The Project Gutenberg eBook of The Lake
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: The Lake

Author: George Moore

Release date: February 1, 2004 [eBook #11304]
                Most recently updated: December 25, 2020

Language: English

Credits: Produced by Distributed Proofreaders Europe, http://dp.rastko.net
        Project by Jon Ingram


*** START OF THE PROJECT GUTENBERG EBOOK THE LAKE ***



Produced by Distributed Proofreaders Europe, http://dp.rastko.net
Project by Jon Ingram




THE LAKE

BY GEORGE MOORE


1921

LONDON: WILLIAM HEINEMANN 




ÉPÎTRE DÉDICATOIRE


_17 Août, 1905._

MON CHER DUJARDIN,

Il se trouve que je suis à Paris en train de corriger mes épreuves au
moment où vous donnez les dernières retouches au manuscrit de 'La Source
du Fleuve Chrétien,' un beau titre--si beau que je n'ai pu m'empêcher de
le 'chipper' pour le livre de Ralph Elles, un personnage de mon roman
qui ne parait pas, mais dont on entend beaucoup parler. Pour vous
dédommager de mon larcin, je me propose de vous dédier 'Le Lac.' Il y a
bien des raisons pour que je désire voir votre nom sur la première page
d'un livre de moi; la meilleure est, peut-être, parceque vous êtes mon
ami depuis 'Les Confessions d'un Jeune Anglais' qui ont paru dans votre
jolie _Revue Indépendante;_ et, depuis cette bienheureuse année, nous
avons causé littérature et musique, combien de fois! Combien d'heures
nous avons passés ensemble, causant, toujours causant, dans votre belle
maison de Fontainebleau, si française avec sa terrasse en pierre et son
jardin avec ses gazons maigres et ses allées sablonneuses qui serpentent
parmi les grands arbres forestiers. C'est dans ce jardin à l'orée de la
forêt et dans la forêt même, parmi la mélancolie de lat nature
primitive, et à Valvins ou demeurait notre vieil ami Mallarmé, triste et
charmant bonhomme, comme le pays du reste (n'est-ce-pas que cette
tristesse croit depuis qu'il s'en est allé?) que vous m'avez entendu
raconter 'Le Lac.'

A Valvins, la Seine coule silencieusement tout le long des berges plates
et graciles, avec des peupliers alignés; comme ils sont tristes au
printemps, ces peupliers, surtout avant qu'ils ne deviennent verts,
quand ils sont rougeâtres, posés contre un ciel gris, des ombres
immobiles et ternes dans les eaux, dix fois tristes quand les
hirondelles volent bas! Pour expliquer la tristesse de ce beau pays
parsemé de châteaux vides, hanté par le souvenir des fêtes d'autrefois,
il faudrait tout un orchestre. Je l'entends d'abord sur les violons;
plus tard on ajouterait d'autres instruments, des cors sans doute; mais
pour rendre la tristesse de mon pauvre pays là bas il ne faut drait pas
tout cela. Je l'entends très bien sur une seule flute placée dans une
île entourée des eaux d'un lac, le joueur assis sur les vagues ruines
d'un réduit gallois ou bien Normand. Mais, cher ami, vous êtes Normand
et peut-être bien que ce sent vos ancêtres qui out pillé mon pays; c'est
une raison de plus pour que je vous offre ce roman. Acceptez-le sans le
connaître davantage et n'essayez pas de le lire; ne vous donnez pas la
peine d'apprendre l'anglais pour lire 'Le Lac'; que le lac ne soit
jamais traversé par vous! Et parce que vous allez rester fatalement sur
le bord de 'mon lac' j'ai un double plaisir à vous le dédier. Lorsqu'on
dédie un livre, on prévoit l'heure où l'ami le prend, jette un coup
d'oeil et dit: 'Pourquoi m'a-t-il dédié une niaiserie pareille?' Toutes
les choses de l'esprit, sauf les plus grandes, deviennent niaiseries tôt
ou tard. Votre ignorance de ma langue m'épargne cette heure fatale. Pour
vous, mon livre sera toujours une belle et noble chose. Il ne peut
jamais devenir pour vous banal comme une épouse. II sera pour vous une
vierge, mieux qu'une vierge, il sera pour vous une demi-vierge. Chaque
fois que vous l'ouvrirez, vous penserez à des années écoulées, au
jardin où les rossignols chantent, a la forêt où rien ne se passe sauf
la chute des feuilles, à nos promenades à Valvins pour voir le cher
bonhomme; vous penserez à votre jeunesse et peut-être un peu à la
mienne. Mais je veux que vous lisiez cette dédicace, et c'est pour cela
que je l'ai écrite en français, dans un français qui vous est très
familier, le mien. Si je l'écrivais en anglais et le faisais traduire
dans le langage à la dernière mode de Paris, vous ne retrouveriez pas
les accents barbares de votre vieil ami. Ils sont barbares, je le
conçois, mais il y a des chiens qui sont laids et que l'on finit par
aimer.

Une poignée de mains,

GEORGES MOORE.




PREFACE


The concern of this preface is with the mistake that was made when 'The
Lake' was excluded from the volume entitled 'The Untilled Field,'
reducing it to too slight dimensions, for bulk counts; and 'The Lake,'
too, in being published in a separate volume lost a great deal in range
and power, and criticism was baffled by the division of stories written
at the same time and coming out of the same happy inspiration, one that
could hardly fail to beget stories in the mind of anybody prone to
narrative--the return of a man to his native land, to its people, to
memories hidden for years, forgotten, but which rose suddenly out of the
darkness, like water out of the earth when a spring is tapped.

Some chance words passing between John Eglinton and me as we returned
home one evening from Professor Dowden's were enough. He spoke, or I
spoke, of a volume of Irish stories; Tourguéniev's name was mentioned,
and next morning--if not the next morning, certainly not later than a
few mornings after--I was writing 'Homesickness,' while the story of
'The Exile' was taking shape in my mind. 'The Exile' was followed by a
series of four stories, a sort of village odyssey. 'A Letter to Rome' is
as good as these and as typical of my country. 'So on He Fares' is the
one that, perhaps, out of the whole volume I like the best, always
excepting 'The Lake,' which, alas, was not included, but which belongs
so strictly to the aforesaid stories that my memory includes it in the
volume.

In expressing preferences I am transgressing an established rule of
literary conduct, which ordains that an author must always speak of his
own work with downcast eyes, excusing its existence on the ground of his
own incapacity. All the same an author's preferences interest his
readers, and having transgressed by telling that these Irish stories lie
very near to my heart, I will proceed a little further into literary
sin, confessing that my reason for liking 'The Lake' is related to the
very great difficulty of the telling, for the one vital event in the
priest's life befell him before the story opens, and to keep the story
in the key in which it was conceived, it was necessary to recount the
priest's life during the course of his walk by the shores of a lake,
weaving his memories continually, without losing sight, however, of the
long, winding, mere-like lake, wooded to its shores, with hills
appearing and disappearing into mist and distance. The difficulty
overcome is a joy to the artist, for in his conquest over the material
he draws nigh to his idea, and in this book mine was the essential
rather than the daily life of the priest, and as I read for this edition
I seemed to hear it. The drama passes within the priest's soul; it is
tied and untied by the flux and reflux of sentiments, inherent in and
proper to his nature, and the weaving of a story out of the soul
substance without ever seeking the aid of external circumstance seems to
me a little triumph. It may be that I heard what none other will hear,
not through his own fault but through mine, and it may be that all ears
are not tuned, or are too indifferent or indolent to listen; it is
easier to hear 'Esther Waters' and to watch her struggles for her
child's life than to hear the mysterious warble, soft as lake water,
that abides in the heart. But I think there will always be a few who
will agree with me that there is as much life in 'The Lake,' as there is
in 'Esther Waters'--a different kind of life, not so wide a life,
perhaps, but what counts in art is not width but depth.

Artists, it is said, are not good judges of their own works, and for
that reason, and other reasons, maybe, it is considered to be unbecoming
for a writer to praise himself. So to make atonement for the sins I have
committed in this preface, I will confess to very little admiration for
'Evelyn Innes' and 'Sister Teresa.' The writing of 'Evelyn Innes' and
'Sister Teresa' was useful to me inasmuch that if I had not written them
I could not have written 'The Lake' or 'The Brook Kerith.' It seems
ungrateful, therefore, to refuse to allow two of my most successful
books into the canon merely because they do not correspond with my
æstheticism. But a writer's æstheticism is his all; he cannot surrender
it, for his art is dependent upon it, and the single concession he can
make is that if an overwhelming demand should arise for these books
when he is among the gone--a storm before which the reed must bend--the
publisher shall be permitted to print 'Evelyn Innes' and 'Sister Teresa'
from the original editions, it being, however, clearly understood that
they are offered to the public only as apocrypha. But this permission
must not be understood to extend to certain books on which my name
appears--viz., 'Mike Fletcher,' 'Vain Fortune,' Parnell and His Island';
to some plays, 'Martin Luther,' 'The Strike at Arlingford,' 'The Bending
of the Boughs'; to a couple of volumes of verse entitled 'Pagan Poems'
and 'Flowers of Passion'--all these books, if they are ever reprinted
again, should be issued as the work of a disciple--Amico Moorini I put
forward as a suggestion.

G.M.




I


It was one of those enticing days at the beginning of May when white
clouds are drawn about the earth like curtains. The lake lay like a
mirror that somebody had breathed upon, the brown islands showing
through the mist faintly, with gray shadows falling into the water,
blurred at the edges. The ducks were talking in the reeds, the reeds
themselves were talking, and the water lapping softly about the smooth
limestone shingle. But there was an impulse in the gentle day, and,
turning from the sandy spit, Father Oliver walked to and fro along the
disused cart-track about the edge of the wood, asking himself if he were
going home, knowing very well that he could not bring himself to
interview his parishioners that morning.

On a sudden resolve to escape from anyone that might be seeking him, he
went into the wood and lay down on the warm grass, and admired the
thickly-tasselled branches of the tall larches swinging above him. At a
little distance among the juniper-bushes, between the lake and the wood,
a bird uttered a cry like two stones clinked sharply together, and
getting up he followed the bird, trying to catch sight of it, but always
failing to do so; it seemed to range in a circle about certain trees,
and he hadn't gone very far when he heard it behind him. A stonechat he
was sure it must be, and he wandered on till he came to a great silver
fir, and thought that he spied a pigeon's nest among the multitudinous
branches. The nest, if it were one, was about sixty feet from the
ground, perhaps more than that; and, remembering that the great fir had
grown out of a single seed, it seemed to him not at all wonderful that
people had once worshipped trees, so mysterious is their life, so remote
from ours. And he stood a long time looking up, hardly able to resist
the temptation to climb the tree--not to rob the nest like a boy, but to
admire the two gray eggs which he would find lying on some bare twigs.

At the edge of the wood there were some chestnuts and sycamores. He
noticed that the large-patterned leaf of the sycamores, hanging out from
a longer stem, was darker than the chestnut leaf. There were some elms
close by, and their half-opened leaves, dainty and frail, reminded him
of clouds of butterflies. He could think of nothing else. White,
cotton-like clouds unfolded above the blossoming trees; patches of blue
appeared and disappeared; and he wandered on again, beguiled this time
by many errant scents and wilful little breezes.

Very soon he came upon some fields, and as he walked through the ferns
the young rabbits ran from under his feet, and he thought of the
delicious meals that the fox would snap up. He had to pick his way, for
thorn-bushes and hazels were springing up everywhere. Derrinrush, the
great headland stretching nearly a mile into the lake, said to be one of
the original forests, was extending inland. He remembered it as a deep,
religious wood, with its own particular smell of reeds and rushes. It
went further back than the island castles, further back than the Druids;
and was among Father Oliver's earliest recollections. Himself and his
brother James used to go there when they were boys to cut hazel stems,
to make fishing-rods; and one had only to turn over the dead leaves to
discover the chips scattered circlewise in the open spaces where the
coopers sat in the days gone by making hoops for barrels. But iron hoops
were now used instead of hazel, and the coopers worked there no more. In
the old days he and his brother James used to follow the wood-ranger,
asking him questions about the wild creatures of the wood--badgers,
marten cats, and otters. And one day they took home a nest of young
hawks. He did not neglect to feed them, but they had eaten each other,
nevertheless. He forgot what became of the last one.

A thick yellow smell hung on the still air. 'A fox,' he said, and he
trailed the animal through the hazel-bushes till he came to a rough
shore, covered with juniper-bushes and tussocked grass, the extreme
point of the headland, whence he could see the mountains--the pale
southern mountains mingling with the white sky, and the western
mountains, much nearer, showing in bold relief. The beautiful motion and
variety of the hills delighted him, and there was as much various colour
as there were many dips and curves, for the hills were not far enough
away to dwindle to one blue tint; they were blue, but the pink heather
showed through the blue, and the clouds continued to fold and unfold, so
that neither the colour nor the lines were ever the same. The retreating
and advancing of the great masses and the delicate illumination of the
crests could be watched without weariness. It was like listening to
music. Slieve Cairn showing straight as a bull's back against the white
sky, a cloud filling the gap between Slieve Cairn and Slieve Louan, a
quaint little hill like a hunchback going down a road. Slieve Louan was
followed by a great boulder-like hill turned sideways, the top indented
like a crater, and the priest likened the long, low profile of the next
hill to a reptile raising itself on its forepaws.

He stood at gaze, bewitched by the play of light and shadow among the
slopes; and when he turned towards the lake again, he was surprised to
see a yacht by Castle Island. A random breeze just sprung up had borne
her so far, and now she lay becalmed, carrying, without doubt, a
pleasure-party, inspired by some vague interest in ruins, and a very
real interest in lunch; or the yacht's destination might be Kilronan
Abbey, and the priest wondered if there were water enough in the strait
to let her through in this season of the year. The sails flapped in the
puffing breeze, and he began to calculate her tonnage, certain that if
he had such a boat he would not be sailing her on a lake, but on the
bright sea, out of sight of land, in the middle of a great circle of
water. As if stung by a sudden sense of the sea, of its perfume and its
freedom, he imagined the filling of the sails and the rattle of the
ropes, and how a fair wind would carry him as far as the cove of Cork
before morning. The run from Cork to Liverpool would be slower, but the
wind might veer a little, and in four-and-twenty hours the Welsh
mountains would begin to show above the horizon. But he would not land
anywhere on the Welsh coast. There was nothing to see in Wales but
castles, and he was weary of castles, and longed to see the cathedrals
of York and Salisbury; for he had often seen them in pictures, and had
more than once thought of a walking tour through England. Better still
if the yacht were to land him somewhere on the French coast. England
was, after all, only an island like Ireland--- a little larger, but
still an island--and he thought he would like a continent to roam in.
The French cathedrals were more beautiful than the English, and it would
be pleasant to wander in the French country in happy-go-lucky fashion,
resting when he was tired, walking when it pleased him, taking an
interest in whatever might strike his fancy.

It seemed to him that his desire was to be freed for a while from
everything he had ever seen, and from everything he had ever heard. He
merely wanted to wander, admiring everything there was to admire as he
went. He didn't want to learn anything, only to admire. He was weary of
argument, religious and political. It wasn't that he was indifferent to
his country's welfare, but every mind requires rest, and he wished
himself away in a foreign country, distracted every moment by new
things, learning the language out of a volume of songs, and hearing
music, any music, French or German--any music but Irish music. He
sighed, and wondered why he sighed. Was it because he feared that if he
once went away he might never come back?

This lake was beautiful, but he was tired of its low gray shores; he was
tired of those mountains, melancholy as Irish melodies, and as
beautiful. He felt suddenly that he didn't want to see a lake or a
mountain for two months at least, and that his longing for a change was
legitimate and most natural. It pleased him to remember that everyone
likes to get out of his native country for a while, and he had only been
out of sight of this lake in the years he spent in Maynooth. On leaving
he had pleaded that he might be sent to live among the mountains by
Kilronan Abbey, at the north end of the lake, but when Father Conway
died he was moved round to the western shore; and every day since he
walked by the lake, for there was nowhere else to walk, unless up and
down the lawn under the sycamores, imitating Father Peter, whose wont it
was to walk there, reading his breviary, stopping from time to time to
speak to a parishioner in the road below; he too used to read his
breviary under the sycamores; but for one reason or another he walked
there no longer, and every afternoon now found him standing at the end
of this sandy spit, looking across the lake towards Tinnick, where he
was born, and where his sisters lived.

He couldn't see the walls of the convent to-day, there was too much mist
about; and he liked to see them; for whenever he saw them he began to
think of his sister Eliza, and he liked to think of her--she was his
favourite sister. They were nearly the same age, and had played
together; and his eyes dwelt in memory on the dark corner under the
stairs where they used to play. He could even see their toys through the
years, and the tall clock which used to tell them that it was time to
put them aside. Eliza was only eighteen months older than he; they were
the red-haired ones, and though they were as different in mind as it was
possible to be, he seemed nearer Eliza than anyone else. In what this
affinity consisted he couldn't say, but he had always felt himself of
the same flesh and blood. Neither his father nor mother had inspired
this sense of affinity; and his sister Mary and his brothers seemed to
him merely people whom he had known always--not more than that; whereas
Eliza was quite different, and perhaps it was this very mutuality, which
he could not define, that had decided their vocations.

No doubt there is a moment in every man's life when something happens to
turn him into the road which he is destined to follow; for all that it
would be superficial to think that the fate of one's life is dependent
upon accident. The accident that turns one into the road is only the
means which Providence takes to procure the working out of certain ends.
Accidents are many: life is as full of accidents as a fire is full of
sparks, and any spark is enough to set fire to the train. The train
escapes a thousand, but at last a spark lights it, and this spark always
seems to us the only one that could have done it. We cannot imagine how
the same result could have been obtained otherwise. But other ways would
have been found; for Nature is full of resource, and if Eliza had not
been by to fire the idea hidden in him, something else would. She was
the means, but only the means, for no man escapes his vocation, and the
priesthood was his. A vocation always finds a way out. But was he sure
if it hadn't been for Eliza that he wouldn't have married Annie McGrath?
He didn't think he would have married Annie, but he might have married
another. All the same, Annie was a good, comfortable girl, a girl that
everybody was sure would make a good wife for any man, and at that time
many people were thinking that he should marry Annie. On looking back he
couldn't honestly say that a stray thought of Annie hadn't found its way
into his mind; but not into his heart--there is a difference.

At that time he was what is known as a growing lad; he was seventeen.
His father was then dead two years, and his mother looked to him, he
being the eldest, to take charge of the shop, for at that time it was
almost settled that James was to go to America. They had two or three
nice grass farms just beyond the town: Patsy was going to have them; and
his sisters' fortunes were in the bank, and very good fortunes they
were. They had a hundred pounds apiece and should have married well.
Eliza could have married whomever she pleased. Mary could have married,
too, and to this day he couldn't tell why she hadn't married.

The chances his sister Mary had missed rose up in his mind--why, he did
not know; and a little bored by these memories, he suddenly became
absorbed in the little bleat of a blackcap perched on a bush, the only
one amid a bed of flags and rushes; 'an alder-bush,' he said. 'His mate
is sitting on her eggs, and there are some wood-gatherers about; that's
what's worrying the little fellow.' The bird continued to utter its
troubled bleat, and the priest walked on, thinking how different was its
evensong. He meditated an excursion to hear it, and then, without his
being aware of any transition, his thoughts returned to his sister Mary,
and to the time when he had once indulged in hopes that the mills along
the river-side might be rebuilt and Tinnick restored to its former
commercial prosperity. He was not certain if he had ever really believed
that he might set these mills going, or if he had, he encouraged an
illusion, knowing it to be one. He was only certain of this, that when
he was a boy and saw no life ahead of him except that of a Tinnick
shopman, he used to feel that if he remained at home he must have the
excitement of adventure. The beautiful river, with its lime-trees,
appealed to his imagination; the rebuilding of the mills and the
reorganization of trade, if he succeeded in reorganizing trade, would
mean spending his mornings on the wharves by the river-side, and in
those days his one desire was to escape from the shop. He looked upon
the shop as a prison. In those days he liked dreaming, and it was
pleasant to dream of giving back to Tinnick its trade of former days;
but when his mother asked him what steps he intended to take to get the
necessary capital, he lost his temper with her. He must have known that
he could never make enough money in the shop to set the mills working!
He must have known that he would never take his father's place at the
desk by the dusty window! But if he shrank from an avowal it was because
he had no other proposal to make. His mother understood him, though the
others didn't, and seeing his inability to say what kind of work he
would put his hand to, she had spoken of Annie McGrath. She didn't say
he should marry Annie--she was a clever woman in her way--she merely
said that Annie's relations in America could afford to supply sufficient
capital to start one of the mills. But he never wanted to marry Annie,
and couldn't do else but snap when the subject was mentioned, and many's
the time he told his mother that if the mills were to pay it would be
necessary to start business on a large scale. He was an impracticable
lad and even now he couldn't help smiling when he thought of the
abruptness with which he would go down to the river-side to seek a new
argument wherewith to confute his mother, to return happy when he had
found one, and sit watching for an opportunity to raise the question
again.

No, it wasn't because Annie's relations weren't rich enough that he
hadn't wanted to marry her. And to account for his prejudice against
marriage, he must suppose that some notion of the priesthood was
stirring in him at the time, for one day, as he sat looking at Annie
across the tea-table, he couldn't help thinking that it would be hard to
live alongside of her year in and year out. Although a good and a
pleasant girl, Annie was a bit tiresome to listen to, and she wasn't one
of those who improve with age. As he sat looking at her, he seemed to
understand, as he had never understood before, that if he married her
all that had happened in the years back would happen again--more
children scrambling about the counter, with a shopman (himself) by the
dusty window putting his pen behind his ear, just as his father did when
he came forward to serve some country woman with half a pound of tea or
a hank of onions.

And as these thoughts were passing through his mind, he remembered
hearing his mother say that Annie's sister was thinking of starting
dressmaking in the High Street. 'It would be nice if Eliza were to join
her,' his mother added casually. Eliza laid aside the skirt she was
turning, raised her eyes and stared at mother, as if she were surprised
mother could say anything so stupid. 'I'm going to be a nun,' she said,
and, just as if she didn't wish to answer any questions, went on sewing.
Well might they be surprised, for not one of them suspected Eliza of
religious inclinations. She wasn't more pious than another, and when
they asked her if she were joking, she looked at them as if she thought
the question very stupid, and they didn't ask her any more.

She wasn't more than fifteen at the time, yet she spoke out of her own
mind. At the time they thought she had been thinking on the
matter--considering her future. A child of fifteen doesn't consider, but
a child of fifteen may _know_, and after he had seen the look which
greeted his mother's remarks, and heard Eliza's simple answer, 'I've
decided to be a nun,' he never doubted that what she said was true. From
that day she became for him a different being; and when she told him,
feeling, perhaps, that he sympathized with her more than the others did,
that one day she would be Reverend Mother of the Tinnick Convent, he
felt convinced that she knew what she was saying--how she knew he could
not say.

His childhood had been a slumber, with occasional awakenings or half
awakenings, and Eliza's announcement that she intended to enter the
religious life was the first real awakening; and this awakening first
took the form of an acute interest in Eliza's character, and, persuaded
that she or her prototype had already existed, he searched the lives of
the saints for an account of her, finding many partial portraits of her;
certain typical traits in the lives of three or four saints reminded him
of Eliza, but there was no complete portrait. The strangest part of the
business was that he traced his vocation to his search for Eliza in the
lives of the saints. Everything that happened afterwards was the
emotional sequence of taking down the books from the shelf. He didn't
exaggerate; it was possible his life might have taken a different turn,
for up to that time he had only read books of adventure--stories about
robbers and pirates. As if by magic, his interest in such stories passed
clean out of his mind, or was exchanged for an extraordinary enthusiasm
for saints, who by renouncement of animal life had contrived to steal up
to the last bounds, whence they could see into the eternal life that
lies beyond the grave. Once this power was admitted, what interest could
we find in the feeble ambitions of temporal life, whose scope is limited
to three score and ten years? And who could doubt that saints attained
the eternal life, which is God, while still living in the temporal
flesh? For did not the miracles of the saints prove that they were no
longer subject to natural laws? Ancient Ireland, perhaps, more than any
other country, understood the supremacy of spirit over matter, and
strove to escape through mortifications from the prison of the flesh.
Without doubt great numbers in Ireland had fled from the torment of
actual life into the wilderness. If the shore and the islands on this
lake were dotted with fortress castles, it was the Welsh and the Normans
who built them, and the priest remembered how his mind took fire when he
first heard of the hermit who lived in Church Island, and how
disappointed he was when he heard that Church Island was ten miles away,
at the other end of the lake.

For he could not row himself so far; distance and danger compelled him
to consider the islands facing Tinnick--two large islands covered with
brushwood, ugly brown patches--ugly as their names, Horse Island and Hog
Island, whereas Castle Island had always seemed to him a suitable island
for a hermitage, far more so than Castle Hag. Castle Hag was too small
and bleak to engage the attention of a sixth-century hermit. But there
were trees on Castle Island, and out of the ruins of the castle a
comfortable sheiling could be built, and the ground thus freed from the
ruins of the Welshman's castle might be cultivated. He remembered
commandeering the fisherman's boat, and rowing himself out, taking a
tape to measure, and how, after much application of the tape, he had
satisfied himself that there was enough arable land in the island for a
garden; he had walked down the island certain that a quarter of an acre
could grow enough vegetables to support a hermit, and that a goat would
be able to pick a living among the bushes and the tussocked grass: even
a hermit might have a goat, and he didn't think he could live without
milk. He must have been a long time measuring out his garden, for when
he returned to his boat the appearance of the lake frightened him; it
was full of blustering waves, and it wasn't likely he'd ever forget his
struggle to get the boat back to Tinnick. He left it where he had found
it, at the mouth of the river by the fisherman's hut, and returned home
thinking how he would have to import a little hay occasionally for the
goat. Nor would this be all; he would have to go on shore every Sunday
to hear Mass, unless he built a chapel. The hermit of Church Island had
an oratory in which he said Mass! But if he left his island every Sunday
his hermitage would be a mockery. For the moment he couldn't see how he
was to build a chapel--a sheiling, perhaps; a chapel was out of the
question, he feared.

He would have to have vestments and a chalice, and, immersed in the
difficulty of obtaining these, he walked home, taking the path along the
river from habit, not because he wished to consider afresh the problems
of the ruined mills. The dream of restoring Tinnick to its commerce of
former days was forgotten, and he walked on, thinking of his chalice,
until he heard somebody call him. It was Eliza, and as they leaned over
the parapet of the bridge, he could not keep himself from telling her
that he had rowed out to Castle Island, never thinking that she would
reprove him, and sternly, for taking the fisherman's boat without asking
leave. It was no use to argue with Eliza that the fisherman didn't want
his boat, the day being too rough for fishing. What did she know about
fishing? She had asked very sharply what brought him out to Castle
Island on such a day. There was no use saying he didn't know; he never
was able to keep a secret from Eliza, and feeling that he must confide
in somebody, he told her he was tired of living at home, and was
thinking of building a sheiling on the island.

Eliza didn't understand, and she understood still less when he spoke of
a beehive hut, such as the ancient hermits of Ireland lived in. She was
entirely without imagination; but what surprised him still more than her
lack of sympathy with his dream-project was her inability to understand
an idea so inherent in Christianity as the hermitage, for at that time
Eliza's mind was made up to enter the religious life. He waited a long
time for her answer, but the only answer she made was that in the early
centuries a man was either a bandit or a hermit. This wasn't true: life
was peaceful in Ireland in the sixth and seventh centuries; even if it
weren't, she ought to have understood that change of circumstance cannot
alter an idea so inherent in man as the hermitage, and when he asked her
if she intended to found a new Order, or to go out to Patagonia to teach
the Indians, she laughed, saying she was much more interested in a
laundry than in the Indians. Her plea that the Tinnick Convent was
always in straits for money did not appeal to him then any more than it
did to-day.

'The officers in Tinnick have to send their washing to Dublin. A fine
reason for entering a convent,' he answered.

But quite unmoved by the sarcasm, she replied that a woman can do
nothing unless she be a member of a congregation. He shrank from Eliza's
mind as from the touch of something coarse, and his suggestion that the
object of the religious life is meditation did not embarrass her in the
very least, and he remembered well how she had said:

'Putting aside for the moment the important question whether there may
or may not be hermits in the twentieth century, tell me, Oliver, are you
thinking of marrying Annie McGrath? You know she has rich relations in
America, and you might get them to supply the capital to set the mills
going. The mills would be a great advantage. Annie has a good headpiece,
and would be able to take the shop off your hands, leaving you free to
look after the mills.'

'The mills, Eliza! there are other things in the world beside those
mills!'

'A hermitage on Castle Island?'

Eliza could be very impertinent when she liked. If she had no concern in
what was being said, she looked round, displaying an irritating
curiosity in every passer-by, and true to herself she had drawn his
attention to the ducks on the river while he was telling her of the
great change that had come over him. He had felt like boxing her ears.
But the moment he began to speak of taking Orders she forgot all about
the ducks; her eyes were fixed upon him, she listened to his every word,
and when he finished speaking, she reminded him there had always been a
priest in the family. All her wits were awake. He was the one of the
family who had shown most aptitude for learning, and their cousin the
Bishop would be able to help him. What she would like would be to see
him parish priest of Tinnick. The parish was one of the best in the
diocese. Not a doubt of it, she was thinking at that moment of the
advantage this arrangement would be to her when she was directing the
affairs of the convent.

If there was no other, there was at least one woman in Ireland who was
interested in things. He had never met anybody less interested in
opinions or in ideas than Eliza. They had walked home together in
silence, at all events not saying much, and that very evening she left
the room immediately after supper. And soon after they heard sounds of
trunks being dragged along the passage; furniture was being moved, and
when she came downstairs she just said she was going to sleep with Mary.

'Oliver is going to have my room. He must have a room to himself on
account of his studies.'

On that she gathered up her sewing, and left him to explain. He felt
that it was rather sly of her to go away like that, leaving all the
explanation to him. She wanted him to be a priest, and was full of
little tricks. There was no time for thinking it over. There was only
just time to prepare for the examination. He worked hard, for his work
interested him, especially the Latin language; but what interested him
far more than his aptitude for learning whatever he made up his mind to
learn was the discovery of a religious vocation in himself. Eliza feared
that his interest in hermits sprang from a boyish taste for adventure
rather than from religious feeling, but no sooner had he begun his
studies for the priesthood, than he found himself overtaken and
overpowered by an extraordinary religious fervour and by a desire for
prayer and discipline. Never had a boy left home more zealous, more
desirous to excel in piety and to strive for the honour and glory of the
Church.

An expression of anger, almost of hatred, passed over Father Oliver's
face, and he turned from the lake and walked a few yards rapidly, hoping
to escape from memories of his folly; for he had made a great fool of
himself, no doubt. But, after all, he preferred his enthusiasms, however
exaggerated they might seem to him now, to the commonplace--he could not
call it wisdom--of those whom he had taken into his confidence. It was
foolish of him, no doubt, to have told how he used to go out in a boat
and measure the ground about Castle Island, thinking to build himself a
beehive hut out of the ruins. He knew too little of the world at that
time; he had no idea how incapable the students were of understanding
anything outside the narrow interests of an ecclesiastical career.
Anyhow, he had had the satisfaction of having beaten them in all the
examinations; and if he had cared to go in for advancement, he could
have easily got ahead of them all, for he had better brains and better
interest than any of them. When he last saw that ignorant brute Peter
Fahy, Fahy asked him if he still put pebbles in his shoes. It was to
Fahy he had confided the cause of his lameness, and Fahy had told on
him; he was ridiculously innocent in those days, and he could still see
them gathered about him, pretending not to believe that he kept a
cat-o'-nine-tails in his room, and scourged himself at night. It was Tom
Bryan who said that he wouldn't mind betting a couple of shillings that
Gogarty's whip wouldn't draw a squeal from a pig on the roadside. The
answer to that was: 'A touch will make a pig squeal: you should have
said an ass!' But at the moment he couldn't think of an answer.

No doubt everyone looked on him as a ninny, and they persuaded him to
prove to them that his whip was a real whip by letting Tom Bryan do the
whipping for him. Tom Bryan was a rough fellow, who ought to have been
driving a plough; a ploughman's life was too peaceful an occupation for
him--a drover's life would have suited him best, prodding his cattle
along the road with a goad; it was said that was how he maintained his
authority in the parish. The remembrance of the day he bared his back to
that fellow was still a bitter one. With a gentle smile he had handed
the whip to Tom Bryan, the very smile which he imagined the hermits of
old time used to wear. The first blow had so stunned him that he
couldn't cry out, and this blow was followed by a second which sent the
blood flaming through his veins, and then by another which brought all
the blood into one point in his body. He seemed to lose consciousness of
everything but three inches of back. Nine blows he bore without wincing;
the tenth overcame his fortitude, and he had reeled away from Tom Bryan.

Tom had exchanged the whip he had given him for a great leather belt;
that was why he had been hurt so grievously--hurt till the pain seemed
to reach his very heart. Tom had belted him with all his strength; and
half a dozen of Tom's pals were waiting outside the door, and they came
into the room, their wide mouths agrin, asking him how he liked it. But
they were unready for the pain his face expressed, and in the midst of
his agony he noticed that already they foresaw consequences, and he
heard them reprove Tom Bryan, their intention being to dissociate
themselves from him. Cowards! cowards! cowards!

They tried to help him on with his shirt, but he had been too badly
beaten, and Tom Bryan came up in the evening to ask him not to tell on
him. He promised, and he wouldn't have told if he could have helped it.
But some explanation had to be forthcoming--he couldn't lie on his
back. The doctor was sent for....

And next day he was told the President wished to see him. The President
was Eliza over again; hermits and hermitages were all very well in the
early centuries, but religion had advanced, and nowadays a steadfast
piety was more suited to modern requirements than pebbles in the shoes.
If it had been possible to leave for America that day he thought he
would have gone. But he couldn't leave Maynooth because he had been fool
enough to bare his back to Tom Bryan. He couldn't return home to tell
such a story as that. All Tinnick would be laughing at him, and Eliza,
what would she think of him? He wasn't such a fool as the Maynooth
students thought him, and he realized at once that he must stay in
Maynooth and live down remembrance of his folly. So, as the saying goes,
he took the bit between his teeth.

The necessity of living down his first folly, of creating a new idea of
himself in the minds of the students, forced him to apply all his
intelligence to his studies, and he made extraordinary progress in the
first years. The recollection of the ease with which he outdistanced his
fellow-students was as pleasant as the breezes about the lake, and his
thoughts dwelt on the opinion which he knew was entertained, that for
many years no one at Maynooth had shown such aptitude for scholarship.
He only had to look at a book to know more about it than his
fellow-students would know if they were to spend days over it. He won
honours. He could have won greater honours, but his conscience reminded
him that the gifts he received from God were not bestowed upon him for
the mere purpose of humiliating his fellow-students. He often felt then
that if certain talents had been given to him, they were given to him to
use for the greater glory of God rather than for his own glorification;
and his feeling was that there was nothing more hateful in God's sight
than intellectual, unless perhaps spiritual, pride, and his object
during his last years at Maynooth was to exhibit himself to the least
advantage.

It is strange how an idea enters the soul and remakes it, and when he
left Maynooth he used his influence with his cousin, the Bishop, to get
himself appointed to the poorest parish in Connaught. Eliza had to
dissemble, but he knew that in her heart she was furious with him. We
are all extraordinarily different one from another, and if we seem most
different from those whom we are most like, it is because we know
nothing at all about strangers. He had gone to Kilronan in spite of
Eliza, in spite of everyone, their cousin the Bishop included. He had
been very happy in Bridget Clery's cottage, so happy that he didn't know
himself why he ever consented to leave Kilronan.

No, it was not because he was too happy there. He had to a certain
extent outgrown his very delicate conscience.




II


A breeze rose, the forest murmured, a bird sang, and the sails of the
yacht filled. The priest stood watching her pass behind a rocky
headland, knowing now that her destination was Kilronan Abbey. But was
there water enough in the strait at this season of the year? Hardly
enough to float a boat of her size. If she stuck, the picnic-party would
get into the small boat, and, thus lightened, the yacht might be floated
into the other arm of the lake. 'A pleasant day indeed for a sail,' and
in imagination he followed the yacht down the lake, past its different
castles, Castle Carra and Castle Burke and Church Island, the island on
which Marban--Marban, the famous hermit poet, had lived.

It seemed to him strange that he had never thought of visiting the
ruined church when he lived close by at the northern end of the lake.
His time used to be entirely taken up with attending to the wants of his
poor people, and the first year he spent in Garranard he had thought
only of the possibility of inducing the Government to build a bridge
across the strait. That bridge was badly wanted. All the western side of
the lake was cut off from railway communication. Tinnick was the
terminus, but to get to Tinnick one had to go round the lake, either
by. the northern or the southern end, and it was always a question which
was the longer road--round by Kilronan Abbey or by the Bridge of Keel.
Many people said the southern road was shorter, but the difference
wasn't more than a mile, if that, and Father Oliver preferred the
northern road; for it took him by his curate's house, and he could
always stop there and give his horse a feed and a rest; and he liked to
revisit the abbey in which he had said Mass for so long, and in which
Mass had always been said for a thousand years, even since Cromwell had
unroofed it, the celebrant sheltered by an arch, the congregation
kneeling under the open sky, whether it rained or snowed.

The roofing of the abbey and the bridging of the strait were the two
things that the parish was really interested in. He tried when he was in
Kilronan to obtain the Archbishop's consent and collaboration; Moran was
trying now: he did not know that he was succeeding any better; and
Father Oliver reflected a while on the peculiar temperament of their
diocesan, and jumping down from the rock on which he had been sitting,
he wandered along the sunny shore, thinking of the many letters he had
addressed to the Board of Works on the subject of the bridge. The Board
believed, or pretended to believe, that the parish could not afford the
bridge; as well might it be urged that a cripple could not afford
crutches. Without doubt a public meeting should be held; and in some
little indignation Father Oliver began to think that public opinion
should be roused and organized.

It was for him to do this: he was the people's natural leader; but for
many months he had done nothing in the matter. Why, he didn't know
himself. Perhaps he needed a holiday; perhaps he no longer believed the
Government susceptible to public opinion; perhaps he had lost faith in
the people themselves! The people were the same always; the people never
change, only individuals change.

And at the end of the sandy spit, where some pines had grown and seeded,
he stood looking across the silvery lake wondering if his parishioners
had begun to notice the change that had come over him since Nora Glynn
left the parish, and as her name came into his mind he was startled out
of his reverie by the sound of voices, and turning from the lake, he saw
two wood-gatherers coming down a little path through the juniper-bushes.
He often hid himself in the woods when he saw somebody coming, but he
couldn't do so now without betraying his intention, and he stayed where
he was. The women passed on, bent under their loads. Whether they saw
him or not he couldn't tell; they passed near enough for him to
recognize them, and he remembered that they were in church the day he
alluded to Nora in his sermon. A hundred yards further on the women
unburdened and sat down to rest a while, and Father Oliver began to
consider what their conversation might be. His habit of wandering away
by himself had no doubt been noticed, and once it was noticed it would
become a topic of conversation. 'And what they do be saying now is,
"That he has never been the same man since he preached against the
schoolmistress, for what should he be doing by the lake if he wasn't
afraid that she made away with herself?" And perhaps they are right,' he
said, and walked up the shore, hoping that as soon as he was out of
sight the women would forget to tell when they returned home that they
had seen him walking by the lake.

All the morning he had been trying to keep Nora Glynn out of his mind,
but now, as he rambled, he could not put back the memory of the day he
met her for the first time, nearly two years ago, for to-day was the
fifteenth of May; it was about that time a little later in the year; it
must have been in June, for the day was very hot, and he had been riding
fast, not wishing to keep Catherine's dinner waiting, and as he pushed
his bicycle through the gate, he saw the great cheery man, Father Peter,
with a face like an apple, walking up and down under the sycamores
reading his breviary. It must have been in June, for the mowers were in
the field opposite, in the field known as the priest's field, though
Father Peter had never rented it. There had never been such weather in
Ireland before, and the day he rode his bicycle over to see Father Peter
seemed to him the hottest day of all. But he had heard of the new
schoolmistress's musical talents, and despite the heat of the day had
ridden over, so anxious was he to hear if Father Peter were satisfied
with her in all other respects. 'We shall be able to talk better in the
shade of the sycamores,' Father Peter said, and on this they crossed the
lawn, but not many steps were taken back and forth before Father Peter
began to throw out hints that he didn't think Miss Glynn was altogether
suited to the parish.

'But if you're satisfied with her discipline,' Father Oliver jerked out,
and it was all he could do to check himself from further snaps at the
parish priest, a great burly man who could not tell a minor from a major
chord, yet was venting the opinion that good singing distracted the
attention of the congregation at their prayers. He would have liked to
ask him if he was to understand that bad singing tended to a devotional
mood, but wishing to remain on good terms with his superior, he said
nothing and waited for Father Peter to state his case against the new
schoolmistress, which he seemed to think could be done by speaking of
the danger of young unmarried women in the parish. It was when they came
to the break in the trees that Father Peter nudged him and said under
his breath:

'Here is the young woman herself coming across the fields.'

He looked that way and saw a small, thin girl coming towards the stile.
She hopped over it as if she enjoyed the little jump into the road.
Father Peter called to her and engaged her in conversation; and he
continued to talk to her of indifferent things, no doubt with the view
to giving him an opportunity of observing her. But they saw her with
different eyes: whereas Father Peter descried in her one that might
become a mischief in the parish, he could discover no dangerous beauty
in her, merely a crumpled little face that nobody would notice were it
not for the eyes and forehead. The forehead was broad and well shapen
and promised an intelligence that the eyes were quick to confirm; round,
gray, intelligent eyes, smiling, welcoming eyes. Her accent caressed the
ear, it was a very sweet one, only faintly Irish, and she talked easily
and correctly, like one who enjoyed talking, laughing gaily, taking, he
was afraid, undue pleasure in Father Peter's rough sallies, without
heeding that he was trying to entrap her into some slight indiscretion
of speech that he could make use of afterwards, for he must needs
justify himself to himself if he decided to dismiss her.

As he had been asked to notice her he remarked her shining brown hair.
It frizzled like a furze-bush about her tiny face, and curled over her
forehead. Her white even teeth showed prettily between her lips. She was
not without points, but notwithstanding these it could not be said that
she deserved the adjective pretty; and he was already convinced that it
was not good looks that prejudiced her in Father Peter's eyes. Nor was
the excuse that her singing attracted too much attention an honest one.
What Father Peter did not like about the girl was her independent mind,
which displayed itself in every gesture, in the way she hopped over the
stile, and the manner with which she toyed with her parasol--a parasol
that seemed a little out of keeping with her position, it is true. A
very fine parasol it was; a blue silk parasol. Her independence betrayed
itself in her voice: she talked to the parish priest with due respect,
but her independent mind informed every sentence, even the smallest,
and that was why she was going to be dismissed from her post. It was
shameful that a grave injustice should be done to a girl who was
admittedly competent in the fulfilment of all her duties, and he had not
tried to conceal his opinion from Father Peter during dinner and after
dinner, leaving him somewhat earlier than usual, for nothing affronted
him more than injustice, especially ecclesiastical injustice.

As he rode his bicycle down the lonely road to Bridget's cottage, the
thought passed through his mind that if Nora Glynn were a stupid,
intelligent woman no objection would have been raised against her. 'An
independent mind is very objectionable to the ecclesiastic,' he said to
himself as he leaped off his bicycle.... 'Nora Glynn. How well suited
the name is to her. There is a smack in the name. Glynn, Nora Glynn,' he
repeated, and it seemed to him that the name belonged exclusively to
her.

A few days after this first meeting he met her about two miles from
Garranard; he was on his bicycle, she was on hers, and they both leaped
instinctively from their machines. What impressed him this time far more
than her looks was her happy, original mind. While walking beside her he
caught himself thinking that he had never seen a really happy face
before. But she was going to be sent away because she was happy and wore
her soul in her face.

They had seemed unable to get away from each other, so much had they to
say. He mentioned his brother James, who was doing well in America and
would perhaps one day send them the price of a harmonium. She told him
she couldn't play on the wheezy old thing at Garranard, and at the
moment he clean forgot that the new harmonium would avail her little,
since Father Peter was going to get rid of her; he only remembered it as
he got on his bicycle, and he returned home ready to espouse her cause
against anybody.

She must write to the Archbishop, and if he wouldn't do anything she
must write to the papers. Influence must be brought to bear, and Father
Peter must be prevented from perpetrating a gross injustice. He felt
that it would be impossible for him to remain Father Peter's curate if
the schoolmistress were sent away for no fault of hers, merely because
she wore a happy face. What Father Peter would have done if he had lived
no one would ever know. He might have dismissed her; even so the
injustice would have been slight compared with what had happened to her;
and the memory of the wrong that had been done to her put such a pain
into his heart that he seemed to lose sight of everything, till a fish
leaping in the languid lake awoke him, and he walked on, absorbed in the
memory of his mistake, his thoughts swinging back to the day he had met
her on the roadside, and to the events that succeeded their meeting.
Father Peter was taken ill, two days after he was dead, before the end
of the week he was in his coffin; and it was left to him to turn Nora
Glynn out of the parish. No doubt other men had committed faults as
grave as his; but they had the strength to leave the matter in the
hands of God, to say: 'I can do nothing, I must put myself in the hands
of God; let him judge. He is all wise.' He hadn't their force of
character. He believed as firmly as they did, but, for some reason which
he couldn't explain to himself, he was unable to leave the matter in
God's hands, and was always thinking how he could get news of her.


If it hadn't been for that woman, for that detestable Mrs. O'Mara, who
was the cause of so much evil-speaking in the parish!... And with his
heart full of hatred so black that it surprised him, he asked himself if
he could forgive that woman. God might, he couldn't. And he fell to
thinking how Mrs. O'Mara had long been a curse upon the parish. Father
Peter was more than once compelled to speak about her from the altar,
and to make plain that the stories she set going were untrue. Father
Peter had warned him, but warnings are no good; he had listened to her
convinced at the time that it was wrong and foolish to listen to
scandalmongers, but unable to resist that beguiling tongue, for Mrs.
O'Mara had a beguiling tongue--fool that he was, that he had been. There
was no use going over the wretched story again; he was weary of going
over it, and he tried to put it out of his mind. But it wouldn't be put
out of his mind, and in spite of himself he began to recall the events
of the fatal day. He had been out all the morning, walking about with an
engineer who was sent down by the Board of Works to consider the
possibility of building the bridge, and had just come in to rest.
Catherine had brought him a cup of tea; he was sitting by the window,
almost too tired to drink it. The door was flung open. If Catherine had
only asked him if he were at home to visitors, he would have said he
wasn't at home to Mrs. O'Mara, but he wasn't asked; the door was flung
open, and he found himself face to face with the parish magpie. And
before he could bless himself she began to talk to him about the bridge,
saying that she knew all about the engineer, how he had gotten his
appointment, and what his qualifications were. It is easy to say one
shouldn't listen to such gossips, but it is hard to shut one's ears or
to let what one hears with one ear out the other ear, for she might be
bringing him information that might be of use to him. So he listened,
and when the bridge, and the advantage of it, had been discussed, she
told him she had been staying at the convent. She had tales to tell
about all the nuns and about all the pupils. She told him that half the
Catholic families in Ireland had promised to send their daughters to
Tinnick if Eliza succeeded in finding somebody who could teach music and
singing. But Eliza didn't think there was anyone in the country
qualified for the post but Nora Glynn. If Mrs. O'Mara could be believed,
Eliza said that she could offer Nora Glynn more money than she was
earning in Garranard. Until then he had only half listened to Mrs.
O'Mara's chatter, for he disliked the woman--her chatter amused him only
as the chatter of a bird might; but when he heard that his sister was
trying to get his schoolmistress away from him he had flared up. 'Oh,
but I don't think that your schoolmistress would suit a convent school.
I shouldn't like my daughter--' 'What do you mean?' Her face changed
expression, and in her nasty mincing manner she began to throw out hints
that Nora Glynn would not suit the nuns. He could see that she was
concealing something--there was something at the back of her mind. Women
of her sort want to be persuaded; their bits of scandal must be dragged
from them by force; they are the unwilling victims who would say nothing
if they could help it. She had said enough to oblige him to ask her to
speak out, and she began to throw out hints about a man whom Nora used
to meet on the hillside (she wouldn't give the man's name, she was too
clever for that). She would only say that Nora had been seen on the
hillside walking in lonely places with a man. Truly a detestable woman!
His thoughts strayed from her for a moment, for it gave him pleasure to
recollect that he had defended his schoolmistress. Didn't he say: 'Now,
then, Mrs. O'Mara, if you have anything definite to say, say it, but I
won't listen to vague charges.' 'Charges--who is making charges?' she
asked, and he had unfortunately called her a liar. In the middle of the
row she dropped a phrase: 'Anyhow, her appearance is against her.' And
it was true that Nora Glynn's appearance had changed in the last few
months. Seeing that her words had a certain effect, Mrs. O'Mara quieted
down; and while he stood wondering if it could possibly be true that
Nora had deceived them, that she had been living in sin all these
months, he suddenly heard Mrs. O'Mara saying that he was lacking in
experience--which was quite true, but her way of saying it had roused
the devil in him. Who was she that she should come telling him that he
lacked experience? To be sure, he wasn't an old midwife, and that's what
Mrs. O'Mara looked like, sitting before him.

He had lost control of himself, saying, 'Now, will you get out of this
house, you old scandalmonger, or I'll take you by the shoulders and put
you out!' And he had thrown the front-door open. What a look she gave
him as she passed out! At that moment the clock struck three and he
remembered suddenly that the children were coming out of school at that
moment. It would have been better if he had waited. But he couldn't
wait: he'd have gone mad if he had waited; and he recalled how he had
jumped into the road, squeezed through the stile, and run across the
field. 'Why all this hurry?' he had asked himself.

She was locking up the desks; the children went by him, curtseying, and
he had to wait till the last one was past the door. Nora must have
guessed his errand, for her face noticeably hardened. 'I've seen Mrs.
O'Mara,' he blurted out, 'and she tells me that you've been seen walking
with some man on the hillside in lonely places.... Don't deny it if it
is true.' 'I'm not going to deny anything that is true.' How brave she
was! Her courage attracted him and softened his heart. But everything
was true, alas! Everything. She told him that her plans were to steal
out of the parish without saying a word to anyone, for she was
determined not to disgrace him or the parish. She was thinking of him in
all her trouble, and everything might have ended well if he had not
asked her who the man was. She would not say, nor give any reasons why
she wouldn't do so. Only this, that if the man had deserted her she
didn't want anybody to bring him back, if he could be brought back; if
the man were dead it were better to say nothing about him. 'But if it
were his fault?' 'I don't see that that would make any difference.'

They went out of the school-house talking in quite a friendly way. There
was a little drizzle in the air, and, opening her umbrella, she said,
'I'm afraid you'll get wet.' 'Get wet, get wet! what matter?' he had
answered impatiently, for the remark annoyed him. By the hawthorn-bush
he began to tell her again that it would relieve his mind to know who
the man was. She tried to get away from him, but he wouldn't let her go;
and catching her by the arm he besought her, saying that it would
relieve his mind. How many times had he said that? But he wasn't able to
persuade her, notwithstanding his insistence that as a priest of the
parish he had a right to know. No doubt she had some very deep reason
for keeping her secret, or perhaps his authoritative manner was the
cause of her silence. However this might be, any words would have been
better than 'it would relieve my mind to know who the man was.' 'Stupid,
stupid, stupid!' he muttered to himself, and he wandered from the
cart-track into the wood.

It was impossible to say now why he had wished to press her secret from
her. It would be unpleasant for him, as priest of the parish, to know
that the man was living in the parish; but it would be still more
unpleasant if he knew who the man was. Nora's seducer could be none
other than one of the young soldiers who had taken the fishing-lodge at
the head of the lake. Mrs. O'Mara had hinted that Nora had been seen
with one of them on the hill, and he thought how on a day like this she
might have been led away among the ferns. At that moment there came out
of the thicket a floating ball of thistle-down. 'It bloweth where it
listeth,' he said. 'Soldier or shepherd, what matter now she is gone?'
and rising to his feet and coming down the sloping lawn, overflowing
with the shade of the larches, he climbed through the hawthorns growing
out of a crumbled wall, and once at the edge of the lake, he stood
waiting for nothing seemingly but to hear the tiresome clanking call of
the stonechat, and he compared its reiterated call with the words
'atonement,' 'forgiveness,' 'death,' 'calamity,' words always clanking
in his heart, for she might be lying at the bottom of the lake, and some
day a white phantom would rise from the water and claim him.

His thoughts broke away, and he re-lived in memory the very agony of
mind he had endured when he went home after her admission that she was
with child. All that night, all next day, and for how many days? Would
the time ever come when he could think of her without a pain in his
heart? It is said that time brings forgetfulness. Does it? On Saturday
morning he had sat at his window, asking himself if he should go down
to see her or if he should send for her. There were confessions in the
afternoon, and expecting that she would come to confess to him, he had
not sent for her. One never knows; perhaps it was her absence from
confession that had angered him. His temper took a different turn that
evening. All night he had lain awake; he must have been a little mad
that night, for he could only think of the loss of a soul to God, and of
God's love of chastity. All night long he had repeated with variations
that it were better that all which our eyes see--this earth and the
stars that are in being--should perish utterly, be crushed into dust,
rather than a mortal sin should be committed; in an extraordinary
lucidity of mind he continued to ponder on God's anger and his own
responsibility towards God, and feeling all the while that there are
times when we lose control of our minds, when we are a little mad. He
foresaw his danger, but he could not do else than rise from his bed and
begin to prepare his sermon, for he had to preach, and he could only
preach on chastity and the displeasure sins against chastity cause to
God. He could think but of this one thing, the displeasure God must feel
against Nora and the seducer who had robbed her of the virtue God prized
most in her. He must have said things that he would not have said at any
other time. His brain was on fire that morning, and words rose to his
lips--he knew not whence nor how they came, and he had no idea now of
what he had said. He only knew that she left the church during his
sermon; at what moment he did not know, nor did he know that she had
left the parish till next day, when the children came up to tell him
there was no schoolmistress. And from that day to this no news of her,
nor any way of getting news of her.

His thoughts went to the hawthorn-trees, for he could not think of her
any more for the moment, and it relieved his mind to examine the green
pips that were beginning to appear among the leaves. 'The hawthorns will
be in flower in another week,' he said; and he began to wonder at the
beautiful order of the spring. The pear and the cherry were the first;
these were followed by the apple, and after the apple came the lilac,
the chestnut, and the laburnum. The forest trees, too, had their order.
The ash was still leafless, but it was shedding its catkins, and in
another fifteen days its light foliage would be dancing in the breeze.
The oak was last of all. At that moment a swallow flitted from stone to
stone, too tired to fly far, and he wondered whence it had come. A
cuckoo called from a distant hill; it, too, had been away and had come
back.

His eyes dwelt on the lake, refined and wistful, with reflections of
islands and reeds, mysteriously still. Rose-coloured clouds descended,
revealing many new and beautiful mountain forms, every pass and every
crest distinguishable. It was the hour when the cormorants come home to
roost, and he saw three black specks flying low about the glittering
surface; rising from the water, they alighted with a flutter of wings on
the corner wall of what remained of Castle Hag, 'and they will sleep
there till morning,' he said, as he toiled up a little path, twisting
through ferns and thorn-bushes. At the top of the hill was his house,
the house Father Peter had built. Its appearance displeased him, and he
stood for a long time watching the evening darkening, and the yacht
being towed home, her sails lowered, the sailors in the rowing-boat.
'They will be well tired before they get her back to Tinnick;' and he
turned and entered his house abruptly.




III


Catherine's curiosity was a worry. As if he knew why he hadn't come home
to his dinner! If she'd just finish putting the plates on the table and
leave him. Of course, there had been callers. One man, the man he
especially wished to see, had driven ten miles to see him. It was most
unfortunate, but it couldn't be helped; he had felt that morning that he
couldn't stay indoors--the business of the parish had somehow got upon
his nerves, but not because he had been working hard. He had done but
little work since she left the parish. Now was that story going to begin
again? If it did, he should go out of his mind; and he looked round the
room, thinking how a lonely evening breeds thoughts of discontent.

Most of the furniture in the room was Father Peter's. Father Peter had
left his curate his furniture, but the pretty mahogany bookcase and the
engravings upon the walls were Father Oliver's own taste; he had bought
them at an auction, and there were times when these purchases pleased
him. But now he was thinking that Father Peter must have known to whom
the parish would go at his death, for he could not have meant all his
furniture to be taken out of the house--'there would be no room for it
in Bridget Clery's cottage;' and Father Oliver sat thinking of the
evenings he used to spend with Father Peter. How often during those
evenings Father Peter must have said to himself, 'One day, Gogarty, you
will be sitting in my chair and sleeping in my bed.' And Father Oliver
pondered on his affection for the dead man. There were no differences of
opinion, only one--the neglected garden at the back of the house; and,
smiling sadly, Father Oliver remembered how he used to reprove the
parish priest.

'I'm afraid I'm too big and too fat and too fond of my pipe and my glass
of whisky to care much about carnations. But if you get the parish when
I'm gone, I'm sure you'll grow some beauties, and you'll put a bunch on
my grave sometimes, Gogarty.' The very ring of the dead man's voice
seemed to sound through the lonely room, and, sitting in Father Peter's
chair, with the light of Father Peter's lamp shining on his face and
hand, Father Oliver's thoughts flowed on. It seemed to him that he had
not understood and appreciated Father Peter's kindliness, and he
recalled his perfect good nature. 'Death reveals many things to us,' he
said; and he lifted his head to listen, for the silence in the house and
about the house reminded him of the silence of the dead, and he began to
consider what his own span of life might be. He might live as long as
Father Peter (Father Peter was fifty-five when he died); if so,
twenty-one years of existence by the lake's side awaited him, and these
years seemed to him empty like a desert--yes, and as sterile.
'Twenty-one years wondering what became of her, and every evening like
this evening--the same loneliness.'

He sat watching the hands of his clock, and a peaceful meditation about
a certain carnation that unfortunately burst its calyx was interrupted
by a sudden thought. Whence the thought came he could not tell, nor what
had put it into his head, but it had occurred to him suddenly that 'if
Father Peter had lived a few weeks longer he would have found means of
exchanging Nora Glynn for another schoolmistress, more suitable to the
requirements of the parish. If Father Peter had lived he would have done
her a grievous wrong. He wouldn't have allowed her to suffer, but he
would have done her a wrong all the same.' And it were better that a man
should meet his death than he should do a wrong to another. But he
wasn't contemplating his own death nor Nora's when this end to the
difficulty occurred to him. Our inherent hypocrisy is so great that it
is difficult to know what one does think. He surely did not think it
well that Father Peter had died, his friend, his benefactor, the man in
whose house he was living? Of course not. Then it was strange he could
not keep the thought out of his mind that Father Peter's death had saved
the parish from a great scandal, for if Nora had been dismissed he might
have found himself obliged to leave the parish.

Again he turned on himself and asked how such thoughts could come into
his mind. True, the coming of a thought into the consciousness is often
unexpected, but if the thought were not latent in the mind, it would
not arise out of the mind; and if Father Peter knew the base thoughts he
indulged in--yes, indulged in, for he could not put them quite out of
his mind--he feared very much that the gift of all this furniture
might--No, he was judging Father Peter ill: Father Peter was
incapable of a mean regret.

But who was he, he'd like to be told, that he should set himself up as
Father Peter's judge? The evil he had foreseen had happened. If Father
Peter felt that Nora Glynn was not the kind of schoolmistress the parish
required, should he not send her away? The need of the parish, of the
many, before the one. Moreover, Father Peter was under no obligation
whatsoever to Nora Glynn. She had been sent down by the School Board
subject to his approval. 'But my case is quite different. I chose her; I
decided that she was to remain.' And he asked himself if his decision
had come about gradually. No, he had never hesitated, but dismissed
Father Peter's prejudices as unworthy.... The church needed some good
music. But did he think of the church? Hardly at all. His first
consideration was his personal pleasure, and he wished that the best
choir in the diocese should be in his church, and Nora Glynn enabled him
to gratify his vanity. He made her his friend, taking pleasure in her
smiles, and in the fact that he had only to express a desire for it to
be fulfilled. After school, tired though she might be, she was always
willing to meet him in the church for choir practice. She would herself
propose to decorate the altar for feast-days. How many times had they
walked round the garden together gathering flowers for the altar! And it
was strange that she could decorate so well without knowing much about
flowers or having much natural taste for flowers.

Feeling he was doing her an injustice, he admitted that she had made
much progress under his guidance in her knowledge of flowers.

'But how did he treat her in the end, despite all her kindnesses?
Shamefully, shamefully, shamefully!' and getting up from his chair
Father Oliver walked across the room, and when he turned he drew his
hand across his eyes. The clock struck twelve. 'I shall be awake at
dawn,' he said, 'with all this story running in my head,' and he stopped
on the threshold of his bedroom, frightened at the sight of his bed. But
he had reached the stint of his sufferings, and that morning lay awake,
hardly annoyed at all by the black-birds' whistling, contentedly going
over the mistakes he had made--a little surprised, however, that the
remembrance of them did not cause him more pain. At last he fell asleep,
and when his housekeeper knocked at his door and he heard her saying
that it was past eight, he leaped out of bed cheerily, and sang a stave
of song as he shaved himself, gashing his chin, however, for he could
not keep his attention fixed on his chin, but must peep over the top of
the glass, whence he could see his garden, and think how next year he
would contrive a better arrangement of colour. It was difficult to stop
the bleeding, and he knew that Catherine would grumble at the state he
left the towels in (he should not have used his bath-towel); but these
were minor matters. He was happier than he had been for many a day.

The sight of strawberries on his breakfast-table pleased him; the man
who drove ten miles to see him yesterday called, and he shared his
strawberries with him in abundant spirit. The sunlight was exciting, the
lake called him, and it was pleasant to stride along, talking of the
bridge (at last there seemed some prospect of getting one). The
intelligence of this new inspector filled him with hope, and he
expatiated in the advantages of the bridge and many other things. Nor
did his humour seem to depend entirely on the companionship of his
visitor. It endured long after his visitor had left him, and very soon
he began to think that his desire to go away for a long holiday was a
passing indisposition of mind rather than a need. His holiday could be
postponed to the end of the year; there would be more leisure then, and
he would be better able to enjoy his holiday than he would be now.

His changing mind interested him, and he watched it like a vane, unable
to understand how it was that, notwithstanding his restlessness, he
could not bring himself to go away. Something seemed to keep him back,
and he was not certain that the reason he stayed was because the
Government had not yet sent a formal promise to build the bridge. He
could think of no other reason for delaying in Garranard; he certainly
wanted change. And then Nora's name came into his mind, and he meditated
for a moment, seeing the colour of her hair and the vanishing
expression of her eyes. Sometimes he could see her hand, the very
texture of its skin, and the line of the thumb and the forefinger. A cat
had once scratched her hand, and she had told him about it. That was
about two months before Mrs. O'Mara had come to tell him that shocking
story, two months before he had gone down to his church and spoken about
Nora in such a way that she had gone out of the parish. But was he going
to begin the story over again? He picked up a book, but did not read
many sentences before he was once more asking himself if she had gone
down to the lake, and if it were her spell that kept him in Garranard.
'The wretchedness of it all,' he cried, and fell to thinking that Nora's
spirit haunted the lake, and that his punishment was to be kept a
prisoner always. His imagination ran riot. Perhaps he would have to seek
her out, follow her all over the world, a sort of Wandering Jew, trying
to make atonement, and would never get any rest until this atonement was
made. And the wrong that he had done her seemed the only reality. It was
his elbow companion in the evening as he sat smoking his pipe, and every
morning he stood at the end of a sandy spit seeing nothing, hearing
nothing but her. One day he was startled by a footstep, and turned
expecting to see Nora. But it was only Christy, the boy who worked in
his garden.

'Your reverence, the postman overlooked this letter in the morning. It
was stuck at the bottom of the bag. He hopes the delay won't make any
difference.'


_From Father O'Grady to Father Oliver Gogarty._

'_June_ 1, 19--.

'DEAR FATHER GOGARTY,

'I am writing to ask you if you know anything about a young woman called
Nora Glynn. She tells me that she was schoolmistress in your parish and
organist in your church, and that you thought very highly of her until
one day a tale-bearer, Mrs. O'Mara by name, went to your house and told
you that your schoolmistress was going to have a baby. It appears that
at first you refused to believe her, and that you ran down to the school
to ask Miss Glynn herself if the story you had heard about her was a
true one. She admitted it, but on her refusal to tell you who was the
father of the child you lost your temper; and the following Sunday you
alluded to her so plainly in your sermon about chastity that there was
nothing for her but to leave the parish.

'There is no reason why I should disbelieve Miss Glynn's story; I am an
Irish priest like yourself, sir. I have worked in London among the poor
for forty years, and Miss Glynn's story is, to my certain knowledge, not
an uncommon one; it is, I am sorry to say, most probable; it is what
would happen to any schoolmistress in Ireland in similar circumstances.
The ordinary course is to find out the man and to force him to marry the
girl; if this fails, to drive the woman out of the parish, it being
better to sacrifice one affected sheep than that the whole flock should
be contaminated. I am an old man; Miss Glynn tells me that you are a
young man. I can therefore speak quite frankly. I believe the practice
to which I have alluded is inhuman and unchristian, and has brought
about the ruin of many an Irish girl. I have been able to rescue some
from the streets, and, touched by their stories, I have written
frequently to the priest of the parish pointing out to him that his
responsibility is not merely local, and does not end as soon as the
woman has passed the boundary of his parish. I would ask you what you
think your feelings would be if I were writing to you now to tell you
that, after some months of degraded life, Miss Glynn had thrown herself
from one of the bridges into the river? That might very well have been
the story I had to write to you; fortunately for you, it is another
story.

'Miss Glynn is a woman of strong character, and does not give way
easily; her strength of will has enabled her to succeed where another
woman might have failed. She is now living with one of my parishioners,
a Mrs. Dent, of 24, Harold Street, who has taken a great liking to her,
and helped her through her most trying time, when she had very little
money and was alone and friendless in London. Mrs. Dent recommended her
to some people in the country who would look after her child. She
allowed her to pay her rent by giving lessons to her daughter on the
piano. One thing led to another; the lady who lived on the drawing-room
floor took lessons, and Miss Glynn is earning now, on an average, thirty
shillings per week, which little income will be increased if I can
appoint her to the post of organist in my church, my organist having
been obliged to leave me on account of her health. It was while talking
to Mrs. Dent on this very subject that I first heard Miss Glynn's name
mentioned.

'Mrs. Dent was enthusiastic about her, but I could see that she knew
little about her lodger's antecedents, except that she came from
Ireland. She was anxious that I should engage her at once, declaring
that I could find no one like her, and she asked me to see her that
evening. I went, and the young woman impressed me very favourably. She
came to my church and played for me. I could see that she was an
excellent musician, and there seemed to be no reason why I should not
engage her. I should probably have done so without asking any further
questions--for I do not care to inquire too closely into a woman's past,
once I am satisfied that she wishes to lead an honourable life--but Miss
Glynn volunteered to tell me what her past had been, saying it was
better I should hear it from her than from another. When she had told me
her sad story, I reminded her of the anxiety that her disappearance from
the parish would cause you. She shook her head, saying you did not care
what might happen to her. I assured her that such a thing was not the
case, and begged of her to allow me to write to you; but I did not
obtain her consent until she began to see that if she withheld it any
longer we might think she was concealing some important fact. Moreover,
I impressed upon her that it was right that I should hear your story,
not because I disbelieved hers--I take it for granted the facts are
correctly stated--but in the event of your being able to say something
which would put a different complexion upon them.

'Yours very sincerely,

'MICHAEL O'GRADY.'




IV

After reading Father O'Grady's letter he looked round, fearing lest
someone should speak to him. Christy was already some distance away;
there was nobody else in sight; and feeling he was safe from
interruption, he went towards the wood, thinking of the good priest who
had saved her (in saving her Father O'Grady had saved him), and of the
waste of despair into which he would have drifted certainly if the news
had been that she had killed herself. He stood appalled, looking into
the green wood, aware of the mysterious life in the branches; and then
lay down to watch the insect life among the grass--a beetle pursuing its
little or great destiny. But he was too exalted to remain lying down;
the wood seemed to beckon him, and he asked if the madness of the woods
had overtaken him. Further on he came upon a chorus of finches singing
in some hawthorn-trees, and in Derrinrush he stopped to listen to the
silence that had suddenly fallen. A shadow floated by; he looked up: a
hawk was passing overhead, ready to attack rat or mouse moving among the
young birches and firs that were springing up in the clearance. The
light was violent, and the priest shaded his eyes. His feet sank in
sand, he tripped over tufts of rough grass, and was glad to get out of
this part of the wood into the shade of large trees.

Trees always interested him, and he began to think of their great roots
seeking the darkness, and of their branches lifting themselves in love
towards the light. He and these trees were one, for there is but one
life, one mother, one elemental substance out of which all has come.
That was it, and his thoughts paused. Only in union is there happiness,
and for many weary months he had been isolated, thrown out; but to-day
he had been drawn suddenly into the general life, he had become again
part of the general harmony, and that was why he was so happy. No better
explanation was forthcoming, and he did not think that a better one was
required--at least, not to-day.

He noticed with pleasure that he no longer tried to pass behind a
thicket nor into one when he met poor wood-gatherers bent under their
heavy loads. He even stopped to speak to a woman out with her children;
the three were breaking sticks across their knees, and he encouraged
them to talk to him. But without his being aware of it, his thoughts
hearkened back, and when it came to his turn to answer he could not
answer. He had been thinking of Nora, and, ashamed of his
absentmindedness, he left them tying up their bundles and went towards
the shore, stopping many times to admire the pale arch of evening sky
with never a wind in it, nor any sound but the cries of swallows in full
pursuit. 'A rememberable evening,' he said, and there was such a
lightness in his feet that he believed, or very nearly, that there were
wings on his shoulders which he only had to open to float away whither
he might wish to go.

His brain overflowed with thankfulness and dreams of her forgiveness,
and at midnight he sat in his study still thinking, still immersed in
his happiness; and hearing moths flying about the burning lamp he
rescued one for sheer love of her, and later in the evening the illusion
of her presence was so intense that he started up from his chair and
looked round for her. Had he not felt her breath upon his cheek? Her
very perfume had floated past! There ... it had gone by again! No, it
was not she--only the syringa breathing in the window.


_From Father Oliver Gogarty to Father O'Grady._

'GARRANARD, BOHOLA,

'_June_ 2, 19--.

'DEAR FATHER O'GRADY,

'Miss Glynn's disappearance caused me, as you rightly surmise, the
gravest anxiety, and it is no exaggeration to say that whenever her name
was mentioned, my tongue seemed to thicken and I could not speak.

'I wish I could find words to thank you for what you have done. I am
still under the influence of the emotion that your letter caused me, and
can only say that Miss Glynn has told her story truthfully. As to your
reproofs, I accept them, they are merited; and I thank you for your kind
advice. I am glad that it comes from an Irishman, and I would give much
to take you by the hand and to thank you again and again.'


Getting up, he walked out of the room, feeling in a way that a calmer
and more judicious letter would be preferable. But he must answer Father
O'Grady, and at once; the letter would have to go. And in this resolve
he walked out of his house into his garden, and stood there wondering at
the flower-life growing so peacefully, free from pain.

The tall Madonna lilies flourished like sculpture about the porch, and
he admired their tall stems and leaves and carven blossoms, thinking how
they would die without strife, without complaint. The briar filled the
air with a sweet, apple-like smell; and far away the lake shone in the
moonlight, just as it had a thousand years ago when the raiders returned
to their fortresses pursued by enemies. He could just distinguish Castle
Island, and he wondered what this lake reminded him of: it wound in and
out of gray shores and headlands, fading into dim pearl-coloured
distance, and he compared it to a shroud, and then to a ghost, but
neither comparison pleased him. It was like something, but the image he
sought eluded him. At last he remembered how in a dream he had seen Nora
carried from the lake; and now, standing among the scent of the flowers,
he said: 'She has always been associated with the lake in my thoughts,
yet she escaped the lake. Every man,' he continued, 'has a lake in his
heart.' He had not sought the phrase, it had come suddenly into his
mind. Yes, 'Every man has a lake in his heart,' he repeated, and
returned to the house like one dazed, to sit stupefied until his
thoughts took fire again, and going to his writing-table he drew a sheet
of paper towards him, feeling that he must write to Nora. At last he
picked up the pen.


_From Father Oliver Gogarty to Miss Nora Glynn._

'GAHRANARD, BOHOLA,

'_June_ 2, 19--.

'DEAR MISS GLYNN,

'I must write to thank you for your kindness in asking Father O'Grady to
send me a letter. It appears that you were afraid I might be anxious
about you, and I have been very anxious. I have suffered a great deal
since you left, and it is a great relief to my mind to hear that you are
safe and well. I can understand how loath you were to allow Father
O'Grady to write to me; he doesn't say in his letter that you have
forgiven me, but I hope that your permission to him to relieve my
anxiety by a letter implies your forgiveness. Father O'Grady writes very
kindly; it appears that everybody is kind except me. But I am thinking
of myself again, of the ruin that it would have been if any of the
terrible things that have happened to others had happened to you. But I
cannot think of these things now; I am happy in thinking that you are
safe.'


The evening post was lost, but if he were to walk to Bohola he would
catch the morning mail, and his letter would be in her hands the day
after to-morrow. It was just three miles to Bohola, and the walk there,
he thought, would calm the extraordinary spiritual elation that news of
Nora had kindled in his brain. The darkness of the night and the almost
round moon high in the southern horizon suited his mood. Once he was
startled by a faint sigh coming from a horse looking over a hedge, and
the hedgerows were full of mysterious little cracklings. Something white
ran across the road. 'The white belly of a stoat,' he thought; and he
walked on, wondering what its quest might be.

The road led him through a heavy wood, and when he came out at the other
end he stopped to gaze at the stars, for already a grayness seemed to
have come into the night. The road dipped and turned, twisting through
gray fields full of furze-bushes, leading to a great hill, on the other
side of which was Bohola. When he entered the village he wondered at the
stillness of its street. 'The dawn is like white ashes,' he said, as he
dropped his letters into the box; and he was glad to get away from the
shadowy houses into the country road. The daisies and the dandelions
were still tightly shut, and in the hedgerow a half-awakened chaffinch
hopped from twig to twig, too sleepy to chirrup. A streak of green
appeared in the east, and the death-like stillness was broken by
cock-crows. He could hear them far away in the country and close by, and
when he entered his village a little bantam walked up the road shrilling
and clapping his wings, advancing to the fight. The priest admired his
courage, and allowed him to peck at his knees. Close by Tom Mulhare's
dorking was crowing hoarsely, 'A hoarse bass,' said the priest, and at
the end of the village he heard a bird crowing an octave higher, and
from the direction he guessed it must be Catherine Murphy's bird.
Another cock, and then another. He listened, judging their voices to
range over nearly three octaves.

The morning was so pure, the air so delicious, and its touch so
exquisite on the cheek, that he could not bear even to think of a close
bedroom and the heat of a feather bed. He went into his garden, and
walking up and down he appreciated the beauty of every flower, none
seeming to him as beautiful as the anemones, and he thought of Nora
Glynn living in a grimy London lodging, whereas he was here amid many
flowers--anemones blue, scarlet, and purple, their heads bent down on
their stalks. New ones were pushing up to replace the ones that had
blown and scattered the evening before. The gentians were not yet open,
and he thought how they would look in a few hours--bluer than the
mid-day sky. He passed through the wicket, and stood on the hill-top
watching the mists sinking lower. The dawn light strengthened--the sky
filled with pale tints of emerald, mauve, and rose. A cormorant opened
his wings and flew down the lake, his fellows followed soon after; but
Father Oliver stood on the hill-top waiting for daybreak. At last a red
ball appeared behind a reddish cloud; its colour changed to the colour
of flame, paled again, and at four flared up like a rose-coloured
balloon.

The day had begun, and he turned towards his house. But he couldn't
sleep; the house was repellent, and he waited among the thorn-bushes and
ferns. Of what use to lie in one's bed when sleep is far and will not
be beckoned? and his brain being clear as day he went away to the woods
and watersides, saying: 'Life is orientated like a temple; there are in
every existence days when life streams down the nave, striking the
forehead of the God.' And during his long life Father Oliver always
looked back upon the morning when he invaded the pantry and cut large
slices of bread, taking the butter out of the old red crock, with a
little happy sadness in his heart. He wrapped the slices in paper and
wandered without thought for whither he was going, watching the birds in
the branches, interested in everything. He was fortunate enough to catch
sight of an otter asleep on a rock, and towards evening he came upon a
wild-duck's nest in the sedge; many of the ducklings had broken their
shells; these struggled after the duck; but there were two prisoners,
two that could not escape from their shells, and, seeing their lives
would be lost if he did not come to their aid, he picked the shells away
and took them to the water's edge, for he had heard Catherine say that
one could almost see little ducks growing when they had had a drop of
water. The old duck swam about uttering a whistling sound, her cry that
her ducklings were to join her. And thinking of the lives he had saved,
he felt a sudden regret that he had not come upon the nest earlier, when
Christy brought him Father O'Grady's letter.

The yacht appeared between the islands, her sails filled with wind, and
he began to dream how she might cast anchor outside the reeds. A sailor
might draw a pinnace alongside, and he imagined a woman being helped
into it and rowed to the landing-place. But the yacht did not cast
anchor; her helm was put up, her boom went over, and she went away on
another tack. He was glad of his dream, though it lasted but a moment,
and when he looked up a great gull was watching him. The bird had come
so near that he could see the small round head and the black eyes; as
soon as he stirred it wheeled and floated away. Many other little
adventures happened before the day ended. A rabbit crawled by him
screaming, for he could run no longer, and lay waiting for the weasel
that appeared out of the furze. What was to be done? Save it and let the
weasel go supperless? At eight the moon rose over Tinnick, and it was a
great sight to see the yellow mass rising above the faint shores; and
while he stood watching the moon an idea occurred to him that held him
breathless. His sister had written to him some days ago asking if he
could recommend a music-mistress to her. It was through his sister that
he might get Nora back to her country, and it was through his sister
that he might make atonement for the wrong he had done. The letter must
be carefully worded, for nuns understood so little, so estranged were
they from the world. As for his sister Mary, she would not understand at
all--she would oppose him; but Eliza was a practical woman, and he had
confidence in her good sense.

He entered the house, and, waving Catherine aside, who reminded him that
he had had nothing to eat since his dinner the day before, he went to
his writing-table and began his letter.


_From Father Oliver Gogarty to the Mother Abbess, Tinnick Convent._

'GARRANARD, BOHOLA,

'_June 3_, 19--.

'MY DEAR ELIZA,

'I hope you will forgive me for having delayed so long to answer your
letter, but I could not think at the moment of anybody whom I could
recommend as music-mistress, and I laid the letter aside, hoping that an
idea would come to me. Well, an idea has come to me. I do not think you
will find--'


The priest stopped, and after thinking a while he laid down his pen and
got up. The sentence he had been about to write was, 'I do not think you
will find anyone better than Miss Glynn.' But he would have to send
Father O'Grady's letter to his sister, and even with Father O'Grady's
letter and all that he might add of an explanation, she would hardly be
able to understand; and Eliza might show the letter to Mary, who was
prejudiced. Father Oliver walked up and down the room thinking.... A
personal interview would be better than the letter, for in a personal
interview he would be able to answer his sister's objections, and
instead of the long letter he had intended to write he wrote a short
note, adding that he had not seen them for a long time, and would drive
over to-morrow afternoon.




V

The southern road was the shorter, but he wanted to see Moran and to
hear when he proposed to begin to roof the abbey. Father Oliver thought,
moreover, that he would like to see the abbey for a last time in its
green mantle of centuries. The distance was much the same--a couple of
miles shorter by the southern road, no doubt, but what are a couple of
miles to an old roadster? Moreover, the horse would rest in Jimmy
Maguire's stable whilst he and Moran rambled about the ruin. An hour's
rest would compensate the horse for the two extra miles.

He tapped the glass; there was no danger of rain. For thirty days there
had been no change--only a few showers, just enough to keep the country
going; and he fell asleep thinking of the drive round the lake from
Garranard to Tinnick in the sunlight and from Tinnick to Garranard in
the moonlight.

He was out of bed an hour before his usual time, calling to Catherine
for hot water. His shaving, always disagreeable, sometimes painful, was
a joyous little labour on this day. Stropping his razor, he sang from
sheer joy of living. Catherine had never seen him spring on the car with
so light a step. And away went the old gray pulling at the bridle,
little thinking of the twenty-five Irish miles that lay before him.

The day was the same as yesterday, the meadows drying up for want of
rain; and there was a thirsty chirruping of small birds in the
hedgerows. Everywhere he saw rooks gaping on the low walls that divided
the fields. The farmers were complaining; but they were always
complaining--everyone was complaining. He had complained of the
dilatoriness of the Board of Works, and now for the first time in his
life he sympathized a little with the Board. If it had built the bridge
he would not be enjoying this long drive; it would be built by-and-by;
he couldn't feel as if he wished to be robbed of one half-hour of the
long day in front of him; and he liked to think it would not end for him
till nine o'clock.

'These summer days are endless,' he said.

After passing the strait the lake widened out. On the side the priest
was driving the shore was empty and barren. On the other side there were
pleasant woods and interspaces and castles. Castle Carra appeared, a
great ivy-grown ruin showing among thorn-bushes and ash-trees, at the
end of a headland. In bygone times the castle must have extended to the
water's edge, for on every side fragments of arches and old walls were
discovered hidden away in the thickets. Father Oliver knew the headland
well and every part of the old fortress. Many a time he had climbed up
the bare wall of the banqueting-hall to where a breach revealed a secret
staircase built between the walls, and followed the staircase to a long
straight passage, and down another staircase, in the hope of finding
matchlock pistols. Many a time he had wandered in the dungeons, and
listened to old stories of oubliettes.

The moat which once cut the neck of land was now dry and overgrown; the
gateway remained, but it was sinking--the earth claimed it. There were
the ruins of a great house a little way inland, to which no doubt the
descendants of the chieftain retired on the decline of brigandage; and
the rough hunting life of its semi-chieftains was figured by the
gigantic stone fox on a pillar in the middle of the courtyard and the
great hounds on either side of the gateway.

Castle Carra must have been the strongest castle in the district of
Tyrawley, and it was built maybe by the Welsh who invaded Ireland in the
thirteenth century, perhaps by William Barrett himself, who built
certainl y the castle on the island opposite to Father Oliver's house.

William Fion (i.e., the Fair) Barrett landed somewhere on the west
coast, and no doubt came up through the great gaps between Slieve Cairn
and Slieve Louan--it was not likely that he la nded on the east coast;
he could hardly have marched his horde across Ireland--and Father Oliver
imagined the Welshmen standing on the very hill on which his house now
stood, and Fion telling his followers to build a castle on each island.
Patsy Murphy, w ho knew more about the history of the country than
anybody, thought that Castle Carra was of later date, and spoke of the
Stantons, a fierce tribe. Over yonder was the famous causeway, and the
gross tragedy that was enacted there he yesterday heard from the
wood-cutter, William's party of Welshmen were followed by other
Welshmen--the Cusacks, the Petits, and the Brownes; and these in time
fell out with the Barretts, and a great battle fought, the Battle of
Moyne, in 1281, in which William Barrett was killed. But in spite of
their defeat, the Barretts held the upper hand of the country for many a
long year, and the priest began to smile, thinking of the odd story the
old woodman had told him about the Barretts' steward, Sgnorach bhuid
bhearrtha, 'saving your reverence's presence,' the old man said, and,
unable to translate the words into English fit for the priest's ears, he
explained that they meant a glutton and a lewd fellow.

The Barretts sent Sgnorach bhuid bhearrtha to collect rents from the
Lynotts, another group of Welshmen, but the Lynotts killed him and
threw his body into a well, called ever afterwards Tobar na Sgornaighe
(the Well of the Glutton), near the townland of Moygawnagh, Barony of
Tyrawley. To avenge the murder of their steward, the Barretts assembled
an armed force, and, having defeated the Lynotts and captured many of
them, they offered their prisoners two forms of mutilation: they were
either to be blinded or castrated. After taking counsel with their wise
men, the Lynotts chose blindness; for blind men could have sons, and
these would doubtless one day revenge the humiliation that was being
passed upon them. A horrible story it was, for when their eyes were
thrust out with needles they were led to a causeway, and those who
crossed the stepping-stones without stumbling were taken back; and the
priest thought of the assembled horde laughing as the poor blind men
fell into the water.

The story rambled on, the Lynotts plotting how they could be revenged on
the Barretts, telling lamely but telling how the Lynotts, in the course
of generations, came into their revenge. 'A badly told story,' said the
priest, 'with one good incident in it,' and, instead of trying to
remember how victory came to the Lynotts, Father Oli ver's eyes strayed
over the landscape, taking pleasure in the play of light along sides and
crests of the hills.

The road followed the shore of the lake, sometimes turning inland to
avoid a hill or a bit of bog, but returning back again to the shore, 
finding its way through the fields, if they could be called fields--a
little grass and some hazel-bushes growing here and there between the
rocks. Under a rocky headland, lying within embaying shores, was Church
Island, some seven or eight acres, a handsome wooded island, the largest
in the lake, with the ruins of a church hidden among the tall trees,
only an arch of it remaining, but the paved path leading from the church
to the hermit's cell could be followed. The hermit who used this paved
path fourteen hundred years ago was a poet; and Father Oliver knew that
Marban loved 'the shieling that no one knew save his God, the ash-tree
on the hither side, the hazel-bush beyond it, its lintel of honeysuckle,
the wood shedding its mast upon fat swine;' and on this sweet day he
found it pleasanter to think of Ireland's hermits than of Ireland's
savage chieftains always at war, striving against each other along the
shores of this lake, and from island to island.

His thoughts lingered in the seventh and eighth centuries, when the arts
were fostered in monasteries--the arts of gold-work and illuminated
missals--'Ireland's halcyon days,' he said; a deep peace brooded, and
under the guidance of the monks Ireland was the centre of learning when
England was in barbarism. The first renaissance was the Irish, centuries
before a gleam showed in Italy or in France. But in the middle of the
eighth century the Danes arrived to pillage the country, and no sooner
were they driven out than the English came to continue the work of
destruction, and never since has it ceased.' Father Oliver fell to
thinking if God were reserving the bright destiny for Ireland which he
withheld a thousand years ago, and looked out for the abbey that
Roderick, King of Connaught, built in the twelfth century.

It stood on a knoll, and in the distance, almost hidden in bulrushes,
was the last arm of the lake. 'How admirable! how admirable!' he said.
Kilronan Abbey seemed to bid him remember the things that he could never
forget; and, touched by the beauty of the legended ruins, his doubts
return ed to him regarding the right of the present to lay hands on
these great wrecks of Ireland's past. He was no longer sure that he did
not side with the Archbishop, who was against the restoration--for
entirely insufficient reasons, it was true. 'Put a roof,' Father Oliver
said, 'on the abbey, and it will look like any other church, and
another link will be broken. "Which is the better--a great memory or
some trifling comfort?"' A few moments after the car turned the corner
and he caught sight of Father Moran, 'out for his morning's walk,' he
said; and he compared Moran's walk up and down the highroad with his own
rambles along the lake shores and through the pleasant woods of
Carnecun.

For seven years Father Oliver had walked up and down that road, for
there was nowhere else for him to walk; he walked that road till he
hated it, but he did not think that he had suffered from the loneliness
of the parish as much as Moran. He had been happier than Moran in
Bridget Clery's cottage--a great idea enabled him to forget every
discomfort; and 'we are never lonely as long as our idea is with us,' he
ejaculated. 'But Moran is a plain man, without ideas, enthusiasms, or
exaltations. He does riot care for reading, or for a flower garden, only
for drink. Drink gives him dreams, and man must dream,' he said.

He knew that his curate was pledged to cure himself, and believed he was
succeeding; but, all the same, it was terrible to think that the
temptation might overpower him at any moment, and that he might st agger
helpless through the village--a very shocking example to everybody.

The people were prone enough in that direction, and for a priest to give
scandal instead of setting a good example was about as bad as anything
that could happen in the parish. But what was he to do? There was no
hard-and-fast rule about anything, and Father Oliver felt that Moran
must have his chance.

'I was beginning to think we were never going to see you again;' and
Father Moran held out a long, hard hand to Father Oliver. 'You'll put up
your horse? Christy, will you take his reverence's horse? You'll stay
and have some dinner with me?'

'I can't stay more than half an hour. I'm on my way to Tinnick; I've
business with my sister, and it will take me some time.'

'You have plenty of time.'

'No, I haven't? I ought to have taken the other road; I'm late as it
is.'

'But you will come into the house, if only for a few minutes.'

Father Oliver had taught Bridget Clery cleanliness; at least, he had
persuaded her to keep the f owls out of the kitchen, and he had put a
paling in front of the house and made a little garden--an unassuming
one, it is true, but a pleasant spot of colour in the summer-time--and
he wondered how it was that Father Moran was not ashamed of its
neglected state, nor of the widow's kitchen. These things were, after
all, immaterial. What was important was that he should find no faintest
trace of whisky in Moran's room. It was a great relief to him not to
notice any, and no doubt that was why Moran insisted on bringing him
into the house. The specifications were a pretext. He had to glance at
them, however.

'No doubt if the abbey is to be roofed at all the best roof is the one
you propose.'

'Then you side with the Archbishop?'

'Perhaps I do in a way, but for different reasons. I know very well that
the people won't kneel in the rain. Is it really true that he opposes
the roofing of the abbey on account of the legend? I have heard the
legend, but there are many variants. Let's go to the abbey and you'll
tell the story on the way.'

'You see, he'll only allow a portion of the abbey to be roofed.'

'You don't mean that he is so senile and superstitious as that? Then the
reason of his opposition really is that he believes his death to be
implicit in the roofing of Kilronan.'

'Yes; he thinks that;' and the priests turned out of the main road.

'How beautiful it looks!' and Father Oliver stopped to admire.

The abbey stood on one of the lower slopes, on a knoll overlooking rich
water-meadows, formerly abbatial lands.

'The legend says that the abbey shall be roofed when a De Stanton is
Abbot, and the McEvillys were originally De Stantons; they changed their
name in the fifteenth century on account of a violation of sanctuary
committed by them. A roof shall be put on those walls, the legend says,
when a De Stanton is again Abbot of Kilronan, and the Abbot shall be
slain on the highroad.'

'And to save himself from a violent death, he will only allow you to
roof a part of the abbey. Now, what reason does he give for such an
extraordinary decision?'

'Are Bishops ever expected to have reasons?'

The priests laughed, and Father Oliver said: 'We might appeal to Rome.'

'A lot of good that would do us. Haven't we all heard the Archbishop say
that any of his priests who appeals to Rome against him will get the
worst of it?'

'I wonder that he dares to defy popular opinion in this way.'

'What popular opinion is there to defy? Wasn't Patsy Donovan saying to
me only yesterday that the Archbishop was a brave man to be letting any
roof at all on the abbey? And Patsy is the best-educated man in this
part of the country.'

'People will believe anything.'

'Yes, indeed.'

And the priests stopped at the grave of Seaghan na Soggarth, or 'John of
the Priests,' and Father Oliver told Father Moran how a young priest,
who had lost his way in the mountains, had fallen in with Seaghan na
Soggarth. Seaghan offered to put him into the right road, but instead of
doing so he led him to his house, and closed the door on him, and left
him there tied hand and foot. Seaghan's sister, who still clung to
religion, loosed the priest, and he fled, passing Seaghan, who was on
his way to fetch the soldiers. Seaghan followed after, and on they went
like hare and hound till they got to the abbey. There the priest, who
could run no further, turned on his foe, and they fought until the
priest got hold of Seaghan's knife and killed him with it.

'But you know the story. Why am I telling it to you?'

'I only know that the priest killed Seaghan. Is there any more of it?'

'Yes, there is more.'

And Father Oliver went on to tell it, though he did not feel that Father
Moran would be interested in the legend; he would not believe that it
had been prophesied that an ash-tree should grow out of the buried head,
and that one of the branches should take root and pierce Seaghan's
heart. And he was right in suspecting his curate's lack of sympathy.
Father Moran at once objected that the ash-tree had not yet sent down a
branch to pierce the priest-killer's heart.

'Not yet; but this branch nearly touches the ground, and there's no
saying that it won't take root in a few years.'

'But his heart is there no longer.'

'Well, no,' said Father Oliver, 'it isn't; but if one is to argue that
way, no one would listen to a story at all.'

Father Moran held his peace for a little while, and then he began
talking about the penal times, telling how religion in Ireland was
another form of love of country, and that, if Catholics were intolerant
to every form of heresy, it was because they instinctively felt that the
questioning of any dogma would mean some slight subsidence from the idea
of nationality that held the people together. Like the ancient Jews, the
Irish believed that the faith of their forefathers could bring them into
their ultimate inheritance; this was why a proselytizer was hated so
intensely.

'More opinions,' Father Oliver said to himself. 'I wonder he can't
admire that ash-tree, and be interested in the story, which is quaint
and interesting, without trying to draw an historical parallel between
the Irish and the Jews. Anyhow, thinking is better than drinking,' and
he jumped on his car. The last thing he heard was Moran's voice saying,
'He who betrays his religion betrays his country.'

'Confound the fellow, bothering me with his preaching on this fine
summer's day! Much better if he did what he was told, and made up his
mind to put the small green slates on the abbey, and not those coarse
blue things which will make the abbey look like a common barn.'

Then, shading his eyes with his hand, he peered through the sun haze,
following the shapes of the fields. The corn was six inches high, and
the potatoes were coming into blossom. True, there had been a scarcity
of water, but they had had a good summer, thanks be to God, and he
thought he had never seen the country looking so beautiful. And he loved
this country, this poor Western plain with shapely mountains enclosing
the horizon. Ponies were feeding between the whins, and they raised
their shaggy heads to watch the car passing. In the distance cattle were
grazing, whisking the flies away. How beautiful was everything--the
white clouds hanging in the blue sky, and the trees! There were some
trees, but not many--only a few pines. He caught glimpses of the lake
through the stems; tears rose to his eyes, and he attributed his
happiness to his native land and to the thought that he was living in
it. Only a few days ago he wished to leave it--no, not for ever, but for
a time; and as his old car jogged through the ruts he wondered how it
was that he had ever wished to leave Ireland, even for a single minute.

'Now, Christy, which do you reckon to be the shorter road?'

'The shorter road, your reverence, is the Joycetown road, but I doubt if
we can get the car through it.'

'How is that?'

And the boy answered that since the Big House had been burnt the road
hadn't been kept in repair.

'But,' said Father Oliver, 'the Big House was burnt seventy years ago.'

'Well, your reverence, you see, it was a good road then, but the last
time I heard of a car going that way was last February.'

'And if a car got through in February, why can't we get through on the
first of June?'

'Well, your reverence, there was the storm, and I do be hearing that the
trees that fell across the road then haven't been removed yet.'

'I think we might try the road, for all that, for though if we have to
walk the greater part of it, there will be a saving in the end.'

'That's true, your reverence, if we can get the car through; but if we
can't we may have to come all the way back again.'

'Well, Christy, we'll have to risk that. Now, will you be turning the
horse up the road? And I'll stop at the Big House--I've never been
inside it. I'd like to see what it is like.'

Joycetown House was the last link between the present time and the past.
In the beginning of the century a duellist lived there; the terror of
the countryside he, for he was never known to miss his man. For the
slightest offence, real or imaginary, he sent seconds demanding redress.
No more than his ancestors, who had doubtless lived on the islands, in
Castle Island and Castle Hag, could he live without fighting. But when
he completed his round dozen, a priest said, 'If we don't put a stop to
his fighting, there won't be a gentleman left in the country,' and wrote
to him to that effect.

The story runs how Joyce, knowing the feeling of the country was against
him, tried to keep the peace. But the blood fever came on him again, and
he called out his nearest neighbour, Browne of the Neale, the only
friend he had in the world. Browne lived at Neale House, just over the
border, in County Galway, so the gentlemen arranged to fight in a
certain field near the mearing. It was Browne of Neale who was the first
to arrive. Joyce, having to come a dozen miles, was a few minutes late.
As soon as his gig was seen, the people, who were in hiding, came out,
and they put themselves between him and Browne, telling him up to his
face there was to be no fighting that day! And the priest, who was at
the head of them, said the same; but Joyce, who knew his countrymen,
paid no heed, but stood up in the gig, and, looking round him, said,
'Now, boys, which is it to be? The Mayo cock or the Galway cock?' No
sooner did he speak these words than they began to cheer him, and in
spite of all the priest could say they carried him into the field in
which he shot Browne of the Neale.

'A queer people, the queerest in the world,' Father Oliver thought, as
he pulled a thorn-bush out of the doorway and stood looking round. There
were some rough chimney-pieces high up in the grass-grown walls, but
beyond these really nothing to be seen, and he wandered out seeking
traces of terraces along the hillside.

On meeting a countryman out with his dogs he tried to inquire about the
state of the road.

'I wouldn't be saying, your reverence, that you mightn't get the car
through by keeping close to the wall; but Christy mustn't let the horse
out of a walk.'

The countryman said he would go a piece of the road with them, and tell
Christy the spots he'd have to look out for.

'But your work?'

'There's no work doing now to speak of, your reverence.'

The three of them together just managed to remove a fallen tree, which
seemed the most serious obstacle, and the countryman said once they were
over the top of the hill they would be all right; the road wasn't so bad
after that.

Half a mile further on Father Oliver found himself in sight of the main
road, and of the cottage that his sister Mary had lived in before she
joined Eliza in the convent.

To have persuaded Mary to take this step proved Eliza's superiority
more completely than anything else she had done, so Father Oliver often
said, adding that he didn't know what mightn't have happened to poor
Mary if she had remained in the world. For her life up to the time she
entered the convent was little else than a series of failures. She was a
shop-assistant, but standing behind the counter gave her varicose veins;
and she went to Dublin as nursery-governess. Father Oliver had heard of
musical studies: she used to play the guitar. But the instrument was not
popular in Dublin, so she gave it up, and returned to Tinnick with the
intention of starting a rabbit and poultry farm. Who put this idea into
her head was her secret, and when he received Eliza's letter telling him
of this last experiment, he remembered throwing up his hands. Of course,
it could only end in failure, in a loss of money; and when he read that
she was going to take the pretty cottage on the road to Tinnick, he had
become suddenly sad.

'Why should she have selected that cottage, the only pretty one in the
county? Wouldn't any other do just as well for her foolish experiment?'




VI


The flowered cottage on the road to Tinnick stood in the midst of trees,
on a knoll some few feet above the roadway, and Father Oliver, when he
was a boy, often walked out by himself from Tinnick to see the
hollyhocks and the sunflowers; they overtopped the palings, the
sunflowers looking like saucy country girls and the hollyhocks like
grand ladies, delicate and refined, in pink muslin dresses. He used to
stand by the gate looking into the garden, delighted by its luxuriance,
for there were clumps of sweet pea and beds of red carnations and roses
everywhere, and he always remembered the violets and pansies he saw
before he went away to Maynooth. He never remembered seeing the garden
in bloom again. He was seven years at Maynooth, and when he came home
for his vacations it was too late or too early in the season. He was
interested in other things; and during his curacy at Kilronan he rarely
went to Tinnick, and when he did, he took the other road, so that he
might see Father Peter.

He was practically certain that the last time he saw the garden in bloom
was just before he went to Maynooth. However this might be, it was
certain he would never see it in bloom again. Mary had left the cottage
a ruin, and it was sad to think of the clean thick thatch and the
whitewashed walls covered with creeper and China roses, for now the
thatch was black and mouldy; and of all the flowers only a few stocks
survived; the rose-trees were gone--the rabbits had eaten them. Weeds
overtopped the currant and gooseberry bushes; here and there was a trace
of box edging. 'But soon,' he said, 'all traces will be gone, the roof
will fall in, and the garden will become part of the waste.' His eyes
roved over the country into which he was going--almost a waste; a meagre
black soil, with here and there a thorn-bush and a peasant's cabin.
Father Oliver knew every potato field and every wood, and he waited for
the elms that lined the roadway a mile ahead of him, a long, pleasant
avenue that he knew well, showing above the high wall that encircled a
nobleman's domain. Somewhere in the middle of that park was a great
white house with pillars, and the story he had heard from his mother,
and that roused his childish imaginations, was that Lord Carra was hated
by the town of Tinnick, for he cared nothing for Ireland and was said to
be a man of loose living, in love with his friend's wife, who came to
Tinnick for visits, sometimes with, sometimes without, her husband. It
may have been his Lordship's absenteeism, as well as the scandal the
lady gave, that had prompted a priest to speak against Lord Carra from
the altar, if not directly, indirectly. 'Both are among the gone,'
Father Oliver said to himself. 'No one speaks of them now; myself hasn't
given them a thought this many a year--' His memories broke off
suddenly, for a tree had fallen, carrying a large portion of the wall
with it, but without revealing the house, only a wooded prospect through
which a river glided. 'The Lord's mistress must have walked many a time
by the banks of that river,' he said. But why was he thinking of her
again? Was it the ugly cottage that put thoughts of her into his mind?
for she had done nothing to alleviate the lives of the poor, who lived
without cleanliness and without light, like animals in a den. Or did his
thoughts run on that woman, whom he had never seen, because Tinnick was
against her and the priest had spoken slightingly of the friends that
Lord Carra brought from England? The cause of his thoughts might be that
he was going to offer Nora Glynn to his sister as music-mistress. But
what connection between Nora Glynn and this dead woman? None. But he was
going to propose Nora Glynn to Eliza, and the best line of argument
would be that Nora would cost less than anyone as highly qualified as
she. Nuns were always anxious to get things cheap, but he must not let
them get Nora too cheap. But the question of price wouldn't arise
between him and Eliza. Eliza would see that the wrong he did to Nora was
preying on his conscience, and that he'd never be happy until he had
made atonement--that was the light in which she would view the matter,
so it would be better to let things take their natural course and to
avoid making plans. The more he thought of what he should say to Eliza,
the less likely was he to speak effectively; and feeling that he had
better rely on the inspiration of the moment, he sought distraction from
his errand by noting the beauty of the hillside. He had always liked
the way the road dipped and then ascended steeply to the principal
street in the town. There were some pretty houses in the dip--houses
with narrow doorways and long windows, built, no doubt, in the beginning
of the nineteenth century--and his ambition was once to live in one of
these houses.

The bridge was an eighteenth-century bridge, with a foaming weir on the
left, and on the right there was a sentimental walk under linden-trees,
and there were usually some boys seated on the parapet fishing. He would
have liked to stop the car, so remote did the ruined mills seem--so like
things of long ago that time had mercifully weaned from the stress and
struggle of life.

At the corner of the main street was the house in which he was born. The
business had passed into other hands, but the old name--'Gogarty's
Drapery Stores'--remained. Across the way were the butcher and the
grocer, and a little higher up the inn at which the commercial
travellers lodged. He recalled their numerous leather trunks, and for a
moment stood a child again, seeing them drive away on post-cars. A few
more shops had been added--very few--and then the town dwindled quickly,
slated roofs giving way to thatched cottages, and of the same miserable
kind that was wont to provoke his antipathy when he was a boy.

This sinful dislike of poverty he overcame in early manhood. A high
religious enthusiasm enabled him to overcome it, but his instinctive
dislike of the lowly life--intellectual lowliness as well as
physical--gathered within these cottages, seemed to have returned again.
He asked himself if he were wanting in natural compassion, and if all
that he had of goodness in him were a debt he owed to the Church. It was
in patience rather than in pity maybe that he was lacking; and pursuing
this idea, he recalled the hopes he entertained when he railed off a
strip of ground in front of Bridget Clery's house. But that strip of
garden had inspired no spirit of emulation. Eliza was perhaps more
patient than he, and he began to wonder if she had any definite aim in
view, and if the spectacle of the convent, with its show of nuns walking
under the trees, would eventually awaken some desire of refinement in
the people, if the money their farms now yielded would produce some sort
of improvement in their cottages, the removal of those dreadfully heavy
smells, and a longing for colour that would find expression in the
planting of flowers.

They gave their money willingly enough for the adornment of their
chapel, for stained glass, incense, candles, and for music, and were it
not for the services of the Church he didn't know into what barbarism
the people mightn't have fallen: the tones of the organ sustaining clear
voices of nuns singing a Mass by Mozart must sooner or later inspire
belief in the friendliness of pure air and the beauty of flowers.
Flowers are the only beautiful things within the reach of these poor
people. Roses all may have, and it was pleasant to think that there is
nothing more entirely natural or charming in the life of man than his
love of flowers: it preceded his love of music; no doubt an appreciation
of something better in the way of art than a jig played on the pipes
would follow close on the purification of the home.

Nora Glynn was beautiful, and her personality was winning and charming,
her playing delightful, and her singing might have inspired the people
to cultivate beauty. But she was going to the convent. The convent had
gotten her. It was a pity. Mrs. O'Mara's scandalous stories, insinuating
lies, had angered him till he could bear with her no longer, and he had
put her out the door. He didn't believe that Eliza had ever said she
could give Nora more than she was earning in Garranard. It mattered very
little if she had, for it had so fallen out that she was going to get
her. He begrudged them Nora. But Eliza was going to get her, and he'd
have to make the best terms he could.

But he could not constrain his thoughts to the present moment. They
would go back to the fateful afternoon when he ran across the fields to
ask Nora if what Mrs. O'Mara had said of her were true. If he had only
waited! If she had come to him to confession on Saturday, as he expected
she would! If something had prevented him from preaching on Sunday! A
bad cold might have prevented him from speaking, and she might have gone
away for a while, and, when her baby was born, she might have come back.
It could have been easily arranged. But fate had ordered her life
otherwise, and here he was in the Tinnick Convent, hoping to make her
some poor amends for the wrong he had done her. Would Eliza help
him?--that was the question he asked himself as he crossed the
beeswaxed floor and stood looking at the late afternoon sunlight
glancing through the trees, falling across the green sward.

'How do you do, Oliver?'

His face lighted up, but it changed expression and became gray again. He
had expected to see Eliza, tall and thin, with yellow eyebrows and pale
eyes. Hers was a good, clearly-cut face, like his own, whereas Mary's
was quite different. Yet a family likeness stared through Mary's heavy
white face. Her eyes were smaller than his, and she already began to
raise them and lower them, and to look at him askance, in just the way
he hated. Somehow or other she always contrived to make him feel
uncomfortable, and the present occasion was no exception. She was
already reproving him, hoping he was not disappointed at seeing her, and
he had to explain that he expected to see Eliza, and that was why he
looked surprised. She must not confuse surprise with disappointment. He
was very glad to see her.

'I know I am not as interesting as Eliza,' she began, 'but I thought you
might like to see me, and if I hadn't come at once I shouldn't have had
an opportunity of seeing you alone.'

'She has something to confide,' Father Oliver said to himself, and he
hoped that her confidences might be cut short by the timely arrival of
Eliza.

'Eliza is engaged at present. She told Sister Agatha to tell you that
she would be with you presently. I met Sister Agatha in the passage, and
said I would take the message myself. I suppose I oughtn't to have done
so, but if I hadn't I shouldn't have had an opportunity of speaking with
you.'

'Why is that?'

'I don't think she likes me to see you alone.'

'My dear Mary!'

'You don't know, Oliver, what it is to live in a convent, and your own
sister the head of it.'

'I should have thought, Mary, that it was especially pleasant, and that
you were especially fortunate. And as for thinking that Eliza is not
wishing you to see me alone, I am sure--'

'You are sure I'm mistaken.'

'What reason could she have?'

'Eliza doesn't wish the affairs of the convent discussed. You know, I
suppose, that the building of the new wing has put a burden of debt on
the convent.'

'I know that; so why should Eliza--'

'Eliza tries to prevent my seeing any of the visitors. Now, do you think
that quite right and fair towards one's sister?'

Father Oliver tried to prevent himself from smiling, but he sympathized
so entirely with Eliza's efforts to prevent Mary from discussing the
affairs of the convent that he could hardly keep down the smile that
rose to his lips. He could see Eliza's annoyance on coming into the
parlour and finding Mary detailing all the gossip and confiding her own
special woes, for the most part imaginary, to a visitor. Nor would Mary
refrain from touching on the Reverend Mother's shortcomings. He was so
much amused that he might have smiled if it had not suddenly come to his
mind that Mary might leave the convent and insist on living with him;
and a little scared he began to think of what he could say to pacify
her, remembering in the midst of his confusion and embarrassment that
Mary was professed last year, and therefore could not leave the convent;
and this knowledge filled him with such joy that he could not keep back
the words, but must remind his sister that she had had ample opportunity
of considering if she were suited to the religious life.

'You see, Mary, you should have thought of all this before you were
professed.'

'I shan't take my final vows till next year.'

'But, my dear Mary, once a woman has taken the black veil ... it is the
same thing, you know.'

'Not quite, otherwise there would be no meaning in the delay.'

'You don't mean to say that you're thinking of leaving the convent,
Mary?'

'Not exactly, but it is very hard on me, Oliver. I was thinking of
writing to you, but I hoped that you would come to see us. You have been
a long time now without coming.'

'Well, Mary--'

'Eliza loves ruling everybody, and just because I am her sister she is
harder on me than anyone else. Only the other day she was furious with
me because I stopped at confession a few minutes longer than usual. "I
think," she said, "you might spare Father Higgins your silly scruples."
Now, how is one to stop in a convent if one's own sister interferes in
one's confessions?'

'Well, Mary, what are you thinking of doing?'

'There are some French nuns who have just come over and want to open a
school, and are looking for Irish subjects. I was thinking they'd like
to have me. You see, I wouldn't have to go through the novitiate again,
for they want an experienced person to teach them English and to mind
the school for them. It is really a mistake to be under one's own
sister.'

At that moment the door opened and Eliza came in, apologizing for having
kept her brother so long waiting.

'You see, my dear Oliver, I've had two mothers here this morning, and
you know what parents are. I suppose Mary has told you about our
difficulties. Now, do you mean to say that you have found a person who
will suit us?... It is really very kind of you.'

'I can't say for certain, Eliza. Of course, it is difficult for me to
know exactly what you want, but, so far as I know, I think the person I
have in my mind will suit you.'

'But has she a diploma from the Academy? We must have a certificate.'

'I think she'll suit you, but we'll talk about her presently. Don't you
think we might go into the garden?'

'Yes, it will be pleasanter in the garden. And you, Mary--you've had
your little chat with Oliver.'

'I was just going, Eliza. If I'd known that Oliver wanted to speak
privately to you, I'd have gone sooner.'

'No, no, I assure you, Mary.'

Mary held out her hand to her brother, saying:

'I suppose I shall not see you again, unless, perhaps, you're stopping
the night with Father Higgins. It would be nice if you could do that.
You could say Mass for us in the morning.'

Father Oliver shook his head.

'I'm afraid I must get back to-night.'

'Well, then, good-bye.' And Mary went out of the room regretfully, like
one who knows that the moment her back is turned all her faults will
become the subject of conversation.

'I hear from Mary that some French nuns are coming over, and want to
open a school. I hope that won't interfere with yours, Eliza; you spent
a great deal of money upon the new wing.'

'It will interfere very much indeed; but I'm trying to get some of the
nuns to come here, and I hope the Bishop will not permit a new
foundation. It's very hard upon us Irish women if we are to be eaten out
of house and home by pious foreigners. I'm in correspondence with the
Bishop about it. As for Mary--'

'You surely don't think she's going to leave?'

'No, I don't suppose she'll leave; it would be easier for me if she did,
but it would give rise to any amount of talk. And where would she go if
she did leave, unless she lived with you?'

'My house is too small; besides, she didn't speak of leaving, only that
she hadn't yet taken her final vows. I explained that no one will
distinguish between the black veil and final vows. Am I not right?'

'I think those vows will take a great weight off your mind, Oliver. I
wish I could say as much for myself.'

The Reverend Mother opened a glass door, and brother and sister stood
for some time admiring the flower vases that lined the terrace.

'I can't get her to water the geraniums.'

'If you'll tell me where I can get a can--'

'You'll excuse me, Reverend Mother.'

It was the Sister in charge of the laundry, and, seeing her crippled
arm, Father Oliver remembered that her dress had become entangled in the
machinery. He didn't know, however, that the fault lay with Mary, who
was told off to watch the machinery and to stop it instantly in case of
necessity.

'She can't keep her attention fixed on anything, not even on her
prayers, and what she calls piety I should call idleness. It's terrible
to have to do with stupid women, and the convent is so full of them that
I often wonder what is the good of having a convent at all.'

'But, Eliza, you don't regret--'

'No, of course I don't regret. I should do just the same again. But
don't let us waste our time talking about vocations. I hear enough of
that here. I want you to tell me about the music-mistress; that's what
interests me.'

And when Father Oliver had told her the whole story and showed her
Father O'Grady's letter, she said:

'You know I always thought you were a little hard on Miss Glynn. Father
O'Grady's letter convinces me that you were.'

'My dear Eliza, I don't want advice; I've suffered enough.'

'Oliver dear, forgive me.' And the nun put out her hand to detain him.

'Well, don't say again, Eliza, that you always thought. It's irritating,
and it does no good.'

'Her story is known, but she could live in the convent; that would
shelter her from any sort of criticism. I don't see why she shouldn't
take the habit of one of the postulants, but--'

The priest waited for his sister to speak, and after waiting a little
while he asked her what she was going to say.

'I was going to ask you,' said the nun, waking from her reverie, 'if you
have written to Miss Glynn.'

'Yes, I wrote to her.'

'And she's willing to come back?'

'I haven't spoken to her about that. It didn't occur to me until
afterwards, but I can write at once if you consent.'

'I may be wrong, Oliver, but I don't think she'll care to leave London
and come back here, where she is known.'

'But, Eliza, a girl likes to live in her own country. Mind you, I am
responsible. I drove her out of her country among strangers. She's
living among Protestants.'

'I don't think that will trouble her very much.'

'I don't know why you say that, Eliza. Do you think that a woman cannot
repent? that because she happens to have sinned once--'

'No; I suppose there are repentant sinners, but I think we most often go
on as we begin. Now, you see, Father O'Grady says that she's getting on
very well in London, and we like to live among those who appreciate us.'

'Well, Eliza, of course, if you start with the theory that no one can
repent--'

'I didn't say that, Oliver. But she wouldn't tell you who the man was.
She seems a person of character--I mean, she doesn't seem to be lacking
in strength of character.'

'She's certainly a most excellent musician. You'll find no one like her,
and you may be able to get her very cheap. And if your school doesn't
pay--'

A shade passed across the Reverend Mother's face.

'There's no doubt that the new wing has cost us a great deal of money.'

'Then there are the French nuns--'

'My dear Oliver, if you wish me to engage Miss Glynn as music-mistress
I'll do so. There's no use speaking to me about the French nuns. I'll
engage her because you ask me, but I cannot pay her as much as those who
have diplomas. How much do you think she'd come for?'

'I don't know what she's earning in London, but I suppose you can pay
her an average wage. You could pay her according to results.'

'What you say is quite true, Oliver.' The priest and the nun continued
their walk up and down in front of the unfinished building. 'But you
don't know, Oliver, if she's willing to leave London. You'll have to
write and find out.'

'Very well, Eliza, I'll write. You'll be able to offer her as much as
she was earning in my parish as schoolmistress. That's fifty pounds a
year.'

'It's more than we can afford, Oliver, but if you wish it.'

'I do wish it, Eliza. Thank you. You've taken a great weight off my
mind.'

They passed into the house, and, stopping in front of the writing-table,
the nun looked to see if there were paper and envelopes in the blotter.

'You'll find everything you want, even sealing-wax,' she said. 'Now I'll
leave you.'


_From Father Oliver Gogarty to Miss Nora Glynn._

'TINNICK CONVENT,

'_June 4, 19--_.

'DEAR MISS GLYNN,

'I take it for granted that you received the letter I sent you two days
ago, telling you how much I appreciated your kindness in asking Father
O'Grady to write to tell me that you were quite safe and getting on
well. Since writing that letter I feel more keenly than ever that I owe
you reparation, for it was through an error of judgment on my part that
you are now an exile from your own country. Everyone is agreed that I
have committed an error of judgment. My sister, the Mother Superior of
this convent from where I am writing, is of that opinion. The moment I
mentioned your name she began, "I always thought that--" and I begged of
her to spare me advice on the subject, saying that it was not for advice
that I came to her, but to ask her to help me to make atonement, which
she could do by engaging you to teach music in her convent. You see, I
had heard that my sister was in a difficulty. The new wing is nearly
completed, and she could get the best families in Ireland to send their
daughters to be educated in her convent if she could provide sufficient
musical instruction. I thought you might like to live in your own
country, now that your thoughts have again turned towards God, and I can
imagine the unpleasantness it must be to a Catholic to live in a
Protestant country. I told my sister this, and she answered that if you
wish to come over here, and if Father O'Grady advises it, she will take
you as music-mistress. You will live in the convent. You can enter it,
if you wish, as a postulant, or if you should remain an extern teacher
the salary they will give you will be fifty pounds a year. I know you
can make more than that in London, but you can live more cheaply here,
and you will be among friends.

'I shall be glad to hear from you on this subject.

'Very sincerely yours,

'OLIVER GOGARTY, P.P.'


When he looked up, the darkness under the trees surprised him, and the
geraniums so faintly red on the terrace, and his sister passing up and
down like a phantom.

'Eliza.'

He heard her beads drop, and out of a loose sleeve a slim hand took the
letter. There was not enough light in the room to read by, and she
remained outside, leaning against the glass door.

'You haven't written exactly the letter I should have written, but,
then, we're quite different. I should have written a cold and more
business-like letter.' His face changed expression, and she added: 'I'm
sorry if I'm unsympathetic, Oliver.'

The touch of her hand and the look in her eyes surprised him, for Eliza
was not demonstrative, and he wondered what had called forth this sudden
betrayal of feeling. He expected her to ask him not to send the letter,
but instead of doing so she said:

'If the letter were written otherwise it wouldn't be like yourself,
Oliver. Send it, and if she leaves London and comes back here, I will
think better of her. It will be proof that she has repented. I see
you'll not have an easy mind until you make atonement. You exaggerate, I
think; but everyone for himself in a matter like this.'

'Thank you, Eliza. You always understand.'

'Not always. I failed to understand when you wanted to set up a
hermitage on Castle Island.'

'Yes, you did; you have better sense than I. Yet I feel we are more
alike than the others. You have counted for a great deal in my life,
Eliza. Do you remember saying that you intended to be Reverend Mother?
And now you are Reverend Mother.'

'I don't think I said "I intended." But I felt that if I became a nun,
one day or another I should be Reverend Mother; one knows most often
than not what is going to happen--one's own fate, I mean.'

'I wonder if Mary knows?'

'If she does, I wish she'd tell us.'

'We'll have time to walk round the garden once more. You have no idea
what a pleasure it is for me to see you--to talk with you like this.'

And, talking of Mary, they walked slowly, forgetful of everything but
each other.

A bell rang.

'I must be going; it will be late before I get home.'

'Which way are you going? Round by Kilronan or across the Bridge of
Keel?'

'I came by Kilronan. I think I'll take the other way. There will be a
moon to-night.'

Brother and sister entered the convent.

'You'll enjoy the drive?'

'Yes.' And he fell to thinking of the drive home by the southern road,
the mountains unfolding their many aspects in the gray moonlight, and
melting away in misty perspectives.




VII


_From Miss Nora Glynn to Father Oliver Gogarty._


'4, WILSON STREET, LONDON,

'_June_ 8, 19--,

'FATHER GOGARTY,

'I did not answer your first letter because the letters that came into
my mind to write, however they might begin, soon turned to bitterness,
and I felt that writing bitter letters would not help me to forget the
past. But your second letter with its proposal that I should return to
Ireland to teach music in a convent school forces me to break silence,
and it makes me regret that I gave Father O'Grady permission to write to
you; he asked me so often, and his kindness is so winning, that I could
not refuse him anything. He said you would certainly have begun to see
that you had done me a wrong, and I often answered that I saw no reason
why I should trouble to soothe your conscience. I do not wish to return
to Ireland; I am, as Father O'Grady told you, earning my own living, my
work interests me, and very soon I shall have forgotten Ireland. That is
the best thing that can happen, that I should forget Ireland, and that
you should forget the wrong you did me. Put the whole thing, and me,
out of your mind; and now, good-bye, Father Gogarty.

'NORA GLYNN.'


'Good heavens! how she hates me, and she'll hate me till her dying day.
She'll never forget. And this is the end of it, a bitter, unforgiving
letter.' He sat down to think, and it seemed to him that she wouldn't
have written this letter if she had known the agony of mind he had been
through. But of this he wasn't sure. No, no; he could not believe her
spiteful. And he walked up and down the room, trying to quell the
bitterness rising up within him. No other priest would have taken the
trouble; they would have just forgotten all about it, and gone about
congratulating themselves on their wise administration. But he had acted
rightly, Father O'Grady had approved of what he had done; and this was
his reward. She'll never come back, and will never forgive him; and ever
since writing to her he had indulged in dreams of her return to Ireland,
thinking how pleasant it would be to go down to the lake in the
mornings, and stand at the end of the sandy spit looking across the lake
towards Tinnick, full of the thought that she was there with his sisters
earning her living. She wouldn't be in his parish, but they'd have been
friends, neighbours, and he'd have accepted the loss of his organist as
his punishment. Eva Maguire was no good; there would never be any music
worth listening to in his parish again. Such sternness as her letter
betrayed was not characteristic of her; she didn't understand, and
never would. Catherine's step awoke him; the awaking was painful, and he
couldn't collect his thoughts enough to answer Catherine; and feeling
that he must appear to her daft, he tried to speak, but his speech was
only babble.

'You haven't read your other letter, your reverence.'

He recognized the handwriting; it was from Father O'Grady.


_From Father O'Grady to Father Oliver Gogarty._

'_June_ 8, 19--.

'MY DEAR FATHER GOGARTY,

'I was very glad to hear that Miss Glynn told her story truthfully; for
if she exaggerated or indulged in equivocation, it would be a great
disappointment to me and to her friends, and would put me in a very
difficult position, for I should have to tell certain friends of mine,
to whom I recommended her, that she was not all that we imagined her to
be. But all's well that ends well; and you will be glad to hear that I
have appointed her organist in my church. It remains, therefore, only
for me to thank you for your manly letter, acknowledging the mistake you
have made.

'I can imagine the anxiety it must have caused you, and the great relief
it must have been to you to get my letter. Although Miss Glynn spoke
with bitterness, she did not try to persuade me that you were naturally
hard-hearted or cruel. The impression that her story left on my mind was
that your allusions to her in your sermon were unpremeditated. Your
letter is proof that I was not mistaken, and I am sure the lesson you
have received will bear fruit. I trust that you will use your influence
to restrain other priests from similar violence. It is only by
gentleness and kindness that we can do good. I shall be glad to see you
if you ever come to London.

'I am, sir, 'Very sincerely yours, 'MICHAEL O'GRADY.'


'All's well that ends well. So that's how he views it! A different point
of view.' And feeling that he was betraying himself to Catherine, he put
both letters into his pocket and went out of the house. But he had not
gone many yards when he met a parishioner with a long story to tell,
happily not a sick call, only a dispute about land. So he invented an
excuse postponing his intervention until the morrow, and when he
returned home tired with roaming, he stopped on his door-step. 'The
matter is over now, her letter is final,' he said. But he awoke in a
different mood next morning; everything appeared to him in a different
light, and he wondered, surprised to find that he could forget so
easily; and taking her letter out of his pocket, he read it again. 'It's
a hard letter, but she's a wise woman. Much better for us both to forget
each other. "Good-bye, Father Gogarty," she said; "Good-bye, Nora
Glynn," say I.' And he walked about his garden tending his flowers,
wondering at his light-heartedness.

She thought of her own interests, and would get on very well in London,
and Father O'Grady had been lucky too. Nora was an excellent organist.
But if he went to London he would meet her. A meeting could hardly be
avoided--and after that letter! Perhaps it would be wiser if he didn't
go to London. What excuse? O'Grady would write again. He had been so
kind. In any case he must answer his letter, and that was vexatious. But
was he obliged to answer it? O'Grady wouldn't misunderstand his silence.
But there had been misunderstandings enough; and before he had walked
the garden's length half a dozen conclusive reasons for writing occurred
to him. First of all Father O'Grady's kindness in writing to ask him to
stay with him, added to which the fact that Nora would, of course, tell
Father O'Grady she had been invited to teach in the convent; her vanity
would certainly urge her to do this, and Heaven only knows what account
she would give of his proposal. There would be his letter, but she
mightn't show it. So perhaps on the whole it would be better that he
should write telling O'Grady what had happened. And after his dinner as
he sat thinking, a letter came into his mind; the first sentences
formulated themselves so suddenly that he was compelled to go to his
writing-table.



_From Father Oliver Gogarty to Father O'Grady._

'GARRANARD, BOHOLA,

'_June_ 12, 19--.

'DEAR FATHER O'GRADY,

'I enclose a letter which I received three days ago from Miss Nora
Glynn, and I think you will agree with me that the letter is a harsh
one, and that, all things considered, it would have been better if she
had stinted herself to saying that I had committed an error of judgment
which she forgave. She did not, however, choose to do this. As regards
my sister's invitation to her to come over here to teach, she was, of
course, quite right to consider her own interests. She can make more
money in London than she could in Ireland. I forgot that she couldn't
bring her baby with her, remembering only that my eldest sister is
Mother Abbess in the Tinnick Convent--a very superior woman, if I may
venture to praise my own sister. The convent was very poor at one time,
but she has made the school a success, and, hearing that she wanted
someone who would teach music and singing, I proposed to her that she
should engage Miss Glynn, with whose story she was already acquainted.
She did not think that Miss Glynn would return to Ireland; and in this
opinion she showed her good judgment. She was always a wonderful judge
of character. But she could see that I was anxious to atone for any
wrong that I might have done Miss Glynn, and after some hesitation she
consented, saying: "Well, Oliver, if you wish it."

'Miss Glynn did not accept the proposal, and I suppose that the episode
now ends so far as I am concerned. She has fallen into good hands; she
is making her living, thanks to your kindness. But I dare not think what
might not have happened if she had not met you. Perhaps when you have
time you will write again; I shall be glad to hear if she succeeds in
improving your choir. My conscience is now at rest; there is a term,
though it may not be at the parish boundary, when our responsibility
ceases.

'Thanking you again, and hoping one of these days to have the pleasure
of making your acquaintance,

'I am very truly yours,

'OLIVER GOGARTY.'


_From Father O'Grady to Father Oliver Gogarty._

'_June_ 18, 19--.

'DEAR FATHER GOGARTY,

'Thank you for sending me Miss Glynn's letter, and I agree with you when
you describe it as harsh; but I understand it in a way. Miss Glynn came
over to London almost penniless, and expecting the birth of her
illegitimate child. She suffered all that a woman suffers in such
circumstances. I do not want to harass you unnecessarily by going over
it all again, but I do wish you to forgive her somewhat intemperate
letter. I'll speak to her about it, and I am sure she will write to you
in a more kindly spirit later on; meanwhile, rest assured that she is
doing well, and not forgetful of the past. I shall try to keep a
watchful eye over her, seeing that she attends to her duties every
month; there is no better safeguard. But in truth I have no fear for
her, and am unable to understand how she could have been guilty of so
grave a sin, especially in Ireland. She seems here most circumspect,
even strict, in her manner. She is an excellent musician, and has
improved my choir. I have been tempted to comply with her request and
spend some more money upon the singing....

'While writing these lines I was interrupted. My servant brought me a
letter from Miss Glynn, telling me that a great chance had come her way.
It appears that Mr. Walter Poole, the father of one of her pupils, has
offered her the post of secretaryship, and she would like to put into
practice the shorthand and typewriting that she has been learning for
the last six months. Her duties, she says, will be of a twofold nature:
she will help Mr. Poole with his literary work and she will also give
music lessons to his daughter Edith. Mr. Poole lives in Berkshire, and
wants her to come down at once, which means she will have to leave me in
the lurch. "You will be without an organist," she writes, "and will have
to put up with Miss Ellen McGowan until you can get a better. She may
improve--I hope and think she will; and I'm sorry to give trouble to one
who has been so kind to me, but, you see, I have a child to look after,
and it is difficult to make both ends meet on less than three pounds a
week. More money I cannot hope to earn in my present circumstances; I am
therefore going down to Berkshire to-morrow, so I shall not see you
again for some time. Write and tell me you are not angry with me."

'On receiving this letter, I went round to Miss Glynn's lodgings, and
found her in the midst of her packing. We talked a long while, and very
often it seemed to me that I was going to persuade her, but when it came
to the point she shook her head. Offer her more money I could not, but I
promised to raise her wages to two pounds a week next year if it were
possible to do so. I don't think it is the money; I think it is change
that tempts her. Well, it tempts us all, and though I am much
disappointed at losing her, I cannot be angry with her, for I cannot
forget that I often want change myself, and the longing to get out of
London is sometimes almost irresistible. I do not know your part of the
country, but I do know what an Irish lake is like, and I often long to
see one again. And very often, I suppose, you would wish to exchange the
romantic solitude of your parish for the hurly-burly of a town, and for
its thick, impure air you would be willing--for a time only, of
course--to change the breezes of your mountain-tops.

'Very truly yours,

'MICHAEL O'GRADY.'


_From Father Oliver Gogarty to Father O'Grady._

'GARRANARD, BOHOLA,

'_June_ 22, 19--.

'DEAR FATHER O'GRADY,

'No sooner had I begun to feel easier in my conscience and to dream that
my responsibilities were at an end than your letter comes, and I am
thrown back into all my late anxieties regarding Nora Glynn's future,
for which I am and shall always be responsible.

'It was my words that drove her out of Ireland into a great English city
in which some dreadful fate of misery and death might have befallen her
if you had not met her. But God is good, and he sent you to her, and
everything seems to have happened for the best. She was in your hands,
and I felt safe. But now she has taken her life into her own hands
again, thinking she can manage it without anybody's help!

'The story you tell seems simple enough, but it doesn't sound all right.
Why should she go away to Berkshire to help Mr. Walter Poole with his
literature without giving you longer notice? It seems strange to write
to one who has taken all the trouble you have to find her work--"I have
discovered a post that suits me better and am going away to-morrow." Of
course she has her child to think of. But have you made inquiries? I
suppose you must have done. You would not let her go away to a man of
whom you know nothing. She says that he is the father of one of her
pupils. But she doesn't know him, yet she is going to live in his house
to help him with his literature. Have you inquired, dear Father O'Grady,
what this man's writings are, if he is a Catholic or a Protestant? I
should not like Miss Nora Glynn to go into a Protestant household, where
she would hear words of disrespect for the religion she has been brought
up in.

'As I write I ask myself if there is a Catholic chapel within walking
distance; and if there isn't, will he undertake to send her to Mass
every Sunday? I hope you have made all these inquiries, and if you have
not made them, will you make them at once and write to me and relieve my
anxiety? You are aware of the responsibilities I have incurred and will
appreciate the anxiety that I feel.

'Yours very sincerely,

'OLIVER GOGARTY.'


It seemed to Father Oliver so necessary that Father O'Grady should get
his letter as soon as possible that he walked to Bohola; but soon after
dropping the letter in the box he began to think that he might have
written more judiciously, and on his way home he remembered that he had
told Father O'Grady, and very explicitly, that he should have made
inquiries regarding Mr. Walter Poole's literature before he allowed Nora
Glynn to go down to Berkshire to help him with his literary work. Of
course he hoped, and it was only natural that he should hope, that
Father O'Grady had made all reasonable inquiries; but it seemed to him
now that he had expressed himself somewhat peremptorily. Father O'Grady
was an old man--how old he did not know--but himself was a young man,
and he did not know in what humour Father O'Grady might read his letter.
If the humour wasn't propitious he might understand it as an
impertinence. It vexed him that he had shown so much agitation, and he
stopped to think. But it was so natural that he should be concerned
about Nora Glynn. All the same, his anxiety might strike Father O'Grady
as exaggerated. A temperate letter, he reflected, is always better; and
the evening was spent in writing another letter to Father O'Grady, a
much longer one, in which he thanked Father O'Grady for asking him to
come to see him if he should ever find himself in London. 'Of course,'
he wrote, 'I shall be only too pleased to call on you, and no doubt we
shall have a great deal to talk about--two Irishmen always have; and
when I feel the need of change imminent, I will try to go to London,
and do you, Father O'Grady, when you need a change, come to Ireland. You
write: "I do not know your part of the country, but I know what an Irish
lake is like, and I often long to see one again." Well, come and see my
lake; it's very beautiful. Woods extend down to the very shores with
mountain peaks uplifting behind the woods, and on many islands there are
ruins of the castles of old time. Not far from my house it narrows into
a strait, and after passing this strait it widens out into what might
almost be called another lake. We are trying to persuade the Government
to build a bridge, but it is difficult to get anything done. My
predecessor and myself have been in correspondence on this subject with
the Board of Works; it often seems as if success were about to come, but
it slips away, and everything has to be begun again. I should like to
show you Kilronan Abbey, an old abbey unroofed by Cromwell. The people
have gone there for centuries, kneeling in the snow and rain. We are
sadly in need of subscription. Perhaps one of these days you will be
able to help us; but I shall write again on this subject, and as soon as
I can get a photograph of the abbey I will send it.

'Yours very sincerely,

'OLIVER GOGARTY.'

'Now, what will Father O'Grady answer to all this?' he said under his
breath as he folded up his letter. 'A worthy soul, an excellent soul,
there's no doubt about that.' And he began to feel sorry for Father
O'Grady. But his sorrow was suddenly suspended. If he went to London he
wouldn't be likely to see her. 'Another change,' he said; 'things are
never the same for long. A week ago I knew where she was; I could see
her in her surroundings. Berkshire is not very far from London. But who
is Mr. Poole?' And he sat thinking.

A few days after he picked up a letter from his table from Father
O'Grady, a long garrulous letter, four pages about Kilronan Abbey, Irish
London, convent schools--topics interesting enough in themselves, but
lacking in immediate interest. The letter contained only three lines
about her. That Mr. Poole explained everything to her, and that she
liked her work. The letter dropped from his hand; the hand that had held
the letter fell upon his knee, and Father Oliver sat looking through the
room. Awaking suddenly, he tried to remember what he had been thinking
about, for he had been thinking a long while; but he could not recall
his thoughts, and went to his writing-table and began a long letter
telling Father O'Grady about Kilronan Abbey and enclosing photographs.
And then, feeling compelled to bring himself into as complete union as
possible with his correspondent, he sat, pen in hand, uncertain if he
should speak of Nora at all. The temptation was by him, and he found
excuse in the thought that after all she was the link; without her he
would not have known Father O'Grady. And so convinced was he of this
that when he mentioned her he did so on account of a supposed obligation
to sympathize once again with Father O'Grady's loss of his organist.
His letter rambled on about the Masses Nora used to play best and the
pieces she used to sing.

A few days after he caught sight of her handwriting on his
breakfast-table, and he sat reading the letter, to Catherine's
annoyance, who said the rashers were getting cold.


_From Miss Nora Glynn to Father Oliver Gogarty._

'BEECHWOOD HALL, BERKSHIRE,

'_July_ 20, 19--.

'DEAR FATHER GOGARTY,

'One is not always in a mood to give credit to others for good
intentions, especially when one returns home at the close of day
disappointed, and I wrote a hard, perhaps a cruel, letter; but I'm
feeling differently now. The truth is that your letter arrived at an
unfortunate moment when things were going badly with me.'

'I'm forgiven,' Father Oliver cried--'I'm forgiven;' and his joy was so
great that the rest of the letter seemed unnecessary, but he continued
to read:

'Father O'Grady has no doubt told you that I have given up my post of
organist in his church, Mr. Poole having engaged me to teach his
daughter music and to act as his secretary. In a little letter which I
received about a fortnight ago from him he told me he had written to
you, and it appears that you have recovered from your scruples of
conscience, and have forgotten the wrong you did me; but if I know you
at all, you are deceiving yourself. You will never forget the wrong you
did me. But I shall forget. I am not sure that it has not already passed
out of my mind. This will seem contradictory, for didn't I say that I
couldn't forget your cruelty in my first letter? I wonder if I meant it
when I wrote, "Put the whole thing and me out of your mind...." I
suppose I did at the time, and yet I doubt it. Does anyone want to be
forgotten utterly?

'I should have written to you before, but we have been busy. Mr. Poole's
book has been promised by the end of the year. It's all in type, but he
is never satisfied. To-day he has gone to London to seek information
about the altars of the early Israelites. It's a wonderful book, but I
cannot write about it to-day; the sun is shining, the country is looking
lovely, and my pupil is begging me to finish my letter and go out with
her.

'Very sincerely yours,

'NORA GLYNN.'


'So forgiveness has come at last,' he said; and as he walked along the
shore he fell to thinking that very soon all her life in Garranard would
be forgotten. 'She seems interested in her work,' he muttered; and his
mind wandered over the past, trying to arrive at a conclusion, if there
was or was not a fundamental seriousness in her character, inclining on
the whole to think there was, for if she was not serious fundamentally,
she would not have been chosen by Mr. Poole for his secretary. 'My
little schoolmistress, the secretary of a great scholar! How very
extraordinary! But why is it extraordinary? When will she write again?'
And every night he wished for the dawn, and every morning he asked if
there were any letters for him. 'No, your reverence, no letters this
morning;' and when Catherine handed him some envelopes they only
contained bills or uninteresting letters from the parishioners or
letters from the Board of Works about the bridge in which he could no
longer feel any interest whatever.

At last he began to think he had said something to offend her, and to
find out if this were so he would have to write to Father O'Grady
telling him that Miss Glynn had written saying she had forgiven him. Her
forgiveness had brought great relief; but Miss Glynn said in her letter
that she was alone in Berkshire, Mr. Poole having gone to London to seek
information regarding the altars of the early Israelites.


_From Father O'Grady to Father Oliver Gogarty._

'_August_ 1, 19--.

'DEAR FATHER GOGARTY,

'I am sorry I cannot give you the information you require regarding the
nature of Mr. Poole's writings, and if I may venture to advise you, I
will say that I do not think any good will come to her by your inquiry
into the matter. She is one of those women who resent all control; and,
if I may judge from a letter she wrote to me the other day, she is bent
now on educating herself regardless of the conclusions to which her
studies may lead her. I shall pray for her, and that God may watch over
and guide her is my hope. I am sure it is yours too. She is in God's
hands, and we can do nothing to help her. I am convinced of that, and it
would be well for you to put her utterly out of your mind.

'I am, very truly yours,

'MICHAEL O'GRADY.'


'Put her utterly out of my mind,' Father Oliver cried aloud; 'now what
does he mean by that?' And he asked himself if this piece of advice was
Father O'Grady's attempt to get even with him for having told him that
he should have informed himself regarding Mr. Poole's theological
opinions before permitting her to go down to Berkshire.

It did not seem to him that Father O'Grady would stoop to such meanness,
but there seemed to be no other explanation, and he fell to thinking of
what manner of man was Father O'Grady--an old man he knew him to be, and
from the tone of his letters he had judged him a clever man, experienced
in the human weakness and conscience. But this last letter! In what
light was he to read it? Did O'Grady fail to understand that there is no
more intimate association than that of an author and his secretary. If
we are to believe at all in spiritual influences--and who denies
them?--can we minimize these? On his way to the writing-table he
stopped. Mr. Poole's age--what was it? He imagined him about sixty. 'It
is at that age,' he said, 'that men begin to think about the altars of
the early Israelites,' and praying at intervals that he might be
seventy, he wrote a short note thanking Father O'Grady for his advice
and promising to bear it in mind. He did not expect to get an answer,
nor did he wish for an answer; for he had begun to feel that he and
Father O'Grady had drifted apart, and had no further need one for the
other.

'Are there no letters this morning?' he asked Catherine.

'None, sir. You haven't had one from London for a long time.'

He turned away. 'An intolerable woman--intolerable! I shall be obliged
to make a change soon,' he said, turning away so that Catherine should
not see the annoyance that he felt on his face.


_From Father Oliver Gogarty to Miss Nora Glynn._

'GARRANARD, BOHOLA,

'_August_ 6, 19--.

'DEAR MISS GLYNN,

'You said in your very kind letter, which I received a fortnight ago,
and which I answered hastily, that on some future occasion you would
perhaps tell me about the book Mr. Poole is writing. I wonder if this
occasion will ever arise, and, if so, if it be near or far--near, I
hope, for interested as I naturally am in your welfare, I have begun to
feel some anxiety regarding this book. On the day that--'


'Father O'Grady, your reverence.' Father Oliver laid his letter aside,
and then hid it in the blotter, regretting his haste and his fumbling
hands, which perhaps had put the thought into O'Grady's mind that the
letter was to Nora. And so he came forward faintly embarrassed to meet a
small pale man, whom he judged to be seventy or thereabouts, coming
forward nimbly, bent a little, with a long, thin arm and bony hand
extended in a formal languor of welcome. A little disappointing was the
first moment, but it passed away quickly, and when his visitor was
seated Father Oliver noticed a large nose rising out of the pallor and
on either side of it dim blue eyes and some long white locks.

'You're surprised to see me,' Father O'Grady said in a low, winning
voice. 'Of course you're surprised--how could it be otherwise? but I
hope you're glad.'

'Very glad,' Father Oliver answered. 'Glad, very glad,' he repeated; and
begged his visitor to allow him to help him off with his overcoat.

'How pleasant,' Father O'Grady said, as soon as he was back in the
armchair, as if he felt that the duty fell upon him to find a
conversation that would help them across the first five minutes--'how
pleasant it is to see a turf fire again! The turf burns gently, mildly,
a much pleasanter fire than coal; the two races express themselves in
their fires.'

'Oh, we're fiery enough over here,' Father Oliver returned; and the
priests laughed.

'I did not feel that I was really in Ireland,' Father O'Grady continued,
'till I saw the turf blazing and falling into white ash. You see I
haven't been in Ireland for many years.'

Father Oliver threw some more sods of turf into the grate, saying: 'I'm
glad, Father O'Grady, that you enjoy the fire, and I'm indeed glad to
see you. I was just thinking--'

'Of me?' Father O'Grady asked, raising his Catholic eyes.

The interruption was a happy one, for Father Oliver would have found
himself embarrassed to finish the sentence he had begun. For he would
not have liked to have admitted that he had just begun a letter to Nora
Glynn, to say, 'There it is on the table.' Father O'Grady's interruption
gave him time to revise his sentence.

'Yes, I was thinking of you, Father O'Grady. Wondering if I might dare
to write to you again.'

'But why should you be in doubt?' Father O'Grady asked; and then,
remembering a certain asperity in Father Oliver's last letter, he
thought it prudent to change the conversation. 'Well, here I am and
unexpected, but, apparently, welcome.'

'Very welcome,' Father Oliver murmured.

'I'm glad of that,' the old man answered; 'and now to my story.' And he
told how a variety of little incidents had come about, enabling him to
spend his vacation in Ireland. 'A holiday is necessary for every man.
And, after all, it is as easy to go from London to Ireland as it is to
go to Margate, and much more agreeable. But I believe you are
unacquainted with London, and Margate is doubtless unknown to you. Well,
I don't know that you've missed much;' and he began to tell of the month
he had spent wandering in the old country, and how full of memories he
had found it--all sorts of ideas and associations new and old. 'Maybe it
was you that beguiled me to Ireland; if so, I ought to thank you for a
very pleasant month's holiday. Now I'm on my way home, and finding that
I could fit in the railway journey I went to Tinnick, and I couldn't go
to Tinnick without driving over to Garranard.'

'I should think not, indeed,' Father Oliver answered quickly. 'It was
very good of you to think of me, to undertake the journey to Tinnick and
the long drive from Tinnick over here.'

'One should never be praised for doing what is agreeable to one to do. I
liked you from your letters; you're like your letters, Father Oliver--at
least I think you are.'

'I'm certain you're like yours,' Father Oliver returned, 'only I
imagined you to speak slower.'

'A mumbling old man,' Father O'Grady interjected.

'You know I don't mean that,' Father Oliver replied, and there was a
trace of emotion in his voice.

'It was really very good of you to drive over from Tinnick. You say that
you only undertook the journey because it pleased you to do so. If that
philosophy were accepted, there would be no difference between a good
and an evil action; all would be attributed to selfishness.' He was
about to add: 'This visit is a kindness that I did not expect, and one
which I certainly did not deserve;' but to speak these words would
necessitate an apology for the rudeness he felt he was guilty of in his
last letter, and the fact that he knew that Father O'Grady had come to
talk to him about Nora increased his nervousness. But their talk
continued in commonplace and it seemed impossible to lift it out of the
rut. Father O'Grady complimented Father Oliver on his house and Oliver
answered that it was Peter Conway that built it, and while praising its
comfort, he enlarged on the improvements that had been made in the
houses occupied by priests.

'Yes, indeed,' Father O'Grady answered, 'the average Irish priest lived
in my time in a cottage not far removed from those the peasants lived
in. All the same, there was many a fine scholar among them. Virgil,
Horace, Ovid, Catullus, Cicero in the bookcases. Do you ever turn to
these books? Do you like reading Latin?'

And Father Oliver replied that sometimes he took down his Virgil. 'I
look into them all sometimes,' he added.

'And you still read Latin, classical Latin, easily?' Father O'Grady
inquired.

'Fairly,' Father Oliver replied; 'I read without turning to the
dictionary, though I often come to words I have never seen or have
forgotten the meaning of. I read on. The Latin poets are more useful
than the English to me.'

'More useful?' Father O'Grady repeated.

'More useful,' Father Oliver rejoined, 'if your object is a new point of
view, and one wants that sometimes, living alone in the silent country.
One sometimes feels frightened sitting by the fire all alone listening
to the wind. I said just now that I was thinking of you. I often think
of you, Father O'Grady, and envy you your busy parish. If I ever find
myself in London I shall go for long tram drives, and however sordid the
district I shall view the dim congregation of houses with pleasure and
rejoice in the hub of the streets.'

'You would soon weary of London, I promise you that, Father Oliver.'

'A promise for which it would be an affectation to thank you,' Father
Oliver answered. And Father O'Grady spoke of the miles and miles of
docks.

'The great murky Thames,' he said, 'wearies, but it is very wonderful.
Ah, Landor's "Hellenics" in the original Latin: how did that book come
here?'

'A question I've often asked myself,' Father Oliver returned. 'A most
intellectual volume it is to find in the house of an Irish priest. Books
travel, and my predecessor, Father Peter, is the last man in the world
who would have cared to spend an hour on anything so literary as Landor.
He used to read the newspaper--all the newspapers he could get hold of.'

Father Peter's personality did not detain them long, and feeling
somewhat ashamed of their inability to talk naturally, without thinking
of what they were to say next, Father O'Grady ventured to doubt if
Horace would approve of Landor's Latin and of the works written in
comparatively modern times. Buchanan, for instance. At last the
conversation became so trite and wearisome that Father O'Grady began to
feel unable to continue it any longer.

'You've a nice garden, Father Oliver.'

'You'd like to see my garden?' Father Oliver asked, very much relieved
at having escaped from Buchanan so easily. And the two priests went out,
each hoping that the other would break the ice; and to encourage Father
Oliver to break it, Father O'Grady mentioned that he was going back that
evening to Tinnick--a remark that was intended to remind Father Oliver
that the time was passing by. Father Oliver knew that the time for
speaking of her was passing by, but he could not bring himself to speak,
and instead he tried to persuade Father O'Grady to stay to dinner, but
he could not be persuaded; and they walked to and fro, talking about
their different parishes, Father O'Grady asking Father Oliver questions
about his school and his church. And when Father O'Grady had contributed
a great deal of unnecessary information, he questioned Father O'Grady
about his parish, and gained much information regarding the difficulties
that a Catholic priest met with in London, till religion became as
wearisome as the Latin language. At last it suddenly struck Father
Oliver that if he allowed the talk to continue regarding the
difficulties of the Catholic priest in London, Father O'Grady might
speak of girls that had been driven out of Ireland by the priests, to
become prostitutes in London. A talk on this subject would be too
painful, and to escape from it he spoke of the beauty of the trees about
the garden and the flowers in the garden, calling Father O'Grady's
attention to the chrysanthemums, and, not willing to be outdone in
horticulture, the London priest began to talk about the Japanese mallow
in his garden, Father Oliver listening indifferently, saying, when it
came to him to make a remark, that the time had come to put in the
bulbs.

'Miss Glynn was very fond of flowers,' he said Suddenly, 'and she
helped me with my garden; it was she who told me to plant roses in that
corner, and to cover the wall with rambling robin. Was it not a very
pretty idea to cover that end of the garden with rambling roses?'

'It was indeed. She is a woman of great taste in music and in many other
things. She must have regretted your garden.'

'Why do you think she regretted my garden?' Father Oliver asked.

'Because she always regretted that mine wasn't larger. She helped me
with my garden;' and feeling that they had at last got into a
conversation that was full of interest for them both, Father Oliver
said:

'Shall we go into the house? We shall be able to talk more agreeably by
the fireside.'

'I should like to get back to that turf fire; for it is the last that I
shall probably see. Let us get back to it.'

'I'm quite agreeable to return to the fire. Catherine will bring in the
tea presently.'

And as soon as they were back in the parlour, Father Oliver said:

'Father O'Grady, that is your chair. It was very good of you to take the
trouble to drive over.'

'I wished to make my correspondent's acquaintance,' Father O'Grady
murmured; 'and there is much that it is difficult to put down on paper
without creating a wrong impression, whereas in talk one is present to
rectify any mistakes one may drop into. I am thinking now of the last
subject dealt with in our correspondence, that I should have informed
myself regarding Mr. Poole's writing before I consented to allow Nora
Glynn to accept the post of secretary.'

'You must forgive me, Father O'Grady,' Father Oliver cried.

'There is nothing to forgive, Father Oliver; but this criticism
surprised me, for you have known Miss Nora Glynn longer than I have, and
it seems strange that you should have forgotten already her
steadfastness. Nothing that I could have said would have availed, and it
seems to me that you were mistaken in asking me to urge Miss Glynn to
decline the chance of improving her circumstances. I could not compel
Miss Glynn even if I had wished to compel her. But we have discussed
that question; let it pass.'

'All the same,' Father Oliver interjected, 'if one sees a woman going
into danger, surely one may warn her. A word of warning dropped casually
is sometimes effective.'

'But it is fatal to insist,' Father O'Grady remarked; 'and one should
not try to bar the way--that is my experience at least.'

'Well, your experiences are longer than mine, Father O'Grady, I submit.
The mistake I made will certainly not be repeated. But since hearing
from you I've heard from Miss Glynn, and the remarks she makes in her
letters about Mr. Poole's literary work, unless indeed he be a Catholic,
alarm me.'

'Biblical criticism is not a Catholic characteristic,' Father O'Grady
answered. 'So Miss Glynn has written to you?'

'Yes, but nothing definite about Mr. Poole's work--nothing definite. Do
you know anything, Father O'Grady, about this man's writing? What is his
reputation in the literary world?'

'I've heard a great deal about him,' Father O'Grady answered. 'I've made
inquiries and have read some of Mr. Poole's books, and have seen them
reviewed in the newspapers; I've heard his opinions discussed, and his
opinions are anti-Christian, inasmuch as he denies the divinity of our
Lord.'

'Could anybody be more anti-Christian than that?' Father Oliver asked.

'Yes, very much more,' Father O'Grady replied. 'There have always been
people, and their number is increasing, who say that Christianity is not
only untruthful but, what is worse, a great evil, having set men one
against the other, creating wars innumerable. Millions have owed their
deaths to tortures they have received because they differed regarding
some trifling passage in Scripture. There can be no doubt of that, but
it is equally true that Christianity has enabled many more millions to
live as much from a practical point of view as from a spiritual. If
Christianity had not been a necessity it would not have triumphed;' and
Father O'Grady continued to speak of Mr. Poole's historical accounts of
the history of the rise and influence of Christianity till Father Oliver
interrupted him, crying out:

'And it is with that man her life will henceforth be passed, reading the
books he reads and writes, and, what is worse, listening to his
insidious conversation, to his subtle sophistries, for, no doubt, he is
an eloquent and agreeable talker.'

'You think, then,' Father O'Grady said, 'that a Christian forfeits his
faith if he inquires?'

'No, if I thought that I should cease to be a Christian. She is not
inquiring the matter out of her own account; she is an enforced
listener, and hears only one side. Every day a plausible account is
being poured into her ears, and her circumstances are such as would
tempt her to give a willing ear to Mr. Poole's beliefs that God has not
revealed his existence, and that we are free to live as we please,
nature being our only guide. I cannot imagine a young woman living in a
more dangerous atmosphere than this.

'All you tell me, Father O'Grady, frightens me. I discovered my
suspicions to you in my letters, but I can express myself better in
talking than on paper--far better. It is only now that I realize how
wrongly I acted towards this young woman. I was frightened in a measure
before, but the reality of my guilt has never appeared so distinctly to
me till now. You have revealed it to me, and I'm thinking now of what
account I could give to God were I to die to-morrow. "Thou hast caused a
soul to be lost," he would say. "The sins of the flesh are transitory
like the flesh, the sins of the faith are deeper," may be God's
judgment. Father O'Grady, I'm frightened, frightened; my fear is great,
and at this moment I feel like a man on his deathbed. My agony is worse,
for I'm in good health and can see clearly, whereas the dying man
understands little. The senses numb as death approaches.'

'Have you spoken of the mistake you made in confession, Father Oliver?'

'No, why should I?' he answered, 'for none here would understand me. But
I'll confess to you. You may have been sent to hear me. Who knows? Who
can say?' and he dropped on his knees crying: 'Can I be forgiven if that
soul be lost to God? Tell me if such a sin can be forgiven?'

'We must not fall into the sin of despair,' Father O'Grady answered. And
he murmured the Latin formula _Absolve te_, etc., making the sign of the
cross over the head of his penitent. For a while after the priests knelt
together in prayer, and it was with a feeling that his burden had been
lifted from him that Father Oliver rose from his knees, and, subdued in
body and mind, stood looking through the room, conscious of the green
grass showing through his window, lighted by a last ray of the setting
sun. It was the wanness of this light that put the thought into his mind
that it would soon be time to send round to the stables for his
visitor's car. His visitor! That small, frail man sitting in his
armchair would soon be gone, carrying with him this, Father Oliver's,
confession. What had he confessed? Already he had forgotten, and both
men stood face to face thinking of words wherewith they might break the
silence.

'I do not know,' Father O'Grady said, 'that I altogether share your fear
that an anti-Christian atmosphere necessarily implies that the Catholic
who comes into it will lose her faith, else faith would not be a pure
gift from God. God doesn't overload his creatures unbearably, nor does
he put any stress upon them from which they cannot extricate themselves.
I could cite many instances of men and women whose faith has been
strengthened by hostile criticism; the very arguments that have been
urged against their faith have forced them to discover other arguments,
and in this way they have been strengthened in their Catholic
convictions.' And to Father Oliver's question if he discerned any other
influence except an intellectual influence in Mr. Poole, he answered
that he had not considered this side of the question.

'I don't know what manner of man he is in his body,' said Father Oliver,
'but his mind is more dangerous. An intellectual influence is always
more dangerous than a sensual influence, and the sins of faith are worse
than the sins of the flesh. I never thought of him as a possible
seducer. But there may be that danger too. I still think, Father
O'Grady, that you might have warned Nora of her danger. Forgive me; I'm
sure you did all that was necessary. You do forgive me?'

The men's eyes met, and Father O'Grady said, as if he wished to change
the subject:

'You were born at Tinnick, were you not?'

'Yes, I was born in Tinnick,' Father Oliver repeated mechanically,
almost as if he had not heard the question.

'And your sisters are nuns?'

'Yes, yes.'

'Tell me how it all came about.'

'How all what came about?' Father Oliver asked, for he was a little
dazed and troubled in his mind, and was, therefore, easily led to relate
the story of the shop in Tinnick, his very early religious enthusiasms,
and how he remembered himself always as a pious lad. On looking into the
years gone by, he said that he saw himself more often than not by his
bedside rapt in innocent little prayers. And afterwards at school he had
been considered a pious lad. He rambled on, telling his story almost
unconsciously, getting more thoughtful as he advanced into it, relating
carefully the absurd episode of the hermitage in which, to emulate the
piety of the old time, he chose Castle Island as a suitable spot for him
to live in.

Father O'Grady listened, seriously moved by the story; and Father Oliver
continued it, telling how Eliza, coming to see the priest in him, gave
up her room to him as soon as their cousin the Bishop was consulted. And
it was at this point of the narrative that Father O'Grady put a
question.

'Was no attempt,' he asked, 'made to marry you to some girl with a big
fortune?'

And Father Oliver told of his liking for Annie McGrath and of his
aversion for marriage, acquiescing that aversion might be too strong a
word; indifference would more truthfully represent him.

'I wasn't interested in Annie McGrath nor in any woman as far as I can
remember until this unfortunate conduct of mine awakened an interest in
Nora Glynn. And it would be strange, indeed, if it hadn't awakened an
interest in me,' he muttered to himself. Father O'Grady suppressed the
words that rose up in his mind, 'Now I'm beginning to understand.' And
Father Oliver continued, like one talking to himself: 'I'm thinking that
I was singularly free from all temptations of the sensual life,
especially those represented by womankind. I was ordained early, when I
was twenty-two, and as soon as I began to hear confessions, the things
that surprised me the most were the stories relating to those passionate
attachments that men experience for women and women for men--attachments
which sometimes are so intense that if the sufferer cannot obtain relief
by the acquiescence of the object of their affections, he, if it be he,
she, if it be she, cannot refrain from suicide. There have been cases of
men and women going mad because their love was not reciprocated, and I
used to listen to these stories wonderingly, unable to understand, bored
by the relation.'

If Father Oliver had looked up at that moment, Father O'Grady's eyes
would have told him that he had revealed himself, and that perhaps
Father O'Grady now knew more about him than he knew himself. But without
withdrawing his eyes from the fire he continued talking till Catherine's
step was heard outside.

'She's coming to lay the cloth for our tea,' Father Oliver said. And
Father O'Grady answered:

'I shall be glad of a cup of tea.'

'Must you really go after tea?' Father Oliver asked; and again he begged
Father O'Grady to stay for dinner. But Father O'Grady, as if he felt
that the object of his visit had been accomplished, spoke of the drive
back to Tinnick and of the convenience of the branch line of railway. It
was a convenience certainly, but it was also an inconvenience, owing to
the fact that the trains run from Tinnick sometimes missed the mail
train; and this led Father Oliver to speak of the work he was striving
to accomplish, the roofing of Kilronan Abbey, and many other things, and
the time passed without their feeling it till the car came round to take
Father O'Grady away.

'He goes as a dream goes,' Father Oliver said, and a few minutes
afterwards he was sitting alone by his turf fire, asking himself in what
dreams differed from reality. For like a dream Father O'Grady had come
and he had gone, never to return. 'But does anything return?' he asked
himself, and he looked round his room, wondering why the chairs and
tables did not speak to him, and why life was not different from what it
was. He could hear Catherine at work in the kitchen preparing his
dinner, she would bring it to him as she had done yesterday, he would
eat it, he would sit up smoking his pipe for a while, and about eleven
o'clock go to his bed. He would lie down in it, and rise and say Mass
and see his parishioners. All these things he had done many times
before, and he would go on doing them till the day of his death--Until
the day of my death,' he repeated, 'never seeing her again, never seeing
him. Why did he come here?' And he was surprised that he could find no
answer to any of the questions that he put to himself. 'Nothing will
happen again in my life--nothing of any interest. This is the end! And
if I did go to London, of what should I speak to him? It will be better
to try to forget it all, and return, if I can, to the man I was before I
knew her;' and he stood stock still, thinking that without this memory
he would not be himself.

Father O'Grady's coming had been a pleasure to him, for they had talked
together; he had confessed to him; had been shriven. At that moment he
caught sight of a newspaper upon his table. '_Illustrated England_,' he
muttered, his thoughts half away; and he fell to wondering how it had
come into the house. 'Father O'Grady must have left it,' he said, and
began to unroll the paper. But while unrolling it he stopped. Half his
mind was still away, and he sat for fully ten minutes lost in sad
sensations, and it was the newspaper slipping from his hand that awoke
him. The first thing that caught his eye on opening the paper was an
interview with Mr. Walter Poole, embellished with many photographs of
Beechwood Hall.

'Did O'Grady leave this paper here for me to read,' he asked himself,
'or did he forget to take it away with him? We talked of so many things
that he may have forgotten it, forgotten even to mention it. How very
strange!'

The lodge gates and the long drive, winding between different woods,
ascending gradually to the hilltop on which Beechwood Hall was placed by
an early eighteenth-century architect, seemed to the priest to be
described with too much unction by the representative of _Illustrated
England_. To the journalist Beechwood Hall stood on its hill, a sign and
symbol of the spacious leisure of the eighteenth century and the long
tradition that it represented, one that had not even begun to drop into
decadence till 1850, a tradition that still existed, despite the fact
that democracy was finding its way into the agricultural parts of
England. The journalist was impressed, perhaps unduly impressed, by the
noble hall and the quiet passages that seemed to preserve a memory of
the many generations that had passed through them on different errands,
now all hushed in the family vault.

Father Oliver looked down the column rapidly, and it was not until the
footman who admitted the journalist was dismissed by the butler, who
himself conducted the journalist to the library, that Father Oliver
said: 'We have at last arrived at the castle of learning in which the
great Mr. Poole sits sharpening the pen which is to slay Christianity.
But Christianity will escape Mr. Poole's pen. It, has outlived many such
attacks in the past. We shall see, however, what kind of nib he uses,
fine or blunt?' The journalist followed the butler down the long library
overlooking green sward to a quiet nook, if he might venture to speak
of Mr. Walter Poole's study as a quiet nook. It seemed to surprise him
that Mr. Walter Poole should rise from his writing-table and come
forward to meet him, and he expressed his gratitude to Mr. Walter Poole,
whose time was of great importance, for receiving him. And after all
this unction came a flattering description of Mr. Walter Poole himself.

He was, in the interviewer's words, a young man, tall and clean-shaven,
with a high nose which goes well with an eye-glass. The chin is long and
drops straight; his hair is mustard-coloured and glossy, and it curls
very prettily about the broad, well-shapen forehead. He is reserved at
first, and this lends a charm to the promise, which is very soon granted
you, of making the acquaintance with the thoughts and ideas which have
interested Mr. Walter Poole since boyhood--in fine, which have given him
his character. If he seems at first sight to conceal himself from you,
it is from shyness, or because he is reluctant to throw open his mind to
the casual curious. Why should he not keep his mind for his own
enjoyment and for the enjoyment of his friends, treating it like his
pleasure grounds or park? His books are not written for the many but for
the few, and he does not desire a larger audience than those with whom
he is in natural communion from the first, and this without any faintest
appearance of affectation.

'I suppose it isn't fair,' the priest said, 'to judge a man through his
interviewer; but if this interviewer doesn't misrepresent Mr. Walter
Poole, Mr. Walter Poole is what is commonly known as a very superior
person. He would appear from this paper,' the priest said, 'to be a man
between thirty and forty, not many years older than myself.' The
priest's thoughts floated away back into the past, and, returning
suddenly with a little start to the present, he continued reading the
interview, learning from it that Mr. Walter Poole's conversation was
usually gentle, like a quiet river, and very often, like a quiet river,
it rushed rapidly when Mr. Walter Poole became interested in his
subject.

'How very superior all this is,' the priest said. 'The river of thought
in him,' the interviewer continued, 'is deep or shallow, according to
the need of the moment. If, for instance, Mr. Walter Poole is asked if
he be altogether sure that it is wise to disturb people in their belief
in the traditions and symbols that have held sway for centuries, he will
answer quickly that if truth lies behind the symbols and traditions, it
will be in the interest of the symbols and traditions to inquire out the
truth, for blind belief--in other words, faith--is hardly a merit, or if
it be a merit it is a merit that cannot be denied to the savages who
adore idols. But the civilized man is interested in his history, and the
Bible deserves scientific recognition, for it has a history certainly
and is a history. "We are justified, therefore," Mr. Walter Poole
pleaded, "in seeking out the facts, and the search is conducted as much
in the interests of theology as of science; for though history owes
nothing to theology, it cannot be denied that theology owes a great deal
to history."'

'He must have thought himself very clever when he made that remark to
the interviewer,' the priest muttered; and he walked up and down his
room, thinking of Nora Glynn living in this unchristian atmosphere.

He picked up the paper again and continued reading, for he would have to
write to Nora about Father O'Grady's visit and about the interview in
_Illustrated England_.

The interviewer inquired if Mr. Walter Poole was returning to Palestine,
and Mr. Walter Poole replied that there were many places that he would
like to revisit, Galilee, for instance, a country that St. Paul never
seemed to have visited, which, to say the least, was strange. Whereupon
a long talk began about Paul and Jesus, Mr. Walter Poole maintaining
that Paul's teaching was identical with that of Jesus, and that Peter
was a clown despised by Paul and Jesus.

'How very superior,' Father Oliver muttered--how very superior.' He read
that Mr. Walter Poole was convinced that the three Synoptic Gospels were
written towards the close of the first century; and one of the reasons
he gave for this attribution was as in Matthew, chapter xxvii., verse 7,
'And they took counsel, and bought with them (the thirty pieces of
silver) the potter's field, to bury strangers in. Wherefore that field
was called, The field of blood, unto this day'--a passage which showed
that the Gospel could not have been written till fifty or sixty years
after the death of Jesus.

'England must be falling into atheism if newspapers dare to print such
interviews,' Father Oliver said; and he threw the paper aside angrily.
'And it was I,' he continued, dropping into his armchair, 'that drove
her into this atheistical country. I am responsible, I alone.'


_From Father Oliver Gogarty to Miss Glynn._

'GARRANARD, BOHOLA,

'_August_ 10, 19--.

'DEAR Miss Glynn,

'I have a piece of news for you. Father O'Grady has been here, and left
me a few hours ago. Catherine threw open the door, saying, "Father
O'Grady, your reverence," and the small, frail man whom you know so well
walked into the room, surprising me, who was altogether taken aback by
the unexpectedness of his visit.

'He was the last person in the world I expected at that moment to meet,
yet it was natural that an Irish priest, on the mission in England,
would like to spend his holidays in Ireland, and still more natural
that, finding himself in Ireland, Father O'Grady should come to see me.
He drove over from Tinnick, and we talked about you. He did not seem on
the whole as anxious for your spiritual safety as I am, which is only
what one might expect, for it was not he that drove you out of a
Catholic country into a Protestant one. He tried to allay my fears,
saying that I must not let remorse of conscience get hold of me, and he
encouraged me to believe that my responsibility had long ago ended. It
was pleasant to hear these things said, and I believed him in a way;
but he left by accident or design a copy of _Illustrated England_ on my
table. I am sufficiently broad-minded to believe that it is better to be
a good Protestant than a bad Catholic; but Mr. Walter Poole is neither
Catholic nor Protestant, but an agnostic, which is only a polite word
for an atheist. Week in and week out you will hear every argument that
may be used against our holy religion. It is true that you have the
advantage of being born a Catholic, and were well instructed in your
religion; and no doubt you will accept with caution his statements,
particularly that very insidious statement that Jesus lays no claim to
divinity in the three Synoptic Gospels, and that these were not written
by the apostles themselves, but by Greeks sixty, seventy, or perhaps
eighty years after his death. I do not say he will try to undermine your
faith, but how can he do otherwise if he believe in what he writes?
However careful he may be to avoid blasphemy in your presence, the fact
remains that you are living in an essentially unchristian atmosphere,
and little by little the poison which you are taking in will accumulate,
and you will find that you have been influenced without knowing when or
how.

'If you lose your faith, I am responsible for it; and I am not
exaggerating when I say the thought that I may have lost a soul to God
is always before me. I can imagine no greater responsibility than this,
and there seems to be no way of escaping from it. Father O'Grady says
that you have passed out of our care, that all we can do is to pray for
you. But I would like to do something more, and if you happen upon some
passages in the books you are reading that seem in contradiction to the
doctrines taught by the Catholic Church, I hope you will not conclude
that the Church is without an answer. The Church has an answer ready for
every single thing that may be said against her doctrines. I am not
qualified to undertake the defence of the Church against anyone. I quite
recognize my own deficiency in this matter, but even I may be able to
explain away some doubts that may arise. If so, I beg of you not to
hesitate to write to me. If I cannot do so myself, I may be able to put
you in the way of finding out the best Catholic opinion on matters of
doctrine.

'Very sincerely yours,

'OLIVER GOGARTY.'


_From Miss Nora Glynn to Father Oliver Gogarty._

'BEECHWOOD HALL, BERKSHIRE,

'_August_ 15, 19--.

'I am sorry indeed that I am causing you so much trouble of conscience.
You must try to put it out of your mind that you are responsible for me.
The idea is too absurd. When I was in your parish I was interested in
you, and that was why I tried to improve the choir and took trouble to
decorate the altar. Have you forgotten how anxious I was that you should
write the history of the lake and its castles? Why don't you write it
and send it to me? I shall be interested in it, though for the moment I
have hardly time to think of anything but Jewish history. Within the
next few weeks, for certain, the last chapter of Mr. Poole's book will
be passed for press, and then we shall go abroad and shall visit all the
great men in Europe. Some are in Amsterdam, some are in Paris, some live
in Switzerland. I wish I understood French a little better. Isn't it all
like a dream? Do you know, I can hardly believe I ever was in forlorn
Garranard teaching little barefooted children their Catechism and their
A, B, C.

'Good-bye, Father Gogarty. We go abroad next week. I lie awake thinking
of this trip--the places I shall see and the people I shall meet.

'Very sincerely yours,

'NORA GLYNN.'


It seemed to him that her letter gave very little idea of her. Some can
express themselves on paper, and are more real in the words they write
than in the words they speak. But hardly anything of his idea of her
transpired in that letter--only in her desire of new ideas and new
people. She was interested in everything--in his projected book about
the raiders faring forth from the island castles, and now in the source
of the Christian River; and he began to meditate a destructive criticism
of Mr. Poole's ideas in a letter addressed to the editor of _Illustrated
England_, losing heart suddenly, he knew not why, feeling the task to be
beyond him. Perhaps it would be better not to write to Nora again.


_From Father Oliver Gogarty to Miss Nora Glynn._


'GARRANARD, BOHOLA,

'_August_ 22, 19--.

'DEAR MISS GLYNN,

'I gather from your letter that religion has ceased to interest you,
except as a subject for argument, and I will not begin to argue with
you, but will put instead a simple question to you: In what faith do you
intend to bring up your child? and what will be your answer when your
child asks: "Who made me?" Mr. Poole may be a learned man, but all the
learning in the world will not tell you what answer to make to your
child's questions; only the Church can do that.

'I have thought a great deal about the danger that your post of
secretary to Mr. Poole involves and am not sure that the state of
indifference is not the worst state of all. One day you will find that
indifference has passed into unbelief, and you will write to me (if we
continue to write to each other) in such a way that I shall understand
that you have come to regard our holy religion as a tale fit only for
childhood's ears. I write this to you, because I have been suddenly
impelled to write, and it seems to me that in writing to you in this
simple way I am doing better than if I spent hours in argument. You will
not always think as you do now; the world will not always interest you
as much as it does now. I will say no more on this point but will break
off abruptly to tell you that I think you are right when you say that we
all want change. I feel I have lived too long by the side of this lake,
and I am thinking of going to London....'


The room darkened gradually, and, going to the window, he longed for
something to break the silence, and was glad when the rain pattered
among the leaves. The trees stood stark against the sky, in a green that
seemed unnatural. The sheep moved as if in fear towards the sycamores,
and from all sides came the lowing of cattle. A flash drove him back
from the window. He thought he was blinded. The thunder rattled; it was
as if a God had taken the mountains in his arms and was shaking them
together. Crash followed crash; the rain came down; it was as if the
rivers of heaven had been opened suddenly. Once he thought the storm was
over; but the thunder crashed again, the rain began to thicken; there
was another flash and another crash, and the pour began again. But all
the while the storm was wearing itself out, and he began to wonder if a
sullen day, ending in this apocalypse, would pass into a cheerful
evening. It seemed as if it would, for some blue was showing between the
clouds drifting westward, threatening every moment to blot out the blue,
but the clouds continued to brighten at the edges. 'The beginning of the
sunset,' the priest said; and he went out on his lawn and stood watching
the swallows in the shining air, their dipping, swerving flight showing
against a background of dappled clouds. He had never known so
extraordinary a change; and he walked to and fro in the freshened air,
thinking that Nora's health might not have withstood the strain of
trudging from street to street, teaching the piano at two shillings an
hour, returning home late at night to a poky little lodging, eating any
food a landlady might choose to give her. As a music teacher she would
have had great difficulty in supporting herself and her baby, and it
pleased him to imagine the child as very like her mother; and returning
to the house, he added this paragraph:

'I was interrupted while writing this letter by a sudden darkening of
the light, and when I went to the window the sky seemed to have sunk
close to the earth, and there was a dreadful silence underneath it. I
was driven back by a flash of lightning, and the thunder was terrifying.
A most extraordinary storm lasting for no more than an hour, if that,
and then dispersing into a fine evening. It was a pleasure to see the
change--the lake shrouded in mist, with ducks talking softly in the
reeds, and swallows high up, advancing in groups like dancers on a
background of dappled clouds.


'I have come back to my letter to ask if you would like me to go to see
your baby? Father O'Grady and I will go together if I go to London, and
I will write to you about it. You will be glad, no doubt, to hear that
the child is going on well.

'Very sincerely yours,

'OLIVER GOGARTY.'


_From Father Oliver Gogarty to Miss Nora Glynn._

'GARRANARD, BOHOLA,

'_September_ 4, 19--.

'Forgive me, my dear friend, but I am compelled to write to apologize
for the introduction of my troubles of conscience and my anxiety for
your spiritual welfare into my last letter. You found a way out of
difficulties--difficulties into which I plunged you. But we will say no
more on that point: enough has been said. You have created a life for
yourself. You have shown yourself to be a strong woman in more ways than
one, and are entitled to judge whether your work and the ideas you live
among are likely to prove prejudicial to your faith and morals. By a
virtue of forgiveness which I admire and thank you for, you write
telling me of the literary work you are engaged upon. If I had thought
before writing the letter I am now apologizing for, I could not have
failed to see that you write to me because you would relieve my
loneliness as far as you are able. But I did not think: I yielded to my
mood, and see now that my letters are disgracefully egotistical, and
very often absurd; for have I not begged of you to remember that since
God will hold me responsible for your soul, it would be well that you
should live a life of virtue and renunciation, so that I shall be saved
the humiliation of looking down from above upon you in hell?

'Loneliness begets sleeplessness, and sleeplessness begets a sort of
madness. I suffer from nightmare, and I cannot find words to tell you
how terrible are the visions one sees at dawn. It is not so much that
one sees unpleasant and ugly things--life is not always pretty or
agreeable, that we know--but when one lies between sleeping and waking,
life itself is shown in mean aspects, and it is whispered that one has
been duped till now; that now, and for the first time, one knows the
truth. You remember how the wind wails about the hilltop on which I
live. The wailing of wind has something to do with my condition of mind;
one cannot sit from eight o'clock in the evening till twelve at night
staring at the lamp, hearing the wind, and remain perfectly sane.

'But why am I writing about myself? I want to escape from myself, and
your letters enable me to do so. The names of the cities you are going
to visit transport me in imagination, and last night I sat a long while
wondering why I could not summon courage to go abroad. Something holds
me back. I think if I once left Garranard, I should never return to the
lake and its island. I hope you haven't forgotten Marban, the hermit who
lived at the end of the lake in Church Island. I visited his island
yesterday. I should have liked to have rowed myself through the strait
and along the shores, seeing Castle Cara and Castle Burke as I passed;
but Church Island is nearly eight miles from here, and I don't know if I
should have been man enough to pull the fisherman's boat so far, so I
put the gray horse into the shafts and went round by road.

'Church Island lies in a bay under a rocky shore, and the farmer who
cuts the grass there in the summer-time has a boat to bring away the
hay. It was delightful to step into it, and as the oars chimed I said to
myself, "I have Marban's poem in my pocket--and will read it walking up
the little path leading from his cell to his church." The lake was like
a sheet of blue glass, and the island lay yellow and red in it. As we
rowed, seeking a landing-place under the tall trees that grow along the
shores, the smell of autumn leaves mingled with the freshness of the
water. We rowed up a beautiful little inlet overhung with bushes. The
quay is at the end of it, and on getting out of the boat, I asked the
boatman to point out to me what remained of Marban's Church. He led me
across the island--a large one, the largest in the lake--not less than
seven acres or nine, and no doubt some parts of it were once cultivated
by Marban. Of his church, however, very little remains--only one piece
of wall, and we had great difficulty in seeing it, for it is now
surrounded by a dense thicket. The little pathway leading from his cell
to the church still exists; it is almost the same as he left it--a
little overgrown, that is all.

'Marban was no ordinary hermit; he was a sympathetic naturalist, a true
poet, and his brother who came to see him, and whose visit gave rise to
the colloquy, was a king. I hope I am not wronging Marban, but the
island is so beautiful that I cannot but think that he was attracted by
its beauty and went there because he loved Nature as well as God. His
poem is full of charming observations of nature, of birds and beasts and
trees, and it proves how very false the belief is that primitive man had
no eyes to see the beauties of the forest and felt no interest in the
habits of animals or of birds, but regarded them merely as food. It
pleases me to think of the hermit sitting under the walls of his church
or by his cell writing the poem which has given me so much pleasure,
including in it all the little lives that cams to visit him--the birds
and the beasts--enumerating them as carefully as Wordsworth would, and
loving them as tenderly. Marban! Could one find a more beautiful name
for a hermit? Guaire is the brother's name. Marban and King Guaire. Now,
imagine the two brothers meeting for a poetic disputation regarding the
value of life, and each speaking from his different point of view! True
that Guaire's point of view is only just indicated--he listens to his
brother, for a hermit's view of life is more his own than a king's. It
pleases me to think that the day the twain met to discourse of life and
its mission was the counterpart of the day I spent on the island. My day
was full of drifting cloud and sunshine, and the lake lay like a mirror
reflecting the red shadow of the island. So you will understand that the
reasons Marban gave for living there in preference to living the life of
the world seemed valid, and I could not help peering into the bushes,
trying to find a rowan-tree--for he speaks of one. The rowan is the
mountain-ash. I found several. One tree was covered with red berries,
and I broke off a branch and brought it home, thinking that perchance it
might have come down to us from one planted by Marban's hand. Of
blackthorns there are plenty. The adjective he uses is "dusky." Could he
have chosen a more appropriate one? I thought, too, of "the clutch of
eggs, the honey and the mast" that God sent him, of "the sweet apples
and red whortleberries," and of his dish of "strawberries of good taste
and colour."

'It is hard to give in an English translation an idea of the richness of
the verse, heavily rhymed and winningly alliterated, but you will see
that he enumerates the natural objects with skill. The eternal
summer--the same in his day as in ours--he speaks of as "a coloured
mantle," and he mentions "the fragrance of the woods." And seeing the
crisp leaves--for the summer was waning--I repeated his phrase, "the
summer's coloured mantle," and remembered:


  "Swarms of bees and chafers, the little musicians of the world--
  A gentle chorus."


"The wren," he says, "is an active songster among the hazel boughs.
Beautifully hooded birds, wood-peckers, fair white birds, herons,
sea-gulls, come to visit me." There is no mournful music in his island;
and as for loneliness, there is no such thing in


  "My lowly little abode, hidden in a mane of green-barked yew-tree.
  Near is an apple-tree,
  Big like a hostel;
  A pretty bush thick as a fist of hazel-nuts, a choice spring and
          water fit for a Prince to drink.
  Round it tame swine lie down,
  Wild swine, grazing deer,
  A badger's brood,
  A peaceful troop, a heavy host of denizens of the soil
  A-trysting at my house.
  To meet them foxes come.
  How delightful!"


'The island is about a hundred yards from the shore, and I wondered how
the animals crossed from the mainland as I sat under the porch of the
ruined church. I suppose the water was shallower than it is now. But why
and how the foxes came to meet the wild swine is a matter of little
moment; suffice it that he lived in this island aware of its
loneliness, "without the din of strife, grateful to the Prince who
giveth every good to me in my bower." To which Guaire answered:


  '"I would give my glorious kingship
  With my share of our father's heritage,--
  To the hour of my death let me forfeit it,
  So that I may be in thy company, O Marban."


'There are many such beautiful poems in early Irish. I know of another,
and I'll send it to you one of these days. In it is a monk who tells how
he and his cat sit together, himself puzzling out some literary or
historical problem, the cat thinking of hunting mice, and how the
catching of each is difficult and requires much patience.

'Ireland attained certainly to a high degree of civilization in the
seventh and eighth centuries, and if the Danes had not come, Ireland
might have anticipated Italy. The poems I have in mind are the first
written in Europe since classical times, and though Italy and France be
searched, none will be found to match them.

'I write these things to you because I wish you to remember that, when
religion is represented as hard and austere, it is the fault of those
who administer religion, and not of religion itself. Religion in Ireland
in the seventh and eighth centuries was clearly a homely thing, full of
tender joy and hope, and the inspiration not only of poems, but of many
churches and much ornament of all kinds, illuminated missals, carven
porches. If Ireland had been left to herselfif it had not been for the
invasion of the Danes, and the still worse invasion of the
English--there is no saying what high place she might not have taken in
the history of the world. But I am afraid the halcyon light that paused
and passed on in those centuries will never return. We have gotten the
after-glow, and the past should incite us; and I am much obliged to you
for reminding me that the history of the lake and its castles would make
a book. I will try to write this book, and while writing will look
forward to the day when I shall send you a copy of the work, if God
gives me strength and patience to complete it. Little is ever completed
in Ireland.... But I mustn't begin to doubt before I begin the work, and
while you and Mr. Poole are studying dry texts, trying to prove that the
things that men have believed and loved for centuries are false, I shall
be engaged in writing a sympathetic history--the history of natural
things and natural love.

'Very sincerely yours,

'OLIVER GOGARTY.'


_From Miss Nora Glynn to Father Oliver Gogarty._

'ANTWERP,

'_September_ 3, 19--.

'DEAR FATHER GOGARTY,

'You are a very human person after all, and it was very kind of you to
think about my baby and kind of you to write to me about her. My baby is
a little girl, and she has reddish hair like mine, and if ever you see
her I think you will see me in her. The address of the woman who is
looking after her is Mrs. Cust, 25, Henry Street, Guildford. Do go to
see her and write me a long letter, telling me what you think of her. I
am sure a trip to London will do you a great deal of good. Pack up your
portmanteau, Father Gogarty, and go to London at once. Promise me that
you will, and write to me about your impressions of London and Father
O'Grady, and when you are tired of London come abroad. We are going on
to Munich, that is all I know, but I will write again.

'Very sincerely yours,

'NORA GLYNN.'


Father Oliver sat wondering, and then, waking up suddenly, he went about
his business, asking himself if she really meant all she said, for why
should she wish him to go abroad, for his health or in the hope of
meeting him--where? In Munich!

'A riddle, a riddle, which'--he reflected a moment--'which my experience
of life is not sufficient to solve.'

On his way to Derrinrush he was met by a man hurrying towards him. 'Sure
it is I that am in luck this day, meeting your reverence on the road,
for we shall be spared half a mile if you have the sacred elements about
you.' So much the peasant blurted out between the gasps, and when his
breath came easier the priest learnt that Catherine, the man's wife, was
dying. 'Me brother's run for the doctor, but I, being the speedier, came
for yourself, and if your reverence has the sacred elements about you,
we'll go along together by a short cut over the hill.' 'I'm afraid I
have not got the oil and there's nothing for it but to go back to the
house.' 'Then I'm afeard that Catherine will be too late to get the
Sacrament. But she is a good woman, sorra better, and maybe don't need
the oil,' which indeed proved to be a fact, for when they reached the
cabin they found the doctor there before them, who rising from his chair
by the bedside, said, 'The woman is out of danger, if she ever was in
any.' 'All the same,' cried the peasant, 'Catherine wouldn't refuse the
Sacrament.' 'But if she be in no danger, of what use would the Sacrament
be to her?' the doctor asked; the peasant answering, 'Faith, you must
have been a Protestant before you were a Catholic to be talking like
that,' and Father Oliver hesitated, and left the cabin sorrowed by the
unseemliness of the wrangle. He was not, however, many yards down the
road when the dispute regarding the efficacy of the Sacrament
administered out of due time was wiped out by a memory of something Nora
had told him of herself: she had announced to the monitresses, who were
discussing their ambitions, that hers was to be the secretary of a man
of letters. 'So it would seem that she had an instinct of her destiny
from the beginning, just as I had of mine. But had I? Her path took an
odd turn round by Garranard. But she has reached her goal, or nearly.
The end may be marriage--with whom? Poole most likely. Be that as it
may, she will pass on to middle age; we shall grow older and seas and
continents will divide our graves. Why did she come to Garranard?'


_From Father Oliver Gogarty to Miss Nora Glynn._

'_September_ 10, 19--.

'DEAR MISS GLYNN,

'I received your letter this morning, written from Antwerp, and it has
set me thinking that Mr. Poole's interests in scholarship must have
procured for him many acquaintances among Dutch scholars, men with whom
he has been in correspondence. You will meet them and hear them pour
their vast erudition across dinner-tables. Rubens' great picture, "The
Descent from the Cross," is in Antwerp; you will go to see it, and in
Munich Mr. Poole will treat you to the works of Wagner and Mozart. You
are very happy; everything has gone well with you, and it would ill
befit me, who brought so much unhappiness upon you, to complain that you
are too happy, too much intent on the things of this world. Yet, if you
will allow me to speak candidly, I will tell you what I really think.
You are changing; the woman I once knew hardly corresponds with the
woman who writes to me. In reading the letters of the English Nora, I
perceive many traces here and there of the Irish Nora, for the Irish
Nora was not without a sense of duty, of kindness towards others, but
the English Nora seems bent upon a life of pleasure, intellectual and
worldly adventures. She delights in foreign travel, and no doubt places
feelings above ideas, and regards our instincts as our sovereign guides.
Now, when we find ourselves delighting to this extent in the visible,
we may be sure that our lives have wandered far away from spiritual
things. There is ever a divorce between the world of sense and the world
of spirit, and the question of how much love we may expend upon external
things will always arise, and will always be a cause of perplexity to
those who do not choose to abandon themselves to the general drift of
sensual life. This question is as difficult as the cognate question of
what are our duties toward ourselves and our duties toward others. And
your letters raise all these questions. I ponder them in my walks by the
lake in the afternoon. In the evening in my house on the hilltop I sit
thinking, seeing in imagination the country where I have been born and
where I have always lived--the lake winding in and out of headlands, the
highroad shaded by sycamores at one spot, a little further on wandering
like a gray thread among barren lands, with here and there a village;
and I make application of all the suggestions your letters contain to my
own case. Every house in Garranard I know, and I see each gable end and
each doorway as I sit thinking, and all the faces of my parishioners. I
see lights springing up far and near. Wherever there is a light there is
a poor family.

'Upon these people I am dependent for my daily bread, and they are
dependent upon me for spiritual consolation. I baptize them, I marry
them, and I bury them. How they think of me, I know not. I suppose they
hardly think at all. When they return home at night they have little
time for thinking; their bodies are too fatigued with the labour of the
fields. But as I sit thinking of them, I regret to say that my fear
often is that I shall never see any human beings but them; and I dream
of long rambles in the French country, resting at towns, reading in
libraries. A voice whispers, "You could do very well with a little of
her life, but you will never know any other life but your present one."
A great bitterness comes up, a little madness gathers behind the eyes; I
walk about the room and then I sit down, stunned by the sudden
conviction that life is, after all, a very squalid thing--something that
I would like to kick like an old hat down a road.

'The conflict going on within me goes on within every man, but without
this conflict life would be superficial; we shouldn't know the deeper
life. Duty has its rewards as well as its pain, and the knowledge that I
am passing through a time of probationship sustains me. I know I shall
come out of it all a stronger man.

'OLIVER GOGARTY.'


After posting his letter he walked home, congratulating himself that he
had made it plain to her that he was not a man she could dupe. Her
letter was written plainly, and the more he thought of her letter the
clearer did it seem that it was inspired by Poole. But what could
Poole's reason be for wishing him to leave Ireland, to go abroad? It was
certain that if Poole were in love with Nora he would do all in his
power to keep a poor priest (was it thus they spoke of him?) in Ireland.
Poole might wish to make a fool of him, but what was her reason for
advising him to go abroad? Revenge was too strong a word.

In the course of the evening it suddenly struck him that, after all,
she might have written her letter with a view of inducing him to come to
Rome. She was so capricious that it was not impossible that she had
written quite sincerely, and wished him out there with her. She was so
many-sided, and he fell to thinking of her character, without being able
to arrive at any clear estimate of it, with this result, however--that
he could not drive out the belief that she had written him an insincere
letter. Or did she wish to revenge herself? The thought brought him to
his feet, for he could never forget how deeply he had wronged her--it
was through his fault that she had become Mr. Poole's secretary--maybe
his mistress. If he had not preached that sermon, she would be teaching
the choir in his parish. But, good heavens! what use was there in going
over all that again? He walked to the window and stood there watching
the still autumn weather--a dull leaden sky, without a ray of light upon
the grass, or a wind in the trees--thinking that these gray days
deprived him of all courage. And then he remembered suddenly how a
villager's horse coming from market had tripped and fallen by the
roadside. Would that he, too, might fall by the roadside, so weary was
he. 'If I could only make known my suffering, she would take pity on me;
but no one knows another's suffering.' He walked from his window
sighing, and a moment after stopped in front of his writing-table.
Perhaps it was the writing-table that put the thought into his mind that
she might like to read a description of an Irish autumn.

 _From Father Oliver Gogarty to Miss Nora Glynn._

'GARRANARD, BOHOLA,

'_September_.

'You know the wind is hardly ever at rest about the hilltop on which my
house stands. Even in summer the wind sighs, a long, gentle little sigh,
sometimes not unpleasant to hear. You used to speak of an Æolian harp,
and say that I should place one on my window-sill. A doleful instrument
it must be--loud wailing sound in winter-time, and in the summer a
little sigh. But in these autumn days an Æolian harp would be mute.
There is not wind enough to-day on the hillside to cause the faintest
vibration. Yesterday I went for a long walk in the woods, and I can find
no words that would convey an idea of the stillness. It is easy to speak
of a tomb, but it was more than that. The dead are dead, and
somnambulism is more mysterious than death. The season seemed to stand
on the edge of a precipice, will-less, like a sleep-walker. Now and
then the sound of a falling leaf caught my ear, and I shall always
remember how a crow, flying high overhead towards the mountains, uttered
an ominous "caw"; another crow answered, and there was silence again.
The branches dropped, and the leaves hung out at the end of long stems.
One could not help pitying the trees, though one knew one's pity was
vain.

'As I wandered in Derrinrush, I came suddenly upon some blood-red
beech-trees, and the hollow was full of blood-red leaves. You have been
to Derrinrush: you know how mystic and melancholy the wood is, full of
hazels and Druid stones. After wandering a long while I turned into a
path. It led me to a rough western shore, and in front of me stood a
great Scotch fir. The trunk has divided, and the two crowns showed
against the leaden sky. It has two birch-trees on either side, and their
graceful stems and faint foliage, pale like gold, made me think of
dancers with sequins in their hair and sleeves. There seemed to be
nothing but silence in the wood, silence, and leaves ready to fall. I
had not spoken to anyone for a fortnight--I mean I had no conversation
with anyone--and my loneliness helped me to perceive the loneliness of
the wood, and the absence of birds made me feel it. The lake is never
without gulls, but I didn't see one yesterday. "The swallows are gone,"
I said; "the wild geese will soon be here," and I remembered their
doleful cry as I scrambled under some blackthorn bushes, glad to get out
of the wood into the fields. Though I knew the field I was in well, I
didn't remember the young sycamores growing in one corner of it.
Yesterday I could not but notice them, for they seemed to be like
children dying of consumption in a hospital ward--girls of twelve or
thirteen. You will think the comparison far-fetched and unhealthy, one
that could only come out of a morbidly excited imagination. Well, I
cannot help that; like you, I must write as I feel.

'Suddenly I heard the sound of an axe, and I can find no words to tell
you how impressive its sound was in the still autumn day. "How soon
will the tree fall?" I thought; and, desirous of seeing it fall, I
walked on, guided by the sound, till I saw at the end of the glade--whom
do you think? Do you remember an old man called Patsy Murphy? He had
once been a very good carpenter, and had made and saved money. But he is
now ninety-five, and I could hardly believe my eyes when I saw him
trying to cut down a larch. What his object could be in felling the tree
I could not tell, and, feeling some curiosity, I walked forward. He
continued to chip away pieces of the bark till his strength failed him,
and he had to sit down to rest. Seeing me, he took off his hat--you know
the tall hat he wears--a hat given him twenty or thirty years ago by
whom? Patsy Murphy's mind is beginning to wander. He tells stories as
long as you will listen to him, and it appears now that his
daughter-in-law turned him out of his house--the house he had built
himself, and that he had lived in for half a century. This, however, is
not the greatest wrong she had done him. He could forgive her this
wrong, but he cannot forgive her stealing of his sword. "There never was
a Murphy," he said, "who hadn't a sword." Whether this sword is an
imagination of Patsy's fading brain, I cannot say; perhaps he had some
old sword and lost it. The tale he tells to-day differs wholly from the
tale he told yesterday and the tale he will tell to-morrow. He told me
once he had been obliged to give up all his savings to his son. I went
to interview the son, determined to sift the matter to the bottom, and
discovered that Patsy had still one hundred and twenty pounds in the
bank. Ten pounds had been taken out for--I needn't trouble you with
further details. Sufficient has been said to enable you to understand
how affecting it was to meet this old man in the red and yellow woods,
at the end of a breathless autumn day, trying to fell a young larch. He
talked so rapidly, and one story flowed so easily into another, that it
was a long time before I could get in a word. At last I was able to get
out of him that the Colonel had given him leave to build a house on the
shore, where he would be out of everybody's way. "All my old friends are
gone, the Colonel's father and his mother. God be merciful to her! she
was a good woman, the very best. And all I want now is time to think of
them that's gone.... Didn't I know the Colonel's grandfather and his
grandmother? They're all buried in the cemetery yonder in Kiltoon, and
on a fine evenin' I do like to be sittin' on a stone by the lake,
thinking of them all."

'It was at once touching and impressive to see this old man, weak as a
child, the only trembling thing in a moveless day, telling these
wanderings of an almost insane brain. You will say, "But what matter?
They may not be true in fact, but they are his truth, they are himself,
they are his age." His ninety-five years are represented in his confused
talk, half recollection, half complaints about the present. He knew my
father and mother, too, and, peering into my face, he caught sight of a
gray hair, and I heard him mutter:

'"Ah! they grow gray quicker now than they used to."

'As I walked home in the darkening light, I bethought myself of the few
years left to me to live, though I am still a young man, that in a few
years, which would pass like a dream, I should be as frail as Patsy
Murphy, who is ninety-five. "Why should I not live as long?" I asked
myself, losing my teeth one by one and my wits.'

'_September_.

'I was interrupted in my description of the melancholy season, and I
don't know how I should have finished that letter if I had not been
interrupted. The truth is that the season was but a pretext. I did not
dare to write asking you to forgive me for having returned your letter.
I do not do so now. I will merely say that I returned the letter because
it annoyed me, and, shameful as the admission may be, I admit that I
returned it because I wished to annoy you. I said to myself, "If this be
so--if, in return for kind thought--Why shouldn't she suffer? I
suffer." One isn't--one cannot be--held responsible for every base
thought that enters the mind. How long the mind shall entertain a
thought before responsibility is incurred I am not ready to say. One's
mood changes. A storm gathers, rages for a while, and disperses; but the
traces of the storm remain after the storm has passed away. I am
thinking now that perhaps, after all, you were sincere when you asked me
to leave Garranard and take my holiday in Rome, and the baseness of
which for a moment I deemed you capable was the creation of my own soul.
I don't mean that my mind, my soul, is always base. At times we are more
or less unworthy. Our tempers are part of ourselves? I have been
pondering this question lately. Which self is the true self--the
peaceful or the choleric? My wretched temper aggravated my
disappointment, and my failure to write the history of the lake and its
castles no doubt contributed to produce the nervous depression from
which I am suffering. But this is not all; it seems to me that I may
point out that your--I hardly know what word to use: "irrelevancy" does
not express my meaning; "inconsequences" is nearer, yet it isn't the
word I want--well, your inconsequences perplex and distract my thoughts.
If you will look through the letter you sent me last you will find that
you have written many things that might annoy a man living in the
conditions in which I live. You follow the current of your mood, but the
transitions you omit, and the reader is left hopelessly
conjecturing....'


She seemed so strange, so inconclusive. There seemed to be at least two,
if not three, different women in the letters she had written to him, and
he sat wondering how a woman with cheeks like hers, and a voice like
hers, and laughter like hers, could take an interest in such arid
studies. Her very name, Nora Glynn, seemed so unlike the woman who would
accompany Mr. Poole into National Libraries, and sit by him surrounded
by learned tomes. Moreover a mistress does not read Hebrew in a
National Library with her paramour. But what did he know about such
women? He had heard of them supping in fashionable restaurants covered
with diamonds, and he thought of them with painted faces and dyed hair,
and he was sure that Nora did not dye her hair or paint her face. No,
she was not Poole's mistress. It was only his ignorance of life that
could have led him to think of anything so absurd.... And then, weary of
thinking and debating with himself, he took down a book that was lent
some months ago, a monograph on a learned woman, a learned philosophical
writer and translator of exegetical works from the German. Like Nora,
she came from the middle classes, and, like Nora, she transgressed, how
often he did not know, but with another woman's husband certainly. A
critical writer and exponent of serious literature. Taste for learned
studies did not preclude abstinence from those sins which in his
ignorance of life he had associated with worldlings! Of course, St.
Augustine was such a one. But is a man's truth also woman's truth?
Apparently it is, and if he could believe the book he had been reading,
Nora might very well be Poole's mistress. Therewith the question came up
again, demanding answer: Why did she write declining any correspondence
with him, and three weeks afterwards write another letter inveigling
him, tempting him, bringing him to this last pitch of unhappiness? Was
the letter he returned to her prompted by Mr. Poole and by a spirit of
revenge? Three days after he took up his pen and added this paragraph to
his unfinished letter:


'I laid aside my pen, fearing I should ask what are your relations with
Mr. Poole. I have tried to keep myself from putting this question to
you, but the torture of doubt overcomes me, and even if you should never
write to me again, I must ask it. Remember that I am responsible to God
for the life you lead. Had it not been for me, you would never have
known Poole. You must grant to every man his point of view, and, as a
Christian, I cannot put my responsibility out of mind. If you lose your
soul, I am responsible for it. Should you write that your relations with
Mr. Poole are not innocent, I shall not be relieved of my
responsibility, but it will be a relief to me to know the truth. I shall
pray for you, and you will repent your sins if you are living in sin.
Forgive me the question I am putting to you. I have no right to do so
whatever. Whatever right I had over you when you were in my parish has
passed from me. I exceeded that right, but that is the old story. Maybe
I am repeating my very fault again. It is not unlikely, for what do we
do all through our lives but to repeat ourselves? You have forgiven me,
and, having forgiven me once, maybe you will forgive me again. However
this may be, do not delay writing, for every day will be an agony till I
hear from you. At the end of an autumn day, when the dusk is sinking
into the room, one lacks courage to live. Religion seems to desert one,
and I am thinking of the leaves falling, falling in Derrinrush. All
night long they will be falling, like my hopes. Forgive me this
miserable letter. But if I didn't write it, I should not be able to get
through the evening. Write to me. A letter from Italy will cheer me and
help me to live. All my letters are not like this one. Not very long ago
I wrote to you about a hermit who never wearied of life, though he lived
upon an island in this lake. Did you receive that letter? I wonder. It
is still following you about maybe. It was a pleasant letter, and I
should be sorry if you did not get it. Write to me about Italy--about
sunshine, about statues and pictures.

'Ever sincerely yours,

'OLIVER GOGARTY.'


_From Father Oliver Gogarty to Miss Nora Glynn._

'GARRANARD, BOHOLA,

'_October_ 20, 19--.

'DEAR MISS GLYNN,

'I wrote last week apologizing for troubling you again with a letter,
pleading that the melancholy of autumn and the falling of the leaf
forced me to write to someone. I wrote asking for a letter, saying that
a letter about Italian sunshine would help me to live. I am afraid my
letter must have seemed exaggerated. One writes out of a mood. The mood
passes, but when it is with one, one is the victim of it. And this
letter is written to say I have recovered somewhat from my depression of
spirits.... I have found consolation in a book, and I feel that I must
send it to you, for even you may one day feel depressed and lonely. Did
you ever read "The Imitation of Christ"? There is no book more soothing
to the spirit than it; and on the very first page I found some lines
which apply marvellously well to your case:

'"If thou didst know the whole Bible outwardly, and the sayings of all
the philosophers, what would it all profit thee without charity and the
grace of God?"

'Over the page the saint says: "Every man naturally desireth to know;
but what doth knowledge avail without the fear of God?"

'"Truly, a lowly rustic that serveth God is better than a proud
philosopher who pondereth the course of the stars and neglecteth
himself."

'"He that knoweth himself becometh vile to himself, and taketh no
delight in the praises of men."

'"If I knew all things that are in the world, and were not in charity,
what would it profit me in the sight of God, who will judge according to
deeds?"

'"Cease from overweening desire of knowledge, because many distractions
are found there, and much delusion."

'I might go on quoting till I reached the end, for on every page I note
something that I would have you read. But why quote when I can send you
the book? You have lost interest in the sentimental side of religion,
but your loss is only momentary. You will never find anyone who will
understand you better than this book. You are engaged now in the vain
pursuit of knowledge, but some day, when you are weary of knowledge, you
will turn to it. I do not ask you to read it now, but promise me that
you will keep it. It will be a great consolation to me to know that it
is by you.

'Very sincerely yours,

'OLIVER GOGARTY, P.P.'


_From Father Oliver Gogarty to Miss Nora Glynn._

'GARRANARD, BOHOLA,

'_November_ 3, 19--.

'DEAR MISS GLYNN,

'I sent you--I think it must be a fortnight ago--a copy of "The
Imitation of Christ." The copy I sent is one of the original Elizabethan
edition, a somewhat rare book and difficult to obtain. I sent you this
copy in order to make sure that you would keep it; the English is better
than the English of our modern translations. You must not think that I
feel hurt because you did not write to thank me at once for having sent
you the book. My reason for writing is merely because I should like to
know if it reached you. If you have not received it, I think it would be
better to make inquiries at once in the post. It would be a pity that a
copy of the original Elizabethan edition should be lost. Just write a
little short note saying that you have received it.

'Very sincerely yours,

'OLIVER GOGARTY, P.P.'




IX


'The Imitation' dropped on his knees, and he wondered if the spiritual
impulse it had awakened in him was exhausted, or if the continual
splashing of the rain on the pane had got upon his nerves.

'But it isn't raining in Italy,' he said, getting up from his chair;
'and I am weary of the rain, of myself--I am weary of everything.' And
going to the window, he tried to take ant interest in the weather,
asking himself if it would clear up about 3 o'clock. It cleared usually
late in the afternoon for a short while, and he would be able to go out
for half an hour. But where should he go? He foresaw his walk from end
to end before he began it: the descent of the hill, the cart-track and
the old ruts full of water, the dead reeds on the shore soaking, the
dripping trees. But he knew that about 3 o'clock the clouds would lift,
and the sunset begin in the gaps in the mountains. He might go as far as
the little fields between Derrinrush and the plantations, and from there
he could watch the sunset. But the sunset would soon be over, and he
would have to return home, for a long evening without a book. Terrible!
And he began to feel that he must have an occupation--his book! To write
the story of the island castles would pass the time, and wondering how
he might write it, whether from oral tradition or from the books and
manuscripts which he might find in national libraries, he went out about
3 o'clock and wandered down the old cart-track, getting his feet very
wet, till he came to the pine-wood, into which he went, and stood
looking across the lake, wondering if he should go out to Castle Island
in a boat--there was no boat, but he might borrow one somewhere--and
examine what remained of the castle. But he knew every heap of old
stones, every brown bush, and the thick ivy that twined round the last
corner wall. Castle Hag had an interest Castle Island had not. The
cormorants roosted there; and they must be hungry, for the lake had been
too windy for fishing this long while. A great gust whirled past, and he
stood watching the clouds drifting overhead--the same thick vapour
drifting and going out. For nearly a month he was waiting for a space of
blue sky, and a great sadness fell upon him, a sick longing for a
change; but if he yielded to this longing he would never return to
Garranard. There seemed to be no way out of the difficulty--at least, he
could see none.

A last ray lit up a distant hillside, his shadow floated on the wet
sand. The evening darkened rapidly, and he walked in a vague diffused
light, inexpressibly sad to find Moran waiting for him at the end of an
old cart-track, where the hawthorns grew out of a tumbled wall. He would
keep Moran for supper. Moran was a human being, and--

'I've come to see you, Gogarty; I don't know if I'm welcome.'

'It's joking you are. You'll stay and have some supper with me?'

'Indeed I will, if you give me some drink, for it's drink that I'm
after, and not eating. I'd better get the truth out at once and have
done with it. I've felt the craving coming on me for the last few
days--you know what I mean--and now it's got me by the throat. I must
have drink. Come along, Gogarty, and give me some, and then I'll say
good-bye to you for ever.'

'Now what are you saying?'

'Don't stand arguing with me, for you can't understand, Gogarty--no one
can; I can't myself. But it doesn't matter what anybody understands--I'm
done for.'

'We'll have a bit of supper together. It will pass from you.'

'Ah, you little know;' and the priests walked up the hill in silence.

'Gogarty, there's no use talking; I'm done for. Let me go.'

'Come in, will you?' and he took him by the arm. 'Come in. I'm a bigger
man than you, Moran; come in!'

'I'm done for,' Father Moran said again.

Father Oliver made a sign of silence, and when they were in the parlour,
and the door shut behind them, he said:

'You mustn't talk like that, and Catherine within a step of you.'

'I've told you, Gogarty, I'm done for, and I've just come here to bid
you good-bye; but before we part I'd like to hear you say that I haven't
been wanting in my duties--that in all the rest, as far as you know,
I've been as good a man as another.'

'In all but one thing I know no better man, and I'll not hear that
there's no hope.'

'Better waste no time talking. Just let me hear you say again that I've
been a good man in everything but one thing.'

'Yes, indeed;' and the priests grasped hands.

And Catherine came into the room to ask if Father Moran was stopping to
supper. Father Oliver answered hurriedly: 'Yes, yes, he's staying. Bring
in supper as soon as you can;' and she went away, to come back soon
after with the cloth. And while she laid it the priests sat looking at
each other, not daring to speak, hoping that Catherine did not suspect
from their silence and manner that anything was wrong. She seemed to be
a long while laying the cloth and bringing in the food; it seemed to
them as if she was delaying on purpose. At last the door was closed, and
they were alone.

'Now, Moran, sit down and eat a bit, won't you?'

'I can't eat anything. Give me some whisky; that is what I want. Give me
some whisky, and I will go away and you'll never see me again. Just a
glass to keep me going, and I will go straight out of your parish, so
that none of the disgrace will fall upon you; or--what do you think? You
could put me up here; no one need know I'm here. All I want are a few
bottles of whisky.'

'You mean that I should put you up here and let you get drunk?'

'You know what I mean well enough. I'm like that. And it's well for you
who don't want whisky. But if it hadn't been for whisky I should have
been in a mad-house long ago. Now, just tell me if you'll give me drink.
If you will, I'll stay and talk with you, for I know you're lonely; if
not, I'll just be off with myself.'

'Moran, you'll be better when you've had something to eat. It will pass
from you. I will give you a glass of beer.'

'A glass of beer! Ah, if I could tell you the truth! We've all our
troubles, Gogarty--trouble that none knows but God. I haven't been
watching you--I've been too tormented about myself to think much of
anyone else--but now and then I've caught sight of a thought passing
across your mind. We all suffer, you like another, and when the ache
becomes too great to be borne we drink. Whisky is the remedy; there's
none better. We drink and forget, and that is the great thing. There are
times, Gogarty, when one doesn't want to think, when one's afraid,
aren't there?--when one wants to forget that one's alive. You've had
that feeling, Gogarty. We all have it. And now I must be off. I must
forget everything. I want to drink and to feel the miles passing under
my feet.'

And on that he got up from the fire.

'Come, Moran, I won't hear you speak like that.'

'Let me go. It's no use; I'm done for;' and Father Oliver saw his eyes
light up.

'I'll not keep you against your will, but I'll go a piece of the road
with you.'

'I'd sooner you didn't come, Gogarty.'

Without answering, Father Oliver caught up his hat and followed Father
Moran out of the house. They walked without speaking, and when they got
to the gate Father Oliver began to wonder which way his unhappy curate
would choose for escape. 'Now why does he take the southern road?' And a
moment after he guessed that Moran was making for Michael Garvey's
public-house, 'and after drinking there,' he said to himself, 'he'll go
on to Tinnick.' After a couple of miles, however, Moran turned into a
by-road leading through the mountains, and they walked on without saying
a word.

And they walked mile after mile through the worn mountain road.

'You've come far enough, Gogarty; go back. Regan's public-house is
outside of your parish.'

'If it's outside my parish, it's only the other side of the boundary;
and you said, Moran, that you wouldn't touch whisky till to-morrow
morning.'

The priests walked on again, and Father Oliver fell to thinking now what
might be the end of this adventure. He could see there was no hope of
persuading Father Moran from the bottle of whisky.

'What time do you be making it, Gogarty?'

'It isn't ten o'clock yet.'

'Then I'll walk up and down till the stroke of twelve ... I'll keep my
promise to you.'

'But they'll all be in bed by twelve. What will you do then?'

Father Moran didn't give Father Gogarty an answer, but started off
again, and this time he was walking very fast; and when they got as far
as Regan's public-house Father Oliver took his friend by the arm,
reminding him again of his promise.

'You promised not to disgrace the parish.'

'I said that.... Well, if it's walking your heart is set upon, you
shall have your bellyful of it.'

And he was off again like a man walking for a wager. But Father Oliver,
who wouldn't be out-walked, kept pace with him, and they went striding
along, walking without speaking.

Full of ruts and broken stones, the road straggled through the hills,
and Father Oliver wondered what would happen when they got to the top of
the hill. For the sea lay beyond the hill. The road bent round a
shoulder of the hill, and when Father Oliver saw the long road before
him his heart began to fail him, and a cry of despair rose to his lips;
but at that moment Moran stopped.

'You've saved me, Gogarty.'

He did not notice that Father Gogarty was breathless, almost fainting,
and he began talking hurriedly, telling Father Oliver how he had
committed himself to the resolution of breaking into a run as soon as
they got to the top of the hill.

'My throat was on fire then, but now all the fire is out of it; your
prayer has been answered. But what's the matter, Gogarty? You're not
speaking.'

'What you say is wonderful indeed, Moran, for I was praying for you. I
prayed as long as I had breath; one can't pray without breath or speak.
We'll talk of this presently.'

The priests turned back, walking very slowly.

'I feel no more wish to drink whisky than I do to drink bog-water. But
I'm a bit hot, and I think I'd like a drink, and a drink of water will
do me first-rate. Now look here, Gogarty: a miracle has happened, and
we should thank God for it. Shall we kneel down?'

The road was very wet, and they thought it would do as well if they
leant over the little wall and said some prayers together.

'I've conquered the devil; I know it. But I've been through a terrible
time, Gogarty. It's all lifted from me now. I'm sorry I've brought you
out for such a walk as this.'

'Never mind the walk, Moran, so long as the temptation has passed from
you--that's the principal thing.'

To speak of ordinary things was impossible, for they believed in the
miracle, and, thanking God for this act of grace, they walked on until
they reached Father Oliver's gate.

'I believe you're right, Moran; I believe that a miracle has happened.
You'll go home straight, won't you?'

Father Moran grasped Father Oliver's hand.

'Indeed I will.'

And Father Oliver stood by his gate looking down the road, and he didn't
open it and go through until Father Moran had passed out of sight.
Pushing it open, he walked up the gravel path, saying to himself, 'A
miracle, without doubt. Moran called it a miracle and it seems like one,
but will it last? Moran believes himself cured, that is certain;' and
Father Oliver thought how his curate had gripped his hand, and felt sure
that the grip meant, 'You've done me a great service, one I can never
repay.'

It was a pleasure to think that Moran would always think well of him.
'Yes, Moran will always think well of me,' he repeated as he groped his
way into the dark and lonely house in search of a box of matches. When
his lamp was lighted he threw himself into his armchair so that he might
ponder better on what had happened. 'I've been a good friend to him, and
it's a great support to a man to think that he's been a good friend to
another, that he kept him in the straight path, saved him from himself.
Saved himself from himself,' he repeated;' can anybody be saved from
himself?' and he began to wonder if Moran would conquer in the end and
take pride in his conquest over himself.

There was no sound, only an occasional spit of the lamp, and in the
silence Father Oliver asked if it were the end of man's life to trample
upon self or to encourage self. 'Nora,' he said, 'would answer that self
is all we have, and to destroy it and put in its place conventions and
prejudices is to put man's work above God's. But Nora would not answer
in these words till she had spoken with Mr. Walter Poole.' The name
brought a tightening about his heart, and when Father Oliver stumbled to
his feet--he had walked many miles, and was tired--he began to think he
must tell Nora of the miracle that had happened about a mile--he thought
it was just a mile--beyond Patsy Regan's public-house. The miracle would
impress her, and he looked round the room. It was then he caught sight
of a letter--her letter. The envelope and foreign stamp told him that
before he read the address--her writing! His hand trembled and his cheek
paled, for she was telling him the very things he had longed to know.
She was in love with Poole! she was not only in love with him--she was
his mistress!

The room seemed to tumble about him, and he grasped the end of the
chimney-piece. And then, feeling that he must get out into the open air,
he thought of Moran. He began to feel he must speak to him. He couldn't
remember exactly what he had to say to him, but there was something on
his mind which he must speak to Moran about. It seemed to him that he
must go away with Moran to some public-house far away and drink. Hadn't
Moran said that there were times when we all wanted drink? He tried to
collect his thoughts.... Something had gone wrong, but he couldn't
remember what had gone wrong or where he was. It seemed to him that
somebody had lost her soul. He must seek it. It was his duty. Being a
priest, he must go forth and find the soul, and bring it back to God. He
remembered no more until he found himself in the midst of a great wood,
standing in an open space; about him were dripping trees, and a ghostly
sky overhead, and no sound but that of falling leaves. Large leaves
floated down, and each interested him till it reached the wet earth.

And then he began to wonder why he was in the wood at night, and why he
should be waiting there, looking at the glimmering sky, seeing the
oak-leaves falling, remembering suddenly that he was looking for her
soul, for her lost soul, and that something had told him he would find
the soul he was seeking in the wood; so he was drawn from glade to glade
through the underwoods, and through places so thickly overgrown that it
seemed impossible to pass through. And then the thorn-bushes gave way
before him, for he was no longer alone. She had descended from the trees
into his arms, white and cold, and every moment the wood grew dimmer;
but when he expected it to disappear, when he thought he was going to
escape for ever with her, an opening in the trees discovered the lake,
and in fear he turned back into the wood, seeking out paths where there
was little light.

Once he was within the wood, the mist seemed to incorporate again; she
descended again into his arms, and this time he would have lifted the
veil and looked into her face, but she seemed to forbid him to recognize
her under penalty of loss. His desire overcame him, and he put out his
hand to lift the veil. As he did so his eyes opened, he saw the wet
wood, the shining sky, and she sitting by a stone waiting for him. A
little later she came to meet him from behind the hawthorns that grew
along the cart-track--a tall woman with a little bend in her walk.

He wondered why he was so foolish as to disobey her, and besought her to
return to him, and they roamed again in the paths that led round the
rocks overgrown with briars, by the great oak-tree where the leaves were
falling. And wandering they went, smiling gently on each other, till she
began to tell him that he must abide by the shores of the lake--why, he
could not understand, for the wood was much more beautiful, and he was
more alone with her in the wood than by the lake.

The sympathy was so complete that words were not needed, but they had
begun in his ears. He strove to apprehend the dim words sounding in his
ears. Not her words, surely, for there was a roughness in the voice, and
presently he heard somebody asking him why he was about this time of
night, and very slowly he began to understand that one of his
parishioners was by him, asking him whither he was going.

'You'll be catching your death at this hour of the night, Father
Oliver.'

And the man told Father Oliver he was on his way to a fair, and for a
short-cut he had come through the wood. And Father Oliver listened,
thinking all the while that he must have been dreaming, for he could
remember nothing.

'Now, your reverence, we're at your own door, and the door is open.
When you went out you forgot to close it.'

The priest didn't answer.

'I hope no harm will come to your reverence; and you'll be lucky if you
haven't caught your death.'




X


He stopped in his undressing to ponder how Moran had come to tell him
that he was going away on a drinking-bout, and all their long walk
together to within a mile of Regan's public-house returned to him bit by
bit, how Moran knelt down by the roadside to drink bog-water, which he
said would take the thirst from him as well as whisky; and after bidding
Moran good-night he had fallen into his armchair. It was not till he
rose to his feet to go to bed that he had caught sight of the letter.
Nora wrote--he could not remember exactly what she wrote, and threw
himself into bed. After sleeping for many hours, his eyes at last
opened, and he awoke wondering, asking himself where he was. Even the
familiar room surprised him. And once more he began the process of
picking his way back, but he couldn't recall what had happened from the
time he left his house in search of Moran till he was overtaken by Alec
in the wood. In some semi-conscious state he must have wandered off to
Derrinrush. He must have wandered a long while--two hours, maybe more
--through the familiar paths, but unaware that he was choosing them. To
escape from the effort of remembrance he was glad to listen to
Catherine, who was telling him that Alec was at the door, come up from
the village to inquire how the priest was.

She waited to hear Father Oliver's account of himself, but not having a
story prepared, he pretended he was too tired to speak; and as he lay
back in his chair he composed a little story, telling how he had been
for a long walk with Father Moran, and, coming back in the dark, had
missed his way on the outskirts of the wood. She began to raise some
objections, but he said she was not to excite herself, and went out to
see Alec, who, not being a quick-witted fellow, was easily persuaded
into an acceptance of a very modified version of the incident, and
Father Oliver lay back in his chair wondering if he had succeeded in
deceiving Catherine. It would seem that he had, for when she came to
visit him again from her kitchen she spoke of something quite different,
which surprised him, for she was a very observant woman of inexhaustible
curiosity. But this time, however, he had managed to keep his secret
from her, and, dismissing her, he thought of Nora's letter.


_From Miss Nora Glynn to Father Oliver Gogarty._

'RAPALLO, ITALY,

'_December_ 12, 19--.

'DEAR FATHER GOGARTY,

'I received "The Imitation" to-day and your two letters, one asking me
if I had got the book. We had left Munich without giving instructions
about our letters, so please accept my apologies and my best thanks.
The Elizabethan translation, as you point out, is beautiful English, and
I am glad to have the book; it will remind me of you, and I will keep it
by me even if I do not read it very often. I passed the book over to Mr.
Poole; he read it for a few minutes, and then returned it to me. "A
worthy man, no doubt," he said, "but prone to taking things for granted.
'The Imitation,'" he continued, "reminds me of a flower growing in the
shade of a cloister, dying for lack of sun, and this is surely not the
right kind of reading for you or your friend Father Oliver." I feel sure
you want a change. Change of scene brings a change of mind. Why don't
you come to Italy? Italy is the place for you. Italy is your proper
mind. Mr. Poole says that Italy is every man's proper mind, and you're
evidently thinking of Italy, for you ask for a description of where I am
staying, saying that a ray of Italian sunlight will cheer you. Come to
Italy. You can come here without danger of meeting us. We are leaving at
the end of the month.

'But I could go on chattering page after page, telling you about gardens
and orange-trees (the orange-trees are the best part of the decoration;
even now the great fruit hangs in the green leaves); and when I had
described Italy, and you had described all the castles and the islands,
we could turn back and discuss our religious differences. But I doubt if
any good would come of this correspondence. You see, I have got my work
to do, and you have got yours, and, notwithstanding all you say, I do
not believe you to be unable to write the history of the lake and its
castles. Your letters prove that you can, only your mind is unhinged by
fears for my spiritual safety, and depressed by the Irish climate. It is
very depressing, I know. I remember how you used to attribute the
history of Ireland to the climate: a beautiful climate in a way, without
extremes of heat and cold, as you said once, without an accent upon it.
But you are not the ordinary Irishman; there is enough vitality in you
to resist the languor of the climate. Your mood will pass away.... Your
letter about the hermit that lived on Church Island is most beautiful.
You have struck the right note--the wistful Irish note--and if you can
write a book in that strain I am sure it will meet with great success.
Go on with your book, and don't write to me any more--at least, not for
the present. I have got too much to do, and cannot attend to a lengthy
correspondence. We are going to Paris, and are looking forward to
spending a great deal of time reading in the National Library. Some day
we may meet, or take up this correspondence again. At present I feel
that it is better for you and better for me that it should cease. But
you will not think hardly of me because I write you this. I am writing
in your own interests, dear Father Gogarty.

'Very sincerely yours,

'NORA GLYNN.'


He read the letter slowly, pondering every sentence and every word, and
when he had finished it his hand dropped upon his knee; and when the
letter fell upon the hearthrug he did not stoop to pick it up, but sat
looking into the fire, convinced that everything was over and done.
There was nothing to look forward to; his life would drag on from day to
day, from week to week, month to month, year to year, till at last he
would be taken away to the grave. The grave is dreamless! But there
might be a long time before he reached it, living for years without
seeing or even hearing from her, for she would weary of writing to him.
He began to dream of a hunt, the quarry hearing with dying ears the
horns calling to each other in the distance, and cast in his chair, his
arms hanging like dead arms, his senses mercifully benumbed, he lay, how
long he knew not, but it must have been a long time.

Catherine came into the room with some spoons in her hands, and asked
him what was the matter, and, jumping up, he answered her rudely, for
her curiosity annoyed him. It was irritating to have to wait for her to
leave the room, but he did not dare to begin thinking while she was
there. The door closed at last; he was alone again, and his thoughts
fixed themselves at once on the end of her letter, on the words, 'Go on
with your book, and don't write to me any more--at least, not for the
present. I have too much to do, and cannot attend to a lengthy
correspondence.' The evident cruelty of her words surprised him. There
was nothing like this in any of her other letters. She intended these
words as a _coup de grâce_. There was little mercy in them, for they
left him living; he still lived--in a way.

There was no use trying to misunderstand her words. To do so would be
foolish, even if it were possible for him to deceive himself, and the
rest of her letter mattered nothing to him. The two little sentences
with which she dismissed him were his sole concern; they were the keys
to the whole of this correspondence which had beguiled him. Fool that he
had been not to see it! Alas! we see only what we want to see. He
wandered about the lake, trying to bring himself to hate her. He even
stopped in his walks to address insulting words to her. Words of common
abuse came to his tongue readily, but there was an unconquerable
tenderness in his heart always; and one day the thought went by that it
was nobler of her to make him suffer than to have meekly forgiven him,
as many women would have done, because he was a priest. He stopped
affrighted, and began to wonder if this were the first time her easy
forgiveness of his mistake had seemed suspicious. No, he felt sure that
some sort of shadow of disappointment had passed at the back of his mind
when he read her first letter, and after having lain for months at the
back of his mind, this idea had come to the surface. An extraordinary
perversion, truly, which he could only account for by the fact that he
had always looked upon her as being more like what the primitive woman
must have been than anybody else in the world; and the first instinct of
the primitive woman would be to revenge any slight on her sexual pride.
He had misread her character, and in this new reading he found a
temporary consolation.

As he sat thinking of her he heard a mouse gnawing under the boards,
and every night after the mouse came to gnaw. 'The teeth of regret are
the same; my life is being gnawed away. Never shall I see her.' It
seemed impossible that life would close on him without his seeing her
face or hearing her voice again, and he began to think how it would be
if they were to meet on the other side. For he believed in heaven, and
that was a good thing. Without such belief there would be nothing for
him to do but to go down to the lake and make an end of himself. But
believing as he did in heaven and the holy Catholic Church to be the
surest way of getting there, he had a great deal to be thankful for.
Poole's possession of her was but temporary, a few years at most,
whereas his possession of her, if he were so fortunate as to gain
heaven, and by his prayers to bring her back to the true fold, would
endure for ever and ever. The wisest thing, therefore, for him to do
would be to enter a Trappist monastery. But our Lord says that in heaven
there is neither marriage nor giving in marriage, and what would heaven
be to him without Nora? No more than a union of souls, and he wanted her
body as well as her soul. He must pray. He knew the feeling well--a sort
of mental giddiness, a delirium in the brain; and it increased rapidly,
urging him to fall on his knees. If he resisted, it was because he was
ashamed and feared to pray to God to reserve Nora for him. But the whirl
in his brain soon deprived him of all power of resistance, and, looking
round the room hurriedly to assure himself he was not watched, he fell
on his knees and burst into extemporary prayer: '_O my God, whatever
punishment there is to be borne, let me bear it. She sinned, no doubt,
and her sins must be atoned for. Let me bear the punishment that thou,
in thine infinite wisdom, must adjudge to her, poor sinful woman that
she is, poor woman persecuted by men, persecuted by me. O my God,
remember that I lent a willing ear to scandalmongers, that I went down
that day to the school and lost my temper with her, that I spoke against
her in my church. All the sins that have been committed are my sins; let
me bear the punishment. O my Lord Jesus Christ, do thou intercede with
thy Father and ask him to heap all the punishment on my head. Oh, dear
Lord Jesus, if I had only thought of thee when I went down to the
school, if I had remembered thy words, "Let him who is without sin cast
the first stone," I should have been spared this anguish. If I had
remembered thy words, she might have gone to Dublin and had her baby
there, and come back to the parish. O my God, the fault is mine; all the
faults that have been committed can be traced back to me, therefore I
beseech of thee, I call upon thee, to let me bear all the punishment
that she has earned by her sins, poor erring creature that she is. O my
God, do this for me; remember that I served thee well for many years
when I lived among the poor folk in the mountains. For all these years I
ask this thing of thee, that thou wilt let me bear her punishment. Is it
too much I am asking of thee, O my God, is it too much?'_

When he rose from his knees, bells seemed to be ringing in his head,
and he began to wonder if another miracle had befallen him, for it was
as if someone had laid hands on him and forced him on his knees. But to
ask the Almighty to extend his protection to him rather than to Mr.
Poole, who was a Protestant, seemed not a little gross. Father Oliver
experienced a shyness that he had never known before, and he hoped the
Almighty would not be offended at the familiarity of the language, or
the intimate nature of the request, for to ask for Nora's body as well
as her soul did not seem altogether seemly.

It was queer to think like that. Perhaps his brain was giving way. And
he pushed the plates aside; he could not eat any dinner, nor could he
take any interest in his garden.

The dahlias were over, the chrysanthemums were beginning. Never had the
country seemed so still: dead birds in the woods, and the sounds of
leaves, and the fitful December sunlight on the strands--these were his
distractions when he went out for a walk, and when he came in he often
thought it would be well if he did not live to see another day, so heavy
did the days seem, so uneventful, and in these languid autumn days the
desire to write to Nora crept nearer, until it always seemed about him
like some familiar animal.


_From Father Oliver Gogarty to Miss Nora Glynn._

'GARRANARD, BOHOLA,

'_December_ 30, 19--.

'DEAR MISS GLYNN,

'I should have written to you before, but I lacked courage. Do you
remember saying that the loneliness of the country sometimes forced you
to kneel down to pray that you might die? I think the loneliness that
overcame you was the loneliness that comes at the end of an autumn day
when the dusk gathers in the room. It seems to steal all one's courage
away, and one looks up from one's work in despair, asking of what value
is one's life. The world goes on just the same, grinding our souls away.
Nobody seems to care; nothing seems to make any difference.

'Human life is a very lonely thing, and for that it is perhaps
religious. But there are days when religion fails us, when we lack
courage, lonesomeness being our national failing. We were always
lonesome, hundreds of years ago as much as to-day. You know it, you have
been through it and will sympathize. A caged bird simply beats its wings
and dies, but a human being does not die of loneliness, even when he
prays for death. You have experienced it all, and will know what I feel
when I tell you that I spend my time watching the rain, thinking of
sunshine, picture-galleries, and libraries.

'But you were right to bid me go on with the book I spoke to you about.
If I had gone away, as you first suggested, I should have been unhappy;
I should have thought continually of the poor people I left behind; my
abandonment of them would have preyed on my mind, for the conviction is
dead in me that I should have been able to return to them; we mayn't
return to places where we have been unhappy. I might have been able to
get a parish in England or a chaplaincy, but I should have always looked
upon the desertion of my poor people as a moral delinquency. A quiet
conscience is, after all, a great possession, and for the sake of a
quiet conscience I will remain here, and you will be able to understand
my scruple when you think how helpless my people are, and how essential
is the kindly guidance of the priest.

'Without a leader, the people are helpless; they wander like sheep on a
mountain-side, falling over rocks or dying amid snowdrifts. Sometimes
the shepherd grows weary of watching, and the question comes, Has a man
no duty towards himself? And then one begins to wonder what is one's
duty and what is duty--if duty is something more than the opinions of
others, something more than a convention which we would not like to hear
called into question, because we feel instinctively that it is well for
everyone to continue in the rut, for, after all, a rut means a road, and
roads are necessary. If one lets one's self go on thinking, one very
soon finds that wrong and right are indistinguishable, so perhaps it is
better to follow the rut if one can. But the rut is beset with
difficulties; there are big holes on either side. Sometimes the road
ends nowhere, and one gets lost in spite of one's self. But why am I
writing all these things to you?'


Why, indeed? If he were to send this letter she would show it to Mr.
Poole, and they would laugh over it together. 'Poor priesty!' they would
say, and the paper was crumpled and thrown into the fire. 'My life is
unendurable, and it will grow worse,' he said, and fell to thinking how
he would grow old, getting every day more like an old stereotyped plate,
the Mass and the rosary at the end of his tongue, and nothing in his
heart. He had seen many priests like this. Could he fall into such
miserable decadence? Could such obedience to rule be any man's duty? But
where should he go? It mattered little whither he went, for he would
never see her any more, and she was, after all, the only real thing in
the world for him.

So did he continue to suffer like an animal, mutely, instinctively,
mourning his life away, forgetful of everything but his grief; unmindful
of his food, and unable to sleep when he lay down, or to distinguish
between familiar things--the birds about his house, the boys and girls
he had baptized. Very often he had to think a moment before he knew
which was Mary and which was Bridget, which was Patsy and which was
Mike, and very often Catherine was in the parlour many minutes before he
noticed her presence. She stood watching him, wondering of what he was
thinking, for he sat in his chair, getting weaker and thinner; and soon
he began to look haggard as an old man or one about to die. He seemed to
grow feebler in mind; his attention wandered away every few minutes from
the book he was reading. Catherine noticed the change, and, thinking
that a little chat would be of help, she often came up from her kitchen
to tell him the gossip of the parish; but he could not listen to her,
her garrulousness seemed to him more than ever tiresome, and he kept a
book by him, an old copy of 'Ivanhoe,' which he pretended he was reading
when he heard her step.

Father Moran came to discuss the business of the parish with him and
insisted on relieving Father Oliver of a great deal of it, saying that
he wanted a rest, and he often urged Father Oliver to go away for a
holiday. He was kind, but his talk was wearisome, and Father Oliver
thought he would prefer to read about the fabulous Rowena than to hear
any more about the Archbishop. But when Father Moran left Rowena bored
him, and so completely that he could not remember at what point he had
left off reading, and his thoughts wandered from the tournament to some
phrase he had made use of in writing to Nora, or, it might be, some
phrase of hers that would suddenly spring into his mind. He sought no
longer to discover her character from her letters, nor did he criticize
the many contradictions which had perplexed him: it seemed to him that
he accepted her now, as the phrase goes, 'as she was,' thinking of her
as he might of some supernatural being whom he had offended, and who had
revenged herself. Her wickedness became in his eyes an added grace, and
from the rack on which he lay he admired his executioner. Even her
liking for Mr. Poole became submerged in a tide of suffering, and of
longing, and weakness of spirit. He no longer had any strength to
question her liking for the minor prophets: there were discrepancies in
everyone, and no doubt there were in him as well as in her. He had once
been very different from what he was to-day. Once he was an ardent
student in Maynooth, he had been an energetic curate; and now what was
he? Worse still, what was he becoming? And he allowed his thoughts to
dwell on the fact that every day she was receding from him. He, too, was
receding. All things were receding--becoming dimmer.

He piled the grate up with turf, and when the blaze came leaned over it,
warming his hands, asking himself why she liked Mr. Poole rather than
him. For he no longer tried to conceal from himself the fact that he
loved her. He had played the hypocrite long enough; he had spoken about
her soul, but it was herself that he wanted. This admission brought some
little relief, but he felt that the relief would only be temporary.
Alas! it was surrender. It was worse than surrender--it was abandonment.
He could sink no deeper. But he could; we can all sink deeper. Now what
would the end be? There is an end to everything; there must be an end
even to humiliation, to self-abasement. It was Moran over again. Moran
was ashamed of his vice, but he had to accept it, and Father Oliver
thought how much it must have cost his curate to come to tell him that
he wanted to lie drunk for some days in an outhouse in order to escape
for a few days from the agony of living. 'That is what he called it, and
I, too, would escape from it.'

His thoughts turned suddenly to a poem written by a peasant in County
Cork a hundred years ago to a woman who inspired a passion that wrecked
his mind altogether in the end. And he wondered if madness would be the
end of his suffering, or if he would go down to the lake and find rest
in it.


  'Oh, succour me, dear one, give me a kiss from thy mouth,
    And lift me up to thee from death,
  Or bid them make for me a narrow bed, a coffin of boards,
    In the dark neighbourhood of the worm and his friends.
  My life is not life but death, my voice is no voice but a wind,
    There is no colour in me, nor life, nor richness, nor health;
  But in tears and sorrow and weakness, without music, without
          sport, without power,
  I go into captivity and woe, and in the pain of my love of thee.'





XI


_From Father Oliver Gogarty to Miss Nora Glynn._

'GARRANARD, BOHOLA,

'_March_ 12, 19--.

'A long time has passed without your hearing from me, and I am sure you
must have said more than once: "Well, that priest has more sense than I
gave him credit for. He took the hint. He understood that it would be
useless for us to continue to write long letters to each other about
remorse of conscience and Mr. Poole's criticism of the Bible." But the
sight of my handwriting will call into question the opinion you have
formed of my good sense, and you will say: "Here he is, beginning it all
over again." No, I am not. I am a little ashamed of my former letters,
and am writing to tell you so. My letters, if I write any, will be quite
different in the future, thanks to your candour. Your letter from
Rapallo cured me; like a surgeon's knife, it took out the ulcer that was
eating my life away. The expression will seem exaggerated, I know; but
let it remain. You no doubt felt that I was in ignorance of my own state
of feelings regarding you, and you wrote just such a letter as would
force me to look into my heart and to discover who I really was. You
felt that you could help me to some knowledge of myself by telling me
about yourself.

'The shock on reading your confession--for I look upon your Rapallo
letter as one--was very great, for on reading it I felt that a good deal
that I had written to you about the salvation of your soul was inspired,
not by any pure fear that I had done anything that might lose a soul to
God, but by pure selfishness. I did not dare to write boldly that I
loved yourself, and would always love you; I wore a mask and a disguise,
and in order to come to terms with myself I feel it necessary to confess
to you; otherwise all the suffering I have endured would be wasted.

'But this is not all my confession; worse still remains. I have
discovered that when I spoke against you in church, and said things that
caused you to leave the parish, I did not do so, as I thought, because I
believed that the morality of my parish must be maintained at any cost.
I know now that jealousy--yes, sensual jealousy--prompted me. And when I
went to my sisters to ask them to appoint you to the post of
music-teacher in their school, I did not do so for their sake, but for
my own, because I wished to have you back in the parish. But I do not
wish you to think that when I wrote about atonement I wrote what I knew
to be untrue. I did not; the truth was hidden from me. Nor did I wish to
get you back to the parish in order that I might gratify my passion. All
these things were very vague, and I didn't understand myself until now.
I never had any experience of life till I met you. And is it not curious
that one should know so little of one's self, for I might have gone down
to my grave without knowing how false I was at heart, if I had not been
stricken down with a great illness.

'One day, Catherine told me that the lake was frozen over, and, as I had
been within doors a long while, she advised me to go out and see the
boys sliding on the ice. Her advice put an idea into my head, that I
might take out my skates and skate recklessly without trying to avoid
the deeper portions where the ice was likely to be thin, for I was weary
of life, and knowing that I could not go back upon the past, and that no
one would ever love me, I wished to bring my suffering to an end. You
will wonder why I did not think of the sufferings that I might have
earned for myself in the next world. I had suffered so much that I could
think of nothing but the present moment. God was good, and he saved me,
for as I stood irresolute before a piece of ice which I knew wouldn't
bear me, I felt a great sickness creeping over me. I returned home, and
for several days the doctor could not say whether I would live or die.
You remember Catherine, my servant? She told me that the only answer the
doctor would give her was that if I were not better within a certain
time there would be no hope of my recovery. At the end of the week he
came into my room. Catherine was waiting outside, and I hear that she
fell on her knees to thank God when the doctor said: "Yes, he is a
little better; if there's no relapse he'll live."

'After a severe illness one is alone with one's self, the whole of one's
life sings in one's head like a song, and listening to it, I learned
that it was jealousy that prompted me to speak against you, and not any
real care for the morality of my parish. I discovered, too, that my
moral ideas were not my own. They were borrowed from others, and badly
assimilated. I remembered, too, how at Maynooth the tradition was always
to despise women, and in order to convince myself I used to exaggerate
this view, and say things that made my fellow-students look at me
askance, if not with suspicion. But while dozing through long
convalescent hours many things hitherto obscure to me became clear, and
it seems now to me to be clearly wrong to withhold our sympathy from any
side of life. It seems to me that it is only by our sympathy we can do
any good at all. God gave us our human nature; we may misuse and degrade
our nature, but we must never forget that it came originally from God.

'What I am saying may not be in accordance with current theology, but I
am not thinking of theology, but of the things that were revealed to me
during my sickness. It was through my fault that you met Mr. Walter
Poole, and I must pray to God that he will bring you back to the fold. I
shall pray for you both. I wish you all happiness, and I thank you for
the many kind things you have said, for the good advice you have given
me. You are quite right: I want a change. You advise me to go to Italy,
and you are right to advise me to go there, for my heart yearns for
Italy. But I dare not go; for I still feel that if I left my parish I
should never return to it; and if I were to go away and not return a
great scandal would be caused, and I am more than ever resolved not to
do anything to grieve the poor people, who have been very good to me,
and whose interests I have neglected this long while.

'I send this letter to Beechwood Hall, where you will find it on your
return. As I have already said, you need not answer it; no good will
come by answering it. In years to come, perhaps, when we are both
different, we may meet again.

'OLIVER GOGARTY.'


_From Miss Nora Glynn to Father Oliver Gogarty._

'IMPERIAL HOTEL, CAIRO, EGYPT,

'_May_ 5, 19--.

'DEAR FATHER GOGARTY,

'By the address on the top of this sheet of paper you will see that I
have travelled a long way since you last heard from me, and ever since
your letter has been following me about from hotel to hotel. It is lucky
that it has caught me up in Egypt, for we are going East to visit
countries where the postal service has not yet been introduced. We leave
here to-morrow. If your letter had been a day later it would have missed
me; it would have remained here unclaimed--unless, indeed, we come back
this way, which is not likely. You see what a near thing it was; and as
I have much to say to you, I should be sorry not to have had an
opportunity of writing.

'Your last letter put many thoughts into my head, and made me anxious to
explain many things which I feel sure you do not know about my conduct
since I left London, and the letters I have written to you. Has it not
often seemed strange to you that we go through life without ever being
able to reveal the soul that is in us? Is it because we are ashamed, or
is it that we do not know ourselves? It is certainly a hard task to
learn the truth about ourselves, and I appreciate the courage your last
letter shows; you have faced the truth, and having learned it, you write
it to me in all simplicity. I like you better now, Oliver Gogarty, than
I ever did before, and I always liked you. But it seems to me that to
allow you to confess yourself without confessing myself, without
revealing the woman's soul in me as you have revealed the man's soul in
yourself, would be unworthy.

'Our destinies got somehow entangled, there was a wrench, the knot was
broken, and the thread was wound upon another spool. The unravelling of
the piece must have perplexed you, and you must have wondered why the
shape and the pattern should have passed suddenly away into thread
again, and then, after a lapse of time, why the weaving should have
begun again.

'You must have wondered why I wrote to you, and you must have wondered
why I forgave you for the wrong you did me. I guessed that our
friendship when I was in the parish was a little more than the platonic
friendship that you thought it was, so when you turned against me, and
were unkind, I found an excuse for you. When my hatred was bitterest, I
knew somehow, at the back of my mind--for I only allowed myself to think
of it occasionally--that you acted from--there is but one word--jealousy
(not a pretty word from your point of view); and it must have shocked
you, as a man and as a priest, to find that the woman whom you thought
so much of, and whose society gave you so much pleasure (I know the
times we passed together were as pleasant to you as they were to me),
should suddenly without warning appear in a totally different light, and
in a light which must have seemed to you mean and sordid. The discovery
that I was going to have a baby threw me suddenly down from the pedestal
on which you had placed me; your idol was broken, and your feelings--for
you are one of those men who feel deeply--got the better of you, and you
indulged in a few incautious words in your church.

'I thought of these things sometimes, not often, I admit, in the little
London lodging where I lived till my baby was born, seeing my gown in
front getting shorter, and telling lies to good Mrs. Dent about the
husband whom I said was abroad, whom I was expecting to return. That was
a miserable time, but we won't talk of it any more. When Father O'Grady
showed me the letter that you wrote him, I forgave you in a way. A woman
forgives a man the wrongs he does when these wrongs are prompted by
jealousy, for, after all, a woman is never really satisfied if a man is
not a little jealous. His jealousy may prove inconvenient, and she may
learn to hate it and think it an ugly thing and a crooked thing, but,
from her point of view, love would not be complete without it.

'I smiled, of course, when I got your letter telling me that you had
been to your sisters to ask them if they would take me as a
schoolmistress in the convent, and I walked about smiling, thinking of
your long innocent drive round the lake. I can see it all, dear man that
you are, thinking you could settle everything, and that I would return
to Ireland to teach barefooted little children their Catechism and their
A, B, C. How often has the phrase been used in our letters! It was a
pretty idea of yours to go to your sisters; you did not know then that
you cared for me--you only thought of atonement. I suppose we must
always be deceived. Mr. Poole says self-deception is the very law of
life. We live enveloped in self-deception as in a film; now and again
the film breaks like a cloud and the light shines through. We veil our
eyes, for we do not like the light. It is really very difficult to tell
the truth, Father Gogarty; I find it difficult now to tell you why I
wrote all these letters. Because I liked you? Yes, and a little bit
because I wished you to suffer; I don't think I shall ever get nearer
the truth than that. But when I asked you to meet us abroad, I did so in
good faith, for you are a clever man, and Mr. Poole's studies would
please you. At the back of my mind I suppose I thought to meet him
would do you good; I thought, perhaps, that he might redeem you from
some conventions and prejudices. I don't like priests; the priest was
the only thing about you I never liked. Was it in some vain,
proselytizing idea that I invited you? Candidly, I don't know, and I
don't think I ever shall. We know so very little about this world that
it seems to me waste of time to think about the next. My notion is that
the wisest plan is to follow the mood of the moment, with an object more
or less definite in view.... Nothing is worth more than that. I am at
the present moment genuinely interested in culture, and therefore I did
not like at all the book you sent me, "The Imitation," and I wrote to
tell you to put it by, to come abroad and see pictures and statues in a
beautiful country where people do not drink horrid porter, but nice
wine, and where Sacraments are left to the old people who have nothing
else to interest them. I suppose it was a cruel, callous letter, but I
did not mean it so; I merely wanted to give you a glimpse of my new life
and my new point of view. As for this letter, Heaven knows how you will
take it--whether you will hate me for it or like me; but since you wrote
quite frankly to me, confessing yourself from end to end, I feel bound
to tell you everything I know about myself--and since I left Ireland I
have learned a great deal about myself and about life. Perhaps I should
have gone on writing to you if Mr. Poole had not one day said that no
good would come of this long correspondence; he suspected I was a
disturbing influence, and, as you were determined to live in Ireland,
he said it were better that you should live in conventions and
prejudices, without them your life would be impossible.

'Then came your last letter, and it showed me how right Mr. Poole was.
Nothing remains now but to beg your forgiveness for having disturbed
your life. The disturbance is, perhaps, only a passing one. You may
recover your ideas--the ideas that are necessary to you--or you may go
on discovering the truth, and in the end may perhaps find a way whereby
you may leave your parish without causing scandal. To be quite truthful,
that is what I hope will happen. However this may be, I hope if we ever
meet again it will not be till you have ceased to be a priest. But all
this is a long way ahead. We are going East, and shall not be back for
many months; we are going to visit the buried cities in Turkestan. I do
not know if you have ever heard about these cities. They were buried in
sand somewhere about a thousand years ago, and some parts have been
disinterred lately. Vaults were broken into in search of treasure. Gold
and precious stones were discovered, but far more valuable than the gold
and silver, so says Mr. Poole, are certain papyri now being deciphered
by the learned professors of Berlin.

'You know the name of Mr. Poole's book, "The Source of the Christian
River"? He had not suspected that its source went further back than
Palestine, but now he says that some papyri may be found that will take
it far back into Central Asia.

'I am going with him on this quest. It sounds a little absurd, doesn't
it? my going in quest of the Christian river? But if one thinks for a
moment, one thing is as absurd as another. Do you know, I find it
difficult to take life seriously, and I walk about the streets thinking
of you, Father Gogarty, and the smile that will come over your face,
half angry, half pleased, when you read that your schoolmistress is
going to Central Asia in quest of the Christian river. What will you be
doing all this time? You say that you cannot leave your parish because
you fear to give scandal; you fear to pain the poor people, who have
been good to you and who have given you money, and your scruple is a
noble one; I appreciate and respect it. But we must not think entirely
of our duties to others; we must think of our duties to ourselves. Each
one must try to realize himself--I mean that we must try to bring the
gifts that Nature gave us to fruition. Nature has given you many gifts:
I wonder what will become of you?

'Very sincerely yours,

'NORA GLYNN.'


'Good God, how I love that woman!' the priest said, awaking from his
reverie, for the clock told him that he had sat for nearly
three-quarters of an hour, her letter in his hand, after having read it.
And lying back in his armchair, his hands clasped, his eyes fixed on the
window, listening to the birds singing in the vine--it was already in
leaf, and the shadows of the leaves danced across the carpet--he sought
to define that sense of delight--he could find no other words for
it--which she exhaled unconsciously as a flower exhales its perfume,
that joy of life which she scattered with as little premeditation as the
birds scattered their songs. But though he was constantly seeking some
new form of expression of her charm, he always came back to the words
'sense of delight.' Sometimes he added that sense of delight which we
experience when we go out of the house on an April morning and find
everything growing about us, the sky wilful and blue, and the clouds
going by, saying, 'Be happy, as we are.'

She was so different from every other woman. All other women were plain
instincts, come into the world for the accomplishment of things that
women had accomplished for thousands of years. Other women think as
their mothers thought, and as their daughters will think, expressing the
thoughts of the countless generations behind and in front of them. But
this woman was moved merely by impulses; and what is more inexplicable
than an impulse? What is the spring but an impulse? and this woman was
mysterious, evanescent as its breath, with the same irresponsible
seduction. He was certain that she was at last clear to him, though she
might become dark to him again. One day she had come to gather flowers,
and while arranging her posy she said casually: 'You are a ruler in this
parish; you direct it, the administration of the parish is your
business, and I am the little amusement that you turn to when your
business is done.' He had not known how to answer her. In this way her
remarks often covered him with confusion. She just thought as she
pleased, and spoke as she pleased, and he returned to his idea that she
was more like the primitive woman than anybody else.

Pondering on her words for the hundredth time, they seemed to him
stranger than ever. That any human being should admit that she was but
the delight of another's life seemed at first only extraordinary, but if
one considered her words, it seemed to signify knowledge--latent, no
doubt--that her beauty was part of the great agency. Her words implied
that she was aware of her mission. It was her unconscious self that
spoke, and it was that which gave significance to her words.

His thoughts melted into nothingness, and when he awoke from his reverie
he was thinking that Nora Glynn had come into his life like a fountain,
shedding living water upon it, awakening it. And taking pleasure in the
simile, he said, 'A fountain better than anything else expresses this
natural woman,' controlled, no doubt, by a law, but one hidden from him.
'A fountain springs out of earth into air; it sings a tune that cannot
be caught and written down in notes; the rising and falling water is
full of iridescent colour, and to the wilting roses the fountain must
seem not a natural thing, but a spirit, and I too think of her as a
spirit.' And his thoughts falling away again he became vaguely but
intensely conscious of all the beauty and grace and the enchantment of
the senses that appeared to him in the name of Nora Glynn.

At that moment Catherine came into the room. 'No, not now,' he said; and
he went into the garden and through the wicket at the other end,
thinking tenderly how he had gone out last year on a day just like the
present day, trying to keep thoughts of her out of his mind.

The same fifteenth of May! But last year the sky was low and full of
cotton-like clouds; and he remembered how the lake warbled about the
smooth limestone shingle, and how the ducks talked in the reeds, how the
reeds themselves seemed to be talking. This year the clouds lifted;
there was more blue in the sky, less mist upon the water, and it was
this day last year that sorrow began to lap about his heart like soft
lakewater. He thought then that he was grieving deeply, but since last
year he had learned all that a man could know of grief. For last year he
was able to take an interest in the spring, to watch for the
hawthorn-bloom; but this year he did not trouble to look their way.
What matter whether they bloomed a week earlier or a week later? As a
matter of fact they were late, the frost having thrown them back, and
there would be no flowers till June. How beautifully the tasselled
branches of the larches swayed, throwing shadows on the long May grass!
'And they are not less beautiful this year, though they are less
interesting to me,' he said.

He wandered through the woods, over the country, noting the different
signs of spring, for, in spite of his sorrow, he could not but admire
the slender spring. He could not tell why, perhaps because he had always
associated Nora with the gaiety of the spring-time. She was thin like
the spring, and her laughter was blithe like the spring. She seemed to
him like a spirit, and isn't the spring like a spirit? She was there in
the cow-parsley just coming up, and the sight of the campions between
the white spangles reminded him of the pink flowers she wore in her hat.
The underwood was full of bluebells, but her eyes were not blue. The
aspens were still brown, but in a month the dull green leaves, silvery
underneath, would be fluttering at the end of their long stems. And the
continual agitation of the aspen-leaf seemed to him rather foolish,
reminding him of a weak-minded woman clamouring for sympathy always. The
aspen was an untidy tree; he was not sure that he liked the tree, and if
one is in doubt whether one likes or dislikes, the chances are that one
dislikes. Who would think of asking himself if he liked beech-trees, or
larches, or willows? A little later he stood lost in admiration of a
line of willows all a-row in front of a stream; they seemed to him like
girls curtseying, and the delicacy of the green and yellow buds induced
him to meditate on the mysteries that common things disclose.

Seeing a bird disappear into a hole in the wall, he climbed up. The bird
pecked at him, for she was hatching. 'A starling,' he said. In the field
behind his house, under the old hawthorn-tree, an amiable-looking donkey
had given birth to a foal, and he watched the little thing, no bigger
than a sheep, covered with long gray hair ... There were some
parishioners he would be sorry to part with, and there was Catherine. If
he went away he would never see her again, nor those who lived in the
village. All this present reality would fade, his old church,
surrounded with gravestones and stunted Scotch firs, would become like a
dream, every year losing a little in colour and outline. He was going,
he did not know when, but he was going. For a long time the feeling had
been gathering in him that he was going, and her letter increased that
feeling. He would go just as soon as a reputable way of leaving his
parish was revealed to him.

By the help of his reason he could not hope to find out the way. Nothing
seemed more impossible than that a way should be found for him to leave
his parish without giving scandal; but however impossible things may
seem to us, nothing is impossible to Nature. He must put his confidence
in Nature; he must listen to her. She would tell him. And he lay all the
afternoon listening to the reeds and the ducks talking together in the
lake. Very often the wood was like a harp; a breeze touched the strings,
and every now and then the murmur seemed about to break into a little
tune, and as if in emulation, or because he remembered his part in the
music, a blackbird, perched near to his mate, whose nest was in the
hawthorns growing out of the tumbled wall, began to sing a joyful lay in
a rich round contralto, soft and deep as velvet. 'All nature,' he said,
'is talking or singing. This is talking and singing time. But my heart
can speak to no one, and I seek places where no one will come.' And he
began to ask if God would answer his prayer if he prayed that he might
die.

The sunlit grass, already long and almost ready for the scythe, was
swept by shadows of the larches, those long, shelving boughs hung with
green tassels, moving mysteriously above him. Birds came and went, each
on its special errand. Never was Nature more inveigling, more restful.
He shut his eyes, shapes passed, dreams filled the interspaces. Little
thoughts began. Why had he never brought her here? A memory of her
walking under these larches would be delightful. The murmur of the
boughs dissipated his dreams or changed them, or brought new ones; his
consciousness grew fainter, and he could not remember what his last
thoughts were when he opened his eyes.

And then he wandered out of the wood, into the sunlit country, along the
dusty road, trying to take an interest in everyone whom he met. It was
fairday. He met drovers and chatted to them about the cattle; he heard a
wonderful story about a heifer that one of them had sold, and that found
her way back home again, twenty-five miles, and a little further on a
man came across the fields towards him with a sheep-dog at his heels, a
beautiful bitch who showed her teeth prettily when she was spoken to;
she had long gold hair, and it was easy to see that she liked to be
admired.

'They're all alike, the feminine sex,' the priest thought. 'She's as
pretty as Nora, and acts very much the same.'

He walked on again, stopping to speak with everybody, glad to listen to
every story. One was of a man who lived by poaching. He hadn't slept in
a bed for years, but lay down in the mountains and the woods. He
trapped rabbits and beat people; sometimes he enticed boys far away, and
then turned upon them savagely. Well, the police had caught him again,
and this time he wouldn't get off with less than five years. Listening
to Mike Mulroy's talk, Father Oliver forgot his own grief. A little
further on they came upon a cart filled with pigs. The cart broke down
suddenly, and the pigs escaped in all directions, and the efforts of a
great number of country people were directed to collecting them. Father
Oliver joined in the chase, and it proved a difficult one, owing to the
density of the wood that the pigs had taken refuge in. At last he saw
them driven along the road, for it had been found impossible to mend the
cart, and at this moment Father Oliver began to think that he would like
to be a pig-driver, or better still, a poacher like Carmody. A wandering
mood was upon him. Anything were better than to return to his parish,
and the thought of the confessions he would have to hear on Saturday
night and of the Mass he would have to say on Sunday was bitter indeed,
for he had ceased to believe in these things. To say Mass, believing the
Mass to be but a mummery, was detestable. To remain in his parish meant
a constant degradation of himself. When a parishioner sent to ask him to
attend a sick call, he could barely bring himself to anoint the dying
man. Some way out of the dilemma must be found, and stopping suddenly so
that he might think more clearly, he asked himself why he did not wander
out of the parish instead of following the path which led him back to
the lake? thinking that it was because it is hard to break with habits,
convictions, prejudices. The beautiful evening did not engage his
thoughts, and he barely listened to the cuckoo, and altogether forgot to
notice the bluebells, campions, and cow-parsley; and it was not till he
stood on the hilltop overlooking the lake that he began to recover his
self-possession.

'The hills,' he said, 'are turned hither and thither, not all seen in
profile, and that is why they are so beautiful.'

The sunlit crests and the shadow-filled valleys roused him. In the sky a
lake was forming, the very image and likeness of the lake under the
hill. One glittered like silver, the other like gold, and so wonderful
was this celestial lake that he began to think of immortals, of an
assembly of goddesses waiting for their gods, or a goddess waiting on an
island for some mortal, sending bird messengers to him. A sort of pagan
enchantment was put upon him, and he rose up from the ferns to see an
evening as fair as Nora and as fragrant. He tried to think of the colour
of her eyes, which were fervid and oracular, and of her hands, which
were long and curved, with fragile fingers, of her breath, which was
sweet, and her white, even teeth. The evening was like her, as subtle
and as persuasive, and the sensation of her presence became so clear
that he shut his eyes, feeling her about him--as near to him as if she
lay in his arms, just as he had felt her that night in the wood, but
then she was colder and more remote. He walked along the foreshore
feeling like an instrument that had been tuned. His perception seemed to
have been indefinitely increased, and it seemed to him as if he were in
communion with the stones in the earth and the clouds in heaven; it
seemed to him as if the past and the future had become one.

The moment was one of extraordinary sweetness; never might such a moment
happen in his life again. And he watched the earth and sky enfolded in
one tender harmony of rose and blue--blue fading to gray, and the lake
afloat amid vague shores, receding like a dream through sleep.




XII


_From Father Oliver Gogarty to Miss Nora Glynn._

'GARRANARD, BOHOLA,

'_June_ 18, 19--.

'Thoughts are rising up in my mind, and I am eager to write them down
quickly, and with as little consideration as possible. Perhaps my
thoughts will seem trivial when I have written them, but the emotion
that inspired them was very wonderful and overpowering. I am, as it
were, propelled to my writing-table. I must write: my emotion must find
expression. Even if I were sure you would not get this letter for
months, I should write it. I believe if I knew you would never get it, I
should write. But if I send it to Beechwood Hall it will be forwarded, I
suppose, for you will not remain whole months without hearing from
Europe.... In any case, you will get this letter on your return, and it
will ease my heart to write it. Above all things, I would have you know
that the report that I was drowned while bathing is not true, for a
report to this effect will certainly find its way into the local papers,
and in these days, once a piece of news gets reported, it flies along
from newspaper to newspaper, and newspapers have a knack of straying
into our hands when they contain a disagreeable item of news.

'You will remember how the interview with Mr. Poole, published in
_Illustrated England_, came into my hands. That was the first number of
_Illustrated England_ I had seen. Father O'Grady brought it here and
left it upon the table, and only the fate that is over us knows why. In
the same way, a paper containing a report of my supposed drowning may
reach you when you return to England, and, as I do not want you to think
that I have gone out of this life, I am writing to tell you that the
report of my death is untrue, or, to speak more exactly, it will not be
true, if my arms and legs can make it a false report. These lines will
set you wondering if I have taken leave of my senses. Read on, and my
sanity will become manifest. Some day next month I intend to swim across
the lake, and you will, I think, appreciate this adventure. You praised
my decision not to leave my parish because of the pain it would give the
poor people. You said that you liked me better for it, and it is just
because my resolve has not wavered that I have decided to swim across
the lake. Only in this way can I quit my parish without leaving a
scandalous name behind me. Moreover, the means whereby I was enlightened
are so strange that I find it difficult to believe that Providence is
not on my side.

'Have not men always believed in bird augury from the beginning of time?
and have not prognostications a knack of coming true? I feel sure that
you would think as I do if what had happened to me happened to you. Yet
when you read this letter you will say, "No sooner has he disentangled
himself from one superstition than he drops into another!" However this
may be, I cannot get it out of my head that the strangely ill-fated bird
that came out of the wood last February was sent for a purpose. But I
have not told you about that bird. In my last letter my mind was
occupied by other things, and there was no reason why I should have
mentioned it, for it seemed at the time merely a curious accident--no
more curious than the hundred and one accidents that happen every day. I
believe these things are called coincidences. But to the story. The day
I went out skating there was a shooting-party in Derrinrush, and at the
close of day, in the dusk, a bird got up from the sedge, and one of the
shooters, mistaking it for a woodcock, fired, wounding the bird.

'We watched it till we saw it fall on the shore of Castle Island, and,
thinking that it would linger there for days, dying by inches, I started
off with the intention of saving it from a lingering death, but a shot
had done that. One pellet would have been enough, for the bird was but a
heap of skin and feathers, not to be wondered at, its legs being tied
together with a piece of stout string, twisted and tied so that it would
last for years. And this strangely ill-fated curlew set me thinking if
it were a tame bird escaped from captivity, but tame birds lose quickly
their instinct of finding food. "It must have been freed yesterday or
the day before," I said to myself, and in pondering how far a bird might
fly in the night, this curlew came to occupy a sort of symbolic
relation towards my past and my future life, and it was in thinking of
it that the idea occurred to me that, if I could cross the lake on the
ice, I might swim it in the summer-time when the weather was warm,
having, of course, hidden a bundle of clothes amid the rocks on the
Joycetown side. My clerical clothes will be found on this side, and the
assumption will be, of course, that I swam out too far.

'This way of escape seemed at first fantastic and unreal, but it has
come to seem to me the only practical way out of my difficulty. In no
other way can I leave the parish without giving pain to the poor people,
who have been very good to me. And you, who appreciated my scruples on
this point, will, I am sure, understand the great pain it would give my
sisters if I were to leave the Church. It would give them so much pain
that I shrink from trying to imagine it. They would look upon themselves
as disgraced, and the whole family. My disappearance from the parish
would ever do them harm--Eliza's school would suffer for sure. This may
seem an exaggeration, but certainly Eliza would never quite get over it.
If this way of escape had not been revealed to me, I don't think I ever
should have found courage to leave, and if I didn't leave I should die.
Life is so ordered that a trace remains of every act, but the trace is
not always discovered, and I trust you implicitly. You will never show
this letter to anyone; you will never tell anyone.

'The Church would allow me, no doubt, to pick up a living as best I
could, and would not interfere with me till I said something or wrote
something that the Church thought would lessen its power; then the cry
of unfrocked priest would be raised against me, and calumny, the great
ecclesiastical weapon, would be used. I do not know what my future life
will be: my past has been so beset with misfortune that, once I reach
the other side, I shall never look back. I cannot find words to tell you
of the impatience with which I wait the summer-time, the fifteenth of
July, when the moon will be full. I cannot think what would have
happened to me if I had stayed at home the afternoon that the curlew was
shot; something would have happened, for we cannot go on always
sacrificing ourselves. We can sacrifice ourselves for a time, but we
cannot sacrifice ourselves all our life long, unless we begin to take
pleasure in the immolation of self, and then it is no longer sacrifice.
Something must have happened, or I should have gone mad.

'I had suffered so much in the parish. I think the places in which we
have suffered become distasteful to us, and the instinct to wander takes
us. A migratory bird goes, or dies of home-sickness; home is not always
where we are born--it is among ideas that are dear to us: and it is
exile to live among people who do not share our ideas. Something must
have happened to me. I can think of nothing except suicide or what did
happen, for I could never have made up my mind to give pain to the poor
people and to leave a scandalous name behind; still less could I
continue to administer Sacraments that I ceased to believe in. I can
imagine nothing more shameful than the life of a man who continues his
administrations after he has ceased to believe in them, especially a
Catholic priest, so precise and explicit are the Roman Sacraments. A
very abject life it is to murmur _Absolve te_ over the heads of
parishioners, and to place wafers on their tongues, when we have ceased
to believe that we have power to forgive sins and to turn biscuits into
God. A layman may have doubts, and continue to live his life as before,
without troubling to take the world into his confidence, but a priest
may not. The priest is a paid agent and the money an unbelieving priest
receives, if he be not inconceivably hardened in sin, must be hateful to
him, and his conscience can leave him no rest.

'At first I used to suspect my conversion, and began to think it
unseemly that a man should cease to believe that we must renounce this
life in order to gain another, without much preliminary study of the
Scriptures; I began to look upon myself as a somewhat superficial person
whose religious beliefs yielded before the charm of a pretty face and
winsome personality, but this view of the question no longer seems
superficial. I believe now that the superficial ones are those who think
that it is only in the Scriptures that we may discover whether we have a
right to live. Our belief in books rather than in Nature is one of
humanity's most curious characteristics, and a very irreligious one, it
seems to me; and I am glad to think that it was your sunny face that
raised up my crushed instincts, that brought me back to life, and ever
since you have been associated in my mind with the sun and the
spring-tide.

'One day in the beginning of March, coming back from a long walk on the
hills, I heard the bleat of the lamb and the impatient cawing of the
rook that could not put its nest together in the windy branches, and as
I stopped to listen it seemed to me that something passed by in the
dusk: the spring-tide itself seemed to be fleeting across the tillage
towards the scant fields. As the spring-tide advanced I discovered a new
likeness to you in the daffodil; it is so shapely a flower. I should be
puzzled to give a reason, but it reminds me of antiquity, and you were
always a thing divorced from the Christian ideal. While mourning you, my
poor instincts discovered you in the wind-shaken trees, and in the
gaiety of the sun, and the flowers that May gives us. I shall be gone at
the end of July, when the carnations are in bloom, but were I here I am
certain many of them would remind me of you. There have been saints who
have loved Nature, but I always wondered how it was so, for Nature is
like a woman. I might have read the Scriptures again and again, and all
the arguments that Mr. Poole can put forward, without my faith being in
the least shaken. When the brain alone thinks, the thinking is very thin
and impoverished. It seems to me that the best thinking is done when the
whole man thinks, the flesh and the brain together, and for the whole
man to think the whole man must live; and the life I have lived hitherto
has been a thin life, for my body lived only. And not even all my body.
My mind and body were separated: neither were of any use to me. I owe
everything to you. My case cannot be defined merely as that of a priest
who gave up his religion because a pretty woman came by. He who says
that does not try to understand; he merely contents himself with
uttering facile commonplace. What he has to learn is the great oneness
in Nature. There is but one element, and we but one of its many
manifestations. If this were not so, why should your whiteness and
colour and gaiety remind me always of the spring-time?

'My pen is running fast, I hardly know what I am writing, but it seems
to me that I am beginning to see much clearer. The mists are dissolving,
and life emerges like the world at daybreak. I am thinking now of an old
decrepit house with sagging roof and lichen-covered walls, and all the
doors and windows nailed up. Every generation nailed up a door or a
window till all were nailed up. In the dusty twilight creatures wilt and
pray. About the house the sound of shutters creaking on rusty hinges
never ceases. Your hand touched one, and the shutters fell, and I found
myself looking upon the splendid sun shining on hills and fields, wooded
prospects with rivers winding through the great green expanses. At first
I dared not look, and withdrew into the shadow tremblingly; but the
light drew me forth again, and now I look upon the world without fear. I
am going to leave that decrepit dusty house and mix with my fellows, and
maybe blow a horn on the hillside to call comrades together. My hands
and eyes are eager to know what I have become possessed of. I owe to
you my liberation from prejudices and conventions. Ideas are passed on.
We learn more from each other than from books. I was unconsciously
affected by your example. You dared to stretch out both hands to life
and grasp it; you accepted the spontaneous natural living wisdom of your
instincts when I was rolled up like a dormouse in the dead wisdom of
codes and formulas, dogmas and opinions. I never told you how I became a
priest. I did not know until quite lately. I think I began to suspect my
vocation when you left the parish.

'I remember walking by the lake just this time last year, with the story
of my life singing in my head, and you in the background beating the
time. You know, we had a shop in Tinnick, and I had seen my father
standing before a high desk by a dusty window year after year, selling
half-pounds of tea, hanks of onions, and farm implements, and felt that
if I married my cousin, Annie McGrath, our lives would reproduce those
of my father and mother in every detail. I couldn't undertake the job,
and for that began to believe I had a vocation for the priesthood; but I
can see now that it was not piety that sent me to Maynooth, but a
certain spirit of adventure, a dislike of the commonplace, of the
prosaic--that is to say, of the repetition of the same things. I was
interested in myself, in my own soul, and I did not want to accept
something that was outside of myself, such as the life of a shopman
behind a counter, or that of a clerk of the petty sessions, or the habit
of a policeman. These were the careers that were open to me, and when I
was hesitating, wondering if I should be able to buy up the old mills
and revive the trade in Tinnick, my sister Eliza reminded me that there
had always been a priest in the family. The priesthood seemed to offer
opportunities of realizing myself, of preserving the spirit within me.
It offered no such opportunities to me. I might as well have become a
policeman, and all that I have learned since is that everyone must try
to cling to his own soul; that is the only binding law. If we are here
for anything, it is surely for that.

'But one does not free one's self from habits and ideas, that have grown
almost inveterate, without much pain and struggle; one falls back many
times, and there are always good reasons for following the rut. We
believe that the rutted way leads us somewhere: it leads us nowhere, the
rutted way is only a seeming; for each man received his truth in the
womb. You say in your letter that our destinies got entangled, and that
the piece that was being woven ran out into thread, and was rewound upon
another spool. It seemed to you and it seemed to me that there is no
pattern; we think there is none because Nature's pattern is
undistinguishable to our eyes, her looms are so vast, but sometimes even
our little sight can follow a design here and there. And does it not
seem to you that, after all, there was some design in what has happened?
You came and released me from conventions, just as the spring releases
the world from winter rust.

'A strange idea has come into my mind, and I cannot help smiling at the
topsyturvydom of Nature, or what seems to be topsyturvydom. You, who
began by living in your instincts, are now wandering beyond Palestine in
search of scrolls; and I, who began my life in scrolls, am now going to
try to pick up the lost thread of my instincts in some great commercial
town, in London or New York. My life for a long time will be that of
some poor clerk or some hack journalist, picking up thirty shillings a
week when he is in luck. I imagine myself in a threadbare suit of
clothes edging my way along the pavement, nearing a great building, and
making my way to my desk, and, when the day's work is done, returning
home along the same pavement to a room high up among the rafters, close
to the sky, in some cheap quarter.

'I do not doubt my ability to pick up a living--it will be a shameful
thing indeed if I cannot; for the poor curlew with its legs tied
together managed to live somehow, and cannot I do as much? And I have
taken care that no fetters shall be placed upon my legs or chain about
my neck. Anything may happen--life is full of possibilities--but my
first concern must be how I may earn my living. To earn one's living is
an obligation that can only be dispensed with at one's own great risk.
What may happen afterwards, Heaven knows! I may meet you, or I may meet
another woman, or I may remain unmarried. I do not intend to allow
myself to think of these things; my thoughts are set on one thing
only--how to get to New York, and how I shall pick up a living when I
get there. Again I thank you for what you have done for me, for the
liberation you have brought me of body and mind. I need not have added
the words "body and mind," for these are not two things, but one thing.
And that is the lesson I have learned. Good-bye.

'OLIVER GOGARTY.'




XIII


It would be a full moon on the fifteenth of July, and every night he
went out on the hillside to watch the horned moon swelling to a disc.

And on the fifteenth, the day he had settled for his departure, as he
sat thinking how he would go down to the lake in a few hours, a letter
started to his mind which, as well as he could remember, was written in
a foolish, vainglorious mood--a stupid letter that must have made him
appear a fool in her eyes. Had he not said something about--The
thought eluded him; he could only remember the general tone of his
letter, and in it he seemed to consider Nora as a sort of medicine--a
cure for religion.

He should have written her a simple little letter, telling her that he
was leaving Ireland because he had suffered a great deal, and would
write to her from New York, whereas he had written her the letter of a
booby. And feeling he must do something to rectify his mistake, he went
to his writing-table, but he had hardly put the pen to the paper when he
heard a step on the gravel outside his door.

'Father Moran, your reverence.'

'I see that I'm interrupting you. You're writing.'

'No, I assure you.'

'But you've got a pen in your hand.'

'It can wait--a matter of no importance. Sit down.'

'Now, you'll tell me if I'm in the way?'

'My good man, why are you talking like that? Why should you be in the
way?'

'Well, if you're sure you've nothing to do, may I stay to supper?'

'To supper?'

'But I see that I'm in the way.'

'No; I tell you you're not in the way. And you're going to stay to
supper.'

Father Oliver flung himself between Father Moran and the door; Father
Moran allowed himself to be led back to the armchair. Father Oliver took
the chair opposite him, for he couldn't send Moran away; he mustn't do
anything that would give rise to suspicion.

'You're quite sure I'm not in the way--I'm not interfering with any
plans?'

'Quite sure. I'm glad you have come this evening.'

'Are you? Well, I had to come.'

'You had to come!'

'Yes, I had to come; I had to come to see if anything had happened. You
needn't look at me like that; I haven't been drinking, and I haven't
gone out of my mind. I can only tell you that I had to come to see you
this evening.'

'And you don't know why?'

'No, I don't; I can't tell you exactly why I've come. As I was reading
my breviary, walking up and down the road in front of the house, I felt
that I must see you. I never felt anything like it in my life before. I
had to come.'

'And you didn't expect to find me?'

'Well, I didn't. How did you guess that?'

'You'd have hardly come all that way to find me sitting here in this
armchair.'

'That's right. It wasn't sitting in that chair I expected to see you; I
didn't expect to see you at all--at least, I don't think I did. You see,
it was all very queer, for it was as if somebody had got me by the
shoulders. It was as if I were being pushed every yard of the road.
Something was running in my mind that I shouldn't see you again, or if I
did see you that it would be for the last time. You seemed to me as if
you were going away on a long journey.'

'Was it dying or dead you saw me?'

'That I can't say. If I said any more I shouldn't be telling the truth.
No, it wasn't the same feeling when I came to tell you I couldn't put up
with the loneliness any more--the night I came here roaring for drink. I
was thinking of myself then, and that you might save me or do something
for me--give me drink or cure me. I don't know which thought it was that
was running in my head, but I had to come to you all the same, just as I
had to come to you to-day. I say it was different, because then I was on
my own business; but this time it seemed to me that I was on yours. One
good turn deserves another, as they say; and something was beating in my
head that I could help you, serve as a stay; so I had to come. Where
should I be now if it were not for you? I can see you're thinking that
it was only nonsense that was running in my head, but you won't be
saying it was nonsense that brought me the night I came like a madman
roaring for drink. If there was a miracle that night, why shouldn't
there be a miracle to-night? And if a miracle ever happened in the
world, it happened that night, I'm thinking. Do you remember the dark
gray clouds tearing across the sky, and we walking side by side, I
trying to get away from you? I was that mad that I might have thrown you
into the bog-hole if the craving had not passed from me. And it was just
lifted from me as one might take the cap off one's head. You remember
the prayer we said, leaning over the bit of wall looking across the bog?
There was no lonesomeness that night coming home, Gogarty, though a
curlew might have felt a bit.'

'A curlew!'

'Well, there were curlews and plovers about, and a starving ass picking
grass between the road and the bog-hole. That night will be ever in my
mind. Where would I be now if it hadn't been that you kept on with me
and brought me back, cured? It wouldn't be a cassock that would be on my
back, but some old rag of a coat. There's nothing in this world,
Gogarty, more unlucky than a suspended priest. I think I can see myself
in the streets, hanging about some public-house, holding horses attached
to a cab-rank.'

'Lord of Heaven, Moran! what are you coming here to talk to me in this
way for? The night you're speaking of was bad enough, but your memory of
it is worse. Nothing of what you're saying would have happened; a man
like you would be always able to pick up a living.'

'And where would I be picking up a living if it weren't on a cab-rank,
or you either?'

'Well, 'tis melancholy enough you are this evening.'

'And all for nothing, for there you are, sitting in your old chair. I
see I've made a fool of myself.'

'That doesn't matter. You see, if one didn't do what one felt like
doing, one would have remorse of conscience for ever after.'

'I suppose so. It was very kind of you, Moran, to come all this way.'

'What is it but a step? Three miles--'

'And a half.'

Moved by a febrile impatience, which he could not control, Father Oliver
got up from his chair.

'Now, Moran, isn't it strange? I wonder how it was that you should have
come to tell me that you were going off to drink somewhere. You said you
were going to lie up in a public-house and drink for days, and yet you
didn't think of giving up the priesthood.'

'What are you saying, Gogarty? Don't you know well enough I'd have been
suspended? Didn't I tell you that drink had taken that power over me
that, if roaring hell were open, and I sitting on the brink of it and a
table beside me with whisky on it, I should fill myself a glass?'

'And knowing you were going down to hell?'

'Yes, that night nothing would have stopped me. But, talking of hell, I
heard a good story yesterday. Pat Carabine was telling his flock last
Sunday of the tortures of the damned, and having said all he could about
devils and pitchforks and caldrons, he came to a sudden pause--a blank
look came into his face, and, looking round the church and seeing the
sunlight streaming through the door, his thoughts went off at a tangent.
"Now, boys," he said, "if this fine weather continues, I hope you'll be
all out in the bog next Tuesday bringing home my turf."'

Father Oliver laughed, but his laughter did not satisfy Father Moran,
and he told how on another occasion Father Pat had finished his sermon
on hell by telling his parishioners that the devil was the landlord of
hell. 'And I leave yourself to imagine the groaning that was heard in
the church that morning, for weren't they all small tenants? But I'm
afraid my visit has upset you, Gogarty.'

'How is that?'

'You don't seem to enjoy a laugh like you used to.'

'Well, I was thinking at that moment that I've heard you say that, even
though you gave way to drink, you never had any doubts about the reality
of the hell that awaited you for your sins.'

'That's the way it is, Gogarty, one believes, but one doesn't act up to
one's belief. Human nature is inconsistent. Nothing is queerer than
human nature, and will you be surprised if I tell you that I believe I
was a better priest when I was drinking than I am now that I'm sober? I
was saying that human nature is very queer; and it used to seem queer to
myself. I looked upon drink as a sort of blackmail I paid to the devil
so that he might let me be a good priest in everything else. That's the
way it was with me, and there was more sense in the idea than you'd be
thinking, for when the drunken fit was over I used to pray as I have
never prayed since. If there was not a bit of wickedness in the world,
there would be no goodness. And as for faith, drink never does any harm
to one's faith whatsoever; there's only one thing that takes a man's
faith from him, and that is woman. You remember the expulsions at
Maynooth, and you know what they were for. Well, that sin is a bad one,
but I don't think it affects a man's faith any more than drink does. It
is woman that kills the faith in men.'

'I think you're right: woman is the danger. The Church dreads her. Woman
is life.'

'I don't quite understand you.'

Catherine came into the room to lay the cloth, and Father Oliver asked
Father Moran to come out into the garden. It was now nearing its prime.
In a few days more the carnations would be all in bloom, and Father
Oliver pondered that very soon it would begin to look neglected. 'In a
year or two it will have drifted back to the original wilderness, to
briar and weed,' he said to himself; and he dwelt on his love of this
tiny plot of ground, with a wide path running down the centre, flower
borders on each side, and a narrow path round the garden beside the
hedge. The potato ridges, and the runners, and the cabbages came in the
middle. Gooseberry-bushes and currant-bushes grew thickly, there were
little apple-trees here and there, and in one corner the two large
apple-trees under which he sat and smoked his pipe in the evenings.

'You're very snug here, smoking your pipe under your apple-trees.'

'Yes, in a way; but I think I was happier where you are.'

'The past is always pleasant to look upon.'

'You think so?'

The priests walked to the end of the garden, and, leaning on the wicket,
Father Moran said:

'We've had queer weather lately--dull heavy weather. See how low the
swallows are flying. When I came up the drive, the gravel space in front
of the house was covered with them, the old birds feeding the young
ones.'

'And you were noticing these things, and believing that Providence had
sent you here to bid me good-bye.'

'Isn't it when the nerves are on a stretch that we notice little things
that don't concern us at all?'

'Yes, Moran; you are right. I've never known you as wise as you are this
evening.'

Catherine appeared in the kitchen door. She had come to tell them their
supper was ready. During the meal the conversation turned on the roofing
of the abbey and the price of timber, and when the tablecloth had been
removed the conversation swayed between the price of building materials
and the Archbishop's fear lest he should meet a violent death, as it had
been prophesied if he allowed a roof to be put upon Kilronan.

'You know I don't altogether blame him, and I don't think anyone does at
the bottom of his heart, for what has been foretold generally comes to
pass sooner or later.'

'The Archbishop is a good Catholic who believes in everything the Church
teaches--in the Divinity of our Lord, the Immaculate Conception, and the
Pope's indulgences. And why should he be disbelieving in that which has
been prophesied for generations about the Abbot of Kilronan?'

'Don't you believe in these things?'

'Does anyone know exactly what he believes? Does the Archbishop really
believe every day of the year and every hour of every day that the Abbot
of Kilronan will be slain on the highroad when a De Stanton is again
Abbot?' Father Oliver was thinking of the slip of the tongue he had been
guilty of before supper, when he said that the Church looks upon woman
as the real danger, because she is the life of the world. He shouldn't
have made that remark, for it might be remembered against him, and he
fell to thinking of something to say that would explain it away.

'Well, Moran, we've had a pleasant evening; we've talked a good deal,
and you've said many pleasant things and many wise ones. We've never had
a talk that I enjoyed more, and I shall not forget it easily.'

'How is that?'

'Didn't you say that it isn't drink that destroys a man's faith, but
woman? And you said rightly, for woman is life.'

'I was just about to ask you what you meant, when Catherine came in and
interrupted us.'

'Love of woman means estrangement from the Church, because you have to
protect her and her children.'

'Yes, that is so; that's how it works out. Now you won't be thinking me
a fool for having come to see you this evening, Gogarty? One never knows
when one's impulses are true and when they're false. If I hadn't come
the night when the drink craving was upon me, I shouldn't have been here
now.'

'You did quite right to come, Moran; we've talked of a great many
things.'

'I've never talked so plainly to anyone before; I wonder what made me
talk as I've been talking. We never talked like this before, did we,
Gogarty? And I wouldn't have talked to another as I've talked to you. I
shall never forget what I owe to you.'

'You said you were going to leave the parish.'

'I don't think I thought of anything except to burn myself up with
drink. I wanted to forget, and I saw myself walking ahead day after day,
drinking at every public-house.'

'And just because I saved you, you thought you would come to save me?'

'There was something of that in it. Gad! it's very queer; there's no
saying where things will begin and end. Pass me the tobacco, will you?'

Father Moran began to fill his pipe, and when he had finished filling
it, he said:

'Now I must be going, and don't be trying to keep me; I've stopped long
enough. If I were sent for a purpose--'

'But you don't believe seriously, Moran, that you were sent for a
purpose?' Moran didn't answer, and his silence irritated Father Oliver,
and, determined to probe his curate's conscience, he said: 'Aren't you
satisfied now that it was only an idea of your own? You thought to find
me gone, and here I am sitting before you.' After waiting for some time
for Moran to speak, he said: 'You haven't answered me.'

'What should I be answering?'

'Do you still think you were sent for a purpose?'

'Well, I do.'

'You do?'

The priests stood looking at each other for a while.

'Can't you give a reason?'

'No; I can give no reason. It's a feeling. I know I haven't reason on my
side. There you are before me.'

'It's very queer.'

He would have liked to have called back Moran. It seemed a pity to let
him go without having probed this matter to the bottom. He hadn't asked
him if he had any idea in his mind about the future, as to what was
going to happen; but it was too late now. 'Why did he come here
disturbing me with his beliefs,' he cried out, 'poisoning my will?' for
he had already begun to fear that Moran's visit might come between him
and his project. The wind sighed a little louder, and Father Oliver
said: 'I wouldn't be minding his coming here to warn me, though he did
say that it wasn't of his own will that he came, but something from the
outside that kept pushing him along the road--I wouldn't be minding all
that if this wind hadn't risen. But the omen may be a double one.' At
that moment the wind shook the trees about the house, and he fell to
thinking that if he had started to swim the lake that night he would be
now somewhere between Castle Island and the Joycetown shore, in the
deepest and windiest part of the lake. 'And pretty well tired I'd be at
the time. If I'd started to-night a corpse would be floating about by
now.' The wind grew louder. Father Oliver imagined the waves slapping in
his face, and then he imagined them slapping about the face of a corpse
drifting towards the Joycetown shore.




XIV


There was little sleep in him that night, and turning on his pillow, he
sought sleep vainly, getting up at last when the dawn looked through the
curtains. A wind was shaking the apple-trees, and he went back to bed,
thinking that if it did not drop suddenly he would not be able to swim
across the lake that evening. The hours passed between sleeping and
waking, thinking of the newspaper articles he would write when he got to
America, and dreaming of a fight between himself and an otter on the
shore of Castle Island. Awaking with a cry, he sat up, afraid to seek
sleep again lest he might dream of drowning men. 'A dream robs a man of
all courage,' and then falling back on his pillow, he said, 'Whatever my
dreams may be I shall go. Anything were better than to remain taking
money from the poor people, playing the part of a hypocrite.'

And telling Catherine that he could not look through her accounts that
morning, he went out of the house to see what the lake was like.
'Boisterous enough; it would take a good swimmer to get across to-day.
Maybe the wind will drop in the afternoon.'

The wind continued to rise, and next day he could only see white waves,
tossing trees, and clouds tumbling over the mountains. He sat alone in
his study staring at the lamp, the wind often awaking him from his
reverie; and one night he remembered suddenly that it was no longer
possible for him to cross the lake that month, even if the wind should
cease, for he required not only a calm, but a moonlight night. And going
out of the house, he walked about the hilltop, about the old thorn-bush,
his hands clasped behind his back. He stood watching the moon setting
high above the south-western horizon. But the lake--where was it? Had he
not known that a lake was there, he would hardly have been able to
discover one. All faint traces of one had disappeared, every shape was
lost in blue shadow, and he wondered if his desire to go had gone with
the lake. 'The lake will return,' he said, and next night he was on the
hillside waiting for the lake to reappear. And every night it emerged
from the shadow, growing clearer, till he could follow its winding
shores. 'In a few days, if this weather lasts, I shall be swimming out
there.' The thought crossed his mind that if the wind should rise again
about the time of the full moon he would not be able to cross that year,
for in September the water would be too cold for so long a swim. 'But it
isn't likely,' he said; 'the weather seems settled.'

And the same close, blue weather that had prevailed before the storm
returned, the same diffused sunlight.

'There is nothing so depressing,' the priest said, 'as seeing swallows
flying a few feet from the ground.'

It was about eight o'clock--the day had begun to droop in his
garden--that he walked up and down the beds admiring his carnations.
Every now and again the swallows collected into groups of some six or
seven, and fled round the gables of his house shrieking. 'This is their
dinner-hour; the moths are about.' He wondered on, thinking Nora
lacking; for she had never appreciated that beautiful flower Miss
Shifner. But her ear was finer than his; she found her delight in music.

A thought broke through his memories. He had forgotten to tell her he
would write if he succeeded in crossing the lake, and if he didn't write
she would never know whether he was living or dead. Perhaps it would be
better so. After hesitating a moment, the desire to write to her took
strong hold upon him, and he sought an excuse for writing. If he didn't
write, she might think that he remained in Garranard. She knew nothing
of Moran's visit, nor of the rising of the wind, nor of the waning of
the moon; and he must write to her about these things, for if he were
drowned she would think that God had willed it. But if he believed in
God's intervention, he should stay in his parish and pray that grace
might be given to him. 'God doesn't bother himself about such trifles as
my staying or my going,' he muttered as he hastened towards his house,
overcome by an immense joy. For he was happy only when he was thinking
of her, or doing something connected with her, and to tell her of the
fatality that seemed to pursue him would occupy an evening.


_From Father Oliver Gogarty to Miss Nora Glynn._

'GARRANARD, BOHOLA,

'_July_ 25, 19--.

'You will be surprised to hear from me so soon again, but I forgot to
say in my last letter that, if I succeeded in crossing the lake, I would
write to you from New York. And since then many things have happened,
strange and significant coincidences.'

And when he had related the circumstance of Father Moran's visit and the
storm, he sought to excuse his half-beliefs that these were part of
God's providence sent to warn him against leaving his parish.

'Only time can rid us of ideas that have been implanted in us in our
youth, and that have grown up in our flesh and in our mind. A sudden
influence may impel us to tear them up and cast them aside, but the seed
is in us always, and it grows again. "One year's seed, seven years'
weed." And behind imported Palestinian supernature, if I may be
permitted to drop into Mr. Poole's style, or what I imagine to be his
style, there is the home belief in fairies, spirits, and ghosts, and the
reading of omens. Who amongst us does not remember the old nurse who
told him stories of magic and witchcraft? Nor can it be denied that
things happen that seem in contradiction to all we know of Nature's
laws. Moreover, these unusual occurrences have a knack of happening to
men at the moment of their setting out on some irrevocable enterprise.

'You who are so sympathetic will understand how my will has been
affected by Father Moran's visit. Had you heard him tell how he was
propelled, as it were, out of his house towards me, you, too, would
believe that he was a messenger. He stopped on his threshold to try to
find a reason for coming to see me; he couldn't find any, and he walked
on, feeling that something had happened. He must have thought himself a
fool when he found me sitting here in the thick flesh. But what he said
did not seem nonsense to me; it seemed like some immortal wisdom come
from another world. Remember that I was on the point of going. Nor is
this all. If nothing else had happened, I might have looked upon Father
Moran's visit as a coincidence. But why should the wind rise? So far as
I can make out, it began to rise between eleven and twelve, at the very
time I should have been swimming between Castle Island and the Joycetown
shore. I know that belief in signs and omens and prognostics can be
laughed at; nothing is more ridiculous than the belief that man's fate
is governed by the flight of birds, yet men have believed in bird augury
from the beginning of the world.

'I wrote to you about a curlew (I can still see it in the air, its
beautifully shapen body and wings, its long beak, and its trailing legs;
it staggered a little in its flight when the shot was fired, but it had
strength enough to reach Castle Island: it then toppled over, falling
dead on the shore); and I ask you if it is wonderful that I should have
been impressed? Such a thing was never heard of before--a wild bird with
its legs tied together!

'At first I believed that this bird was sent to warn me from going, but
it was that bird that put the idea into my head how I might escape from
the parish without giving scandal. Life is so strange that one doesn't
know what to think. Of what use are signs and omens if the
interpretation is always obscure? They merely wring the will out of us;
and well we may ask, Who would care for his life if he knew he was going
to lose it on the morrow? And what mother would love her children if she
were certain they would fall into evil ways, or if she believed the
soothsayers who told her that her children would oppose her ideas? She
might love them independent of their opposition, but how could she love
them if she knew they were only born to do wrong? Volumes have been
written on the subject of predestination and freewill, and the truth is
that it is as impossible to believe in one as in the other.
Nevertheless, prognostications have a knack of coming true, and if I am
drowned crossing the lake you will be convinced of the truth of omens.
Perhaps I should not write you these things, but the truth is, I cannot
help myself; there is no power of resistance in me. I do not know if I
am well or ill; my brain is on fire, and I go on thinking and thinking,
trying to arrive at some rational belief, but never succeeding.
Sometimes I think of myself as a fly on a window-pane, crawling and
buzzing, and crawling and buzzing again, and so on and so on....

'You are one of those who seem to have been born without much interest
in religion or fear of the here-after, and in a way I am like you, but
with a difference: I acquiesced in early childhood, and accepted
traditional beliefs, and tried to find happiness in the familiar rather
than in the unknown. Whether I should have found the familiar enough if
I hadn't met you, I shall never know. I've thought a good deal on this
subject, and it has come to seem to me that we are too much in the habit
of thinking of the intellect and the flesh as separate things, whereas
they are but one thing. I could write a great deal on this subject, but
I stop, as it were, on the threshold of my thought, for this is no time
for philosophical writing. I am all a-tremble, and though my brain is
working quickly, my thoughts are not mature and deliberate. My brain
reminds me at times of the skies that followed Father Moran's
visit--skies restlessly flowing, always different and always the same.
These last days are merciless days, and I have to write to you in order
to get some respite from purposeless thinking. Sometimes I stop in my
walk to ask myself who I am and what I am, and where I am going. Will
you be shocked to hear that, when I awoke and heard the wind howling, I
nearly got out of bed to pray to God, to thank him for having sent Moran
to warn me from crossing the lake? I think I did say a prayer, thanking
him for his mercy. Then I felt that I should pray to him for grace that
I might remain at home and be a good priest always, but that prayer I
couldn't formulate, and I suffered a great deal. I know that such
vacillations between belief and unbelief are neither profitable nor
admirable; I know that to pray to God to thank him for having saved me
from death while in mortal sin, and yet to find myself unable to pray to
him to do his will, is illogical, and I confess that my fear is now lest
old beliefs will claim me before the time comes. A poor, weak, tried
mortal man am I, but being what I am, I cannot be different. I am calm
enough now, and it seems as if my sufferings were at an end; but
to-morrow some new fear will rise up like mist, and I shall be
enveloped. What an awful thing it would be if I should find myself
without will on the fifteenth, or the sixteenth, or the seventeenth of
August! If the wind should rise again, and the lake be windy while the
moon is full, my chance for leaving here this summer will be at an end.
The water will be too cold in September.

'And now you know all, and if you don't get a letter from New York,
understand that what appears in the newspapers is true--that I was
drowned whilst bathing. I needn't apologize for this long letter; you
will understand that the writing of it has taken me out of myself, and
that is a great gain. There is no one else to whom I can write, and it
pleases me to know this. I am sorry for my sisters in the convent; they
will believe me dead. I have a brother in America, the one who sent the
harmonium that you used to play on so beautifully. He will believe in my
death, unless we meet in America, and that is not likely. I look forward
to writing to you from New York.

'OLIVER GOGARTY.'


Two evenings were passed pleasantly on the composition and the copying
of this letter, and, not daring to entrust it to the postboy, he took it
himself to Bohola; and he measured the time carefully, so as to get
there a few minutes before the postmistress sealed up the bag. He
delayed in the office till she sealed it, and returned home, following
the letter in imagination to Dublin, across the Channel to Beechwood
Hall. The servant in charge would redirect it. His thoughts were at
ramble, and they followed the steamer down the Mediterranean. It would
lie in the post-office at Jerusalem or some frontier town, or maybe a
dragoman attached to some Turkish caravansary would take charge of it,
and it might reach Nora by caravan. She might read it in the waste. Or
maybe it would have been better if he had written 'Not to be forwarded'
on the envelope. But the servant at Beechwood Hall would know what to
do, and he returned home smiling, unable to believe in himself or in
anything else, so extraordinary did it seem to him that he should be
writing to Nora Glynn, who was going in search of the Christian river,
while he was planning a journey westward.

A few days more, and the day of departure was almost at hand; but it
seemed a very long time coming. What he needed was a material
occupation, and he spent hours in his garden watering and weeding, and
at gaze in front of a bed of fiery-cross. Was its scarlet not finer than
Lady Hindlip? Lady Hindlip, like fiery-cross, is scentless, and not so
hardy. No white carnation compares with Shiela; but her calyx often
bursts, and he considered the claims of an old pink-flaked clove
carnation, striped like a French brocade. But it straggled a little in
growth, and he decided that for hardiness he must give the verdict to
Raby Castle. True that everyone grows Raby Castle, but no carnation is
so hardy or flowers so freely. As he stood admiring her great trusses of
bloom among the tea-roses, he remembered suddenly that it was his love
of flowers that had brought him to Garranard, and if he hadn't come to
this parish, he wouldn't have known her. And if he hadn't known her, he
wouldn't have been himself. And which self did he think the worthier,
his present or his dead self?

His brain would not cease thinking; his bodily life seemed to have
dissipated, and he seemed to himself to be no more than a mind, and,
glad to interest himself in the business of the parish, he listened with
greater attention than he had ever listened before to the complaints
that were brought to him--to the man who had failed to give up a piece
of land that he had promised to include in his daughter's fortune, and
to Patsy Murphy, who had come to tell him that his house had been broken
into while he was away in Tinnick. The old man had spent the winter in
Tinnick with some relations, for the house that the Colonel had given
him permission to build at the edge of the lake proved too cold for a
winter residence.

Patsy seemed to have grown older since the autumn; he seemed like a doll
out of which the sawdust was running, a poor shaking thing--a large head
afloat on a weak neck. Tresses of white hair hung on his shoulders, and
his watery eyes were red and restless like a ferret's. He opened his
mouth, and there were two teeth on either side like tusks. Gray stubble
covered his face, and he wore a brown suit, the trousers retained about
his pot-belly--all that remained of his body--by a scarf. There was some
limp linen and a red muffler about his throat. He spoke of his age--he
was ninety-five--and the priest said he was a fine-looking, hearty man
for his years. There wasn't a doubt but he'd pass the hundred. Patsy was
inclined to believe he would go to one hundred and one; for he had been
told in a vision he would go as far as that.

'You see, living in the house alone, the brain empties and the vision
comes.'

That was how he explained his belief as he flopped along by the priest's
side, his head shaking and his tongue going, telling tales of all kinds,
half-remembered things: how the Gormleys and the Actons had driven the
Colonel out of the country, and dispersed all his family with their
goings-on. That was why they didn't want him--he knew too much about
them. One of his tales was how they had frightened the Colonel's mother
by tying a lame hare by a horsehair to the knocker of the hall door.
Whenever the hare moved a rapping was heard at the front-door. But
nobody could discover the horsehair, and the rapping was attributed to a
family ghost.

He seemed to have forgotten his sword, and was now inclined to talk of
his fists, and he stopped the priest in the middle of the road to tell
a long tale how once, in Liverpool, someone had spoken against the
Colonel, and, holding up his clenched fist, he said that no one ever
escaped alive from the fist of Patsy Murphy.

It was a trial to Father Oliver to hear him, for he could not help
thinking that to become like him it was only necessary to live as long
as he. But it was difficult to get rid of the old fellow, who followed
the priest as far as the village, and would have followed him further if
Mrs. Egan were not standing there waiting for Father Oliver--a
delicate-featured woman with a thin aquiline nose, who was still
good-looking, though her age was apparent. She was forty-five, or
perhaps fifty, and she held her daughter's baby in her coarse peasant
hands. Since the birth of the child a dispute had been raging between
the two mothers-in-law: the whole village was talking, and wondering
what was going to happen next.

Mrs. Egan's daughter had married a soldier, a Protestant, some two years
ago, a man called Rean. Father Oliver always found him a straightforward
fellow, who, although he would not give up his own religion, never tried
to interfere with his wife's; he always said that if Mary liked she
could bring up her children Catholics. But hitherto they were not
blessed with children, and Mary was jeered at more than once, the people
saying that her barrenness was a punishment sent by God. At last a child
was given them, and all would have gone well if Rean's mother had not
come to Garranard for her daughter-in-law's confinement. Being a black
Protestant, she wouldn't hear of the child being brought up a Catholic
or even baptized in a Catholic Church. The child was now a week old and
Rean was fairly distracted, for neither his own mother nor his
mother-in-law would give way; each was trying to outdo the other. Mrs.
Rean watched Mrs. Egan, and Mrs. Egan watched Mrs. Rean, and the poor
mother lay all day with the baby at her breast, listening to the two of
them quarrelling.

'She's gone behind the hedge for a minute, your reverence, so I whipped
the child out of me daughter's bed; and if your reverence would only
hurry up we could have the poor cratur baptized in the Holy Faith. Only
there's no time to be lost; she do be watchin' every stir, your
reverence.'

'Very well, Mrs. Egan: I'll be waiting for you up at the chapel.'

'A strange rusticity of mind,' he said to himself as he wended his way
along the village street, and at the chapel gate a smile gathered about
his lips, for he couldn't help thinking how Mrs. Rean the elder would
rage when the child was brought back to her a Catholic. So this was
going to be his last priestly act, the baptism of the child, the saving
of the child to the Holy Faith. He told Mike to get the things ready,
and turned into the sacristy to put on his surplice.

The familiar presses gave out a pleasant odour, and the vestments which
he might never wear again interested him, and he stood seemingly lost in
thought. 'But I mustn't keep the child waiting,' he said, waking up
suddenly; and coming out of the sacristy, he found twenty villagers
collected round the font, come up from the cottages to see the child
baptized in the holy religion.

'Where's the child, Mrs. Egan?'

The group began talking suddenly, trying to make plain to him what had
happened.

'Now, if you all talk together, I shall never understand.'

'Will you leave off pushing me?' said one.

'Wasn't it I that saw Patsy? Will your reverence listen to me?' said
Mrs. Egan. 'It was just as I was telling your reverence, if they'd be
letting me alone. Your reverence had only just turned in the chapel gate
when Mrs. Rean ran from behind the hedge, and, getting in front of me
who was going to the chapel with the baby in me arms, she said: "Now
I'll be damned if I'll have that child christened a Catholic!" and
didn't she snatch the child and run away, taking a short-cut across the
fields to the minister's.'

'Patsy Kivel has gone after her, and he'll catch up on her, surely, and
she with six ditches forninst her.'

'If he doesn't itself, maybe the minister isn't there, and then she'll
be bet.'

'All I'm hopin' is that the poor child won't come to any harm between
them; but isn't she a fearful terrible woman, and may the curse of the
Son of God be on her for stealin' away a poor child the like of that!'

'I'd cut the livers out of the likes of them.'

'Now will you mind what you're sayin', and the priest listenin' to you?'

'Your reverence, will the child be always a Protestant? Hasn't the holy
water of the Church more power in it than the water they have? Don't
they only throw it at the child?'

'Now, Mrs. Egan--'

'Ah, your reverence, you're going to say that I shouldn't have given the
child to her, and I wouldn't if I hadn't trod on a stone and fallen
against the wall, and got afeard the child might be hurt.'

'Well, well,' said Father Oliver, 'you see there's no child--'

'But you'll be waitin' a minute for the sake of the poor child, your
reverence? Patsy will be comin' back in a minute.'

On that Mrs. Egan went to the chapel door and stood there, so that she
might catch the first glimpse of him as he came across the fields. And
it was about ten minutes after, when the priest and his parishioners
were talking of other things, that Mrs. Egan began to wave her arm,
crying out that somebody should hurry.

'Will you make haste, and his reverence waitin' here this half-hour to
baptize the innocent child! He'll be here in less than a minute now,
your reverence. Will you have patience, and the poor child will be
safe?'

The child was snatched from Patsy, and so violently that the infant
began to cry, and Mrs. Egan didn't know if it was a hurt it had
received, for the panting Patsy was unable to answer her.

'The child's all right,' he blurted out at last. 'She said I might take
it and welcome, now it was a Protestant.'

'Ah, sure, you great thickhead of a boy! weren't you quick enough for
her?'

'Now, what are you talkin' about? Hadn't she half a mile start of me,
and the minister at the door just as I was gettin' over the last bit of
a wall!'

'And didn't you go in after them?'

'What would I be doin', going into a Protestant church?'

Patsy's sense of his responsibility was discussed violently until Father
Oliver said:

'Now, I can't be waiting any longer. Do you want me to baptize the child
or not?'

'It would be safer, wouldn't it?' said Mrs. Egan.

'It would,' said Father Oliver; 'the parson mightn't have said the words
while he was pouring the water.'

And, going towards the font with the child, Father Oliver took a cup of
water, but, having regard for the child's cries, he was a little sparing
with it.

'Now don't be sparin' with the water, your reverence, and don't be a
mindin' its noise; it's twicest the quantity of holy water it'll be
wanting, and it half an hour a Protestant.'

It was at that moment Mrs. Rean appeared in the doorway, and Patsy
Kivel, who didn't care to enter the Protestant church, rushed to put her
out of his.

'You can do what you like now with the child; it's a Protestant, for all
your tricks.'

'Go along, you old heretic bitch!'

'Now, Patsy, will you behave yourself when you're standing in the
Church of God! Be leaving the woman alone,' said Father Oliver; but
before he got to the door to separate the two, Mrs. Rean was running
down the chapel yard followed by the crowd of disputants, and he heard
the quarrel growing fainter in the village street.

Rose-coloured clouds had just begun to appear midway in the pale
sky--a beautiful sky, all gray and rose--and all this babble about
baptism seemed strangely out of his mind. 'And to think that men are
still seeking scrolls in Turkestan to prove--' The sentence did not
finish itself in his mind; a ray of western light falling across the
altar steps in the stillness of the church awakened a remembrance in him
of the music that Nora's hands drew from the harmonium, and, leaning
against the Communion-rails, he allowed the music to absorb him. He
could hear it so distinctly in his mind that he refrained from going up
into the gallery and playing it, for in his playing he would perceive
how much he had forgotten, how imperfect was his memory. It were better
to lose himself in the emotion of the memory of the music; it was in his
blood, and he could see her hands playing it, and the music was coloured
with the memory of her hair and her eyes. His teeth clenched a little as
if in pain, and then he feared the enchantment would soon pass away; but
the music preserved it longer than he had expected, and it might have
lasted still longer if he had not become aware that someone was standing
in the doorway.

The feeling suddenly came over him that he was not alone; it was borne
in upon him--he knew not how, neither by sight nor sound--through some
exceptional sense. And turning towards the sunlit doorway, he saw a poor
man standing there, not daring to disturb the priest, thinking, no
doubt, that he was engaged in prayer. The poor man was Pat Kearney. So
the priest was a little overcome, for that Pat Kearney should come to
him at such a time was portentous. 'It is strange, certainly,
coincidence after coincidence,' he said; and he stood looking at Pat as
if he didn't know him, till the poor man was frightened and began to
wonder, for no one had ever looked at him with such interest, not even
the neighbour whom he had asked to marry him three weeks ago. And this
Pat Kearney, who was a short, thick-set man, sinking into years, began
to wonder what new misfortune had tracked him down. His teeth were worn
and yellow as Indian meal, and his rough, ill-shaven cheeks and pale
eyes reminded the priest of the country in which Pat lived, and of the
four acres of land at the end of the boreen that Pat was digging these
many years.

He had come to ask Father Oliver if he would marry him for a pound, but,
as Father Oliver didn't answer him, he fell to thinking that it was his
clothes that the priest was admiring, 'for hadn't his reverence given
him the clothes himself? And if it weren't for the self-same clothes, he
wouldn't have the pound in his pocket to give the priest to marry him,'

'It was yourself, your reverence--'

'Yes, I remember very well.'

Pat had come to tell him that there was work to be had in Tinnick, but
that he didn't dare to show himself in Tinnick for lack of clothes, and
he stood humbly before the priest in a pair of corduroy trousers that
hardly covered his nakedness.

And it was as Father Oliver stood examining and pitying his
parishioner's poverty it had occurred to him that, if he were to buy two
suits of clothes in Tinnick and give one to Pat Kearney, he might wrap
the other one in a bundle, and place it on the rocks on the Joycetown
side. It was not likely that the shopman in Tinnick would remember,
after three months, that he had sold two suits to the priest; but should
he remember this, the explanation would be that he had bought them for
Pat Kearney. Now, looking at this poor man who had come to ask him if he
would marry him for a pound, the priest was lost in wonder.

'So you're going to be married, Pat?'

And Pat, who hadn't spoken to anyone since the woman whose potatoes he
was digging said she'd as soon marry him as another, began to chatter,
and to ramble in his chatter. There was so much to tell that he did not
know how to tell it. There was his rent and the woman's holding, for now
they would have nine acres of land, money would be required to stock it,
and he didn't know if the bank would lend him the money. Perhaps the
priest would help him to get it.

'But why did you come to me to marry you? Aren't you two miles nearer
to Father Moran than you are to me?'

Pat hesitated, not liking to say that he would be hard set to get round
Father Moran. So he began to talk of the Egans and the Reans. For hadn't
he heard, as he came up the street, that Mrs. Rean had stolen the child
from Mrs. Egan, and had had it baptized by the minister? And he hoped to
obtain the priest's sympathy by saying:

'What a terrible thing it was that the police should allow a black
Protestant to steal a Catholic child, and its mother a Catholic and all
her people before her!'

'When Mrs. Rean snatched the child, it hadn't been baptized, and was
neither a Catholic nor a Protestant,' the priest said maliciously.

Pat Kearney, whose theological knowledge did not extend very far,
remained silent, and the priest was glad of his silence, for he was
thinking that in a few minutes he would catch sight of the square
whitewashed school-house on the hillside by the pine-wood, and the
thought came into his mind that he would like to see again the place
where he and Nora once stood talking together. But a long field lay
between his house and the school-house, and what would it avail him to
see the empty room? He looked, instead, for the hawthorn-bush by which
he and Nora had lingered, and it was a sad pleasure to think how she had
gone up the road after bidding him good-bye.

But Pat Kearney began to talk again of how he could get an advance from
the bank.

'I can back no bill for you, Pat, but I'll give you a letter to Father
Moran telling him that you can't afford to pay more than a pound.'

Nora's letters were in the drawer of his writing-table; he unlocked it,
and put the packet into his pocket, and when he had scribbled a little
note to Father Moran, he said:

'Now take this and be off with you; I've other business to attend to
besides you;' and he called to Catherine for his towels.

'Now, is it out bathing you're going, your reverence? You won't be
swimming out to Castle Island, and forgetting that you have confessions
at seven?'

'I shall be back in time,' he answered testily, and soon after he began
to regret his irritation; for he would never see Catherine again, saying
to himself that it was a pity he had answered her testily. But he
couldn't go back. Moran might call. Catherine might send Moran after
him, saying his reverence had gone down to bathe, or any parishioner,
however unwarranted his errand, might try to see him out. 'And all
errands will be unwarranted to-day,' he said as he hurried along the
shore, thinking of the different paths round the rocks and through the
blackthorn-bushes.

His mind was on the big wood; there he could baffle anybody following
him, for while his pursuer would be going round one way he would be
coming back the other. But it would be lonely in the big wood; and as he
hurried down the old cart-track he thought how he might while away an
hour among the ferns in the little spare fields at the end of the
plantation, watching the sunset, for hours would have to pass before the
moon rose, and the time would pass slowly under the melancholy
hazel-thickets into which the sun had not looked for thousands of years.
A wood had always been there. The Welshmen had felled trees in it to
build rafts and boats to reach their island castles. Bears and wolves
had been slain in it; and thinking how it was still a refuge for foxes,
martens and badgers and hawks, he made his way along the shore through
the rough fields. He ran a little, and after waiting a while ran on
again. On reaching the edge of the wood, he hid himself behind a bush,
and did not dare to move, lest there might be somebody about. It was not
till he made sure there was no one that he stooped under the
blackthorns, and followed a trail, thinking the animal, probably a
badger, had its den under the old stones; and to pass the time he sought
for a den, but could find none.

A small bird, a wren, was picking among the moss; every now and then it
fluttered a little way, stopped, and picked again. 'Now what instinct
guided its search for worms?' he asked, and getting up, he followed the
bird, but it escaped into a thicket. There were only hazel-stems in the
interspace he had chosen to hide himself in, but there were thickets
nearly all about it, and it took some time to find a path through these.
After a time one was found, and by noticing everything he tried to pass
the time away and make himself secure against being surprised.

The path soon came to an end, and he walked round to the other side of
the wood, to see if the bushes were thick enough to prevent anyone from
coming upon him suddenly from that side; and when all searches were
finished he came back, thinking of what his future life would be without
Nora. But he must not think of her, he must learn to forget her; for the
time being at least, his consideration must be of himself in his present
circumstances, and he felt that if he did not fix his thoughts on
external things, his courage--or should he say his will?--would desert
him. It did not need much courage to swim across the lake, much more to
leave the parish, and once on the other side he must go any whither, no
whither, for he couldn't return to Catherine in a frieze coat and a pair
of corduroy trousers. Her face when she saw him! But of what use
thinking of these things? He was going; everything was settled. If he
could only restrain his thoughts--they were as wild as bees.

Standing by a hazel-stem, his hand upon a bough, he fell to thinking
what his life would be, and very soon becoming implicated in a dream, he
lost consciousness of time and place, and was borne away as by a
current; he floated down his future life, seeing his garret room more
clearly than he had ever seen it--his bed, his washhand-stand, and the
little table on which he did his writing. No doubt most of it would be
done in the office, but some of it would be done at home; and at
nightfall he would descend from his garret like a bat from the eaves.

Journalists flutter like bats about newspaper offices. The bats haunt
the same eaves, but the journalist drifts from city to city, from county
to county, busying himself with ideas that were not his yesterday, and
will not be his to-morrow. An interview with a statesman is followed by
a review of a book, and the day after he may be thousands of miles away,
describing a great flood or a railway accident. The journalist has no
time to make friends, and he lives in no place long enough to know it
intimately; passing acquaintance and exterior aspects of things are his
share of the world. And it was in quest of such vagrancy of ideas and
affections that he was going.

At that moment a sudden sound in the wood startled him from his reverie,
and he peered, a scared expression on his face, certain that the noise
he had heard was Father Moran's footstep. It was but a hare lolloping
through the underwood, and wondering at the disappointment he felt, he
asked if he were disappointed that Moran had not come again to stop him.
He didn't think he was, only the course of his life had been so long
dependent on a single act of will that a hope had begun in his mind that
some outward event might decide his fate for him. Last month he was full
of courage, his nerves were like iron; to-day he was a poor vacillating
creature, walking in a hazel-wood, uncertain lest delay had taken the
savour out of his adventure, his attention distracted by the sounds of
the wood, by the snapping of a dry twig, by a leaf falling through the
branches.

'Time is passing,' he said, 'and I must decide whether I go to America
to write newspaper articles, or stay at home to say Mass--a simple
matter, surely.'

The ordinary newspaper article he thought he could do as well as
another--in fact, he knew he could. But could he hope that in time his
mind would widen and deepen sufficiently to enable him to write
something worth writing, something that might win her admiration?
Perhaps, when he had shed all his opinions. Many had gone already, more
would follow, and one day he would be as free as she was. She had been a
great intellectual stimulus, and soon he began to wonder how it was that
all the paraphernalia of religion interested him no longer, how he
seemed to have suddenly outgrown the things belonging to the ages of
faith, and the subtle question, if passion were essential to the growth
of the mind, arose. For it seemed to him that his mind had grown, though
he had not read the Scriptures, and he doubted if the reading of the
Scriptures would have taught him as much as Nora's beauty. 'After all,'
he said, 'woman's beauty is more important to the world than a scroll.'
He had begun to love and to put his trust in what was natural,
spontaneous, instinctive, and might succeed in New York better than he
expected. But he would not like to think that it was hope of literary
success that tempted him from Garranard. He would like to think that in
leaving his poor people he was serving their best interests, and this
was surely the case. For hadn't he begun to feel that what they needed
was a really efficient priest, one who would look after their temporal
interests? In Ireland the priest is a temporal as well as a spiritual
need. Who else would take an interest in this forlorn Garranard and its
people, the reeds and rushes of existence?

He had striven to get the Government to build a bridge, but had lost
patience; he had wearied of the task. Certain priests he knew would not
have wearied of it; they would have gone on heckling the Government and
the different Boards until the building of the bridge could no longer be
resisted. His failure to get this bridge was typical, and it proved
beyond doubt that he was right in thinking he had no aptitude for the
temporal direction of his parish.

But a curate had once lived in Bridget Clery's cottage who had served
his people excellently well, had intrigued successfully, and forced the
Government to build houses and advance money for drainage and other
useful works. And this curate had served his people in many
capacities--as scrivener, land-valuer, surveyor, and engineer. It was
not till he came to Garranard that he seemed to get out of touch with
practical affairs, and he began to wonder if it was the comfortable
house he lived in, if it were the wine he drank, the cigars he smoked,
that had produced this degeneracy, if it were degeneracy. Or was it that
he had worn out a certain side of his nature in Bridget Clery's cottage?
It might well be that. Many a man has mistaken a passing tendency for a
vocation. We all write poetry in the beginning of our lives; but most of
us leave off writing poetry after some years, unless the instinct is
very deep or one is a fool. It might well be that his philanthropic
instincts were exhausted; and it might well be that this was not the
case, for one never gets at the root of one's nature.

The only thing he was sure of was that he had changed a great deal, and,
he thought, for the better. He seemed to himself a much more real person
than he was a year ago, being now in full possession of his soul, and
surely the possession of one's soul is a great reality. By the soul he
meant a special way of feeling and seeing. But the soul is more than
that--it is a light; and this inner light, faint at first, had not been
blown out. If he had blown it out, as many priests had done, he would
not have experienced any qualms of conscience. The other priests in the
diocese experienced none when they drove erring women out of their
parishes, and the reason of this was that they followed a light from
without, deliberately shutting out the light of the soul.

The question interested him, and he pondered it a long while, finding
himself at last forced to conclude that there is no moral law except
one's own conscience, and that the moral obligation of every man is to
separate the personal conscience from the impersonal conscience. By the
impersonal conscience he meant the opinions of others, traditional
beliefs, and the rest; and thinking of these things he wandered round
the Druid stones, and when his thoughts returned to Nora's special case
he seemed to understand that if any other priest had acted as he had
acted he would have acted rightly, for in driving a sinful woman out of
the parish he would be giving expression to the moral law as he
understood it and as Garranard understood it. This primitive code of
morals was all Garranard could understand in its present civilization,
and any code is better than no code. Of course, if the priest were a
transgressor himself he could not administer the law. Happily, that was
a circumstance that did not arise often. So it was said; but what did he
know of the souls of the priests with whom he dined, smoked pipes, and
played cards? And he stopped, surprised, for it had never occurred to
him that all a man knows of his fellow is whether he be clean or dirty,
short or tall, thin or stout. 'Even the soul of Moran is obscure to me,'
he said--'obscure as this wood;' and at that moment the mystery of the
wood seemed to deepen, and he stood for a long while looking through the
twilight of the hazels.

Very likely many of the priests he knew had been tempted by women: some
had resisted temptation, and some had sinned and repented. There might
be a priest who had sinned and lived for years in sin; even so if he
didn't leave his parish, if he didn't become an apostate priest, faith
would return to him in the end. But the apostate priest is anathema in
the eyes of the Church; the doctrine always has been that a sin matters
little if the sinner repent. Father Oliver suddenly saw himself years
hence, still in Garranard, administering the Sacraments, and faith
returning like an incoming tide, covering the weedy shore, lapping round
the high rock of doubt. If he desired faith, all he had to do was to go
on saying Mass, hearing confessions, baptizing the young, burying the
old, and in twenty years--maybe it would take thirty--when his hair was
white and his skin shrivelled, he would be again a good priest, beloved
by his parishioners, and carried in the fulness of time by them to the
green churchyard where Father Peter lay near the green pines.

Only the other day, coming home from his after-noon's walk, he stopped
to admire his house. The long shadow of its familiar trees awakened an
extraordinary love in him, and when he crossed the threshold and sat
down in his armchair, his love for his house had surprised him, and he
sat like one enchanted by his own fireside, lost in admiration of the
old mahogany bookcase with the inlaid panels, that he had bought at an
auction. How sombre and quaint it looked, furnished with his books that
he had had bound in Dublin, and what pleasure it always was to him to
see a ray lighting up the parchment bindings! He had hung some
engravings on his walls, and these had become very dear to him; and
there were some spoons, bought at an auction some time ago--old, worn
Georgian spoons--that his hands were accustomed to the use of; there was
an old tea-service, with flowers painted inside the cups, and he was
leaving these things; why? He sought for a reason for his leaving them.
If he were going away to join Nora in America he could understand his
going. But he would never see her again--at least, it was not probable
that he would. He was not following her, but an idea, an abstraction, an
opinion; he was separating himself, and for ever, from his native land
and his past life, and his quest was, alas! not her, but--He was
following what? Life? Yes; but what is life? Do we find life in
adventure or by our own fireside? For all he knew he might be flying
from the very thing he thought he was following. His thoughts zigzagged,
and, almost unaware of his thoughts, he compared life to a flower--to a
flower that yields up its perfume only after long cultivation--and then
to a wine that gains its fragrance only after it has been lying in the
same cellar for many years, and he started up convinced that he must
return home at once. But he had not taken many steps before he stopped:

'No, no, I cannot stay here year after year! I cannot stay here till I
die, seeing that lake always. I couldn't bear it. I am going. It matters
little to me whether life is to be found at home or abroad, in adventure
or in habits and customs. One thing matters--do I stay or go?'

He turned into the woods and walked aimlessly, trying to escape from his
thoughts, and to do so he admired the pattern of the leaves, the flight
of the birds, and he stopped by the old stones that may have been Druid
altars; and he came back an hour after, walking slowly through the
hazel-stems, thinking that the law of change is the law of life. At that
moment the cormorants were coming down the glittering lake to their
roost. With a flutter of wings they perched on the old castle, and his
mind continued to formulate arguments, and the last always seemed the
best.

At half-past seven he was thinking that life is gained by escaping from
the past rather than by trying to retain it; he had begun to feel more
and more sure that tradition is but dead flesh which we must cut off if
we would live.... But just at this spot, an hour ago, he had acquiesced
in the belief that if a priest continued to administer the Sacraments
faith would return to him; and no doubt the Sacraments would bring about
some sort of religious stupor, but not that sensible, passionate faith
which he had once possessed, and which did not meet with the approval of
his superiors at Maynooth. He had said that in flying from the monotony
of tradition he would find only another monotony, and a worse one--that
of adventure; and no doubt the journalist's life is made up of fugitive
interests. But every man has, or should have, an intimate life as well
as an external life; and in losing interest in religion he had lost the
intimate life which the priesthood had once given him. The Mass was a
mere Latin formula, and the vestments and the chalice, the Host itself,
a sort of fetishism--that is to say, a symbolism from which life had
departed, shells retaining hardly a murmur of the ancient ecstasy. It
was therefore his fate to go in quest of--what? Not of adventure. He
liked better to think that his quest was the personal life--that
intimate exaltation that comes to him who has striven to be himself, and
nothing but himself. The life he was going to might lead him even to a
new faith. Religious forms arise and die. The Catholic Church had come
to the end of its thread; the spool seemed pretty well empty, and he sat
down so that he might think better what the new faith might be. What
would be its first principle? he asked himself, and not finding any
answer to this question, he began to think of his life in America. He
would begin as a mere recorder of passing events. But why should he
assume that he would not rise higher? And if he remained to the end of
his day a humble reporter, he would still have the supreme satisfaction
of knowing that he had not resigned himself body and soul to the life of
the pool, to a frog-like acquiescence in the stagnant pool.

His hand held back a hazel-branch, and he stood staring at the lake. The
wild ducks rose in great flocks out of the reeds and went away to feed
in the fields, and their departure was followed by a long interval,
during which no single thought crossed his mind--at least, none that he
could remember. No doubt his tired mind had fallen into lethargy, from
which a sudden fear had roughly awakened him. What if some countryman,
seeking his goats among the rocks, had come upon the bundle and taken it
home! And at once he imagined himself climbing up the rocks naked. Pat
Kearney's cabin was close by, but Pat had no clothes except those on his
back, and would have to go round the lake to Garranard; and the priest
thought how he would sit naked in Kearney's cottage hour after hour.

'If anyone comes to the cabin I shall have to hold the door to. There is
a comic side to every adventure,' he said, 'and a more absurd one it
would be difficult to imagine.'

The day had begun in a ridiculous adventure--the baptism of the poor
child, baptized first a Protestant, then a Catholic. And he laughed a
little, and then he sighed.

'Is the whole thing a fairy-tale, a piece of midsummer madness, I
wonder? No matter, I can't stay here, so why should I trouble to
discover a reason for my going? In America I shall be living a life in
agreement with God's instincts. My quest is life.'

And, remembering some words in her last letter, his heart cried out that
his love must bring her back to him eventually, though Poole were to
take her to the end of the earth, and at once he was carried quickly
beyond the light of common sense into a dim happy world where all things
came and went or were transformed in obedience to his unexpressed will.
Whether the sun were curtained by leafage or by silken folds he did not
know--only this: that she was coming towards him, borne lightly as a
ball of thistle-down. He perceived the colour of her hair, and eyes, and
hands, and of the pale dress she wore; but her presence seemed revealed
to him through the exaltation of some sense latent or non-existent in
him in his waking moods. His delight was of the understanding, for they
neither touched hands nor spoke. A little surprise rose to the surface
of his rapture--surprise at the fact that he experienced no pang of
jealousy. She had said that true love could not exist without jealousy!
But was she right in this? It seemed to him that we begin to love when
we cease to judge. If she were different she wouldn't be herself, and it
was herself he loved--the mystery of her sunny, singing nature. There
is no judgment where there is perfect sympathy, and he understood that
it would be as vain for him to lament that her eyebrows were fair as to
lament or reprove her conduct.

Continuing the same train of thought, he remembered that, though she was
young to-day, she would pass into middle, maybe old age; that the day
would come when her hair would be less bright, her figure would lose its
willowness; but these changes would not lessen his love for her. Should
he not welcome change? Thinking that perhaps fruit-time is better than
blossom-time, he foresaw a deeper love awaiting him, and a tenderness
that he could not feel to-day might be his in years to come. Nor could
habit blunt his perceptions or intimacy unravel the mystery of her sunny
nature. So the bourne could never be reached; for when everything had
been said, something would remain unspoken. The two rhythms out of which
the music of life is made, intimacy and adventure, would meet, would
merge, and become one; and she, who was to-day an adventure, would
become in the end the home of his affections.

A great bird swooped out of the branches above him, startling him, and
he cried out: 'An owl--only an owl!' The wood was quiet and dark, and in
fear he groped his way to the old stones; for one thing still remained
to be done before he left--he must burn her letters.

He burnt them one by one, shielding the flame with his hand lest it
should attract some passer-by, and when the last was burnt he feared no
longer anything. His wonder was why he had hesitated, why his mind had
been torn by doubt. At the back of his mind he had always known he was
going. Had he not written saying he was going, and wasn't that enough?
And he thought for a moment of what her opinion of him would be if he
stayed in Garranard. In a cowardly moment he hoped that something would
happen to save him from the ultimate decision, and now doubt was
overcome.

A yellow disc appeared, cutting the flat sky sharply, and he laid his
priest's clothes in the middle of a patch of white sand where they could
be easily seen. Placing the Roman collar upon the top, and, stepping
from stone to stone, he stood on the last one as on a pedestal, tall and
gray in the moonlight--buttocks hard as a faun's, and dimpled like a
faun's when he draws himself up before plunging after a nymph.

When he emerged he was among the reeds, shaking the water from his face
and hair. The night was so warm that it was like swimming in a bath, and
when he had swum a quarter of a mile he turned over on his back to see
the moon shining. Then he turned over to see how near he was to the
island. 'Too near,' he thought, for he had started before his time. But
he might delay a little on the island, and he walked up the shore, his
blood in happy circulation, his flesh and brain a-tingle, a little
captivated by the vigour of his muscles, and ready and anxious to plunge
into the water on the other side, to tire himself if he could, in the
mile and a half of gray lake that lay between him and shore.

There were lights in every cottage window; the villagers would be about
the roads for an hour or more, and it would be well to delay on the
island, and he chose a high rock to sit upon. His hand ran the water off
his hard thighs, and then off his long, thin arms, and he watched the
laggard moon rising slowly in the dusky night, like a duck from the
marshes. Supporting himself with one arm, he let himself down the rock
and dabbled his foot in the water, and the splashing of the water
reminded him of little Philip Rean, who had been baptized twice that
morning notwithstanding his loud protest. And now one of his baptizers
was baptized, and in a few minutes would plunge again into the
beneficent flood.

The night was so still and warm that it was happiness to be naked, and
he thought he could sit for hours on that rock without feeling cold,
watching the red moon rolling up through the trees round Tinnick; and
when the moon turned from red to gold he wondered how it was that the
mere brightening of the moon could put such joy into a man's heart.

Derrinrush was the nearest shore, and far away in the wood he heard a
fox bark. 'On the trail of some rabbit,' he thought, and again he
admired the great gold moon rising heavily through the dusky sky, and
the lake formless and spectral beneath it.

Catherine no doubt had begun to feel agitated; she would be walking
about at midnight, too scared to go to sleep. He was sorry for her;
perhaps she would be the only one who would prefer to hear he was in
America and doing well than at the bottom of the lake. Eliza would
regret in a way, as much as her administration of the convent would
allow her; Mary would pray for him--so would Eliza, for the matter of
that; and their prayers would come easily, thinking him dead. Poor
women! if only for their peace of mind he would undertake the second
half of the crossing.

A long mile of water lay between him and Joycetown, but there was a
courage he had never felt before in his heart, and a strength he had
never felt before in his limbs. Once he stood up in the water, sorry
that the crossing was not longer. 'Perhaps I shall have had enough of it
before I get there;' and he turned on his side and swam half a mile
before changing his stroke. He changed it and got on his back because he
was beginning to feel cold and tired, and soon after he began to think
that it would be about as much as he could do to reach the shore. A
little later he was swimming frog-fashion, but the change did not seem
to rest him, and seeing the shore still a long way off he began to think
that perhaps after all he would find his end in the lake. His mind set
on it, however, that the lake should be foiled, he struggled on, and
when the water shallowed he felt he had come to the end of his strength.
'Another hundred yards would have done for me,' he said, and he was so
cold that he could not think, and sought his clothes vaguely, sitting
down to rest from time to time among the rocks. He didn't know for
certain if he would find them, and if he didn't he must die of cold. So
the rough shirt was very welcome when he discovered it, and so were the
woollen socks. As soon as he was dressed he thought that he felt nearly
strong enough to climb up the rocks, but he was not as strong as he
thought, and it took him a long time to get to the top. But at the top
the sward was pleasant--it was the sward of the terrace of the old
house; and lying at length, fearful lest sleep might overtake him, he
looked across the lake. 'A queer dusky night,' he said, 'with hardly a
star, and that great moon pouring silver down the lake.'

'I shall never see that lake again, but I shall never forget it,' and as
he dozed in the train, in a corner of an empty carriage, the spectral
light of the lake awoke him, and when he arrived at Cork it seemed to
him that he was being engulfed in the deep pool by the Joycetown shore.
On the deck of the steamer he heard the lake's warble above the violence
of the waves. 'There is a lake in every man's heart,' he said, 'and he
listens to its monotonous whisper year by year, more and more attentive
till at last he ungirds.'


THE END







*** END OF THE PROJECT GUTENBERG EBOOK THE LAKE ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.