The Project Gutenberg eBook of Later Poems This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Later Poems Author: Alice Meynell Release date: July 9, 2007 [eBook #22032] Language: English Credits: Transcribed from the 1902 John Lane, The Bodley Head edition by David Price *** START OF THE PROJECT GUTENBERG EBOOK LATER POEMS *** Transcribed from the 1902 John Lane, The Bodley Head edition by David Price, email ccx074@pglaf.org Later Poems By Alice Meynell Author of "Poems" London and New York John Lane, The Bodley Head 1902 _Copyright_, 1901 BY JOHN LANE _All rights reserved_ UNIVERSITY PRESS--JOHN WILSON AND SON--CAMBRIDGE, U. S. A. TO A. T. Contents: The Shepherdess "I am the Way" Via, et Veritas, et Vita Why wilt Thou Chide? The Lady Poverty The Fold Cradle-song at Twilight The Roaring Frost Parentage The Modern Mother West Wind in Winter November Blue Chimes Unto us a Son is given A Dead Harvest The Two Poets A Poet's Wife Veneration of Images At Night THE SHEPHERDESS She walks--the lady of my delight-- A shepherdess of sheep. Her flocks are thoughts. She keeps them white; She guards them from the steep. She feeds them on the fragrant height, And folds them in for sleep. She roams maternal hills and bright, Dark valleys safe and deep. Into that tender breast at night The chastest stars may peep. She walks--the lady of my delight-- A shepherdess of sheep. She holds her little thoughts in sight, Though gay they run and leap. She is so circumspect and right; She has her soul to keep. She walks--the lady of my delight-- A shepherdess of sheep. "I AM THE WAY" Thou art the Way. Hadst Thou been nothing but the goal, I cannot say If Thou hadst ever met my soul. I cannot see-- I, child of process--if there lies An end for me, Full of repose, full of replies. I'll not reproach The way that goes, my feet that stir. Access, approach, Art Thou, time, way, and wayfarer. VIA, ET VERITAS, ET VITA "You never attained to Him?" "If to attain Be to abide, then that may be." "Endless the way, followed with how much pain!" "The way was He." "WHY WILT THOU CHIDE?" Why wilt thou chide, Who hast attained to be denied? Oh learn, above All price is my refusal, Love. My sacred Nay Was never cheapened by the way. Thy single sorrow crowns thee lord Of an unpurchasable word. Oh strong, Oh pure! As Yea makes happier loves secure, I vow thee this Unique rejection of a kiss. I guard for thee This jealous sad monopoly. I seal this honour thine. None dare Hope for a part in thy despair. THE LADY POVERTY The Lady Poverty was fair: But she has lost her looks of late, With change of times and change of air. Ah slattern, she neglects her hair, Her gown, her shoes. She keeps no state As once when her pure feet were bare. Or--almost worse, if worse can be-- She scolds in parlours; dusts and trims, Watches and counts. Oh, is this she Whom Francis met, whose step was free, Who with Obedience carolled hymns, In Umbria walked with Chastity? Where is her ladyhood? Not here, Not among modern kinds of men; But in the stony fields, where clear Through the thin trees the skies appear; In delicate spare soil and fen, And slender landscape and austere. THE FOLD Behold, The time is now! Bring back, bring back Thy flocks of fancies, wild of whim. Oh lead them from the mountain-track-- Thy frolic thoughts untold. Oh bring them in--the fields grow dim-- And let me be the fold. Behold, The time is now! Call in, O call Thy posturing kisses gone astray For scattered sweets. Gather them all To shelter from the cold. Throng them together, close and gay, And let me be the fold! CRADLE-SONG AT TWILIGHT The child not yet is lulled to rest. Too young a nurse, the slender Night So laxly holds him to her breast That throbs with flight. He plays with her and will not sleep. For other playfellows she sighs; An unmaternal fondness keep Her alien eyes. THE ROARING FROST A flock of winds came winging from the North, Strong birds with fighting pinions driving forth With a resounding call! Where will they close their wings and cease their cries-- Between what warming seas and conquering skies-- And fold, and fall? PARENTAGE "When Augustus Caesar legislated against the unmarried citizens of Rome, he declared them to be, in some sort, slayers of the people." Ah no, not these! These, who were childless, are not they who gave So many dead unto the journeying wave, The helpless nurslings of the cradling seas; Not they who doomed by infallible decrees Unnumbered man to the innumerable grave. But those who slay Are fathers. Theirs are armies. Death is theirs, The death of innocences and despairs; The dying of the golden and the grey. The sentence, when these speak it, has no Nay. And she who slays is she who bears, who bears. THE MODERN MOTHER Oh what a kiss With filial passion overcharged is this! To this misgiving breast The child runs, as a child ne'er ran to rest Upon the light heart and the unoppressed. Unhoped, unsought! A little tenderness, this mother thought The utmost of her meed She looked for gratitude; content indeed With thus much that her nine years' love had bought. Nay, even with less. This mother, giver of life, death, peace, distress, Desired ah! not so much Thanks as forgiveness; and the passing touch Expected, and the slight, the brief caress. Oh filial light Strong in these childish eyes, these new, these bright Intelligible stars! Their rays Are near the constant earth, guides in the maze, Natural, true, keen in this dusk of days. WEST WIND IN WINTER Another day awakes. And who-- Changing the world--is this? He comes at whiles, the Winter through, West Wind! I would not miss His sudden tryst: the long, the new Surprises of his kiss. Vigilant, I make haste to close With him who comes my way. I go to meet him as he goes; I know his note, his lay, His colour and his morning rose; And I confess his day. My window waits; at dawn I hark His call; at morn I meet His haste around the tossing park And down the softened street; The gentler light is his; the dark, The grey--he turns it sweet. So too, so too, do I confess My poet when he sings. He rushes on my mortal guess With his immortal things. I feel, I know him. On I press-- He finds me 'twixt his wings. NOVEMBER BLUE _The colour of the electric lights has a strange effect in giving a complementary tint to the air in the early evening_.--ESSAY ON LONDON. O, Heavenly colour! London town Has blurred it from her skies; And hooded in an earthly brown, Unheaven'd the city lies. No longer standard-like this hue Above the broad road flies; Nor does the narrow street the blue Wear, slender pennon-wise. But when the gold and silver lamps Colour the London dew, And, misted by the winter damps, The shops shine bright anew-- Blue comes to earth, it walks the street, It dyes the wide air through; A mimic sky about their feet, The throng go crowned with blue. CHIMES Brief, on a flying night, From the shaken tower, A flock of bells take flight, And go with the hour. Like birds from the cote to the gales, Abrupt--O hark! A fleet of bells set sails, And go to the dark. Sudden the cold airs swing. Alone, aloud, A verse of bells takes wing And flies with the cloud. UNTO US A SON IS GIVEN Given, not lent, And not withdrawn--once sent-- This Infant of mankind, this One, Is still the little welcome Son. New every year, New-born and newly dear, He comes with tidings and a song, The ages long, the ages long. Even as the cold Keen winter grows not old; As childhood is so fresh, foreseen, And spring in the familiar green; Sudden as sweet Come the expected feet. All joy is young, and new all art, And He, too, Whom we have by heart. A DEAD HARVEST [IN KENSINGTON GARDENS] Along the graceless grass of town They rake the rows of red and brown, Dead leaves, unlike the rows of hay, Delicate, neither gold nor grey, Raked long ago and far away. A narrow silence in the park; Between the lights a narrow dark. One street rolls on the north, and one, Muffled, upon the south doth run. Amid the mist the work is done. A futile crop; for it the fire Smoulders, and, for a stack, a pyre. So go the town's lives on the breeze, Even as the sheddings of the trees; Bosom nor barn is filled with these. THE TWO POETS Whose is the speech That moves the voices of this lonely beech? Out of the long West did this wild wind come-- Oh strong and silent! And the tree was dumb, Ready and dumb, until The dumb gale struck it on the darkened hill. Two memories, Two powers, two promises, two silences Closed in this cry, closed in these thousand leaves Articulate. This sudden hour retrieves The purpose of the past, Separate, apart--embraced, embraced at last. "Whose is the word? Is it I that spake? Is it thou? Is it I that heard?" "Thine earth was solitary; yet I found thee!" "Thy sky was pathless, but I caught, I bound thee, Thou visitant divine." "O thou my Voice, the word was thine." "Was thine." A POET'S WIFE I saw a tract of ocean locked in-land Within a field's embrace-- The very sea! Afar it fled the strand And gave the seasons chase, And met the night alone, the tempest spanned, Saw sunrise face to face. O Poet, more than ocean, lonelier! In inaccessible rest And storm remote, thou, sea of thoughts, dost stir, Scattered through east to west,-- Now, while thou closest with the kiss of her Who locks thee to her breast. VENERATION OF IMAGES Thou man, first-comer, whose wide arms entreat, Gather, clasp, welcome, bind, Lack, or remember! whose warm pulses beat With love of thine own kind; Unlifted for a blessing on yon sea, Unshrined on this high-way, O flesh, O grief, thou too shalt have our knee, Thou rood of every day! AT NIGHT Home, home from the horizon far and clear, Hither the soft wings sweep; Flocks of the memories of the day draw near The dovecote doors of sleep. O which are they that come through sweetest light Of all these homing birds? Which with the straightest and the swiftest flight? Your words to me, your words! *** END OF THE PROJECT GUTENBERG EBOOK LATER POEMS *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.