The Project Gutenberg eBook of Peace Manoeuvres
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: Peace Manoeuvres

Author: Richard Harding Davis

Release date: May 12, 2006 [eBook #1824]

Language: English

Credits: Produced by Don Lainson; David Widger


*** START OF THE PROJECT GUTENBERG EBOOK PEACE MANOEUVRES ***




Produced by Don Lainson





PEACE MANOEUVRES

By Richard Harding Davis




The scout stood where three roads cut three green tunnels in the pine
woods, and met at his feet. Above his head an aged sign-post pointed
impartially to East Carver, South Carver, and Carver Centre, and left
the choice to him.

The scout scowled and bit nervously at his gauntlet. The choice was
difficult, and there was no one with whom he could take counsel. The
three sun-shot roads lay empty, and the other scouts, who, with him,
had left the main column at sunrise, he had ordered back. They were to
report that on the right flank, so far, at least, as Middleboro, there
was no sign of the enemy. What lay beyond, it now was his duty to
discover. The three empty roads spread before him like a picture
puzzle, smiling at his predicament. Whichever one he followed left two
unguarded. Should he creep upon for choice Carver Centre, the enemy,
masked by a mile of fir trees, might advance from Carver or South
Carver, and obviously he could not follow three roads at the same time.
He considered the better strategy would be to wait where he was,
where the three roads met, and allow the enemy himself to disclose his
position. To the scout this course was most distasteful. He assured
himself that this was so because, while it were the safer course, it
wasted time and lacked initiative. But in his heart he knew that was not
the reason, and to his heart his head answered that when one's country
is at war, when fields and fire-sides are trampled by the iron heels
of the invader, a scout should act not according to the dictates of
his heart, but in the service of his native land. In the case of this
particular patriot, the man and scout were at odds. As one of the
Bicycle Squad of the Boston Corps of Cadets, the scout knew what, at
this momentous crisis in her history, the commonwealth of Massachusetts
demanded of him. It was that he sit tight and wait for the hated
foreigners from New York City, New Jersey, and Connecticut to show
themselves. But the man knew, and had known for several years, that
on the road to Carver was the summer home of one Beatrice Farrar. As
Private Lathrop it was no part of his duty to know that. As a man and
a lover, and a rejected lover at that, he could not think of anything
else. Struggling between love and duty the scout basely decided to leave
the momentous question to chance. In the front tire of his bicycle was
a puncture, temporarily effaced by a plug. Laying the bicycle on the
ground, Lathrop spun the front wheel swiftly.

"If," he decided, "the wheel stops with the puncture pointing at Carver
Centre, I'll advance upon Carver Centre. Should it point to either of
the two other villages, I'll stop here.

"It's a two to one shot against me, any way," he growled.

Kneeling in the road he spun the wheel, and as intently as at Monte
Carlo and Palm Beach he had waited for other wheels to determine his
fortune, he watched it come to rest. It stopped with the plug pointing
back to Middleboro.

The scout told himself he was entitled to another trial. Again he spun
the wheel. Again the spokes flashed in the sun. Again the puncture
rested on the road to Middleboro.

"If it does that once more," thought the scout, "it's a warning that
there is trouble ahead for me at Carver, and all the little Carvers."

For the third time the wheel flashed, but as he waited for the impetus
to die, the sound of galloping hoofs broke sharply on the silence. The
scout threw himself and his bicycle over the nearest stone wall, and,
unlimbering his rifle, pointed it down the road.

He saw approaching a small boy, in a white apron, seated in a white
wagon, on which was painted, "Pies and Pastry. East Wareham." The boy
dragged his horse to an abrupt halt.

"Don't point that at me!" shouted the boy.

"Where do you come from?" demanded the scout.

"Wareham," said the baker.

"Are you carrying any one concealed in that wagon?"

As though to make sure the baker's boy glanced apprehensively into
the depths of his cart, and then answered that in the wagon he carried
nothing but fresh-baked bread. To the trained nostrils of the scout this
already was evident. Before sunrise he had breakfasted on hard tack
and muddy coffee, and the odor of crullers and mince pie, still warm,
assailed him cruelly. He assumed a fierce and terrible aspect.

"Where are you going?" he challenged.

"To Carver Centre," said the boy.

To chance Lathrop had left the decision. He believed the fates had
answered.

Dragging his bicycle over the stone wall, he fell into the road.

"Go on," he commanded. "I'll use your cart for a screen. I'll creep
behind the enemy before he sees me."

The baker's boy frowned unhappily.

"But supposing," he argued, "they see you first, will they shoot?"

The scout waved his hand carelessly.

"Of course," he cried.

"Then," said the baker, "my horse will run away!"

"What of it?" demanded the scout. "Are Middleboro, South Middleboro,
Rock, Brockton, and Boston to fall? Are they to be captured because
you're afraid of your own horse? They won't shoot REAL bullets! This is
not a real war. Don't you know that?"

The baker's boy flushed with indignation.

"Sure, I know that," he protested; "but my horse--HE don't know that!"

Lathrop slung his rifle over his shoulder and his leg over his bicycle.

"If the Reds catch you," he warned, in parting, "they'll take everything
you've got."

"The Blues have took most of it already," wailed the boy. "And just as
they were paying me the battle begun, and this horse run away, and I
couldn't get him to come back for my money."

"War," exclaimed Lathrop morosely, "is always cruel to the innocent." He
sped toward Carver Centre. In his motor car, he had travelled the road
many times, and as always his goal had been the home of Miss Beatrice
Farrar, he had covered it at a speed unrecognized by law. But now he
advanced with stealth and caution. In every clump of bushes he saw an
ambush. Behind each rock he beheld the enemy.

In a clearing was a group of Portuguese cranberry pickers, dressed as
though for a holiday. When they saw the man in uniform, one of the women
hailed him anxiously.

"Is the parade coming?" she called.

"Have you seen any of the Reds?" Lathrop returned.

"No," complained the woman. "And we been waiting all morning. When will
the parade come?"

"It's not a parade," said Lathrop, severely. "It's a war!"

The summer home of Miss Farrar stood close to the road. It had been so
placed by the farmer who built it, in order that the women folk might
sit at the window and watch the passing of the stage-coach and the
peddler. Great elms hung over it, and a white fence separated the road
from the narrow lawn. At a distance of a hundred yards a turn brought
the house into view, and at this turn, as had been his manoeuvre at
every other possible ambush, Lathrop dismounted and advanced on foot. Up
to this moment the road had been empty, but now, in front of the Farrar
cottage, it was blocked by a touring-car and a station wagon. In the
occupants of the car he recognized all the members of the Farrar
family, except Miss Farrar. In the station wagon were all of the Farrar
servants. Miss Farrar herself was leaning upon the gate and waving them
a farewell. The touring-car moved off down the road; the station wagon
followed; Miss Farrar was alone. Lathrop scorched toward her, and when
he was opposite the gate, dug his toes in the dust and halted. When he
lifted his broad-brimmed campaign hat, Miss Farrar exclaimed both with
surprise and displeasure. Drawing back from the gate she held herself
erect. Her attitude was that of one prepared for instant retreat. When
she spoke it was in tones of extreme disapproval.

"You promised," said the girl, "you would not come to see me."

Lathrop, straddling his bicycle, peered anxiously down the road.

"This is not a social call," he said. "I'm on duty. Have you seen the
Reds?"

His tone was brisk and alert, his manner preoccupied. The ungraciousness
of his reception did not seem in the least to disconcert him.

But Miss Farrar was not deceived. She knew him, not only as a persistent
and irrepressible lover, but as one full of guile, adroit in tricks,
fertile in expedients. He was one who could not take "No" for an
answer--at least not from her. When she repulsed him she seemed to grow
in his eyes only the more attractive.

"It is not the lover who comes to woo," he was constantly explaining,
"but the lover's WAY of wooing."

Miss Farrar had assured him she did not like his way. She objected
to being regarded and treated as a castle that could be taken only by
assault. Whether she wished time to consider, or whether he and his
proposal were really obnoxious to her, he could not find out. His policy
of campaign was that she, also, should not have time to find out. Again
and again she had agreed to see him only on the condition that he would
not make love to her. He had promised again and again, and had failed
to keep that promise. Only a week before he had been banished from her
presence, to remain an exile until she gave him permission to see her
at her home in New York. It was not her purpose to return there for two
weeks, and yet here he was, a beggar at her gate. It might be that he
was there, as he said, "on duty," but her knowledge of him and of the
doctrine of chances caused her to doubt it.

"Mr. Lathrop!" she began, severely.

As though to see to whom she had spoken Lathrop glanced anxiously over
his shoulder. Apparently pained and surprised to find that it was to him
she had addressed herself, he regarded her with deep reproach. His eyes
were very beautiful. It was a fact which had often caused Miss Farrar
extreme annoyance.

He shook his head sadly.

"'Mr. Lathrop?'" he protested. "You know that to you I am always
'Charles--Charles the Bold,' because I am bold to love you; but never
'Mr. Lathrop,' unless," he went on briskly, "you are referring to a
future state, when, as Mrs. Lathrop, you will make me--"

Miss Farrar had turned her back on him, and was walking rapidly up the
path.

"Beatrice," he called. "I am coming after you!"

Miss Farrar instantly returned and placed both hands firmly upon the
gate.

"I cannot understand you!" she said. "Don't you see that when you act
as you do now, I can't even respect you? How do you think I could ever
care, when you offend me so? You jest at what you pretend is the most
serious thing in your life. You play with it--laugh at it!"

The young man interrupted her sharply.

"It's like this," he said. "When I am with you I am so happy I can't be
serious. When I am NOT with you, it is SO serious that I am utterly and
completely wretched. You say my love offends you, bores you! I am sorry,
but what, in heaven's name, do you think your NOT loving me is doing to
ME? I am a wreck! I am a skeleton! Look at me!"

He let his bicycle fall, and stood with his hands open at his sides, as
though inviting her to gaze upon the ruin she had caused.

Four days of sun and rain, astride of a bicycle, without food or sleep,
had drawn his face into fine, hard lines, had bronzed it with a healthy
tan. His uniform, made by the same tailor that fitted him with polo
breeches, clung to him like a jersey. The spectacle he presented was
that of an extremely picturesque, handsome, manly youth, and of that
fact no one was better aware than himself.

"Look at me," he begged, sadly.

Miss Farrar was entirely unimpressed.

"I am!" she returned, coldly. "I never saw you looking so well--and you
know it." She gave a gasp of comprehension. "You came here because you
knew your uniform was becoming!"

Lathrop regarded himself complacently.

"Yes, isn't it?" he assented. "I brought on this war in order to wear
it. If you don't mind," he added, "I think I'll accept your invitation
and come inside. I've had nothing to eat in four days."

Miss Farrar's eyes flashed indignantly.

"You're NOT coming inside," she declared; "but if you'll only promise to
go away at once, I'll bring you everything in the house."

"In that house," exclaimed Lathrop, dramatically, "there's only one
thing that I desire, and I want that so badly that 'life holds no charm
without you.'"

Miss Farrar regarded him steadily.

"Do you intend to drive me away from my own door, or will you go?"

Lathrop picked his wheel out of the dust.

"Good-by," he said. "I'll come back when you have made up your mind."

In vexation Miss Farrar stamped her foot upon the path.

"I HAVE made up my mind!" she protested.

"Then," returned Lathrop, "I'll come back when you have changed it."

He made a movement as though to ride away, but much to Miss Farrar's
dismay, hastily dismounted. "On second thoughts," he said, "it isn't
right for me to leave you. The woods are full of tramps and hangers-on
of the army. You're not safe. I can watch this road from here as well as
from anywhere else, and at the same time I can guard you."

To the consternation of Miss Farrar he placed his bicycle against the
fence, and, as though preparing for a visit, leaned his elbows upon it.

"I do not wish to be rude," said Miss Farrar, "but you are annoying me.
I have spent fifteen summers in Massachusetts, and I have never seen a
tramp. I need no one to guard me."

"If not you," said Lathrop easily, "then the family silver. And think
of your jewels, and your mother's jewels. Think of yourself in a house
filled with jewels, and entirely surrounded by hostile armies! My duty
is to remain with you."

Miss Farrar was so long in answering, that Lathrop lifted his head
and turned to look. He found her frowning and gazing intently into the
shadow of the woods, across the road. When she felt his eyes upon her
she turned her own guiltily upon him. Her cheeks were flushed and her
face glowed with some unusual excitement.

"I wish," she exclaimed breathlessly--"I wish," she repeated, "the Reds
would take you prisoner!"

"Take me where?" asked Lathrop.

"Take you anywhere!" cried Miss Farrar. "You should be ashamed to talk
to me when you should be looking for the enemy!"

"I am WAITING for the enemy," explained Lathrop. "It's the same thing."

Miss Farrar smiled vindictively. Her eyes shone. "You need not wait
long," she said. There was a crash of a falling stone wall, and of
parting bushes, but not in time to give Lathrop warning. As though from
the branches of the trees opposite two soldiers fell into the road;
around his hat each wore the red band of the invader; each pointed his
rifle at Lathrop.

"Hands up!" shouted one. "You're my prisoner!" cried the other.

Mechanically Lathrop raised his hands, but his eyes turned to Miss
Farrar.

"Did you know?" he asked.

"I have been watching them," she said, "creeping up on you for the last
ten minutes."

Lathrop turned to the two soldiers, and made an effort to smile.

"That was very clever," he said, "but I have twenty men up the road, and
behind them a regiment. You had better get away while you can."

The two Reds laughed derisively. One, who wore the stripes of a
sergeant, answered: "That won't do! We been a mile up the road, and you
and us are the only soldiers on it. Gimme the gun!"

Lathrop knew he had no right to refuse. He had been fairly surprised,
but he hesitated. When Miss Farrar was not in his mind his amateur
soldiering was to him a most serious proposition. The war game was a
serious proposition, and that, through his failure for ten minutes to
regard it seriously, he had been made a prisoner, mortified him keenly.
That his humiliation had taken place in the presence of Beatrice Farrar
did not lessen his discomfort, nor did the explanation he must later
make to his captain afford him any satisfaction. Already he saw himself
playing the star part in a court-martial. He shrugged his shoulders and
surrendered his gun.

As he did so he gloomily scrutinized the insignia of his captors.

"Who took me?" he asked.

"WE took you," exclaimed the sergeant.

"What regiment?" demanded Lathrop, sharply. "I have to report who took
me; and you probably don't know it, but your collar ornaments are upside
down." With genuine exasperation he turned to Miss Farrar.

"Lord!" he exclaimed, "isn't it bad enough to be taken prisoner, without
being taken by raw recruits that can't put on their uniforms?"

The Reds flushed, and the younger, a sandy-haired, rat-faced youth,
retorted angrily: "Mebbe we ain't strong on uniforms, beau," he snarled,
"but you've got nothing on us yet, that I can see. You look pretty with
your hands in the air, don't you?"

"Shut up," commanded the other Red. He was the older man, heavily built,
with a strong, hard mouth and chin, on which latter sprouted a three
days' iron-gray beard. "Don't you see he's an officer? Officers don't
like being took by two-spot privates."

Lathrop gave a sudden start. "Why," he laughed, incredulously, "don't
you know--" He stopped, and his eyes glanced quickly up and down the
road.

"Don't we know what?" demanded the older Red, suspiciously.

"I forgot," said Lathrop. "I--I must not give information to the
enemy--"

For an instant there was a pause, while the two Reds stood irresolute.
Then the older nodded the other to the side of the road, and in whispers
they consulted eagerly.

Miss Farrar laughed, and Lathrop moved toward her.

"I deserve worse than being laughed at," he said. "I made a strategic
mistake. I should not have tried to capture you and an army corps at the
same time."

"You," she taunted, "who were always so keen on soldiering, to be taken
prisoner," she lowered her voice, "and by men like that! Aren't they
funny?" she whispered, "and East Side and Tenderloin! It made me
homesick to hear them! I think when not in uniform the little one drives
a taxicab, and the big one is a guard on the elevated."

"They certainly are very 'New York,'" assented Lathrop, "and very
tough."

"I thought," whispered Miss Farrar, "those from New York with the Red
Army were picked men."

"What does it matter?" exclaimed Lathrop. "It's just as humiliating to
be captured by a ballroom boy as by a mere millionaire! I can't insist
on the invading army being entirely recruited from Harvard graduates."

The two Reds either had reached a decision, or agreed that they could
not agree, for they ceased whispering, and crossed to where Lathrop
stood.

"We been talking over your case," explained the sergeant, "and we see
we are in wrong. We see we made a mistake in taking you prisoner. We had
ought to shot you dead. So now we're going to shoot you dead."

"You can't!" objected Lathrop. "It's too late. You should have thought
of that sooner."

"I know," admitted the sergeant, "but a prisoner is a hell of a
nuisance. If you got a prisoner to look after you can't do your own
work; you got to keep tabs on him. And there ain't nothing in it for the
prisoner, neither. If we take you, you'll have to tramp all the way to
our army, and all the way back. But, if you're dead, how different! You
ain't no bother to anybody. You got a half holiday all to yourself, and
you can loaf around the camp, so dead that they can't make you work, but
not so dead you can't smoke or eat." The sergeant smiled ingratiatingly.
In a tempting manner he exhibited his rifle. "Better be dead," he urged.

"I'd like to oblige you," said Lathrop, "but it's against the rules. You
CAN'T shoot a prisoner."

The rat-faced soldier uttered an angry exclamation. "To hell with the
rules!" he cried. "We can't waste time on him. Turn him loose!"

The older man rounded on the little one savagely. The tone in which he
addressed him was cold, menacing, sinister. His words were simple, but
his eyes and face were heavy with warning.

"Who is running this?" he asked.

The little soldier muttered, and shuffled away. From under the brim of
his campaign hat, his eyes cast furtive glances up and down the road.
As though anxious to wipe out the effect of his comrade's words, the
sergeant addressed Lathrop suavely and in a tone of conciliation.

"You see," he explained, "him and me are scouts. We're not supposed to
waste time taking prisoners. So, we'll set you free." He waved his hand
invitingly toward the bicycle. "You can go!" he said.

To Miss Farrar's indignation Lathrop, instead of accepting his freedom,
remained motionless.

"I can't!" he said. "I'm on post. My captain ordered me to stay in front
of this house until I was relieved."

Miss Farrar, amazed at such duplicity, exclaimed aloud:

"He is NOT on post!" she protested. "He's a scout! He wants to stop
here, because--because--he's hungry. I wouldn't have let you take him
prisoner, if I had not thought you would take him away with you." She
appealed to the sergeant. "PLEASE take him away," she begged.

The sergeant turned sharply upon his prisoner.

"Why don't you do what the lady wants?" he demanded.

"Because I've got to do what my captain wants," returned Lathrop, "and
he put me on sentry-go, in front of this house."

With the back of his hand, the sergeant fretfully scraped the three
days' growth on his chin. "There's nothing to it," he exclaimed, "but
for to take him with us. When we meet some more Reds we'll turn him
over. Fall in!" he commanded.

"No!" protested Lathrop. "I don't want to be turned over. I've got a
much better plan. YOU don't want to be bothered with a prisoner. I don't
want to be a prisoner. As you say, I am better dead. You can't shoot
a prisoner, but if he tries to escape you can. I'll try to escape. You
shoot me. Then I return to my own army, and report myself dead. That
ends your difficulty and saves me from a court-martial. They can't
court-martial a corpse."

The face of the sergeant flashed with relief and satisfaction. In his
anxiety to rid himself of his prisoner, he lifted the bicycle into the
road and held it in readiness.

"You're all right!" he said, heartily. "You can make your getaway as
quick as you like."

But to the conspiracy Miss Farrar refused to lend herself.

"How do you know," she demanded, "that he will keep his promise? He
may not go back to his own army. He can be just as dead on my lawn as
anywhere else!"

Lathrop shook his head at her sadly.

"How you wrong me!" he protested. "How dare you doubt the promise of a
dying man? These are really my last words, and I wish I could think of
something to say suited to the occasion, but the presence of strangers
prevents."

He mounted his bicycle. "'If I had a thousand lives to give,'" he
quoted with fervor, "'I'd give them all to--'" he hesitated, and smiled
mournfully on Miss Farrar. Seeing her flushed and indignant countenance,
he added, with haste, "to the Commonwealth of Massachusetts!"

As he started on his wheel slowly down the path, he turned to the
sergeant.

"I'm escaping," he explained. The Reds, with an enthusiasm undoubtedly
genuine, raised their rifles, and the calm of the Indian summer was
shattered by two sharp reports. Lathrop, looking back over his shoulder,
waved one hand reassuringly.

"Death was instantaneous," he called. He bent his body over the
handle-bar, and they watched him disappear rapidly around the turn in
the road.

Miss Farrar sighed with relief.

"Thank you very much," she said.

As though signifying that to oblige a woman he would shoot any number of
prisoners, the sergeant raised his hat.

"Don't mention it, lady," he said. "I seen he was annoying you, and
that's why I got rid of him. Some of them amateur soldiers, as soon as
they get into uniform, are too fresh. He took advantage of you because
your folks were away from home. But don't you worry about that. I'll
guard this house until your folks get back."

Miss Farrar protested warmly.

"Really!" she exclaimed; "I need no one to guard me."

But the soldier was obdurate. He motioned his comrade down the road.

"Watch at the turn," he ordered; "he may come back or send some of the
Blues to take us. I'll stay here and protect the lady."

Again Miss Farrar protested, but the sergeant, in a benign and fatherly
manner, smiled approvingly. Seating himself on the grass outside the
fence, he leaned his back against the gatepost, apparently settling
himself for conversation.

"Now, how long might it have been," he asked, "before we showed up, that
you seen us?"

"I saw you," Miss Farrar said, "when Mr.--when that bicycle scout was
talking to me. I saw the red bands on your hats among the bushes."

The sergeant appeared interested.

"But why didn't you let on to him?"

Miss Farrar laughed evasively.

"Maybe because I am from New York, too," she said. "Perhaps I wanted to
see soldiers from my city take a prisoner."

They were interrupted by the sudden appearance of the smaller soldier.
On his rat-like countenance was written deep concern.

"When I got to the turn," he began, breathlessly, "I couldn't see him.
Where did he go? Did he double back through the woods, or did he have
time to ride out of sight before I got there?"

The reappearance of his comrade affected the sergeant strangely. He
sprang to his feet, his under jaw protruding truculently, his eyes
flashing with anger.

"Get back," he snarled. "Do what I told you!"

Under his breath he muttered words that, to Miss Farrar, were
unintelligible. The little rat-like man nodded, and ran from them down
the road. The sergeant made an awkward gesture of apology.

"Excuse me, lady," he begged, "but it makes me hot when them rookies
won't obey orders. You see," he ran on glibly, "I'm a reg'lar; served
three years in the Philippines, and I can't get used to not having my
men do what I say."

Miss Farrar nodded, and started toward the house. The sergeant sprang
quickly across the road.

"Have you ever been in the Philippines, Miss?" he called. "It's a great
country."

Miss Farrar halted and shook her head. She was considering how far
politeness required of her to entertain unshaven militiamen, who
insisted on making sentries of themselves at her front gate.

The sergeant had plunged garrulously into a confusing description of the
Far East. He was clasping the pickets of the fence with his hands,
and his eyes were fastened on hers. He lacked neither confidence nor
vocabulary, and not for an instant did his tongue hesitate or his eyes
wander, and yet in his manner there was nothing at which she could take
offence. He appeared only amiably vain that he had seen much of the
world, and anxious to impress that fact upon another. Miss Farrar was
bored, but the man gave her no opportunity to escape. In consequence she
was relieved when the noisy approach of an automobile brought him to
an abrupt pause. Coming rapidly down the road was a large touring-car,
filled with men in khaki. The sergeant gave one glance at it, and leaped
across the road, taking cover behind the stone wall. Instantly he raised
his head above it and shook his fist at Miss Farrar.

"Don't tell," he commanded. "They're Blues in that car! Don't tell!"
Again he sank from sight.

Miss Farrar now was more than bored, she was annoyed. Why grown men
should play at war so seriously she could not understand. It was absurd!
She no longer would remain a party to it; and, lest the men in the car
might involve her still further, she retreated hastily toward the house.
As she opened the door the car halted at the gate, and voices called to
her, but she pretended not to hear them, and continued up the stairs.
Behind her the car passed noisily on its way.

She mounted the stairs, and crossing a landing moved down a long hall,
at the further end of which was her bedroom. The hall was uncarpeted,
but the tennis shoes she wore made no sound, nor did the door of her
bedroom when she pushed it open.

On the threshold Miss Farrar stood quite still. A swift, sinking nausea
held her in a vice. Her instinct was to scream and run, but her throat
had tightened and gone dry, and her limbs trembled. Opposite the door
was her dressing-table, and reflected in its mirror were the features
and figure of the rat-like soldier. His back was toward her. With one
hand he swept the dressing-table. The other, hanging at his side, held
a revolver. In a moment the panic into which Miss Farrar had been thrown
passed. Her breath and blood returned, and, intent only on flight, she
softly turned. On the instant the rat-faced one raised his eyes, saw her
reflected in the mirror, and with an oath, swung toward her. He drew the
revolver close to his cheek, and looked at her down the barrel. "Don't
move!" he whispered; "don't scream! Where are the jewels?"

Miss Farrar was not afraid of the revolver or of the man. She did not
believe either would do her harm. The idea of both the presence of the
man in her room, and that any one should dare to threaten her was what
filled her with repugnance. As the warm blood flowed again through her
body her spirit returned. She was no longer afraid. She was, instead,
indignant, furious.

With one step she was in the room, leaving the road to the door open.

"Get out of here," she commanded.

The little man snarled, and stamped the floor. He shoved the gun nearer
to her.

"The jewels, damn you!" he whispered. "Do you want me to blow your fool
head off? Where are the jewels?"

"Jewels?" repeated Miss Farrar. "I have no jewels!"

"You lie!" shrieked the little man. "He said the house was full of
jewels. We heard him. He said he would stay to guard the jewels."

Miss Farrar recognized his error. She remembered Lathrop's jest, and
that it had been made while the two men were within hearing, behind the
stone wall.

"It was a joke!" she cried. "Leave at once!" She backed swiftly toward
the open window that looked upon the road. "Or I'll call your sergeant!"

"If you go near that window or scream," whispered the rat-like one,
"I'll shoot!"

A heavy voice, speaking suddenly from the doorway, shook Miss Farrar's
jangled nerves into fresh panic.

"She won't scream," said the voice.

In the door Miss Farrar saw the bulky form of the sergeant, blocking her
escape.

Without shifting his eyes from Miss Farrar, the man with the gun cursed
breathlessly at the other. "Why didn't you keep her away?" he panted.

"An automobile stopped in front of the gate," explained the sergeant.
"Have you got them?" he demanded.

"No!" returned the other. "Nothing! She won't tell where they are."

The older man laughed. "Oh, yes, she'll tell," he whispered. His voice
was still low and suave, but it carried with it the weight of a threat,
and the threat, although unspoken, filled Miss Farrar with alarm. Her
eyes, wide with concern, turned fearfully from one man to the other.

The sergeant stretched his hands toward her, the fingers working and
making clutches in the air. The look in his eyes was quite terrifying.

"If you don't tell," he said slowly, "I'll choke it out of you!"

If his intention was to frighten the girl, he succeeded admirably. With
her hands clasped to her throat, Miss Farrar sank against the wall. She
saw no chance of escape. The way to the door was barred, and should she
drop to the garden below, from the window, before she could reach the
road the men would overtake her. Even should she reach the road, the
house nearest was a half mile distant.

The sergeant came close, his fingers opening and closing in front of her
eyes. He raised his voice to a harsh, bellowing roar. "I'm going to make
you tell!" he shouted. "I'm going to choke it out of you!"

Although she was alone in the house, although on every side the pine
woods encompassed her, Miss Farrar threw all her strength into one long,
piercing cry for help. And upon the instant it was answered. From the
hall came the swift rush of feet. The rat-like one swung toward it. From
his revolver came a report that shook the room, a flash and a burst of
smoke, and through it Miss Farrar saw Lathrop hurl himself. He dived at
the rat-like one, and as on the foot-ball field he had been taught to
stop a runner, flung his arms around the other's knees. The legs of the
man shot from under him, his body cut a half circle through the air, and
the part of his anatomy to first touch the floor was his head. The
floor was of oak, and the impact gave forth a crash like the smash of a
base-ball bat, when it drives the ball to centre field. The man did not
move. He did not even groan. In his relaxed fingers the revolver lay,
within reach of Lathrop's hand. He fell upon it and, still on his knees,
pointed it at the sergeant.

"You're MY prisoner, now!" he shouted cheerfully. "Hands up!"

The man raised his arms slowly, as if he were lifting heavy dumb-bells.

"The lady called for help," he said. "I came to help her."

"No! No!" protested the girl. "He did NOT help me! He said he would
choke me if I didn't--"

"He said he would--what!" bellowed Lathrop. He leaped to his feet, and
sent the gun spinning through the window. He stepped toward the man
gingerly, on the balls of his feet, like one walking on ice. The man
seemed to know what that form of approach threatened, for he threw his
arms into a position of defence.

"You bully!" whispered Lathrop. "You coward! You choke women, do you?"

He shifted from one foot to the other, his body balancing forward,
his arms swinging limply in front of him. With his eyes, he seemed to
undress the man, as though choosing a place to strike.

"I made the same mistake you did," he taunted. "I should have killed you
first. Now I am going to do it!"

He sprang at the man, his chin still sunk on his chest, but with his
arms swinging like the spokes of a wheel. His opponent struck back
heavily, violently, but each move of his arm seemed only to open up
some vulnerable spot. Blows beat upon his chin, upon his nose, his eyes;
blows jabbed him in the ribs, drove his breath from his stomach, ground
his teeth together, cut the flesh from his cheeks. He sank to his knees,
with his arms clasping his head.

"Get up!" roared Lathrop. "Stand up to it, you coward!"

But the man had no idea of standing up to it. Howling with pain, he
scrambled toward the door, and fled staggering down the hall.

At the same moment the automobile that a few minutes before had passed
up the road came limping to the gate, and a half-dozen men in uniform
sprang out of it. From the window Lathrop saw them spread across the
lawn and surround the house.

"They've got him!" he said. He pointed to the prostrate figure on the
floor. "He and the other one," he explained, breathlessly, "are New York
crooks! They have been looting in the wake of the Reds, disguised as
soldiers. I knew they weren't even amateur soldiers by the mistakes in
their make-up, and I made that bluff of riding away so as to give them
time to show what the game was. Then, that provost guard in the motor
car stopped me, and when they said who they were after, I ordered them
back here. But they had a flat tire, and my bicycle beat them."

In his excitement he did not notice that the girl was not listening,
that she was very pale, that she was breathing quickly, and trembling.

"I'll go tell them," he added, "that the other one they want is up
here."

Miss Farrar's strength instantly returned.

With a look of terror at the now groaning figure on the floor, she
sprang toward Lathrop, with both hands clutching him by his sleeves.

"You will NOT!" she commanded. "You will not leave me alone!"

Appealingly she raised her face to his startled countenance. With
a burst of tears she threw herself into his arms. "I'm afraid!" she
sobbed. "Don't leave me. Please, no matter what I say, never leave me
again!"

Between bewilderment and joy, the face of Lathrop was unrecognizable. As
her words reached him, as he felt the touch of her body in his arms, and
her warm, wet cheek against his own, he drew a deep sigh of content, and
then, fearfully and tenderly, held her close.

After a pause, in which peace came to all the world, he raised his head.

"Don't worry!" he said. "You can BET I won't leave you!"





End of Project Gutenberg's Peace Manoeuvres, by Richard Harding Davis



*** END OF THE PROJECT GUTENBERG EBOOK PEACE MANOEUVRES ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.