Title: Poems of Arthur Hugh Clough
Author: Arthur Hugh Clough
Release date: November 7, 2021 [eBook #66689]
Most recently updated: October 18, 2024
Language: English
Original publication: United Kingdom: MacMillan and Co., Limited
Credits: Emmanuel Ackerman and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
POEMS
OF
ARTHUR HUGH CLOUGH
SOMETIME FELLOW OF ORIEL COLLEGE
OXFORD
London
MACMILLAN AND CO., Limited
NEW YORK: THE MACMILLAN COMPANY
1898
First published elsewhere. First printed for Macmillan & Co.
1891. Reprinted 1895, 1898.
PAGE | |
EARLY POEMS. | |
An Evening Walk in Spring | 3 |
An Incident | 5 |
The Thread of Truth | 6 |
Revival | 7 |
The Shady Lane | 8 |
The Higher Courage | 9 |
Written on a Bridge | 10 |
A River Pool | 10 |
In a Lecture-Room | 11 |
‘Blank Misgivings of a Creature moving about in Worlds not realised’ | 12 |
A Song of Autumn | 18 |
τὸ καλόν | 19 |
Χρυσέα κλῄς ἐπὶ γλώσσᾳ | 20 |
The Silver Wedding | 20 |
The Music of the World and of the Soul | 23 |
Love, not Duty | 25 |
Love and Reason | 26 |
Ὁ Θεὸς μετὰ σοῦ! | 29 |
Wirkung in der Ferne | 30 |
ἐπὶ Λάτμῳ | 31 |
A Protest | 34 |
Sic Itur | 35 |
Parting | 36 |
Qua Cursum Ventus | 38 |
‘Wen Gott betrügt, ist wohl betrogen’ | 39 |
POEMS ON RELIGIOUS AND BIBLICAL SUBJECTS. | |
Fragments of the Mystery of the Fall | 43 |
The Song of Lamech | 69 |
Genesis XXIV. | 72[vi] |
Jacob | 74 |
Jacob’s Wives | 77 |
The New Sinai | 81 |
Qui laborat, orat | 85 |
ὕμνος ἄυμνος | 86 |
The Hidden Love | 87 |
Shadow and Light | 89 |
‘With Whom is no Variableness, neither Shadow of Turning’ | 90 |
In Stratis Viarum | 90 |
‘Perchè pensa? Pensando s’invecchia’ | 91 |
‘O thou of little Faith’ | 91 |
‘Through a Glass darkly’ | 92 |
Ah! yet consider it again! | 93 |
Noli æmulari | 93 |
‘What went ye out for to see?’ | 94 |
Epi-strauss-ium | 95 |
The Shadow (a Fragment) | 96 |
Easter Day (Naples, 1849) | 100 |
Easter Day, II. | 104 |
DIPSYCHUS | 107 |
Prologue | 108 |
Part I. | 109 |
Part II. | 127 |
Epilogue | 167 |
DIPSYCHUS CONTINUED (a Fragment) | 171 |
POEMS ON LIFE AND DUTY. | |
Duty | 181 |
Life is Struggle | 182 |
In the Great Metropolis | 183 |
The Latest Decalogue | 184 |
The Questioning Spirit | 185 |
Bethesda (a Sequel) | 186 |
Hope evermore and believe! | 188 |
Blessed are they that have not seen! | 189 |
Cold Comfort | 190 |
Sehnsucht | 191 |
High and Low | 193 |
All is well | 194 |
πάντα ῥεῖ· οὐδὲν μένει | 195 |
The Stream of Life | 196 |
In a London Square | 197[vii] |
THE BOTHIE OF TOBER-NA-VUOLICH: a Long-Vacation Pastoral | 199 |
IDYLLIC SKETCHES. | |
Ite Domum Saturæ, venit Hesperus | 259 |
A London Idyll | 260 |
Natura naturans | 262 |
AMOURS DE VOYAGE | 267 |
SEVEN SONNETS ON THE THOUGHT OF DEATH | 317 |
MARI MAGNO; or, TALES ON BOARD | 323 |
The Lawyer’s First Tale: Primitiæ, or Third Cousins | 329 |
The Clergyman’s First Tale: Love is Fellow-service | 352 |
My Tale: A la banquette; or, a Modern Pilgrimage | 361 |
The Mate’s Story | 371 |
The Clergyman’s Second Tale | 374 |
The Lawyer’s Second Tale: Christian | 384 |
SONGS IN ABSENCE | 399 |
ESSAYS IN CLASSICAL METRES. | |
Translations of Iliad | 417 |
Elegiacs | 422 |
Alcaics | 423 |
Actæon | 423 |
MISCELLANEOUS POEMS. | |
Come, Poet, come! | 427 |
The Dream Land | 428 |
In the Depths | 430 |
Darkness (a Fragment) | 430 |
Two Moods | 431 |
Youth and Age | 432 |
Solvitur acris Hiems | 434 |
Thesis and Antithesis | 434 |
ἀνεμώλια | 436 |
Columbus | 437 |
Even the Winds and the Sea obey | 438 |
Repose in Egypt | 439 |
To a Sleeping Child | 440[viii] |
Translations from Goethe | 441 |
Uranus | 442 |
Selene | 443 |
At Rome | 446 |
Last Words. Napoleon and Wellington | 448 |
Peschiera | 450 |
Alteram Partem | 452 |
Say not the struggle nought availeth | 452 |
‘I hope it is in good plain verse,’ said my uncle,—‘none of your hurry-scurry anapæsts, as you call them, in lines which sober people read for plain heroics. Nothing is more disagreeable than to say a line over two, or, it may be, three or four times, and at last not be sure that there are not three or four ways of reading, each as good and as much intended as another. Simplex duntaxat et unum. But you young people think Horace and your uncles old fools.’
‘Certainly, my dear sir,’ said I; ‘that is, I mean, Horace and my uncle are perfectly right. Still, there is an instructed ear and an uninstructed. A rude taste for identical recurrences would exact sing-song from “Paradise Lost,” and grumble because “Il Penseroso” doesn’t run like a nursery rhyme.’ ‘Well, well,’ said my uncle, ‘sunt certi denique fines, no doubt. So commence, my young Piso, while Aristarchus is tolerably wakeful, and do not waste by your logic the fund you will want for your poetry.’
END OF DIPSYCHUS.
‘I don’t very well understand what it’s all about,’ said my uncle. ‘I won’t say I didn’t drop into a doze while the young man was drivelling through his latter soliloquies. But there was a great deal that was unmeaning, vague, and involved; and what was most plain, was least decent and least moral.’
‘Dear sir,’ said I, ‘says the proverb—“Needs must when the devil drives;” and if the devil is to speak——’
‘Well,’ said my uncle, ‘why should he? Nobody asked him. Not that he didn’t say much which, if only it hadn’t been for the way he said it, and that it was he who said it, would have been sensible enough.’
‘But, sir,’ said I, ‘perhaps he wasn’t a devil after all. That’s the beauty of the poem; nobody can say. You see, dear sir, the thing which it is attempted to represent is the conflict between the tender conscience and the world. Now, the over-tender conscience will, of course, exaggerate the wickedness of the world; and the Spirit in my poem may be merely the hypothesis or subjective imagination formed——’
‘Oh, for goodness’ sake, my dear boy,’ interrupted my uncle, ‘don’t go into the theory of it. If you’re wrong in it, it makes bad worse; if you’re right, you may be a critic, but you can’t be a poet. And then you know very well I don’t understand all those new words. But as for that, I quite agree that consciences are much too tender in your generation—schoolboys’ consciences, too! As my old friend the Canon says of the Westminster students, “They’re all so pious.” It’s all Arnold’s doing; he spoilt the public schools.’
‘My dear uncle,’ said I, ‘how can so venerable a sexagenarian[168] utter so juvenile a paradox? How often have I not heard you lament the idleness and listlessness, the boorishness and vulgar tyranny, the brutish manners alike, and minds——’
‘Ah!’ said my uncle, ‘I may have fallen in occasionally with the talk of the day; but at seventy one begins to see clearer into the bottom of one’s mind. In middle life one says so many things in the way of business. Not that I mean that the old schools were perfect, any more than we old boys that were there. But whatever else they were or did, they certainly were in harmony with the world, and they certainly did not disqualify the country’s youth for after-life and the country’s service.’
‘But, my dear sir, this bringing the schools of the country into harmony with public opinion is exactly——’
‘Don’t interrupt me with public opinion, my dear nephew; you’ll quote me a leading article next. “Young men must be young men,” as the worthy head of your college said to me touching a case of rustication. “My dear sir,” said I, “I only wish to heaven they would be; but as for my own nephews, they seem to me a sort of hobbadi-hoy cherub, too big to be innocent, and too simple for anything else. They’re full of the notion of the world being so wicked and of their taking a higher line, as they call it. I only fear they’ll never take any line at all.” What is the true purpose of education? Simply to make plain to the young understanding the laws of the life they will have to enter. For example—that lying won’t do, thieving still less; that idleness will get punished; that if they are cowards, the whole world will be against them; that if they will have their own way, they must fight for it. As for the conscience, mamma, I take it—such as mammas are now-a-days, at any rate—has probably set that agoing fast enough already. What a blessing to see her good little child come back a brave young devil-may-care!’
‘Exactly, my dear sir. As if at twelve or fourteen a roundabout boy, with his three meals a day inside him, is likely to be over-troubled with scruples.’
‘Put him through a strong course of confirmation and sacraments, backed up with sermons and private admonitions, and what is much the same as auricular confession, and really, my dear nephew, I can’t answer for it but he mayn’t turn out as great a goose as you—pardon me—were about the age of eighteen or nineteen.’
‘But to have passed through that, my dear sir! surely that can be no harm.’
‘I don’t know. Your constitutions don’t seem to recover it, quite. We did without these foolish measles well enough in my time.’
‘Westminster had its Cowper, my dear sir; and other schools had theirs also, mute and inglorious, but surely not few.’
‘Ah, ah! the beginning of troubles——’
‘You see, my dear sir, you must not refer it to Arnold, at all at all. Anything that Arnold did in this direction——’
‘Why, my dear boy, how often have I not heard from you, how he used to attack offences, not as offences—the right view—against discipline, but as sin, heinous guilt, I don’t know what beside! Why didn’t he flog them and hold his tongue? Flog them he did, but why preach?’
‘If he did err in this way, sir, which I hardly think, I ascribe it to the spirit of the time. The real cause of the evil you complain of, which to a certain extent I admit, was, I take it, the religious movement of the last century, beginning with Wesleyanism, and culminating at last in Puseyism. This over-excitation of the religious sense, resulting in this irrational, almost animal irritability of consciences, was, in many ways, as foreign to Arnold as it is proper to——’
‘Well, well, my dear nephew, if you like to make a theory of it, pray write it out for yourself nicely in full; but your poor old uncle does not like theories, and is moreover sadly sleepy.’
‘Good night, dear uncle, good night. Only let me say you six more verses.’
[An interval of thirty years.]
[1] This and the following Early Poems are reprinted from the volume called Ambarvalia.
[2] This was written for the twenty-fifth wedding-day of Mr. and Mrs. Walrond, of Calder Park.
[3] Ho Thëos meta sou—God be with you!
[4] The manuscript of this poem is very imperfect, and bears no title.
[5] The manuscript of this poem is incomplete; but it has been thought best to give all the separate fragments, since they evidently are conceived on the same plan, and throw light on each other.
[6] This poem, as well as the ‘Mari Magno,’ was not published during the author’s lifetime, and should not be regarded as having received his finishing touches.
[7] Flood.
[8] Reap.
[9] Reaping.
[10] Shocks.
[11] Public-house in the hamlet.
[12] This poem is reprinted from the volume called Ambarvalia.
[15] These Sonnets have been brought together from very imperfect manuscripts. It is not to be supposed that their author would have given them to the public in their present state; but they are in parts so characteristic of his thought and style, that they will not be without interest to the readers of his poems.
[16] These Tales were written only a few months before the writer’s death, during his journeys in Greece, Italy, and the Pyrenees, and had not been revised by him.
[17] These songs were composed either during the writer’s voyage across the Atlantic in 1852, or during his residence in America.
[18] Passages of the second letter of Parepidemus (vol. i. pp. 400, 401) illustrate the theory which Mr. Clough has carried into practice in these hexameters as well as in the Translations from the Iliad.
[19] A great proportion of the Poems described as Miscellaneous have, like some included in previous divisions, been brought together from rough copies and unfinished manuscripts. Fragmentary and imperfect as they are, they yet are so characteristic of their writer, that they have been placed here along with others more finished.
[20] This thought is taken from a passage on astronomy in Plato’s Republic, in which the following sentence occurs, vii. 529, D: ‘We must use the fretwork of the sky as patterns, with a view to the study which aims at these higher realities, just as if we chanced to meet with diagrams cunningly drawn and devised by Dædalus or some other craftsman or painter.’
PAGE | |
A Highland inn among the western hills | 384 |
A youth and maid upon a summer night | 352 |
A youth was I. An elder friend with me | 325 |
Across the sea, along the shore | 94 |
Ah, blame him not because he’s gay! | 431 |
Am I with you, or you with me? | 410 |
And replying, said godlike, swift-footed Achilles | 418 |
As, at a railway junction, men | 35 |
As ships, becalmed at eve, that lay | 38 |
Away, haunt thou not me | 11 |
Beside me,—in the car,—she sat | 260 |
Blessed are those who have not seen | 90 |
Bright October was come, the misty-bright October | 236 |
But a revulsion again came over the spirit of Elspie | 245 |
But if as not by that the soul desired | 321 |
But that from slow dissolving pomps of dawn | 430 |
But whether in the uncoloured light of truth | 320 |
Cease, empty Faith, the Spectrum saith | 89 |
Come back again, my olden heart! | 8 |
Come back, come back, behold with straining mast | 404 |
Come home, come home! and where is home for me | 403 |
Come, Poet, come! | 427 |
Dance on, dance on, we see, we see | 432 |
Dear Eustatio, I write that you may write me an answer | 269 |
Dearest of boys, please come to-day | 329[456] |
Diogenes by his tub, contenting himself with the sunshine | 442 |
Duty—that’s to say, complying | 181 |
Each for himself is still the rule | 183 |
Eastward, or Northward, or West? I wander and ask as I wander | 305 |
Edward and Jane a married couple were | 374 |
Farewell, farewell! Her vans the vessel tries | 401 |
Farewell, my Highland lassie! when the year returns around | 29 |
For she confessed, as they sat in the dusk, and he saw not her blushes | 239 |
From thy far sources, ’mid mountains airily climbing | 422 |
Go, foolish thoughts, and join the throng | 436 |
Goddess, the anger sing of the Pelean Achilles | 417 |
Green fields of England! wheresoe’er | 404 |
Hearken to me, ye mothers of my tent | 69 |
Here am I yet, another twelvemonth spent | 12 |
Hope evermore and believe, O man, for e’en as thy thought | 188 |
How in God’s name did Columbus get over | 437 |
How often sit I, poring o’er | 14 |
I dreamed a dream: I dreamt that I espied | 96 |
I have seen higher, holier things than these | 19 |
I saw again the spirits on a day | 186 |
I stayed at La Quenille, ten miles or more | 361 |
If it is thou whose casual hand withdraws | 321 |
If that we thus are guilty doth appear | 434 |
If, when in cheerless wanderings, dull and cold | 20 |
In controversial foul impureness | 93 |
Is it illusion? or does there a spirit from perfecter ages | 280 |
Is it this, then, O world-warrior | 448 |
Is it true, ye gods, who treat us | 39 |
It fortifies my soul to know | 90 |
It is not sweet content, be sure | 430 |
It may be true | 91 |
It was but some few nights ago | 3 |
It was the afternoon; and the sports were now at the ending | 201 |
I’ve often wondered how it is, at times | 371 |
Light words they were, and lightly, falsely said | 34 |
Like a child | 14 |
Lips, lips, open! | 440 |
Lo, here is God, and there is God! | 81[457] |
Matthew and Mark and Luke and holy John | 95 |
Morn, in yellow and white, came broadening out from the mountains | 207 |
My beloved, is it nothing | 443 |
My sons, and ye children of my sons | 74 |
My wind is turned to bitter north | 18 |
O God! O God! and must I still go on | 171 |
O happy mother!—while the man wayworn | 439 |
O happy they whose hearts receive | 189 |
O kind protecting Darkness! as a child | 15 |
O let me love my love unto myself alone | 87 |
O only Source of all our light and life | 85 |
O richly soiled and richly sunned | 446 |
O ship, ship, ship | 413 |
O stream descending to the sea | 196 |
O tell me, friends, while yet we part | 36 |
O Thou whose image in the shrine | 86 |
Oh, the beautiful child! and oh, the most happy mother! | 442 |
‘Old things need not be therefore true’ | 93 |
On grass, on gravel, in the sun | 260 |
On the mountain, in the woodland | 31 |
Once more the wonted road I tread | 16 |
Or shall I say, Vain word, false thought | 452 |
Over a mountain slope with lentisk, and with abounding | 423 |
Over every hill | 441 |
Over the great windy waters, and over the clear-crested summits | 269 |
Put forth thy leaf, thou lofty plane | 197 |
Roused by importunate knocks | 15 |
Said the Poet, I wouldn’t maintain | 438 |
Say not the struggle nought availeth | 452 |
Say, will it, when our hairs are grey | 190 |
Shall I decide it by a random shot? | 322 |
Since that last evening we have fallen indeed! | 43 |
Slumber and Sleep, two brothers appointed to serve the immortals | 441 |
So I went wrong | 7 |
So in the cottage with Adam the pupils five together | 232 |
So in the golden morning they parted and went to the westward | 215 |
So in the golden weather they waited. But Philip returned not | 224 |
So in the sinful streets, abstracted and alone | 104 |
So on the morrow’s morrow, with Term-time dread returning | 250 |
So spake the voice: and as with a single life | 423[458] |
Some future day when what is now is not | 406 |
Sweet streamlet bason! at thy side | 10 |
That children in their loveliness should die | 319 |
That out of sight is out of mind | 409 |
That there are better things within the womb | 319 |
The grasses green of sweet content | 193 |
The human spirits saw I on a day | 185 |
The mighty ocean rolls and raves | 407 |
The scene is different, and the place, the air | 109 |
The Silver Wedding! on some pensive ear | 20 |
The skies have sunk, and hid the upper snow | 259 |
There is a city, upbuilt on the quays of the turbulent Arno | 309 |
These are the words of Jacob’s wives, the words | 77 |
Thou shalt have one God only; who | 184 |
Though to the vilest things beneath the moon | 12 |
Thought may well be ever ranging | 25 |
Through the great sinful streets of Naples as I past | 100 |
To see the rich autumnal tint depart | 320 |
To spend uncounted years of pain | 91 |
To think that men of former days | 428 |
To wear out heart, and nerves, and brain | 182 |
Trunks the forest yielded with gums ambrosial oozing | 422 |
Truth is a golden thread, seen here and there | 6 |
’Twas on a sunny summer day | 5 |
Upon the water, in the boat | 195 |
Well, well,—Heaven bless you all from day to day! | 13 |
Were I with you, or you with me | 411 |
Were you with me, or I with you | 410 |
Were you with me, or I with you | 412 |
What voice did on my spirit fall | 450 |
What we, when face to face we see | 92 |
Whate’er you dream with doubt possest | 194 |
When on the primal peaceful blank profound | 442 |
When panting sighs the bosom fill | 26 |
When soft September brings again | 10 |
When the dews are earliest falling | 30 |
Whence are ye, vague desires | 191 |
Whence comest thou, shady lane? and why and how? | 8 |
Where lies the land to which the ship would go? | 407 |
Who is this man that walketh in the field | 72[459] |
Who ne’er his bread with tears hath ate | 441 |
Why should I say I see the things I see not? | 23 |
Ye flags of Piccadilly | 402 |
Yes, I have lied, and so must walk my way | 13 |
Yet to the wondrous St. Peter’s, and yet to the solemn Rotonda | 293 |
You complain of the woman for roving from one to another | 441 |
Youth, that went, is come again | 434 |
THE END.
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