The Project Gutenberg eBook of The Man Who Hated Mars, by Randall Garrett

“I want you to put me in prison!” the big, hairy man said in a trembling voice.

He was addressing his request to a thin woman sitting behind a desk that seemed much too big for her. The plaque on the desk said:

Lieutenant Harris glanced at the man before her for only a moment before she returned her eyes to the dossier on the desk; but long enough to verify the impression his voice had given. Ron Clayton was a big, ugly, cowardly, dangerous man.

The lieutenant raised her eyes again. “Just be patient until I’ve read this.” Her voice and eyes were expressionless, but her hand moved beneath the desk.

Clayton froze. She’s yellow! he thought. She’s turned on the trackers! He could see the pale greenish glow of their little eyes watching him all around the room. If he made any fast move, they would cut him down with a stun beam before he could get two feet.

She had thought he was going to jump her. Little rat! he thought, somebody ought to slap her down!

He watched her check through the heavy dossier in front of her. Finally, she looked up at him again.

“Clayton, your last conviction was for strong-arm robbery. You were given a choice between prison on Earth and freedom here on Mars. You picked Mars.”

He nodded slowly. He’d been broke and hungry at the time. A sneaky little rat named Johnson had bilked Clayton out of his fair share of the Corey payroll job, and Clayton had been forced to get the money somehow. He hadn’t mussed the guy up much; besides, it was the sucker’s own fault. If he hadn’t tried to yell—

“But it isn’t fair! The most I’d have got on that frame-up would’ve been ten years. I’ve been here fifteen already!”

“I’m sorry, Clayton. It can’t be done. You’re here. Period. Forget about trying to get back. Earth doesn’t want you.” Her voice sounded choppy, as though she were trying to keep it calm.

Clayton broke into a whining rage. “You can’t do that! It isn’t fair! I never did anything to you! I’ll go talk to the Governor! He’ll listen to reason! You’ll see! I’ll—”

“Shut up!” the woman snapped harshly. “I’m getting sick of it! I personally think you should have been locked up—permanently. I think this idea of forced colonization is going to breed trouble for Earth someday, but it is about the only way you can get anybody to colonize this frozen hunk of mud.

“Just keep it in mind that I don’t like it any better than you do—and I didn’t strong-arm anybody to deserve the assignment! Now get out of here!”

Clayton retreated fast. The trackers ignored anyone walking away from the desk; they were set only to spot threatening movements toward it.

Outside the Rehabilitation Service Building, Clayton could feel the tears running down the inside of his face mask. He’d asked again and again—God only knew how many times—in the past fifteen years. Always the same answer. No.

When he’d heard that this new administrator was a woman, he’d hoped she might be easier to convince. She wasn’t. If anything, she was harder than the others.

The heat-sucking frigidity of the thin Martian air whispered around him in a feeble breeze. He shivered a little and began walking toward the recreation center.

There was a high, thin piping in the sky above him which quickly became a scream in the thin air.

He turned for a moment to watch the ship land, squinting his eyes to see the number on the hull.

That was the thing he hated about Mars—the cold. The everlasting damned cold! And the oxidation pills; take one every three hours or smother in the poor, thin air.

The government could have put up domes; it could have put in building-to-building tunnels, at least. It could have done a hell of a lot of things to make Mars a decent place for human beings.

But no—the government had other ideas. A bunch of bigshot scientific characters had come up with the idea nearly twenty-three years before. Clayton could remember the words on the sheet he had been given when he was sentenced.

“Mankind is inherently an adaptable animal. If we are to colonize the planets of the Solar System, we must meet the conditions on those planets as best we can.

“Financially, it is impracticable to change an entire planet from its original condition to one which will support human life as it exists on Terra.

“But man, since he is adaptable, can change himself—modify his structure slightly—so that he can live on these planets with only a minimum of change in the environment.”

So they made you live outside and like it. So you froze and you choked and you suffered.

Clayton hated Mars. He hated the thin air and the cold. More than anything, he hated the cold.

The Recreation Building was just ahead; at least it would be warm inside. He pushed in through the outer and inner doors, and he heard the burst of music from the jukebox. His stomach tightened up into a hard cramp.

There was almost no other sound in the room, although it was full of people. There were plenty of colonists who claimed to like Mars, but even they were silent when that song was played.

Clayton wanted to go over and smash the machine—make it stop reminding him. He clenched his teeth and his fists and his eyes and cursed mentally. God, how I hate Mars!

When the hauntingly nostalgic last chorus faded away, he walked over to the machine and fed it full of enough coins to keep it going on something else until he left.

At the bar, he ordered a beer and used it to wash down another oxidation tablet. It wasn’t good beer; it didn’t even deserve the name. The atmospheric pressure was so low as to boil all the carbon dioxide out of it, so the brewers never put it back in after fermentation.

He was sorry for what he had done—really and truly sorry. If they’d only give him one more chance, he’d make good. Just one more chance. He’d work things out.

He’d promised himself that both times they’d put him up before, but things had been different then. He hadn’t really been given another chance, what with parole boards and all.

He’d worked in the mines for fifteen years. It wasn’t that he minded work really, but the foreman had it in for him. Always giving him a bad time; always picking out the lousy jobs for him.

Like the time he’d crawled into a side-boring in Tunnel 12 for a nap during lunch and the foreman had caught him. When he promised never to do it again if the foreman wouldn’t put it on report, the guy said, “Yeah. Sure. Hate to hurt a guy’s record.”

Not that Clayton ran any chance of being fired; they never fired anybody. But they’d fined him a day’s pay. A whole day’s pay.

He tapped his glass on the bar, and the barman came over with another beer. Clayton looked at it, then up at the barman. “Put a head on it.”

The bartender looked at him sourly. “I’ve got some soapsuds here, Clayton, and one of these days I’m gonna put some in your beer if you keep pulling that gag.”

Somebody came in the door and then somebody else came in behind him, so that both inner and outer doors were open for an instant. A blast of icy breeze struck Clayton’s back, and he shivered. He started to say something, then changed his mind; the doors were already closed again, and besides, one of the guys was bigger than he was.

The iciness didn’t seem to go away immediately. It was like the mine. Little old Mars was cold clear down to her core—or at least down as far as they’d drilled. The walls were frozen and seemed to radiate a chill that pulled the heat right out of your blood.

Somebody was playing Green Hills again, damn them. Evidently all of his own selections had run out earlier than he’d thought they would.

The voice sounded as if the man had a bad cold, and Clayton turned slowly to look at him. After all the sterilization they went through before they left Earth, nobody on Mars ever had a cold, so there was only one thing that would make a man’s voice sound like that.

Clayton was right. The fellow had an oxygen tube clamped firmly over his nose. He was wearing the uniform of the Space Transport Service.

The man nodded and grinned. “Yeah. Four hours before we take off again.” He poured down the whiskey. “Sure cold out.”

Clayton agreed. “It’s always cold.” He watched enviously as the spaceman ordered another whiskey.

Clayton couldn’t afford whiskey. He probably could have by this time, if the mines had made him a foreman, like they should have.

The spaceman took the offered hand. “Mine’s Parkinson, but everybody calls me Parks.”

Parks shook his head. “No, thanks. I started on whiskey. Here, let me buy you one.”

Clayton glanced quickly to make sure the bartender was out of earshot. Then he grinned. “You mean am I a convict? Nah. I came here because I wanted to. But—” He lowered his voice. “—we don’t talk about it around here. You know.” He gestured with one hand—a gesture that took in everyone else in the room.

Parks glanced around quickly, moving only his eyes. “Yeah. I see,” he said softly.

“Not much. We only keep it at six pounds in the ships. Half helium and half oxygen. Only thing that bothers me is the oxy here. Or rather, the oxy that isn’t here.” He took a deep breath through his nose tube to emphasize his point.

Clayton clamped his teeth together, making the muscles at the side of his jaw stand out.

“I had to take them once. Got stranded on Luna. The cat I was in broke down eighty some miles from Aristarchus Base and I had to walk back—with my oxy low. Well, I figured—”

Clayton listened to Parks’ story with a great show of attention, but he had heard it before. This “lost on the moon” stuff and its variations had been going the rounds for forty years. Every once in a while, it actually did happen to someone; just often enough to keep the story going.

This guy did have a couple of new twists, but not enough to make the story worthwhile.

“Boy,” Clayton said when Parks had finished, “you were lucky to come out of that alive!”

“Something like that happened to me a couple of years ago,” Clayton began. “I’m supervisor on the third shift in the mines at Xanthe, but at the time, I was only a foreman. One day, a couple of guys went to a branch tunnel to—”

It was a very good story. Clayton had made it up himself, so he knew that Parks had never heard it before. It was gory in just the right places, with a nice effect at the end.

“—so I had to hold up the rocks with my back while the rescue crew pulled the others out of the tunnel by crawling between my legs. Finally, they got some steel beams down there to take the load off, and I could let go. I was in the hospital for a week,” he finished.

Parks was nodding vaguely. Clayton looked up at the clock above the bar and realized that they had been talking for better than an hour. Parks was buying another round.

There was, Clayton found, only one trouble with Parks. He got to talking so loud that the bartender refused to serve either one of them any more.

The bartender said Clayton was getting loud, too, but it was just because he had to talk loud to make Parks hear him.

Clayton helped Parks put his mask and parka on and they walked out into the cold night.

Parks began to sing Green Hills. About halfway through, he stopped and turned to Clayton.

“Yeah. You talk about green hills, we got green hills in Indiana. What time is it?”

“Jeez-krise! Ol’ spaship takes off in an hour. Ought to have one more drink first.”

Sharkie Johnson worked in Fuels Section, and he made a nice little sideline of stealing alcohol, cutting it, and selling it. He thought it was real funny to call it Martian Gin.

Clayton said: “Let’s go over to Sharkie’s. Sharkie will sell us a bottle.”

“Okay,” said Parks. “We’ll get a bottle. That’s what we need: a bottle.”

It was quite a walk to the Shark’s place. It was so cold that even Parks was beginning to sober up a little. He was laughing like hell when Clayton started to sing.

One thing about a few drinks; you didn’t get so cold. You didn’t feel it too much, anyway.

The Shark still had his light on when they arrived. Clayton whispered to Parks: “I’ll go in. He knows me. He wouldn’t sell it if you were around. You got eight credits?”

“Sure I got eight credits. Just a minute, and I’ll give you eight credits.” He fished around for a minute inside his parka, and pulled out his notecase. His gloved fingers were a little clumsy, but he managed to get out a five and three ones and hand them to Clayton.

He went in through the outer door and knocked on the inner one. He should have asked for ten credits. Sharkie only charged five, and that would leave him three for himself. But he could have got ten—maybe more.

“Jeez-krise!” he said. “It’s cold out here. Let’s get to someplace where it’s warm.”

As Clayton drank, Parks said: “Hey! I better get back to the field! I know! We can go to the men’s room and finish the bottle before the ship takes off! Isn’t that a good idea? It’s warm there.”

“Yep, I’m from Indiana. Southern part, down around Bloomington,” Parks said. “Gimme the jug. Not Bloomington, Illinois—Bloomington, Indiana. We really got green hills down there.” He drank, and handed the bottle back to Clayton. “Pers-nally, I don’t see why anybody’d stay on Mars. Here y’are, practic’ly on the equator in the middle of the summer, and it’s colder than hell. Brrr!

“Now if you was smart, you’d go home, where it’s warm. Mars wasn’t built for people to live on, anyhow. I don’t see how you stand it.”

And when Parks said: “Why be dumb, friend? Whyn’t you go home?” Clayton kicked him in the stomach, hard.

He said it again as he kicked him in the head. And in the ribs. Parks was gasping as he writhed on the ground, but he soon lay still.

Then Clayton saw why. Parks’ nose tube had come off when Clayton’s foot struck his head.

That was when the Big Idea hit Ron Clayton. With a nosepiece on like that, you couldn’t tell who a man was. He took another drink from the jug and then began to take Parks’ clothes off.

The uniform fit Clayton fine, and so did the nose mask. He dumped his own clothing on top of Parks’ nearly nude body, adjusted the little oxygen tank so that the gas would flow properly through the mask, took the first deep breath of good air he’d had in fifteen years, and walked toward the spacefield.

He went into the men’s room at the Port Building, took a drink, and felt in the pockets of the uniform for Parks’ identification. He found it and opened the booklet. It read:

Parks was a steward, too. A cook’s helper. That was good. If he’d been a jetman or something like that, the crew might wonder why he wasn’t on duty at takeoff. But a steward was different.

Clayton sat for several minutes, looking through the booklet and drinking from the bottle. He emptied it just before the warning sirens keened through the thin air.

Somebody was slapping his cheeks. Clayton opened his eyes and looked at the blurred face over his own.

The blurred face said: “I don’t know. He was asleep behind these cases. I think he’s drunk.”

Clayton wasn’t drunk—he was sick. His head felt like hell. Where the devil was he?

Clayton pulled himself up by holding to the man’s arm. The effort made him dizzy and nauseated.

The other man said: “Take him down to sick bay, Casey. Get some thiamin into him.”

Clayton didn’t struggle as they led him down to the sick bay. He was trying to clear his head. Where was he? He must have been pretty drunk last night.

He remembered meeting Parks. And getting thrown out by the bartender. Then what?

Oh, yeah. He’d gone to the Shark’s for a bottle. From there on, it was mostly gone. He remembered a fight or something, but that was all that registered.

The medic in the sick bay fired two shots from a hypo-gun into both arms, but Clayton ignored the slight sting.

“Real original. Here, take these.” He handed Clayton a couple of capsules, and gave him a glass of water to wash them down with.

“Oh, Christ!” the medic said. “Get a mop, somebody. Here, bud; heave into this.” He put a basin on the table in front of Clayton.

It took them the better part of an hour to get Clayton awake enough to realize what was going on and where he was. Even then, he was plenty groggy.

It was the First Officer of the STS-52 who finally got the story straight. As soon as Clayton was in condition, the medic and the quartermaster officer who had found him took him up to the First Officer’s compartment.

“I was checking through the stores this morning when I found this man. He was asleep, dead drunk, behind the crates.”

“He was drunk, all right,” supplied the medic. “I found this in his pocket.” He flipped a booklet to the First Officer.

The First was a young man, not older than twenty-eight with tough-looking gray eyes. He looked over the booklet.

“Well, I was drunk,” Clayton said defensively. “A man doesn’t know what he’s doing when he’s drunk.” He frowned in concentration. He knew he’d have to think up some story.

“I kind of remember we made a bet. I bet him I could get on the ship. Sure—I remember, now. That’s what happened; I bet him I could get on the ship and we traded clothes.”

The First shook his head. “That sounds like the kind of trick Parkinson would pull, all right. I’ll have to write it up and turn you both in to the authorities when we hit Earth.” He eyed Clayton. “What’s your name?”

It didn’t matter. Volunteer or convict, there was no place Clayton could go. From the officer’s viewpoint, he was as safely imprisoned in the spaceship as he would be on Mars or a prison on Earth.

The First wrote in the log book, and then said: “Well, we’re one man short in the kitchen. You wanted to take Parkinson’s place; brother, you’ve got it—without pay.” He paused for a moment.

“You know, of course,” he said judiciously, “that you’ll be shipped back to Mars immediately. And you’ll have to work out your passage both ways—it will be deducted from your pay.”

“I don’t know what else will happen. If there’s a conviction, you may lose your volunteer status on Mars. And there may be fines taken out of your pay, too.

The First pressed a button on his desk and spoke into the intercom. “Who was on duty at the airlock when the crew came aboard last night? Send him up. I want to talk to him.”

Then the quartermaster officer led Clayton out the door and took him to the kitchen.

The ship’s driver tubes were pushing it along at a steady five hundred centimeters per second squared acceleration, pushing her steadily closer to Earth with a little more than half a gravity of drive.

There wasn’t much for Clayton to do, really. He helped to select the foods that went into the automatics, and he cleaned them out after each meal was cooked. Once every day, he had to partially dismantle them for a really thorough going-over.

Parkinson must be dead; he knew that. That meant the Chamber. And even if he wasn’t, they’d send Clayton back to Mars. Luckily, there was no way for either planet to communicate with the ship; it was hard enough to keep a beam trained on a planet without trying to hit such a comparatively small thing as a ship.

But they would know about it on Earth by now. They would pick him up the instant the ship landed. And the best he could hope for was a return to Mars.

No, by God! He wouldn’t go back to that frozen mud-ball! He’d stay on Earth, where it was warm and comfortable and a man could live where he was meant to live. Where there was plenty of air to breathe and plenty of water to drink. Where the beer tasted like beer and not like slop. Earth. Good green hills, the like of which exists nowhere else.

Slowly, over the days, he evolved a plan. He watched and waited and checked each little detail to make sure nothing would go wrong. It couldn’t go wrong. He didn’t want to die, and he didn’t want to go back to Mars.

Nobody on the ship liked him; they couldn’t appreciate his position. He hadn’t done anything to them, but they just didn’t like him. He didn’t know why; he’d tried to get along with them. Well, if they didn’t like him, the hell with them.

He was very clever about the whole plan. When turn-over came, he pretended to get violently spacesick. That gave him an opportunity to steal a bottle of chloral hydrate from the medic’s locker.

And, while he worked in the kitchen, he spent a great deal of time sharpening a big carving knife.

Once, during his off time, he managed to disable one of the ship’s two lifeboats. He was saving the other for himself.

The ship was eight hours out from Earth and still decelerating when Clayton pulled his getaway.

It was surprisingly easy. He was supposed to be asleep when he sneaked down to the drive compartment with the knife. He pushed open the door, looked in, and grinned like an ape.

The Engineer and the two jetmen were out cold from the chloral hydrate in the coffee from the kitchen.

Moving rapidly, he went to the spares locker and began methodically to smash every replacement part for the drivers. Then he took three of the signal bombs from the emergency kit, set them for five minutes, and placed them around the driver circuits.

He looked at the three sleeping men. What if they woke up before the bombs went off? He didn’t want to kill them though. He wanted them to know what had happened and who had done it.

He grinned. There was a way. He simply had to drag them outside and jam the door lock. He took the key from the Engineer, inserted it, turned it, and snapped off the head, leaving the body of the key still in the lock. Nobody would unjam it in the next four minutes.

He was panting and out of breath when he arrived, but no one had stopped him. No one had even seen him.

The signal bombs were not heavy charges; their main purposes was to make a flare bright enough to be seen for thousands of miles in space. Fluorine and magnesium made plenty of light—and heat.

Quite suddenly, there was no gravity. He had felt nothing, but he knew that the bombs had exploded. He punched the LAUNCH switch on the control board of the lifeboat, and the little ship leaped out from the side of the greater one.

Then he turned on the drive, set it at half a gee, and watched the STS-52 drop behind him. It was no longer decelerating, so it would miss Earth and drift on into space. On the other hand, the lifeship would come down very neatly within a few hundred miles of the spaceport in Utah, the destination of the STS-52.

Landing the lifeship would be the only difficult part of the maneuver, but they were designed to be handled by beginners. Full instructions were printed on the simplified control board.

Clayton studied them for a while, then set the alarm to waken him in seven hours and dozed off to sleep.

He dreamed of Indiana. It was full of nice, green hills and leafy woods, and Parkinson was inviting him over to his mother’s house for chicken and whiskey. And all for free.

Beneath the dream was the calm assurance that they would never catch him and send him back. When the STS-52 failed to show up, they would think he had been lost with it. They would never look for him.

When the alarm rang, Earth was a mottled globe looming hugely beneath the ship. Clayton watched the dials on the board, and began to follow the instructions on the landing sheet.

He wasn’t too good at it. The accelerometer climbed higher and higher, and he felt as though he could hardly move his hands to the proper switches.

He was less than fifteen feet off the ground when his hand slipped. The ship, out of control, shifted, spun, and toppled over on its side, smashing a great hole in the cabin.

Clayton shook his head and tried to stand up in the wreckage. He got to his hands and knees, dizzy but unhurt, and took a deep breath of the fresh air that was blowing in through the hole in the cabin.

To: Space Transport Service
Subject: Lifeship 2, STS-52
Attention Mr. P. D. Latimer

I have on hand the copies of your reports on the rescue of the men on the disabled STS-52. It is fortunate that the Lunar radar stations could compute their orbit.

The lifeship landed—or, rather, crashed—several miles west of Cheyenne, as you know, but it was impossible to find the man who was piloting it until yesterday because of the weather.

He has been identified as Ronald Watkins Clayton, exiled to Mars fifteen years ago.

Evidently, he didn’t realize that fifteen years of Martian gravity had so weakened his muscles that he could hardly walk under the pull of a full Earth gee.

As it was, he could only crawl about a hundred yards from the wrecked lifeship before he collapsed.

I hope you’re not getting the snow storms up there like we’ve been getting them.

*** END OF THE PROJECT GUTENBERG EBOOK THE MAN WHO HATED MARS ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.

The Project Gutenberg eBook of The Man Who Hated Mars

The Man Who Hated Mars

By RANDALL GARRETT

THE FULL PROJECT GUTENBERG LICENSE