The Project Gutenberg eBook of The Poetical Works of William Wordsworth — Volume 3 (of 8)

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Title: The Poetical Works of William Wordsworth — Volume 3 (of 8)

Author: William Wordsworth

Editor: William Angus Knight

Release date: May 1, 2004 [eBook #12383]
Most recently updated: December 14, 2020

Language: English

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*** START OF THE PROJECT GUTENBERG EBOOK THE POETICAL WORKS OF WILLIAM WORDSWORTH — VOLUME 3 (OF 8) ***

Young Wordsworth

Wordsworth's

Poetical Works

volume 3

edited by

William Knight

1896

Table of Contents

1804
1805
- The Prelude; or, Growth of a Poet's Mind
- From the Italian of Michael Angelo
Appendices

Crummock Water

Wordsworth's Poetical Works

Volume 3: 1804

Edited by William Knight

1896

Table of Contents

1804

Photo © FreeFoto.com

1804

The poems written in 1804 were not numerous; and, with the exception of The Small Celandine, the stanzas beginning "I wandered lonely as a cloud," and "She was a Phantom of delight," they were less remarkable than those of the two preceding, and the three following years. Wordsworth's poetical activity in 1804 is not recorded, however, in Lyrical Ballads or Sonnets, but in The Prelude, much of which was thought out, and afterwards dictated to Dorothy or Mary Wordsworth, on the terrace walk of Lancrigg during that year; while the Ode, Intimations of Immortality was altered and added to, although it did not receive its final form till 1806. In the sixth book of The Prelude, p. 222, the lines occur: '

Four years and thirty, told this very week,
Have I been now a sojourner on earth.'

That part of the great autobiographical poem must therefore have been composed in April, 1804.—Ed.

Contents 1804
Main Contents

"She was a Phantom of delight,"

Composed 1804.—Published 1807

The Poem

[Written at Town-end, Grasmere. The germ of this poem was four lines composed as a part of the verses on the Highland Girl. Though beginning in this way, it was written from my heart, as is sufficiently obvious.—I. F.]

One of the "Poems of the Imagination."—Ed.

The Poem

text	variant	footnote	line number
She was a Phantom of delight When first she gleamed upon my sight; A lovely Apparition, sent To be a moment's ornament; Her eyes as stars of Twilight fair; Like Twilight's, too, her dusky hair; But all things else about her drawn From May-time and the cheerful Dawn; A dancing Shape, an Image gay, To haunt, to startle, and way-lay. I saw her upon nearer view, A Spirit, yet a Woman too! Her household motions light and free, And steps of virgin-liberty; A countenance in which did meet Sweet records, promises as sweet; A Creature not too bright or good For human nature's daily food; For transient sorrows, simple wiles, Praise, blame, love, kisses, tears, and smiles. And now I see with eye serene The very pulse of the machine; A Being breathing thoughtful breath, A Traveller between life and death; The reason firm, the temperate will, Endurance, foresight, strength, and skill; A perfect Woman, nobly planned, To warn, to comfort, and command; And yet a Spirit still, and bright With something of angelic light. Note Contents	1 2 3 4	A	5 10 15 20 25 30

Variant 1:

1807
From May-time's brightest, liveliest dawn;	1836

The text of 1840 returns to that of 1807.
return

Variant 2:

1832
... betwixt ...	1807

return

Variant 3:

1815
A perfect Woman; ...	1807

return

Variant 4:

1845
... of an angel light.	1807
... angel-light.	1836

return

Footnote A: Compare two references to Mary Wordsworth in The Prelude:

'Another maid there was, who also shed
A gladness o'er that season, then to me,
By her exulting outside look of youth
And placid under-countenance, first endeared;'

(Book vi, l. 224).

'She came, no more a phantom to adorn
A moment, but an inmate of the heart,
And yet a spirit, there for me enshrined
To penetrate the lofty and the low;'

(Book xiv, l. 268).—Ed.
return to footnote mark

Footnote B: The poet expressly told me that these verses were on his wife.—H. C. R.
return

Note: It is not easy to say what were the "four lines composed as a part of the verses on the Highland Girl" which the Fenwick note tells us was "the germ of this poem." They may be lines now incorporated in those To a Highland Girl, vol. ii. p. 389, or they may be lines in the present poem, which Wordsworth wrote at first for the Highland Girl, but afterwards transferred to this one. They may have been the first four lines of the later poem. The two should be read consecutively, and compared.

After Wordsworth's death, a writer in the Daily News, January 1859—then understood to be Miss Harriet Martineau —wrote thus:

"In the Memoirs, by the nephew of the poet, it is said that these verses refer to Mrs. Wordsworth; but for half of Wordsworth's life it was always understood that they referred to some other phantom which 'gleamed upon his sight' before Mary Hutchinson."

This statement is much more than improbable; it is, I think, disproved by the Fenwick note. They cannot refer to the "Lucy" of the Goslar poems; and Wordsworth indicates, as plainly as he chose, to whom they actually do refer. Compare the Hon. Justice Coleridge's account of a conversation with Wordsworth (Memoirs, vol. ii. p. 306), in which the poet expressly said that the lines were written on his wife. The question was, however, set at rest in a conversation of Wordsworth with Henry Crabb Robinson, who wrote in his Diary on

"May 12 (1842).—Wordsworth said that the poems 'Our walk was far among the ancient trees' [vol. ii. p. 167], then 'She was a Phantom of delight,'^B and finally the two sonnets To a Painter, should be read in succession as exhibiting the different phases of his affection to his wife."

(Diary, Reminiscences, and Correspondence of Henry Crabb Robinson, vol. iii. p. 197.)

The use of the word "machine," in the third stanza of the poem, has been much criticised, but for a similar use of the term, see the sequel to The Waggoner (p. 107):

'Forgive me, then; for I had been
On friendly terms with this Machine.'

See also Hamlet (act II. scene ii. l. 124):

'Thine evermore, most dear lady, whilst this machine is to him.'

The progress of mechanical industry in Britain since the beginning of the present century has given a more limited, and purely technical, meaning to the word, than it bore when Wordsworth used it in these two instances.—Ed.

Contents 1804
Main Contents

"I wandered lonely as a cloud"

Composed 1804.—Published 1807

The Poem

[Town-end, 1804. The two best lines in it are by Mary. The daffodils grew, and still grow, on the margin of Ullswater, and probably may be seen to this day as beautiful in the month of March, nodding their golden heads beside the dancing and foaming waves.—I.F.]

This was No. VII. in the series of Poems, entitled, in the edition of 1807, "Moods of my own Mind." In 1815, and afterwards, it was classed by Wordsworth among his "Poems of the Imagination."—Ed.

The Poem

text	variant	footnote	line number
I wandered lonely as a cloud That floats on high o'er vales and hills, When all at once I saw a crowd, A host, of golden daffodils; Beside the lake, beneath the trees, Fluttering and dancing in the breeze. Continuous as the stars that shine And twinkle on the milky way, They stretched in never-ending line Along the margin of a bay: Ten thousand saw I at a glance, Tossing their heads in sprightly dance. The waves beside them danced; but they Out-did the sparkling waves in glee: A poet could not but be gay, In such a jocund company: I gazed—and gazed—but little thought What wealth the show to me had brought: For oft, when on my couch I lie In vacant or in pensive mood, They flash upon that inward eye Which is the bliss of solitude; And then my heart with pleasure fills, And dances with the daffodils. Note Contents	1 2 3 4 5		5 10 15 20

Variant 1:

1815
... dancing ...	1807

return

Variant 2:

1815
Along the Lake, beneath the trees, Ten thousand dancing in the breeze.	1807

return

Variant 3: This stanza was added in the edition of 1815.
return

Variant 4:

18907
... be but gay,	1836

The 1840 edition returns to the text of 1807.
return

Variant 5:

1815
... laughing ...	1807

return

Footnote A: It was The Reverie of Poor Susan.—Ed.
return to footnote mark

Footnote B: This is an error in the original printed text. Evidently a year before the above-mentioned publication in 1815: one of 1810-1815. text Ed.
return

Note: The following is from Dorothy Wordsworth's Journal, under date, Thursday, April 15, 1802:

"When we were in the woods beyond Gowbarrow Park, we saw a few daffodils close to the water side. We fancied that the sea had floated the seeds ashore, and that the little colony had so sprung up. But as we went along there were more, and yet more; and, at last, under the boughs of the trees, we saw that there was a long belt of them along the shore, about the breadth of a country turnpike road. I never saw daffodils so beautiful. They grew among the mossy stones, about and above them; some rested their heads upon these stones, as on a pillow for weariness; and the rest tossed and reeled and danced, and seemed as if they verily laughed with the wind that blew upon them over the lake. They looked so gay, ever glancing, ever changing. This wind blew directly over the lake to them. There was here and there a little knot, and a few stragglers higher up; but they were so few as not to disturb the simplicity, unity, and life of that one busy highway. We rested again and again. The bays were stormy, and we heard the waves at different distances, and in the middle of the water, like the sea...."

In the edition of 1815 there is a footnote to the lines

'They flash upon that inward eye
Which is the bliss of solitude'

to the following effect:

"The subject of these Stanzas is rather an elementary feeling and simple impression (approaching to the nature of an ocular spectrum) upon the imaginative faculty, than an exertion of it. The one which follows^A is strictly a Reverie; and neither that, nor the next after it in succession, Power of Music, would have been placed here except for the reason given in the foregoing note."

The being "placed here" refers to its being included among the "Poems of the Imagination." The "foregoing note" is the note appended to 'The Horn of Egremont Castle'; and the "reason given" in it is "to avoid a needless multiplication of the Classes" into which Wordsworth divided his poems. This note of 181?^B, is reprinted mainly to show the difficulties to which Wordsworth was reduced by the artificial method of arrangement referred to. The following letter to Mr. Wrangham is a more appropriate illustration of the poem of "The Daffodils." It was written, the late Bishop of Lincoln says, "sometime afterwards." (See Memoirs of Wordsworth, vol. i. pp. 183, 184); and, for the whole of the letter, see a subsequent volume of this edition.

"Grasmere, Nov. 4.

"My Dear Wrangham,—I am indeed much pleased that Mrs. Wrangham and yourself have been gratified by these breathings of simple nature. You mention Butler, Montagu's friend; not Tom Butler, but the conveyancer: when I was in town in spring, he happened to see the volumes lying on Montagu's mantelpiece, and to glance his eye upon the very poem of The Daffodils. 'Aye,' says he, 'a fine morsel this for the Reviewers.' When this was told me (for I was not present) I observed that there were 'two lines' in that little poem which, if thoroughly felt, would annihilate nine-tenths of the reviews of the kingdom, as they would find no readers. The lines I alluded to were these:

'They flash upon that inward eye
Which is the bliss of solitude.'"

These two lines were composed by Mrs. Wordsworth. In 1877 the daffodils were still growing in abundance on the shore of Ullswater, below Gowbarrow Park.

Compare the last four lines of James Montgomery's poem, The Little Cloud:

'Bliss in possession will not last:
Remembered joys are never past:
At once the fountain, stream, and sea,
They were—they are—they yet shall be.'

Ed.

Contents 1804
Main Contents

The Affliction of Margaret—^A

Composed 1804.—Published 1807

The Poem

[Written at Town-end, Grasmere. This was taken from the case of a poor widow who lived in the town of Penrith. Her sorrow was well known to Mrs. Wordsworth, to my sister, and, I believe, to the whole town. She kept a shop, and when she saw a stranger passing by, she was in the habit of going out into the street to enquire of him after her son.—I.F.]

Included by Wordsworth among his "Poems founded on the Affections."—Ed.

The Poem

stanza	text	variant	footnote	line number
I	Where art thou, my beloved Son, Where art thou, worse to me than dead? Oh find me, prosperous or undone! Or, if the grave be now thy bed, Why am I ignorant of the same That I may rest; and neither blame Nor sorrow may attend thy name?			5
II	Seven years, alas! to have received No tidings of an only child; To have despaired, have hoped, believed, And been for evermore beguiled; Sometimes with thoughts of very bliss! I catch at them, and then I miss; Was ever darkness like to this?	1		10
III	He was among the prime in worth, An object beauteous to behold; Well born, well bred; I sent him forth Ingenuous, innocent, and bold: If things ensued that wanted grace, As hath been said, they were not base; And never blush was on my face.			15 20
IV	Ah! little doth the young-one dream, When full of play and childish cares, What power is in his wildest scream, Heard by his mother unawares! He knows it not, he cannot guess: Years to a mother bring distress; But do not make her love the less.	2		25
V	Neglect me! no, I suffered long From that ill thought; and, being blind, Said, "Pride shall help me in my wrong: Kind mother have I been, as kind As ever breathed:" and that is true; I've wet my path with tears like dew, Weeping for him when no one knew.			30 35
VI	My Son, if thou be humbled, poor, Hopeless of honour and of gain, Oh! do not dread thy mother's door; Think not of me with grief and pain: I now can see with better eyes; And worldly grandeur I despise, And fortune with her gifts and lies.			40
VII	Alas! the fowls of heaven have wings, And blasts of heaven will aid their flight; They mount—how short a voyage brings The wanderers back to their delight! Chains tie us down by land and sea; And wishes, vain as mine, may be All that is left to comfort thee.			45
VIII	Perhaps some dungeon hears thee groan, Maimed, mangled by inhuman men; Or thou upon a desert thrown Inheritest the lion's den; Or hast been summoned to the deep, Thou, thou and all thy mates, to keep An incommunicable sleep.			50 55
IX	I look for ghosts; but none will force Their way to me: 'tis falsely said That there was ever intercourse Between the living and the dead; For, surely, then I should have sight Of him I wait for day and night, With love and longings infinite.	3		60
X	My apprehensions come in crowds; I dread the rustling of the grass; The very shadows of the clouds Have power to shake me as they pass: I question things and do not find One that will answer to my mind; And all the world appears unkind.			65 70
XI	Beyond participation lie My troubles, and beyond relief: If any chance to heave a sigh, They pity me, and not my grief. Then come to me, my Son, or send Some tidings that my woes may end; I have no other earthly friend! Contents 1804 Main Contents			75

Variant 1:

1836
To have despair'd, and have believ'd, And be for evermore beguil'd;	1807

return

Variant 2:

1832
What power hath even ...	1807

return

Variant 3:

1832
Betwixt ...	1807

return

Footnote A: In the edition of 1807, the title was The Affliction of Margaret—of—; in 1820, it was The Affliction of Margaret; and in 1845, it was as above. In an early MS. it was The Affliction of Mary—of—. For an as yet unpublished Preface to it, see volume viii. of this edition.—Ed.
return to footnote mark

Contents 1804
Main Contents

The Forsaken

Composed 1804.—Published 1842

The Poem

[This was an overflow from 'The Affliction of Margaret', and was excluded as superfluous there, but preserved in the faint hope that it may turn to account by restoring a shy lover to some forsaken damsel. My poetry has been complained of as deficient in interests of this sort,—a charge which the piece beginning, "Lyre! though such power do in thy magic live," will scarcely tend to obviate. The natural imagery of these verses was supplied by frequent, I might say intense, observation of the Rydal torrent. What an animating contrast is the ever-changing aspect of that, and indeed of every one of our mountain brooks, to the monotonous tone and unmitigated fury of such streams among the Alps as are fed all the summer long by glaciers and melting snows. A traveller observing the exquisite purity of the great rivers, such as the Rhone at Geneva, and the Reuss at Lucerne, when they issue out of their respective lakes, might fancy for a moment that some power in nature produced this beautiful change, with a view to make amends for those Alpine sullyings which the waters exhibit near their fountain heads; but, alas! how soon does that purity depart before the influx of tributary waters that have flowed through cultivated plains and the crowded abodes of men.—I. F.]

Included by Wordsworth among his "Poems founded on the Affections."—Ed.

The Poem

text	variant	footnote	line number
The peace which others seek they find; The heaviest storms not longest last; Heaven grants even to the guiltiest mind An amnesty for what is past; When will my sentence be reversed? I only pray to know the worst; And wish as if my heart would burst. O weary struggle! silent years Tell seemingly no doubtful tale; And yet they leave it short, and fears And hopes are strong and will prevail. My calmest faith escapes not pain; And, feeling that the hope is vain, I think that he will come again. Contents 1804 Main Contents			5 10

Repentance

A Pastoral Ballad

Composed 1804.—Published 1820

The Poem

[Written at Town-end, Grasmere. Suggested by the conversation of our next neighbour, Margaret Ashburner.—I. F.]

This "next neighbour" is constantly referred to in Dorothy Wordsworth's Grasmere Journal.

Included in 1820 among the "Poems of Sentiment and Reflection"; in 1827, and afterwards, it was classed with those "founded on the Affections."—Ed.

The Poem

text	variant	footnote	line number
The fields which with covetous spirit we sold, Those beautiful fields, the delight of the day, Would have brought us more good than a burthen of gold, Could we but have been as contented as they. When the troublesome Tempter beset us, said I, "Let him come, with his purse proudly grasped in his hand; But, Allan, be true to me, Allan,—we'll die Before he shall go with an inch of the land!" There dwelt we, as happy as birds in their bowers; Unfettered as bees that in gardens abide; We could do what we liked with the land, it was ours; And for us the brook murmured that ran by its side. But now we are strangers, go early or late; And often, like one overburthened with sin, With my hand on the latch of the half-opened gate, I look at the fields, but I cannot go in! When I walk by the hedge on a bright summer's day, Or sit in the shade of my grandfather's tree, A stern face it puts on, as if ready to say, "What ails you, that you must come creeping to me!" With our pastures about us, we could not be sad; Our comfort was near if we ever were crost; But the comfort, the blessings, and wealth that we had, We slighted them all,—and our birth-right was lost. Oh, ill-judging sire of an innocent son Who must now be a wanderer! but peace to that strain! Think of evening's repose when our labour was done, The sabbath's return; and its leisure's soft chain! And in sickness, if night had been sparing of sleep, How cheerful, at sunrise, the hill where I stood, Looking down on the kine, and our treasure of sheep That besprinkled the field; 'twas like youth in my blood! Now I cleave to the house, and am dull as a snail; And, oftentimes, hear the church-bell with a sigh, That follows the thought—We've no land in the vale, Save six feet of earth where our forefathers lie! Contents 1804 Main Contents	1 2 3 4 5 6 7		5 10 15 20 25 30 35

Variant 1:

1820
the delight of our day,	MS.
O fools that we were—we had land which we sold	MS.
O fools that we were without virtue to hold	MS.
The fields that together contentedly lay Would have done us more good than another man's gold	MS.

return

Variant 2:

1820
When the bribe of the Tempter beset us, said I, Let him come with his bags proudly grasped in his hand. But, Thomas, be true to me, Thomas, we'll die	MS.

return

Variant 3:

1836
... chose ...	1820 and MS.

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Variant 4:

1820
When my hand has half-lifted the latch of the gate,	MS.

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Variant 5:

1820
... and ...	MS.

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Variant 6:

1827
But the blessings, and comfort, and wealth that we had, We slighted them all,—and our birth-right was lost.	1820 and MS.
But we traitorously gave the best friend that we had For spiritless pelf—as we felt to our cost!	MS.

return

Variant 7:

1820
When my sick crazy body had lain without sleep, How cheering the sunshiny vale where I stood,	MS.

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Contents 1804
Main Contents

Address to my Infant Daughter, Dora^A

On Being Reminded that She was a Month Old that Day, September 16

Composed September 16, 1804.—Published 1815

Included by Wordsworth among his "Poems of the Fancy."—Ed.

The Poem

text	variant	footnote	line number
—Hast thou then survived— Mild Offspring of infirm humanity, Meek Infant! among all forlornest things The most forlorn—one life of that bright star, The second glory of the Heavens?—Thou hast; Already hast survived that great decay, That transformation through the wide earth felt, And by all nations. In that Being's sight From whom the Race of human kind proceed, A thousand years are but as yesterday; And one day's narrow circuit is to Him Not less capacious than a thousand years. But what is time? What outward glory? neither A measure is of Thee, whose claims extend Through "heaven's eternal year."—Yet hail to Thee, Frail, feeble, Monthling!—by that name, methinks, Thy scanty breathing-time is portioned out Not idly.—Hadst thou been of Indian birth, Couched on a casual bed of moss and leaves, And rudely canopied by leafy boughs, Or to the churlish elements exposed On the blank plains,—the coldness of the night, Or the night's darkness, or its cheerful face Of beauty, by the changing moon adorned, Would, with imperious admonition, then Have scored thine age, and punctually timed Thine infant history, on the minds of those Who might have wandered with thee.—Mother's love, Nor less than mother's love in other breasts, Will, among us warm-clad and warmly housed, Do for thee what the finger of the heavens Doth all too often harshly execute For thy unblest coevals, amid wilds Where fancy hath small liberty to grace The affections, to exalt them or refine; And the maternal sympathy itself, Though strong, is, in the main, a joyless tie Of naked instinct, wound about the heart. Happier, far happier is thy lot and ours! Even now—to solemnise thy helpless state, And to enliven in the mind's regard Thy passive beauty—parallels have risen, Resemblances, or contrasts, that connect, Within the region of a father's thoughts, Thee and thy mate and sister of the sky. And first;—thy sinless progress, through a world By sorrow darkened and by care disturbed, Apt likeness bears to hers, through gathered clouds, Moving untouched in silver purity, And cheering oft-times their reluctant gloom. Fair are ye both, and both are free from stain: But thou, how leisurely thou fill'st thy horn With brightness! leaving her to post along, And range about, disquieted in change, And still impatient of the shape she wears. Once up, once down the hill, one journey, Babe That will suffice thee; and it seems that now Thou hast fore-knowledge that such task is thine; Thou travellest so contentedly, and sleep'st In such a heedless peace. Alas! full soon Hath this conception, grateful to behold, Changed countenance, like an object sullied o'er By breathing mist; and thine appears to be A mournful labour, while to her is given Hope, and a renovation without end. —That smile forbids the thought; for on thy face Smiles are beginning, like the beams of dawn, To shoot and circulate; smiles have there been seen; Tranquil assurances that Heaven supports The feeble motions of thy life, and cheers Thy loneliness: or shall those smiles be called Feelers of love, put forth as if to explore This untried world, and to prepare thy way Through a strait passage intricate and dim? Such are they; and the same are tokens, signs, Which, when the appointed season hath arrived, Joy, as her holiest language, shall adopt; And Reason's godlike Power be proud to own. Note Contents 1804 Main Contents		B	5 10 15 20 25 30 35 40 45 50 55 60 65 70 75

Footnote A: The title from 1815 to 1845 was Address to my Infant Daughter, on being reminded that she was a Month old, on that Day. After her death in 1847, her name was added to the title.—Ed.
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Footnote B: See Dryden's poem, To the pious memory of the accomplished young lady, Mrs. Anne Killigrew, I. l. 15.—Ed.
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Note: The text of this poem was never altered.—Ed.

Contents 1804
Main Contents

The Kitten and Falling Leaves^A

Composed 1804.—Published 1807

The Poem

[Seen at Town-end, Grasmere. The elder-bush has long since disappeared; it hung over the wall near the cottage: and the kitten continued to leap up, catching the leaves as here described. The Infant was Dora.—I. F.]

One of the "Poems of the Fancy." In Henry Crabb Robinson's Diary, etc., under date Sept. 10, 1816, we find,

"He" (Wordsworth) "quoted from 'The Kitten and the Falling Leaves' to show he had connected even the kitten with the great, awful, and mysterious powers of Nature."

Ed.

The Poem

text	variant	footnote	line number
That way look, my Infant, lo! What a pretty baby-show! See the Kitten on the wall, Sporting with the leaves that fall, Withered leaves—one—two—and three— From the lofty elder-tree! Through the calm and frosty air Of this morning bright and fair, Eddying round and round they sink Softly, slowly: one might think, From the motions that are made, Every little leaf conveyed Sylph or Faery hither tending,— To this lower world descending, Each invisible and mute, In his wavering parachute. ——But the Kitten, how she starts, Crouches, stretches, paws, and darts! First at one, and then its fellow Just as light and just as yellow; There are many now—now one— Now they stop and there are none: What intenseness of desire In her upward eye of fire! With a tiger-leap half-way Now she meets the coming prey, Lets it go as fast, and then Has it in her power again: Now she works with three or four, Like an Indian conjurer; Quick as he in feats of art, Far beyond in joy of heart. Were her antics played in the eye Of a thousand standers-by, Clapping hands with shout and stare, What would little Tabby care For the plaudits of the crowd? Over happy to be proud, Over wealthy in the treasure Of her own exceeding pleasure! 'Tis a pretty baby-treat; Nor, I deem, for me unmeet; Here, for neither Babe nor me, Other play-mate can I see. Of the countless living things, That with stir of feet and wings (In the sun or under shade, Upon bough or grassy blade) And with busy revellings, Chirp and song, and murmurings, Made this orchard's narrow space, And this vale so blithe a place; Multitudes are swept away Never more to breathe the day: Some are sleeping; some in bands Travelled into distant lands; Others slunk to moor and wood, Far from human neighbourhood; And, among the Kinds that keep With us closer fellowship, With us openly abide, All have laid their mirth aside. Where is he that giddy Sprite, Blue-cap, with his colours bright, Who was blest as bird could be, Feeding in the apple-tree; Made such wanton spoil and rout, Turning blossoms inside out; Hung—head pointing towards the ground— Fluttered, perched, into a round Bound himself, and then unbound; Lithest, gaudiest Harlequin! Prettiest tumbler ever seen! Light of heart and light of limb; What is now become of Him? Lambs, that through the mountains went Frisking, bleating merriment, When the year was in its prime, They are sobered by this time. If you look to vale or hill, If you listen, all is still, Save a little neighbouring rill, That from out the rocky ground Strikes a solitary sound. Vainly glitter hill and plain, And the air is calm in vain; Vainly Morning spreads the lure Of a sky serene and pure; Creature none can she decoy Into open sign of joy: Is it that they have a fear Of the dreary season near? Or that other pleasures be Sweeter even than gaiety? Yet, whate'er enjoyments dwell In the impenetrable cell Of the silent heart which Nature Furnishes to every creature; Whatsoe'er we feel and know Too sedate for outward show, Such a light of gladness breaks, Pretty Kitten! from thy freaks,— Spreads with such a living grace O'er my little Dora's face; Yes, the sight so stirs and charms Thee, Baby, laughing in my arms, That almost I could repine That your transports are not mine, That I do not wholly fare Even as ye do, thoughtless pair! And I will have my careless season Spite of melancholy reason, Will walk through life in such a way That, when time brings on decay, Now and then I may possess Hours of perfect gladsomeness. —Pleased by any random toy; By a kitten's busy joy, Or an infant's laughing eye Sharing in the ecstasy; I would fare like that or this, Find my wisdom in my bliss; Keep the sprightly soul awake, And have faculties to take, Even from things by sorrow wrought, Matter for a jocund thought, Spite of care, and spite of grief, To gambol with Life's falling Leaf. Contents 1804 Main Contents	1 2 3 4 5 6 7 8 9 10 11 12 13 14		5 10 15 20 25 30 35 40 45 50 55 60 65 70 75 80 85 90 95 100 105 110 115 120 125

Variant 1:

... Darling, ...

MS.

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Variant 2:

... silent ...

MS.

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Variant 3:

Knows not what she would be at,
Now on this side, now on that.

MS.

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Variant 4:

One for me, too, as is meet.

MS.

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Variant 5:

1815
... or ...	1807

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Variant 6:

... busy ...

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Variant 7:

1836
Hung with head towards the ground,	1807

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Variant 8:

date
... and ...	MS.

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Variant 9:

1836
... glitters ...	1807

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Variant 10:

1849
Laura's^a	1807

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Variant 11:

Additional lines:
But I'll take a hint from you, And to pleasure will be true,	MS.

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Variant 12:

Be it songs of endless Spring
Which the frolic Muses sing,
Jest, and Mirth's unruly brood
Dancing to the Phrygian mood;
Be it love, or be it wine,
Myrtle wreath, or ivy twine,
Or a garland made of both;
Whether then Philosophy
That would fill us full of glee
Seeing that our breath we draw
Under an unbending law,
That our years are halting never;
Quickly gone, and gone for ever,
And would teach us thence to brave
The conclusion in the grave;
Whether it be these that give
Strength and spirit so to live,
Or the conquest best be made,
By a sober course and staid,
I would walk in such a way,

MS.

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Variant 13:

... joyousness.

MS.

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Variant 14:

date
From the things by ...	MS.

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Footnote A: In the editions of 1807-1832 the title was The Kitten and the Falling Leaves.—Ed.
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Sub-Footnote a: Dora Wordsworth died in July 1847. Probably the change of text in 1849—one of the latest which the poet made—was due to the wish to connect this poem with memories of his dead daughter's childhood, and her "laughing eye."—Ed.
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Contents 1804
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The Small Celandine^A

Composed 1804.—Published 1807

The Poem

[Grasmere, Town-end. It is remarkable that this flower coming out so early in the spring as it does, and so bright and beautiful, and in such profusion, should not have been noticed earlier in English verse. What adds much to the interest that attends it, is its habit of shutting itself up and opening out according to the degree of light and temperature of the air. —I. F.]

In pencil on opposite page "Has not Chaucer noticed it?"—W. W.

This was classed by Wordsworth among his "Poems referring to the Period of Old Age."-Ed.

The Poem

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There is a Flower, the lesser Celandine, That shrinks, like many more, from cold and rain; And, the first moment that the sun may shine, Bright as the sun himself, 'tis out again! When hailstones have been falling, swarm on swarm, Or blasts the green field and the trees distrest, Oft have I seen it muffled up from harm, In close self-shelter, like a Thing at rest. But lately, one rough day, this Flower I passed And recognised it, though an altered form, Now standing forth an offering to the blast, And buffeted at will by rain and storm. I stopped, and said with inly-muttered voice, "It doth not love the shower, nor seek the cold: This neither is its courage nor its choice, But its necessity in being old. "The sunshine may not cheer it, nor the dew; It cannot help itself in its decay; Stiff in its members, withered, changed of hue." And, in my spleen, I smiled that it was grey. To be a Prodigal's Favourite—then, worse truth, A Miser's Pensioner—behold our lot! O Man, that from thy fair and shining youth Age might but take the things Youth needed not! Note Contents 1804 Main Contents	1 2		5 10 15 20

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1837
... itself, ...	1807

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1827
... bless ...	1807

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Footnote A: Common Pilewort.—W. W. 1807.
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Note: With the last stanza compare one from [Volume 2 link: The Fountain], vol. ii. p. 93:

'Thus fares it still in our decay:
And yet the wiser mind
Mourns less for what age takes away
Than what it leaves behind.'

Compare also the other two poems [Volume 2 links: To the Celandine and To the Same Flower] on the Celandine, vol. ii. pp. 300, 303, written in a previous year.—Ed.]

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At Applethwaite, near Keswick

1804

Composed 1804.—Published 1842

The Poem

[This was presented to me by Sir George Beaumont, with a view to the erection of a house upon it, for the sake of being near to Coleridge, then living, and likely to remain, at Greta Hall, near Keswick. The severe necessities that prevented this arose from his domestic situation. This little property, with a considerable addition that still leaves it very small, lies beautifully upon the banks of a rill that gurgles down the side of Skiddaw; and the orchard and other parts of the grounds command a magnificent prospect of Derwent Water, the mountains of Borrowdale and Newlands. Not many years ago I gave the place to my daughter.—I. F.]

In pencil on the opposite page in Dora Wordsworth's (Mrs. Quillinan's) handwriting—"Many years ago, Sir; for it was given when she was a frail feeble monthling."

One of the "Miscellaneous Sonnets."—Ed.

The Poem

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Beaumont! it was thy wish that I should rear A seemly Cottage in this sunny Dell, On favoured ground, thy gift, where I might dwell In neighbourhood with One to me most dear, That undivided we from year to year Might work in our high Calling—a bright hope To which our fancies, mingling, gave free scope Till checked by some necessities severe. And should these slacken, honoured Beaumont! still Even then we may perhaps in vain implore Leave of our fate thy wishes to fulfil. Whether this boon be granted us or not, Old Skiddaw will look down upon the Spot With pride, the Muses love it evermore. Note Contents 1804 Main Contents	1 2	A	5 10

Variant 1:

... pleasure ...

MS.

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Variant 2:

... will be proud, and that same spot
Be dear unto the Muses evermore.

MS.

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Footnote A: In the edition of 1842 the following footnote is given by Wordsworth,

"This biographical Sonnet, if so it may be called, together with the Epistle that follows, have been long suppressed from feelings of personal delicacy."

The "Epistle" was that addressed to Sir George Beaumont in 1811.—Ed.
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Note: This little property at Applethwaite now belongs to Mr. Gordon Wordsworth, the grandson of the poet. It is a "sunny dell" only in its upper reaches, above the spot where the cottage —which still bears Wordsworth's name—is built. This sonnet, and Sir George Beaumont's wish that Wordsworth and Coleridge should live so near each other, as to be able to carry on joint literary labour, recall the somewhat similar wish and proposal on the part of W. Calvert, unfolded in a letter from Coleridge to Sir Humphry Davy.—Ed.

Contents 1804
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Vaudracour and Julia

Composed 1804.—Published 1820

The Poem

The following Tale was written as an Episode, in a work from which its length may perhaps exclude it.^A The facts are true; no invention as to these has been exercised, as none was needed.—W. W. 1820.

[Written at Town-end, Grasmere. Faithfully narrated, though with the omission of many pathetic circumstances, from the mouth of a French lady,^B who had been an eye-and-ear witness of all that was done and said. Many long years after, I was told that Dupligne was then a monk in the Convent of La Trappe.—I. F.]

This was included among the "Poems founded on the Affections."—Ed.

The Poem

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O happy time of youthful lovers (thus My story may begin) O balmy time, In which a love-knot on a lady's brow Is fairer than the fairest star in heaven! To such inheritance of blessed fancy (Fancy that sports more desperately with minds Than ever fortune hath been known to do) The high-born Vaudracour was brought, by years Whose progress had a little overstepped His stripling prime. A town of small repute, Among the vine-clad mountains of Auvergne, Was the Youth's birth-place. There he wooed a Maid Who heard the heart-felt music of his suit With answering vows. Plebeian was the stock, Plebeian, though ingenuous, the stock, From which her graces and her honours sprung: And hence the father of the enamoured Youth, With haughty indignation, spurned the thought Of such alliance.—From their cradles up, With but a step between their several homes, Twins had they been in pleasure; after strife And petty quarrels, had grown fond again; Each other's advocate, each other's stay; And, in their happiest moments, not content, If more divided than a sportive pair Of sea-fowl, conscious both that they are hovering Within the eddy of a common blast, Or hidden only by the concave depth Of neighbouring billows from each other's sight. Thus, not without concurrence of an age Unknown to memory, was an earnest given By ready nature for a life of love, For endless constancy, and placid truth; But whatsoe'er of such rare treasure lay Reserved, had fate permitted, for support Of their maturer years, his present mind Was under fascination;—he beheld A vision, and adored the thing he saw. Arabian fiction never filled the world With half the wonders that were wrought for him. Earth breathed in one great presence of the spring; Life turned the meanest of her implements, Before his eyes, to price above all gold; The house she dwelt in was a sainted shrine; Her chamber-window did surpass in glory The portals of the dawn; all paradise Could, by the simple opening of a door, Let itself in upon him:—pathways, walks, Swarmed with enchantment, till his spirit sank, Surcharged, within him, overblest to move Beneath a sun that wakes a weary world To its dull round of ordinary cares; A man too happy for mortality! So passed the time, till whether through effect Of some unguarded moment that dissolved Virtuous restraint—ah, speak it, think it, not! Deem rather that the fervent Youth, who saw So many bars between his present state And the dear haven where he wished to be In honourable wedlock with his Love, Was in his judgment tempted to decline To perilous weakness, and entrust his cause To nature for a happy end of all; Deem that by such fond hope the Youth was swayed, And bear with their transgression, when I add That Julia, wanting yet the name of wife, Carried about her for a secret grief The promise of a mother. To conceal The threatened shame, the parents of the Maid Found means to hurry her away by night, And unforewarned, that in some distant spot She might remain shrouded in privacy, Until the babe was born. When morning came, The Lover, thus bereft, stung with his loss, And all uncertain whither he should turn, Chafed like a wild beast in the toils; but soon Discovering traces of the fugitives, Their steps he followed to the Maid's retreat. Easily may the sequel be divined— Walks to and fro—watchings at every hour; And the fair Captive, who, whene'er she may, Is busy at her casement as the swallow Fluttering its pinions, almost within reach, About the pendent nest, did thus espy Her Lover!—thence a stolen interview, Accomplished under friendly shade of night. I pass the raptures of the pair;—such theme Is, by innumerable poets, touched In more delightful verse than skill of mine Could fashion; chiefly by that darling bard Who told of Juliet and her Romeo, And of the lark's note heard before its time, And of the streaks that laced the severing clouds In the unrelenting east.—Through all her courts The vacant city slept; the busy winds, That keep no certain intervals of rest, Moved not; meanwhile the galaxy displayed Her fires, that like mysterious pulses beat Aloft;—momentous but uneasy bliss! To their full hearts the universe seemed hung On that brief meeting's slender filament! They parted; and the generous Vaudracour Reached speedily the native threshold, bent On making (so the Lovers had agreed) A sacrifice of birthright to attain A final portion from his father's hand; Which granted, Bride and Bridegroom then would flee To some remote and solitary place, Shady as night, and beautiful as heaven, Where they may live, with no one to behold Their happiness, or to disturb their love. But now of this no whisper; not the less, If ever an obtrusive word were dropped Touching the matter of his passion, still, In his stern father's hearing, Vaudracour Persisted openly that death alone Should abrogate his human privilege Divine, of swearing everlasting truth, Upon the altar, to the Maid he loved. "You shall be baffled in your mad intent If there be justice in the court of France," Muttered the Father.—From these words the Youth Conceived a terror; and, by night or day, Stirred nowhere without weapons, that full soon Found dreadful provocation: for at night When to his chamber he retired, attempt Was made to seize him by three armèd men, Acting, in furtherance of the father's will, Under a private signet of the State. One the rash Youth's ungovernable hand Slew, and as quickly to a second gave A perilous wound—he shuddered to behold The breathless corse; then peacefully resigned His person to the law, was lodged in prison, And wore the fetters of a criminal. Have you observed a tuft of wingèd seed That, from the dandelion's naked stalk, Mounted aloft, is suffered not to use Its natural gifts for purposes of rest, Driven by the autumnal whirlwind to and fro Through the wide element? or have you marked The heavier substance of a leaf-clad bough, Within the vortex of a foaming flood, Tormented? by such aid you may conceive The perturbation that ensued; —ah, no! Desperate the Maid—the Youth is stained with blood; Unmatchable on earth is their disquiet! Yet as the troubled seed and tortured bough Is Man, subjected to despotic sway. For him, by private influence with the Court, Was pardon gained, and liberty procured; But not without exaction of a pledge, Which liberty and love dispersed in air. He flew to her from whom they would divide him— He clove to her who could not give him peace— Yea, his first word of greeting was,—"All right Is gone from me; my lately-towering hopes, To the least fibre of their lowest root, Are withered; thou no longer canst be mine, I thine—the conscience-stricken must not woo The unruffled Innocent,—I see thy face, Behold thee, and my misery is complete!" "One, are we not?" exclaimed the Maiden—"One, For innocence and youth, for weal and woe?" Then with the father's name she coupled words Of vehement indignation; but the Youth Checked her with filial meekness; for no thought Uncharitable crossed his mind, no sense Of hasty anger rising in the eclipse Of true domestic loyalty, did e'er Find place within his bosom.—Once again The persevering wedge of tyranny Achieved their separation: and once more Were they united,—to be yet again Disparted, pitiable lot! But here A portion of the tale may well be left In silence, though my memory could add Much how the Youth, in scanty space of time, Was traversed from without; much, too, of thoughts That occupied his days in solitude Under privation and restraint; and what, Through dark and shapeless fear of things to come, And what, through strong compunction for the past, He suffered—breaking down in heart and mind! Doomed to a third and last captivity, His freedom he recovered on the eve Of Julia's travail. When the babe was born, Its presence tempted him to cherish schemes Of future happiness. "You shall return, Julia," said he, "and to your father's house Go with the child.—You have been wretched; yet The silver shower, whose reckless burthen weighs Too heavily upon the lily's head, Oft leaves a saving moisture at its root. Malice, beholding you, will melt away. Go!—'tis a town where both of us were born; None will reproach you, for our truth is known; And if, amid those once-bright bowers, our fate Remain unpitied, pity is not in man. With ornaments—the prettiest, nature yields Or art can fashion, shall you deck our boy, And feed his countenance with your own sweet looks Till no one can resist him.—Now, even now, I see him sporting on the sunny lawn; My father from the window sees him too; Startled, as if some new-created thing Enriched the earth, or Faery of the woods Bounded before him;—but the unweeting Child Shall by his beauty win his grandsire's heart So that it shall be softened, and our loves End happily, as they began!" These gleams Appeared but seldom; oftener was he seen Propping a pale and melancholy face Upon the Mother's bosom; resting thus His head upon one breast, while from the other The Babe was drawing in its quiet food. —That pillow is no longer to be thine, Fond Youth! that mournful solace now must pass Into the list of things that cannot be! Unwedded Julia, terror-smitten, hears The sentence, by her mother's lip pronounced, That dooms her to a convent.—Who shall tell, Who dares report, the tidings to the lord Of her affections? so they blindly asked Who knew not to what quiet depths a weight Of agony had pressed the Sufferer down: The word, by others dreaded, he can hear Composed and silent, without visible sign Of even the least emotion. Noting this, When the impatient object of his love Upbraided him with slackness, he returned No answer, only took the mother's hand And kissed it; seemingly devoid of pain, Or care, that what so tenderly he pressed Was a dependant on the obdurate heart Of one who came to disunite their lives For ever—sad alternative! preferred, By the unbending Parents of the Maid, To secret 'spousals meanly disavowed. —So be it! In the city he remained A season after Julia had withdrawn To those religious walls. He, too, departs— Who with him?—even the senseless Little-one. With that sole charge he passed the city-gates, For the last time, attendant by the side Of a close chair, a litter, or sedan, In which the Babe was carried. To a hill, That rose a brief league distant from the town, The dwellers in that house where he had lodged Accompanied his steps, by anxious love Impelled;—they parted from him there, and stood Watching below till he had disappeared On the hill top. His eyes he scarcely took, Throughout that journey, from the vehicle (Slow-moving ark of all his hopes!) that veiled The tender infant: and at every inn, And under every hospitable tree At which the bearers halted or reposed, Laid him with timid care upon his knees, And looked, as mothers ne'er were known to look, Upon the nursling which his arms embraced. This was the manner in which Vaudracour Departed with his infant; and thus reached His father's house, where to the innocent child Admittance was denied. The young man spake No word of indignation or reproof, But of his father begged, a last request, That a retreat might be assigned to him Where in forgotten quiet he might dwell, With such allowance as his wants required; For wishes he had none. To a lodge that stood Deep in a forest, with leave given, at the age Of four-and-twenty summers he withdrew; And thither took with him his motherless Babe, And one domestic for their common needs, An aged woman. It consoled him here To attend upon the orphan, and perform Obsequious service to the precious child, Which, after a short time, by some mistake Or indiscretion of the Father, died.— The Tale I follow to its last recess Of suffering or of peace, I know not which: Theirs be the blame who caused the woe, not mine! From this time forth he never shared a smile With mortal creature. An Inhabitant Of that same town, in which the pair had left So lively a remembrance of their griefs, By chance of business, coming within reach Of his retirement, to the forest lodge Repaired, but only found the matron there, Who told him that his pains were thrown away, For that her Master never uttered word To living thing—not even to her.—Behold! While they were speaking, Vaudracour approached; But, seeing some one near, as on the latch Of the garden-gate his hand was laid, he shrunk— And, like a shadow, glided out of view. Shocked at his savage aspect, from the place The visitor retired. Thus lived the Youth Cut off from all intelligence with man, And shunning even the light of common day; Nor could the voice of Freedom, which through France Full speedily resounded, public hope, Or personal memory of his own deep wrongs, Rouse him: but in those solitary shades His days he wasted, an imbecile mind! Note Contents 1804 Main Contents	1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17		5 10 15 20 25 30 35 40 45 50 55 60 65 70 75 80 85 90 95 100 105 110 115 120 125 130 135 140 145 150 155 160 165 170 175 180 185 190 195 200 205 210 215 220 225 230 235 240 245 250 255 260 265 270 275 280 285 290 295 300 305

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1836
And strangers to content if long apart, Or more divided ...	1820

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Variant 2:

1827
Was inwardly prepared to turn aside From law and custom, ...	1820

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Variant 3:

1836
The sequel may be easily divined,—	1820

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Variant 4:

1827
... From this time the Youth	1820

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Variant 5:

1827
Stirred no where without arms. To their rural seat, Meanwhile, his Parents artfully withdrew, Upon some feigned occasion, and the Son Remained with one attendant. At midnight	1820

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Variant 6:

1836
One, did the Youth's ungovernable hand Assault and slay;—and to a second gave	1820

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Variant 7:

1836
... beheld ...	1820

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Variant 8:

1836
The perturbation of each mind;— ...	1820

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Variant 9: This line was added in 1836.
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Variant 10:

1836
But ...	1820

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Variant 11:

1845
... for no thought Uncharitable, no presumptuous rising Of hasty censure, modelled in the eclipse	1820
... for no thought Undutifully harsh dwelt in his mind, No proud resentment cherished in the eclipse	C.

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1840
... your ...	1820

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Variant 13:

1827
... upon ...	1820

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Variant 14:

1836
No words ...	1820

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Variant 15:

1836
... infant Babe,	1820

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Variant 16:

1827
... to the spot repaired With an intent to visit him. He reached The house, and only found the Matron there,	1820

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1836
But, seeing some one near, even as his hand Was stretched towards the garden gate, he shrunk—	1820

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Footnote A: The work was The Prelude. See book ix., p. 310 of this volume.—Ed.
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Footnote B: Compare The Prelude, book ix. l. 548, p. 310, where Wordsworth says it was told him "by my Patriot friend."—Ed.
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Note: In the preface to his volume, "Poems of Wordsworth chosen and edited by Matthew Arnold," that distinguished poet and critic has said (p. xxv.),

"I can read with pleasure and edification ... everything of Wordsworth, I think, except Vaudracour and Julia."

Ed.

Contents 1804
Main Contents

Skelwith Bridge

Wordsworth's Poetical Works

Volume 3: 1805

Edited by William Knight

1896

Table of Contents

1805

Photo © FreeFoto.com

1805

During 1805, the autobiographical poem, which was afterwards named by Mrs. Wordsworth The Prelude, was finished. In that year also Wordsworth wrote the Ode to Duty, To a Sky-Lark, Fidelity, the fourth poem To the Daisy, the Elegiac Stanzas suggested by a Picture of Peele Castle in a Storm, the Elegiac Verses in memory of his brother John, The Waggoner, and a few other poems.—Ed.

Contents 1805
Main Contents

French Revolution

As it Appeared to Enthusiasts at its Commencement

Reprinted from The Friend

Composed 1805.—Published 1809

The Poem

[An extract from the long poem on my own poetical education. It was first published by Coleridge in his Friend, which is the reason of its having had a place in every edition of my poems since.—I. F.]

These lines appeared first in The Friend, No. 11, October 26, 1809, p. 163. They afterwards found a place amongst the "Poems of the Imagination," in all the collective editions from 1815 onwards. They are part of the eleventh book of The Prelude, entitled "France—(concluded)," ll. 105-144. Wordsworth gives the date 1805, but these lines possibly belong to the year 1804.—Ed.

The Poem

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Oh! pleasant exercise of hope and joy! For mighty were the auxiliars which then stood Upon our side, we who were strong in love! Bliss was it in that dawn to be alive, But to be young was very heaven!—Oh! times, In which the meagre, stale, forbidding ways Of custom, law, and statute, took at once The attraction of a country in romance! When Reason seemed the most to assert her rights, When most intent on making of herself A prime Enchantress—to assist the work, Which then was going forward in her name! Not favoured spots alone, but the whole earth, The beauty wore of promise, that which sets (As at some moment might not be unfelt Among the bowers of paradise itself) The budding rose above the rose full blown. What temper at the prospect did not wake To happiness unthought of? The inert Were roused, and lively natures rapt away! They who had fed their childhood upon dreams, The playfellows of fancy, who had made All powers of swiftness, subtilty, and strength Their ministers,—who in lordly wise had stirred Among the grandest objects of the sense, And dealt with whatsoever they found there As if they had within some lurking right To wield it;—they, too, who, of gentle mood, Had watched all gentle motions, and to these Had fitted their own thoughts, schemers more mild, And in the region of their peaceful selves;— Now was it that both found, the meek and lofty Did both find, helpers to their heart's desire, And stuff at hand, plastic as they could wish; Were called upon to exercise their skill, Not in Utopia, subterranean fields, Or some secreted island, Heaven knows where! But in the very world, which is the world Of all of us,—the place where in the end We find our happiness, or not at all! Note Contents 1805 Main Contents	1 2 3 4 5 6 7 8		5 10 15 20 25 30 35 40

Variant 1: "were" omitted from the 1820 edition only.
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Variant 2:

1809
... us ...	The Prelude, 1850.

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Variant 3:

1815
... Enchanter ...	1809

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Variant 4:

1832
(To take an image which was felt no doubt	1809
(As at some moments might not be unfelt	The Prelude, 1850.

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Variant 5:

1815
Their ministers—used to stir in lordly wise	1809

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1815
And deal ...	1809

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Variant 7: "both" 'italicised' from 1815 to 1832, and also in The Prelude.
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1832
... subterraneous ...	1809

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Note: Compare Coleridge's remarks in The Friend, vol. ii. p. 38, before quoting this poem,

"My feelings and imagination did not remain unkindled in this general conflagration; and I confess I should be more inclined to be ashamed than proud of myself if they had! I was a sharer in the general vortex, though my little world described the path of its revolution in an orbit of its own," etc.

Ed.

Contents 1805
Main Contents

Ode to Duty

Composed 1805.—Published 1807

The Poem

"Jam non consilio bonus, sed more eò perductus, ut non tantum rectè facere possim, sed nisi rectè facere non possim." ^A

[This Ode is on the model of Gray's Ode to Adversity, which is copied from Horace's Ode to Fortune. Many and many a time have I been twitted by my wife and sister for having forgotten this dedication of myself to the stern law-giver. Transgressor indeed I have been from hour to hour, from day to day: I would fain hope, however, not more flagrantly, or in a worse way than most of my tuneful brethren. But these last words are in a wrong strain. We should be rigorous to ourselves, and forbearing, if not indulgent, to others; and, if we make comparison at all, it ought to be with those who have morally excelled us.—I. F.]

In pencil on the MS.,

"But is not the first stanza of Gray's from a chorus of Æschylus? And is not Horace's Ode also modelled on the Greek?"

This poem was placed by Wordsworth among his "Poems of Sentiment and Reflection."—Ed.

The Poem

text	variant	footnote	line number
Stern Daughter of the Voice of God! O Duty! if that name thou love Who art a light to guide, a rod To check the erring, and reprove; Thou, who art victory and law When empty terrors overawe; From vain temptations dost set free; And calm'st the weary strife of frail humanity! There are who ask not if thine eye Be on them; who, in love and truth, Where no misgiving is, rely Upon the genial sense of youth: Glad Hearts! without reproach or blot; Who do thy work, and know it not: Oh, if through confidence misplaced They fail, thy saving arms, dread Power! around them cast. Serene will be our days and bright, And happy will our nature be, When love is an unerring light, And joy its own security. And they a blissful course may hold Even now, who, not unwisely bold, Live in the spirit of this creed; Yet seek thy firm support, according to their need. I, loving freedom, and untried; No sport of every random gust, Yet being to myself a guide, Too blindly have reposed my trust: And oft, when in my heart was heard Thy timely mandate, I deferred The task, in smoother walks to stray; But thee I now would serve more strictly, if I may. Through no disturbance of my soul, Or strong compunction in me wrought, I supplicate for thy control; But in the quietness of thought: Me this unchartered freedom tires; I feel the weight of chance-desires: My hopes no more must change their name, I long for a repose that ever is the same. Stern Lawgiver! yet thou dost wear The Godhead's most benignant grace; Nor know we any thing so fair As is the smile upon thy face: Flowers laugh before thee on their beds And fragrance in thy footing treads; Thou dost preserve the stars from wrong; And the most ancient heavens, through Thee, are fresh and strong. To humbler functions, awful Power! I call thee: I myself commend Unto thy guidance from this hour; Oh, let my weakness have an end! Give unto me, made lowly wise, The spirit of self-sacrifice; The confidence of reason give; And in the light of truth thy Bondman let me live! Note Contents 1805 Main Contents	1 2 3 4 5 6 7 8 9 10	B C D E F	5 10 15 20 25 30 35 40 45 50 55

Variant 1:

1815
From strife and from despair; a glorious ministry.	1807

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Variant 2:

date
... the right ...	MS.
... thy will ...	MS.

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Variant 3:

1837
May joy be theirs while life shall last! And Thou, if they should totter, teach them to stand fast!	1807
Long may the kindly impulse last! But Thou, ...	1827
And may that genial sense remain, when youth is past.	MS.

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Variant 4:

1827
And bless'd are they who in the main This faith, even now, do entertain:	1807
Even now this creed do entertain	MS.
This holy creed do entertain	MS.

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Variant 5:

1845
Yet find that other strength, ...	1807
Yet find thy firm support, ...	1837

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Variant 6:

1827
Resolved that nothing e'er should press Upon my present happiness, I shoved unwelcome tasks away;	1807
Full oft, when in my heart was heard Thy timely mandate, I deferred The task imposed, from day to day;	1815

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Variant 7:

But henceforth I would ...

MS.

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Variant 8:

1827
... which ...	1807

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Variant 9:

date
Yet not the less would I throughout Still act according to the voice Of my own wish; and feel past doubt That my submissiveness was choice: Not seeking in the school of pride For "precepts over dignified," Denial and restraint I prize No farther than they breed a second Will more wise.	Only in the edition of 1807.

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Variant 10:

... more ...

MS.

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Footnote A: This motto was added in the edition of 1837.—Ed.
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Footnote B: Compare S. T. C. in The Friend (edition 1818, vol. iii. p. 62),

"Its instinct, its safety, its benefit, its glory is to love, to admire, to feel, and to labour."

Ed.
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Footnote C: Compare Churchill's Gotham, i. 49:

'An Englishman in chartered freedom born.'

Ed.
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Footnote D: Compare in Sartor Resartus,

"Happy he for whom a kind of heavenly sun brightens it [Necessity] into a ring of Duty, and plays round it with beautiful prismatic refractions."

Ed.
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Footnote E: Compare Persius, Satura, ii. l. 38:

'Quidquic calcaverit hic, rosa fiat.'

And Ben Jonson, in The Sad Shepherd, act I. scene i. ll. 8, 9:

'And where she went, the flowers took thickest root,
As she had sow'd them with her odorous foot.'

Also, a similar reference to Aphrodite in Hesiod, Theogony, vv. 192 seq.—Ed.
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Footnote F: Compare S. T. C. in The Friend (edition 1818), vol. iii. p. 64.—Ed.
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Footnote G: In the original MS. sent to the printer, I find that this stanza was transcribed by Coleridge.—Ed.
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Note: Mr. J. R. Tutin has supplied me with the text of a proof copy of the sheets of the edition of 1807, which was cancelled by Wordsworth, in which the following stanzas take the place of the first four of that edition:

'There are who tread a blameless way
In purity, and love, and truth,
Though resting on no better stay
Than on the genial sense of youth:
Glad Hearts! without reproach or blot;
Who do the right, and know it not:
May joy be theirs while life shall last
And may a genial sense remain, when youth is past.

Serene would be our days and bright;
And happy would our nature be;
If Love were an unerring light;
And Joy its own security.
And bless'd are they who in the main,
This creed, even now, do entertain,
Do in this spirit live; yet know
That Man hath other hopes; strength which elsewhere must grow.

I, loving freedom, and untried;
No sport of every random gust,
Yet being to myself a guide,
Too blindly have reposed my trust;
Resolv'd that nothing e'er should press
Upon my present happiness,
I shov'd unwelcome tasks away:
But henceforth I would serve; and strictly if I may.

O Power of Duty! sent from God
To enforce on earth his high behest,
And keep us faithful to the road
Which conscience hath pronounc'd the best:
Thou, who art Victory and Law
When empty terrors overawe;
From vain temptations dost set free,
From Strife, and from Despair, a glorious Ministry!^G'

Ed.

Contents 1805
Main Contents

To a Sky-Lark

Composed 1805.—Published 1807

The Poem

[Rydal Mount, 1825.^A—I. F.]

In pencil opposite,

"Where there are no skylarks; but the poet is everywhere."

In the edition of 1807 this is No. 2 of the "Poems, composed during a Tour, chiefly on foot."^B In 1815 it became one of the "Poems of the Fancy."—Ed.

The Poem

text	variant	footnote	line number
Up with me! up with me into the clouds! For thy song, Lark, is strong; Up with me, up with me into the clouds! Singing, singing, With clouds and sky about thee ringing, Lift me, guide me till I find That spot which seems so to thy mind! I have walked through wildernesses dreary, And to-day my heart is weary; Had I now the wings of a Faery, Up to thee would I fly. There is madness about thee, and joy divine In that song of thine; Lift me, guide me high and high To thy banqueting-place in the sky. Joyous as morning, Thou art laughing and scorning; Thou hast a nest for thy love and thy rest, And, though little troubled with sloth, Drunken Lark! thou would'st be loth To be such a traveller as I. Happy, happy Liver, With a soul as strong as a mountain river Pouring out praise to the almighty Giver, Joy and jollity be with us both! Alas! my journey, rugged and uneven, Through prickly moors or dusty ways must wind; But hearing thee, or others of thy kind, As full of gladness and as free of heaven, I, with my fate contented, will plod on, And hope for higher raptures, when life's day is done. Note Contents 1805 Main Contents	1 2 3 4 5 6		5 10 15 20 25 30

Variant 1:

1827
With all the heav'ns	1807

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Variant 2:

date
But ...	MS.

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Variant 3:

1815
the soul ...	1807

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Variant 4:

1832
Up with me, up with me, high and high,	1807

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Variant 5: This and the previous stanza were omitted in the edition of 1827, but restored in that of 1832.
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Variant 6:

1827
Joy and jollity be with us both! Hearing thee, or else some other, As merry a Brother, I on the earth will go plodding on, By myself, chearfully, till the day is done.	1807
What though my course be rugged and uneven, To prickly moors and dusty ways confined, Yet, hearing thee, or others of thy kind, As full of gladness and as free of heaven, I on the earth will go plodding on, By myself, cheerfully, till the day is done.	1820

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Footnote A: So it is printed in the Prose Works of Wordsworth (1876); but the date was 1805.—Ed.
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Footnote B: In a MS. copy this series is called "Poems composed 'for amusement' during a Tour, chiefly on foot."—Ed.
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Note: Compare this poem with Shelley's Skylark, and with Wordsworth's poem, on the same subject, written in the year 1825, and the last five stanzas of his Morning Exercise written in 1827; also with William Watson's First Skylark of Spring, 1895.—Ed.

Contents 1805
Main Contents

Fidelity

Composed 1805.—Published 1807

The Poem

[The young man whose death gave occasion to this poem was named Charles Gough, and had come early in the spring to Patterdale for the sake of angling. While attempting to cross over Helvellyn to Grasmere he slipped from a steep part of the rock where the ice was not thawed, and perished. His body was discovered as described in this poem. Walter Scott heard of the accident, and both he and I, without either of us knowing that the other had taken up the subject, each wrote a poem in admiration of the dog's fidelity. His contains a most beautiful stanza:

"How long did'st thou think that his silence was slumber!
When the wind waved his garment how oft did'st thou start!"

I will add that the sentiment in the last four lines of the last stanza of my verses was uttered by a shepherd with such exactness, that a traveller, who afterwards reported his account in print, was induced to question the man whether he had read them, which he had not.—I. F.]

One of the "Poems of Sentiment and Reflection."—Ed.

The Poem

text	variant	footnote	line number
A barking sound the Shepherd hears, A cry as of a dog or fox; He halts—and searches with his eyes Among the scattered rocks: And now at distance can discern A stirring in a brake of fern; And instantly a dog is seen, Glancing through that covert green. The Dog is not of mountain breed; Its motions, too, are wild and shy; With something, as the Shepherd thinks, Unusual in its cry: Nor is there any one in sight All round, in hollow or on height; Nor shout, nor whistle strikes his ear; What is the creature doing here? It was a cove, a huge recess, That keeps, till June, December's snow; A lofty precipice in front, A silent tarn below! Far in the bosom of Helvellyn, Remote from public road or dwelling, Pathway, or cultivated land; From trace of human foot or hand. There sometimes doth a leaping fish Send through the tarn a lonely cheer; The crags repeat the raven's croak, In symphony austere; Thither the rainbow comes—the cloud— And mists that spread the flying shroud; And sunbeams; and the sounding blast, That, if it could, would hurry past; But that enormous barrier holds it fast. Not free from boding thoughts, a while The Shepherd stood; then makes his way O'er rocks and stones, following the Dog As quickly as he may; Nor far had gone before he found A human skeleton on the ground; The appalled Discoverer with a sigh Looks round, to learn the history. From those abrupt and perilous rocks The Man had fallen, that place of fear! At length upon the Shepherd's mind It breaks, and all is clear: He instantly recalled the name, And who he was, and whence he came; Remembered, too, the very day On which the Traveller passed this way. But hear a wonder, for whose sake This lamentable tale I tell! A lasting monument of words This wonder merits well. The Dog, which still was hovering nigh, Repeating the same timid cry, This Dog, had been through three months' space A dweller in that savage place. Yes, proof was plain that, since the day When this ill-fated Traveller died, The Dog had watched about the spot, Or by his master's side: How nourished here through such long time He knows, who gave that love sublime; And gave that strength of feeling, great Above all human estimate! Note Contents 1805 Main Contents	1 2 3 4 5 6 7 8 9	A / B C	5 10 15 20 25 30 35 40 45 50 55 60 65

Variant 1:

1820
From which immediately leaps out A Dog, and yelping runs about.	1807
And instantly a Dog is seen, Glancing from that covert green.	1815

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Variant 2:

1820
... does ...	1807

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Variant 3:

1837
binds	1807

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Variant 4:

1815
Not knowing what to think	1807

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Variant 5:

1837
Towards the Dog, o'er rocks and stones,	1807.

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Variant 6:

1815
Sad sight! the Shepherd with a sigh	1807

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Variant 7:

date
And signs and circumstances dawned Till everything was clear; He made discovery of his name.	MS.

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Variant 8:

1815
But hear a wonder now, for sake Of which this mournful Tale I tell!	1807

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Variant 9:

1827
On which the Traveller thus had died	1807

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Footnote A: Tarn is a small Mere or Lake mostly high up in the mountains,—W. W.
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Footnote B: Compare the reference to Helvellyn, and its "deep coves, shaped by skeleton arms," in the Musings near Aquapendente (1837). Wordsworth here describes Red Tarn, under Helvellyn, to the east; but Charles Gough was killed on the Kepplecove side of Swirell Edge, and not at Red Tarn. Bishop Watson of Llandaff, writing to Hayley (see Anecdotes of the Life of Bishop Watson, p. 440), writes about Charles Gouche (evidently Gough). He had been lodging at "the Cherry Inn," near Wytheburn, sometime before his death.—Ed.
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Footnote C: Compare The Excursion, book iv. ll. 1185-94.—Ed.
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Note: Thomas Wilkinson—referred to in the notes to The Solitary Reaper, vol. ii. pp. 399, 400, and the verses To the Spade of a Friend, in vol. iv.—alludes to this incident at some length in his poem, Emont Vale. Wilkinson attended the funeral of young Gough, and writes of the incident with feeling, but without inspiration. Gough perished early in April, and his body was not found till July 22nd, 1805. A reference to his fate will be found in Lockhart's Life of Scott (vol. ii. p. 274); also in a letter of Mr. Luff of Patterdale, to his wife, July 23rd, 1805. Henry Crabb Robinson records (see his Diary, Reminiscences, etc., vol. ii. p. 25) a conversation with Wordsworth, in which he said of this poem, that "he purposely made the narrative as prosaic as possible, in order that no discredit might be thrown on the truth of the incident."—Ed.

Contents 1805
Main Contents

Incident characteristic of a Favourite Dog^A

Composed 1805.—Published 1807

The Poem

[This dog I knew well. It belonged to Mrs. Wordsworth's brother, Mr. Thomas Hutchinson, who then lived at Sockburn-on-the-Tees, a beautiful retired situation, where I used to visit him and his sisters before my marriage. My sister and I spent many months there after my return from Germany in 1799— I. F.]

One of the "Poems of Sentiment and Reflection."—Ed.

The Poem

text	variant	footnote	line number
On his morning rounds the Master Goes to learn how all things fare; Searches pasture after pasture, Sheep and cattle eyes with care; And, for silence or for talk, He hath comrades in his walk; Four dogs, each pair of different breed, Distinguished two for scent, and two for speed. See a hare before him started! —Off they fly in earnest chase; Every dog is eager-hearted, All the four are in the race: And the hare whom they pursue, Knows from instinct what to do; Her hope is near: no turn she makes; But, like an arrow, to the river takes. Deep the river was, and crusted Thinly by a one night's frost; But the nimble Hare hath trusted To the ice, and safely crost; so She hath crost, and without heed All are following at full speed, When, lo! the ice, so thinly spread, Breaks—and the greyhound, Dart, is over-head! Better fate have Prince and Swallow— See them cleaving to the sport! Music has no heart to follow, Little Music, she stops short. She hath neither wish nor heart, Hers is now another part: A loving creature she, and brave! And fondly strives her struggling friend to save. From the brink her paws she stretches, Very hands as you would say! And afflicting moans she fetches, As he breaks the ice away. For herself she hath no fears,— Him alone she sees and hears,— Makes efforts with complainings; nor gives o'er Until her fellow sinks to re-appear no more. Contents 1805 Main Contents	1 2 3		5 10 15 20 25 30 35 40

Variant 1:

1837
Hath an instinct ...	1807

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Variant 2:

1815
And doth her best ...	1807

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Variant 3:

date
Makes efforts and complainings; nor gives o'er Until her Fellow sunk, and reappear'd no more.	1807
... sank, ...	1820

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Footnote A: In 1807 and 1815 the title was Incident, Characteristic of a favourite Dog, which belonged to a Friend of the Author.—Ed.
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Contents 1805
Main Contents

Tribute to the Memory of the same Dog

Composed 1805.—Published 1807

The Poem

[Was written at the same time, 1805. The Dog Music died, aged and blind, by falling into a draw-well at Gallow] Hill, to the great grief of the family of the Hutchinsons, who, as has been before mentioned, had removed to that place from Sockburn.—I. F.]

One of the "Poems of Sentiment and Reflection."—Ed.

The Poem

text	variant	footnote	line number
Lie here, without a record of thy worth, Beneath a covering of the common earth! It is not from unwillingness to praise, Or want of love, that here no Stone we raise; More thou deserv'st; but this man gives to man, Brother to brother, this is all we can. Yet they to whom thy virtues made thee dear Shall find thee through all changes of the year: This Oak points out thy grave; the silent tree Will gladly stand a monument of thee. We grieved for thee, and wished thy end were past; And willingly have laid thee here at last: For thou hadst lived till every thing that cheers In thee had yielded to the weight of years; Extreme old age had wasted thee away, And left thee but a glimmering of the day; Thy ears were deaf, and feeble were thy knees,— I saw thee stagger in the summer breeze, Too weak to stand against its sportive breath, And ready for the gentlest stroke of death. It came, and we were glad; yet tears were shed; Both man and woman wept when thou wert dead; Not only for a thousand thoughts that were, Old household thoughts, in which thou hadst thy share; But for some precious boons vouchsafed to thee, Found scarcely any where in like degree! For love, that comes wherever life and sense Are given by God, in thee was most intense; A chain of heart, a feeling of the mind, A tender sympathy, which did thee bind Not only to us Men, but to thy Kind: Yea, for thy fellow-brutes in thee we saw A soul of love, love's intellectual law:— Hence, if we wept, it was not done in shame; Our tears from passion and from reason came, And, therefore, shalt thou be an honoured name! Contents 1805 Main Contents	1 2 3 4 5 6		5 10 15 20 25 30 35

Variant 1: In the editions of 1807 to 1820 the following lines began the poem. They were withdrawn in 1827.

Lie here sequester'd:—be this little mound
For ever thine, and be it holy ground!

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Variant 2:

1827
Beneath the ...	1807

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Variant 3:

But ...

MS.

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Variant 4:

1837
I pray'd for thee, and that thy end were past;	1807
I grieved for thee, and wished thy end were past;	1820

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Variant 5:

1837
For love, that comes to all; the holy sense, Best gift of God, in thee was most intense;	1807

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Variant 6:

1837
The soul ...	1807

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Contents 1805
Main Contents

To the Daisy (4)

Composed 1805.—Published 1815

Placed by Wordsworth among his "Epitaphs and Elegiac Pieces."—Ed.

The Poem

text	variant	footnote	line number
Sweet Flower! belike one day to have A place upon thy Poet's grave, I welcome thee once more: But He, who was on land, at sea, My Brother, too, in loving thee, Although he loved more silently, Sleeps by his native shore. Ah! hopeful, hopeful was the day When to that Ship he bent his way, To govern and to guide: His wish was gained: a little time Would bring him back in manhood's prime And free for life, these hills to climb; With all his wants supplied. And full of hope day followed day While that stout Ship at anchor lay Beside the shores of Wight; The May had then made all things green; And, floating there, in pomp serene, That Ship was goodly to be seen, His pride and his delight! Yet then, when called ashore, he sought The tender peace of rural thought: In more than happy mood To your abodes, bright daisy Flowers! He then would steal at leisure hours, And loved you glittering in your bowers, A starry multitude. But hark the word!—the ship is gone;— Returns from her long course:—anon Sets sail:—in season due, Once more on English earth they stand: But, when a third time from the land They parted, sorrow was at hand For Him and for his crew. Ill-fated Vessel!—ghastly shock! —At length delivered from the rock, The deep she hath regained; And through the stormy night they steer; Labouring for life, in hope and fear, To reach a safer shore—how near, Yet not to be attained! "Silence!" the brave Commander cried; To that calm word a shriek replied, It was the last death-shriek. —A few (my soul oft sees that sight) Survive upon the tall mast's height; But one dear remnant of the night— For Him in vain I seek. Six weeks beneath the moving sea He lay in slumber quietly; Unforced by wind or wave To quit the Ship for which he died, (All claims of duty satisfied;) And there they found him at her side; And bore him to the grave. Vain service! yet not vainly done For this, if other end were none, That He, who had been cast Upon a way of life unmeet For such a gentle Soul and sweet, Should find an undisturbed retreat Near what he loved, at last— That neighbourhood of grove and field To Him a resting-place should yield, A meek man and a brave! The birds shall sing and ocean make A mournful murmur for his sake; And Thou, sweet Flower, shalt sleep and wake Upon his senseless grave. Contents 1805 Main Contents	1 2 3 4		5 10 15 20 25 30 35 40 45 50 55 60 65 70

Variant 1:

1837
From her long course returns:— ...	1815

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Variant 2:

1837
Towards a safer shore— ...	1815

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Variant 3:

1837
—A few appear by morning light, Preserved upon the tall mast's height: Oft in my Soul I see that sight;	1815

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Variant 4: In the edition of 1827 and subsequent ones, Wordsworth here inserted a footnote, asking the reader to refer to No. VI. of the "Poems on the Naming of Places," beginning "When, to the attractions of the busy world," p. 66. His note of 1837 refers also to the poem which there precedes the present one, viz. the Elegiac Stanzas.—Ed.
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Contents 1805
Main Contents

Elegiac Stanzas^A

Composed 1805.—Published 1807

The Poem

[Sir George Beaumont painted two pictures of this subject, one of which he gave to Mrs. Wordsworth, saying she ought to have it; but Lady Beaumont interfered, and after Sir George's death she gave it to Sir Uvedale Price, at whose house at Foxley I have seen it.—I. F.]

Placed by Wordsworth among his "Epitaphs and Elegiac Pieces."—Ed.

The Poem

text	variant	footnote	line number
I was thy neighbour once, thou rugged Pile! Four summer weeks I dwelt in sight of thee: I saw thee every day; and all the while Thy Form was sleeping on a glassy sea. So pure the sky, so quiet was the air! So like, so very like, was day to day! Whene'er I looked, thy Image still was there; It trembled, but it never passed away. How perfect was the calm! it seemed no sleep; No mood, which season takes away, or brings: I could have fancied that the mighty Deep Was even the gentlest of all gentle Things. Ah! Then, if mine had been the Painter's hand, To express what then I saw; and add the gleam, The light that never was, on sea or land, The consecration, and the Poet's dream; I would have planted thee, thou hoary Pile Amid a world how different from this! Beside a sea that could not cease to smile; On tranquil land, beneath a sky of bliss. Thou shouldst have seemed a treasure-house divine Of peaceful years; a chronicle of heaven;— Of all the sunbeams that did ever shine The very sweetest had to thee been given. A Picture had it been of lasting ease, Elysian quiet, without toil or strife; No motion but the moving tide, a breeze, Or merely silent Nature's breathing life. Such, in the fond illusion of my heart, Such Picture would I at that time have made: And seen the soul of truth in every part, A stedfast peace that might not be betrayed. So once it would have been,—'tis so no more; I have submitted to a new control: A power is gone, which nothing can restore; A deep distress hath humanised my Soul. Not for a moment could I now behold A smiling sea, and be what I have been: The feeling of my loss will ne'er be old; This, which I know, I speak with mind serene. Then, Beaumont, Friend! who would have been the Friend, If he had lived, of Him whom I deplore, This work of thine I blame not, but commend; This sea in anger, and that dismal shore. O 'tis a passionate Work!—yet wise and well, Well chosen is the spirit that is here; That Hulk which labours in the deadly swell, This rueful sky, this pageantry of fear! And this huge Castle, standing here sublime, love to see the look with which it braves, Cased in the unfeeling armour of old time, The lightning, the fierce wind, and trampling waves. Farewell, farewell the heart that lives alone, Housed in a dream, at distance from the Kind! Such happiness, wherever it be known, Is to be pitied; for 'tis surely blind. But welcome fortitude, and patient cheer, And frequent sights of what is to be borne! Such sights, or worse, as are before me here.— Not without hope we suffer and we mourn. Note Contents 1805 Main Contents	1 2 3 4		5 10 15 20 25 30 35 40 45 50 55 60

Variant 1:

1807
and add a gleam, The lustre, known to neither sea nor land, But borrowed from the youthful Poet's dream;	1820
... the gleam, ...	1827

The edition of 1832 returns to the text of 1807.^a
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Variant 2:

1845
... a treasure-house, a mine	1807

The whole of this stanza was omitted in the editions of 1820-1843.
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Variant 3:

1815
... delusion ...	1807

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Variant 4:

1837
A faith, a trust, that could not be betray'd.	1807

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Footnote A: The original title, in MS, was Verses suggested, etc,—Ed.
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Footnote B: Miss Arnold wrote to me, in December 1893:

"I have never doubted that the Peele Castle of Wordsworth is the Piel off Walney Island. I know that my brother Matthew so believed, and I went with him some years ago from Furness Abbey over to Piel, visiting it as the subject of the picture and the poem."

Ed.
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Sub-Footnote a: Many years ago Principal Shairp wrote to me,

"Have you noted how the two lines, 'The light that never was,' etc., stood in the edition of 1827? I know no other such instance of a change from commonplace to perfection of ideality."

The Principal had not remembered at the time that the "perfection of ideality" was in the original edition of 1807. The curious thing is that the prosaic version of 1820 and 1827 ever took its place. Wordsworth's return to his original reading was one of the wisest changes he introduced into the text of 1832.—Ed.
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Note: There is a Peele Castle, on a small rocky island, close to the town of Peele, in the Isle of Man; yet separated from it, much as St. Michael's Mount in Cornwall is separated from the mainland. This castle was believed by many to be the one which Sir George painted, and which gave rise to the foregoing lines. I visited it in 1879, being then ignorant that any other Peele Castle existed; and although, the day being calm, and the season summer, I thought Sir George had idealized his subject much—(as I had just left Coleorton, where the picture still exists)—I accepted the customary opinion. But I am now convinced, both from the testimony of the Arnold family^B, and as the result of a visit to Piel Castle, near Barrow in Furness, that Wordsworth refers to it. The late Bishop of Lincoln, in his uncle's Memoirs (vol. i. p. 299), quotes the line

"I was thy neighbour once, thou rugged pile,"

and adds,

"He had spent four weeks there of a college summer vacation at the house of his cousin, Mr. Barker."

This house was at Rampside, the village opposite Piel, on the coast of Lancashire. The "rugged pile," too, now "cased in the unfeeling armour of old time," painted by Beaumont, is obviously this Piel Castle near Barrow. I took the engraving of his picture with me, when visiting it: and although Sir George—after the manner of landscape artists of his day—took many liberties with his subjects, it is apparent that it was this, and not Peele Castle in Mona, that he painted. The "four summer weeks" referred to in the first stanza, were those spent at Piel during the year 1794.

With the last verse of these Elegiac Stanzas compare stanzas ten and eleven of the Ode, Intimations of Immortality, vol. viii.

One of the two pictures of "Peele Castle in a Storm"—engraved by S. W. Reynolds, and published in the editions of Wordsworth's poems of 1815 and 1820—is still in the Beaumont Gallery at Coleorton Hall.

The poem is so memorable that I have arranged to make this picture of "Peele Castle in a Storm," the vignette to vol. xv. of this edition. It deserves to be noted that it was to the pleading of Barron Field that we owe the restoration of the original line of 1807,

'The light that never was, on sea or land.'

An interesting account of Piel Castle will be found in Hearne and Byrne's Antiquities. It was built by the Abbot of Furness in the first year of the reign of Edward III.—Ed.

Contents 1805
Main Contents

Elegiac Verses

**In Memory of My Brother, John Wordsworth, Commander of the E. I. Company's Ship, The Earl Of Abergavenny, in which He Perished by Calamitous Shipwreck, Feb. 6th, 1805.**

Composed 1805.—Published 1842

The Poem

Composed near the Mountain track, that leads from Grasmere through Grisdale Hawes, where it descends towards Patterdale.

["Here did we stop; and here looked round, While each into himself descends."

The point is two or three yards below the outlet of Grisedale Tarn, on a foot-road by which a horse may pass to Patterdale— a ridge of Helvellyn on the left, and the summit of Fairfield on the right.—I. F.]

This poem was included among the "Epitaphs and Elegiac Pieces."—Ed.

The Poem

stanza	text	variant	footnote	line number
I	The Sheep-boy whistled loud, and lo! That instant, startled by the shock, The Buzzard mounted from the rock Deliberate and slow: Lord of the air, he took his flight; Oh! could he on that woeful night Have lent his wing, my Brother dear, For one poor moment's space to Thee, And all who struggled with the Sea, When safety was so near.			5 10
II	Thus in the weakness of my heart I spoke (but let that pang be still) When rising from the rock at will, I saw the Bird depart. And let me calmly bless the Power That meets me in this unknown Flower, Affecting type of him I mourn! With calmness suffer and believe, And grieve, and know that I must grieve, Not cheerless, though forlorn.			15 20
III	Here did we stop; and here looked round While each into himself descends, For that last thought of parting Friends That is not to be found. Hidden was Grasmere Vale from sight, Our home and his, his heart's delight, His quiet heart's selected home. But time before him melts away, And he hath feeling of a day Of blessedness to come.			25 30
IV	Full soon in sorrow did I weep, Taught that the mutual hope was dust, In sorrow, but for higher trust, How miserably deep! All vanished in a single word, A breath, a sound, and scarcely heard. Sea—Ship—drowned—Shipwreck—so it came, The meek, the brave, the good, was gone; He who had been our living John Was nothing but a name.			35 40
V	That was indeed a parting! oh, Glad am I, glad that it is past; For there were some on whom it cast Unutterable woe. But they as well as I have gains;— From many a humble source, to pains Like these, there comes a mild release; Even here I feel it, even this Plant Is in its beauty ministrant To comfort and to peace.			45 50
VI	He would have loved thy modest grace, Meek Flower! To Him I would have said, "It grows upon its native bed Beside our Parting-place; There, cleaving to the ground, it lies With multitude of purple eyes, Spangling a cushion green like moss; But we will see it, joyful tide! Some day, to see it in its pride, The mountain will we cross."			55 60
VII	—Brother and friend, if verse of mine Have power to make thy virtues known, Here let a monumental Stone Stand—sacred as a Shrine; And to the few who pass this way, Traveller or Shepherd, let it say, Long as these mighty rocks endure,— Oh do not Thou too fondly brood, Although deserving of all good, On any earthly hope, however pure! Note Contents 1805 Main Contents		A	65 70

Footnote A: See 2nd vol. of the Author's Poems, page 298, and 5th vol., pages 311 and 314, among Elegiac Pieces.—W. W. 1842.

These poems are those respectively beginning:

"When, to the attractions of the busy world ..."

"I was thy neighbour once, thou rugged Pile! ..."

"Sweet Flower! belike one day to have ..."

Ed.
return to footnote mark

Note: The plant alluded to is the Moss Campion (Silene acaulis, of Linnæus). See note at the end of the volume.—W. W. 1842.

See among the "Poems on the Naming of Places," No. VI.—W. W. 1845.

The note is as follows:

"Moss Campion (Silene acaulis). This most beautiful plant is scarce in England, though it is found in great abundance upon the mountains of Scotland. The first specimen I ever saw of it in its native bed was singularly fine, the tuft or cushion being at least eight inches diameter, and the root proportionably thick. I have only met with it in two places among our mountains, in both of which I have since sought for it in vain.

Botanists will not, I hope, take it ill, if I caution them against carrying off inconsiderately rare and beautiful plants. This has often been done, particularly from Ingleborough and other mountains in Yorkshire, till the species have totally disappeared, to the great regret of lovers of nature living near the places where they grew."—W. W. 1842.

See also The Prelude, book xiv. 1. 419, p. 379.—Ed.

This poem underwent no change in successive editions.

At a meeting of "The Wordsworth Society" held at Grasmere, in July 1881, it was proposed by one of the members, the Rev. H. D. Rawnsley, then Vicar of Wray, to erect some memorial at the parting-place of the brothers. The brothers John and William Wordsworth parted at Grisedale Tarn, on the 29th September 1800. The originator of the idea wrote thus of it in June 1882:

"A proposition, made by one of its members to the Wordsworth Society when it met in Grasmere in 1881, to mark the spot in the Grisedale Pass of Wordsworth's parting from his brother John—and to carry out a wish the poet seems to have hinted at in the last of his elegiac verses in memory of that parting—is now being put into effect. It has been determined, after correspondence with Lord Coleridge, Dr. Cradock, Professor Knight, and Mr. Hills, to have inscribed —(on the native rock, if possible)—the first four lines of Stanzas III. and VII. of these verses:

'Here did we stop; and here looked round
While each into himself descends,
For that last thought of parting Friends
That is not to be found.
...
Brother and friend, if verse of mine
Have power to make thy virtues known,
Here let a monumental Stone
Stand—sacred as a Shrine.'

The rock selected is a fine mass, facing the east, on the left of the track as one descends from Grisedale Tarn towards Patterdale, and is about 100 yards from the tarn. No more suitable one can be found, and we have the testimony of Mr. David Richardson of Newcastle, who has practical knowledge of engineering, that it is the fittest, both from shape and from slight incline of plane.

It has been proposed to sink a panel in the face of the rock, that so the inscription may be slightly protected, and to engrave the letters upon the face of the panel thus obtained. But it is not quite certain yet that the grain of the rock— volcanic ash—will admit of the lettering. If this cannot be carried out, it has been determined to have the letters engraved upon a slab of Langdale slate, and imbed it in the Grisedale Rock.

It is believed that the simplicity of the design, the lonely isolation of this mountain memorial, will appeal at once

' ... to the few who pass this way,
Traveller or Shepherd.'

And we in our turn appeal to English tourists who may chance to see it, to forego the wish of adding to it, or taking anything from it, by engraving their own names; and to let the Monumental Stone stand, as the poet wished it might

' ... stand, sacred as a Shrine.'

We owe great thanks to Mrs. Sturge for first surveying the place, to ascertain the possibility of finding a mountain rock sufficiently striking in position; to Mr. Richardson, jun., for his etching of the rock, upon which the inscription is to be made; to his father for the kind trouble he took in the measurement of the said rock; and particularly to the seconder of the original proposal, and my coadjutor in the task of final selection and superintending the work, Mr. W. H. Hills. H. D. Rawnsley. P. S.—When we came to examine the rock, we found the area for the panel less than we had hoped for, owing to certain rock fissures, which, by acting as drains for the rainwater on the surface, would have much interfered with the durability of the inscription. The available space for the panel remains 3 feet 7 in length by 1 foot 9 inches in depth. Owing to the fineness of the grain of the stone, it may be quite possible to letter the native rock; but it has been difficult to fix on a style of lettering for the inscription that shall be at once in good taste, forcible, and plain. It was proposed that the Script type of letter which was made use of in the inscription cut on the rock, in the late Mr. Ball's garden grounds below the Mount at Rydal, should be adopted; but a final decision has been given in favour of a style of lettering which Mrs. Rawnsley has designed. The panel is, from its position, certain to attract the eye of the wanderer from Patterdale up to the Grisedale Pass.

H. D. R."

See the note to The Waggoner, p. 112, referring to the Rock of Names, on the shore of Thirlmere.

The following extract from Recollections from 1803 to 1837, with a Conclusion in 1868, by the Hon. Amelia Murray (London: Longmans, Green, and Co. 1868)—refers to the loss of the Abergavenny:

"One morning, coming down early, I saw what I thought was a great big ship without any hull. This was the Abergavenny, East Indiaman, which had sunk with all sails set, hardly three miles from the shore, and all on board perished.

Had any of the crew taken refuge in the main-top, they might have been saved; but the bowsprit, which was crowded with human beings, gave a lurch into the sea as the ship settled down, and thus all were washed off—though the timber appeared again above water when the 'Abergavenny' touched the ground. The ship had sprung a leak off St. Alban's Head; and in spite of pumps, she went to the bottom just within reach of safety."

pp. 12, 13.

A Narrative of the loss of the "Earl of Abergavenny" East Indiaman, off Portland, Feb. 5, 1805, was published in pamphlet form (8vo, 1805), by Hamilton and Bird, 21 High Street, Islington.

For much in reference to John Wordsworth, which illustrates both these Elegiac Verses, and the poem "On the Naming of Places" which follows them, I must refer to his Life to be published in another volume of this series; but there is one letter of Dorothy Wordsworth's, written to her friend Miss Jane Pollard (afterwards Mrs. Marshall), in reference to her brother's death, which may find a place here. For the use of it I am indebted to the kindness of Mrs. Marshall's daughter, the Dowager Lady Monteagle:

"March 16th, 1805. Grasmere.

"... It does me good to weep for him, and it does me good to find that others weep, and I bless them for it. ... It is with me, when I write, as when I am walking out in this vale, once so full of joy. I can turn to no object that does not remind me of our loss. I see nothing that he would not have loved, and enjoyed.... My consolations rather come to me in gusts of feeling, than are the quiet growth of my mind. I know it will not always be so. The time will come when the light of the setting sun upon these mountain tops will be as heretofore a pure joy; not the same gladness, that can never be—but yet a joy even more tender. It will soothe me to know how happy he would have been, could he have seen the same beautiful spectacle.... He was taken away in the freshness of his manhood; pure he was, and innocent as a child. Never human being was more thoroughly modest, and his courage I need not speak of. He was 'seen speaking with apparent cheerfulness to the first mate a few minutes before the ship went down;' and when nothing more could be done, He said, 'the will of God be done.' I have no doubt when he felt that it was out of his power to save his life he was as calm as before, if some thought of what we should endure did not awaken a pang.... He loved solitude, and he rejoiced in society. He would wander alone amongst these hills with his fishing-rod, or led on by the mere pleasure of walking, for many hours; or he would walk with W. or me, or both of us, and was continually pointing out—with a gladness which is seldom seen but in very young people—something which perhaps would have escaped our observation; for he had so fine an eye that no distinction was unnoticed by him, and so tender a feeling that he never noticed anything in vain. Many a time has he called out to me at evening to look at the moon or stars, or a cloudy sky, or this vale in the quiet moonlight; but the stars and moon were his chief delight. He made of them his companions when he was at sea, and was never tired of those thoughts which the silence of the night fed in him. Then he was so happy by the fireside. Any little business of the house interested him. He loved our cottage. He helped us to furnish it, and to make the garden. Trees are growing now which he planted.... He staid with us till the 29th of September, having come to us about the end of January. During that time Mary Hutchinson—now Mary Wordsworth—staid with us six weeks. John used to walk with her everywhere, and they were exceedingly attached to each other; so my poor sister mourns with us, not merely because we have lost one who was so dear to William and me, but from tender love to John and an intimate knowledge of him. Her hopes as well as ours were fixed on John.... I can think of nothing but of our departed Brother, yet I am very tranquil to-day. I honour him, and love him, and glory in his memory...."

Southey, writing to his friend, C. W. W. Wynn, on the 3rd of April 1805, says:

"Dear Wynn,

I have been grievously shocked this evening by the loss of the Abergavenny, of which Wordsworth's brother was captain. Of course the news came flying up to us from all quarters, and it has disordered me from head to foot. At such circumstances I believe we feel as much for others as for ourselves; just as a violent blow occasions the same pain as a wound, and he who breaks his shin feels as acutely at the moment as the man whose leg is shot off. In fact, I am writing to you merely because this dreadful shipwreck has left me utterly unable to do anything else. It is the heaviest calamity Wordsworth has ever experienced, and in all probability I shall have to communicate it to him, as he will very likely be here before the tidings can reach him. What renders any near loss of this kind so peculiarly distressing is, that the recollection is perpetually freshened when any like event occurs, by the mere mention of shipwreck, or the sound of the wind. Of all deaths it is the most dreadful, from the circumstances of terror which accompany it...."

(See The Life and Correspondence of Robert Southey, vol. ii. p. 321.)

The following is part of a letter from Mary Lamb to Dorothy Wordsworth on the same subject. It is undated:

"My Dear Miss Wordsworth,—

I wished to tell you that you would one day feel the kind of peaceful state of mind and sweet memory of the dead, which you so happily describe, as now almost begun; but I felt that it was improper, and most grating to the feelings of the afflicted, to say to them that the memory of their affliction would in time become a constant part, not only of their dreams, but of their most wakeful sense of happiness. That you would see every object with and through your lost brother, and that that would at last become a real and everlasting source of comfort to you, I felt, and well knew, from my own experience in sorrow; but till you yourself began to feel this, I did not dare to tell you so; but I send you some poor lines, which I wrote under this conviction of mind, and before I heard Coleridge was returning home.

...

"Why is he wandering on the sea?—
Coleridge should now with Wordsworth be.
By slow degrees he'd steal away
Their woes, and gently bring a ray
(So happily he'd time relief,)
Of comfort from their very grief.
He'd tell them that their brother dead,
When years have passed o'er their head,
Will be remembered with such holy,
True and tender melancholy,
That ever this lost brother John
Will be their heart's companion.
His voice they'll always hear,
His face they'll always see;
There's naught in life so sweet
As such a memory."

(See Final Memorials of Charles Lamb, by Thomas Noon Talfourd, vol. ii. pp. 233, 234.)—Ed.

Contents 1805
Main Contents

When, to the Attractions of the Busy World"

Composed 1800 to 1805.—Published 1815

The Poem

[The grove still exists; but the plantation has been walled in, and is not so accessible as when my brother John wore the path in the manner here described. The grove was a favourite haunt with us all while we lived at Town-end.—I. F.]

This was No. VI. of the "Poems on the Naming of Places." For several suggested changes in MS. see Appendix I. p. 385.—Ed.

The Poem

text	variant	footnote	line number
When, to the attractions of the busy world, Preferring studious leisure, I had chosen A habitation in this peaceful Vale, Sharp season followed of continual storm In deepest winter; and, from week to week, Pathway, and lane, and public road, were clogged With frequent showers of snow. Upon a hill At a short distance from my cottage, stands A stately Fir-grove, whither I was wont To hasten, for I found, beneath the roof Of that perennial shade, a cloistral place Of refuge, with an unincumbered floor. Here, in safe covert, on the shallow snow, And, sometimes, on a speck of visible earth, The redbreast near me hopped; nor was I loth To sympathise with vulgar coppice birds That, for protection from the nipping blast, Hither repaired.—A single beech-tree grew Within this grove of firs! and, on the fork Of that one beech, appeared a thrush's nest; A last year's nest, conspicuously built At such small elevation from the ground As gave sure sign that they, who in that house Of nature and of love had made their home Amid the fir-trees, all the summer long Dwelt in a tranquil spot. And oftentimes, A few sheep, stragglers from some mountain-flock, Would watch my motions with suspicious stare, From the remotest outskirts of the grove,— Some nook where they had made their final stand, Huddling together from two fears—the fear Of me and of the storm. Full many an hour Here did I lose. But in this grove the trees Had been so thickly planted, and had thriven In such perplexed and intricate array; That vainly did I seek, beneath their stems A length of open space, where to and fro My feet might move without concern or care; And, baffled thus, though earth from day to day Was fettered, and the air by storm disturbed, I ceased the shelter to frequent,—and prized, Less than I wished to prize, that calm recess. The snows dissolved, and genial Spring returned To clothe the fields with verdure. Other haunts Meanwhile were mine; till, one bright April day, By chance retiring from the glare of noon To this forsaken covert, there I found A hoary pathway traced between the trees, And winding on with such an easy line Along a natural opening, that I stood Much wondering how I could have sought in vain For what was now so obvious. To abide, For an allotted interval of ease, Under my cottage-roof, had gladly come From the wild sea a cherished Visitant; And with the sight of this same path—begun, Begun and ended, in the shady grove, Pleasant conviction flashed upon my mind That, to this opportune recess allured, He had surveyed it with a finer eye, A heart more wakeful; and had worn the track By pacing here, unwearied and alone, In that habitual restlessness of foot That haunts the Sailor measuring o'er and o'er His short domain upon the vessel's deck, While she pursues her course through the dreary sea. When thou hadst quitted Esthwaite's pleasant shore, And taken thy first leave of those green hills And rocks that were the play-ground of thy youth, Year followed year, my Brother! and we two, Conversing not, knew little in what mould Each other's mind was fashioned; and at length When once again we met in Grasmere Vale, Between us there was little other bond Than common feelings of fraternal love. But thou, a School-boy, to the sea hadst carried Undying recollections; Nature there Was with thee; she, who loved us both, she still Was with thee; and even so didst thou become A silent Poet; from the solitude Of the vast sea didst bring a watchful heart Still couchant, an inevitable ear, And an eye practised like a blind man's touch. —Back to the joyless Ocean thou art gone; Nor from this vestige of thy musing hours Could I withhold thy honoured name,—and now I love the fir-grove with a perfect love. Thither do I withdraw when cloudless suns Shine hot, or wind blows troublesome and strong; And there I sit at evening, when the steep Of Silver-how, and Grasmere's peaceful lake, And one green island, gleam between the stems Of the dark firs, a visionary scene! And, while I gaze upon the spectacle Of clouded splendour, on this dream-like sight Of solemn loveliness, I think on thee, My Brother, and on all which thou hast lost. Nor seldom, if I rightly guess, while Thou, Muttering the verses which I muttered first Among the mountains, through the midnight watch Art pacing thoughtfully the vessel's deck In some far region, here, while o'er my head, At every impulse of the moving breeze, The fir-grove murmurs with a sea-like sound, Alone I tread this path;—for aught I know, Timing my steps to thine; and, with a store Of undistinguishable sympathies, Mingling most earnest wishes for the day When we, and others whom we love, shall meet A second time, in Grasmere's happy Vale. Note Contents 1805 Main Contents	1 2 3 4 5 6 7 8 9 10 11 12 13 14	A B	5 10 15 20 25 30 35 40 45 50 55 60 65 70 75 80 85 90 95 100 105 110

Variant 1:

1836
... between ...	1815

return

Variant 2:

1836
And, baffled thus, before the storm relaxed, I ceased that Shelter to frequent,—	1815
... the shelter ...	1827

return

Variant 3:

1827
Much wondering at my own simplicity How I could e'er have made a fruitless search	1815

return

Variant 4:

date
... At the sight Conviction also flashed upon my mind That this same path (within the shady grove Begun and ended) by my Brother's steps Had been impressed.— ...	These additional lines appeared only in 1815 and 1820.

return

Variant 5:

1845
... To sojourn a short while Beneath my roof He from the barren seas Had newly come—a cherished Visitant!	1815
... To abide, For an allotted interval of ease, Beneath my cottage roof, had newly come From the wild sea a cherished Visitant;	1827
Beneath my cottage roof, had gladly come	1840
... had meanwhile come	C.^a

return

Variant 6: This and the previous line were added in 1827.
return

Variant 7:

1827
And much did it delight me to perceive	1815

return

Variant 8:

1827
A heart more wakeful; that, more both to part From place so lovely, he had worn the track	1815

return

Variant 9:

1845
With which the Sailor measures ...	1815

return

Variant 10:

1845
While she is travelling ...	1815

return

Variant 11:

1836
... minds were fashioned;...	1815

return

Variant 12:

1827
... art gone; And now I call the path-way by thy name, And love the fir-grove	1815

return

Variant 13:

1827
... placid ...	1815

return

Variant 14:

1827
Art pacing to and fro ...	1815

return

Footnote A: Compare Daniel's Hymens Triumph, ii. 4:

'And where no sun could see him, where no eye
Might overlook his lonely privacy;
There in a path of his own making, trod
Rare as a common way, yet led no way
Beyond the turns he made.'

Ed.
return to footnote mark

Footnote B: Compare the line in Coleridge's Hymn before Sun-rise, in the Vale of Chamouni:

'Ye pine groves with your soft and soul-like sound,'

Ed.
return

Sub-Footnote a: In the late Lord Coleridge's copy of the edition of 1836, there is a footnote in Wordsworth's handwriting to the word "meanwhile" which is substituted for "newly." "If newly come, could he have traced a visible path?"—Ed.
return to footnote mark

Note: This wish was not granted; the lamented Person, not long after, perished by shipwreck, in discharge of his duty as Commander of the Honourable East India Company's Vessel, the Earl of Abergavenny.—W. W. 1815.

For the date of this poem in the Chronological Tables given in the editions of 1815 and 1820, Wordsworth assigned the year 1802. But, in the edition of 1836, he assigned it to the year 1805, the date retained by Mr. Carter in the edition of 1857. Captain Wordsworth perished on the 5th of February 1805; and if the poem was written in 1805, it must have been in the month of January of that year. The note to the poem is explicit—"Not long after" he "perished by shipwreck," etc. Thus the poem may have been written in the beginning of 1805; but it is not at all certain that part of it at least does not belong to an earlier year. John Wordsworth lived with his brother and sister at the Town-end Cottage, Grasmere, during part of the winter, and during the whole of the spring, summer, and autumn of 1800, William and John going together on foot into Yorkshire from the 14th of May to the 7th of June. John left Grasmere on Michaelmas day (September 29th) 1800, and never returned to it again. The following is Miss Wordsworth's record of that day in her Journal of 1800:

"On Monday, 29th, John left us. William and I parted with him in sight of Ullswater. It was a fine day, showery, but with sunshine and fine clouds. Poor fellow, my heart was right sad, I could not help thinking we should see him again, because he was only going to Penrith."

In the spring of 1801, John Wordsworth sailed for China in the Abergavenny. He returned from this voyage in safety, and the brothers met once again in London. He went to sea again in 1803, and returned to London in 1804, but could not visit Grasmere; and in the month of February 1805—shortly after he was appointed to the command of the Abergavenny— the ship was lost at the Bill of Portland, and every one on board perished. It is clear that the latter part of the poem, "When, to the attractions of the busy world," was written between John Wordsworth's departure from Grasmere and the loss of the Abergavenny, i. e. between September 1800 and February 1805, as there are references in it both to what his brother did at Grasmere and to his return to sea:

'Back to the joyless Ocean thou art gone.'

There are some things in the earlier part of the poem that appear to negative the idea of its having been written in 1800. The opening lines seem to hint at an experience somewhat distant. He speaks of being "wont" to do certain things. But, on the other hand, I find an entry in Dorothy Wordsworth's Journal, which leads me to believe that the poem may have been begun in 1800, and that the first part, ending (as it did then) with the line:

'While she is travelling through the dreary sea,'

may have been finished before John Wordsworth left Grasmere; the second part being written afterwards, while he was at sea; and that this is the explanation of the date given in the editions of 1815 and 1820, viz. 1802.

Passages occur in Dorothy Wordsworth's Journal to the following effect:

"Monday Morning, 1st September.—We walked in the wood by the lake. William read Joanna and the Firgrove to Coleridge."

A little earlier there is the record,

"Saturday, 22nd August.—William was composing all the morning.... William read us the poem of Joanna beside the Rothay by the roadside."

Then, on Friday, the 25th August, there is the entry,

"We walked over the hill by the Firgrove, I sate upon a rock and observed a flight of swallows gathering together high above my head. We walked through the wood to the stepping stones, the lake of Rydale very beautiful, partly still, I left William to compose an inscription, that about the path...."

Then, next day,

"Saturday morning, 30th August.—William finished his inscription of the Pathway, then walked in the wood, and when John returned he sought him, and they bathed together."

To what poem Dorothy Wordsworth referred under the name of the "Inscription of the Pathway" has puzzled me much. There is no poem amongst his "Inscriptions" (written in or before August 1800) that corresponds to it in the least. But, if my conjecture is right that this "Poem on the Naming of Places," beginning:

'When, to the attractions of the busy world,'

was composed at two different times, it is quite possible that "the Firgrove" which was read—along with Joanna—to Coleridge on September lst, 1800, was the first part of this very poem.

If this supposition is correct, some light is cast both on the "Inscription of the Pathway." and on the date assigned by Wordsworth himself to the poem. There is a certain fitness, however, in this poem being placed—as it now is—in sequence to the Elegiac Verses in memory of John Wordsworth, beginning, "The Sheep-boy whistled loud," and near the fourth poem To the Daisy, beginning, "Sweet Flower! belike one day to have."

The "Fir-grove" still exists. It is between Wishing Gate and White Moss Common, and almost exactly opposite the former. Standing at the gate and looking eastwards, the grove is to the left, not forty yards distant. Some of the firs (Scotch ones) still survive, and several beech trees, not "a single beech-tree," as in the poem. From this, one might infer that the present colony had sprung up since the beginning of the century, and that the special tree, in which was the thrush's nest, had perished; but Dr. Cradock wrote to me that "Wordsworth pointed out the tree to Miss Cookson a few days before Dora Wordsworth's death. The tree is near the upper wall and tells its own tale." The Fir-grove—"John's Grove"— can easily be entered by a gate about a hundred yards beyond the Wishing-gate, as one goes toward Rydal. The view from it, the "visionary scene,"

'the spectacle
Of clouded splendour, ... this dream-like sight
Of solemn loveliness,'

is now much interfered with by the new larch plantations immediately below the firs. It must have been very different in Wordsworth's time, and is constantly referred to in his sister's Journal as a favourite retreat, resorted to

'when cloudless suns
'Shone hot, or wind blew troublesome and strong.'

In the absence of contrary testimony, it might be supposed that "the track" which the brother had "worn,"

'By pacing here, unwearied and alone,'

faced Silver-How and the Grasmere Island, and that the single beech tree was nearer the lower than the upper wall. But Miss Cookson's testimony is explicit. Only a few fir trees survive at this part of the grove, which is now open and desolate, not as it was in those earlier days, when

'the trees
Had been so thickly planted, and had thriven
With such perplexed and intricate array,
That vainly did I seek, beneath their stems
A length of open space ...'

Dr. Cradock remarks,

"As to there being more than one beech, Wordsworth would not have hesitated to sacrifice servile exactness to poetical effect." He had a fancy for "one":

'Fair as a star when only one
Is shining in the sky;'

"'One' abode, no more;" Grasmere's "one green island;" "one green field."

Since the above note was printed, new light has been cast on the "Inscription of the Pathway," for which see volume viii. of this edition.—Ed.

Contents 1805
Main Contents

The Cottager to her Infant

By my Sister

Composed 1805.—Published 1815

[Suggested to her, while beside my sleeping children.—I. F.]

One of the "Poems founded on the Affections."—Ed.

The Poem

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The days are cold, the nights are long, The north-wind sings a doleful song; Then hush again upon my breast; All merry things are now at rest, Save thee, my pretty Love! The kitten sleeps upon the hearth, The crickets long have ceased their mirth; There's nothing stirring in the house Save one wee, hungry, nibbling mouse, Then why so busy thou? Nay! start not at that sparkling light; 'Tis but the moon that shines so bright On the window pane bedropped with rain: Then, little Darling! sleep again, And wake when it is day. Note Contents 1805 Main Contents			5 10 15

Note: This poem underwent no change in successive editions. The title in all the earlier ones (1815 to 1843) was The Cottager to her Infant. By a Female Friend; and in the preface to the edition of 1815, Wordsworth wrote,

"Three short pieces (now first published) are the work of a Female Friend; ... if any one regard them with dislike, or be disposed to condemn them, let the censure fall upon him, who, trusting in his own sense of their merit, and their fitness for the place which they occupy, extorted them from the Authoress."

In the edition of 1845, he disclosed the authorship; and gave the more natural title, By my Sister. Other two poems by her were introduced into the edition of 1815, and subsequent ones, viz. the Address to a Child, and The Mother's Return. In an appendix to a MS. copy of the Recollections of a Tour made in Scotland, by Dorothy Wordsworth, transcribed by Mrs. Clarkson, I find the poem 'The Cottager to her Infant' with two additional stanzas, which are there attributed to Wordsworth. The appendix runs thus:

"To my Niece Dorothy, a sleepless Baby

The Cottager to Her Infant

(The third and fourth stanzas which follow by W. W.)

'Ah! if I were a lady gay
I should not grieve with thee to play;
Right gladly would I lie awake
Thy lively spirits to partake,
And ask no better cheer.

But, Babe! there's none to work for me.
And I must rise to industry;
Soon as the cock begins to crow
Thy mother to the fold must go
To tend the sheep and kine.'"

Ed.

Contents 1805
Main Contents

The Waggoner^A

Composed 1805.—Published 1819

The Poem

[Written at Town-end, Grasmere. The characters and story from fact.—I. F.]

"In Cairo's crowded streets
The impatient Merchant, wondering, waits in vain,
And Mecca saddens at the long delay."

Thomson.^B

To Charles Lamb, Esq.

My Dear Friend,

When I sent you, a few weeks ago, the Tale of Peter Bell, you asked "why The Waggoner was not added?"—To say the truth,—from the higher tone of imagination, and the deeper touches of passion aimed at in the former, I apprehended, this little Piece could not accompany it without disadvantage. In the year 1806, if I am not mistaken, The Waggoner was read to you in manuscript; and, as you have remembered it for so long a time, I am the more encouraged to hope, that, since the localities on which it partly depends did not prevent its being interesting to you, it may prove acceptable to others. Being therefore in some measure the cause of its present appearance, you must allow me the gratification of inscribing it to you; in acknowledgment of the pleasure I have derived from your Writings, and of the high esteem with which I am Very truly yours, William Wordsworth.

Rydal Mount, May 20th, 1819.

Canto the First

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'Tis spent—this burning day of June! Soft darkness o'er its latest gleams is stealing; The buzzing dor-hawk, round and round, is wheeling,— That solitary bird Is all that can be heard In silence deeper far than that of deepest noon! Confiding Glow-worms, 'tis a night Propitious to your earth-born light! But, where the scattered stars are seen In hazy straits the clouds between, Each, in his station twinkling not, Seems changed into a pallid spot. The mountains against heaven's grave weight Rise up, and grow to wondrous height. The air, as in a lion's den, Is close and hot;—and now and then Comes a tired and sultry breeze With a haunting and a panting, Like the stifling of disease; But the dews allay the heat, And the silence makes it sweet. Hush, there is some one on the stir! 'Tis Benjamin the Waggoner; Who long hath trod this toilsome way, Companion of the night and day. That far-off tinkling's drowsy cheer, Mix'd with a faint yet grating sound In a moment lost and found, The Wain announces—by whose side Along the banks of Rydal Mere He paces on, a trusty Guide,— Listen! you can scarcely hear! Hither he his course is bending;— Now he leaves the lower ground, And up the craggy hill ascending Many a stop and stay he makes, Many a breathing-fit he takes;— Steep the way and wearisome, Yet all the while his whip is dumb! The Horses have worked with right good-will, And so have gained the top of the hill; He was patient, they were strong, And now they smoothly glide along, Recovering breath, and pleased to win The praises of mild Benjamin. Heaven shield him from mishap and snare! But why so early with this prayer? Is it for threatenings in the sky? Or for some other danger nigh? No; none is near him yet, though he Be one of much infirmity; For at the bottom of the brow, Where once the Dove and Olive-bough Offered a greeting of good ale To all who entered Grasmere Vale; And called on him who must depart To leave it with a jovial heart; There, where the Dove and Olive-bough Once hung, a Poet harbours now, A simple water-drinking Bard; Why need our Hero then (though frail His best resolves) be on his guard? He marches by, secure and bold; Yet while he thinks on times of old, It seems that all looks wondrous cold; He shrugs his shoulders, shakes his head, And, for the honest folk within, It is a doubt with Benjamin Whether they be alive or dead! Here is no danger,—none at all! Beyond his wish he walks secure; But pass a mile—and then for trial,— Then for the pride of self-denial; If he resist that tempting door, Which with such friendly voice will call; If he resist those casement panes, And that bright gleam which thence will fall Upon his Leaders' bells and manes, Inviting him with cheerful lure: For still, though all be dark elsewhere, Some shining notice will be there Of open house and ready fare. The place to Benjamin right well Is known, and by as strong a spell As used to be that sign of love And hope—the Olive-bough and Dove; He knows it to his cost, good Man! Who does not know the famous Swan? Object uncouth! and yet our boast, For it was painted by the Host; His own conceit the figure planned, 'Twas coloured all by his own hand; And that frail Child of thirsty clay, Of whom I sing this rustic lay, Could tell with self-dissatisfaction Quaint stories of the bird's attraction! Well! that is past—and in despite Of open door and shining light. And now the conqueror essays The long ascent of Dunmail-raise; And with his team is gentle here As when he clomb from Rydal Mere; His whip they do not dread—his voice They only hear it to rejoice. To stand or go is at their pleasure; Their efforts and their time they measure By generous pride within the breast; And, while they strain, and while they rest, He thus pursues his thoughts at leisure. Now am I fairly safe to-night— And with proud cause my heart is light: I trespassed lately worse than ever— But Heaven has blest a good endeavour; And, to my soul's content, I find The evil One is left behind. Yes, let my master fume and fret, Here am I—with my horses yet! My jolly team, he finds that ye Will work for nobody but me! Full proof of this the Country gained; It knows how ye were vexed and strained, And forced unworthy stripes to bear, When trusted to another's care. Here was it—on this rugged slope, Which now ye climb with heart and hope, I saw you, between rage and fear, Plunge, and fling back a spiteful ear, And ever more and more confused, As ye were more and more abused: As chance would have it, passing by I saw you in that jeopardy: A word from me was like a charm; Ye pulled together with one mind; And your huge burthen, safe from harm, Moved like a vessel in the wind! —Yes, without me, up hills so high 'Tis vain to strive for mastery. Then grieve not, jolly team! though tough The road we travel, steep, and rough; Though Rydal-heights and Dunmail-raise, And all their fellow banks and braes, Full often make you stretch and strain, And halt for breath and halt again, Yet to their sturdiness 'tis owing That side by side we still are going! While Benjamin in earnest mood His meditations thus pursued, A storm, which had been smothered long, Was growing inwardly more strong; And, in its struggles to get free, Was busily employed as he. The thunder had begun to growl— He heard not, too intent of soul; The air was now without a breath— He marked not that 'twas still as death. But soon large rain-drops on his head Fell with the weight of drops of lead;— He starts—and takes, at the admonition, A sage survey of his condition. The road is black before his eyes, Glimmering faintly where it lies; Black is the sky—and every hill, Up to the sky, is blacker still— Sky, hill, and dale, one dismal room, Hung round and overhung with gloom; Save that above a single height Is to be seen a lurid light, Above Helm-crag—a streak half dead, A burning of portentous red; And near that lurid light, full well The Astrologer, sage Sidrophel, Where at his desk and book he sits, Puzzling aloft his curious wits; He whose domain is held in common With no one but the Ancient Woman, Cowering beside her rifted cell, As if intent on magic spell;- Dread pair, that, spite of wind and weather, Still sit upon Helm-crag together! The Astrologer was not unseen By solitary Benjamin; But total darkness came anon, And he and every thing was gone: And suddenly a ruffling breeze, (That would have rocked the sounding trees Had aught of sylvan growth been there) Swept through the Hollow long and bare: The rain rushed down—the road was battered, As with the force of billows shattered; The horses are dismayed, nor know Whether they should stand or go; And Benjamin is groping near them, Sees nothing, and can scarcely hear them. He is astounded,—wonder not,— With such a charge in such a spot; Astounded in the mountain gap With thunder-peals, clap after clap, Close-treading on the silent flashes— And somewhere, as he thinks, by crashes Among the rocks; with weight of rain, And sullen motions long and slow, That to a dreary distance go— Till, breaking in upon the dying strain, A rending o'er his head begins the fray again. Meanwhile, uncertain what to do, And oftentimes compelled to halt, The horses cautiously pursue Their way, without mishap or fault; And now have reached that pile of stones, Heaped over brave King Dunmail's bones; He who had once supreme command, Last king of rocky Cumberland; His bones, and those of all his Power, Slain here in a disastrous hour! When, passing through this narrow strait, Stony, and dark, and desolate, Benjamin can faintly hear A voice that comes from some one near, A female voice:—"Whoe'er you be, Stop," it exclaimed, "and pity me!" And, less in pity than in wonder, Amid the darkness and the thunder, The Waggoner, with prompt command, Summons his horses to a stand. While, with increasing agitation, The Woman urged her supplication, In rueful words, with sobs between— The voice of tears that fell unseen; There came a flash—a startling glare, And all Seat-Sandal was laid bare! 'Tis not a time for nice suggestion, And Benjamin, without a question, Taking her for some way-worn rover, Said, "Mount, and get you under cover!" Another voice, in tone as hoarse As a swoln brook with rugged course, Cried out, "Good brother, why so fast? I've had a glimpse of you—'avast!' Or, since it suits you to be civil, Take her at once—for good and evil!" "It is my Husband," softly said The Woman, as if half afraid: By this time she was snug within, Through help of honest Benjamin; She and her Babe, which to her breast With thankfulness the Mother pressed; And now the same strong voice more near Said cordially, "My Friend, what cheer? Rough doings these! as God's my judge, The sky owes somebody a grudge! We've had in half an hour or less A twelvemonth's terror and distress!" Then Benjamin entreats the Man Would mount, too, quickly as he can: The Sailor—Sailor now no more, But such he had been heretofore— To courteous Benjamin replied, "Go you your way, and mind not me; For I must have, whate'er betide, My Ass and fifty things beside,— Go, and I'll follow speedily!" The Waggon moves—and with its load Descends along the sloping road; And the rough Sailor instantly Turns to a little tent hard by: For when, at closing-in of day, The family had come that way, Green pasture and the soft warm air Tempted them to settle there.— Green is the grass for beast to graze, Around the stones of Dunmail-raise! The Sailor gathers up his bed, Takes down the canvass overhead; And, after farewell to the place, A parting word—though not of grace, Pursues, with Ass and all his store, The way the Waggon went before.	1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34	C D E	5 10 15 20 25 30 35 40 45 50 55 60 65 70 75 80 85 90 95 100 105 110 115 120 125 130 135 140 145 150 155 160 165 170 175 180 185 190 195 200 205 210 215 220 225 230 235 240 245 250 255 260 265 270 275

Canto Second

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If Wytheburn's modest House of prayer, As lowly as the lowliest dwelling, Had, with its belfry's humble stock, A little pair that hang in air, Been mistress also of a clock, (And one, too, not in crazy plight) Twelve strokes that clock would have been telling Under the brow of old Helvellyn— Its bead-roll of midnight, Then, when the Hero of my tale Was passing by, and, down the vale (The vale now silent, hushed I ween As if a storm had never been) Proceeding with a mind at ease; While the old Familiar of the seas Intent to use his utmost haste, Gained ground upon the Waggon fast, And gives another lusty cheer; For spite of rumbling of the wheels, A welcome greeting he can hear;— It is a fiddle in its glee Dinning from the Cherry Tree! Thence the sound—the light is there— As Benjamin is now aware, Who, to his inward thoughts confined, Had almost reached the festive door, When, startled by the Sailor's roar, He hears a sound and sees the light, And in a moment calls to mind That 'tis the village Merry-Night! Although before in no dejection, At this insidious recollection His heart with sudden joy is filled,— His ears are by the music thrilled, His eyes take pleasure in the road Glittering before him bright and broad; And Benjamin is wet and cold, And there are reasons manifold That make the good, tow'rds which he's yearning, Look fairly like a lawful earning. Nor has thought time to come and go, To vibrate between yes and no; For, cries the Sailor, "Glorious chance That blew us hither!—let him dance, Who can or will!—my honest soul, Our treat shall be a friendly bowl!" He draws him to the door—"Come in, Come, come," cries he to Benjamin! And Benjamin—ah, woe is me! Gave the word—the horses heard And halted, though reluctantly. "Blithe souls and lightsome hearts have we, Feasting at the Cherry Tree!" This was the outside proclamation, This was the inside salutation; What bustling—jostling—high and low! A universal overflow! What tankards foaming from the tap! What store of cakes in every lap! What thumping—stumping—overhead! The thunder had not been more busy: With such a stir you would have said, This little place may well be dizzy! 'Tis who can dance with greatest vigour— 'Tis what can be most prompt and eager; As if it heard the fiddle's call, The pewter clatters on the wall; The very bacon shows its feeling, Swinging from the smoky ceiling! A steaming bowl, a blazing fire, What greater good can heart desire? 'Twere worth a wise man's while to try The utmost anger of the sky: To seek for thoughts of a gloomy cast, If such the bright amends at last. Now should you say I judge amiss, The Cherry Tree shows proof of this; For soon of all the happy there, Our Travellers are the happiest pair; All care with Benjamin is gone— A Cæsar past the Rubicon! He thinks not of his long, long strife;— The Sailor, Man by nature gay, Hath no resolves to throw away; And he hath now forgot his Wife, Hath quite forgotten her—or may be Thinks her the luckiest soul on earth, Within that warm and peaceful berth, Under cover, Terror over, Sleeping by her sleeping Baby. With bowl that sped from hand to hand, The gladdest of the gladsome band, Amid their own delight and fun, They hear—when every dance is done, When every whirling bout is o'er— The fiddle's squeak—that call to bliss, Ever followed by a kiss; They envy not the happy lot, But enjoy their own the more! While thus our jocund Travellers fare, Up springs the Sailor from his chair— Limps (for I might have told before That he was lame) across the floor— Is gone—returns—and with a prize; With what?—a Ship of lusty size; A gallant stately Man-of-war, Fixed on a smoothly-sliding car. Surprise to all, but most surprise To Benjamin, who rubs his eyes, Not knowing that he had befriended A Man so gloriously attended! "This," cries the Sailor, "a Third-rate is— Stand back, and you shall see her gratis! This was the Flag-ship at the Nile, The Vanguard—you may smirk and smile, But, pretty Maid, if you look near, You'll find you've much in little here! A nobler ship did never swim, And you shall see her in full trim: I'll set, my friends, to do you honour, Set every inch of sail upon her." So said, so done; and masts, sails, yards, He names them all; and interlards His speech with uncouth terms of art, Accomplished in the showman's part; And then, as from a sudden check, Cries out—"'Tis there, the quarter-deck On which brave Admiral Nelson stood— A sight that would have roused your blood! One eye he had, which, bright as ten, Burned like a fire among his men; Let this be land, and that be sea, Here lay the French—and thus came we!" Hushed was by this the fiddle's sound, The dancers all were gathered round, And, such the stillness of the house, You might have heard a nibbling mouse; While, borrowing helps where'er he may, The Sailor through the story runs Of ships to ships and guns to guns; And does his utmost to display The dismal conflict, and the might And terror of that marvellous night! "A bowl, a bowl of double measure," Cries Benjamin, "a draught of length, To Nelson, England's pride and treasure, Her bulwark and her tower of strength!" When Benjamin had seized the bowl, The mastiff, from beneath the waggon, Where he lay, watchful as a dragon, Rattled his chain;—'twas all in vain, For Benjamin, triumphant soul! He heard the monitory growl; Heard—and in opposition quaffed A deep, determined, desperate draught! Nor did the battered Tar forget, Or flinch from what he deemed his debt: Then, like a hero crowned with laurel, Back to her place the ship he led; Wheeled her back in full apparel; And so, flag flying at mast head, Re-yoked her to the Ass:—anon, Cries Benjamin, "We must be gone." Thus, after two hours' hearty stay, Again behold them on their way!	35 36 37 38 39 40 41 42 43 44 45	F G H	280 285 290 295 300 305 310 315 320 325 330 335 340 345 350 355 360 365 370 375 380 385 390 395 400 405 410 415 420 425 430 435 440

Canto Third

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Right gladly had the horses stirred, When they the wished-for greeting heard, The whip's loud notice from the door, That they were free to move once more. You think, those doings must have bred In them disheartening doubts and dread; No, not a horse of all the eight, Although it be a moonless night, Fears either for himself or freight; For this they know (and let it hide, In part, the offences of their guide) That Benjamin, with clouded brains, Is worth the best with all their pains; And, if they had a prayer to make, The prayer would be that they may take With him whatever comes in course, The better fortune or the worse; That no one else may have business near them, And, drunk or sober, he may steer them. So, forth in dauntless mood they fare, And with them goes the guardian pair. Now, heroes, for the true commotion, The triumph of your late devotion! Can aught on earth impede delight, Still mounting to a higher height; And higher still—a greedy flight! Can any low-born care pursue her, Can any mortal clog come to her? No notion have they—not a thought, That is from joyless regions brought! And, while they coast the silent lake, Their inspiration I partake; Share their empyreal spirits—yea, With their enraptured vision, see— O fancy—what a jubilee! What shifting pictures—clad in gleams Of colour bright as feverish dreams! Earth, spangled sky, and lake serene, Involved and restless all—a scene Pregnant with mutual exaltation, Rich change, and multiplied creation! This sight to me the Muse imparts;— And then, what kindness in their hearts! What tears of rapture, what vow-making, Profound entreaties, and hand-shaking! What solemn, vacant, interlacing, As if they'd fall asleep embracing! Then, in the turbulence of glee, And in the excess of amity, Says Benjamin, "That Ass of thine, He spoils thy sport, and hinders mine: If he were tethered to the waggon, He'd drag as well what he is dragging; And we, as brother should with brother, Might trudge it alongside each other!" Forthwith, obedient to command, The horses made a quiet stand; And to the waggon's skirts was tied The Creature, by the Mastiff's side, The Mastiff wondering, and perplext With dread of what will happen next; And thinking it but sorry cheer, To have such company so near! This new arrangement made, the Wain Through the still night proceeds again; No Moon hath risen her light to lend; But indistinctly may be kenned The Vanguard, following close behind, Sails spread, as if to catch the wind! "Thy wife and child are snug and warm, Thy ship will travel without harm; I like," said Benjamin, "her shape and stature: And this of mine—this bulky creature Of which I have the steering—this, Seen fairly, is not much amiss! We want your streamers, friend, you know; But, altogether as we go, We make a kind of handsome show! Among these hills, from first to last, We've weathered many a furious blast; Hard passage forcing on, with head Against the storm, and canvass spread. I hate a boaster; but to thee Will say't, who know'st both land and sea, The unluckiest hulk that stems the brine Is hardly worse beset than mine, When cross-winds on her quarter beat; And, fairly lifted from my feet, I stagger onward—heaven knows how; But not so pleasantly as now: Poor pilot I, by snows confounded, And many a foundrous pit surrounded! Yet here we are, by night and day Grinding through rough and smooth our way; Through foul and fair our task fulfilling; And long shall be so yet—God willing!" "Ay," said the Tar, "through fair and foul— But save us from yon screeching owl!" That instant was begun a fray Which called their thoughts another way: The mastiff, ill-conditioned carl! What must he do but growl and snarl, Still more and more dissatisfied With the meek comrade at his side! Till, not incensed though put to proof, The Ass, uplifting a hind hoof, Salutes the Mastiff on the head; And so were better manners bred, And all was calmed and quieted. "Yon screech-owl," says the Sailor, turning Back to his former cause of mourning, "Yon owl!—pray God that all be well! 'Tis worse than any funeral bell; As sure as I've the gift of sight, We shall be meeting ghosts to-night!" —Said Benjamin, "This whip shall lay A thousand, if they cross our way. I know that Wanton's noisy station, I know him and his occupation; The jolly bird hath learned his cheer Upon the banks of Windermere; Where a tribe of them make merry, Mocking the Man that keeps the ferry; Hallooing from an open throat, Like travellers shouting for a boat. —The tricks he learned at Windermere This vagrant owl is playing here— That is the worst of his employment: He's at the top of his enjoyment!" This explanation stilled the alarm, Cured the foreboder like a charm; This, and the manner, and the voice, Summoned the Sailor to rejoice; His heart is up—he fears no evil From life or death, from man or devil; He wheels—and, making many stops, Brandished his crutch against the mountain tops; And, while he talked of blows and scars, Benjamin, among the stars, Beheld a dancing—and a glancing; Such retreating and advancing As, I ween, was never seen In bloodiest battle since the days of Mars!	46 47 48 49 50 51 52	J	445 450 455 460 465 470 475 480 485 490 495 500 505 510 515 520 525 530 535 540 545 550 555 560 565 570 575 580 585

Canto Fourth

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Thus they, with freaks of proud delight, Beguile the remnant of the night; And many a snatch of jovial song Regales them as they wind along; While to the music, from on high, The echoes make a glad reply.— But the sage Muse the revel heeds No farther than her story needs; Nor will she servilely attend The loitering journey to its end. —Blithe spirits of her own impel The Muse, who scents the morning air, To take of this transported pair A brief and unreproved farewell; To quit the slow-paced waggon's side, And wander down yon hawthorn dell, With murmuring Greta for her guide. —There doth she ken the awful form Of Raven-crag—black as a storm— Glimmering through the twilight pale; And Ghimmer-crag, his tall twin brother, Each peering forth to meet the other:— And, while she roves through St. John's Vale, Along the smooth unpathwayed plain, By sheep-track or through cottage lane, Where no disturbance comes to intrude Upon the pensive solitude, Her unsuspecting eye, perchance, With the rude shepherd's favoured glance, Beholds the faeries in array, Whose party-coloured garments gay The silent company betray: Red, green, and blue; a moment's sight! For Skiddaw-top with rosy light Is touched—and all the band take flight. —Fly also, Muse! and from the dell Mount to the ridge of Nathdale Fell; Thence, look thou forth o'er wood and lawn Hoar with the frost-like dews of dawn; Across yon meadowy bottom look, Where close fogs hide their parent brook; And see, beyond that hamlet small, The ruined towers of Threlkeld-hall, Lurking in a double shade, By trees and lingering twilight made! There, at Blencathara's rugged feet, Sir Lancelot gave a safe retreat To noble Clifford; from annoy Concealed the persecuted boy, Well pleased in rustic garb to feed His flock, and pipe on shepherd's reed Among this multitude of hills, Crags, woodlands, waterfalls, and rills; Which soon the morning shall enfold, From east to west, in ample vest Of massy gloom and radiance bold. The mists, that o'er the streamlet's bed Hung low, begin to rise and spread; Even while I speak, their skirts of grey Are smitten by a silver ray; And lo!—up Castrigg's naked steep (Where, smoothly urged, the vapours sweep Along—and scatter and divide, Like fleecy clouds self-multiplied) The stately waggon is ascending, With faithful Benjamin attending, Apparent now beside his team— Now lost amid a glittering steam: And with him goes his Sailor-friend, By this time near their journey's end; And, after their high-minded riot, Sickening into thoughtful quiet; As if the morning's pleasant hour, Had for their joys a killing power. And, sooth, for Benjamin a vein Is opened of still deeper pain, As if his heart by notes were stung From out the lowly hedge-rows flung; As if the warbler lost in light Reproved his soarings of the night, In strains of rapture pure and holy Upbraided his distempered folly. Drooping is he, his step is dull; But the horses stretch and pull; With increasing vigour climb, Eager to repair lost time; Whether, by their own desert, Knowing what cause there is for shame, They are labouring to avert As much as may be of the blame, Which, they foresee, must soon alight Upon his head, whom, in despite Of all his failings, they love best; Whether for him they are distrest, Or, by length of fasting roused, Are impatient to be housed: Up against the hill they strain Tugging at the iron chain, Tugging all with might and main, Last and foremost, every horse To the utmost of his force! And the smoke and respiration, Rising like an exhalation, Blend with the mist—a moving shroud To form, an undissolving cloud; Which, with slant ray, the merry sun Takes delight to play upon. Never golden-haired Apollo, Pleased some favourite chief to follow Through accidents of peace or war, In a perilous moment threw Around the object of his care Veil of such celestial hue; Interposed so bright a screen— Him and his enemies between! Alas! what boots it?—who can hide, When the malicious Fates are bent On working out an ill intent? Can destiny be turned aside? No—sad progress of my story! Benjamin, this outward glory Cannot shield thee from thy Master, Who from Keswick has pricked forth, Sour and surly as the north; And, in fear of some disaster, Comes to give what help he may, And to hear what thou canst say; If, as needs he must forebode, Thou hast been loitering on the road! His fears, his doubts, may now take flight— The wishcd-for object is in sight; Yet, trust the Muse, it rather hath Stirred him up to livelier wrath; Which he stifles, moody man! With all the patience that he can; To the end that, at your meeting, He may give thee decent greeting. There he is—resolved to stop, Till the waggon gains the top; But stop he cannot—must advance: Him Benjamin, with lucky glance, Espies—and instantly is ready, Self-collected, poised, and steady: And, to be the better seen, Issues from his radiant shroud, From his close-attending cloud, With careless air and open mien. Erect his port, and firm his going; So struts yon cock that now is crowing; And the morning light in grace Strikes upon his lifted face, Hurrying the pallid hue away That might his trespasses betray. But what can all avail to clear him, Or what need of explanation, Parley or interrogation? For the Master sees, alas! That unhappy Figure near him, Limping o'er the dewy grass, Where the road it fringes, sweet, Soft and cool to way-worn feet; And, O indignity! an Ass, By his noble Mastiffs side, Tethered to the waggon's tail: And the ship, in all her pride, Following after in full sail! Not to speak of babe and mother; Who, contented with each other, And snug as birds in leafy arbour, Find, within, a blessed harbour! With eager eyes the Master pries; Looks in and out, and through and through; Says nothing—till at last he spies A wound upon the Mastiff's head, A wound, where plainly might be read What feats an Ass's hoof can do! But drop the rest:—this aggravation, This complicated provocation, A hoard of grievances unsealed; All past forgiveness it repealed; And thus, and through distempered blood On both sides, Benjamin the good, The patient, and the tender-hearted, Was from his team and waggon parted; When duty of that day was o'er, Laid down his whip—and served no more.— Nor could the waggon long survive, Which Benjamin had ceased to drive: It lingered on;—guide after guide Ambitiously the office tried; But each unmanageable hill Called for his patience and his skill;— And sure it is, that through this night, And what the morning brought to light, Two losses had we to sustain, We lost both Waggoner and Wain! Accept, O Friend, for praise or blame, The gift of this adventurous song; A record which I dared to frame, Though timid scruples checked me long; They checked me—and I left the theme Untouched;—in spite of many a gleam Of fancy which thereon was shed, Like pleasant sunbeams shifting still Upon the side of a distant hill: But Nature might not be gainsaid; For what I have and what I miss I sing of these;—it makes my bliss! Nor is it I who play the part, But a shy spirit in my heart, That comes and goes—will sometimes leap From hiding-places ten years deep; Or haunts me with familiar face, Returning, like a ghost unlaid, Until the debt I owe be paid. Forgive me, then; for I had been On friendly terms with this Machine: In him, while he was wont to trace Our roads, through many a long year's space, A living almanack had we; We had a speaking diary, That in this uneventful place, Gave to the days a mark and name By which we knew them when they came. —Yes, I, and all about me here, Through all the changes of the year, Had seen him through the mountains go, In pomp of mist or pomp of snow, Majestically huge and slow: Or, with a milder grace adorning The landscape of a summer's morning; While Grasmere smoothed her liquid plain The moving image to detain; And mighty Fairfield, with a chime Of echoes, to his march kept time; When little other business stirred, And little other sound was heard; In that delicious hour of balm, Stillness, solitude, and calm, While yet the valley is arrayed, On this side with a sober shade; On that is prodigally bright— Crag, lawn, and wood—with rosy light. —But most of all, thou lordly Wain! I wish to have thee here again, When windows flap and chimney roars, And all is dismal out of doors; And, sitting by my fire, I see Eight sorry carts, no less a train! Unworthy successors of thee, Come straggling through the wind and rain: And oft, as they pass slowly on, Beneath my windows, one by one, See, perched upon the naked height The summit of a cumbrous freight, A single traveller—and there Another; then perhaps a pair— The lame, the sickly, and the old; Men, women, heartless with the cold; And babes in wet and starveling plight; Which once, be weather as it might, Had still a nest within a nest, Thy shelter—and their mother's breast! Then most of all, then far the most, Do I regret what we have lost; Am grieved for that unhappy sin Which robbed us of good Benjamin;— And of his stately Charge, which none Could keep alive when He was gone! Note Contents 1805 Main Contents	53 54 55 56 57 58 59 60 61 62 63 64 65 66 67 68 69 70	K L M	590 595 600 605 610 615 620 625 630 635 640 645 650 655 660 665 670 675 680 685 690 695 700 705 710 715 720 725 730 735 740 745 750 755 760 765 770 775 780 785 790 795 800 805 810 815 820 825 830 835 840 845 850 855

Variant 1:

1819
The Night-hawk is singing his frog-like tune, Twirling his watchman's rattle about—	1805. MS.^a
The dor-hawk, solitary bird, Round the dim crags on heavy pinions wheeling, Buzzes incessantly, a tiresome tune; That constant voice is all that can be heard	1820
... on heavy pinions wheeling, With untired voice sings an unvaried tune; Those burring notes are all that can be heard	1836

The text of 1845 returns to the first version of 1819.
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Variant 2:

1819
Now that the children are abed The little glow-worms nothing dread, Such prize as their bright lamps would be. Sooth they come in company, And shine in quietness secure, On the mossy bank by the cottage door, As safe as on the loneliest moor. In the play, or on the hill, Everything is hushed and still; The clouds show here and there a spot Of a star that twinkles not, The air as in ...	From a MS. copy of the poem in Henry Crabb Robinson's Diary, etc. 1812.
Now that the children's busiest schemes Do all lie buried in blank sleep, Or only live in stirring dreams, The glow-worms fearless watch may keep; Rich prize as their bright lamps would be, They shine, a quiet company, On mossy bank by cottage-door, As safe as on the loneliest moor. In hazy straits the clouds between, And in their stations twinkling not, Some thinly-sprinkled stars are seen, Each changed into a pallid spot.	1836

The text of 1845 returns to that of 1819.
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Variant 3:

1836
The mountains rise to wond'rous height, And in the heavens there is a weight;	1819
And in the heavens there hangs a weight;	1827

In the editions of 1819 to 1832, these two lines follow the line "Like the stifling of disease."
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Variant 4:

1819
... faint ...	1836

The text of 1845 returns to that of 1819.
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Variant 5:

1819
But welcome dews ...	1836

The text of 1845 returns to that of 1819.
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Variant 6:

1819
... or ...	1836

The text of 1845 returns to that of 1819.
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Variant 7:

1819
Listen! you can hardly hear! Now he has left the lower ground, And up the hill his course is bending, With many a stop and stay ascending;—	1836

The text of 1845 returns to that of 1819.
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Variant 8:

1836
And now ...	1819

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Variant 9:

1836
Gathering ...	1819

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Variant 10:

1819
No;—him infirmities beset, But danger is not near him yet;	1836

The text of 1845 returns to that of 1819.
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Variant 11:

1836
is he secure;	1819

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Variant 12:

1836
full well	1819

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Variant 13:

1836
Uncouth although the object be, An image of perplexity; Yet not the less it is our boast,	1819

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Variant 14:

1827
... I frame ...	1819

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Variant 15:

1836
And never was my heart more light.	1819

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Variant 16:

1836
... will bless ...	1819

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Variant 17:

1836
... delight, ...	1819

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Variant 18:

1836
Good proof of this the Country gain'd, One day, when ye were vex'd and strain'd— Entrusted to another's care, And forc'd unworthy stripes to bear.	1819

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Variant 19:

1836. (Expanding four lines into six.)
Here was it—on this rugged spot Which now contented with our lot We climb—that piteously abused Ye plung'd in anger and confused:	1819

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Variant 20:

1836
... in your ...	1819

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Variant 21:

1836
The ranks were taken with one mind;	1819

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Variant 22:

1819
Our road be, narrow, steep, and rough;	1836

The text of 1845 returns to that of 1819.
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Variant 23:

1836
large drops upon his head	1819

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Variant 24:

1836
He starts-and, at the admonition, Takes a survey of his condition.	1819

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Variant 25:

1836
A huge and melancholy room,	1819

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Variant 26:

1836
... on high ...	1819

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Variant 27: 1836. The previous four lines were added in the edition of 1820, where they read as follows:

And suddenly a ruffling breeze
(That would have sounded through the trees
Had aught of sylvan growth been there)
Was felt throughout the region bare:

1820

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Variant 28:

1836
By peals of thunder, clap on clap! And many a terror-striking flash;— And somewhere, as it seems, a crash,	1819

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Variant 29:

1820
And rattling ...	1819

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Variant 30:

1836. (Compressing six lines into four.)
The voice, to move commiseration, Prolong'd its earnest supplication— "This storm that beats so furiously— This dreadful place! oh pity me!" While this was said, with sobs between, And many tears, by one unseen;	1819

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Variant 31:

1845
And Benjamin, without further question, Taking her for some way-worn rover,	1819
And, kind to every way-worn rover, Benjamin, without a question,	1836

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Variant 32:

1820
... trouble ...	1819

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Variant 33:

1845
And to a little tent hard by Turns the Sailor instantly;	1819
And to his tent-like domicile, Built in a nook with cautious skill, The Sailor turns, well pleased to spy His shaggy friend who stood hard by Drenched—and, more fast than with a tether, Bound to the nook by that fierce weather, Which caught the vagrants unaware: For, when, ere closing-in ...	1836

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Variant 34:

1836
Had tempted ...	1819

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Variant 35:

1836
Proceeding with an easy mind; While he, who had been left behind,	1819

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Variant 36:

1820
Who neither heard nor saw—no more Than if he had been deaf and blind, Till, startled by the Sailor's roar,	1819

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Variant 37:

1819
That blew us hither! dance, boys, dance! Rare luck for us! my honest soul, I'll treat thee to a friendly bowl!"	1836

The text of 1845 returns to that of 1819.
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Variant 38:

1836
To seek for thoughts of painful cast, If such be the amends at last.	1819

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Variant 39:

1836
... think ...	1819

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Variant 40:

1819
For soon among ...	1836

The text of 1845 returns to that of 1819.
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Variant 41:

1819
And happiest far is he, the One No longer with himself at strife, A Cæsar past the Rubicon! The Sailor, Man by nature gay, Found not a scruple in his way;	1836

The text of 1845 returns to that of 1819.
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Variant 42:

1836
Deems that she is happier, laid Within that warm and peaceful bed;	1819

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Variant 43:

1845
With bowl in hand, (It may not stand) Gladdest of the gladsome band, Amid their own delight and fun,	1819
With bowl that sped from hand to hand, Refreshed, brimful of hearty fun, The gladdest of the gladsome band,	1836

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Variant 44:

1836
They hear—when every fit is o'er—	1819

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Variant 45:

1836
... wondrous ...	1819

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Variant 46:

1836
... these ...	1819

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Variant 47:

1836
... the Mastiff's side, (The Mastiff not well pleased to be So very near such company.)	1819

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Variant 48:

1832
... all together, ...	1819

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Variant 49:

1836
... sails ...	1819

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Variant 50:

1836
On ...	1819

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Variant 51:

1836
He's in the height ...	1819

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Variant 52:

1836
He wheel'd— ...	1819

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Variant 53:

1827
And, rambling on ...	1819

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Variant 54:

1819
Now hidden by the glittering steam:	1836

The text of 1845 returns to that of 1819.
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Variant 55: 1845. The previous eight lines were added in 1836, when they read thus:

Say more: for by that power a vein
Seems opened of brow-saddening pain:
As if their hearts by notes were stung
From out the lowly hedge-rows flung;
As if the warbler lost in light
Reproved their soarings of the night;
In strains of rapture pure and holy
Upbraided their distempered folly.

1836

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Variant 56:

1845
They are drooping, weak, and dull;	1819
Drooping are they, and weak and dull;—	1836

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Variant 57:

1836
Knowing that there's cause ...	1819
Knowing there is cause ...	1827

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Variant 58:

1845
They are labouring to avert At least a portion of the blame	1819
They now are labouring to avert (Kind creatures!) something of the blame,	1836

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Variant 59:

1836
Which full surely will alight Upon his head, whom, in despite Of all his faults, they love the best;	1819
Upon his head, ...	1820

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Variant 60:

1836
Blends ...	1819

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Variant 61:

1845
Never, surely, old Apollo, He, or other God as old, Of whom in story we are told, Who had a favourite to follow Through a battle or elsewhere, Round the object of his care, In a time of peril, threw Veil of such celestial hue;	1819
Never Venus or Apollo, Pleased a favourite chief to follow Through accidents of peace or war, In a time of peril threw, Round the object of his care, Veil of such celestial hue;	1832
Never golden-haired Apollo, Nor blue-eyed Pallas, nor the Idalian Queen, When each was pleased some favourite chief to follow Through accidents of peace or war, In a perilous moment threw Around the object of celestial care A veil so rich to mortal view.	1836
Never Venus or Apollo, Intent some favourite chief to follow Through accidents of peace or war, Round the object of their care In a perilous moment threw A veil of such celestial hue.	C.
Round each object of their care	C.

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Variant 62:

1819
Fails to shield ...	1836

The text of 1845 returns to that of 1819.
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Variant 63:

1836
Or ...	1819

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Variant 64:

1819
If, as he cannot but forebode,	1836

The text of 1845 returns to that of 1819.
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Variant 65:

1836
Thou hast loitered ...	1819

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Variant 66:

1836
His doubts—his fears ...	1819

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Variant 67:

1827. (Compressing two lines into one.)
Sometimes, as in the present case, Will show a more familiar face;	1819
Or, proud all rivalship to chase, Will haunt me with familiar face;	1820

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Variant 68:

1819
Or, with milder grace ...	1832

The edition of 1845 reverts to the text of 1819.
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Variant 69:

1836
... window ...	1819

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Variant 70: "Once" 'italicised' in 1820 only.
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Footnote A: The title page of the edition of 1819 runs as follows:

The Waggoner, A Poem. To which are added, Sonnets. By William Wordsworth.

"What's in a Name?"
...
"Brutus will start a Spirit as soon as Cæsar!"

London, etc. etc., 1819.

Ed.
return to footnote mark

Footnote B: See The Seasons (Summer), ll. 977-79.—Ed.
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Footnote C: Such is the progress of refinement, this rude piece of self-taught art has been supplanted by a professional production.—W. W. 1819.

Mr. William Davies writes to me,

"I spent a week there (the Swan Inn) early in the fifties, and well remember the sign over the door distinguishable from afar: the inn, little more than a cottage (the only one), with clean well-sanded floor, and rush-bottomed chairs: the landlady, good old soul, one day afraid of burdening me with some old coppers, insisted on retaining them till I should return from an uphill walk, when they were duly tendered to me. Here I learnt many particulars of Hartley Coleridge, dead shortly before, who had been a great favourite with the host and hostess. The grave of Wordsworth was at that time barely grassed over."

Ed.
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Footnote D: See Wordsworth's note, p. 109.—Ed.
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Footnote E: A mountain of Grasmere, the broken summit of which presents two figures, full as distinctly shaped as that of the famous cobler, near Arracher, in Scotland.—W. W. 1819.
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Footnote F: A term well known in the North of England, as applied to rural Festivals, where young persons meet in the evening for the purpose of dancing.—W. W. 1819.
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Footnote G: At the close of each strathspey, or jig, a particular note from the fiddle summons the Rustic to the agreeable duty of saluting his Partner.— W. W. 1819.
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Footnote H: Compare in Tristram Shandy:

"And this, said he, is the town of Namur, and this is the citadel: and there lay the French, and here lay his honour and myself."

Ed.
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Footnote J: See Wordsworth's note, p. 109.—Ed.
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Footnote K: The crag of the ewe lamb.—W. W. 1820.
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Footnote L: Compare Tennyson's "Farewell, we lose ourselves in light."—Ed.
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Footnote M: Compare Wordsworth's lines, beginning, "She was a Phantom of delight," p. i, and Hamlet, act II. sc. ii. l. 124.—Ed.
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Footnote a: See Wordsworth's note, p. 109.—Ed.
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Note I: Several years after the event that forms the subject of the foregoing poem, in company with my friend, the late Mr. Coleridge, I happened to fall in with the person to whom the name of Benjamin is given. Upon our expressing regret that we had not, for a long time, seen upon the road either him or his waggon, he said:—"They could not do without me; and as to the man who was put in my place, no good could come out of him; he was a man of no ideas."

The fact of my discarded hero's getting the horses out of a great difficulty with a word, as related in the poem, was told me by an eye-witness.

Note II:

'The Dor-hawk, solitary bird.'

When the Poem was first written the note of the bird was thus described:

'The Night-hawk is singing his frog-like tune,
Twirling his watchman's rattle about—'

but from unwillingness to startle the reader at the outset by so bold a mode of expression, the passage was altered as it now stands.

Note III: After the line, 'Can any mortal clog come to her', followed in the MS. an incident which has been kept back. Part of the suppressed verses shall here be given as a gratification of private feeling, which the well-disposed reader will find no difficulty in excusing. They are now printed for the first time.

Can any mortal clog come to her?
It can: ...
...
But Benjamin, in his vexation,
Possesses inward consolation;
He knows his ground, and hopes to find
A spot with all things to his mind,
An upright mural block of stone,
Moist with pure water trickling down.
A slender spring; but kind to man
It is, a true Samaritan;
Close to the highway, pouring out
Its offering from a chink or spout;
Whence all, howe'er athirst, or drooping
With toil, may drink, and without stooping.

Cries Benjamin, "Where is it, where?
Voice it hath none, but must be near."
—A star, declining towards the west,
Upon the watery surface threw
Its image tremulously imprest,
That just marked out the object and withdrew:
Right welcome service! ...
...

Rock of Names!
Light is the strain, but not unjust
To Thee and thy memorial-trust,
That once seemed only to express
Love that was love in idleness;
Tokens, as year hath followed year,
How changed, alas, in character!
For they were graven on thy smooth breast
By hands of those my soul loved best;
Meek women, men as true and brave
As ever went to a hopeful grave:
Their hands and mine, when side by side
With kindred zeal and mutual pride,
We worked until the Initials took
Shapes that defied a scornful look.—
Long as for us a genial feeling
Survives, or one in need of healing,
The power, dear Rock, around thee cast,
Thy monumental power, shall last
For me and mine! O thought of pain,
That would impair it or profane!
Take all in kindness then, as said
With a staid heart but playful head;
And fail not Thou, loved Rock! to keep
Thy charge when we are laid asleep.

W. W.

Editor's Note: There is no poem more closely identified with the Grasmere district of the English Lakes—and with the road from Grasmere to Keswick—than The Waggoner is, and in none are the topographical allusions more minute and faithful.

Wordsworth seemed at a loss to know in what "class" of his poems to place The Waggoner; and his frequent changes—removing it from one group to another—shew the artificial character of these classes. Thus, in the edition of 1820, it stood first among the "Poems of the Fancy." In 1827 it was the last of the "Poems founded on the Affections." In 1832 it was reinstated among the "Poems of the Fancy." In 1836 it had a place of its own, and was inserted between the "Poems of the Fancy" and those "Founded on the Affections;" while in 1845 it was sent back to its original place among the "Poems of the Fancy;" although in the table of contents it was printed as an independent poem, closing the series.

The original text of The Waggoner underwent little change, till the year 1836, when it was carefully revised, and altered throughout. The final edition of 1845, however, reverted, in many instances—especially in the first canto—to the original text of 1819.

As this poem was dedicated to Charles Lamb, it may be of interest to note that, some six months afterwards, Lamb presented Wordsworth with a copy of the first edition of 'Paradise Regained' (the edition of 1671), writing on it the following sentence,

"Charles Lamb, to the best knower of Milton, and therefore the worthiest occupant of this pleasant edition.—Jan. 2nd, 1820."

The opening stanzas are unrivalled in their description of a sultry June evening, with a thunder-storm imminent.

' 'Tis spent—this burning day of June!
Soft darkness o'er its latest gleams is stealing;
The buzzing dor-hawk, round and round, is wheeling,—
That solitary bird
Is all that can be heard
In silence deeper far than that of deepest noon!
...
...
The mountains against heaven's grave weight
Rise up, and grow to wondrous height.
The air, as in a lion's den,
Is close and hot;—and now and then
Comes a tired and sultry breeze
With a haunting and a panting,
Like the stifling of disease;
But the dews allay the heat,
And the silence makes it sweet.'

The Waggoner takes what is now the middle road, of the three leading from Rydal to Grasmere (see the note to The Primrose of the Rock). The "craggy hill" referred to in the lines

'Now he leaves the lower ground,
And up the craggy hill ascending
...
Steep the way and wearisome,'

is the road from Rydal Quarry up to White Moss Common, with the Glowworm rock on the right, and the "two heath-clad rocks," referred to in the last of the "Poems on the Naming of Places," on the left. He next passes "The Wishing Gate" on the left, John's Grove on the right, and descends by Dove Cottage—where Wordsworth lived—to Grasmere.

'... at the bottom of the brow,
Where once the Dove and Olive-Bough
Offered a greeting of good ale
To all who entered Grasmere Vale;
And called on him who must depart
To leave it with a jovial heart;
There, where the Dove and Olive-Bough
Once hung, a Poet harbours now,
A simple water-drinking Bard.'

He goes through Grasmere, passes the Swan Inn, '

He knows it to his cost, good Man!
Who does not know the famous Swan?
Object uncouth! and yet our boast,
For it was painted by the Host;
His own conceit the figure planned,
'Twas coloured all by his own hand.'

As early as 1819, when the poem was first published, "this rude piece of self-taught art had been supplanted" by a more pretentious figure. The Waggoner passes the Swan,

'And now the conqueror essays
The long ascent of Dunmail-raise.'

As he proceeds, the storm gathers, and "struggles to get free." Road, hill, and sky are dark; and he barely sees the well-known rocks at the summit of Helm-crag, where two figures seem to sit, like those on the Cobbler, near Arrochar, in Argyle.

'Black is the sky—and every hill,
Up to the sky, is blacker still—
Sky, hill, and dale, one dismal room,
Hung round and overhung with gloom;
Save that above a single height
Is to be seen a lurid light,
Above Helm-crag—a streak half dead,
A burning of portentous red;
And near that lurid light, full well
The Astrologer, sage Sidrophel,
Where at his desk and book he sits,
Puzzling aloft his curious wits;
He whose domain is held in common
With no one but the Ancient Woman,
Cowering beside her rifted cell,
As if intent on magic spell;—
Dread pair, that, spite of wind and weather,
Still sit upon Helm-crag together!'

At the top of the "raise"—the water-shed between the vales of Grasmere and Wytheburn—he reaches the familiar pile of stones, at the boundary between the shires of Westmoreland and Cumberland.

'... that pile of stones,
Heaped over brave King Dunmail's bones;
...
Green is the grass for beast to graze,
Around the stones of Dunmail-raise!'

The allusion to Seat-Sandal laid bare by the flash of lightning, and the description, in the last canto, of the ascent of the Raise by the Waggoner on a summer morning, are as true to the spirit of the place as anything that Wordsworth has written. He tells his friend Lamb, fourteen years after he wrote the poem of The Waggoner,

'Yes, I, and all about me here,
Through all the changes of the year,
Had seen him through the mountains go,
In pomp of mist or pomp of snow,
Majestically huge and slow:
Or, with a milder grace adorning
The landscape of a summer's morning;
While Grasmere smoothed her liquid plain
The moving image to detain;
And mighty Fairfield, with a chime
Of echoes, to his march kept time;
When little other business stirred,
And little other sound was heard;
In that delicious hour of balm,
Stillness, solitude, and calm,
While yet the valley is arrayed,
On this side with a sober shade;
On that is prodigally bright—
Crag, lawn, and wood—with rosy light.'

From Dunmail-raise the Waggoner descends to Wytheburn. Externally,

'... Wytheburn's modest House of prayer,
As lowly as the lowliest dwelling,'

remains very much as it was in 1805; but the primitive simplicity and "lowliness" of the chapel was changed by the addition a few years ago of an apse, by the removal of some of the old rafters, and by the reseating of the pews.

The Cherry Tree Tavern, where "the village Merry-night" was being celebrated, still stands on the eastern or Helvellyn side of the road. It is now a farm-house; but it will be regarded with interest from the description of the rustic dance, which recalls ('longo intervallo') 'The Jolly Beggars' of Burns. After two hours' delay at the Cherry Tree, the Waggoner and Sailor "coast the silent lake" of Thirlmere, and pass the Rock of Names.

This rock was, until lately, one of the most interesting memorials of Wordsworth and his friends that survived in the Lake District; but the vale of Thirlmere is now a Manchester water-tank, and the place which knew the Rock of Names now knows it no more. It was a sort of trysting place of the poets of Grasmere and Keswick—being nearly half-way between the two places—and there, Wordsworth, Coleridge, and other members of their households often met. When Coleridge left Grasmere for Keswick, the Wordsworths usually accompanied him as far as this rock; and they often met him there on his way over from Keswick to Grasmere. Compare the Hon. Mr. Justice Coleridge's Reminiscences. (Memoirs of Wordsworth, vol. ii. p. 310.)

The rock was on the right hand of the road, a little way past Waterhead, at the southern end of Thirlmere; and on it were cut the letters,

W. W.
M. H.
D. W.
S. T. C.
J. W.
S. H.

the initials of William Wordsworth, Mary Hutchinson, Dorothy Wordsworth, Samuel Taylor Coleridge, John Wordsworth, and Sarah Hutchinson. The Wordsworths settled at Grasmere at the close of the year 1799. As mentioned in a previous note, John Wordsworth lived with his brother and sister during most of that winter, and during the whole of the spring, summer, and autumn of 1800, leaving it finally on September 29, 1800. These names must therefore have been cut during the spring or summer of 1800. There is no record of the occurrence, and no allusion to the rock, in Dorothy Wordsworth's Grasmere Journal of 1800. But that Journal, so far as I have seen it, begins on the 14th of May 1800. Almost every detail of the daily life and ways of the household at Dove Cottage is so minutely recorded in it, that I am convinced that this incident of the cutting of names in the Thirlmere Rock would have been mentioned, had it happened between the 14th of May and John Wordsworth's departure from Grasmere in September. Such references as this, for example, occur in the Journal:

"Saturday, August 2.—William and Coleridge went to Keswick. John went with them to Wytheburn, and staid all day fishing."

I therefore infer that it was in the spring or early summer of 1800 that the names were cut.

I may add that the late Dean of Westminster—Dean Stanley—took much interest in this Rock of Names; and doubt having been cast on the accuracy of the place and the genuineness of the inscriptions, in a letter from Dr. Fraser, then Bishop of Manchester, which he forwarded to me, he entered into the question with all the interest with which he was wont to track out details in the architecture or the history of a Church.

There were few memorials connected with Wordsworth more worthy of preservation than this "upright mural block of stone." When one remembered that the initials on the rock were graven by the hands of William and John Wordsworth, by Samuel Taylor Coleridge, possibly with the assistance of Dorothy Wordsworth, the two Hutchinsons (Mary and Sarah), and that Wordsworth says of it,

'We worked until the Initials took
Shapes that defied a scornful look,'

this Thirlmere Rock was felt to be a far more interesting memento of the group of poets that used to meet beside it, than the Stone in the grounds of Rydal Mount, which was spared at Wordsworth's suit, "from some rude beauty of its own." There was simplicity, as well as strength, in the way in which the initials were cut. But the stone was afterwards desecrated by tourists, and others, who had the audacity to scratch their own names or initials upon it. In 1877 I wrote, "The rock is as yet wonderfully free from such; and its preservation is probably due to the dark olive-coloured moss, with which the 'pure water trickling down' has covered the face of the 'mural block,' and thus secured it from observation, even on that highway;" but I found in the summer of 1882 that several other names had been ruthlessly added. When the Manchester Thirlmere scheme was finally resolved upon, an effort was made to remove the Stone, with the view of its being placed higher up the hill on the side of the new roadway. In the course of this attempt, the Stone was broken to pieces.

There is a very good drawing of "The Rock of Names" by Mr. Harry Goodwin, in Through the Wordsworth Country, 1892.

"The Muse" takes farewell of the Waggoner as he is proceeding with the Sailor and his quaint model of the Vanguard along the road toward Keswick. She "scents the morning air," and

'Quits the slow-paced waggon's side,
To wander down yon hawthorn dell,
With murmuring Greta for her guide.'

The "hawthorn dell" is the upper part of the Vale of St. John.

'—There doth she ken the awful form
Of Raven-crag—black as a storm—
Glimmering through the twilight pale;
And Ghimmer-crag, his tall twin brother,
Each peering forth to meet the other.'

Raven-crag is well known,—H.C. Robinson writes of it in his Diary in 1818, as "the most significant of the crags at a spot where there is not one insignificant,"—a rock on the western side of Thirlmere, where the Greta issues from the lake. But there is no rock in the district now called by the name of Ghimmer-crag, or the crag of the Ewe-lamb. I am inclined to think that Wordsworth referred to the "Fisher-crag" of the Ordnance Survey and the Guide Books. No other rock round Thirlmere can with any accuracy be called the "tall twin brother" of Raven-crag: certainly not Great How, nor any spur of High Seat or Bleaberry Fell. Fisher-crag resembles Raven-crag, as seen from Thirlmere Bridge, or from the high road above it; and it is somewhat remarkable that Green—in his Guide to the Lakes (a volume which the poet possessed)—makes use of the same expression as that which Wordsworth adopts regarding these two crags, Raven and Fisher.

"The margin of the lake on the Dalehead side has its charms of wood and water; and Fischer Crag, twin brother to Raven Crag, is no bad object, when taken near the island called Buck's Holm"

(A Description of Sixty Studies from Nature, by William Green of Ambleside, 1810, p. 57). I cannot find any topographical allusion to a Ghimmer-crag in contemporary local writers. Clarke, in his Survey of the Lakes, does not mention it.

The Castle Rock, in the Vale of Legberthwaite, between High Fell and Great How, is the fairy castle of Sir Walter Scott's 'Bridal of Triermain'. "Nathdale Fell" is the ridge between Naddle Vale (Nathdale Vale) and that of St. John, now known as High Rigg. The old Hall of Threlkeld has long been in a state of ruinous dilapidation, the only habitable part of it having been for many years converted into a farmhouse. The remaining local allusions in The Waggoner are obvious enough: Castrigg is the shortened form of Castlerigg, the ridge between Naddle Valley and Keswick.

In the "Reminiscences" of Wordsworth, which the Hon. Mr. Justice Coleridge wrote for the late Bishop of Lincoln, in 1850, there is the following reference to The Waggoner. (See Memoirs, vol. ii. p. 310.)

"The Waggoner seems a very favourite poem of his. He said his object in it had not been understood. It was a play of the fancy on a domestic incident, and lowly character. He wished by the opening descriptive lines to put his reader into the state of mind in which he wished it to be read. If he failed in doing that, he wished him to lay it down. He pointed out with the same view, the glowing lines on the state of exultation in which Ben and his companions are under the influence of liquor. Then he read the sickening languor of the morning walk, contrasted with the glorious uprising of Nature, and the songs of the birds. Here he has added about six most exquisite lines."

The lines referred to are doubtless the eight (p. 101), beginning

'Say more; for by that power a vein,'

which were added in the edition of 1836.

The following is Sara Coleridge's criticism of The Waggoner. (See Biographia Literaria, vol. ii. pp. 183, 184, edition 1847.)

"Due honour is done to 'Peter Bell', at this time, by students of poetry in general; but some, even of Mr. Wordsworth's greatest admirers, do not quite satisfy me in their admiration of 'The Waggoner', a poem which my dear uncle, Mr. Southey, preferred even to the former. 'Ich will meine Denkungs Art hierin niemandem aufdringen', as Lessing says: I will force my way of thinking on nobody, but take the liberty, for my own gratification, to express it. The sketches of hill and valley in this poem have a lightness, and spirit—an Allegro touch—distinguishing them from the grave and elevated splendour which characterises Mr. Wordsworth's representations of Nature in general, and from the passive tenderness of those in 'The White Doe', while it harmonises well with the human interest of the piece; indeed it is the harmonious sweetness of the composition which is most dwelt upon by its special admirers. In its course it describes, with bold brief touches, the striking mountain tract from Grasmere to Keswick; it commences with an evening storm among the mountains, presents a lively interior of a country inn during midnight, and concludes after bringing us in sight of St. John's Vale and the Vale of Keswick seen by day-break—'Skiddaw touched with rosy light,' and the prospect from Nathdale Fell 'hoar with the frost-like dews of dawn:' thus giving a beautiful and well-contrasted Panorama, produced by the most delicate and masterly strokes of the pencil. Well may Mr. Ruskin, a fine observer and eloquent describer of various classes of natural appearances, speak of Mr. Wordsworth as the great poetic landscape painter of the age. But Mr. Ruskin has found how seldom the great landscape painters are powerful in expressing human passions and affections on canvas, or even successful in the introduction of human figures into their foregrounds; whereas in the poetic paintings of Mr. Wordsworth the landscape is always subordinate to a higher interest; certainly, in 'The Waggoner', the little sketch of human nature which occupies, as it were, the front of that encircling background, the picture of Benjamin and his temptations, his humble friends and the mute companions of his way, has a character of its own, combining with sportiveness a homely pathos, which must ever be delightful to some of those who are thoroughly conversant with the spirit of Mr. Wordsworth's poetry. It may be compared with the ale-house scene in 'Tam o'Shanter', parts of Voss's Luise, or Ovid's Baucis and Philemon; though it differs from each of them as much as they differ from each other. The Epilogue carries on the feeling of the piece very beautifully."

The editor of Southey's Life and Correspondence—his son, the Rev. Charles Cuthbert Southey—tells us, in a note to a letter from S.T. Coleridge to his father, that the Waggoner's name was Jackson; and that "all the circumstances of the poem are accurately correct." This Jackson, after retiring from active work as waggoner, became the tenant of Greta Hall, where first Coleridge, and afterwards Southey lived. The Hall was divided into two houses, one of which Jackson occupied, and the other of which he let to Coleridge, who speaks thus of him in the letter to Southey, dated Greta Hall, Keswick, April 13, 1801:

"My landlord, who dwells next door, has a very respectable library, which he has put with mine; histories, encyclopedias, and all the modern poetry, etc. etc. etc. A more truly disinterested man I never met with; severely frugal, yet almost carelessly generous; and yet he got all his money as a common carrier, by hard labour, and by pennies and pennies. He is one instance among many in this country of the salutary effect of the love of knowledge—he was from a boy a lover of learning."

(See 'Life and Correspondence of Robert Southey, vol. ii. pp. 147, 148.)

Charles Lamb—to whom The Waggoner was dedicated—wrote thus to Wordsworth on 7th June 1819:

"My dear Wordsworth,—You cannot imagine how proud we are here of the dedication. We read it twice for once that we do the poem. I mean all through; yet Benjamin is no common favourite; there is a spirit of beautiful tolerance in it. It is as good as it was in 1806; and it will be as good in 1829, if our dim eyes shall be awake to peruse it. Methinks there is a kind of shadowing affinity between the subject of the narrative and the subject of the dedication.
...
"I do not know which I like best,—the prologue (the latter part especially) to P. Bell, or the epilogue to Benjamin. Yes, I tell stories; I do know I like the last best; and the Waggoner altogether is a pleasanter remembrance to me than the Itinerant.
...
"C. Lamb."

(See The Letters of Charles Lamb, edited by Alfred Ainger, vol. ii. pp. 24-26.)

To this may be added what Southey wrote to Mr. Wade Browne on 15th June 1819:

"I think you will be pleased with Wordsworth's Waggoner, if it were only for the line of road which it describes. The master of the waggon was my poor landlord Jackson, and the cause of his exchanging it for the one-horse cart was just as is represented in the poem; nobody but Benjamin could manage it upon these hills, and Benjamin could not resist the temptations by the wayside."

(See The Life and Correspondence of Robert Southey, vol. iv. p. 318.)—Ed.

Wordsworth's Poetical Works, Volume 3: The Prelude

Castlerigg Stone Circle, Keswick
Edited by William Knight

1896

Table of Contents

The Prelude
- Book I
- Book II
- Book III
- Book IV
- Book V
- Book VI
- Book VII
- Book VIII
- Book IX
- Book X
- Book XI
- Book XII
- Book XIII
- Book XIV

Photo © FreeFoto.com

The Prelude

or, Growth of a Poet's Mind

an Autobiographical Poem

Composed 1799-1805.—Published 1850

The Poem

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The following Poem was commenced in the beginning of the year 1799, and completed in the summer of 1805.

The design and occasion of the work are described by the Author in his Preface to the Excursion, first published in 1814, where he thus speaks:

"Several years ago, when the Author retired to his native mountains with the hope of being enabled to construct a literary work that might live, it was a reasonable thing that he should take a review of his own mind, and examine how far Nature and Education had qualified him for such an employment.

"As subsidiary to this preparation, he undertook to record, in verse, the origin and progress of his own powers, as far as he was acquainted with them.

"That work, addressed to a dear friend, most distinguished for his knowledge and genius, and to whom the author's intellect is deeply indebted, has been long finished; and the result of the investigation which gave rise to it, was a determination to compose a philosophical Poem, containing views of Man, Nature, and Society, and to be entitled 'The Recluse;' as having for its principal subject the sensations and opinions of a poet living in retirement.

"The preparatory poem is biographical, and conducts the history of the Author's mind to the point when he was emboldened to hope that his faculties were sufficiently matured for entering upon the arduous labour which he had proposed to himself; and the two works have the same kind of relation to each other, if he may so express himself, as the Ante-chapel has to the body of a Gothic Church. Continuing this allusion, he may be permitted to add, that his minor pieces, which have been long before the public, when they shall be properly arranged, will be found by the attentive reader to have such connection with the main work as may give them claim to be likened to the little cells, oratories, and sepulchral recesses, ordinarily included in those edifices."

Such was the Author's language in the year 1814.

It will thence be seen, that the present Poem was intended to be introductory to the Recluse, and that the Recluse, if completed, would have consisted of Three Parts. Of these, the Second Part alone, viz. the Excursion, was finished, and given to the world by the Author.

The First Book of the First Part of the Recluse still remains in manuscript; but the Third Part was only planned. The materials of which it would have been formed have, however, been incorporated, for the most part, in the Author's other Publications, written subsequently to the Excursion.

The Friend, to whom the present Poem is addressed, was the late Samuel Taylor Coleridge, who was resident in Malta, for the restoration of his health, when the greater part of it was composed.

Mr. Coleridge read a considerable portion of the Poem while he was abroad; and his feelings, on hearing it recited by the Author (after his return to his own country) are recorded in his Verses, addressed to Mr. Wordsworth, which will be found in the Sibylline Leaves, p. 197, edition 1817, or Poetical Works, by S. T. Coleridge, vol. i. p. 206.

Rydal Mount, July 13th, 1850.

This "advertisement" to the first edition of The Prelude, published in 1850—the year of Wordsworth's death—was written by Mr. Carter, who edited the volume. Mr. Carter was for many years the poet's secretary, and afterwards one of his literary executors. The poem was not only kept back from publication during Wordsworth's life-time, but it remained without a title; being alluded to by himself, when he spoke or wrote of it, as "the poem on my own poetical education," the "poem on my own life," etc.

As The Prelude is autobiographical, a large part of Wordsworth's life might be written in the notes appended to it; but, besides breaking up the text of the poem unduly, this plan has many disadvantages, and would render a subsequent and detailed life of the poet either unnecessary or repetitive. The notes which follow will therefore be limited to the explanation of local, historical, and chronological allusions, or to references to Wordsworth's own career that are not obvious without them. It has been occasionally difficult to decide whether some of the allusions, to minute points in ancient history, mediæval mythology, and contemporary politics, should be explained or left alone; but I have preferred to err on the side of giving a brief clue to details, with which every scholar is familiar.

The Prelude was begun as Wordsworth left the imperial city of Goslar, in Lower Saxony, where he spent part of the last winter of last century, and which he left on the 10th of February 1799. Only lines 1 to 45, however, were composed at that time; and the poem was continued at desultory intervals after the settlement at Grasmere, during 1800, and following years. Large portions of it were dictated to his devoted amanuenses as he walked, or sat, on the terraces of Lancrigg. Six books were finished by 1805.

"The seventh was begun in the opening of that year; ... and the remaining seven were written before the end of June 1805, when his friend Coleridge was in the island of Malta, for the restoration of his health."

(The late Bishop of Lincoln.)

There is no uncertainty as to the year in which the later books were written; but there is considerable difficulty in fixing the precise date of the earlier ones. Writing from Grasmere to his friend Francis Wrangham—the letter is undated—Wordsworth says,

"I am engaged in writing a poem on my own earlier life, which will take five parts or books to complete, three of which are nearly finished."

The late Bishop of Lincoln supposed that this letter to Wrangham was written "at the close of 1803, or beginning of 1804." (See Memoirs of Wordsworth, vol. i. p. 303.) There is evidence that it belongs to 1804. At the commencement of the seventh book, p. 247, he says:

Six changeful years have vanished since I first
Poured out (saluted by that quickening breeze
Which met me issuing from the City's walls)
A glad preamble to this Verse: I sang
Aloud, with fervour irresistible
Of short-lived transport, like a torrent bursting,
From a black thunder-cloud, down Scafell's side
To rush and disappear. But soon broke forth
(So willed the Muse) a less impetuous stream,
That flowed awhile with unabating strength,
Then stopped for years; not audible again
Before last primrose-time.

I have italicised the clauses which give some clue to the dates of composition. From these it would appear that the "glad preamble," written on leaving Goslar in 1799 (which, I think, included only the first two paragraphs of book first), was a "short-lived transport"; but that "soon" afterwards "a less impetuous stream" broke forth, which, after the settlement at Grasmere, "flowed awhile with unabating strength," and then "stopped for years." Now the above passage, recording these things, was written in 1805, and in the late autumn of that year; (as is evident from the reference which immediately follows to the "choir of redbreasts" and the approach of winter). We must therefore assign the flowing of the "less impetuous stream," to 1802; in order to leave room for the intervening "years," in which it ceased to flow, till it was audible again in the spring of 1804, "last primrose-time."

A second reference to date occurs in the sixth book, p. 224, entitled "Cambridge and the Alps," in which he says,

Four years and thirty, told, this very week,
Have I been now a sojourner on earth.

This fixes definitely enough the date of the composition of that part of the work, viz. April 1804, which corresponds exactly to the "last primrose-time" of the previous extract from the seventh book, in which he tells us that after its long silence, his Muse was heard again. So far Wordsworth's own allusions to the date of The Prelude.

But there are others supplied by his own, and his sister's letters, and also by the Grasmere Journal. In the Dove Cottage household it was known, and talked of, as "the Poem to Coleridge;" and Dorothy records, on 11th January 1803, that her brother was working at it. On 13th February 1804, she writes to Mrs. Clarkson that her brother was engaged on a poem on his own life, and was "going on with great rapidity." On the 6th of March 1804, Wordsworth wrote from Grasmere to De Quincey,

"I am now writing a poem on my own earlier life: I have just finished that part of it in which I speak of my residence at the University." ... It is "better than half complete, viz. four books, amounting to about 2500 lines."^A

On the 24th of March, Dorothy wrote to Mrs. Clarkson, that since Coleridge left them (which was in January 1804), her brother had added 1500 lines to the poem on his own life. On the 29th of April 1804, Wordsworth wrote to Richard Sharpe,

"I have been very busy these last ten weeks: having written between two and three thousand lines—accurately near three thousand—in that time; namely, four books, and a third of another. I am at present at the Seventh Book."

On the 25th December 1804, he wrote to Sir George Beaumont,

"I have written upwards of 2000 verses during the last ten weeks."

We thus find that Books I. to IV. had been written by the 6th of March 1804, that from the 19th February to the 29th of April nearly 3000 lines were written, that March and April were specially productive months, for by the 29th April he had reached Book VII. while from 16th October to 25th December he wrote over 2000 lines.

Dorothy and Mary Wordsworth transcribed the earlier books more than once, and a copy of some of them was given to Coleridge to take with him to Malta.

It is certain that the remaining books of The Prelude were all written in the spring and early summer of 1805; the seventh, eighth, ninth, tenth, eleventh, and part of the twelfth being finished about the middle of April; the last 300 lines of book twelfth in the last week of April; and the two remaining books—the thirteenth and fourteenth—before the 20th of May. The following extracts from letters of Wordsworth to Sir George Beaumont make this clear, and also cast light on matters much more important than the mere dates of composition.

Grasmere, Dec. 25, 1804.

"My dear Sir George,—You will be pleased to hear that I have been advancing with my work: I have written upwards of 2000 verses during the last ten weeks. I do not know if you are exactly acquainted with the plan of my poetical labour: It is twofold; first, a Poem, to be called The Recluse; in which it will be my object to express in verse my most interesting feelings concerning man, nature, and society; and next, a poem (in which I am at present chiefly engaged) on my earlier life, or the growth of my own mind, taken up upon a large scale. This latter work I expect to have finished before the month of May; and then I purpose to fall with all my might on the former, which is the chief object upon which my thoughts have been fixed these many years. Of this poem, that of The Pedlar, which Coleridge read to you, is part; and I may have written of it altogether about 2000 lines. It will consist, I hope, of about ten or twelve thousand."

Grasmere, May 1, 1805.

"Unable to proceed with this work,^B I turned my thoughts again to the Poem on my own Life, and you will be glad to hear that I have added 300 lines to it in the course of last week. Two books more will conclude it. It will not be much less than 9000 lines,—not hundred but thousand lines long,—an alarming length! and a thing unprecedented in literary history that a man should talk so much about himself. It is not self-conceit, as you will know well, that has induced me to do this, but real humility. I began the work because I was unprepared to treat any more arduous subject, and diffident of my own powers. Here, at least, I hoped that to a certain degree I should be sure of succeeding, as I had nothing to do but describe what I had felt and thought, and therefore could not easily be bewildered. This might have been done in narrower compass by a man of more address; but I have done my best. If, when the work shall be finished, it appears to the judicious to have redundancies, they shall be lopped off, if possible; but this is very difficult to do, when a man has written with thought; and this defect, whenever I have suspected it or found it to exist in any writings of mine, I have always found it incurable. The fault lies too deep, and is in the first conception."

Grasmere, June 3, 1805.

"I have the pleasure to say that I finished my poem about a fortnight ago. I had looked forward to the day as a most happy one; ... But it was not a happy day for me; I was dejected on many accounts: when I looked back upon the performance, it seemed to have a dead weight about it,—the reality so far short of the expectation. It was the first long labour that I had finished; and the doubt whether I should ever live to write The Recluse, and the sense which I had of this poem being so far below what I seemed capable of executing, depressed me much; above all, many heavy thoughts of my poor departed brother hung upon me, the joy which I should have had in showing him the manuscript, and a thousand other vain fancies and dreams. I have spoken of this, because it was a state of feeling new to me, the occasion being new. This work may be considered as a sort of portico to The Recluse, part of the same building, which I hope to be able, ere long, to begin with in earnest; and if I am permitted to bring it to a conclusion, and to write, further, a narrative poem of the epic kind, I shall consider the task of my life as over. I ought to add, that I have the satisfaction of finding the present poem not quite of so alarming a length as I apprehended."

These letters explain the delay in the publication of The Prelude. They show that what led Wordsworth to write so much about himself was not self-conceit, but self-diffidence. He felt unprepared as yet for the more arduous task he had set before himself. He saw its faults as clearly, or more clearly, than the critics who condemned him. He knew that its length was excessive. He tried to condense it; he kept it beside him unpublished, and occasionally revised it, with a view to condensation, in vain. The text received his final corrections in the year 1832.

Wordsworth's reluctance to publish these portions of his great poem, The Recluse, other than The Excursion, during his lifetime, was a matter of surprise to his friends; to whom he, or the ladies of his household, had read portions of it. In the year 1819, Charles Lamb wrote to him,

"If, as you say, The Waggoner, in some sort, came at my call, oh for a potent voice to call forth The Recluse from his profound dormitory, where he sleeps forgetful of his foolish charge—the world!"

(The Letters of Charles Lamb, edited by Alfred Ainger, vol. ii. p. 26.)

The admission made in the letter of May 1st, 1805, is note-worthy:

"This defect" (of redundancy) "whenever I have suspected it or found it to exist in any writings of mine, I have always found incurable. The fault lies too deep, and is in the first conception."

The actual result—in the Poem he had at length committed to writing—was so far inferior to the ideal he had tried to realise, that he could never be induced to publish it. He spoke of the MS. as forming a sort of portico to his larger work—the poem on Man, Nature, and Society—which he meant to call The Recluse, and of which one portion only, viz. The Excursion, was finished. It is clear that throughout the composition of The Prelude, he felt that he was experimenting with his powers. He wished to find out whether he could construct "a literary work that might live," on a larger scale than his Lyrics; and it was on the writing of a "philosophical poem," dealing with Man and Nature, in their deepest aspects, that his thoughts had been fixed for many years. From the letter to Sir George Beaumont, December 25, 1804, it is evident that he regarded the autobiographical poem as a mere prologue to this larger work, to which he hoped to turn "with all his might" after The Prelude was finished, and of which he had already written about a fifth or a sixth (see Memoirs, vol. i. p. 304). This was the part known in the Grasmere household as "The Pedlar," a title given to it from the character of the Wanderer, but afterwards happily set aside. He did not devote himself, however, to the completion of his wider purpose, immediately after The Prelude was finished. He wrote one book of The Recluse which he called "Home at Grasmere"; and, though detached from The Prelude, it is a continuation of the narrative of his own life at the point where it is left off in the latter poem. It consists of 733 lines. Two extracts from it were published in the Memoirs of Wordsworth in 1851 (vol. i. pp. 151 and 155), beginning [Volume 2 links:],

'On Nature's invitation do I come,'

and

'Bleak season was it, turbulent and bleak.'

These will be found in vol. ii. of this edition, pp. 118 and 121 respectively.

The autobiographical poem remained, as already stated, during Wordsworth's lifetime without a title. The name finally adopted—The Prelude—was suggested by Mrs. Wordsworth, both to indicate its relation to the larger work, and the fact of its having been written comparatively early.

As the poem was addressed to Coleridge, it may be desirable to add in this place his critical verdict upon it; along with the poem which he wrote, on hearing Wordsworth read a portion of it to him, in the winter of 1806, at Coleorton.

In his Table Talk (London, 1835, vol. ii. p. 70), Coleridge's opinion is recorded thus:

"I cannot help regretting that Wordsworth did not first publish his thirteen (fourteen) books on the growth of an individual mind—superior, as I used to think, upon the whole to The Excursion. You may judge how I felt about them by my own Poem upon the occasion. Then the plan laid out, and, I believe, partly suggested by me, was, that Wordsworth should assume the station of a man in mental repose, one whose principles were made up, and so prepared to deliver upon authority a system of philosophy. He was to treat man as man,—a subject of eye, ear, touch, and taste in contact with external nature, and informing the senses from the mind, and not compounding a mind out of the senses; then he was to describe the pastoral and other states of society, assuming something of the Juvenalian spirit as he approached the high civilisation of cities and towns, and opening a melancholy picture of the present state of degeneracy and vice; thence he was to infer and reveal the proof of, and necessity for, the whole state of man and society being subject to, and illustrative of a redemptive process in operation, showing how this idea reconciled all the anomalies, and promised future glory and restoration. Something of this sort was, I think, agreed on. It is, in substance, what I have been all my life doing in my system of philosophy.

"I think Wordsworth possessed more of the genius of a great Philosopher than any man I ever knew, or, as I believe, has existed in England since Milton; but it seems to me that he ought never to have abandoned the contemplative position which is peculiarly—perhaps, I might say exclusively—fitted for him. His proper title is Spectator ab extra."

The following are Coleridge's Lines addressed to Wordsworth:

To William Wordsworth

Composed on the Night after his Recitation of a Poem on rhe Growth of an Individual Mind

Friend of the wise! and teacher of the good!
Into my heart have I received that lay
More than historic, that prophetic lay
Wherein (high theme by thee first sung aright)
Of the foundations and the building up
Of a Human Spirit thou hast dared to tell
What may be told, to the understanding mind
Revealable; and what within the mind
By vital breathings secret as the soul
Of vernal growth, oft quickens in the heart
Thoughts all too deep for words!—
Theme hard as high,
Of smiles spontaneous, and mysterious fears
(The first-born they of Reason and twin-birth),
Of tides obedient to external force,
And currents self-determined, as might seem,
Or by some inner power; of moments awful,
Now in thy inner life, and now abroad,
When power streamed from thee, and thy soul received
The Light reflected, as a light bestowed—
Of fancies fair, and milder hours of youth,
Hyblean murmurs of poetic thought
Industrious in its joy, in vales and glens,
Native or outland, lakes and famous hills!
Or on the lonely high-road, when the stars
Were rising; or by secret mountain-streams,
The guides and the companions of thy way!
Of more than Fancy, of the Social Sense
Distending wide, and man beloved as man,
Where France in all her towns lay vibrating
Like some becalmed bark beneath the burst
Of Heaven's immediate thunder, when no cloud
Is visible, or shadow on the main.
For thou wert there, thine own brows garlanded,
Amid the tremor of a realm aglow,
Amid a mighty nation jubilant,
When from the general heart of humankind
Hope sprang forth like a full-born Deity!
—Of that dear Hope afflicted and struck down,
So summoned homeward, thenceforth calm and sure,
From the dread watch-tower of man's absolute self,
With light unwaning on her eyes, to look
Far on—herself a glory to behold.
The Angel of the vision! Then (last strain)
Of Duty, chosen laws controlling choice,
Action and joy!—An Orphic song indeed,
A song divine of high and passionate thoughts
To their own music chanted!
O great Bard!
Ere yet that last strain dying awed the air,
With stedfast eye I viewed thee in the choir
Of ever-enduring men. The truly great
Have all one age, and from one visible space
Shed influence! They, both in power and act,
Are permanent, and Time is not with them,
Save as it worketh for them, they in it.
Nor less a sacred roll, than those of old,
And to be placed, as they, with gradual fame
Among the archives of mankind, thy work
Makes audible a linked lay of Truth,
Of Truth profound a sweet continuous lay,
Not learnt, but native, her own natural notes!
Ah! as I listened with a heart forlorn,
The pulses of my being beat anew:
And even as life returns upon the drowned,
Life's joy rekindling roused a throng of pains—
Keen pangs of Love, awakening as a babe
Turbulent, with an outcry in the heart;
And fears self-willed, that shunned the eye of hope;
And hope that scarce would know itself from fear;
Sense of past youth, and manhood come in vain,
And genius given, and knowledge won in vain;
And all which I had culled in wood-walks wild,
And all which patient toil had reared, and all,
Commune with thee had opened out—but flowers
Strewed on my corse, and borne upon my bier,
In the same coffin, for the self-same grave!

... Eve following eve,
Dear tranquil time, when the sweet sense of Home
Is sweetest! moments for their own sake hailed,
And more desired, more precious for thy song,
In silence listening, like a devout child,
My soul lay passive, by thy various strain
Driven as in surges now beneath the stars,
With momentary stars of my own birth,
Fair constellated foam, [C] still darting off
Into the darkness; now a tranquil sea,
Outspread and bright, yet swelling to the moon.

And when—O Friend! my comforter and guide!
Strong in thyself, and powerful to give strength!—
Thy long-sustained Song finally closed,
And thy deep voice had ceased—yet thou thyself
Wert still before my eyes, and round us both
That happy vision of beloved faces—
Scarce conscious, and yet conscious of its close
I sate, my being blended in one thought
(Thought was it? or aspiration? or resolve?)
Absorbed, yet hanging still upon the sound—
And when I rose I found myself in prayer.

It was at Coleorton, in Leicestershire,—where the Wordsworths lived during the winter of 1806-7, in a farm-house belonging to Sir George Beaumont, and where Coleridge visited them,—that The Prelude was read aloud by its author, on the occasion which gave birth to these lines.—Ed.

Contents—The Prelude
Main Contents

Book First

Introduction:—Childhood and School-Time

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O there is blessing in this gentle breeze, A visitant that while it fans my cheek Doth seem half-conscious of the joy it brings From the green fields, and from yon azure sky. Whate'er its mission, the soft breeze can come To none more grateful than to me; escaped From the vast city, where I long had pined A discontented sojourner: now free, Free as a bird to settle where I will. What dwelling shall receive me? in what vale Shall be my harbour? underneath what grove Shall I take up my home? and what clear stream Shall with its murmur lull me into rest? The earth is all before me. With a heart Joyous, nor scared at its own liberty, I look about; and should the chosen guide Be nothing better than a wandering cloud, I cannot miss my way. I breathe again! Trances of thought and mountings of the mind Come fast upon me: it is shaken off, That burthen of my own unnatural self, The heavy weight of many a weary day Not mine, and such as were not made for me. Long months of peace (if such bold word accord With any promises of human life), Long months of ease and undisturbed delight Are mine in prospect; whither shall I turn, By road or pathway, or through trackless field, Up hill or down, or shall some floating thing Upon the river point me out my course? Dear Liberty! Yet what would it avail But for a gift that consecrates the joy? For I, methought, while the sweet breath of heaven Was blowing on my body, felt within A correspondent breeze, that gently moved With quickening virtue, but is now become A tempest, a redundant energy, Vexing its own creation. Thanks to both, And their congenial powers, that, while they join In breaking up a long-continued frost, Bring with them vernal promises, the hope Of active days urged on by flying hours,— Days of sweet leisure, taxed with patient thought Abstruse, nor wanting punctual service high, Matins and vespers of harmonious verse! Thus far, O Friend! did I, not used to make A present joy the matter of a song, Pour forth that day my soul in measured strains That would not be forgotten, and are here Recorded: to the open fields I told A prophecy: poetic numbers came Spontaneously to clothe in priestly robe A renovated spirit singled out, Such hope was mine, for holy services. My own voice cheered me, and, far more, the mind's Internal echo of the imperfect sound; To both I listened, drawing from them both A cheerful confidence in things to come. Content and not unwilling now to give A respite to this passion, I paced on With brisk and eager steps; and came, at length, To a green shady place, where down I sate Beneath a tree, slackening my thoughts by choice, And settling into gentler happiness. 'Twas autumn, and a clear and placid day, With warmth, as much as needed, from a sun Two hours declined towards the west; a day With silver clouds, and sunshine on the grass, And in the sheltered and the sheltering grove A perfect stillness. Many were the thoughts Encouraged and dismissed, till choice was made Of a known Vale, whither my feet should turn, Nor rest till they had reached the very door Of the one cottage which methought I saw. No picture of mere memory ever looked So fair; and while upon the fancied scene I gazed with growing love, a higher power Than Fancy gave assurance of some work Of glory there forthwith to be begun, Perhaps too there performed. Thus long I mused, Nor e'er lost sight of what I mused upon, Save when, amid the stately groves of oaks, Now here, now there, an acorn, from its cup Dislodged, through sere leaves rustled, or at once To the bare earth dropped with a startling sound. From that soft couch I rose not, till the sun Had almost touched the horizon; casting then A backward glance upon the curling cloud Of city smoke, by distance ruralised; Keen as a Truant or a Fugitive, But as a Pilgrim resolute, I took, Even with the chance equipment of that hour, The road that pointed toward the chosen Vale. It was a splendid evening, and my soul Once more made trial of her strength, nor lacked Æolian visitations; but the harp Was soon defrauded, and the banded host Of harmony dispersed in straggling sounds, And lastly utter silence! "Be it so; Why think of any thing but present good?" So, like a home-bound labourer I pursued My way beneath the mellowing sun, that shed Mild influence; nor left in me one wish Again to bend the Sabbath of that time To a servile yoke. What need of many words? A pleasant loitering journey, through three days Continued, brought me to my hermitage, I spare to tell of what ensued, the life In common things—the endless store of things, Rare, or at least so seeming, every day Found all about me in one neighbourhood— The self-congratulation, and, from morn To night, unbroken cheerfulness serene. But speedily an earnest longing rose To brace myself to some determined aim, Reading or thinking; either to lay up New stores, or rescue from decay the old By timely interference: and therewith Came hopes still higher, that with outward life I might endue some airy phantasies That had been floating loose about for years, And to such beings temperately deal forth The many feelings that oppressed my heart. That hope hath been discouraged; welcome light Dawns from the east, but dawns to disappear And mock me with a sky that ripens not Into a steady morning: if my mind, Remembering the bold promise of the past, Would gladly grapple with some noble theme, Vain is her wish; where'er she turns she finds Impediments from day to day renewed. And now it would content me to yield up Those lofty hopes awhile, for present gifts Of humbler industry. But, oh, dear Friend! The Poet, gentle creature as he is, Hath, like the Lover, his unruly times; His fits when he is neither sick nor well, Though no distress be near him but his own Unmanageable thoughts: his mind, best pleased While she as duteous as the mother dove Sits brooding, lives not always to that end, But like the innocent bird, hath goadings on That drive her as in trouble through the groves; With me is now such passion, to be blamed No otherwise than as it lasts too long. When, as becomes a man who would prepare For such an arduous work, I through myself Make rigorous inquisition, the report Is often cheering; for I neither seem To lack that first great gift, the vital soul, Nor general Truths, which are themselves a sort Of Elements and Agents, Under-powers, Subordinate helpers of the living mind: Nor am I naked of external things, Forms, images, nor numerous other aids Of less regard, though won perhaps with toil And needful to build up a Poet's praise. Time, place, and manners do I seek, and these Are found in plenteous store, but nowhere such As may be singled out with steady choice; No little band of yet remembered names Whom I, in perfect confidence, might hope To summon back from lonesome banishment, And make them dwellers in the hearts of men Now living, or to live in future years. Sometimes the ambitious Power of choice, mistaking Proud spring-tide swellings for a regular sea, Will settle on some British theme, some old Romantic tale by Milton left unsung; More often turning to some gentle place Within the groves of Chivalry, I pipe To shepherd swains, or seated harp in hand, Amid reposing knights by a river side Or fountain, listen to the grave reports Of dire enchantments faced and overcome By the strong mind, and tales of warlike feats, Where spear encountered spear, and sword with sword Fought, as if conscious of the blazonry That the shield bore, so glorious was the strife; Whence inspiration for a song that winds Through ever changing scenes of votive quest Wrongs to redress, harmonious tribute paid To patient courage and unblemished truth, To firm devotion, zeal unquenchable, And Christian meekness hallowing faithful loves. Sometimes, more sternly moved, I would relate How vanquished Mithridates northward passed, And, hidden in the cloud of years, became Odin, the Father of a race by whom Perished the Roman Empire: how the friends And followers of Sertorius, out of Spain Flying, found shelter in the Fortunate Isles, And left their usages, their arts and laws, To disappear by a slow gradual death, To dwindle and to perish one by one, Starved in those narrow bounds: but not the soul Of Liberty, which fifteen hundred years Survived, and, when the European came With skill and power that might not be withstood, Did, like a pestilence, maintain its hold And wasted down by glorious death that race Of natural heroes: or I would record How, in tyrannic times, some high-souled man, Unnamed among the chronicles of kings, Suffered in silence for Truth's sake: or tell, How that one Frenchman, through continued force Of meditation on the inhuman deeds Of those who conquered first the Indian Isles, Went single in his ministry across The Ocean; not to comfort the oppressed, But, like a thirsty wind, to roam about Withering the Oppressor: how Gustavus sought Help at his need in Dalecarlia's mines: How Wallace fought for Scotland; left the name Of Wallace to be found, like a wild flower, All over his dear Country; left the deeds Of Wallace, like a family of Ghosts, To people the steep rocks and river banks, Her natural sanctuaries, with a local soul Of independence and stern liberty. Sometimes it suits me better to invent A tale from my own heart, more near akin To my own passions and habitual thoughts; Some variegated story, in the main Lofty, but the unsubstantial structure melts Before the very sun that brightens it, Mist into air dissolving! Then a wish, My best and favourite aspiration, mounts With yearning toward some philosophic song Of Truth that cherishes our daily life; With meditations passionate from deep Recesses in man's heart, immortal verse Thoughtfully fitted to the Orphean lyre; But from this awful burthen I full soon Take refuge and beguile myself with trust That mellower years will bring a riper mind And clearer insight. Thus my days are past In contradiction; with no skill to part Vague longing, haply bred by want of power, From paramount impulse not to be withstood, A timorous capacity from prudence, From circumspection, infinite delay. Humility and modest awe themselves Betray me, serving often for a cloak To a more subtle selfishness; that now Locks every function up in blank reserve, Now dupes me, trusting to an anxious eye That with intrusive restlessness beats off Simplicity and self-presented truth. Ah! better far than this, to stray about Voluptuously through fields and rural walks, And ask no record of the hours, resigned To vacant musing, unreproved neglect Of all things, and deliberate holiday. Far better never to have heard the name Of zeal and just ambition, than to live Baffled and plagued by a mind that every hour Turns recreant to her task; takes heart again, Then feels immediately some hollow thought Hang like an interdict upon her hopes. This is my lot; for either still I find Some imperfection in the chosen theme, Or see of absolute accomplishment Much wanting, so much wanting, in myself, That I recoil and droop, and seek repose In listlessness from vain perplexity, Unprofitably travelling toward the grave, Like a false steward who hath much received And renders nothing back. Was it for this That one, the fairest of all rivers, loved To blend his murmurs with my nurse's song, And, from his alder shades and rocky falls, And from his fords and shallows, sent a voice That flowed along my dreams? For this, didst thou, O Derwent! winding among grassy holms Where I was looking on, a babe in arms, Make ceaseless music that composed my thoughts To more than infant softness, giving me Amid the fretful dwellings of mankind A foretaste, a dim earnest, of the calm That Nature breathes among the hills and groves? When he had left the mountains and received On his smooth breast the shadow of those towers That yet survive, a shattered monument Of feudal sway, the bright blue river passed Along the margin of our terrace walk; A tempting playmate whom we dearly loved. Oh, many a time have I, a five years' child, In a small mill-race severed from his stream, Made one long bathing of a summer's day; Basked in the sun, and plunged and basked again Alternate, all a summer's day, or scoured The sandy fields, leaping through flowery groves Of yellow ragwort; or when rock and hill, The woods, and distant Skiddaw's lofty height, Were bronzed with deepest radiance, stood alone Beneath the sky, as if I had been born On Indian plains, and from my mother's hut Had run abroad in wantonness, to sport A naked savage, in the thunder shower. Fair seed-time had my soul, and I grew up Fostered alike by beauty and by fear: Much favoured in my birth-place, and no less In that beloved Vale to which erelong We were transplanted—there were we let loose For sports of wider range. Ere I had told Ten birth-days, when among the mountain slopes Frost, and the breath of frosty wind, had snapped The last autumnal crocus, 'twas my joy With store of springes o'er my shoulder hung To range the open heights where woodcocks run Along the smooth green turf. Through half the night, Scudding away from snare to snare, I plied That anxious visitation;—moon and stars Were shining o'er my head. I was alone, And seemed to be a trouble to the peace That dwelt among them. Sometimes it befel In these night wanderings, that a strong desire O'erpowered my better reason, and the bird Which was the captive of another's toil Became my prey; and when the deed was done I heard among the solitary hills Low breathings coming after me, and sounds Of undistinguishable motion, steps Almost as silent as the turf they trod. Nor less when spring had warmed the cultured Vale, Moved we as plunderers where the mother-bird Had in high places built her lodge; though mean Our object and inglorious, yet the end Was not ignoble. Oh! when I have hung Above the raven's nest, by knots of grass And half-inch fissures in the slippery rock But ill sustained, and almost (so it seemed) Suspended by the blast that blew amain, Shouldering the naked crag, oh, at that time While on the perilous ridge I hung alone, With what strange utterance did the loud dry wind Blow through my ear! the sky seemed not a sky Of earth—and with what motion moved the clouds! Dust as we are, the immortal spirit grows Like harmony in music; there is a dark Inscrutable workmanship that reconciles Discordant elements, makes them cling together In one society. How strange that all The terrors, pains, and early miseries, Regrets, vexations, lassitudes interfused Within my mind, should e'er have borne a part, And that a needful part, in making up The calm existence that is mine when I Am worthy of myself! Praise to the end! Thanks to the means which Nature deigned to employ; Whether her fearless visitings, or those That came with soft alarm, like hurtless light Opening the peaceful clouds; or she may use Severer interventions, ministry More palpable, as best might suit her aim. One summer evening (led by her) I found A little boat tied to a willow tree Within a rocky cave, its usual home. Straight I unloosed her chain, and stepping in Pushed from the shore. It was an act of stealth And troubled pleasure, nor without the voice Of mountain-echoes did my boat move on; Leaving behind her still, on either side, Small circles glittering idly in the moon, Until they melted all into one track Of sparkling light. But now, like one who rows, Proud of his skill, to reach a chosen point With an unswerving line, I fixed my view Upon the summit of a craggy ridge, The horizon's utmost boundary; far above Was nothing but the stars and the grey sky. She was an elfin pinnace; lustily I dipped my oars into the silent lake, And, as I rose upon the stroke, my boat Went heaving through the water like a swan; When, from behind that craggy steep till then The horizon's bound, a huge peak, black and huge, As if with voluntary power instinct Upreared its head. I struck and struck again, And growing still in stature the grim shape Towered up between me and the stars, and still, For so it seemed, with purpose of its own And measured motion like a living thing, Strode after me. With trembling oars I turned, And through the silent water stole my way Back to the covert of the willow tree; There in her mooring-place I left my bark,— And through the meadows homeward went, in grave And serious mood; but after I had seen That spectacle, for many days, my brain Worked with a dim and undetermined sense Of unknown modes of being; o'er my thoughts There hung a darkness, call it solitude Or blank desertion. No familiar shapes Remained, no pleasant images of trees, Of sea or sky, no colours of green fields; But huge and mighty forms, that do not live Like living men, moved slowly through the mind By day, and were a trouble to my dreams. Wisdom and Spirit of the universe! Thou Soul that art the eternity of thought, That givest to forms and images a breath And everlasting motion, not in vain By day or star-light thus from my first dawn Of childhood didst thou intertwine for me The passions that build up our human soul; Not with the mean and vulgar works of man, But with high objects, with enduring things— With life and nature, purifying thus The elements of feeling and of thought, And sanctifying, by such discipline, Both pain and fear, until we recognise A grandeur in the beatings of the heart. Nor was this fellowship vouchsafed to me With stinted kindness. In November days, When vapours rolling down the valley made A lonely scene more lonesome, among woods At noon, and 'mid the calm of summer nights, When, by the margin of the trembling lake, Beneath the gloomy hills homeward I went In solitude, such intercourse was mine; Mine was it in the fields both day and night, And by the waters, all the summer long. And in the frosty season, when the sun Was set, and visible for many a mile The cottage windows blazed through twilight gloom, I heeded not their summons: happy time It was indeed for all of us—for me It was a time of rapture! Clear and loud The village clock tolled six,—I wheeled about, Proud and exulting like an untired horse That cares not for his home. All shod with steel, We hissed along the polished ice in games Confederate, imitative of the chase And woodland pleasures,—the resounding horn, The pack loud chiming, and the hunted hare. So through the darkness and the cold we flew, And not a voice was idle; with the din Smitten, the precipices rang aloud; The leafless trees and every icy crag Tinkled like iron; while far distant hills Into the tumult sent an alien sound Of melancholy not unnoticed, while the stars Eastward were sparkling clear, and in the west The orange sky of evening died away. Not seldom from the uproar I retired Into a silent bay, or sportively Glanced sideway, leaving the tumultuous throng, To cut across the reflex of a star That fled, and, flying still before me, gleamed Upon the glassy plain; and oftentimes, When we had given our bodies to the wind, And all the shadowy banks on either side Came sweeping through the darkness, spinning still The rapid line of motion, then at once Have I, reclining back upon my heels, Stopped short; yet still the solitary cliffs Wheeled by me—even as if the earth had rolled With visible motion her diurnal round! Behind me did they stretch in solemn train, Feebler and feebler, and I stood and watched Till all was tranquil as a dreamless sleep. Ye Presences of Nature in the sky And on the earth! Ye Visions of the hills! And Souls of lonely places! can I think A vulgar hope was yours when ye employed Such ministry, when ye through many a year Haunting me thus among my boyish sports, On caves and trees, upon the woods and hills, Impressed upon all forms the characters Of danger or desire; and thus did make The surface of the universal earth With triumph and delight, with hope and fear, Work like a sea? Not uselessly employed, Might I pursue this theme through every change Of exercise and play, to which the year Did summon us in his delightful round. We were a noisy crew; the sun in heaven Beheld not vales more beautiful than ours; Nor saw a band in happiness and joy Richer, or worthier of the ground they trod. I could record with no reluctant voice The woods of autumn, and their hazel bowers With milk-white clusters hung; the rod and line, True symbol of hope's foolishness, whose strong And unreproved enchantment led us on By rocks and pools shut out from every star, All the green summer, to forlorn cascades Among the windings hid of mountain brooks. —Unfading recollections! at this hour The heart is almost mine with which I felt, From some hill-top on sunny afternoons, The paper kite high among fleecy clouds Pull at her rein like an impetuous courser; Or, from the meadows sent on gusty days, Beheld her breast the wind, then suddenly Dashed headlong, and rejected by the storm. Ye lowly cottages wherein we dwelt, A ministration of your own was yours; Can I forget you, being as you were So beautiful among the pleasant fields In which ye stood? or can I here forget The plain and seemly countenance with which Ye dealt out your plain comforts? Yet had ye Delights and exultations of your own. Eager and never weary we pursued Our home-amusements by the warm peat-fire At evening, when with pencil, and smooth slate In square divisions parcelled out and all With crosses and with cyphers scribbled o'er, We schemed and puzzled, head opposed to head In strife too humble to be named in verse: Or round the naked table, snow-white deal, Cherry or maple, sate in close array, And to the combat, Loo or Whist, led on A thick-ribbed army; not, as in the world, Neglected and ungratefully thrown by Even for the very service they had wrought, But husbanded through many a long campaign. Uncouth assemblage was it, where no few Had changed their functions; some, plebeian cards[l] Which Fate, beyond the promise of their birth, Had dignified, and called to represent The persons of departed potentates. Oh, with what echoes on the board they fell! Ironic diamonds,—clubs, hearts, diamonds, spades, A congregation piteously akin! Cheap matter offered they to boyish wit, Those sooty knaves, precipitated down With scoffs and taunts, like Vulcan out of heaven: The paramount ace, a moon in her eclipse, Queens gleaming through their splendour's last decay, And monarchs surly at the wrongs sustained By royal visages. Meanwhile abroad Incessant rain was falling, or the frost Raged bitterly, with keen and silent tooth; And, interrupting oft that eager game, From under Esthwaite's splitting fields of ice The pent-up air, struggling to free itself, Gave out to meadow grounds and hills a loud Protracted yelling, like the noise of wolves Howling in troops along the Bothnic Main. Nor, sedulous as I have been to trace How Nature by extrinsic passion first Peopled the mind with forms sublime or fair, And made me love them, may I here omit How other pleasures have been mine, and joys Of subtler origin; how I have felt, Not seldom even in that tempestuous time, Those hallowed and pure motions of the sense Which seem, in their simplicity, to own An intellectual charm; that calm delight Which, if I err not, surely must belong To those first-born affinities that fit Our new existence to existing things, And, in our dawn of being, constitute The bond of union between life and joy. Yes, I remember when the changeful earth, And twice five summers on my mind had stamped The faces of the moving year, even then I held unconscious intercourse with beauty Old as creation, drinking in a pure Organic pleasure from the silver wreaths Of curling mist, or from the level plain Of waters coloured by impending clouds. The sands of Westmoreland, the creeks and bays Of Cumbria's rocky limits, they can tell How, when the Sea threw off his evening shade, And to the shepherd's hut on distant hills Sent welcome notice of the rising moon, How I have stood, to fancies such as these A stranger, linking with the spectacle No conscious memory of a kindred sight, And bringing with me no peculiar sense Of quietness or peace; yet have I stood, Even while mine eye hath moved o'er many a league Of shining water, gathering as it seemed Through every hair-breadth in that field of light New pleasure like a bee among the flowers. Thus oft amid those fits of vulgar joy Which, through all seasons, on a child's pursuits Are prompt attendants, 'mid that giddy bliss Which, like a tempest, works along the blood And is forgotten; even then I felt Gleams like the flashing of a shield;—the earth And common face of Nature spake to me Rememberable things; sometimes, 'tis true, By chance collisions and quaint accidents (Like those ill-sorted unions, work supposed Of evil-minded fairies), yet not vain Nor profitless, if haply they impressed Collateral objects and appearances, Albeit lifeless then, and doomed to sleep Until maturer seasons called them forth To impregnate and to elevate the mind. —And if the vulgar joy by its own weight Wearied itself out of the memory, The scenes which were a witness of that joy Remained in their substantial lineaments Depicted on the brain, and to the eye Were visible, a daily sight; and thus By the impressive discipline of fear, By pleasure and repeated happiness, So frequently repeated, and by force Of obscure feelings representative Of things forgotten, these same scenes so bright, So beautiful, so majestic in themselves, Though yet the day was distant, did become Habitually dear, and all their forms And changeful colours by invisible links Were fastened to the affections. I began My story early—not misled, I trust, By an infirmity of love for days Disowned by memory—ere the breath of spring Planting my snowdrops among winter snows: Nor will it seem to thee, O Friend! so prompt In sympathy, that I have lengthened out With fond and feeble tongue a tedious tale. Meanwhile, my hope has been, that I might fetch Invigorating thoughts from former years; Might fix the wavering balance of my mind, And haply meet reproaches too, whose power May spur me on, in manhood now mature To honourable toil. Yet should these hopes Prove vain, and thus should neither I be taught To understand myself, nor thou to know With better knowledge how the heart was framed Of him thou lovest; need I dread from thee Harsh judgments, if the song be loth to quit Those recollected hours that have the charm Of visionary things, those lovely forms And sweet sensations that throw back our life, And almost make remotest infancy A visible scene, on which the sun is shining? One end at least hath been attained; my mind Hath been revived, and if this genial mood Desert me not, forthwith shall be brought down Through later years the story of my life. The road lies plain before me;—'tis a theme Single and of determined bounds; and hence I choose it rather at this time, than work Of ampler or more varied argument, Where I might be discomfited and lost: And certain hopes are with me, that to thee This labour will be welcome, honoured Friend! Contents—The Prelude Main Contents		A B C D E F G F H I K L M N O P Q R S T U V W X Y Z a b c d e f g h i j k l m n o p q	5 10 15 20 25 30 35 40 45 50 55 60 65 70 75 80 85 90 95 100 105 110 115 120 125 130 135 140 145 150 155 160 165 170 175 180 185 190 195 200 205 210 215 220 225 230 235 240 245 250 255 260 265 270 275 280 285 290 295 300 305 310 315 320 325 330 335 340 345 350 355 360 365 370 375 380 385 390 395 400 405 410 415 420 425 430 435 440 445 450 455 460 465 470 475 480 485 490 495 500 505 510 515 520 525 530 535 540 545 550 555 560 565 570 575 580 585 590 595 600 605 610 615 620 625 630 635 640 645

Footnote A: See the De Quincey Memorials, vol. i. p. 125.—Ed.
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Footnote B: A poem on his brother John.—Ed.
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Footnote C: Compare

"A beautiful white cloud of foam at momentary intervals, coursed by the side of the vessel with a roar, and little stars of flame danced and sparkled and went out in it: and every now and then light detachments of this white cloud-like foam darted off from the vessel's side, each with its own small constellation, over the sea, and scoured out of sight like a Tartar troop over a wilderness."

S. T. C. in Biographia Literaria, Satyrane's Letters, letter i. p. 196 (edition 1817).—Ed.

Footnote A: On the authority of the poet's nephew, and others, the "city" here referred to has invariably been supposed to be Goslar, where he spent the winter of 1799. Goslar, however, is as unlike a "vast city" as it is possible to conceive. Wordsworth could have walked from end to end of it in ten minutes.

One would think he was rather referring to London, but there is no evidence to show that he visited the metropolis in the spring of 1799. The lines which follow about "the open fields" (l. 50) are certainly more appropriate to a journey from London to Sockburn, than from Goslar to Gottingen; and what follows, the "green shady place" of l. 62, the "known Vale" and the "cottage" of ll. 72 and 74, certainly refer to English soil.—Ed.
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Footnote B: Compare Paradise Lost, xii. l. 646.

'The world was all before them, where to choose.'

Ed.
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Footnote C: Compare [volume 2 link: Lines composed above Tintern Abbey], ll. 52-5 (vol. ii. p. 53.)—Ed.
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Footnote D: S. T. Coleridge.—Ed.
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Footnote E: At Sockburn-on-Tees, county Durham, seven miles south-east of Darlington.—Ed.
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Footnote F: Grasmere.—Ed.
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Footnote G: Dove Cottage at Town-end.—Ed.
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Footnote H: This quotation I am unable to trace.—Ed.
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Footnote I: Wordsworth spent most of the year 1799 (from March to December) at Sockburn with the Hutchinsons. With Coleridge and his brother John he went to Windermere, Rydal, Grasmere, etc., in the autumn, returning afterwards to Sockburn. He left it again, with his sister, on Dec. 19, to settle at Grasmere, and they reached Dove Cottage on Dec. 21, 1799.—Ed.
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Footnote K: See Dorothy Wordsworth's Grasmere Journal, passim.—Ed.
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Footnote L: Compare the 2nd and 3rd of the [Volume 2 links: Stanzas written in my pocket-copy of Thomson's Castle of Indolence, vol. ii. p. 306, and the note] appended to that poem.—Ed.

Footnote M: Mithridates (the Great) of Pontus, 131 B.C. to 63 B.C. Vanquished by Pompey, B.C. 65, he fled to his son-in-law, Tigranes, in Armenia. Being refused an asylum, he committed suicide. I cannot trace the legend of Mithridates becoming Odin. Probably Wordsworth means that he would invent, rather than "relate," the story. Gibbon (Decline and Fall of the Roman Empire, chap. x.) says,

"It is supposed that Odin was the chief of a tribe of barbarians, who dwelt on the banks of Lake Maeotis, till the fall of Mithridates, and the arms of Pompey menaced the north with servitude; that Odin, yielding with indignant fury to a power which he was unable to resist, conducted his tribe from the frontiers of Asiatic Sarmatia into Sweden."

See also Mallet, Northern Antiquities, and Crichton and Wheaton's Scandinavia (Edinburgh Cabinet Library):

"Among the fugitive princes of Scythia, who were expelled from their country in the Mithridatic war, tradition has placed the name of Odin, the ruler of a potent tribe in Turkestan, between the Euxine and the Caspian."

Ed.
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Footnote N: Sertorius, one of the Roman generals of the later Republican era (see Plutarch's biography of him, and Corneille's tragedy). On being proscribed by Sylla, he fled from Etruria to Spain; there he became the leader of several bands of exiles, and repulsed the Roman armies sent against him. Mithridates VI.—referred to in the previous note—aided him, both with ships and money, being desirous of establishing a new Roman Republic in Spain. From Spain he went to Mauritania. In the Straits of Gibraltar he met some sailors, who had been in the Atlantic Isles, and whose reports made him wish to visit these islands.—Ed.
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Footnote O: Supposed to be the Canaries.—Ed.
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Footnote P:

"In the early part of the fifteenth century there arrived at Lisbon an old bewildered pilot of the seas, who had been driven by tempests he knew not whither, and raved about an island in the far deep upon which he had landed, and which he had found peopled, and adorned with noble cities. The inhabitants told him that they were descendants of a band of Christians who fled from Spain when that country was conquered by the Moslems."

(See Washington Irving's Chronicles of Wolfert's Roost, etc.; and Baring Gould's Curious Myths of the Middle Ages.)—Ed.
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Footnote Q: Dominique de Gourgues, a French gentleman, who went in 1568 to Florida, to avenge the massacre of the French by the Spaniards there. (Mr. Carter, in the edition of 1850.)—Ed.
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Footnote R: Gustavus I. of Sweden. In the course of his war with Denmark he retreated to Dalecarlia, where he was a miner and field labourer.—Ed.
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Footnote S: The name—both as Christian and surname—is common in Scotland, and towns (such as Wallacetown, Ayr) are named after him.

"Passed two of Wallace's caves. There is scarcely a noted glen in Scotland that has not a cave for Wallace, or some other hero."

Dorothy Wordsworth's Recollections of a Tour made in Scotland in 1803 (Sunday, August 21).—Ed.
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Footnote T: Compare L'Allegro, l. 137.—Ed.
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Footnote U: Compare Paradise Lost, iii. 17.—Ed.
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Footnote V: The Derwent, on which the town of Cockermouth is built, where Wordsworth was born on the 7th of April 1770.—Ed.
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Footnote W: The towers of Cockermouth Castle.—Ed.
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Footnote X: The "terrace walk" is at the foot of the garden, attached to the old mansion in which Wordsworth's father, law-agent of the Earl of Lonsdale, resided. This home of his childhood is alluded to in [Volume 2 link: The Sparrow's Nest], vol. ii. p. 236. Three of the "Poems, composed or suggested during a Tour, in the Summer of 1833," refer to Cockermouth. They are the fifth, sixth, and seventh in that series of Sonnets: and are entitled respectively To the River Derwent; In sight of the Town of Cockermouth; and the Address from the Spirit of Cockermouth Castle. It was proposed some time ago that this house—which is known in Cockermouth as "Wordsworth House," —should be purchased, and since the Grammar School of the place is out of repair, that it should be converted into a School, in memory of Wordsworth. This excellent suggestion has not yet been carried out—Ed.
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Footnote Y: The Vale of Esthwaite.—Ed.
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Footnote Z: He went to Hawkshead School in 1778.—Ed.
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Footnote a: About mid October the autumn crocus in the garden "snaps" in that district.—Ed.
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Footnote b: Possibly in the Claife and Colthouse heights to the east of Esthwaite Water; but more probably the round-headed grassy hills that lead up and on to the moor between Hawkshead and Coniston, where the turf is always green and smooth.—Ed.
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Footnote c: Yewdale: see next note. "Cultured Vale" exactly describes the little oat-growing valley of Yewdale.—Ed.
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Footnote d: As there are no "naked crags" with "half-inch fissures in the slippery rocks" in the "cultured vale" of Esthwaite, the locality referred to is probably the Hohne Fells above Yewdale, to the north of Coniston, and only a few miles from Hawkshead, where a crag, now named Raven's Crag, divides Tilberthwaite from Yewdale. In his Epistle to Sir George Beaumont, Wordsworth speaks of Yewdale as a plain

'spread
Under a rock too steep for man to tread,
Where sheltered from the north and bleak north-west
Aloft the Raven hangs a visible nest,
Fearless of all assaults that would her brood molest.'

Ed.
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Footnote e: Dr. Cradock suggested the reading "rocky cove." Rocky cave is tautological, and Wordsworth would hardly apply the epithet to an ordinary boat-house.—Ed.
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Footnote f: The "craggy steep till then the horizon's bound," is probably the ridge of Ironkeld, reaching from high Arnside to the Tom Heights above Tarn Hows; while the "huge peak, black and huge, as if with voluntary power instinct," may he either the summit of Wetherlam, or of Pike o'Blisco. Mr. Rawnsley, however, is of opinion that if Wordsworth rowed off from the west bank of Fasthwaite, he might see beyond the craggy ridge of Loughrigg the mass of Nab-Scar, and Rydal Head would rise up "black and huge." If he rowed from the east side, then Pike o'Stickle, or Harrison Stickle, might rise above Ironkeld, over Borwick Ground.—Ed.
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Footnote g: Compare S. T. Coleridge.

"When very many are skating together, the sounds and the noises give an impulse to the icy trees, and the woods all round the lake tinkle."

The Friend, vol. ii. p. 325 (edition 1818).—Ed.
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Footnote h: The two preceding paragraphs were published in The Friend, December 28, 1809, under the title of the Growth of Genius from the Influences of Natural Objects on the Imagination, in Boyhood and Early Youth, and were afterwards inserted in all the collective editions of Wordsworth's poems, from 1815 onwards. For the changes of the text in these editions, [volume 2 link: see seqq.] vol. ii. pp. 66-69.—Ed.
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Footnote i: The becks amongst the Furness Fells, in Yewdale, and elsewhere.—Ed.
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Footnote j: Possibly from the top of some of the rounded moraine hills on the western side of the Hawkshead Valley.—Ed.
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Footnote k: The pupils in the Hawkshead school, in Wordsworth's time, boarded in the houses of village dames. Wordsworth lived with one Anne Tyson, for whom he ever afterwards cherished the warmest regard, and whose simple character he has immortalised. (See especially in the fourth book of The Prelude, p. 187, etc.) Wordsworth lived in her cottage at Hawkshead during nine eventful years. It still remains externally unaltered, and little, if at all, changed in the interior. It may be reached through a picturesque archway, near the principal inn of the village (The Lion); and is on the right of a small open yard, which is entered through this archway. To the left, a lane leads westwards to the open country. It is a humble dwelling of two storeys. The floor of the basement flat-paved with the blue flags of Coniston slate —is not likely to have been changed since Wordsworth's time. The present door with its "latch" (see book ii. l. 339), is probably the same as that referred to in the poem, as in use in 1776, and onwards. For further details see notes to book iv.—Ed.
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Footnote l: Compare Pope's Rape of the Lock, canto iii. l. 54:

'Gained but one trump, and one plebeian card.'

Ed.
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Footnote m: Compare Walton's Compleat Angler, part i. 4:

'I was for that time lifted above earth,
And possess'd joys not promised in my birth.'

Ed.
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Footnote n: The notes to this edition are explanatory rather than critical; but as this image has been objected to—as inaccurate, and out of all analogy with Wordsworth's use and wont—it may be mentioned that the noise of the breaking up of the ice, after a severe winter in these lakes, when it cracks and splits in all directions, is exactly as here described. It is not of course, in any sense peculiar to the English lakes; but there are probably few districts where the peculiar noise referred to can be heard so easily or frequently. Compare Coleridge's account of the Lake of Ratzeburg in winter, in The Friend, vol. ii. p. 323 (edition of 1818), and his reference to "the thunders and 'howlings' of the breaking ice."—Ed.
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Footnote o: I here insert a very remarkable MS. variation of the text, or rather (I think) one of these experiments in dealing with his theme, which were common with Wordsworth. I found it in a copy of the Poems belonging to the poet's son:

I tread the mazes of this argument, and paint
How nature by collateral interest
And by extrinsic passion peopled first
My mind with beauteous objects: may I well
Forget what might demand a loftier song,
For oft the Eternal Spirit, He that has
His Life in unimaginable things,
And he who painting what He is in all
The visible imagery of all the World
Is yet apparent chiefly as the Soul
Of our first sympathies—O bounteous power
In Childhood, in rememberable days
How often did thy love renew for me
Those naked feelings which, when thou would'st form
A living thing, thou sendest like a breeze
Into its infant being! Soul of things
How often did thy love renew for me
Those hallowed and pure motions of the sense
Which seem in their simplicity to own
An intellectual charm: That calm delight
Which, if I err not, surely must belong
To those first-born affinities which fit
Our new existence to existing things,
And, in our dawn of being, constitute
The bond of union betwixt life and joy.
Yes, I remember, when the changeful youth
And twice five seasons on my mind had stamped
The faces of the moving year, even then
A child, I held unconscious intercourse
With the eternal beauty, drinking in
A pure organic pleasure from the lines
Of curling mist, or from the smooth expanse
Of waters coloured by the clouds of Heaven.

Ed.
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Footnote p: Snowdrops still grow abundantly in many an orchard and meadow by the road which skirts the western side of Esthwaite Lake.—Ed.
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Footnote q: Compare the Ode, Intimations of Immortality, stanza ix.—Ed.
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Contents—The Prelude
Main Contents

Book Second

School-Time continued ...

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Thus far, O Friend! have we, though leaving much Unvisited, endeavoured to retrace The simple ways in which my childhood walked; Those chiefly that first led me to the love Of rivers, woods, and fields. The passion yet Was in its birth, sustained as might befal By nourishment that came unsought; for still From week to week, from month to month, we lived A round of tumult. Duly were our games Prolonged in summer till the day-light failed: No chair remained before the doors; the bench And threshold steps were empty; fast asleep The labourer, and the old man who had sate A later lingerer; yet the revelry Continued and the loud uproar: at last, When all the ground was dark, and twinkling stars Edged the black clouds, home and to bed we went, Feverish with weary joints and beating minds. Ah! is there one who ever has been young, Nor needs a warning voice to tame the pride Of intellect and virtue's self-esteem? One is there, though the wisest and the best Of all mankind, who covets not at times Union that cannot be;—who would not give, If so he might, to duty and to truth The eagerness of infantine desire? A tranquillising spirit presses now On my corporeal frame, so wide appears The vacancy between me and those days Which yet have such self-presence in my mind, That, musing on them, often do I seem Two consciousnesses, conscious of myself And of some other Being. A rude mass Of native rock, left midway in the square Of our small market village, was the goal Or centre of these sports; and when, returned After long absence, thither I repaired, Gone was the old grey stone, and in its place A smart Assembly-room usurped the ground That had been ours. There let the fiddle scream, And be ye happy! Yet, my Friends! I know That more than one of you will think with me Of those soft starry nights, and that old Dame From whom the stone was named, who there had sate, And watched her table with its huckster's wares Assiduous, through the length of sixty years. We ran a boisterous course; the year span round With giddy motion. But the time approached That brought with it a regular desire For calmer pleasures, when the winning forms Of Nature were collaterally attached To every scheme of holiday delight And every boyish sport, less grateful else And languidly pursued. When summer came, Our pastime was, on bright half-holidays, To sweep, along the plain of Windermere With rival oars; and the selected bourne Was now an Island musical with birds That sang and ceased not; now a Sister Isle Beneath the oaks' umbrageous covert, sown With lilies of the valley like a field; And now a third small Island, where survived In solitude the ruins of a shrine Once to Our Lady dedicate, and served Daily with chaunted rites. In such a race So ended, disappointment could be none, Uneasiness, or pain, or jealousy: We rested in the shade, all pleased alike, Conquered and conqueror. Thus the pride of strength, And the vain-glory of superior skill, Were tempered; thus was gradually produced A quiet independence of the heart; And to my Friend who knows me I may add, Fearless of blame, that hence for future days Ensued a diffidence and modesty, And I was taught to feel, perhaps too much, The self-sufficing power of Solitude. Our daily meals were frugal, Sabine fare! More than we wished we knew the blessing then Of vigorous hunger—hence corporeal strength Unsapped by delicate viands; for, exclude A little weekly stipend, and we lived Through three divisions of the quartered year In penniless poverty. But now to school From the half-yearly holidays returned, We came with weightier purses, that sufficed To furnish treats more costly than the Dame Of the old grey stone, from her scant board, supplied. Hence rustic dinners on the cool green ground, Or in the woods, or by a river side Or shady fountains, while among the leaves Soft airs were stirring, and the mid-day sun Unfelt shone brightly round us in our joy. Nor is my aim neglected if I tell How sometimes, in the length of those half-years, We from our funds drew largely;—proud to curb, And eager to spur on, the galloping steed; And with the courteous inn-keeper, whose stud Supplied our want, we haply might employ Sly subterfuge, if the adventure's bound Were distant: some famed temple where of yore The Druids worshipped, or the antique walls Of that large abbey, where within the Vale Of Nightshade, to St. Mary's honour built, Stands yet a mouldering pile with fractured arch, Belfry, and images, and living trees, A holy scene! Along the smooth green turf Our horses grazed. To more than inland peace Left by the west wind sweeping overhead From a tumultuous ocean, trees and towers In that sequestered valley may be seen, Both silent and both motionless alike; Such the deep shelter that is there, and such The safeguard for repose and quietness. Our steeds remounted and the summons given, With whip and spur we through the chauntry flew In uncouth race, and left the cross-legged knight, And the stone-abbot, and that single wren Which one day sang so sweetly in the nave Of the old church, that—though from recent showers The earth was comfortless, and touched by faint Internal breezes, sobbings of the place And respirations, from the roofless walls The shuddering ivy dripped large drops—yet still So sweetly 'mid the gloom the invisible bird Sang to herself, that there I could have made My dwelling-place, and lived for ever there To hear such music. Through the walls we flew And down the valley, and, a circuit made In wantonness of heart, through rough and smooth We scampered homewards. Oh, ye rocks and streams, And that still spirit shed from evening air! Even in this joyous time I sometimes felt Your presence, when with slackened step we breathed Along the sides of the steep hills, or when Lighted by gleams of moonlight from the sea We beat with thundering hoofs the level sand. Midway on long Winander's eastern shore, Within the crescent of a pleasant bay, A tavern stood; no homely-featured house, Primeval like its neighbouring cottages, But 'twas a splendid place, the door beset With chaises, grooms, and liveries, and within Decanters, glasses, and the blood-red wine. In ancient times, and ere the Hall was built On the large island, had this dwelling been More worthy of a poet's love, a hut, Proud of its own bright fire and sycamore shade. But—though the rhymes were gone that once inscribed The threshold, and large golden characters, Spread o'er the spangled sign-board, had dislodged The old Lion and usurped his place, in slight And mockery of the rustic painter's hand— Yet, to this hour, the spot to me is dear With all its foolish pomp. The garden lay Upon a slope surmounted by a plain Of a small bowling-green; beneath us stood A grove, with gleams of water through the trees And over the tree-tops; nor did we want Refreshment, strawberries and mellow cream. There, while through half an afternoon we played On the smooth platform, whether skill prevailed Or happy blunder triumphed, bursts of glee Made all the mountains ring. But, ere night-fall, When in our pinnace we returned at leisure Over the shadowy lake, and to the beach Of some small island steered our course with one, The Minstrel of the Troop, and left him there, And rowed off gently, while he blew his flute Alone upon the rock—oh, then, the calm And dead still water lay upon my mind Even with a weight of pleasure, and the sky, Never before so beautiful, sank down Into my heart, and held me like a dream! Thus were my sympathies enlarged, and thus Daily the common range of visible things Grew dear to me: already I began To love the sun; a boy I loved the sun, Not as I since have loved him, as a pledge And surety of our earthly life, a light Which we behold and feel we are alive; Nor for his bounty to so many worlds— But for this cause, that I had seen him lay His beauty on the morning hills, had seen The western mountain touch his setting orb, In many a thoughtless hour, when, from excess Of happiness, my blood appeared to flow For its own pleasure, and I breathed with joy. And, from like feelings, humble though intense, To patriotic and domestic love Analogous, the moon to me was dear; For I could dream away my purposes, Standing to gaze upon her while she hung Midway between the hills, as if she knew No other region, but belonged to thee, Yea, appertained by a peculiar right To thee and thy grey huts, thou one dear Vale! Those incidental charms which first attached My heart to rural objects, day by day Grew weaker, and I hasten on to tell How Nature, intervenient till this time And secondary, now at length was sought For her own sake. But who shall parcel out His intellect by geometric rules, Split like a province into round and square? Who knows the individual hour in which His habits were first sown, even as a seed? Who that shall point as with a wand and say "This portion of the river of my mind Came from yon fountain?" Thou, my Friend! art one More deeply read in thy own thoughts; to thee Science appears but what in truth she is, Not as our glory and our absolute boast, But as a succedaneum, and a prop To our infirmity. No officious slave Art thou of that false secondary power By which we multiply distinctions; then, Deem that our puny boundaries are things That we perceive, and not that we have made. To thee, unblinded by these formal arts, The unity of all hath been revealed, And thou wilt doubt, with me less aptly skilled Than many are to range the faculties In scale and order, class the cabinet Of their sensations, and in voluble phrase Run through the history and birth of each As of a single independent thing. Hard task, vain hope, to analyse the mind, If each most obvious and particular thought, Not in a mystical and idle sense, But in the words of Reason deeply weighed, Hath no beginning. Blest the infant Babe, (For with my best conjecture I would trace Our Being's earthly progress,) blest the Babe, Nursed in his Mother's arms, who sinks to sleep Rocked on his Mother's breast; who with his soul Drinks in the feelings of his Mother's eye! For him, in one dear Presence, there exists A virtue which irradiates and exalts Objects through widest intercourse of sense. No outcast he, bewildered and depressed: Along his infant veins are interfused The gravitation and the filial bond Of nature that connect him with the world. Is there a flower, to which he points with hand Too weak to gather it, already love Drawn from love's purest earthly fount for him Hath beautified that flower; already shades Of pity cast from inward tenderness Do fall around him upon aught that bears Unsightly marks of violence or harm. Emphatically such a Being lives, Frail creature as he is, helpless as frail, An inmate of this active universe. For feeling has to him imparted power That through the growing faculties of sense Doth like an agent of the one great Mind Create, creator and receiver both, Working but in alliance with the works Which it beholds. Such, verily, is the first Poetic spirit of our human life, By uniform control of after years, In most, abated or suppressed; in some, Through every change of growth and of decay, Pre-eminent till death. From early days, Beginning not long after that first time In which, a Babe, by intercourse of touch I held mute dialogues with my Mother's heart, I have endeavoured to display the means Whereby this infant sensibility, Great birthright of our being, was in me Augmented and sustained. Yet is a path More difficult before me; and I fear That in its broken windings we shall need The chamois' sinews, and the eagle's wing: For now a trouble came into my mind From unknown causes. I was left alone Seeking the visible world, nor knowing why. The props of my affections were removed, And yet the building stood, as if sustained By its own spirit! All that I beheld Was dear, and hence to finer influxes The mind lay open to a more exact And close communion. Many are our joys In youth, but oh! what happiness to live When every hour brings palpable access Of knowledge, when all knowledge is delight, And sorrow is not there! The seasons came, And every season wheresoe'er I moved Unfolded transitory qualities, Which, but for this most watchful power of love, Had been neglected; left a register Of permanent relations, else unknown. Hence life, and change, and beauty, solitude More active even than "best society"— Society made sweet as solitude By silent inobtrusive sympathies— And gentle agitations of the mind From manifold distinctions, difference Perceived in things, where, to the unwatchful eye, No difference is, and hence, from the same source, Sublimer joy; for I would walk alone, Under the quiet stars, and at that time Have felt whate'er there is of power in sound To breathe an elevated mood, by form Or image unprofaned; and I would stand, If the night blackened with a coming storm, Beneath some rock, listening to notes that are The ghostly language of the ancient earth, Or make their dim abode in distant winds. Thence did I drink the visionary power; And deem not profitless those fleeting moods Of shadowy exultation: not for this, That they are kindred to our purer mind And intellectual life; but that the soul, Remembering how she felt, but what she felt Remembering not, retains an obscure sense Of possible sublimity, whereto With growing faculties she doth aspire, With faculties still growing, feeling still That whatsoever point they gain, they yet Have something to pursue. And not alone, 'Mid gloom and tumult, but no less 'mid fair And tranquil scenes, that universal power And fitness in the latent qualities And essences of things, by which the mind Is moved with feelings of delight, to me Came, strengthened with a superadded soul, A virtue not its own. My morning walks Were early;—oft before the hours of school I travelled round our little lake, five miles Of pleasant wandering. Happy time! more dear For this, that one was by my side, a Friend, Then passionately loved; with heart how full Would he peruse these lines! For many years Have since flowed in between us, and, our minds Both silent to each other, at this time We live as if those hours had never been. Nor seldom did I lift—our cottage latch Far earlier, ere one smoke-wreath had risen From human dwelling, or the vernal thrush Was audible; and sate among the woods Alone upon some jutting eminence, At the first gleam of dawn-light, when the Vale, Yet slumbering, lay in utter solitude. How shall I seek the origin? where find Faith in the marvellous things which then I felt? Oft in these moments such a holy calm Would overspread my soul, that bodily eyes Were utterly forgotten, and what I saw Appeared like something in myself, a dream, A prospect in the mind. 'Twere long to tell What spring and autumn, what the winter snows, And what the summer shade, what day and night, Evening and morning, sleep and waking, thought From sources inexhaustible, poured forth To feed the spirit of religious love In which I walked with Nature. But let this Be not forgotten, that I still retained My first creative sensibility; That by the regular action of the world My soul was unsubdued. A plastic power Abode with me; a forming hand, at times Rebellious, acting in a devious mood; A local spirit of his own, at war With general tendency, but, for the most, Subservient strictly to external things With which it communed. An auxiliar light Came from my mind, which on the setting sun Bestowed new splendour; the melodious birds, The fluttering breezes, fountains that run on Murmuring so sweetly in themselves, obeyed A like dominion, and the midnight storm Grew darker in the presence of my eye: Hence my obeisance, my devotion hence, And hence my transport. Nor should this, perchance, Pass unrecorded, that I still had loved The exercise and produce of a toil, Than analytic industry to me More pleasing, and whose character I deem Is more poetic as resembling more Creative agency. The song would speak Of that interminable building reared By observation of affinities In objects where no brotherhood exists To passive minds. My seventeenth year was come; And, whether from this habit rooted now So deeply in my mind; or from excess In the great social principle of life Coercing all things into sympathy, To unorganic natures were transferred My own enjoyments; or the power of truth Coming in revelation, did converse With things that really are; I, at this time, Saw blessings spread around me like a sea. Thus while the days flew by, and years passed on, From Nature and her overflowing soul, I had received so much, that all my thoughts Were steeped in feeling; I was only then Contented, when with bliss ineffable I felt the sentiment of Being spread O'er all that moves and all that seemeth still; O'er all that, lost beyond the reach of thought And human knowledge, to the human eye Invisible, yet liveth to the heart; O'er all that leaps and runs, and shouts and sings, Or beats the gladsome air; o'er all that glides Beneath the wave, yea, in the wave itself, And mighty depth of waters. Wonder not If high the transport, great the joy I felt, Communing in this sort through earth and heaven With every form of creature, as it looked Towards the Uncreated with a countenance Of adoration, with an eye of love. One song they sang, and it was audible, Most audible, then, when the fleshly ear, O'ercome by humblest prelude of that strain, Forgot her functions, and slept undisturbed. If this be error, and another faith Find easier access to the pious mind, Yet were I grossly destitute of all Those human sentiments that make this earth So dear, if I should fail with grateful voice To speak of you, ye mountains, and ye lakes And sounding cataracts, ye mists and winds That dwell among the hills where I was born. If in my youth I have been pure in heart, If, mingling with the world, I am content With my own modest pleasures, and have lived With God and Nature communing, removed From little enmities and low desires, The gift is yours; if in these times of fear, This melancholy waste of hopes o'erthrown, If, 'mid indifference and apathy, And wicked exultation when good men On every side fall off, we know not how, To selfishness, disguised in gentle names Of peace and quiet and domestic love, Yet mingled not unwillingly with sneers On visionary minds; if, in this time Of dereliction and dismay, I yet Despair not of our nature, but retain A more than Roman confidence, a faith That fails not, in all sorrow my support, The blessing of my life; the gift is yours, Ye winds and sounding cataracts! 'tis yours, Ye mountains! thine, O Nature! Thou hast fed My lofty speculations; and in thee, For this uneasy heart of ours, I find A never-failing principle of joy And purest passion. Thou, my Friend! wert reared In the great city, 'mid far other scenes; But we, by different roads, at length have gained The self-same bourne. And for this cause to thee I speak, unapprehensive of contempt, The insinuated scoff of coward tongues, And all that silent language which so oft In conversation between man and man Blots from the human countenance all trace Of beauty and of love. For thou hast sought The truth in solitude, and, since the days That gave thee liberty, full long desired, To serve in Nature's temple, thou hast been The most assiduous of her ministers; In many things my brother, chiefly here In this our deep devotion. Fare thee well! Health and the quiet of a healthful mind Attend thee! seeking oft the haunts of men, And yet more often living with thyself, And for thyself, so haply shall thy days Be many, and a blessing to mankind. Contents—The Prelude Main Contents		A B C D E F G H I K L M N O P Q R S T U V W X Y Z a b	5 10 15 20 25 30 35 40 45 50 55 60 65 70 75 80 85 90 95 100 105 110 115 120 125 130 135 140 145 150 155 160 165 170 175 180 185 190 195 200 205 210 215 220 225 230 235 240 245 250 255 260 265 270 275 280 285 290 295 300 305 310 315 320 325 330 335 340 345 350 355 360 365 370 375 380 385 390 395 400 405 410 415 420 425 430 435 440 445 450 455 460 465 470

Footnote A: The "square" of the "small market village" of Hawkshead still remains; and the presence of the new "assembly-room" does not prevent us from realising it as open, with the "rude mass of native rock left midway" in it—the "old grey stone," which was the centre of the village sports.—Ed.
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Footnote B: Compare The Excursion, book ix. ll. 487-90:

'When, on thy bosom, spacious Windermere!
A Youth, I practised this delightful art;
Tossed on the waves alone, or 'mid a crew
Of joyous comrades.'

Ed.
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Footnote C: Compare The Excursion, book ix. l. 544, describing "a fair Isle with birch-trees fringed," where they gathered leaves of that shy plant (its flower was shed), the lily of the vale.—Ed.
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Footnote D: These islands in Windermere are easily identified. In the Lily of the Valley Island the plant still grows, though not abundantly; but from Lady Holme the

'ruins of a shrine
Once to Our Lady dedicate'

have disappeared as completely as the shrine in St. Herbert's Island, Derwentwater. The third island:

'musical with birds,
That sang and ceased not—'

may have been House Holme, or that now called Thomson's Holme. It could hardly have been Belle Isle; since, from its size, it could not be described as a "Sister Isle" to the one where the lily of the valley grew "beneath the oaks' umbrageous covert."—Ed.
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Footnote E: Doubtless the circle was at Conishead Priory, on the Cartmell Sands; or that in the vale of Swinside, on the north-east side of Black Combe; more probably the former. The whole district is rich in Druidical remains, but Wordsworth would not refer to the Keswick circle, or to Long Meg and her Daughters in this connection; and the proximity of the temple on the Cartmell Shore to the Furness Abbey ruins, and the ease with which it could be visited on holidays by the boys from Hawkshead school, make it almost certain that he refers to it.—Ed.
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Footnote F: Furness Abbey, founded by Stephen in 1127, in the glen of the deadly Nightshade—Bekansghyll—so called from the luxuriant abundance of the plant, and dedicated to St. Mary. (Compare West's Antiquities of Furness.) —Ed.
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Footnote G: What was the belfry is now a mass of detached ruins.—Ed.
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Footnote H: Doubtless the Cartmell Sands beyond Ulverston, at the estuary of the Leven.—Ed.
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Footnote I: At Bowness.—Ed.
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Footnote K: The White Lion Inn at Bowness.—Ed.
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Footnote L: Compare the reference to the "rude piece of self-taught art," at the Swan Inn, in the first canto of The Waggoner, p. 81. William Hutchinson, in his Excursion to the Lakes in 1773 and 1774 (second edition, 1776, p. 185), mentions "the White Lion Inn at Bownas."—Ed.
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Footnote M: Dr. Cradock told me that William Hutchinson—referred to in the previous note—describes "Bownas church and its cottages," as seen from the lake, arising "'above the trees'." Wordsworth, reversing the view, sees "gleams of water through the trees and 'over the tree tops'"—another instance of minutely exact description.—Ed.
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Footnote N: Robert Greenwood, afterwards Senior Fellow of Trinity College, Cambridge.—Ed.
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Footnote O: Compare [Volume 2 link: Lines composed a few miles above Tintern Abbey], vol. ii. p. 51.—Ed.
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Footnote P: Wetherlam, or Coniston Old Man, or both.—Ed.
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Footnote Q:

"The moon, as it hung over the southernmost shore of Esthwaite, with Gunner's How, as seen from Hawkshead rising up boldly to the spectator's left hand, would be thus described."

(H. D. Rawnsley.)—Ed.
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Footnote R: Esthwaite. Compare [Volume 2 link: Peter Bell] (vol. ii. p. 13):

'Where deep and low the hamlets lie
Beneath their little patch of sky
And little lot of stars.'

Ed.
return

Footnote S: See in the Appendix to this volume, Note II, p. 388.—Ed.
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Footnote T: See Paradise Lost, ix. l. 249.—Ed.
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Footnote U: The daily work in Hawkshead School began—by Archbishop Sandys' ordinance—at 6 A.M. in summer, and 7 A.M. in winter.—Ed.
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Footnote V: Esthwaite.—Ed.
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Footnote W: The Rev. John Fleming, of Rayrigg, Windermere, or, possibly, the Rev. Charles Farish, author of The Minstrels of Winandermere and Black Agnes. Mr. Carter, who edited The Prelude in 1850, says it was the former, but this is not absolutely certain.—Ed.
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Footnote X: A "cottage latch"—probably the same as that in use in Dame Tyson's time—is still on the door of the house where she lived at Hawkshead.—Ed.
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Footnote Y: Probably on the western side of the Vale, above the village. There is but one "'jutting' eminence" on this side of the valley. It is an old moraine, now grass-covered; and, from this point, the view both of the village and of the vale is noteworthy. The jutting eminence, however, may have been a crag, amongst the Colthouse heights, to the north-east of Hawkshead.—Ed.
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Footnote Z: Compare in the Ode, Intimations of Immortality:

'... those obstinate questionings
Of sense and outward things,
Fallings from us, vanishings,' etc.

Ed.
return

Footnote a: Coleridge's school days were spent at Christ's Hospital in London. With the above line compare S. T. C.'s Frost at Midnight:

'I was reared
In the great city, pent 'mid cloisters dim.'

Ed.
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Footnote b: Compare [Volume 2 link: Stanzas written in my Pocket Copy of Thomsons "Castle of Indolence,"] vol. ii. p. 305.—Ed.
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Contents—The Prelude
Main Contents

Book Third

Residence at Cambridge

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It was a dreary morning when the wheels Rolled over a wide plain o'erhung with clouds, And nothing cheered our way till first we saw The long-roofed chapel of King's College lift Turrets and pinnacles in answering files, Extended high above a dusky grove, [A] Advancing, we espied upon the road A student clothed in gown and tasselled cap, Striding along as if o'ertasked by Time, Or covetous of exercise and air; He passed—nor was I master of my eyes Till he was left an arrow's flight behind. As near and nearer to the spot we drew, It seemed to suck us in with an eddy's force. Onward we drove beneath the Castle; caught, While crossing Magdalene Bridge, a glimpse of Cam; And at the Hoop alighted, famous Inn. [B] My spirit was up, my thoughts were full of hope; Some friends I had, acquaintances who there Seemed friends, poor simple school-boys, now hung round With honour and importance: in a world Of welcome faces up and down I roved; Questions, directions, warnings and advice, Flowed in upon me, from all sides; fresh day Of pride and pleasure! to myself I seemed A man of business and expense, and went From shop to shop about my own affairs, To Tutor or to Tailor, as befel, From street to street with loose and careless mind. I was the Dreamer, they the Dream; I roamed Delighted through the motley spectacle; Gowns, grave, or gaudy, doctors, students, streets, Courts, cloisters, flocks of churches, gateways, towers: Migration strange for a stripling of the hills, A northern villager. As if the change Had waited on some Fairy's wand, at once Behold me rich in monies, and attired In splendid garb, with hose of silk, and hair Powdered like rimy trees, when frost is keen. My lordly dressing-gown, I pass it by, With other signs of manhood that supplied The lack of beard.—The weeks went roundly on, With invitations, suppers, wine and fruit, Smooth housekeeping within, and all without Liberal, and suiting gentleman's array. The Evangelist St. John my patron was: Three Gothic courts are his, and in the first Was my abiding-place, a nook obscure; [C] Right underneath, the College kitchens made A humming sound, less tuneable than bees, But hardly less industrious; with shrill notes Of sharp command and scolding intermixed. Near me hung Trinity's loquacious clock, Who never let the quarters, night or day, Slip by him unproclaimed, and told the hours Twice over with a male and female voice. Her pealing organ was my neighbour too; And from my pillow, looking forth by light Of moon or favouring stars, I could behold The antechapel where the statue stood Of Newton with his prism and silent face, The marble index of a mind for ever Voyaging through strange seas of Thought, alone. Of College labours, of the Lecturer's room All studded round, as thick as chairs could stand, With loyal students faithful to their books, Half-and-half idlers, hardy recusants, And honest dunces—of important days, Examinations, when the man was weighed As in a balance! of excessive hopes, Tremblings withal and commendable fears, Small jealousies, and triumphs good or bad, Let others that know more speak as they know. Such glory was but little sought by me, And little won. Yet from the first crude days Of settling time in this untried abode, I was disturbed at times by prudent thoughts, Wishing to hope without a hope, some fears About my future worldly maintenance, And, more than all, a strangeness in the mind, A feeling that I was not for that hour, Nor for that place. But wherefore be cast down? For (not to speak of Reason and her pure Reflective acts to fix the moral law Deep in the conscience, nor of Christian Hope, Bowing her head before her sister Faith As one far mightier), hither I had come, Bear witness Truth, endowed with holy powers And faculties, whether to work or feel. Oft when the dazzling show no longer new Had ceased to dazzle, ofttimes did I quit My comrades, leave the crowd, buildings and groves, And as I paced alone the level fields Far from those lovely sights and sounds sublime With which I had been conversant, the mind Drooped not; but there into herself returning, With prompt rebound seemed fresh as heretofore. At least I more distinctly recognised Her native instincts: let me dare to speak A higher language, say that now I felt What independent solaces were mine, To mitigate the injurious sway of place Or circumstance, how far soever changed In youth, or to be changed in manhood's prime; Or for the few who shall be called to look On the long shadows in our evening years, Ordained precursors to the night of death. As if awakened, summoned, roused, constrained, I looked for universal things; perused The common countenance of earth and sky: Earth, nowhere unembellished by some trace Of that first Paradise whence man was driven; And sky, whose beauty and bounty are expressed By the proud name she bears—the name of Heaven. I called on both to teach me what they might; Or turning the mind in upon herself Pored, watched, expected, listened, spread my thoughts And spread them with a wider creeping; felt Incumbencies more awful, visitings Of the Upholder of the tranquil soul, That tolerates the indignities of Time, And, from the centre of Eternity All finite motions overruling, lives In glory immutable. But peace! enough Here to record that I was mounting now To such community with highest truth— A track pursuing, not untrod before, From strict analogies by thought supplied Or consciousnesses not to be subdued. To every natural form, rock, fruit or flower, Even the loose stones that cover the high-way, I gave a moral life: I saw them feel, Or linked them to some feeling: the great mass Lay bedded in a quickening soul, and all That I beheld respired with inward meaning. Add that whate'er of Terror or of Love Or Beauty, Nature's daily face put on From transitory passion, unto this I was as sensitive as waters are To the sky's influence in a kindred mood Of passion; was obedient as a lute That waits upon the touches of the wind. Unknown, unthought of, yet I was most rich— I had a world about me—'twas my own; I made it, for it only lived to me, And to the God who sees into the heart. Such sympathies, though rarely, were betrayed By outward gestures and by visible looks: Some called it madness—so indeed it was, If child-like fruitfulness in passing joy, If steady moods of thoughtfulness matured To inspiration, sort with such a name; If prophecy be madness; if things viewed By poets in old time, and higher up By the first men, earth's first inhabitants, May in these tutored days no more be seen With undisordered sight. But leaving this, It was no madness, for the bodily eye Amid my strongest workings evermore Was searching out the lines of difference As they lie hid in all external forms, Near or remote, minute or vast, an eye Which from a tree, a stone, a withered leaf, To the broad ocean and the azure heavens Spangled with kindred multitudes of stars, Could find no surface where its power might sleep; Which spake perpetual logic to my soul, And by an unrelenting agency Did bind my feelings even as in a chain. And here, O Friend! have I retraced my life Up to an eminence, and told a tale Of matters which not falsely may be called The glory of my youth. Of genius, power, Creation and divinity itself I have been speaking, for my theme has been What passed within me. Not of outward things Done visibly for other minds, words, signs, Symbols or actions, but of my own heart Have I been speaking, and my youthful mind. O Heavens! how awful is the might of souls, And what they do within themselves while yet The yoke of earth is new to them, the world Nothing but a wild field where they were sown. This is, in truth, heroic argument, This genuine prowess, which I wished to touch With hand however weak, but in the main It lies far hidden from the reach of words. Points have we all of us within our souls Where all stand single; this I feel, and make Breathings for incommunicable powers; But is not each a memory to himself? And, therefore, now that we must quit this theme, I am not heartless, for there's not a man That lives who hath not known his god-like hours, And feels not what an empire we inherit As natural beings in the strength of Nature. No more: for now into a populous plain We must descend. A Traveller I am, Whose tale is only of himself; even so, So be it, if the pure of heart be prompt To follow, and if thou, my honoured Friend! Who in these thoughts art ever at my side, Support, as heretofore, my fainting steps. It hath been told, that when the first delight That flashed upon me from this novel show Had failed, the mind returned into herself; Yet true it is, that I had made a change In climate, and my nature's outward coat Changed also slowly and insensibly. Full oft the quiet and exalted thoughts Of loneliness gave way to empty noise And superficial pastimes; now and then Forced labour, and more frequently forced hopes; And, worst of all, a treasonable growth Of indecisive judgments, that impaired And shook the mind's simplicity.—And yet This was a gladsome time. Could I behold— Who, less insensible than sodden clay In a sea-river's bed at ebb of tide, Could have beheld,—with undelighted heart, So many happy youths, so wide and fair A congregation in its budding-time Of health, and hope, and beauty, all at once So many divers samples from the growth Of life's sweet season—could have seen unmoved That miscellaneous garland of wild flowers Decking the matron temples of a place So famous through the world? To me, at least, It was a goodly prospect: for, in sooth, Though I had learnt betimes to stand unpropped, And independent musings pleased me so That spells seemed on me when I was alone, Yet could I only cleave to solitude In lonely places; if a throng was near That way I leaned by nature; for my heart Was social, and loved idleness and joy. Not seeking those who might participate My deeper pleasures (nay, I had not once, Though not unused to mutter lonesome songs, Even with myself divided such delight, Or looked that way for aught that might be clothed In human language), easily I passed From the remembrances of better things, And slipped into the ordinary works Of careless youth, unburthened, unalarmed. Caverns there were within my mind which sun Could never penetrate, yet did there not Want store of leafy arbours where the light Might enter in at will. Companionships, Friendships, acquaintances, were welcome all. We sauntered, played, or rioted; we talked Unprofitable talk at morning hours; Drifted about along the streets and walks, Read lazily in trivial books, went forth To gallop through the country in blind zeal Of senseless horsemanship, or on the breast Of Cam sailed boisterously, and let the stars Come forth, perhaps without one quiet thought. Such was the tenor of the second act In this new life. Imagination slept, And yet not utterly. I could not print Ground where the grass had yielded to the steps Of generations of illustrious men, Unmoved. I could not always lightly pass Through the same gateways, sleep where they had slept, Wake where they waked, range that inclosure old, That garden of great intellects, undisturbed. Place also by the side of this dark sense Of noble feeling, that those spiritual men, Even the great Newton's own ethereal self, Seemed humbled in these precincts thence to be The more endeared. Their several memories here (Even like their persons in their portraits clothed With the accustomed garb of daily life) Put on a lowly and a touching grace Of more distinct humanity, that left All genuine admiration unimpaired. Beside the pleasant Mill of Trompington [D] I laughed with Chaucer in the hawthorn shade; Heard him, while birds were warbling, tell his tales Of amorous passion. And that gentle Bard, Chosen by the Muses for their Page of State— Sweet Spenser, moving through his clouded heaven With the moon's beauty and the moon's soft pace, I called him Brother, Englishman, and Friend! Yea, our blind Poet, who, in his later day, Stood almost single; uttering odious truth— Darkness before, and danger's voice behind, Soul awful—if the earth has ever lodged An awful soul—I seemed to see him here Familiarly, and in his scholar's dress Bounding before me, yet a stripling youth— A boy, no better, with his rosy cheeks Angelical, keen eye, courageous look, And conscious step of purity and pride. Among the band of my compeers was one Whom chance had stationed in the very room Honoured by Milton's name. O temperate Bard! Be it confest that, for the first time, seated Within thy innocent lodge and oratory, One of a festive circle, I poured out Libations, to thy memory drank, till pride And gratitude grew dizzy in a brain Never excited by the fumes of wine Before that hour, or since. Then, forth I ran From the assembly; through a length of streets, Ran, ostrich-like, to reach our chapel door In not a desperate or opprobrious time, Albeit long after the importunate bell Had stopped, with wearisome Cassandra voice No longer haunting the dark winter night. Call back, O Friend! [E] a moment to thy mind, The place itself and fashion of the rites. With careless ostentation shouldering up My surplice, [F] through the inferior throng I clove Of the plain Burghers, who in audience stood On the last skirts of their permitted ground, Under the pealing organ. Empty thoughts! I am ashamed of them: and that great Bard, And thou, O Friend! who in thy ample mind Hast placed me high above my best deserts, Ye will forgive the weakness of that hour, In some of its unworthy vanities, Brother to many more. In this mixed sort The months passed on, remissly, not given up To wilful alienation from the right, Or walks of open scandal, but in vague And loose indifference, easy likings, aims Of a low pitch—duty and zeal dismissed, Yet Nature, or a happy course of things Not doing in their stead the needful work. The memory languidly revolved, the heart Reposed in noontide rest, the inner pulse Of contemplation almost failed to beat. Such life might not inaptly be compared To a floating island, an amphibious spot Unsound, of spongy texture, yet withal Not wanting a fair face of water weeds And pleasant flowers. [G] The thirst of living praise, Fit reverence for the glorious Dead, the sight Of those long vistas, sacred catacombs, Where mighty minds lie visibly entombed, Have often stirred the heart of youth, and bred A fervent love of rigorous discipline.— Alas! such high emotion touched not me. Look was there none within these walls to shame My easy spirits, and discountenance Their light composure, far less to instil A calm resolve of mind, firmly addressed To puissant efforts. Nor was this the blame Of others, but my own; I should, in truth, As far as doth concern my single self, Misdeem most widely, lodging it elsewhere: For I, bred up 'mid Nature's luxuries, Was a spoiled child, and rambling like the wind, As I had done in daily intercourse With those crystalline rivers, solemn heights, And mountains, ranging like a fowl of the air, I was ill-tutored for captivity; To quit my pleasure, and, from month to month, Take up a station calmly on the perch Of sedentary peace. Those lovely forms Had also left less space within my mind, Which, wrought upon instinctively, had found A freshness in those objects of her love, A winning power, beyond all other power. Not that I slighted books, [H]—that were to lack All sense,—but other passions in me ruled, Passions more fervent, making me less prompt To in-door study than was wise or well, Or suited to those years. Yet I, though used In magisterial liberty to rove, Culling such flowers of learning as might tempt A random choice, could shadow forth a place (If now I yield not to a flattering dream) Whose studious aspect should have bent me down To instantaneous service; should at once Have made me pay to science and to arts And written lore, acknowledged my liege lord, A homage frankly offered up, like that Which I had paid to Nature. Toil and pains In this recess, by thoughtful Fancy built, Should spread from heart to heart; and stately groves, Majestic edifices, should not want A corresponding dignity within. The congregating temper that pervades Our unripe years, not wasted, should be taught To minister to works of high attempt— Works which the enthusiast would perform with love. Youth should be awed, religiously possessed With a conviction of the power that waits On knowledge, when sincerely sought and prized For its own sake, on glory and on praise If but by labour won, and fit to endure The passing day; should learn to put aside Her trappings here, should strip them off abashed Before antiquity and stedfast truth And strong book-mindedness; and over all A healthy sound simplicity should reign, A seemly plainness, name it what you will, Republican or pious. If these thoughts Are a gratuitous emblazonry That mocks the recreant age we live in, then Be Folly and False-seeming free to affect Whatever formal gait of discipline Shall raise them highest in their own esteem— Let them parade among the Schools at will, But spare the House of God. Was ever known The witless shepherd who persists to drive A flock that thirsts not to a pool disliked? A weight must surely hang on days begun And ended with such mockery. Be wise, Ye Presidents and Deans, and, till the spirit Of ancient times revive, and youth be trained At home in pious service, to your bells Give seasonable rest, for 'tis a sound Hollow as ever vexed the tranquil air; And your officious doings bring disgrace On the plain steeples of our English Church, Whose worship, 'mid remotest village trees, Suffers for this. Even Science, too, at hand In daily sight of this irreverence, Is smitten thence with an unnatural taint, Loses her just authority, falls beneath Collateral suspicion, else unknown. This truth escaped me not, and I confess, That having 'mid my native hills given loose To a schoolboy's vision, I had raised a pile Upon the basis of the coming time, That fell in ruins round me. Oh, what joy To see a sanctuary for our country's youth Informed with such a spirit as might be Its own protection; a primeval grove, Where, though the shades with cheerfulness were filled, Nor indigent of songs warbled from crowds In under-coverts, yet the countenance Of the whole place should bear a stamp of awe; A habitation sober and demure For ruminating creatures; a domain For quiet things to wander in; a haunt In which the heron should delight to feed By the shy rivers, and the pelican Upon the cypress spire in lonely thought Might sit and sun himself.—Alas! Alas! In vain for such solemnity I looked; Mine eyes were crossed by butterflies, ears vexed By chattering popinjays; the inner heart Seemed trivial, and the impresses without Of a too gaudy region. Different sight Those venerable Doctors saw of old, When all who dwelt within these famous walls Led in abstemiousness a studious life; When, in forlorn and naked chambers cooped And crowded, o'er the ponderous books they hung Like caterpillars eating out their way In silence, or with keen devouring noise Not to be tracked or fathered. Princes then At matins froze, and couched at curfew-time, Trained up through piety and zeal to prize Spare diet, patient labour, and plain weeds. O seat of Arts! renowned throughout the world! Far different service in those homely days The Muses' modest nurslings underwent From their first childhood: in that glorious time When Learning, like a stranger come from far, Sounding through Christian lands her trumpet, roused Peasant and king; when boys and youths, the growth Of ragged villages and crazy huts, Forsook their homes, and, errant in the quest Of Patron, famous school or friendly nook, Where, pensioned, they in shelter might sit down, From town to town and through wide scattered realms Journeyed with ponderous folios in their hands; And often, starting from some covert place, Saluted the chance comer on the road, Crying, "An obolus, a penny give To a poor scholar!" [I]—when illustrious men, Lovers of truth, by penury constrained, Bucer, Erasmus, or Melancthon, read Before the doors or windows of their cells By moonshine through mere lack of taper light. But peace to vain regrets! We see but darkly Even when we look behind us, and best things Are not so pure by nature that they needs Must keep to all, as fondly all believe, Their highest promise. If the mariner, When at reluctant distance he hath passed Some tempting island, could but know the ills That must have fallen upon him had he brought His bark to land upon the wished-for shore, Good cause would oft be his to thank the surf Whose white belt scared him thence, or wind that blew Inexorably adverse: for myself I grieve not; happy is the gownèd youth, Who only misses what I missed, who falls No lower than I fell. I did not love, Judging not ill perhaps, the timid course Of our scholastic studies; could have wished To see the river flow with ampler range And freer pace; but more, far more, I grieved To see displayed among an eager few, Who in the field of contest persevered, Passions unworthy of youth's generous heart And mounting spirit, pitiably repaid, When so disturbed, whatever palms are won. From these I turned to travel with the shoal Of more unthinking natures, easy minds And pillowy; yet not wanting love that makes The day pass lightly on, when foresight sleeps, And wisdom and the pledges interchanged With our own inner being are forgot. Yet was this deep vacation not given up To utter waste. Hitherto I had stood In my own mind remote from social life, (At least from what we commonly so name,) Like a lone shepherd on a promontory Who lacking occupation looks far forth Into the boundless sea, and rather makes Than finds what he beholds. And sure it is, That this first transit from the smooth delights And wild outlandish walks of simple youth To something that resembles an approach Towards human business, to a privileged world Within a world, a midway residence With all its intervenient imagery, Did better suit my visionary mind, Far better, than to have been bolted forth; Thrust out abruptly into Fortune's way Among the conflicts of substantial life; By a more just gradation did lead on To higher things; more naturally matured, For permanent possession, better fruits, Whether of truth or virtue, to ensue. In serious mood, but oftener, I confess, With playful zest of fancy did we note (How could we less?) the manners and the ways Of those who lived distinguished by the badge Of good or ill report; or those with whom By frame of Academic discipline We were perforce connected, men whose sway And known authority of office served To set our minds on edge, and did no more. Nor wanted we rich pastime of this kind, Found everywhere, but chiefly in the ring Of the grave Elders, men unsecured, grotesque In character, tricked out like aged trees Which through the lapse of their infirmity Give ready place to any random seed That chooses to be reared upon their trunks. Here on my view, confronting vividly Those shepherd swains whom I had lately left, Appeared a different aspect of old age; How different! yet both distinctly marked, Objects embossed to catch the general eye, Or portraitures for special use designed, As some might seem, so aptly do they serve To illustrate Nature's book of rudiments— That book upheld as with maternal care When she would enter on her tender scheme Of teaching comprehension with delight, And mingling playful with pathetic thoughts. The surfaces of artificial life And manners finely wrought, the delicate race Of colours, lurking, gleaming up and down Through that state arras woven with silk and gold; This wily interchange of snaky hues, Willingly or unwillingly revealed, I neither knew nor cared for; and as such Were wanting here, I took what might be found Of less elaborate fabric. At this day I smile, in many a mountain solitude Conjuring up scenes as obsolete in freaks Of character, in points of wit as broad, As aught by wooden images performed For entertainment of the gaping crowd At wake or fair. And oftentimes do flit Remembrances before me of old men— Old humourists, who have been long in their graves, And having almost in my mind put off Their human names, have into phantoms passed Of texture midway between life and books. I play the loiterer: 'tis enough to note That here in dwarf proportions were expressed The limbs of the great world; its eager strifes Collaterally pourtrayed, as in mock fight, A tournament of blows, some hardly dealt Though short of mortal combat; and whate'er Might in this pageant be supposed to hit An artless rustic's notice, this way less, More that way, was not wasted upon me— And yet the spectacle may well demand A more substantial name, no mimic show, Itself a living part of a live whole, A creek in the vast sea; for, all degrees And shapes of spurious fame and short-lived praise Here sate in state, and fed with daily alms Retainers won away from solid good; And here was Labour, his own bond-slave; Hope, That never set the pains against the prize; Idleness halting with his weary clog, And poor misguided Shame, and witless Fear, And simple Pleasure foraging for Death; Honour misplaced, and Dignity astray; Feuds, factions, flatteries, enmity, and guile Murmuring submission, and bald government, (The idol weak as the idolater), And Decency and Custom starving Truth, And blind Authority beating with his staff The child that might have led him; Emptiness Followed as of good omen, and meek Worth Left to herself unheard of and unknown. Of these and other kindred notices I cannot say what portion is in truth The naked recollection of that time, And what may rather have been called to life By after-meditation. But delight That, in an easy temper lulled asleep, Is still with Innocence its own reward, This was not wanting. Carelessly I roamed As through a wide museum from whose stores A casual rarity is singled out And has its brief perusal, then gives way To others, all supplanted in their turn; Till 'mid this crowded neighbourhood of things That are by nature most unneighbourly, The head turns round and cannot right itself; And though an aching and a barren sense Of gay confusion still be uppermost, With few wise longings and but little love, Yet to the memory something cleaves at last, Whence profit may be drawn in times to come. Thus in submissive idleness, my Friend! The labouring time of autumn, winter, spring, Eight months! rolled pleasingly away; the ninth Came and returned me to my native hills. Contents—The Prelude Main Contents		A B C D E F G H I	5 10 15 20 25 30 35 40 45 50 55 60 65 70 75 80 85 90 95 100 105 110 115 120 125 130 135 140 145 150 155 160 165 170 175 180 185 190 195 200 205 210 215 220 225 230 235 240 245 250 255 260 265 270 275 280 285 290 295 300 305 310 315 320 325 330 335 340 345 350 355 360 365 370 375 380 385 390 395 400 405 410 415 420 425 430 435 440 445 450 455 460 465 470 475 480 485 490 495 500 505 510 515 520 525 530 535 540 545 550 555 560 565 570 575 580 585 590 595 600 605 610 615 620 625 630 635

Footnote A: Wordsworth went from York to Cambridge, entering it by the coach road from the north-west. This was doubtless the road which now leads to the city from Girton. "The long-roofed chapel of King's College" must have been seen from that road.—Ed.
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Footnote B: The Hoop Inn still exists, not now so famous as in the end of last century.—Ed.
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Footnote C: He entered St. John's College in October 1787. His rooms in the College were unknown to the officials a dozen years ago, although they are pretty clearly indicated by Wordsworth in this passage. They were in the first of the three courts of St. John's; they were above the College kitchens; and from the window of his bedroom he could look into the antechapel of Trinity, with its statue of Newton. They have been recently removed in connection with sundry improvements in the college kitchen. For details, see the Life of Wordsworth which will follow this edition of his Works.—Ed.
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Footnote D: A village two and a half miles south of Cambridge.

"There are still some remains of the mill here celebrated by Chaucer in his Reve's Tale."

(Lewis' Topographical Dictionary of England, vol. iv. p. 390.)—Ed.
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Footnote E: S. T. C., who entered Cambridge when Wordsworth left it.—Ed.
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Footnote F: On certain days a surplice is worn, instead of a gown, by the undergraduates.—Ed.
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Footnote G: Compare the poem Floating Island, by Dorothy Wordsworth.—Ed.
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Footnote H: The following extract from a letter of Dorothy Wordsworth's illustrates the above and other passages of this book. It was written from Forncett, on the 26th of June, 1791. She is speaking of her two brothers, William and Christopher. Of Christopher she says:

"His abilities, though not so great, perhaps, as his brother's, may be of more use to him, as he has not fixed his mind upon any particular species of reading or conceived an aversion to any. He is not fond of mathematics, but has resolution sufficient to study them; because it will be impossible for him to obtain a fellowship without them. William lost the chance, indeed the certainty, of a fellowship, by not combating his inclinations. He gave way to his natural dislike to studies so dry as many parts of the mathematics, consequently could not succeed in Cambridge. He reads Italian, Spanish, French, Greek, Latin, and English; but never opens a mathematical book.... Do not think from what I have said that he reads not at all; for he does read a great deal, and not only poetry, in these languages he is acquainted with, but History also," etc. etc.

Ed.
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Footnote I: Date obolum Belisario. Belisarius, a general of the Emperor Justinian's, died 564 A.D. The story of his begging charity is probably a legend, but the "begging scholar" was common in Christendom throughout the Middle Ages, and was met with in the last century.—Ed.
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Contents—The Prelude
Main Contents

Book Fourth

Summer Vacation

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Bright was the summer's noon when quickening steps Followed each other till a dreary moor Was crossed, a bare ridge clomb, upon whose top [A] Standing alone, as from a rampart's edge, I overlooked the bed of Windermere, Like a vast river, stretching in the sun. With exultation, at my feet I saw Lake, islands, promontories, gleaming bays, A universe of Nature's fairest forms Proudly revealed with instantaneous burst, Magnificent, and beautiful, and gay. I bounded down the hill shouting amain For the old Ferryman; to the shout the rocks Replied, and when the Charon of the flood Had staid his oars, and touched the jutting pier, [B] I did not step into the well-known boat Without a cordial greeting. Thence with speed Up the familiar hill I took my way [C] Towards that sweet Valley [D] where I had been reared; 'Twas but a short hour's walk, ere veering round I saw the snow-white church upon her hill [E] Sit like a thronèd Lady, sending out A gracious look all over her domain. [F] Yon azure smoke betrays the lurking town; With eager footsteps I advance and reach The cottage threshold where my journey closed. Glad welcome had I, with some tears, perhaps, From my old Dame, so kind and motherly, [G] While she perused me with a parent's pride. The thoughts of gratitude shall fall like dew Upon thy grave, good creature! While my heart Can beat never will I forget thy name. Heaven's blessing be upon thee where thou liest After thy innocent and busy stir In narrow cares, thy little daily growth Of calm enjoyments, after eighty years, And more than eighty, of untroubled life, [H] Childless, yet by the strangers to thy blood Honoured with little less than filial love. What joy was mine to see thee once again, Thee and thy dwelling, and a crowd of things About its narrow precincts all beloved, [I] And many of them seeming yet my own! Why should I speak of what a thousand hearts Have felt, and every man alive can guess? The rooms, the court, the garden were not left Long unsaluted, nor the sunny seat Round the stone table under the dark pine, [K] Friendly to studious or to festive hours; Nor that unruly child of mountain birth, The famous brook, who, soon as he was boxed Within our garden, [L] found himself at once, As if by trick insidious and unkind, Stripped of his voice [M] and left to dimple down (Without an effort and without a will) A channel paved by man's officious care. [N] I looked at him and smiled, and smiled again, And in the press of twenty thousand thoughts, [O] "Ha," quoth I, "pretty prisoner, are you there!" Well might sarcastic Fancy then have whispered, "An emblem here behold of thy own life; In its late course of even days with all Their smooth enthralment;" but the heart was full, Too full for that reproach. My aged Dame Walked proudly at my side: she guided me; I willing, nay—nay, wishing to be led. —The face of every neighbour whom I met Was like a volume to me; some were hailed Upon the road, some busy at their work, Unceremonious greetings interchanged With half the length of a long field between. Among my schoolfellows I scattered round Like recognitions, but with some constraint Attended, doubtless, with a little pride, But with more shame, for my habiliments, The transformation wrought by gay attire. Not less delighted did I take my place At our domestic table: and, [P] dear Friend In this endeavour simply to relate A Poet's history, may I leave untold The thankfulness with which I laid me down In my accustomed bed, more welcome now Perhaps than if it had been more desired Or been more often thought of with regret; That lowly bed whence I had heard the wind Roar and the rain beat hard, where I so oft Had lain awake on summer nights to watch The moon in splendour couched among the leaves Of a tall ash, that near our cottage stood; [Q] Had watched her with fixed eyes while to and fro In the dark summit of the waving tree She rocked with every impulse of the breeze. Among the favourites whom it pleased me well To see again, was one by ancient right Our inmate, a rough terrier of the hills; By birth and call of nature pre-ordained To hunt the badger and unearth the fox Among the impervious crags, but having been From youth our own adopted, he had passed Into a gentler service. And when first The boyish spirit flagged, and day by day Along my veins I kindled with the stir, The fermentation, and the vernal heat Of poesy, affecting private shades Like a sick Lover, then this dog was used To watch me, an attendant and a friend, Obsequious to my steps early and late, Though often of such dilatory walk Tired, and uneasy at the halts I made. A hundred times when, roving high and low I have been harassed with the toil of verse, Much pains and little progress, and at once Some lovely Image in the song rose up Full-formed, like Venus rising from the sea; Then have I darted forwards to let My hand upon his back with stormy joy, Caressing him again and yet again. And when at evening on the public way I sauntered, like a river murmuring And talking to itself when all things Are still, the creature trotted on before; Such was his custom; but whene'er he met A passenger approaching, he would turn To give me timely notice, and straightway, Grateful for that admonishment, I My voice, composed my gait, and, with the air And mien of one whose thoughts are free, advanced To give and take a greeting that might save My name from piteous rumours, such as wait On men suspected to be crazed in brain. Those walks well worthy to be prized and loved— Regretted!—that word, too, was on my tongue, But they were richly laden with all good, And cannot be remembered but with thanks And gratitude, and perfect joy of heart— Those walks in all their freshness now came back Like a returning Spring. When first I made Once more the circuit of our little lake, If ever happiness hath lodged with man, That day consummate happiness was mine, Wide-spreading, steady, calm, contemplative. The sun was set, or setting, when I left Our cottage door, and evening soon brought on A sober hour, not winning or serene, For cold and raw the air was, and untuned; But as a face we love is sweetest then When sorrow damps it, or, whatever look It chance to wear, is sweetest if the heart Have fulness in herself; even so with me It fared that evening. Gently did my soul Put off her veil, and, self-transmuted, stood Naked, as in the presence of her God. While on I walked, a comfort seemed to touch A heart that had not been disconsolate: Strength came where weakness was not known to be, At least not felt; and restoration came Like an intruder knocking at the door Of unacknowledged weariness. I took The balance, and with firm hand weighed myself. —Of that external scene which round me lay, Little, in this abstraction, did I see; Remembered less; but I had inward hopes And swellings of the spirit, was rapt and soothed, Conversed with promises, had glimmering views How life pervades the undecaying mind; How the immortal soul with God-like power Informs, creates, and thaws the deepest sleep That time can lay upon her; how on earth, Man, if he do but live within the light Of high endeavours, daily spreads abroad His being armed with strength that cannot fail. Nor was there want of milder thoughts, of love Of innocence, and holiday repose; And more than pastoral quiet, 'mid the stir Of boldest projects, and a peaceful end At last, or glorious, by endurance won. Thus musing, in a wood I sate me down Alone, continuing there to muse: the slopes And heights meanwhile were slowly overspread With darkness, and before a rippling breeze The long lake lengthened out its hoary line, And in the sheltered coppice where I sate, Around me from among the hazel leaves, Now here, now there, moved by the straggling wind, Came ever and anon a breath-like sound, Quick as the pantings of the faithful dog, The off and on companion of my walk; And such, at times, believing them to be, I turned my head to look if he were there; Then into solemn thought I passed once more. A freshness also found I at this time In human Life, the daily life of those Whose occupations really I loved; The peaceful scene oft filled me with surprise Changed like a garden in the heat of spring After an eight-days' absence. For (to omit The things which were the same and yet appeared Fair otherwise) amid this rural solitude, A narrow Vale where each was known to all, 'Twas not indifferent to a youthful mind To mark some sheltering bower or sunny nook, Where an old man had used to sit alone, Now vacant; pale-faced babes whom I had left In arms, now rosy prattlers at the feet Of a pleased grandame tottering up and down; And growing girls whose beauty, filched away With all its pleasant promises, was gone To deck some slighted playmate's homely cheek. Yes, I had something of a subtler sense, And often looking round was moved to smiles Such as a delicate work of humour breeds; I read, without design, the opinions, thoughts, Of those plain-living people now observed With clearer knowledge; with another eye I saw the quiet woodman in the woods, The shepherd roam the hills. With new delight, This chiefly, did I note my grey-haired Dame; Saw her go forth to church or other work Of state, equipped in monumental trim; Short velvet cloak, (her bonnet of the like), A mantle such as Spanish Cavaliers Wore in old time. Her smooth domestic life, Affectionate without disquietude, Her talk, her business, pleased me; and no less Her clear though shallow stream of piety That ran on Sabbath days a fresher course; With thoughts unfelt till now I saw her read Her Bible on hot Sunday afternoons, And loved the book, when she had dropped asleep And made of it a pillow for her head. Nor less do I remember to have felt, Distinctly manifested at this time, A human-heartedness about my love For objects hitherto the absolute wealth Of my own private being and no more: Which I had loved, even as a blessed spirit Or Angel, if he were to dwell on earth, Might love in individual happiness. But now there opened on me other thoughts Of change, congratulation or regret, A pensive feeling! It spread far and wide; The trees, the mountains shared it, and the brooks, The stars of Heaven, now seen in their old haunts— White Sirius glittering o'er the southern crags, Orion with his belt, and those fair Seven, Acquaintances of every little child, And Jupiter, my own beloved star! Whatever shadings of mortality, Whatever imports from the world of death Had come among these objects heretofore, Were, in the main, of mood less tender: strong, Deep, gloomy were they, and severe; the scatterings Of awe or tremulous dread, that had given way In later youth to yearnings of a love Enthusiastic, to delight and hope. As one who hangs down-bending from the side Of a slow-moving boat, upon the breast Of a still water, solacing himself With such discoveries as his eye can make Beneath him in the bottom of the deep, Sees many beauteous sights—weeds, fishes, flowers. Grots, pebbles, roots of trees, and fancies more, Yet often is perplexed and cannot part The shadow from the substance, rocks and sky, Mountains and clouds, reflected in the depth Of the clear flood, from things which there abide In their true dwelling; now is crossed by gleam Of his own image, by a sun-beam now, And wavering motions sent he knows not whence, Impediments that make his task more sweet; Such pleasant office have we long pursued Incumbent o'er the surface of past time With like success, nor often have appeared Shapes fairer or less doubtfully discerned Than these to which the Tale, indulgent Friend! Would now direct thy notice. Yet in spite Of pleasure won, and knowledge not withheld, There was an inner falling off—I loved, Loved deeply all that had been loved before, More deeply even than ever: but a swarm Of heady schemes jostling each other, gawds, And feast and dance, and public revelry, And sports and games (too grateful in themselves, Yet in themselves less grateful, I believe, Than as they were a badge glossy and fresh Of manliness and freedom) all conspired To lure my mind from firm habitual quest Of feeding pleasures, to depress the zeal And damp those yearnings which had once been mine— A wild, unworldly-minded youth, given up To his own eager thoughts. It would demand Some skill, and longer time than may be spared, To paint these vanities, and how they wrought In haunts where they, till now, had been unknown. It seemed the very garments that I wore Preyed on my strength, and stopped the quiet stream Of self-forgetfulness. Yes, that heartless chase Of trivial pleasures was a poor exchange For books and nature at that early age. 'Tis true, some casual knowledge might be gained Of character or life; but at that time, Of manners put to school I took small note, And all my deeper passions lay elsewhere. Far better had it been to exalt the mind By solitary study, to uphold Intense desire through meditative peace; And yet, for chastisement of these regrets, The memory of one particular hour Doth here rise up against me. 'Mid a throng Of maids and youths, old men, and matrons staid, A medley of all tempers, I had passed The night in dancing, gaiety, and mirth, With din of instruments and shuffling feet, And glancing forms, and tapers glittering, And unaimed prattle flying up and down; [R] Spirits upon the stretch, and here and there Slight shocks of young love-liking interspersed, Whose transient pleasure mounted to the head, And tingled through the veins. Ere we retired, The cock had crowed, and now the eastern sky Was kindling, not unseen, from humble copse And open field, through which the pathway wound, And homeward led my steps. Magnificent The morning rose, in memorable pomp, Glorious as e'er I had beheld—in front, The sea lay laughing at a distance; near, The solid mountains shone, bright as the clouds, Grain-tinctured, drenched in empyrean light; And in the meadows and the lower grounds Was all the sweetness of a common dawn— Dews, vapours, and the melody of birds, [S] And labourers going forth to till the fields. Ah! need I say, dear Friend! that to the brim My heart was full; I made no vows, but vows Were then made for me; bond unknown to me Was given, that I should be, else sinning greatly, A dedicated Spirit. On I walked In thankful blessedness, which yet survives. [T] Strange rendezvous! My mind was at that time A parti-coloured show of grave and gay, Solid and light, short-sighted and profound; Of inconsiderate habits and sedate, Consorting in one mansion unreproved. The worth I knew of powers that I possessed, Though slighted and too oft misused. Besides, That summer, swarming as it did with thoughts Transient and idle, lacked not intervals When Folly from the frown of fleeting Time Shrunk, and the mind experienced in herself Conformity as just as that of old To the end and written spirit of God's works, Whether held forth in Nature or in Man, Through pregnant vision, separate or conjoined. When from our better selves we have too long Been parted by the hurrying world, and droop, Sick of its business, of its pleasures tired, How gracious, how benign, is Solitude; How potent a mere image of her sway; Most potent when impressed upon the mind With an appropriate human centre—hermit, Deep in the bosom of the wilderness; Votary (in vast cathedral, where no foot Is treading, where no other face is seen) Kneeling at prayers; or watchman on the top Of lighthouse, beaten by Atlantic waves; Or as the soul of that great Power is met Sometimes embodied on a public road, When, for the night deserted, it assumes A character of quiet more profound Than pathless wastes. Once, when those summer months Were flown, and autumn brought its annual show Of oars with oars contending, sails with sails, Upon Winander's spacious breast, it chanced That—after I had left a flower-decked room (Whose in-door pastime, lighted up, survived To a late hour), and spirits overwrought Were making night do penance for a day Spent in a round of strenuous idleness—[U] My homeward course led up a long ascent, Where the road's watery surface, to the top Of that sharp rising, glittered to the moon And bore the semblance of another stream Stealing with silent lapse to join the brook That murmured in the vale. [V] All else was still; No living thing appeared in earth or air, And, save the flowing water's peaceful voice, Sound there was none—but, lo! an uncouth shape, Shown by a sudden turning of the road, So near that, slipping back into the shade Of a thick hawthorn, I could mark him well, Myself unseen. He was of stature tall, A span above man's common measure, tall, Stiff, lank, and upright; a more meagre man Was never seen before by night or day. Long were his arms, pallid his hands; his mouth Looked ghastly in the moonlight: from behind, A mile-stone propped him; I could also ken That he was clothed in military garb, Though faded, yet entire. Companionless, No dog attending, by no staff sustained, He stood, and in his very dress appeared A desolation, a simplicity, To which the trappings of a gaudy world Make a strange back-ground. From his lips, ere long, Issued low muttered sounds, as if of pain Or some uneasy thought; yet still his form Kept the same awful steadiness—at his feet His shadow lay, and moved not. From self-blame Not wholly free, I watched him thus; at length Subduing my heart's specious cowardice, I left the shady nook where I had stood And hailed him. Slowly from his resting-place He rose, and with a lean and wasted arm In measured gesture lifted to his head Returned my salutation; then resumed His station as before; and when I asked His history, the veteran, in reply, Was neither slow nor eager; but, unmoved, And with a quiet uncomplaining voice, A stately air of mild indifference, He told in few plain words a soldier's tale— That in the Tropic Islands he had served, Whence he had landed scarcely three weeks past: That on his landing he had been dismissed, And now was travelling towards his native home. This heard, I said, in pity, "Come with me." He stooped, and straightway from the ground took up An oaken staff by me yet unobserved— A staff which must have dropt from his slack hand And lay till now neglected in the grass. Though weak his step and cautious, he appeared To travel without pain, and I beheld, With an astonishment but ill suppressed, His ghostly figure moving at my side; Nor could I, while we journeyed thus, forbear To turn from present hardships to the past, And speak of war, battle, and pestilence, Sprinkling this talk with questions, better spared, On what he might himself have seen or felt. He all the while was in demeanour calm, Concise in answer; solemn and sublime He might have seemed, but that in all he said There was a strange half-absence, as of one Knowing too well the importance of his theme, But feeling it no longer. Our discourse Soon ended, and together on we passed In silence through a wood gloomy and still. Up-turning, then, along an open field, We reached a cottage. At the door I knocked, And earnestly to charitable care Commended him as a poor friendless man, Belated and by sickness overcome. Assured that now the traveller would repose In comfort, I entreated that henceforth He would not linger in the public ways, But ask for timely furtherance and help Such as his state required. At this reproof, With the same ghastly mildness in his look, He said, "My trust is in the God of Heaven, And in the eye of him who passes me!" The cottage door was speedily unbarred, And now the soldier touched his hat once more With his lean hand, and in a faltering voice, Whose tone bespake reviving interests Till then unfelt, he thanked me; I returned The farewell blessing of the patient man, And so we parted. Back I cast a look, And lingered near the door a little space, Then sought with quiet heart my distant home. Contents—The Prelude Main Contents		A B C D E F G H I K L M N O P Q R S T U V	5 10 15 20 25 30 35 40 45 50 55 60 65 70 75 80 85 90 95 100 105 110 115 120 125 130 135 140 145 150 155 160 165 170 175 180 185 190 195 200 205 210 215 220 225 230 235 240 245 250 255 260 265 270 275 280 285 290 295 300 305 310 315 320 325 330 335 340 345 350 355 360 365 370 375 380 385 390 395 400 405 410 415 420 425 430 435 440 445 450 455 460 465

Footnote A: On the road from Kendal to Windermere.—Ed.
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Footnote B: At the Ferry below Bowness.—Ed.
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Footnote C: From the Ferry over the ridge to Sawrey.—Ed.
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Footnote D: The Vale of Esthwaite.—Ed.
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Footnote E: Hawkshead Church; an old Norman structure, built in 1160, the year of the foundation of Furness Abbey. It is no longer "snow-white," a so-called Restoration having taken place within recent years, on architectural principles. The plaster is stripped from the outside of the church, which is now of a dull stone colour.

"Apart from poetic sentiment," wrote Dr. Cradock (the late Principal of Brasenose College, Oxford), "it may be doubted whether the pale colour, still preserved at Grasmere and other churches in the district, does not better harmonize with the scenery and atmosphere of the Lake country.".

The most interesting feature in the interior is the private chapel of Archbishop Sandys.—Ed.
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Footnote F: Hawkshead Church is a conspicuous object as you approach the town, whether by the Ambleside road, or from Sawrey. It is the latter approach that is here described.—Ed.
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Footnote G: Anne Tyson,—Ed.
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Footnote H: Anne Tyson seems to have removed from Hawkshead village to Colthouse, on the opposite side of the Vale, and lived there for some time before her death. Along with Dr. Cradock I examined the Parish Registers of Hawkshead in the autumn of 1882, and we found the following entry belonging to the year 1796.

"Anne Tyson of Colthouse, widow, died May 25th buried 28th, in Churchyard, aged 83."

Her removal to Colthouse is confirmed, in a curious way, by a reminiscence of William Wordsworth's (the poet's son), who told me that if asked where the dame's house was, he would have pointed to a spot on the eastern side of the valley, and out of the village altogether; his father having taken him from Rydal Mount to Hawkshead when a mere boy, and pointed out that spot. Doubtless Wordsworth took his son to the cottage at Colthouse, where Anne Tyson died, as the earlier abode in Hawkshead village is well known, and its site is indisputable.—Ed.
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Footnote I: Compare book i. ll. 499-506, p. 148.—Ed.
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Footnote K: There is no trace and no tradition at Hawkshead of the "stone table under the dark pine," For a curious parallel to this

'sunny seat
Round the stone table under the dark pine,'

I am indebted to Dr. Cradock. He points out that in the prologue to [Volume 2 link: Peter Bell], vol. ii p.9, we have the lines,

'To the stone-table in my garden,
Loved haunt of many a summer hour,'

Ed.
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Footnote L: There can be little doubt as to the identity of "the famous brook" "within our garden" boxed, which gives the name of Flag Street to one of the alleys of Hawkshead.

"Persons have visited the cottage," wrote Dr. Cradock, "without discovering it; and yet it is not forty yards distant, and is still exactly as described. On the opposite side of the lane leading to the cottage, and a few steps above it, is a narrow passage through some new stone buildings. On emerging from this, you meet a small garden, the farther side of which is bounded by the brook, confined on both sides by larger flags, and also covered by flags of the same Coniston formation, through the interstices of which you may see and hear the stream running freely. The upper flags are now used as a footpath, and lead by another passage back into the village. No doubt the garden has been reduced in size, by the use of that part of it fronting the lane for building purposes. The stream, before it enters the area of buildings and gardens, is open by the lane side, and seemingly comes from the hills to the westwards. The large flags are extremely hard and durable, and it is probably that the very flags which paved the channel in Wordsworth's time may still be doing the same duty."

The house adjoining this garden was not Dame Tyson's but a Mr. Watson's. Possibly, however, some of the boys had free access to the latter, so that Wordsworth could speak of it as "our garden;" or, Dame Tyson may have rented it. See Note II. in the return

Footnote M: Not wholly so.—Ed.
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Footnote N: See note on preceding page.—Ed.
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Footnote O: Compare the sonnet in vol. iv.:

'Beloved Vale!' I said, 'when I shall con
...
By doubts and thousand petty fancies crost.'

There can be little doubt that it is to the "famous brook" of The Prelude that reference is made in the later sonnet, and still more significantly in the earlier poem [Volume 2 link:The Fountain], vol. ii. p. 91. Compare the MS. variants of that poem, printed as footnotes, from Lord Coleridge's copy of the Poems:

'Down to the vale with eager speed
Behold this streamlet run,
From subterranean bondage freed,
And glittering in the sun.'

with the lines in The Prelude:

'The famous brook, who, soon as he was boxed
Within our garden, found himself at once,
...
Stripped of his voice and left to dimple down, etc.'

This is doubtless the streamlet called Town Beck; and it is perhaps the most interesting of all the spots alluded to by Wordsworth which can be traced out in the Hawkshead district, I am indebted to Mr. Rawnsley for the following note:

"From the village, nay, from the poet's very door when he lived at Anne Tyson's, a good path leads on, past the vicarage, quite to its upland place of birth. It has eaten its way deeply into the soil; in one place there is a series of still pools, that overflow and fall into others, with quiet sound; at other spots, it is bustling and busy. Fine timber is found on either side of it, the roots of the trees often laid bare by the passing current. In one or two places by the side of this beck, and beneath the shadow of lofty oaks, may be found boulder stones, grey and moss-covered. Birds make hiding-places for themselves in these oak and hazel bushes by the stream. Following it up, we find it receives, at a tiny ford, the tribute of another stream from the north-west, and comes down between the adjacent hills (well wooded to the summit) from meadows of short-cropped grass, and to these from the open moorland, where it takes its rise. Every conceivable variety of beauty of sound and sight in streamlet life is found as we follow the course of this Town Beck. We owe much of Wordsworth's intimate acquaintance with streamlet beauty to it."

Compare [Volume 2 link: The Fountain] in detail with this passage in The Prelude.—Ed.
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Footnote P: So it is in the editions of 1850 and 1857; but it should evidently be "nor, dear Friend!"—Ed.
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Footnote Q: The ash tree is gone, but there is no doubt as to the place where it grew. Mr. Watson, whose father owned and inhabited the house immediately opposite to Mrs. Tyson's cottage in Wordsworth's time (see a previous note), told me that a tall ash tree grew on the proper right front of the cottage, where an outhouse is now built. If this be so, Wordsworth's bedroom must have been that on the proper left, with the smaller of the two windows. The cottage faces nearly south-west. In the upper flat there are two bedrooms to the front, with oak flooring, one of which must have been Wordsworth's. See Note II. (p. 386) in Appendix to this volume.—Ed.
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Footnote R: In one of the small mountain farm-houses near Hawkshead.—Ed.
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Footnote S: Compare Paradise Lost, book viii. l. 528:

'Walks, and the melody of birds.'

Ed.
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Footnote T: Dr. Cradock has suggested to me the probable course of that morning walk.

"All that can be safely said as to the course of that memorable morning walk is that, in that neighbourhood, a view of the sea can only be obtained at a considerable elevation; also that if the words 'in front the sea lay laughing' are to be taken as rigidly exact, the poet's progress towards Hawkshead must have been in a direction mainly southerly, and therefore from the country north of that place. These and all other conditions of the description are answered in several parts of the range of hills lying between Elterwater and Hawkshead."

See Appendix, Note III. p. 389.—Ed.
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Footnote U: Compare the sixth line of the poem, beginning

'This Lawn, a carpet all alive.'

(1829.) And Horace, Epistolæ, lib. i. ep. xi. l. 28:

'Strenua nos exercet inertia.'

Ed.
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Footnote V: The "brook" is Sawrey beck, and the "long ascent" is the second of the two, in crossing from Windermere to Hawkshead, and going over the ridge between the two Sawreys. It is only at that point that a brook can be heard "murmuring in the vale." The road is the old one, above the ferry, marked in the Ordnance Survey Map, by the Briers, not the new road which makes a curve to the south, and cannot be described as a "sharp rising."—Ed.
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Contents—The Prelude
Main Contents

Book Fifth

Books

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When Contemplation, like the night-calm felt Through earth and sky, spreads widely, and sends deep Into the soul its tranquillising power, Even then I sometimes grieve for thee, O Man, Earth's paramount Creature! not so much for woes That thou endurest; heavy though that weight be, Cloud-like it mounts, or touched with light divine Doth melt away; but for those palms achieved, Through length of time, by patient exercise Of study and hard thought; there, there, it is That sadness finds its fuel. Hitherto, In progress through this Verse, my mind hath looked Upon the speaking face of earth and heaven As her prime teacher, intercourse with man Established by the sovereign Intellect, Who through that bodily image hath diffused, As might appear to the eye of fleeting time, A deathless spirit. Thou also, man! hast wrought, For commerce of thy nature with herself, Things that aspire to unconquerable life; And yet we feel—we cannot choose but feel— That they must perish. Tremblings of the heart It gives, to think that our immortal being No more shall need such garments; and yet man, As long as he shall be the child of earth, Might almost "weep to have" what he may lose, Nor be himself extinguished, but survive, Abject, depressed, forlorn, disconsolate. A thought is with me sometimes, and I say,— Should the whole frame of earth by inward throes Be wrenched, or fire come down from far to scorch Her pleasant habitations, and dry up Old Ocean, in his bed left singed and bare, Yet would the living Presence still subsist Victorious, and composure would ensue, And kindlings like the morning—presage sure Of day returning and of life revived. But all the meditations of mankind, Yea, all the adamantine holds of truth By reason built, or passion, which itself Is highest reason in a soul sublime; The consecrated works of Bard and Sage, Sensuous or intellectual, wrought by men, Twin labourers and heirs of the same hopes; Where would they be? Oh! why hath not the Mind Some element to stamp her image on In nature somewhat nearer to her own? Why, gifted with such powers to send abroad Her spirit, must it lodge in shrines so frail? One day, when from my lips a like complaint Had fallen in presence of a studious friend, He with a smile made answer, that in truth 'Twas going far to seek disquietude; But on the front of his reproof confessed That he himself had oftentimes given way To kindred hauntings. Whereupon I told, That once in the stillness of a summer's noon, While I was seated in a rocky cave By the sea-side, perusing, so it chanced, The famous history of the errant knight Recorded by Cervantes, these same thoughts Beset me, and to height unusual rose, While listlessly I sate, and, having closed The book, had turned my eyes toward the wide sea. On poetry and geometric truth, And their high privilege of lasting life, From all internal injury exempt, I mused, upon these chiefly: and at length, My senses yielding to the sultry air, Sleep seized me, and I passed into a dream. I saw before me stretched a boundless plain Of sandy wilderness, all black and void, And as I looked around, distress and fear Came creeping over me, when at my side, Close at my side, an uncouth shape appeared Upon a dromedary, mounted high. He seemed an Arab of the Bedouin tribes: A lance he bore, and underneath one arm A stone, and in the opposite hand a shell Of a surpassing brightness. At the sight Much I rejoiced, not doubting but a guide Was present, one who with unerring skill Would through the desert lead me; and while yet I looked and looked, self-questioned what this freight Which the new-comer carried through the waste Could mean, the Arab told me that the stone (To give it in the language of the dream) Was "Euclid's Elements;" and "This," said he, "Is something of more worth;" and at the word Stretched forth the shell, so beautiful in shape, In colour so resplendent, with command That I should hold it to my ear. I did so, And heard that instant in an unknown tongue, Which yet I understood, articulate sounds, A loud prophetic blast of harmony; An Ode, in passion uttered, which foretold Destruction to the children of the earth By deluge, now at hand. No sooner ceased The song, than the Arab with calm look declared That all would come to pass of which the voice Had given forewarning, and that he himself Was going then to bury those two books: The one that held acquaintance with the stars, And wedded soul to soul in purest bond Of reason, undisturbed by space or time; The other that was a god, yea many gods, Had voices more than all the winds, with power To exhilarate the spirit, and to soothe, Through every clime, the heart of human kind. While this was uttering, strange as it may seem, I wondered not, although I plainly saw The one to be a stone, the other a shell; Nor doubted once but that they both were books, Having a perfect faith in all that passed. Far stronger, now, grew the desire I felt To cleave unto this man; but when I prayed To share his enterprise, he hurried on Reckless of me: I followed, not unseen, For oftentimes he cast a backward look, Grasping his twofold treasure.—Lance in rest, He rode, I keeping pace with him; and now He, to my fancy, had become the knight Whose tale Cervantes tells; yet not the knight, But was an Arab of the desert too; Of these was neither, and was both at once. His countenance, meanwhile, grew more disturbed; And, looking backwards when he looked, mine eyes Saw, over half the wilderness diffused, A bed of glittering light: I asked the cause: "It is," said he, "the waters of the deep Gathering upon us;" quickening then the pace Of the unwieldy creature he bestrode, He left me: I called after him aloud; He heeded not; but, with his twofold charge Still in his grasp, before me, full in view, Went hurrying o'er the illimitable waste, With the fleet waters of a drowning world In chase of him; whereat I waked in terror, And saw the sea before me, and the book, In which I had been reading, at my side. Full often, taking from the world of sleep This Arab phantom, which I thus beheld, This semi-Quixote, I to him have given A substance, fancied him a living man, A gentle dweller in the desert, crazed By love and feeling, and internal thought Protracted among endless solitudes; Have shaped him wandering upon this quest! Nor have I pitied him; but rather felt Reverence was due to a being thus employed; And thought that, in the blind and awful lair Of such a madness, reason did lie couched. Enow there are on earth to take in charge Their wives, their children, and their virgin loves, Or whatsoever else the heart holds dear; Enow to stir for these; yea, will I say, Contemplating in soberness the approach Of an event so dire, by signs in earth Or heaven made manifest, that I could share That maniac's fond anxiety, and go Upon like errand. Oftentimes at least Me hath such strong enhancement overcome, When I have held a volume in my hand, Poor earthly casket of immortal verse, Shakespeare, or Milton, labourers divine! Great and benign, indeed, must be the power Of living nature, which could thus so long Detain me from the best of other guides And dearest helpers, left unthanked, unpraised, Even in the time of lisping infancy; And later down, in prattling childhood even, While I was travelling back among those days, How could I ever play an ingrate's part? Once more should I have made those bowers resound, By intermingling strains of thankfulness With their own thoughtless melodies; at least It might have well beseemed me to repeat Some simply fashioned tale, to tell again, In slender accents of sweet verse, some tale That did bewitch me then, and soothes me now. O Friend! O Poet! brother of my soul, Think not that I could pass along untouched By these remembrances. Yet wherefore speak? Why call upon a few weak words to say What is already written in the hearts Of all that breathe?—what in the path of all Drops daily from the tongue of every child, Wherever man is found? The trickling tear Upon the cheek of listening Infancy Proclaims it, and the insuperable look That drinks as if it never could be full. That portion of my story I shall leave There registered: whatever else of power Or pleasure sown, or fostered thus, may be Peculiar to myself, let that remain Where still it works, though hidden from all search Among the depths of time. Yet is it just That here, in memory of all books which lay Their sure foundations in the heart of man, Whether by native prose, or numerous verse, That in the name of all inspirèd souls— From Homer the great Thunderer, from the voice That roars along the bed of Jewish song, And that more varied and elaborate, Those trumpet-tones of harmony that shake Our shores in England,—from those loftiest notes Down to the low and wren-like warblings, made For cottagers and spinners at the wheel, And sun-burnt travellers resting their tired limbs, Stretched under wayside hedge-rows, ballad tunes, Food for the hungry ears of little ones, And of old men who have survived their joys— 'Tis just that in behalf of these, the works, And of the men that framed them, whether known, Or sleeping nameless in their scattered graves, That I should here assert their rights, attest Their honours, and should, once for all, pronounce Their benediction; speak of them as Powers For ever to be hallowed; only less, For what we are and what we may become, Than Nature's self, which is the breath of God, Or His pure Word by miracle revealed. Rarely and with reluctance would I stoop To transitory themes; yet I rejoice, And, by these thoughts admonished, will pour out Thanks with uplifted heart, that I was reared Safe from an evil which these days have laid Upon the children of the land, a pest That might have dried me up, body and soul. This verse is dedicate to Nature's self, And things that teach as Nature teaches: then, Oh! where had been the Man, the Poet where, Where had we been, we two, beloved Friend! If in the season of unperilous choice, In lieu of wandering, as we did, through vales Rich with indigenous produce, open ground Of Fancy, happy pastures ranged at will, We had been followed, hourly watched, and noosed, Each in his several melancholy walk Stringed like a poor man's heifer at its feed, Led through the lanes in forlorn servitude; Or rather like a stalled ox debarred From touch of growing grass, that may not taste A flower till it have yielded up its sweets A prelibation to the mower's scythe. Behold the parent hen amid her brood, Though fledged and feathered, and well pleased to part And straggle from her presence, still a brood, And she herself from the maternal bond Still undischarged; yet doth she little more Than move with them in tenderness and love, A centre to the circle which they make; And now and then, alike from need of theirs And call of her own natural appetites, She scratches, ransacks up the earth for food, Which they partake at pleasure. Early died My honoured Mother, she who was the heart And hinge of all our learnings and our loves: She left us destitute, and, as we might, Trooping together. Little suits it me To break upon the sabbath of her rest With any thought that looks at others' blame; Nor would I praise her but in perfect love. Hence am I checked: but let me boldly say, In gratitude, and for the sake of truth, Unheard by her, that she, not falsely taught, Fetching her goodness rather from times past, Than shaping novelties for times to come, Had no presumption, no such jealousy, Nor did by habit of her thoughts mistrust Our nature, but had virtual faith that He Who fills the mother's breast with innocent milk, Doth also for our nobler part provide, Under His great correction and control, As innocent instincts, and as innocent food; Or draws for minds that are left free to trust In the simplicities of opening life Sweet honey out of spurned or dreaded weeds. This was her creed, and therefore she was pure From anxious fear of error or mishap, And evil, overweeningly so called; Was not puffed up by false unnatural hopes, Nor selfish with unnecessary cares, Nor with impatience from the season asked More than its timely produce; rather loved The hours for what they are, than from regard Glanced on their promises in restless pride. Such was she—not from faculties more strong Than others have, but from the times, perhaps, And spot in which she lived, and through a grace Of modest meekness, simple-mindedness, A heart that found benignity and hope, Being itself benign. My drift I fear Is scarcely obvious; but, that common sense May try this modern system by its fruits, Leave let me take to place before her sight A specimen pourtrayed with faithful hand. Full early trained to worship seemliness, This model of a child is never known To mix in quarrels; that were far beneath Its dignity; with gifts he bubbles o'er As generous as a fountain; selfishness May not come near him, nor the little throng Of flitting pleasures tempt him from his path; The wandering beggars propagate his name, Dumb creatures find him tender as a nun, And natural or supernatural fear, Unless it leap upon him in a dream, Touches him not. To enhance the wonder, see How arch his notices, how nice his sense Of the ridiculous; not blind is he To the broad follies of the licensed world, Yet innocent himself withal, though shrewd, And can read lectures upon innocence; A miracle of scientific lore, Ships he can guide across the pathless sea, And tell you all their cunning; he can read The inside of the earth, and spell the stars; He knows the policies of foreign lands; Can string you names of districts, cities, towns, The whole world over, tight as beads of dew Upon a gossamer thread; he sifts, he weighs; All things are put to question; he must live Knowing that he grows wiser every day Or else not live at all, and seeing too Each little drop of wisdom as it falls Into the dimpling cistern of his heart: For this unnatural growth the trainer blame, Pity the tree.—Poor human vanity, Wert thou extinguished, little would be left Which he could truly love; but how escape? For, ever as a thought of purer, birth Rises to lead him toward a better clime, Some intermeddler still is on the watch To drive him back, and pound him, like a stray, Within the pinfold of his own conceit. Meanwhile old grandame earth is grieved to find The playthings, which her love designed for him, Unthought of: in their woodland beds the flowers Weep, and the river sides are all forlorn. Oh! give us once again the wishing cap Of Fortunatus, and the invisible coat Of Jack the Giant-killer, Robin Hood, And Sabra in the forest with St. George! The child, whose love is here, at least, doth reap One precious gain, that he forgets himself. These mighty workmen of our later age, Who, with a broad highway, have overbridged The froward chaos of futurity, Tamed to their bidding; they who have the skill To manage books, and things, and make them act On infant minds as surely as the sun Deals with a flower; the keepers of our time, The guides and wardens of our faculties, Sages who in their prescience would control All accidents, and to the very road Which they have fashioned would confine us down, Like engines; when will their presumption learn, That in the unreasoning progress of the world A wiser spirit is at work for us, A better eye than theirs, most prodigal Of blessings, and most studious of our good, Even in what seem our most unfruitful hours? There was a Boy: ye knew him well, ye cliffs And islands of Winander!—many a time At evening, when the earliest stars began To move along the edges of the hills, Rising or setting, would he stand alone Beneath the trees or by the glimmering lake, And there, with fingers interwoven, both hands Pressed closely palm to palm, and to his mouth Uplifted, he, as through an instrument, Blew mimic hootings to the silent owls, That they might answer him; and they would shout Across the watery vale, and shout again, Responsive to his call, with quivering peals, And long halloos and screams, and echoes loud, Redoubled and redoubled, concourse wild Of jocund din; and, when a lengthened pause Of silence came and baffled his best skill, Then sometimes, in that silence while he hung Listening, a gentle shock of mild surprise Has carried far into his heart the voice Of mountain torrents; or the visible scene Would enter unawares into his mind, With all its solemn imagery, its rocks, Its woods, and that uncertain heaven, received Into the bosom of the steady lake. This Boy was taken from his mates, and died In childhood, ere he was full twelve years old. Fair is the spot, most beautiful the vale Where he was born; the grassy churchyard hangs Upon a slope above the village school, And through that churchyard when my way has led On summer evenings, I believe that there A long half hour together I have stood Mute, looking at the grave in which he lies! Even now appears before the mind's clear eye That self-same village church; I see her sit (The thronèd Lady whom erewhile we hailed) On her green hill, forgetful of this Boy Who slumbers at her feet,—forgetful, too, Of all her silent neighbourhood of graves, And listening only to the gladsome sounds That, from the rural school ascending, play Beneath her and about her. May she long Behold a race of young ones like to those With whom I herded!—(easily, indeed, We might have fed upon a fatter soil Of arts and letters—but be that forgiven)— A race of real children; not too wise, Too learned, or too good; but wanton, fresh, And bandied up and down by love and hate; Not unresentful where self-justified; Fierce, moody, patient, venturous, modest, shy; Mad at their sports like withered leaves in winds; Though doing wrong and suffering, and full oft Bending beneath our life's mysterious weight Of pain, and doubt, and fear, yet yielding not In happiness to the happiest upon earth. Simplicity in habit, truth in speech, Be these the daily strengtheners of their minds; May books and Nature be their early joy! And knowledge, rightly honoured with that name— Knowledge not purchased by the loss of power! Well do I call to mind the very week When I was first intrusted to the care Of that sweet Valley; when its paths, its shores, And brooks were like a dream of novelty To my half-infant thoughts; that very week, While I was roving up and down alone, Seeking I knew not what, I chanced to cross One of those open fields, which, shaped like ears, Make green peninsulas on Esthwaite's Lake: Twilight was coming on, yet through the gloom Appeared distinctly on the opposite shore A heap of garments, as if left by one Who might have there been bathing. Long I watched, But no one owned them; meanwhile the calm lake Grew dark with all the shadows on its breast, And, now and then, a fish up-leaping snapped The breathless stillness. The succeeding day, Those unclaimed garments telling a plain tale Drew to the spot an anxious crowd; some looked In passive expectation from the shore, While from a boat others hung o'er the deep, Sounding with grappling irons and long poles. At last, the dead man, 'mid that beauteous scene Of trees and hills and water, bolt upright Rose, with his ghastly face, a spectre shape Of terror; yet no soul-debasing fear, Young as I was, a child not nine years old, Possessed me, for my inner eye had seen Such sights before, among the shining streams Of faëry land, the forest of romance. Their spirit hallowed the sad spectacle With decoration of ideal grace; A dignity, a smoothness, like the works Of Grecian art, and purest poesy. A precious treasure had I long possessed, A little yellow, canvas-covered book, A slender abstract of the Arabian tales; And, from companions in a new abode, When first I learnt, that this dear prize of mine Was but a block hewn from a mighty quarry— That there were four large volumes, laden all With kindred matter, 'twas to me, in truth, A promise scarcely earthly. Instantly, With one not richer than myself, I made A covenant that each should lay aside The moneys he possessed, and hoard up more, Till our joint savings had amassed enough To make this book our own. Through several months, In spite of all temptation, we preserved Religiously that vow; but firmness failed, Nor were we ever masters of our wish. And when thereafter to my father's house The holidays returned me, there to find That golden store of books which I had left, What joy was mine! How often in the course Of those glad respites, though a soft west wind Ruffled the waters to the angler's wish For a whole day together, have I lain Down by thy side, O Derwent! murmuring stream, On the hot stones, and in the glaring sun, And there have read, devouring as I read, Defrauding the day's glory, desperate! Till with a sudden bound of smart reproach, Such as an idler deals with in his shame, I to the sport betook myself again. A gracious spirit o'er this earth presides, And o'er the heart of man: invisibly It comes, to works of unreproved delight, And tendency benign, directing those Who care not, know not, think not what they do. The tales that charm away the wakeful night In Araby, romances; legends penned For solace by dim light of monkish lamps; Fictions, for ladies of their love, devised By youthful squires; adventures endless, spun By the dismantled warrior in old age, Out of the bowels of those very schemes In which his youth did first extravagate; These spread like day, and something in the shape Of these will live till man shall be no more. Dumb yearnings, hidden appetites, are ours, And they must have their food. Our childhood sits, Our simple childhood, sits upon a throne That hath more power than all the elements. I guess not what this tells of Being past, Nor what it augurs of the life to come; But so it is, and, in that dubious hour, That twilight when we first begin to see This dawning earth, to recognise, expect, And in the long probation that ensues, The time of trial, ere we learn to live In reconcilement with our stinted powers; To endure this state of meagre vassalage, Unwilling to forego, confess, submit, Uneasy and unsettled, yoke-fellows To custom, mettlesome, and not yet tamed And humbled down; oh! then we feel, we feel, We know where we have friends. Ye dreamers, then, Forgers of daring tales! we bless you then, Impostors, drivellers, dotards, as the ape Philosophy will call you: then we feel With what, and how great might ye are in league, Who make our wish, our power, our thought a deed, An empire, a possession,—ye whom time And seasons serve; all Faculties to whom Earth crouches, the elements are potter's clay, Space like a heaven filled up with northern lights, Here, nowhere, there, and everywhere at once. Relinquishing this lofty eminence For ground, though humbler, not the less a tract Of the same isthmus, which our spirits cross In progress from their native continent To earth and human life, the Song might dwell On that delightful time of growing youth, When craving for the marvellous gives way To strengthening love for things that we have seen; When sober truth and steady sympathies, Offered to notice by less daring pens, Take firmer hold of us, and words themselves Move us with conscious pleasure. I am sad At thought of raptures now for ever flown; Almost to tears I sometimes could be sad To think of, to read over, many a page, Poems withal of name, which at that time Did never fail to entrance me, and are now Dead in my eyes, dead as a theatre Fresh emptied of spectators. Twice five years Or less I might have seen, when first my mind With conscious pleasure opened to the charm Of words in tuneful order, found them sweet For their own sakes, a passion, and a power; And phrases pleased me chosen for delight, For pomp, or love. Oft, in the public roads Yet unfrequented, while the morning light Was yellowing the hill tops, I went abroad With a dear friend, and for the better part Of two delightful hours we strolled along By the still borders of the misty lake, Repeating favourite verses with one voice, Or conning more, as happy as the birds That round us chaunted. Well might we be glad, Lifted above the ground by airy fancies, More bright than madness or the dreams of wine; And, though full oft the objects of our love Were false, and in their splendour overwrought, Yet was there surely then no vulgar power Working within us,—nothing less, in truth, Than that most noble attribute of man, Though yet untutored and inordinate, That wish for something loftier, more adorned, Than is the common aspect, daily garb, Of human life. What wonder, then, if sounds Of exultation echoed through the groves! For, images, and sentiments, and words, And everything encountered or pursued In that delicious world of poesy, Kept holiday, a never-ending show, With music, incense, festival, and flowers! Here must we pause: this only let me add, From heart-experience, and in humblest sense Of modesty, that he, who in his youth A daily wanderer among woods and fields With living Nature hath been intimate, Not only in that raw unpractised time Is stirred to extasy, as others are, By glittering verse; but further, doth receive, In measure only dealt out to himself, Knowledge and increase of enduring joy From the great Nature that exists in works Of mighty Poets. Visionary power Attends the motions of the viewless winds, Embodied in the mystery of words: There, darkness makes abode, and all the host Of shadowy things work endless changes,—there, As in a mansion like their proper home, Even forms and substances are circumfused By that transparent veil with light divine, And, through the turnings intricate of verse, Present themselves as objects recognised, In flashes, and with glory not their own. Contents—The Prelude Main Contents		A B C D E F G H I K L M N O P Q R S T U	5 10 15 20 25 30 35 40 45 50 55 60 65 70 75 80 85 90 95 100 105 110 115 120 125 130 135 140 145 150 155 160 165 170 175 180 185 190 195 200 205 210 215 220 225 230 235 240 245 250 255 260 265 270 275 280 285 290 295 300 305 310 315 320 325 330 335 340 345 350 355 360 365 370 375 380 385 390 395 400 405 410 415 420 425 430 435 440 445 450 455 460 465 470 475 480 485 490 495 500 505 510 515 520 525 530 535 540 545 550 555 560 565 570 575 580 585 590 595 600 605

Footnote A: This quotation I am unable to trace.—Ed.
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Footnote B: Compare Emily Bronte's statement of the same, in the last verse she wrote:

'Though Earth and Man were gone,
And suns and universes ceased to be,
And Thou wert left alone,
Every existence would exist in Thee.

There is not room for Death,
Nor atom that His might could render void;
Thou—Thou art Being and Breath,
And what Thou art may never be destroyed.'

Ed.
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Footnote C:

"Because she would then become farther and farther removed from the source of essential life and being, diffused instead of concentrated."

(William Davies).—Ed.
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Footnote D: Mr. A. J. Duffield, the translator of Don Quixote, wrote me the following letter on Wordsworth and Cervantes, which I transcribe in full.

"So far as I can learn Wordsworth had not read any critical work on Don Quixote before he wrote the fifth book of The Prelude^a, nor for that matter had any criticism of the master-piece of Cervantes then appeared. Yet Wordsworth,

'by patient exercise
Of study and hard thought,'

has given us not only a most poetical insight into the real nature of the 'Illustrious Hidalgo of La Mancha'; he has shown us that it was a nature compacted of the madman and the poet, and this in language so appropriate, that the consideration of it cannot fail to give pleasure to all who have found a reason for weighing Wordsworth's words.

"He demands

'Oh! why hath not the Mind
Some element to stamp her image on?'

then falls asleep, 'his senses yielding to the sultry air,' and he sees before him

'stretched a boundless plain
Of sandy wilderness, all black and void,
And as I looked around, distress and fear
Came creeping over me, when at my side,
Close at my side, an uncouth shape appeared
Upon a dromedary, mounted high.
He seemed an Arab ...'

Here we have the plains of Montiel, and the poet realising all that Don Quixote felt on that day of July, 'the hottest of the year,' when he first set out on his quest and met with nothing worth recording.

'The uncouth shape'

is of course the Don himself,

the 'dromedary'

is Rozinante, and

the 'Arab'

doubtless is Cid Hamete Benengeli.

"Taking such an one for the guide,

'who with unerring skill
Would through the desert lead me,'

is a most sweet play of humour like to the lambent flame of his whose satire was as a summer breath, and who smiled all the time he wrote, although he wrote chiefly in a prison.

'The loud prophetic blast of harmony'

is doubtless a continuation of this humour, down to the lines

'Nor doubted once but that they both were books,
Having a perfect faith in all that passed.'

"Our poet now becomes positive,

'Lance in rest,
He rode, I keeping pace with him; and now
He, to my fancy, had become the knight
Whose tale Cervantes tells; yet not the knight
But was an Arab of the desert too,
Of these was neither, and was both at once.'

This is absolutely true, and was one of the earliest complaints made a century and a half ago, when Spaniards began to criticise their one great book. They could not tell at times whether Don Quixote was speaking, or Cervantes, or Cid Hamete Benengeli.

'A bed of glittering light'

is a delightful description of the attitude of Don Quixote's mind towards external nature while passing through the desert.

'It is,' said he, 'the waters of the deep
Gathering upon us.'

"It was, of course, only the mirage; but this he changed to suit his own purpose into the 'waters of the deep,' as he changed the row of Castilian wind-mills into giants, and the roar of the fulling mills into the din of war.

"Wordsworth is now awake from his dream, but turning all he saw in it into a reality, as only the poet can, he feels that

'Reverence was due to a being thus employed;
And thought that, in the blind and awful lair
Of such a madness, reason did lie couched.'

Here again is a most profound description of the creation of Cervantes. Don Quixote was mad, but his was a madness that proceeded from that 'blind and awful lair,' a disordered stomach, rather than from an injured brain. Had Don Quixote not forsaken the exercise of the chase and early rising, if he had not taken to eating chestnuts at night, cold spiced meat, together with onions and 'ollas podridas', then proceeding to read exciting, unnatural tales of love and war, he would not have gone mad.

"But his reason only lay 'couched,' not overthrown. Only give him a dose of the balsam of Fierabras, his reason shall spring out of its lair, like a lion from out its hiding-place, as indeed it did; and you then have that wonderful piece of rhetoric, which describes the army of Alifanfaron in the eighteenth chapter, Part I.

"There are many other things worthy of note, such as

'crazed
By love and feeling, and internal thought
Protracted among endless solitudes,'

all of which are 'fit epithets blessed in the marriage of pure words,' which the author of The Prelude, without any special learning, or personal knowledge of Spain, has given us, and are so striking as to compel us once again to go to Wordsworth and say, 'we do not all understand thee yet, not all that thou hast given us.'

Very truly yours, A. J. Duffield."

Ed.
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Footnote E: Compare Paradise Lost, v. 1. 150:

'In prose or numerous verse.'

Ed.
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Footnote F: Wordsworth's earliest teachers, before he was sent to Hawkshead School, were his mother and the Rev. Mr. Gilbanks at Cockermouth, and Mrs. Anne Birkett at Penrith. His mother and Dame Birkett taught him to read, and trained his infant memory. Mr. Gilbanks also gave him elementary instruction; while his father made him commit to memory portions of the English poets. At Hawkshead he read English literature, learned Latin and Mathematics, and wrote both English and Latin verse. There was little or no method, and no mechanical or artificial drill in his early education. Though he was taught both languages and mathematics he was left as free to range the "happy pastures" of literature, as to range the Hawkshead woods on autumn nights in pursuit of woodcocks. It is likely that the reference in the above passage is to his education both in childhood and in youth, although specially to the former. In his Autobiographical Memoranda, Wordsworth says,

"Of my earliest days at School I have little to say, but that they were very happy ones, chiefly because I was left at liberty, then and in the vacations, to read whatever books I liked. For example, I read all Fielding's works, Don Quixote, Gil Blas, and any part of Swift that I liked; Gulliver's Travels and the Tale of a Tub being both much to my taste."

As Wordsworth alludes to Coleridge's education, along with his own, "in the season of unperilous choice," the reference is probably to Coleridge's early time at the vicarage of Ottery St. Mary's, Devonshire, and at the Grammar School there, as well as at Christ's Hospital in London, where (with Charles Lamb as school-companion) he was as enthusiastic in his exploits in the New River, as he was an eager student of books.—Ed.
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Footnote G: Mrs. Wordsworth died at Penrith, in the year 1778, the poet's eighth year.—Ed.
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Footnote H: Compare, in [Volume 1 link: Expostulation and Reply] (vol. i. p. 273),

'Think you, 'mid all this mighty sum
Of things for ever speaking,
That nothing of itself will come,
But we must still be seeking?'

Ed.
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Footnote I: See the Fenwick note to the poem, [Volume 2 link: There was a Boy], vol. ii. p. 57, and Wordsworth's reference to his schoolfellow William Raincock.—Ed.
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Footnote K: Hawkshead Grammar School.—Ed.
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Footnote L: Lines 364-97 were first published in "Lyrical Ballads," 1800, and appeared in all the subsequent collective editions of the poems, standing first in the group of "Poems of the Imagination."

The grave of this "immortal boy" cannot be identified. His name, and everything about him except what is here recorded, is unknown; but he was, in all likelihood, a school companion of Wordsworth's at Hawkshead.

'And through that churchyard when my way has led
On summer evenings.'

One may localize the above description almost anywhere at Hawkshead—Ed.
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Footnote M: Hawkshead School, in which Wordsworth was taught for eight years—from 1778 to 1786—was founded by Archbishop Sandys of York, in 1585, and the building is still very much as it was in Wordsworth's time. The main school-room is on the ground floor. One small chamber on the first floor was used, in the end of last century, by the head master, as a private class-room, for teaching a few advanced pupils. In another is a small library, formed in part by the donations of the scholars; it having been a custom for each pupil to present a volume on leaving the school, or to send one afterwards. Very probably one of the volumes now in the library was presented by Wordsworth. There are several which were presented by his school-fellows, during the years in which Wordsworth was at Hawkshead. The master, in 1877, promised me that he would search through his somewhat musty treasures, to see if he could discover a book with the poet's autograph; but I never heard of his success. On the wall of the room containing the library is a tablet, recording the names of several masters. There also, in an old oak chest, is kept the original charter of the school. The oak benches downstairs are covered with the names or initials of the boys, deeply cut; and, amongst them, the name of William Wordsworth—but not those of his brothers Richard, John, or Christopher—may be seen. For further details as to the Hawkshead School, see the Life of the Poet in this edition. Towards the close of last century, when Wordsworth and his three brothers were educated there, the school was one of the best educational institutions in the north of England.—Ed.
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Footnote N: Compare in the lines beginning "She was a Phantom of delight" p. 2:

'Creature not too bright or good
For human nature's daily food.'

Ed.
return

Footnote O: Compare book iv. ll. 50 and 383, with relative notes—Ed.
return

Footnote P: Compare in Fidelity, p. 45:

'There sometimes doth a leaping fish
Send through the tarn a lonely cheer.'

Ed.
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Footnote Q: Compare the Ode, Intimations of Immortality, stanza v.—Ed.
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Footnote R: Compare, in [Volume 2 link: Tintern Abbey], vol. ii. p.54:

'That time is past,
And all its aching joys are now no more,
And all its dizzy raptures.'

And in the Ode, Intimations of Immortality, vol. viii.:

'What though the radiance which was once so bright
Be now for ever taken from my sight.'

Ed.
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Footnote S: This friend of his boyhood, with whom Wordsworth spent these "delightful hours," is as unknown as is the immortal Boy of Windermere, who blew "mimic hootings to the silent owls," and who sleeps in the churchyard "above the village school" of Hawkshead, and the Lucy of the Goslar poems. Compare, however, p. 163. Wordsworth may refer to John Fleming of Rayrigg, with whom he used to take morning walks round Esthwaite:

'... five miles
Of pleasant wandering ...'

Ed.
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Footnote T: Esthwaite.—Ed.
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Footnote U: Probably they were passages from Goldsmith, or Pope, or writers of their school. The verses which he wrote upon the completion of the second century of the foundation of the school were, as he himself tells us, "a tame imitation of Pope's versification, and a little in his style."—Ed.
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Sub-Footnote a: Wordsworth studied Spanish during the winter he spent at Orleans (1792). Don Quixote was one of the books he had read when at the Hawkshead school.—Ed.
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Contents—The Prelude
Main Contents

Book Sixth

Cambridge and the Alps

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The leaves were fading when to Esthwaite's banks And the simplicities of cottage life I bade farewell; and, one among the youth Who, summoned by that season, reunite As scattered birds troop to the fowler's lure, Went back to Granta's cloisters, not so prompt Or eager, though as gay and undepressed In mind, as when I thence had taken flight A few short months before. I turned my face Without repining from the coves and heights Clothed in the sunshine of the withering fern; Quitted, not both, the mild magnificence Of calmer lakes and louder streams; and you, Frank-hearted maids of rocky Cumberland, You and your not unwelcome days of mirth, Relinquished, and your nights of revelry, And in my own unlovely cell sate down In lightsome mood—such privilege has youth That cannot take long leave of pleasant thoughts. The bonds of indolent society Relaxing in their hold, henceforth I lived More to myself. Two winters may be passed Without a separate notice: many books Were skimmed, devoured, or studiously perused, But with no settled plan. I was detached Internally from academic cares; Yet independent study seemed a course Of hardy disobedience toward friends And kindred, proud rebellion and unkind. This spurious virtue, rather let it bear A name it now deserves, this cowardice, Gave treacherous sanction to that over-love Of freedom which encouraged me to turn From regulations even of my own As from restraints and bonds. Yet who can tell— Who knows what thus may have been gained, both then And at a later season, or preserved; What love of nature, what original strength Of contemplation, what intuitive truths, The deepest and the best, what keen research, Unbiassed, unbewildered, and unawed? The Poet's soul was with me at that time; Sweet meditations, the still overflow Of present happiness, while future years Lacked not anticipations, tender dreams, No few of which have since been realised; And some remain, hopes for my future life. Four years and thirty, told this very week, Have I been now a sojourner on earth, By sorrow not unsmitten; yet for me Life's morning radiance hath not left the hills, Her dew is on the flowers. Those were the days Which also first emboldened me to trust With firmness, hitherto but lightly touched By such a daring thought, that I might leave Some monument behind me which pure hearts Should reverence. The instinctive humbleness, Maintained even by the very name and thought Of printed books and authorship, began To melt away; and further, the dread awe Of mighty names was softened down and seemed Approachable, admitting fellowship Of modest sympathy. Such aspect now, Though not familiarly, my mind put on, Content to observe, to achieve, and to enjoy. All winter long, whenever free to choose, Did I by night frequent the College groves And tributary walks; the last, and oft The only one, who had been lingering there Through hours of silence, till the porter's bell, A punctual follower on the stroke of nine, Rang with its blunt unceremonious voice, Inexorable summons! Lofty elms, Inviting shades of opportune recess, Bestowed composure on a neighbourhood Unpeaceful in itself. A single tree With sinuous trunk, boughs exquisitely wreathed, Grew there; an ash which Winter for himself Decked out with pride, and with outlandish grace: Up from the ground, and almost to the top, The trunk and every master branch were green With clustering ivy, and the lightsome twigs And outer spray profusely tipped with seeds That hung in yellow tassels, while the air Stirred them, not voiceless. Often have I stood Foot-bound uplooking at this lovely tree Beneath a frosty moon. The hemisphere Of magic fiction, verse of mine perchance May never tread; but scarcely Spenser's self Could have more tranquil visions in his youth, Or could more bright appearances create Of human forms with superhuman powers, Than I beheld loitering on calm clear nights Alone, beneath this fairy work of earth. On the vague reading of a truant youth 'Twere idle to descant. My inner judgment Not seldom differed from my taste in books. As if it appertained to another mind, And yet the books which then I valued most Are dearest to me now; for, having scanned, Not heedlessly, the laws, and watched the forms Of Nature, in that knowledge I possessed A standard, often usefully applied, Even when unconsciously, to things removed From a familiar sympathy.—In fine, I was a better judge of thoughts than words, Misled in estimating words, not only By common inexperience of youth, But by the trade in classic niceties, The dangerous craft of culling term and phrase From languages that want the living voice To carry meaning to the natural heart; To tell us what is passion, what is truth, What reason, what simplicity and sense. Yet may we not entirely overlook The pleasure gathered from the rudiments Of geometric science. Though advanced In these inquiries, with regret I speak, No farther than the threshold, there I found Both elevation and composed delight: With Indian awe and wonder, ignorance pleased With its own struggles, did I meditate On the relation those abstractions bear To Nature's laws, and by what process led, Those immaterial agents bowed their heads Duly to serve the mind of earth-born man; From star to star, from kindred sphere to sphere, From system on to system without end. More frequently from the same source I drew A pleasure quiet and profound, a sense Of permanent and universal sway, And paramount belief; there, recognised A type, for finite natures, of the one Supreme Existence, the surpassing life Which—to the boundaries of space and time, Of melancholy space and doleful time, Superior, and incapable of change, Nor touched by welterings of passion—is, And hath the name of, God. Transcendent peace And silence did await upon these thoughts That were a frequent comfort to my youth. 'Tis told by one whom stormy waters threw, With fellow-sufferers by the shipwreck spared, Upon a desert coast, that having brought To land a single volume, saved by chance, A treatise of Geometry, he wont, Although of food and clothing destitute, And beyond common wretchedness depressed, To part from company and take this book (Then first a self-taught pupil in its truths) To spots remote, and draw his diagrams With a long staff upon the sand, and thus Did oft beguile his sorrow, and almost Forget his feeling: so (if like effect From the same cause produced, 'mid outward things So different, may rightly be compared), So was it then with me, and so will be With Poets ever. Mighty is the charm Of those abstractions to a mind beset With images, and haunted by herself, And specially delightful unto me Was that clear synthesis built up aloft So gracefully; even then when it appeared Not more than a mere plaything, or a toy To sense embodied: not the thing it is In verity, an independent world, Created out of pure intelligence. Such dispositions then were mine unearned By aught, I fear, of genuine desert— Mine, through heaven's grace and inborn aptitudes. And not to leave the story of that time Imperfect, with these habits must be joined, Moods melancholy, fits of spleen, that loved A pensive sky, sad days, and piping winds, The twilight more than dawn, autumn than spring; A treasured and luxurious gloom of choice And inclination mainly, and the mere Redundancy of youth's contentedness. —To time thus spent, add multitudes of hours Pilfered away, by what the Bard who sang Of the Enchanter Indolence hath called "Good-natured lounging," and behold a map Of my collegiate life—far less intense Than duty called for, or, without regard To duty, might have sprung up of itself By change of accidents, or even, to speak Without unkindness, in another place. Yet why take refuge in that plea?—the fault, This I repeat, was mine; mine be the blame. In summer, making quest for works of art, Or scenes renowned for beauty, I explored That streamlet whose blue current works its way Between romantic Dovedale's spiry rocks; Pried into Yorkshire dales, or hidden tracts Of my own native region, and was blest Between these sundry wanderings with a joy Above all joys, that seemed another morn Risen on mid noon; blest with the presence, Friend! Of that sole Sister, her who hath been long Dear to thee also, thy true friend and mine, Now, after separation desolate, Restored to me—such absence that she seemed A gift then first bestowed. The varied banks Of Emont, hitherto unnamed in song, And that monastic castle, 'mid tall trees, Low-standing by the margin of the stream, A mansion visited (as fame reports) By Sidney, where, in sight of our Helvellyn, Or stormy Cross-fell, snatches he might pen Of his Arcadia, by fraternal love Inspired;—that river and those mouldering towers Have seen us side by side, when, having clomb The darksome windings of a broken stair, And crept along a ridge of fractured wall, Not without trembling, we in safety looked Forth, through some Gothic window's open space, And gathered with one mind a rich reward From the far-stretching landscape, by the light Of morning beautified, or purple eve; Or, not less pleased, lay on some turret's head, Catching from tufts of grass and hare-bell flowers Their faintest whisper to the passing breeze, Given out while mid-day heat oppressed the plains. Another maid there was, who also shed A gladness o'er that season, then to me, By her exulting outside look of youth And placid under-countenance, first endeared; That other spirit, Coleridge! who is now So near to us, that meek confiding heart, So reverenced by us both. O'er paths and fields In all that neighbourhood, through narrow lanes Of eglantine, and through the shady woods, And o'er the Border Beacon, and the waste Of naked pools, and common crags that lay Exposed on the bare felt, were scattered love, The spirit of pleasure, and youth's golden gleam. O Friend! we had not seen thee at that time, And yet a power is on me, and a strong Confusion, and I seem to plant thee there. Far art thou wandered now in search of health And milder breezes,—melancholy lot! But thou art with us, with us in the past, The present, with us in the times to come. There is no grief, no sorrow, no despair, No languor, no dejection, no dismay, No absence scarcely can there be, for those Who love as we do. Speed thee well! divide With us thy pleasure; thy returning strength, Receive it daily as a joy of ours; Share with us thy fresh spirits, whether gift Of gales Etesian or of tender thoughts. I, too, have been a wanderer; but, alas! How different the fate of different men. Though mutually unknown, yea nursed and reared As if in several elements, we were framed To bend at last to the same discipline, Predestined, if two beings ever were, To seek the same delights, and have one health, One happiness. Throughout this narrative, Else sooner ended, I have borne in mind For whom it registers the birth, and marks the growth, Of gentleness, simplicity, and truth, And joyous loves, that hallow innocent days Of peace and self-command. Of rivers, fields, And groves I speak to thee, my Friend! to thee, Who, yet a liveried schoolboy, in the depths Of the huge city, on the leaded roof Of that wide edifice, thy school and home, Wert used to lie and gaze upon the clouds Moving in heaven; or, of that pleasure tired, To shut thine eyes, and by internal light See trees, and meadows, and thy native stream, Far distant, thus beheld from year to year Of a long exile. Nor could I forget, In this late portion of my argument, That scarcely, as my term of pupilage Ceased, had I left those academic bowers When thou wert thither guided. From the heart Of London, and from cloisters there, thou camest, And didst sit down in temperance and peace, A rigorous student. What a stormy course Then followed. Oh! it is a pang that calls For utterance, to think what easy change Of circumstances might to thee have spared A world of pain, ripened a thousand hopes, For ever withered. Through this retrospect Of my collegiate life I still have had Thy after-sojourn in the self-same place Present before my eyes, have played with times And accidents as children do with cards, Or as a man, who, when his house is built, A frame locked up in wood and stone, doth still, As impotent fancy prompts, by his fireside, Rebuild it to his liking. I have thought Of thee, thy learning, gorgeous eloquence, And all the strength and plumage of thy youth, Thy subtle speculations, toils abstruse Among the schoolmen, and Platonic forms Of wild ideal pageantry, shaped out From things well-matched or ill, and words for things, The self-created sustenance of a mind Debarred from Nature's living images, Compelled to be a life unto herself, And unrelentingly possessed by thirst Of greatness, love, and beauty. Not alone, Ah! surely not in singleness of heart Should I have seen the light of evening fade From smooth Cam's silent waters: had we met, Even at that early time, needs must I trust In the belief, that my maturer age, My calmer habits, and more steady voice, Would with an influence benign have soothed, Or chased away, the airy wretchedness That battened on thy youth. But thou hast trod A march of glory, which doth put to shame These vain regrets; health suffers in thee, else Such grief for thee would be the weakest thought That ever harboured in the breast of man. A passing word erewhile did lightly touch On wanderings of my own, that now embraced With livelier hope a region wider far. When the third summer freed us from restraint, A youthful friend, he too a mountaineer, Not slow to share my wishes, took his staff, And sallying forth, we journeyed side by side, Bound to the distant Alps. A hardy slight Did this unprecedented course imply Of college studies and their set rewards; Nor had, in truth, the scheme been formed by me Without uneasy forethought of the pain, The censures, and ill-omening of those To whom my worldly interests were dear. But Nature then was sovereign in my mind, And mighty forms, seizing a youthful fancy, Had given a charter to irregular hopes. In any age of uneventful calm Among the nations, surely would my heart Have been possessed by similar desire; But Europe at that time was thrilled with joy, France standing on the top of golden hours, And human nature seeming born again. Lightly equipped, and but a few brief looks Cast on the white cliffs of our native shore From the receding vessel's deck, we chanced To land at Calais on the very eve Of that great federal day; and there we saw, In a mean city, and among a few, How bright a face is worn when joy of one Is joy for tens of millions. Southward thence We held our way, direct through hamlets, towns, Gaudy with reliques of that festival, Flowers left to wither on triumphal arcs, And window-garlands. On the public roads, And, once, three days successively, through paths By which our toilsome journey was abridged, Among sequestered villages we walked And found benevolence and blessedness Spread like a fragrance everywhere, when spring Hath left no corner of the land untouched: Where elms for many and many a league in files With their thin umbrage, on the stately roads Of that great kingdom, rustled o'er our heads, For ever near us as we paced along: How sweet at such a time, with such delight On every side, in prime of youthful strength, To feed a Poet's tender melancholy And fond conceit of sadness, with the sound Of undulations varying as might please The wind that swayed them; once, and more than once, Unhoused beneath the evening star we saw Dances of liberty, and, in late hours Of darkness, dances in the open air Deftly prolonged, though grey-haired lookers on Might waste their breath in chiding. Under hills— The vine-clad hills and slopes of Burgundy, Upon the bosom of the gentle Saône We glided forward with the flowing stream, Swift Rhone! thou wert the wings on which we cut A winding passage with majestic ease Between thy lofty rocks. Enchanting show Those woods and farms and orchards did present And single cottages and lurking towns, Reach after reach, succession without end Of deep and stately vales! A lonely pair Of strangers, till day closed, we sailed along, Clustered together with a merry crowd Of those emancipated, a blithe host Of travellers, chiefly delegates returning From the great spousals newly solemnised At their chief city, in the sight of Heaven. Like bees they swarmed, gaudy and gay as bees; Some vapoured in the unruliness of joy, And with their swords flourished as if to fight The saucy air. In this proud company We landed—took with them our evening meal, Guests welcome almost as the angels were To Abraham of old. The supper done, With flowing cups elate and happy thoughts We rose at signal given, and formed a ring And, hand in hand, danced round and round the board; All hearts were open, every tongue was loud With amity and glee; we bore a name Honoured in France, the name of Englishmen, And hospitably did they give us hail, As their forerunners in a glorious course; And round and round the board we danced again. With these blithe friends our voyage we renewed At early dawn. The monastery bells Made a sweet jingling in our youthful ears; The rapid river flowing without noise, And each uprising or receding spire Spake with a sense of peace, at intervals Touching the heart amid the boisterous crew By whom we were encompassed. Taking leave Of this glad throng, foot-travellers side by side, Measuring our steps in quiet, we pursued Our journey, and ere twice the sun had set Beheld the Convent of Chartreuse, and there Rested within an awful solitude: Yes, for even then no other than a place Of soul-affecting solitude appeared That far-famed region, though our eyes had seen, As toward the sacred mansion we advanced, Arms flashing, and a military glare Of riotous men commissioned to expel The blameless inmates, and belike subvert That frame of social being, which so long Had bodied forth the ghostliness of things In silence visible and perpetual calm. —"Stay, stay your sacrilegious hands!"—The voice Was Nature's, uttered from her Alpine throne; I heard it then and seem to hear it now— "Your impious work forbear, perish what may, Let this one temple last, be this one spot Of earth devoted to eternity!" She ceased to speak, but while St. Bruno's pines Waved their dark tops, not silent as they waved, And while below, along their several beds, Murmured the sister streams of Life and Death, Thus by conflicting passions pressed, my heart Responded; "Honour to the patriot's zeal! Glory and hope to new-born Liberty! Hail to the mighty projects of the time! Discerning sword that Justice wields, do thou Go forth and prosper; and, ye purging fires, Up to the loftiest towers of Pride ascend, Fanned by the breath of angry Providence. But oh! if Past and Future be the wings, On whose support harmoniously conjoined Moves the great spirit of human knowledge, spare These courts of mystery, where a step advanced Between the portals of the shadowy rocks Leaves far behind life's treacherous vanities, For penitential tears and trembling hopes Exchanged—to equalise in God's pure sight Monarch and peasant: be the house redeemed With its unworldly votaries, for the sake Of conquest over sense, hourly achieved Through faith and meditative reason, resting Upon the word of heaven-imparted truth, Calmly triumphant; and for humbler claim Of that imaginative impulse sent From these majestic floods, yon shining cliffs, The untransmuted shapes of many worlds, Cerulean ether's pure inhabitants, These forests unapproachable by death, That shall endure as long as man endures, To think, to hope, to worship, and to feel, To struggle, to be lost within himself In trepidation, from the blank abyss To look with bodily eyes, and be consoled." Not seldom since that moment have I wished That thou, O Friend! the trouble or the calm Hadst shared, when, from profane regards apart, In sympathetic reverence we trod The floors of those dim cloisters, till that hour, From their foundation, strangers to the presence Of unrestricted and unthinking man. Abroad, how cheeringly the sunshine lay Upon the open lawns! Vallombre's groves Entering, we fed the soul with darkness; thence Issued, and with uplifted eyes beheld, In different quarters of the bending sky, The cross of Jesus stand erect, as if Hands of angelic powers had fixed it there, Memorial reverenced by a thousand storms; Yet then, from the undiscriminating sweep And rage of one State-whirlwind, insecure. 'Tis not my present purpose to retrace That variegated journey step by step. A march it was of military speed, And Earth did change her images and forms Before us, fast as clouds are changed in heaven. Day after day, up early and down late, From hill to vale we dropped, from vale to hill Mounted—from province on to province swept, Keen hunters in a chase of fourteen weeks, Eager as birds of prey, or as a ship Upon the stretch, when winds are blowing fair: Sweet coverts did we cross of pastoral life, Enticing valleys, greeted them and left Too soon, while yet the very flash and gleam Of salutation were not passed away. Oh! sorrow for the youth who could have seen Unchastened, unsubdued, unawed, unraised To patriarchal dignity of mind, And pure simplicity of wish and will, Those sanctified abodes of peaceful man, Pleased (though to hardship born, and compassed round With danger, varying as the seasons change), Pleased with his daily task, or, if not pleased, Contented, from the moment that the dawn (Ah! surely not without attendant gleams Of soul-illumination) calls him forth To industry, by glistenings flung on rocks, Whose evening shadows lead him to repose, Well might a stranger look with bounding heart Down on a green recess, the first I saw Of those deep haunts, an aboriginal vale, Quiet and lorded over and possessed By naked huts, wood-built, and sown like tents Or Indian cabins over the fresh lawns And by the river side. That very day, From a bare ridge we also first beheld Unveiled the summit of Mont Blanc, and grieved To have a soulless image on the eye That had usurped upon a living thought That never more could be. The wondrous Vale Of Chamouny stretched far below, and soon With its dumb cataracts and streams of ice, A motionless array of mighty waves, Five rivers broad and vast, made rich amends, And reconciled us to realities; There small birds warble from the leafy trees, The eagle soars high in the element, There doth the reaper bind the yellow sheaf, The maiden spread the haycock in the sun, While Winter like a well-tamed lion walks, Descending from the mountain to make sport Among the cottages by beds of flowers. Whate'er in this wide circuit we beheld, Or heard, was fitted to our unripe state Of intellect and heart. With such a book Before our eyes, we could not choose but read Lessons of genuine brotherhood, the plain And universal reason of mankind, The truths of young and old. Nor, side by side Pacing, two social pilgrims, or alone Each with his humour, could we fail to abound In dreams and fictions, pensively composed: Dejection taken up for pleasure's sake, And gilded sympathies, the willow wreath, And sober posies of funereal flowers, Gathered among those solitudes sublime From formal gardens of the lady Sorrow, Did sweeten many a meditative hour. Yet still in me with those soft luxuries Mixed something of stem mood, an under-thirst Of vigour seldom utterly allayed. And from that source how different a sadness Would issue, let one incident make known. When from the Vallais we had turned, and clomb Along the Simplon's steep and rugged road, Following a band of muleteers, we reached A halting-place, where all together took Their noon-tide meal. Hastily rose our guide, Leaving us at the board; awhile we lingered, Then paced the beaten downward way that led Right to a rough stream's edge, and there broke off; The only track now visible was one That from the torrent's further brink held forth Conspicuous invitation to ascend A lofty mountain. After brief delay Crossing the unbridged stream, that road we took, And clomb with eagerness, till anxious fears Intruded, for we failed to overtake Our comrades gone before. By fortunate chance, While every moment added doubt to doubt, A peasant met us, from whose mouth we learned That to the spot which had perplexed us first We must descend, and there should find the road, Which in the stony channel of the stream Lay a few steps, and then along its banks; And, that our future course, all plain to sight, Was downwards, with the current of that stream. Loth to believe what we so grieved to hear, For still we had hopes that pointed to the clouds, We questioned him again, and yet again; But every word that from the peasant's lips Came in reply, translated by our feelings, Ended in this,—'that we had crossed the Alps'. Imagination—here the Power so called Through sad incompetence of human speech, That awful Power rose from the mind's abyss Like an unfathered vapour that enwraps, At once, some lonely traveller. I was lost; Halted without an effort to break through; But to my conscious soul I now can say— "I recognise thy glory:" in such strength Of usurpation, when the light of sense Goes out, but with a flash that has revealed The invisible world, doth greatness make abode, There harbours; whether we be young or old, Our destiny, our being's heart and home, Is with infinitude, and only there; With hope it is, hope that can never die, Effort, and expectation, and desire, And something evermore about to be. Under such banners militant, the soul Seeks for no trophies, struggles for no spoils That may attest her prowess, blest in thoughts That are their own perfection and reward, Strong in herself and in beatitude That hides her, like the mighty flood of Nile Poured from his fount of Abyssinian clouds To fertilise the whole Egyptian plain. The melancholy slackening that ensued Upon those tidings by the peasant given Was soon dislodged. Downwards we hurried fast, And, with the half-shaped road which we had missed, Entered a narrow chasm. The brook and road Were fellow-travellers in this gloomy strait, And with them did we journey several hours At a slow pace. The immeasurable height Of woods decaying, never to be decayed, The stationary blasts of waterfalls, And in the narrow rent at every turn Winds thwarting winds, bewildered and forlorn, The torrents shooting from the clear blue sky, The rocks that muttered close upon our ears, Black drizzling crags that spake by the way-side As if a voice were in them, the sick sight And giddy prospect of the raving stream, The unfettered clouds and region of the Heavens, Tumult and peace, the darkness and the light— Were all like workings of one mind, the features Of the same face, blossoms upon one tree; Characters of the great Apocalypse, The types and symbols of Eternity, Of first, and last, and midst, and without end. That night our lodging was a house that stood Alone within the valley, at a point Where, tumbling from aloft, a torrent swelled The rapid stream whose margin we had trod; A dreary mansion, large beyond all need, With high and spacious rooms, deafened and stunned By noise of waters, making innocent sleep Lie melancholy among weary bones. Uprisen betimes, our journey we renewed, Led by the stream, ere noon-day magnified Into a lordly river, broad and deep, Dimpling along in silent majesty, With mountains for its neighbours, and in view Of distant mountains and their snowy tops, And thus proceeding to Locarno's Lake, Fit resting-place for such a visitant. Locarno! spreading out in width like Heaven, How dost thou cleave to the poetic heart, Bask in the sunshine of the memory; And Como! thou, a treasure whom the earth Keeps to herself, confined as in a depth Of Abyssinian privacy. I spake Of thee, thy chestnut woods, and garden plots Of Indian corn tended by dark-eyed maids; Thy lofty steeps, and pathways roofed with vines, Winding from house to house, from town to town, Sole link that binds them to each other; walks, League after league, and cloistral avenues, Where silence dwells if music be not there: While yet a youth undisciplined in verse, Through fond ambition of that hour I strove To chant your praise; nor can approach you now Ungreeted by a more melodious Song, Where tones of Nature smoothed by learned Art May flow in lasting current. Like a breeze Or sunbeam over your domain I passed In motion without pause; but ye have left Your beauty with me, a serene accord Of forms and colours, passive, yet endowed In their submissiveness with power as sweet And gracious, almost might I dare to say, As virtue is, or goodness; sweet as love, Or the remembrance of a generous deed, Or mildest visitations of pure thought, When God, the giver of all joy, is thanked Religiously, in silent blessedness; Sweet as this last herself, for such it is. With those delightful pathways we advanced, For two days' space, in presence of the Lake, That, stretching far among the Alps, assumed A character more stern. The second night, From sleep awakened, and misled by sound Of the church clock telling the hours with strokes Whose import then we had not learned, we rose By moonlight, doubting not that day was nigh, And that meanwhile, by no uncertain path, Along the winding margin of the lake, Led, as before, we should behold the scene Hushed in profound repose. We left the town Of Gravedona with this hope; but soon Were lost, bewildered among woods immense, And on a rock sate down, to wait for day. An open place it was, and overlooked, From high, the sullen water far beneath, On which a dull red image of the moon Lay bedded, changing oftentimes its form Like an uneasy snake. From hour to hour We sate and sate, wondering, as if the night Had been ensnared by witchcraft. On the rock At last we stretched our weary limbs for sleep, But could not sleep, tormented by the stings Of insects, which, with noise like that of noon, Filled all the woods; the cry of unknown birds; The mountains more by blackness visible And their own size, than any outward light; The breathless wilderness of clouds; the clock That told, with unintelligible voice, The widely parted hours; the noise of streams, And sometimes rustling motions nigh at hand, That did not leave us free from personal fear; And, lastly, the withdrawing moon, that set Before us, while she still was high in heaven;— These were our food; and such a summer's night Followed that pair of golden days that shed On Como's Lake, and all that round it lay, Their fairest, softest, happiest influence. But here I must break off, and bid farewell To days, each offering some new sight, or fraught With some untried adventure, in a course Prolonged till sprinklings of autumnal snow Checked our unwearied steps. Let this alone Be mentioned as a parting word, that not In hollow exultation, dealing out Hyperboles of praise comparative; Not rich one moment to be poor for ever; Not prostrate, overborne, as if the mind Herself were nothing, a mere pensioner On outward forms—did we in presence stand Of that magnificent region. On the front Of this whole Song is written that my heart Must, in such Temple, needs have offered up A different worship. Finally, whate'er I saw, or heard, or felt, was but a stream That flowed into a kindred stream; a gale, Confederate with the current of the soul, To speed my voyage; every sound or sight, In its degree of power, administered To grandeur or to tenderness,—to the one Directly, but to tender thoughts by means Less often instantaneous in effect; Led me to these by paths that, in the main, Were more circuitous, but not less sure Duly to reach the point marked out by Heaven. Oh, most belovèd Friend! a glorious time, A happy time that was; triumphant looks Were then the common language of all eyes; As if awaked from sleep, the Nations hailed Their great expectancy: the fife of war Was then a spirit-stirring sound indeed, A black-bird's whistle in a budding grove. We left the Swiss exulting in the fate Of their near neighbours; and, when shortening fast Our pilgrimage, nor distant far from home, We crossed the Brabant armies on the fret For battle in the cause of Liberty. A stripling, scarcely of the household then Of social life, I looked upon these things As from a distance; heard, and saw, and felt, Was touched, but with no intimate concern; I seemed to move along them, as a bird Moves through the air, or as a fish pursues Its sport, or feeds in its proper element; I wanted not that joy, I did not need Such help; the ever-living universe, Turn where I might, was opening out its glories, And the independent spirit of pure youth Called forth, at every season, new delights Spread round my steps like sunshine o'er green fields. Contents—The Prelude Main Contents	1 2	A B C D E F G H I K L M N O P Q R S T U V W X Y Z a b c d e f g h h i k m n o p q r s t u u v w x y z Aa Bb Cc Dd Ee Ff Gg Hh Ii Kk	5 10 15 20 25 30 35 40 45 50 55 60 65 70 75 80 85 90 95 100 105 110 115 120 125 130 135 140 145 150 155 160 165 170 175 180 185 190 195 200 205 210 215 220 225 230 235 240 245 250 255 260 265 270 275 280 285 290 295 300 305 310 315 320 325 330 335 340 345 350 355 360 365 370 375 380 385 390 395 400 405 410 415 420 425 430 435 440 445 450 455 460 465 470 475 480 485 490 495 500 505 510 515 520 525 530 535 540 545 550 555 560 565 570 575 580 585 590 595 600 605 610 615 620 625 630 635 640 645 650 655 660 665 670 675 680 685 690 695 700 705 710 715 720 725 730 735 740 745 750 755 760 765 770 775

Variant 1:

... gloomy Pass,

1845

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Variant 2:

At a slow step

1845

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Footnote A: To Cambridge. The Anglo-Saxons called it Grantabridge, of which Cambridge may be a corruption, Granta and Cam being different names for the same stream. Grantchester is still the name of a village near Cambridge. It is uncertain whether the village or the city itself is the spot of which Bede writes,

"venerunt ad civitatulam quandam desolatam, quæ lingua Anglorum Grantachester vocatur."

If it was Cambridge itself it had already an alternative name, viz. Camboricum. Compare Cache-cache, a Tale in Verse, by William D. Watson. London: Smith, Elder, and Co. 1862:

"Leaving our woods and mountains for the plains
Of treeless level Granta." (p. 103.)
...
"'Twas then the time
When in two camps, like Pope and Emperor,
Byron and Wordsworth parted Granta's sons." (p. 121.)

Ed.
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Footnote B: Note the meaning, as well as the curiosa felicitas, of this phrase.—Ed.
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Footnote C: His Cambridge studies were very miscellaneous, partly owing to his strong natural disinclination to work by rule, partly to unmethodic training at Hawkshead, and to the fact that he had already mastered so much of Euclid and Algebra as to have a twelvemonth's start of the freshmen of his year.

"Accordingly," he tells us, "I got into rather an idle way, reading nothing but Classic authors, according to my fancy, and Italian poetry. As I took to these studies with much interest my Italian master was proud of the progress I made. Under his correction I translated the Vision of Mirza, and two or three other papers of the Spectator into Italian."

Speaking of her brother Christopher, then at Cambridge, Dorothy Wordsworth wrote thus in 1793:

"He is not so ardent in any of his pursuits as William is, but he is yet particularly attached to the same pursuits which have so irresistible an influence over William, and deprive him of the power of chaining his attention to others discordant to his feelings."

Ed.
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Footnote D: April 1804.—Ed.
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Footnote E: There is no ash tree now in the grove of St. John's College, Cambridge, and no tradition as to where it stood. Covered as it was—trunk and branch—with "clustering ivy" in 1787, it survived till 1808 at any rate. See Note IV. in the return

Footnote F: See notes [1 and 2] on pp. 210 and 223.—Ed.
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Footnote G: Before leaving Hawkshead he had mastered five books of Euclid, and in Algebra, simple and quadratic equations. See note, p. 223.—Ed.
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Footnote H: Compare the second stanza of the Ode to Lycoris:

'Then, Twilight is preferred to Dawn,
And Autumn to the Spring.'

Ed.
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Footnote I: Thomson. See the Castle of Indolence, canto I. stanza xv.—Ed.
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Footnote K: Dovedale, a rocky chasm, rather more than two miles long, not far from Ashburn, in Derbyshire. Thomas Potts writes of it thus:

"The rugged, dissimilar, and frequently grotesque and fanciful appearance of the rocks distinguish the scenery of this valley from perhaps every other in the kingdom. In some places they shoot up in detached masses, in the form of spires or conical pyramids, to the height of 30 or 40 yards.... One rock, distinguished by the name of the Pike, from its spiry form and situation in the midst of the stream, was noticed in the second part of The Complete Angler, by Charles Cotton," etc. etc.

(The Beauties of England and Wales, Derbyshire, vol. iii, pp. 425, 426, and 431. London, 1810.) Potts speaks of the "pellucid waters" of the Dove. "It is transparent to the bottom." (See Whately, Observations on Modern Gardening, p. 114.)—Ed.
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Footnote L: Doubtless Wharfedale, Wensleydale, and Swaledale.—Ed.
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Footnote M: Compare Paradise Lost, v. 310, and in Chapman's Blind Beggar of Alexandria:

'Now see a morning in an evening rise.'

Ed.
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Footnote N: For glimpses of the friendship of Dorothy Wordsworth and Coleridge, see the Life of the poet in the last volume of this edition.—Ed.
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Footnote O: The absence referred to—"separation desolate"—may refer both to the Hawkshead years, and to those spent at Cambridge; but doubtless the brother and sister met at Penrith, in vacation time from Hawkshead School; and, after William Wordsworth had gone to the university, Dorothy visited Cambridge, while the brother spent the Christmas holidays of 1790 at Forncett Rectory in Norfolk, where his sister was then staying, and where she spent several years with their uncle Cookson, the Canon of Windsor. It is more probable that the "separation desolate" refers to the interval between this Christmas of 1790 and their reunion at Halifax in 1794. In a letter dated Forncett, August 30, 1793, Dorothy says, referring to her brother, "It is nearly three years since we parted."—Ed.
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Footnote P: Thomas Wilkinson's poem on the River Emont had been written in 1787, but was not published till 1824.—Ed.
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Footnote Q: Brougham Castle, at the junction of the Lowther and the Emont, about a mile out of Penrith, south-east, on the Appleby road. This castle is associated with other poems. See the Song at the Feast of Brougham Castle.—Ed.
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Footnote R: Sir Philip Sidney, author of Arcadia.—Ed.
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Footnote S: Mary Hutchinson.—Ed.
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Footnote T: The Border Beacon is the hill to the north-east of Penrith. It is now covered with wood, but was in Wordsworth's time a "bare fell."—Ed.
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Footnote U: He had gone to Malta, "in search of health."—Ed.
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Footnote V: The Etesian gales are the mild north winds of the Mediterranean, which are periodical, lasting about six weeks in spring and autumn.—Ed.
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Footnote W: A blue-coat boy in London.—Ed.
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Footnote X: Christ's Hospital. Compare Charles Lamb's Christ's Hospital Five and Thirty Years Ago.

"Come back into memory, like as thou wert in the dayspring of thy fancies, with hope like a fiery column before thee—the dark pillar not yet turned—Samuel Taylor Coleridge—Logician, Metaphysician, Bard!—How have I seen the casual passer through the cloisters stand still, entranced with admiration (while he weighed the disproportion between the speech and the garb of the young Mirandula), to hear thee unfold, in thy deep and sweet intonations, the mysteries of Jamblichus, or Plotinus (for even in those years thou waxedst not pale at such philosophic draughts), or reciting Homer in his Greek, or Pindar—while the walls of the old Grey Friars re-echoed to the accents of the inspired charity boy!"

(Essays of Elia.)—Ed.
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Footnote Y: The river Otter, in Devon, thus addressed by Coleridge in one of his early poems:

'Dear native Brook! wild Streamlet of the West!
How many various-fated years have passed,
What blissful and what anguished hours, since last
I skimmed the smooth thin stone along thy breast,
Numbering its light leaps! Yet so deep imprest
Sink the sweet scenes of Childhood, that mine eyes
I never shut amid the sunny haze,
But straight with all their tints, thy waters rise,
Thy crowning plank, thy margin's willowy maze,
And bedded sand that veined with various dyes
Gleamed through thy bright transparence to the gaze!
Visions of childhood! oft have ye beguiled
Lone Manhood's cares, yet waking fondest sighs,
Ah! that once more I were a careless child!'

Ed.
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Footnote Z: Coleridge entered Jesus College, Cambridge, in February 1791, just a month after Wordsworth had taken his B. A. degree, and left the university. —Ed.
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Footnote a: Coleridge worked laboriously but unmethodically at Cambridge, studying philosophy and politics, besides classics and mathematics. He lost his scholarship however.—Ed.
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Footnote b: Debt and despondency; flight to London; enlistment in the Dragoons; residence in Bristol; Republican lectures; scheme, along with Southey, for founding a new community in America; its abandonment; his marriage; life at Nether Stowey; editing The Watchman; lecturing on Shakespeare; contributing to The Morning Chronicle; preaching in Unitarian pulpits; publishing his Juvenile Poems, etc. etc.; and throughout eccentric, impetuous, original—with contagious enthusiasm and overflowing genius—but erratic, self-confident, and unstable.—Ed.
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Footnote c: Robert Jones, of Plas-yn-llan, near Ruthin, Denbighshire, to whom the Descriptive Sketches, which record the tour, were dedicated.—Ed.
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Footnote d: See Descriptive Sketches, vol. i. p. 35.—Ed.
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Footnote e: Compare Shakespeare, Sonnets, 16:

'Now stand you on the top of happy hours.'

Ed.
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Footnote f: In 1790, most of what could be shaken in the order of European, and especially of French society and government, was shaken and changed. By the new constitution of 1790, to which the French king took an oath of fidelity, his power was reduced to a shadow, and two years later France became a Republic.

"We crossed at the time," wrote Wordsworth to his sister, "when the whole nation was mad with joy in consequence of the Revolution."

Ed.
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Footnote g:

"We went staff in hand, without knapsacks, and carrying each his needments tied up in a pocket handkerchief, with about twenty pounds a-piece in our pockets."

W. W. (Autobiographical Memoranda.)—Ed.
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Footnote h: July 14, 1790.

"We crossed from Dover and landed at Calais, on the eve of the day when the King was to swear fidelity to the new constitution: an event which was solemnised with due pomp at Calais."

W. W. (Autobiographical Memoranda.) See also the [volume 2 link: sonnet] "dedicated to National Independence and Liberty," vol. ii. p. 332. beginning,

'Jones! as from Calais southward you and I,
and compare the human nature seeming born again'

of The Prelude, book vi. l. 341, with "the pomp of a too-credulous day" and the "homeless sound of joy" of the sonnet.—Ed.
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Footnote i: They went by Ardres, Péronne, Soissons, Château Thierry, Sézanne, Bar le Duc, Châtillon-sur-Seine, Nuits, to Châlons-sur-Saône; and thence sailed down to Lyons. See Fenwick note to Stray Pleasures (vol. iv.)

"The town of Châlons, where my friend Jones and I halted a day, when we crossed France, so far on foot. There we embarqued, and floated down to Lyons."

Ed.
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Footnote k: Compare Descriptive Sketches, vol. i. p 40:

'Or where her pathways straggle as they please
By lonely farms and secret villages.'

Ed.
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Footnote m:

"Her road elms rustling thin above my head."

(See Descriptive Sketches, vol. i. pp. 39, 40, and compare the two passages in detail.)—Ed.
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Footnote n: On the 29th July 1790.—Ed.
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Footnote o: They were at Lyons on the 30th July.—Ed.
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Footnote p: They reached the Chartreuse on the 4th of August, and spent two days there "contemplating, with increasing pleasure," says Wordsworth, "its wonderful scenery."—Ed.
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Footnote q: The forest of St. Bruno, near the Chartreuse.—Ed.
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Footnote r: "Names of rivers at the Chartreuse."—W. W. 1793.

They are called in 'Descriptive Sketches', vol. i. p. 41, "the mystic streams of Life and Death." —Ed.
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Footnote s: "Name of one of the vallies of the Chartreuse."—W. W. 1793.
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Footnote t: "Alluding to crosses seen on the spiry rocks of the Chartreuse, which have every appearance of being inaccessible."—W. W. 1793.
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Footnote u: It extended from July 13 to September 29. See the detailed [volume 1 link: Itinerary], vol. i. p. 332, and Wordsworth's letter to his sister, from Keswill, describing the trip.—Ed.
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Footnote v: See the account of "Urseren's open vale serene," and the paragraph which follows it in Descriptive Sketches, vol. i. pp. 50, 51.—Ed.
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Footnote w: See the account of these "abodes of peaceful man," in Descriptive Sketches, ll. 208-253.—Ed.
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Footnote x: Probably the valley between Martigny and the Col de Balme.—Ed.
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Footnote y: Wordsworth and Jones crossed from Martigny to Chamouni on the 11th of August. The "bare ridge," from which they first "beheld unveiled the summit of Mont Blanc," and were disenchanted, was doubtless the Col de Balme. The first view of the great mountain is not impressive as seen from that point, or indeed from any of the possible routes to Chamouni from the Rhone valley, until the village is almost reached. The best approach is from Sallanches by St. Gervais.—Ed.
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Footnote z: Compare Coleridge's Hymn before sun-rise in the Vale of Chamouni, and Shelley's Mont Blanc, with Wordsworth's description of the Alps, here in The Prelude, in Descriptive Sketches, and in the Memorials of a Tour on the Continent.—Ed.
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Footnote Aa: August 17, 1790.—Ed.
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Footnote Bb: This passage beginning, "The brook and road," was first published, amongst the "Poems of the Imagination," in the edition of 1845, under the title of [volume 2 link: The Simplon Pass] (see vol. ii. p. 69). It is doubtless to this walk down the Italian side of the Simplon route that Wordsworth refers in the letter to his sister from Keswill, in which he says,

"The impression of there hours of our walk among these Alps will never be effaced."

Ed.
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Footnote Cc: The old hospice in the Simplon, which is beside a torrent below the level of the road, about 22 miles from Duomo d'Ossola.—Ed.
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Footnote Dd:

"From Duomo d'Ossola we proceeded to the lake of Locarno, to visit the Boromean Islands, and thence to Como."

(W. W. to his sister.) The lake of Locarno is now called Lago Maggiore.—Ed.
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Footnote Ee:

"The shores of the lake consist of steeps, covered with large sweeping woods of chestnut, spotted with villages."

(W. W. to his sister.)—Ed.
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Footnote Ff:

"A small footpath is all the communication by land between one village and another on the side along which we passed, for upwards of thirty miles. We entered on this path about noon, and, owing to the steepness of the banks, were soon unmolested by the sun, which illuminated the woods, rocks, and villages of the opposite shore."

(See letter of W. W. from Keswill.)—Ed.
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Footnote Gg: See Descriptive Sketches, vol. i. pp. 42-46.—Ed.
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Footnote Hh: They followed the lake of Como to its head, leaving Gravedona on the 20th August.—Ed.
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Footnote Ii: August 21, 1790.—Ed.
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Footnote Kk: They reached Cologne on the 28th September, having floated down the Rhine in a small boat; and from Cologne went to Calais, through Belgium.—Ed.
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Contents—The Prelude
Main Contents

Book Seventh

Residence in London

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Six changeful years have vanished since I first Poured out (saluted by that quickening breeze Which met me issuing from the City's walls) A glad preamble to this Verse: I sang Aloud, with fervour irresistible Of short-lived transport, like a torrent bursting, From a black thunder-cloud, down Scafell's side To rush and disappear. But soon broke forth (So willed the Muse) a less impetuous stream, That flowed awhile with unabating strength, Then stopped for years; not audible again Before last primrose-time, Beloved Friend! The assurance which then cheered some heavy thoughts On thy departure to a foreign land Has failed; too slowly moves the promised work. Through the whole summer have I been at rest, Partly from voluntary holiday, And part through outward hindrance. But I heard, After the hour of sunset yester-even, Sitting within doors between light and dark, A choir of redbreasts gathered somewhere near My threshold,—minstrels from the distant woods Sent in on Winter's service, to announce, With preparation artful and benign, That the rough lord had left the surly North On his accustomed journey. The delight, Due to this timely notice, unawares Smote me, and, listening, I in whispers said, "Ye heartsome Choristers, ye and I will be Associates, and, unscared by blustering winds, Will chant together." Thereafter, as the shades Of twilight deepened, going forth, I spied A glow-worm underneath a dusky plume Or canopy of yet unwithered fern, Clear-shining, like a hermit's taper seen Through a thick forest. Silence touched me here No less than sound had done before; the child Of Summer, lingering, shining, by herself, The voiceless worm on the unfrequented hills, Seemed sent on the same errand with the choir Of Winter that had warbled at my door, And the whole year breathed tenderness and love. The last night's genial feeling overflowed Upon this morning, and my favourite grove, Tossing in sunshine its dark boughs aloft, As if to make the strong wind visible, Wakes in me agitations like its own, A spirit friendly to the Poet's task, Which we will now resume with lively hope, Nor checked by aught of tamer argument That lies before us, needful to be told. Returned from that excursion, soon I bade Farewell for ever to the sheltered seats Of gownèd students, quitted hall and bower, And every comfort of that privileged ground, Well pleased to pitch a vagrant tent among The unfenced regions of society. Yet, undetermined to what course of life I should adhere, and seeming to possess A little space of intermediate time At full command, to London first I turned, In no disturbance of excessive hope, By personal ambition unenslaved, Frugal as there was need, and, though self-willed, From dangerous passions free. Three years had flown Since I had felt in heart and soul the shock Of the huge town's first presence, and had paced Her endless streets, a transient visitant: Now, fixed amid that concourse of mankind Where Pleasure whirls about incessantly, And life and labour seem but one, I filled An idler's place; an idler well content To have a house (what matter for a home?) That owned him; living cheerfully abroad With unchecked fancy ever on the stir, And all my young affections out of doors. There was a time when whatsoe'er is feigned Of airy palaces, and gardens built By Genii of romance; or hath in grave Authentic history been set forth of Rome, Alcairo, Babylon, or Persepolis; Or given upon report by pilgrim friars, Of golden cities ten months' journey deep Among Tartarian wilds—fell short, far short, Of what my fond simplicity believed And thought of London—held me by a chain Less strong of wonder and obscure delight. Whether the bolt of childhood's Fancy shot For me beyond its ordinary mark, 'Twere vain to ask; but in our flock of boys Was One, a cripple from his birth, whom chance Summoned from school to London; fortunate And envied traveller! When the Boy returned, After short absence, curiously I scanned His mien and person, nor was free, in sooth, From disappointment, not to find some change In look and air, from that new region brought, As if from Fairy-land. Much I questioned him; And every word he uttered, on my ears Fell flatter than a cagèd parrot's note, That answers unexpectedly awry, And mocks the prompter's listening. Marvellous things Had vanity (quick Spirit that appears Almost as deeply seated and as strong In a Child's heart as fear itself) conceived For my enjoyment. Would that I could now Recal what then I pictured to myself, Of mitred Prelates, Lords in ermine clad, The King, and the King's Palace, and, not last, Nor least, Heaven bless him! the renowned Lord Mayor: Dreams not unlike to those which once begat A change of purpose in young Whittington, When he, a friendless and a drooping boy, Sate on a stone, and heard the bells speak out Articulate music. Above all, one thought Baffled my understanding: how men lived Even next-door neighbours, as we say, yet still Strangers, not knowing each the other's name. O, wond'rous power of words, by simple faith Licensed to take the meaning that we love! Vauxhall and Ranelagh! I then had heard Of your green groves, and wilderness of lamps Dimming the stars, and fireworks magical, And gorgeous ladies, under splendid domes, Floating in dance, or warbling high in air The songs of spirits! Nor had Fancy fed With less delight upon that other class Of marvels, broad-day wonders permanent: The River proudly bridged; the dizzy top And Whispering Gallery of St. Paul's; the tombs Of Westminster; the Giants of Guildhall; Bedlam, and those carved maniacs at the gates, Perpetually recumbent; Statues—man, And the horse under him—in gilded pomp Adorning flowery gardens, 'mid vast squares; The Monument, and that Chamber of the Tower Where England's sovereigns sit in long array, Their steeds bestriding,—every mimic shape Cased in the gleaming mail the monarch wore, Whether for gorgeous tournament addressed, Or life or death upon the battle-field. Those bold imaginations in due time Had vanished, leaving others in their stead: And now I looked upon the living scene; Familiarly perused it; oftentimes, In spite of strongest disappointment, pleased Through courteous self-submission, as a tax Paid to the object by prescriptive right. Rise up, thou monstrous ant-hill on the plain Of a too busy world! Before me flow, Thou endless stream of men and moving things! Thy every-day appearance, as it strikes— With wonder heightened, or sublimed by awe— On strangers, of all ages; the quick dance Of colours, lights, and forms; the deafening din; The comers and the goers face to face, Face after face; the string of dazzling wares, Shop after shop, with symbols, blazoned names, And all the tradesman's honours overhead: Here, fronts of houses, like a title-page, With letters huge inscribed from top to toe, Stationed above the door, like guardian saints; There, allegoric shapes, female or male, Or physiognomies of real men, Land-warriors, kings, or admirals of the sea, Boyle, Shakespeare, Newton, or the attractive head Of some quack-doctor, famous in his day. Meanwhile the roar continues, till at length, Escaped as from an enemy, we turn Abruptly into some sequestered nook, Still as a sheltered place when winds blow loud! At leisure, thence, through tracts of thin resort, And sights and sounds that come at intervals, We take our way. A raree-show is here, With children gathered round; another street Presents a company of dancing dogs, Or dromedary, with an antic pair Of monkeys on his back; a minstrel band Of Savoyards; or, single and alone, An English ballad-singer. Private courts, Gloomy as coffins, and unsightly lanes Thrilled by some female vendor's scream, belike The very shrillest of all London cries, May then entangle our impatient steps; Conducted through those labyrinths, unawares, To privileged regions and inviolate, Where from their airy lodges studious lawyers Look out on waters, walks, and gardens green. Thence back into the throng, until we reach, Following the tide that slackens by degrees, Some half-frequented scene, where wider streets Bring straggling breezes of suburban air. Here files of ballads dangle from dead walls; Advertisements, of giant-size, from high Press forward, in all colours, on the sight; These, bold in conscious merit, lower down; That, fronted with a most imposing word, Is, peradventure, one in masquerade. As on the broadening causeway we advance, Behold, turned upwards, a face hard and strong In lineaments, and red with over-toil. 'Tis one encountered here and everywhere; A travelling cripple, by the trunk cut short, And stumping on his arms. In sailor's garb Another lies at length, beside a range Of well-formed characters, with chalk inscribed Upon the smooth flat stones: the Nurse is here, The Bachelor, that loves to sun himself, The military Idler, and the Dame, That field-ward takes her walk with decent steps. Now homeward through the thickening hubbub, where See, among less distinguishable shapes, The begging scavenger, with hat in hand; The Italian, as he thrids his way with care, Steadying, far-seen, a frame of images Upon his head; with basket at his breast The Jew; the stately and slow-moving Turk, With freight of slippers piled beneath his arm! Enough;—the mighty concourse I surveyed With no unthinking mind, well pleased to note Among the crowd all specimens of man, Through all the colours which the sun bestows, And every character of form and face: The Swede, the Russian; from the genial south, The Frenchman and the Spaniard; from remote America, the Hunter-Indian; Moors, Malays, Lascars, the Tartar, the Chinese, And Negro Ladies in white muslin gowns. At leisure, then, I viewed, from day to day, The spectacles within doors,—birds and beasts Of every nature, and strange plants convened From every clime; and, next, those sights that ape The absolute presence of reality, Expressing, as in mirror, sea and land, And what earth is, and what she has to shew. I do not here allude to subtlest craft, By means refined attaining purest ends, But imitations, fondly made in plain Confession of man's weakness and his loves. Whether the Painter, whose ambitious skill Submits to nothing less than taking in A whole horizon's circuit, do with power, Like that of angels or commissioned spirits, Fix us upon some lofty pinnacle, Or in a ship on waters, with a world Of life, and life-like mockery beneath, Above, behind, far stretching and before; Or more mechanic artist represent By scale exact, in model, wood or clay, From blended colours also borrowing help, Some miniature of famous spots or things,— St. Peter's Church; or, more aspiring aim, In microscopic vision, Rome herself; Or, haply, some choice rural haunt,—the Falls Of Tivoli; and, high upon that steep, The Sibyl's mouldering Temple! every tree, Villa, or cottage, lurking among rocks Throughout the landscape; tuft, stone scratch minute— All that the traveller sees when he is there. Add to these exhibitions, mute and still, Others of wider scope, where living men, Music, and shifting pantomimic scenes, Diversified the allurement. Need I fear To mention by its name, as in degree, Lowest of these and humblest in attempt, Yet richly graced with honours of her own, Half-rural Sadler's Wells? Though at that time Intolerant, as is the way of youth Unless itself be pleased, here more than once Taking my seat, I saw (nor blush to add, With ample recompense) giants and dwarfs, Clowns, conjurors, posture-masters, harlequins, Amid the uproar of the rabblement, Perform their feats. Nor was it mean delight To watch crude Nature work in untaught minds; To note the laws and progress of belief; Though obstinate on this way, yet on that How willingly we travel, and how far! To have, for instance, brought upon the scene The champion, Jack the Giant-killer: Lo! He dons his coat of darkness; on the stage Walks, and achieves his wonders, from the eye Of living Mortal covert, "as the moon Hid in her vacant interlunar cave." Delusion bold! and how can it be wrought? The garb he wears is black as death, the word "Invisible" flames forth upon his chest. Here, too, were "forms and pressures of the time," Rough, bold, as Grecian comedy displayed When Art was young; dramas of living men, And recent things yet warm with life; a sea-fight, Shipwreck, or some domestic incident Divulged by Truth and magnified by Fame, Such as the daring brotherhood of late Set forth, too serious theme for that light place— I mean, O distant Friend! a story drawn From our own ground,—the Maid of Buttermere,— And how, unfaithful to a virtuous wife Deserted and deceived, the spoiler came And wooed the artless daughter of the hills, And wedded her, in cruel mockery Of love and marriage bonds. These words to thee Must needs bring back the moment when we first, Ere the broad world rang with the maiden's name, Beheld her serving at the cottage inn, Both stricken, as she entered or withdrew, With admiration of her modest mien And carriage, marked by unexampled grace. We since that time not unfamiliarly Have seen her,—her discretion have observed, Her just opinions, delicate reserve, Her patience, and humility of mind Unspoiled by commendation and the excess Of public notice—an offensive light To a meek spirit suffering inwardly. From this memorial tribute to my theme I was returning, when, with sundry forms Commingled—shapes which met me in the way That we must tread—thy image rose again, Maiden of Buttermere! She lives in peace Upon the spot where she was born and reared; Without contamination doth she live In quietness, without anxiety: Beside the mountain chapel, sleeps in earth Her new-born infant, fearless as a lamb That, thither driven from some unsheltered place, Rests underneath the little rock-like pile When storms are raging. Happy are they both— Mother and child!—These feelings, in themselves Trite, do yet scarcely seem so when I think On those ingenuous moments of our youth Ere we have learnt by use to slight the crimes And sorrows of the world. Those simple days Are now my theme; and, foremost of the scenes, Which yet survive in memory, appears One, at whose centre sate a lovely Boy, A sportive infant, who, for six months' space, Not more, had been of age to deal about Articulate prattle—Child as beautiful As ever clung around a mother's neck, Or father fondly gazed upon with pride. There, too, conspicuous for stature tall And large dark eyes, beside her infant stood The mother; but, upon her cheeks diffused, False tints too well accorded with the glare From play-house lustres thrown without reserve On every object near. The Boy had been The pride and pleasure of all lookers-on In whatsoever place, but seemed in this A sort of alien scattered from the clouds. Of lusty vigour, more than infantine He was in limb, in cheek a summer rose Just three parts blown—a cottage-child—if e'er, By cottage-door on breezy mountain side, Or in some sheltering vale, was seen a babe By Nature's gifts so favoured. Upon a board Decked with refreshments had this child been placed, His little stage in the vast theatre, And there he sate surrounded with a throng Of chance spectators, chiefly dissolute men And shameless women, treated and caressed; Ate, drank, and with the fruit and glasses played, While oaths and laughter and indecent speech Were rife about him as the songs of birds Contending after showers. The mother now Is fading out of memory, but I see The lovely Boy as I beheld him then Among the wretched and the falsely gay, Like one of those who walked with hair unsinged Amid the fiery furnace. Charms and spells Muttered on black and spiteful instigation Have stopped, as some believe, the kindliest growths. Ah, with how different spirit might a prayer Have been preferred, that this fair creature, checked By special privilege of Nature's love, Should in his childhood be detained for ever! But with its universal freight the tide Hath rolled along, and this bright innocent, Mary! may now have lived till he could look With envy on thy nameless babe that sleeps, Beside the mountain chapel, undisturbed. Four rapid years had scarcely then been told Since, travelling southward from our pastoral hills, I heard, and for the first time in my life, The voice of woman utter blasphemy— Saw woman as she is, to open shame Abandoned, and the pride of public vice; I shuddered, for a barrier seemed at once Thrown in, that from humanity divorced Humanity, splitting the race of man In twain, yet leaving the same outward form. Distress of mind ensued upon the sight And ardent meditation. Later years Brought to such spectacle a milder sadness. Feelings of pure commiseration, grief For the individual and the overthrow Of her soul's beauty; farther I was then But seldom led, or wished to go; in truth The sorrow of the passion stopped me there. But let me now, less moved, in order take Our argument. Enough is said to show How casual incidents of real life, Observed where pastime only had been sought, Outweighed, or put to flight, the set events And measured passions of the stage, albeit By Siddons trod in the fulness of her power. Yet was the theatre my dear delight; The very gilding, lamps and painted scrolls, And all the mean upholstery of the place, Wanted not animation, when the tide Of pleasure ebbed but to return as fast With the ever-shifting figures of the scene, Solemn or gay: whether some beauteous dame Advanced in radiance through a deep recess Of thick entangled forest, like the moon Opening the clouds; or sovereign king, announced With flourishing trumpet, came in full-blown state Of the world's greatness, winding round with train Of courtiers, banners, and a length of guards; Or captive led in abject weeds, and jingling His slender manacles; or romping girl Bounced, leapt, and pawed the air; or mumbling sire, A scare-crow pattern of old age dressed up In all the tatters of infirmity All loosely put together, hobbled in, Stumping upon a cane with which he smites, From time to time, the solid boards, and makes them Prate somewhat loudly of the whereabout Of one so overloaded with his years. But what of this! the laugh, the grin, grimace, The antics striving to outstrip each other, Were all received, the least of them not lost, With an unmeasured welcome. Through the night, Between the show, and many-headed mass Of the spectators, and each several nook Filled with its fray or brawl, how eagerly And with what flashes, as it were, the mind Turned this way—that way! sportive and alert And watchful, as a kitten when at play, While winds are eddying round her, among straws And rustling leaves. Enchanting age and sweet! Romantic almost, looked at through a space, How small, of intervening years! For then, Though surely no mean progress had been made In meditations holy and sublime, Yet something of a girlish child-like gloss Of novelty survived for scenes like these; Enjoyment haply handed down from times When at a country-playhouse, some rude barn Tricked out for that proud use, if I perchance Caught, on a summer evening through a chink In the old wall, an unexpected glimpse Of daylight, the bare thought of where I was Gladdened me more than if I had been led Into a dazzling cavern of romance, Crowded with Genii busy among works Not to be looked at by the common sun. The matter that detains us now may seem, To many, neither dignified enough Nor arduous, yet will not be scorned by them, Who, looking inward, have observed the ties That bind the perishable hours of life Each to the other, and the curious props By which the world of memory and thought Exists and is sustained. More lofty themes, Such as at least do wear a prouder face, Solicit our regard; but when I think Of these, I feel the imaginative power Languish within me; even then it slept, When, pressed by tragic sufferings, the heart Was more than full; amid my sobs and tears It slept, even in the pregnant season of youth. For though I was most passionately moved And yielded to all changes of the scene With an obsequious promptness, yet the storm Passed not beyond the suburbs of the mind; Save when realities of act and mien, The incarnation of the spirits that move In harmony amid the Poet's world, Rose to ideal grandeur, or, called forth By power of contrast, made me recognise, As at a glance, the things which I had shaped, And yet not shaped, had seen and scarcely seen, When, having closed the mighty Shakespeare's page, I mused, and thought, and felt, in solitude. Pass we from entertainments, that are such Professedly, to others titled higher, Yet, in the estimate of youth at least, More near akin to those than names imply,— I mean the brawls of lawyers in their courts Before the ermined judge, or that great stage Where senators, tongue-favoured men, perform, Admired and envied. Oh! the beating heart, When one among the prime of these rose up,— One, of whose name from childhood we had heard Familiarly, a household term, like those, The Bedfords, Glosters, Salsburys, of old Whom the fifth Harry talks of. Silence! hush! This is no trifler, no short-flighted wit, No stammerer of a minute, painfully Delivered. No! the Orator hath yoked The Hours, like young Aurora, to his car: Thrice welcome Presence! how can patience e'er Grow weary of attending on a track That kindles with such glory! All are charmed, Astonished; like a hero in romance, He winds away his never-ending horn; Words follow words, sense seems to follow sense: What memory and what logic! till the strain Transcendent, superhuman as it seemed, Grows tedious even in a young man's ear. Genius of Burke! forgive the pen seduced By specious wonders, and too slow to tell Of what the ingenuous, what bewildered men, Beginning to mistrust their boastful guides, And wise men, willing to grow wiser, caught, Rapt auditors! from thy most eloquent tongue— Now mute, for ever mute in the cold grave. I see him,—old, but Vigorous in age,— Stand like an oak whose stag-horn branches start Out of its leafy brow, the more to awe The younger brethren of the grove. But some— While he forewarns, denounces, launches forth, Against all systems built on abstract rights, Keen ridicule; the majesty proclaims Of Institutes and Laws, hallowed by time; Declares the vital power of social ties Endeared by Custom; and with high disdain, Exploding upstart Theory, insists Upon the allegiance to which men are born— Some—say at once a froward multitude— Murmur (for truth is hated, where not loved) As the winds fret within the Æolian cave, Galled by their monarch's chain. The times were big With ominous change, which, night by night, provoked Keen struggles, and black clouds of passion raised; But memorable moments intervened, When Wisdom, like the Goddess from Jove's brain, Broke forth in armour of resplendent words, Startling the Synod. Could a youth, and one In ancient story versed, whose breast had heaved Under the weight of classic eloquence, Sit, see, and hear, unthankful, uninspired? Nor did the Pulpit's oratory fail To achieve its higher triumph. Not unfelt Were its admonishments, nor lightly heard The awful truths delivered thence by tongues Endowed with various power to search the soul; Yet ostentation, domineering, oft Poured forth harangues, how sadly out of place!— There have I seen a comely bachelor, Fresh from a toilette of two hours, ascend His rostrum, with seraphic glance look up, And, in a tone elaborately low Beginning, lead his voice through many a maze A minuet course; and, winding up his mouth, From time to time, into an orifice Most delicate, a lurking eyelet, small, And only not invisible, again Open it out, diffusing thence a smile Of rapt irradiation, exquisite. Meanwhile the Evangelists, Isaiah, Job, Moses, and he who penned, the other day, The Death of Abel, Shakespeare, and the Bard Whose genius spangled o'er a gloomy theme With fancies thick as his inspiring stars, And Ossian (doubt not, 'tis the naked truth) Summoned from streamy Morven—each and all Would, in their turns, lend ornaments and flowers To entwine the crook of eloquence that helped This pretty Shepherd, pride of all the plains, To rule and guide his captivated flock. I glance but at a few conspicuous marks, Leaving a thousand others, that, in hall, Court, theatre, conventicle, or shop, In public room or private, park or street, Each fondly reared on his own pedestal, Looked out for admiration. Folly, vice, Extravagance in gesture, mien, and dress, And all the strife of singularity, Lies to the ear, and lies to every sense— Of these, and of the living shapes they wear, There is no end. Such candidates for regard, Although well pleased to be where they were found, I did not hunt after, nor greatly prize, Nor made unto myself a secret boast Of reading them with quick and curious eye; But, as a common produce, things that are To-day, to-morrow will be, took of them Such willing note, as, on some errand bound That asks not speed, a Traveller might bestow On sea-shells that bestrew the sandy beach, Or daisies swarming through the fields of June. But foolishness and madness in parade, Though most at home in this their dear domain, Are scattered everywhere, no rarities, Even to the rudest novice of the Schools. Me, rather, it employed, to note, and keep In memory, those individual sights Of courage, or integrity, or truth, Or tenderness, which there, set off by foil, Appeared more touching. One will I select; A Father—for he bore that sacred name— Him saw I, sitting in an open square, Upon a corner-stone of that low wall, Wherein were fixed the iron pales that fenced A spacious grass-plot; there, in silence, sate This One Man, with a sickly babe outstretched Upon his knee, whom he had thither brought For sunshine, and to breathe the fresher air. Of those who passed, and me who looked at him, He took no heed; but in his brawny arms (The Artificer was to the elbow bare, And from his work this moment had been stolen) He held the child, and, bending over it, As if he were afraid both of the sun And of the air, which he had come to seek, Eyed the poor babe with love unutterable. As the black storm upon the mountain top Sets off the sunbeam in the valley, so That huge fermenting mass of human-kind Serves as a solemn back-ground, or relief, To single forms and objects, whence they draw, For feeling and contemplative regard, More than inherent liveliness and power. How oft, amid those overflowing streets, Have I gone forward with the crowd, and said Unto myself, "The face of every one That passes by me is a mystery!" Thus have I looked, nor ceased to look, oppressed By thoughts of what and whither, when and how, Until the shapes before my eyes became A second-sight procession, such as glides Over still mountains, or appears in dreams; And once, far-travelled in such mood, beyond The reach of common indication, lost Amid the moving pageant, I was smitten Abruptly, with the view (a sight not rare) Of a blind Beggar, who, with upright face, Stood, propped against a wall, upon his chest Wearing a written paper, to explain His story, whence he came, and who he was. Caught by the spectacle my mind turned round As with the might of waters; an apt type This label seemed of the utmost we can know, Both of ourselves and of the universe; And, on the shape of that unmoving man, His steadfast face and sightless eyes, I gazed, As if admonished from another world. Though reared upon the base of outward things, Structures like these the excited spirit mainly Builds for herself; scenes different there are, Full-formed, that take, with small internal help, Possession of the faculties,—the peace That comes with night; the deep solemnity Of nature's intermediate hours of rest, When the great tide of human life stands still; The business of the day to come, unborn, Of that gone by, locked up, as in the grave; The blended calmness of the heavens and earth, Moonlight and stars, and empty streets, and sounds Unfrequent as in deserts; at late hours Of winter evenings, when unwholesome rains Are falling hard, with people yet astir, The feeble salutation from the voice Of some unhappy woman, now and then Heard as we pass, when no one looks about, Nothing is listened to. But these, I fear, Are falsely catalogued; things that are, are not, As the mind answers to them, or the heart Is prompt, or slow, to feel. What say you, then, To times, when half the city shall break out Full of one passion, vengeance, rage, or fear? To executions, to a street on fire, Mobs, riots, or rejoicings? From these sights Take one,—that ancient festival, the Fair, Holden where martyrs suffered in past time, And named of St. Bartholomew; there, see A work completed to our hands, that lays, If any spectacle on earth can do, The whole creative powers of man asleep!— For once, the Muse's help will we implore, And she shall lodge us, wafted on her wings, Above the press and danger of the crowd, Upon some showman's platform. What a shock For eyes and ears! what anarchy and din, Barbarian and infernal,—a phantasma, Monstrous in colour, motion, shape, sight, sound! Below, the open space, through every nook Of the wide area, twinkles, is alive With heads; the midway region, and above, Is thronged with staring pictures and huge scrolls, Dumb proclamations of the Prodigies; With chattering monkeys dangling from their poles, And children whirling in their roundabouts; With those that stretch the neck and strain the eyes, And crack the voice in rivalship, the crowd Inviting; with buffoons against buffoons Grimacing, writhing, screaming,—him who grinds The hurdy-gurdy, at the fiddle weaves, Rattles the salt-box, thumps the kettle-drum, And him who at the trumpet puffs his cheeks, The silver-collared Negro with his timbrel, Equestrians, tumblers, women, girls, and boys, Blue-breeched, pink-vested, with high-towering plumes.— All moveables of wonder, from all parts, Are here—Albinos, painted Indians, Dwarfs, The Horse of knowledge, and the learned Pig, The Stone-eater, the man that swallows fire, Giants, Ventriloquists, the Invisible Girl, The Bust that speaks and moves its goggling eyes, The Wax-work, Clock-work, all the marvellous craft Of modern Merlins, Wild Beasts, Puppet-shows, All out-o'-the-way, far-fetched, perverted things, All freaks of nature, all Promethean thoughts Of man, his dullness, madness, and their feats All jumbled up together, to compose A Parliament of Monsters. Tents and Booths Meanwhile, as if the whole were one vast mill, Are vomiting, receiving on all sides, Men, Women, three-years' Children, Babes in arms. Oh, blank confusion! true epitome Of what the mighty City is herself, To thousands upon thousands of her sons, Living amid the same perpetual whirl Of trivial objects, melted and reduced To one identity, by differences That have no law, no meaning, and no end— Oppression, under which even highest minds Must labour, whence the strongest are not free. But though the picture weary out the eye, By nature an unmanageable sight, It is not wholly so to him who looks In steadiness, who hath among least things An under-sense of greatest; sees the parts As parts, but with a feeling of the whole. This, of all acquisitions, first awaits On sundry and most widely different modes Of education, nor with least delight On that through which I passed. Attention springs, And comprehensiveness and memory flow, From early converse with the works of God Among all regions; chiefly where appear Most obviously simplicity and power. Think, how the everlasting streams and woods, Stretched and still stretching far and wide, exalt The roving Indian, on his desert sands: What grandeur not unfelt, what pregnant show Of beauty, meets the sun-burnt Arab's eye: And, as the sea propels, from zone to zone, Its currents; magnifies its shoals of life Beyond all compass; spreads, and sends aloft Armies of clouds,—even so, its powers and aspects Shape for mankind, by principles as fixed, The views and aspirations of the soul To majesty. Like virtue have the forms Perennial of the ancient hills; nor less The changeful language of their countenances Quickens the slumbering mind, and aids the thoughts, However multitudinous, to move With order and relation. This, if still, As hitherto, in freedom I may speak, Not violating any just restraint, As may be hoped, of real modesty,— This did I feel, in London's vast domain. The Spirit of Nature was upon me there; The soul of Beauty and enduring Life Vouchsafed her inspiration, and diffused, Through meagre lines and colours, and the press Of self-destroying, transitory things, Composure, and ennobling Harmony. Contents—The Prelude Main Contents		A B C D E F G H I K K L M N O / P Q R S T U V W X Y Z a b c d	5 10 15 20 25 30 35 40 45 50 55 60 65 70 75 80 85 90 95 100 105 110 115 120 125 130 135 140 145 150 155 160 165 170 175 180 185 190 195 200 205 210 215 220 225 230 235 240 245 250 255 260 265 270 275 280 285 290 295 300 305 310 315 320 325 330 335 340 345 350 355 360 365 370 375 380 385 390 395 400 405 410 415 420 425 430 435 440 445 450 455 460 465 470 475 480 485 490 495 500 505 510 515 520 525 530 535 540 545 550 555 560 565 570 575 580 585 590 595 600 605 610 615 620 625 630 635 640 645 650 655 660 665 670 675 680 685 690 695 700 705 710 715 720 725 730 735 740 745 750 755 760 765 770

Footnote A: Goslar, February 10th, 1799. Compare Mr. Carter's note to The Prelude, book vii. l. 3.—Ed.
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Footnote B: The first two paragraphs of book i.—Ed.
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Footnote C: April 1804: see the reference in book vi. l. 48.—Ed.
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Footnote D: Before he left for Malta, Coleridge had urged Wordsworth to complete this work.—Ed.
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Footnote E: The summer of 1804.—Ed.
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Footnote F: Doubtless John's Grove, below White Moss Common. On November 24, 1801, Dorothy Wordsworth wrote in her Journal,

"As we were going along, we were stopped at once, at the distance perhaps of fifty yards from our favourite birch tree. It was yielding to the gusty wind with all its tender twigs. The sun shone upon it, and it glanced in the wind like a flying sunshiny shower. It was a tree in shape, with stem and branches, but it was like a spirit of water. The sun went in, and it resumed its purplish appearance, the twigs still yielding to the wind, but not so visibly to us. The other birch trees that were near it looked bright and cheerful, but it was a Creation by itself amongst them."

This does not refer to John's Grove, but it may be interesting to compare the sister's description of a birch tree "tossing in sunshine," with the brother's account of a grove of fir trees similarly moved.—Ed.
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Footnote G: The visit to Switzerland with Jones in 1790, described in book vi.—Ed.
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Footnote H: He took his B. A. degree in January 1791, and immediately afterwards left Cambridge.—Ed.
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Footnote I: Going to Forncett Rectory, near Norwich, he spent six weeks with his sister, and then went to London, where he stayed four months.—Ed.
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Footnote K: From the hint given in this passage, it would seem that he had gone up to London for a few days in 1788. Compare book viii. l. 543, and note.—Ed.
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Footnote L: The story of Whittington, hearing the bells ring out the prosperity in store for him,

'Turn again, Whittington,
Thrice Lord Mayor of London,'

is well known.—Ed.
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Footnote M: Tea-gardens, till well on in this century; now built over.—Ed.
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Footnote N: Bedlam, a popular corruption of Bethlehem, a lunatic hospital, founded in 1246. The old building, with its "carved maniacs at the gates," was taken down in 1675, and the hospital removed to Moorfields. The second building —the one to which Wordsworth refers—was demolished in 1814.—Ed.
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Footnote O: The London "Monument," erected from a design by Sir Christopher Wren, on the spot where the great London Fire of 1666 began.—Ed.
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Footnote P: The historic Tower of London.—Ed.
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Footnote Q: A theatre in St. John's Street Road, Clerkenwell, erected in 1765.—Ed.
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Footnote R: See Samson Agonistes, l. 88.—Ed.
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Footnote S: See Hamlet, act I. sc. v. l. 100.—Ed.
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Footnote T: The story of Mary, "The Maid of Buttermere," as told in the guidebooks, is as follows:

'She was the daughter of the inn-keeper at the Fish Inn. She was much admired, and many suitors sought her hand in vain. At last a stranger, named Hatfield, who called himself the Hon. Colonel Hope, brother of Lord Hopetoun, won her heart, and married her. Soon after the marriage, he was apprehended on a charge of forgery, surreptitiously franking a letter in the name of a Member of Parliament, tried at Carlisle, convicted, and hanged. It was discovered during the trial, that he had a wife and family, and had fled to these sequestered parts to escape the arm of the law.'

See Essays on his own Times, by S. T. Coleridge, edited by his daughter Sara. A melodrama on the story of the Maid of Buttermere was produced in all the suburban London theatres; and in 1843 a novel was published in London by Henry Colburn, entitled James Hatfield and the Beauty of Buttermere, a Story of Modern Times, with illustrations by Robert Cruikshank.—Ed.
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Footnote U: Compare S. T. C.'s Essays on his own Times, p. 585.—Ed.
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Footnote V: He first went south to Cambridge, in October 1787; and he left London, at the close of his second visit to Town, in the end of May 1791.—Ed.
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Footnote W: Compare Macbeth, act II. sc. i. l. 58:

'Thy very stones prate of my whereabout.'

Ed.
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Footnote X: The Houses of Parliament.—Ed.
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Footnote Y: See Shakespeare's King Henry the Fifth, act IV. sc. iii. l. 53.—Ed.
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Footnote Z: Solomon Gesner (or Gessner), a landscape artist, etcher, and poet, born at Zürich in 1730, died in 1787. His Tod Abels (the death of Abel), though the poorest of all his works, became a favourite in Germany, France, and England. It was translated into English by Mary Collyer, a 12th edition of her version appearing in 1780. As The Death of Abel was written before 1760, in the line "he who penned, the other day," Wordsworth probably refers to some new edition of the translation.—Ed.
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Footnote a: Edward Young, author of Night Thoughts, on Life, Death, and Immortality.—Ed.
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Footnote b: In Argyleshire.—Ed.
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Footnote c: Permission was given by Henry I. to hold a "Fair" on St. Bartholomew's day.—Ed.
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Footnote d: In one of the MS. books in Dorothy Wordsworth's handwriting, on the outside leather cover of which is written, "May to December 1802," there are some lines which were evidently dictated to her, or copied by her, from the numerous experimental efforts of her brother in connection with this autobiographical poem. They are as follows:

'Shall he who gives his days to low pursuits
Amid the undistinguishable crowd
Of cities, 'mid the same eternal flow
Of the same objects, melted and reduced
To one identity, by differences
That have no law, no meaning, and no end,
Shall he feel yearning to those lifeless forms,
And shall we think that Nature is less kind
To those, who all day long, through a busy life,
Have walked within her sight? It cannot be.'

Ed.
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Contents—The Prelude
Main Contents

Book Eighth

Retrospect—Love of Nature Leading to Love of Man

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What sounds are those, Helvellyn, that are heard Up to thy summit, through the depth of air Ascending, as if distance had the power To make the sounds more audible? What crowd Covers, or sprinkles o'er, yon village green? Crowd seems it, solitary hill! to thee, Though but a little family of men, Shepherds and tillers of the ground—betimes Assembled with their children and their wives, And here and there a stranger interspersed. They hold a rustic fair—a festival, Such as, on this side now, and now on that, Repeated through his tributary vales, Helvellyn, in the silence of his rest, Sees annually, if clouds towards either ocean Blown from their favourite resting-place, or mists Dissolved, have left him an unshrouded head. Delightful day it is for all who dwell In this secluded glen, and eagerly They give it welcome. Long ere heat of noon, From byre or field the kine were brought; the sheep Are penned in cotes; the chaffering is begun. The heifer lows, uneasy at the voice Of a new master; bleat the flocks aloud. Booths are there none; a stall or two is here; A lame man or a blind, the one to beg, The other to make music; hither, too, From far, with basket, slung upon her arm, Of hawker's wares—books, pictures, combs, and pins— Some aged woman finds her way again, Year after year, a punctual visitant! There also stands a speech-maker by rote, Pulling the strings of his boxed raree-show; And in the lapse of many years may come Prouder itinerant, mountebank, or he Whose wonders in a covered wain lie hid. But one there is, the loveliest of them all, Some sweet lass of the valley, looking out For gains, and who that sees her would not buy? Fruits of her father's orchard, are her wares, And with the ruddy produce, she walks round Among the crowd, half pleased with, half ashamed Of her new office, blushing restlessly. The children now are rich, for the old to-day Are generous as the young; and, if content With looking on, some ancient wedded pair Sit in the shade together, while they gaze, "A cheerful smile unbends the wrinkled brow, The days departed start again to life, And all the scenes of childhood reappear, Faint, but more tranquil, like the changing sun To him who slept at noon and wakes at eve." Thus gaiety and cheerfulness prevail, Spreading from young to old, from old to young, And no one seems to want his share.—Immense Is the recess, the circumambient world Magnificent, by which they are embraced: They move about upon the soft green turf: How little they, they and their doings, seem, And all that they can further or obstruct! Through utter weakness pitiably dear, As tender infants are: and yet how great! For all things serve them: them the morning light Loves, as it glistens on the silent rocks; And them the silent rocks, which now from high Look down upon them; the reposing clouds; The wild brooks prattling from invisible haunts; And old Helvellyn, conscious of the stir Which animates this day their calm abode. With deep devotion, Nature, did I feel, In that enormous City's turbulent world Of men and things, what benefit I owed To thee, and those domains of rural peace, Where to the sense of beauty first my heart Was opened; tract more exquisitely fair Than that famed paradise often thousand trees, Or Gehol's matchless gardens, for delight Of the Tartarian dynasty composed (Beyond that mighty wall, not fabulous, China's stupendous mound) by patient toil Of myriads and boon nature's lavish help; There, in a clime from widest empire chosen, Fulfilling (could enchantment have done more?) A sumptuous dream of flowery lawns, with domes Of pleasure sprinkled over, shady dells For eastern monasteries, sunny mounts With temples crested, bridges, gondolas, Rocks, dens, and groves of foliage taught to melt Into each other their obsequious hues, Vanished and vanishing in subtle chase, Too fine to be pursued; or standing forth In no discordant opposition, strong And gorgeous as the colours side by side Bedded among rich plumes of tropic birds; And mountains over all, embracing all; And all the landscape, endlessly enriched With waters running, falling, or asleep. But lovelier far than this, the paradise Where I was reared; in Nature's primitive gifts Favoured no less, and more to every sense Delicious, seeing that the sun and sky, The elements, and seasons as they change, Do find a worthy fellow-labourer there— Man free, man working for himself, with choice Of time, and place, and object; by his wants, His comforts, native occupations, cares, Cheerfully led to individual ends Or social, and still followed by a train Unwooed, unthought-of even—simplicity, And beauty, and inevitable grace. Yea, when a glimpse of those imperial bowers Would to a child be transport over-great, When but a half-hour's roam through such a place Would leave behind a dance of images, That shall break in upon his sleep for weeks; Even then the common haunts of the green earth, And ordinary interests of man, Which they embosom, all without regard As both may seem, are fastening on the heart Insensibly, each with the other's help. For me, when my affections first were led From kindred, friends, and playmates, to partake Love for the human creature's absolute self, That noticeable kindliness of heart Sprang out of fountains, there abounding most Where sovereign Nature dictated the tasks And occupations which her beauty adorned, And Shepherds were the men that pleased me first; Not such as Saturn ruled 'mid Latian wilds, With arts and laws so tempered, that their lives Left, even to us toiling in this late day, A bright tradition of the golden age; Not such as, 'mid Arcadian fastnesses Sequestered, handed down among themselves Felicity, in Grecian song renowned; Nor such as—when an adverse fate had driven, From house and home, the courtly band whose fortunes Entered, with Shakespeare's genius, the wild woods Of Arden—amid sunshine or in shade, Culled the best fruits of Time's uncounted hours, Ere Phoebe sighed for the false Ganymede; Or there where Perdita and Florizel Together danced, Queen of the feast, and King; Nor such as Spenser fabled. True it is, That I had heard (what he perhaps had seen) Of maids at sunrise bringing in from far Their May-bush, and along the streets in flocks Parading with a song of taunting rhymes, Aimed at the laggards slumbering within doors; Had also heard, from those who yet remembered, Tales of the May-pole dance, and wreaths that decked Porch, door-way, or kirk-pillar; and of youths, Each with his maid, before the sun was up, By annual custom, issuing forth in troops, To drink the waters of some sainted well, And hang it round with garlands. Love survives; But, for such purpose, flowers no longer grow: The times, too sage, perhaps too proud, have dropped These lighter graces; and the rural ways And manners which my childhood looked upon Were the unluxuriant produce of a life Intent on little but substantial needs, Yet rich in beauty, beauty that was felt. But images of danger and distress, Man suffering among awful Powers and Forms; Of this I heard, and saw enough to make Imagination restless; nor was free Myself from frequent perils; nor were tales Wanting,—the tragedies of former times, Hazards and strange escapes, of which the rocks Immutable and overflowing streams, Where'er I roamed, were speaking monuments. Smooth life had flock and shepherd in old time, Long springs and tepid winters, on the banks Of delicate Galesus; and no less Those scattered along Adria's myrtle shores: Smooth life had herdsman, and his snow-white herd To triumphs and to sacrificial rites Devoted, on the inviolable stream Of rich Clitumnus; and the goat-herd lived As calmly, underneath the pleasant brows Of cool Lucretilis, where the pipe was heard Of Pan, Invisible God, thrilling the rocks With tutelary music, from all harm The fold protecting. I myself, mature In manhood then, have seen a pastoral tract Like one of these, where Fancy might run wild, Though under skies less generous, less serene: There, for her own delight had Nature framed A pleasure-ground, diffused a fair expanse Of level pasture, islanded with groves And banked with woody risings; but the Plain Endless, here opening widely out, and there Shut up in lesser lakes or beds of lawn And intricate recesses, creek or bay Sheltered within a shelter, where at large The shepherd strays, a rolling hut his home. Thither he comes with spring-time, there abides All summer, and at sunrise ye may hear His flageolet to liquid notes of love Attuned, or sprightly fife resounding far. Nook is there none, nor tract of that vast space Where passage opens, but the same shall have In turn its visitant, telling there his hours In unlaborious pleasure, with no task More toilsome than to carve a beechen bowl For spring or fountain, which the traveller finds, When through the region he pursues at will His devious course. A glimpse of such sweet life I saw when, from the melancholy walls Of Goslar, once imperial, I renewed My daily walk along that wide champaign, That, reaching to her gates, spreads east and west, And northwards, from beneath the mountainous verge Of the Hercynian forest, Yet, hail to you Moors, mountains, headlands, and ye hollow vales, Ye long deep channels for the Atlantic's voice, Powers of my native region! Ye that seize The heart with firmer grasp! Your snows and streams Ungovernable, and your terrifying winds, That howl so dismally for him who treads Companionless your awful solitudes! There, 'tis the shepherd's task the winter long To wait upon the storms: of their approach Sagacious, into sheltering coves he drives His flock, and thither from the homestead bears A toilsome burden up the craggy ways, And deals it out, their regular nourishment Strewn on the frozen snow. And when the spring Looks out, and all the pastures dance with lambs, And when the flock, with warmer weather, climbs Higher and higher, him his office leads To watch their goings, whatsoever track The wanderers choose. For this he quits his home At day-spring, and no sooner doth the sun Begin to strike him with a fire-like heat, Than he lies down upon some shining rock, And breakfasts with his dog. When they have stolen, As is their wont, a pittance from strict time, For rest not needed or exchange of love, Then from his couch he starts; and now his feet Crush out a livelier fragrance from the flowers Of lowly thyme, by Nature's skill enwrought In the wild turf: the lingering dews of morn Smoke round him, as from hill to hill he hies, His staff protending like a hunter's spear, Or by its aid leaping from crag to crag, And o'er the brawling beds of unbridged streams. Philosophy, methinks, at Fancy's call, Might deign to follow him through what he does Or sees in his day's march; himself he feels, In those vast regions where his service lies, A freeman, wedded to his life of hope And hazard, and hard labour interchanged With that majestic indolence so dear To native man. A rambling school-boy, thus I felt his presence in his own domain, As of a lord and master, or a power, Or genius, under Nature, under God, Presiding; and severest solitude Had more commanding looks when he was there. When up the lonely brooks on rainy days Angling I went, or trod the trackless hills By mists bewildered, suddenly mine eyes Have glanced upon him distant a few steps, In size a giant, stalking through thick fog, His sheep like Greenland bears; or, as he stepped Beyond the boundary line of some hill-shadow, His form hath flashed upon me, glorified By the deep radiance of the setting sun: Or him have I descried in distant sky, A solitary object and sublime, Above all height! like an aerial cross Stationed alone upon a spiry rock Of the Chartreuse, for worship. Thus was man Ennobled outwardly before my sight, And thus my heart was early introduced To an unconscious love and reverence Of human nature; hence the human form To me became an index of delight, Of grace and honour, power and worthiness. Meanwhile this creature—spiritual almost As those of books, but more exalted far; Far more of an imaginative form Than the gay Corin of the groves, who lives For his own fancies, or to dance by the hour, In coronal, with Phyllis in the midst— Was, for the purposes of kind, a man With the most common; husband, father; learned, Could teach, admonish; suffered with the rest From vice and folly, wretchedness and fear; Of this I little saw, cared less for it, But something must have felt. Call ye these appearances Which I beheld of shepherds in my youth, This sanctity of Nature given to man, A shadow, a delusion? ye who pore On the dead letter, miss the spirit of things; Whose truth is not a motion or a shape Instinct with vital functions, but a block Or waxen image which yourselves have made, And ye adore! But blessed be the God Of Nature and of Man that this was so; That men before my inexperienced eyes Did first present themselves thus purified, Removed, and to a distance that was fit: And so we all of us in some degree Are led to knowledge, wheresoever led, And howsoever; were it otherwise, And we found evil fast as we find good In our first years, or think that it is found, How could the innocent heart bear up and live! But doubly fortunate my lot; not here Alone, that something of a better life Perhaps was round me than it is the privilege Of most to move in, but that first I looked At Man through objects that were great or fair; First communed with him by their help. And thus Was founded a sure safeguard and defence Against the weight of meanness, selfish cares, Coarse manners, vulgar passions, that beat in On all sides from the ordinary world In which we traffic. Starting from this point I had my face turned toward the truth, began With an advantage furnished by that kind Of prepossession, without which the soul Receives no knowledge that can bring forth good, No genuine insight ever comes to her. From the restraint of over-watchful eyes Preserved, I moved about, year after year, Happy, and now most thankful that my walk Was guarded from too early intercourse With the deformities of crowded life, And those ensuing laughters and contempts, Self-pleasing, which, if we would wish to think With a due reverence on earth's rightful lord, Here placed to be the inheritor of heaven, Will not permit us; but pursue the mind, That to devotion willingly would rise, Into the temple and the temple's heart. Yet deem not, Friend! that human kind with me Thus early took a place pre-eminent; Nature herself was, at this unripe time, But secondary to my own pursuits And animal activities, and all Their trivial pleasures; and when these had drooped And gradually expired, and Nature, prized For her own sake, became my joy, even then— And upwards through late youth, until not less Than two-and-twenty summers had been told— Was Man in my affections and regards Subordinate to her, her visible forms And viewless agencies: a passion, she, A rapture often, and immediate love Ever at hand; he, only a delight Occasional, an accidental grace, His hour being not yet come. Far less had then The inferior creatures, beast or bird, attuned My spirit to that gentleness of love (Though they had long been carefully observed), Won from me those minute obeisances Of tenderness, which I may number now With my first blessings. Nevertheless, on these The light of beauty did not fall in vain, Or grandeur circumfuse them to no end. But when that first poetic faculty Of plain Imagination and severe, No longer a mute influence of the soul, Ventured, at some rash Muse's earnest call, To try her strength among harmonious words; And to book-notions and the rules of art Did knowingly conform itself; there came Among the simple shapes of human life A wilfulness of fancy and conceit; And Nature and her objects beautified These fictions, as in some sort, in their turn, They burnished her. From touch of this new power Nothing was safe: the elder-tree that grew Beside the well-known charnel-house had then A dismal look: the yew-tree had its ghost, That took his station there for ornament: The dignities of plain occurrence then Were tasteless, and truth's golden mean, a point Where no sufficient pleasure could be found. Then, if a widow, staggering with the blow Of her distress, was known to have turned her steps To the cold grave in which her husband slept, One night, or haply more than one, through pain Or half-insensate impotence of mind, The fact was caught at greedily, and there She must be visitant the whole year through, Wetting the turf with never-ending tears. Through quaint obliquities I might pursue These cravings; when the fox-glove, one by one, Upwards through every stage of the tall stem, Had shed beside the public way its bells, And stood of all dismantled, save the last Left at the tapering ladder's top, that seemed To bend as doth a slender blade of grass Tipped with a rain-drop, Fancy loved to seat, Beneath the plant despoiled, but crested still With this last relic, soon itself to fall, Some vagrant mother, whose arch little ones, All unconcerned by her dejected plight, Laughed as with rival eagerness their hands Gathered the purple cups that round them lay, Strewing the turf's green slope. A diamond light (Whene'er the summer sun, declining, smote A smooth rock wet with constant springs) was seen Sparkling from out a copse-clad bank that rose Fronting our cottage. Oft beside the hearth Seated, with open door, often and long Upon this restless lustre have I gazed, That made my fancy restless as itself. 'Twas now for me a burnished silver shield Suspended over a knight's tomb, who lay Inglorious, buried in the dusky wood: An entrance now into some magic cave Or palace built by fairies of the rock; Nor could I have been bribed to disenchant The spectacle, by visiting the spot. Thus wilful Fancy, in no hurtful mood, Engrafted far-fetched shapes on feelings bred By pure Imagination: busy Power She was, and with her ready pupil turned Instinctively to human passions, then Least understood. Yet, 'mid the fervent swarm Of these vagaries, with an eye so rich As mine was through the bounty of a grand And lovely region, I had forms distinct To steady me: each airy thought revolved Round a substantial centre, which at once Incited it to motion, and controlled. I did not pine like one in cities bred, As was thy melancholy lot, dear Friend! Great Spirit as thou art, in endless dreams Of sickliness, disjoining, joining, things Without the light of knowledge. Where the harm, If, when the woodman languished with disease Induced by sleeping nightly on the ground Within his sod-built cabin, Indian-wise, I called the pangs of disappointed love, And all the sad etcetera of the wrong, To help him to his grave? Meanwhile the man, If not already from the woods retired To die at home, was haply as I knew, Withering by slow degrees, 'mid gentle airs, Birds, running streams, and hills so beautiful On golden evenings, while the charcoal pile Breathed up its smoke, an image of his ghost Or spirit that full soon must take her flight. Nor shall we not be tending towards that point Of sound humanity to which our Tale Leads, though by sinuous ways, if here I shew How Fancy, in a season when she wove Those slender cords, to guide the unconscious Boy For the Man's sake, could feed at Nature's call Some pensive musings which might well beseem Maturer years. A grove there is whose boughs Stretch from the western marge of Thurston-mere, With length of shade so thick, that whoso glides Along the line of low-roofed water, moves As in a cloister. Once—while, in that shade Loitering, I watched the golden beams of light Flung from the setting sun, as they reposed In silent beauty on the naked ridge Of a high eastern hill—thus flowed my thoughts In a pure stream of words fresh from the heart: Dear native Regions, wheresoe'er shall close My mortal course, there will I think on you; Dying, will cast on you a backward look; Even as this setting sun (albeit the Vale Is no where touched by one memorial gleam) Doth with the fond remains of his last power Still linger, and a farewell lustre sheds On the dear mountain-tops where first he rose. Enough of humble arguments; recal, My Song! those high emotions which thy voice Has heretofore made known; that bursting forth Of sympathy, inspiring and inspired, When everywhere a vital pulse was felt, And all the several frames of things, like stars, Through every magnitude distinguishable, Shone mutually indebted, or half lost Each in the other's blaze, a galaxy Of life and glory. In the midst stood Man, Outwardly, inwardly contemplated, As, of all visible natures, crown, though born Of dust, and kindred to the worm; a Being, Both in perception and discernment, first In every capability of rapture, Through the divine effect of power and love; As, more than anything we know, instinct With godhead, and, by reason and by will, Acknowledging dependency sublime. Ere long, the lonely mountains left, I moved, Begirt, from day to day, with temporal shapes Of vice and folly thrust upon my view, Objects of sport, and ridicule, and scorn, Manners and characters discriminate, And little bustling passions that eclipse, As well they might, the impersonated thought, The idea, or abstraction of the kind. An idler among academic bowers, Such was my new condition, as at large Has been set forth; yet here the vulgar light Of present, actual, superficial life, Gleaming through colouring of other times, Old usages and local privilege, Was welcome, softened, if not solemnised. This notwithstanding, being brought more near To vice and guilt, forerunning wretchedness I trembled,—thought, at times, of human life With an indefinite terror and dismay, Such as the storms and angry elements Had bred in me; but gloomier far, a dim Analogy to uproar and misrule, Disquiet, danger, and obscurity. It might be told (but wherefore speak of things Common to all?) that, seeing, I was led Gravely to ponder—judging between good And evil, not as for the mind's delight But for her guidance—one who was to act, As sometimes to the best of feeble means I did, by human sympathy impelled: And, through dislike and most offensive pain, Was to the truth conducted; of this faith Never forsaken, that, by acting well, And understanding, I should learn to love The end of life, and every thing we know. Grave Teacher, stern Preceptress! for at times Thou canst put on an aspect most severe; London, to thee I willingly return. Erewhile my verse played idly with the flowers Enwrought upon thy mantle; satisfied With that amusement, and a simple look Of child-like inquisition now and then Cast upwards on thy countenance, to detect Some inner meanings which might harbour there. But how could I in mood so light indulge, Keeping such fresh remembrance of the day, When, having thridded the long labyrinth Of the suburban villages, I first Entered thy vast dominion? On the roof Of an itinerant vehicle I sate, With vulgar men about me, trivial forms Of houses, pavement, streets, of men and things,— Mean shapes on every side: but, at the instant, When to myself it fairly might be said, The threshold now is overpast, (how strange That aught external to the living mind Should have such mighty sway! yet so it was), A weight of ages did at once descend Upon my heart; no thought embodied, no Distinct remembrances, but weight and power,— Power growing under weight: alas! I feel That I am trifling: 'twas a moment's pause,— All that took place within me came and went As in a moment; yet with Time it dwells, And grateful memory, as a thing divine. The curious traveller, who, from open day, Hath passed with torches into some huge cave, The Grotto of Antiparos, or the Den In old time haunted by that Danish Witch, Yordas; he looks around and sees the vault Widening on all sides; sees, or thinks he sees, Erelong, the massy roof above his head, That instantly unsettles and recedes,— Substance and shadow, light and darkness, all Commingled, making up a canopy Of shapes and forms and tendencies to shape That shift and vanish, change and interchange Like spectres,—ferment silent and sublime! That after a short space works less and less, Till, every effort, every motion gone, The scene before him stands in perfect view Exposed, and lifeless as a written book!— But let him pause awhile, and look again, And a new quickening shall succeed, at first Beginning timidly, then creeping fast, Till the whole cave, so late a senseless mass, Busies the eye with images and forms Boldly assembled,—here is shadowed forth From the projections, wrinkles, cavities, A variegated landscape,—there the shape Of some gigantic warrior clad in mail, The ghostly semblance of a hooded monk. Veiled nun, or pilgrim resting on his staff: Strange congregation! yet not slow to meet Eyes that perceive through minds that can inspire. Even in such sort had I at first been moved, Nor otherwise continued to be moved, As I explored the vast metropolis, Fount of my country's destiny and the world's; That great emporium, chronicle at once And burial-place of passions, and their home Imperial, their chief living residence. With strong sensations teeming as it did Of past and present, such a place must needs Have pleased me, seeking knowledge at that time Far less than craving power; yet knowledge came, Sought or unsought, and influxes of power Came, of themselves, or at her call derived In fits of kindliest apprehensiveness, From all sides, when whate'er was in itself Capacious found, or seemed to find, in me A correspondent amplitude of mind; Such is the strength and glory of our youth! The human nature unto which I felt That I belonged, and reverenced with love, Was not a punctual presence, but a spirit Diffused through time and space, with aid derived Of evidence from monuments, erect, Prostrate, or leaning towards their common rest In earth, the widely scattered wreck sublime Of vanished nations, or more clearly drawn From books and what they picture and record. 'Tis true, the history of our native land, With those of Greece compared and popular Rome, And in our high-wrought modern narratives Stript of their harmonising soul, the life Of manners and familiar incidents, Had never much delighted me. And less Than other intellects had mine been used To lean upon extrinsic circumstance Of record or tradition; but a sense Of what in the Great City had been done And suffered, and was doing, suffering, still, Weighed with me, could support the test of thought; And, in despite of all that had gone by, Or was departing never to return, There I conversed with majesty and power Like independent natures. Hence the place Was thronged with impregnations like the Wilds In which my early feelings had been nursed— Bare hills and valleys, full of caverns, rocks, And audible seclusions, dashing lakes, Echoes and waterfalls, and pointed crags That into music touch the passing wind. Here then my young imagination found No uncongenial element; could here Among new objects serve or give command, Even as the heart's occasions might require, To forward reason's else too scrupulous march. The effect was, still more elevated views Of human nature. Neither vice nor guilt, Debasement undergone by body or mind, Nor all the misery forced upon my sight, Misery not lightly passed, but sometimes scanned Most feelingly, could overthrow my trust In what we may become; induce belief That I was ignorant, had been falsely taught, A solitary, who with vain conceits Had been inspired, and walked about in dreams. From those sad scenes when meditation turned, Lo! every thing that was indeed divine Retained its purity inviolate, Nay brighter shone, by this portentous gloom Set off; such opposition as aroused The mind of Adam, yet in Paradise Though fallen from bliss, when in the East he saw Darkness ere day's mid course, and morning light More orient in the western cloud, that drew O'er the blue firmament a radiant white, Descending slow with something heavenly fraught. Add also, that among the multitudes Of that huge city, oftentimes was seen Affectingly set forth, more than elsewhere Is possible, the unity of man, One spirit over ignorance and vice Predominant, in good and evil hearts; One sense for moral judgments, as one eye For the sun's light. The soul when smitten thus By a sublime idea, whencesoe'er Vouchsafed for union or communion, feeds On the pure bliss, and takes her rest with God. Thus from a very early age, O Friend! My thoughts by slow gradations had been drawn To human-kind, and to the good and ill Of human life: Nature had led me on; And oft amid the "busy hum" I seemed To travel independent of her help, As if I had forgotten her; but no, The world of human-kind outweighed not hers In my habitual thoughts; the scale of love, Though filling daily, still was light, compared With that in which her mighty objects lay. Contents—The Prelude Main Contents	1 2 3 4 5 6 7 8 9 10 11 12 13 14 15	A B C D E F G H I K L M N O O P Q R S T U V W X Y Z Z a b b c d e e f g h i k m n o p q r s	5 10 15 20 25 30 35 40 45 50 55 60 65 70 75 80 85 90 95 100 105 110 115 120 125 130 135 140 145 150 155 160 165 170 175 180 185 190 195 200 205 210 215 220 225 230 235 240 245 250 255 260 265 270 275 280 285 290 295 300 305 310 315 320 325 330 335 340 345 350 355 360 365 370 375 380 385 390 395 400 405 410 415 420 425 430 435 440 445 450 455 460 465 470 475 480 485 490 495 500 505 510 515 520 525 530 535 540 545 550 555 560 565 570 575 580 585 590 595 600 605 610 615 620 625 630 635 640 645 650 655 660 665 670 675 680 685

Variant 1:

... which ...

MS. letter to Sir George Beaumont, 1805.

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Variant 2:

Is yon assembled in the gay green field?

MS. letter to Sir George Beaumont, 1805.

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Variant 3:

... family of men,
Twice twenty with their children and their wives,
And here and there a stranger interspersed.
Such show, on this side now, ...