Title: Index of the Project Gutenberg Works of William Butler Yeats
Author: W. B. Yeats
Editor: David Widger
Release date: June 16, 2019 [eBook #59768]
Most recently updated: February 25, 2021
Language: English
Credits: Produced by David Widger

| PAGE | |
| THE WIND AMONG THE REEDS: | |
|
THE HOSTING OF THE SIDHE
|
3 |
|
THE EVERLASTING VOICES
|
4 |
|
THE MOODS
|
4 |
|
THE LOVER TELLS OF THE ROSE IN HIS HEART
|
5 |
|
THE HOST OF THE AIR
|
6 |
|
THE FISHERMAN
|
8 |
|
A CRADLE SONG
|
9 |
|
INTO THE TWILIGHT
|
10 |
|
THE SONG OF WANDERING AENGUS
|
11 |
|
THE HEART OF THE WOMAN
|
13 |
|
THE LOVER MOURNS FOR THE LOSS OF LOVE
|
14 |
|
HE MOURNS FOR THE CHANGE THAT HAS COME UPON HIM AND HIS BELOVED AND
LONGS FOR THE END OF THE WORLD
|
15 |
|
HE BIDS HIS BELOVED BE AT PEACE
|
17 |
|
HE REPROVES THE CURLEW
|
18 |
|
HE REMEMBERS FORGOTTEN BEAUTY
|
19 |
|
A POET TO HIS BELOVED
|
20 |
|
HE GIVES HIS BELOVED CERTAIN RHYMES
|
20 |
|
TO MY HEART, BIDDING IT HAVE NO FEAR
|
21 |
|
THE CAP AND BELLS
|
22 |
|
THE VALLEY OF THE BLACK PIG
|
24[vi] |
|
THE LOVER ASKS FORGIVENESS BECAUSE OF HIS MANY MOODS
|
25 |
|
HE TELLS OF A VALLEY FULL OF LOVERS
|
27 |
|
HE TELLS OF THE PERFECT BEAUTY
|
28 |
|
HE HEARS THE CRY OF THE SEDGE
|
28 |
|
HE THINKS OF THOSE WHO HAVE SPOKEN EVIL OF HIS BELOVED
|
29 |
|
THE BLESSED
|
30 |
|
THE SECRET ROSE
|
32 |
|
MAID QUIET
|
33 |
|
THE TRAVAIL OF PASSION
|
34 |
|
THE LOVER PLEADS WITH HIS FRIEND FOR OLD FRIENDS
|
35 |
|
A LOVER SPEAKS TO THE HEARERS OF HIS SONGS IN COMING DAYS
|
36 |
|
THE POET PLEADS WITH THE ELEMENTAL POWERS
|
37 |
|
HE WISHES HIS BELOVED WERE DEAD
|
39 |
|
HE WISHES FOR THE CLOTHS OF HEAVEN
|
39 |
|
HE THINKS OF HIS PAST GREATNESS WHEN A PART OF THE CONSTELLATIONS OF
HEAVEN
|
40 |
| THE OLD AGE OF QUEEN MAEVE | 41 |
| BAILE AND AILLINN | 51 |
| IN THE SEVEN WOODS: | |
|
IN THE SEVEN WOODS
|
63 |
|
THE ARROW
|
66 |
|
THE FOLLY OF BEING COMFORTED
|
67[vii] |
|
OLD MEMORY
|
68 |
|
NEVER GIVE ALL THE HEART
|
69 |
|
THE WITHERING OF THE BOUGHS
|
70 |
|
ADAMâ?TS CURSE
|
72 |
|
RED HANRAHANâ?TS SONG ABOUT IRELAND
|
74 |
|
THE OLD MEN ADMIRING THEMSELVES IN THE WATER
|
75 |
|
UNDER THE MOON
|
76 |
|
THE HOLLOW WOOD
|
78 |
|
O DO NOT LOVE TOO LONG
|
79 |
|
THE PLAYERS ASK FOR A BLESSING ON THE PSALTERIES AND ON THEMSELVES
|
80 |
|
THE HAPPY TOWNLAND
|
82 |
| EARLY POEMS. | |
| BALLADS AND LYRICS: | |
|
TO SOME I HAVE TALKED WITH BY THE FIRE. A DEDICATION TO A VOLUME OF
EARLY POEMS
|
89 |
|
THE SONG OF THE HAPPY SHEPHERD
|
91 |
|
THE SAD SHEPHERD
|
94 |
|
THE CLOAK, THE BOAT, AND THE SHOES
|
96 |
|
ANASHUYA AND VIJAYA
|
97 |
|
THE INDIAN UPON GOD
|
103 |
|
THE INDIAN TO HIS LOVE
|
105 |
|
THE FALLING OF THE LEAVES
|
106 |
|
EPHEMERA
|
107 |
|
THE MADNESS OF KING GOLL
|
109[viii] |
|
THE STOLEN CHILD
|
113 |
|
TO AN ISLE IN THE WATER
|
116 |
|
DOWN BY THE SALLEY GARDENS
|
117 |
|
THE MEDITATION OF THE OLD FISHERMAN
|
118 |
|
THE BALLAD OF FATHER Oâ?THART
|
119 |
|
THE BALLAD OF MOLL MAGEE
|
121 |
|
THE BALLAD OF THE FOXHUNTER
|
124 |
|
THE BALLAD OF FATHER GILLIGAN
|
127 |
|
THE LAMENTATION OF THE OLD PENSIONER
|
130 |
|
THE FIDDLER OF DOONEY
|
131 |
|
THE DEDICATION TO A BOOK OF STORIES SELECTED FROM THE IRISH
NOVELISTS
|
132 |
| THE ROSE: | |
|
TO THE ROSE UPON THE ROOD OF TIME
|
139 |
|
FERGUS AND THE DRUID
|
141 |
|
THE DEATH OF CUCHULAIN
|
144 |
|
THE ROSE OF THE WORLD
|
149 |
|
THE ROSE OF PEACE
|
150 |
|
THE ROSE OF BATTLE
|
151 |
|
A FAERY SONG
|
153 |
|
THE LAKE ISLE OF INNISFREE
|
154 |
|
A CRADLE SONG
|
155 |
|
THE SONG OF THE OLD MOTHER
|
156 |
|
THE PITY OF LOVE
|
156 |
|
THE SORROW OF LOVE
|
157 |
|
WHEN YOU ARE OLD
|
158 |
|
THE WHITE BIRDS
|
159 |
|
A DREAM OF DEATH
|
161[ix] |
|
A DREAM OF A BLESSED SPIRIT
|
162 |
|
THE MAN WHO DREAMED OF FAERYLAND
|
163 |
|
THE TWO TREES
|
165 |
|
TO IRELAND IN THE COMING TIMES
|
167 |
| THE WANDERINGS OF OISIN | 169 |
| NOTES | 227 |
| PAGE | |
| THE KING'S THRESHOLD | 1 |
| ON BAILE'S STRAND | 69 |
| DEIRDRE | 125 |
| THE SHADOWY WATERS | 179 |
| APPENDIX I: | |
|
ACTING VERSION OF 'THE SHADOWY WATERS'
|
231 |
| APPENDIX II: | |
|
A DIFFERENT VERSION OF DEIRDRE'S ENTRANCE
|
251 |
| APPENDIX III: | |
|
THE LEGENDARY AND MYTHOLOGICAL FOUNDATION OF THE PLAYS
|
254 |
| APPENDIX IV: | |
|
THE DATES AND PLACES OF PERFORMANCE OF PLAYS
|
256 |
| PAGE | |
| THE COUNTESS CATHLEEN | 1 |
| THE LAND OF HEART'S DESIRE | 89 |
| THE UNICORN FROM THE STARS, | |
| BY LADY GREGORY AND W. B. YEATS | 121 |
| APPENDIX: | |
| THE COUNTESS CATHLEEN | 209 |
| NOTES | 214 |
| PAGE | |
| THE HOUR-GLASS | 1 |
| CATHLEEN NI HOULIHAN | 31 |
| THE GOLDEN HELMET | 55 |
| THE IRISH DRAMATIC MOVEMENT | 79 |
| APPENDIX I: | |
|
'THE HOUR-GLASS'
|
233 |
| APPENDIX II: | |
|
'CATHLEEN NI HOULIHAN'
|
240 |
| APPENDIX III: | |
|
'THE GOLDEN HELMET'
|
243 |
| APPENDIX IV: | |
|
DATES AND PLACES OF THE FIRST PERFORMANCE OF NEW PLAYS PRODUCED BY
THE NATIONAL THEATRE SOCIETY AND ITS PREDECESSORS
|
244 |
| THE CELTIC TWILIGHT | |
| PAGE | |
|
THIS BOOK
|
1 |
|
A TELLER OF TALES
|
3 |
|
BELIEF AND UNBELIEF
|
6 |
|
MORTAL HELP
|
9 |
|
A VISIONARY
|
11 |
|
VILLAGE GHOSTS
|
17 |
|
'DUST HATH CLOSED HELEN'S EYE'
|
27 |
|
A KNIGHT OF THE SHEEP
|
39 |
|
AN ENDURING HEART
|
44 |
|
THE SORCERERS
|
48 |
|
THE DEVIL
|
54 |
|
HAPPY AND UNHAPPY THEOLOGIANS
|
56 |
|
THE LAST GLEEMAN
|
63 |
|
REGINA, REGINA PIGMEORUM VENI
|
73 |
|
'AND FAIR, FIERCE WOMEN'
|
78 |
|
ENCHANTED WOODS
|
82 |
|
MIRACULOUS CREATURES
|
89 |
|
ARISTOTLE OF THE BOOKS
|
91 |
|
THE SWINE OF THE GODS
|
92 |
|
A VOICE
|
94 |
|
KIDNAPPERS
|
96 |
|
THE UNTIRING ONES
|
106 |
|
EARTH, FIRE AND WATER
|
110 |
|
THE OLD TOWN
|
112 |
|
THE MAN AND HIS BOOTS
|
115 |
|
A COWARD
|
117 |
|
THE THREE O'BYRNES AND THE EVIL FAERIES
|
119 |
|
DRUMCLIFF AND ROSSES
|
121 |
|
THE THICK SKULL OF THE FORTUNATE
|
131 |
|
THE RELIGION OF A SAILOR
|
134 |
|
CONCERNING THE NEARNESS TOGETHER OF HEAVEN, EARTH, AND PURGATORY
|
136 |
|
THE EATERS OF PRECIOUS STONES
|
138 |
|
OUR LADY OF THE HILLS
|
140 |
|
THE GOLDEN AGE
|
144 |
|
A REMONSTRANCE WITH SCOTSMEN FOR HAVING SOURED THE DISPOSITION OF
THEIR GHOSTS AND FAERIES
|
146 |
|
WAR
|
152 |
|
THE QUEEN AND THE FOOL
|
155 |
|
THE FRIENDS OF THE PEOPLE OF FAERY
|
162 |
|
DREAMS THAT HAVE NO MORAL
|
172 |
|
BY THE ROADSIDE
|
190 |
|
'INTO THE TWILIGHT'
|
193 |
| STORIES OF RED HANRAHAN: | |
|
RED HANRAHAN
|
197 |
|
THE TWISTING OF THE ROPE
|
213 |
|
HANRAHAN AND CATHLEEN THE DAUGHTER OF HOOLIHAN
|
225 |
|
RED HANRAHAN'S CURSE
|
231 |
|
HANRAHAN'S VISION
|
242 |
|
THE DEATH OF HANRAHAN
|
250 |
| PAGE | |
| WHAT IS 'POPULAR POETRY'? | 1 |
| SPEAKING TO THE PSALTERY | 13 |
| MAGIC | 23 |
| THE HAPPIEST OF THE POETS | 55 |
| THE PHILOSOPHY OF SHELLEY'S POETRY | 71 |
| AT STRATFORD-ON-AVON | 111 |
| WILLIAM BLAKE AND THE IMAGINATION | 131 |
| WILLIAM BLAKE AND HIS ILLUSTRATIONS TO THE 'DIVINE COMEDY' | 138 |
| SYMBOLISM IN PAINTING | 176 |
| THE SYMBOLISM OF POETRY | 185 |
| THE THEATRE | 200 |
| THE CELTIC ELEMENT IN LITERATURE | 210 |
| THE AUTUMN OF THE BODY | 230 |
| THE MOODS | 238 |
| THE BODY OF THE FATHER CHRISTIAN ROSENCRUX | 240 |
| THE RETURN OF ULYSSES | 243 |
| IRELAND AND THE ARTS | 249 |
| THE GALWAY PLAINS | 259 |
| EMOTION OF MULTITUDE | 264 |
| PAGE | |
| THE SECRET ROSE: | |
| DEDICATION | 3 |
| TO THE SECRET ROSE | 5 |
| THE CRUCIFIXION OF THE OUTCAST | 7 |
| OUT OF THE ROSE | 20 |
| THE WISDOM OF THE KING | 31 |
| THE HEART OF THE SPRING | 42 |
| THE CURSE OF THE FIRES AND OF THE SHADOWS | 51 |
| THE OLD MEN OF THE TWILIGHT | 61 |
| WHERE THERE IS NOTHING, THERE IS GOD | 69 |
|
OF COSTELLO THE PROUD, OF OONA THE
DAUGHTER OF DERMOTT AND OF THE BITTER TONGUE
|
78 |
| ROSA ALCHEMICA | 103 |
| THE TABLES OF THE LAW | 141 |
| THE ADORATION OF THE MAGI | 165 |
| EARLY STORIES. | |
| JOHN SHERMAN | 183 |
| DHOYA | 283 |
| PAGE | |
| DISCOVERIES: | |
| PROPHET, PRIEST AND KING | 3 |
| PERSONALITY AND THE INTELLECTUAL ESSENCES | 8 |
| THE MUSICIAN AND THE ORATOR | 12 |
| A GUITAR PLAYER | 13 |
| THE LOOKING-GLASS | 14 |
| THE TREE OF LIFE | 15 |
| THE PRAISE OF OLD WIVES' TALES | 18 |
| THE PLAY OF MODERN MANNERS | 20 |
| HAS THE DRAMA OF CONTEMPORARY LIFE A ROOT OF ITS OWN? | 22 |
| WHY THE BLIND MAN IN ANCIENT TIMES WAS MADE A POET | 24 |
| CONCERNING SAINTS AND ARTISTS | 29 |
| THE SUBJECT MATTER OF DRAMA | 32 |
| THE TWO KINDS OF ASCETICISM | 36 |
| IN THE SERPENT'S MOUTH | 38 |
| THE BLACK AND THE WHITE ARROWS | 39 |
| HIS MISTRESS'S EYEBROWS | 39 |
| THE TRESSES OF THE HAIR | 41 |
| A TOWER ON THE APENNINE | 42 |
| THE THINKING OF THE BODY | 43 |
| RELIGIOUS BELIEF NECESSARY TO SYMBOLIC ART | 45 |
| THE HOLY PLACES | 48[vi] |
| EDMUND SPENSER | 51 |
| POETRY AND TRADITION | 91 |
| MODERN IRISH POETRY | 113 |
| LADY GREGORY'S CUCHULAIN OF MUIRTHEMNE | 131 |
| LADY GREGORY'S GODS AND FIGHTING MEN | 147 |
| MR. SYNGE AND HIS PLAYS | 171 |
| LIONEL JOHNSON | 183 |
| THE PATHWAY | 189 |
| BIBLIOGRAPHY | 197 |
| RED HANRAHAN. |
| THE TWISTING OF THE ROPE. |
| HANRAHAN AND CATHLEEN THE DAUGHTER OF HOOLIHAN. |
| RED HANRAHAN'S CURSE. |
| HANRAHAN'S VISION. |
| THE DEATH OF HANRAHAN. |
| THE TROOPING FAIRIES— | PAGE | |
| The Fairies | 3 | |
| Frank Martin and the Fairies | 5 | |
| The Priest's Supper | 9 | |
| The Fairy Well of Lagnanay | 13 | |
| Teig O'Kane and the Corpse | 16 | |
| Paddy Corcoran's Wife | 31 | |
| Cusheen Loo | 33 | |
| The White Trout; A Legend of Cong | 35 | |
| The Fairy Thorn | 38 | |
| The Legend of Knockgrafton | 40 | |
| A Donegal Fairy | 46 | |
| Changelings— | ||
| The Brewery of Egg-shells | 48 | |
| The Fairy Nurse | 51 | |
| Jamie Freel and the Young Lady | 52 | |
| The Stolen Child | 59 | |
| The Merrow— | ||
| The Soul Cages | 61 | |
| Flory Cantillon's Funeral | 75 | |
| THE SOLITARY FAIRIES— | ||
| The Lepracaun; or, Fairy Shoemaker | 81 | |
| Master and Man | 84 | |
| Far Darrig in Donegal | 90 | |
| The Piper and the Puca | 95 | |
| Daniel O'Rourke | 97 | |
| The Kildare Pooka | 105 | |
| How Thomas Connolly met the Banshee | 108 | |
| A Lamentation for the Death of Sir Maurice Fitzgerald | 112 | |
| The Banshee of the MacCarthys | 113 | |
| GHOSTS— | ||
| A Dream | 129 | |
| Grace Connor | 130 | |
| A Legend of Tyrone | 132 | |
| The Black Lamb | 134 | |
| The Radiant Boy | 136 | |
| The Fate of Frank M'Kenna | 139 | |
| WITCHES, FAIRY DOCTORS— | [Pg viii] | |
| Bewitched Butter (Donegal) | 149 | |
| A Queen's County Witch | 151 | |
| The Witch Hare | 154 | |
| Bewitched Butter (Queen's County) | 155 | |
| The Horned Women | 165 | |
| The Witches' Excursion | 168 | |
| The Confessions of Tom Bourke | 170 | |
| The Pudding Bewitched | 185 | |
| T'YEER-NA-N-OGE— | ||
| The Legend of O'Donoghue | 201 | |
| Rent-Day | 203 | |
| Loughleagh (Lake of Healing) | 206 | |
| Hy-Brasail.—The Isle of the Blest | 212 | |
| The Phantom Isle | 213 | |
| SAINTS, PRIESTS— | ||
| The Priest's Soul | 215 | |
| The Priest of Coloony | 220 | |
| The Story of the Little Bird | 222 | |
| Conversion of King Laoghaire's Daughters | 224 | |
| King O'Toole and his Goose | 224 | |
| THE DEVIL— | ||
| The Demon Cat | 229 | |
| The Long Spoon | 231 | |
| The Countess Kathleen O'Shea | 232 | |
| The Three Wishes | 235 | |
| GIANTS— | ||
| The Giant's Stairs | 260 | |
| A Legend of Knockmany | 266 | |
| KINGS, QUEENS, PRINCESSES, EARLS, ROBBERS— | ||
| The Twelve Wild Geese | 280 | |
| The Lazy Beauty and her Aunts | 286 | |
| The Haughty Princess | 290 | |
| The Enchantment of Gearoidh Iarla | 294 | |
| Munachar and Manachar | 296 | |
| Donald and his Neighbours | 299 | |
| The Jackdaw | 303 | |
| The Story of Conn-eda | 306 | |
| NOTES | 319 |
| PAGE | |
| All Souls’ Night | 1 |
| Suggested by a Picture of a Black Centaur | 6 |
| Thoughts upon the Present State of the World | 7 |
| The New Faces | 14 |
| A Prayer for My Son | 14 |
| Cuchulain the Girl and the Fool | 16 |
| The Wheel | 18 |
| A New End for ‘The King’s Threshold’ | 18 |
| NOTES | |
| Note on ‘Thoughts Upon the Present State of the World’ Section Six | 23 |
| Note on The New End to ‘The King’s Threshold’ | 24 |
| page | |
| The Hosting of the Sidhe | 1 |
| The Everlasting Voices | 3 |
| The Moods | 4 |
| Aedh tells of the Rose in his Heart | 5 |
| The Host of the Air | 7 |
| Breasal the Fisherman | 10 |
| A Cradle Song | 11 |
| Into the Twilight | 13 |
| The Song of Wandering Aengus | 15 |
| The Song of the old Mother | 17 |
| The Fiddler of Dooney | 18 |
| The Heart of the Woman | 20 |
| Aedh Laments the Loss of Love | 21 |
| Mongan laments the Change that has come upon him and his Beloved | 22 |
| Michael Robartes bids his Beloved be at Peace | 24[vi] |
| Hanrahan reproves the Curlew | 26 |
| Michael Robartes remembers forgotten Beauty | 27 |
| A Poet to his Beloved | 29 |
| Aedh gives his Beloved certain Rhymes | 30 |
| To my Heart, bidding it have no Fear | 31 |
| The Cap and Bells | 32 |
| The Valley of the Black Pig | 35 |
| Michael Robartes asks Forgiveness because of his many Moods | 37 |
| Aedh tells of a Valley full of Lovers | 40 |
| Aedh tells of the perfect Beauty | 42 |
| Aedh hears the Cry of the Sedge | 43 |
| Aedh thinks of those who have spoken Evil of his Beloved | 44 |
| The Blessed | 45 |
| The Secret Rose | 47 |
| Hanrahan laments because of his Wanderings | 51 |
| The Travail of Passion | 52 |
| The Poet pleads with his Friend for old Friends | 54[vii] |
| Hanrahan speaks to the Lovers of his Songs in coming Days | 55 |
| Aedh pleads with the Elemental Powers | 57 |
| Aedh wishes his Beloved were Dead | 59 |
| Aedh wishes for the Cloths of Heaven | 60 |
| Mongan thinks of his past Greatness | 61 |
| Notes | 65 |
| page | |
| The Wild Swans at Coole | 1 |
| In Memory of Major Robert Gregory | 4 |
| An Irish Airman foresees his Death | 13 |
| Men improve with the Years | 14 |
| The Collar-Bone of a Hare | 15 |
| Under the Round Tower | 17 |
| Solomon to Sheba | 19 |
| The Living Beauty | 21 |
| A Song | 22 |
| To a Young Beauty | 23 |
| To a Young Girl | 24 |
| The Scholars | 25 |
| Tom O'Roughley | 26 |
| The Sad Shepherd | 27 |
| Lines written in Dejection | 39 |
| The Dawn | 40[viii] |
| On Woman | 41 |
| The Fisherman | 44 |
| The Hawk | 46 |
| Memory | 47 |
| Her Praise | 48 |
| The People | 50 |
| His Phoenix | 54 |
| A Thought from Propertius | 58 |
| Broken Dreams | 59 |
| A Deep-Sworn Vow | 63 |
| Presences | 64 |
| The Balloon of the Mind | 66 |
| To a Squirrel at Kyle-Na-Gno | 67 |
| On being asked for a War Poem | 68 |
| In Memory of Alfred Pollexfen | 69 |
| Upon a Dying Lady | 72 |
| Ego Dominus Tuus | 79 |
| A Prayer on going into my House | 86 |
| The Phases of the Moon | 88 |
| The Cat and the Moon | 102 |
| The Saint and the Hunchback | 104[ix] |
| Two Songs of a Fool | 106 |
| Another Song of a Fool | 108 |
| The Double Vision of Michael Robartes | 109 |
| Note | 115 |
| WHAT IS ‘POPULAR POETRY’? | 1 |
| SPEAKING TO THE PSALTERY | 16 |
| MAGIC | 29 |
| THE HAPPIEST OF THE POETS | 70 |
| THE PHILOSOPHY OF SHELLEY’S POETRY | 90 |
| AT STRATFORD-ON-AVON | 142 |
| WILLIAM BLAKE AND THE IMAGINATION | 168 |
| WILLIAM BLAKE AND HIS ILLUSTRATIONS TO THE DIVINE COMEDY | 176 |
| SYMBOLISM IN PAINTING | 226 |
| THE SYMBOLISM OF POETRY | 237 |
| THE THEATRE | 257 |
| THE CELTIC ELEMENT IN LITERATURE | 270 |
| THE AUTUMN OF THE BODY | 296 |
| THE MOODS | 306 |
| THE BODY OF THE FATHER CHRISTIAN ROSENCRUX | 308 |
| THE RETURN OF ULYSSES | 312 |
| IRELAND AND THE ARTS | 320 |
| THE GALWAY PLAINS | 333 |
| EMOTION OF MULTITUDE | 339 |
| Prophet, Priest and King | Page 1 |
| Personality and the Intellectual Essences | 5 |
| The Musician and the Orator | 9 |
| A Banjo Player | 10 |
| The Looking-glass | 11 |
| The Tree of Life | 12 |
| The Praise of Old Wives’ Tales | 15 |
| The Play of Modern Manners | 16 |
| Has the Drama of Contemporary Life a Root of its Own | 18 |
| Why the Blind Man in Ancient Times was made a Poet | 20 |
| Concerning Saints and Artists | 24 |
| The Subject Matter of Drama | 27 |
| The Two Kinds of Asceticism | 30 |
| In the Serpent’s Mouth | 32 |
| The Black and the White Arrows | 33 |
| His Mistress’s Eyebrows | 33 |
| The Tresses of the Hair | 35 |
| A Tower on the Apennine | 36 |
| The Thinking of the Body | 37 |
| Religious Belief necessary to symbolic Art | 39 |
| The Holy Places | 41 |
| PAGE | |
| Thoughts on Lady Gregory’s Translations | |
| I. Cuchulain and his Cycle | 1 |
| II. Fion and his Cycle | 12 |
| Preface to the First Edition of the Well of the Saints | 36 |
| Discoveries | |
| Prophet, Priest and King | 49 |
| Personality and the Intellectual Essences | 56 |
| The Musician and the Orator | 61 |
| A Guitar Player | 63 |
| The Looking-glass | 65 |
| The Tree of Life | 67 |
| The Praise of Old Wives’ Tales | 71 |
| The Play of Modern Manners | 73 |
| Has the Drama of Contemporary Life a Root of its Own? | 76 |
| Why the Blind Man in Ancient Times was made a Poet | 79 |
| Concerning Saints and Artists | 85 |
| The Subject Matter of Drama | 89 |
| The Two Kinds of Asceticism | 94 |
| In the Serpent’s Mouth | 97 |
| The Black and the White Arrows | 99 |
| His Mistress’s Eyebrows | 100 |
| The Tresses of the Hair | 103 |
| A Tower on the Apennines | 104 |
| The Thinking of the Body | 106 |
| Religious Belief Necessary to Religious Art | 109 |
| The Holy Places | 113 |
| Poetry and Tradition | 116 |
| Preface to the First Edition of John M. Synge’s Poems and Translations | 139 |
| J. M. Synge and the Ireland of his Time | 146 |
| The Tragic Theatre | 196 |
| John Shawe-Taylor | 208 |
| Edmund Spenser | 213 |
| PAGE | |
| Book I | |
| Four Years 1887-1891 | 3 |
| Book II | |
| Ireland after the Fall of Parnell | 83 |
| Book III | |
| Hodos Camelionis | 135 |
| Book IV | |
| The Tragic Generation | 157 |
| Book V | |
| The Stirring of the Bones | 225 |
| PAGE | ||
| Responsibilities, 1912-1914— | ||
| Introductory Rhymes | 1 | |
| The Grey Rock | 3 | |
| The Two Kings | 11 | |
| To a Wealthy Man | 29 | |
| September 1913 | 32 | |
| To a Friend whose Work has come to Nothing | 34 | |
| Paudeen | 35 | |
| To a Shade | 36 | |
| When Helen Lived | 39 | |
| The Attack on 'The Playboy of the Western World,'—1907 | 40 | |
| The Three Beggars | 41 | |
| The Three Hermits | 45 | |
| Beggar to Beggar cried | 47 | |
| The Well and the Tree | 49 | |
| Running to Paradise | 50 | |
| The Hour before Dawn | 52 | |
| The Player Queen | 59 | |
| The Realists | 61 | |
| The Witch | 62 | |
| The Peacock | 63 | |
| [vi] | The Mountain Tomb | 64 |
| To a Child dancing in the Wind | 66 | |
| A Memory of Youth | 68 | |
| Fallen Majesty | 70 | |
| Friends | 71 | |
| The Cold Heaven | 73 | |
| That the Night come | 75 | |
| An Appointment | 76 | |
| The Magi | 77 | |
| The Dolls | 78 | |
| A Coat | 80 | |
| Closing Rhymes | 81 | |
| From the Green Helmet and other Poems, 1909-1912— | ||
| His Dream | 85 | |
| A Woman Homer sung | 87 | |
| The Consolation | 89 | |
| No Second Troy | 91 | |
| Reconciliation | 92 | |
| King and No King | 94 | |
| Peace | 96 | |
| Against Unworthy Praise | 97 | |
| The Fascination of What's Difficult | 99 | |
| A Drinking Song | 101 | |
| The Coming of Wisdom with Time | 102 | |
| On hearing that the Students of our New University have joined the Ancient Order of Hibernians | 103 | |
| To a Poet | 104 | |
| [vii] | The Mask | 105 |
| Upon a House shaken by the Land Agitation | 106 | |
| At the Abbey Theatre | 108 | |
| These are the Clouds | 110 | |
| At Galway Races | 112 | |
| A Friend's Illness | 113 | |
| All Things can tempt me | 114 | |
| The Young Man's Song | 115 | |
| The Hour-Glass—1912 | 117 | |
| Notes | 181 | |
| DEDICATION OF VOLUMES ONE AND TWO OF PLAYS FOR AN IRISH THEATRE |
| WHERE THERE IS NOTHING. |
|
ACT
I. |
|
ACT
II. |
|
ACT
III. |
|
ACT
IV. |
|
ACT
V. |
| The King's Threshold |
| On Baile's Strand |
| GANCONAGH'S APOLOGY. | 1 |
| PART I. JOHN SHERMAN LEAVES BALLAH. | 3 |
| I | 5 |
| II | 17 |
| III | 27 |
| IV | 39 |
| PART II. MARGARET LELAND. | 43 |
| I | 45 |
| II | 51 |
| III | 55 |
| IV | 60 |
| V | 67 |
| VI | 70 |
| VII | 72 |
| VIII | 75 |
| IX | 77 |
| PART III. JOHN SHERMAN REVISITS BALLAH. | 83 |
| I | 85 |
| II | 88 |
| III | 91 |
| PART IV. THE REV. WILLIAM HOWARD. | 101 |
| I | 103 |
| II | 111 |
| III | 114 |
| IV | 125 |
| V | 134 |
| VI | 138 |
| PART V. JOHN SHERMAN RETURNS TO BALLAH. | 143 |
| I | 145 |
| II | 149 |
| III | 154 |
| IV | 165 |
| DHOYA. | 171 |
| I | 173 |
| II | 182 |
| III | 190 |