The Project Gutenberg eBook of Just—William, by Richmal Crompton.

First Edition May, 1922.
Second Impression October, 1922.
Third Impression January, 1923.
Fourth Impression February, 1923.
Fifth Impression May, 1923.
Sixth Impression September, 1923.
Seventh Impression December, 1923.
Eighth Impression February, 1924.
Ninth Impression May, 1924.

Made and Printed in Great Britain.
Wyman & Sons, Ltd., London, Reading and Fakenham.

CHAPTER I
WILLIAM GOES TO THE PICTURES

It all began with William’s aunt, who was in a good temper that morning, and gave him a shilling for posting a letter for her and carrying her parcels from the grocer’s.

“Buy some sweets or go to the Pictures,” she said carelessly, as she gave it to him.

William walked slowly down the road, gazing thoughtfully at the coin. After deep calculations, based on the fact that a shilling is the equivalent of two sixpences, he came to the conclusion that both luxuries could be indulged in.

In the matter of sweets, William frankly upheld the superiority of quantity over quality. Moreover, he knew every sweet shop within a two miles radius of his home whose proprietor added an extra sweet after the scale had descended, and he patronised these shops exclusively. With solemn face and eager eye, he always watched the process of weighing, and “stingy” shops were known and banned by him.

He wandered now to his favourite confectioner and stood outside the window for five minutes, torn between the rival attractions of Gooseberry Eyes and Marble Balls. Both were sold at 4 ounces for[14] 2d. William never purchased more expensive luxuries. At last his frowning brow relaxed and he entered the shop.

“Sixpennoth of Gooseberry Eyes,” he said, with a slightly self-conscious air. The extent of his purchases rarely exceeded a penny.

“Gotter bit of money this mornin’,” explained William carelessly, with the air of a Rothschild.

He watched the weighing of the emerald green dainties with silent intensity, saw with satisfaction the extra one added after the scale had fallen, received the precious paper bag, and, putting two sweets into his mouth, walked out of the shop.

Sucking slowly, he walked down the road towards the Picture Palace. William was not in the habit of frequenting Picture Palaces. He had only been there once before in his life.

It was a thrilling programme. First came the story of desperate crooks who, on coming out of any building, glanced cautiously up and down the street in huddled, crouching attitudes, then crept ostentatiously on their way in a manner guaranteed to attract attention and suspicion at any place and time. The plot was involved. They were pursued by police, they leapt on to a moving train and then, for no accountable reason, leapt from that on to a moving motor-car and from that they plunged into a moving river. It was thrilling and William thrilled. Sitting quite motionless, he watched, with wide, fascinated eyes, though his jaws never ceased their rotatory movement and every now and then his hand would go mechanically to the paper[15] bag on his knees and convey a Gooseberry Eye to his mouth.

The next play was a simple country love-story, in which figured a simple country maiden wooed by the squire, who was marked out as the villain by his moustachios.

After many adventures the simple country maiden was won by a simple country son of the soil in picturesque rustic attire, whose emotions were faithfully portrayed by gestures that must have required much gymnastic skill; the villain was finally shown languishing in a prison cell, still indulging in frequent eye-brow play.

Next came another love-story—this time of a noble-hearted couple, consumed with mutual passion and kept apart not only by a series of misunderstandings possible only in a picture play, but also by maidenly pride and reserve on the part of the heroine and manly pride and reserve on the part of the hero that forced them to hide their ardour beneath a cold and haughty exterior. The heroine’s brother moved through the story like a good fairy, tender and protective towards his orphan sister and ultimately explained to each the burning passion of the other.

The next was a comedy. It began by a solitary workman engaged upon the re-painting of a door and ended with a miscellaneous crowd of people, all covered with paint, falling downstairs on top of one another. It was amusing. William was riotously and loudly amused.

Lastly came the pathetic story of a drunkard’s[16] downward path. He began as a wild young man in evening clothes drinking intoxicants and playing cards, he ended as a wild old man in rags still drinking intoxicants and playing cards. He had a small child with a pious and superior expression, who spent her time weeping over him and exhorting him to a better life, till, in a moment of justifiable exasperation, he threw a beer bottle at her head. He then bedewed her bed in Hospital with penitent tears, tore out his hair, flung up his arms towards Heaven, beat his waistcoat, and clasped her to his breast, so that it was not to be wondered at that, after all that excitement, the child had a relapse and with the words “Good-bye, Father. Do not think of what you have done. I forgive you,” passed peacefully away.

William drew a deep breath at the end, and still sucking, arose with the throng and passed out.

Once outside, he glanced cautiously around and slunk down the road in the direction of his home. Then he doubled suddenly and ran down a back street to put his imaginary pursuers off his track. He took a pencil from his pocket and, levelling it at the empty air, fired twice. Two of his pursuers fell dead, the rest came on with redoubled vigour. There was no time to be lost. Running for dear life, he dashed down the next street, leaving in his wake an elderly gentleman nursing his toe and cursing volubly. As he neared his gate, William again drew the pencil from his pocket and, still looking back down the road, and firing as he went, he rushed into his own gateway.[17]

William’s father, who had stayed at home that day because of a bad[18] headache and a touch of liver, picked himself up from the middle of a rhododendron bush and seized William by the back of his neck.

“You young ruffian,” he roared, “what do you mean by charging into me like that?”

“I wasn’t chargin’, Father,” he said, meekly. “I was only jus’ comin’ in at the gate, same as other folks. I jus’ wasn’t looking jus’ the way you were coming, but I can’t look all ways at once, cause——”

William obeyed. The colour of William’s tongue would have put to shame Spring’s freshest tints.

“How many times am I to tell you,” bellowed William’s father, “that I won’t have you going about eating filthy poisons all day between meals?”

“It’s not filthy poison,” said William. “It’s jus’ a few sweets Aunt Susan gave me ’cause I kin’ly went to the post office for her an’——”

“They’re not foul things,” said William, doggedly. “They’re good. Jus’ have one, an’ try. They’re jus’ a few sweets Aunt Susan kin’ly gave me an’——”

Slowly and reluctantly William drew forth his bag. His father seized it and flung it far into the bushes. For the next ten minutes William conducted a thorough and systematic search among[19] the bushes and for the rest of the day consumed Gooseberry Eyes and garden soil in fairly equal proportions.

Something about the little girl’s head and curls reminded William of the simple country maiden. There was a touch of the artistic temperament about William. He promptly felt himself the simple country son of the soil.

“Hullo, Joan,” he said in a deep, husky voice intended to be expressive of intense affection. “Have you missed me while I’ve been away?”

“Didn’t know you’d been away,” said Joan. “What are you talking so funny for?”

“I’m not talkin’ funny,” said William in the same husky voice, “I can’t help talkin’ like this.”

“You’ve got a cold. That’s what you’ve got. That’s what Mother said when she saw you splashing about with your rain tub this morning. She said, ‘The next thing that we shall hear of William Brown will be he’s in bed with a cold.’”

“It’s not a cold,” said William mysteriously. “It’s jus’ the way I feel.”

“Gooseberry Eyes. Like one?” He took the packet from his pocket and handed it down to her. “Go on. Take two—three,” he said in reckless generosity.

“Go on. It’s only ord’nery dirt. It soon sucks off. They’re jolly good.” He poured a shower of them lavishly down to her.[20]

“I say,” he said, reverting to his character of simple country lover. “Did you say you’d missed me? I bet you didn’t think of me as much as I did of you. I jus’ bet you didn’t.” His voice had sunk deeper and deeper till it almost died away.

“I say, William, does your throat hurt you awful, that you’ve got to talk like that?”

“Oh, William! Is it—is it your—lungs? I’ve got an aunt that’s got lungs and she coughs and coughs,” William coughed hastily, “and it hurts her and makes her awful bad. Oh, William, I do hope you’ve not got lungs.”

Her tender, anxious little face was upturned to him. “I guess I have got lungs,” he said, “but I don’t make a fuss about ’em.”

“He says it’s lungs all right,” he said at last. “He says I gotter be jolly careful.”

“I’ve got three balls and one’s quite new. Wouldn’t you like it, William?”[21]

“No—thanks. You see, it’s no use my collectin’ a lot of things. You never know—with lungs.”

“Of course,” he said hastily, “if I’m careful it’ll be all right. Don’t you worry about me.”

“That’s Mother. Good-bye, William dear. If Father brings me home any chocolate, I’ll bring it in to you. I will—honest. Thanks for the Gooseberry Eyes. Good-bye.”

He put another Gooseberry Eye into his mouth and wandered round aimlessly to the front of the house. His grown-up sister, Ethel, was at the front door, shaking hands with a young man.

Both look and handclasp were long. The young man walked away. Ethel stood at the door, gazing after him, with a far-away look in her eyes. William was interested.

The look, the long handclasp, the words lingered in William’s memory. They must be jolly fond of each other, like people are when they’re engaged, but he knew they weren’t engaged. P’raps they were too proud to let each other know how fond they were of each other—like the man and girl at[22] the pictures. Ethel wanted a brother like the one in the pictures to let the man know she was fond of him. Then a light came suddenly into William’s mind and he stood, deep in thought.

“He’s going to propose to her next Sunday. He told me about it because I’m her best friend, and he wanted to ask me if I thought he’d any chance. I said I thought he had, and I said I’d try and prepare her a little and put in a good word for him if I could. Isn’t it thrilling?”

“Yes, dear. By the way, did you see William anywhere? I do hope he’s not in mischief.”

“He was in the front garden a minute ago.” She went to the window. “He’s not there now, though.”

The young man rose to receive his guest with politeness not unmixed with bewilderment. His acquaintance with William was of the slightest.

“Yes.” William fumbled in his pocket and at last drew forth a rosebud, slightly crushed by its close confinement in the company of the Gooseberry Eyes, a penknife, a top and a piece of putty.

“Er—yes. Of course. I’ve just come from her. Perhaps she remembered something she wanted to tell me after I’d gone.”

Mr. Morgan’s eyes were fixed with a fascinated wondering gaze upon the limp, and by no means spotless, rose-bud.

“Always talkin’ about you in her sleep,” went on William, warming to his theme. “I sleep in the next room and I can hear her talkin’ about you all night. Jus’ sayin’ your name over and over again. ‘Jack Morgan, Jack Morgan, Jack Morgan.’” William’s voice was husky and soulful. “Jus’[25] like that—over an’ over again. ‘Jack Morgan, Jack Morgan, Jack Morgan.’”

Mr. Morgan was speechless. He sat gazing with horror-stricken face at his young visitor.

“Are you—sure?” he said at last. “It might be someone else’s name.”

“No, ’tisn’t,” said William firmly. “It’s yours. ‘Jack Morgan, Jack Morgan, Jack Morgan’—jus’ like that. An’ she eats just nothin’ now. Always hangin’ round the windows to watch you pass.”

William was gratified. The young man had at last realised his cruelty. But William never liked to leave a task half done. He still sat on and calmly and silently considered his next statement. Mechanically he put a hand into his pocket and conveyed a Gooseberry Eye to his mouth. Mr. Morgan also sat in silence with a stricken look upon his face, gazing into vacancy.

“She’s got your photo,” said William at last, “fixed up into one of those little round things on a chain round her neck.”

“Sure’s fate,” said William rising. “Well, I’d better be goin’. She pertic-ler wants to see you alone to-night. Good-bye.”

But Mr. Morgan did not answer. He sat huddled up in his chair staring in front of him long after William had gone jauntily on his way. Then he moistened his dry lips.

William was thinking of the pictures as he went home. That painter one was jolly good. When they all got all over paint! And when they all fell downstairs! William suddenly guffawed out loud at the memory. But what had the painter chap been doing at the very beginning before he began to paint? He’d been getting off the old paint with a sort of torch thing and a knife, then he began putting the new paint on. Just sort of melting the old paint and then scraping it off. William had never seen it done in real life, but he supposed that was the way you did get old paint off. Melting it with some sort of fire, then scraping it off. He wasn’t sure whether it was that, but he could find out. As he entered the house he took his penknife from his pocket, opened it thoughtfully, and went upstairs.

“Perhaps dinner will do it good,” said Mrs. Brown, “it ought to be ready now.”

“Mr. Morgan, mum. He wants to see Miss Ethel. I’ve shown him into the library.”

“Now?” exploded Mr. Brown. “What the deu—why the dickens is the young idiot coming at this time of day? Seven o’clock! What time does he think we have dinner? What does he mean by coming round paying calls on people at dinner time? What——”

“Ethel, dear,” interrupted Mrs. Brown, “do go[27] and see what he wants and get rid of him as soon as you can.”

Ethel entered the library, carefully closing the door behind her to keep out the sound of her father’s comments, which were plainly audible across the hall.

She noticed something wan and haggard-looking on Mr. Morgan’s face as he rose to greet her.

Then they sat in silence, both awaiting some explanation of the visit. The silence became oppressive. Mr. Morgan, with an air of acute misery and embarrassment, shifted his feet and coughed. Ethel looked at the clock. Then—

“Yes.” Mr. Morgan put up a hand as though to loosen his collar. “Er—very bad.”

“Is dinner to be kept waiting for that youth all night? Quarter past seven! You know it’s just what I can’t stand—having my meals interfered with. Is my digestion to be ruined simply because[28] this young nincompoop chooses to pay his social calls at seven o’clock at night?”

“Then we must ask him to dinner,” said Mrs. Brown, desperately. “We really must.”

“We must not,” said Mr. Brown. “Can’t I stay away from the office for one day with a headache, without having to entertain all the young jackasses for miles around.” The telephone bell rang. He raised his hands above his head.

“It’s Mrs. Clive,” she said. “She says Joan has been very sick because of some horrible sweets William gave her, and she said she was so sorry to hear about William and hoped he’d be better soon. I couldn’t quite make it out, but it seems that William has been telling them that he had to go and see a doctor about his lungs and the doctor said they were very weak and he’d have to be careful.”

Mr. Brown sat up and looked at her. “But—why—on—earth?” he said slowly.

“I don’t know, dear,” said Mrs. Brown, helplessly. “I don’t know anything about it.”

“He’s mad,” said Mr. Brown with conviction. “Mad. It’s the only explanation.”

Then came the opening and shutting of the front door and Ethel entered. She was very flushed.[29]

“He’s gone,” she said. “Mother, it’s simply horrible! He didn’t tell me much, but it seems that William actually went to his house and told him that I wanted to see him alone at seven o’clock this evening. I’ve hardly spoken to William to-day. He couldn’t have misunderstood anything I said.[30] And he actually took a flower with him—a dreadful-looking rosebud—and said I’d sent it. I simply didn’t know where to look or what to say. It was horrible!”

William was upstairs. For the last twenty minutes he had been happily and quietly engaged upon his bedroom door with a lighted taper in one hand and penknife in the other. There was no doubt about it. By successful experiment he had proved that that was the way you got old paint off. When Mr. Brown came upstairs he had entirely stripped one panel of its paint.

An hour later William sat in the back garden on an upturned box sucking, with a certain dogged defiance, the last and dirtiest of the Gooseberry Eyes. Sadly he reviewed the day. It had not been a success. His generosity to the little girl next door had been misconstrued into an attempt upon her life, his efforts to help on his only sister’s love affair had been painfully misunderstood, lastly because (among other things) he had discovered a perfectly scientific method of removing old paint, he had been brutally assaulted by a violent and unreasonable parent. Suddenly William began to wonder if his father drank. He saw himself, through a mist of pathos, as a Drunkard’s child. He tried[31] to imagine his father weeping over him in Hospital and begging his forgiveness. It was a wonder he wasn’t there now, anyway. His shoulders drooped—his whole attitude became expressive of extreme dejection.

Inside the house, his father, reclining at length in an armchair, discoursed to his wife on the subject of his son. One hand was pressed to his aching brow, and the other gesticulating freely. “He’s insane,” he said, “stark, raving insane. You ought to take him to a doctor and get his brain examined. Look at him to-day. He begins by knocking me into the middle of the rhododendron bushes—under no provocation, mind you. I hadn’t spoken to him. Then he tries to poison that nice little thing next door with some vile stuff I thought I’d thrown away. Then he goes about telling people he’s consumptive. He looks it, doesn’t he? Then he takes extraordinary messages and love tokens from Ethel to strange young men and brings them here just when we’re going to begin dinner, and then goes round burning and hacking at the doors. Where’s the sense in it—in any of it? They’re the acts of a lunatic—you ought to have his brain examined.”

Mrs. Brown cut off her darning wool and laid aside the sock she had just finished darning.

“It certainly sounds very silly, dear,” she said mildly. “But there might be some explanation of it all, if only we knew. Boys are such funny things.”

She looked at the clock and went over to the window, “William!” she called. “It’s your bed-time, dear.”[32]

“Good night, Mother,” he said; then he turned a mournful and reproachful eye upon his father.

“Good night, Father,” he said. “Don’t think about what you’ve done, I for——”

CHAPTER II
WILLIAM THE INTRUDER

“She’s different from everybody else in the world,” stammered Robert ecstatically. “You simply couldn’t describe her. No one could!”

“How’s she different from anyone else?” he demanded. “Is she blind or lame or sumthin’?”

“Oh, go and play at trains!” he said. “A child like you can’t understand anything.”

William retired with dignity to the window and listened, with interest unabated, to the rest of the conversation.

“Yes, but who is she, dear?” said their mother. “Robert, I can’t think how you get these big holes in your heels!”

“I’ve told you who she is, Mother,” he said. “I’ve been talking about her ever since I came into the room.”

“Yes, I know, dear, but you haven’t mentioned her name or anything about her.”[34]

“Well,” Robert spoke with an air of super-human patience, “she’s a Miss Cannon and she’s staying with the Clives and I met her out with Mrs. Clive this morning and she introduced me and she’s the most beautiful girl I’ve ever seen and she——”

“Well,” went on the infatuated Robert, “we must have her to tea. I know I can’t marry yet—not while I’m still at college—but I could get to know her. Not that I suppose she’d look at me. She’s miles above me—miles above anyone. She’s the most beautiful girl I’ve ever seen. You can’t imagine her. You wouldn’t believe me if I described her. No one could describe her. She——”

“I’ll ask Mrs. Clive to bring her over one afternoon. I’ve no more of this blue wool, Robert. I wish you didn’t have your socks such different colours. I shall have to use mauve. It’s right on the heel; it won’t show.”

“You can’t, Mother. How do you know it won’t show? And even if it didn’t show, the thought of it—! It’s—it’s a crisis of my life now I’ve met her. I can’t go about feeling ridiculous.”

“William, don’t use such vulgar expressions,” said Mrs. Brown. “Robert just feels a friendly interest in her, don’t you, Robert?”

“‘A friendly interest’!” groaned Robert in despair. “No one ever tries to understand what I[35] feel. After all I’ve told you about her and that she’s the most beautiful girl I’ve ever seen and miles above me and above anyone and you think I feel a ‘friendly interest’ in her. It’s—it’s the one great passion of my life! It’s——”

“Well,” put in Mrs. Brown mildly, “I’ll ring up Mrs. Clive and ask if she’s doing anything to-morrow afternoon.”

Robert’s tragic young face lit up, then he stood wrapt in thought, and a cloud of anxiety overcast it.

“Ellen can press the trousers of my brown suit to-night, can’t she? And, Mother, could you get me some socks and a tie before to-morrow? Blue, I think—a bright blue, you know, not too bright, but not so as you don’t notice them. I wish the laundry was a decent one. You know, a man’s collar ought to shine when it’s new on. They never put a shine on to them. I’d better have some new ones for to-morrow. It’s so important, how one looks. She—people judge you on how you look. They——”

When she returned, William had gone and Robert was standing by the window, his face pale with suspense, and a Napoleonic frown on his brow.

“Mrs. Clive can’t come,” announced Mrs. Brown in her comfortable voice, “but Miss Cannon will come alone. It appears she’s met Ethel before. So you needn’t worry any more, dear.”

“Worry!” he said, “There’s plenty to worry about still. What about William?”

“Well, can’t he go away somewhere to-morrow? Things never go right when William’s there. You know they don’t.”

“The poor boy must have tea with us, dear. He’ll be very good, I’m sure. Ethel will be home then and she’ll help. I’ll tell William not to worry you. I’m sure he’ll be good.”

William had received specific instructions. He was not to come into the house till the tea-bell rang, and he was to go out and play in the garden again directly after tea. He was perfectly willing to obey them. He was thrilled by the thought of Robert in the rôle of the love-lorn hero. He took the situation quite seriously.

He was in the garden when the visitor came up the drive. He had been told not to obtrude himself upon her notice, so he crept up silently and peered at her through the rhododendron bushes. The proceeding also happened to suit his character of the moment, which was that of a Red Indian chief.

Miss Cannon was certainly pretty. She had brown hair, brown eyes, and dimples that came and went in her rosy cheeks. She was dressed in white and carried a parasol. She walked up the drive, looking neither to right nor left, till a slight movement in the bushes arrested her attention. She turned quickly and saw a small boy’s face, smeared black with burnt cork and framed in hens’ feathers tied on with tape. The dimples peeped out.

William gazed at her open-mouthed. Such intelligence on the part of a grown-up was unusual.[37]

“And what death awaits the poor white face who has fallen defenceless into his hand?”

She threw a glance to the bend in the drive behind which lay the house and with a low laugh followed him through the bushes. From one point the drawing-room window could be seen, and there the anxious Robert stood, pale with anxiety, stiff and upright in his newly-creased trousers (well turned up to show the new blue socks), his soulful eyes fixed steadfastly on the bend in the drive round which the beloved should come. Every now and then his nervous hand wandered up to touch the new tie and gleaming new collar, which was rather too high and too tight for comfort, but which the shopkeeper had informed his harassed customer was the “latest and most correct shape.”

Meanwhile the beloved had reached William’s “dug-out.” William had made this himself of branches cut down from the trees and spent many happy hours in it with one or other of his friends.

“Here is the wigwam, Pale-face,” he said in a sepulchral voice. “Stand here while I decide with Snake Face and the other chiefs what’s goin’ to be done to you. There’s Snake Face an’ the others,” he added in his natural voice, pointing to a small cluster of shrubs.

Approaching these, he stood and talked fiercely[39] and unintelligibly for a few minutes, turning his scowling corked face and pointing his finger at her every now and then, as, apparently, he described his capture.

“That was Red Indian what I was talkin’ then,” he explained in his ordinary voice, then sinking it to its low, roaring note and scowling more ferociously than ever, “Snake Face says the Pale-face must be scalped and cooked and eat!”

He took out a penknife and opened it as though to perform the operation, then continued, “But me and the others say that if you’ll be a squaw an’ cook for us we’ll let you go alive.”

“Most humble and grateful thanks, great Red Hand,” she said. “I will with pleasure be your squaw.”

“I’ve gotter fire round here,” said William proudly, leading her to the back of the wigwam, where a small wood fire smouldered spiritlessly, choked by a large tin full of a dark liquid.

“That, O Squaw,” said Red Hand with a dramatic gesture, “is a Pale-face we caught las’ night!”

“I’ll get you some feathers,” he said obligingly. “You oughter have feathers, too.”

He retired into the depth of the wigwam and returned with a handful of hen feathers. Miss Cannon took off her big shady hat and stuck the feathers into her fluffy brown hair with a laugh.

“I’ve got some cork you can have to do your face, too,” went on William with reckless generosity. “It soon burns in the fire.”

She threw a glance towards the chimneys of the house that could be seen through the trees and shook her pretty head regretfully.

“Well,” he said, “now I’ll go huntin’ and you stir the Pale-face and we’ll eat him when I come back. Now, I’ll be off. You watch me track.”

He opened his clasp-knife with a bloodthirsty flourish and, casting sinister glances round him, crept upon his hands and knees into the bushes. He circled about, well within his squaw’s vision, obviously bent upon impressing her. She stirred the mixture in the tin with a twig and threw him every now and then the admiring glances he so evidently desired.

Soon he returned, carrying over his shoulder a door-mat which he threw down at her feet.

“A venison, O squaw,” he said in a lordly voice. “Let it be cooked. I’ve had it out all morning,” he added in his ordinary tones; “they’ve not missed it yet.”

He fetched from the “wigwam” two small jagged tins and, taking the larger tin off the fire, poured some into each.

“You needn’t be frightened of it,” said William protectively. “It’s jolly good, I can tell you.” He picked up the paper cover of a packet of soup[41] from behind the trees. “It’s jus’ that and water and it’s jolly good!”

“They don’t let me,” he broke in hastily, “but there’s heaps in the larder and they don’t notice one every now an’ then. Go on!” encouragingly, “I don’t mind you having it! Honest, I don’t! I’ll get some more soon.”

William’s face shone with pride and happiness. But it clouded over as the sound of a bell rang out from the house.

“N-no,” admitted William. “But I’ll get one for next time you come. I’ll get one from Ethel’s room.”

“I’m horribly late. What will they think of me? It was awful of me to come with you. I’m always doing awful things. That’s a secret between you and me.” She gave William a smile that dazzled him. “Now come in and we’ll confess.”

“I can’t,” said William. “I’ve got to wash an’ come down tidy. I promised I would. It’s a[42] special day. Because of Robert, you know. Well you know. Because of—Robert!”

Robert was frantic. He had run his hands through his hair so often that it stood around his head like a spiked halo.

“We can’t begin without her,” he said. “She’ll think we’re awful. It will—put her off me for ever. She’s not used to being treated like that. She’s the sort of girl people don’t begin without. She’s the most beautiful girl I’ve ever met in all my life and you—my own mother—treat her like this. You may be ruining my life. You’ve no idea what this means to me. If you’d seen her you’d feel more sympathy. I simply can’t describe her—I——”

“I said four o’clock, Robert,” said Mrs. Brown firmly, “and it’s after half-past. Ethel, tell Emma she can ring the bell and bring in tea.”

Then, a few minutes after the echoes of the tea-bell died away, the front door bell rang sharply. Robert stroked his hair down with wild, unrestrained movements of his hands, and summoned a tortured smile to his lips.

“Aren’t I perfectly disgraceful?” she said with her low laugh. “To tell the truth, I met your little[43] boy in the drive and I’ve been with him some time. He’s a perfect little dear, isn’t he?”

Her brown eyes rested on Robert. Robert moistened his lips and smiled the tortured smile, but was beyond speech.

Robert murmured unintelligibly, raising one hand to the too tight collar, and then bowed vaguely in her direction.

William, his hair well brushed, the cork partially washed from his face, and the feathers removed, arrived a few minutes later. Conversation was carried on chiefly by Miss Cannon and Ethel. Robert racked his brain for some striking remark, something that would raise him in her esteem far above the ranks of the ordinary young man, but nothing came. Whenever her brown eyes rested on him, however, he summoned the mirthless smile to his lips and raised a hand to relieve the strain of the imprisoning collar. Desperately he felt the precious moments passing and his passion yet unrevealed, except by his eyes, whose message he was afraid she had not read.

As they rose from tea, William turned to his mother, with an anxious sibilant whisper,

The demure lights danced in Miss Cannon’s eyes and the look the perspiring Robert sent him would have crushed a less bold spirit.

William had quite forgotten the orders he had received to retire from the scene directly after tea. He was impervious to all hints. He followed[44] in the train of the all-conquering Miss Cannon to the drawing-room and sat on the sofa with Robert who had taken his seat next his beloved.

“Are you—er—fond of reading, Miss Cannon?” began Robert with a painful effort.

“I—wrote a tale once,” said William boastfully, leaning over Robert before she could answer. “It was a jolly good one. I showed it to some people. I’ll show it to you if you like. It began with a pirate on a raft an’ he’d stole some jewel’ry and the king the jewels belonged to was coming after him on a steamer and jus’ when he was comin’ up to him he jumped into the water and took the jewls with him an’ a fish eat the jewls and the king caught it an’,” he paused for breath.

Robert turned sideways, and resting an arm on his knee to exclude the persistent William, spoke in a husky voice.

“I’ve gotter garden. I’ve got Virginia Stock grow’n all over it. It grows up in no time. An’ must’erd ’n cress grows in no time, too. I like things what grow quick, don’t you? You get tired of waiting for the other sorts, don’t you?”

With a threatening glare at William, Robert led the way to the garden. And William, all innocent animation, followed.[45]

“I can. I’ll show you. I’ll get a piece of string and show you afterwards. It’s easy but it wants practice, that’s all. An’ I’ll teach you how to make aeroplanes out of paper what fly in the air when it’s windy. That’s quite easy. Only you’ve gotter be careful to get ’em the right size. I can make ’em and I can make lots of things out of match boxes an’ things an’——”

“Will you have this tea-rose, Miss Cannon?” Robert’s face was purple as he presented it. “It—it—er—it suits you. You—er—flowers and you—that is—I’m sure—you love flowers—you should—er—always have flowers. If I——”

“An’ I’ll get you those red ones and that white one,” broke in the equally infatuated William, determined not to be outshone. “An’ I’ll get you some of my Virginia Stock. An’ I don’t give my Virginia Stock to anyone,” he added with emphasis.

When they re-entered the drawing-room, Miss Cannon carried a large bouquet of Virginia Stock and white and red roses which completely hid Robert’s tea-rose. William was by her side, chatting airily and confidently. Robert followed—a pale statue of despair.

In answer to Robert’s agonised glance, Mrs.[47] Brown summoned William to her corner, while Robert and Miss Cannon took their seat again upon the sofa.

“I hope—I hope,” said Robert soulfully, “I hope your stay here is a long one?”

“Well, why sha’n’t I jus’ speak to her?” William’s whisper was loud and indignant.

“I should like to show you some of the walks around here,” went on Robert desperately with a fearful glance towards the corner where William stood in righteous indignation before his mother. “If I could have that—er—pleasure—er—honour?”

“I was only jus’ speaking to her,” went on William’s voice. “I wasn’t doin’ any harm, was I? Only speaking to her!”

The silence was intense. Robert, purple, opened his lips to say something, anything to drown that horrible voice, but nothing would come. Miss Cannon was obviously listening to William.

“Is no one else ever to speak to her.” The sibilant whisper, raised in indignant appeal, filled all the room. “Jus’ ’cause Robert’s fell in love with her?”

Mrs. Brown coughed hastily and began to describe at unnecessary length the ravages of the caterpillars upon her husband’s favourite rose-tree.

William withdrew with dignity to the garden a minute later and Miss Cannon rose from the sofa.

“I will,” she said. “I’m longing to see more of William. I adore William!”

They comforted Robert’s wounded feelings as best they could, but it was Ethel who devised the plan that finally cheered him. She suggested a picnic on the following Thursday, which happened to be Robert’s birthday and incidentally the last day of Miss Cannon’s visit, and the picnic party was to consist of—Robert, Ethel, Mrs. Clive and Miss Cannon, and William was not even to be told where it was to be. The invitation was sent that evening and Robert spent the week dreaming of picnic lunches and suggesting impossible dainties of which the cook had never heard. It was not until she threatened to give notice that he reluctantly agreed to leave the arrangements to her. He sent his white flannels (which were perfectly clean) to the laundry with a note attached, hinting darkly at legal proceedings if they were not sent back, spotless, by Thursday morning. He went about with an expression of set and solemn purpose upon his frowning countenance. William he utterly ignored. He bought a book of poems at a second-hand bookshop and kept them on the table by his bed.

They saw nothing of Miss Cannon in the interval, but Thursday dawned bright and clear, and Robert’s anxious spirits rose. He was presented with a watch and chain by his father and with a[49] bicycle by his mother and a tin of toffee (given not without ulterior motive) by William.

They met Mrs. Clive and Miss Cannon at the station and took tickets to a village a few miles away whence they had decided to walk to a shady spot on the river bank.

William’s dignity was slightly offended by his pointed exclusion from the party, but he had resigned himself to it, and spent the first part of the morning in the character of Chief Red Hand among the rhododendron bushes. He had added an ostrich feather found in Ethel’s room to his head-dress, and used almost a whole cork on his face. He wore the door-mat pinned to his shoulders.

After melting some treacle toffee in rain-water over his smoking fire, adding orange juice and drinking the resulting liquid, he tired of the game and wandered upstairs to Robert’s bedroom to inspect his birthday presents. The tin of toffee was on the table by Robert’s bed. William took one or two as a matter of course and began to read the love-poems. He was horrified a few minutes later to see the tin empty, but he fastened the lid with a sigh, wondering if Robert would guess who had eaten them. He was afraid he would. Anyway he’d given him them. And anyway, he hadn’t known he was eating them.

He then went to the dressing-table and tried on the watch and chain at various angles and with various postures. He finally resisted the temptation to wear them for the rest of the morning and replaced them on the dressing-table.

Then he wandered downstairs and round to the[50] shed, where Robert’s new bicycle stood in all its glory. It was shining and spotless and William gazed at it in awe and admiration. He came to the conclusion that he could do it no possible harm by leading it carefully round the house. Encouraged by the fact that Mrs. Brown was out shopping, he walked it round the house several times. He much enjoyed the feeling of importance and possession that it gave him. He felt loth to part with it. He wondered if it was very hard to ride. He had tried to ride one once when he was staying with an aunt. He stood on a garden bench and with difficulty transferred himself from that to the bicycle seat. To his surprise and delight he rode for a few yards before he fell off. He tried again and fell off again. He tried again and rode straight into a holly bush. He forgot everything in his determination to master the art. He tried again and again. He fell off or rode into the holly bush again and again. The shining black paint of the bicycle was scratched, the handle bars were slightly bent and dulled; William himself was bruised and battered but unbeaten.

At last he managed to avoid the fatal magnet of the holly bush, to steer an unsteady ziz-zag course down the drive and out into the road. He had had no particular intention of riding into the road. In fact he was still wearing his befeathered headgear, blacked face, and the mat pinned to his shoulders. It was only when he was actually in the road that he realised that retreat was impossible, that he had no idea how to get off the bicycle.

What followed was to William more like a nightmare than anything else. He saw a motor-lorry[51] coming towards him and in sudden panic turned down a side street and from that into another side street. People came out of their houses to watch him pass. Children booed or cheered him and ran after him in crowds. And William went on and on simply because he could not stop. His iron nerve had failed him. He had not even the presence of mind to fall off. He was quite lost. He had left the town behind him and did not know where he was going. But wherever he went he was the centre of attraction. The strange figure with blackened, streaked face, mat flying behind in the wind and a head-dress of feathers from which every now and then one floated away, brought the population to its doors. Some said he had escaped from an asylum, some that he was an advertisement of something. The children were inclined to think he was part of a circus. William himself had passed beyond despair. His face was white and set. His first panic had changed to a dull certainty that this would go on for ever. He would never know how to stop. He supposed he would go right across England. He wondered if he were near the sea now. He couldn’t be far off. He wondered if he would ever see his mother and father again. And his feet pedalled mechanically along. They did not reach the pedals at their lowest point; they had to catch them as they came up and send them down with all their might.

It was very tiring; William wondered if people would be sorry if he dropped down dead.

The picnickers walked down the hill from the little station to the river bank. It was a beautiful morning. Robert, his heart and hopes high, walked beside his goddess, revelling in his nearness to her though he could think of nothing to say to her. But Ethel and Mrs. Clive chattered gaily.

“We’ve given William the slip,” said Ethel with a laugh. “He’s no idea where we’ve gone even!”

“What a beautiful morning it is!” murmured Robert, feeling that some remark was due from him. “Am I walking too fast for you—Miss Cannon?”

He proposed a boat on the river after lunch, and it appeared that Miss Cannon would love it, but Ethel and Mrs. Clive would rather stay on the bank.

His cup of bliss was full. It would be his opportunity of sealing lifelong friendship with her, of arranging a regular correspondence, and hinting at his ultimate intentions. He must tell her that, of course, while he was at college he was not in a position to offer his heart and hand, but if she could wait—— He began to compose speeches in his mind.

They reached the bank and opened the luncheon baskets. Unhampered by Robert the cook had surpassed herself. They spread the white cloth[53] and took up their position around it under the shade of the trees.

Just as Robert was taking up a plate of sandwiches to hand them with a courteous gesture to Miss Cannon, his eyes fell upon the long, white road leading from the village to the riverside and remained fixed there, his face frozen with horror. The hand that held the plate dropped lifelessly back again on to the table-cloth. Their eyes followed his. A curious figure was cycling along the road—a figure with blackened face and a few drooping feathers on its head, and a door-mat flying in the wind. A crowd of small children ran behind cheering. It was a figure vaguely familiar to them all.

William came to the end of the road. He did not turn aside to either of the roads by the riverside. He did not even recognise or look at them. With set, colourless face he rode on to the river bank, and straight amongst them. They fled from before his charge. He rode over the table-cloth, over the sandwiches, patties, rolls and cakes, down the bank and into the river.

They rescued him and the bicycle. Fate was against Robert even there. It was a passing boatman who performed the rescue. William emerged soaked[54] to the skin, utterly exhausted, but feeling vaguely heroic. He was not in the least surprised to see them. He would have been surprised at nothing. And Robert wiped and examined his battered bicycle in impotent fury in the background while Miss Cannon pillowed William’s dripping head on her arm, fed him on hot coffee and sandwiches and called him “My poor darling Red Hand!”

She insisted on going home with him. All through the journey she[55] sustained the character of his faithful squaw. Then, leaving a casual invitation to Robert and Ethel to come over to tea, she departed to pack.

Mrs. Brown descended the stairs from William’s room with a tray on which reposed a half-empty bowl of gruel, and met Robert in the hall.

“Upset!” he echoed, outraged by the inadequacy of the expression. “You’d be upset if your life was ruined. You’d be upset. I’ve a right to be upset.”

“Yes,” he said bitterly, “with other people. Who can talk with other people there? No one can. I’d have talked to her on the river. I’d got heaps of things ready in my mind to say. And William comes along and spoils my whole life—and my bicycle. And she’s the most beautiful girl I’ve ever seen in my life. And I’ve wanted[56] that bicycle for ever so long and it’s not fit to ride.”

“But poor William has caught a very bad chill, dear, so you oughtn’t to feel bitter to him. And he’ll have to pay for your bicycle being mended. He’ll have no pocket money till it’s paid for.”

“You’d think,” said Robert with a despairing gesture in the direction of the hall table and apparently addressing it, “you’d think four grown-up people in a house could keep a boy of William’s age in order, wouldn’t you? You’d think he wouldn’t be allowed to go about spoiling people’s lives and—and ruining their bicycles. Well, he jolly well won’t do it again,” he ended darkly.

“Robert,” she said soothingly over her shoulder, “you surely want to be at peace with your little brother, when he’s not well, don’t you?”

“Peace?” he said. Robert turned his haggard countenance upon her as though his ears must have deceived him. “Peace! I’ll wait. I’ll wait till he’s all right and going about; I won’t start till then. But—peace! It’s not peace, it’s an armistice—that’s all.”

CHAPTER III
WILLIAM BELOW STAIRS

William was feeling embittered with life in general. He was passing through one of his not infrequent periods of unpopularity. The climax had come with the gift of sixpence bestowed on him by a timid aunt, who hoped thus to purchase his goodwill. With the sixpence he had bought a balloon adorned with the legs and head of a duck fashioned in cardboard. This could be blown up to its fullest extent and then left to subside. It took several minutes to subside, and during those minutes it emitted a long-drawn-out and high-pitched groan. The advantage of this was obvious. William could blow it up to its fullest extent in private and leave it to subside in public concealed beneath his coat. While this was going on William looked round as though in bewildered astonishment. He inflated it before he went to breakfast. He then held it firmly and secretly so as to keep it inflated till he was sitting at the table. Then he let it subside. His mother knocked over a cup of coffee, and his father cut himself with the bread knife. Ethel, his elder sister, indulged in a mild form of nervous breakdown. William sat with a face of startled innocence. But nothing enraged[58] his family so much as William’s expression of innocence. They fell upon him, and he defended himself as well as he could. Yes, he was holding the balloon under the table. Well, he’d blown it up some time ago. He couldn’t keep it blown up for ever. He had to let the air out some time. He couldn’t help it making a noise when the air went out. It was the way it was made. He hadn’t made it. He set off to school with an air of injured innocence—and the balloon. Observing an elderly and irascible-looking gentleman in front of him, he went a few steps down a back street, blew up his balloon and held it tightly under his coat. Then, when abreast of the old gentleman, he let it off. The old gentleman gave a leap into the air and glared fiercely around. He glanced at the small virtuous-looking schoolboy with obviously no instrument of torture at his lips, and then concentrated his glare of fury and suspicion on the upper windows. William hastened on to the next pedestrian. He had quite a happy walk to school.

School was at first equally successful. William opened his desk, hastily inflated his balloon, closed his desk, then gazed round with his practised expression of horrified astonishment at what followed. He drove the French master to distraction.

“I hope,” said the father at lunch, “that they’ve taken away that infernal machine of yours.”

William replied sadly that they had. He added[59] that some people didn’t seem to think it was stealing to take other people’s things.

“Then we may look forward to a little peace this evening?” said the father politely. “Not that it matters to me, as I’m going out to dinner. The only thing that relieves the tedium of going out to dinner is the fact that for a short time one has a rest from William.”

William acknowledged the compliment by a scowl and a mysterious muttered remark to the effect that some people were always at him.

During preparation in afternoon school he read a story-book kindly lent him by his next-door neighbour. It was not because he had no work to do that William read a story-book in preparation. It was a mark of defiance to the world in general. It was also a very interesting story-book. It opened with the hero as a small boy misunderstood and ill-treated by everyone around him. Then he ran away. He went to sea, and in a few years made an immense fortune in the goldfields. He returned in the last chapter and forgave his family and presented them with a noble mansion and several shiploads of gold. The idea impressed William—all except the end part. He thought he’d prefer to have the noble mansion himself and pay rare visits to his family, during which he would listen to their humble apologies, and perhaps give them a nugget or two, but not very much—certainly not much to Ethel. He wasn’t sure whether he’d ever really forgive them. He’d have rooms full of squeaky balloons and trumpets in his house anyway, and he’d keep caterpillars and white rats all over the place too—things they made such a[60] fuss about in their old house—and he’d always go about in dirty boots, and he’d never brush his hair or wash, and he’d keep dozens of motor-cars, and he wouldn’t let Ethel go out in any of them. He was roused from this enthralling day-dream by the discovery and confiscation of his story-book by the master in charge, and the subsequent fury of its owner. In order adequately to express his annoyance, he dropped a little ball of blotting-paper soaked in ink down William’s back. William, on attempting retaliation, was sentenced to stay in half an hour after school. He returned gloomily to his history book (upside down) and his misanthropic view of life. He compared himself bitterly with the hero of the story-book and decided not to waste another moment of his life in uncongenial surroundings. He made a firm determination to run away as soon as he was released from school.

He walked briskly down the road away from the village. In his pocket reposed the balloon. He had made the cheering discovery that the mathematics master had left it on his desk, so he had joyfully taken it again into his possession. He thought he might reach the coast before night, and get to the goldfields before next week. He didn’t suppose it took long to make a fortune there. He might be back before next Christmas and—crumbs! he’d jolly well make people sit up. He wouldn’t go to school, for one thing, and he’d be jolly careful who he gave nuggets to for another. He’d give nuggets to the butcher’s boy and the postman, and the man who came to tune the piano, and the chimney-sweep.[61] He wouldn’t give any to any of his family, or any of the masters at the school. He’d just serve people out the way they served him. He just would. The road to the coast seemed rather long, and he was growing rather tired. He walked in a ditch for a change, and then scraped through a hedge and took a short cut across a ploughed field. Dusk was falling fast, and even William’s buoyant spirits began to flag. The fortune part was all very well, but in the meantime he was cold and tired and hungry. He hadn’t yet reached the coast, much less the goldfields. Something must be done. He remembered that the boy in the story had “begged his way” to the coast. William determined to beg his. But at present there seemed nothing to beg it from, except a hawthorn hedge and a scarecrow in the field behind it. He wandered on disconsolately deciding to begin his career as a beggar at the first sign of human habitation.

At last he discovered a pair of iron gates through the dusk and, assuming an expression of patient suffering calculated to melt a heart of stone, walked up the drive. At the front door he smoothed down his hair (he had lost his cap on the way), pulled up his stockings, and rang the bell. After an interval a stout gentleman in the garb of a butler opened the door and glared ferociously up and down William.

“If you’re the new Boots,” he said majestically, “go round to the back door. If you’re not, go away.”[62]

He then shut the door in William’s face. William, on the top step,[63] considered the question for a few minutes. It was dark and cold, with every prospect of becoming darker and colder. He decided to be the new Boots. He found his way round to the back door and knocked firmly. It was opened by a large woman in a print dress and apron.

“Too tired to bring ’em with you?” she said sarcastically. “All right. Come in!”

William came in gratefully. It was a large, warm, clean kitchen. A small kitchen-maid was peeling potatoes at a sink, and a housemaid in black, with a frilled cap and apron, was powdering her nose before a glass on the wall. They both turned to stare at William.

“’Ere’s the new Boots,” announced Cook, “’is valet’s bringin’ ’is things later.”

The housemaid looked up William from his muddy boots to his untidy hair, then down William from his untidy hair to his muddy boots.

“Imperdent-lookin’ child,” she commented haughtily, returning to her task.[64]

The kitchen-maid giggled and winked at William, with obviously friendly intent. William mentally promised her half a ship-load of nuggets.

“Now, then, Smutty,” said the house-maid with out turning round, “none of your sauce!”

He sat at the table and the cook put a large plate of bread and butter before him.

The kitchen-maid giggled again and gave William another wink. William had given himself up to whole-hearted epicurean enjoying of his bread and butter and took no notice of them. At this moment the butler entered.

“When next you come a-hentering of this ’ouse, my boy,” he said, “kindly remember that the front door is reserved for gentry an’ the back for brats.”

William merely looked at him coldly over a hunk of bread and butter. Mentally he knocked him off the list of nugget-receivers.

“They’re all the same,” he lamented. “Eat,[65] eat, eat. Nothin’ but eat. Eat all day an’ eat all night. ’E’s not bin in the ’ouse two minutes an’ ’e’s at it. Eat! eat! eat! ’E’ll ’ave all the buttons bust off his uniform in a week like wot the larst one ’ad. Like eatin’ better than workin’, don’t you?” he said sarcastically to William.

The kitchen-maid giggled again, and the housemaid gave a sigh expressive of scorn and weariness as she drew a thin pencil over her eyebrows.

“Well, if you’ve quite finished, my lord,” said the butler in ponderous irony, “I’ll show you to your room.”

William indicated that he had quite finished, and was led up to a very small bed-room. Over a chair lay a page’s uniform with the conventional row of brass buttons down the front of the coat.

“Togs,” explained the butler briefly. “Your togs. Fix ’em on quick as you can. There’s company to dinner to-night.”

“You’re smaller than wot the last one was,” said the butler critically. “They ’ang a bit loose. Never mind. With a week or two of stuffin’ you’ll ’ave most probable bust ’em, so it’s as well to ’ang loose first. Now, come on. ’Oo’s bringing over your things?”

“I suppose it is a bit too much to expeck you to carry your own parcels,” went on the butler, “in these ’ere days. Bloomin’ Bolshevist, I speck, aren’t you?”

“This ’ere is where you work, and this ’ere,” pointing to a large kitchen, “is where you live. You ’ave not,” he ended haughtily “the hentry into the servants’ ’all.”

“You might has well begin at once,” went on the butler, “there’s all this lunch’s knives to clean. ’Ere’s a hapron, ’ere’s the knife-board an’ ’ere’s the knife-powder.”

“’E looks,” said the cook gloomily, “the sort of boy we’ll ’ave trouble with.”

“Not much clarse,” said the house-maid, arranging her frilled apron. “It surprises me ’ow any creature like a boy can grow into an experienced, sensible, broad-minded man like you, Mr. Biggs.”

Here the pantry-door opened and William’s face, plentifully adorned with knife-powder came round.

“I’ve done some of the knives,” he said, “shall I be doin’ something else and finish the others afterwards?”

“One or two,” said William vaguely, then with[67] a concession to accuracy, “well, two. But I’m feeling tired of doin’ knives.”

The butler advanced slowly and majestically towards William’s tousled head, which was still craned around the pantry door.

He retired precipitately at a hysterical shriek from the kitchen-maid and a roar of fury from the butler.

“You’d better go an’ do your potatoes in the pantry,” said the cook to the kitchenmaid, “and let’s ’ave a bit of peace in ’ere and see ’e’s doin’ of ’is work all right.”

William was sitting by the table, idly toying with a knife. He had experimented upon the knife powder by mixing it with water, and the little brown pies that were the result lay in a row on the[68] mantelpiece. He had also tasted it, as the dark stains upon his lips testified. His hair was standing straight up on his head as it always did when life was strenuous. He began the conversation.

“I’m a gold-digger,” he said. “I’ve got ship-loads an’ ship-loads of gold. At least, I will have soon. I’m not goin’ to give him,” pointing towards the door, “any, nor any of them in there.”

“Wot about me?” said the kitchenmaid, winking at the cat as the only third person to be let into the joke.

“You,” said William graciously, “shall have a whole lot of nuggets. Look here.” With a princely flourish he took up a knife and cut off three buttons from the middle of his coat and gave them to her. “You keep those and they’ll be kind of tokens. See? When I come home rich you show me the buttons an’ I’ll remember and give you the nuggets. See? I’ll maybe marry you,” he promised, “if I’ve not married anyone else.”

“’E’s loony,” she said. “It’s lovely listening to ’im talkin.’”

Further conversation was prevented by the ringing of the front-door bell and the arrival of the “company.”

Mr. Biggs and the housemaid departed to do the honours. The kitchenmaid ran to help with the dishing up, and William was left sitting on the[69] pantry table, idly making patterns in knife powder with his finger.

“Nothin’—’cept talkin’,” said the kitchenmaid. “’E’s a cure, ’e is,” she added.

“If you’ve finished the knives,” called out the cook, “there’s some boots and shoes on the floor to be done. Brushes an’ blacking on the shelf.”

William arose with alacrity. He thought boots would be more interesting than knives. He carefully concealed the pile of uncleaned knives behind the knife-box and began on the shoes.

“Soup ready?” he said. “The company’s just goin’ into the dining-room—a pal of the master’s. Decent-lookin’ bloke,” he added patronisingly.

William, in his pantry, had covered a brush very thickly with blacking, and was putting it in heavy layers on the boots and shoes. A large part of it adhered to his own hands. The butler looked in at him.

“Bust off,” corrected the butler. “I said so soon as I saw you. I said you’d ’ave eat your buttons bust off in a week. Well, you’ve eat ’em bust off in ten minutes.”

“Eatin’ an’ destroyin’ of ’is clothes,” he said gloomily, returning to the kitchen. “It’s all boys ever do—eatin’ an’ destroyin’ of their clothes.”

He went out with the soup and William was left[71] with the boots. He was getting tired of boots. He’d covered them all thickly with blacking, and he didn’t know what to do next. Then suddenly he remembered his balloon in his pocket upstairs. It might serve to vary the monotony of life. He slipped quietly upstairs for it, and then returned to his boots.

Soon Mr. Biggs and the housemaid returned with the empty soup-plates. Then through the kitchen resounded a high-pitched squeal, dying away slowly and shrilly.

“Lawks!” said the cook, “someone’s atorchurin’ of the poor cat to death. It’ll be that blessed boy.”

The butler advanced manfully and opened the pantry door. William stood holding in one hand an inflated balloon with the cardboard head and legs of a duck.

“If you let off that there thing once more, you little varmint,” he said, “I’ll——”

Threateningly he had advanced his large expanse of countenance very close to William’s. Acting upon a sudden uncontrollable impulse William took up the brush thickly smeared with blacking and pushed back Mr. Biggs’s face with it.

There was a moment’s silence of sheer horror, then Mr. Biggs hurled himself furiously upon William....

“He doesn’t seem to have impressed Biggs very favourably,” she said, “but they never do.”

“The human boy,” said the guest, “is given us as a discipline. I possess one. Though he is my own son, I find it difficult to describe the atmosphere of peace and relief that pervades the house when he is out of it.”

“You probably will, sooner or later,” said the guest gloomily. “Everyone in the neighbourhood meets him sooner or later. He does not hide his light under a bushel. Personally, I prefer people who haven’t met him. They can’t judge me by him.”

“Excuse me,” said the lady as she opened it, “it’s from my sister. ‘I hope,’ she read, ‘that you aren’t inconvenienced much by the non-arrival of the Boots I engaged for you. He’s got “flu.”’ But he’s come,” she said wonderingly.

There came the sound of an angry shout, a distant scream and the clattering of heavy running footsteps ... growing nearer....

“A revolution, I expect,” said the guest wearily. “The Reds are upon us.”

At that moment the door was burst open and in rushed a boy with a blacking brush in one hand and an inflated balloon in the other. He was much dishevelled, with three buttons off the front of his uniform, and his face streaked with knife powder[74] and blacking. Behind him ran a fat butler, his face purple with fury beneath a large smear of blacking. The boy rushed round the table, slipped on the polished floor, clutched desperately at the neck of the guest, bringing both guest and chair down upon the floor beside him. In a sudden silence of utter paralysed horror, guest and boy sat on the floor and stared at each other. Then the boy’s nerveless hand relaxed its hold upon the balloon, which had somehow or other survived the vicissitudes of the flight, and a shrill squeak rang through the silence of the room.

As the guest looked at the boy there appeared on his countenance amazement, then incredulity, and finally frozen horror. As the boy looked at the guest there appeared on his countenance amazement, then incredulity and finally blank dejection.

CHAPTER IV
THE FALL OF THE IDOL

William was bored. He sat at his desk in the sunny schoolroom and gazed dispassionately at a row of figures on the blackboard.

“If the interest on a hundred pounds for one year is five pounds,” she said wearily, then, “William Brown, do sit up and don’t look so stupid!”

William changed his position from that of lolling over one side of his desk to that of lolling over the other, and began to justify himself.

“Well, I can’t unnerstand any of it. It’s enough to make anyone look stupid when he can’t unnerstand any of it. I can’t think why people go on givin’ people bits of money for givin’ ’em lots of money and go on an’ on doin’ it. It dun’t seem sense. Anyone’s a mug for givin’ anyone a hundred pounds just ’cause he says he’ll go on givin’ him five pounds and go on stickin’ to his hundred pounds. How’s he to know he will? Well,” he warmed to his subject, “what’s to stop him not givin’ any five pounds once he’s got hold of the[76] hundred pounds an’ goin’ on stickin’ to the hundred pounds——”

“William,” she said patiently, “just listen to me. Now suppose,” her eyes roved round the room and settled on a small red-haired boy, “suppose that Eric wanted a hundred pounds for something and you lent it to him——”

“I wun’t lend Eric a hundred pounds,” he said firmly, “’cause I ha’n’t got it. I’ve only got 3½d., an’ I wun’t lend that to Eric, ’cause I’m not such a mug, ’cause I lent him my mouth-organ once an’ he bit a bit off an’——”

William scowled, emitted his monosyllable of scornful disdain “Huh!” and relapsed into gloom.

He brightened, however, on remembering a lizard he had caught on the way to school, and drew it from its hiding-place in his pocket. But the lizard had abandoned the unequal struggle for existence among the stones, top, penknife, bits of putty, and other small objects that inhabited William’s pocket. The housing problem had been too much for it.

William in disgust shrouded the remains in blotting paper, and disposed of it in his neighbour’s ink-pot. The neighbour protested and an enlivening scrimmage ensued.

Finally the lizard was dropped down the neck of an inveterate enemy of William’s in the next row, and was extracted only with the help of obliging[77] friends. Threats of vengeance followed, couched in blood-curdling terms, and written on blotting-paper.

Meanwhile Miss Drew explained Simple Practice to a small but earnest coterie of admirers in the front row. And William, in the back row, whiled away the hours for which his father paid the education authorities a substantial sum.

At the end of afternoon school one by one the class departed, leaving William only nonchalantly chewing an india-rubber and glaring at Miss Drew.

She wrote down the figures on a piece of paper, bending low over her desk. The sun poured in through the window, showing the little golden curls in the nape of her neck. She lifted to William eyes that were stern and frowning, but blue as blue above flushed cheeks.

There was a faint perfume about her, and William the devil-may-care pirate and robber-chief, the stern despiser of all things effeminate, felt the first dart of the malicious blind god. He blushed and simpered.

“Yes, I see all about it now,” he assured her. “You’ve explained it all plain now. I cudn’t unnerstand it before. It’s a bit soft—in’t it—anyway, to go lending hundred pounds about just ’cause[78] someone says they’ll give you five pounds next year. Some folks is mugs. But I do unnerstand now. I cudn’t unnerstand it before.”

“You’d have found it simpler if you hadn’t played with dead lizards all[79] the time,” she said wearily, closing her books.

He went home her devoted slave. Certain members of the class always deposited dainty bouquets on her desk in the morning. William was determined to outshine the rest. He went into the garden with a large basket and a pair of scissors the next morning before he set out for school.

It happened that no one was about. He went first to the hothouse. It was a riot of colour. He worked there with a thoroughness and concentration worthy of a nobler cause. He came out staggering beneath a piled-up basket of hothouse blooms. The hothouse itself was bare and desolate.

Hearing a sound in the back garden he hastily decided to delay no longer, but to set out to school at once. He set out as unostentatiously as possible.

Miss Drew, entering her class-room, was aghast to see instead of the usual small array of buttonholes on her desk, a mass of already withering hothouse flowers completely covering her desk and chair.

He changed his seat to one in the front row. All that morning he sat, his eyes fixed on her[80] earnestly, dreaming of moments in which he rescued her from robbers and pirates (here he was somewhat inconsistent with his own favourite rôle of robber-chief and pirate), and bore her fainting in his strong arms to safety. Then she clung to him in love and gratitude, and they were married at once by the Archbishops of Canterbury and York.

William would have no half-measures. They were to be married by the Archbishops of Canterbury and York, or else the Pope. He wasn’t sure that he wouldn’t rather have the Pope. He would wear his black pirate suit with the skull and cross-bones. No, that would not do——

“William!” she snapped. “This isn’t an arithmetic lesson. I’m trying to teach you about the Armada.”

“I’ve been telling you about it. I do wish you’d listen,” she said despairingly.

When he reached home that evening he found that the garden was the scene of excitement and hubbub. One policeman was measuring the panes of glass in the conservatory door, and another was on his knees examining the beds[81] near. His grown-up sister, Ethel, was standing at the front door.

“Every single flower has been stolen from the conservatory some time this morning,” she said excitedly. “We’ve only just been able to get the police. William, did you see any one about when you went to school this morning?”

William pondered deeply. His most guileless and innocent expression came to his face.

That evening he settled down at the library table, spreading out his books around him, a determined frown upon his small face.

“Father,” said William suddenly, “s’pose I came to you an’ said you was to give me a hundred pounds an’ I’d give you five pounds next year an’ so on, would you give it me?”

“Well, I’m tryin’ to write about it and why it failed an’—why did it fail?”[82]

He had almost finished the leading article when William appeared, his arms full of books, and sat down quietly at the table.

“No,” William admitted gently, “I don’t generally take much bother over them, but I’m goin’ to now—’cause Miss Drew”—he blushed slightly and paused—“’cause Miss Drew”—he blushed more deeply and began to stammer, “’c—cause Miss Drew”—he was almost apoplectic.

Mr. Brown quietly gathered up his paper and crept out to the verandah, where his wife sat with the week’s mending.

“William’s gone raving mad in the dining-room,” he said pleasantly, as he sat down. “Takes the form of a wild thirst for knowledge, and a babbling of a Miss Drawing, or Drew, or something. He’s best left alone.”

Mr. Brown had finished one leading article and begun another before William appeared again. He stood in the doorway frowning and stern.

“Good Heavens!” said his father. “Buy him[83] an encyclopedia. Anything, anything. What does he think I am? What——”

“I’d better set apart a special room for his homework,” said Mrs. Brown soothingly, “now that he’s beginning to take such an interest.”

Miss Drew was surprised and touched by William’s earnestness and attention the next day. At the end of the afternoon school he kindly offered to carry her books home for her. He waved aside all protests. He marched home by her side discoursing pleasantly, his small freckled face beaming devotion.

“I like pirates, don’t you, Miss Drew? An’ robbers an’ things like that? Miss Drew, would you like to be married to a robber?”

He was trying to reconcile his old beloved dream of his future estate with the new one of becoming Miss Drew’s husband.

“Well,” he said resignedly, “we’ll jus’ have to go huntin’ wild animals and things. That’ll be all right.”

Then: “Would you rather be married by the Archbishop of York or the Pope?”[84]

She was distinctly amused. She was less amused the next evening. Miss Drew had a male cousin—a very nice-looking male cousin, with whom she often went for walks in the evening. This evening, by chance, they passed William’s house, and William, who was in the garden, threw aside his temporary rôle of pirate and joined them. He trotted happily on the other side of Miss Drew. He entirely monopolised the conversation. The male cousin seemed to encourage him, and this annoyed Miss Drew. He refused to depart in spite of Miss Drew’s strong hints. He had various items of interest to impart, and he imparted them with the air of one assured of an appreciative hearing. He had found a dead rat the day before and given it to his dog, but his dog didn’t like ’em dead and neither did the ole cat, so he’d buried it. Did Miss Drew like all those flowers he’d got her the other day? He was afraid that he cudn’t bring any more like that jus’ yet. Were there pirates now? Well, what would folks do to one if there was one? He din’t see why there shun’t be pirates now. He thought he’d start it, anyway. He’d like to shoot a lion. He was goin’ to one day. He’d shoot a lion an’ a tiger. He’d bring the skin home to Miss Drew, if she liked. He grew recklessly generous. He’d bring home lots of skins of all sorts of animals for Miss Drew.

“Don’t you think you ought to be going home, William?” said Miss Drew coldly.

“Oh, jus’ ornery things. Armadas an’ things. An’ ’bout lending a hundred pounds. That’s a norful soft thing. I unnerstand it,” he added hastily, fearing further explanation, “but it’s soft. My father thinks it is, too, an’ he oughter know. He’s bin abroad lots of times. He’s bin chased by a bull, my father has——”

The shades of night were falling fast when William reached Miss Drew’s house still discoursing volubly. He was drunk with success. He interpreted his idol’s silence as the silence of rapt admiration.

He was passing through the gate with his two companions with the air of one assured of welcome, when Miss Drew shut the gate upon him firmly.

“William, where have you been? I’ve been looking for you everywhere. It’s hours past your bed-time.”

“I don’t think she wanted me to go,” he said with dignity. “I think it wun’t of bin p’lite.”

William found that a new and serious element had entered his life. It was not without its disadvantages. Many had been the little diversions by which William had been wont to while away the hours of instruction. In spite of his devotion to Miss Drew, he missed the old days of care-free exuberance, but he kept his new seat in the front row, and clung to his rôle of earnest student. He was beginning to find also, that a conscientious performance of home lessons limited his activities after school hours, but at present he hugged his chains. Miss Drew, from her seat on the platform, found William’s soulful concentrated gaze somewhat embarrassing, and his questions even more so.

“I’m very fond of syringa,” she was saying. “I’d love to have some.”

“No, I ain’t got no syringa. Please step off my rose-bed, Mister William. No, there ain’t any syringa in this ’ere garding. I dunno for why. Please leave my ’ose pipe alone, Mister William.”

He went round the garden. The gardener had been quite right. There were guelder roses everywhere, but no syringa.[88]

He climbed the fence and surveyed the next garden. There were guelder roses everywhere, but no syringa. It must have been some peculiarity in the soil.

William strolled down the road, scanning the gardens as he went. All had guelder roses. None had syringa.

On a table in the window of a small house at the bottom of the road was a vase of syringa. He did not know who lived there. He entered the garden cautiously. No one was about.

He scrambled in, removing several layers of white paint from the window-sill as he did so. He was determined to have that syringa. He took it dripping from the vase, and was preparing to depart, when the door opened and a fat woman appeared upon the threshold. The scream that she emitted at sight of William curdled the very blood in his veins. She dashed to the window, and William, in self-defence, dodged round the table and out of the door. The back door was open, and William blindly fled by it. The fat woman did not pursue. She was leaning out of the window, and her shrieks rent the air.

William felt cold shivers creeping up and down his spine. He was in a small back garden from which he could see no exit.

William glared round wildly. There was a hen-house in the corner of the garden, and into this he dashed, tearing open the door and plunging through a mass of flying feathers and angry, disturbed hens.

William crouched in a corner of the dark hen-house determinedly clutching his bunch of syringa.

Distant voices were at first all he could hear. Then they came nearer, and he heard the fat lady’s voice loudly declaiming.

“He was quite a small man, but with such an evil face. I just had one glimpse of him as he dashed past me. I’m sure he’d have murdered me if I hadn’t cried for help. Oh, the coward! And a poor defenceless woman! He was standing by the silver table. I disturbed him at his work of crime. I feel so upset. I shan’t sleep for nights. I shall see his evil, murderous face. And a poor unarmed woman!”

“Can you give us no details, madam?” said a man’s voice. “Could you recognise him again?”

“Anywhere!” she said firmly. “Such a criminal face. You’ve no idea how upset I am. I might have been a lifeless corpse now, if I hadn’t had the courage to cry for help.”

“We’re measuring the footprints, madam. You say he went out by the front door?”

“I’m convinced he did. I’m convinced he’s hiding in the bushes by the gate. Such a low face. My nerves are absolutely jarred.”[91]

“We’ll search the bushes again, madam,” said the other voice wearily, “but I expect he has escaped by now.”

“The brute!” said the fat lady. “Oh, the brute! And that face. If I hadn’t had the courage to cry out——”

A white hen appeared in the little doorway, squawked at him angrily, and retired, cackling indignation. Visions of life-long penal servitude or hanging passed before William’s eyes. He’d rather be executed, really. He hoped they’d execute him.

Then he heard the fat lady bidding good-bye to the policeman. Then she came to the back garden evidently with a friend, and continued to pour forth her troubles.

“And he dashed past me, dear. Quite a small man, but with such an evil face.”

A black hen appeared in the little doorway, and with an angry squawk at William, returned to the back garden.

“I think you’re splendid, dear,” said the invisible friend. “How you had the courage.”

“I’d better,” said the fat lady in a plaintive, suffering voice. “I do feel very ... shaken....”

Cautiously, very cautiously, a much-dishevelled William crept from the hen-house and round the[92] side of the house. Here he found a locked side-gate over which he climbed, and very quietly he glided down to the front gate and to the road.

“Where’s William this evening?” said Mrs. Brown. “I do hope he won’t stay out after his bed-time.”

“Oh, I’ve just met him,” said Ethel. “He was going up to his bedroom. He was covered with hen feathers and holding a bunch of syringa.”

The next morning William laid a bunch of syringa upon Miss Drew’s desk. He performed the offering with an air of quiet, manly pride. Miss Drew recoiled.

Then: “But you said ... you said ... you said you were fond of syringa an’ that you’d like to have them.”

That evening he made a bonfire with several choice friends, and played Red Indians in the garden. There was a certain thrill in returning to the old life.

“Hello!” said his father, encountering William creeping on all fours among the bushes. “I thought you did home lessons now?”

“I’m not goin’ to take much bother over ’em now,” said William. “Miss Drew, she can’t talk straight. She dunno what she means.”

“That’s always the trouble with women,” agreed his father. “William says his idol has feet of clay,” he said to his wife, who had approached.

“I dunno as she’s got feet of clay,” said William, the literal. “All I say is she can’t talk straight. I took no end of trouble an’ she dunno what she means. I think her feet’s all right. She walks all right. ’Sides, when they make folks false feet, they make ’em of wood, not clay.”

CHAPTER V
THE SHOW

The Outlaws sat around the old barn, plunged in deep thought. Henry, the oldest member (aged 12¼) had said in a moment of inspiration:

“Let’s think of—sumthin’ else to do—sumthin’ quite fresh from what we’ve ever done before.”

They had engaged in mortal combat with one another, they had cooked strange ingredients over a smoking and reluctant flame with a fine disregard of culinary conventions, they had tracked each other over the country-side with gait and complexions intended to represent those of the aborigines of South America, they had even turned their attention to kidnapping (without any striking success), and these occupations had palled.

In all its activities the Society of Outlaws (comprising four members) aimed at a simple, unostentatious mode of procedure. In their shrinking from the glare of publicity they showed an example of unaffected modesty that many other public societies might profitably emulate. The parents of the members were unaware of the very existence of the society. The ill-timed and tactless interference[95] of parents had nipped in the bud many a cherished plan, and by bitter experience the Outlaws had learnt that secrecy was their only protection. Owing to the rules and restrictions of an unsympathetic world that orders school hours from 9 to 4 their meetings were confined to half-holidays and occasionally Sunday afternoons.

“Let’s shoot things with bows an’ arrows same as real outlaws used to,” he said.

“Oh, anything—birds an’ cats an’ hens an’ things—an’ buy bows an’ arrows. You can buy them in shops.”

“Not like you can get them in shops. They’d shoot crooked or sumthin’ if we made them. They’ve got to be jus’ so to shoot straight. I saw some in Brook’s window, too, jus’ right—jus’ same as real outlaws had.”

“Five shillings—targets for learnin’ on before we begin shootin’ real things an’ all.”

“Five shillings!” breathed Douglas. He might as well have said five pounds. “We’ve not got five shillings. Henry’s not having any money since he broke their drawing-room window an’ Ginger only has 3d. a week an’ has to give collection an’ we’ve not paid for the guinea pig yet, the one that got into Ginger’s sister’s hat an’ she was so mad at, an’——”[96]

“Oh, never mind all that,” said William, scornfully. “We’ll jus’ get five shillings.”

“Well,” uncertainly, “grown-ups can always get money when they want it.”

“Bazaars!” exploded Henry. “Who’d come to a bazaar if we had one? Who would? Jus’ tell me that if you’re so clever! Who’d come to it? Besides, you’ve got to sell things at a bazaar, haven’t you? What’d we sell? We’ve got nothin’ to sell, have we? What’s the good of havin’ a bazaar with nothin’ to sell and no one to buy it? Jus’ tell me that!”

There was a moment’s silence, then Ginger repeated thoughtfully. “Shows!” and Douglas, whose eldest brother was home from college for his vacation, murmured self-consciously, “By Jove!”

“We could do a show,” said Ginger. “Get animals an’ things an’ charge money for lookin’ at them.”

“Anyone would. You’d pay to see animals, wouldn’t you?—real animals. People do at the Zoo, don’t they? Well, we’ll get some animals. That’s easy enough, isn’t it?”

“Well, we’ll have a show an’ get money and buy bows an’ arrows an’ shoot things,” summed up William, “an we’ll arrange the show next week.”

William returned home slowly and thoughtfully. He sat on his bed, his hands in his pockets, his brow drawn into a frown, his thoughts wandering in a dreamland of wonderful “shows” and rare exotic beasts.

Suddenly from the next room came a thin sound that gathered volume till it seemed to fill the house like the roaring of a lion, then died gradually away and was followed by silence. But only for a second. It began again—a small whisper that grew louder and louder, became a raucous bellow, then faded slowly away to rise again after a moment’s silence. In the next room William’s mother’s Aunt Emily was taking her afternoon nap. Aunt Emily had come down a month ago for a week’s visit and had not yet referred to the date of her departure. William’s father was growing anxious. She was a stout, healthy lady, who spent all her time recovering from a slight illness she had had two years ago. Her life held two occupations, and only two. These were eating and sleeping. For William she possessed a subtle but irresistible fascination. Her stature, her appetite, her gloom, added to the fact that she utterly ignored him, attracted him strongly.

The tea bell rang and the sound of the snoring ceased abruptly. This entertainment over, William descended to the dining-room, where his father was addressing his mother with some heat.

“Is she going to stay here for ever, or only for a few years? I’d like to know, because——”[98]

“Slept!” repeated Aunt Emily majestically. “I hardly expect to sleep in my state of health. A little rest is all I can expect.”

“Better?” she repeated again indignantly. “It will be a long time before I’m better.”

She lowered her large, healthy frame into a chair, carefully selected a substantial piece of bread and butter and attacked it with vigour.

“I’m going to the post after tea,” said William’s mother. “Would you care to come with me?”

“You hardly expect me to go out in the evening in my state of health, surely? It’s years since I went out after tea. And I was at the post office this morning. There were a lot of people there, but they served me first. I suppose they saw I looked ill.”

“Though I must say,” went on Aunt Emily, “this place does suit me. I think after a few months here I should be a little stronger. Pass the jam, William.”

The glance that William’s father fixed upon her would have made a stronger woman quail, but Aunt Emily was scraping out the last remnants of jam and did not notice.

“I’m a bit over-tired to-day, I think,” she went[99] on. “I’m so apt to forget how weak I am and then I overdo it. I’m ready for the cake, William. I just sat out in the sun yesterday afternoon and sat a bit too long and over-tired myself. I ought to write letters after tea, but I don’t think I have the strength. Another piece of cake, William. I’ll go upstairs to rest instead, I think. I hope you’ll keep the house quiet. It’s so rarely that I can get a bit of sleep.”

William’s father left the room abruptly. William sat on and watched, with fascinated eyes, the cake disappear, and finally followed the large, portly figure upstairs and sat down in his room to plan the “show” and incidentally listen, with a certain thrilled awe, for the sounds from next door.

The place and time of the “show” presented no little difficulty. To hold it in the old barn would give away to the world the cherished secret of their meeting place. It was William who suggested his bedroom, to be entered, not by way of the front door and staircase, but by the less public way of the garden wall and scullery roof. Ever an optimist, he affirmed that no one would see or hear. The choice of a time was limited to Wednesday afternoon, Saturday afternoon, and Sunday. Sunday at first was ruled out as impossible. But there were difficulties about Wednesday afternoon and Saturday afternoon. On Wednesday afternoon Ginger and Douglas were unwilling and ungraceful pupils at a dancing class. On Saturday afternoon William’s father gardened and would command a view of the garden wall and scullery roof. On these afternoons also Cook and Emma, both of a suspicious turn of mind, would be at large. On[100] Sunday Cook and Emma went out, William’s mother paid a regular weekly visit to an old friend and William’s father spent the afternoon on the sofa, dead to the world.

Moreover, as he pointed out to the Outlaws, the members of the Sunday School could be waylaid and induced to attend the show and they would probably be provided with money for collection. The more William thought over it, the more attractive became the idea of a Sunday afternoon in spite of superficial difficulties; therefore Sunday afternoon was finally chosen.

The day was fortunately a fine one, and William and the other Outlaws were at work early. William had asked his mother, with an expression of meekness and virtue that ought to have warned her of danger, if he might have “jus’ a few friends” in his room for the afternoon. His mother, glad that her husband should be spared his son’s restless company, gave willing permission.

By half-past two the exhibits were ready. In a cage by the window sat a white rat painted in faint alternate stripes of blue and pink. This was Douglas’ contribution, handpainted by himself in water colours. It wore a bewildered expression and occasionally licked its stripes and then obviously wished it hadn’t. Its cage bore a notice printed on cardboard:

Next came a cat belonging to William’s sister, Smuts by name, now[101] imprisoned beneath a basket-chair. At the best of times Smuts was short-tempered, and all its life had cherished a bitter hatred of William. Now, enclosed by its enemy in a prison two feet square, its fury knew no bounds. It tore at the basket work, it flew wildly round and round, scratching, spitting, swearing. Its chair bore the simple and appropriate notice:

William watched it with honest pride and prayed fervently that its indignation would not abate during the afternoon.

Next came a giant composed of Douglas upon Ginger’s back, draped in two sheets tied tightly round Douglas’s neck. This was labelled:

Ginger was already growing restive. His muffled voice was heard from the folds of the sheets informing the other Outlaws that it was a bit thick and he hadn’t known it would be like this or he wouldn’t have done it, and anyway he was going to change with Douglas half time or he’d chuck up the whole thing.

The next exhibit was a black fox fur of William’s mother’s, to which was fortunately attached a head and several feet, and which he had surreptitiously[102] removed from her wardrobe. This had been tied up, stuffed with waste paper and wired by William till it was, in his eyes, remarkably lifelike. As the legs, even with the assistance of wire, refused to support the body and the head would only droop sadly to the ground, it was perforce exhibited in a recumbent attitude. It bore marks of sticky fingers, and of several side slips of the scissors when William was cutting the wire, but on the whole he was justly proud of it. It bore the striking but untruthful legend:—

This was Henry’s fox terrier, generally known as Chips. For Chips the world was very black. Henry’s master mind had scorned his paint box and his water colours. Henry had “borrowed” a blue bag and dabbed it liberally over Chips. Chips had, after the first wild frenzied struggle, offered no resistance. He now sat, a picture of black despair, turning every now and then a melancholy eye upon the still enraged Smuts. But for him cats and joy[103] and life and fighting were no more. He was abject, shamed—a blue dog.

William himself, as showman, was an imposing figure. He was robed in a red dressing-gown of his father’s that trailed on the ground behind him and over whose cords in front he stumbled ungracefully as he walked. He had cut a few strands from the fringe of a rug and glued them to his lips to represent moustaches. They fell in two straight lines over his mouth. On his head was a tinsel crown, once worn by his sister as Fairy Queen.

The show had been widely advertised and all the neighbouring children had been individually canvassed, but under strict orders of secrecy. The threats of what the Outlaws would do if their secret were disclosed had kept many a child awake at night.

“Not a bad show for a penny, I should say. I guess there aren’t many like it, anyway. Do shut up talkin’, Ginger. It’ll spoil it all, if folks hear the giant talking out of his stomach. It’s Douglas that’s got to do the giant’s talking. Anyone could see that. I say, they’re comin’! Look! They’re comin’! Along the wall!”

There was a thin line of children climbing along the wall in single file on all fours. They ascended the scullery roof and approached the window. These were the first arrivals who had called on their way to Sunday School.

“White rat from China, ladies an’ gentlemen, pink an’ blue striped. All rats is pink an’ blue striped in[104]China. This is the only genwin China rat in England—brought over from China special las’ week jus’ for the show. It lives on China bread an’ butter brought over special, too.”

“Wash it!” jeered an unbeliever. “Jus’ wash it an’ let’s see it then.”[105]

“Wash it?” repeated the showman indignantly. “It’s gotter be washed. It’s washed every morning an’ night same as you or me. China rats have gotter be washed or they’d die right off. Washin’ ’em don’t make no difference to their stripes. Anyone knows that that knows anything about China rats, I guess.”

He laughed scornfully and turned to Smuts. Smuts had grown used to the basket chair and was settling down for a nap. William crouched down on all fours, ran his fingers along the basket-work, and, putting his face close to it, gave vent to a malicious howl. Smuts sprang at him, scratching and spitting.

“Wild cat,” said William triumphantly. “Look at it! Kill anyone if it got out! Spring at their throats, it would, an’ scratch their eyes out with its paws an’ bite their necks till its teeth met. If I jus’ moved away that chair it would spring out at you.” They moved hastily away from the chair, “and I bet some of you would be dead pretty quick. It could have anyone’s head right off with bitin’ and scratchin’. Right off—separate from their bodies!”

“Smuts!” he said, giving a surreptitious kick to the chair that infuriated its occupant still more. “I guess there wouldn’t be many of us left in this house if Smuts was like this.”

“A giant,” said William, re-arranging the tinsel crown, which was slightly too big for him. “Real giant. Look at it. As big as two of you put together. How d’you think he gets in at doors and things? Has to have everything made special. Look at him walk. Walk, Ginger.”

Ginger took two steps forward. Douglas clutched his shoulders and murmured anxiously, “By Jove!”

“If you go on talkin’ at me, I’ll drop him. I’m just about sick of it.”

“Anyway it’s a giant,” he went on to his audience. “A jolly fine giant.”

“Well,” he said at last, “giant’s got to have some sort of a face, hasn’t it? Can’t not have a face, can it?”

The Russian Bear, which had often been seen adorning the shoulders of William’s mother and was promptly recognised, was greeted with ribald jeers, but there was no doubt as to the success of the Blue Dog. Chips advanced deprecatingly, blue head drooping, and blue tail between blue legs, making[107]abject apologies for his horrible condition. But Henry had done his work well. They stood around in rapt admiration.

“Blue dog,” said the showman, walking forward proudly and stumbling[108] violently over the cords of the dressing gown. “Blue dog,” he repeated, recovering his balance and removing the tinsel crown from his nose to his brow. “You never saw a blue dog before, did you? No, and you aren’t likely to see one again, neither. It was made blue special for this show. It’s the only blue dog in the world. Folks’ll be comin’ from all over the world to see this blue dog—an’ thrown in in a penny show! If it was in the Zoo you’d have to pay a shilling to see it, I bet. It’s—it’s jus’ luck for you it’s here. I guess the folks at the Zoo wish they’d got it. Tain’t many shows have blue dogs. Brown an’ black an’ white—but not blue. Why, folks pay money jus’ to see shows of ornery dogs—so you’re jus’ lucky to see a blue dog an’ a dead bear from Russia an’ a giant, an’ a wild cat, an’ a China rat for jus’ one penny.”

After each speech William had to remove from his mouth the rug fringe which persisted in obeying the force of gravity rather than William’s idea of what a moustache should be.

“It’s jus’ paint. Henry’s gate’s being painted blue,” said one critic feebly, but on the whole the Outlaws had scored a distinct success in the blue dog.

Then, while they stood in silent admiration round the unhappy animal, came a sound from the next door, a gentle sound like the sighing of the wind through the trees. It rose and fell. It rose again[109] and fell again. It increased in volume with each repetition, till at its height it sounded like a wild animal in pain.

William was slightly uneasy. He was not sure whether this fresh development would add lustre or dishonour to his show.

“Yes,” he said darkly to gain time, “what is it? I guess you’d like to know what it is!”

“Snorin’!” repeated William. “It’s not ornery snorin’, that isn’t. Jus’ listen, that’s all! You couldn’t snore like that, I bet. Huh!”

They listened spellbound to the gentle sound, growing louder and louder till at its loudest it brought rapt smiles to their faces, then ceasing abruptly, then silence. Then again the gentle sound that grew and grew.

William asked Henry in a stage whisper if they oughtn’t to charge extra for listening to it. The audience hastily explained that they weren’t listening, they “jus’ couldn’t help hearin’.”

A second batch of sightseers had arrived and were paying their entrance pennies, but the first batch refused to move. William, emboldened by success, opened the door and they crept out to the landing and listened with ears pressed to the magic door.

Henry now did the honours of showman. William stood, majestic in his glorious apparel, deep in thought. Then to his face came the faint smile that inspiration brings to her votaries. He ordered the audience back into the showroom and shut the door. Then he took off his shoes and softly and[110] with bated breath opened Aunt Emily’s door and peeped within. It was rather a close afternoon, and she lay on her bed on the top of her eiderdown. She had slipped off her dress skirt so as not to crush it, and she lay in her immense stature in a blouse and striped petticoat, while from her open mouth issued the fascinating sounds. In sleep Aunt Emily was not beautiful.

William thoughtfully propped up a cushion in the doorway and stood considering the situation.

In a few minutes the showroom was filled with a silent, expectant crowd. In a corner near the door was a new notice:

William, after administering the oath of silence to a select party in his most impressive manner led them shoeless and on tiptoe to the next room.

They stood in a hushed, delighted group around her bed. The sounds never[111] ceased, never abated. William only allowed them two minutes in the room. They came out reluctantly, paid more money, joined the end of the queue and re-entered. More and more children came to see the show, but the show now consisted solely in Aunt Emily.

The China rat had licked off all its stripes; Smuts was fast asleep; Ginger was sitting down on the seat of a chair and Douglas on the back of it, and Ginger had insisted at last on air and sight and had put his head out where the two sheets joined; the Russian Bear had fallen on to the floor and no one had picked it up; Chips lay in a disconsolate heap, a victim of acute melancholia—and no one cared for any of these things. New-comers passed by them hurriedly and stood shoeless in the queue outside Aunt Emily’s room eagerly awaiting their turn. Those who came out simply went to the end again to wait another turn. Many returned home for more money, for Aunt Emily was 1d. extra and each visit after the first, ½d. The Sunday School bell pealed forth its summons, but no one left the show. The vicar was depressed that evening. The attendance at Sunday School had been the worst on record. And still Aunt Emily slept and snored with a rapt, silent crowd around her. But William could never rest content. He possessed ambition that would have put many of his elders to shame. He cleared the room and re-opened it after a few minutes, during which his clients waited in breathless suspense.

When they re-entered there was a fresh exhibit. William’s keen eye had been searching out each[112] detail of the room. On the table by her bed now stood a glass containing teeth, that William had discovered on the washstand, and a switch of hair and a toothless comb, that William had discovered on the dressing-table. These all bore notices:

Were it not that the slightest noise meant instant expulsion from the show (some of their number had already suffered that bitter fate) there would have been no restraining the audience. As it was, they crept in, silent, expectant, thrilled, to watch and listen for the blissful two minutes. And Aunt Emily never failed them. Still she slept and snored. They borrowed money recklessly from each other. The poor sold their dearest treasures to the rich, and still they came again and again. And still Aunt Emily slept and snored. It would be interesting to know how long this would have gone on, had she not, on the top note of a peal that was a pure delight to her audience, awakened with a start and glanced around her. At first she thought that the cluster of small boys around her was a dream, especially as they turned and fled precipitately at once. Then she sat up and her eye fell upon the table by her bed, the notices, and finally upon the petrified horror-stricken showman. She[113] sprang up and, seizing him by the shoulders, shook him till his teeth chattered, the tinsel crown fell down, encircling ears and nose, and one of his moustaches fell limply at his feet.

“You wicked boy!” she said as she shook him, “you wicked, wicked, wicked boy!”

He escaped from her grasp and fled to the showroom, where, in sheer self-defence, he moved a table and three chairs across the door. The room was empty except for Henry, the blue dog, and the still sleeping Smuts. All that was left of the giant was the crumpled sheets. Douglas had, with an awe-stricken “By Jove!” snatched up his rat as he fled. The last of their clients was seen scrambling along the top of the garden wall on all fours with all possible speed.

He listened apprehensively for angry footsteps descending the stairs and his father’s dread summons, but none came. Aunt Emily could be heard moving about in her room, but that was all. A wild hope came to him that, given a little time, she might forget the incident.

“Four an’ six!” screamed William. “Four an’ six! Jolly good, I should say! An’ it would only have been about two shillings without Aunt Emily, an’ I thought of her, didn’t I? I guess you can all be jolly grateful to me.”

“All right,” said Henry unkindly. “I’m not envying you, am I? You’re welcome to it when she tells your father.”[114]

Then came the opening of the fateful door and heavy steps descending the stairs.

William’s mother had returned from her weekly visit to her friend. She was placing her umbrella in the stand as Aunt Emily, hatted and coated and carrying a bag, descended. William’s father had just awakened from his peaceful Sunday afternoon slumber, and, hearing his wife, had come into the hall.

“Will you be good enough to procure a conveyance?” she said. “After the indignities to which I have been subjected in this house I refuse to remain in it a moment longer.”

Quivering with indignation she gave details of the indignities to which she had been subjected. William’s mother pleaded, apologised, coaxed. William’s father went quietly out to procure a conveyance. When he returned she was still talking in the hall.

“A crowd of vulgar little boys,” she was saying, “and horrible indecent placards all over the room.”

“And me in my state of health,” she said as she followed him. From the cab she gave her parting shot.

“And if this horrible thing hadn’t happened, I might have stayed with you all the winter and perhaps part of the spring.”

“How dreadful!” said his wife, but she avoided meeting his eye. “It’s—it’s disgraceful of William,”[115] she went on with sudden spirit. “You must speak to him.”

“I will,” said his father determinedly. “William!” he shouted sternly from the hall.

Henry moved nearer the window, prepared for instant flight if the voice’s owner should follow it up the stairs.

William slowly removed the barricade and descended the stairs. He had remembered to take off the crown and dressing gown, but his one-sided moustache still hung limply over his mouth.

“Is it true,” he went on, “that you actually took your friends into your aunt’s room without permission and hung vulgar placards around it?”

William glanced up into his father’s face and suddenly took hope. Mr. Brown was no actor.

But it was not quite all. Something hard and round slipped into William’s hand. He ran lightly upstairs.[116]

CHAPTER VI
A QUESTION OF GRAMMAR

It was raining. It had been raining all morning. William was intensely bored with his family.

“That’s not doin’ anything,” William said. “I could sit quietly all day,” he went on aggressively, “if I wanted.”

He went to the drawing-room, where his sister[118] Ethel was knitting a jumper and talking to a friend.

“And I heard her say to him——” she was saying. She broke off with the sigh of a patient martyr as William came in. He sat down and glared at her. She exchanged a glance of resigned exasperation with her friend.

“Shut the door after you when you go out, won’t you, William?” said Ethel equally sweetly.

William at that insult rose with dignity and went to the door. At the door he turned.

“I wun’t stay here now,” he said with slow contempt, “not even if—even if—even if,” he paused to consider the most remote contingency, “not even if you wanted me,” he said at last emphatically.

He went to the library, where his seventeen-year-old brother Robert was showing off his new rifle to a friend.

“You see——” he was saying, then, catching sight of William’s face round the door, “Oh, get out!”

He returned to his mother in the kitchen with a still more jaundiced view of life. It was still raining. His mother was looking at the tradesmen’s books.[119]

William considered that few boys in the whole world were handicapped by more unsympathetic parents than he.

“No, it’s too late,” said Mrs. Brown, raising her head from the butcher’s book and murmuring “ten and elevenpence” to herself.

He returned to the dining-room, where his father was still reading a paper. The sigh with which his father greeted his entrance was not one of relief.

“I haven’t,” said William quickly. “Father, when you’re all away on Saturday, can I have a party?”

“No, of course not,” said his father irritably. “Can’t you do something?”

“The sort of things I want to do they don’t want me to do an’ the sort[121] of things I don’t want to do they want me to do. Mother said to knit. Knit!”

There were some quite interesting things to do outside. In the road there were puddles, and the sensation of walking through a puddle, as every boy knows, is a very pleasant one. The hedges, when shaken, sent quite a shower bath upon the shaker, which also is a pleasant sensation. The ditch was full and there was the thrill of seeing how often one could jump across it without going in. One went in more often than not. It is also fascinating to walk in mud, scraping it along with one’s boots. William’s spirits rose, but he could not shake off the idea of the party. Quite suddenly he wanted to have a party and he wanted to have it on Saturday. His family would be away on Saturday. They were going to spend the day with an aunt. Aunts rarely included William in their invitation.

He spent most of the English Grammar class in school next morning considering it. There was a great deal to be said for a party in the absence of[122] one’s parents and grown-up brother and sister. He’d like to ask George and Ginger and Henry and Douglas and—and—and—heaps of them. He’d like to ask them all. “They” were the whole class—thirty in number.

William sighed. That was the foolish sort of question that schoolmistresses were always asking. They ought to know themselves what they’d just been saying better than anyone. He never knew. Why were they always asking him? He looked blank. Then:

“Was it anythin’ about participles?” He remembered something vaguely about participles, but it mightn’t have been to-day.

“That was ever so long ago, William,” she said. “You’ve not been attending.”

Henry ceased his enthralling occupation of trying to push a fly into his ink-well with his nib and answered mechanically:

“No,” snapped Miss Jones. She found William and the heat (William particularly) rather trying.[123]

“So two ‘nos’ and ‘nots’ mean ‘yes,’ if they’re in the same sentence. If you said ‘There’s not no money in the box’ you mean there is.”

“Then,” he said, “if you say ‘no’ and ‘not’ in the same sentence does it mean ‘yes’?”

Miss Jones was quite touched. “It’s all right, William,” she said, “I’m glad you’re beginning to take an interest in your work.”

“‘No, of course not’ and ‘No, I did not’ and a ‘no’ an’ a ‘not’ mean a ‘yes,’ so he meant ‘yes, of course’ and ‘yes, I did.’”

“My folks is goin’ away to-morrow an’ they said I could have a few fren’s in to tea. Can you come? Tell your mother they said jus’ to come an’ not bother to write.”

He was a born strategist. Not one of his friends’ parents guessed the true state of affairs. When William’s conscience (that curious organ) rose to reproach him, he said to it firmly:

“He said I could. He said ‘Yes, of course.’ He said ‘Yes, I did.’”[124]

He asked them all. He thought that while you are having a party you might as well have a big one. He hinted darkly at unrestrained joy and mirth. They all accepted the invitation.

Cook and Jane had long looked forward to this day. There would be very little to do in the house and as far as William was concerned they hoped for the best.

William was out all the morning. At lunch he was ominously quiet and polite. Jane decided to go with her young man to the pictures.

Cook said she didn’t mind being left, as “that Master William” had gone out and there seemed to be no prospect of his return before tea-time.

About three o’clock the postman came and cook went to the door for the letters. Then she stood gazing down the road as though transfixed.

William had collected his guests en route. He was bringing them joyfully home with him. Clean and starched and prim had they issued from their homes, but they had grown hilarious under William’s benign influence. They had acquired sticks and stones and old tins from the ditches as they came along. They perceived from William’s general attitude towards it that it was no ordinary party.[125] They were a happy crowd. William headed them with a trumpet.

They trooped in at the garden gate. Cook, pale and speechless, watched them. Then her speechlessness departed.

“You’re not coming in here!” she said fiercely. “What’ve you brought all those boys cluttering up the garden?”

“That they’ve not!” she said fiercely. “What your father’d say——”

“He said they could come,” said William. “I asked him an’ he said ‘Yes, of course,’ an’ I asked if he’d said so an’ he said ‘Yes, I did.’ That’s what he said ’cause of English Grammar an’ wot Miss Jones said.”

Cook’s answer was to slam the door in his face and lock it. The thirty guests were slightly disconcerted, but not for long.

“Come on!” shouted William excitedly. “She’s the enemy. Let’s storm her ole castle.”

The guests’ spirits rose. This promised to be infinitely superior to the usual party.

They swarmed round to the back of the house. The enemy had bolted the back door and was fastening all the windows. Purple with fury she shook her fist at William through the drawing-room window. William brandished his piece of stick and blew his trumpet in defiant reply. The army had armed itself with every kind of weapon, including the raspberry-canes whose careful placing was the result of a whole day’s work of William’s father. William decided to climb up to the balcony outside Ethel’s[126] open bedroom window with the help of his noble band. The air was full of their defiant war-whoops. They filled the front garden, trampling on all the rose beds, cheering William as he swarmed up to the balcony, his trumpet between his lips. The enemy appeared at the window and shut it with a bang, and William, startled, dropped down among his followers. They raised a hoarse roar of anger.

The blood of the army was up. No army of thirty strong worthy of its name could ever consent to be worsted by an enemy of one. All the doors and windows were bolted. There was only one thing to be done. And this the general did, encouraged by loyal cheers from his army. “Go it, ole William! Yah! He—oo—o!”

The stone with which William broke the drawing-room window fell upon a small occasional table, scattering Mrs. Brown’s cherished silver far and wide.

William, with the born general’s contempt for the minor devastations of war, enlarged the hole and helped his gallant band through with only a limited number of cuts and scratches. They were drunk with the thrill of battle. They left the garden with its wreck of rose trees and its trampled lawn and crowded through the broken window with imminent danger to life and limb. The enemy was shutting the small window of the coal-cellar, and there William imprisoned her, turning the key with a loud yell of triumph.

It fulfilled the expectations of the guests that[128] it was to be a party unlike any other party. At other parties they played “Hide and Seek”—with smiling but firm mothers and aunts and sisters stationed at intervals with damping effects upon one’s spirits, with “not in the bedrooms, dear,” and “mind the umbrella stand,” and “certainly not in the drawing-room,” and “don’t shout so loud, darling.” But this was Hide and Seek from the realms of perfection. Up the stairs and down the stairs, in all the bedrooms, sliding down the balusters, in and out of the drawing-room, leaving trails of muddy boots and shattered ornaments as they went!

Ginger found a splendid hiding-place in Robert’s bed, where his boots left a perfect impression of their muddy soles in several places. Henry found another in Ethel’s wardrobe, crouching upon her satin evening shoes among her evening dresses. George banged the drawing-room door with such violence that the handle came off in his hand. Douglas became entangled in the dining-room curtain, which yielded to his struggles and descended upon him and an old china bowl upon the sideboard. It was such a party as none of them had dreamed of; it was bliss undiluted. The house was full of shouting and yelling, of running to and fro of small boys mingled with subterranean murmurs of cook’s rage. Cook was uttering horrible imprecations and hurling lumps of coal at the door. She was Irish and longed to return to the fray.

It was William who discovered first that it was tea-time and there was no tea. At first he felt slightly aggrieved. Then he thought of the larder and his spirits rose.[129]

Ginger seized the remnants of a cold ham and picked the bone, George with great gusto drank a whole jar of cream, William and Douglas between them ate a gooseberry pie, Henry ate a whole currant cake. Each foraged for himself. They ate two bowls of cold vegetables, a joint of cold beef, two pots of honey, three dozen oranges, three loaves and two pots of dripping. They experimented upon lard, onions, and raw sausages. They left the larder a place of gaping emptiness. Meanwhile cook’s voice, growing hoarser and hoarser as the result of the inhalation of coal dust and exhalation of imprecations, still arose from the depths and still the door of the coal-cellar shook and rattled.

With a smile of blissful reminiscence upon her face, Jane turned in at the gate. She was totally unprepared for being met by a shower of missiles from upper windows.

A lump of lard hit her on the ear and knocked her hat on to one side. She retreated hastily to the side gate.

A shower of onions, the ham bone, and a few potatoes pursued her into[131] the road. Shouts of triumph rent the air. Then the shouts of triumph died away abruptly. William’s smile also faded away, and his hand, in the act of flinging an onion, dropped. A cab was turning in at the front gate. In the sudden silence that fell upon the party, cook’s hoarse cries for vengeance rose with redoubled force from the coal cellar. William grew pale.

Two hours later a small feminine friend of William’s who had called with a note for his mother, looked up to William’s window and caught sight of William’s untidy head.

“I’m goin’ to bed,” he said, “’cause my father don’t understand ’bout English Grammar, that’s why!”

CHAPTER VII
WILLIAM JOINS THE BAND OF HOPE

“William! you’ve been playing that dreadful game again!” said Mrs. Brown despairingly.

William, his suit covered with dust, his tie under one ear, his face begrimed and his knees cut, looked at her in righteous indignation.

“I haven’t. I haven’t done anything what you said I’d not to. It was ‘Lions an’ Tamers’ what you said I’d not to play. Well, I’ve not played ‘Lions an’ Tamers,’ not since you said I’d not to. I wouldn’t do it—not if thousands of people asked me to, not when you said I’d not to. I——”

“It was ‘Tigers an’ Tamers.’” said William. “It’s a different game altogether. In ‘Lions an’ Tamers’ half of you is lions an’ the other half tamers, an’ the tamers try to tame the lions an’ the lions try not to be tamed. That’s ‘Lions an’ Tamers’. It’s all there is to it. It’s quite a little game.”

“What do you do in ‘Tigers and Tamers’?” said Mrs. Brown suspiciously.[133]

“Well,” he repeated lamely, “in ‘Tigers an’ Tamers’ half of you is tigers—you see—and the other half——”

“It’s exactly the same thing, William,” said Mrs. Brown with sudden spirit.

“I don’t see how you can call it the same thing,” said William doggedly. “You can’t call a lion a tiger, can you? It jus’ isn’t one. They’re in quite different cages in the Zoo. ‘Tigers an’ Tamers’ can’t be ’zactly the same as ‘Lions an’ Tamers.’”

“Well, then,” said Mrs. Brown firmly, “you’re never to play ‘Tigers and Tamers’ either. And now go and wash your face.”

“My face?” he repeated as if he could hardly believe his ears. “My face? I’ve washed it twice to-day. I washed it when I got up an’ I washed it for dinner. You told me to.”

William walked over to the looking-glass and surveyed his reflection with interest. Then he passed his hands lightly over the discoloured surface of his face, stroked his hair back and straightened his tie. This done, he turned hopefully to his mother.

“It’s no good,” she said. “You must wash your face and brush your hair and you’d better change your suit—and stockings. They’re simply covered with dust!”

“I shouldn’t think,” he said bitterly, as he[134] went, “I shouldn’t think there’s many houses where so much washin’ and brushin’ goes on as in this, an’ I’m glad for their sakes.”

He entered. He was transformed. His face and hair shone, he had changed his suit. His air of righteous indignation had not diminished.

“That’s better,” said his mother approvingly. “Now, William, do just sit down here till tea-time. There’s only about ten minutes, and it’s no good your going out. You’ll only get yourself into a mess again if you don’t sit still.”

William glanced round the drawing-room with the air of one goaded beyond bearing.

“What can I do in here? There’s nothing to do, is there? I can’t sit still and not do anything, can I?”

“Oh, read a book. There are ever so many books over there you haven’t read, and I’m sure you’d like some of them. Try one of Scott’s,” she ended rather doubtfully.

William walked across the room with an expression of intense suffering, took out a book at random, and sat down in an attitude of aloof dignity, holding the book upside down.

It was thus that Mrs. de Vere Carter found him when she was announced a moment later.

Mrs. de Vere Carter was a recent addition to the neighbourhood. Before her marriage she had been one of the Randalls of Hertfordshire. Everyone[135] on whom Mrs. de Vere Carter smiled felt intensely flattered. She was tall, and handsome, and gushing, and exquisitely dressed. Her arrival had caused quite a sensation. Everyone agreed that she was “charming.”

On entering Mrs. Brown’s drawing-room, she saw a little boy, dressed[136] very neatly, with a clean face and well-brushed hair, sitting quietly on a low chair in a corner reading a book.

Her little man did not answer, partly because Mrs. de Vere Carter had put a hand on his head and pressed his face against her perfumed, befrilled bosom. His nose narrowly escaped being impaled on the thorn of a large rose that nestled there.

William freed his head with a somewhat brusque movement and she took up his book.

Seeing the expression on William’s face his mother hastily drew her guest aside.

“Do come and sit over here,” she said nervously. “What perfect weather we’re having.”

“You know, I’m frightfully interested in social work,” went on her charming guest, “especially among children. I adore children! Sweet little dear of yours! And I always get on with them.[137] Of course, I get on with most people. My personality, you know! You’ve heard perhaps that I’ve taken over the Band of Hope here, and I’m turning it into such a success. The pets! Yes, three lumps, please. Well, now, it’s here I want you to help me. You will, dear, won’t you? You and your little mannikin. I want to get a different class of children to join the Band of Hope. Such a sweet name, isn’t it? It would do the village children such a lot of good to meet with children of our class.”

Mrs. Brown was flattered. After all, Mrs. de Vere Carter was one of the Randalls.

“For instance,” went on the flute-like tones, “when I came in and saw your little treasure sitting there so sweetly,” she pointed dramatically to the chair that had lately been graced by William’s presence, “I thought to myself, ‘Oh, I must get him to come.’ It’s the refining influence of children in our class that the village children need. What delicious cakes. You will lend him to me, won’t you? We meet once a week, on Wednesday afternoons. May he come? I’ll take great care of him.”

“Er—yes,” she said doubtfully. “But I don’t know that William is really suited to that sort of thing. However——”

“Oh, you can’t put me off!” said Mrs. de Vere Carter shaking a playful bejewelled finger. “Don’t I know him already? I count him one of my dearest little friends. It never takes me long to know children. I’m a born child-lover.”

William happened to be passing through the[138] hall as Mrs. de Vere Carter came out of the drawing-room followed by Mrs. Brown.

“There you are!” she said. “I thought you’d be waiting to say good-bye to me.”

She stretched out her arm with an encircling movement, but William stepped back and stood looking at her with a sinister frown.

“I have so enjoyed seeing you. I hope you’ll come again,” untruthfully stammered Mrs. Brown, moving so as to block out the sight of William’s face, but Mrs de Vere Carter was not to be checked. There are people to whom the expression on a child’s face conveys absolutely nothing. Once more she floated towards William.

At the look of concentrated fury on William’s face, older and stronger people than Mrs. de Vere Carter would have quailed, but she only smiled as, with another virulent glare at her, he turned on his heel and walked away.

“Well,” he said slowly, “I can’t quite visualise William at a Band of Hope meeting; but of course, if you want him to, he must go.”

“You see,” said Mrs. Brown with a worried frown, “she made such a point of it, and she really is very charming, and after all she’s rather influential. She was one of the Randalls, you know. It seems silly to offend her.”

“She was sweet with him. At least—she meant to be sweet,” she corrected herself hastily, “but you know how touchy William is, and you know the name he always hates so. I can never understand why. After all, lots of people are called Willy.”

The morning of the day of the Band of Hope meeting arrived. William came down to breakfast with an agonised expression on his healthy countenance. He sat down on his seat and raised his hand to his brow with a hollow groan.

“Oh, dear! I am sorry. You’d better go and lie down. I’m so sorry, dear.”

“I think I will go an’ lie down,” said William’s plaintive, suffering voice. “I’ll jus’ have breakfast first.”

No, he was no better, but he thought he’d go for a little walk. Yes, he still felt very sick. She suggested a strong dose of salt and water. He might feel better if he’d been actually sick. No,[140] he’d hate to give her the trouble. Besides, it wasn’t that kind of sickness. He was most emphatic on that point. It wasn’t that kind of sickness. He thought a walk would do him good. He felt he’d like a walk.

Well wrapped up and walking with little, unsteady steps, he set off down the drive, followed by his mother’s anxious eyes.

Then he crept back behind the rhododendron bushes next to the wall and climbed in at the larder window.

The cook came agitatedly to Mrs. Brown half an hour later, followed by William, pale and outraged.

“’E’s eat nearly everything, ’m. You never saw such a thing. ’E’s eat the cold ’am and the kidney pie, and ’e’s eat them three cold sausages an’ ’e’s eat all that new jar of lemon cheese.”

“William!” gasped Mrs. Brown, “you can’t have a sick headache, if you’ve eaten all that.”

He spent the rest of the morning with Henry and Douglas and Ginger. William and Henry and Douglas and Ginger constituted a secret society called the Outlaws. It had few aims beyond that of secrecy. William was its acknowledged leader, and he was proud of the honour. If they knew—if they guessed. He grew hot and cold at the thought. Suppose they saw him going—or someone told them—he would never hold up his head again. He made tentative efforts to find out their plans for the afternoon. If only he knew where they’d be—he might avoid them somehow. But he got no satisfaction.[141]

They spent the morning “rabbiting” in a wood with Henry’s fox terrier,[142] Chips, and William’s mongrel, Jumble. None of them saw or heard a rabbit, but Jumble chased a butterfly and a bee, and scratched up a molehill, and was stung by a wasp, and Chips caught a field-mouse, so the time was not wasted.

William’s interest, however, was half-hearted. He was turning over plan after plan in his mind, all of which he finally rejected as impracticable.

He entered the dining-room for lunch rather earlier than usual. Only Robert and Ethel, his elder brother and sister, were there. He came in limping, his mouth set into a straight line of agony, his brows frowning.

“Hello! What’s up?” said Robert, who had not been in at breakfast and had forgotten about the Band of Hope.

“Here, sit down, old chap, and let me feel it,” said Robert sympathetically.

The Band of Hope meeting was to begin at three. His family received with complete indifference his complaint of sudden agonising toothache at half-past two, of acute rheumatism at twenty-five to three, and of a touch of liver (William considered this a heaven-set inspiration. It was responsible for many of his father’s absences[143] from work) at twenty to three. At a quarter to three he was ready in the hall.

“I’m sure you’ll enjoy it, William,” said Mrs. Brown soothingly. “I expect you’ll all play games and have quite a good time.”

Jumble darted ecstatically from the kitchen regions, his mouth covered with gravy, dropping a half-picked bone on the hall carpet as he came.

“Why not?” said William, indignantly. “I don’t see why not. Dogs don’t drink beer, do they? They’ve as much right at a Band of Hope meeting as I have, haven’t they? There seems jus’ nothin’ anyone can do.”

She held Jumble firmly by the collar, and William set off reluctantly down the drive.

“It’s a wonder I’m not dead,” he said bitterly, “the things I have to do!”

He walked slowly—a dejected, dismal figure. At the gate he stopped and glanced cautiously up and down the road. There were three more figures coming down the road, with short intervals between them. They were Henry, Douglas and Ginger.

William’s first instinct was to dart back and[144] wait till they had passed. Then something about their figures struck him. They also had a dejected, dismal, hang-dog look. He waited for the first one, Henry. Henry gave him a shamefaced glance and was going to pass him by.

He was surprised to see Ginger and Douglas behind him and Ginger was surprised to see Douglas behind him. They walked together sheepishly in a depressed silence to the Village Hall. Once Ginger raised a hand to his throat.

“An’ me,” said William with a hoarse, mirthless laugh. “Cruel sorter thing, sendin’ us all out ill like this.”

At the door of the Village Hall they halted, and William looked longingly towards the field.

Within sat a handful of gloomy children who, inspired solely by hopes of the annual treat, were regular attendants at the meeting.

Mrs. de Vere Carter came sailing down to them, her frills and scarfs floating around her, bringing with her a strong smell of perfume.

“Dear children,” she said, “welcome to our little gathering. These,” she addressed the regular[145] members, who turned gloomy eyes upon the Outlaws, “these are our dear new friends. We must make them so happy. Dear children!”

She led them to seats in the front row, and taking her stand in front of them, addressed the meeting.

“Now, girlies dear and laddies dear, what do I expect you to be at these meetings?”

“That’s it, children dear. Respectful and reposeful. Now, our little new friends, what do I expect you to be?”

“You’re such shy darlings, aren’t you?” she said, stretching out an arm.

William retreated hastily, and Ginger’s face was pressed hard against a diamond brooch.

“You won’t be shy with us long, I’m sure. We’re so happy here. Happy and good. Now, children dear, what is it we must be?”

“That’s it. Now, darlings, in the front row, you tell me. Willy, pet, you begin. What is it we must be?”

At that moment William was nearer committing murder than at any other time in his life. He caught a gleam in Henry’s eye. Henry would remember. William choked but made no answer.[146]

“Now, we’ll begin with one of our dear little songs. Give out the books.” She seated herself at the piano. “Number five, ‘Sparkling Water.’ Collect your thoughts, children dear. Are you ready?”

The Outlaws, though provided with books, did not join in. They had no objection to water as a beverage. They merely objected to singing about it.

“Now, we’ll play one of our games, children dear. You can begin by yourselves, can’t you, darlings? I’ll just go across the field and see why little Teddy Wheeler hasn’t come. He must be regular, mustn’t he, laddies dear? Now, what game shall we play. We had ‘Puss in the Corner’ last week, hadn’t we? We’ll have ‘Here we go round the mulberry-bush’ this week, shall we? No, not ‘Blind Man’s Buff,’ darling. It’s a horrid, rough game. Now, while I’m gone, see if you can make these four shy darlings more at home, will you? And play quietly. Now before I go tell me four things that you must be?”

“Respectful and reposeful and happy and good, Mrs. de Vere Carter,” came the chant.[147]

She was away about a quarter of an hour. When she returned the game was[148] in full swing, but it was not “Here we go round the mulberry-bush.” There was a screaming, struggling crowd of children in the Village Hall. Benches were overturned and several chairs broken. With yells and whoops, and blows and struggles, the Tamers tried to tame; with growls and snarls and bites and struggles the animals tried not to be tamed. Gone was all listlessness and all boredom. And William, his tie hanging in shreds, his coat torn, his head cut, and his voice hoarse, led the fray as a Tamer.

“Respectful and reposeful,” “happy and good,” “laddies dear,” and “Willy” floated unheeded over the tide of battle.

Then somebody (reports afterwards differed as to who it was) rushed out of the door into the field and there the battle was fought to a finish. From there the Band of Hope (undismissed) reluctantly separated to its various homes, battered and bruised, but blissfully happy.

“I’ve not,” said William quickly, looking at her[149] out of a fast-closing eye, “I’ve not been playing at either of them—not those what you said I’d not to.”

“It was—it was—‘Tamers an’ Crocerdiles,’ an’ we played it at the Band of Hope!”

CHAPTER VIII
THE OUTLAWS

It was a half-holiday and William was in his bedroom making careful preparations for the afternoon. On the mantel-piece stood in readiness half a cake (the result of a successful raid on the larder) and a bottle of licorice water. This beverage was made by shaking up a piece of licorice in water. It was much patronised by the band of Outlaws to which William belonged and which met secretly every half-holiday in a disused barn about a quarter of a mile from William’s house.

So far the Outlaws had limited their activities to wrestling matches, adventure seeking, and culinary operations. The week before, they had cooked two sausages which William had taken from the larder on cook’s night out and had conveyed to the barn beneath his shirt and next his skin. Perhaps “cooked” is too euphemistic a term. To be quite accurate, they had held the sausages over a smoking fire till completely blackened, and then consumed the charred remains with the utmost relish.

William put the bottle of licorice water in one pocket and the half cake in another and was preparing[151] to leave the house in his usual stealthy fashion—through the bathroom window, down the scullery roof, and down the water-pipe hand over hand to the back garden. Even when unencumbered by the presence of a purloined half cake, William infinitely preferred this mode of exit to the simpler one of walking out of the front-door. As he came out on to the landing, however, he heard the sound of the opening and shutting of the hall door and of exuberant greetings in the hall.

“Oh! I’m so glad you’ve come, dear. And is this the baby! The duck! Well, den, how’s ’oo, den? Go—o—oo.”

“Oh, crumbs!” said William and retreated hastily. He sat down on his bed to wait till the coast was clear. Soon came the sound of footsteps ascending the stairs.

“Oh, William,” said his mother, as she entered his room, “Mrs. Butler’s come with her baby to spend the afternoon, and we’d arranged to go out till tea-time with the baby, but she’s got such a headache, I’m insisting on her lying down for the afternoon in the drawing-room. But she’s so worried about the baby not getting out this nice afternoon.”

“Well, cook’s out and Emma has to get the tea and answer the door, and Ethel’s away, and I told Mrs. Butler I was sure you wouldn’t mind taking the baby out for a bit in the perambulator!”

William stared at her, speechless. The Medusa’s classic expression of horror was as nothing to William’s[152] at that moment. Then he moistened his lips and spoke in a hoarse voice.

“Well, dear,” said his mother deprecatingly, “I know it’s your half holiday, but you’d be out of doors getting the fresh air, which is the great thing. It’s a nice baby and a nice pram and not heavy to push, and Mrs. Butler would be so grateful to you.”

“Yes, I should think she’d be that,” said William bitterly. “She’d have a right to be that if I took the baby out in a pram.”

“Now, William, I’m sure you’d like to help, and I’m sure you wouldn’t like your father to hear that you wouldn’t even do a little thing like that for poor Mrs. Butler. And she’s got such a headache.”

“A little thing like that!” repeated William out of the bitterness of his soul.

But the Fates were closing round him. He was aware that he would know no peace till he had done the horrible thing demanded of him. Sorrowfully and reluctantly he bowed to the inevitable.

He heard them fussing over the baby in the hall. Then he heard his elder brother’s voice.

“You surely don’t mean to say, mother,” Robert was saying with the crushing superiority of eighteen, “that you’re going to trust that child to—William.”

“Well,” said William’s mother, “someone has to take him out. It’s such a lovely afternoon.[153] I’m sure it’s very kind of William, on his half-holiday, too. And she’s got such a headache.”

“Well, of course,” said Robert in the voice of one who washes his hands of all further responsibility, “you know William as well as I do.”

“Oh, dear!” sighed William’s mother. “And everything so nicely settled, Robert, and you must come and find fault with it all. If you don’t want William to take him out, will you take him out yourself?”

Robert retreated hastily to the dining-room and continued the conversation from a distance.

“I don’t want to take him out myself—thanks very much, all the same! All I say is—you know William as well as I do. I’m not finding fault with anything. I simply am stating a fact.”

“Here he is, dear, all ready for you, and you needn’t go far away—just up and down the road, if you like, but stay out till tea-time. He’s a dear little baby, isn’t he? And isn’t it a nice Willy-Billy den, to take it out a nice ta-ta, while it’s mummy goes bye-byes, den?”

He pushed the pram down to the end of the road and round the corner. In comparison with William’s feelings, the feelings of some of the early martyrs must have been pure bliss. A nice way for an Outlaw to spend the afternoon! He dreaded to meet any of his brother-outlaws, yet, irresistibly and as a magnet, their meeting-place attracted him. He wheeled the pram off the road and down the country lane towards the field which held their sacred barn. He stopped at the stile[154] that led into the field and gazed wistfully across to the barn in the distance. The infant sat and sucked its thumb and stared at him. Finally it began to converse.

Annoyed at the prolonged halt, it seized its pram cover, pulled it off its hooks, and threw it into the road. While William was picking it up, it threw the pillow on to his head. Then it chuckled. William began to conceive an active dislike of it. Suddenly the Great Idea came to him. His face cleared. He took a piece of string from his pocket and tied the pram carefully to the railings. Then, lifting the baby cautiously and gingerly out, he climbed the stile with it and set off across the fields towards the barn. He held the baby to his chest with both arms clasped tightly round its waist. Its feet dangled in the air. It occupied the time by kicking William in the stomach, pulling his hair, and putting its fingers in his eyes.

“It beats me,” panted William to himself, “what people see in babies! Scratchin’ an’ kickin’ and blindin’ folks and pullin’ their hair all out!”

“It’s a kidnap,” said William, triumphantly. “We’ll get a ransom on it.”

They gazed at him in awed admiration. This was surely the cream of outlawry. He set the[155] infant on the ground, where it toddled for a few steps and sat down suddenly and violently. It then stared fixedly at the tallest boy present and smiled seraphically.

Douglas, the tallest boy, grinned sheepishly. “It thinks I’m its father,” he explained complacently to the company.

“Well,” said Henry, who was William’s rival for the leadership of the Outlaws, “What do we do first? That’s the question.”

“In books,” said the outlaw called Ginger, “they write a note to its people and say they want a ransom.”

“Well, it’s not much sense holdin’ somethin’ up to ransom and not tellin’ the folks that they’ve got to pay nor nothin’, is it?” said Ginger with the final air of a man whose logic is unassailable.

“N——oo,” said William. “But——” with a gleam of hope—“who’s got a paper and pencil? I’m simply statin’ a fact. Who’s got a paper and pencil?”

“Oh, yes!” went on William in triumph. “Go on! Write a note. Write a note without paper and pencil, and we’ll all watch. Huh!”

“Well,” said Ginger sulkily, “I don’t s’pose they had paper and pencils in outlaw days. They weren’t invented. They wrote on—on—on leaves or something,” he ended vaguely.

“Well, go on. Write on leaves,” said William still more triumphant. “We’re not stoppin’ you[156] are we? I’m simply statin’ a fact. Write on leaves.”

They were interrupted by a yell of pain from Douglas. Flattered by the parental relations so promptly established by the baby, he had ventured to make its further acquaintance. With vague memories of his mother’s treatment of infants, he had inserted a finger in its mouth. The infant happened to possess four front teeth, two upper and two lower, and they closed like a vice upon Douglas’ finger. He was now examining the marks.

“Look! Right deep down! See it? Wotcher think of that! Nearly to the bone! Pretty savage baby you’ve brought along,” he said to William.

“I jolly well know that,” said William feelingly. “It’s your own fault for touching it. It’s all right if you leave it alone. Just don’t touch it, that’s all. Anyway, it’s mine, and I never said you could go fooling about with it, did I? It wouldn’t bite me, I bet!”

“Someone can go and tell its people and bring back the ransom,” suggested Ginger.

There was a short silence. Then Douglas took his injured finger from his mouth and asked pertinently:

“Well, what’s anyone else goin’ to do, I’d like to know? Go round to every house in this old place and ask if they’ve had a baby taken off[157] them and if they’d pay a ransom for it back? That’s sense, isn’t it? You know where you got it from, don’t you, and you can go and get its ransom.”

“I can, but I’m not goin’ to,” said William finally. “I’m simply statin’ a fact. I’m not goin’ to. And if anyone says I daren’t,” (glancing round pugnaciously) “I’ll fight ’em for it.”

No one said he daren’t. The fact was too patent to need stating. Henry hastily changed the subject.

William produced his licorice water and half cake, Douglas two slices of raw ham and a dog biscuit, Ginger some popcorn and some cold boiled potatoes wrapped up in newspaper, Henry a cold apple dumpling and a small bottle of paraffin-oil.

“I knew the wood would be wet after the rain. It’s to make the fire burn. That’s sense, isn’t it?”

“We can cook up the potatoes and the dumpling. They don’t look half enough cooked. Let’s put them on the floor here, and go out for adventures first. All different ways and back in a quarter of an hour.”

The Outlaws generally spent part of the afternoon dispersed in search of adventure. So far they had wooed the Goddess of Danger chiefly by trespassing on the ground of irascible farmers in hopes of a chase which were generally fulfilled.

They deposited their store on the ground in a[158] corner of the barn, and with a glance at the “kidnap,” who was seated happily upon the floor engaged in chewing its hat-strings, they went out, carefully closing the door.

After a quarter of an hour Ginger and William arrived at the door simultaneously from opposite directions.

They opened the door and went in. The infant was sitting on the floor among the stores, or rather among what was left of the stores. There was paraffin-oil on its hair, face, arms, frock and feet. It was drenched in paraffin-oil. The empty bottle and its hat lay by its side. Mingled with the paraffin-oil all over its person was cold boiled potato. It was holding the apple-dumpling in its hand.

“Ball!” it announced ecstatically from behind its mask of potato and paraffin-oil.

They stood in silence for a minute. Then, “Who’s going to make that fire burn now?” said Ginger, glaring at the empty bottle.

“Yes,” said William slowly, “an’ who’s goin’ to take that baby home? I’m simply statin’ a fact. Who’s goin’ to take that baby home?”

There was no doubt that when William condescended to adopt a phrase from any of his family’s vocabularies, he considerably overworked it.

“No, it’s not,” said William. “But that’s[159] the sort of thing folks never see. Anyway, I’m goin’ to wash its face.”

William took out his grimy handkerchief and advanced upon his prey. His bottle of licorice water was lying untouched in the corner. He took out the cork.

“It’s made of water—clean water—I made it myself, so I bet I ought to know, oughtn’t I? That’s what folks wash in, isn’t it?—clean water?”

“Yes,” bitterly, “and what are we goin’ to drink, I’d like to know? You’d think that baby had got enough of our stuff—our potatoes and our apple-dumpling, an’ our oil—without you goin’ an’ givin’ it our licorice water as well.”

William was passing his handkerchief, moistened with licorice water, over the surface of the baby’s face. The baby had caught a corner of it firmly between its teeth and refused to release it.

“If you’d got to take this baby home like this,” he said, “you wouldn’t be thinking much about drinking licorice water. I’m simply statin’——”

“Oh, shut up saying that!” said Ginger in sudden exasperation. “I’m sick of it.”

At that moment the door was flung open and in walked slowly a large cow closely followed by Henry and Douglas.

Henry’s face was one triumphant beam. He felt that his prestige, eclipsed by William’s kidnapping coup, was restored.

“I’ve brought a cow,” he announced, “fetched[160] it all the way from Farmer Litton’s field—five fields off, too, an’ it took some fetching, too.”

“What for! You’ve not read much about outlaws, I guess. They always drove in cattle from the surroundin’ districks.”

“Well, what for?” said William again, giving a tug at his handkerchief, which the infant still refused to release.

“Well, go on,” said William. “Kill it an’ roast it. We’re not stoppin’ you, are we? Kill it an’ roast it—an’ get hung for murder. I s’pose it’s murder to kill cows same as it is to kill people—’cept for butchers.”

The cow advanced slowly and deprecatingly towards the “kidnap,” who promptly dropped the handkerchief and beamed with joy.

“Feast!” echoed Ginger bitterly. “Feast! Not much feast left! That baby William brought’s used all the paraffin-oil and potatoes, and it’s squashed the apple-dumpling, and William’s washed its face in the licorice water.”

“Yes—it looks like as if someone had washed it in licorice water—and as if it had used up all the[161] oil and potatoes. It doesn’t look like as if it would fetch much ransom. You seem to have pretty well mucked it up.”

“Oh, shut up about the baby,” said William picking up his damp and now prune-coloured handkerchief. “I’m just about sick of it. Come on with the fire.”

They made a little pile of twigs in the field and began the process of lighting it.

“I hope that cow won’t hurt the ‘kidnap,’” said Douglas suddenly. “Go and see, William; it’s your kidnap.”

“Well, an’ it’s Henry’s cow, and I’m sorry for that cow if it tries playin’ tricks on that baby.”

But he rose from his knees reluctantly, and threw open the barn door. The cow and the baby were still gazing admiringly at each other. From the cow’s mouth at the end of a long, sodden ribbon, hung the chewed remains of the baby’s hat. The baby was holding up the dog biscuit and crowed delightfully as the cow bent down its head and cautiously and gingerly smelt it. As William entered, the cow turned round and switched its tail against the baby’s head. At the piercing howl that followed, the whole band of outlaws entered the barn.

“It’s Henry’s cow,” said William despairingly. “It hit it. Oh, go on, shut up! Do shut up.”

“You brought it,” said Henry accusingly, raising his voice to be heard above the baby’s fury and indignation. “Can’t you stop it? Not much[162] sense taking babies about if you don’t know how to stop ’em crying!”

He took up the half cake from the remains of the stores and held it out tentatively to the baby. The baby stopped crying suddenly.

“Keeps on thinking I’m its father,” he said with conscious superiority. “Here, like some cake?”

“It’s eating it,” cried Douglas in shrill excitement. After thoroughly masticating it, however, the baby repented of its condescension and ejected the mouthful in several instalments.

They left the barn and returned to the scene of the fire-lighting. The cow, still swinging the remains of the baby’s hat from its mouth, was standing with its front feet firmly planted on the remains of what had been a promising fire.

“Look!” cried William, in undisguised pleasure. “Look at Henry’s cow! Pretty nice sort of cow you’ve brought, Henry. Not much sense taking cows about if you can’t stop them puttin’ folks’ fires out.”

After a heated argument, the Outlaws turned[164] their attention to the cow. The cow refused to be “shoo’d off.” It simply stood immovable and stared them out. Ginger approached cautiously and gave it a little push. It switched its tail into his eye and continued to munch the baby’s hat-string. Upon William’s approaching it lowered its head, and William retreated hastily. At last they set off to collect some fresh wood and light a fresh fire. Soon they were blissfully consuming two blackened slices of ham, the popcorn, and what was left of the cake.

After the “feast,” Ginger and William, as Wild Indians, attacked the barn, which was defended by Douglas and Henry. The “kidnap” crawled round inside on all fours, picking up any treasures it might come across en route and testing their effect on its palate.

Occasionally it carried on a conversation with its defenders, bringing with it a strong perfume of paraffin oil as it approached.

“Blab—blab—blab—blab—blub—blub—Dad—dad—dad—dad—dad. Go—o—o—o.”

“I couldn’t put any feelin’,” he explained, “into fightin’ for that baby.”

When they finally decided to set off homewards, William gazed hopelessly at his charge. Its appearance defies description. For many years afterwards William associated babies in his mind with paraffin-oil and potato.

“Just help me get the potato out of its hair,” he pleaded; “never mind the oil and the rest of it.”[165]

“My hat! doesn’t it smell funny!—and doesn’t it look funny—all oil and[166] potato and bits of cake!” said Ginger.

The cow followed them down to the stile and watched them sardonically as they climbed it.

William looked wildly round for the pram, but—the pram was gone—only the piece of string dangled from the railings.

“Crumbs!” said William, “Talk about bad luck! I’m simply statin’ a fact. Talk about bad luck!”

At that minute the pram appeared, charging down the hill at full speed with a cargo of small boys. At the bottom of the hill it overturned into a ditch accompanied by its cargo. To judge from its appearance, it had passed the afternoon performing the operation.

“That’s my pram!” said William to the cargo, as it emerged, joyfully, from the ditch.

“Come on! We’ll fight for it,” said Ginger, rolling up his sleeves in a businesslike manner. The other Outlaws followed his example. The pram’s cargo eyed them appraisingly.

Douglas placed the baby in its seat and William thoughtfully put up the hood to shield his charge as far as possible from the curious gaze of the passers-by. His charge was now chewing the pram cover and[167] talking excitedly to itself. With a “heart steeled for any fate” William turned the corner into his own road. The baby’s mother was standing at his gate.

“There you are!” she called. “I was getting quite anxious. Thank you so much, dear.”

CHAPTER IX
WILLIAM AND WHITE SATIN

“I’d simply love to have a page,” murmured Miss Grant wistfully. “A wedding seems so—second-rate without a page.”

Mrs. Brown, her aunt and hostess, looked across the tea-table at her younger son, who was devouring iced cake with that disregard for consequences which is the mark of youth.

“There’s William,” she said doubtfully. Then, “You’ve had quite enough cake, William.”

Miss Grant studied William’s countenance, which at that moment expressed intense virtue persecuted beyond all bearing.

“Enough!” he repeated. “I’ve had hardly any yet. I was only jus’ beginning to have some when you looked at me. It’s a plain cake. It won’t do me any harm. I wu’nt eat it if it’d do me any harm. Sugar’s good for you. Animals eat it to keep healthy. Horses eat it an’ it don’t do ’em any harm, an’ poll parrots an’ things eat it an’ it don’t do ’em any——”

“He’s got such a—modern face!” she said. “There’s something essentially mediæval and romantic about the idea of a page.”

“Well,”—Miss Grant’s intellectual face lit up—“what about his cousin Dorita. They’re about the same age, aren’t they? Both eleven. Well, the two of them in white satin with bunches of holly. Don’t you think? Would you mind having her to stay for the ceremony?” (Miss Grant always referred to her wedding as “the ceremony.”) “If you don’t have his hair cut for a bit, he mightn’t look so bad?”

William had retired to the garden with his three bosom friends—Ginger, Henry, and Douglas—where he was playing his latest game of mountaineering. A plank had been placed against the garden wall, and up this scrambled the three, roped together and wearing feathers in their caps. William was wearing an old golf cap of his mother’s, and mentally pictured himself as an impressive and heroic figure. Before they reached the top they invariably lost their foothold, rolled down the plank and fell in a confused and bruised heap at the bottom. The bruises in no way detracted from the charm of the game. To William the fascination of any game consisted mainly in the danger to life[170] and limb involved. The game had been suggested by an old alpenstock which had been thoughtlessly presented to William by a friend of Mr. Brown’s. The paint of the staircase and upstairs corridor had been completely ruined before the family knew of the gift, and the alpenstock had been confiscated for a week, then restored on the condition that it was not to be brought into the house. The result was the game of mountaineering up the plank. They carried the alpenstock in turns, but William had two turns running to mark the fact that he was its proud possessor.

Mrs. Brown approached William on the subject of his prospective rôle of page with a certain apprehension. The normal attitude of William’s family towards William was one of apprehension.

“I’d go as a Red Injun, or I’d go as a Pirate,” he said firmly, “but I wu’nt go as anything else.”

“A page,” said Miss Grant’s clear, melodious voice, “is a mediæval and romantic idea, William. There’s the glamour of chivalry about it that should appeal strongly to a boy of your age.”

“I’ve got a pair of lovely white silk stockings,” said his mother.[172] “They’d do for tights, and Ethel has got a satin petticoat that’s just beginning to go in one place. I should think we could make some sort of costume from that, don’t you? We’ll buy some more white satin and get some patterns.”

“No, I won’t wear Ethel’s ole clothes,” said William smouldering. “You all jus’ want to make me look ridiclus. You don’t care how ridiclus I look. I shall be ridiclus all the rest of my life goin’ about in Ethel’s ole clothes. I jus’ won’t do it. I jus’ won’t go to any ole weddin’. No, I don’t want to see Cousin Sybil married, an’ I jus’ won’t be made look ridiclus in Ethel’s ole clothes.”

They reasoned and coaxed and threatened, but in vain. Finally William yielded to parental authority and went about his world with an air of a martyr doomed to the stake. Even the game of mountaineering had lost its charm and the alpenstock lay neglected against the garden wall. The attitude of his select circle of friends was not encouraging.

“Yah! Page! Who’s goin’ to be a page? Oh, crumbs. A page all dressed up in white. Dear little Willie. Won’t he look swe-e-e-et?”

Life became very full. It was passed chiefly in the avenging of insults. William cherished a secret hope that the result of this would be to leave him disfigured for life and so unable to attend the wedding. However, except for a large lump on his forehead, he was none the worse. He eyed the lump thoughtfully in his looking-glass and decided that with a little encouragement it might[173] render his public appearance in an affair of romance an impossibility. But the pain which resulted from one heroic effort at banging it against the wall caused him to abandon the plan.

Dorita arrived the next week, and with her her small brother, Michael, aged three. Dorita was slim and graceful, with a pale little oval face and dark curling hair.

“Well, my little maid of honour?” she said in her flute-like tones. “Welcome! We’re going to be such friends—you and me and William—the bride” (she blushed and bridled becomingly) “and her little page and her little maid of honour. William’s a boy, and he’s just a leetle bit thoughtless and doesn’t realise the romance of it all. I’m sure you will. I see it in your dear little face. We’ll have some lovely talks together.” Her eyes fell upon Michael and narrowed suddenly. “He’d look sweet, too, in white satin, wouldn’t he?” turning to Mrs. Brown. “He could walk between them.... We could buy some more white satin....”

When they had gone the maid of honour turned dark, long-lashed, demure eyes upon William.

“Soft mug, that,” she said in clear refined tones, nodding in the direction of the door through which the tall figure of Miss Grant had just disappeared.

“Are you keen on this piffling wedding affair?” she went on carelessly, “’cause I jolly well tell you I’m not.”

William felt that he had found a kindred spirit. He unbent so far as to take her to the stable and[174] show her a field-mouse he had caught and was keeping in a cardboard box.

“I’m teachin’ it to dance,” he confided, “an’ it oughter fetch a jolly lot of money when it can dance proper. Dancin’ mice do, you know. They show ’em on the stage, and people on the stage get pounds an’ pounds every night, so I bet mice do, too—at least the folks the mice belong to what dance on the stage. I’m teachin’ it to dance by holdin’ a biscuit over its head and movin’ it about. It bit me twice yesterday.” He proudly displayed his mutilated finger. “I only caught it yesterday. It oughter learn all right to-day,” he added hopefully.

Her intense disappointment, when the only trace of the field-mouse that could be found was the cardboard box with a hole gnawed at one corner, drew William’s heart to her still more.

He avoided Henry, Douglas and Ginger. Henry, Douglas and Ginger had sworn to be at the church door to watch William descend from the carriage in the glory of his white satin apparel, and William felt that friendship could not stand the strain.

He sat with Dorita on the cold and perilous perch of the garden wall and discussed Cousin Sybil and the wedding. Dorita’s language delighted and fascinated William.

“She’s a soppy old luny,” she would remark sweetly, shaking her dark curls. “The soppiest old luny you’d see in any old place on this old earth, you betcher life! She’s made of sop. I wouldn’t be found dead in a ditch with her—wouldn’t touch her with the butt-end of a bargepole. She’s an assified cow, she is. Humph!”[175]

“Those children are a leetle disappointing as regards character—to a[176] child lover like myself,” confided Miss Grant to her intellectual fiancé. “I’ve tried to sound their depths, but there are no depths to sound. There is none of the mystery, the glamour, the ‘clouds of glory’ about them. They are so—so material.”

The day of the ordeal drew nearer and nearer, and William’s spirits sank lower and lower. His life seemed to stretch before him—youth, manhood, and old age—dreary and desolate, filled only with humiliation and shame. His prestige and reputation would be blasted for ever. He would no longer be William—the Red Indian, the pirate, the daredevil. He would simply be the Boy Who Went to a Wedding Dressed in White Satin. Evidently there would be a surging crowd of small boys at the church door. Every boy for miles round who knew William even by sight had volunteered the information that he would be there. William was to ride with Dorita and Michael in the bride’s carriage. In imagination he already descended from the carriage and heard the chorus of jeers. His cheeks grew hot at the thought. His life for years afterwards would consist solely in the avenging of insults. He followed the figure of the blushing bride-to-be with a baleful glare. In his worst moments he contemplated murder. The violence of his outburst when his mother mildly suggested a wedding present to the bride from her page and maid of honour horrified her.

“I’m bein’ made look ridiclus all the rest of my life,” he ended. “I’m not givin’ her no present. I know what I’d like to give her,” he added darkly.[177]

The day of the wedding dawned coldly bright and sunny. William’s expressions of agony and complaints of various startling symptoms of serious illnesses were ignored by his experienced family circle.

Michael was dressed first of the three in his minute white satin suit and sent down into the morning-room to play quietly. Then an unwilling William was captured from the darkest recess of the stable and dragged pale and protesting to the slaughter.

“Yes, an’ I’ll die pretty soon, prob’ly,” he said pathetically, “and then p’r’aps you’ll be a bit sorry, an’ I shan’t care.”

In Michael there survived two of the instincts of primitive man, the instinct of foraging for food and that of concealing it from his enemies when found. Earlier in the day he had paid a visit to the kitchen and found it empty. Upon the table lay a pound of butter and a large bag of oranges. These he had promptly confiscated and, with a fear of interruption born of experience, he had retired with them under the table in the morning-room. Before he could begin his feast he had been called upstairs to be dressed for the ceremony. On his return (immaculate in white satin) he found to his joy that his treasure trove had not been discovered. He began on the butter first. What he could not eat he smeared over his face and curly hair. Then he felt a sudden compunction and tried to remove all traces of the crime by rubbing his face and hair violently with a woolly mat. Then[178] he sat down on the Chesterfield and began the oranges. They were very yellow and juicy and rather overripe. He crammed them into his mouth with both little fat hands at once. He was well aware, even at his tender years, that life’s sweetest joys come soonest to an end. Orange juice mingled with wool fluff and butter on his small round face. It trickled down his cheeks and fell on to his white lace collar. His mouth and the region round it were completely yellow. He had emptied the oranges out of the bag all around him on the seat. He was sitting in a pool of juice. His suit was covered with it, mingled with pips and skin, and still he ate on.

His first interruption was William and Dorita, who came slowly downstairs holding hands in silent sympathy, two gleaming figures in white satin. They walked to the end of the room. They also had been sent to the morning-room with orders to “play quietly” until summoned.

“Play?” William had echoed coldly. “I don’t feel much like playing.”

They stared at Michael, openmouthed and speechless. Lumps of butter and bits of wool stuck in his curls and adhered to the upper portion of his face. They had been washed away from the lower portion of it by orange juice. His suit was almost covered with it. Behind he was saturated with it.

They looked at the seat he had left—a pool of crushed orange fragments and juice. Then they looked at each other.

Again they looked at the empty orange-covered Chesterfield and again they looked at each other.

Then the maid of honour, aware that cold deliberation often kills the most glorious impulses, seized William’s hand.

Without a word they sat down. They sat till they felt the cold moisture penetrate to their skins. Then William heaved a deep sigh.

Through the open door they saw a little group coming—Miss Grant in shining white, followed by William’s mother, arrayed in her brightest and best, and William’s father, whose expression revealed a certain weariness mingled with a relief that the whole thing would soon be over.

When Miss Grant’s eyes fell upon the strange object that was Michael, she gave a loud scream.

“Never mind, dear,” said Mrs. Brown soothingly, “the other two look sweet.”

But Mr. Brown had wandered further into the room and thus obtained a sudden and startling view of the page and maid of honour from behind.

William and Dorita turned to him instinctively, thus providing Mrs. Brown and the bride with the spectacle that had so disturbed him.

“Oh, what have they done? Oh, the wretched children! And just when I wanted to feel calm. Just when all depends on my feeling calm. Just when——”

“We was walkin’ round the room an’ we sat down on the Chesterfield and there was this stuff on it an’ it came on our clothes,” explained William stonily and monotonously and all in one breath.

“We was walkin’ round an’ we jus’ felt tired and we sat down on the Chesterfield and there was this stuff on it an’ it came on——”

“Well, we was jus’ walking round the room,” he said, “an’ we jus’ felt tired and we sat——”

“Couldn’t we make cloaks?” wailed the bride, “to hang down and cover them all up behind. It wouldn’t take long——”

“The carriage has been waiting a quarter of an hour already,” he said firmly.[182] “We’ve no time to spare. Come along, my dear. We’ll continue the investigation after the service. You can’t go, of course, you must stay at home now,” he ended, turning a stern eye upon William. There was an unconscious note of envy in his voice.

“And I did so want to have a page,” said Miss Grant plaintively as she turned away.

Joy and hope returned to William with a bound. As the sound of wheels was heard down the drive he turned head over heels several times on the lawn, then caught sight of his long-neglected alpenstock leaning against a wall.

“Come on,” he shouted joyfully. “I’ll teach you a game I made up. It’s mountaineerin’.”

“You’re a mug,” she said in her clear, sweet voice. “I know a mountaineering game worth ten of that old thing.”

And it says much for the character and moral force of the maid-of-honour that William meekly put himself in the position of pupil.

It must be explained at this point that the domestics of the Brown household were busy arranging refreshments in a marquee in the garden. The front hall was quite empty.

In about a quarter of an hour the game of mountaineering was in full swing. On the lowest steps of the staircase reposed the mattress from William’s father’s and mother’s bed, above it the mattress from Miss Grant’s bed, above that the mattress from William’s bed, and on the top, the mattress from Dorita’s bed. In all the bedrooms the bedclothes[183] lay in disarray on the floor. A few nails driven through the ends of the mattresses into the stairs secured the stability of the “mountain.” Still wearing their robes of ceremony, they scrambled up in stockinged feet, every now and then losing foothold and rolling down to the pile of pillows and bolsters (taken indiscriminately from all the beds) which was arranged at the foot of the staircase. Their mirth was riotous and uproarious. They used the alpenstock in turns. It was a great help. They could get a firm hold on the mattresses with the point of the alpenstock. William stood at the top of the mountain, hot and panting, his alpenstock in his hand, and paused for breath. He was well aware that retribution was not far off—was in the neighbouring church, to be quite exact, and would return in a carriage within the next few minutes. He was aware that an explanation of the yellow stain was yet to be demanded. He was aware that this was not a use to which the family mattresses could legitimately be put. But he cared for none of these things. In his mind’s eye he only saw a crowd of small boys assembled outside a church door with eager eyes fixed on a carriage from which descended—Miss Grant, Mrs. Brown, and Mr. Brown. His life stretched before him bright and rose-coloured. A smile of triumph curved his lips.

“I hope you didn’t get a bad cold waitin’ for me on Wednesday at the church door.”

“Some folks is easy had. I bet you all believed I was coming on Wednesday.”[184]

“If I’d got to marry,” went on the maid of honour, “I’d as soon marry you as anyone.”

“I wu’nt mind,” said the page gallantly. “But,” he added hastily, “in ornery clothes.”

“Oh, yes,” she lost her foothold and rolled down to the pile of pillows. From them came her voice muffled, but clear as ever. “You betcher life. In ornery clothes.”

CHAPTER X
WILLIAM’S NEW YEAR’S DAY

William went whistling down the street, his hands in his pockets. William’s whistle was more penetrating than melodious. Sensitive people fled shuddering at the sound. The proprietor of the sweet-shop, however, was not sensitive. He nodded affably as William passed. William was a regular customer of his—as regular, that is, as a wholly inadequate allowance would permit. Encouraged William paused at the doorway and ceased to whistle.

“What isn’t dear? Tell me that. What isn’t dear?” said Mr. Moss lugubriously.

“Go on!” said William. “I get my money to-morrow. You know I get my money to-morrow.”

“Cash, young sir,” said Mr. Moss heavily. “My terms is cash. ’Owever,” he relented, “I’ll give you a few over when the scales is down to-morrow for a New Year’s gift.”

“I’ll eat ’em to-day but I’ll think about ’em to-morrow,” he promised. “That’ll make ’em a New Year’s gift.”

Mr. Moss took out a handful of assorted fruit drops and passed them to William. William received them gratefully.

“An’ what good resolution are you going to take to-morrow?” went on Mr. Moss.

“You’ve got to have a good resolution for New Year’s Day,” said Mr. Moss firmly.

“Same as giving up sugar in tea in Lent and wearing blue on Oxford and Cambridge Boat Race Day?” said William with interest.

“Yes, same as that. Well, you’ve got to think of some fault you’d like to cure and start to-morrow.”

“Can’t think of anything,” he said at last. “You think of something for me.”[188]

“No,” he said, “that wun’t be much fun, would it? Crumbs! It wun’t!”

“Yes. ‘Please’ and ‘thank you,’ and ‘if you don’t mind me sayin’ so,’ and ‘if you excuse me contradictin’ of you,’ and ‘can I do anything for you?’ and such like.”

“Yes, I might be that,” he said. He straightened his collar and stood up. “Yes, I might try bein’ that. How long has it to go on, though?”

“Not long,” said Mr. Moss. “Only the first day gen’rally. Folks generally give ’em up after that.”

“What’s yours?” said William, putting four sweets into his mouth as he spoke.

Mr. Moss looked round his little shop with the air of a conspirator, then leant forward confidentially.

“Arsked to take me o’ course,” said Mr. Moss with an air of contempt for William’s want of intelligence.

“Take you where?” said William. “Where d’you want to go? Why can’t you go yourself?”

“Well,” said William with a judicial air, “I wun’t have asked the same one for ten years. I’d have tried someone else. I’d have gone on asking other people, if I wanted to get married. You’d be sure to find someone that wouldn’t mind you—with a sweet-shop, too. She must be a softie. Does she know you’ve got a sweet-shop?”

Mr. Moss merely sighed and popped a bull’s eye into his mouth with an air of abstracted melancholy.

The next morning William leapt out of bed with an expression of stern resolve. “I’m goin’ to be p’lite,” he remarked to his bedroom furniture. “I’m goin’ to be p’lite all day.”

“Good mornin’, Father,” he said, with what he fondly imagined to be a courtly manner. “Can I do anything for you to-day?”

“I’m only bein’ p’lite. It’s—you know—one of those things you take on New Year’s Day. Well, I’ve[191] took one to be p’lite.”

His father apologised. “I’m sorry,” he said. “You see, I’m not used to it. It startled me.”

His elder brother coldly ignored him. “Going to rain again,” he said to the world in general.

“If you’ll ’scuse me contradicting of you Robert,” said William, “I heard the milkman sayin’ it was goin’ to be fine. If you’ll ’scuse me contradictin’ you.”

“Seems to me no one in this house understands wot bein’ p’lite is,” said William bitterly. “Seems to me one might go on bein’ p’lite in this house for years an’ no one know wot one was doin’.”

“You’re feeling quite well, dear, aren’t you?” she said. “You haven’t got a headache or anything, have you?”

“No. I’m bein’ p’lite,” he said irritably, then pulled himself up suddenly. “I’m quite well, thank you, Mother dear,” he said in a tone of cloying sweetness.

“Not at all. Pray don’t mention it, William. It’s quite all right,” said Mr. Brown, not to be outdone. Then, “It’s rather trying. How long does it last?”

“Oh, bein’ p’lite! He said they didn’t often do it after the first day.”

“Who ask who what?” said Mr. Brown, but William had departed. He was already on his way to Mr. Moss’s shop.

Mr. Moss was at the door, hatted and coated, and gazing anxiously down the street.

“He’s late!” he said. “I shall miss the train. Oh, dear! It will be the first New Year’s Day I’ve missed in ten years.”

“They’re very small ones,” said William disparagingly “You’d think they’d be less than that—small ones like that.”

“Will you—will you do something for me and I’ll give you a quarter of those sweets.”[193]

“Well, just stay in the shop till my nephew Bill comes. ’E’ll be ’ere in two shakes an’ I’ll miss my train if I don’t go now. ’E’s goin’ to keep the shop for me till I’m back an’ ’e’ll be ’ere any minute now. Jus’ tell ’im I ’ad to run for to catch my train an’ if anyone comes into the shop before ’e comes jus’ tell ’em to wait or to come back later. You can weigh yourself a quarter o’ those sweets.”

Mr. Moss was certainly in a holiday mood. William pinched himself just to make sure that he was still alive and had not been translated suddenly to the realms of the blest.

Mr. Moss, with a last anxious glance at his watch, hurried off in the direction of the station.

William was left alone. He spent a few moments indulging in roseate day dreams. The ideal of his childhood—perhaps of everyone’s childhood—was realised. He had a sweet-shop. He walked round the shop with a conscious swagger, pausing to pop into his mouth a Butter Ball—composed, as the label stated, of pure farm cream and best butter. It was all his—all those rows and rows of gleaming bottles of sweets of every size and colour, those boxes and boxes of attractively arranged chocolates. Deliberately he imagined himself as their owner. By the time he had walked round the shop three times he believed that he was the owner.

“Well,” he said ungraciously, “what d’you[194] want?” Then, suddenly remembering his resolution, “Please what d’you want?”

“Where’s Uncle?” said the small boy with equal ungraciousness. “’Cause our Bill’s ill an’ can’t come.”

“That’s all right,” he said. “You tell ’em that’s all right. That’s quite all right. See? Now, you go off!”

The small boy stood, as though rooted to the spot. William pressed into one of his hands a stick of liquorice and into the other a packet of chocolate.

“Now, you go away! I don’t want you here. See? You go away you little—assified cow!”

The small boy made off, still staring and clutching his spoils. William started to the door and yelled to the retreating figure, “if you don’t mind me sayin’ so.”

He had already come to look upon the Resolution as a kind of god who must at all costs be propitiated. Already the Resolution seemed to have bestowed upon him the dream of his life—a fully-equipped sweet-shop.

He wandered round again and discovered a wholly new sweetmeat called Cokernut Kisses. Its only drawback was its instability. It melted away in the mouth at once. So much so that almost before William was aware of it he was confronted by the empty box. He returned to the more solid charms of the Pineapple Crisp.

William answered as well as the presence of five sweets in his mouth would allow him.

William removed two of his five sweets and placed them temporarily on the scale.

“Gone,” he said laconically, then murmured vaguely, “thank you,” as the thought of the Resolution loomed up in his mind.

William looking round the shop, realised suddenly that his own depredations had been on no small scale. But there was a chance of making good any loss that Mr. Moss might otherwise have sustained.

“They’re gone up since,” said William brazenly, adding a vague, “if you’ll kin’ly ’scuse me sayin’ so.”

“I happen to live opposite, you wicked, lying boy, and I know that the postman did not call here this morning.”

“No, they came round to see me in the night—the makers did. You cou’n’t of heard them,” he added hastily. “It was when you was asleep. If you’ll ’scuse me contradictin’ of you.”

It is a great gift to be able to lie so as to convince other people. It is a still greater gift to be able to lie so as to convince oneself. William was possessed of the latter gift.

“I shall certainly not pay more than twopence,” said his customer severely, taking a bar of chocolate and laying down twopence on the counter. “And I shall report this shop to the Profiteering Committee. It’s scandalous. And a pack of wicked lies!”

“They’re a shillin’,” he said. “I don’t want your nasty ole tuppences. I said they was a shillin’.”

He followed her to the door. She was crossing the street to her house. “You—you ole thief!” he yelled after her, though, true to his Resolution, he added softly with dogged determination, “if you don’t mind me sayin’ so.”

“I’ll set the police on you,” his late customer shouted angrily back across the street. “You wicked, blasphemous boy!”[197]

William put out his tongue at her, then returned to the shop and closed the door.

Here he discovered that the door, when opened, rang a bell, and, after filling his mouth with Liquorice All Sorts, he spent the next five minutes vigorously opening and shutting the door till something went wrong with the mechanism of the bell. At this he fortified himself with a course of Nutty Footballs and, standing on a chair, began ruthlessly to dismember the bell. He was disturbed by the entry of another customer. Swallowing a Nutty Football whole, he hastened to his post behind the counter.

The newcomer was a little girl of about nine—a very dainty little girl, dressed in a white fur coat and cap and long white gaiters. Her hair fell in golden curls over her white fur shoulders. Her eyes were blue. Her cheeks were velvety and rosy. Her mouth was like a baby’s. William had seen this vision on various occasions in the town, but had never yet addressed it. Whenever he had seen it, his heart in the midst of his body had been even as melting wax. He smiled—a self-conscious, sheepish smile. His freckled face blushed to the roots of his short stubby hair. She seemed to find nothing odd in the fact of a small boy being in charge of a sweet-shop. She came up to the counter.

Ecstasy rendered William speechless. His smile grew wider and more foolish. Seeing his two half-sucked Pineapple Crisps exposed upon the scales, he hastily put them into his mouth.[198]

“You can have lots for that,” he said huskily. “They’ve gone cheap. They’ve gone ever so cheap. You can take all the boxful for that,” he went on recklessly. He pressed the box into her reluctant hands. “An’—what else would you like? You jus’ tell me that. Tell me what else you’d like?”

“Money don’t matter,” said William. “Things is cheap to-day. Things is awful cheap to-day. Awful cheap! You can have—anythin’ you like for that fourpence. Anythin’ you like.”

“’Cause it’s New Year’s Day?” said the vision, with a gleam of understanding.

She collected as much as she could carry and started towards the door. “Sank you! Sank you ever so!” she said gratefully.

William stood leaning against the door in the easy attitude of the good-natured, all-providing male.

“It’s all right,” he said with an indulgent smile. “Quite all right. Quite all right.” Then, with an inspiration born of memories of his father earlier[199] in the day. “Not at all. Don’t menshun it. Not at all. Quite all right.”

He stopped, simply for lack of further expressions, and bowed with[200] would-be gracefulness as she went through the doorway.

As she passed the window she was rewarded by a spreading effusive smile in a flushed face.

He continued his smile long after its recipient had disappeared. Then absent-mindedly he crammed his mouth with a handful of Mixed Dew Drops and sat down behind the counter.

As he crunched Mixed Dew Drops he indulged in a day dream in which he rescued the little girl in the white fur coat from robbers and pirates and a burning house. He was just leaping nimbly from the roof of the burning house, holding the little girl in the white fur coat in his arms, when he caught sight of two of his friends flattening their noses at the window. He rose from his seat and went to the door.

“’Ullo, Ginger! ’Ullo, Henry!” he said with an unsuccessful effort to appear void of self-consciousness.

“I’ve gotta shop,” he went on casually. “Come on in an’ look at it.”

They peeped round the door-way cautiously and, reassured by the sight of William obviously in sole possession, they entered, openmouthed. They gazed at the boxes and bottles of sweets. Aladdin’s Cave was nothing to this.

“Someone gave it me,” said William. “I took one of them things to be p’lite an’ someone gave it me. Go on,” he said kindly. “Jus’ help yourselves. Not at all. Jus’ help yourselves an’ don’t menshun it.”

They needed no second bidding. With the unerring instinct of childhood (not unsupported by experience) that at any minute their Eden might be invaded by the avenging angel in the shape of a grown-up, they made full use of their time. They went from box to box, putting handfuls of sweets and chocolates into their mouths. They said nothing, simply because speech was, under the circumstances, a physical impossibility. Showing a foresight for the future, worthy of the noble ant itself, so often held up as a model to childhood, they filled pockets in the intervals of cramming their mouths.

A close observer might have noticed that William now ate little. William himself had been conscious for some time of a curious and inexplicable feeling of coldness towards the tempting dainties around him. He was, however, loth to give in to the weakness, and every now and then he nonchalantly put into his mouth a Toasted Square or a Fruity Bit.

It happened that a loutish boy of about fourteen was passing the shop. At the sight of three small boys rapidly consuming the contents, he became interested.

“Yer shop?” said the boy. “Yer bloomin’[202] well pinchin’ things out o’ someone else’s shop, I can see. ’Ere, gimme some of them.”

“If I’d not took one to be p’lite,” said William threateningly, “I’d knock you down.”

“Yes, an’ I would, too. You get out.” Seizing the nearest bottle, which happened to contain Acid Drops, he began to fire them at his opponent’s head. One hit him in the eye. He retired into the street. William, now a-fire for battle, followed him, still hurling Acid Drops with all his might. A crowd of boys collected together. Some gathered Acid Drops from the gutter, others joined the scrimmage. William, Henry, and Ginger carried on a noble fight against heavy odds.

It was only the sight of the proprietor of the shop coming briskly down the side-walk that put an end to the battle. The street boys made off (with what spoils they could gather) in one direction and Ginger and Henry in another. William, clasping an empty Acid Drop bottle to his bosom, was left to face Mr. Moss.

“He’s ill,” said William. “He couldn’t come. I’ve been keepin’ shop for you. I’ve done the best I could.” He looked round the rifled shop and hastened to propitiate the owner as far as possible. “I’ve got some money for you,” he added soothingly, pointing to the four pennies that represented his[203] morning’s takings. “It’s not much,” he went on with some truth, looking again at the rows of emptied boxes and half-emptied bottles and the débris that is always and everywhere the inevitable result of a battle. But Mr. Moss hardly seemed to notice it.

“Thanks, William,” he said almost humbly. “William, she’s took me. She’s goin’ ter marry me. Isn’t it grand? After all these years!”

“I’m afraid there’s a bit of a mess,” said William, returning to the more important matter.

“It doesn’t matter, William,” he said. “Nothing matters to-day. She’s took me at last. I’m goin’ to shut shop this afternoon and go over to her again. Thanks for staying, William.”

“Not at all. Don’t menshun it,” said William nobly. Then, “I think I’ve had enough of that bein’ p’lite. Will one mornin’ do for this year, d’you think?”

“Er—yes. Well, I’ll shut up. Don’t you stay, William. You’ll want to be getting home for lunch.”

Lunch? Quite definitely William decided that he did not want any lunch. The very thought of lunch brought with it a feeling of active physical discomfort which was much more than mere absence of hunger. He decided to go home as quickly as possible, though not to lunch.

“I’m afraid you’ll find some things gone,” said William faintly; “some boys was in.”

“That’s all right, William,” said Mr. Moss,[204] roused again from his rosy dreams. “That’s quite all right.”

But it was not “quite all right” with William. Reader, if you had been left, at the age of eleven, in sole charge of a sweet shop for a whole morning, would it have been “all right” with you? I trow not. But we will not follow William through the humiliating hours of the afternoon. We will leave him as, pale and unsteady, but as yet master of the situation, he wends his homeward way.

CHAPTER XI
THE BEST LAID PLANS

“She’s—she’s a real Botticelli,” said the young man dreamily, as he watched the figure of William’s sister, Ethel, disappearing into the distance.

“Bottled cherry yourself!” he said indignantly. “She can’t help having red hair, can she? No more’n you can help havin’—havin’——” his eye wandered speculatively over the young man in search of physical defects—“having big ears,” he ended.

The young man did not resent the insult. He did not even hear it. His eyes were still fixed upon the slim figure in the distance.

“‘Eyes of blue and hair red-gold,’” he said softly. “Red-gold. I had to put that because it’s got both colours in it. Red-gold, ‘Eyes of blue and hair red-gold.’ What rhymes with gold?”

“Cold,” suggested William brightly. “That’s jolly good, too, ’cause she has gotter cold. She was sneezing all last night.”

“That’s jolly good!” said William with admiration. “It’s just like what you read in real books—poetry books!”

The young man—James French by name—had met Ethel at an evening party and had succumbed to her charm. Lacking courage to pursue the acquaintance, he had cultivated the friendship of her small brother, under a quite erroneous impression that this would win him her good graces.

“What would you like most in the world?” he said suddenly, leaning forward from his seat on the top of the gate. “Suppose someone let you choose.”

“I’m thinking a way,” he said at last. “I’ve nearly got it. Just walk home with me, will you? I’ll give you something when we get there,” he bribed with pathetic pleading, noting William’s reluctant face. “I want to tell you my idea.”

They walked down the lane together. The young man talked volubly and earnestly. William’s mouth opened wide with amazement and disapproving horror. The words “white rats” were repeated frequently. Finally William nodded his head, as though acquiescing.

“I s’pose you’re balmy on her,” he said resignedly at the end, “like what folks are in books. I want ’em with long tails, mind.”[207]

William was not unacquainted with the tender passion. He had been to the[208] pictures. He had read books. He had seen his elder brother Robert pass several times through every stage of the consuming fever. He had himself decided in moments of deep emotion to marry the little girl next door as soon as he should reach manhood’s estate. He was willing to further his new friend’s suit by every legitimate means, but he was rather aghast at the means suggested. Still—white rats were white rats.

The next morning William assumed his expression of shining virtue—the expression he reserved for special occasions.

“Shall I come with you to carry parcels an’ things?” said William unctuously.

“I don’t want anything,” he said. “I jus’ want to help you, that’s all. I jus’ want to carry your parcels for you. I—I jus’ don’t want you to get tired, that’s all.”

“All right.” Ethel was still suspicious. “You can come and you can carry parcels, but you won’t get a penny out of me.”

They walked down together to the shops, and William meekly allowed himself to be laden with many parcels. Ethel’s grim suspicion passed into bewilderment as he passed toyshop after toyshop[209] without a glance. In imagination he was already teaching complicated tricks to a pair of white rats.

“It’s—it’s awfully decent of you, William,” said Ethel, at last, almost persuaded that she had misjudged William for the greater part of his life. “Do you feel all right? I mean, you don’t feel ill or anything, do you?”

“No,” he said absently, then corrected himself hastily. “At least, not jus’ now. I feel all right jus’ now. I feel as if I might not feel all right soon, but I don’t know.”

“Nothing,” said William indignantly. “It’s not that sort of not well. It’s quite diff’rent.”

They walked in silence till they had left the road behind and had turned off to the long country road that led to William’s house. Then, slowly and deliberately, still clasping his burden of parcels, William sat down on the ground.

“I can’t walk any more, Ethel,” he said, turning his healthy countenance up to her. “I’m took ill sudden.”

“Yes—an’ my knees an’ all up me. I jus’ can’t walk. I’m took too ill to walk.”

At that moment there appeared the figure of a tall young man. He drew nearer and raised his hat.

“Just look at William!” said Ethel, pointing dramatically at the small figure seated comfortably in the dust of the road. “He says he can’t walk, and goodness knows what we’re going to do.”

“Huh!” snorted William. “That’s a nice thing for you to ask when you know you told me——”

“All right,” he said hastily. “Well, let’s see what we can do. Could you get on my back, and then I can carry you home? Give me your parcels. That’s right. No, Miss Brown. I insist on carrying the parcels. I couldn’t dream of allowing you—well, if you’re sure you’d rather. Leave me the big ones, anyway. Now, William, are we ready?”[211]

William clung on behind, nothing loth, and they[212] set off rather slowly down the road. Ethel was overcome with gratitude.

“It is kind of you, Mr. French. I don’t know what we should have done without you. I do hope he’s not fearfully heavy, and I do hope he’s not beginning anything infectious. Do let me take the other parcels. Won’t you, really? Mother will be grateful to you. It’s such a strange thing, isn’t it? I’ve never heard of such a thing before. I’ve always thought William was so strong. I hope it’s not consumption or anything like that. How does consumption begin?”

Mr. French had had no conception of the average weight of a sturdy small boy of eleven. He stumbled along unsteadily.

“Oh, no,” he panted. “Don’t mention it—don’t mention it. It’s a pleasure—really it is. No, indeed you mustn’t take the parcels. You have quite enough already. Quite enough. No, he isn’t a bit heavy. Not a bit. I’m so glad I happened to come by at a moment that I could do you a service. So glad!” He paused to mop his brow. He was breathing very heavily. There was a violent and quite unreasonable hatred of William at his heart.

“Don’t you think you could walk now—just a bit, William?” he said, with a touch of exasperation in his panting voice. “I’ll help you walk.”

“All right,” William acceded readily. “I don’t mind. I’ll lean on you hard, shall I?”

“Oh, yes. I can walk now, if he wants—I mean if he doesn’t mind me holding on to his arm. I feel[213] as if I was goin’ to be quite all right soon. I’m nearly all right now.”

The three of them walked slowly up the drive to the Brown’s house, William leaning heavily on the young man’s arm. Mrs. Brown saw them from the window and ran to the door.

“Oh, dear!” she said. “You’ve run over him on your motor-cycle. I knew you’d run over somebody soon. I said when I saw you passing on it yesterday——”

“Why, Mother, Mr. French has been so kind. I can’t think what I’d have done without him. William was taken ill and couldn’t walk, and Mr. French has carried him all the way from the other end of the road, on his back.”

“Oh, I’m so sorry! How very kind of you, Mr. French. Do come in and stay to lunch. William, go upstairs to bed at once and I’ll ring up Dr. Ware.”

“No,” said William firmly. “Don’t bother poor Dr. Ware. I’m all right now. Honest I am. He’d be mad to come and find me all right.”

“No, I mustn’t. You don’t understand. It wasn’t that kind of not wellness. A doctor couldn’t of done me no good. I jus’—jus’ came over queer,” he ended, remembering a phrase he had heard used recently by the charwoman.

Both Mrs. Brown and Ethel turned to him as to an oracle. He looked from one to the other and a deep flush of guilt overspread his countenance.[214]

“Oh—er—well,” he said nervously. “He looks all right, doesn’t he? I—er—wouldn’t bother. Just—er—don’t worry him with questions. Just—let him go about as usual. I—er—think it’s best to—let him forget it,” he ended weakly.

“Yes. I expect it was just a sort of growing weakness,” said Mr. French brightly.

“But Mr. French was splendid!” said Ethel enthusiastically, “simply splendid. William, I don’t think you realise how kind it was of Mr. French. I think you ought to thank him.”

“Thank you very much indeed for carrying me,” he said. Then, as his mother turned to Ethel with a remark about the lunch, he added. “Two, remember, and, with long tails!”

Mr. French stayed for lunch and spent the afternoon golfing with Ethel up at the links. William was wrapt up in rugs and laid upon the library sofa after lunch and left to sleep off his mysterious complaint in quietness with the blinds down.

“Oh, he’s gone,” she said anxiously to her husband. “I left him so comfortable on the sofa, and told him to try to sleep. Sleep is so important when you’re ill. And now he’s gone—he’ll probably stay away till bedtime!”

“All right,” said her husband sardonically. “Be thankful for small mercies.”

Ethel and her esquire returned to tea, and, yielding to the entreaties of the family, who looked upon him as William’s saviour, he stayed to dinner. He[215] spent the evening playing inadequate accompaniments to Ethel’s songs and ejaculating at intervals rapturous expressions of delight. It was evident that Ethel was flattered by his obvious admiration. He stayed till nearly eleven, and then, almost drunk with happiness, he took his leave while the family again thanked him profusely.

As he walked down the drive with a smile on his lips and his mind flitting among the blissful memories of the evening, an upper window was opened cautiously and a small head peeped out. Through the still air the words shot out——

“Mr. French. The man what carried me when I was took ill sudden. He gave me it. I di’n’t know it was goin’ to go into your slipper. I wun’t of let it if I’d known. An’ I di’n’t know it was goin’ to bite your toe. It di’n’t mean to bite your toe. I ’spect it thought it was me givin’ it sumthin’ to eat. I expect——”

“Be quiet! What on earth did Mr. French give you the confounded thing for?”

“He seems to have taken a spite against me,” said Mr. Brown bitterly. “How many of the wretched pests have you got?”

“They’re rats,” corrected William, “White ’uns. I’ve only got two.”

“Well, keep it there, do you hear? And this savage brute as well. Good Lord! My toe’s nearly eaten off. They ought to wear muzzles; they’ve got rabies. Where’s Jumble? He in the shed, too?” hopefully.

“No. He dun’t like ’em. But I’m tryin’ to teach him to like ’em. I let ’em loose and let him look at ’em with me holdin’ on to him.”

“Yes, go on doing that,” said Mr. Brown encouragingly. “Accidents sometimes happen.”

That night William obeyed the letter of the law by keeping the rats in a box on his bedroom window-sill.

The household was roused in the early hours of the morning by piercing screams from Ethel’s room. The more adventurous of the pair—named Rufus—had escaped from the box and descended to Ethel’s room by way of the creeper. Ethel awoke suddenly to find it seated on her pillow softly pawing her hair. The household, in their various sleeping attire, flocked to her room at the screams. Ethel was hysterical. They fed her on hot tea and biscuits to steady her nerves. “It was horrible!” she said. “It was pulling at my hair. It just sat there with its pink nose and long tail. It was perfectly horrible!”[217]

“Where is the wretched animal?” said Mr. Brown looking round with[218] murder in his eyes.

“I’ve got it, Father,” piped up William’s small voice at the back of the crowd. “Ethel di’n’t understand. It was playin’ with her. It di’n’t mean to frighten her. It——”

Mr. Brown in large pyjamas looked fiercely down at William in small pyjamas with the cause of all the tumult clasped lovingly to his breast. Ethel, in bed, continued to gasp weakly in the intervals of drinking tea.

“They weren’t in the house,” said William firmly. “They were outside the window. Right outside the window. Right on the sill. You can’t call outside the window in the house, can you? I put it outside the house. I can’t help it comin’ inside the house when I’m asleep, can I?”

“The next time I catch either of those animals inside this house, William,” he said slowly, “I’ll wring its neck.”

When Mr. French called the next afternoon, he felt that his popularity had declined.

“I can’t think why you gave William such dreadful things,” Ethel said weakly, lying on the sofa. “I feel quite upset. I’ve got such a headache and my nerves are a wreck absolutely.”

Mr. French worked hard that afternoon and evening to regain his lost ground. He sat by the sofa and talked in low tones. He read aloud to her. He was sympathetic, penitent, humble and devoted. In spite of all his efforts, however, he felt that his old prestige was gone. He was no longer the Man[219] Who Carried William Home. He was the Man Who Gave William the Rat. He felt that, in the eyes of the Brown household, he was solely responsible for Ethel’s collapse. There was reproach even in the eyes of the housemaid who showed him out. In the drive he met William. William was holding a grimy, blood-stained handkerchief round his finger. There was reproach in William’s eyes also. “It’s bit me,” he said indignantly. “One of those rats what you gave me’s bit me.”

“I’m awfully sorry,” said Mr. French penitently. Then, with sudden spirit, “Well, you asked for rats, didn’t you?”

“Yes,” said William. “But not savage ones. I never asked for savage ones, did I? I di’n’t ask for rats what would scare Ethel and bite me, did I? I was jus’ teaching it to dance on its hind legs an’ holding up its front ones for it an’ it went an’ bit me.”

“You—you’d better not—er—tell your mother or sister about your finger. I—I wouldn’t like your sister to be upset any more.”

“All right!” he said. “If I wash the blood off an’ get my hands dirty nobody’ll notice.”

Things went well for several days after that. Mr. French arrived the next morning laden with[220] flowers and grapes. The household unbent towards him. Ethel arranged a day’s golfing with him. William spent a blissful day with his half-crown. There was a fair in full swing on the fair ground, and thither William and Jumble wended their way. William had eleven consecutive rides on the merry-go-round. He had made up his mind to have twelve, but, much to his regret, had to relinquish the twelfth owing to certain unpleasant physical sensations. With a lordly air, he entered seven tents in succession and sat gazing in a silent intensity of rapture at the Strong Man, the Fat Woman, the Indiarubber Jointed Boy, the Siamese Twins, the Human Eel, the Man-headed Elephant and the Talking Monkey. In each tent he stayed, silent and enraptured, till ejected by the showman to make room for others who were anxious to feast their eyes upon the marvels. Having now completely recovered from the sensations caused by the merry-go-round, he purchased a large bag of pop-corn and stood leaning against a tent-pole till he had consumed it. Then he purchased two sticks of nougat and with it drank two bottles of ginger-beer. The remaining 4d. was spent upon a large packet of a red sticky mixture called Canadian Delight.

Dusk was falling by this time and slowly, very slowly, William returned home. He firmly refused all food at supper. Mrs. Brown grew anxious.

“William, you don’t look a bit well,” she said. “You don’t feel like you did the other day, do you?”

“Someone gave me half-a-crown,” he excused himself plaintively. “I jus’ had to go somewhere.”

“It’s perfectly absurd of people,” said Mrs. Brown indignantly, “to give large sums of money to a boy of William’s age. It always ends this way. People ought to know better.”

As they passed out from the supper-table, William whispered hoarsely to Mr. French:

Glorious vistas opened before William’s eyes He decided finally that Mr. French must join the family. Life then would be an endless succession of half-crowns and two-shilling pieces.

The next day was Sunday, and William went to the shed directly after breakfast to continue the teaching of Rufus, the dancing rat. Rufus was to be taught to dance, the other, now christened Cromwell, was to be taught to be friends with Jumble. So far this training had only reached the point of Cromwell’s sitting motionless in the cage, while in front of it William violently restrained the enraged Jumble from murder. Still, William thought, if they looked at each other long enough, friendship would grow. So they looked at each other each day till William’s arm ached. As yet friendship had not grown.[222]

William groaned. That was the worst of Sundays. He was sure that with another half-hour’s practice Rufus would dance and Cromwell would be friends with Jumble. He was a boy not to be daunted by circumstance. He put Rufus in his pocket and put the cage containing Cromwell on the top of a pile of boxes, leaving Jumble to continue the gaze of friendship from the floor.

He walked to church quietly and demurely behind his family, one hand clutching his prayer-book, the other in his pocket clasping Rufus. He hoped to be able to continue the training during the Litany. He was not disappointed. Ethel was on one side of him, and there was no one on the other. He knelt down devoutly, one hand shading his face, the other firmly holding Rufus’s front paws as he walked it round and round on the floor. He grew more and more interested in its progress.

“Tell William to kneel up and not to fidget,” Mrs. Brown passed down via Ethel.

William gave her a virulent glance as he received the message and, turning his back on her, continued the dancing lesson.

The Litany passed more quickly than he ever remembered its doing before. He replaced the rat in his pocket as they rose for the hymn. It was during the hymn that the catastrophe occurred.

The Browns occupied the front seat of the church. While the second verse was being sung, the congregation was electrified by the sight of a small, long-tailed white creature appearing suddenly upon[223] Mr. Brown’s shoulder. Ethel’s scream almost drowned the organ. Mr. Brown put up his hand and the intruder jumped upon his head and stood there for a second, digging his claws into his victim’s scalp. Mr. Brown turned upon his son a purple face that promised future vengeance. The choir turned fascinated eyes upon it, and the hymn died away. William’s face was a mask of horror. Rufus next appeared running along the rim of the pulpit. There was a sudden unceremonial exit of most of the female portion of the congregation. The clergyman grew pale as Rufus approached and slid up his reading-desk. A choir-boy quickly grabbed it, and retired into the vestry and thence home before his right to its possession could be questioned. William found his voice.

“He’s took it,” he said in a sibilant whisper. “It’s mine! He took it!”

“It’s mine,” persisted William. “It’s what Mr. French give me for being took ill that day, you know.”

“He gave it me for being took ill so’s he could come and carry me home ’cause he was gone on you an’ it’s mine an’ that boy’s took it an’ it was jus’ gettin’ to dance an’——”

“I shall never look anyone in the face again,” lamented Mrs. Brown on the way home. “I think everyone was in church! And the way Ethel screamed! It was awful! I shall dream of[224] it for nights. William, I don’t know how you could!”

“Well, it’s mine,” said William. “That boy’d no business to take it. It[225] was gettin’ to know me. I di’n’t mean it to get loose, an’ get on Father’s head an’ scare folks. I di’n’t mean it to. I meant it to be quiet and stay in my pocket. It’s mine, anyway, an’ that boy took it.”

In the distance, walking towards them, was a tall, jaunty figure. It was Mr. French, who, ignorant of what had happened, was coming gaily on to meet them returning from church. He was smiling as he came, secure in his reception, composing airy compliments in his mind. As Ethel came on he raised his hat with a flourish and beamed at her effusively. Ethel walked past him, without a glance and with head high, leaving him, aghast and despairing, staring after her down the road. He never saw Mr. and Mrs. Brown. William realised the situation. The future half-crowns and two-shilling pieces seemed to vanish away. He protested vehemently.

“Ethel, don’t get mad at Mr. French. He di’n’t mean anything! He only wanted to do sumthin’ for you ’cause he was mad on you.”

“It’s horrible!” said Ethel. “First you bringing that dreadful animal to church, and then I find that he’s deceived me and you helped him. I hope Father takes the other one away.”

“He won’t,” said William. “He never said anything about that. The other’s learnin’ to be[226] friends with Jumble in the shed. I say, Ethel, don’t be mad at Mr. French. He——”

William, who was something of a philosopher, accepted failure, and the loss of any riches a future allied with Mr. French might have brought him.

They entered the drive and began to walk up to the front-door. From the bushes came a scampering and breaking of twigs as Jumble dashed out to greet his master. His demeanour held more than ordinary pleasure: it expressed pride and triumph. At his master’s feet he laid his proud offering—the mangled remains of Cromwell.

“All right!” he said generously. “It’s not your fault really. An’ it’s not Jumble’s fault. P’r’aps he thought it was what I was tryin’ to teach him to do. It’s jus’ no one’s fault. We’ll have to bury it.” His spirits rose. “I’ll do the reel buryin’ service out of the Prayer Book.”

He stood still gazing down at what was left of Jumble’s friend. Jumble stood by it, proud and pleased, looking up with his head on one side and his tail wagging. Sadly William reviewed the downfall of his hopes. Gone was Mr. French and all he stood for. Gone was Rufus. Gone was[227] Cromwell. He put his hand into his pocket and it came in contact with the two-shilling piece.

“Well,” he said slowly and philosophically, “I’ve got that left anyway.”

CHAPTER XII
“JUMBLE”

William’s father carefully placed the bow and arrow at the back of the library cupboard, then closed the cupboard door and locked it in grim silence. William’s eyes, large, reproachful, and gloomy, followed every movement.

“Three windows and Mrs. Clive’s cat all in one morning,” began Mr. Brown sternly.

“I didn’t mean to hit that cat,” said William earnestly. “I didn’t—honest. I wouldn’t go round teasin’ cats. They get so mad at you, cats do. It jus’ got in the way. I couldn’t stop shootin’ in time. An’ I didn’t mean to break those windows. I wasn’t tryin’ to hit them. I’ve not hit anything I was trying to hit yet,” wistfully. “I’ve not got into it. It’s jus’ a knack. It jus’ wants practice.”

“It’s a knack you aren’t likely to acquire by practice on this instrument,” he said drily.

William wandered out into the garden and looked sadly up at the garden wall. But The Little Girl Next Door was away and could offer no sympathy, even if he climbed up to his precarious seat on the[229] top. Fate was against him in every way. With a deep sigh he went out of the garden gate and strolled down the road disconsolately, hands in pockets.

Life stretched empty and uninviting before him without his bow and arrow. And Ginger would have his bow and arrow, Henry would have his bow and arrow, Douglas would have his bow and arrow. He, William, alone would be a thing apart, a social outcast, a boy without a bow and arrow; for bows and arrows were the fashion. If only one of the others would break a window or hit a silly old cat that hadn’t the sense to keep out of the way.

He came to a stile leading into a field and took his seat upon it dejectedly, his elbows on his knees, his chin in his hands. Life was simply not worth living.

“A rotten old cat!” he said aloud, “a rotten old cat!—and didn’t even hurt it. It—it made a fuss—jus’ out of spite, screamin’ and carryin’ on! And windows!—as if glass wasn’t cheap enough—and easy to put in. I could—I could mend ’em myself—if I’d got the stuff to do it. I——” He stopped. Something was coming down the road. It came jauntily with a light, dancing step, fox-terrier ears cocked, retriever nose raised, collie tail wagging, slightly dachshund body a-quiver with the joy of life.

It stopped in front of William with a glad bark of welcome, then stood eager, alert, friendly, a mongrel unashamed.

It gave a little spring and waited, front paws apart and[231] crouching, a waggish eye upraised to William. William broke off a stick from the hedge and threw it. His visitor darted after it with a shrill bark, took it up, worried it, threw it into the air, caught it, growled at it, finally brought it back to William and waited, panting, eager, unmistakably grinning, begging for more.

William’s drooping spirits revived. He descended from his perch and examined its collar. It bore the one word “Jumble.”

Jumble jumped up around him, dashed off, dashed back, worried his boots, jumped up at him again in wild, eager friendship, dashed off again, begged for another stick, caught it, rolled over with it, growled at it, then chewed it up and laid the remains at William’s feet.

“Good ole chap!” said William encouragingly. “Good ole Jumble! Come on, then.”

Jumble came on. William walked through the village with a self-conscious air of proud yet careless ownership, while Jumble gambolled round his heels.

Every now and then he would turn his head and whistle imperiously, to recall his straying protégé from the investigation of ditches and roadside. It was a whistle, commanding, controlling, yet withal careless, that William had sometimes practised privately in readiness for the blissful day when Fate should present him with a real live dog of his own. So far Fate, in the persons of his father and mother, had been proof against all his pleading.

William passed a blissful morning. Jumble[232] swam in the pond, he fetched sticks out of it, he shook himself violently all over William, he ran after a hen, he was chased by a cat, he barked at a herd of cows, he pulled down a curtain that was hanging out in a cottage garden to dry—he was mischievous, affectionate, humorous, utterly irresistible—and he completely adopted William. William would turn a corner with a careless swagger and then watch breathlessly to see if the rollicking, frisky little figure would follow, and always it came tearing eagerly after him.

William was rather late to lunch. His father and mother and elder brother and sister were just beginning the meal. He slipped quietly and unostentatiously into his seat. His father was reading a newspaper. Mr. Brown always took two daily papers, one of which he perused at breakfast and the other at lunch.

“William,” said Mrs. Brown, “I do wish you’d be in time, and I do wish you’d brush your hair before you come to table.”

William raised a hand to perform the operation, but catching sight of its colour, hastily lowered it.

“No, Ethel dear, I didn’t know anyone had taken Lavender Cottage. An artist? How nice! William dear, do sit still. Have they moved in yet?”

“Yes,” said Ethel, “they’ve taken it furnished for two months, I think. Oh, my goodness, just look at William’s hands!”

For eleven years she had filled the trying position of William’s mother. It had taught her patience.

“They’re not dirty,” he said in a tone of righteous indignation. “Well, anyway, they’ve been dirtier other times and you’ve said nothin’. I can’t be always washin’ them, can I? Some sorts of hands get dirty quicker than others an’ if you keep on washin’ it only makes them worse an’——”

Ethel groaned and William’s father lowered his paper. William withdrew quickly but with an air of dignity.

“And just look at his boots!” said Ethel as he went. “Simply caked; and his stockings are soaking wet—you can see from here. He’s been right in the pond by the look of him and——”

He returned a few minutes later, shining with cleanliness, his hair brushed back fiercely off his face.

“Well,” said Mrs. Brown, “go on telling us about the new people. William, do hold your knife properly, dear. Yes, Ethel?”

William finished his meal in silence, then brought forth his momentous announcement.

“What sort of a dog?” and “Who gave it to you?” said Robert and Ethel simultaneously.

“No one gave it me,” he said. “I jus’ got it. It began following me this morning an’ I couldn’t[234] get rid of it. It wouldn’t go, anyway. It followed me all round the village an’ it came home with me. I couldn’t get rid of it, anyhow.”

“Digging up my flower-beds, I suppose,” he said with despairing resignation.

“He’s tied up all right,” William reassured him. “I tied him to the tree in the middle of the rose-bed.”

“Yes,” said William, avoiding his mother’s eye. “I found a few bits of old things for him in the larder.”

“Well, you’d better take it to the Police Station this afternoon,” he said shortly.

“The Police Station!” repeated William hoarsely. “It’s not a lost dog. It—it jus’ doesn’t belong to anyone, at least it didn’t. Poor thing,” feelingly. “It—it doesn’t want much to make it happy. It can sleep in my room an’ jus’ eat scraps.”

“You’ll have to take it, you know, William,” said Mrs. Brown, “so be quick. You know where the Police Station is, don’t you? Shall I come with you?”

A few minutes later he was walking down to[235] the Police Station followed by the still eager Jumble, who trotted along, unconscious of his doom.

Upon William’s face was a set, stern expression which cleared slightly as he neared the Police Station. He stood at the gate and looked at Jumble. Jumble placed his front paws ready for a game and wagged his tail.

Jumble gave a shrill bark. “Hurry up with that stick or that race, whichever you like,” he seemed to say.

Jumble began to worry a big stone in the road. He rolled it along with his paws, then ran after it with fierce growls.

With that he turned on his heel and walked home, without one backward glance. But he walked slowly, with many encouraging “Hey! Jumbles” and many short commanding whistles. And Jumble trotted happily at his heels. There was no one in the garden, there was no one in the hall, there was no one on the stairs. Fate was for once on William’s side.

William appeared at the tea-table well washed and brushed, wearing that air of ostentatious virtue that those who knew him best connected with his most daring coups.

“Did you take that dog to the Police Station, William?” said William’s father.

“I suppose I’d better spend the evening replanting those rose-trees,” went on his father bitterly.

“And William gave him a whole steak and kidney pie,” murmured Mrs. Brown. “Cook will have to make another for to-morrow.”

They sat, listening intently. There was a dull grating sound as of the scratching of wood.

“It’s a dog!” said the four of them simultaneously. “It’s William’s dog.”

They all turned horrified eyes upon William, who coloured slightly but continued to eat a piece of cake with an unconvincing air of abstraction.

“I thought you said you’d taken that dog to the Police Station, William,” said Mr. Brown sternly.

“I did,” said William with decision. “I did take it to the Police Station an’ I came home. I s’pose it must of got out an’ come home an’ gone up into my bedroom.”

“Robert,” he said, “will you please see that that animal goes to the Police Station this evening?”

“Look!” said William bitterly. “Look at how it knows one! Nice thing to send a dog that knows one like that to the Police Station! Mean sort of trick!”

“Mongrel!” said William indignantly. “There jus’ isn’t no mongrel about him. Look at him! An’ he can learn tricks easy as easy. Look at him sit up and beg. I only taught him this afternoon.”

He took a biscuit out of his pocket and held it up. Jumble rose unsteadily on to his hind legs and tumbled over backwards. He wagged his tail and grinned, intensely amused. Robert’s expression of superiority relaxed.

“Do it again,” he said. “Not so far back. Here! Give it me. Come on, come on, old chap! That’s it! Now stay there! Stay there! Good dog! Got any more? Let’s try him again.”

During the next twenty minutes they taught him to sit up and almost taught him “Trust” and “Paid for.” There was certainly a charm about Jumble. Even Robert felt it. Then Ethel’s voice came up the stairs.[239]

“Blow the wretched dog!” said the fickle Robert rising, red and dishevelled from stooping over Jumble. “We were going to walk to Fairfields and the beastly Police Station’s right out of our way.”

“I will, honest, to-night, Robert. Well, I couldn’t, could I?—after all this.”

“I don’t know,” said Robert darkly. “No one ever knows what you are going to do!”

“Hurry up, old chap! We shall never have time to do it before dark, if you aren’t quick.”

“Well,” he said, “you just mind you do, that’s all, or I’ll jolly well hear about it. I’ll see you do too.”

So William started off once more towards the Police Station with Jumble, still blissfully happy, at his heels. William walked slowly, eyes fixed on the ground, brows knit in deep thought. It was very rarely that William admitted himself beaten.

William fixed his eye moodily upon him for a[240] minute, then very gradually his eye brightened and his face cleared. William had an idea.

“If I give you a dog half time,” he said slowly, “will you give me your bow and arrows half time?”

“There’s one behind me, isn’t there,” he said anxiously. “Hey, Jumble!”

“Well,” continued William, “I’m taking him to the Police Station and I’m just goin’ on an’ he’s following me and if you take him off me I won’t see you ’cause I won’t turn round and jus’ take hold of his collar an’ he’s called Jumble an’ take him up to the old barn and we’ll keep him there an’ join at him and feed him days and days about and you let me practice on your bow and arrow. That’s fair, isn’t it?”

“I took him, Robert—least—I started off with him, but when I’d got there he’d gone. I looked round and he’d jus’ gone. I couldn’t see him anywhere, so I came home.”[241]

“Well, if he comes to this house again,” said Robert, “I’ll wring his[242] neck, so just you look out.” Two days later William sat in the barn on an upturned box, chin in hands, gazing down at Jumble. A paper bag containing Jumble’s ration for the day lay beside him. It was his day of ownership. The collecting of Jumble’s “scraps” was a matter of infinite care and trouble. They consisted in—a piece of bread that William had managed to slip into his pocket during breakfast, a piece of meat he had managed to slip into his pocket during dinner, a jam puff stolen from the larder and a bone removed from the dustbin. Ginger roamed the fields with his bow and arrow while William revelled in the ownership of Jumble. To-morrow William would roam the fields with bow and arrow and Ginger would assume ownership of Jumble.

William had spent the morning teaching Jumble several complicated tricks, and adoring him more and more completely each moment. He grudged him bitterly to Ginger, but—the charm of the bow and arrow was strong. He wished to terminate the partnership, to resign Ginger’s bow and arrow and take the irresistible Jumble wholly to himself. He thought of the bow and arrow in the library cupboard; he thought, planned, plotted, but could find no way out. He did not see a man come to the door of the barn and stand there leaning against the door-post watching him. He was a tall man with a thin, lean face and a loose-fitting tweed suit. As his eyes lit upon William and Jumble they narrowed suddenly and his mobile lips curved into a slight, unconscious smile. Jumble saw him first and went towards him wagging his tail. William looked up and scowled ungraciously. The stranger raised his hat.

“Good afternoon,” he said politely, “Do you remember what you were thinking about just then?”

William looked at him with a certain interest,[243] speculating upon his probable insanity. He imagined lunatics were amusing people.

“Well, if you’ll think of it again and look just like that, I’ll give you anything you like. It’s a rash promise, but I will.”

William promptly complied. He quite forgot the presence of the strange man, who took a little block out of his pocket and began to sketch William’s inscrutable, brooding face.

“You’ll do it again for me one day, won’t you, and I’ll keep my promise. Hello!”

A little girl appeared now at the barn door, dainty, dark-eyed and exquisitely dressed. She threw a lightning flash at the occupants of the barn.

“Daddy!” she screamed. “It’s Jumble! It is Jumble! Oh, you horrid dog-stealing boy!”

Jumble ran to her with shrill barks of welcome, then ran back to William to reassure him of his undying loyalty.

“It is Jumble,” said the man. “He’s called Jumble,” he explained to William, “because he is a jumble. He’s all sorts of a dog, you know. This is Ninette, my daughter, and my name is Jarrow, and we’ve taken Lavender Cottage for two months. We’re roving vagabonds. We never stay anywhere longer than two months. So now you know all about us. Jumble seems to have adopted you. Ninette, my dear, you are completely ousted from Jumble’s heart. This gentleman reigns supreme.”

“I didn’t steal him,” said William indignantly.[244] “He just came. He began following me. I didn’t want him to—not jus’ at first anyway, not much anyway. I suppose,” a dreadful fear came to his heart, “I suppose you want him back?”

“You can keep him for a bit if you want him, can’t he Daddy? Daddy’s going to buy me a Pom—a dear little white Pom. When we lost Jumble, I thought I’d rather have a Pom. Jumble’s so rough and he’s not really a good dog. I mean he’s no pedigree.”

“Then can I keep him jus’ for a bit?” said William, his voice husky with eagerness.

“Oh, yes. I’d much rather have a quieter sort of dog. Would you like to come and see our cottage? It’s just over here.”

William, slightly bewildered but greatly relieved, set off with her. Mr. Jarrow followed slowly behind. It appeared that Miss Ninette Jarrow was rather a wonderful person. She was eleven years old. She had visited every capital in Europe, seen the best art and heard the best music in each. She had been to every play then on in London. She knew all the newest dances.

“Do you like Paris?” she asked William as they went towards Lavender Cottage.

“Never been there,” said William stolidly, glancing round surreptitiously to see that Jumble was following.

William disdained to answer. He whistled to[245] Jumble, who was chasing an imaginary rabbit in a ditch.

“I don’t know,” he said guardedly. “I’ve not tried. I expect I could.”

She stopped suddenly under a tree and held up her little vivacious, piquant face to him.

“Oh, you are a funny boy!” she said with a ripple of laughter, “and you look so rough and untidy. You’re rather like Jumble. Do you like Jumble?”

“Yes,” said William. His voice had a sudden quaver in it. His ownership of Jumble was a thing of the past.

“You can have him for always and always,” she said suddenly. “Now kiss me!”

He kissed her cheek awkwardly with the air of one determined to do his duty, but with a great, glad relief at his heart.

“I mustn’t,” said William irritably. “I might[246] have seen him and not known it was him, mightn’t I?”

“He’s such a funny boy, Daddy, and he can’t jazz and he’s never seen Pavlova, and he can’t talk French and I’ve given him Jumble and he didn’t want to kiss me!”

“Beware, young man,” he said. “She’ll try to educate you. I know her. I warn you.”

“I do like you,” said Ninette graciously as he took his departure. “You must come again. I’ll teach you heaps of things. I think I’d like to marry you when we grow up. You’re so—restful.”

William came home the next afternoon to find Mr. Jarrow in the armchair in the library talking to his father.

“I was just dry for a subject,” he was saying; “at my wits’ end, and when I saw them there, I had a Heaven-sent inspiration. Ah! here he is. Ninette wants you to come to tea to-morrow, William. Ninette’s given him Jumble. Do you mind?” turning to Mr. Brown.

“I’m trying not to,” he said. “He kept us all awake last night, but I suppose we’ll get used to it.”[247]

“And I made him a rash promise,” went on Mr. Jarrow, “and I’m jolly well going to keep it if it’s humanly possible. William, what would you like best in all the world?”

“It means that we all go once more in hourly peril of our lives,” he said resignedly.

After tea William set off again down the road. The setting sun had turned the sky to gold. There was a soft haze over all the countryside. The clear bird songs filled all the air, and the hedgerows were bursting into summer. And through it all marched William, with a slight swagger, his bow under one arm, his arrows under the other, while at his heels trotted Jumble, eager, playful, adoring—a mongrel unashamed—all sorts of a dog. And at William’s heart was a proud, radiant happiness.

There was a picture in that year’s Academy that attracted a good deal of attention. It was of a boy sitting on an upturned box in a barn, his elbows on his knees, his chin in his hands. He was gazing down at a mongrel dog and in his freckled face was the solemnity and unconscious, eager wistfulness that is the mark of youth. His untidy, unbrushed hair stood up round his face.[248] The mongrel was looking up, quivering, expectant, trusting, adoring, some reflection of the boy’s eager wistfulness showing in the eyes and cocked ears. It was called “Friendship.”

Mrs. Brown went up to see it. She said it wasn’t really a very good likeness of William and she wished they’d made him look a little tidier.

Transcriber’s Note

The abbreviation d. for penny is sometimes italicised, and sometimes not. This has been retained.

Where full-page illustrations fall within paragraphs, they have been moved to the nearest paragraph break.

*** END OF THE PROJECT GUTENBERG EBOOK JUST—WILLIAM ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.