευγενια / υπο / Χρηστου Α. Παρμενιδου. Εν Αθηναις, / εκ του τυπογραφειου Ερμου. (κατὰ τὴν ὁδὸν Περικλέους, ἐν τῇ οἰκίᾳ Ν. Μυκονίου.)
Collation—
Pp. η + 400 + Πιναξ των Περιεχομενων , p. [401].
Note.—The translation of Sardanapalus is on pp. 1-150; the translation of The Dream ( Το Ἐνυπνιον. Εκ των του Βυρωνος ), on pp. 171-184.
Сарданапалъ ... Переводъ Е. Зорина. С.-Петербургъ, 1860. 8º.
Сарданапалъ ... пер. О.Н. Чюминой. "Артистъ," 1890, кн. 9 и 10.," 1890.
Sardanapalus./ Sorgespel I Fem Akter/ Af/ Byron./ Försvenskadt och För Scenen Behandladt/ Af/ Nils Arfvidsson./ Första gängen uppfördt à Kongl. Stora Theatern den 17 Nov. 1864./ Stockholm, 1864./ P. A. Norstedt & Söner,/ Kongl. Boktryckare./ [8º.
Collation—
Pp. 154 + Rättelser, p. [155].
The/ Siege of Corinth./ A Poem./ Parisina./ A Poem./ London:/ Printed for John Murray. Albemarle-Street./ 1816/ [8º.
[297]Collation—
Half-title (R. T. Davison, Lombard street,/ Whitefriars, London.); Title, one leaf; Second Half-title, with Motto ("Guns," etc.), pp. 1, 2; Dedication, pp. 3, 4; Advt., pp. 5, 6; Text, pp. 7-89 + Notes, p. [91] (R. Imprint as above).
Note.—The Siege of Corinth is on pp. 7-57; Parisina, pp. 59-[91].
Note.—A Second and a Third Edition were issued in 1816. The Museum copy of the First Edition is without the Half-title.
The/ Siege of Corinth:/ A Poem./ Parisina:/ A Poem./ By Lord Byron./ New-York:/ Printed and Published by Van Winkle & Wiley,/ No. 3 Wall-Street./ 1816./ [12º.
Collation—
Pp. 94.
The/ Siege of Corinth./ A Poem./ By Lord Byron./ "Guns, Trumpets, Blunderbusses, Drums, and Thunder."/ London:/ Printed and Published by W. Dugdale,/ 23, Russell Court, Drury Lane./ 1824./ [12º.
Collation—
Pp. 44. The Imprint (Printed by W. Dugdale; Russell-Court, Drury Lane.) is at the foot of p. 44.
The Siege of Corinth. Für den Schul. u. Privatgebrauch abgedr. nach der Pariser Ausg. (1835, Galignani.) Lüneburg, Engel. 1854. [8º.
[Kayser, 1860.]
Collation—
Pp. 51.
Lines from the Poets/ With Notes/ For use in Elementary and Secondary Schools/ Adapted to the requirements of the New Code and the/ Oxford and Cambridge Local Examinations/ No. 4/ Byron's 'Siege of Corinth'/ London/ National Society's Depository/ Broad Sanctuary, Westminster/ 1879/ [16º.
Collation—
Pp. 62.
[298] Byron's/ Siege of Corinth./ Mit/ Einleitung und Anmerkungen/ Herausgegeben/ von/ Eugen Kölbing./ Berlin./ Verlag von Emil Felber./ 1893./ [8º.
Collation—
Pp. lx. + 155. The Imprint (Druck von G. Uschmann in Weimar.) is at the foot of p. 155.
The Siege of Corinth. Mit Anmerkgn. zum Schulgebrauch hrsg. v. K. Bandow. [12º.
[Kayser, 1891.]
Note.—Part of "English Authors." Bielefeld, Velhagen & Klasing. 1885-1890.
Het/ Beleg van Corinthe,/ Uit Het Engelsch van/ Lord Byron./ Door/ Mr. I. Van Lennep./ [Title-vignette, phantom appearing to Alp.] Te Amsterdam bij/ P. Meijer Warnars./ 1831./ [8º.
Collation—
Pp. 59. The Imprint (Gedrukt Bij C.A. Spin.) is at the foot of p. 59.
Le Siége de Corinthe, par lord Byron; traduit de l'anglais par Ch. Mancel. Impr. de Guîraudet, à Paris. A Paris, chez Delaunay; chez Pillet aîné. 1820. [12º.
[Bibl. de la France, September 16, 1820.]
Die Belagerung von Korinth. [Deutsch. v.] A. Wollheim. Hamburg. Lübbers & Schubert. (?) 1817. [12º.
[Centralblatt, 1890, vii. 472.]
Die Belagerung von Korinth. Mit gegeniibergedrucktem Originaltext. Leipzig, Brockhaus. 1820. [8º.
[Centralblatt, 1900, vii. 458.]
Note.—Britische Dichterproben, ii. I.
Die Belagerung von Korinth. [Deutsch. v.] G. E. Schumann. Hamburg, Nestler & Melle. 1827. [8º.
[Centralblatt, 1890, vii. 471.]
L'Assedio di Corinto, di Giorgio lord Byron, Versione di Vincenzo Padovan. Venezia, coi tipi del Gondoliere, 1838. [8º.
[Bibliografia Italiana, March, 1838.]
El Sitio/ de/ Corinto./ Por/ Lord Byron./ Traducido del Francés Al Castellano./ [Title-vignette, Athene with owl.] Paris, Libreria americana,/ Calle del Temple, Nº 9./ 1828./ [16º.
Collation—
Pp. 85.
Belägringen Af Korinth./ Af/ Lord Byron./ Öfversättning./ [Af/ Talis Qualis./ Stockholm,/ Albert Bonniers Förlag./] [1854.] [8º.
Collation—
Pp. 60.
Note.—No. 2 of "Byron's Poetiska Berättelser."
[Note.—For the First Edition of The Two Foscari, vide ante, Sardanapalus, No. i.]
The Two Foscari. New York. 1822. [24º.
Collation—
Pp. 114.
The Two Foscari, an historical tragedy. By the right hon. lord Byron. Impr. de Belin, à Paris. A Paris chez Galignani, 1822. [12º.
[Bibl. de la France, March 9. 1822.]
[300] The Two Foscari./ By/ Lord Byron./ [Title-vignette, Death of Jacopo Foscari—"Touch it not, Dungeon Miscreants!——"] New and Complete Edition.—Price One Penny./ London: J. Dicks, 313, Strand. All Booksellers./ [1883, etc.] [8º.
Collation—
Pp. 525-546.
Note.—No. 73 of "Dicks' Standard Plays."
Двое Фоскари ... пер. Е. Зарина. ["Библіотека для Чтенія," 1861. No. 11.]
Los dos Fóscaris. Drama histórico en cinco actos y en verso por D. Manuel Çañete, representado en el teatro de la Cruz, a beneficio de D. Juan Lombia, en el mes de noviembre de 1846.
Collation—
Pp. 24.
Note.—Part of "Biblioteca Dramatica,"/ etc./ Madrid, 1846./ Imprenta de Don Vicente de Lalama, Editor,/ Calle del Duque de Alba, n. 13./ 4º.
Note.—For the First Edition of The Vision of Judgment, see The Liberal, 1822, No. I., pp. 3-39.
Vision of Judgment. Paris, Galignani, 1822. [12º.
[Quérard, 1827.]
The/ Two Visions;/ or,/ Byron v. Southey./ Containing/ The Vision of Judgment,/ By Dr. Southey, L.L.D./ Poet-Laureate and Esquire; Republican and Royalist:/ Also Another/ Vision of Judgment,/ By Lord Byron./ London: Printed and Published by W. Dugdale, 19, Tower/ Street, Seven Dials./ 1822./
Collation—
Pp. 72.
Note.—The Text of Lord Byron's Vision of Judgment is on pp. 35-72.
Waltz:/ An Apostrophic Hymn./ By/ Horace Hornem, Esq./ "Qualis in Eurotæ ripis, aut per juga Cynthi/ Exercet Diana choros."—Ovid./ London: Printed by S. Gosnell, Little Queen Street, Holborn,/ For Sherwood, Neely, and Jones, Paternoster Row./ 1813./ (Price Three Shillings.)/ [4º.
Collation—
Title, one leaf, pp. [1], [2]; To the Publisher, pp. 3-6; Text, pp. 7-27. The Imprint (S. Gosnell, Printer, Little Queen Street, London.) is at the foot of p. 27.
Note.—The pages of the Text measure 280 X 220.
Waltz:/ An/ Apostrophic Hymn./ By/ Horace Hornem, Esq./ (The Author of Don Juan.)/ Qualis in Eurotæ ripis, aut per juga Cynthi/ Exercet Diana choros./ Virgil./ Such on Eurotas' banks, or Cynthia's height,/ Diana seems; and so she charms the sight,/ When in the dance the graceful goddess leads/ The Quire of Nymphs, and overtops their heads./ Dryden's Virgil./ London:/ Benbow, Printer and Publisher, Castle Street,/ Leicester Square./ 1821./ [12º.
Collation—
Pp. v. + (Text) 7-36.
Contents—
To the Publisher | p. iii. |
The Waltz | p. 7 |
Notes | p. 19 |
To Jessy [attrib. to Lord Byron] | p. 27 |
"My Boat is on the shore" [attrib. to Lord Byron] | p. 29 |
Lines ... to Mr. Hobhouse [attrib. to Lord Byron] | p. 30 |
On the Star of "The Legion of Honour" | p. 31 |
Adieu to Malta | p. 34 |
Note.—The two last poems are not attributed to Lord Byron.
Werner,/ A Tragedy./ By Lord Byron./ London:/ John Murray, Albemarle-Street./ 1823-/ [8º.
[302] Collation—
Half-title (R. London:/ Printed by Thomas Davison, Whitefriars.), pp. i., ii.; Title, one leaf, pp. iii., iv.; Dedication, one leaf ("To/ The Illustrious Goëthe,/ By One of His Humblest Admirers,/ This Tragedy is dedicated./"), pp. v., vi.; Preface, pp. vii., viii.; Text, pp. 1-188. The Imprint, as above, is at the foot of p. 188.
Werner, a Tragedy. Paris, Galignani. 1823. [12º.
[Quérard, 1827.]
Werner./ A Tragedy/ In Five Acts./ By Lord Byron./ With the Stage Business, Casts of Characters,/ Costumes, Relative Positions, etc./ New York:/ M. Douglas, 11 Spruce Street./ And for Sale by all Booksellers./ 1848./ [8º.
Collation—
Pp. v. + 6-75.
Note.—No. lxviii. of "Modern Standard Drama." Edited by John W. S. Hows.
The/ British Drama./ Illustrated./ Vol. III./ London:/ Published by John Dicks, 313, Strand./ 1865./ [8º.
Note.—The Text of "Werner./ A Tragedy, In Five Acts.—By Lord Byron./" is on pp. 767-789.
Werner./ By Lord Byron./ [Title-vignette [Sieg.]—"Liar and Fiend! But you shall not be slain."—[Act v. Scene 1.]/] New and Complete Edition.—Price One Penny./ London: J. Dicks, 313, Strand; All Booksellers./ [1883, etc.] [8º.
Collation—
Pp. 767-789.
Note.—No. 3 of "Dicks' Standard Plays."
Werner/ or/ The Inheritance/ A Tragedy/ By/ Lord Byron/ London/ George Routledge And Sons/ Broadway, Ludgate Hill/ Glasgow and New York/ 1887/ [16º.
Collation—
Pp. ix. + 10-256. The Imprint (Ballantyne Press: Edinburgh and London.) is at the foot of p. 256.
Вернеръ ... пер. Неизвѣстнаго. С.-Петербургъ, 1829.
Донъ-Жуанъ иа островѣ пирата. Перев. Д. Мина Москва, 1881.
The/ Liberal./ Verse and Prose From The/ South./ Volume the First./ London, 1822:/ Printed by and for John Hunt,/ 22, Old Bond Street./ [8º.
Collation—
Vol. I.: pp. xii. + 3-399 + Cont., p. [401] (R. "Errata," p. [402]). The Imprint (London:/ C. H. Reynell, Printer,/ 45, Broad-Street, Golden-Square.) is at the foot of p. [402].
Vol. II.: [The/ Liberal,/ etc./ Volume The Second./ London, 1823:/ Printed for John Hunt,/ 22, Old Bond Street./], pp. viii. + 1-377 + Cont. of No. iv., p. [379]. The Imprint (London:/ Printed by C. H. Reynell, Broad Street, Golden-Square.) is at the foot of p. [380].
Contents [Lord Byron's contributions]—
Vol. I.: The Liberal, No. 1. The Vision of Judgment. By Quevedo Redivivus. Suggested by the Composition so entitled by the Author of "Wat Tyler." "A Daniel come to judgment! yea, a Daniel! I thank thee, Jew, for teaching me that word." Pp. 8-39; Letter to the Editor of "My Grandmother's Review," pp. 41-50; Epigrams on Lord Castlereagh, p. 164.
The Liberal, No. II. Heaven and Earth, A Mystery, Founded on the Following Passage in Genesis, Chap. vi.: "And it came to pass ... that the sons of God saw the daughters of men that they were fair; and they took them wives of all which they chose." "And woman wailing for her demon lover."—Coleridge. Part I., etc., pp. 165-206. From the French ("Ægle, beauty and poet," etc.), p. 396; Martial.—Lib. I. Epig. I (Translation), p. 398; New Duet ("Why how now, saucy Tom?"), ibid.
Vol. II.: The Liberal, No. III. The Blues, A Literary Eclogue, "Nimium ne crede colori."—Virgil. O trust not, ye beautiful creatures, to hue, Though your hair were as red as your stockings are blue. Eclogue the First, etc., pp. 1-21.
The Liberal, No. IV. Morgante Maggiore di Messer Luigi Pulci, pp. 193-249.
Note.—The text of the original Italian is printed after the English translation.
The following note was attached to the "Dedication" which was prefixed to the First Canto in 1833 (Works, 1833, xv. 101):—
"Note(1). [This 'Dedication' was suppressed in 1819, with Lord Byron's reluctant consent; but, shortly after his death, its existence became notorious, in consequence of an article in the Westminster Review, generally ascribed to Sir John Hobhouse, and for several years the verses have been selling in the streets as a broadside. It could therefore serve no purpose to exclude them on the present occasion.]" See, too, Poetical Works, 1903, vi. 3.
I am indebted to the kindness of Mr. H. Buxton Forman, C.B., for the following description of one of these "broadsides," now in his possession:—
"Single sheet foolscap 8vo, consisting of Half-title, 'Dedication/ to/Don Juan,/' with Imprint on verso ('London:/ printed by C. and W. Reynell, Broad Street,/ Golden Square'); Title-page, 'Dedication/ to/ Don Juan./ by/ Lord Byron./ London:/ Published by Effingham Wilson,/Royal Exchange./ 1833./' On the verso of this is a note—
"'[Why the following Dedication did not appear with the two first published Cantos of the Poem cannot be explained—unless the connection between Mr. Murray and Mr. Southey sufficiently explains it.]'
"The first page of the Text (p. 5, but not numbered) contains the dropped head 'Don Juan./ Dedication.' and one stanza. Pp. 6-10 contain two stanzas each, and p. 11 one. The headline 'Don Juan' runs from p. 6 to p. 11, and the stanzas are numbered in Roman capital figures. P. 12 is blank, and is followed by a Half-title, 'Notes,' with a blank verso. The Notes occupy pp. 15 and 16, of which 15 is not numbered, but has a dropped head, 'Notes.' Page 16 is numbered, and has the headline 'Notes.'"
Among the first who called attention to the "inextricable tangle" of the several editions of English Bards, and Scotch Reviewers was Mr. Leicester Warren, better known as Lord de Tabley, who communicated some notes in 1877 to Notes and Queries (Series V. vol. vii. pp. 145, etc.); but it was reserved to the late Mr. Dykes Campbell, Mr. Bertram Dobell, and other correspondents to the Athenæum (May 5 to July 7, 1894), to point out that the problem was still farther complicated by the existence of spurious issues of at least three out of the five or six distinct editions of the Satire.
All editions, genuine or spurious, claim as their publisher "James Cawthorn, British Library, No. 24 Cockspur Street," but different printers were employed. The First Edition bears the imprint of "T. Collins, Printer, No. 1, Harvey's Buildings, Strand;" the Second Edition, that of "Deans and Co. Hart Street, Covent Garden;" the Third Edition, that of "T. Collins," etc.; the Fourth Edition of 1810, that of "T. Collins," etc.; the Fourth Edition of 1811 ("James Cawthorn and Sharpe and Hailes"), that of "Cox, Son, and Baylis, Great Queen Street, London." No printer's name was attached to the suppressed Fifth Edition of 1812.
Genuine First Editions have the water-mark, "E. and P. 1804," or "E. and P. 1805," or, possibly, no water-mark at all. A copy of the spurious First Edition, in Mr. Murray's possession, has the water-mark, "S. and C. Wise, 1812." In addition to at least eleven variants in punctuation, the spurious copy prints (p. 5, line 47) "Wizzard" (p. 20 n.), "Medeira," and, in the same note, "Anna d'Afert;" whereas the genuine copies print correctly "Wizard," "Madeira," and "Anna d'Arfet."
A genuine copy of the Second Edition, which belonged to the late Mr. Dykes Campbell, bears the water-mark "Budgen and Willmot, 1808." On p. 80, line 1007, "Abedeen" is misprinted for "Aberdeen;" and the same misprint occurs in a copy of the Second Edition in the British Museum. In all probability there was no spurious issue of the Second Edition.
Of the Third Edition (1810), copies bearing the water-mark, "E.&P. 1804," or "G.&R.T.," may be regarded as genuine—rare exceptions among a host of forgeries [306] which either lack a water-mark altogether or bear water-marks of a later period. Mr. Gilbert R. Redgrave, in an article (The Library, December 1, 1899, Series II. vol. i. pp. 18-25), notes two distinct and divergent forgeries bearing the water-mark "Pine, and Thomas, 1812." Forgery A prints "myse" for "muse" (line 4), "rove" for "rave" (line 384), etc.; while forgery B, in a footnote to p. 30, prints "Bowle'ss" for "Bowles's," and, at the end of p. 85, "we" for "me," and "farther" for "further." Other copies bear the water-marks, "Allnutt, 1816," "Smith & Allnutt, 1816," "Ivy Mills, 1817," and "I.&R. Ansell, 1818." A copy of a spurious issue of the Third Edition in the British Museum prints "crawl" for "scrawl" (line 47), and "p. 73" for "p. 85."
It has been surmised, but conclusive proof is not forthcoming, that a so-called Fourth Edition of 1810 (1050 lines), which purports to have been published by James Cawthorn, and bears the imprint, "Printed by J. Collins, Harvey's Buildings, Strand, London," is a spurious issue. It is practically a reprint of the Third Edition; but in some copies there are misprints not to be found in other piracies—e.g. "crouds" for "crowds" (line 269), and "alter" for "altar"(line 285).
Copies of the Fourth Edition of 1810, which may possibly be genuine, bear a water-mark, "G.&R.T.," or are on plain paper. Copies which are manifestly forgeries bear the water-marks, "J.X. 1810" and "W. Pickering, 1816."
A second Fourth Edition (1052 lines), published by "James Cawthorn and Sharp & Hailes, 1811," and printed by "Cox, Son, & Baylis," was certainly recognized by Byron as a genuine Fourth Edition, and must have passed through his hands, or been subject to his emendation, before it was sent to press. Copies of this edition bear his MS. emendations of 1811-1812, and marginal notes of 1816. Genuine copies (e.g. Leigh Hunt's copy, now in the Forster Collection at the South Kensington Museum) are printed on paper bearing a water-mark, "J. Whatman, 1805." There was, however, another issue of the Fourth Edition of 1811, printed on plain paper. Mr. Redgrave notes certain minute differences between these two issues. In the edition on plain paper there is a hyphen to "Cockspur-Street" on the title-page, and the word "Street" is followed by a comma instead of a semicolon. Again, in the plain-paper copies "Lambe" is spelt with an e, and in the water-mark copies the word is correctly spelt "Lamb." In the plain-paper copies the misprint "Postcript" for "Postscript" is repeated, and in the copies bearing a water-mark the word is correctly spelt "Postscript." There are other differences in the advertisements at the end of the volume.
A spurious Fourth Edition in Mr. Murray's possession, which has been enriched with a series of prints of persons and places, bears the water-marks, "1811," "1814." Each page has been inserted into a folio sheet bearing the water-mark, "J. Whatman, 1816." A full-sized octavo, in small print (B.M. 11645 P. 15), which purports [307] to be the Fourth Edition of 1811, is probably spurious. It is the survival of a distinct issue from other genuine or spurious copies of the Fourth Edition.
The spurious issues of the Third and Fourth Editions, whether they were printed in Ireland or were secretly thrown upon the market by James Cawthorn after Byron had definitely selected Murray as his publisher, were designed for the general reader and not for the collector. The issue of a spurious First Edition after the improved and enlarged editions of 1809-11 were published, must have been designed for the Byron enthusiast, if not the collector of First Editions.
The Grangerized Fourth Editions prepared by Mr. W. M. Tartt and Mr. Evans in 1819, 1820, and a Third, by John Murray at about the same period, and, more remarkable still, a copy of the Fourth Edition of 1811, prefaced by a specially printed "List of Names mentioned in the English Bards, and Scotch Reviewers" interleaved with the additions made in the Fifth Edition (B.M.), point to the existence of a circle of worshippers who were prepared to treat Byron's Juvenilia as seriously as the minute critics of the present generation. They seem to have been sufficiently numerous to make piracy, if not forgery, profitable.
First Edition (696 lines). | Fifth (Present) Edition (1070 lines). | |
1-26 | = | 103-128 |
27-246 | = | 143-362 |
247-262 | = | Hobhouse's lines, omitted in Edition 2. |
263-372 | = | 418-528 |
373-470 | = | 540-637 |
471-522 | = | 707-758 |
523-526 | = | 761-764 |
527-586 | = | 799-858 |
587-654 | = | 881-948 |
655-667 | = | 961-972 |
668-696 | = | 981-1010 |
Second, Third, Fourth (a) Editions (1050 lines). | Fifth (Present) Edition (1070 lines). | |
1-96 | = | 1-96 |
97-521 | = | 103-527 |
522-740 | = | 540-758 |
741-1050 | = | 761-1070 |
Fourth (b) Edition (1052 lines). | Fifth (Present) Edition (1070 lines). | |
1-96 | = | 1-96 |
97-521 | = | 103-528 |
522-1052 | = | 540-1070 |
[The lines are numbered as in the Second, Third, and Fourth Editions.]
1-96 | Still must I hear ... as you read. | 96 |
123-136 | Thus saith the Preacher ... to grovelling Stott. | 14 |
357-411 | But if some new-born whim ... lumbering back again. | 55 |
620-688 | Or, hail at once ... virtue must apply. | 69 |
745-778 | When some brisk youth ... thy pay for coats. | 34 |
839-860 | And here let Shee ... and God-like men. | 22 |
929-940 | Yet what avails ... blazes, and expires. | 12 |
953-960 | There Clarke, still ... libel on mankind. | 8 |
991-1050 | Then, hapless Britain, ... unjustly, none declare | 60 |
—— | ||
370 |
696 – 16 (Hobhouse's lines) = 680 + 370 = 1050.
Addition in Fourth Edition (1811).
741-742 | Through Crusca's bards ... columns still. | 2 |
1050 + 2 = 1052.
Additions in the Fifth (Present) Edition.
97-102 | 'But hold!' exclaims ... shine with Pye. | 6 |
528-539 | Then, prosper, Jeffrey ... inspires thy pen. | 12 |
—— | ||
18 |
1052 + 18 = 1070.
Fourth Edition.Fifth Edition.
Line. | Line. | |
28 | And men through life her willing slaves obey. | |
Obeyed by all who nought beside obey. | 28 | |
30 | Unfolds her motley store to suit the time. | |
Bedecks her cap with bells of every clime. | 30 | |
32 | When Justice halts, and Right begins to fail. | |
And weigh their Justice in a golden scale. | 32 | |
71 | Fear not to lie, 'twill seem a lucky hit. | |
Fear not to lie,'twill seem a sharper hit. | 71 | |
173 | Low may they sink to merited contempt, | |
174 | And scorn remunerate the mean attempt. | |
Still for stern Mammon may they toil in vain! | 179 | |
And sadly gaze on Gold they cannot gain. | 180 | |
257 | How well the subject suits his noble mind! | |
258 | "A fellow feeling makes us wondrous kind." | |
So well the subject suits his noble mind, | 263[309] | |
He brays, the Laureate of the long-eared kind. | 264 | |
303 | In many marble-covered volumes view | |
304 | Hayley, in vain attempting something new: | |
305 | Whether he spin his comedies in rhyme, | |
306 | Or scrawl, as Wood and Barclay walk, 'gainst time. | |
Behold—Ye Tarts!—one moment spare the text! | 309 | |
Hayley's last work, and worst—until his next; | 310 | |
Whether he spin poor couplets into plays, | 311 | |
Or damn the dead with purgatorial praise. | 312 | |
323 | And shows, dissolved in thine own melting tears. | |
And shows, still whimpering thro' threescore of years. 329 | ||
327 | Whether in sighing winds thou seek'st relief | |
328 | Or consolation in a yellow leaf. | |
Whether thou sing'st with equal ease and grief, | 333 | |
The fall of empires or a yellow leaf. | 334 | |
385 | Fresh fish from Helicon! Who'll buy! Who'll buy? | |
Fresh fish from Hippocrene! who'll buy? who'll buy? | 391 | |
387 | Too much in turtle Bristol's sons delight, | |
388 | Too much o'er bowls of Rack prolong the night. | |
Your turtle-feeder's verse must needs be flat, | 393 | |
Though Bristol bloat him with the verdant fat. | 394 | |
502 | First in the ranks illustrious shall be seen. | |
First in the oat-fed phalanx shall be seen. | 508 | |
511 | As he himself was damned, shall try to damn. | |
Damned like the Devil—Devil-like will damn. | 517 | |
532 | And grateful to the founder of the feast, | |
533 | Declare his landlord can translate, at least, | |
And, grateful for the dainties on his plate, | 550 | |
Declare his landlord can at least translate. | 551 | |
552 | While Kenny's World just suffered to proceed, | |
553 | Proclaims the audience very kind indeed. | |
While Kenney's "World"—ah! where is Kenney's wit?— | 570 | |
Tires the sad gallery, lulls the listless Pit. | 571 | |
563 | Let Comedy resume her throne again. | |
Let Comedy assume her throne again. | 581 | |
569 | Where Garrick trod, and Kemble lives to tread. | |
Where Garrick trod, and Siddons lives to tread. | 587 | |
614 | Raise not your scythe, Suppressors of our Vice. | |
Whet not your scythe, Suppressors of our Vice. | 632 | |
625 | The Arbiter of pleasure and of play. | |
Our arbiter of pleasure and of play. | 643 | |
661 | And, kinder still, a Paget for your wife. | |
And, kinder still, two Pagets for your wife. | 679 | |
728 | Want your defence, let Pity be your screen. | |
Want is your plea, let Pity be your screen. | 746 | |
742 | Some stragglers skirmish round their columns still. | |
Some stragglers skirmish round the columns still. | 760 | |
815 | The spoiler came; and all thy promise fair | |
816 | Has sought the grave, to sleep for ever there. | |
The Spoiler swept that soaring Lyre away, | 834[310] | |
Which else had sounded an immortal lay. | 835 | |
891 | The native genius with their feeling given. | |
The native genius with their being given. | 909 | |
903 | Let Moore be lewd; let Strangford steal from Moore. | |
Let Moore still sigh; let Strangford steal from Moore. | 921 | |
922 | For outlawed Sherwood's tales of Robin Hood. | |
For Sherwood's outlaw tales of Robin Hood. | 940 | |
946 | And even spurns the great Seatonian prize. | |
Even from the tempting ore of Seaton's prize. | 964 | |
965 | So sunk in dullness and so lost in shame, | |
966 | That Smythe and Hodgson scarce redeem thy fame. | |
So lost to Phoebus, that nor Hodgson's verse | 983 | |
Can make thee better, nor poor Hewson's worse. | 984 | |
969 | On her green banks a greener wreath is wove. | |
On her green banks a greener wreath she wove. | 987 | |
972 | And modern Britons justly praise their Sires. | |
And modern Britons glory in their Sires. | 990 | |
984 | Earth's chief Dictatress, Ocean's mighty Queen. | |
Earth's chief Dictatress, Ocean's lovely Queen. | 1002 | |
1005 | But should I back return, no lettered rage | |
1006 | Shall drag my common-place book on the stage: | |
1007 | Let vain Valentia rival luckless Carr, | |
1008 | And equal him whose work he sought to mar. | |
But should I back return, no tempting press | 1023 | |
Shall drag my Journal from the desk's recess; | 1024 | |
Let coxcombs, printing as they come from far, | 1025 | |
Snatch his own wreath of Ridicule from Carr. | 1026 | |
1016 | I leave topography to classic Gell. | |
I leave topography to rapid Gell. | 1034 | |
1018 | To stun mankind with Poesy or Prose. | |
To stun the public ear—at least with Prose. | 1036 | |
1049 | Thus much I've dared to do; how far my lay. | |
Thus much I've dared: if my incondite lay. | 1067 |
Two annotated copies of the genuine Fourth Edition of English Bards, etc. [1811], with MS. corrections in Byron's handwriting, are extant—one in Mr. Murray's possession, and a second in the Forster Library at the South Kensington Museum. The former, which contains the marginal comments marked "B. 1816," has been assumed to have been prepared as a press copy for the Fifth Edition; but, as the following collation reveals, the latter, which belonged to Leigh Hunt, represents a fuller and later, though not [311] a final revision. The half-title bears the inscription, "Byron, Dec. 31st, 1811. N—d. Ay [i.e. Newstead Abbey] B.
and the verso the words, "Given me by the author on my birthday, Oct. 19, 1815. Leigh Hunt."
u
P. 5. ingen i ous. [The misprint is a note of a genuine copy.]
Lines 173, 174.
Low may they sink to merited contempt
And scorn remunerate the mean attempt.
Still for stern Mammon may they toil in vain,
And sadly gaze on Gold they cannot gain.
[This emendation is not given in the Murray copy.]
Lines 257, 258.
So
How well the subject suits his noble mind!
"A fellow feeling makes us wond'rous kind,"
He brays the Laureat of the long-eared kind!
[The Murray copy, which amends line 258 as above, leaves the "How" unerased, but the Fifth Edition prints "So."]
Lines 323-328.
And shows, dissolved in thine own tears.
still whimpering through threescore years.
Whether in sighing-winds thou seek'st relief,
Or consolation in a yellow leaf.
Whether in equal strains thou vent'st thy grief
O'er falling Empires or a yellow leaf.
[The Murray copy gives no emendation. The Fifth Edition
adopts the first correction, but, for the variant in lines 327, 328,
reads—
Whether thou sing'st with equal ease and grief
The fall of Empires or a yellow leaf.]
Line 336. All love thy strain
rhyme
Line 385. Fresh fish from Helicon
Hippocrene
[The Murray copy adds a note: "The Fifth Edition reads Hippocrene."]
Lines 387, 388.
Too much in turtle Bristol's sons delight,
Too much o'er bowls of Rack prolong the night.
Your turtle-feeder's verse must needs be flat,
Though Bristol bloat him with the verdant fat.
[The Murray copy does not contain this emendation, which was adopted in the Fifth Edition.
P. 36 n. The Hunt copy gives in MS. the note concerning Moore—"I am informed," etc.—which is printed in the Fifth Edition. There is no similar annotation in the Murray copy.
Line 502. For "ranks illustrious" both annotated copies read "oat-fed phalanx."]
Lines 532, 533.
And grateful to the founder of the feast,
Declare his landlord can translate, at least.
And grateful for the dainties on his plate,
Declare his landlord can at least translate.
[The amended lines, which appeared in the Fifth Edition, are not in the Murray copy.]
Lines 552, 553.
While Kenny's World just suffered to proceed,
Proclaims the audience very kind indeed.
While Kenny's World—ah where is Kenny's wit?
listless
Tires the sad Gallery—lulls the listening pit.
[The emendation is given in both annotated copies; but the substitution of "listless" for "listening," which is adopted in the Fifth Edition, does not appear in the Murray copy,]
Line 563. Let Comedy re sume
ass
[The correction is not given in the Murray copy.]
Line 569. and Kemble lives to tread.
Siddons
[The substitution of "Siddons" for "Kemble," which dates from the Fifth Edition, is not given in the Murray copy.]
Line 728.
Want your defence, let Pity be your screen
plea
Want is your plea, let Pity be your screen.
Lines 815, 816.
The spoiler came; and all thy promise fair
Has sought the grave, to sleep for ever there.
The Spoiler swept that soaring Lyre away,
Which she had sounded an immortal lay.
[The emendation appears in both the annotated copies.]
L. 903. Let Moore be lewd
still sigh
[313] [This emendation does not appear in the Murray copy, but the words ["be lewd"] have been underscored with a pencil, and a X placed against them.]
Line 946.
And even spurns the great Scatonian prize.
Even from the tempting ore of Seaton's prize.
[This emendation is given in both the annotated copies.]
Lines 965, 966.
So sunk in dullness and so lost in shame
That Smythe and Hodgson scarce redeem thy fame.
So sunk in dullness that nor Hodgson's verse
Can make thee better—nor poor Hewson's worse.
[This emendation is not in the Murray copy. The Fifth Edition adopts the further correction, "So lost to Phoebus" for "So sunk in dullness."]
Line 969. "is wove,
she wove.
[This correction is not in the Murray copy.]
Line 972. ——justly praise their sires.
——glory in their sires.
[This emendation is not given in the Murray copy.
The Leigh Hunt copy gives twenty MS. emendations (besides "Death" for "death," in line 820, and the alteration of "rapid" to "rabid" in the note on Hewson Clarke, line 962) including the note on Moore. The Murray copy gives nine MS. emendations, of which six are identical with those in the Hunt copy. Three emendations are peculiar to the Murray copy—]
(1) Lines 303-306.
Behold!—ye tarts! etc. (vide ante, p. 309).
(2) Line 614. Raise not your scythe.
Whet not your scythe.
(3) Line 661. ——"a Paget for your wife.
——two Pagets for your wife.
Note.—The following catalogue of "illustrations of Lord Byron" has been extracted from pp. 88, 89, 94-96 of "The Prisoner of Chillon, etc. Herausgegeben von Eugen Kölbing, Weimar. 1896."
Compositions in outline from Lord Byron's "Manfred" and "Prisoner of Chillon," by Frederick Thrupp, sculptor. London, Pubd by Ackermann and Co., Strand.
The Pocket Magazine of classic and polite literature. With engravings, illustrative of Lord Byron's Works. Vols. I., II. London: Printed and published by John Arliss. 1818.
Forty illustrations of Lord Byron; by George Cruikshank. Published by J. Robins and Co., Ivy Lane, Paternoster Row. [June 12, 1824.]
Six vignettes pour les Oeuvres de lord Byron, d'après les tableaux de MM. Alfred et Tony Johannot, graveés par MM. Koenig, Markl, Maulet, Pourvoyeur, Mauduit. Paris. Furne, libraire-éditeur. 1832.
The Byron Gallery; a series of historical embellishments to illustrate the poetical works of Lord Byron. London: published by Smith, Elder and Co. 65 Cornhill. 1833. [315]
Finden's Illustrations of the Life and Works of Lord Byron. With original and selected information on the subjects of the engravings, by W. Brockedon. Vols. I.-III. London: John Murray, Albemarle Street: sold also by Charles Tilt, Fleet Street. 1833-1834.
Oeuvres de Lord Byron, gravures à l'eau-forte, par Réveil, d'après les dessins de A. Colin. Paris. Audot, éditeur du Musée de peinture. 1833.
Historical Illustrations of Lord Byron's Works in a series of etchings by Réveil, from original paintings by A. Colin. London, Charles Tilt, 86, Fleet Street. 1834.
Galerie des dames de Byron. Trente-neuf planches. Paris: Charpentier-éditeur. 1836.
Illustrations of the Works of Lord Byron, consisting of a portrait after Saunders, a vignette title-page after Stothard, engraved by Blanchard, two facsimiles of handwriting of Byron, and twenty etchings on steel by Réveil, from original drawings by A. Colin; to which are added the select passages in English and French, which form the subject of the engravings. Adapted to all editions. Paris, Baudry, European Library, etc. 1837.
Les dames de Byron; or portraits of the principal female characters in Lord Byron's poems. Engraved from original paintings by eminent artists. Under the superintendence of W. and L. Finden. London: Charles Tilt, 86, Fleet Street. 1837.
Finden's Beauties of Byron; or, portraits of the principal female characters in Lord Byron's poems. Engraved from original paintings by eminent artists. With extracts illustrating each subject. London: Charles Tilt, Fleet-street, and Thomas Wardle, Philadelphia.
Cabinet of Poetry and Romance. Female portraits from the writings of Byron and Scott. With poetical illustrations by Charles Swain. London: David Bogue, 86, Fleet Street. 1845. [316]
Illustrations to the Works of Lord Byron. The drawings by Chalon, Leslie, Harding, Herbert, Meadows, Stephanoff, E. Corbould, Fanny Corbaux, Jenkins, and Westall. Engraved under the superintendence of Mr. Charles Heath. A. Fullarton & Co., 106, Newgate Street, London, etc.
The Byron Gallery of highly finished engravings, illustrating Lord Byron's Works, with selected beauties from his poems. Elucidated by historical and critical notices, together with a sketch of his life, containing important and unpublished matter. By Robert B. McGregor, Esq. New York: published by R. Martin, 46, Anne-street.
Collected Editions, pp. 89-136. |
Collections of Dramas, pp. 168, 169. |
Fugitive Pieces and Minor Poems, pp. 246-254. |
The Liberal, p. 303. |
Miscellaneous Poems, pp. 152-159. |
Poems, pp. 254, 255. |
Poems on His Domestic Circumstances, pp. 255-259. |
Selections, pp. 144-149. |
Age of Bronze, p. 170. |
Beppo, pp. 170, 171. |
Bride of Abydos, pp. 172, 173. |
Cain, pp. 176-178. |
Childe Harold's Pilgrimage, pp. 180-194. |
Corsair, pp. 201-204. |
Curse of Minerva, pp. 207, 208. |
Deformed Transformed, p. 208. |
Don Juan, pp. 209-220. |
English Bards, etc., pp. 225-232. |
Fare Thee Well! and A Sketch, etc., pp. 232-234. |
Giaour, pp. 234-238. |
Heaven and Earth, p. 241. |
Hebrew Melodies, pp. 242-244. |
Hints from Horace, pp. 259, 260. |
Irish Avatar, p. 260. |
Island, pp. 260, 261. |
Lament of Tasso, pp. 262, 263. |
Lara, pp. 263-265. |
Manfred, pp. 266-268. |
Marino Faliero, pp. 275, 276. |
Mazeppa, pp. 276-278. |
Monody on the Death of Sheridan, pp. 280, 281. |
An Ode to the Trainers of the Frame Bill, pp. 281. |
Ode to Napoleon Buonaparte, pp. 282, 283. |
Prisoner of Chillon, pp. 285-289. |
Prophecy of Dante, pp. 291, 292. |
Sardanapalus, pp. 293, 294. |
Siege of Corinth, pp. 296-298. |
Two Foscari, pp. 299, 300. |
Vision of Judgment, p. 300. |
Waltz, p. 301. |
Werner, pp. 301, 302. |
Collected Editions, pp. 136-144. |
Collections of Dramas, p. 169. |
Miscellaneous Poems, pp. 159-168. |
Selections, pp. 149-152. |
Beppo, pp. 171, 172. |
Bride of Abydos, pp. 174-176. |
Cain, pp. 178-180. |
Childe Harold's Pilgrimage, pp. 194-201. |
Corsair, pp. 204-206. |
Deformed Transformed, p, 208. |
Don Juan, pp. 220-225. |
Giaour, pp. 238-240. |
Heaven and Earth, pp. 241, 242. |
Hebrew Melodies, pp. 244-246. |
Island, pp. 261, 262. |
Lament of Tasso, p. 263. |
Lara, pp. 265, 266. |
Manfred, pp. 268-274. |
Marino Faliero, p. 276. |
Mazeppa, pp. 278-280. |
Ode from the French, p. 281. |
Ode to Napoleon Buonaparte, p. 283. |
Parisina, pp. 283-285. |
Prisoner of Chillon, pp. 289-291. |
Prophecy of Dante, pp. 292, 293. |
Sardanapalus, pp. 294-296. |
Siege of Corinth, pp. 298, 299. |
Two Foscari, p. 300. |
Werner, p. 303. |
I. | Poetical Works. | 2 vols. | Philadelphia. 1813. |
II. | P. Works. | 2 v. | Boston. 1814. |
III. | Works. | 4 v. | London. Murray. 1815. |
IV. | Works. | 2 v. | London. M. 1815. |
V. | P. Works. | 3 v. | New York. 1815. |
VI. | Works. | 3 v. | Philadelphia. 1816. |
VII. | Works. | 5 v. | London. M. 1817. |
VIII. | Poems. | 1 v. | New York. 1817. |
IV. | Works. | 8 v. | London. M. 1818-1820. |
X. | Works. | 6 v. | Paris. 1818. |
XI. | Works. | 13 v. | Leipzig. 1818-1822. |
XII. | Works. | 3 v. | London. M. 1819. |
XIII. | Works. | 6 v. | Paris. 1819. |
XIV. | Works. | 6 v. | Zuickau. 1819. |
XV. | Works. | 7 v. | Brussels. 1819. |
XVI. | Works. | 4 v. | New York. 1820. |
XVII. | Works. | 5 v. | London. M. 1821. |
XVIII. | Works. | 5 v. | Paris. 1821. |
XIX. | Works. | 16 v. | Paris. 1822-1824. |
XX. | Works. | 4 v. | London. M. 1823. |
XXI. | Works. | 12 v. | Paris. 1822-1824. |
XXII. | Works. | 12 v. | Paris. 1823. |
XXIII. | Works. | 3 v. | [vols. v., vi., vii.] London. Knight and Lacy. 1824-1825. |
XXIV. | Works. | 8 v. | London. M. 1825. |
XXV. | Works. | 6 v. | [vols. v., vi.] London. M. 1825. |
XXVI. | Complete Works. | 7 v. | Paris. 1825. |
XXVII. | Works. | 8 v. | Philadelphia. 1825. |
XXVIII. | Works. | 8 v. | New York. 1825. |
XXIX. | Works. | 32 v. | Zuickau. 1825-1827. |
XXX. | Works. | 13 v. | Paris. 1826. |
XXXI. | Works. | 1 v. | Paris. 1826. |
XXXII. | Works. | 1 v. | Frankfort. 1826. |
XXXIII. | Works. | 6 v. | London. M. 1827. |
XXXIV. | Works. | 4 v. | London. M. 1828. |
XXXV. | Works. | 1 v. | Paris. 1828. |
XXXVI. | Works. | 1 v. | Frankfort. 1828.[320] |
XXXVII. | Works. | 6 v. | London. M. 1829. |
XXXVIII. | Works. | 4 v. | London. M. 1829. |
XXXIX. | Poetic Works. | 2 v. | Philadelphia. 1829. |
XL. | Works. | 1 v. | Frankfort. 1829. |
XLI. | Works. | 4 v. | London. M. 1830. |
XLII. | Complete Works, | 1 v. | Paris. 1830. |
XLIII. | Works. | 6 v. | London. M. 1831. |
XLIV. | Complete Works, | 1 v. | Paris. 1831. |
XLV. | Works. | 1 v. | Philadelphia. 1831. |
XLVI. | Works. | 14 v. | (17 volume edition.) London. M. 1832-1833. |
XLVII. | Complete Works. | 4 v. | Paris. 1832. |
XLVIII. | Works. (Verse and Prose.) | 1 v. | New York. 1833. |
XLIX. | Complete Works. | 1 v. | Paris. 1835. |
L. | Complete Works. | 4 v. | Paris. 1835. |
LI. | Works. | 1 v. | London. M. 1837. |
LII. | Complete Works. | 1 v. | Paris. 1837. |
LIII. | Works. | 1 v. | London and Leipzig. 1837. |
LIV. | Complete Works. | 7 v. | Mannheim. 1837. |
LV. | Complete Works. | 1 v. | Paris. 1839. |
LVI. | P. Works. | 8 v. | London. M. 1839. |
LVII. | Works. | 5 v. | Leipzig. 1842. |
LVIII. | Works. | 4 v. | Philadelphia. 1843. |
LIX. | Complete Works. | 1 v. | Frankfort. 1846. |
LX. | Works. (Verse and Prose.) | 1 v. | Hartford. 1847. |
LXI. | Works. | 2 v. | Edinburgh. 1850. |
LXII. | P. Works. | 1 v. | Philadelphia. 1850. |
LXIII. | P. Works, | 1 v. | London. H. G. Bohn. 1851. |
LXIV. | P. Works. | 1 v. | Philadelphia. 1851. |
LXV. | Complete Works. | 1 v. | Frankfort. 1852. |
LXVI. | The Illustrated Byron. | 1 v. | London. H. Vizetelly, 1854-1855. |
LXVII. | P. Works. | 2 v. | Philadelphia. 1853. |
LXVIII. | P. Works. | 1 v. | London. C. Daly. 1854. |
LXIX. | Works. | 1 v. | Boston. 1854. |
LXX. | P. Works. | 6 v. | London. M. 1855. |
LXXI. | P. Works. | 1 v. | Edinburgh. 1857. |
LXXII. | P. Works. | 1 v. | New York. 1857. |
LXXIII. | P. Works. | 1 v. | London. M. 1857. |
LXXIV. | P. Works. | 1 v. | London. M. 1859. |
LXXV. | P. Works. | 1 v. | Philadelphia. 1859. |
LXXVI. | P. Works. | 1 v. | Leipzig. B. Tauchnitz. 1860. |
LXXVII. | P. Works. | 3 v. | Leipzig. 1860. |
LXXVIII. | P. Works. | 1 v. | Edinburgh. 1861. |
LXXIX. | P. Works. | 10 v. | Boston. 1861. |
LXXX. | P. Works. | 1 v. | Halifax. 1863. |
LXXXI. | P. Works. | 1 v. | Edinburgh. 1868. |
LXXXII. | P. Works. | 1 v. | London. F. Warne and Co. 1868. |
LXXXIII. | P. Works. | 1 v. | London. J. Dicks. 1869. |
LXXXIV. | P. Works. | 8 v. | London. M. 1870. |
LXXXV. | P. Works. | 1 v. | London. E. Moxon. 1870.[321] |
LXXXVI. | Complete P. Works. | 1 v. | London. G. Routledge. 1874. |
LXXXVII. | P. Works. | 1 v. | London. Virtue and Co. 1874. |
LXXXVIII. | P. Works. | 1 v. | Boston. 1874. |
LXXXIX. | P. Works. | 1 v. | London. Ward, Lock, and Co. 1878. |
XC. | P. Works. | 1 v. | Boston. 1878. |
XCI. | P. Works. | 1 v. | London. Ward, etc. 1880. |
XCII. | P. Works. | 1 v. | London. F. Warne. 1881. |
XCIII. | Complete P. Works. | 1 v. | London. G. Routledge. 1883. |
XCIV. | P. Works. | 1 v. | Edinburgh. 1881. |
XCV. | P. Works. | 12 v. | London. Sultaby and Co. 1885. |
XCVI. | P. Works. | 1 v. | New York. 1886. |
XCVII. | P. Works. | 1 v. | London. W. Scott. 1886. |
XCVIII. | P. Works. | 1 v. | London. 1886. |
XCIX. | Life and Works. | 2 v. | London, Edinburgh, and Glasgow. 1888. |
C. | Complete P. Works. | 1 v. | London. G. Routledge. 1890. |
CI. | P. Works. | 1 v. | New York. 1890. |
CII. | P. Works. | 12 v. | London. Griffith, Farran, etc. 1891. |
CIII. | P. Works. | 3 v. | London. W. Gibbings. 1892. |
CIV. | Works, | 12 v. | Philadelphia. 1892. |
CV. | Dramatic and P. Works. | 1 v. | Philadelphia. 1898. |
CVI. | P. Works. | 4 v. | London. H. Frowde. 1896. |
CVII. | P. Works. | 1 v. | London. Bliss, Sands, and Co. 1897. |
CVIII. | P Works. | 1 v. | London. W. P. Nimme. 1897. |
CIX. | P. Works. | 4 v. | Philadelphia. 1897. |
CX. | P. Works. | 1 v. | London. G. Henny and Co. n.d. |
CXI. | P. Works. | 1 v. | New York. n.d. |
CXII. | P. Works. | 1 v. | New York. n.d. |
CXIII. | P. Works. | 1 v. | New York. n.d. |
I. | OEuvres Complètes. | 15 tomes. | Paris. Ladvocat. 1821. |
II. | OEuvres | C. 13 t. | P. Dondey-Dupré. 1830. |
III. | OEuvres | C. 4 t. | P. Charpentier. 1836. |
IV. | OEuvres. | 2 t. | P. Chapelle. 1842. |
V. | OEuvres. | 3 t. | P. Daussin. 1845. |
VI. | OEuvres C. | 1 t. | P. Bry aîné. 1856. |
VII. | OEuvres. | 2 t. | Alphonse Lemerre. 1891. |
I. | Lord Bryon's Poesien. | 31 B. | Zwickau. 1821-1828. |
II. | L.B.'s sämmttiche Werke. | 12 B. | Frankfurt a. M. 1830. |
III. | Dichtungen v. L.B. | 4 Sammnl. | Stuttgart. 1836-1839. |
IV. | L.B.'s s. W. | 1 B. | Leipzig. 1839. |
V. | L.B.'s s. W. | 10 B. | Pforzheim. 1842. |
VI. | L.B.'s s. W. | 8 B. | Berlin. 1865. |
VII. | Dichtungen v. L.B. | 8 B. | Hildburghausen. 1865. |
VIII. | L.B.'s ausgewählte W. | 4 B. | Leipzig. [1865-1812.] |
IX. | L.B.'s s. W. | 3 B. | Leipzig. 1874. |
X. | L.B.'s W. | 6 B. | Stuttgart. [1885-1890.] |
XI. | L.B.'s p. W. | 8 B. | Stuttgart. 1886. |
XII. | L.B.'s W. | 6 B. | Berlin. 1888. |
XIII. | Byron's s. W. | 8 B. | 1901. |
Τα Απαντα του Βυρωνος . 3 V. Εν Αθηναις . 1895.
I. | Opere complete di Lord Byron. | 1 t. | Padova. 1842. |
II. | Opere. | 1 t. | Napoli. 1853. |
III. | Opere. | 1 t. | Napoli. 1857. |
IV. | Opere. | 1 t. | Napoli. 1886. |
I. | Poezye Lorda Byrona. | Pt. 1. | Petersburg. 1857. |
II. | Poezye L.B. | 1 v. | Warszawa. 1885. |
I. Сочиненіа Лорда Байропа. 5 т. С-Петербургъ. 1864-66.
II. Байронъ. С-Петербургъ. 1876.
Biblioteca Universal. Coleccion de Los Mejores Autores. T. lxiii. Madrid. 1880.
Byron's Poetiska Berättelser. Stockholm. 1854-1856.
I. | The Beauties of Byron. | London. J. Sudbury. 1823. |
II. | The Beauties of B. | Ln. J. Limbird. 1827. |
III. | Life and Select Poems. | Ln. 1828. |
IV. | The Beauties of L.B. | Philadelphia. 1828. |
V. | The Beauties of B. | Paris. 1829. |
VI. | Lord B.'s Select Works. 3 v. | Frankfort a. M. 1831-1832. |
VI. | Childe Harold's, etc.; The Giaour, etc. | Paris. 1832. |
VIII. | L.B.'s Select P.W. | Paris and Lyons, 1835. |
IX. | L.B.'s Select W. | London and Berlin. 1837. |
X. | The Beauties of B. | Ln. T. Tegg and Son. 1837. |
XI. | The Beauties of B. | Ln. n.d.[323] |
XII. | B.'s Select W. | Paris, 1843. |
XIII. | A Selection from L.B.'s P.W. | Marienwerder. 1846. |
XIV. | Select P.W. | Ln. Adam Scott. 1848. |
XV. | L.B.'s Select W. | Oldenburg. 1848. |
XVI. | Selections. | London. M. 1854. |
XVII. | A Selection. IV. [A.C. Swinburne.] | Ln. Moxon and Co. 1866. |
XVIII. | Songs by L.B. | Ln. Virtue and Co. 1872, |
XIX. | Selections. | London. M. 1874. |
XX. | Beautés de B. | Paris. 1876. |
XXI. | Favourite Poems. | Boston. 1877. |
XXII. | Beauties of B. | Stuttgart. n.d. |
XXIII. | Poetry of B. (Matthew Arnold.) | Ln. Macmillan and Co, 1881. |
XXIV. | Gems from B. IV. | New York. 1886. |
XXV. | Selections from the Poetry of L.B. | New York. 1900. |
XXVI. | Poems of Lord Byron. | Ln. A. and C. Black. 1901. |
Lord B.'s Armenian Exercises and Poetry. Venice. 1886.
I. | Choix de Poésies. 2t. | Genève et Paris. 1820. |
II. | Les Beautés de L.B. | P. 1838. |
III. | Écrin poétique de lit. angl. | P. 1841. |
IV. | Chefs-d'oeuvre de L.B. | P. 1847. |
V. | Rough Hewing of L.B. In French. | Ln. J. W. Kolckmann. 1869. |
VI. | Chefs-d'oeuvre de L.B. 2 t. | P. 1874. |
I. | Byron's ausgewählte Dichtungen. | Leipzig. 1838. |
II. | Byron-Anthologie. | Schwerin. 1866. |
III. | Auswahl aus Byron. | 1892. |
I. | Poemi di Lord G.B. | Torino. 1827. |
II. | Opere scelte. | Milano. 1852. |
III. | A' Mici Arnici. | 1873. |
I. | An Ode. On the Star, etc. | New York. 1816. |
II. | Three Poems. | London. E. Wilson. 1818. |
III. | English Bards, etc., etc. | Paris. 1818. |
IV. | The Works of the R.H.L.B., cont. Eng. Bards, etc., etc. | Philadelphia. 1820. |
V. | Poems by the R. H. L. B. | Ln. Jones and Co. 1825.[324] |
VI. | The Miscell. Poems. | Ln. Benbow. 1825. |
VII. | Don Juan, Complete; Eng. Bards, etc., etc. | Ln. J. F. Dove. 1827. |
VII. | Don Juan; Hours of Idleness, etc. 2 v. | Ln. J. F. Dove. 1828. |
IX. | The Miscell. Works. | Ln. Hunt and Clarke. 1830. |
X. | The Corsair—Lara. | Paris. 1830. |
XI. | The Bride, etc. The Corsair, etc., etc. | Paris. 1832. |
XII. | Manfred—Marino Faliero, etc. | Paris. 1832. |
XIII. | Don Juan—The Age of Bronze, etc. | Paris. 1832. |
XIV. | Miscellanies. 3 v. | London. M. 1837. |
XV. | Tales. 2 v. | London. M. 1837. |
XVI. | Lord Byron's Tales. | Halifax. 1845. |
XVII. | The Giaour—The Bride, etc.—etc. | Ln. H. G. Clarke and Co. 1848. |
XVIII. | Miscellanies. 2 v. | London. M. 1853. |
XIX. | Tales and Poems. | London. M. 1853. |
XX. | Beppo and Don Juan. 2 v. | London. M. 1853. |
XXI. | Poems by the R't. Hon. L.B. | Ln. T. Nelson and Sons, 1855. |
XXII. | Tales and Poems. | Leipzig. B. 1857. |
XXIII. | Poems. | Ln. G. Routledge. 1859. |
XXIV. | Eastern Tales. | Ln. D. Bogue. 1859. |
XXV. | Byron's Siege, etc., etc. | Madras. 1876. |
XXVI. | Poems. | Ln. G. Routledge. 1880. |
XXVII. | Poems of L.B. 2 v. | Ln. Cassell and Co. 1886. |
XXVIII. | Byron's Prisoner of Chillon and Siege of Corinth. | Halle. 1886. |
XXIX. | The Corsair—Lara. | Boston. 1893. |
Korsár. Lara. V Praze 1885.
I. | Udvalgte Dramatiske Digte. | København. 1873. |
II. | Byron—Manfred, etc. | København. 1889. |
III. | Beppo. Dommedagssynet. Af L.B. | København. 1891. |
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II. | Gedichten van L.B. | Leiden. 1870. |
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III. | Le Corsaire—etc., etc. | P. 1868. |
IV. | Chefs-D'oeuvre de L.B. 2 v. | P. 1874. |
V. | L.B. Les Deux Foscari, etc. | P. 1881. |
VI. | Le Corsaire. Lara. | P. 1892. |
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IV. | Poemi e novelle. | Milano. 1882. |
V. | Opere ... di G. Casella. 2 v. | Firenze. 1884. |
VI. | Misteri e canti. | Milano. 1886. |
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II. | Powieści. | Warszawa. 1831. |
III. | Paryzyna, Kalmar i Orla. | Wilno. 1834. |
IV. | Poezye Lorda B. W. | Paryzu. 1835. |
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VIII. | Pięć Poematów Lorda Birona. | Leszno. 1853. |
IX. | Kruzer (Karol) Przekłady, etc. 5 t. | Warszawa. 1876. |
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I. | Dramas by Lord Byron. 2 v. | London. M. 1837. |
II. | Dramas by Lord Byron. 2 v. | London. M. 1853. |
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Poemas dramáticos de Lord Byron. Madrid. 1886.
The Age of Bronze. Ln. John Hunt. 1823.
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II. | Beppo, etc. Fifth Ed. | London. M. 1818. |
III. | Beppo. | Boston. 1818. |
IV. | Beppo, etc. | P. A. and W. Galignani. 1821. |
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Беппо.
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II. | The Bride, etc. Second Ed. | London. M. 181?. |
III. | The Bride, etc. Fourth Ed. | London. M. 1813. |
IV. | The Bride, etc. Sixth Ed. | London. M. 1814. |
V. | The Bride, etc. | Philadelphia. 1814. |
VI. | The Bride, etc. | London. 1844. |
Nevĕta z Abydu. V Praze. 1854.
Абидонска НевѢста. Москва. 1850.
De Abydeensche Verloofde. Amsterdam. 1826.
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II. | La Fiancée d'Abydos. | Gand, Houdin. 1823. |
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II. | Die Braut, etc. | London. 1843. |
III. | Die Braut, etc. | Halle. 1884. |
Az abydoszi ara. B'pest. 1884.
La fidanzata d'Abido. Milano. 1854.
Dziewica z Abydos. Warszawa. 1818.
I. Абидосская Невѣста. 1821.
II. Невѣста Абидосская. С-Петербургъ. 1826. Second edition. С-Петербургъ. 1831.
III. Абидосская Невѣста. Москва. 1859.
Bruden Från Abydos. Stockholm, 1853, etc.
I. | Cain; A Mystery. | London. Benbow. 1822. |
II. | Cain, etc. | Ln. R. Carlile. 1822. |
III. | Cain, etc. | Ln. H. Gray. 1822. |
IV. | Cain, A Mystery. | New York. 1822. |
V. | Cain, etc. | P. A. and W. Galignani. 1822. |
VI. | Cain, etc. | Ln. Benbow. 1824. |
VII. | Lord Byron's Cain, etc. | Ln. William Crofts. 1830. |
VIII. | Cain, etc. | Ln. J. Watson. 1832. |
IX. | Cain, etc. | Breslau. 1840. |
X. | Cain. | J. Dicks. 1883, etc. |
Kain. V Praze. 1871.
Caïn, Mystère dramatique. P. Servier. 1823.
I. | Cain, ein Mysterium. | Berlin. 1831. |
II. | Cain. Ein Mysterium. | Leipzig. 1871-1876. |
קין, שיר-חזיון על-פי כתבי הקדש מאת לורד בירון תרגם מאנגלית לעברית דוד פרישמן ווארשא תר"ס
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II. | Kain. | B'pest. 1898. |
Kain. Mistero de Lord Byron. Nurnbergo. 1896.
Caino: mistero. Milano. 1852-6.
Kain. Lwów. 1868.
I. Каинъ. С-Петербургъ. 1881.
II. Каинъ. Москва. 1883.
I. | Childe Harold's Pilgrimage. A Romaunt. | London. M. 1812. |
II. | Childe Harold's, etc. Second Ed. | London. M. 1812. |
III. | Childe Harold's, etc. Third Ed. | London. M. 1812. |
IV. | Childe Harold's, etc. Fourth Ed. | London. M. 1812. |
V. | Childe Harold's, etc. Fifth Ed. | London.M. 1812. |
VI. | Childe Harold's, etc. First Amer. Ed. | Philadelphia. 1812. |
VII. | Childe Harold's, etc. Sixth Ed. | London. M. 1813. |
VIII. | Childe Harold's, etc. Seventh Ed. | London. M. 1814. |
IX. | Childe Harold's, etc. Eighth Ed. | London. M. 1814. |
X. | Childe Harold's, etc. Tenth Ed. | London. M. 1815. |
XI. | Childe Harold's, etc. | Canto the Third. London. M. 1816. |
XII. | Childe Harold's, etc. | Canto the Fourth. London. M. 1818. |
XIII. | Childe Harold's, etc. | Canto the Fourth. New York. 1818. |
XIV. | Childe Harold's, etc. | Eleventh Ed. London. M. 1819. |
XV. | Childe Harold's, etc. | 2 v. London. M. 1819. |
XVI. | Childe Harold's, etc. | 2 v. Leipzig. 1820. |
XVII. | Childe Harold's, etc. | Ln. W. Dugdale. 1825 |
XVIII. | Childe Harold's, etc. | P. A. and W. Galignani. 1825. |
XIX. | Childe Harold's, etc. | London. W. Dugdale. 1826. |
XX. | Childe Harold's, etc. | London. T. Colmer. 1827. |
XXI. | Childe Harold's, etc. | 2 v. Paris. 1827. |
XXII. | Childe Harold's, etc. | London. John Duncombe. 1831. |
XXIII. | Childe Harold's, etc. | Nuremberg and New York. 1831. |
XXIV. | Childe Harold's, etc. | London. M. 1837. |
XXV. | Childe Harold's, etc. | Mannheim. 1837. |
XXVI. | Childe Harold's, etc. | London. M. 1841. |
XXVII. | Childe Harold's, etc. | London. 1842.[330] |
XXVIII. | Childe Harold's, etc. | London. M. 1853. |
XXIX. | Childe Harold. | Damburg. 1853. |
XXX. | Childe Harold's, etc. 2 v. | Berlin. 1854. |
XXXI. | Childe Harold's, etc. | London. M. 1859. |
XXXII. | Childe Harold's, etc. New Ed. | London. M. 1860. |
XXXIII. | Childe Harold's, etc. New Ed. | London. M. 1860. |
XXXIV. | Childe Harold's, etc. | Leipzig. 1862. |
XXXV. | Childe Harold's, etc. | London. C. Griffin and Co. 1866. |
XXXVI. | Childe Harold's, etc. | Münster. 1867. |
XXXVIII. | Lord Byron's Childe Harold's, etc. | P. Lib. Ch. Delagrave. 1882. |
XXXIX. | Childe Harold's, etc. | P. Poussielque f. 1883. |
XL. | Clarendon Press Series. Childe Harold. | Oxford. 1885. |
XLI. | Childe Harold's, etc. | London. Chatto. 1885. |
XLII. | Lord Byron. Childe Harold's, etc. | Berlin. 1885. |
XLIII. | Cassell's Nat. Lib. Childe Harold's, etc. | Ln., P., N.Y., and Melbourne. 1886. |
XLIV. | Childe Harold's, etc. | Boston. 1886. |
XLV. | Childe Harold's, etc. | Philadelphia. 1886. |
XLVI. | Childe Harold's, etc. | Leipzig. 1886. |
XLVII. | Childe Harold's, etc. | Bielefeld. 1885-6. |
XLVIII. | Childe Harold's, etc. | Ln. G. Routledge and Sons. 1888. |
XLIX. | Childe Harold's, etc. | Bielefeld. 1891. |
L. | Sir J. Lubbock's Hundred Best Books. Childe Harold's, etc. | Ln. G. Routledge and Sons. 1892. |
LI. | Byron's Childe Harold. | Ln. G. Bell and Sons. 1893. |
LII. | Byron. Childe Harold. | P. Lib. Hachette et Cie. 1893. |
LIII. | Childe Harold's, etc. | New York. 1894. |
LIV. | Arnold's Brit. Classics. Childe Harold's, etc. | Ln. Edw. Arnold. 1897. |
LV. | Childe Harold. | Ln. J. M. Dent. 1898. |
LVI. | Childe Harold's, etc. Cantos I., II. | Ln. Macmillan and Co. 1899. |
LVII. | Childe Harold's, etc. Cantos III., IV. | Ln. Macmillan and Co. 1899. |
LVIII. | Childe Harold's, etc. | 2 v. New York. 1899. |
LIX. | Childe Harold's, etc. | New York. 1899. |
LX. | Childe Harold's, etc. | New York. 1900. |
LXI. | Lord Byron. Childe Harold's, etc. | Glasgow and Dublin. 1901. |
LXII. | Lord Byron. Childe Harold's, etc. | Glasgow and Dublin. 1901. |
Childe Harold's, etc. Venice. 1872.
Childe Haroldova pout'. 1890.
Junker Harolds Pilgrimsfart. Kjøbenhavn. 1880.
I. | Le Pélerinage de C.H. | P. Dupont. 1828. |
II. | Le Pélerinage de C.H. | P. Ponthieu. 1828. |
III. | Le Pélerinage de C. II. | P. Lib. de Ch. Blériot. 1861. |
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IX. | Childe Harold. | P. Delalain f. 1892. |
X. | Childe Harold. | P. Belin f. 1892. |
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II. | Ritter Harold's Pilgerfahrt. | Stuttgart. 1836. |
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VIII. | Childe Harold's P. | Hildburghausen. 1868. |
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X. | Ritter Harold's P. | Leipzig. 1871-1876. |
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Polish
I. | Poezye ... Wędrówki Czaild Harolda. | Petersburg. 1857. |
II. | Pielgrzymka C.H. | we Lwowie. 1857. |
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II. | The Corsair, etc. Second Ed. | London. M. 1814. |
III. | The Corsair, etc. Third Ed. | London. M. 1814. |
IV. | The Corsair, etc. Fourth Ed. | Ln. M. 1814. |
V. | The Corsair, etc. Fifth Ed. | London. M. 1814. |
VI. | The Corsair, etc. Sixth Ed. | London. M. 1814. |
VII. | The Corsair, etc. Seventh Ed. | London. M. 1814. |
VIII. | The Corsair, etc. | New York. 1814. |
IX. | The Corsair, etc. Ninth Ed. | London. M. 1815. |
X. | The Corsair, etc. Tenth Ed. | London. M. 1818. |
XI. | The Corsair, etc. | Ln. W. Dugdale. 1825. |
XII. | The Corsair, etc. | Ln. 1844. |
XIII. | The Corsair, etc. | Glasgow. 1867. |
I. | Der Korsar. | Berlin. 1816. |
II. | Der Korsar. | Altona. 1820. |
III. | Der Korsar. | Leipzig. 1852. |
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A Kalóz. B'pest. 1892.
I. | Il Corsaro. | Torino. 1819. |
II. | Il Corsaro. | Milano. 1820. |
III. | Il Corsaro. | Milano. 1842. |
IV. | Il Corsaro. | Firenze, 1842. |
V. | Il Corsaro. Bologna. 1870. | |
VI. | Il Corsaro. | V. di C. Rosnati. 1879. |
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II. | D. Juan. | Ln. Pt. by T. Davison. 1819. |
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IV. | D Juan. | Ln. Pt. by T. Davison. 1820 |
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I. | D. Juan. | Ln. W. Benbow. 1822. |
II. | D. Juan. | Ln. Hodgson and Co. 1822. |
III. | D. Juan. | Ln. Peter Griffin. 1823. |
IV. | D. Juan. | Ln. G. Smeeton. 1826. |
I. | D. Juan. | Ln. John Hunt. [8º] 1823. |
II. | D. Juan. | Ln. W. Dugdale. 1823. |
III. | D. Juan. | Ln. John Hunt.[12º] 1823. |
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II. | D. Juan. | Ln. John Hunt. [12º] 1823. |
I. | D. Juan. | Ln. John Hunt. [8º] 1823. |
II. | D. Juan. | Ln. John Hunt. [12º] 1823. |
III. | D. Juan. | Ln. Pt. for the Booksellers. 1823. |
IV. | D. Juan. | P. A. and W. Galignani. 1824. |
I. | D. Juan. | Ln. John and H. L. Hunt. | [8º] | 1824. |
II. | D. Juan. | Ln. John and H. L. Hunt. | [12º] | 1824. |
III. | D. Juan. | Ln. Pt. for the Booksellers. | 1824. | |
IV. | D. Juan. | Ln. Pt. for John Hunt. | 1824. | |
V. | D. Juan. | P. A. and V. Galignani. | 1824. |
I. | D. Juan. 2 v. | Ln. Pt. for the Booksellers. 1826. |
II. | D. Juan. | Ln. W. Cla?? 1826. |
III. | D. Juan. | Ln. T. and J. Allman. 1827. |
IV. | D. Juan. 2 v. | Ln. T. Davison. 1828. |
V. | D. Juan. 2 v. | Ln. Pt. for the Booksellers. 1828. |
VI. | D. Juan. | Nuremberg and New York. 1832. |
VII. | D. Juan. | Ln. Scott and Webster. 1833. |
VIII. | D. Juan. | Ln. Pt. for the Booksellers. 1835. |
IX. | D. Juan. | 2 v. London. M. 1837. |
X. | D, Juan. | Mannheim. 1838. |
XI. | D. Juan. | Ln. H. G. Bohn. 1849. |
XII. | D. Juan. | Ln. and N.Y. 1874. |
XIII. | D. Juan. | Ln. Chatto and Windus. 1875. |
XIV. | D. Juan. | Ln. G. Routledge and Sons. 1886. |
I. | D. Juan. | Fredericia. 1854. |
II. | Byron. D. Juan. | Kjøbenhavn. 1880. |
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III. | D. Juan. | P. DeGorge-Cadot. 1869. |
IV. | D. Juan. | P. Lemerre. 1878. |
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III. | Byron's D. Juan. | Leipzig. 1849. |
IV. | Byron's D. Juan. | Hildburghausen. 1867. |
I. | Don Giovanni. | Torino. 1853. |
II. | D. Giovanni. | Milano. 1865. |
III. | Gior. Byron. Aidea Epis. del don Giov. | Verona. 1875. |
IV. | Il D. Juan. | Milano. 1876. |
V. | D. Giovanni. | Milano. 1880. |
I. | Don Żuan. | Tarnopol. 1863. |
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I. Донъ-Жуанъ. С.-Петербургъ. 1846.
II. Донъ-Жуанъ. 2 v. С.-Петербургъ. [1847.]
III. Донъ-Жуанъ. Глава первая. Лейпзигъ. 1862.
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V. Донъ-Жуанъ. 2 v. С.-Петербургъ. 1889.
VI. Донъ-Жуанъ. 2 т. С.-Петербургъ. 1892.
Дон-Жуанъ. 2 свес. Београд. 1888.
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I. | The British Bards, A Satire. | 1808. |
II. | English Bards, and Scotch Reviewers. First Ed. | Ln. James Cawthorn. 1809. |
III. | English B., etc. Second Ed. | Ln. J. Cawthorn. 1809. |
IV. | English B., etc. Third Ed. | Ln. J. Cawthorn. 1810. |
V. | English B., etc. Fourth Ed. | Ln. J. Cawthorn. 1810. |
VI. | English B., etc. Fourth Ed. | Ln. J. Cawthorn. 1811. |
VII. | English B., etc. Fifth Ed. | [Ln. J. Cawthorn.] 1811. |
VIII. | English B., etc. First Amer. Ed. | Philadelphia. 1811. |
IX. | English B., etc. | Charleston. 1811. |
X. | English B., etc. | Boston. 1814. |
XI. | English B., etc. | New York. 1817. |
XII. | English B., etc. | P. Galignani. 1818. |
XIII. | English B., etc. | Brussels. 1819. |
XIV. | English B., etc. | Geneva. 1820. |
XV. | English B., etc. | Ln. Benbow. 1823. |
XVI. | English B., etc. | Glasgow. J. Starke. 1824. |
XVII. | English B., etc. | Glasgow. M'Intosh and Co. 1825.[336] |
XVIII. | English B., etc. | Ln. W. Dugdale. 1825. |
XIX. | English B., etc. | Ln. T. Kay. 1827. |
I. | Fare Thee Well! | March 18, 1816. |
II. | Fare Thee Well! | April 4, 1816. |
III. | Fare Thee Well! Second Version. | April 7, 1816. |
IV. | A Sketch from Private Life. | March 30, 1816. |
V. | A Sketch, etc. Another Copy. | April 2, 1816. |
VI. | Fare Thee Well!—A Sketch, etc. | Ln. Sherwood, Neely, and Jones. 1816. |
VII. | Fare Thee Well. | Bristol. 1816. |
VIII. | Fare Thee Well. | Edinburgh. 1816. |
I. | The Giaour, A Fragment of a Turkish Tale. | London. M. 1813. |
II. | The Giaour, etc. A new Ed. | London. M. 1813. |
III. | The Giaour, etc. Third Ed. | London. M. 1813. |
IV. | The Giaour, etc. | Boston. 1813 |
V. | The Giaour, etc. Fifth Ed. | London. M. 1813. |
VI. | The Giaour, etc. Sixth Ed. | Ln. M. 1813. |
VII. | The Giaour, etc. Seventh Ed. | London. M. 1813. |
VIII. | The Giaour, etc. Ninth Ed. | London. M. 1814. |
IX. | The Giaour, etc. Tenth Ed. | London. M. 1814. |
X. | The Giaour, etc. Eleventh Ed. | London. M. 1814. |
XI. | The Giaour, etc. Twelfth Ed. | London. M. 1814. |
XII. | The Giaour, etc. Fourteenth Ed. | London. M. 1815. |
XIII. | The Giaour, etc. | Ln. W. Dugdale. 1825. |
XIV. | The Giaour, etc. | London. M. (Tilt and Bogue, Edinb.) 1842. |
XV. | The Giaour, etc. | London. 1844. |
Le Giaour. P. J. M. H. Bigeon. 1828.
I. | Der Gauer. | Berlin. 1819. |
II. | Der Gjaur. | Leipzig. 1820. |
III. | Der Gjaur. | Leipzig. 1871-1876. |
I. | Il Giaurro. | Genova e Parigi. 1817. |
II. | Il Giaurro. | Milano. 1884. |
I. | Giaur. | Puławy. 1830. |
II. | Giaur. | Paryż. 1834. |
I. Παιηματα Βυρωνος ὁ Γκιαουρ. Ἀθηνησι . 1873.
II. Σακελλαριου Βιβλιοθηκη τ. Λαου ... ὁ Γκιαουρ. Ἐν Ἀθηναις. . 1898.
I. Дҗяуръ. 1821.
II. Дҗяуръ. Москва. 1822.
III. Гяуръ. С.-Петербургъ. 1862.
IV. Гяуръ. С.-Петербургъ. 1873.
V. Гяуръ Ъайрона. С.-Петербургъ. 1874.
Ђаур лорда Ъајрона. у Новом-Саду. 1860.
El Giaur ó el infiel. Madrid. 1828.
Giaurn. Stockholm. 1855.
I. | Heaven and Earth, A Mystery. | Ln. Benbow. 1824. |
II. | Heaven and Earth, etc. | P. Galignani. 1823. |
III. | Heaven and Earth, etc. | ? W. Dugdale. 1825. |
Essai sur Le Génie, etc. P. Ladvocat. 1824.
Cielo e terra. Milano. 1853.
Небо и Эемля. т. 1.
I. | A Selection of Hebrew Melodies. | Ln. I. Nathan. 1815. |
II. | Hebrew Melodies. | London. M. 1815. |
III. | Hebrew Melodies. | Boston. 1815. 24º.[338] |
IV. | Hebrew Melodies. | Philadelphia. 1815. 16º. |
V. | Hebrew Melodies. | Ln. W. Dugdale. 1823. |
VI. | Hebrew Melodies. | Ln. W. Dugdale. 1825. |
Hebrejské melodie. V Praze. 1890.
Lord Byron: Jødiske Sange. Christiania. 1889.
I. | Hebräische Gesänge. | Berlin. 1820. |
II. | Hebr. Gesän. | Laibach. 1833. |
III. | Germanische Melodien. | Bonn. 1862. |
IV. | Lord Byron's Heb. Gesän. | Karlsruhe. 1863. |
V. | Heb. Gesän. | Memmingen. 1866. |
Hebrew Melodies of Lord Byron. Leipzig. 1890.
I. | Melodie Ebraiche. | Napoli. 1837. |
II. | Le Mel. ebree. | Ivrea. 1855. |
Еврйскія мелодін. С.-Петерурбъ. 1860.
Hebreiska Melodier. Helsingfors. 1862.
I. | Fugitive Pieces. A Facsimile Reprint of the Supp. Ed. of 1806. | 1886. |
II. | Poems on Various Occasions. | Newark. 1807. |
III. | Hours of Idleness. | Newark. 1807. |
IV. | Poems Original and Translated. | Newark. 1808. |
V. | Imitations and Translations. | Ln. Longman, etc. 1809. |
VI. | Hours, etc. | P. Galignani. 1819. |
VII. | Hours, etc. | Ln. Sherwin and Co. 1820. |
VIII. | Hours, etc. Third Ed. | P. Galignani. 1820. |
IX. | Hours, etc. | Ln. Benbow. 1822. |
X. | Hours, etc. | P. A. and W. Galignani. 1822. |
XI. | Hours, etc. | Glasgow. 1825. |
XII. | Fugitive Pieces and Reminiscences of Lord Byron. | Ln. Whittaker, Treacher, and Co, 1829. |
Poems. Second Ed. London. M. 1816.
I. | Poems on His Domestic Circumstances. | London. W. Hone. 1816. |
II. | Poems, etc. Second Ed. | Ln. W. Hone. 1816. |
III. | Poems, etc. Sixth Ed. | Ln. W. Hone. 1816. |
IV. | Poems, etc. Eighth Ed. | Ln. W. Hone. 1816. |
V. | Poems, etc. Fifteenth Ed. | Ln. W. Hone. 1816. |
VI. | L.B.'s Poems on His Own, etc. | Dublin. 1816. |
VII. | Poems on His Domestic, etc. Second Ed. | Bristol. 1816. |
VIII. | Poems on His Domestic, etc. | Boston. 1816. |
IX. | Poems, etc. Twenty-third Ed. | Ln. W. Hone. 1817. |
X. | Poems, etc. | Ln. J. Limbird. 1823. |
XI. | Miscell. Poems, including those on His Domestic, etc. | Ln. John Bumpus. 1824. |
XII. | Miscell. Poems on His Domestic, etc. | Ln. William Cole. 1825. |
I. | The Island, or Christian and His Comrades. | Ln. John Hunt. 1823. |
II. | The Island, etc. | P. A. and W. Galignani. 1823. |
III. | The Island, etc. | New York. 1823. |
Die Insel, etc. Leipzig. 1827.
L' Isola. Napoli. 1840.
Wyspa czyli Chrystyan i jego towarzysze. Kraków. 1859.
Ön Eller Christian, etc. Stockholm. 1856.
I. | The Lament of Tasso. | London. M. 1817. |
II. | The Lament, etc. Second Ed. | London. M. 1817. |
III. | The Lament, etc. Third Ed. | London. M. 1817.[340] |
IV. | The Lament, etc. Fourth Ed. | London. M. 1817. |
V. | The Lament, etc. Sixth Ed. | London. M. 1818. |
I. | Lamento del Tasso. | Pisa. 1818. |
II. | La Magion del Terrore. | Londra. J. Wilson. 1843. |
III. | Gugl. Godio. Il Lamento, etc. | Torino. 1873. |
I. | Lara, A Tale. Jacqueline, A Tale. | London. M. 1814. |
II. | Lara, etc. Fourth Ed. | London. M. 1814. |
III. | Lara. | Boston. 1814. |
IV. | Lara. | New York. 1814. |
V. | Lara, etc. Fifth Ed. | London. M. 1817. |
VI. | Lara, etc. | Art Union of London. 1879. |
Lara. V Praze. 1885.
Lara. Leipzig. 1886.
I. | Il Lara di L.B. | Parigi. 1828. |
II. | Lara. | Milano. 1882. |
Lara. Wilno. 1833.
Лара лорда Бајрона. у Новом-Саду. 1860.
Lara. Paris. 1828.
Lara. Stockholm. 1869.
I. | Manfred. | London. M. 1817. |
II. | Manfred. Second Ed. | London. M. 1817. |
III. | Manfred. | Philadelphia. J. Maxwell. 1817. |
IV. | Manfred. | Ln. W. Dugdale. 1824.[341] |
V. | Manfred. | Brussels. Printed at the British Press, n.d. |
VI. | Manfred. A Choral Tragedy. | Ln. T. H. Lacy. 1863. |
VII. | Manfred. | Ln. J. Dicks. 1883, etc. |
Manfred. Praze. 1882.
I. | Manfred. | Kjøbenhavn. 1820. |
II. | Manfred. | Kjøbenhavn. 1843. |
I. | Manfred. | Amsterdam. 1857. |
II. | Byron's Manfred. | Heusden. 1882. |
I. | Manfred. | Bruxelles. 1852. |
II. | Manfred. | P. Paul Ollendorff. 1887. |
III. | Lord Byron. | Manfred. Toulouse. 1888. |
I. | Manfred. A Tragedy. Manfred. Trauerspiel. Teutsch v. A. Wagner. | Leipzig. 1819. Leipzig. 1819. |
II. | Manfred. | Göttingen. 1836. |
III. | Byron's Manfred. | Breslau. 1839. |
IV. | Manfred. | Berlin. 1843. |
V. | Lord Byron's Manfred. | Leipzig. 1858. |
VI. | Byron's Manfred. | Berlin. 1872. |
VII. | Manfred. | Leipzig. 1871-1876. |
VIII. | Manfred. | Leipzig. 1879-1890. |
IX. | Manfred. | Frankfurt. 1883. |
I. II. III. | Byron Lord' Élete 's Munkái. Manfred. Manfred. | Pesten. 1842. Szolnok. 1884. Budapest. 1891. |
I. | Manfredo. | Milano. 1832. |
II. | Tragedie di Silvio Pellico. Manfredo. | Firenze. 1859. |
III. | Manfredo. | Firenze. 1870. |
I. | Manfred. | Wrocław. 1835. |
II. | Manfred. | Paryż. 1859. |
Ο Μαμφρεδ. Εν Πατραις. 1864
Stoenescu (Th. M.) Teatru ... Manfred. Bucurescï. 1896.
I. Манфредъ.
II. Манфредъ.
III. Манфредъ. С.-Петербургъ 1858.
IV. Манфредъ.
I. | Manfredo. | P. De Decourchant. 1829. |
II. | Manfredo. | Madrid. 1861. |
III. | Lord Byron. Manfredo. | Madrid. 1876. |
I. | Marino Faliero. | Ln. M. 1821. |
II. | Marino Faliero. Second Ed. | Ln. M. 1821. |
III. | Marino Faliero. | Philadelphia. 1821. |
IV. | Marino Faliero. | P. Galignani. 1821. |
V. | Marino Faliero. | Ln. M. [Tilt and Bogue, Edinb.] 1842. |
VI. | Marino Faliero. | Ln. J. Dicks. 1883, etc. |
I. | Marino Faliero. | Frankfurt am Main. 1883. |
II. | Lord Byron's Marino Faliero. | Oldenburg, n.d. |
I. | Mazeppa, A Poem. | London. M. 1819. |
II. | Mazeppa, etc. Second Ed. | P. Galignani. 1819. |
III. | Mazeppa. | Boston. 1819. |
IV. | Mazeppa. | P. Galignani. 1822. |
V. | Mazeppa. | Ln. W. Dugdale. 1824. |
VI. | Mazeppa. | Braunschweig. 1834. |
VII. | Mazeppa. | Ln. T. Goode. 1854. |
Mazeppa. Stockholm. 1853.
I. | Mazeppa. | Leipzig. 1820. |
II. | Mazeppa. | Göttingen. 1836. |
III. | Mazeppa. | Stuttgart. 1883. |
Byron Lord' Élete 's munkái. Pesten. 1842.
I. | Il Mazeppa. | Palermo. 1847. |
II. | Mazeppa. | Palermo. 1876. |
III. | Mazeppa. | Milano. 1886. |
I. | Mazepa. | W. Hali. 1860. |
II. | Mazepa. | Paryż. 1860. |
I. Выборъ изъ сочненій лорда Байрона. 1821.
II. Маэепа.
III. Маэепа.
IV. Маэепа. С.-Петербургъ. 1860.
Mazeppa, novela. Paris. 1830.
I. | Monody, etc. | Ln. M. 1816. |
II. | Monody, etc. New Ed. | Ln. M. 1817. |
III. | Monody, etc. New Ed. | Ln. M. 1818. |
A Political Ode. Ln. J. Pearson. 1880.
Traduction de l'Ode. Londres. 1826.
I. | Ode to Napoleon Buonaparte. | London. M. 1814. |
II. | An Ode to N.B. | Philadelphia. E. Earle. 1814. |
III. | Ode to N.B. Sixth Ed. | London. M. 1814.[344] |
IV. | Ode to N.B. Ninth Ed. | London. M. 1814. |
V. | Ode to N.B. Twelfth Ed. | London. M. 1816. |
VI. | Ode to N.B. Thirteenth Ed. | London. M. 1818. |
Odas a Napoleon. P. De Decourchant. 1829.
Parisina. Stockholm. 1854.
Parisina. Adolphe Krafft. P. Ernest Leroux. 1900.
Parisina. Gedichte von J. V. Cirkel. Münster. 1825.
I. | Parisina. | Milano. 1821. |
II. | Parisina. | Milano. 1853. |
III. | Parisina. | Mantova. 1854. |
IV. | Parisina. | Palermo. 1855. |
V. | Parisina. | Genova. 1864. |
Паризина. С.-Петербургъ. 1827.
Parisina. P. Imp. de Decoutchant. 1830.
I. | The Prisoner of Chillon. | London. M. 1816. |
II. | The P. of Chillon. | Lausanne. 1818. |
III. | The P. of Chillon. | Ln. W. Chubb. 1824. |
IV. | The P. of Chillon. | Ln. ? 1825. |
V. | The P. of Chillon. | Geneva. 1830. |
VI. | The P. of Chillon. | Lausanne. 1857. |
VII. | The P. of Chillon. Illuminated. | Ln. W. & G. Audsley. 1865. |
VIII. | Byron's P. of Chillon. | Ln. T. J. Allman. 1874. |
IX. | Byron's P. of Chillon. | Ln. Simpkin, Marshall, and Co. 1877. |
X. | The P. of Chillon. | Ln. Blackie and Son. 1879.[345] |
XI. | Byron's P. of Chillon. | Ln. Simpkin, Marshall, and Co. 1879. |
XII. | The P. of Chillon. | Vevey. 1880. |
XIII. | The P. of Chillon. | Berlin. 1884. |
XIV. | The P. of Chillon. | Firenze. 1885. |
XV. | Byron's P. of Chillon. | Ln. and Edinb. 1894. |
XVI. | The P. of Chillon. | Ln. Stewart and Co. n.d. |
XVII. | The P. of Chillon. | Ln. and Glasg. Blackie and Son. 1896. |
XVIII. | Byron. The Prisoner of Chillon. | Dublin. 1896. |
XIX. | The P. of Chillon. | Weimar. 1896. |
De Gevangene van Chillon. Gent. 1856.
I. | Le Prisonnier de Chillon. | Vevey. n.d. |
II. | Bonnivard A Chillon. | Le P. de Ch. Genève. 1892. |
I. | Lord Byron's Gefangener von Chillon. | Lausanne. 1861. |
II. | Der Gefangene von Chillon. | Vevey and Lausanne. 1865. |
III. | Der Gefangene von Chillon. | Berlin. 1886. |
IV. | Der Gefangene von Chillon. | St. Gallen and Leipzig. 1892. |
I. | Il prigionero di Chillon. | Milano. 1830. |
II. | Il prigionero di Chillon. | Milano. 1853. |
Шильонскій Узникъ. С.-Петербургъ. 1822.
El preso de Chillon. Paris. 1829.
Fången På Chillon. Stockholm. 1853.
I. | The Prophecy of Dante. | Philadelphia. 1821. |
II. | The Pr. of Dante. | P. Galignani. 1821. |
III. | The Pr. of Dante. | Ln. W. Dugdale. 1825. |
IV. | The Pr. of Dante. | Ln. Blackie and Son. 1879. |
OEuvres de Dante Alighieri. La Pr. du Dante. P. Charpentier. 1842.
I. | Profezia di Dante. | P. Barrois. 1821. |
II. | La Profezia di Dante. | Nuova-Jorca. 1821. |
III. | La Pr. di Dante. | Milano. 1856. |
IV. | La Pr. di Dante. | Milano. 1858. |
La Profecia del Dante. Mexico. 1850.
I. | Sardanapalus, ... The Two Foscari, ... Cain. | London. M. 1821. |
II. | Sardanapalus, The Two Foscari, Cain. | Boston. 1822. |
III. | Sardanapalus. | London. M. 1829. |
IV. | Sardanapalus. | Arnsberg. 1849. |
V. | Sardanapalus. | Ln. T. H. Lacy. 1853. |
VI. | L.B.'s Hist. Tragedy of Sardanapalus. | Manchester. 1877. |
VII. | Sardanapalus. | Ln. J. Dicks. 1883, etc. |
Sardanapal. V Praze. 1891.
Sardanapale. Bruxelles. 1834.
I. | Sardanapal. | Posen. 1854. |
II. | Sardanapal. | Jena. 1888. |
III. | Lord Byron's Sardanapal. | Berlin. 1897. |
Sardanapalo. Milano. 1884.
Sardanapal. Warszawa. 1872.
Σαρδαναπαλος. Εν Αθεναις . 1865.
I. Сарданапалъ. С.-Петербургъ. 1860.
II. Сарданапалъ.
Sardanapalus, Stockholm. 1864.
I. | The Siege of Corinth. | London. M. 1816. |
II. | The Siege, etc. | New York. 1816. |
III. | The Siege, etc. | Ln. W. Dugdale. 1824. |
IV. | The Siege, etc. | Lüneburg. 1854. |
V. | The Siege, etc. | Ln. Nat. Soc. Depository. 1879. |
VI. | Byron's Siege of Corinth. | Berlin. 1893. |
VII. | The Siege, etc. | Bielefeld. 1885-1890. |
Het Beleg van Corinthe. Amsterdam. 1831.
Le Siége de Corinthe. P. Pillet aîné. 1820.
I. | Die Belagerung von Korinth. | Hamburg. 1817. |
II. | Die Belagerung v. K. | Leipzig. 1820. |
III. | Die Belagerung v. K. | Hamburg. 1827. |
L'Assedio di Corinto. Venezia. 1838.
El Sitio de Corinto. P. Lib. Americana. 1828.
Belägringen Af Korinth. Stockholm. 1854.
I. | The Two Foscari. | New York. 1822. |
II. | The Two Foscari. | P. Galignani. 1822. |
III. | The Two Foscari. | Ln. J. Dicks, etc. 1883. |
Двое Фоскари.
Los dos Fóscaris. Biblioteca Dramatica. Madrid. 1846.
I. | Vision of Judgment. | P. Galignani. 1822. |
II. | The Two Visions. | Ln. W. Dugdale. 1822. |
I. | Waltz: An Apostrophic Hymn. | Ln. Printed by S. Gosnell. 1813. |
II. | Waltz, etc. | Ln. Benbow. 1821. |
I. | Werner, A Tragedy. | London. M. 1823. |
II. | Werner. | P. Galignani. 1823. |
III. | Werner. | New York. 1848. |
IV. | The British Drama (Werner, Vol. iii. pp. 767-789). | Ln. John Dicks. 1865. |
V. | Werner. | Ln. J. Dicks. 1883, etc. |
VI. | Werner. | Ln. George Routledge. 1887. |
I. Вернеръ. С.-Петербургъ. 1829.
II. Донъ-Жуанъ. Москва. 1881.
The Liberal [Vols. I., II.]. Ln. John Hunt. 1822, 1823.
Dedication of Don Juan. Ln. Effingham Wilson. 1833.
The figures in italics refer to the notes only.
Abbot, The, vi. 440
Abdalmalek, iii. 120
Abdera, vi. 171
Abderrahman, Hadgi, vi. 160
Abelard, v. 634
Abencerrages, the, a Moorish tribe, v. 558
Abenhamim, iv. 530
Aberdeen, "auld toun" of, v. 609; vi. 405
Aberdeen, George Hamilton Gordon, 4th Earl of, i. 305, 378, 454; ii. 170, 204; An Inquiry into the Principles of Beauty in Grecian Architecture, i. 336
Abernethy, John, vi. 412
Aboukir, battle of, ii. 459; vi. 14
Abruzzi, the, iv. 288
Abydos to Sestos, Byron's swim from, iii. 13
Académie des Inscriptions (Paris), v. 603
Acarnania, ii. 143
Achelous (Aspropotamo) river, ii. 143, 182
Acheron (Kalamas) river, ii. 131, 180-182
Acherusia, Palus, ii. 129, 179
Achilles, i. 175, 398; ii. 167, 462; iii. 180; v. 488, 526, 535; vi. 117; his tomb, vi. 204, 211
Achmet II., Sultan, iii. 454
Achmet III., Sultan, vi. 261
Acre, siege of, iii. 4; vi. 14
Acroceraunian mountains, ii. 303
Acropolis, Athens, ii. 100, 165; vi. 429
Actium, battle of, ii. 126, 128, 179; iii. II; vi. 269
Adagia Variorum, v. 396
Adams, John, a carrier of Southwell, vii. 1
Adams, John, of Pitcairn Island (Alexander Smith of the Bounty), v. 583, 588, 605, 625
Adams, Mr., iii. 45
Addison, Joseph, his relative Budgell, i. 449; Essay on Wit, i. 398; Reflections on Westminster Abbey, ii. 133; Cato, ii. 325; vi. 485; Remarks on Several Parts of Italy, ii. 384; on Tasso and the Venetians, ii. 467; quotes an Arabian tale in Spectator, iii. 98; his "faint praise," vi. 602; his publisher Tonson, vii. 57
Address intended to be recited at the Caledonian Meeting, iii. 415
Address spoken at the Opening of Drury Lane Theatre, iii. 51
Address to the Sun in Carthon, iii. 26
Adieu, The, written under the impression that the Author would soon die, i. 192, 232, 237; ii. 458; iii. 48
Adonis, iv. 115
Adramyttium, gulf of, ii. 200
Adrastus, ii. 519
[350] Adrian (Hadrian), Emperor, i. 20, 462, 493; ii. 167, 411, 431, 436, 440
Adrian's Address to his Soul when dying, i. 20
Adriatic, wedding the, ii. 335
Ægean Sea, i. 460; iii. 272
Ægina, i. 457; ii. 362
Ælian, Var. Hist., v. 50
Ælius, ii. 437
Æmilius Paulus, ii. 518
Æneas, i. 153, 156, 157
Æschylus, Prometheus Vinctus, i. 14, 430; ii. 132; iv. 48-50, 82, 94; v. 281, 554; Eumenides, v. 281, 296; Septum contra Thebas, v. 403; Persæ, vi. 169
Æsopus, ii. 405
Æsyetes, iii. 180
Ætna, ii. 286
Ætolia, ii. 143
Africa, vi. 198
Afshar tribe, vi. 384
Agamemnon, vi. 15
Age of Bronze, The, ii. 92, 151, 239, 397; v. 332, 333, 364, 405, 495, 535-578, 606; Introduction to, v. 537
Age of Gold, vi. 284
Age of Waterloo, The, ii. 227
Agesilaus, king of Sparta, v. 619
Agg, John, ii. 213
Agilulf, Duke of Turin, ii. 489
Agincourt, battle of, ii. 459
Agis, king of Sparta, iv. 455
Aglietti, Dr. Francesco, ii. 324; iv. 456, 457
Agnadello, battle of, v. 498
Agostini, Leonard, ii. 490
Agrarian Laws, vi. 407
Agrippa, ii. 436; vi. 139
Aholibamah, v. 285
Ahriman (Angra Mainyu), the Spirit of Evil, iv. 112
Aisha, Lilla, vi. 160
Aitken, G. A., his edition of Swift's Journal of Stella, vi. 187
Aix-la-Chapelle, Congress at, v. 563
Ajax, ii. 99, 167; vi. 117, 204, 339
Akenside, iii. 452
Alamanni, Sat., iv. 459
Alaric, king of the Visigoths, i. 462; ii. 109, 172, 390, 512
Alban hill, the, ii. 455, 522
Albanese (or Arnaouts), the, ii. 169, 174
Albania, ii. 123, 173, 174
Albanian (or Arnaout) dialect, specimen of, ii. 183
Albanian war-dance, vi. 151
Albano, ii. 454
Albano, Francesco, vi. 502
Albany, Countess of, publishes Alfieri's Opere Inediti, v. 211
Albany, Duke of (Prince Leopold), iii. 157
Albion, its "chalky belt," vi. 419
Albricus Phil., De Imag. Deor., ii. 328
Albrizzi, Isabella Teotochi, Countess, Ritratti di Uomini lllustri, ii. 324; iv. 456, 457, 536, 570
Albrizzi Giuseppino, iv. 456, 457
Albuera, battle of, ii. xi, 51, 81
Alcantara, Martin de, ii. 81
Alcibiades, his beauty, and charm of his name, v. 485; vi. 547
Alcina, v. 573
Aid. Manut., De Reatina Urbe Agroque, ii. 384
Aldini, Professor, i. 308; vi. 50
Alemanni, the, ii. 298
Alesia (Alise in Côte d'Or), siege of, iv. 331
Alexander the Great (Iskander), i. 467; ii. 123, 174, 509; iii. 180; v. 21, 24, 542, 565; vi. 226, 378, 562; and Mount Athos, vi. 479
Alexander I. of Russia, i. 468, 476, 489; v. 539, 551, 553, 563, 564; vii. 27, 39, 40
Alexander III., Pope, ii. 473
Alexander IV., Pope, iii. 369
Alexander, Grand-Duke, v. 564
Alexander, George, as "Ulric" in Werner, v. 324
Alexandra, Queen, MS. of The Two Foscari, v. 113
Alexandria (Ramassieh), battle of, ii. 108
Alexey, the Tzarovitch, vi. 417
Alexis I., ii. 202[351]
Alfieri, Vittorio, ii. 324; iii. 503; iv. 325, 327; his pilgrimage to Petrarch's tomb, ii. 353; his grave in Santa Croce Church, ii. 369, 491; Autobiography, ii. 369; iv. 264; Mirra, iii. 150; iv. 367, 368; v. 5; sonnet on the tomb of Dante, iv. 244; Abele, v. 211
Algiers, vi. 56
Alhama, iv. 529-534
Ali Coumourgi, Cumourgi, or Cumurgi, iii. 442, 455
Ali Pasha, the original of Lambro in Don Juan, ii. 127, 129, 138-140, 146, 148, 174, 180; ii. 199, 205; iii. 145 189; vi. 195, 234; vii. 53
Alighieri, Alighiero (Dante's father), iv. 248
Alighieri, Beatrice (Dante's daughter), iv. 254
Alighieri, Pietro (Dante's son), iv. 254
Alison, History of Europe, v. 570, 575; vi. 374
All is Vanity, saith the Preacher, iii. 394
"Alia Hu!" concluding words of the Muezzinn's call, ii. 136; iii. 120, 481; Mussulman war-cry, vi. 332
Allacci, L., Drammaturgia, vi. xvi.
Allegra, Byron's natural daughter, i. 208; v. 469; vi. 186, 297
Allen, Edward Heron, Rubáiyat of Omar Khayyām, iii. 109
Allen, Dr. John, i. 337
Allen, Richard, A Souvenir of Newstead Abbey, vi. 497
Allied Army occupy Paris, iii. 431
Allied Sovereigns, Congress at Verona of, v. 537-539; at Vienna, v. 562
Allingham, The Weathercock, i. 45
All's Well that Ends Well, vi. 506
Almachius, or Telemachus, an Eastern monk, ii. 520
Almack's, i. 476; vi. 431
Almanack de Gotha, vi. 417
Almas, Turkish dancing-girls, iii. 251
Almonacid, ii. 89
Alp, "the Adrian renegade," iii. 454
Alpheus river, ii. 182
Alphonso I. of Tuscany, ii. 354
Alphonso II. of Tuscany, ii. 355, 356
Alphonso III., ii. 356; iii. 299; iv. 139, 145
Alphonso X., king of Castile, Tabulæ Alphonsinæ, iv. 523
Alpinula, Julia, ii. 256, 299
Alpinus, Julius, ii. 299
Alps, "the Palaces of Nature," ii. 254, 385; iv. 258
Alpuxarras, the, vi. 30
Al-Sirat's arch, iii. 109
Altada, a character in Sardanapalus, v. 12
Alterkirchen, battle of, ii. 296
Alvirt, L., Sardanapale Tragédie Imitée de Lord Byron, v. 2
Alypius, prætor, ii. 520
Amasis, king of Egypt, ii. 519
Amaun, quarter or pardon, iii. 115
Amazons, v. 526
Amber, its perfume, iii. 181
Ambition, ii. 241, 398; v. 488; vi. 78, 392, 456
Ambracia, Gulf of, ii. 128; iii. 11
Ambrosius, Mediolanensis Episcopus, vi. 168
Ameer Khan, i. 468
Amenhotep III., v. 497
America, Byron's eulogy of, iv. 197, 198
American War of Independence, i. 500; ii. 82; iv. 511, 516; vi. 12, 508
Amiens Academy, ii. 6
Ammonians, the, iv. 259
Amnani, Lilla, vi. 160
Ampère, M.J.J., La Grèce, Rome, et Dante, iv. 317
Amphion, i. 438
Amstel, A. van (Johannes Christiaan Neuman), iv. 5
Amulets, iii. 181
[352] Amurath II., Sultan, ii. 173; iii. 308
Amycus, king of the Bebryces, vi. 220
Anacreon, Odes, i. 82, 109, 147, 149, 228; ii. 139, 270; vi. 26, 171
Anacyndaraxes, Sardanapalus' father, v. 23, 24
Anah, v. 285
Analectic Magazine, iii. 377; iv. 198
Anatolia, plains of, vi. 211
Anaxarchus, the philosopher, v. 543
Anchialus, v. 23
Andernach, ii. 296
Anderson, British Poets, i. 198; ii. 236; iii. 129, 262, 405
Anderson, the actor, as "Jacopo Foscari," v. 114
Andreini, Giovanni Battista, Adam, a Sacred Drama, v. 218
Andrews, Miles Peter, Better Late than Never, i. 353
Andromache, v. 577
Andromachus, the senator, ii. 513
And wilt thou weep when I am low? i. 266
Anent, use of the word, vi. 440
Angas, G. F., Polynesia, v. 599-601
Angelo, Reminiscences, i. 322, 343
Angiolina, Dogaressa, iv. 367
Angiolini, Mdlle., i. 347, 348
Angling, "that solitary vice," vi. 513
Angora, battle of, iii. 312
Anhalt Zerbst, Prince of, vi. 388
Anholt, i. 488
Anio river, Falls of the, ii. 384, 523
Anlace, a dagger, ii. 57
Anne Boleyn, her remark on the scaffold, iii. 265
Anne, Empress of Russia, vi. 417
Annesley, hills of, i. 210
Annesley Park and Hall, iii. 311, 477; iv. 31, 32, 36, 37
Annual, The, i. 303
Annual Anthology, iv. 521
Annual Biography, v. 568; vi. 413
Annual Biography and Obituary, vi. 265
Annual Register, i. 495, 496; iii. 25; vii. 72
Annuitants, alleged longevity of, vi. 100
Another Simple Ballat, vii. 61
Anselm, Pope, i. 493
Anson, Lady, vi. 410
Anson, Sir W., Voyages, iv. 58; Memoirs of Augustus Henry, Third Duke of Grafton, iv. 510
Anster, Faust, iv. 85, 123; v. 493
Anstey, Christopher, New Bath Guide, i. 114; vi. 587
Answer to a Beautiful Poem, written by Montgomery, etc., i. 107
Answer to some Elegant Verses sent by a Friend to the Author, etc., i. 114
Answer to—— 's Professions of Affection, vii. 40
Anteros, iv. 105
Anthemocritus, the herald, ii. 431
Anthologia Græca, i. 490
Anthony (Antony), ii. 179, 492; v. 486; vi. 139
Anthony and Cleopatra, ii. 179
Anthony Pasquin (Williams), i. 304
Antigallican Monitor, iii. 535
Antigonus, v. 487
Anti-Jacobin, or Weekly Examiner, i. 304; iii. 304; vii. 49
Anti-Jacobin, Poetry of the, i. 315, 329, 368; ii. 7, 30; iv. 482, 483
Antilochus, ii. 99; iii. 180
Antimachus, i. 404
Antinomianism, i. 417
Antinous, ii. 167
Antipater, Coelius, Annales, ii. 378
Anti-Paros, island of, iii. 295
Antiquary, The, i. 413; iv. 524; v. 377
Antonina, Belisarius' wife, vi. 139
Antoninus Pius, ii. 440, 514
Aöus (Viosa, or Voioussa) river, ii. 182
Apelles, iv. 270
Apennines, the, ii. 385; iv. 253
Apicius, vi. 562
[353] Apollo Alexicacos, ii. 446
Apollo Belvidere, statue of, 446
Apollo Boëdromios, ii. 446
Apollodorus, ii. 273
Appian, ii. 179, 509
Appleton's Encyclopedia, vi. 349
Aquileia, iv. 386
Aquinas, St. Thomas, De Omnibus Rebus; De Quibusdam Aliis, ii. 163
Arabs, their hatred of the Turks, iii. 163
Araktchèef, "the corporal of Gatchina," v. 564
Aranjuez, insurrection at, ii. 90
Ararat, Mount, v. 294
Arbaces, the Mede, v. 11, 13; Governor of Media, v. 12
Arcadia, ii. 189
Arcadius, vi. 8
Archangels, the, v. 286
Archenholtz, M. de, Picture of Italy, iv. 470
Archidamus, king of Sparta, v. 619
Archilochus, ii. 483
Archimedes, vi. 538
Archivio Veneto, iv. 457
Ardennes, forest of, ii. 232, 293
Ares, fountain of, ii. 189
Aretini, B. Accolti, Dialogus de Præstantiâ Virorum sui Ævi, iv. 309
Aretino, Lionardo (Leonardo Bruni), Le Vite di Dante, ii. 500; iv. 253, 275, 309; Istoria Fiorentina, iv. 287
Argentière, Mount, ii. 300
Argonauts, the, vii. 10
Argos, iii. 447
Argus, Ulysses' dog, ii. 30, vi. 149
Argyle Rooms, i. 348
Argyrocastro, ii. 174, 202
Arici, Cesare, La coltivazione degli Ulivi; Il Corallo; La Pastorizia, iv. 245
Arimanes, Arimanius, etc., king of the Spirits, iv. 86, 112
Ariosto, Lodovico, ii. 5, 65, 354; iv. 141, 239, 265, 480; v. 615; vi. xviii, 176, 210; Satira, ii. 309; iv. 149; "The Southern Scott," ii. 311; the gondoliers and, ii. 330, 468; Orlando Furioso, ii. 359; iii. 243; iv. 75, 266, 283; v. 573; his bust, ii. 360, 486; Titian's portrait of, iv. 162
Aristaenetus, ii. 199
Aristippus, vi. 139
Aristobulus, v. 24
Aristogeiton, ii. 228, 291
Aristomenes, iv. 566
Aristophanes, Clouds, v. 289
Aristotle, i. 398; ii. 196; iv. 253; v. 13, vi. 47, 73, 182
Armada, Spanish, ii. 459
Armida and Rinaldo, vi. 34
Arminius, ii. 293
Armstrong, John, laird of Gilnockie, ii. 25, 295
Armstrong, poet, iii. 330
Arnaout, or Albanian dialect, specimen of, ii. 183
Arnaouts (or Albanese), ii. 169, 174
Arnaud, ii. 502
Arno Miscellany, i. 358
Arno river, ii. 364; vi. 402
Arnold, Matthew, ii. 370; A Wish, iii. 39, Poetry of Byron chosen and arranged by, v. 205, 254; Motto to Poems, vi. 173; A Picture of Newstead, vi. 496
Arnold, Dr. Thomas, on Cain, v. 224
Arnulph, a Lombard, ii. 390
Arpenaz, Falls of, ii. 383
Arquà, ii. 312, 350; Petrarch's tomb at, ii. 482
Arragonians, the, v. 560
Arrian, v. 24; Alexand. Anabasis, v. 543
Arrowsmith, John, Tractica Sacra, vi. 380
Arsenalotti, the, iv. 356, 358
Arséniew, vi. 306, 332, 353
Arsenius, Archbishop of Monembasia, iii. 121, 122
Art of Happiness, Horace's, vi. 490
Arta, gulf of, ii. 142, 145
Artaxerxes Mnemon, v. 3, 4
Artemidorus, Oneirocritica, ii. 488
Artemis, temples of, i. 467; ii. 441
Arthur's Seat, Edinburgh, i. 331, 334[354]
Arundel, Lord, vi. 496
Arvad, island-city of, v. 4
As You Like It, ii. 293, 399, iv. 153; v. 153, vi. 466
Ascanius, i. 157
Ascham, Roger, Schoolmaster, iv. 153
Asdrubal, v. 606
Ashburton, Lord, iv. 513
Ashpitel, F.S.A., Arthur, vi. 497
Askalon, i. 2
Asma Sultana, vi. 261
Asmodeus, i. 56, iv. 516
Aspasia, v. 5
Asphaltites, lake, ii. 237, 294
Aspropotamo (Aehelous), river, iv. 143, 182
Assyrians, the, v. 4
Astarte, iv. 115
Astley, Mrs., vii. 59
Astley's Theatre, iv. 203; vii. 59
Astoreth, the Phoenician, iv. 115
Astrea, the goddess of justice, i. 111
Asturias, the, ii. 89; v. 558
Asurbanipal, king of Assyria, v. 4
Asuretiliani, king of Assyria, v. 4
Ataghan, long dagger, iii. 103
Atalantis, vi. 453, 454
Athanasian Creed, vi. 275
Atheista Fulminalo, the old Spanish play, vi. 4
Athenæum, i. xiii; ii. 36, 216; iv. 32, 36, 513, v. 324
Athenæus, Deipnosophistæ, v. 11, 24, 103, 107
Athenian Society, the, i. 336
Athens, i. 376; its works of Art plundered, i. 454-474; ii. 187-204; besieged by the Venetians, ii. 165, et seq., treachery of the Greeks after capitulation of, v. 556
Athos, Mount, ii. 116; iii. 18; vi. 479
Atkinson, Miss, as "Josephine" in Werner, v. 324
Atlantic Monthly Magazine, v. 584; vii. 3
Atlas, Mount, ii. 386
Atreus, i. 144
"Attic Bee," vi. 585
Attica, ii. 129; vi. 429
Attila, the Hun, ii. 107, 298; iii. 306, iv. 386, 456; v. 158; vi. 321
Atuahalpa, king of Quito, ii. 81
Aubin, Commander Philip, sloop Betsy, vi. 98, 102
Aubrey, John, Miscellanies upon Various Subjects, iv. 524, Letters and Lives of Eminent Persons, vi. 571
Auchinleck, Lord, vii. 35
Auerstadt, battle of, v. 550
Augustini Cod., v. 118
Augustini Cronaca, v. 190
Augustinian monks, iv. 120
Augustinus de Cremâ, ii. 340, Confess., ii. 520
Augustus, ii. 128, 336, 408, 488, 509, 518; v. 542
Augustus, port of, vi. 179
Aulus Cæcina, ii. 299
Aulus Gellius, ii. 92; Noct. Attic., vi. 379
Aurelian, ii. 520
Aurelius, column of, ii. 410
Aurora Borealis, vi. 479
Austen, Sarah, translation of Ranke's Popes of Rome, v. 520; vi. 208
Austerlitz, battle of, i. 489, 495; ii. 342; v. 548; vi. 14, 351
Austria, and Italy, ii. 363; iv. 456, 458; loan to, v. 573
Austrians, restore St. Mark's Lions to Venice, ii. 336, defeated by Dumouriez at Jemappes, vi. 13, at battle of Leipsic, vii. 23
Ava, cava, or kava, a Tongan intoxicating drink, v. 600
Avalanches in Switzerland, ii. 385
Avarice, "a good old-gentlemanly vice," vi. 78
Aventicum (Avenches), ii. 256, 298
Avicenna, iv. 523
Avogadori di Commun (State advocates), iv. 346, 361, 399, 463, 465
Ayesha, Mahomet's favourite wife, vi. 139
Ayliffe, Parergon, v. 135
Ayscough, Samuel, iv. 153
Azâzêl, v. 291[355]
Azrael, iii. 171
Azzo V. (d'Este), of Tuscany, ii. 354
B
Baal, king of Tyre, v. 4, 18, 19, 36, 70, 95
Babbage, Charles, ii. 215
Babel, Tower of, vi. 235
Babylon, iii. 402-404; vi. 235, 236, 348
Bacchus, vi. 129
Bacci, O., Manuale della Letteratura Italiana, iv. 536
Bacon, Captain Anthony, ii. 11
Bacon, Friar (The Famous Historie of), his brazen head, vi. 78; discovers gunpowder, vi. 340
Bacon, Lady Charlotte Mary (née Harley), "Ianthe," ii. xii, 11
Bacon, Lord, ii. 514; vi. 174, 548; Advancement of Learning, v. 228; Essays, v. 489; vi. 259; Nat. Hist., vi. 518
Bactria, v. 20
Badajoz, capture of, i. 496
Baden, Franz, v. 564
Baffin's Bay, vi. 51
Bagehot, Literary Studies, i. 303
"Bagpipe," "pibroch" used for, i. 133
Bailen, ii. 54
Bailli, Jean Sylvani, first Mayor of Paris, iv. 454
Baillie, Agnes, vi. 412
Baillie, Joanna, iv. 339; vi. 412; De Montfort, iv. 338
Baillie, Dr. Matthew, vi. 21, 412
Bairâm, the Moslem Easter, iii. 96
Baird, Sir David, ii. 80
Bajuzet, cage of, iii. 312
Baker, H. Barton, The London Stage, v. 324
Bakewell, T., The Moorland Bard, etc.; A Domestic Guide to Insanity, i. 361
Baldwin and Cradock, vii. 50
Balgownie, Brig o', vi. 405
Ballad. To the Tune of "Sally in our Alley," vii. 58
Ballantyne, i. 435, 436
Baltazhi-Mahomet, Grand-Vizier, v. 564
Bandelli, iii. 505
Banderillos, dart-throwers, ii. 67
Bandusia, fountain of, ii. 524
Bank tokens, i. 495
Bankes, William, i. xii, 84, 497; iv. 162, 279, 472
Banks, Sir Joseph, ii. 7; v. 582
Bannier, or Baner, Johan, Swedish general, v. 371
Barataria, pirates of, iii. 296
Barbarelli, Giorgio (Giorgione), iv. 162
Barbarigo, Doge Agostino, v. 195
Barbarigo, Doge Marco, v. 195
Barbarossa, Frederic, ii. 336, 390, 473
Barbette, vi. 305
Barbiera, R., Poesie Veneziane, iv. 457
Barbo, Pantaleone, iv. 352
Barclay, Captain Robert, i. 321
Bardela, ii. 523
Barings, the, vi. 456
Barker, Miss, Lines addressed to a Noble Lord, iii. 488
Barlow, Sir George, i. 468
Barnave, Antoine Pierre Joseph, vi. 13
Barnet, Lewis, Sub-Dean of Exeter, iii. 299
Baronius, Ann. Eccles., ii. 512, 513, 521
Barossa, battle of, i. 469; ii. 81
Barotti, ii. 487
Barrett, Eaton Stannard ("Polypus"), All the Talents, i. 294, 337
Barrey, Lodowick, Ram Alley, i. 493
Barrol, M. de Fallette, iv. 367
Barrow, Dr. Isaac, vi. 128
Barrow, Sir John, Memoir of the Life of Peter the Great, iv. 209, 505, The Eventful History of the Mutiny of the Bounty, etc., v. 584, 588, 592, 594, 596; a Q.R. contributor, vii. 76
Barry, the actor, as "Werner," v. 324
[356] Barry Cornwall. See Procter, B. W.
Barthélémi; i. 414; Anacharsis, ii. 199
Bartolini, Lorenzo, vi. 360
Barton, Catherine (Mrs. Conduit), vi. 400
Baruffaldi Giuniore, Abbé G., La Vita di M. L. Ariosto, ii. 486
Baschet, Armand, Les Archives de Vénise, iv. 327, 364, 399
Basejo, Pietro, iv. 382
Bashkirs, a Turco-Mongolian tribe, v. 565
Basili, Byron's Albanian servant, ii. 175, 176
Baskerville, vi. 146
Basle, Treaty of, ii. 90
Basquiña or saya, the outer petticoat, vi. 116
Bastille, the, vi. 214
Bathurst, Captain, Salsette frigate, iii. 13
Bathurst, Henry, Earl of, v. 545, 546
Batteux, M., i. 402
Bauer, Juliette, tr. of Klencke's Alexander von Humboldt, vi. 216
Baussière, Madame, i. 493
Bautzen, battle of, iii. 431
Baxter, Richard, i. 417
Bayard, i. 107; ii. 7; v. 498
Bayart, Chronique de, v. 515
Bayle, Pierre, Historical and Critical Dictionary, ii. 502, 519; iii. 122; iv. 523; v. 202, 208, 226, 235, 250, 306, 634; vi. 571
Beachey, Captain, Narrative of a Voyage to the Pacific, v. 588, 605
Beatrice (Portinari), Dante's, iv. 247, 248, 251; vi. 146
Beattie, James H., Minstrel, ii. 5, 65, 82, 115, 123, 350, 479; v. 615; vi. 78
Beaufort, Duke of, Driving, vii. 26
Beauharnais, Eugène, Viceroy of Italy, iv. 458; vi. 12
Beaumont and Fletcher; i. 397, 398, 489; The Humorous Lieutenant, iv. 172
Beaumont, i. 343, 398
Beaumont, Lady (Margaret Willis), "Lady Bluemount" of The Blues, iv. 569, 570, 585; vi. 587
Beaumont, Sir George, founder of the National Gallery, iv. 341, 570, 582, 585; vii. 63, 64
Beauties of England and Wales, vi. 496, 497
Bebryces, the, vi. 220
Becher, Lady (Elizabeth O'Neill), iv. 338
Becher, Rev. J. T., i. xi, 112, 247, 263
Becket, Thomas à, i. 116; vi. 422, 495
Beckford, William, Childe Harold on; ii. xi; Italy with Sketches of Spain and Portugal, ii. 35, 36, 43, 45; Vathek, ii. 37; iii. 59, 76, 87, 105, 109, 110, 121, 145, 478; iv. 45, 89, 113, 244; "Dives," vii. 7
Becque, Henry, Sardanapale, Opéra en Trois Actes, v. 2
"Bed of Ware," vi. 272
Beddoes, Dr., i. 307
Bede, Excerptis seu Collectaneis, ii. 435
Bedford, Southey's letter to Mr., vi. 3
Bedford, Lucy, Countess of, iv. 239
Bedlam, vi. 435
Beechy, Lieutenant, vi. 478
Beethoven, iii. 376
Begum of Oude, iv. 72
Behmen or Boehm, Jacob, vi. 268
Behn, Mrs., v. 550
Béjot, M., ii. 481
Belcher, Lady, Mutineers of the Bounty, v. 588, 589, 622
Beleses, Governor of Babylon, v. 13
Beleses, a Chaldæan and soothsayer (character in Sardanapalus), v. 12
Belgrade, ii. 153; iv. 331
Belisarius, vi. 139
Bell, John, i. 357, 358
Bellerophon, vi. 255
Bellingham, murderer of Mr. Perceval, v. 477
Belshazzar, iii. 396, 421; vi. 162
[357] Beltramo Bergamasco, iv. 384, 430, 465
Beltane Tree, a Highland festival, i. 142
Belus, v. 25, 31
Belvidere Apollo, the, ii. 446
Bembo, Antonio, iii. 448
Bembo, Bernardo, ii. 495
Ben Nevis, i. 192
Benbow, W., iv. 482; v. 203; vii. 46
Bende, Niccolo dalle, iv. 464
Bender river, v. 551, vi. 362
Benedict XIV., Pope, ii. 282
Benengeli, Cid Hamet, i. 299
Bentham, Jeremy, vi. 267; vii. 32
Bentinck, Lord William, v. 158
Bentley, Richard, i. 30; iii. 209
Bentotes, or Bendotes (Vendoti), Λεξικὸν Τρίγλοσσον, ii. 197; iii. 121
Benvenuto Cellini, v. 471, 516, 518, 521
Benzon, Marina Querini, the heroine of La Biondina in Gondoleta, iv. 456, 457
Benzon, Vittore, Nella, iv. 456, 457
Benzon, Countess, iv. 471
Beppo, i. 362, ii. 313, 371, 374, iv. 153-189, 238, 241, 279, 413, 471, 517, 579, vi. xvi, xvii, 214, 287, 390; vii. 51
Béranger, J. P, de, Chansons Inédites, vi. 235, 373
Berenice, i. 69; vi. 139
Beresford, James, Miseries of Human Life; or, The Last Groans of Timothy Testy and Samuel Sensitive, i. 338
Beresford, Lord, ii. 51
Beresina, battle of, iv. 207
Bergami, Bartolommeo, vi. 236, 290
Bergamo, v. 119, 138
Bergk, i. 19, ii. 138
Berkeley, D. D., Bishop George, Principles of Human Knowledge, vi. 427
Berlan, Francesco, I due Foscari, Memorie Storicho Critiche, v. 117, 119, 121, 122, 133, 134
Berlin, v. 550
Berlinghieri, Andrea Vacca, ii. 324
Bernadotte, king of Sweden, v. 553
Bernard, Edward, Pedigree of George Gordon, Sixth Lord Byron, vi. 411
Bernard, W. Bayle, adapts Marino Faliero for the stage, iv. 324
Berners, Sir John Bourchier, Lord, The Bake of Duke Huon of Burdeux, v. 496
Berni, Francesco, iv. 157, 283, 325; vi. xvi
Bernis, Abbé de, iv. 334
Bernstorff, Count, v. 539
Berrí, Duc de, iii. 435; v. 567
Berry, Miss, Journal, iv. 569, 570, 587
Bertrand, General, iii. 312; Campagnes d' Egypte et de Syrie, v. 550
Bertuccio, Israel, iv. 340, 464
Bestuchef, Count, vi. 417
Betham, William, v. 588
Bethlen Gabor, king of Hungary, v. 349, 352
Betsy, wreck of the sloop, vi. 98, 102
Bettinelli, ii. 496
Betty, William Henry West, "the young Roscius," i. 342
Beuchot, editor of Voltaire's Works, iv. 212
Bevius, Canon of Padua, ii. 503
Bewley, John H., of Buffalo, N.Y., vii. 63
Bey Oglou, the, iii. 166
Bezborodky, vi. 389
Biagoli, iv. 318
Bianchi, ii. 494
Bianconi, ii. 487
Bibiena, Antonío Divizio da, iv. 174
Bibiena, Cardinal, iv. 174
Bibiena, Maria da, iv. 174
Bible, the, ii. xiii; prophecies of, iv. 244
Bibliographie Universelle, iv. 334
Bibliotheca Teubneriana, iv. 213
Bibliothèque de l' École des Hautes Études, Paris, ii. 412
[358] Bibliothèque Historique de la Revolution, vi. 13
Bindi, V., Monumenti Storici ed. Artistici degli Abruzzi, iv. 288
Bindlose, Sir Francis, i. 101
Biographia Literaria (Coleridge's), i. 489; iii. 435
Biographical Dictionary of Living Authors of Great Britain and Ireland, iv. 341; vi. 443
Biographie Universelles, vi. 246, 531
Biondo, Niccolo, iv. 464
Birch, Alderman, i. 435
Biren, Ernest John, vi. 417
Biscay, Bay of, ii. 31
Bishop, Sir Henry, iv. 78
Bisognoso, bezonian, a rogue, vi. 347
Black Friar of Newstead Abbey, the, vi. 576, 578, et seq.
Black, John, "Maid of Athens'" husband, iii. 16
Black, John, Life of Tasso, ii. 470, 485; iv. 145
Black, Theresa (née Macri), "Maid of Athens," iii. 15; vi. 280
Black Sea, iii. 4; vii. 10
Blackbourne, Dr., Archbishop of York, iii. 298
Blacket, Joseph, i. 323, 359, 442, 443; vii. 11
Blacklock, Dr., ii. 5
Blackmore, Sir Richard, i. 314, 404
Blackstone, Commentaries, i. 29
Blackwood, William, iii. 444; vii. 51
Blackwoods Edinburgh Magazine, iii. 182; iv. 80, 119, 139, 152, 157, 203, 240, 329, 368, 521, 570; v. 5, 204, 280, 282, 329; vi. xix, 16, 213, 278, 445; vii. 51
Blair, Dr., vi. 128
Blake, Benjamin, barber, i. 422
Blake, K. Jex-, The Elder Pliny's Chapters on the History of Art, ii. 432
Blanc, Mont, ii. 257, 299, 385
Blanchard, E. L., Life and Remains, iv. 324
Bland, Rev. Robert, The Greek Anthology, etc., i. 366; ii. 291; iii. 32; v. 633
Bland-Burges Papers, i. 416, 438
Blank verse, "allied to tragedy," i. 398; "prose poets like," vi. 73
"Blatant beast," a figure for the mob, ii. 40
Blenheim, battle of, ii. 459; iii. 57
Blessington, Lady, Conversations with Lord Byron, i. 337, 390; ii. 236, 423; iv. 63, 64, 70, 538, 545, 549, 562, 570; vi. 509; vii. 38, 82; Lawrence's portrait of, iv. 64
Blessington, Lord, iv. 64; vi. 512; vii. 82
Bligh, Lieutenant William, short account of, v. 587; A Narrative of the Mutiny and Seizure of the Bounty, etc., v. 581-583, 585, 588, 589, 591-595; vi. 98-100, 105, 111
Blondus, Flavius, De Româ Instauratâ, ii. 509
Bloomfield, George, i. 360
Bloomfield, Nathaniel, i. 300, 441, 442
Bloomfield, Robert, The Farmer's Boy, i. 359, 360, 442, 443
Blore, Edward, architect, iii. 376
Blount, Henry, "Good night to Marmion," i. 312
Blücher, Marshal, ii. 459; v. 553; vi. 312, 345; vii. 39
Blue-stockings, the, iv. 176; vi. 75
Blues, The, i. 321, 362; iv. 567-588; vi. 357, 587; vii. 17
Blunt, Lady Anna Isabella Scawen (née Noel), ii. 215
Blunt, Wilfrid Scawen, ii. 215
Boabdil, vi. 30
Boatswain, Byron's dog, i. 280; ii. 30
Boccaccio, Giovanni, ii. 353, 373, 498, 500; iv. 248, 253, 254; vi. 179; "the Bard of Prose," ii. 371; Decameron, ii. 495, 501, 502; his burial-place, ii. 499; his cenotaph at Arquà, ii. 503; Il Comento sopra la Com media, iv. 316
Bodleian Library, Oxford, v. 302, 473
Bodoni, ii. 472[359]
Boehm, Mrs., her masquerade, iv. 177
Boeotia, ii. 66, 93
Boethius, De Consolat. Philos., iv. 318
Bogle, Scottish for goblin, vi. 449
Bohemia, evacuated by the Swedish garrisons, v. 371
Bohours, ii. 485
Boïardo, Matteo Maria, Orlando Innamorato, ii. 293, 354, 485; iv. 281, 283
Boileau, i. 402; ii. 358, 484, 485
Boissevain, P., editor of Dio Cassius' Hist. Rom., iv. 370
Bolero, i. 492; iii. 3, 26; vi. 526
Boleyn, Anne, her remark on the scaffold, iii. 265
Bolingbroke, Lord, hires Mallet to traduce Pope, i. 326
Bolivar, Simon (El Libertador), v. 555
Bonar, James, Malthus and his Work, vi. 461
Bonesani, Beccaria, Dei Delitti e delle Pene, ii. 196
Boniface VII., Pope, ii. 494
Bonivard, Amblard de, iv. 14
Bonivard, François de, Prior of St. Victor (Prisoner of Chillon), iv. 3-28, 327; Les Chroniques de Genève, iv. 5; Mémoires, etc., iv. 18
Bonivard, Jean Aimé de, iv. 9, 20
Bonivard, Louis de, iv. 9
Bonn, vi. 419
Boone, Colonel Daniel, The Adventures of; Containing a Narrative of the Wars of Kentucky, vi. 348, 349
Boone, George, of Exeter, vi. 349
Booth, G., The Historical Library of Diodorus the Sicilian, v. 11
Booth's Theatre, New York, Sardanapalus at, v. 2
Border Minstrelsy, ii. 4, 25, 295
Borgia, Lucrezia, ii. 354
Borgo, Count Pozzo di, v. 539
Bornou, vi. 474
Borysthenes (Dniéper) river, iv. 211
Boscan, Juan, of Barcelona, Leandro; The Allegory, vi. 40
Bosphorus, vi. 219, 220; vii. 10
Bosquet de Julie, ii. 305, 306
Boswell, James, Life of Johnson, i. 401, 409, 449; ii. 460, 489; iv. 500, 573; v. 592; vi. 247, 455, 482
Botzaris, Marco, Suliote chief, ii. 180
Boudot, M., ii. 481
Boufflers, Marshal, ii. 297
Boulanger, J. C., De Terræ Motu et Fulminibus, ii. 488
Bounty, Mutiny of the, See also The Island, v. 581-584. See also The Island
Bourbon, Connétable Charles de (Comte de Montpensier, Dauphin d'Auvergne), ii. 390; iv. 258; v. 495, 498, 515-518, 520
Bourbon, Susanne, Duchesse de, v. 499
Bourbons, the, iv. 334
Bourdeille, Pierre de, v. 520
Bourne, H. R. Fox-, Life of John Locke, ii. 353
Bourrienne, M., i. 489
Bouveret, ii. 304; iv. 18
Bouwah! the Suliote war-cry, vii. 83
Bowles, Rev. William Lisle, Strictures on Pope, etc., i. 292, 305, 323-327, 352, 370, 421, 435; ii. 139; iii. 535; iv. 555, 562; Spirit of Discovery, i. 324, 325, 404; The Missionary of the Andes, vii. 45; The Invariable Principles of Poetry, vii. 74, 75
Bowles and Campbell, vii. 74
Bowring, E. A., The Tragedies of Vittorio Alfieri, v. 211
Boyd, Hugh, iv. 313, 513
Boyer, J. B., Lettres Juives, iii. 123
Boyne, W., i. 495
"Boz," Memoirs of Joseph Grimaldi, vi. 11
Bracciolini, Poggio, ii. 354
[360]Braemar, i. 173
Braganza, vii. 6
Braham, John, i., 347; music for Hebrew Melodies, iii. 375
Bramante, first architect of St. Peter's, Rome, iv. 270
Brandenburgh, George William, Elector of, v. 373
Brandl, Professor A., Goethes Verhältuiss zu Byron, iv. 82; Goethe-Jahrbuch, iv. 136
Brandywine, battle of, i. 500
Brantôme, Memoires de Messire Pierre de Bourdeille, v. 504, 520
Brasidas, ii. 167, 335
Brass, Corinthian, vi. 284
Braziers, the, vii. 72
Bread-fruit (Autocarpus incisa), v. 596
"Break squares," to, vi. 487
Breitenfeld, battle of, v. 371
Brennus, iv. 258
Brenta, the, ii. 349
Brentano, M. Frantz Funck-, L'Homme au Masque de Velours Noir, iv. 514
Brentford, ii. 66
Brenton, E. P., The Naval History of Great Britain, vi. 589
Brescia, v. 119, 138
Bret Harte, The Society upon the Stanislaus, iv. 296
Breuner, General, iii. 455
Brewster, Sir David, Letters on Natural Magic, v. 483; Memoirs, etc., of Sir Isaac Newton, vi. 400
Briareus, vi. 276
Bride of Abydos, i. 340; iii. 13, 17, 80, 157-210, 217, 219, 275, 319, 480; iv. 56; vi. 204; vii. 55
Bridge of Sighs, Venice, ii. 327, 465; iv. 364; v. 139
Bristol, Countess of, vi. 219
"Britannicus," Revolutionary Causes, etc., and A Postscript containing Strictures on Cain, etc., v. 202
British Album, i. 358, 383
British Archæological Society, iii. 120
British Bards, A Satire, original title of English Bards, and Scotch Reviewers, i. xiv, 293, 303, 306, 307, 311-314, 316, 317, 321-325, 327, 332, 339-342, 344-346, 353-355, 357, 361, 366, 367, 371-373, 375, 376
British Critic, vi. xx
British Museum, i. xiv, 108; ii. 441; v. 542, 548, 600; vii. 78; Egerton MSS., i. 235, 293, 387; MS., Proof b, i. 394-396, 398-401; Childe Harold MS., ii. 3-5; iii. 38; MS., vii. 87
British Review ("The Old Girl's Review;" "My Grandmother's Review"), iii. 128; iv. 578, 579; v. 204; vi. xx, 76
British Theatre, iii. 158
Brocken, German superstition about the, v. 483
Brodribb, Rev. W. J., Pliny's Letters, ii. 380
Brossano, Petrarch's son-in-law, ii. 484
Brougham, Lord, i. 293, 302, 306, 338; iv. 195; The Identity of Junius with a Distinguished Living Character established, iv. 513; his Fabian tactics, vi. 67-70; "Parolles," vi. 506; his critique of Hours of Idleness, vi. 551
Brown, Horatio F., Venice, an Historical Sketch, etc., ii. 338, 340; iv. 356, 361, 399; v. 119, 125; Venetian Studies, iv. 427
Brown, John, The Kentucky Pioneers, vi. 349
Brown, Rawdon, Preface to Venetian Calendar of State Papers, iv. 447
Browne, Felicia Dorothea (Mrs. Hemans), vii. 70
Browne, Isaac Hawkins, The Fireside, a Pastoral Soliloquy, vi. 348
Browne, Sir Thomas, ii. 345; Religio Medici, iii. 165
Browning, Mrs. Elizabeth Barrett, Casa Guidi Windows, iv. 239, 250
Browning, Oscar, Peter the Great, iv. 203; Charles XII., iv. 208; vi. 363; Dante, iv. 254
Browning, Robert, Poetical Works, ii. 346; [361] Christmas Eve, ii. 376, 441; Never the Time, etc., iii. 180; Evelyn Hope, iii. 292; Pippa Passes, iii. 348; Confessions, iv. 217; and Macready, v. 114; Bishop Blougram's Apology, vi. 586
Brownlow, Bishop of Winchester, vii. 22
Bruce, James ("Abyssinian Bruce"), Life and Travels, iii. 99; v. 302; vi. 122
Bruchard, Henri de, Notes sur le Don Juanisme, vi. xx, 387
Brue, Benjamin, Journal de la Campagne en 1715, iii. 442, 481
Brummell, "Beau," iv. 179; vi. 451
Brunck, Richard Franz Philippe, i. 30; Anthologia Græca, i. 490; Gnomici Poetæ Græci, ii. 404
Brunelleschi, ii. 376
Brunswick, Duchess of, vii. 35
Brunswick, Charles William Ferdinand, Duke of, ii. 239; vi. 12, 312
Brunswick, Frederick William, Duke of, ii. 230
Brussels, the Waterloo ball at, ii. 228, 292
Brutus, ii. 374, 392; iv. 370, 386; v. 560; vii. 37
Bryant, Jacob, iii. 179; Dissertation concerning the War of Troy, etc., vi. 204, 211
Bryant's Dictionary of Painters, ii. 171
Brydges, Sir E., iv. 541
Bucentaur, the Venetian State barge, ii. 335
Buchan, fifth Earl of, i. 429
Buckhurst, Thomas Sackville, Lord, Gorboduc, i. 197
Buckingham, George Villiers, second Duke of, i. 197; The Rehearsal, i. 309, 401, 423, 447; vi. 52, 303
Buckingham, John Sheffield, Duke of, Essay upon Poetry, i. 354
Buda retaken from the Turks, iii. 458
Budd, the publisher, i. 356
Budge, E. A. Wallis, Life and Exploits of Alexander the Great, v. 543
Budgell, Miss, i. 449
Budgell, Eustace, i. 448, 449
Buffo, vi. 206
Bulgarin, Iwan Wizigin, iv. 203
Bull-fights, ii. 67-72
Bulmer, W., printer, i. 317; iii. 301
Bülow, Friedrich Wilhelm, Baron von, vi. 345
Bulukof, Count, vi. 260
Bumpus, John, i. 234
Bunbury H., The Little Grey Man, i. 317
Bungay, Friar, vi. 78
Bunyan, John, vi. 208
Bunyan, William, An Effectual Shove, etc., i. 417, 418
Buonaparte, Jacopo, Sacco di Roma, etc., iv. 258; v. 471, 514, 516, 520, 521
Buonaparte, Joseph, iv. 458; v. 533
Buonaparte, Prince Lucien, ii. 522
Buonaparte, Napoleon. See Napoleon Buonaparte
Buratti (Bucati), Pietro, iv. 456, 457
Burchard, Diar., iii. 367-369
Burdett, Sir Francis, i. 435, 436; vii. 30, 40, 67, 68
Burgage, or tenure in burgage, vi. 590
Bürger, Lenore, i. 305
Burges, Elizabeth, Lady (née Noel), i. 437
Burges, Sir James Bland, i. 314; Richard the First; Exodiad, i. 436, 437
Burgoyne, General John, vi. 12
Burgundians, the, ii. 254, 297
Burke, Edmund, i. 416; iv. 75, 513; v. 592; Reflections on the Revolution in France, ii. 7; iii. 513
Burkitt, Thomas, able seaman on the Bounty, v. 583
Burns, Robert, Farewell to Ayrshire, i. 210; Lewis's Tales of Terror, i. 317; referred to in E. B. and S. R., i. 360, 362; Farewell to Nancy, iii. 147; The Life and Age of Man, iii. 449; Dr. Currie's Life of, vi. 174;
[362] Burrard, Sir Harry, ii. 39
Burton, Sir Richard F., Arabian Nights, iii. 87, 104, 109, 113
Burton, Anatomy of Melancholy, ii. 236; v. 543
Burun, Ralph de, iv. 543; vi. 411
Busaco, battle of, i. 470
Busby, Dr. Thomas, A New and Complete Musical Dictionary; The Age of Genius; Drury Lane Address, i. 481, 485; iii. 55-58; translation of Lucretius, iii. 57
Busingen, iv. 97
Bute, John Stuart, Earl of, iv. 501, 510
Butler, A. J., The Hell of Dante; iv. 245; translation of Francesca da Rimini, iv. 320
Butler, Dr., Headmaster of Harrow ("Pomposus"), i. 17, 88, 89, 90, 91, 93, 94
Butler, Rev. Alban, Lives of the Saints, vi. 32, 33
Butler, Samuel, Hudibras, vi. 153, 404, 551
Buxton, Fowell, vi. 549
Byng, George, M. P. ("the County Byng"), vii. 67, 68
Byng, Admiral John, ii. 40, 41
Byrne, editor of Morning Post, i. 358
Byrne. Mrs. (Charlotte Dacre), "Rosa Matilda," i. 306, 357, 370; Hours of Solitude, i. 358
Byron, Augusta Ada. See Lovelace, Lady
Byron, Cecilie, Lady (widow of Sir Francis Bindlose), i. 101
Byron, Charlotte Augusta (Mrs. Christopher Parker), iii. 417
Byron, Elizabeth, Lady (née Chaworth), iv. 542
Byron, Hon. Mrs. Frances (née Levett), vi. 410
Byron, Hon. George, vi. 410
Byron, George Anson, iii. xxi; vii. 41
Byron, Hon. Juliana, iii. 381
Byron, Lucy, Lady, i. 101
Byron, the Little Sir John, i. 1, 3, 119
Byron, Admiral the Hon. John, iii. 381, 417; iv. 57; vi. 410; Narrative of his shipwreck in the Wager; Voyage round the World, iv. 58; vi. 102, 121
Byron of Rochdale, 1st Lord (Sir John Byron of Clayton), i. 3, 101, 119, 121; vi. 294, 495
Byron, Sir Nicholas, i. 3
Byron, Richard (2nd Lord), i. 3, 101; iv. 14; vi. 294
Byron, Sir Robert, i. 101
Byron, Sophia Maria, vi. 410
Byron, William (3rd Lord), iv. 542
Byron, William (5th Lord, "the wicked Lord Byron"), ii. 17; iv. 58, 542; vi. 121, 410, 497
Byron, Hon. William, iii. 381
Byron, Sir William, i. 121
Byron, Lady (Miss Milbanke), i. 260, 301, 359; ii. x, 74, 288, 427; iii. 411, 449, 499; iv. 39, 63, 184, 254, 492; vi. 22, 274; her transcription of Parisina, iii. 499; "my moral Clytemnestra", iv. 64; "a poetess—a mathematician—a metaphysician," iv. 576; "Miss Lilac" of The Blues, iv. 570; on Byron's lameness, v. 470; Remarks on Mr. Moore's Life, etc., vi. 21; and M. Baillie, vi. 412; patroness of the Charity Ball, vii. 71
Byron, Lord, Diary or Journals referred to, i. 5, 25, 30, 45, 103, 184, 303, 310, 362; ii. 61, 187, 304; iii. 46, 50, 70, 105, 149, 150, 157, 165, 210, 218, 303, 305, 307, 308, 311, 314, 411, 495; v. 28, 61, 78, 159, 199, 254, 477, 555, 615; vi. 18, 128, 146, 173, 197, 204, 240, 263, 421, 461, 504, 511; vii. 51, 74; My Dictionary, vi. 381
Byron, Mrs. (mother), i. 269, 336; iii. 449; iv. 543; Byron's letters to, i. 125, 282, 351; ii. ix, 24, 27, 34, 42, 49, 59, 63, 100, 124, 128, 138, 301; iii. 4, 13, 441, 450; vi. 128, 195, 565; furiosa, vi. 30
[363] "Byron's Pool," on the Cam, vi. 49
"Byron's Tomb," at Harrow, i. 26
Byzantium, ii. 337
C
Caballerías, the, ii. 47
Caballero, Victoires et Conquètes des Français, ii. 94
Cabot, Sebastian, iv. 262
Cabotto, or Gavotto, Giovanni, iv. 262
Cadiz, ii. 63, 67, 77, 93; iii. 1
Cadmus, i. 148
Cæcina, Aulus, ii. 299
Cæsar, i. 351, 422; ii. 397; iv. 352; v. 560; vi. 139, 339, 404; De Bello Gallico, iv. 331
Caia river, ii. 45
Cain, iii. 32, 182; iv. 34, 48, 50; v. 5, 9, 197-275, 279, 306, 469; vi. 385, 444, 491; vii. 78; Introduction to, v. 199; Dedication, v. 205; Preface, v. 207
Calderon, El Mágico Prodigioso, iv. 81; v. 470; Los Cabellos de Absalon, iv. 100
Caledonian Meeting, the, iii. 415
Caledonian Mercury, iii. 45
Calendario, Filippo, a stone-cutter, iv. 382
Calendario, Philip, a seaman, iv. 464
Calenture, the, v. 159; vi. 586
Calenus, A., ii. 520
Caligula, ii. 408; iii. 455; iv. 334; v. 542; vi. 276
Caliriotes (Albanese women), ii. 183
Callcott, Lady (Mrs. Maria Graham), iii. 532; vi. 206, 207
Callimachus, ii. 173; vi. 445
Callistratus, ii. 291
Calma, Abbé, v. 211
Calmana, Caimana, etc., Cain's twin sister, v. 226
Calmar, i. 177
Calmet, Augustine, Dissertations sur les Aparitions, iii. 123
Caloyer, Greek monk, ii. 130, 181; iii. 123
Calpac, centre part of Turkish headdress, iii. 119
Calpe's rock (Gibraltar), i. 378; ii. 89, 113, 455
Calprenède, M., i. 398
Calvert, Charles, actor, iv. 78; as "Sardanapalus," v. 2
Calvin, i. 417
Calvinism, Byron's, ii. 74
Calypso, ii. 118
Calypso's isle (Goza), ii. 118, 173; iii. 10
Camarases, John, translation of Ocellus Lucanus' De Universi Natura, ii. 198
Cambridge, Duke of, iii. 145
Cambridge, Rev. O. P., iii. 107
Cambridge University, i. 373, 392; Whig Club at, vii. 66, 68
Cambyses, 2nd king of Persia, iv. 259
Camel, "ship of the desert," v. 606
Cameron of Fassieferne, John, ii. 292
Cameron of Lochiel, Donald, ii. 232, 292
Cameron, Sir Evan, ii. 232, 292
Camerotti di sotto, and di soprà, (Venetian prisons), iv. 364
Camese, Albanian kilt, ii. 146
Camillus, ii. 518
Camoëns, Luis de, i. 78, 313, 320, 370
Campbell, J. Dykes, iii. 538
Campbell, Thomas, i. 331, 435; vii. 49; Specimens of the British Poets, i. 198; vii. 74, 75; a true poet, i. 306; Pleasures of Hope, i. 361; ii. 169; iii. 459; Gertrude of Wyoming, i. 429; ii. xiii, 23, 113; vi. 39; Hohenlinden, ii. 49; Lochiel's Warning, ii. 292; iv. 235; Elegy on Princess Charlotte's Death, ii. 450; Battle of the Baltic, ii. 459; Last Man, iv. 42; referred to in Don Juan, vi. 6, 75, 444
Campo Formio, Peace of, ii. 363
Can Grande della Scala, v. 562
Canaries, Isles of the Blest, vi. 169
Candia, ii. 340; v. 127
Cangas, battle of, ii. 46[364]
Cannæ, battle of, ii. 255
Canning, George, New Morality, i. 294, 363; Gifford's support of, i. 304; his "colleagues hate him for his wit", i. 377; M.P. for Liverpool, i. 497; attempts to form coalition Ministry, i. 497; his duel with Perceval, ii. 79; Needy Knife-Grinder in Anti-Jacobin, ii. 80; praises Bride of Abydos, iii. 151, 197; parodies Southey's Elegy on H. Martin, iv. 482; Pitt's "The Pilot that weathered the Storm," v. 568, vi. 482; and Roman Catholic Emancipation, v. 569; Byron on, vi. 482; Brougham and, vi. 506; quotes Christianity to sanction slavery, vi. 549; "the tall wit," vii. 54; "for War," vii. 30
Canova, Antonio, ii. 324, 369, 370; iv. 174, 536
Cantabria, Favila, Duke of, v. 558
Cantemir, Demetrius, History of the Growth and Decay of the Othman Empire, vi. 259, 277
Canterbury, vi. 421, 422
Canzani, Lambro, iii. 194, 219
Cape de Verd Islands, vi. 169
Cape Gallo, iii. 248
Capena, ii. 416, 516
Capo di Ferro, Cardinal, ii. 508
Capo d'Istria, Count, President of Greece, v. 575
Capote, Albanese cloak, ii. 132, 181; iii. 450
Cappelletti, Giuseppe, Storia della Republica di Venisia, iv. 327, 345, 427
Capperonier, M., ii. 481
Caracalla, ii. 517, 521; iii. 180
Caracci, Hannibal, ii. 437
Caractacus, vi. 497
Carapanos, Constantin, Dodone et ses Ruines, ii. 132, 182
Carasman (or Kara Osman), Oglou, iii. 166
Caravaggio, vi. 502
Carbonari, the, vi. 259, 489; v. 567
Cardan, De Consolatione, ii. 236
Carew, Thomas, Poems, iii. 17; The Spark, ii. 236
Carey, Henry, Chrononhotonthologos; Sally in our Alley, i. 413; Namby Pamby, or a Panegyric on the New Versification, i. 418
"Caritas Romana," ii. 437
Carlisle, taken by the Highlanders, vii. 25
Carlisle, Frederick Howard, 5th Earl of, i. 354, 370, 383; ii. 23, 234; vii. 78
Carlisle, Lady, v. 329
Carlo Dolce, vi. 502
Carlowitz plain, iii. 455
Carlyle, Thomas, i. 489; French Revolution, iv. 13, 454; History of Frederick the Great, iv. 334; vi. 337
Carmagnola, v. 179, 180
Carnarvon, 1st Earl of, i. 336
Caroline (of Anspach), Queen, ii. 282
Caroline (of Brunswick), Queen, i. 311; ii. 230; iv. 555; v. 15, 206, 569; vi. 67, 236, 275, 290, 450, 451; vii. 72, 78
Carpenter, Dr. F. J., Selections from the Poetry of Lord Byron, iv. 119
Carr, Sir John (Stranger in France; Travels), i. 38, 378, 379; ii. 65, 78
Carrara, Francesco Novello da (Signer of Padua), ii. 476, 482
Carreno, José Maria, Commandant-General of Panama, v. 602
Carrer, Luigi, iv. 456, 457, 536
Carrer Museum, Venice, iv. 457
Cartaginense, Il, vi. 91
Cartaret, Lord, i. 418
Carthage, iv. 251; vi. 348; burning of, v. 512
Carthaginians and Irish, vi. 337
Carttar, Joseph, coroner for Kent, vi. 265
Carus, Rev. W., Memoirs of the Life of the Rev. Mr. Simeon, i. 417
[365] Carver, William, vii. 22
Gary, New Pocket Plan of London, Westminster, and Southwark, vi. 434
Gary, Rev. Henry Francis, Dante, iv. 23, 313; Memoir of, iv. 314
Carysfort, John Joshua Proby, 1st Earl of, i. 445
Casaubon, ii. 518
Casemate, a, vi. 305
Cash, power of, vi. 458
Casimir V., king John, of Poland, iv. 201, 205, 211, 212
Cassander, v. 487
Cassandra, i. 377; iv. 243
Cassiodorus, Tripartita, ii. 521; iii. 306; iv. 386
Cassius, ii. 374; iv. 120, 386
Castelar, Emilio, Life of Lord Byron, ii. 374
Castellan, Antoine Louis, Lettres sur la Morée, etc. iii. 249, 270; Moeurs des Ottomans, iii. 480
Castelnau, Marquis Gabriel de, Essai sur L'Histoire ancienne et moderne de la Nouvelle Russie, vi. 264, 304, 305-307, 309-313, 315-317, 319, 320, 331-335, 340, 343, 344, 352, 356, 358, 359, 362, 365, 366-368
Castéra, J. H., Vie de Catherine II., vi. 370, 392
Casti, Animali Parlanti, iv. 156
Castiglione, Marchesa, iv. 157
Castlereagh, Lord, ii. 342; iv. 476; vi. 4, 7, 264, 389, 418, 450; vii. 20, 30, 65, 81
Castri, village of, ii. 61, 85, 92, 189
Castriota, George (Scanderberg or Scander Bey), ii. 124, 173
Catalani, Angelica, i. 346; v. 562
Cataneo, Maurizio, iv. 150
Cathay, vi. 457
Cathcart, Lord, i. 468, 488
Catherine II. of Russia, ii. 193, 198, 200, 282; v. 550, 564; vi. 313, 333, 351, 370, 381, 383, 387-399, 406, 411, 413, 414, 439
Catholic Claims, iv. 561
Catholic Emancipation, iv. 503; v. 569; vi. 506
Catilina, iii. 117
Catinat, Maréchal Nicholas, Mémoires, vi. 170, 514
Cato, i. 449; ii. 514; iv. 253; v. 506; vi. 270, 303
Catullus, v. 613; vi. 26, 139; vii. 17; Ad Lesbiam, i. 72; "Lugete Veneres, Cupidinesque," i. 74; "Mellitos oculos tuos, Juventi," i. 75
Caucasus, Mount, i. 378; v. 17, 30, 57, 294
Causeus, Museum Romanum, ii. 509
Cava, the Helen of Spain, ii. 46, 89; iv. 334
Cava, battle of, vi. 14
Cava, kava, or ava, a Tongan intoxicating drink, v. 600
Cavalier, a military earthwork, vi. 352
Cavalier Servente, iv. 165, 172
Cavalli, Marquis Antonio, iv. 547
Cawthorn, James, i. 294, 387, 453; ii. ix, x; vii. 9
Cayster river, ii. 182
Ceccho, Captain, ii. 477
Cecilia Metella, tomb of, ii. 402-405
Cecrops, i. 462
Cellini, Benvenuto, v. 471, 516, 518, 521
Ceneda, Lorenzo, Count-bishop of, iv. 332
Centaur, H.M.S., wreck of, vi. 90, 92, 94-96, 99, 110
Century Dictionary, ii. 135; v. 135
Century Magazine, iii. 435
Cephalonia, ii. 125; vii. 83
Cephalus, ii. 178
Cephisus river, i. 459; iii. 272
Ceraunian mountains ("Chimera's Alps"), ii. 131, 181
Cerement (searment), ii. 154
Ceres, vi. 129; "fell with Buonaparte," vi. 383
Cerigo, island of, ii. 167
Certaldo, Boccaccio's tomb at, ii. 373, 499
Certosa Cemetery, i. 21
Cervantes, Don Quixote, i. 299; ii. 89, 178; vi. 303, 483
[366]Cesarotti, ii. 496; iv. 457
Cesi, Pietro, President of Romagna, vi. 212
Cevallos, Don Pedro de, i. 338
Chad, G. W. vi. 374
Chæronea, ii. 294.
Chalmers, George, iv. 513; The Life of Mary Queen of Scots, vii. 53
Chambrier, M., iv. 514
Champion, The, iii. 532-535; vii. 37, 38
Champollion, Jean Franjois, v. 603
Chandler, Dr., Travels in Greece, ii. 172, 189
Chantrey, Sir Francis, vii. 49
Chaponnière, J. J., editor of Advis et Devis de l'ancienne et nouvelle Police de Genève, etc., iv. 5
Chappell, William, Old English Popular Music, vi. 145
Charity Ball, The, vii. 71
Charlemagne, iv. 287-290; vi. 507
Charlemont, Lady, iii. 105; iv. 569; vi. 215
Charles I., i. 2, 3, 101, 130,; v. 560; vii. 35, 36
Charles II., i. 2, 123, 198; v. 487
Charles III., Duke of Savoy, iv. 4, 10
Charles IV. of Spain (Connétable de Bourbon, Comte de Montpensier), ii. 390; iv. 258; v. 495, 498, 515-516, 520
Charles V. of Spain, ii. 453; iii. 308, 309; v. 499, 549
Charles VII. (Duke of Lorraine), iii. 458
Charles VIII. of France, ii. 504
Charles IX. of Sweden, v. 371
Charles XII. of Sweden, i. 107; iv. 202, 207, 233; v. 551; vi. 362, 363
Charles of Anjou, ii. 494
Charles of Saxony, Prince, vi. 605
Charles the Bold, ii. 297
Charles, Prince (the Pretender), i. 173
Charles Edward, Prince, ii. 369
Charles, R. H., translation of Dillman's Ethiopic Text (Book of Enoch), v. 302
Charlotte, Princess, wife of Tzarovitch Alexey, vi. 417
Charlotte of Wales, Princess, ii. 313, 450; iii. 45, 376; vii. 35, 78
Charlotte, Queen, iii. 4
Charrière, E., La Vie vaillant Bertran du Guesclin, v. 549
Chateaubriand, François Réné, Vicomte de; ii. 190; iii. 195, 431; v. 538, 539; Les Aventures du dernier Abencerrage, v. 558; Congress, etc. v. 562, 567, 575; Les Martyrs ou le Triomphe de la religion chrétienne, v. 575
Châteauneuf-de-Randon (Lozère), v. 549
Chatham, Earl of, i. 113; iv. 510; vi. 478; vii. 28
Chaucer, mentioned in Hints from Horace, i. 395; his use of the word lemman, ii. 22; Canterbury Tales ii. 155; the nightingale's "merry note," iii. 170; terza rima, iv. 313; Compleint to his Lady, iv. 239; Wife of Bath, iv. 484
Chaumont, Treaty of, v. 550
Chaworth, George, Viscount, iv. 542
Chaworth, Mary Ann (Mrs. Chaworth-Musters), i. 52, 189, 192, 210, 329, 277, 282, 283, 285, 475; ii. 18, 29. 421; iv. 31, 32, 35, 36, 39, 542; Byron's "bright morning star of Annesley," iv. 38
Chaworth, William, i. 189; ii. 17; iv. 542
Cheltenham, v. 609
Chemnitz, battle of, v. 371
Cheops, king, vi. 79
Cherbuliez, J. L. A., vi. 461
Chermside, Sir Herbert Charles, Governor of Queensland, vi. 497
Chermside, Lady (née Webb), vi. 497
Cherry, Andrew, The Travellers; Peter the Great, i. 306, 345
Cherubim, the, v. 228
[367] Cherubini, his opera Les Abencerages, v. 558
Chester Mysteries, vi. 551
Chester Plays, v. 200, 207
Chesterfield, 4th Earl of, Letters, i. 415; vi. 525
Chesterfield, Philip Henry, 5th Earl of, President of the Four-Horse Club, vii. 26
Chetsum, Rev. David, ii. 283
Chevalier, Le, iii. 13
Chezy, A. L., Jāmā's Medjnoun and Leila, iii. 160
Chiaus, a Turkish messenger, iii. 113
Chichester, Lady, ii. 23
Chichester, Mrs., i. 350
Childe Harold, Introduction to Cantos I. and II., ii. ix-xv; Notes on the MSS. of, ii. xvi-xx; Itinerary, ii. xxi-xxiv; Preface to Cantos I. and II. ii. 3-8; Canto I., ii. 15-84; Notes on Canto I., ii. 85-95; Canto II., ii. 99-163; Notes on Canto II., ii. 165-208; Introduction to Canto III., ii. 211-214; Canto III., ii. 215-289; Notes on Canto III., ii. 291-307; Introduction to Canto IV., ii. 311-315; Original Draft Canto IV., ii. 316-319; Dedication of Canto IV., ii. 321-326; Canto IV., ii. 327-463; Notes on Canto IV., ii. 465-525; referred to, i. 5, 232, 277, 282, 324, 355, 366, 368, 379, 387, 453-455; iii. xix, 1, 2, 4, 5, 7, 8, 11, 12, 13, 14, 19, 21, 23, 24, 90, 91, 96, 107, 120, 121, 123, 129, 134, 145, 165, 168, 210, 225, 336, 395, 417, 450, 459, 460, 470, 480, 485, 495, 499, 521; iv. 6, 34, 40, 41, 53-59, 62, 63, 65, 79, 87, 100, 104, 105, 127, 131, 132, 139, 155, 162, 166, 173, 193, 194, 196, 238, 244, 257, 266, 271, 275, 304, 364, 397, 404, 413, 422, 425, 426, 446, 456, 471, 529, 536, 578, 580; v. 27, 73, 126, 139, 149, 153, 157, 163, 333, 365, 408, 500, 556, 607, 610, 612, 615; vi. xv, xvii, 12, 13, 48, 74, 84, 116, 149, 186, 200, 212, 234, 303, 382, 384, 419, 424, 434, 476, 539, 558; vii. 7, 37, 49, 51, 55, 58
Childe Harold's Good Night, ii. 26; vii. 6
Childish Recollections, i. 17, 84-106; ii. 8, 12, 95; iii. 324
Children of Apollo, i. 294, 342, 445
Childs, George W., vii. 63
Chili, Independence of, v. 556
Chillon, Castle of, ii. 303, 304; iv. 3, 4, 18
Chimariot mountains, ii. 131, 181
Chinazzo, David, The War of Chioza, ii. 338, 477
Chioggia (Chioza), war of, ii. 338, 476, 497
Chisholm, G. G., ii. xxiv
Chiswick Press, i. xi
Choiseul-Gouffier, Count, Voyage Pittoresque de la Grèce, ii. 168; iii. 295; vi. 151
Chouet, i. 414
Chrematoff, vi. 307
Christian, Charles, v. 622
Christian, Edward, Chief justice of Ely, v. 588; editor of Blackstone's Commentaries, v. 622
Christian, Fletcher, mate of the Bounty, v. 581-584, 588; short account of, v. 622
Christian Observer, iii. 377
Christians of Ewanrigg, the, v. 622
Christodoulos, an Acarnanian, Περὶ Φιλοσόφου, κ.τ.λ., ii. 198
Christopher Caustic's Terrible Tractoratian, etc., i. 307
Chronique de Bayart, v. 515
Chryseus, ii. 462
Chrysostom, vi. 28
Chulos, footmen, ii. 67, 71
Church, Rev. A., Pliny's Letters, ii. 380
Churchill, Charles, iv. 45, 51; v 337; Prophecy of Famine, iv. 14; The Times, iv. 21; The Candidate, iv. 46; The Farewell, iv. 174
Churchill, Charles, master-at-arms on the Bounty, v. 583
[368] Churchill's Grave, iv. 45, 51, 71, 230, 266; v. 337; vi. 401
Cibber, Colley, The Provoked Husband, i. 399; Lives, iii. 280
Cicero, "Tully's fire," i. 29; Addison on his puns, i. 398; Sulp. Severus' letter to, ii. 133; In Verrem, ii. 168; speeches in the Forum, ii. 301, 413; De Finibus, ii. 345; Epist. ad Familiares, ii. 362; Epist. ad Atticum, ii. 384, 509; "Alas, for Tully's voice," ii. 392; In Catilinam, ii. 396, 510; Academ., ii. 399; Middleton's Life quoted, ii. 408; site of his villa, ii. 455, 522; Romans and the theatre, ii. 492; De Divinat., ii. 510; vi. 585; De Suo Consulatu, ii. 510; De Legibus, ii. 519; De Naturâ Deorum, iv. 115; Epist., iv. 120; Pro Sexto Roscio, Amerino, iv. 438; Diodorus Siculus contemporary with, v. 3; "the topical memory of the ancients," vi. 16
Cicisbeo, origin of the word, iv. 171
Cicogna, E. A., Personaggi illustri della Venezia patrizia gente, iv. 457; Inscrizioni Veneziane, v. 123
Cicognara, Leopoldo, Conte de, ii. 324, 472; iv. 456, 457
Cicognini, Giacinto Andrea, Convitato di Pietra, vi. xvi
Cid Hamet Benengeli, i. 299
Cilicia, v. 4, 24
Cimon, iv. 108
Cincinnatus, iii. 314; v. 571
Cinna, ii. 393
Cintio Giraldi, Nouvelles, v. 471
Cintra, Convention of, ii. xi, 38, 39, 65, 86; mountain, ii. 31, 34; Royal Palace at, ii. 37
Circassia (Franguestan), iii. 111; vi. 279
Circe, v. 573
Cisternes, Raoul de, Le Duc de Richelieu, vi. 333
Ciudad Real, ii. 89
Ciudad Rodrigo, fall of, i. 496; vi. 69
Civil Wars, the, i. 3
Civitella, village of, ii. 523
Civran, iv. 331
Claiborne, W. C. C., Governor of Louisiana, iii. 297, 298
Clairmont, Jane (her transcription of Childe Harold, Canto III.), ii. 145, 211, 214, 216, 217, 230, 232, 288, 304; iv. 3, 70
Clancarty, Lord, vi. 374
Clare, John Fitzgibbon, 1st Earl of, i. 100
Clare, John Fitzgibbon, 2nd Earl of ("Lycus"), i. xi, 96, 98-100, 128, 200, 222
Clarence, Duke of, vi. 60, 451
Clarendon, History of the Rebellion, i. 3
Clarens, ii. 277, 304; iv. 18
Clark, J. W., Cambridge, vi. 433
Clarke, Edward Daniel, Travels in Various Countries, i. 455; ii. 168, 172, 204; iii. 75, 94, 151, 272, 295; vi. 171, 204, 211; The Tomb of Alexander, etc., v. 542
Clarke, Hewson, i. 373-375, 383; ii. 213
Clarke, John, i. 406
Clarke, J. S., Memoir of William Falconer, ii. 169
Clarke, Mary Anne, i. 391
Claude Lorraine, ii. 168; vi. 502
Claudian, ii. 412; In Ruffin., v. 289; Epigrammata, v. 562
Claudius, ii. 520
Clayton, Sir Richard, Critical Enquiry into the Life of Alexander the Great, vi. 226
Clement XII., Pope, ii. 389, 432; v. 521
Cleon, ii. 190
Cleonice, iv. 108
Cleopatra, i. 490; ii. 397; iii. 11; v. 484; vi. 269; her mummy in the British Museum, v. 542
Clermont, Mrs., vi. 22
Cleveland, Duchess of, iv. 541
Clinton, George, Memoirs of the Life and Writings of Lord Byron, iii. 443, 447; v. 581
Clitumnus river, ii. 379-381
Clodius, i. 351; iv. 352; vi. 139
Clootz, Jean Baptiste, Baron de (Anacharsis Clootz), vi. xviii, 13
Club, Byron's definition of a, i. 407[369]
Clusium, iv. 334
Clytemnestra, ii. 426
Clytus, ii. 124
Coalition Ministry, the, i. 500
Cobbett, William, i. 297; ii. 40; v. 572; vi. 380; vii. 65, 67, 68
Cobbett's Weekly Register, v. 540, 572; vi. 266
Cochineal, kermes, vi. 575
Cochrane, Thomas, Lord, iv. 111; vi. 67
Cockburn, Admiral Sir George, ii. 239
Cockburn, Mrs. Robert (Mary Duff), i. 192
Cocker, Arithmetic, vi. 601
Cockney School, the, iv. 339
Coehoorn, Baron Menno van, a Dutch military engineer, vi. 344
Coelius Antipater, Annales, ii. 378
Cohen, Francis (afterwards Sir F. Palgrave), translation of Old Chronicle (Marino Faliero); Rise and Progress of the English Constitution; History of the Anglo-Saxons, iv. 46
Coke on Littleton, vi. 568
Colbleen mountain, i. 194
Cole, W., boatswain on the Bounty, v. 583
Coleorton, Memorials of, iv. 585
Coleridge, Miss Edith, iii. 454
Coleridge, Hartley, Essays, ii. 331; First Visit to the Theatre in London, v. 474
Coleridge, H. N., Study of the Classics, vi. 117
Coleridge, Sara, i. 489
Coleridge, Mrs. S. T., iv. 521
Coleridge, Samuel Taylor, The Devils Walk, i. 31; vii. 21; Byron and, i. 305, 365; iii. 444; vi. 74; nitrous oxide, i. 307; Poems, i. 315, 316; ii. 22; referred to in English Bards, and Scotch Reviewers, i. 316, 369; on Monk Lewis, i. 138; Letters of, i. 318; ii. 401; iv. 225, 585; v. 175, 544; vi. 350, 421; Table Talk of, i. 318; iv. 318, 339, 485; v. 175; vi. 152; Cottle's Early Recollections of, i. 329; Anima Poetæ, i. 367; ii. 113, 236; iv. 587; vi. 91; and Charles Lloyd, i. 368; Frost at Midnight, i. 369; Sir J. Bland Burges, i. 437; on dancing in Germany, i. 475; on Kotzebue, i. 489; Biographia Literaria, i. 489; iii. 435; vi. 4, 39, 167, 168, 175; Ancient Mariner, ii. 22; iv. 22, 27, 104, 225, 230, 506; vi. 106, 114; Lamb's apology for, ii. 22; Christabel, ii. 134, 274, 360; iii. 443, 471, 476, 511, 519, 537; iv. 20, 82, 224; v. 281; vi. 243, 279; vii. 45; Hymn before Sunrise in the Valley of Chamouni, ii. 254; iv. 110; Dejection: An Ode, ii. 264; vi. 39; The Friend, ii. 281, 301; vi. 174; Lines to Nature, ii. 302; vi. 179; "Oh for one hour of The Recluse," ii. 337; Boccaccio, ii. 374; Essays on His Own Times, ii. 397, 401; a Parliamentary reporter, ii. 401; Kubla Khan, ii. 416, 418, 447; iv. 267; v. 73, 277; Israel's Lament, ii. 450; his influence on Rogers, iii. 320; Lines to a Gentleman, iii. 336; Byron's letters to, iii. 441; iv. 338; Byron's beneficiary, iii. 444; "Apostacy and Renegadoism," iii. 488; Songs of the Pixies, iii. 524; Zapolya, iv. 24; Sibylline Leaves, iv. 42; Religions Musings, ibid.; depreciates Voltaire, iv. 184; "No more my visionary soul shall dwell," iv. 225; on Walpole's Mysterious Mother, iv. 339; author of the libel on Shelley? iv. 475; The Plot Discovered, etc., iv. 512; Miscellanies, etc., iv. 515; Hazlitt on, iv. 518; the result of pantisocracy, iv. 521; on Southey's Life of Wesley, iv. 522; translates Schiller's Piccolomini, iv. 566; Lectures of 1811-1812, iv. 575; [370] his visit to the Beaumonts, iv. 585; Pains of Sleep, v. 78; on Keats and Adam Steinmetz, "There is death in that hand," v. 175; and Pitt's description of Napoleon, v. 544; Critique on Maturin's Bertram, vi. xvii, 4; Morning Post, vi. 175; his marriage, ibid.; "hath the sway," vi. 445; Literary Remains, vi. 576; his note-books, vii. 18; Mackintosh on, vii. 32
Coligny, vi. 246
Coliseum (or Colosseum), Rome, ii. 423-435; iv. 131
Collegio dei Signore di notte al Criminal, iv. 427
Colleoni, Battolommeo, iv. 336, 392
Collier, Jeremy, Short View of the Immorality and Profaneness of the English Stage, i. 416; Shakespeare, vi. 502
Collignon, Maximo, Histoire de la Sculpture Grecque, ii. 365, 432, 445
Collini, Mdlle., i. 348
Collins, Ode to Pity, ii. 34; How Sleep the Brave, ii. 50; Ode on the Death of Mr. Thomson, iii. 50; Irish Eclogues, iii. 224
Collins, Peerage, vi. 410
Colman the younger, George, i. 306, 343; iv. 75; The Iron Chest; Heir-at-Law, i. 343; John Bull, or An Englishman's Fireside, i. 343, 400; The Review, or the Wags of Windsor, iii. 435; Love Laughs at Locksmiths, vi. 308
Cologne, vi. 419
Colonna, Cape, ii. 156, 169; iii. 86, 134
Colonna de' Francesi, La (Ravenna), vi. 212
Colonna, Vittoria, iv. 262
Columbia, Republic of, v. 555; vi. 456
Columbus, Christopher, iii. 76; iv. 262; vi. 552
Columella, De Re Rustica, ii. 488
Comboloio, a Turkish rosary, iii. 181, 275
Commodus, iv. 334
Comnena, Anna, Alexiad, ii. 202
Complaint, The, iv. 220
Compostelli, Pietro de, iv. 448, 467
Conan the Jester, v. 209
"Concision" used for "conciseness," vi. 550
Condé, Prince de, iv. 262
Condolatory Address to Sarah, Countess of Jersey, on the Prince Regents returning her Picture to Mrs. Mee, vii. 37
Condorcet, Marie Jean Antoine, Marquis de, President of Legislative Assembly in 1792, vi. 13
Conduit, Mrs. (Catherine Barton), vi. 400
Congreve, i. 198, 306, 349, 416; vi. 510
Congreve, Sir William, inventor of "Congreve rockets," vi. 50
Conquest, The, vii. 82
Consiglio Minore (Venice), iv. 345
Consiglio dei Dieci. See Council of Ten
Constable, Archibald, i. 310, 436
Constans, ii. 520
Constant, Henri Benjamin de Rebecque, v. 566, 567
Constantine, Emperor, ii. 336, 520
Constantine, Grand-Duke, v. 564
Constantinople (Istambol, Ἑπτάλοφος), i. 378; ii. 152, 194; iii. 17, 21; vi. 219
Constitutionel, Le, v. 566, 577
Contarini, Doge Andrea, ii. 477, 497
Contarini (afterwards Foscari), Lucrezia, v. 115, 130
Conti, v. 371
Contrario, Ugoccion, iii. 506
Cook, Captain, i. 325; v. 582; vi. 19; voyage in the Resolution, v. 588, 605
Cook, Dutton, A Book of the Play, i. 414
Cooke, George Frederick, i. 46, 344; iv. 338
Cookery, science of, vi. 561
Cooper, actor, iv. 324
Copenhagen, bombardment of, i. 468; v. 588
[371] Copernicus, i. 402
Copet, iv. 53; vii. 50
Coray, Diamant or Adamantius, Bibliothèque Hellénique, ii. 196-199, 203
Corday, Charlotte, vi. 14
Cordoba, ii. 54
Corfu, ii. 193
Corfu, Giovanni da, iv. 464
Corinth, ii. 363; iii. 440-496; Gulf of, ii. 60
Corinthian brass, vi. 284
Corinthians, v. 262
Coriolanus, ii. 388, 452; iv. 338; v. 27
Cork Convent, ii. 35, 86
Cork and Orrery, 8th Earl of, vi. 504
Cork and Orrery, Mary, Countess of ("Countess Crabby"), vi. 504
Cornaro, Flaminio, Ecclesiæ Venetæ, v. 123
Cornaro, Marco, iv. 402, 465
Cornelia, daughter of Metellus Scipio, and widow of P. Crassus, iv. 264
Cornelian, The, i. 66, 240; iii. 48
Cornwall, Barry. See Procter, B. W.
Cornwall wreckers, ii. 141, 182
Coron, or Corone (the ancient Colonides), iii. 249
Corresponding Society, The, iv. 516
Corsair, i. 388, 457; ii. 252; iii. xix, 46, 49, 217-229, 303, 319-321, 409; v. 584; vi. 132
Corsi, Cardinal, ii. 495
Cortejo, Spanish, vi. 55
Cortes, v. 555
Cosmo II., ii. 499
Costerden, Elizabeth, vi. 294
Costerden, William, vi. 294
Cotta, v. 81, 108
Cottle, Amos, Translation of the Edda of Sæmund, i. 314, 328, 329, 403
Cottle, Joseph, Alfred; The Fall of Cambria, i. 328, 436; Early Recollections of Coleridge, i. 329
Cotton, Mrs., of Worcester, iii. 209
Couch of Hercules, vi. 220
Coulman, M. J. J., iv. 543
Council of Ten (Il Consiglio dei Dicci), iv. 363, 366, 385, 399, 441, 448, 465, 470; v. 115-118, 169
Courier, The, i. 423, 436; ii. xii; iii. 45, 377, 488, 534; iv. 477-479, 482; v. 203; vi. 4, 12
Courland, Anne, Duchess of (Empress of Russia), vi. 417
Courland, Frederick William, Duke of, vi. 417
Courland, James, 3rd Duke of, vi. 417
Courlande, Pierre, last Duc de, vi. 417
Courrier, v. 566, 577
Courtney Melmoth. See Pratt, Samuel Jackson
Courtney, W. P., English Whist, vi. 507
Coutts, Mrs., iv. 541; Byron's "Mrs. Rabbi;" Vivian Grey's "Mrs. Million," vi. 504
Covent Garden Theatre, O.P. riots at, i. 347; vi. 11; Manfred at, iv. 78; Lee's The Three Strangers at, v. 337
Cowley, Abraham, i. 403; vi. 166; Davideis, i. 436
Cowley, Henry Wellesley, 1st Baron, ii. 79
Cowley, Mrs. Hannah (née Parkhouse), i. 314; The Belle's Stratagem, i. 358, 403; Siege of Acre, i. 436
Cowley, W. D., translation of Parrot's Journey to Ararat, v. 294
Cowper, Joseph Meadows, Memorial Inscriptions, etc., vi. 422
Cowper, Lady (afterwards Palmerston), i. 301
Cowper, William, mentioned in English Bards, and Scotch Reviewers, i. 362; The Task, iv. 174; vi. 348; Hayley's biography of, i. 321; Milton, v. 218
Coxe, William, Archdeacon of Wilts, Trav. Switz., ii. 385; Memoirs of John, Duke of Marlborough, vi. 174
[372] Crabbe, George, i. 306, 365; vi. 6, 75; vii. 49; Resentment, iii. 128
"Crane," to, vi. 524
Crashaw, Richard, vi. 166
Crassus, ii. 405; iv. 264
Creech, Thomas, Translation of Horace, vi. 247
Cremâ, v. 138
Cremâ, Augustinus de, ii. 340
Creon, king of Corinth, i. 170
Crespan, Gio., Della Vita e delle lettere di Luigi Carrer, iv. 457
Crespi, the tenor, vi. 206
Cressy, battle of, i. 2
Crete, v. 127
Creusa, i. 159
Crib, i. 466
Critical Review, iii. 473, 499, 518; iv. 6, 13, 27, 81, 99
Croesus, iii. 519
Croker, John Wilson, ii. 4, 187; iii. 157, 217; iv. 74, 157, 339; v. 546; vi. 482; vii. 49; article on Keats in Q.R., vi. 445; vii. 76
Croly, D. D., Rev. George, Paris in 1815; Catiline; Salathiel; The Angel of the World, vi. 444, 445
Cromwell, Oliver, i. 122, 123; ii. 292, 394, 453; iv. 334; v. 560; vi. 174; vii. 35
Cronaca Augustini, v. 190
Cronaca Dolfin, v. 117, 118, 121, 172
Crosby and Co., B., i. xii, 234
Crosby's Magazine, i. 368
Crossing the Line, v. 616
Croupade, ii. 70
Crousaz-Crétet, Léon de, vi. 264
Cruikshank, drawing of Jackson's rooms, i. 434; frontispiece to Rowfant Library Catalogue, iv. 508
Crusaders, the, i. 117
Cruscanti, the, iv. 152
Crusius, Martinus, Turco-Græcia, iii. 122
Ctesias of Cnidos, Persica, v. 3, 4, 11; vi. 122
Ctesilaus, ii. 431
Cuba, iii. 296
Cuesta, ii. 89
Culloden, battle of, i. 173; ii. 292; vi. 12
Cumberland, Ernest Augustus, Duke of, and King of Hanover, gazetted Field-Marshal 1813, vii. 31
Cumberland, William Augustus, Duke of, vi. 12
Cumberland, Princess Olive of, iv. 541
Cumberland, Richard, Wheel of Fortune, i. 45, 344; referred to in English Bards, and Scotch Reviewers, i. 306, 314, 343; The West Indian; The Jew, i. 344; and Townsend, i. 403; Observer, i. 414; iii. 85; Exodiad; Calvary, i. 436
Cumourgi (Courmourgi or Cumurgi), Ali, iii. 442, 455
Cunningham, Allan, vi. 3
Curll, a bookseller, i. 220, 326
Curran, John Philpot, ii. 236; iv. 561; vi. 450; Life of, iv. 555; "Longbow from Ireland," vi. 509
Currie, M.D., James, Works of Robert Burns, with an Account of his Life, etc., vi. 174
Curse of Minerva, i. 378, 451-474; ii. ix, 33, 106, 107, 168, 192, 252, 366; iii. 270
Curtis, Sir William, v. 578; vii. 68
Curtius, Q., Hist. Alexand., vi. 226
Curwens of Workington Hall, the, v. 622
Curzon, Visits to Monasteries of the Levant, ii. 294
Cuvier, le Bon G., Recherches sur les Ossemens Fossiles, etc., v. 210; vi. 385, 415
Cyanean Symplegades, vii. 10
Cyanometer, vi. 216
Cyaxares, v. 107
Cybele, ii. 328
Cyclades, vi. 118, 203
Cymar, or simar, a shroud, iii. 143
Cymbeline, vi. 487
Cypress tree, "the only constant mourner o'er the dead," iii. 99
Cyprus, iv. 400
[373] Cyrus, king of Persia, v. 5; vi. 572
Czaplinski, Governor of Poland, iv. 211
D
d'Abrantés, Duke (Junot), ii. 39, 40
d'Acerenza, François Pignatelli de Belmonte, Duc, vi. 417
d'Acerenza, Jeanne Catherine, Duchesse, vi. 417
Dacians, the, ii. 412
Dacier, M., i. 402; Aristotle, vi. 182
Dacre, Charlotte. See Byrne, Mrs.
Dacre, Lady (Mrs. Wilmot), vii. 48
D'Alembert, Jean-le-Rond, ii. 209; v. 554; vi. 63
Dalkeith, Countess of, i. 310
Dallas, Rev. Alexander, i. 387; ii. xvi
Dallas, Judge, i. 495
Dallas, R. C., his copy of British Bards, i. xiv, 293, 298, 322; Byron's letters to, i. 294, 347, 359, 404; ii. xi, xii, xiv, xviii, 15, 24, 30, 32, 37, 65, 73, 83, 95, 104, 105, 161-163, 208; iii. 129; iv. 125; vii. 9; Fitzgerald's and Byron's jeux d'esprit, i. 298; Recollections of the Life of Lord Byron, i. 305, 387; ii. ix-xii, xiv, xv, 89, 104, 120, 176; iii. 107; iv. 446; MS. of Childe Harold, ii. xvi, 15, 16, 17, 19, 22-24, 27, 29, 30, 32, 33, 37, 38, 41-43, 45, 46, 48-52, 54, 56, 57, 60, 62, 64, 66, 82, 83, 100-102, 105-107, 110, 112-116, 126, 131, 135, 138-140, 146, 147, 149, 150, 155, 157, 159-162, 328, 329, 336, 341, 342, 352, 370, 373, 382, 385, 413, 419, 421, 443, 451, 458, 460; a suppressed Note on Spain and Portugal, ii. 87; on Cain, v. 199; certain "ludicrous stanzas" of The Island, v. 615; MS. of The Island, v. 587, 589, 590, 592, 595-597, 600-604, 611, 612, 615, 621, 625, 632, 636, 637, 639; Don Juan MS., vi. 143, 144, 150, 159, 167, 168, 170; "Yes! wisdom shines in all his mien," vii. 12; MS. of On a Royal Visit, etc., vii. 36
Dallas, Robert, iii. 18
Dallaway, Rev. James, Constantinople Ancient and Modern, iii. 90, 166
Dalrymple, Sir Hew, ii. 39, 40
dal Sale, Alberto, iii. 506
Dalzell, Sir George, Shipwrecks and Disasters at Sea, vi. 87, 89-92, 94-96, 99, 102-110, 112
Damætus, i. 128
Damas d'Antigny, Joseph Elizabeth Roger, Comte de, vi. 312
Damascus, ii. 151
Damon, i. 175
Dampier, discoverer of the bread-fruit, v. 596
d'Ancona, A., Manuale della Letteratura Italiana, iv. 536
Dandies, the, iv. 176
Dandolo, Doge Andrea, iv. 352, 366, 438, 459
Dandolo, Giovanni, iv. 356
Dandolo, Doge Henry, ii. 329, 336, 337, 475
Dandolo, Conte Girolamo Antonio, Sui Quattro Cavalli, etc.; La Caduia della Repubblica di Venezia, iv. 456, 457
Danes at battle of Copenhagen, i. 468
Daniel, To the Lady Lucy, Countess of Bedford, iv. 239
Daniel, prophecies of, ii. 78; the writing on the wall, iii. 398; in the lions' den, vi. 235; Book of, vi. 504
Dante, ii. 355, 375, 494, 503; iv. 237-276; v. 562; vi. 146, 212, 213, 303; his tomb, ii. 371, 494; iv. 237, 244; Ricci's monument to, ii. 375; Inferno, iii. 227, 249, 270; iv. 23, 238, 245, 254, 272, 314, 316; vi. 36, 37, 105, 289, 408, 606; Div. Commedia, iv. 237, 570; Paradiso, iv. 347; La Vita Nuova, iv. 248, 253; Sonnet, iv. 249, 253; Il Convito, iv. 253, 256, 274, 318; [374] Purgatorio, iv. 256, 263, 272; vi. 181; Epistola IX. Amico Florentino, iv. 276
Danton, Georges Jacques, vi. 13
Danube, vi. 304, 306, 331, 368
Dardanelles, the, iii. 13; vi. 208
d'Argens, Marquis, Lettres Juives, iii. 123
Darkness, iv. 42; v. 315
Darmesteter, James (Notes to Childe Harold), ii. 67, 106, 115, 134, 149, 236, 325, 345, 358, 419; translation of Zend-Avesta, iv. 112
Darnley, Lord, vii. 29
Daru, P., Histoire de la République de Vénise, iv. 332, 471; v. 115, 124, 179, 188, 190, 195; vi. 199; Histoire de la République Française, v. 196
Darwin, Charles Robert, i. 367
Darwin, Erasmus, The Botanic Garden; The Temple of Nature, i. 306, 367
Davenport, actor, as "Ulric" in Werner, v. 324
David, i. 490
Davies, Scrope B., ii. 211, 212; iv. 179; Parisina dedicated to, iii. 501
Davies, Thomas, Massinger, i. 304; Life of Garrick, i. 409, 428
Davis, Henry Edward, ii. 283
Davison, Mrs., iv. 70
Davison, T., printer, i. 452, 453; iii. 259, 315, 323; vii. 58
Davoust, General, v. 550
Davy, Lady (Mrs. Apreece), iv. 541
Davy, Sir H., i. 307; iv. 472, 570, 586; his safety-lamp, vi. 51
Davy, Martin, Master of Caius College, Cambridge, iii. 170
Dead Sea, ii. 237, 294
Death of Calmar and Orla, i. 177
Debora, or Azzrum, Cain's sister, v. 226
Decies, Lord, Archbishop of Tuam, i. 390
Dee river, Aberdeenshire, i. 193, 238
Deformed Transformed, The, ii. 423, 483; iv. 15; v. 72, 371, 469-534, 606; vi. 500
d'Egville, Don Quichotte, ou les Noces de Gamache, i. 347
de la Bastie, M. le Bimard, Baron, Mémoires de l'Académie, etc., ii. 480, 481, 482
De la Berge, Essai sur le règne de Trajan, ii. 412
de la Croix, Sieur, i. 493
Delacroix, Ferdinand Victor Eugène, painter, iv. 461
de la Guilletière, Le Sieur, Lacedémone Ancienne et Nouvelle, iii. 122
de la Houssaie, Sieur Amelott, History of the Government of Venice, iv. 358
de la Motraye, Aubrey, Voyages, vi. 295, 296
Delano, Amasa, Narrative of Voyages, etc., v. 622
De la Pryme, Charles, iv. 46
De La Rose, Pierre, vii. 3
Delavigne, Casimir Jean François, Marino Faliero, tragédie en cinq actes, iv. 329, 367
Delawarr, George John, 5th Earl of ("Euryalus"), i. 7, 100; ii. 22
Delawarr, Thomas, 3rd Earl of, i. 101
Delbora, or Awina, Abel's sister, v. 226
Delhis, or delis, Turkish bravos, "Forlorn Hope," ii. 136, 149; iii. 168, 459; vi. 312
Della Cruscan School, i. 304, 323, 357, 358, 441, 444; Academy (Florence), i. 358; ii. 357, 485
della Scala, Francesco can Grande, v. 562
Delort, M., iv. 514
Delphi, i. 425; ii. 15, 60, 61, 85, 92
Delphin, Martial, vi. 27
Delpini, Charles Anthony, Don Juan; or, The Libertine destroyed, vi. xvi, 11
Del Pinto, vi. 227, 228
Delvinachi (Illyria), ii. 134, 174, 177, 202
Demeter, v. 570
[375] Demetrius, Byron's servant, ii. 75
Demetrius Poliorcetes, v. 486
Democracy, "an Aristocracy of Blackguards," vi. 381
Democritus, i. 422
Demosthenes, i. 29; ii. 301
Denham, Clapperton, and Oudney, Narrative of Travels ... in Northern and Central Africa, vi. 474
Denman, Lord, i. 366; ii. 291
Dennis, John, i. 220, 326; iii. 279; Essay on the Operas after the Italian manner, etc., i. 410
Dent, M.P., John ("Dog Dent"), vii. 49
Denvil ("Manfred Denvil"), the actor, iv. 78
d'Epinay, Madame, ii. 266
De Principatibus Italiæ Tractatus Varii, ii. 478
Derby, Lord, Homer's Iliad, vi. 339
d'Erceville, Rolland, Recherches sur les Prérogatives des Dames chez les Gaulois, etc., ii. 6
Deropoli, plain of, ii. 134
Dervish Tahiri, ii. 175, 176; iii. 134, 450
Dervishes, the, i. 492; iii. 254
Derwentwater, iv. 525
Desaix de Voygoux, Louis Charles Antoine, vi. 14
Descamisados, or Sansculottes of the Spanish Revolution, vi. 456
Deshayes, ballet-master at the King's Theatre, i. 347
De Silver and Co., i. 452, 453
des Issarts, Marquis de Forbin, v. 566
Desmoulins, Camille, vi. 14
d'Este, Marquis, of Tuscany, ii. 354; iii. 503
d'Este, Alfonso, ii. 486
d'Este II., Alfonso, Duke of Ferrara, iv. 266
d'Este, Borso, ii. 354
d'Este, Ercolo, ii. 354
d'Este, Hugo, iii. 503
d'Este, Leonora, ii. 355; iv. 145, 147, 148, 151, 152
d'Este, Lionel, ii. 354
d'Este, Luigi, Cardinal, ii. 486; iv. 146
d'Este, Niccolo, Marquis, iii. 505-507
d'Este, Ugo, iii. 505-507
Destruction of Sennacherib, The, iii. 404
Detached Thoughts, i. 99, 205; ii. 301; iv. 75, 179, 562, 580, 584; v. 485; vi. 270, 360, 509
Dettingen, battle of, vi. 12
Deuteronomy, ii. 294; iv. 499
Devil's Drive, The, i. 30; vii. 19-34
Devonshire, Elizabeth, Duchess of, ii. 410; iii. 31; vi. 70, 488
Devonshire, Georgiana, Duchess of, v. 329, 378
Devonshire, William Spencer, 6th Duke of (Byron's "Duke of Dash"), vi. 50
Dewick and Clarke, printers, vii. 3
D'Herbelot, Bibliothèque Orientale, ii. 149; iii. 76, 109, 120, 145, 173; iv. 113; v. 280; vi. 292
d'Houdetot, Comtesse, ii. 265, 300
Diana, vi. 151
Dibdin, Thomas John, i. 341; iv. 338; The Jew and the Doctor; Mother Goose, i. 345, 346; The Grinders, or more Grist to the Mill, vii. 61
Dickens, Charles, v. 114; vi. 208; Tale of Two Cities, vi. 435
Dictionary of Antiquities, vi. 151
Dictionary of National Biography, ii. 25, 280; iv. 501, 503, 513; v. 589; vi. 67
Diderot, ii. 266
Dido, i. 157
Diez, iv. 171
Digentia river, ii. 523
Dilettanti Society, i. 378, 379, 454; ii. xi, 109
Dillman, Professor, Ethiopic Text of Book of Enoch, v. 302
Dillon, Charles, actor, iv. 78
Dinner-bell, "the Tocsin of the Soul," vi. 232
Diocletian, iii. 308
Diocletian's (Pompey's) Pillar, v. 548
[376] Diodati, Villa, ii. 257, 300
Diodorus Siculus, Bibliothecæ Historicæ, v. 3-5, 11, 14, 21, 81, 106, 405, 543
Diogenes, ii. 241; v 565; vi. 303, 436
Diogenes Laertius, i. 18, 414; De Vitâ et Sententiis, vi. 585
Dion Cassius, ii. 179; Hist. Rom., ii. 411, 510, 511, 512; iv. 370
Dionisus, G. J., Canonico di Verona, ii. 496
Dionysius, ii. 413; Antiq. Rom., ii. 510, 512, 513, 518
Dionysius the Areopagite, Celestial Hierarchy, v. 286
Dionysius of Halicarnassus, ii. 497
Dionysius the Younger, iii. 311
Dionysus, India occupied by, v. 21
Dirce river, ii. 189
Disdar, ii. 187
Disraeli, Benjamin, Vivian Grey, vi. 504, 506
Disraeli, Isaac (Curiosities of Literature), ii. 468, 470; iii. 217, 499; vi. 555
d'Istria, Count Capo, v. 575
Djerrid, or jerreed, Turkish javelin, iii. 97
Dniéper river, vi. 201, 202, 208, 211, 233
Dniester river, vi. 362
Dodona, site of, ii. 132
Dodsley, A., The Ordinary, ii. 17; Description of the Leasowes, iii. 41; Plays, v. 200
Dodwell, E., Classical Tour, i. 455; iii. 272; Tour through Greece, vi. 151
Dog-tax Bill, 1796, vii. 49
D'Ohsson, Mouradja, Tableau générale de l'Empire Othoman, ii. 136, 206; iii. 176, 206
Dolabella, ii. 405
Dolce, Carlo, vi. 502
Dolfin Cronaca, v. 117, 118, 121, 172
Dolfino, Doge Giovanni, ii. 475
d'Olivet, M. l'Abbé (Thoulier), Histoire de l'Académie Française, ii. 485
Dolman, Miss Maria, iii. 41
Domestic Pieces (Poems), ii. 247, 426
Domitian, ii. 408; iv. 334
Domitius Marsus, i. 73
Don, brig of, vi. 405
Don Juan, i. 260, 203, 362, 403, 434; ii. 30, 59, 139, 149, 227, 281, 332, 342, 366, 372, 374, 441; iii. 13, 397, 463, 481, 488, 490, 494, 495; iv. 16, 17, 47, 60, 125, 132, 165, 184, 195, 226, 232, 238, 243, 279, 280, 475-477, 566, 570, 578; v. 159, 202-204, 351, 396, 497, 568, 584; vi. entire; vii. 9, 25, 76, 77
Don Quixote, i. 490
Donati, Corso, iv. 253
Donati, Gemma, iv. 253
Donate, Andrea, v. 123
Donate, Ermolao (or Almoro), v. 116, 134
Donatus, Tib. Cl., ii. 514; Life of Virgil, ii. 407
Donne, Dr., vii. 19
Donoughmore, Earl of, Byron's speech on motion for Committee on Roman Catholic claims, iv. 561
Doomsday Book, vi. 411
Dorchester, Lady, ii. 319; iv. 548, 566; vi. 608
Doria, Paganino, iv. 356
Doria, Pietro (Genoese admiral), ii. 338, 476, 497
Doria, transcript of Sanudo's Diaries, iv. 326
Doroshénko, Peter, President of the Western Ukraine, iv. 201
Dorotheus of Mitylene, Archbishop of Monembasia, Univ. Hist., ii. 198
D'Orsay, Count Alfred, "Cupidon déchaîné," vi. 507, 526, 547
Dorset, Charles Sackville, Earl of, To all you Ladies, etc., i. 198, 418
Dorset, George John Frederick, 4th Duke of, i. 194; iii. 423, 425
Douce, Francis, edition of Holbein's Dance of Death, vi. 555
Dover, vi. 420
[377] Dover, Lord, preface to Walpole's Letters to Sir H. Mann, iv. 339
Dowden, Edward, Life of Shelley, ii. 145, 258, 300; iv. 475
Downie, Commodore, iv. 198; vi. 508
Drachenfels, Castle of, ii. 249, 295; vi. 419
Dramali, Turkish general, v. 556
"Drapery misses," vi. 442
Drayton, Michael, The Barons' Wars, iii. 405
Dream, The, i. 210; ii. 219, 220, 260, 332; iv. 31-41, 63, 404, 544
Dresden, re-entered by Napoleon, v. 553; battle of, vi. 14
Drexel Institute, vii. 63
Dromedary, "ship of the desert," v. 606
Drouineau, Gustave, Rienzo, ii. 415
Druid oak, Newstead Abbey, vi. 497
"Druids," the, i. 443; ii. 213
Drummond, Sir William, iv. 337; A Review of the Government of Athens and Sparta; Herculanensia, ii. 204 Academical Questions, ii. 422; vi. 528
Drury Lane Theatre, burnt, i. 417; Byron's Address, iii. 51; iv. 69; Manfred at, iv. 78; Marino Faliero at, iv. 324, 328; the sub-Committee, iv. 338, 584; Sardanapalus at, v. 2; The Two Foscari at, v. 114; Werner at, v. 324; Lee's The New Peerage at, v. 337; Don Juan: or, The Libertine at, vi. 11; Nourjahad at, vii. 33 Manuel; Ina at, vii. 48
Drury, Henry, i. 25, 84, 88; ii. xvii, 100; iii. 13, 27; vi. 280; vii. 8, 10
Drury, Dr. Joseph, Headmaster of Harrow ("Probus"), i. 15, 16, 17, 25, 86, 89, 90, 94, 103; ii. 387
Drury, Mark, i. 17, 89
Dryden, John, on the Earl of Dorset, i. 198; his Virgil, i. 220, 477; referred to in English Bards, and Scotch Reviewers, i. 305, 306, 312; Byron's support of, i. 368; a translator, i. 375; in Hints from Horace, i. 395, 397; Almanzor, i. 398; a caricature of, i. 401; Alexander's Feast, ii. 123; iv. 446; Absalom and Achitophel, ii. 420; vi. 482; Cymon and Iphigenia, iii. 59; "the ponderous ball expires," iii. 493; Palamon and Arcite, iv. 26; Georgics, iv. 208; a borrower from Boccaccio, iv. 316; to "partake," iv. 362; "Thou shall believe in," vi. 74; Indian Emperor, vi. 178; Theodore and Honoria, vi. 180; "Dedication" of the Æneis, vi. 182; his publisher Tonson, vii. 57
Dublin Examiner, iii. 473
Dublin University Magazine, iv. 82; vi. xx
Dubois, Edward, My Pocket-Book, etc., i. 378, 379
Dubost, i. 390
Dubourdieu, Admiral, iii. 25
Ducange, Glossarium ad Scriptores Med., etc., ii. 435
Ducato, Cape (Leucadia's Cape), ii. 125
Duel, The, iv. 542
Duff, Mary (Mrs. Robert Cockburn), i. 192
Duff, Sir M. E. Grant, Notes from a Diary, i. 293
Dufferin, Lady, i. 343
Dugdale, Monasticon, v. 200, 207
Dugdale, Sir William, A Short View of the Late Troubles in England, vi. 174
Duke William, wreck of the transport, vi. 95
Dulauloy, General, vii. 24
Dumarsais, i. 402
Dumouriez (Dumourier), General Charles François Duperier, Memoirs, vi. 12, 13
Dunbar, battle of, ii. 394
Duncan, vi. 14
Dunning, John, iv. 513
Dupaty, President, ii. 508
[378] Dupont, Marshal, ii. 54
Duppa, R., Life of Michael Angelo, iv. 272, 273
Dupré, F., v. 554
Dura, in Assyria, vi. 504
Duran, H., Romancero General, iv. 529
Duris, the historian, v. 11
Dwarfs, vi. 242
Dyce, Rev. Alexander, iii. 348; Friar Bacon and Friar Bungay, vi. 78
Dyer, George, Country Walk, iii. 330; Sketch of Southey, vi. 175
Dying gladiator, statue of the, ii. 432
E
E Nihilo Nihil; or, An Epigram Bewitched, vii. 55
Earl of Abergavenny, wreck of the ship, vi. 91
Early English Text Society, v. 207, 496
Early Poems from Various Sources, i. 210-285
Earthquakes, ii. 377, 505
East India Co., i. 377; vi. 236
Eastlake, Sir C. L., his picture "Byron's Dream," iv. 37
Eccentric Review, i. 322
Ecclesiastes, i. 307; vi. 303
Ecclesiasticus, ii. 155
Eckermann, Conversations with Goethe, iv. 157, 327, 328; v. 119, 122, 199, 204
Eckersall, Harriet (Mrs. T. R. Malthus), vi. 461
Eckersall, John, vi. 461
Eclectic Review, i. 379, 430, 431, 432; iii. 444, 493, 500; iv. 6, 158, 203, 240; v. 204, 329; vi. 162
Edgcumbe, or Edgcombe, Richard, ii. 430; iii. 72; iv. 15
Edgeworth, Maria, vi. 18
Edinburgh Annual Register, i. 435, 436
Edinburgh Evening Post, i. 430
Edinburgh Monthly Magazine, afterwards Blackwood's Edinburgh Magazine, q.v.
Edinburgh Review, i. xiv, 202, 292, 294, 301-303, 305, 310, 330, 331, 336-341, 382, 392, 395, 429, 432; ii. xv, 109, 196, 201, 204, 213, 315, 360; iii. 77, 151, 219, 377; iv. 6, 48, 80, 158, 239, 313, 329, 342, 513, 574; v. 5, 119, 204, 280, 282, 338, 551; vi. xx, 9, 51, 67, 76, 172, 175, 403, 445, 459, 551; vii. 32
Edinburgh Weekly Journal, vi. xix
Edleston (Byron's "Cornelian"), i. 66; ii. 104
Edom, Sea of, vi. 122
Edu, Rajah of Ellichpur, v. 631
Edward the Black Prince, i. 107; vi. 422
Edward III., vi. 496
Edward VI., iv. 542
Edwards, Captain, of the Pandora frigate, v. 584
Edwards, Dr., Master of Sidney Sussex Coll., Cambridge, i. 417
Egan, Pierce, Life in London, i. 321, 434; vi. 431-433; Anecdotes of the Turf, vi. 433
Egeria, ii. 454, 515; Grotto of, ii. 416
Egerton MSS., in British Museum, i. 235, 293, 387; ii. xvi
Eginhard, iv. 288
Egotism. A Letter to J. T. Becher, i. 247
Egripo, the Negropont, iii. 173
Egypt, evacuated by the French, ii. 108; the Pyramids of, v. 550
Ehrenbreitstein, ii. 251, 297
Eiger, the Grosse, iv. 129
Ekenhead, Lieutenant, iii. 13
Elam, v. 4
Elchingen, Michel Ney, Duke of, vi. 373
Eldon, John Scott, Earl of, ii. 213; iv. 328, 482; v. 203; vi. 460, 569; vii. 13, 29
Elector Palatine, the, i. 2
Electric telegraph, invention of the, iv. 505
[379] Elegiac Stanzas, i. 5
Elegiac Stanzas on the Death of Sir Peter Parker, Bart., iii. xix, 417
Elegy, vii. 75
Elegy on Newstead Abbey, i. 116
Elena, Duchess, iv. 367
Elgin, Lady, i. 452
Elgin, Lord, and the Elgin Marbles, i. 378, 452-474; ii. x, xi, 100, 106, 108-110, 167, 168, 172, 188
Elizabeth, Princess, i. 437
Elizabeth, Queen, i. 197; ii. 453
Ellenborough, Lord, vi. 265; vii. 29
Ellice, v. 555
Ellis, A. G. (British Museum), iii. 95
Ellis, F. S., ed. Golden Legend, iv. 494; vi. 33, 230, 273
Ellis, George Agar, i. 396; ii. xiii; iii. 77, 94, 151, 219, 321; iv. 514
Elliston, Robert W., iii. 51; iv. 338; Memoirs of, iv. 328
Elmsley, Professor, vii. 52
Eloïsa, v. 634
Elze, Karl, Life of Lord Byron, i. xi, 4, 18; ii. 248, 352; iv. 14, 543
Encina, Juan del, Teatro Completo, v. 207
Encyclopædia Biblica, v. 4, 219, 491
Encyclopædia Britannica, iii. 107, 130; v. 558
Encyclopædia Metropolitana, ii. 415
Encyclopédie, La Grande, v. 566
Endor, witch of, iii. 392; iv. 108
Endorsement to the Deed of Separation, in the April of 1816, vii. 41
Engen, battle of, vi. 14
Englaender, Dr. D., Lord Byron's Mazeppa, iv. 214, 220
Englische Studien, iv. 214, 324, 329
English Bards, and Scotch Reviewers, i. xiv, 128, 203, 289-384, 387, 406, 409, 431, 443, 448, 453, 454; ii. ix, x, 108, 109, 202, 304, 205, 366; iii. 32, 196, 210, 324, 435; iv. 21, 182, 244, 519, 555; v. 537, 540; vi. 50, 67, 292, 587; vii. 6, 15
Enigma on the Letter I (spurious), iii. xxi
Ennui, "the best of friends," vi. 176; "a growth of English root," vi. 512
Enoch, Book of, v. 281, 286, 291, 302, 311
Ensor, Miss Fanny, as "Myrrha" in Sardanapalus, v. 2
Eos (Dawn), v. 497
Epaminondas, ii. 155; vi. 376
Ephesians, v. 233
Epicurus, vi. 139
Epigram, vii. 65
Epigram. From the French of Rulhières, vii. 62
Epigram on an Old Lady who had some curious notions respecting the Soul, vii. 1
Epigram on the Braziers' Address to be presented in armour by the Company to Queen Caroline, vii. 72
Epigrams, vii. 81
Epilogue, vii. 63
Epirus, ii. 127
Episode of Nisus and Euryalus, i. xii, 151, 177
Epistle from Mr. Murray to Dr. Polidori, vii. 47
Epistle to a Friend in answer to some lines, etc., ii. 163; iii. 28
Epistle to Augusta, ii. 247, 456, 457; iv. 56, 57, 152; vi. 498
Epistle to Mr. Murray, vii. 51
Epitaph, vii. 65
Epitaph for Joseph Blacket, late Poet and Shoemaker, i. 359; vii. 11
Epitaph for William Pitt, vii. 64
Epitaph on a Beloved Friend, i. 18; ii. 137
Epitaph on John Adams of Southwell, vii. 1
Erasmus, ii. 281; Naufragium, vi. 93
Eratosthenes of Cyrene, Catasterismi, ii. 439
Eratostratus, i. 467
Erechtheum, the, i. 463; ii. 106
Erechtheus, ii. 102
Erizzo, Nicolas, ii. 472; v. 117, 134
Erneis, or Ernysius, vi. 410, 411
Ernst, W., Memoirs of the Life of Lord Chesterfield, vi. 525
Eros, iv. 105
[380] Erskine, Thomas, Lord ("Strongbow from Tweed"), i. 429; iii. 45; vi. 509, 596; vii. 66
Esarhaddon, v. 4
Esau, v. 285
Eschinard, Descrizione di Roma, etc., ii. 516, 517
Esdaile, Mrs. (Shelley's eldest daughter), ii. 13
Espadas, or matadors, ii. 68
Éspinasse, F., Life of Voltaire, ii. 282
Essling, battle of, vi. 14
Este. See d'Este
Esterhazy, Prince, v. 539
Eteocles, v. 403
Ethiopians, Book of Enoch preserved by the, v. 302
Etna, v. 55
Eton, William, A Survey of the Turkish Empire, ii. 191, 194
Etruria, king of, ii. 90
Eucrates, ii. 393
Euganean hills, ii. 483
Eugene, Prince, Mémoires, iii. 256, 455; iv. 331
Eunapius Sardianus, Vitæ Philosophorum et Sophistarum, Philostratorum, etc., iv. 105
Euphrates, river, v. 15, 108
Euripides, Medea, i. 168; vii. 10; Hippolytus, v. 496
European Magazine, i. 343; iii. 444, 500; iv. 99, 490; v. 329
Eurotas' banks (Laconia), ii. 150
Euryalus, i. 151, 175; ii. 387
Eurystheus, ii. 431
Eusebius, ii. 513; v. 281; Chron., v. 107
Eustace, Classical Tour in Italy, i. 452; ii. 440, 500, 516, 524
Euthanasia, iii. 39
Eutropius, Hist. Rom. Brev., ii. 411; the Eunuch, vi. 8
Euxine Sea, ii. 455; vi. 219, 220
Evans, Mr., Master at Harrow, i. 25, 89
Eve's curse, v. 271
Evening Statesman, i. 319
Examiner, ii. 215; iii. xx, 304, 389, 427, 428, 436, 438, 532-534, 538; iv. 478; v. 204, 540; vi. xx; vii. 17, 40
Eyre, trunk-maker, i. 437
Ezekiel, iv. 43
F
Fabius, i. 220
Fabricius, Script. Gr. Var., iii. 122
Facciolati, ii. 92
Fagiono, Stefano, iv. 464
Fagiuolo, Niccolo, iv. 464
Fagniani, Maria (Lady Yarmouth), i. 501
Fairburn, John, The Stripling Bard; or, The Apostate Lartreate, iv. 521
Fairfax, Edward, translation of Tasso's Ger. Lib., iii. 362; iv. 296
Falbowski, the pane (Lord), iv. 201, 212
Falconer, William, The Shipwreck, ii. 169
Faliero, Dogaressa Aluica, iv. 448
Faliero, Bertuccio, iv. 346, 367, 464
Faliero, Lucia, iv. 365
Faliero, Marino, iv. 239, 240; story of, iv. 462; Petrarch on the Conspiracy of, iv. 468
Faliero, Doge Ordetafo, iv. 336, 390
Faliero, Doge Vitale, iv. 336, 390
Falkland, Charles John Cary, 9th Viscount, i. 351
Falkland, Lucius Cary, Lord, i. 121, 128, 432; iv. 21
Falkner, Mr., i. xii
Fandango, the, i. 492
Fanshawe, Harriet, Enigma on the Letter H., iii. xx
Fare Thee Well, iii. 537
Farewell! if ever fondest prayer, iii. 409
Farewell Petition to J. C. H., Esq., vii. 7
Farewell to England (spurious), iii. xx
Farewell to Malta, iii. 24
Farewell to the Muse, i. 254
Farish, Rev. W., i. 417
Farquhar, The Beaux' Stratagem, i. 415; iv. 481; Recruiting Officer, ii. 88
[381] Fas, or Fez, vi. 197, 198
Faucit, Helen, as "Angiolina" in Marino Faliero, iv. 324; as "Marina" in The Two Foscari, v. 114; as "Josephine" in Werner, v. 324
Faunus, Lucius, De Antiq. Urb. Rom., ii. 510-513
Fauvel, M., ii. 99, 168, 187, 190
Favell, iv. 225
Favila, Duke of Cantabria, v. 558
Fazillac, M. Roux-, iv. 514
Fazzioli, Venetian kerchiefs, vi. 83
Fea, the Abbate, Spiegazione dei Rami Storia, etc., ii. 518
Feere, consort or mate, ii. 22
"Feeble" used for "foible," vi. 550
Feinagle, Gregor von, vi. 16
Fellowes, Henry Wallop, vi. 569
Fénélon, Télémaque, ii. 118; vi. 303
Fennell, C. A. M., Ancient Marbles in Great Britain, i. 455
Fenwick, John, translation of Dumourier's Memoirs, vi. 13
Ferdinand and Isabella, ii. 47
Ferdinand V. of Spain, vi. 212
Ferdinand VII. of Spain, ii. 54, 55, 78, 90, 91; v. 538, 558
Ferdousi, i. 353
Ferney, iv. 53
Ferrand, M., Histoire des Trois Démembremens de la Pologne, v. 551
Ferrara, ii. 312, 354, 503, 505; iv. 141
Ferrara, Alfonso d'Este II., Duke of, iv. 266; vi. 212
Ferrari, Girolamo, iii. 441
Festus, De Verb. Signif., ii. 437
Fewterel, the prize-fighter, i. 433
Fiandra, Comte Baldovino di, iv. 352
Ficino, ii. 365, 495; iv. 280
Fielding, Beau, iv. 541
Fielding, The Tragedy of Tragedies, or the Life and Death of Tom Thumb the Great, i. 313, 389, 392, 436; Amelia, i. 385; The Golden Rump, i. 414; Jonathan Wild, ii. 171; iv. 284; Tom Jones, ii. 386; iv. 284, 332; History of the Adventures of Joseph Andrews, iv. 284; vi. 254, 511; Journey from this World to the Next, iv. 483, 518; his "superior grossness," vi. xviii, 210; his use of "was," vi. 208
Fielding, Sir John, Bow Street magistrate, i. 416
Figuranti, vi. 207
Fiji, v. 599
Filicaja, Poesie Toscaine, ii. 312, 361
Fill the goblet again, i. 283
Finden, Illustrations of the Life and Works of Lord Byron, ii. 11
Fingall, Arthur James Plunkett, 8th Earl of, iv. 559
Finlay, History of Greece, ii. 107, 139, 140, 146, 165, 175, 180, 193, 441; v. 556; vi. 168; Greece under Othoman and Venetian Domination, iii. 166, 194, 195, 481
Finley, John, the pioneer, vi. 349
First Kiss of Love, The, i. 82
Fitger, Arthur, iv. 324
Fitzgerald, Colonel, iv. 157
Fitzgerald, Edward, translation of Rubáiyát of Omar Khayyám, iii. 87, 109
Fitzgerald, Lord Edward, iv. 548
Fitzgerald, Percy, Life of George IV., i. 416
Fitzgerald, W. L., The Tyrant's Downfall, iii. 435
Fitzgerald, William Thomas (Nelson's Triumph; Tears of Hibernia; Nelson's Tomb), i. 297, 444, 448, 481, 485; iii. 312; iv. 549
Fitzpatrick, Richard, Dorinda: a Town Eclogue, i. 500
Flaminius, Consul, ii. 505, 508
Flaminius Vacca, Memorie, ii. 508, 509, 511, 515
Flash language, instances of, vi. 431-433
Flavian Amphitheatre (Colosseum), Rome, ii. 423-435
Fletcher, Rule a Wife and Have a Wife, i. 415; The Two Noble Kinsmen, ii. 217
Fletcher of Saltoun, Andrew, An Account of a Conversation, etc., v. 602
[382] Fletcher, William (Byron's servant), ii. 28, 52; iii. 381; iv. 367; vii. 6, 8
Fletcher, Mrs. William, vi. 22
Florence, ii. 312; iv. 249; Uffizzi Gallery at, ii. 365
Florence Miscellany, i. 358
Florentine nobility, the, ii. 365
Florus, ii. 179
Foix, Odet de, v. 498
Folger, Captain Mayhew, of the American ship Topaz, v. 582, 622
Fontainebleau, Treaty of, ii. 90
Fontenelle, Le Bovier de, Entretiens sur la Pluralitè des Mondes, ii. 198; iv. 523; vi. 246
Fontenoy, battle of, vi. 12
Foote, Samuel, The Mayor of Garratt, i. 412
Fop's Alley, i. 410; vii. 58
Forbes, Lady Adelaide; ii. 447; vi. 116
Forbes, Sir W., Life of Beattie, ii. 5, 479
Forbin des Issarts, Marquis de, v. 566
Ford, John, i. 304, 397; 'Tis Pity she's a Whore, iv. 377
Fold, Richard, Handbook for Spain, ii. 54, 57, 68, 79; vi. 116
Forli, vi. 212
Forman, Alfred, The Metre of Dante's Comedy discussed and exemplified, iv. 239
Forman, H. Buxton, i. xi; Prose Works of P. B. Shelley, iv. 3, 18, 100; vi. xix; The Metre of Dante's Comedy, etc., iv. 239
Forster, John, v. 114
Forster the murderer, i. 308; vi. 50
Forsyth, Joseph, Remarks on Antiquities, etc., in Italy, ii. 435, 484
Forsyth, William, History of the Captivity of Napoleon, v. 544-546, 548
Forteguerri, Ricciardetto, iv. 156, 166, 176, 319
Fortunes of Nigel, i. 351
Foscari, Doge Francesco, ii. 327, 507; iv. 459; v. 115, 117, 118; vi. 199
Foscari, Jacopo, v. 115
Foscari, Lucrezia (née Contarini), v. 115, 130
Foscari, Marco, v. 118
Foscari, Maria, or Marina (née Nani), v. 115
Foscari, Nicolò, v. 115
Foscolo, Ugo, ii. 324, 496; iv. 156, 166, 281, 319, 367, 436, 457
Foster, Augustus, iii. 31
Foster, Vere, The Two Duchesses, iii. 31; vii. 15
Foston-le-Clay (Foston, All Saints) Vicarage, vi. 596
Foulon, Joseph François, vi. 435
Four-Horse Club, the, vii. 26
Fox, C. J., i. 113; vi. 9; Byron's On the Death of Mr., i. 34; Monodies on, i. 356; his friend Fitzpatrick, i. 500; one of "the wondrous Three," iv. 75; "with Fox's lard was basting William Pitt," iv. 511; History of James II., iii. 170; his grave in Westminster Abbey, v. 541
Fox, Charles Richard, ii. 80
Fracassetti, Giuseppe, Petrarch's Letters, ii. 351
Fragment, A, i. 21, 192; iii. 123; iv. 47, 51, 193, 203
Fragment from the Monk of Athos, iii. 18
Fragment of an Epistle to Thomas Moore, vii. 39
Fragment of a Novel by Byron, iv. 20
Fragment of a Translation from the 9th Book of Virgil's Æneid, i. xii, 151
Fragment—written shortly after the marriage of Miss Chaworth, i. 210
Fragments of School Exercises: from the "Prometheus Vinctus" of Æschylus, i. 14
Fragonard, his portrait of Franklin, v. 554
Frame Workers' Bill, i. 412, 495
France, v. 553
Francesca of Rimini, iv. 313-322
[383] Francis I., Emperor of Austria, i. 489; v. 498, 503, 539, 573, 576
Francis Maria II., Duke of Rovere, ii. 498
Francis, Sir Philip, iv. 513
Franguestan (Circassia), iii. 111
Frankfort, i. 489
Franklin, Benjamin, iv. 516; Opinions and Conjectures concerning ... Electrical Matter, etc., v. 554
Fraser, Mrs. Susan, Camilla de Florian, iii. 26
Fraser's Magazine, iv. 542; v. 204
Fraticelli, Il Canzoniere di Dante, iv. 248
Frederick the Great, i. 107; vi. 337
Frederick II. of Prussia, ii. 209, 282; iv. 334; v. 637
Frederick William III. of Prussia, v. 539, 550, 553, 577; vii. 39
French, Waterloo and the, vi. 345
French Revolution, ii. 82; vi. 13, 14
Frere, J. Hookham, i. 395; ii. 327, iii. 151; vii. 48, 49; The Rovers, or the Double Arrangement, ii. 7; British Minister, Spain, ii. 79; The Needy Knife-Grinder, ii. 80; his article in Q.R. on Lady Morgan's France, ii. 187; Whistlecraft, iv. 155, 156, 279, 283; vi. xvi; vii. 53; the ottava rima, iv. 238
Fréron, Elie Catharine, ii. 282
Friar, the Black, at Newstead Abbey, vi. 576, 578, et seq.
Fricker, Edith (Mrs. R. Southey), iv. 521; vi. 175
Fricker, Mary (Mrs. Robert Lovell), iv. 521
Fricker, Sarah (Mrs. S. T. Coleridge), iv. 521; vi. 175
Fricker, Stephen, vi. 175
Friendly Islands, the, v. 581
Friuli's mountains (Julian Alps), ii. 348
Frizzi, Antonio, Memorie per la Storia di Ferrara, iii. 507
From Anacreon, i. 149
From the French, iii. 428; vii. 76
From the Portuguese ("Tu mi chamas"), iii. 71
Frosini, or Phrosine, iii. 145
Frundsberg, George, leader of the Landsknechts, v. 520
Fry, Elizabeth, vi. 425
Fryer, John, master of the Bounty, v. 594
Fugitive Pieces, i. xi, 1-75, 213; iii. 381, 383, 387, 388, 390, 400, 438; iv. 584
Fuller, Worthies: Lincolnshire, vi. 596
Fullerton, Lady Georgiana, v. 329
Fulvius Ursinus, ii. 510, 517
Funck-Brentano, M. Frantz, L'Homme au Masque de Velours Noir, iv. 514
Furius Leptinus, ii. 520
Furtwaengler, A., Masterpieces of Ancient Greek Sculpture, ii. 446
Fusina, ii. 349; vii. 72
G
Gabor, Bethlen, king of Hungary, iv. 331; v. 349, 352
Gabriel of Bergamo, Bishop, iv. 467
Gaddi, Cardinal de', v. 516
Gail, Jean Baptiste, ii. 197
Galahad, iv. 320
Galiffe, J. A., Notices Généalogiques sur les Familles Genevoises, iv. 5; Galignanis Gazette (or Messenger), i. 452; iv. 338; v. 540; vii. 80
Galileo Galilei, ii. 369, 496; vi. 610
Galiongee, or galiongi, Turkish sailor, iii. 184
Gall, Richard, i. 211; vi. 462
Gallehault, iv. 320
Gallienus, vi. 446
Gallo, Cape, iii. 248
Gallois, Léonard, Historie de Napoléon d'après lui-même, iii. 304
Galt, John, Voyages and Travels, i. 492; Life of Lord Byron, iii. 150, 205; vi. 195
Galvani, Professor, i. 308; vi. 50
Galvanism, i. 307; vi. 50
[384] Gamba, Count, vi. 179, A Narrative of Lord Byron's Last Journey to Greece, vii. 86
Gambas, the, iv. 259
Gambier, Admiral Lord, i. 468
Gandia, Duke of, iii. 367
Garcia, H. E. Don Juan, vi. 437
Garcilasso, or Garcias Lasso, de la Vega, vi. 40
Gardiki sacked by Ali Pasha, ii. 139 Garnett, Dr. Richard (keeper of Printed Books in the British Museum), Italian Literature, ii. 324, 351, 370; iv. 281; v. 535
Garrick, David, i. 26, 344, 409; iii. 51, 52, 53; Lying Valet, i. 400; produces Don Juan; or, The Libertine Destroyed, at Drury Lane Theatre, vi. 11
Garter, story of the, ii. 7
Garth, vi. 236
Gas, nitrous oxide, i. 307
Gas first used in London, vi. 434
Gas Light and Coke Co., i. 307
Gascoigne, M.P. for Liverpool, i. 479
Gaston de Foix, Due de Nemours, vi. 212
Gastuni, iii. 184
Gates, General, vi. 12
Gauls, the, ii. 413; iv. 331, 334
Gautier, Léon, Voyage en Espagne, ii. 67, Les Epopées Françaises, v. 496
Gavotto, or Cabotto, Giovanni, iv. 262 Gay, The Beggar's Opera, i. 416, iv. 75; vii. 74; Trivia, iv. 160, Epitaph, vi. 561
Gayarré, Charles Étienne Arthur, History of Louisiana; Fernando de Lemos, iii. 298
Gayton, Miss, i. 347, 348
Gazette, i. 488
Gazette Extraordinary, iii. 303
Gazetteer, iv. 542
Gazetteer of the World, ii. xxiv; iii. 24
Gebhart, Émile, De l'Italie (Le Sac de Rome), v. 471, 472, 510, 515, 520
Gebora, battle of, i. 470
Geddes, Rev. Alexander, Critical Remarks on the Hebrew Scriptures, v. 208
Gelasius, ii. 512
Gell, Sir William, Topography of Troy; Ithaca; Itinerary of Greece, i. 336, 379; ii. 109, 189, 204
Gelo the tyrant, iv. 440
Gemma, Dante's wife, iv. 253
Genesis, iv. 127; v. 197, 201, 207, 210, 277, 280, 285, 291, 300, 527
Genest, English Stage, ii. 331; iv. 573; v. 324
Geneva, iv. 53
Genlis, Stephanie Félicité Ducrest, Marquise de Sillery, Madame de, i. 494
Genoa, v. 158
Genseric, king of the Vandals, ii. 390, 408; iii. 233, 251
Gentleman's Magazine, i. 337; ii. 11, 216; iv. 53, 82, 99, 139; v. 470, 578; vi. 410, 508, 551; vii. 19, 27
Geoffrey II., of Villehouardin, iii. 185
George I., iii. 209, 299
George II., ii. 282; iv. 491; vi. 12, 496; vii. 76
George III., i. 416, 425, 486, 500; ii. 230; iv. 476, 556; v. 542, 560; vi. 77, 368, 451, 496; vii. 31, 35, 76; in Vision of Judgment, iv. 485-525
George IV., i. 319, 487, 491, 495, 497, 500; ii. 360, 450; iii. 45; iv. 74, 548, 555; v. 204, 206, 539, 569, 578; vi. 374, 385, 425, 451, 478; vii. 17, 20, 22, 27, 29, 32, 35-37, 40, 80
George William, Elector of Brandenburgh, v. 373
Georgia, i. 378; vi. 279
Gérard, his portrait of Napoleon, iii. 314
G. Dict. Univ., ii. 415
Germantown, battle of, i. 500; vi. 12
Germany, "how much we owe to thee," i. 486
[385] Gesner, Death of Abel, iii. 31, 32; v. 200, 201, 208, 266; Bibliotheca Univ., iii. 122
Ghibellines, the, iv. 253
Ghormezano, Signor, ii. 99
Ghosts, ii. 255
Giaffir Pacha, iii. 189
Giamschid, Sultan, iii. 108
Giant's Grave (Bosphorus), vi. 219
"Giants' Staircase" (Venice), iv. 325, 336
Giaour, the, ii. 37, 135, 136; iii. 17, 85-146, 149, 150, 183, 210, 217, 225, 235, 254, 293, 384, 453, 464, 465, 481; iv. 21, 38, 125; v. 428, 612; vi. 165, 244, 332
Gibbon, Edward, as a translator, i. 375; Decline and Fall of the Roman Empire, ii. 174, 185, 202, 283, 307, 350, 392, 434, 475, 479, 482, 508; iii. 173, 251, 301, 519; iv. 53, 141, 288, 386; vi. 8, 9, 139, 179, 260, 279, 446; Miscellaneous Works, ii. 490; iii. 299, 503; Antiquities of the House of Brunswick, iii. 503
Gibraltar (Calpe's Rock), i. 378; ii. 89, 113, 455, 525; v. 588; vi. 344
Gieta, Colonel, iv. 205, 208
Gifford, William (editor of the Quarterly Review), his edition of Massinger, i. 292, 304; his Baviad and Mæviad, i. 294, 304, 362, 363; short account of, i. 304; Epistle to Peter Pindar; edition of Ben Jonson and Ford, i. 304; translation of Juvenal, i. 304, 362, 375; iii. 301; v. 63, 64, 613; vi. 255, 256; of Persius, i. 304; "a true poet," i. 306; alludes in Mæviad to Kotzebue's Pizarro, i. 344; describes Miles Peter Andrews in Baviad, i. 353; referred to in English Bards, and Scotch Reviewers:—"his heavy hand, etc," i. 356; "born beneath an adverse star," i. 360; "bear witness, Gifford, Sotheby, Macneil," i. 362; iv. 182; "Why slumbers Gifford?" i. 363; attacks Delia Cruscans in Baviad and Mæviad, i. 358; criticizes Jerningham in Baviad, i. 383; on Weber, i. 397; his patron, Lord Grosvenor, i. 412; his "ultimus Romanorum," i. 444; "Edwin's mewlings" in Baviad, i. 444, 445; advises publication of Childe Harold, Canto I., ii. xi; advises suppression of stanzas on Sir John Carr in Childe Harold, ii. 65 enthusiastic about Childe Harold, Canto III., ii. 211; approves Canto IV., ii. 327; on the Giaour, iii. 76; Byron on Bride of Abydos, iii. 149; on Corsair, iii. 217; on Siege of Corinth, iii. 443; his corrections of Siege of Corinth, iii. 467-470, 474, 479-482, 484-486, 489, 492, 494, 495; on Parisina, iii. 449; on Manfred, iv. 79, 136; Murray's adviser, iv. 157; on Marino Faliero, act i., iv. 367; omits to correct Byron's bad grammar, iv. 419; reviews Lectures on the English Poets, etc., iv. 575; his addition to Two Foscari, v. 196; on Cain, v. 204; revises Heaven and Earth, v. 279, 310; his note to Don Juan on Memnon Statue, v. 497; "we've Gifford here reading MS.," vii. 48
Gight, i. 336
Gill, landlord of Byron's lodgings in Nottingham, vii. 1
Gillies, History of Greece, iii. 90
Gillray's Caricatures, i. 307, 476; iv. 509; vii. 29
Gindely, Anton, History of the Thirty Years' War