The Project Gutenberg eBook of The Blue Bird for Children, by Georgette Leblanc.

One of the strongest pieces of imaginative writing for children that the past decade has produced and one of the most delicate and beautiful of all times, is "The Blue Bird," by Maurice Maeterlinck, written as a play, and very successfully produced on the stage.

Georgette Leblanc (Madame Maurice Maeterlinck), has rendered this play in story form for children, under the title "The Children's Blue Bird," and in this form it has now been carefully edited and arranged for schools.

Maurice Maeterlinck was born in Ghent, Belgium, August 29, 1862. Although trained for the practice of the law and moderately successful in it, he very early became dissatisfied with the prospect of a career at the bar. In 1887, the young man moved to Paris and turned his attention to writing. Shortly after, at the death of his father, Maeterlinck returned to Belgium where he has since resided most of the time. His career as an author practically began in 1889, when he published two plays. At this time he was quite unknown, except to a small circle, but soon, because of his remarkable originality, we find him being called "The Belgian Shakespeare," and his reputation firmly established.

Amidst his Belgian roses he continued to work and dream, and upon his youthful dreams he built his plays. They are all shadowy, brief transcripts of emotion, and illustrate beautifully his unity of purpose, of mood and of thought. Whether in philosophy, drama or poetry, Maeterlinck is exclusively occupied in revealing or indicating the mystery which lies only just out of sight beneath the ordinary life. In order to produce this effect of the mysterious he aims at extreme simplicity of style and a very realistic symbolism. He allows [Pg viii] life itself to astonish us by its strangeness, by its inexplicable elements. Many of his plays are really pathetic records of unseen emotions.

Of all his writings, it is conceded that "The Blue Bird" makes the strongest appeal to children. Maeterlinck has always had much in common with the young. He has the child's mysticism and awe of the unknown, the same delight in mechanical inventions, the same gift of "making believe."

In "The Blue Bird" Maeterlinck takes little account of external fact. All along he has kept the child's capacity for wonder; all along he has preserved youth's freshness of heart. He has, therefore, never lost the key which unlocks the sympathies of childhood; he still possesses the passport that makes him free of the kingdom of Fairyland.

This story of "The Blue Bird" may remind one somewhat of "Hansel and Gretel," for here Maeterlinck, like Grimm, shows to us the adventures of two peasant children as they pass through regions of enchantment where they would be at the mercy of treacherous foes, but for the aid of a supernatural friend. But the originality, the charm and the interest of "The Blue Bird" depend on the way in which the author, while adapting his language and his legends to the intelligence of youthful readers, manages to show them the wonders and romance of Nature. He enlists among his characters a whole series of inanimate objects, such as Bread, Sugar, Milk, Light, Water, Fire and Trees, besides the Cat, the Dog and other animals, investing them all with individuality,—making for instance, with characteristic bias, the Dog the faithful friend of his boy and girl companions and the Cat their stealthy enemy.

We may not understand his characters, we may not be informed whence they came or whither they move; there is nothing concrete or circumstantial about them; their life is intense and consistent, but it is wholly in a spiritual character. They are mysterious with the mystery of the movements of the soul.

All through the story we are led to feel that Maeterlinck's spirit is one of grave and disinterested attachment to the highest moral beauty, and his seriousness, his serenity and his extreme originality impress even those who are bewildered by his graces and his mysticism.

"The Blue Bird" will forever live among Maeterlinck's greatest works and will linger long in the memory of all children, continuing throughout their lives to symbolize that ideal of ideals, true happiness,—the happiness that comes from right seeking.

Illustrations

The Land of Memory	Frontispiece
FACING PAGE
She herself helped Mytyl	10
They all looked at her with a bewildered air. They understood that it was a solemn moment	38
Delighted with the importance of his duty, undid the top of his robe, drew his scimitar and cut two slices out of his stomach	42
Sugar also wanted to impress the company and, breaking off two of his fingers, handed them to the astonished Children	44
Everything vanished and, instead, there appeared a pretty little peasant's cottage	50
The grandparents and grandchildren sat down to supper	56
The road to the Palace of Night was rather long and rather dangerous	66
Night sat up, all quivering. Her immense wings beat around her; and she questioned Tylette in a trembling voice	68
Wagging her head and stopping every minute to cough, sneeze and blow her nose	74
A wonderful garden lay before him, a dream-garden filled with flowers that shone like stars	80
Light's servants were very odd	90
Other Blue Children opened great big books	98
Other Blue Children unfolded maps and plans, or brought enormous flowers	102
And, in a moment, the Blue Children were crowding round the tall old man	110
The Cat at once draped her cloak round her, opened the door and ran and bounded out into the forest	119
A regular waterfall of tears came gushing from her eyes, flooding all around her	154
Closely pursued by the Dog, who overwhelmed her with bites, blows and kicks	162
"It's the Blue Bird we were looking for! We have been miles and miles and miles and he was here all the time!"	174

CHAPTER I

THE WOODCUTTER'S COTTAGE

Once upon a time, a woodcutter and his wife lived in their cottage on the edge of a large and ancient forest. They had two dear little children who met with a most wonderful adventure.

But, before telling you all about it, I must describe the children to you and let you know something of their character; for, if they had not been so sweet and brave and plucky, the curious story which you are about to hear would never have happened at all.

Tyltyl—that was our hero's name—was ten years old; and Mytyl, his little sister, was only six.

Tyltyl was a fine, tall little fellow, stout and well-set-up, with curly black hair which was often in a tangle, for he was fond of a romp. He was a great favorite because of his smiling and good-tempered face and the bright look in his eyes; but, best of all, he had the ways of a bold and fearless little man, which showed the noble qualities of his heart. When, early in the morning, he trotted along the[Pg 4] forest-road by the side of his daddy, Tyl the woodcutter, for all his shabby clothes he looked so proud and gallant that every beautiful thing on the earth and in the sky seemed to lie in wait for him to smile upon him as he passed.

His little sister was very different, but looked ever so sweet and pretty in her long frock, which Mummy Tyl kept neatly patched for her. She was as fair as her brother was dark; and her large timid eyes were blue as the forget-me-nots in the fields. Anything was enough to frighten her and she would cry at the least thing; but her little child soul already held the highest womanly qualities: she was loving and gentle and so fondly devoted to her brother that, rather than abandon him, she did not hesitate to undertake a long and dangerous journey in his company.

What happened and how our little hero and heroine went off into the world one night in search of happiness: that is the subject of my story.

Daddy Tyl's cottage was the poorest of the countryside; and it seemed even more wretched because it stood opposite a splendid hall in which rich children lived. From the windows of the cottage you could see what went on inside the Hall when the dining-room and drawing-rooms [Pg 5] were lit up in the evening. And, in the daytime, you saw the little children playing on the terraces, in the gardens and in the hot-houses which people came all the way from town to visit because they were always filled with the rarest flowers.

Now, one evening which was not like other evenings, for it was Christmas Eve, Mummy Tyl put her little ones to bed and kissed them even more lovingly than usual. She felt a little sad because, owing to the stormy weather, Daddy Tyl was not able to go to work in the forest; and so she had no money to buy presents with which to fill Tyltyl and Mytyl's stockings. The Children soon fell asleep, everything was still and silent and not a sound was heard but the purring of the cat, the snoring of the dog and the ticking of the great grandfather's clock. But suddenly a light as bright as day crept through the shutters, the lamp upon the table lit again of itself and the two Children awoke, yawned, rubbed their eyes, stretched out their arms in bed and Tyltyl, in a cautious voice called:

"Not yet; not till to-morrow. But Father Christmas won't bring us anything this year."

"I heard Mummy say that she couldn't go to town to tell him. But he will come next year."

"A good long while," said the boy. "But he will come to the rich children to-night."

"Hullo!" cried Tyltyl of a sudden. "Mummy's forgotten to put out the lamp!... I've an idea!"

"The rich children opposite. It's the Christmas-tree. Let's open the shutters...."[Pg 7]

"Of course we can; there's no one to stop us.... Do you hear the music?... Let us get up."

The two Children jumped out of bed, ran to the window, climbed on the stool in front of it and threw back the shutters. A bright light filled the room; and the Children looked out eagerly:

"There are twelve little boys getting out!" said Mytyl, who was doing her best to peep out of the window.

"They're getting the cakes!" cried Tyltyl. "They can touch them!... They're eating, they're eating, they're eating!... Oh, how lovely, how lovely!..."

And our little friends, dancing, laughing and shrieking with delight, rejoiced so prettily in the other children's happiness that they forgot their own poverty and want. They were soon to have their reward. Suddenly, there came a loud knocking at the door. The startled Children ceased their romp and dared not move a limb. Then the big wooden latch lifted of itself, with a loud creak; the door opened slowly; and in crept a little old woman, [Pg 9] dressed all in green, with a red hood over her head. She was hump-backed and lame and had only one eye; her nose and chin almost touched; and she walked leaning on a stick. She was surely a fairy.

"We have some grass," replied Tyltyl, trembling all over his body, "but it can't sing...."

"But I can't give it away, because it's mine," the little fellow added, quickly.

"He's not blue enough," she exclaimed. "I must absolutely have the Blue Bird. It's for my little girl, who is very ill.... Do you know what the Blue Bird stands for? No? I thought you didn't; and, as you are good children, I will tell you."

The Fairy raised her crooked finger to her long, pointed nose, and whispered, in a mysterious tone:

"The Blue Bird stands for happiness; and I want you [Pg 10] to understand that my little girl must be happy in order to get well. That is why I now command you to go out into the world and find the Blue Bird for her. You will have to start at once.... Do you know who I am?"

The Children exchanged puzzled glances. The fact was that they had never seen a fairy before; and they felt a little scared in her presence. However, Tyltyl soon said politely:

Tyltyl thought that, in saying this, he was paying the Fairy a compliment; for Madame Berlingot's shop, which was next door to their cottage, was a very pleasant place. It was stocked with sweets, marbles, chocolate cigars and sugar dolls and hens; and, at fair-time, there were big gingerbread dolls covered all over with gilt paper. Goody Berlingot had a nose that was quite as ugly as the Fairy's; she was old also; and, like the Fairy, she walked doubled up in two; but she was very kind and she had a dear little girl who used to play on Sundays with the woodcutter's Children. Unfortunately, the poor little pretty, fair-haired thing was always suffering from some unknown complaint, which often kept her in bed. When this happened, she [Pg 11] used to beg and pray for Tyltyl's dove to play with; but Tyltyl was so fond of the bird that he would not give it to her. All this, thought the little boy, was very like that which the Fairy told him; and that was why he called her Berlingot.

Much to his surprise, the Fairy turned crimson with rage. It was a hobby of hers to be like nobody, because she was a fairy and able to change her appearance, from one moment to the next, as she pleased. That evening, she happened to be ugly and old and hump-backed; she had lost one of her eyes; and two lean wisps of grey hair hung over her shoulders.

Her reason for asking these questions was to try the kindness of the little boy. He turned away his head and dared not say what he thought of her looks. Then she cried:

"Oh, that's all right!" answered Tyltyl, who, by this time, was shaking in every limb.

This satisfied the Fairy; and, as the Children were still in their night-shirts, she told them to get dressed. She herself helped Mytyl and, while she did so, asked: [Pg 12]

"I haven't them in my pocket," said the Fairy. "But this is very lucky; you will see them when you go through the Land of Memory. It's on the way to the Blue Bird, just on the left, past the third turning.... What were you doing when I knocked?"

"For eating all the cakes. I think it's very wrong of them not to give you any."

"Yes, I can," said Tyltyl. "I have very good eyes. I can see the time on the church clock; and Daddy can't!"

And she grew angrier and angrier. As though it mattered about seeing the time on the church clock!

Of course, the little boy was not blind; but, as he was kind-hearted and deserved to be happy, she wanted to teach him to see what is good and beautiful in all things. It was not an easy task, for she well knew that most people live and die without enjoying the happiness that lies all around them. Still, as she was a fairy, she was all-powerful; and so she decided to give him a little hat adorned with a magic diamond that would possess the extraordinary property of always showing him the truth, which would help him to see the inside of Things and thus[Pg 14] teach him that each of them has a life and an existence of its own, created to match and gladden ours.

The Fairy took the little hat from a great bag hanging by her side. It was green and had a white cockade, with the big diamond shining in the middle of it. Tyltyl was beside himself with delight. The Fairy explained to him how the diamond worked. By pressing the top, you saw the soul of Things; if you gave it a little turn to the right, you discovered the Past; and, when you turned it to the left, you beheld the Future.

Tyltyl beamed all over his face and danced for joy; and then he at once became afraid of losing the little hat:

"No," said the Fairy, "for no one can see it as long as it's on your head.... Will you try it?"

The hat was no sooner on the little boy's head than a magic change came over everything. The old Fairy turned into a young and beautiful princess, dressed all in silk and covered with sparkling jewels; the walls of the cottage became transparent and gleamed like precious stones; the humble deal furniture shone like marble. The two children ran from right to left clapping their hands and shouting with delight.[Pg 15]

And Mytyl, like the vain little thing she was, stood spell-bound before the beauty of the fair princess' dress.

But further and much greater surprises were in store for them. Had not the Fairy said that the Things and the Animals would come to life, talk and behave like everybody else? Lo and behold, suddenly the door of the grandfather's clock opened, the silence was filled with the sweetest music and twelve little daintily-dressed and laughing dancers began to skip and spin all around the Children.

"May I dance with them?" asked Tyltyl, gazing with admiration at those pretty creatures, who seemed to skim over the floor like birds.

But just then he burst into a wild fit of laughter! Who was that funny fat fellow, all out of breath and covered with flour, who came struggling out of the bread-pan and bowing to the children? It was Bread! Bread himself, taking advantage of the reign of liberty to go for a little walk on earth! He looked like a stout, comical old gentleman; his face was puffed out with dough; and his large hands, at the end of his thick arms, were not able to meet, when he laid them on his great, round stomach. He was [Pg 16] dressed in a tight-fitting crust-coloured suit, with stripes across the chest like those on the nice buttered rolls which we have for breakfast in the morning. On his head—just think of it!—he wore an enormous bun, which made a funny sort of turban.

He had hardly tumbled out of his pan, when other loaves just like him, but smaller, followed after and began to frisk about with the Hours, without giving a thought to the flour which they scattered over those pretty ladies and which wrapped them in great white clouds.

It was a queer and charming dance; and the Children were delighted. The Hours waltzed with the loaves; the plates, joining in the fun, hopped up and down on the dresser, at the risk of falling off and smashing to pieces; the glasses in the cupboard clinked together, to drink the health of one and all. As to the forks, they chattered so loudly with the knives that you could not hear yourself speak for the noise....

There is no knowing what would have happened if the din had lasted much longer. Daddy and Mummy Tyl would certainly have waked up. Fortunately, when the romp was at its height, an enormous flame darted out of the chimney and filled the room with a great red glow, as though the house were on fire. Everybody bolted into the corners in [Pg 17] dismay, while Tyltyl and Mytyl, sobbing with fright, hid their heads under the good Fairy's cloak.

"Don't be afraid," she said. "It's only Fire, who has come to join in your fun. He is a good sort, but you had better not touch him, for he has a hot temper."

Peeping anxiously through the beautiful gold lace that edged the Fairy's cloak, the Children saw a tall, red fellow looking at them and laughing at their fears. He was dressed in scarlet tights and spangles; from his shoulders hung silk scarves that were just like flames when he waved them with his long arms; and his hair stood up on his head in straight, flaring locks. He started flinging out his arms and legs and jumping round the room like a madman.

Tyltyl, though feeling a little easier, dared not yet leave his refuge. Then the Fairy Bérylune had a capital idea: she pointed her wand at the tap; and at once there appeared a young girl who wept like a regular fountain. It was Water. She was very pretty, but she looked extremely sad; and she sang so sweetly that it was like the rippling of a spring. Her long hair, which fell to her feet, might have been made of sea-weed. She had nothing on but her bed-gown; but the water that streamed over her clothed her in shimmering colours. She hesitated at first and gave a glance around her; then, catching sight of Fire still whirling about like a [Pg 18] great madcap, she made an angry and indignant rush at him, spraying his face, splashing and wetting him with all her might. Fire flew into a rage and began to smoke. Nevertheless, as he found himself suddenly thwarted by his old enemy, he thought it wiser to retire to a corner. Water also beat a retreat; and it seemed as though peace would be restored once more.

The two Children, at last recovering from their alarm, were asking the Fairy what was going to happen next, when a startling noise of breaking crockery made them look round towards the table. What a surprise! The milk-jug lay on the floor, smashed into a thousand fragments, and from the pieces rose a charming lady, who gave little screams of terror and clasped her hands and turned up her eyes with a beseeching glance.

Tyltyl hastened to console her, for he at once knew that she was Milk; and, as he was very fond of her, he gave her a good kiss. She was as fresh and pretty as a little dairy-maid; and a delicious scent of hay came from her white frock all covered with cream.

Meanwhile, Mytyl was watching the sugar-loaf, which also seemed to be coming to life. Packed in its blue paper wrapper, on a shelf near the door, it was swaying from left to right and from right to left without any result. But at [Pg 19] last a long thin arm was seen to come out, followed by a peaked head, which split the paper, and by another arm and two long legs that seemed never to end!... Oh, you should have seen how funny Sugar looked: so funny, indeed, that the Children could not help laughing in his face! And yet they would have liked to be civil to him, for they heard the Fairy introducing him in these words:

"This, Tyltyl, is the soul of Sugar. His pockets are crammed with sugar and each of his fingers is a sugar-stick."

How wonderful to have a friend all made of sugar, off whom you can bite a piece whenever you feel inclined!

"Bow, wow, wow!... Good-morning! Good-morning, my little god!... At last, at last we can talk!... Bark and wag my tail as I might, you never understood!... I love you! I love you!"

Who can this extraordinary person be, who jostles everybody and fills the house with his noisy gaiety? We know him at once. It is Tylô, the good Dog who tries his hardest to understand mankind, the good-natured Animal who goes with the Children to the forest, the faithful guardian who protects the door, the staunch friend who is ever true and ever loyal! Here he comes walking on his hind-paws, as on a pair of legs too short for him, and [Pg 20] beating the air with the two others, making gestures like a clumsy little man. He has not changed: he still has his smooth, mustard-coloured coat and his jolly bull-dog head, with the black muzzle, but he is much bigger and then he talks! He talks as fast as he can, as though he wanted in one moment to avenge his whole race, which has been doomed to silence for centuries. He talks of everything, now that he is at last able to explain himself; and it is a pretty sight to see him kissing his little master and mistress and calling them "his little gods!" He sits up, he jumps about the room, knocking against the furniture, upsetting Mytyl with his big soft paws, lolling his tongue, wagging his tail and puffing and panting as though he were out hunting. We at once see his simple, generous nature. Persuaded of his own importance, he fancies that he alone is indispensable in the new world of Things.

After making all the fuss he wanted of the Children, he started going the round of the company, distributing the attentions which he thought that none could do without. His joy, now set free, found vent without restraint; and, because he was the most loving of creatures, he would also have been the happiest, if, in becoming human, he had not, unfortunately, retained his little doggy failings. He was jealous! He was terribly jealous; and his heart felt a pang [Pg 21] when he saw Tylette, the Cat, coming to life in her turn and being petted and kissed by the Children, just as he had been! Oh, how he hated the Cat! To bear the sight of her beside him, to see her always sharing in the affection of the family: that was the great sacrifice which fate demanded of him. He accepted it, however, without a word, because it pleased his little gods; and he went so far as to leave her alone. But he had had many a crime on his conscience because of her! Had he not, one evening, crept stealthily into Goody Berlingot's kitchen in order to throttle her old tom-cat, who had never done him any harm? Had he not broken the back of the Persian cat at the Hall opposite? Did he not sometimes go to town on purpose to hunt cats and put an end to them, all to wreak his spite? And now Tylette was going to talk, just like himself! Tylette would be his equal in the new world that was opening before him!

"Oh, there is no justice left on earth!" was his bitter thought. "There is no justice left!"

In the meantime, the Cat, who had begun by washing herself and polishing her claws, calmly put out her paw to the little girl.

She really was a very pretty cat; and, if our friend Tylô's jealousy had not been such an ugly feeling, we might almost have overlooked it for once! How could you fail to be attracted by Tylette's eyes, which [Pg 22] were like topaz set in emeralds? How could you resist the pleasure of stroking the wonderful black velvet back? How could you not love her grace, her gentleness and the dignity of her poses?

"Now that she's standing on her hind-legs like a man," he muttered, "she looks just like the Devil, with her pointed ears, her long tail and her dress as black as ink!" And he could not help growling between his teeth. "She's also like the village chimney-sweep," he went on, "whom I loathe and detest and whom I shall never take for a real man, whatever my little gods may say.... It's lucky," he added, with a sigh, "that I know more about a good many things than they do!"

But suddenly, no longer able to master himself, he flew at the Cat and shouted, with a loud laugh that was more like a roar:

But the Cat, who was dignified even when still an animal, now thought herself called to the loftiest destinies. She considered that the time had come to raise a tall barrier between herself and the Dog, who had never been more than an ill-bred person in her eyes; and, stepping back in disdain, she just said:

Tylô gave a bound under the insult, whereupon the Cat bristled up, twisting her whiskers under her little pink nose (for she was very proud of those two pale blotches which gave a special touch to her dark beauty); and then, arching her back and sticking up her tail, she hissed out, "Fft! Fft!" and stood stock-still on the chest of drawers, like a dragon on the lid of a Chinese vase.

Tyltyl and Mytyl screamed with laughter; but the quarrel would certainly have had a bad ending if, at that moment, a great thing had not happened. At eleven o'clock in the evening, in the middle of that winter's night, a great light, the light of the noon-day sun, glowing and dazzling, burst into the cottage.

"Hullo, there's daylight!" said the little boy, who no longer knew what to make of things. "What will Daddy say?"

But, before the Fairy had time to set him right, Tyltyl [Pg 24] understood; and, full of wonderment, he knelt before the latest vision that bewitched his eyes.

At the window, in the center of a great halo of sunshine, there rose slowly, like a tall golden sheaf, a maiden of surpassing loveliness! Gleaming veils covered her figure without hiding its beauty; her bare arms, stretched in the attitude of giving, seemed transparent; and her great clear eyes wrapped all upon whom they fell in a fond embrace.

Smiling, Light stepped towards the two little ones. She, the Light of Heaven, the strength and beauty of the Earth, was proud of the humble mission entrusted to her; she, never before held captive, living in space and bestowing her bounty upon all alike, consented to be confined, for a brief spell, within a human shape, so as to lead the Children out into the world and teach them to know that other Light, the Light of the Mind, which we never see, but which helps us to see all things that are.

"It is Light!" exclaimed the Things and the Animals; and, as they all loved her, they began to dance around her with cries of pleasure. [Pg 25]

Tyltyl and Mytyl capered with joy. Never had they pictured so amusing and so pretty a party; and they shouted louder than all the rest.

Then what was bound to happen came. Suddenly, three knocks were heard against the wall, loud enough to throw the house down! It was Daddy Tyl, who had been waked up by the din and who was now threatening to come and put a stop to it.

Our hero hastened to obey, but he had not the knack of it yet; besides, his hand shook at the thought that his father was coming. In fact, he was so awkward that he nearly broke the works.

"Not so quick, not so quick!" said the Fairy. "Oh dear, you've turned it too briskly: they will not have time to resume their places and we shall have a lot of bother!"

There was a general stampede. The walls of the cottage lost their splendour. All ran hither and thither, to return to their proper shape: Fire could not find his chimney; Water ran about looking for her tap; Sugar stood moaning in front of his torn wrapper; and Bread, the biggest of the loaves, was unable to squeeze into his pan, in which the other loaves had jumped higgledy-piggledy, taking up all the room. As for the Dog, he had grown too large for the hole in his kennel; and the Cat also could not get into her basket. The Hours [Pg 26] alone, who were accustomed always to run faster than Man wished, had slipped back into the clock without delay.

Light stood motionless and unruffled, vainly setting an example of calmness to the others, who were all weeping and wailing around the Fairy:

"Well," said the Fairy, "I am bound to tell you the truth: all those who accompany the two Children will die at the end of the journey."

They began to cry like anything, all except the Dog, who was delighted at remaining human as long as possible and who had already taken his stand next to Light, so as to be sure of going in front of his little master and mistress.

"There's Daddy again!" said Tyltyl. "He's getting up, this time; I can hear him walking...."

"You see," said the Fairy, "you have no choice now; it is too late; you must all start with us.... But you, Fire, don't come near anybody; you, Dog, don't tease the Cat; you, Water, try not to run all over the place; and you, Sugar, [Pg 27] stop crying, unless you want to melt. Bread shall carry the cage in which to put the Blue Bird; and you shall all come to my house, where I will dress the Animals and the Things properly.... Let us go out this way!"

As she spoke, she pointed her wand at the window, which lengthened magically downwards, like a door. They all went out on tip-toe, after which the window resumed its usual shape. And so it came about that, on Christmas Night, in the clear light of the moon, while the bells rang out lustily, proclaiming the birth of Jesus, Tyltyl and Mytyl went in search of the Blue Bird that was to bring them happiness. [Pg 31]

CHAPTER II

AT THE FAIRY'S

The Fairy Bérylune's Palace stood at the top of a very high mountain, on the way to the moon. It was so near that, on summer nights, when the sky was clear, you could plainly see the moon's mountains and valleys, lakes and seas from the terrace of the palace. Here the Fairy studied the stars and read their secrets, for it was long since the Earth had had anything to teach her.

"This old planet no longer interests me!" she used to say to her friends, the giants of the mountain. "The men upon it still live with their eyes shut! Poor things, I pity them! I go down among them now and then, but it is out of charity, to try and save the little children from the fatal misfortune that awaits them in the darkness."

This explains why she had come and knocked at the door of Daddy Tyl's cottage on Christmas Eve.

And now to return to our travellers. They had hardly reached the high-road, when the Fairy remembered that they could not walk like that through the village, which was still [Pg 32] lit up because of the feast. But her store of knowledge was so great that all her wishes were fulfilled at once. She pressed lightly on Tyltyl's head and willed that they should all be carried by magic to her palace. Then and there, a cloud of fireflies surrounded our companions and wafted them gently towards the sky. They were at the Fairy's palace before they had recovered from their surprise.

"Follow me," she said and led them through chambers and passages all in gold and silver.

They stopped in a large room surrounded with mirrors on every side and containing an enormous wardrobe with light creeping through its chinks. The Fairy Bérylune took a diamond key from her pocket and opened the wardrobe. One cry of amazement burst from every throat. Precious stuffs were seen piled one on the top of the other: mantles covered with gems, dresses of every sort and every country, pearl coronets, emerald necklaces, ruby bracelets.... Never had the Children beheld such riches! As for the Things, their state was rather one of utter bewilderment; and this was only natural, when you think that they were seeing the world for the first time and that it showed itself to them in such a queer way.

The Fairy helped them make their choice. Fire, Sugar and the Cat displayed a certain decision of taste. Fire, who [Pg 33] only cared for red, at once chose a splendid bright red dress, with gold spangles. He put nothing on his head, for his head was always very hot. Sugar could not stand anything except white and pale blue: bright colors jarred on his sweet nature. The long blue and white dress which he selected and the pointed hat, like a candle extinguisher, which he wore on his head made him look perfectly ridiculous; but he was too silly to notice it and kept spinning before the glass like a top and admiring himself in blissful ignorance.

The Cat, who was always a lady and who was used to her dusky garments, reflected that black always looks well, in any circumstance, particularly now, when they were travelling without luggage. She therefore put on a suit of black tights, with jet embroidery, hung a long velvet cloak from her shoulders and perched a large cavalier hat, with a long feather, on her neat little head. She next asked for a pair of soft kid boots, in memory of Puss-in-Boots, her distinguished ancestor, and put a pair of gloves on her fore-paws, to protect them from the dust of the roads.

Thus attired, she took a satisfied glance at the mirror. Then, a little nervously, with an anxious eye and a quivering pink nose, she hastily invited Sugar and Fire to take the air with her. So they all three walked out, while the others [Pg 34] went on dressing. Let us follow them for a moment, for we have already grown to like our brave little Tyltyl and we shall want to hear anything that is likely to help or delay his undertaking.

After passing through several splendid galleries, hung like balconies in the sky, our three cronies stopped in the hall; and the Cat at once addressed the meeting in a hushed voice:

"I have brought you here," she said, "in order to discuss the position in which we are placed. Let us make the most of our last moment of liberty...."

"There now!" cried the Cat. "There's that idiot of a Dog! He has scented us out! We can't get a minute's peace. Let us hide behind the balustrade. He had better not hear what I have to say to you."

"He has put on the livery of one of the footmen of Cinderella's coach.... It is just the thing for him: he has the soul of a flunkey!"[Pg 35]

She ended these words with a "Fft! Fft!" and, stroking her whiskers, took up her stand, with a defiant air, between Sugar and Fire. The good Dog did not see her little game. He was wholly wrapped up in the pleasure of being gorgeously arrayed; and he danced round and round. It was really funny to see his velvet coat whirling like a merry-go-round, with the skirts opening every now and then and showing his little stumpy tail, which was all the more expressive as it had to express itself very briefly. For I need hardly tell you that Tylô, like every well-bred bull-dog, had had his tail and his ears cropped as a puppy.

Poor fellow, he had long envied the tails of his brother dogs, which allowed them to use a much larger and more varied vocabulary. But physical deficiencies and the hardships of fortune strengthen our innermost qualities. Tylô's soul, having no outward means of expressing itself, had only gained through silence; and his look, which was always filled with love, had become very eloquent.

To-day his big dark eyes glistened with delight; he had suddenly changed into a man! He was all over magnificent clothes; and he was about to perform a grand errand across the world in company with the gods!

"There!" he said. "There! Aren't we fine!... Just [Pg 36] look at this lace and embroidery!... It's real gold and no mistake!"

He did not see that the others were laughing at him, for, to tell the truth, he did look very comical; but, like all simple creatures, he had no sense of humour. He was so proud of his natural garment of yellow hair that he had put on no waistcoat, in order that no one might have a doubt as to where he sprang from. For the same reason, he had kept his collar, with his address on it. A big red velvet coat, heavily braided with gold-lace, reached to his knees; and the large pockets on either side would enable him, he thought, always to carry a few provisions; for Tylô was very greedy. On his left ear, he wore a little round cap with an osprey-feather in it and he kept it on his big square head by means of an elastic which cut his fat, loose cheeks in two. His other ear remained free. Cropped close to his head in the shape of a little paper screw-bag, this ear was the watchful receiver into which all the sounds of life fell, like pebbles disturbing its rest.

He had also encased his hind-legs in a pair of patent-leather riding-boots, with white tops; but his fore-paws he considered of such use that nothing would have induced him to put them into gloves. Tylô had too natural a character to change his little ways all in a day; and, in spite of his [Pg 37] new-blown honours, he allowed himself to do undignified things. He was at the present moment lying on the steps of the hall, scratching the ground and sniffing at the wall, when suddenly he gave a start and began to whine and whimper! His lower lip shook nervously as though he were going to cry.

"What's the matter with the idiot now?" asked the Cat, who was watching him out of the corner of her eye.

But she at once understood. A very sweet song came from the distance; and Tylô could not endure music. The song drew nearer, a girl's fresh voice filled the shadows of the lofty arches and Water appeared. Tall, slender and white as a pearl, she seemed to glide rather than to walk. Her movements were so soft and graceful that they were suspected rather than seen. A beautiful silvery dress waved and floated around her; and her hair decked with corals flowed below her knees.

When Fire caught sight of her, like the rude and spiteful fellow that he was, he sneered:

But Water, who was really quite witty and who knew that she was the stronger of the two, chaffed him pleasantly and said, with a glance at his glowing nose: [Pg 38]

"I beg your pardon?... I thought you might be speaking of a great red nose I saw the other day!..."

The others began to laugh and poke fun at Fire, whose face was always like a red-hot coal. Fire angrily jumped to the ceiling, keeping his revenge for later. Meanwhile, the Cat went up to Water, very cautiously, and paid her ever so many compliments on her dress. I need hardly tell you that she did not mean a word of it; but she wished to be friendly with everybody, for she wanted their votes, to carry out her plan; and she was anxious at not seeing Bread, because she did not want to speak before the meeting was complete:

"He was making an endless fuss about choosing his dress," said the Dog. "At last, he decided in favour of a Turkish robe, with a scimitar and a turban."

The words were not out of his mouth, when a shapeless and ridiculous bulk, clad in all the colours of the rainbow, came and blocked the narrow door of the hall. It was the enormous stomach of Bread, who filled the whole opening. He kept on knocking himself, without knowing why; for he was not very clever and, besides, he was not yet used to moving about in human beings' houses. At [Pg 39]last, it occurred to him to stoop; and, by squeezing through sideways, he managed to make his way into the hall.

It was certainly not a triumphal entry, but he was pleased with it all the same:

"Here I am!" he said. "Here I am! I have put on Blue-beard's finest dress.... What do you think of this?"

The Dog began to frisk around him: he thought Bread magnificent! That yellow velvet costume, covered all over with silver crescents, reminded Tylô of the delicious horse-shoe rolls which he loved; and the huge, gaudy turban on Bread's head was really very like a fairy bun!

Bread was shyly followed by Milk. Her simple mind had made her prefer her cream dress to all the finery which the Fairy suggested to her. She was really a model of humility.

Bread was beginning to talk about the dresses of Tyltyl, Light and Mytyl, when the Cat cut him short in a masterful voice:

"We shall see them in good time," she said. "Stop chattering, listen to me, time presses: our future is at stake...."

They all looked at her with a bewildered air. They understood that it was a solemn moment, but the human language was still full of mystery to them. Sugar wriggled his long fingers as a sign of distress; Bread patted his huge stomach; Water lay on the floor and seemed to suffer from the most profound despair; and Milk only had eyes for Bread, who had been her friend for ages and ages.

"The Fairy has just said it, the end of this journey will, at the same time, mark the end of our lives. It is our business, therefore, to spin the journey out as long as possible and by every means in our power...."

Bread, who was afraid of being eaten as soon as he was no longer a man, hastened to express approval; but the Dog, who was standing a little way off, pretending not to hear, began to growl deep down in his soul. He well knew what the Cat was driving at; and, when Tylette ended her speech with the words, "We must at all costs prolong the journey and prevent Blue Bird from being found, even if it means endangering the lives of the Children," the good Dog, obeying only the promptings of his heart, leapt at the Cat to bite her. Sugar, Bread and Fire flung themselves between them:

"Excuse me," said Sugar, shaking all over, in conciliatory tones. "Excuse me.... This is a serious moment.... Let us talk things over in a friendly way."

"I quite agree with Sugar and the Cat," said Bread, as though that ended the matter.

"This is ridiculous!" said the Dog, barking and showing his teeth. "There is Man and that's all!... We have to obey him and do as he tells us!... I recognise no one but him!... Hurrah for Man!... Man for ever!... In life or death, all for Man!... Man is everything!..."

But the Cat's shrill voice rose above all the others. She was full of grudges against Man and she wanted to make use of the short spell of humanity which she now enjoyed to avenge her whole race:

"All of us here present," she cried, "Animals, Things and Elements, possess a soul which Man does not yet know. That is why we retain a remnant of independence; but, if he finds the Blue Bird, he will know all, he will see all and we shall be completely at his mercy.... Remember the time when we wandered at liberty upon the face of the earth!..." But, suddenly her face changed, her voice sank to a whisper and she hissed, "Look out! I hear the [Pg 42] Fairy and Light coming. I need hardly tell you that Light has taken sides with Man and means to stand by him; she is our worst enemy.... Be careful!"

But our friends had had no practice in trickery and, feeling themselves in the wrong, took up such ridiculous and uncomfortable attitudes that the Fairy, the moment she appeared upon the threshold, exclaimed:

Quite scared and thinking that the Fairy had already guessed their wicked intentions, they fell upon their knees before her. Luckily for them, the Fairy hardly gave a thought to what was passing through their little minds. She had come to explain the first part of the journey to the Children and to tell each of the others what to do. Tyltyl and Mytyl stood hand in hand in front of her, looking a little frightened and a little awkward in their fine clothes. They stared at each other in childish admiration.

The little girl was wearing a yellow silk frock embroidered with pink posies and covered with gold spangles. On her head was a lovely orange velvet cap; and a starched muslin tucker covered her little arms. Tyltyl was dressed in a red jacket and blue knickerbockers, both of velvet; and of course he wore the wonderful little hat on his head.

"It is just possible that the Blue Bird is hiding at your grandparents' in the Land of Memory; so you will go there first."

Then the good Fairy explained that they would not be really dead until their grandchildren ceased to think of them:

"Men do not know this secret," she added. "But, thanks to the diamond, you, Tyltyl, will see that the dead whom we remember live as happily as though they were not dead."

"Are you coming with us?" asked the boy, turning to Light, who stood in the doorway and lit up all the hall.

"No," said the Fairy. "Light must not look at the past. Her energies must be devoted to the future!"

The two Children were starting on their way, when they discovered that they were very hungry. The Fairy at once ordered Bread to give them something to eat; and that big, fat fellow, delighted with the importance of his duty, undid the top of his robe, drew his scimitar and cut two slices out of his stomach. The Children screamed with laughter. Tylô dropped his gloomy thoughts for a moment [Pg 44] and begged for a bit of bread; and everybody struck up the farewell chorus. Sugar, who was very full of himself, also wanted to impress the company and, breaking off two of his fingers, handed them to the astonished Children.

"Not to-day," she said. "The children must go alone. It would be indiscreet to accompany them; they are going to spend the evening with their late family. Come, be off! Good-bye, dear children, and mind that you are back in good time: it is extremely important!"

The two Children took each other by the hand and, carrying the big cage, passed out of the hall; and their companions, at a sign from the Fairy, filed in front of her to return to the palace. Our friend Tylô was the only one who did not answer to his name. The moment he heard the Fairy say that the Children were to go alone, he had made up his mind to go and look after them, whatever happened; and, while the others were saying good-bye, he hid behind the door. But the poor fellow had reckoned without the all-seeing eyes of the Fairy Bérylune.

And the poor Dog, who had so long been used to obey, dared not resist the command and came, with his tail between his legs, to take his [Pg 45] place among the others. He howled with despair when he saw his little master and mistress swallowed up in the great gold staircase. [Pg 49]

CHAPTER III

THE LAND OF MEMORY

The Fairy Bérylune had told the Children that the Land of Memory was not far off; but to reach it you had to go through a forest that was so dense and so old that your eyes could not see the tops of the trees. It was always shrouded in a heavy mist; and the Children would certainly have lost their way, if the Fairy had not said to them beforehand:

The ground was carpeted with flowers which were all alike: they were snow-white pansies and very pretty; but, as they never saw the sun, they had no scent.

Those little flowers comforted the Children, who felt extremely lonely. A great mysterious silence surrounded them; and they trembled a little with a very pleasant sense of fear which they had never felt before.

And, as they walked along, the Children gathered a beautiful white [Pg 50] nosegay. The dear little things did not know that every pansy (which means "a thought") that they picked brought them nearer to their grandparents; and they soon saw before them a large oak with a notice-board nailed to it.

"I can see nothing at all!" whimpered Mytyl. "I'm cold!... I'm tired!... I don't want to travel any more!"

"Come, don't keep on crying just like Water!... You ought to be ashamed of yourself!" he said. "There! Look! Look! The fog is lifting!"

And, sure enough, the mist parted before their eyes, like veils torn by an invisible hand; the big trees faded away, everything vanished and, instead, there appeared a pretty little peasant's cottage, covered with creepers and standing in a little garden filled with flowers and with trees all over fruit.

The Children at once knew the dear cow in the orchard, the watch-dog at the door, the blackbird in his wicker cage; and everything was steeped in a pale light and a warm and balmy air.

Tyltyl and Mytyl stood amazed. So that was the Land of Memory! What lovely weather it was! And how nice it felt to be there! They at once made up their minds to come back often, now that they knew the way. But how great was their happiness when the last veil disappeared and they saw, at a few steps from them, Grandad and Granny sitting on a bench, sound asleep. They clapped their hands and called out gleefully:

But they were a little scared by this great piece of magic and dared not move from behind the tree; and they stood looking at the dear old couple, who woke up gently and slowly under their eyes. Then they heard Granny Tyl's trembling voice say:

"I have a notion that our grandchildren who are still alive are coming to see us to-day."

"They are certainly thinking of us, for I feel queer and I have pins and needles in my legs." [Pg 52]

"I think they must be quite near," said Granny, "for I see tears of joy dancing before my eyes and...."

Granny had not time to finish her sentence. The Children were in her arms!... What joy! What wild kisses and huggings! What a wonderful surprise! The happiness was too great for words. They laughed and tried to speak and kept on looking at one another with delighted eyes: it was so glorious and so unexpected to meet again like this. When the first excitement was over, they all began to talk at once:

And the Children danced and clapped their hands and flung themselves by turns into the arms of one or the other.

At last, they quieted down a little; and, with Mytyl nestling against Grandad's chest and Tyltyl comfortably perched on Granny's knees, they began to talk of family affairs:

"My word, how pretty they are and how nice and clean!... Why don't you come to see us oftener? It is months and months now that you have forgotten us and that we have seen nobody...."

"We couldn't, Granny," said Tyltyl, "and to-day it's only because of the Fairy...."

"We are always here," said Granny Tyl, "waiting for a visit from those who are alive. The last time you were here was on All-hallows...."

"But you thought of us! And, every time you think of us, we wake up and see you again."

Tyltyl remembered that the Fairy had told him this. He had not thought it possible then; but now, with his head on the heart of the dear Granny whom he had missed so much, he began to understand things and he felt that his grandparents had not left him altogether. He asked:

The old couple burst out laughing. When they exchanged their life on earth for another and a much nicer and more beautiful life, they had forgotten the word "dead." [Pg 54]

All old people love discussing old times. The future is finished, as far as they are concerned; and so they delight in the present and the past. But we are growing impatient, like Tyltyl; and, instead of listening to them, we will follow our little friend's movements.

He had jumped off Granny's knees and was poking about in every corner, delighted at finding all sorts of things which he knew and remembered:

"Nothing is changed, everything is in its old place!" he cried. And, as he had not been to the old people's home for so long, everything struck him as much nicer; and he added, in the voice of one who knows, "Only everything is prettier!... Hullo, there's the clock with the big hand which I broke the point off and the hole which I made in the door, the day I found Grandad's gimlet...."

"Yes, you've done some damage in your time!" said [Pg 55] Grandad. "And there's the plum-tree which you were so fond of climbing, when I wasn't looking...."

"But he's blue!" he shouted. "Why, that's the bird, the Blue Bird!... He's blue, blue, blue as a blue glass marble!... Will you give him to me?"

The grandparents gladly consented; and, full of triumph, Tyltyl went and fetched the cage which he had left by the tree. He took hold of the precious bird with the greatest of care; and it began to hop about in its new home.

"How pleased the Fairy will be!" said the boy, rejoicing at his conquest. "And Light too!"

As the old couple were beginning to toddle across the [Pg 56] garden, the children suddenly asked if their little dead brothers and sisters were there too. At the same moment, seven little children, who, up to then, had been sleeping in the house, came tearing like mad into the garden. Tyltyl and Mytyl ran up to them. They all hustled and hugged one another and danced and whirled about and uttered screams of joy.

"Here they are, here they are!" said Granny. "As soon as you speak of them, they are there, the imps!"

"Hullo, Pierrot! So we're going to fight again, as in the old days!... And Robert!... I say, Jean, what's become of your top?... Madeleine and Pierrette and Pauline!... And here's Riquette!..."

"There's Kiki, whose tail I cut off with Pauline's scissors.... He hasn't changed either...."

But, suddenly, amid the general rejoicings, the old people stopped spell-bound: they had heard the small voice of the clock indoors strike eight!

"That's because we no longer think of the time," said Granny. "Was any one thinking of the time?"

"Yes, I was," said Tyltyl. "So it's eight o'clock?... Then I'm off, for I promised Light to be back before nine...."

He was going for the cage, but the others were too happy to let him run away so soon: it would be horrid to say good-bye like that! Granny had a good idea: she knew what a little glutton Tyltyl was. It was just supper-time and, as luck would have it, there was some capital cabbage-soup and a beautiful plum-tart.

"Well," said our hero, "as I've got the Blue Bird!... And cabbage-soup is a thing you don't have every day!..."

They all hurried and carried the table outside and laid it with a nice white table-cloth and put a plate for each; and, lastly, Granny brought out the steaming soup-tureen in state. The lamp was lit and the grandparents and grandchildren sat down to supper, jostling and elbowing one another and laughing and shouting with pleasure. Then, for a time, nothing was heard but the sound of the wooden spoons noisily clattering against the soup-plates. [Pg 58]

"How good it is! Oh, how good it is!" shouted Tyltyl, who was eating greedily. "I want some more! More! More! More!"

"Come, come, a little more quiet," said Grandad. "You're just as ill-behaved as ever; and you'll break your plate...."

Tyltyl took no notice of the remark, stood up on his stool, caught hold of the tureen and dragged it towards him and upset it; and the hot soup trickled all over the table and down upon everybody's lap. The children yelled and screamed with pain. Granny was quite scared; and Grandad was furious. He dealt our friend Tyltyl a tremendous box on the ear.

Tyltyl was staggered for a moment; and then he put his hand to his cheek with a look of rapture and exclaimed:

"Grandad, how good, how jolly! It was just like the slaps you used to give me when you were alive!... I must give you a kiss for it!..."

"Goodness!" cried Tyltyl, starting up. "There's half- [Pg 59]past eight striking!... Mytyl, we've only just got time!..."

"Good-bye, Grandad.... Good-bye, Granny.... Good-bye, brothers and sisters, Pierrot, Robert, Pauline, Madeleine, Riquette and you, too, Kiki.... We can't stay.... Don't cry, Granny; we will come back often!"

"Come back every day!" said Granny. "It is our only pleasure; and it's such a treat for us when your thoughts pay us a visit!"

"Good-bye! Good-bye!" cried the brothers and sisters in chorus. "Come back very soon! Bring us some barley sugar!"

There were more kisses; all waved their handkerchiefs; [Pg 60] all shouted a last good-bye. But the figures began to fade away; the little voices could no longer be heard; the two Children were once more wrapped in mist; and the old forest covered them with its great dark mantle.

"I'm so frightened!" whimpered Mytyl. "Give me your hand, little brother! I'm so frightened!"

Tyltyl was shaking too, but it was his duty to try and comfort and console his sister:

As he spoke, a thin ray of light pierced the gloom; and the little boy hurried towards it. He was holding his cage tight in his arms; and the first thing he did was to look at his bird.... Alas and alack, what a disappointment awaited him! The beautiful Blue Bird of the Land of Memory had turned quite black! Stare at it as hard as Tyltyl might, the bird was black! Oh, how well he knew the old blackbird that used to sing in its wicker prison, in the old days, at the door of the house! What had happened? How painful it was! And how cruel life seemed to him just then!

He had started on his journey with such zest and delight that he had not thought for a moment of the difficulties and dangers. Full of confidence, pluck and kindness, he [Pg 61] had marched off, certain of finding the beautiful Blue Bird which would bring happiness to the Fairy's little girl. And now all his hopes were shattered! For the first time, our poor friend understood the trials, the vexations and the obstacles that awaited him! Alas, was he attempting an impossible thing? Was the Fairy making fun of him? Would he ever find the Blue Bird? All his courage seemed to be leaving him....

To add to his misfortunes, he could not find the straight road by which he had come. There was not a single white pansy on the ground; and he began to cry.

Luckily, our little friends were not to remain in trouble long. The Fairy had promised that Light would watch over them. The first trial was over; and, just as outside the old people's house a little while ago, the mist now suddenly lifted. But, instead of disclosing a peaceful picture, a gentle, homely scene, it revealed a marvellous temple, with a blinding glare streaming from it.

On the threshold stood Light, fair and beautiful in her diamond-coloured dress. She smiled when Tyltyl told her of his first failure. She knew what the little ones were seeking; she knew everything. For Light surrounds all mortals with her love, though none of them is fond enough of her ever to receive her thoroughly and thus to learn all [Pg 62] the secrets of Truth. Now, for the first time, thanks to the diamond which the Fairy had given to the boy, she was going to try and conquer a human soul:

"Do not be sad," she said to the Children. "Are you not pleased to have seen your grandparents? Is that not enough happiness for one day? Are you not glad to have restored the old blackbird to life? Listen to him singing!"

For the old blackbird was singing with might and main; and his little yellow eyes sparkled with pleasure as he hopped about his big cage.

"As you look for the Blue Bird, dear Children, accustom yourselves to love the grey birds which you find on your way."

She nodded her fair head gravely; and it was quite clear that she knew where the Blue Bird was. But life is often full of beautiful mysteries, which we must respect, lest we should destroy them; and, if Light had told the Children where the Blue Bird was, well, they would never have found him! I will tell you why at the end of this story.

And now let us leave our little friends to sleep on beautiful white clouds under Light's watchful care. [Pg 65]

CHAPTER IV

THE PALACE OF NIGHT

Some time after, the Children and their friends met at the first dawn to go to the Palace of Night, where they hoped to find the Blue Bird. Several of the party failed to answer to their names when the roll was called. Milk, for whom any sort of excitement was bad, was keeping her room. Water sent an excuse: she was accustomed always to travel in a bed of moss, was already half-dead with fatigue and was afraid of falling ill. As for Light, she had been on bad terms with Night since the world began; and Fire, as a relation, shared her dislike. Light kissed the Children and told Tylô the way, for it was his business to lead the expedition; and the little band set out upon its road.

You can imagine dear Tylô trotting ahead, on his hind legs, like a little man, with his nose in the air, his tongue dangling down his chin, his front paws folded across his chest. He fidgets, sniffs about, runs up and down, covering twice the ground without minding how tired it makes him. [Pg 66] He is so full of his own importance that he disdains the temptations on his path: he neglects the rubbish heaps, pays no attention to anything he sees and cuts all his old friends.

Poor Tylô! He was so delighted to become a man; and yet he was no happier than before! Of course, life was the same to him, because his nature had remained unchanged. What was the use of his being a man, if he continued to feel and think like a dog? In fact, his troubles were increased a hundred-fold by the sense of responsibility that now weighed upon him.

"Ah!" he said, with a sigh, for he was joining blindly in his little gods' search, without for a moment reflecting that the end of the journey would mean the end of his life. "Ah," he said, "if I got hold of that rascal of a Blue Bird, trust me, I wouldn't touch him even with the tip of my tongue, not if he were as plump and sweet as a quail!"

Bread followed solemnly, carrying the cage; the two Children came next; and Sugar brought up the rear.

But where was the Cat? To discover the reason of her absence, we must go a little way back and read her thoughts. At the time when Tylette called a meeting of the Animals and Things in the Fairy's hall, she was contemplating a great plot which would aim at prolonging the journey; but she had reckoned without the stupidity of her hearers:

"The idiots," she thought, "have very nearly spoiled the whole thing by foolishly throwing themselves at the Fairy's feet, as though they were guilty of a crime. It is better to rely upon one's self alone. In my cat-life, all our training is founded on suspicion; I can see that it is just the same in the life of men. Those who confide in others are only betrayed; it is better to keep silent and to be treacherous one's self."

As you see, my dear little readers, the Cat was in the same position as the Dog: she had not changed her soul and was simply continuing her former existence; but, of course, she was very wicked, whereas our dear Tylô was, if anything, too good. Tylette, therefore, resolved to act on her own account and went, before daybreak, to call on Night, who was an old friend of hers.

The road to the Palace of Night was rather long and rather dangerous. It had precipices on either side of it; you had to climb up and climb down and then climb up again among high rocks that always seemed waiting to crush the passers-by. At last, you came to the edge of a dark circle; and there you had to go down thousands of steps to reach the black-marble underground palace in which Night lived.

The Cat, who had often been there before, raced along [Pg 68] the road, light as a feather. Her cloak, borne on the wind, streamed like a banner behind her; the plume in her hat fluttered gracefully; and her little grey kid boots hardly touched the ground. She soon reached her destination and, in a few bounds, came to the great hall where Night was.

It was really a wonderful sight. Night, stately and grand as a Queen, reclined upon her throne; she slept; and not a glimmer, not a star twinkled around her. But we know that the night has no secrets for cats and that their eyes have the power of piercing the darkness. So Tylette saw Night as though it were broad daylight.

Before waking her, she cast a loving glance at that motherly and familiar face. It was white and silvery as the moon; and its unbending features inspired both fear and admiration. Night's figure, which was half visible through her long black veils, was as beautiful as that of a Greek statue. She had long arms and a pair of enormous wings, now furled in sleep, came from her shoulders to her feet and gave her a look of majesty beyond compare. Still, in spite of her affection for her best of friends, Tylette did not waste too much time in gazing at her: it was a critical moment; and time was short. Tired and jaded and overcome with anguish, she sank upon the steps of the throne and mewed, plaintively: [Pg 69]

Night is of an anxious nature and easily alarmed. Her beauty, built up of peace and repose, possesses the secret of Silence, which life is constantly disturbing: a star shooting through the sky, a leaf falling to the ground, the hoot of an owl, a mere nothing is enough to tear the black velvet pall which she spreads over the earth each evening. The Cat, therefore, had not finished speaking, when Night sat up, all quivering. Her immense wings beat around her; and she questioned Tylette in a trembling voice. As soon as she had learned the danger that threatened her, she began to lament her fate. What! A man's son coming to her palace! And, perhaps, with the help of the magic diamond, discovering her secrets! What should she do? What would become of her? How could she defend herself? And, forgetting that she was sinning against Silence, her own particular god, Night began to utter piercing screams. It was true that falling into such a commotion was hardly likely to help her find a cure for her troubles. Luckily for her, Tylette, who was accustomed to the annoyances and worries of human life, was better armed. She had worked out her plan when going ahead of the children; and she was hoping to persuade Night to adopt it. She explained this plan to her in a few words: [Pg 70]

"I see only one thing for it, Mother Night: as they are children, we must give them such a fright that they will not dare to insist on opening the great door at the back of the hall, behind which the Birds of the Moon live and generally the Blue Bird too. The secrets of the other caverns will be sure to scare them. The hope of our safety lies in the terror which you will make them feel."

There was clearly no other course to take. But Night had not time to reply, for she heard a sound. Then her beautiful features contracted; her wings spread out angrily; and everything in her attitude told Tylette that Night approved of her plan.

The little band came marching down the steps of Night's gloomy staircase. Tylô pranced bravely in front, whereas Tyltyl looked around him with an anxious glance. He certainly found nothing to comfort him. It was all very magnificent, but very terrifying. Picture a huge and wonderful black marble hall, of a stern and tomb-like splendour. There is no ceiling visible; and the ebony pillars that surround the amphitheatre shoot up to the sky. It is only when you lift your eyes up there that you catch the faint light falling from the stars. Everywhere, the thickest darkness reigns. Two restless flames—no more—flicker on either [Pg 71] side of Night's throne, before a monumental door of brass. Bronze doors show through the pillars to the right and left.

"This way, little master, this way!... I have told Night; and she is delighted to see you."

Tylette's soft voice and smile made Tyltyl feel himself again; and he walked up to the throne with a bold and confident step, saying:

Night was offended by the word, "Good-day," which reminded her of her eternal enemy Light, and answered drily:

"Good-day?... I am not used to that!... You might say, Good-night, or, at least, Good-evening!"

Our hero was not prepared to quarrel. He felt very small in the presence of that stately lady. He quickly begged her pardon, as nicely as he could; and very gently asked her leave to look for the Blue Bird in her palace.

"I have never seen him, he is not here!" exclaimed Night, flapping her great wings to frighten the boy.

But, when he insisted and gave no sign of fear, she herself began to dread the diamond, which, by lighting up her darkness, would completely destroy her power; and she thought it better to pretend to yield to an impulse of generosity and at once to point to the big key [Pg 72] that lay on the steps of the throne.

Without a moment's hesitation, Tyltyl seized hold of it and ran to the first door of the hall.

Everybody shook with fright. Bread's teeth chattered in his head; Sugar, who was standing some way off, moaned with mortal anguish; Mytyl howled:

Meanwhile, Tyltyl, pale and resolute, was trying to open the door, while Night's grave voice, rising above the din, proclaimed the first danger.

The faithful Tylô, by his side, was panting with all his might, for dogs hate anything uncanny.

At last, the key grated in the lock. Silence reigned as dense and heavy as the darkness. No one dared draw a breath. Then the door opened; and, in a moment, the gloom was filled with white figures running in every direction. Some lengthened out right up to the sky; others twined themselves round the pillars; others wriggled ever so fast along the ground. They were something like men, but it was impossible to distinguish their features; the eye [Pg 73] could not catch them. The moment you looked at them, they turned into a white mist. Tyltyl did his best to chase them; for Mrs. Night kept to the plan contrived by the Cat and pretended to be frightened. She had been the Ghosts' friend for hundreds and hundreds of years and had only to say a word to drive them in again; but she was careful to do nothing of the sort and, flapping her wings like mad, she called upon all her gods and screamed:

But the poor Ghosts, who hardly ever come out now that Man no longer believes in them, were much too happy at taking a breath of air; and, had it not been that they were afraid of Tylô, who tried to bite their legs, they would never have been put back indoors.

"Oof!" gasped the Dog, when the door was shut at last. "I have strong teeth, goodness knows; but chaps like those I never saw before! When you bite them, you'd think their legs were made of cotton!"

Night made a gesture as though to put him off. Did the obstinate little fellow really want to see everything?

"No," said Night, "it is not worth while. It's the Sicknesses. They are very quiet, the poor little things! Man, for some time, has been waging such war upon them!... Open and see for yourself...."

Tyltyl threw the door wide open and stood speechless with astonishment: there was nothing to be seen....

He was just about to close the door again, when he was hustled aside by a little body in a dressing-gown and a cotton night-cap, who began to frisk about the hall, wagging her head and stopping every minute to cough, sneeze and blow her nose ... and to pull on her slippers, which were too big for her and kept dropping off her feet. Sugar, Bread and Tyltyl were no longer frightened and began to laugh like anything. But they had no sooner come near the little person in the cotton night-cap than they themselves began to cough and sneeze.

"It's the least important of the Sicknesses," said Night. "It's Cold-in-the-Head."

"Oh, dear, oh, dear!" thought Sugar. "If my nose keeps on running like this, I'm done for: I shall melt!"

Poor Sugar! He did not know where to hide himself. He had become very much attached to life since the journey began, for he had fallen over head and ears in love with Water! And yet this love caused him the greatest worry. [Pg 75] Miss Water was a tremendous flirt, expected a lot of attention and was not particular with whom she mixed; but mixing too much with Water was an expensive luxury, as poor Sugar found to his cost; for, at every kiss he gave her, he left a bit of himself behind, until he began to tremble for his life.

When he suddenly found himself attacked by Cold-in-the-Head, he would have had to fly from the palace, but for the timely aid of our dear Tylô, who ran after the little minx and drove her back to her cavern, amidst the laughter of Tyltyl and Mytyl, who thought gleefully that, so far, the trial had not been very terrible.

"Take care!" cried Night, in a dreadful voice. "It's the Wars! They are more powerful than ever! I daren't think what would happen, if one of them broke loose! Stand ready, all of you, to push back the door!"

Night had not finished uttering her warnings, when the plucky little fellow repented his rashness. He tried in vain to shut the door which he had opened: an invincible force was pushing it from the other side, streams of blood flowed through the cracks; flames shot forth; shouts, oaths and groans mingled with the roar of cannon and the rattle of musketry. Everybody in the Palace of Night was [Pg 76] running about in wild confusion. Bread and Sugar tried to take to flight, but could not find the way out; and they now came back to Tyltyl and put their shoulders to the door with despairing force.

"This may be the end of it," she said, curling her whiskers. "They won't dare to go on after this."

Dear Tylô made superhuman efforts to help his little master, while Mytyl stood crying in a corner.

At the same time, he dropped on the steps, utterly exhausted, dabbing his forehead with his poor little hands which shook with terror.

"Yes, yes!" replied the little fellow, sobbing. "They are hideous and awful.... I don't think they have the Blue Bird...."

"You may be sure they haven't," answered Night, angrily. "If they had, they would eat him at once.... You see there is nothing to be done...."[Pg 77]

"It's an easy thing to say," retorted Night, "when one's afraid and stays at home!"

"As far as Shades go," he thought, "Mrs. Night is poking fun at me. It's more than an hour since I've seen anything but shade in this house of hers; and I shall be very glad to see daylight again. As for the Terrors, if they are anything like the Ghosts, we shall have another good joke."

Our friend went to the door and opened it, before his companions had time to protest. For that matter, they were all sitting on the floor, exhausted with the last fright; and they looked at one another in astonishment, glad to find themselves alive after such a scare. Meanwhile, Tyltyl threw back the door and nothing came out:

"Yes, there is! Yes, there is! Look out!" said Night, who was still shamming fright.

She was simply furious. She had hoped to make a great [Pg 78] impression with her Terrors; and, lo and behold, the wretches, who had so long been snubbed by Man, were afraid of him! She encouraged them with kind words and succeeded in coaxing out a few tall figures covered with grey veils. They began to run all around the hall until, hearing the Children laugh, they were seized with fear and rushed indoors again. The attempt had failed, as far as Night was concerned, and the dread hour was about to strike. Already, Tyltyl was moving towards the big door at the end of the hall. A few last words took place between them:

Thereupon, Night, irritated by his persistency, flew into a rage, hurled the most terrible threats at him, and ended by saying:

"Not one of those who have opened it, were it but by a hair's breadth, has ever returned alive to the light of day! It means certain death; and all the horrors, all the terrors, all the fears of which men speak on earth are as nothing compared with those which await you if you [Pg 79] insist on touching that door!"

"Don't do it, master dear!" said Bread, with chattering teeth. "Don't do it! Take pity on us! I implore you on my knees!"

All of them were weeping and crying, all of them crowded round Tyltyl. Dear Tylô alone, who respected his little master's wishes, dared not speak a word, though he fully believed that his last hour had come. Two big tears rolled down his cheeks; and he licked Tyltyl's hands in despair. It was really a most touching scene; and for a moment, our hero hesitated. His heart beat wildly, his throat was parched with anguish, he tried to speak and could not get out a sound: besides, he did not wish to show weakness in the presence of his hapless companions!

"If I have not the strength to fulfil my task," he said to himself, "who will fulfil it? If my friends behold my distress, it is all up with me: they will not let me go through with my mission and I shall never find the Blue Bird!"

At this thought, the boy's heart leaped within his breast and all his generous nature rose in rebellion. It would never [Pg 80] do to be, perhaps, within arm's length of happiness and not to try for it, at the risk of dying in the attempt, to try for it and hand it over at last to all mankind!

That settled it! Tyltyl resolved to sacrifice himself. Like a true hero, he brandished the heavy golden key and cried:

He ran up to the great door, with Tylô panting by his side. The poor Dog was half-dead with fright, but his pride and his devotion to Tyltyl obliged him to smother his fears:

"I shall stay," he said to his master, "I'm not afraid! I shall stay with my little god!"

In the meantime, all the others had fled. Bread was crumbling to bits behind a pillar; Sugar was melting in a corner with Mytyl in his arms; Night and the Cat, both shaking with fury, kept to the far end of the hall.

Then Tyltyl gave Tylô a last kiss, pressed him to his heart and, with never a tremble, put the key in the lock. Yells of terror came from all the corners of the hall, where the runaways had taken shelter, while the two leaves of the great door opened by magic in front of our little friend, who was struck dumb with admiration and delight. What an exquisite surprise! A wonderful garden lay before him, a [Pg 81] dream-garden filled with flowers that shone like stars, waterfalls that came rushing from the sky and trees which the moon had clothed in silver. And then there was something whirling like a blue cloud among the clusters of roses. Tyltyl rubbed his eyes; he could not believe his senses. He waited, looked again and then dashed into the garden, shouting like mad:

"Come quickly!... Come quickly!... They are here!... We have them at last!... Millions of blue birds!... Thousands of millions!... Come, Mytyl!... Come, Tylô!... Come, all!... Help me!... You can catch them by handfuls!..."

Reassured at last, his friends came running up and all darted in among the birds, seeing who could catch the most:

"Nor can I!" said Tyltyl. "I have too many of them!... They're escaping from my arms!... Tylô has some too!... Let us go out, let us go!... Light is waiting for us!... How pleased she will be!... This way, this way!..."

And they all danced and scampered away in their glee, singing songs of triumph as they went. [Pg 82]

Night and the Cat, who had not shared in the general rejoicing, crept back anxiously to the great door; and Night whimpered:

"No," said the Cat, who saw the real Blue Bird perched high up on a moonbeam.... "They could not reach him, he kept too high...."

Our friends in all haste ran up the numberless stairs between them and the daylight. Each of them hugged the birds which he had captured, never dreaming that every step which brought them nearer to the light was fatal to the poor things, so that, by the time they came to the top of the staircase, they were carrying nothing but dead birds.

As he spoke, he held out the dear birds to her and saw, to his dismay, that they were nothing more than lifeless corpses: their poor little wings were broken and their heads drooped sadly from their necks! The boy, in his despair, turned to his companions. Alas, they too were hugging nothing but dead birds! [Pg 83]

Then Tyltyl threw himself sobbing into Light's arms. Once more, all his hopes were dashed to the ground.

"Do not cry, my child," said Light. "You did not catch the one that is able to live in broad daylight.... We shall find him yet...."

They were great boobies, both of them; but they wanted to console the boy. As for friend Tylô, he was so much put out that he forgot his dignity for a moment and, looking at the dead birds, exclaimed:

The party set out to walk back and sleep in the Temple of Light. It was a melancholy journey; all regretted the peace of home and felt inclined to blame Tyltyl for his want of caution. Sugar edged up to Bread and whispered in his ear:

And Bread, who felt flattered at receiving so much attention, answered, pompously:

"Never you fear, my dear fellow, I shall put all this right. Life would be unbearable if we had to listen to all the [Pg 84] whimsies of that little madcap!... To-morrow, we shall stay in bed!..."

They forgot that, but for the boy at whom they were sneering, they would never have been alive at all; and that, if he had suddenly told Bread that he must go back to his pan to be eaten and Sugar that he was to be cut into small lumps to sweeten Daddy Tyl's coffee and Mummy Tyl's syrups, they would have thrown themselves at their benefactor's feet and begged for mercy. In fact, they were incapable of appreciating their good luck until they were brought face to face with bad.

Poor things! The Fairy Bérylune, when making them a present of their human life, ought to have thrown in a little wisdom. They were not so much to blame. Of course, they were only following Man's example. Given the power of speaking, they jabbered; knowing how to judge, they condemned; able to feel, they complained. They had hearts which increased their sense of fear, without adding to their happiness. As to their brains, which could easily have arranged all the rest, they made so little of them that they had already grown quite rusty; and, if you could have opened their heads and looked at the works of their life inside, you would have seen the poor brains, which were their most precious possession, jumping about [Pg 85] at every movement they made and rattling in their empty skulls like dry peas in a pod.

Fortunately, Light, thanks to her wonderful insight, knew all about their state of mind. She determined, therefore, to employ the Elements and Things no more than she was obliged to:

"They are useful," she thought, "to feed the children and amuse them on the way; but they must have no further share in the trials, because they have neither courage nor conviction."

Meanwhile, the party walked on, the road widened out and became resplendent; and, at the end, the Temple of Light stood on a crystal height, shedding its beams around. The tired Children made the Dog carry them pick-a-back by turns; and they were almost asleep when they reached the shining steps. [Pg 89]

CHAPTER V

THE KINGDOM OF THE FUTURE

Tyltyl and Mytyl woke up next morning, feeling very gay; with childish carelessness, they had forgotten their disappointment. Tyltyl was very proud of the compliments which Light had paid him: she seemed as happy as though he had brought the Blue Bird with him:

"I am quite satisfied. You are such a good, brave boy that you will soon find what you are looking for."

Tyltyl did not understand the deep meaning of her words; but, for all that, he was very glad to hear them. And, besides, Light had promised him that to-day he would have nothing to fear in their new expedition. On the contrary, he would meet millions and millions of little children who would show him the most wonderful toys of which no one on earth had the least idea. She also told him that he and his little sister would travel alone with her this time and that all the others would take a rest while they were gone. [Pg 90]

That is why, at the moment when our chapter opens, they had all met in the underground vaults of the temple. Light thought it as well to lock up the Elements and Things. She knew that, if they were left to do as they pleased, they might escape and get into mischief. It was not so very cruel of her, because the vaults of her temple are even lighter and lovelier than the upper floors of human houses; but you cannot get out without her leave. She alone has the power of widening, with a stroke of her wand, a little cleft in an emerald wall at the end of the passage, through which you go down a few crystal steps till you come to a sort of cave, all green and transparent like a forest when the sunlight sweeps through its branches.

Usually, this great hall was quite empty; but now it had sofas in it and a gold table laid with fruits and cakes and creams and delicious wines, which Light's servants had just finished setting out. Light's servants were very odd! They always made the Children laugh: with their long white satin dresses and their little black caps with a flame at the top, they looked like lighted candles. Their mistress sent them away and then told the Animals and Things to be very good and asked them if they would like some books and games to play with; they answered, with a laugh, [Pg 91] that nothing amused them more than eating and sleeping and that they were very glad to stay where they were.

Tylô, of course, did not share this view. His heart spoke louder than his greed or his laziness; and his great dark eyes turned in entreaty on Tyltyl, who would have been only too pleased to take his faithful companion with him, if Light had not absolutely forbidden it:

"I can't help it," said the boy, giving him a kiss. "It seems that dogs are not admitted where we are going."

Suddenly, Tylô sprang up with delight: a great idea had struck him. He had not left his real, doggy life long enough to forget any part of it, especially his troubles. Which was the greatest of these? Was it not the chain? What melancholy hours Tylô had spent fastened to an iron ring! And what humiliation he endured when the woodcutter used to take him to the village and, with unspeakable silliness, keep him on the lead in front of everybody, thus depriving him of the pleasure of greeting his friends and sniffing the smells provided for his benefit at every street-corner and in every gutter:

"Well," he said to himself, "I shall have to submit to that humiliating torture once again, to go with my little god!"

Faithful to his traditions, he had, in spite of his fine [Pg 92] clothes, kept his dog-collar, but not his lead. What was to be done? He was once more in despair, when he saw Water lying on a sofa and playing, in an absent-minded sort of way, with her long strings of coral. He ran up to her as prettily as he could and, after paying her a heap of compliments, begged her to lend him her biggest necklace. She was in a good temper and not only did what he asked, but was kind enough to fasten the end of the coral string to his collar. Tylô gaily went up to his master, handed him this necklace chain and, kneeling at his feet, said:

"Take me with you like this, my little god! Men never say a word to a poor dog when he is on his chain!"

"Alas, even like this, you cannot come!" said Light, who was much touched by this act of self-sacrifice; and, to cheer him up, she told him that fate would soon provide a trial for the Children in which his assistance would be of great use.

As she spoke these words, she touched the emerald wall, which opened to let her pass through with the Children.

Her chariot was waiting outside the entrance to the temple. It was a lovely shell of jade, inlaid with gold. They all three took their seats; and the two great white birds harnessed to it at once flew off through the clouds. The chariot travelled very fast; and they were not long on the [Pg 93] road, much to the regret of the Children, who were enjoying themselves and laughing like anything; but other and even more beautiful surprises awaited them.

The clouds vanished around them; and, suddenly, they found themselves in a dazzling azure palace. Here, all was blue: the light, the flagstones, the columns, the vaults; everything, down to the smallest objects, was of an intense and fairy-like blue. There was no seeing the end of the palace; the eyes were lost in the infinite sapphire vistas.

"How lovely it all is!" said Tyltyl, who could not get over his astonishment. "Goodness me, how lovely!... Where are we?"

"We are in the Kingdom of the Future," said Light, "in the midst of the children who are not yet born. As the diamond allows us to see clearly in this region which is hidden from men, we shall perhaps find the Blue Bird here.... Look! Look at the children running up!"

From every side came bands of little children dressed from head to foot in blue; they had beautiful dark or golden hair and they were all exquisitely pretty. They shouted gleefully:

"It is because they themselves are not alive yet. They are awaiting the hour of their birth, for it is from here that all the children come who are born upon our earth. When the fathers and mothers want children, the great doors which you see over there, at the back, are opened; and the little ones go down...."

"There are many more," said Light. "No one could count them. But go a little further: you will see other things."

Tyltyl did as he was told and elbowed his way through; but it was difficult for him to move, because a crowd of Blue Children pressed all around them. At last, by mounting on a step, our little friend was able to look over the throng of inquisitive heads and see what was happening in every part of the hall. It was most extraordinary! Tyltyl had never dreamed of anything like it! He danced with joy; and Mytyl, who was hanging on to him and standing on tip-toe so that she might see too, clapped her little hands and gave loud cries of wonder.

All around were millions of Children in blue, some play[Pg 95]ing, others walking about, others talking or thinking. Many were asleep; many also were at work; and their instruments, their tools, the machines which they were building, the plants, the flowers and the fruits which they were growing or gathering were of the same bright and heavenly blue as the general appearance of the palace. Among the Children moved tall persons also dressed in blue: they were very beautiful and looked just like angels. They came up to Light and smiled and gently pushed aside the Blue Children, who went back quietly to what they were doing, though still watching our friends with astonished eyes.

One of them, however, remained standing close to Tyltyl. He was quite small. From under his long sky-blue silk dress peeped two little pink and dimpled bare feet. His eyes stared in curiosity at the little Live Boy; and he went up to him as though in spite of himself.

"Certainly," said Light. "You must make friends.... I will leave you alone; you will be more at ease by yourselves...."

So saying, she went away and left the two Children face to face, shyly smiling. Suddenly, they began to talk: [Pg 96]

The Child, who was absorbed in what he was looking at, did not answer, but gravely touched Tyltyl's hat with his finger:

"It's to say How-do-you-do with," Tyltyl answered. "And then for when it's cold...."

"When you shiver like this: Brrr! Brrr!" said Tyltyl. "And when you go like this with your arms," vigorously beating his arms across his chest.

The Child looked at Tyltyl again as though he did not understand a word that Tyltyl was saying; and Tyltyl in his turn looked amazed:

"It's quite clear that he knows nothing of the most everyday things," thought our hero, while the child stared with no small respect at "the little Live Boy" who knew everything.

"Why, it's what you pay with!" said Tyltyl, scorning to give any further explanation.

Of course, he did not understand. How could he know, a little boy like that, who lived in a paradise where his least wishes were granted before he had learned to put them into words?

"I am going to be born soon," said the Child. "I shall be born in twelve years.... Is it nice to be born?"

But he was very much at a loss when the little boy asked him "how he managed." His pride did not allow him to be ignorant of anything in another child's presence; and it [Pg 98] was quite droll to see him with his hands in his breeches-pockets, his legs wide apart, his face upturned and his whole attitude that of a man who is in no hurry to reply. At last, he answered, with a shrug of the shoulders:

"Yes, it's not bad," said Tyltyl. "There are birds and cakes and toys.... Some have them all; but those who have none can look at the others!"

This reflection shows us the whole character of our little friend. He was proud and inclined to be rather high-and-mighty; but he was never envious and his generous nature made up to him for his poverty by allowing him to enjoy the good fortune of others.

The two Children talked a good deal more; but it would take too long to tell you all they said, because what they said was sometimes only interesting to themselves. After a while, Light, who was watching them from a distance, hurried up to them a little anxiously: Tyltyl was crying! Big tears came rolling down his cheeks and falling on his smart coat. She understood that he was talking of his grandmother and that he could not keep back his tears at the thought of the love which he had lost. He was turning [Pg 99] away his head, to hide his feelings; but the inquisitive Child kept asking him questions:

The Blue Child had never seen any one cry. He lived in a world where grief did not exist. His surprise was great; and he exclaimed:

But our poor friend would not admit what he looked upon as a weakness. He rubbed his eyes awkwardly and put everything down to the dazzling blue of the palace.

"Nothing; it's a little water," said Tyltyl, impatiently, hoping to cut short the explanation. [Pg 100]

But that was out of the question. The Child was very obstinate, touched Tyltyl's cheeks with his finger and asked, in a tone of curiosity:

"I have not been crying," said Tyltyl proudly. "It's the fault of that blue!... But, if I had cried, it would be the same thing...."

At that moment, a great breath of wind made him turn his head and he saw, at a few steps away from him, a large piece of machinery which he had not noticed at first, as he was taken up with his interest in the little Child. It was a grand and magnificent thing, but I cannot tell you its name, because the inventions of the Kingdom of the Future will not be christened by Man until they reach the earth. I can only say that Tyltyl, when he looked at it, thought that the enormous azure wings that whizzed so swiftly before his eyes were like the windmills in his part of the world [Pg 101] and that, if he ever found the Blue Bird, its wings would certainly be no more delicate, dainty or dazzling. Full of admiration, he asked his new acquaintance what they were.

"Those?" said the Child. "That's for the invention which I shall make on earth."

"When I am on earth, I shall have to invent the thing that gives happiness.... Would you like to see it?... It is over there, between those two columns...."

Tyltyl turned round to look; but all the Children at once rushed at him, shouting:

And, so saying, the last Child lit himself up entirely with a most extraordinary flame.

Amid these joyous exclamations, the Live Children were dragged towards the blue workshops, where each of the little inventors set his machine going. It was a great blue whirl of disks and pulleys and straps and fly-wheels and driving-wheels and cog-wheels and all kinds of wheels, [Pg 102] which sent every sort of machine skimming over the ground or shooting up to the ceiling. Other Blue Children unfolded maps and plans, or opened great big books, or uncovered azure statues, or brought enormous flowers and gigantic fruits that seemed made of sapphires and turquoises.

Our little friends stood with their mouths wide open and their hands clasped together: they thought themselves in paradise. Mytyl bent over to look at a huge flower and laughed into its cup, which covered up her head like a hood of blue silk. A pretty Child, with dark hair and thoughtful eyes, held it by the stalk and said, proudly:

Next came two Blue Children bending under the weight of a pole from which was slung a bunch of grapes each larger than a pear.

"No, they are grapes," said the Child. "They will all be like that when I am thirty: I have found the way...."

Tyltyl would have loved to taste them, but another Child came along almost hidden under a basket which one of the tall persons was helping him to carry. His fair-haired, [Pg 103] rosy face smiled through the leaves that hung over the wicker-work.

"No, no!" said the Child. "They are my apples! They will all be alike when I am alive! I have discovered the process!..."

I should never finish if I were to try and describe to my little readers all the wonderful and incredible things that appeared before our hero's eyes. But, suddenly, a loud burst of laughter rang through the hall. A Child had spoken of the King of the Nine Planets; and Tyltyl, very much puzzled and perplexed, looked on every side. All the faces, bright with laughter, were turned to some spot which Tyltyl could not see; every finger pointed in the same direction; but our friend looked in vain. They had spoken of a king! He was looking for a throne with a tall, dignified personage on it, wielding a golden sceptre.

"Over there ... over there ... lower down ... behind you!" said a thousand little voices together.

Then, suddenly, a louder and more serious voice sounded above the silvery murmur of the others: [Pg 104]

And, at the same time, Tyltyl discovered a chubby baby which he had not yet remarked, for it was the smallest and had kept out of the way till then, sitting at the foot of a column in an attitude of indifference, seemingly rapt in contemplation. The little King was the only one who had taken no notice of the "Live Children." His beautiful, liquid eyes, eyes as blue as the palace, were pursuing endless dreams; his right hand supported his head, which was already heavy with thought; his short tunic showed his dimpled knees; and a golden crown rested on his yellow locks. When he cried, "Here I am!" the baby rose from the step on which he was sitting and tried to climb on to it at one stride; but he was still so awkward that he lost his balance and fell upon his nose. He at once picked himself up with so much dignity that nobody dared make fun of him; and, this time, he scrambled up on all fours and then, putting his legs wide apart, stood and eyed Tyltyl from top to toe.

"I shall do great things when I am!" retorted the King, in a tone that admitted of no reply.

"I shall found the General Confederation of the Solar Planets," said the King, in a very pompous voice.

Our friend was so much impressed that he could not find a word to say; and the King continued:

"All the Planets will belong to it, except Uranus, Saturn and Neptune, which are too ridiculously far away."

Thereupon, he toddled off the step again and resumed his first attitude, showing that he had said all that he meant to say.

Tyltyl left him to his meditations; he was eager to know as many more of the Children as he could. He was introduced to the discoverer of a new sun, to the inventor of a new joy, to the hero who was to wipe out injustice from the earth and to the wiseacre who was to conquer Death.... There were such lots and lots of them that it would take days and days to name them all. Our friend was rather tired and was beginning to feel bored, when his attention was suddenly aroused by hearing a Child's voice calling him:

A little Blue Child came running up from the back of the hall, pushing his way through the crowd. He was fair and slim and bright-eyed and had a great look of Mytyl. [Pg 106]

"It's not surprising," said the Blue Child, "considering that I shall be your brother!"

This time, the Live Children were absolutely amazed. What an extraordinary meeting! They must certainly tell Mummy as soon as they got back! How astonished they would be at home!

And he put a thousand questions to his big brother: was it comfortable at home? Was the food good? Was Daddy very severe? And Mummy?

And they asked him questions in their turn: what was he going to do on earth? What was he bringing?

"I am bringing three illnesses," said the little brother. "Scarlatina, whooping-cough and measles...."

They would perhaps have quarrelled, without waiting till they were on earth, if they had not suddenly been parted by a swarm of Blue Children who were hurrying to meet somebody. At the same time, there was a great noise, as if thousands of invisible doors were being opened at the end of the galleries.

And the excitement increased on every side. The Children left their machines and their labours; those who were asleep woke up; and every eye was eagerly and anxiously turned to the great opal doors at the back, while every mouth repeated the same name. The word, "Time! Time!" was heard all around; and the great mysterious noise kept on. Tyltyl was dying to know what it meant. At last, he caught a little Child by the skirt of his dress and asked him.

"Let me be," said the Child, very uneasily. "I'm in a hurry: it may be my turn to-day.... It is the Dawn [Pg 108] rising. This is the hour when the Children who are to be born to-day go down to earth.... You shall see.... Time is drawing the bolts...."

"An old man who comes to call those who are going," said another Child. "He is not so bad; but he won't listen or hear. Beg as they may, if it's not their turn, he pushes back all those who try to go.... Let me be! It may be my turn now!"

"I was looking for you," she said. "Come quick: it will never do for Time to discover you."

As she spoke these words, she threw her gold cloak around the Children and dragged them to a corner of the hall, where they could see everything, without being seen.

Tyltyl was very glad to be so well protected. He now knew that he who was about to appear possessed so great and tremendous a power that no human strength was capable of resisting him. He was at the same time a deity and an ogre; he bestowed life and he devoured it; he sped through the world so fast that you had no time to see him; he ate and ate, without stopping; he took whatever he touched. In Tyltyl's family, he had already taken [Pg 109] Grandad and Granny, the little brothers, the little sisters and the old blackbird! He did not mind what he took: joys and sorrows, winters and summers, all was fish that came to his net!...

Knowing this, our friend was astonished to see everybody in the Kingdom of the Future running so fast to meet him:

There he was! The great doors turned slowly on their hinges. There was a distant music: it was the sounds of the earth. A red and green light penetrated into the hall; and Time appeared on the threshold. He was a tall and very thin old man, so old that his wrinkled face was all grey, like dust. His white beard came down to his knees. In one hand, he carried an enormous scythe; in the other, an hour-glass. Behind him, some way out, on a sea the colour of the Dawn, was a magnificent gold galley, with white sails.

"Are they ready whose hour has struck?" asked Time. At the sound of that voice, solemn and deep as a bronze gong, thousands of bright children's voices, like little silver bells, answered:

And, in a moment, the Blue Children were crowding round the tall old man, who pushed them all back and, in a gruff voice, said:

"One at a time!... Once again, there are many more of you than are wanted!... You can't deceive me!"

Brandishing his scythe in one hand and holding out his cloak with the other, he barred the way to the rash Children who tried to slip by him. Not one of them escaped the horrid old man's watchful eye:

"It's not your turn!" he said to one. "You're to be born to-morrow!... Nor yours either, you've got ten years to wait.... A thirteenth shepherd?... There are only twelve wanted; there is no need for more.... More doctors?... There are too many already; they are grumbling about it on earth.... And where are the engineers?... They want an honest man; only one, as a wonderful being."

Thereupon, a poor Child, who had hung back, until then, came forward timidly, sucking his thumb. He looked pale and sad and walked with tottering footsteps; he was so wretched that even Time felt a moment's pity:

And the movement went on. Each Child, when denied, returned to his employment with a downcast air. When one of them was accepted, the others looked at him with envy. Now and then, something happened, as when the hero who was to fight against injustice refused to go. He clung to his playfellows, who called out to Time:

"No, I don't want to go," cried the little fellow, with all his might. "I would rather not be born."

"And quite right too!" thought Tyltyl, who was full of common-sense and who knew what things are like on earth.

For people always get beatings which they have not deserved; and, when they have done wrong, you may be sure that the punishment will fall on one of their innocent friends.

"I wouldn't care to be in his place," said our friend to himself. "I would rather hunt for the Blue Bird, any day!"

Meanwhile, the little seeker after justice went away sobbing, frightened out of his life by Mr. Time.

The excitement was now at its height. The Children [Pg 112] ran all over the hall: those who were going packed up their inventions; those who were staying behind had a thousand requests to make:

"Enough! Enough!" roared Time, in a huge voice, shaking his big keys and his terrible scythe, "Enough! The anchor's weighed...."

Then the Children climbed into the gold galley, with the beautiful white silk sails. They waved their hands again to the little friends whom they were leaving behind them; but, on seeing the earth in the distance, they cried out, gladly:

And, at the same time, as though coming from the abyss, a song rose, a distant song of gladness and expectation. [Pg 113]

Light, who was listening with a smile, saw the look of astonishment on Tyltyl's face and bent over him:

At that moment, Time, who had shut the doors, saw our friends and rushed at them angrily, shaking his scythe at them.

"Hurry!" said Light. "Hurry! Take the Blue Bird, Tyltyl, and go in front of me with Mytyl."

She put into the boy's arms a bird which she held hidden under her cloak and, all radiant, spreading her dazzling veil with her two hands, she ran on, protecting her charges from the onslaught of Time.

In this way, they passed through several turquoise and sapphire galleries. It was magnificently beautiful, but they were in the Kingdom of the Future, where Time was the great master, and they must escape from his anger which they had braved.

"Don't be afraid," she said. "I am the only person whom Time has respected since the world began. Only mind that you take care of the Blue Bird. He's gorgeous! He is quite, quite blue!" [Pg 114]

This thought enraptured the boy. He felt the precious treasure fluttering in his arms; his hands dared not press the pretty creature's soft, warm wings; and his heart beat against its heart. This time, he held the Blue Bird! Nothing could touch it, because it was given to him by Light herself. What a triumph when he returned home!...

He was so bewildered by his happiness that he hardly knew where he was going; his joy rang a victorious peal in his head that made him feel giddy; he was mad with pride; and this, worse luck, made him lose his coolness and his presence of mind! They were just about to cross the threshold of the palace, when a gust of wind swept through the entrance-hall, lifting up Light's veil and at last revealing the two Children to the eyes of Time, who was still pursuing them. With a roar of rage, he darted his scythe at Tyltyl, who cried out. Light warded off the blow; and the door of the palace closed behind them with a thud. They were saved!... But alas, Tyltyl, taken by surprise, had opened his arms and now, through his tears, saw the Bird of the Future soaring above their heads, mingling with the azure sky its dream-wings so blue, so light and so transparent that soon the boy could make out nothing more.... [Pg 117]

CHAPTER VI

IN THE TEMPLE OF LIGHT

Tyltyl had enjoyed himself thoroughly in the Kingdom of the Future. He had seen many wonderful things and thousands of little playfellows and then, without taking the least pains or trouble, had found the Blue Bird in his arms in the most magical way. He had never pictured anything more beautiful, more blue or brilliant; and he still felt it fluttering against his heart and kept hugging his arms to his breast as though the Blue Bird were there.

He was thinking sadly of this latest disappointment as he walked hand-in-hand with Light. They were back in the Temple and were going to the vaults where the Animals and Things had been shut up. What a sight met their eyes! The wretches had eaten and drunk such a lot that they were lying on the floor quite tipsy! Tylô himself had lost all his dignity. He had rolled under the table and was snoring like a porpoise. His instinct remained; and the sound of the door made him prick up his ears. He opened one [Pg 118] eye, but his sight was troubled by all that he had had to drink and he did not know his little master when he saw him. He dragged himself to his feet with a great effort, turned round several times and then dropped on the floor again with a grunt of satisfaction.

Bread and the others were as bad; and the only exception was the Cat, who was sitting up prettily on a marble and gold bench and seemed in full possession of her senses. She sprang nimbly to the ground and stepped up to Tyltyl with a smile:

"I have been longing to see you," she said, "for I have been very unhappy among all these vulgar people. They first drank all the wine and then started shouting and singing and dancing, quarrelling and fighting and making such a noise that I was very glad when, at last, they fell into a tipsy sleep."

The children praised her warmly for her good behaviour. As a matter of fact, there was no great merit in this, for she could not stand anything stronger than milk; but we are seldom rewarded when by rights we ought to be and sometimes are when we have not deserved it.

"I have had such a wretched time," she whined. "Let [Pg 119]me go out for a little while; it will do me good to be alone."

Light gave her consent without suspecting anything; and the Cat at once draped her cloak round her, put her hat straight, pulled up her soft grey boots over her knees, opened the door and ran and bounded out into the forest. We shall know, a little later, where treacherous Tylette was going so gaily and what was the horrid plot which she was mysteriously concocting.

As on the other days, the Children had their dinner with Light in a large room all encrusted with diamonds. The servants bustled around them smiling and brought delicious dishes and cakes.

After dinner, our little friends began to yawn. They felt sleepy very early, after all their adventures; and, Light—ever kind and thoughtful—made them live as they were accustomed to on earth. So as not to injure their health by altering their habits, she had set up their little beds in a part of the temple where the darkness would seem like night to them.

They went through any number of rooms to reach their bedroom. They had first to pass all the lights known to Man and then those which Man did not yet know.

There were great sumptuous apartments in splendid marble, lit up by [Pg 120] rays so white and strong that the children were quite dazzled.

"That is the Light of the Rich," said Light to Tyltyl. "You see how dangerous it is. People run the risk of going blind when they live too much in its rays, which leave no room for soft and kindly shade."

And she hurried them on so that they might rest their eyes in the gentle Light of the Poor. Here, the Children suddenly felt as if they were in their parents' cottage, where everything was so humble and peaceful. The faint light was very pure and clear, but always flickering and ready to go out at the least breath.

Next they came to the beautiful Light of the Poets, which they liked immensely, for it had all the colours of the rainbow; and, when you passed through it, you saw lovely pictures, lovely flowers and lovely toys which you were unable to take hold of. Laughing merrily, the children ran after birds and butterflies, but everything faded away as soon as it was touched.

"Well, I never!" said Tyltyl, as he came panting back to Light. "This beats everything! I can't understand it!"

"You will understand later," she replied, "and, if you understand it properly, you will be among the very few human beings who know the Blue Bird when they see him." [Pg 121]

After leaving the region of the Poets, our friends reached the Light of the Learned, which lies on the borders of the known and the unknown lights:

To tell the truth, he was a little bit frightened, for they were in a long row of cold and forbidding arches, which were streaked at every moment by dazzling lightning-flashes; and, at each flash, you saw out-of-the-way things that had no name as yet.

After these arches, they came to the Lights Unknown to Man; and Tyltyl, in spite of the sleep that pressed upon his eyelids, could not help admiring the hall with its violet columns and the gallery with its red rays. And the violet of the columns was such a dark violet and the red of the rays such a pale red that it was hardly possible to see either of them.

At last, they arrived at the room of smooth, unflecked Black Light, which men call Darkness because their eyes are not yet able to make it out. And here the Children fell asleep without delay on two soft beds of clouds. [Pg 125]

CHAPTER VII

THE GRAVEYARD

When the Children were not going on an expedition, they played about in the Realms of Light; and this was a great treat for them, for the gardens and the country around the temple were as wonderful as the halls and galleries of silver and gold.

The leaves of some of the plants were so broad and strong that they were able to lie down on them; and, when a breath of wind stirred the leaves, the Children swung as in a hammock. It was always summer there and never a moment was darkened by the night; but the hours were known by their different colours; there were pink, white, blue, lilac, green and yellow hours; and, according to their hues, the flowers, the fruits, the birds, the butterflies and the scents changed, causing Tyltyl and Mytyl a constant surprise. They had all the toys that they could wish for. When they were tired of playing, they stretched themselves out on the backs of the lizards, which were as long and wide as little boats, and quickly, quickly raced round the garden-paths, over the sand which was as white and as good to eat as [Pg 126] sugar. When they were thirsty, Water shook her tresses into the cup of the enormous flowers; and the Children drank straight out of the lilies, tulips and morning-glories. If they were hungry, they picked radiant fruits which revealed the taste of Light to them and which had juice that shone like the rays of the sun.

There was also, in a clump of bushes, a white marble pond which possessed a magic power: its clear waters reflected not the faces, but the souls of those who looked into it.

"It's a ridiculous invention," said the Cat, who steadily refused to go near the pond.

You, my dear little readers, who know her thoughts as well as I do, will not be surprised at her refusal. And you will also understand why our faithful Tylô was not afraid to go and quench his thirst there: he need not fear to reveal his thoughts, for he was the only creature whose soul never altered. The dear Dog had no feelings but those of love and kindness and devotion.

When Tyltyl bent over the magic mirror, he almost always saw the picture of a splendid Blue Bird, for the constant wish to find him filled his mind entirely. Then he would run to Light and entreat her: [Pg 127]

"I cannot tell you anything. You must find him for yourself." And, kissing him, she added, "Cheer up; you are getting nearer to him at each trial."

"I have received a message from the Fairy Bérylune telling me that the Blue Bird is probably hidden in the graveyard.... It appears that one of the Dead in the graveyard is keeping him in his tomb...."

"It is very simple: at midnight you will turn the diamond and you shall see the Dead come out of the ground."

At these words, Milk, Water, Bread and Sugar began to yell and scream and chatter their teeth.

"Don't mind them," said Light to Tyltyl, in a whisper. "They are afraid of the Dead."

"I'm not afraid of them!" said Fire, frisking about. "Time was when I used to burn them; that was much more amusing than nowadays."

"I'm not afraid," said the Dog, trembling in every limb, [Pg 128] "but if you run away.... I shall run away too ... and with the greatest pleasure...."

"Be quiet," said Light. "The Fairy gave strict orders. You are all to stay with me, at the gate of the graveyard; the Children are to go in alone."

"No," said Light. "The time for that has not arrived. Light cannot yet enter among the Dead. Besides, there is nothing to fear. I shall not be far away; and those who love me and whom I love always find me again...."

She had not finished speaking, when everything around the Children changed. The wonderful temple, the dazzling flowers, the splendid gardens vanished to make way for a poor little country cemetery, which lay in the soft moonlight. Near the Children were a number of graves, grassy mounds, wooden crosses and tombstones. Tyltyl and Mytyl were seized with terror and hugged each other:

"I am never frightened," stammered Tyltyl, who was shaking with fear, but did not like to say so. [Pg 129]

Tyltyl shuddered at this question and made an unsuccessful effort to steady his voice as he answered:

Tyltyl cast a frightened look around him, for the Children had not dared to stir since they were alone:

Tyltyl stopped to think, before answering. As Mytyl's big brother, he felt it his duty to know everything; but her questions often puzzled him. Then he reflected that, as the Dead live under ground, they can hardly eat anything that is above it; and so he answered very positively:

Mytyl was quite satisfied and returned to the great question that was occupying her little mind:

"Because they have nothing to say," said Tyltyl, more cross and perplexed than ever.

This time, the little big brother lost all patience. He shrugged his shoulders, gave Mytyl a push and shouted angrily:

Mytyl was greatly upset and confused. She sucked her thumb and resolved to hold her tongue for ever after, as she had been so badly treated! But a breath of wind made the leaves of the trees whisper and suddenly recalled the Children to their fears and their sense of loneliness. They hugged each other tight and began to talk again, so as not to hear the horrible silence:

"You heard Light say that I was to wait until midnight, because that disturbs them less; it is when they come out to take the air...."

Tyltyl turned round, saw the church clock and hardly had the strength to answer, for the hands were just upon the hour:

"Listen," he stammered, "listen.... It is just going to strike.... There!... Do you hear?..."

Then Mytyl, frightened out of her life, began to stamp her feet and utter piercing screams: [Pg 132]

"No, no, no!" cried Mytyl. "I am so frightened, little brother!... Don't do it!... I want to go away!..."

Tyltyl vainly tried to lift his hand: he could not reach the diamond with Mytyl clinging to him, hanging with all her weight on her brother's arm and screaming at the top of her voice:

"I don't want to see the Dead!... They will be awful!... I can't possibly!... I am much too frightened!..."

Poor Tyltyl was quite as much terrified as Mytyl, but at each trial, his will and courage were becoming greater; he was learning to master himself; and nothing could induce him to fail in his mission. The eleventh stroke rang out.

A moment of terrible silence followed for the poor little children. Then they saw the crosses totter, the mounds open, the slabs rise up....

The agony was more than the plucky little fellow could endure. He shut his eyes and only kept himself from fainting by leaning against a tree beside him. He remained like that for a minute that seemed to him like a century, not daring to move, not daring to breathe. Then he heard birds singing; a warm and scented breeze fanned his face; and, on his hands, on his neck, he felt the soft heat of the balmy summer sun. Now quite reassured, but unable to believe in so great a miracle, he opened his eyes and at once began to shout with happiness and admiration.

From all the open tombs came thousands of splendid flowers. They spread everywhere, on the paths, on the trees, on the grass; and they went up and up until it seemed that they would touch the sky. They were great full-blown roses, showing their hearts, wonderful golden hearts from which came the hot, bright rays which had wrapped Tyltyl in that summer warmth. Round the roses, birds sang and bees buzzed gaily.

"I can't believe it! It's not possible!" said Tyltyl. "What has become of the tombs and the stone crosses?"

Dazzled and bewildered, the two children walked hand in hand through the graveyard, of which not a trace remained, for there was nothing but a wonderful garden on every side. They were as glad and happy as could be, after [Pg 134] their terrible fright. They had thought that ugly skeletons would rise from the earth and run after them, pulling horrid faces; they had imagined all sorts of awful things. And now, in the presence of the truth, they saw that all that they had been told was a great big story and that Death does not exist. They saw that there are no Dead and that Life goes on always, always, but under fresh forms. The fading rose sheds its pollen, which gives birth to other roses, and its scattered petals scent the air. The fruits come when the blossoms fall from the trees; and the dingy, hairy caterpillar turns into a brilliant butterfly. Nothing perishes ... there are only changes....

Beautiful birds circled all round Tyltyl and Mytyl. There were no blue ones among them, but the two Children were so glad of their discovery that they asked for nothing more. Astonished and delighted, they kept on repeating:

CHAPTER VIII

THE FOREST

As soon as Tyltyl and Mytyl were in bed, Light kissed them and faded away at once, so as not to disturb their sleep with the rays that always streamed from her beautiful self.

It must have been about midnight, when Tyltyl, who was dreaming of the little Blue Children, felt a soft velvet paw pass to and fro over his face. He was surprised and sat up in bed in a bit of a fright; but he was soon reassured when he saw his friend Tylette's glowing eyes glittering in the dark.

"Hush!" said the Cat in his ear. "Hush! Don't wake anybody. If we can arrange to slip out without being seen, we shall catch the Blue Bird to-night. I have risked my life, O my dearest master, in preparing a plan which will certainly lead us to victory!"

"But," said the boy, kissing Tylette, "Light would be so glad to help us ... and besides I should be ashamed to disobey her...." [Pg 138]

"If you tell her," said the Cat, sharply, "all is lost, believe me. Do as I say; and the day is ours."

As she spoke these words, she hastened to dress him and also Mytyl, who had heard a noise and was asking to go with them.

"You don't understand," groaned Tyltyl. "You are too small: you don't know what a wicked thing we are doing...."

But the treacherous Cat answered all his arguments, saying that the reason why he had not found the Blue Bird so far was just the fault of Light, who always brought brightness with her. Let the Children only go hunting by themselves, in the dark, and they would soon find all the Blue Birds that make men's happiness. The traitress displayed such cleverness that, before long, Tyltyl's disobedience became a very fine thing in his own eyes. Each of Tylette's words provided a good excuse for his action or adorned it with a generous thought. He was too weak to set his will against trickery, allowed himself to be persuaded and walked out of the temple with a firm and cheerful step. Poor little fellow: if he could only have foreseen the terrible trap that awaited him!

Our three companions set out across the fields in the white light of the moon. The Cat seemed greatly excited, [Pg 139] did nothing but talk and went so fast that the children were hardly able to keep up with her:

"This time," she declared, "we shall have the Blue Bird, I am sure of it! I asked all the Trees in the very oldest forest; they know him, because he hides among them. Then, in order to have everybody there, I sent the Rabbit to beat the assembly and call the principal Animals in the country."

They reached the edge of the dark forest in an hour's time. Then, at a turn in the road, they saw, in the distance, some one who seemed to be hurrying towards them. Tylette arched her back: she felt that it was her old time enemy. She quivered with rage: was he once more going to thwart her plans? Had he guessed her secret? Was he coming, at the last moment, to save the Children's lives?

"I am sorry to say it is our worthy friend the Dog. It is a thousand pities, because his presence will make us fail in our object. He is on the worst of terms with everybody, even the Trees. Do tell him to go back!"

Dear old faithful Tylô, who had come because he suspected the Cat's [Pg 140] plans, was much hurt by these hard words. He was ready to cry, was still out of breath from running and could think of nothing to say.

"Go away, I tell you!" said Tyltyl again. "We don't want you here and there's an end of it.... You're a nuisance, there!..."

The Dog was an obedient animal and, at any other time, he would have gone; but his affection told him what a serious business it was and he stood stock still.

"Do you allow this disobedience?" said the Cat to Tyltyl, in a whisper. "Hit him with your stick."

The poor Dog howled at receiving the blows; but there was no limit to his self-sacrifice. He went up to his young master pluckily and, taking him in his arms, cried:

Tyltyl, who was a good-hearted little fellow, did not know what to do; and the Cat swore between her teeth like a wild beast. Fortunately, dear little Mytyl interfered on our friend's behalf:

"No, no; I want him to stay," she pleaded. "I'm frightened when Tylô's not with us."

"I'll find some other way to get rid of the idiot!" thought the Cat. And, turning to the Dog, she said, in her most gracious manner, "We shall be so pleased if you will join us!"

As they entered the great forest, the Children stuck close together, with the Cat and the Dog on either side of them. They were awed by the silence and the darkness and they felt much relieved when the Cat exclaimed:

Then the light spread around them and showed them a wonderful sight. They were standing in the middle of a large round space in the heart of the forest, where all the old, old Trees seemed to reach up to the sky. Wide avenues formed a white star amidst the dark green of the wood. Everything was peaceful and still; but suddenly a strange shiver ran through the foliage; the branches moved and stretched like human arms; the roots raised the earth that covered them, came together, took the shapes of legs and feet and stood on the ground; a tremendous crash rang through the air; the trunks of the Trees burst open and each of them let out its soul, which made its appearance like a funny human figure.

Some stepped slowly from their trunks; others came out with a jump; and all of them gathered inquisitively round our friends. [Pg 142]

"Little Men! We shall be able to talk to them! We have done with silence!... Where do they come from?... Who are they?"

The Lime-tree, who was a jolly, fat fellow, came up calmly, smoking his pipe; the conceited and dandified Chestnut-tree screwed his glass into his eye to stare at the Children. He wore a coat of green silk embroidered with pink and white flowers. He thought the little ones too poor-looking and turned away in derision.

"He thinks he's everybody, since he has taken to living in town! He despises us!" sneered the Poplar, who was jealous of him.

"Oh, dear, oh, dear!" wept the Willow, a wretched little stunted fellow, who came clattering along in a pair of wooden shoes too big for him. "They have come to cut off my head and arms for firewood!"

There was the Elm, who was a sort of short-winded, paunchy, crabby gnome; the Beech, an elegant, sprightly [Pg 143] person; the Birch, who looked like the ghosts in the Palace of Night, with his white flowing garments and his restless gestures. The tallest figure was the Fir-tree: Tyltyl found it very difficult to see his face perched right at the top of his long, thin body; but he looked gentle and sad, whereas the Cypress, who stood near him, dressed all in black, frightened Tyltyl terribly.

However, so far nothing very dreadful had happened. The Trees, delighted at being able to talk, were all chattering together; and our young friend was simply going to ask them where the Blue Bird was hidden, when, all of a sudden, silence reigned. The Trees bowed respectfully and stood aside to make way for an immensely old Tree, dressed in a long gown embroidered with moss and lichen. He leaned with one hand on a stick and with the other on a young Oak Sapling who acted as his guide, for the Old Oak was blind. His long white beard streamed in the wind.

"It's the King!" said Tyltyl to himself, when he saw his mistletoe crown. "I will ask him the secret of the forest."

And he was just going up to him, when he stopped, seized with surprise and joy: there sat the Blue Bird before him, perched on the old Oak's shoulder.

"He has the Blue Bird!" cried the boy, gleefully. "Quick! Quick! Give him to me!" [Pg 144]

The poor Child at once obeyed with a smile; he did not understand the danger that threatened him and he did not hesitate to answer, "Yes, Sir," when the Oak asked him if he was Tyl the woodcutter's son.

Then the Oak, trembling with rage, began to lay a terrible charge against Daddy Tyl:

"In my family alone," he said, "your father has put to death six hundred of my sons, four hundred and seventy-five uncles and aunts, twelve hundred cousins of both sexes, three hundred and eighty daughters-in-law and twelve thousand great-grandsons!"

No doubt his anger made him exaggerate a little; but Tyltyl listened without protest and said, very politely:

"I beg your pardon, Sir, for disturbing you.... The Cat said that you would tell us where the Blue Bird is."

The Oak was too old not to know all there was to know about Men and Animals. He smiled in his beard when he guessed the trap laid by the Cat and he felt very glad at it, for he had long wished to revenge the whole forest for the slavery to which Man had subjected it. [Pg 145]

"It's for the Fairy Bérylune's little girl, who is very ill," the boy continued.

"Enough!" said the Oak, silencing him. "I do not hear the Animals.... Where are they?... All this concerns them as much as us.... We, the Trees, must not assume the responsibility alone for the grave measures that have become necessary."

"Here they come!" said the Fir-tree, looking over the top of the other Trees. "They are following the Rabbit.... I can see the souls of the Horse, the Bull, the Ox, the Cow, the Wolf, the Sheep, the Pig, the Goat, and the Bear...."

All the Animals now arrived. They walked on their hind-legs and were dressed like human beings. They solemnly took up their positions in a circle among the Trees, all except the frivolous Goat, who began to skip down the avenues, and the Pig, who hoped to find some glorious truffles among the roots that had newly left the ground.

"The Hen could not leave her eggs," said the Rabbit, "the Hare was out for a run, the Stag has pains in his horns and his corns, the Fox is ill—here is the doctor's certificate—the Goose did not understand and the Turkey flew into a passion...." [Pg 146]

"Look!" whispered Tyltyl to Mytyl. "Aren't they funny? They are just like the rich children's fine toys in the windows at Christmas-time."

The Rabbit especially made them laugh, with his cocked hat over his big ears, his blue, embroidered coat and his drum slung in front of him.

Meanwhile, the Oak was explaining the situation to his brothers the Trees and to the Animals. Treacherous Tylette had been quite right in reckoning on their hatred.

"The child you see before you," said the Oak, "thanks to a talisman stolen from the powers of Earth, is able to take possession of our Blue Bird and thus to snatch from us the secret which we have kept since the origin of life.... Now we know enough of Man to entertain no doubt as to the fate which he reserves for us, once he is in possession of this secret.... Any hesitation would be both foolish and criminal.... It is a serious moment; the child must be done away with before it is too late...."

"What is he saying?" asked Tyltyl, who could not make out what the old Tree was driving at.

"What did I tell you?" whispered the Cat to Tyltyl. "I will arrange things.... But send him away."

Tyltyl tried in vain to prevent him. The rage of Tylô, who understood the danger, knew no bounds; and he would have succeeded in saving his master, if the Cat had not thought of calling in the Ivy, who till then had kept his distance. The Dog pranced about like a madman, abusing everybody. He railed at the Ivy:

The onlookers growled; the Oak was pale with fury at seeing his authority denied; the Trees and the Animals were indignant, but, as they were cowards, not one of them dared protest; and the Dog would have settled all of them, if he had gone on with his rebellion. But Tyltyl threatened him harshly; and, suddenly yielding to his docile instincts, Tylô lay down at his master's feet. Thus it is that our finest virtues are treated as faults, when we exercise them without discrimination.

From that moment, the Children were lost. The Ivy [Pg 148] gagged and bound the poor Dog, who was then taken behind the Chestnut-tree and tied to his biggest root.

"Now," cried the Oak, in a voice of thunder, "we can take counsel quietly.... This is the first time that it is given us to judge Man! I do not think that, after the monstrous injustice which we have suffered, there can remain the least doubt as to the sentence that awaits him...."

The poor Children did not at first understand their doom, for the Trees and Animals, who were more accustomed to talking their own special language, did not speak very distinctly; and, besides, the innocent Children could never imagine such cruelty!

"Don't be alarmed," said the Cat. "They are a little annoyed because Spring is late...."

And she went on talking into Tyltyl's ear, to divert his attention from what was happening.

While the trusting lad was listening to her fibs, the others were discussing which form of execution would be the most practical and the least dangerous. The Bull suggested a [Pg 149] good butt with the horns; the Beech offered his highest branch to hang the little Children on; and the Ivy was already preparing a slip-knot! The Fir-tree was willing to give the four planks for the coffin and the Cypress the perpetual grant of a tomb.

"By far the simplest way," whispered the Willow, "would be to drown them in one of my rivers."

"In my opinion, the great thing would be to eat the little girl.... She ought to be very tender...."

"Silence!" roared the Oak. "What we have to decide is which of us shall have the honour of striking the first blow!"

"Alas, I am too old!" replied the Oak. "I am blind and infirm! To you, my evergreen brother, be the glory, in my place, of striking the decisive blow that shall set us free."

But the Fir-tree declined the honour on the pretext that he was already to have the pleasure of burying the two victims and that he was afraid of rousing jealousy. He suggested the Beech, as owning the best club.

"It is out of the question," said the Beech. "You know I am worm-eaten! Ask the Elm and the Cypress."

Thereupon the Elm began to moan and groan: a mole had twisted his great toe the night before and he could [Pg 150] hardly stand upright; and the Cypress excused himself and so did the Poplar, who declared that he was ill and shivering with fever. Then the Oak's indignation flared up:

"You are afraid of Man!" he exclaimed. "Even those unprotected and unarmed little Children inspire you with terror!... Well, I shall go forth alone, old and shaky and blind as I am, against the hereditary enemy!... Where is he?..."

And groping his way with his stick, he moved towards Tyltyl, growling as he went.

Our poor little friend had been very much afraid during the last few minutes. The Cat had left him suddenly, saying that she wanted to smooth down the excitement, and had not come back. Mytyl nestled trembling against him; and he felt very lonely, very unhappy among those dreadful people whose anger he was beginning to notice. When he saw the Oak marching on him with a threatening air, he drew his pocket-knife and defied him like a man:

But, at the sight of the knife, Man's irresistible weapon, all the Trees shook with fright and rushed at the Oak to hold him back. There was a struggle; and the old King, conquered by the weight of years, threw away his stick: [Pg 151]

The Animals were only waiting for this! All wanted to be revenged together. Fortunately, their very eagerness caused a scrimmage which delayed the murder of the dear little ones.

"Don't be afraid," said Tyltyl, doing his best to protect her. "I have my knife."

"Nothing at all, my little man," said the Sheep. "Eaten my little brother, my two sisters, my three uncles, my aunt, my grandpapa and my grandmamma.... Wait, wait, when you're down, you shall see that I have teeth also...."

And so the Sheep and the Horse, who were the greatest cowards, waited for the little fellow to be knocked down before they dared take their share in the spoil.

While they were talking, the Wolf and the Bear treacherously attacked Tyltyl from behind and pushed him over. It was an awful moment. All the Animals, seeing him on the ground, tried to get at him. The boy raised himself to [Pg 152] one knee and brandished his knife. Mytyl uttered yells of distress; and, to crown all, it suddenly became dark.

"Help! Help!... Tylô! Tylô!... To the rescue!... Where is Tylette?... Come! Come!..."

The Cat's voice was heard in the distance, where she was craftily keeping out of sight:

All this time, plucky little Tyltyl was defending himself as best he could, but he was alone against all of them, felt that he was going to be killed and, in a faltering voice, cried once more:

"Help!... Tylô! Tylô!... I can't hold out!... There are too many of them!... The Bear!... The Pig! The Wolf! The Fir-tree! The Beech!... Tylô! Tylô! Tylô!..."

Then the Dog came leaping along, dragging his broken bonds and elbowing his way through the Trees and Animals and flung himself before his master, whom he defended furiously:

"Here, my little god! Don't be afraid! Have at them! I know how to use my teeth!"

"Renegade!... Idiot!... Traitor!... Felon!... [Pg 153] Simpleton!... Sneak!... Leave him!... He's a dead man!... Come over to us!..."

"Never! Never!... I alone against all of you!... Never! Never!... True to the gods, to the best, to the greatest!... Take care, my little master, here's the Bear!... Look out for the Bull!"

"I'm done for, Tylô! It was a blow from the Elm! My hand's bleeding!" And he dropped to the ground. "No, I can hold out no longer!"

"They are coming!" said the Dog. "I hear somebody!... We are saved! It is Light!... Saved! Saved!... See, they're afraid, they're retreating!... Saved, my little king!..."

And, sure enough, Light was coming towards them; and with her the dawn rose over the forest, which became light as day.

"What is it?... What has happened?" she asked, quite alarmed at the sight of the little ones and their dear Tylô covered with wounds and bruises. "Why, my poor boy, didn't you know? Turn the diamond quickly!"

Tyltyl hastened to obey; and immediately the souls of all the Trees rushed back into their trunks, which closed [Pg 154] upon them. The souls of the Animals also disappeared; and there was nothing to be seen but a cow and a sheep browsing peacefully in the distance. The forest became harmless once more; and Tyltyl looked around him in amazement:

Light thought that he had been punished enough and did not scold him. Besides, she was very much upset by the horrible danger which he had run.

Tyltyl, Mytyl and the Dog, glad to meet again safe and sound, exchanged wild kisses. They laughingly counted their wounds, which were not very serious.

Our friends went back to the Temple of Light to rest after their adventure. Tyltyl, repenting of his disobedience, dared not even mention the Blue Bird of which he had caught a glimpse; and Light said to the Children, gently:

"Let this teach you, dears, that Man is all alone against all in this world. Never forget that."

CHAPTER IX

THE LEAVE-TAKING

Weeks and months had passed since the children's departure on their journey; and the hour of separation was at hand. Light had been very sad lately; she had counted the days in sorrow, without a word to the Animals and Things, who had no idea of the misfortune that threatened them.

On the day when we see them for the last time, they were all out in the gardens of the temple. Light stood watching them from a marble terrace, with Tyltyl and Mytyl sleeping by her side. Much had happened in the past twelve months; but the life of the Animals and Things, which had no intelligence to guide it, had made no progress, on the contrary. Bread had eaten so much that he was now not able to walk: Milk, devoted as ever, dragged him along in a Bath chair. Fire's nasty temper had made him quarrel with everybody and he had become very lonely and unhappy in consequence. Water, who had no will of her own, had ended by yielding to Sugar's sweet entreaties: they were now married; and Sugar presented a most piteous [Pg 158] sight. The poor fellow was reduced to a shadow of his former self, shrank visibly day by day and was sillier than ever, while Water, in marrying, had lost her principal charm, her simplicity. The Cat had remained the liar that she always was; and our dear friend Tylô had never been able to overcome his hatred for her.

"Poor things!" thought Light, with a sigh. "They have not gained much by receiving the benefit of life! They have travelled and seen nothing of all the wonders that surrounded them in my peaceful temple; they were either quarrelling with one another or over-eating themselves until they fell ill. They were too foolish to enjoy their happiness and they will recognize it for the first time presently, when they are about to lose it...."

At that moment, a pretty dove, with silver wings, alighted on her knees. It wore an emerald collar round its neck, with a note fastened to the clasp. The dove was the Fairy Bérylune's messenger. Light opened the letter and read these few words:

Then Light stood up, waved her wand and everything disappeared from sight. [Pg 159]

A few seconds later, the whole company were gathered together outside a high wall with a small door in it. The first rays of the dawn were gilding the tree-tops. Tyltyl and Mytyl, whom Light was fondly supporting with her arms, woke up, rubbed their eyes and looked around them in astonishment.

The sleepy boy shook his head: he remembered nothing. Then Light assisted his memory:

"The wall," she said, "surrounds a house which we left one evening just a year ago to-day...."

"Just a year ago?... Why, then...." And, clapping his hands with glee, Tyltyl ran to the door. "We must be near Mummy!... I want to kiss her at once, at once, at once!"

But Light stopped him. It was too early, she said: Mummy and Daddy were still asleep and he must not wake them with a start.

"I must," said Light. "The year is past. The Fairy will come back and ask you for the Blue Bird."

"But I haven't got the Blue Bird!" cried Tyltyl. "The one of the Land of Memory turned quite black, the one of the Future flew away, the Night's are dead, those in the Graveyard were not blue and I could not catch the one in the Forest!... Will the Fairy be angry?... What will she say?..."

"Never mind, dear," said Light. "You did your best. And, though you did not find the Blue Bird, you deserved to do so, for the good-will, pluck and courage which you showed."

Light's face beamed with happiness as she spoke these words, for she knew that to deserve to find the Blue Bird was very much the same thing as finding it; but she was not allowed to say this, for it was a beautiful mystery, which Tyltyl had to solve for himself. She turned to the Animals and Things, who stood weeping in a corner, and told them to come and kiss the Children.

"Yes! Yes!" screamed Sugar, who, knowing that his end was at hand, kept kissing Water and melting before the others' eyes.

Poor Bread in vain tried to make his voice heard above the din. Light had to interfere and command silence. Then Bread spoke his last words:

"I am leaving you," he said, between his sobs. "I am leaving you, my dear Children, and you will no longer see me in my living form.... Your eyes are about to close to the invisible life of Things; but I shall be always there, in the bread-pan, on the shelf, on the table, beside the soup, I who am, if I may say so, the most faithful companion, the oldest friend of Man...."

"Silence!" said Light. "The hour is passing.... Be quick and say good-bye to the Children...."

Fire rushed forward, took hold of the Children, one after the other, and kissed them so violently that they screamed with pain:

"Let me kiss the place and make it well," said Water, going up to the children gently.

"Love the wells, listen to the brooks," she said. "I shall always be there. When you sit down in the evening, beside the springs, try to understand what they are trying to say...."

Then she had to break off, for a regular waterfall of tears came gushing from her eyes, flooding all around her. However, she resumed:

"Think of me when you see the water-bottle.... You will find me also in the ewer, the watering-can, the cistern and the tap...."

Then Sugar came up, with a limping walk, for he could hardly stand on his feet. He uttered a few words of sorrow, in an affected voice and then stopped, for tears, he said, were not in harmony with his temperament.

At that moment, the Cat came running up, in a terrible state: her hair was on end and dishevelled, her clothes were torn and she was holding a handkerchief to her cheek, as though she had the tooth-ache. She uttered terrible groans and was closely pursued by the Dog, who overwhelmed her with bites, blows and kicks. The others rushed in between them to separate them, but the two enemies continued to insult and glare at each other. The Cat accused the Dog of pulling her tail and putting tin tacks in her food and beating her. The Dog simply growled and denied none of his actions:

"You've had some," he kept saying, "you've had some and you're going to have some more!"

But, suddenly, he stopped and, as he was panting with excitement, it could be seen that his tongue turned quite white: Light had told him to kiss the Children for the last time.

"For the last time?" stammered poor Tylô. "Are we to part from these poor Children?"

"Yes," said Light. "The hour which you know of is at hand.... We are going to return to silence...."

Thereupon the Dog, suddenly realizing his misfortune, began to utter real howls of despair and fling himself upon the Children, whom he loaded with mad and violent caresses:

"No! No!" he cried. "I refuse!... I refuse!... I shall always talk!... And I shall be very good.... You will keep me with you and I shall learn to read and write and play dominoes!... And I shall always be very clean.... And I shall never steal anything in the kitchen again...."

He went on his knees before the two Children, sobbing and entreating, and, when Tyltyl, with his eyes full of tears, remained silent, dear Tylô had a last magnificent idea: running up to the Cat, he offered, with smiles that looked like grins, to kiss her. Tylette, who did not possess his spirit of self-sacrifice, leaped back and took refuge by Mytyl's side. Then Mytyl said, innocently:

As she spoke, she spread her veil round them as if she would have wrapped them for the last time in her luminous might. Then she gave them each a long and loving kiss. Tyltyl and Mytyl hung on to her beseechingly:

"No, no, no, Light!" they cried. "Stay here with us!... Daddy won't mind.... We will tell Mummy how kind you have been.... Where will you go all alone?"...

"Not very far, my Children," said Light. "Over there to the Land of the Silence of Things."

But Light quieted them with a motherly gesture and said words to them which they never forgot. Long after, when they were a grandfather and grandmother in their turn, Tyltyl and Mytyl still remembered them and used to repeat them to their grandchildren.

"Listen, Tyltyl. Do not forget, child, that everything that you see in this world has neither beginning nor end. If you keep this thought in your heart and let it grow up with you, you will always, in all circumstances, know what to say, what to do and what to hope for." [Pg 166]

"Do not cry, my dear little ones.... I have not a voice like Water; I have only my brightness, which Man does not understand.... But I watch over him to the end of his days.... Never forget that I am speaking to you in every spreading moonbeam, in every twinkling star, in every dawn that rises, in every lamp that is lit, in every good and bright thought of your soul...."

At that moment, the grandfather's clock in the cottage struck eight o'clock. Light stopped for a moment and then, in a voice that grew suddenly fainter, whispered:

Her veil faded away, her smile became paler, her eyes closed, her form vanished and, through their tears, the children saw nothing but a thin ray of light dying away at their feet. Then they turned to the others ... but these had disappeared.... [Pg 169]

CHAPTER X

THE AWAKENING

The grandfather's clock in Tyl the woodcutter's cottage had struck eight; and his two little Children, Tyltyl and Mytyl, were still asleep in their little beds. Mummy Tyl stood looking at them, with her arms akimbo and her apron tucked up, laughing and scolding in the same breath:

"I can't let them go on sleeping till mid-day," she said. "Come, get up, you little lazybones!"

But it was no use shaking them, kissing them or pulling the bed-clothes off them: they kept on falling back upon their pillows, with their noses pointing at the ceiling, their mouths wide open, their eyes shut and their cheeks all pink.

At last, after receiving a gentle thump in the ribs, Tyltyl opened one eye and murmured:

"Light!" cried Mummy Tyl, laughing. "Why, of course, it's light.... Has been for ever so long!... What's the matter with you?... You look quite blinded...." [Pg 170]

"Why, of course, it's I!... Why do you stare at me in that way?... Is my nose turned upside down, by any chance?"

Tyltyl was quite awake by this time and did not trouble to answer the question. He was beside himself with delight! It was ages and ages since he had seen his Mummy and he never tired of kissing her.

Mummy Tyl began to be uneasy. What could the matter be? Had her boy lost his senses? Here he was suddenly talking of a long journey in the company of the Fairy and Water and Milk and Sugar and Fire and Bread and Light! He made believe that he had been away a year!...

"But you haven't left the room!" cried Mummy Tyl, who was now nearly beside herself with fright. "I put you to bed last night and here you are this morning! It's Christmas Day: don't you hear the bells in the village?..."

"Of course, it's Christmas Day," said Tyltyl, obstinately, "seeing that I went away a year ago, on Christmas Eve!... You're not angry with me?... Did you feel very sad?... And what did Daddy say?..." [Pg 171]

"Come, you're still asleep!" said Mummy Tyl, trying to take comfort. "You've been dreaming!... Get up and put on your breeches and your little jacket...."

And, leaping up, he knelt down on the bed and began to dress, while his mother kept on looking at him with a scared face.

"Ask Mytyl, if you don't believe me.... Oh, we have had such adventures!... We saw Grandad and Granny ... yes, in the Land of Memory ... it was on our way. They are dead, but they are quite well, aren't they, Mytyl?"

And Mytyl, who was now beginning to wake up, joined her brother in describing their visit to the grandparents and the fun which they had had with their little brothers and sisters.

This was too much for Mummy Tyl. She ran to the door of the cottage and called with all her might to her husband, who was working on the edge of the forest:

"Oh, dear, oh, dear!" she cried. "I shall lose them as I lost the others!... Do come!... Come quick...."

Daddy Tyl soon entered the cottage, with his axe in his hand; he listened to his wife's lamentations, while the two [Pg 172] Children told the story of their adventures over again and asked him what he had done during the year.

"You see, you see!" said Mummy Tyl, crying. "They have lost their heads, something will happen to them; run and fetch the doctor...."

But the woodcutter was not the man to put himself out for such a trifle. He kissed the little ones, calmly lit his pipe and declared that they looked very well and that there was no hurry.

At that moment, there came a knock at the door and the neighbour walked in. She was a little old woman leaning on a stick and very much like the Fairy Bérylune. The Children at once flung their arms around her neck and capered round her, shouting merrily:

The neighbour, who was a little hard of hearing, paid no attention to their cries and said to Mummy Tyl:

"I have come to ask for a bit of fire for my Christmas stew.... It's very chilly this morning.... Good-morning, children...."

Meanwhile, Tyltyl had become a little thoughtful. No doubt, he was glad to see the old Fairy again; but what would she say when she heard that he had not the Blue [Pg 173] Bird? He made up his mind like a man and went up to her boldly:

"Why, yes, of course," said Tyltyl, looking the neighbor up and down. "It's the Fairy Bérylune."

"Don't," said the neighbor; "it's not worth while. It's only a little fit of dreaming; they must have been sleeping in the moonbeams.... My little girl, who is very ill, is often like that...." [Pg 174]

Mummy Tyl put aside her own anxiety for a moment and asked after the health of Neighbor Berlingot's little girl.

"She's only so-so," said the neighbor, shaking her head. "She can't get up.... The doctor says it's her nerves.... I know what would cure her, for all that. She was asking me for it only this morning, for her Christmas present...."

She hesitated a little, looked at Tyltyl with a sigh and added, in a disheartened tone:

The others looked at one another in silence: they knew what the neighbor's words meant. Her little girl had long been saying that she would get well if Tyltyl would only give her his dove; but he was so fond of it that he refused to part with it....

"Well," said Mummy Tyl to her son, "won't you give your bird to that poor little thing? She has been dying to have it for ever so long!..."

"My bird!" cried Tyltyl, slapping his forehead as though they had spoken of something quite out of the way. "My bird!" he repeated. "That's true, I was forgetting about him!... And the cage!... Mytyl, do you see the cage?... It's the one which Bread carried.... Yes, yes, it's the same one, there it is, there it is!"

Tyltyl would not believe his eyes. He took a chair, put it under the cage and climbed on to it gaily, saying:

"Why, he's blue!" he said. "It's my dove, just the same, but he has turned blue while I was away!"

"It's the Blue Bird we were looking for! We have been miles and miles and miles and he was here all the time!... He was here, at home!... Oh, but how wonderful!... Mytyl, do you see the bird? What would Light say?... There, Madame Berlingot, take him quickly to your little girl...."

While he was talking, Mummy Tyl threw herself into her husband's arms and moaned:

Meantime, Neighbor Berlingot beamed all over her face, clasped her hands together and mumbled her thanks. When Tyltyl gave her the bird, she could hardly believe her eyes. She hugged the boy in her arms and wept with joy and gratitude:

"Do you give it me?" she kept saying. "Do you give [Pg 176] it me like that, straight away and for nothing?... Goodness, how happy she will be!... I fly, I fly!... I will come back to tell you what she says...."

Neighbour Berlingot ran out and Tyltyl shut the door after her. Then he turned round on the threshold, looked at the walls of the cottage, looked all around him and seemed wonderstruck:

"Daddy, Mummy, what have you done to the house?" he asked. "It's just as it was, but it's much prettier."

"Why, yes, everything has been painted and made to look like new; everything is clean and polished.... And look at the forest outside the window!... How big and fine it is!... One would think it was quite new!... How happy I feel here, oh, how happy I feel!"

The worthy woodcutter and his wife could not make out what was coming over their son; but you, my dear little readers, who have followed Tyltyl and Mytyl through their beautiful dream, will have guessed what it was that altered everything in our young hero's view.

It was not for nothing that the Fairy, in his dream, had [Pg 177] given him a talisman to open his eyes. He had learned to see the beauty of things around him; he had passed through trials that had developed his courage; while pursuing the Blue Bird, the Bird of Happiness that was to bring happiness to the Fairy's little girl, he had become open-handed and so good-natured that the mere thought of giving pleasure to others filled his heart with joy. And, while travelling through endless, wonderful, imaginary regions, his mind had opened out to life.

The boy was right, when he thought everything more beautiful, for, to his richer and purer understanding, everything must needs seem infinitely fairer than before.

Meanwhile, Tyltyl continued his joyful inspection of the cottage. He leaned over the bread-pan to speak a kind word to the Loaves; he rushed at Tylô, who was sleeping in his basket, and congratulated him on the good fight which he had made in the forest.

"Hullo!" he cried. "The diamond's gone!... Who's taken my little green hat?... Never mind, I don't want [Pg 178] it any more!... Ah, there's Fire! Good-morning, sir! He'll be crackling to make Water angry!" He ran to the tap, turned it on and bent down over the water. "Good-morning, Water, good-morning!... What does she say?... She still talks, but I don't understand her as well as I did.... Oh, how happy I am, how happy I am!..."

And our two young friends took each other's hands and began to scamper round the kitchen.

Mummy Tyl felt a little relieved at seeing them so full of life and spirits. Besides, Daddy Tyl was so calm and placid. He sat eating his porridge and laughing:

Of course, the poor dear man did not know that a wonderful dream had taught his little children not to play at being happy, but to be happy, which is the greatest and most difficult of lessons.

"I like Light best of all," said Tyltyl to Mytyl, standing on tip-toe by the window. "You can see her over there, through the trees of the forest. To-night, she will be in the lamp. Dear, oh, dear, how lovely it all is and how glad I feel, how glad I...."

He stopped and listened. Everybody lent an ear. They [Pg 179] heard laughter and merry voices; and the sounds came nearer.

As a matter of fact, it was the little girl, with her mother, Neighbor Berlingot.

"Look at her," said Goody Berlingot, quite overcome with joy. "She can run, she can dance, she can fly! It's a miracle! When she saw the bird, she jumped, just like that...."

And Goody Berlingot hopped from one leg to the other at the risk of falling and breaking her long, hooked nose.

The little girl was there, in her long white night-dress, standing in the middle of the kitchen, a little surprised to find herself on her feet after so many months' illness. She smiled and pressed Tyltyl's dove to her heart.

And the three Children tried to put a little food down the Bird's beak, while the parents began to feel easier in their minds and looked at them and smiled. [Pg 180]

Tyltyl was radiant. I will not conceal from you, my dear little readers, that the Dove had hardly changed colour at all and that it was joy and happiness that decked him with a magnificent bright blue plumage in our hero's eyes. No matter! Tyltyl, without knowing it, had discovered Light's great secret, which is that we draw nearer to happiness by trying to give it to others.

But now something happened. Everybody became excited, the Children screamed, the parents threw up their arms and rushed to the open door: the Bird had suddenly escaped! He was flying away as fast as he could.

"It's all right!" he said. "Don't cry! He is still in the house and we shall find him again."

And he gave a kiss to the little girl, who was already smiling through her tears:

You also, my dear little readers, now know where the [Pg 181] Blue Bird is. Dear Light revealed nothing to the woodcutter's Children, but she showed them the road to happiness by teaching them to be good and kind and generous.

"Go straight back home. The Blue Bird is there, in the humble cottage, in the wicker cage, with your dear father and mother who love you."

"What!" Tyltyl would have answered. "The Blue Bird, my dove? Nonsense: my dove is grey!... Happiness, in the cottage? With Daddy and Mummy? Oh, I say! There are no toys at home and it's awfully boring there: we want to go ever so far and meet with tremendous adventures and have all sorts of fun...."

That is what he would have said; and he and Mytyl would have set out in spite of everything, without listening to Light's advice, for the most certain truths are good for nothing if we do not put them to the test ourselves. It only takes a moment to tell a child all the wisdom in the world, but our whole lives are not long enough to help us understand it, because our own experience is our only light.

Each of us must seek out happiness for himself; and he [Pg 182] has to take endless pains and undergo many a cruel disappointment before he learns to become happy by appreciating the simple and perfect pleasures that are always within easy reach of his mind and heart.

THE END

Transcriber's Note:
Inconsistencies in spelling e.g. color/colour,
neighbor/neighbour have been left as in the original.
*

*** END OF THE PROJECT GUTENBERG EBOOK THE BLUE BIRD FOR CHILDREN ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

CHAPTER	PAGE
I	The Woodcutter's Cottage	3
II	At the Fairy's	31
III	The Land of Memory	49
IV	The Palace of Night	65
V	The Kingdom of the Future	89
VI	In the Temple of Light	117
VII	The Graveyard	125
VIII	The Forest	137
IX	The Leave-Taking	157
X	The Awakening	169