The Project Gutenberg E-text of The Little Daisy Girl and Other Poems, by Jacquelyn Hedge-Cheney and Roland Jon Cheney

Entire poetic and lyrical content by Roland and Jacquelyn.
Cover drawing by Jacquelyn Hedge-Cheney.
Other art by Roland Cheney.
Literary credits on last page.

Typesetting and layout by Between the Lines, San Diego, California.
Printing, photo lab, and design by India Ink, 3623 India Street,
San Diego, California 92103.

A Special Man is dedicated to Harvey Hedge, Jacquelyn's father, who, at a Father's Day picnic which Jacquelyn attended at the age of five, saved two other of his children from drowning in a pond in Kansas, but in doing so, was himself drowned. His photo appears on page 18.

Jacquelyn has also dedicated My Man, My Kitty, and Me to Roland, who has dedicated The Little Daisy Girl and The Psalm of Jacquelyn to her.

THE POEM.

I stopped to watch the world go past,
And found a poem upon the grass.
"Pick me up!" it called to me,
In words of prose and poetry.

I picked it up and held it fast.
"At last!" it cried, "At last, at last!
A bosom close to hold to me,
And share its store of misery."

My fingers clutched this simple toy,
And spirit filled with boundless joy,
As I observed the human race,
Go past at such a frantic pace.

"Take me to the shining sea,
That I may rhyme more prettily,
And catch the muse of setting sun--"
The poem begged, and made me run.

I hastened after sea and sun,
But wondered where could be the fun,
Of rhyming in a better way,
Tomorrow than in yesterday.

"To the forest!" cried the poem,
"I'll make you feel right at home!"
But all I felt was just the breeze,
As I collapsed beneath the trees.

"It's no use running anyhow,"
I said, "You rhyme no better now."
"Then leave," it sighed, "me on the grass,
To call to those who hurry past..."

THE PLANET PRIMER.

THE WORDS OF LIVING.

For the goals will soon fill the empty holes,
then there's money they give for the lives they live.

For you don't want the ends to curl,
for they have to be straight,
if you want a life that is so great.

BUBBLE.

I am a bubble in the deep blue sea,
I am so deep that,
There is darkness all around me.
They say that water creates rainbows,
In the sunlight and air.
But I don't believe them.
I am just a tiny silver bubble,
Of ultra-compressed, unexpressed air.
But the sea squeezes me, freezes me,
And I rise upward, faster, faster,
Up through the blackness of the deeps,
From the old old bedrock where I came.
Higher and faster, expanding steadily,
Until I am fairly bursting with
Power.
I see green, sea-green rays.
Then I see blue-green,
And then light blue,
And then, Pop! I explode upwards,
Into the air and the sun,
And create,
A rainbow of mist.
Hsssss! I say happily,
And glorify God.

I LOVE THE LORD WHO'S SO COMPLETE.

He's always there in those secret moments.
He's someone who can understand,
My deepest woes that are at hand.
He's changing me in a special way,
From head to toe I have to say.
Well, I'm not perfect like Him you see,
But I will make it up there some day.

SNOW AND LEAVES.

When the leaves are like the falling snow,
And my heart is like the wind,
I'll follow the leaves,
As they fall through the trees,
And pray for love.

SATAN'S TAUNT.

ONE TEAR.

Know you nothing more I dread,
Than to pass th'entire year,
Shedding naught but hair from head?
Yet not a single precious tear!

ETERNITY.

An eternity of days and nights,
Shall be ours in the afterlife,
And freely shall it be our right,
But not without a certain price.

A price is paid, in memories,
Of how life was, and could have been,
Viewed once before, then forever after,
Before in sorrow and in laughter.

After this we pay a price,
Review our lives here more than twice.
Longing so that, while living,
We had shared the more our giving.

For naught else can we but receive,
The passages of memory,
And ever though we thus complain,
We have no chance to give again.

A SPECIAL MAN.

My father was a special man,
I think of him now and then,
I'll never forget that day,
The Lord took my father away,
I was so young then,
I've heard about him now and then,
Oh he's so special to me,
I'll never forget that day...
The Lord took my father away,
I remember it as if it was yesterday,
But now I have a Father that will never die...
Oh that heavenly Father of mine,
I'll be up there in time.

THE GIRL OF LIGHT.

ESCAPE.

There's not much left of those mountains you see,
Beautiful forest and great big trees,
The air so fresh and so peaceful too,
God made them for me and He made them for you,
We all need to escape from the world now and then,
So the mountains are where I've always been,
Just enjoy them when you can 'cause there will
Not be any mountains left for you and me.

THE LITTLE DAISY GIRL.

There was a little girl,
Who longed to be a flower,
So she teased her golden curl,
As she wished it by the hour.

One day her limbs began to shrivel,
And her clothes to all unravel,
Hair transformed to golden petals,
As her roots dug in the gravel.

"This is simply quite amazing,
Here I stand within the sod,
As a waving yellow daisy,
Who no more shall ever plod.

"Of fate or God am I the seed,
So bright and pretty and gay?
Or of Satan, such a weed?
I pray not!" she had to say.

Soon a bee began to hover,
As it kissed her pretty face.
What a happy little lover,
On its singing wings of lace.

Then came a caterpillar,
Chewing all her leaves to shreds,
Leaving her to wilter,
Down among the flowerbeds.

So the sun began to burn,
Upon her golden yellow spray,
But she found she could not turn,
Instead to face the other way.

In one day did she grow old,
Whisper dry and all alone,
Bowed in age, frail and cold,
Like a poor, tired, nodding crone.

Happy was she as a child,
Gayer still a simple flower,
Now she's buried in the wild,
With pretty daisies for her bower.

THE SONG OF CAROL

Sing to me the Song of Carol,
Brightest ribbons in a breeze,
Dancing bannerettes. A fair! All
Snapping colors midst the trees.

Such wonder that the day denies,
In tinted white with blue between.
Reflected spell, bound in the eyes,
No summer, scudded cloudy scene.

Oh land of crook and silver brook,
Of shadow dank and mossy bank,
Restore what she before forsook,
Where plundered stones asunder sank.

From the mire will come no spire,
Long forgotten this old castle.
Fawn and fish, and swan's desire,
Wistful leap from thistled tassel.

So may in dreams come what seems neigh,
The plunder of your wonder years,
And to the sky your prayers fly,
To banish all your early fears.

Now with your friends the fair begins,
The lost, the lonely, silent few,
To heal hearts and help amends,
And help their lives to start anew.

I'M STUCK ON YOU LIKE GLUE.

Sometimes it hurts so much that I know
it could never come true,
I wish you would notice me some day,
Then I know it will soon pay,
I'm stuck on you like glue and no one
can pull me apart from you,
Your personality makes me want to hold on...
maybe like...super glue,
I'm stuck on you like glue and no one
can pull me apart from you,
Ya...I'll still be stuck on you
till you notice me some day...

WHISPERING AUGUST

August had three sisterns,
Name of April, May, and June.
When he came to slake his thirst,
One would ladel him a spoon,

Of water. His three sisters,
Knew the coming of the moon,
But August in his whispers,
Knew a joyful little tune,

The daughter, of his neighbor,
Sang when she was all alone,
And heard her at her labor,
As he passed her way to home,

At dusk, the streaming vapors,
In keening, Godly litany,
Curling, cut their capers,
In the forest by the sea,

Of which she sang, don't ask, shy
Little August, knows the rune,
For he will only sigh, and say,
"Go ask April, May, or June."

THE KING JAMES RED LETTER EDITION HOLY BIBLE

For proof I fell 'neath my own spell,
And feigned design of blinkered mind,
The truth to tell I knew quite well,
Though in deigned ink red purblind.

THE BOY WITH SAD EYES

The boy with sad eyes,
Did not realize,
That every kid in town,
Could see his little frown.

The boy with no smile,
Seemed to take awhile,
To answer to his name,
But answered just the same.

Deepset little smudges,
Held no inner grudges,
Just an emptiness,
Nothing more, nothing less.

The boy with three diseases,
Found a friend in Jesus,
Before he died his eyes,
Seemed so very wise.

THE ONE WHO KNOWS ME SO WELL

Some people think they know me so well, you see,
They see me on the outside, but never on the inside.
But I know Someone who knows me inside who
doesn't care what I look like outside,
That's the Lord for you...He's so complete.
Sometimes I try to be perfect...HA HA.
But I know it will never be till I reach that beautiful
place in the sky someday...You'll see...

THE GIRL IN LONG STOCKINGS

The girl in long stockings,
Had thick ones, with flockings,
In patterns of diamonds,
Ivy, and garlands,

Ivory, or claret,
Like her favorite beret,
Or aquamarene,
Since she liked to be seen,
In long stockings.

"I'd rather wear them on my legs,"
Said she, "than leave them home on pegs.
Not short, but clear up past my knees,
To keep them warm in any breeze,

And not so clear,
When they are sheer,
But amber, smoke, or even gray,
Since that's the color for today!

AN EVERLASTING FRIEND

If one day you feel alone, and there's no one to turn to,
When the road gets a little bumpy,
And you can't find your way,
Just remember Jesus knows a better way,
He can be your friend,
But keep in touch day after day
He will show you the way,
For He is meek and lowly at heart,
From Him you will never part
And have a friend forever,
You will soon see that your life has
Changed in a very special way,
And you will soon find that He will
Meet your every need,
Just remember you can't go wrong with Jesus.

MY REBATE

I bought a phone the other day,
Plus a rebate they gave away,
My own money returned to me,
They only keep the interest, you see.

Four months' wait is lots of time,
To heal cuts from cutting dotted lines,
To get all your Proofs of Purchase,
Because the ones you lose are worthless.

Not to mention the mailman's,
Extra bags from overstuffed mailcans,
Bulging with my rebate slips,
For greed maybe he hates trips.

Oh God in Heaven redeem my soul,
No rebates -- Jesus, take control,
Your angels never get so tired,
As the mailman, who expired.

IT JUST TAKES TIME

There's times when I just want to give up.
But there's no one like you Babe.
There's no one like you.
I know we can make it work
It just takes time.
Oh Babe we've been together for so
long now, we can't see it end.
I can't go on without you.
Babe there's plenty of time, we can make
it through...you'll see.
Oh Babe we can't give up, there's just
too much, we have to see it through.
Babe we can work it out...
Oh Babe we can work it out...
I love you...It just takes time.

THE BOOK

There's a special Book we all know, sometimes
we first set it aside and it gets dusty.

Sometimes we fail in temptations. Well don't worry
about a thing 'cause there's Jesus to forgive you.

WHY IS SORROW BETTER THAN LAUGHTER?

Yet laughter in children tickles the skies,
While sorrow, the 'morrow, blackens the eyes.

Sorrow, says God, makes the heart better.
But is laughter's crying-edge, whetter?

Ecclesiastes 7:3 Sorrow is better than laughter:
for by the sadness of the countenance the heart is made better.

BIBLE-CHESS

The game of Bible-Chess,
Is strictured, factored, terse,
A shameless bribe, no less,
With Scripture, chapter, verse.

Long past, checkered pages,
Portray a sinful field,
Throngs vast, sectored ages,
At bay, all win or yield.

Chords now held, weighed, compared,
Chess major piece or minor,
Words how veiled, stayed, some shared,
His Image, or this high-lore?

MY MAN, MY KITTY & ME

Right now we' re playing house, you see,
My man, my kitty and me,
I love that man and my kitty we go together us three,
Like a ring on the finger,
As a matter of fact the left finger,
I don't have to tell you which one that is,
'Cause it's plain to see, we go together us three,
When we get married
We'll be one beautiful family.
My man, my kitty and me.
We'll make one beautiful family...meow...meow.

CREDITS.

By Jacquelyn;
The Words of Living.
I Love the Lord Who's So Complete.
A Special Man.
Escape.
I'm Stuck On You Like Glue.
The One Who Knows Me So Well.
An Everlasting Friend.
It Just Takes Time.
The Book.
My Man, My Kitty, and Me.

By Roland;
The Poem.
The Planet Primer.
Bubble.
Snow and Leaves.
Satan's Taunt.
One Tear.
Eternity.
The Girl of Light.
The Little Daisy Girl.
The Song of Carol.
Whispering August.
The King James Red Letter Edition Holy Bible.
The Boy With Sad Eyes.
The Girl in Long Stockings.
The Psalm of Jacquelyn.
My Rebate.
Why Is Sorrow Better Than Laughter?
Bible-Chess.

It has been more than a decade since "The Little Daisy Girl and other poems" was written. A few comments seem worth noting.

Satan's Taunt is a riddle to be solved, and it is also an allegory about how Satan twists the true meaning of things, seeking to deceive us into looking at false or potentially confusing or misleading surface values. Since the poem was written, the darker side of personal and mainframe computers has given the poem a more sinister meaning. Can you guess the answer to the riddle, and see how the false values given in the poem could be seen superficially? If you're not sure, ask a friend, or take a good long look at the illustration with the weed in the middle and the numbers in two columns on both sides. Satan is a weed, vainglorious and vile, with poison for blood.

The BIO-LOVE illustration for The Boy with Sad Eyes is a combination of two universally known and recognized images; the 'smiley' face and the 'BIO-HAZARD' symbol

In the wedding photo of Roland and Jacquelyn holding the cat, the kitty's name was Sweets, and his fur was peach-colored, and yes, we and our church firmly believe that Sweets is in heaven.

This was dreamed up one day as a nice little hiking jig, suitable for children or adults. The words are recited in time to walking. The words in parentheses are alternate lines, or duplicate lines if more than one person is doing this and you want some variety. It's a great spiritual morale-builder, and a surprising amount of fun. In place of the last word, there may be others not listed that you can substitute instead, such as 'die', 'flee', and so on. Be prepared to see more youthful enthusiasts wear out the older ones, as there's no set time limit on how long you keep at it. Happy hiking!

The demons are going to burn,
The demons are going to burn,
The demons are going to burn burn burn,
The demons are going to burn!
('Cause they will never learn!).

The demons are going to weep,
The demons are going to weep,
The demons are going to weep weep weep,
The demons are going to weep!

The demons are going to stink,
The demons are going to stink,
The demons are going to stink stink stink,
The demons are going to stink!

The demons are going to smoke,
The demons are going to smoke,
The demons are going to smoke smoke smoke,
The demons are going to smoke!

The demons are going to gnash,
The demons are going to gnash,
The demons are going to gnash gnash gnash,
The demons are going to gnash!

The demons are going to scream scream scream,
(The demons are going to you-know-what-I-mean),

The demons are going to wail,
The demons are going to wail,
The demons are going to wail wail wail,
The demons are going to wail,
(And Christ will prevail!)

*** END OF THE PROJECT GUTENBERG EBOOK THE LITTLE DAISY GIRL AND OTHER POEMS ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

This particular work is one of the few individual works protected by copyright law in the United States and most of the remainder of the world, included in the Project Gutenberg collection with the permission of the copyright holder. Information on the copyright owner for this particular work and the terms of use imposed by the copyright holder on this work are set forth at the beginning of this work.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

The Project Gutenberg eBook of The Little Daisy Girl and Other Poems

THE LITTLE DAISY GIRL AND OTHER POEMS,