The Project Gutenberg eBook of I'll Leave It To You, by Noël Coward.

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"I'LL LEAVE IT TO YOU"

Produced on Wednesday, July 21, 1920, at the New Theatre, London, with the following Cast of Characters:—

The action of the play takes place in Mulberry Manor, Mrs. Dermott's house, a few miles out of London.

Eighteen months elapse between acts one and two, and one night between acts two and three.

"I'LL LEAVE IT TO YOU"

A plan of the stage of the New Theatre, London, set for the play is given at the end of the book.{*}

Scene.—The Hall of Mulberry Manor. All the furniture looks very comfortable. Through the window can be seen a glimpse of a snowy garden; there is a log fire. The light is a little dim, being late afternoon. Seated on the table swinging her legs is Joyce, she is attired in a fur coat and goloshes, very little else can be seen, except a pink healthy looking young face. Sylvia is seated on the Chesterfield R. She is twenty-one and exceedingly pretty. It is about five days before Christmas.

Sylvia (sewing). Why on earth don't you go and change them? You'll catch cold.

Bobbie. She loves having a fuss made of her, beef tea—chicken—jelly with whipped cream—and fires in her bedroom, little Sybarite.

Bobbie (comes C.). No, I don't; whenever my various ailments confine me to my bed, I chafe—positively chafe at the terrible inactivity. I want to be up and about, shooting, riding, cricket, football, judo, the usual run of manly sports.

Bobbie (pained). Please, please, please, not in front of the child. (Joyce kicks). It's demoralizing for her to hear her idolized brother held up to ridicule.

Joyce. You're not my idolized brother at all—Oliver is. (Turning away, pouting.)

Bobbie (seated R. on Chesterfield, sweetly). If that were really so, dear, I know you have much too kind a heart to let me know it.

Sylvia. What is the matter with you this afternoon, Bobbie—you are very up in the air about something.

Bobbie (rising and sitting on club fender). Merely another instance of the triumph of mind over matter; in this case a long and healthy walk was the matter. I went into the lobby to put on my snow boots and then—as is usually the case with me—my mind won. I thought of tea, crumpets and comfort. Oliver has gone without me, he simply bursts with health and extraordinary dullness. Personally I shall continue to be delicate and interesting.

Bobbie. Really, Sylvia, you do say the most awful things, remember Joyce is only a school-girl, she'll be quite shocked.

Bobbie. Oh, no, you don't. I've read the modern novelists, and I know; all you do is walk about with arms entwined, and write poems of tigerish adoration to your mistresses. It's a beautiful existence.

Sylvia. It's all very well to go on fooling Bobbie, but really we shall have to pull ourselves together a bit. Mother's very worried, as you know, money troubles are perfectly beastly, and she hasn't told us nearly all. I do so hate her to be upset, poor darling.

Bobbie. What can we do? (Sits L. end of Chesterfield. Joyce puts down magazine and listens.)

Sylvia. That's cheap wit, dear; also it's the wrong moment for it. (Joyce giggles.)

Bobbie. It's always the wrong moment for cheap wit, admitting for one moment that it was, which it wasn't.

(Enter Evangeline downstairs; she is tall and almost beautiful;
she carries a book in her hand.)

Bobbie (turning). Oh, Vangy, do come and join us; we're on the verge of a congress.

Evangeline (goes to him, back of Chesterfield, touches his hair.) Try not to be so irritating, Bobbie dear; just because you don't happen to appreciate good literature, it's very small and narrow to laugh at people who do.

Sylvia. But seriously, Vangy, we are rather worried (Evangeline moves) about mother; she's been looking harassed for days.

Sylvia. Money, money, money! Haven't you realized that! Uncle Daniel sent a pretty substantial cheque from South America (all nod) that helped things on a bit after Father's death, but that must be gone by now—and mother won't say how much father left.

Bobbie. She must know now, he's been dead nearly six months—inconsiderate old beast!

Sylvia. Bobbie, you're not to talk about father like that. I won't have it; after all——

Bobbie. After all what?—He was perfectly rotten to mother, and never came near her for four years before his death. Why should we be charming and reverent about him just because he's our father. When I saw him I hated him, and his treatment of mum hasn't made me like him any better, I can tell you.

Evangeline. But still, Bobbie, he was our father, and mother was fond of him—(Bobbie. Ha!)—once, anyhow there's nothing to be gained by running him down.

Joyce (goes to Evangeline). Do—do you think we may have to leave this house?

Joyce. I say, don't you think Oliver ought to be here—if anything's going to happen? He's the eldest.

Sylvia. He wouldn't be any help. He cares for nothing but the inside of motors and the outside of Maisie Stuart; he's not observant enough to know her inside.

Sylvia. Well, it's absolutely true; he thinks she's everything that's good and noble, when all the time she's painfully ordinary and a bit of a cat; what fools men are.

(Enter Mrs. Dermott downstairs followed by Bobbie; she is a pretty
little woman with rather a plaintive manner.)

Mrs. Dermott (as she descends). Bobbie says you all want to talk to me! What's the matter, darlings? (Comes C.)

Sylvia. That's what we want to know, mum; come on now, out with it. You've been looking worried for ever so long.

Sylvia. Now listen to me, mother; you've got something on your mind, that's obvious to any one; you're not a bit good at hiding your feelings. Surely we're all old enough to share the worry, whatever it is.

Mrs. Dermott. (kissing her). Silly old darlings—it's true I have been a little worried—you see, we're ruined.

Mrs. Dermott (shaking her head sadly). Yes, we're ruined; we haven't a penny. (Moves to chair below table.)

Mrs. Dermott (sitting). I only knew it myself this morning, I had a letter from Tibbets; he's been through all the papers and things.

Mrs. Dermott. I'm afraid so, darling; you see there are taxes and rates and things. Tibbets knows all about it—he's coming down to-night.

Mrs. Dermott. He's my only hope. I cabled to South America three weeks ago. I didn't know the worst then, but I felt I wanted some one to lean on—after all, his cheque was a great help.

Mrs. Dermott. He must be, he's a bachelor, and he has a ranch and a mine and things.

Mrs. Dermott. No, but of course he may have been out prospecting or broncho-breaking or something when it arrived. They live such restless lives out there—oh, no, I don't think he'll fail me, he's my only brother.

Mrs. Dermott. No, dear, but you know lawyers are always clever at knowing other people's business—I shall never forget——

Bobbie. Yes—but mother, what will happen if he isn't rich, and doesn't help us after all?

Mrs. Dermott. Well, Tibbets says we needn't for another two years. It's paid for until then or something.

Mrs. Dermott. But we shall have to be awfully careful. Oh, darlings (she breaks down), thank God I've got you. (Weeps on Bobbie's knee.)

Mrs. Dermott. But, darlings, you know you can't make money unless you're Socialists and belong to Unions and things.

Evangeline. Well, I know I should make money in time. There's a great demand for really good stuff now.

Evangeline (rising). Look here, Bobbie, I'm tired of your silly jeering at me. Just stop trying to be funny. (Moves to L.C.)

Bobbie (hotly). I realize the futility of endeavour when I see how funny others can be without trying (following her.)

Joyce (jumping up; firing). He's not a pip squeak. Fanny Harris says he's the most good-looking boy she's ever seen.

Bobbie. Oh! Don't betray your jealousy of my looks, Evangeline. It's so degrading.

Mrs. Dermott. Children, stop quarelling at once. I think it's most inconsiderate of you under the circumstances.

(Bobbie sits on table back to audience. There is silence for a moment.
Enter Griggs from hall with a telegram.)

Mrs. Dermott (taking it). Thank you, Griggs. (She opens it and reads it.) There is no answer, Griggs.

Mrs. Dermott. He'd never have got across so quickly if he hadn't. (She sniffs.) Oh, it's too, too wonderful—I have not seen him for six years.

Bobbie (c.). Oliver has gone for a brisk walk, to keep fit he said, as if it made any difference whether he kept fit or not.

Mrs. Dermott. It makes a lot of difference, dear. He is the athletic one of the family. (Bobbie is annoyed.) I don't like the way you speak of him, Bobbie. We can't all compose songs and be brilliant. You must try and cultivate a little toleration for others, darling. (Oliver passes window from l.) Oliver is a great comfort to me. Tibbets only said——

Evangeline (glancing out of the window). Here he is, anyhow. Who's going to tell him the news?

Mrs. Dermott (rising, goes to stairs). Well, I've no time now, I must change my dress for Daniel. Turn on the lights, Bobbie; make everything look as cosy and festive as you can. (On stairs.) Run into the kitchen, Joyce dear, and tell cook to make an extra supply of hot cakes for tea. I'm sure Daniel will love them after being so long abroad and living on venison and bully beef and things. (Ascending, then turns.) You will all wash before tea, won't you, darlings? It's always so important to make a good first impression, and he hasn't seen any of you since you've been grown up. (Glances in mirror.) Oh! look at my face, I look quite happy now.

Sylvia. I think mother is rather mixing up North and South America; they don't have such awful hardships where Uncle Daniel comes from.

(Enter Oliver from hall; he is a thick-set, determined-looking man
of twenty-five.)

Joyce. We're ruined. I've just got to go and order extra teacakes. Isn't it all thrilling?

Sylvia. It's perfectly true. We haven't any money, but Uncle Daniel's coming to-day, and we're sure he'll help us.

Evangeline (at fire). Mother's been rather vague as usual, but we gather that we're practically penniless, and that we shall have to give up the house after two years unless something happens.

Sylvia. Luckily Uncle Daniel is happening—this afternoon. Mother's just had a wire from him—he's certain to be rich, mother says.

Sylvia. Because he's a bachelor, and has been living in South America for five years.

Bobbie (coming C.). She heard from Tibbets this morning, he's coming down to-night.

Bobbie (C.). We've all got to wash and make ourselves look clean and sweet for Uncle Daniel. Your collar's filthy; you'd better go and change it quickly. He may be here at any minute.

(Bobbie turns up the lights and goes upstairs followed by Oliver.
Evangeline goes up slowly after them.)

Evangeline (following him). What a muddle! What a muddle! (Turns on stairs.) Shall I put on my emerald green tea gown? (To Sylvia.)

Evangeline (piqued). I don't think it's at all too old for me. I shall certainly put it on.

(She disappears upstairs. Sylvia is left alone. Suddenly there comes a loud peal at the front door bell. Sylvia sees some half-made crêpe-de-chine underclothes on form, takes them, hides them under cushions on window seat L. Draws curtains to window L., then L.C. as enter Griggs, followed by Uncle Daniel in an opulent-looking fur coat—he is a tall, stoutish man of about forty-five. Sylvia shrinks back by stairs.)

Griggs (assisting him off with his coat). If you will wait, sir, I'll tell Mrs. Dermott you are here.

(Griggs has meanwhile taken his coat into the lobby. Sylvia creeps cautiously from behind and goes towards stairs. Daniel looks round and sees her. He watches her in silence for a moment, as she goes up a few stairs.)

Sylvia (R.C., laughing). I was having concussion last time you were here, having cut my head open on a door scraper at school. Naturally you wouldn't remember me.

Daniel. Oh, but I do now, you were the sole topic of conversation at lunch. How foolish of me to have let you slip my memory. Where are all the others?

Sylvia. They're upstairs improving on the Almighty's conception of them as much as possible in your honour; I was just going to do the same when you caught me.

Sylvia. And untidy. We've just been having a sort of family conference. It was very heating.

Daniel. I think you might have waited for me—I'm a most important factor. What were you discussing?

Sylvia. But you wait until mother comes. She'll explain everything. I'll go and hurry her up. (She goes up stairs.)

Daniel. Broncho busting! What on earth does she mean? (He walks slowly to fireplace and stands with his back to it.)

Daniel (he turns her round to R.). Well, this is splendid—you do look fit! Do you know I've often longed to be home. I've imagined winter afternoons just like this—with a nice crackly fire and tea and muffins in the grate. (Pulling her on Chesterfield.)

Mrs. Dermott. Oh well, they're not in the grate yet, dear, but they will be soon. I ordered a special lot because I knew you loved them.

Daniel. I started for home the very moment I heard you were in trouble; has everything been very, very trying?

Mrs. Dermott. Only during the last few days. You see, George hadn't been near me for four years before he died, so it wasn't such a terrible shock as it might have been. Of course, he was my husband, and it was upsetting, but still——

Mrs. Dermott. Well, he's dead now—but don't let's discuss my affairs. Tell me about yourself; what have you been doing?

Daniel. That can wait. Considering that the sole object of my coming to England was to help you, I think we ought to concentrate. Tell me now, has he left you very badly off?

Mrs. Dermott. Well, Tibbets says we're ruined, but you know what Tibbets is. Such a pessimist!

Mrs. Dermott. I think Tibbets said about fifteen hundred; of course we can't keep the house and family going on that, can we?

Mrs. Dermott. Yes. He's going to be a barrister or an engineer. He's very vague about it, but has been learning Pelmanism, so I know he's going to be something.

Mrs. Dermott. He composes, you know—beautiful little songs,—mostly about moonlight. Evangeline writes the words. She is very artistic, and——

Mrs. Dermott. Oh—er—she—well—she does the flowers, and comes calling with me, and she's invaluable at jumble sales, when we have them.

Mrs. Dermott. Joyce? Oh, she's still at school—she's going to Roedean next year to be finished.

Mrs. Dermott. Oh, Danny, how can you be so horrid? Why, they're all darlings! You can't expect them to work. They've not been brought up to it.

(Enter Evangeline down stairs, followed by Oliver, Bobbie and
Joyce. Sylvia comes last.)

Mrs. Dermott (rising, back to audience). Here they are. Children this is Uncle Daniel.

Bobbie (shaking hands). I don't remember you a bit, but I may later when we all start reminiscencing. (Goes L.)

Sylvia (kissing him). D'you know you haven't changed a bit since I last saw you!

Daniel. May I say that it gives me immeasurable joy to be here once more in the bosom of my family. (Sits on Chesterfield.)

Daniel. I don't. But I have looked forward to this moment through the long sun-scorched nights with the great dome of the sky above me—shapes have drifted out of the surrounding blackness and beckoned to me, crying "Home, home" in depressing voices. I have heard the sand-bug calling to its mate. "Home," it said, and bit me——

(They sit, Oliver on arm of Chesterfield, Joyce crosses to form R., Evangeline on club-fender, Bobbie chair below table, Sylvia arm-chair.)

Daniel. I feel restless. It must be the home surroundings after all these years.

Daniel. So should I between ourselves, but still——. Oh, by the way, I—I have something rather important to say to you, you must prepare yourselves for a shock—I—I—— (He dabs his eyes with his handkerchief.)

Mrs. Dermott. It's the most awful thing. Tell us why—what's the matter with you? (Quickly.)

Daniel (pulling himself together dramatically). No specialist in the world could ever do me any good.

Daniel (takes big breath). Sleeping sickness! (Smiles broadly at Mrs. Dermott.)

Bobbie (rising). But, uncle, I thought sleeping sickness polished you off in one night.

Daniel (embarrassed). So it does, but that one night won't happen to me for three years. The doctor says so. He knows. You see I've got it internally or something.

Mrs. Dermott (firmly). You must never go back there—you shall stay with us until—until—the end——

Sylvia (goes behind Chesterfield). Oh, mother darling, don't cry. (She looks at Daniel rather angrily.)

Daniel (rising). I'm sorry I have upset you, Anne. But I have told you this to-day with a purpose in my mind. (Moving to C.)

Daniel (L. of arm-chair). Yes, I have a few words to say to you all—words which, though they may sound a little mercenary, are in reality prompted by very deep feeling.

Daniel. Ssh! (waves her to silence). It may seem to all of you "banal" in the extreme to talk of money on an occasion such as this, but believe me, it's best to get it over. I came over to England this time, as I have said, with a purpose—one might almost say a double purpose. Firstly, to comfort my sister, your dear mother, in her hour of—er—tribulation. (He pauses.) If you would just say "yes" or "quite so" whenever I pause, it would help me enormously.

Daniel. I thank you. And secondly, to feast my eyes, perhaps for the last time on earth, upon you children—also to talk to you seriously, for after all, you're my only relatives in the world.

Daniel. And out there (he nods his head descriptively) we don't get much chance of spending our money——

Daniel. And now I come to the point. At the end of three years I shall be no more.

Mrs. Dermott. Yes, but not of sleeping sickness. It's so horrible. Anything else—but not sleeping sickness.

Daniel. I believe it is very comfortable, but that is neither here nor there. What I was going to say was this, I am a firm believer in the old-fashioned laws of entail. I have no patience with this modern way of dividing up legacies between large numbers of people——

Daniel. When I pass into the great beyond (Mrs. Dermott sniffs. He is obviously rather pleased with that remark, so he repeats it)—pass into the great beyond, I intend to leave the whole bulk of my fortune to the one of you who has made good——

Daniel. I mean make good your position in the world, justify your existence, carve for yourself a niche in the Temple of Fame—— (Turning R.)

Daniel. What is the use of idling through life, frittering away your youth, I repeat, frittering away your youth, when you might be working to achieve some great and noble end? (Oliver embarrassed) You, Oliver, you might in time be a great inventor, and know all about the insides of the most complicated machines. You, Evangeline (Evangeline rises, poses by fireplace, one hand on mantel. Joyce laughs—she pulls her hair), might develop into a great poetess; your mother tells me that you already write verses about the moonlight. They all start like that, only unfortunately some of them stay like it. (She sits again.) You, Bobbie, you are artistic, too, you might without undue strain become a world famed composer, artist, actor. (Bobbie rises, moves down L., posing as actor.) Sylvia, for you I foresee a marvellous career as a decorative designer. You already arrange flowers and jumble sales—and last, but not by any means least, little Joyce (Joyce hangs her head, polishes her nails), now on the very threshold of life. What are you going to do with yourself? Sit at home and wait for a nice husband with mediocre prospects and perhaps an over-developed Adam's apple? Never, never! You too must rise and go forth—the world is calling to you. Do what you will. I can't think of a career for you at the moment, but no matter. I only want to impress upon you all the necessity of making good at something—make good, make good, make good! And the one I consider has done best for himself and the family name, to him—or her—I will bequeath every penny I possess. (Goes up four stairs.)

(All looking towards Daniel, the positions are now as follows:—Daniel, up four stairs. Mrs. Dermott extreme R. Sylvia up R.C. Oliver down R.C. Evangeline down C. Joyce up L.C.. Bobbie down L.)

Daniel (holding up his hand.) Please—couldn't you possibly speak one at a time? Sylvia? (Motions to her.)

Sylvia (stepping forward). What we want to know, uncle, is how on earth are we to start?

ACT II.

The Scene is the same as Act I. Eighteen months have elapsed. All the windows are wide open. It is a glorious summer day. Alterations in the furniture are noted at the end of the play. At the table L. Evangeline is seated when the Curtain rises, typewriting slowly but firmly. There are a lot of papers strewn about. On the piano there is a sort of a pastry board to which is affixed a working model of a motor engine in miniature. Joyce is seated at table L.C. laboriously copying out a sheet of music on to some manuscript paper.

Joyce (showing music). Is it a crotchet or a quaver that has a waggle on the end of it?

Joyce. I do think Bobbie might write them a little more distinctly, it's awfully difficult to copy.

Evangeline. I don't wish to appear surly or disagreeable to my younger sister, but if you don't stop squawking I shall hurl something at you.

Evangeline (after a short pause). Joyce, you really are maddening; you know perfectly well that I have to revise and retype an entire short story which in itself is a nerve-racking job, and all you do is to burble and sing, and gabble. Can't you be quiet?

Evangeline. Because it would be neither comfortable or proper with three inquisitive painters there, running up and down the kitchen steps.

Evangeline. But if you desire to continue your noises, may I suggest that you do your music in the summer house. There's a nice firm table there.

Mrs. Dermott. Vangy dear, I do think you might have made the hall look a little tidier. We shall have Mrs. Crombie and Faith here soon. It really is tiresome of Bobbie to have made me ask them, specially as Uncle Daniel's coming too. They'll be terribly in the way and we shall have to make conversation instead of listening to Uncle Daniel's thrilling stories. (Goes to Chesterfield and tidies papers.)

Evangeline. He's very inconsiderate. I don't think you ought to give in to him so much, mother; it only makes him worse. What he can see in that tiresome little cat beats me.

(Mrs. Dermott merely takes papers from one place to another, frequently
dropping some, as she is "tidying up.")

Joyce. Well, we can be thankful that Mrs. Crombie isn't staying over the week-end. One day of her is bad enough.

Mrs. Dermott (tidying papers on form). You mustn't talk like that, dear. After all they are our guests and Bobbie's friends, and we must be kind even if we don't like them very much. (Picking up waste paper basket from the front of table.) I'm only worrying because darling Daniel may be hurt at our having strangers in the house when he arrives.

Joyce. Oh, Uncle Dan won't mind. He's probably used to face polar bears and things in his shack.

Evangeline. But it seems hard luck to leave raging bears on one side of the Atlantic and meet Mrs. Crombie on the other.

Mrs. Dermott (anxiously). Darling—do be careful. (Drops papers and puts waste paper basket through window L.C. Enter Bobbie downstairs. Mrs. Dermott continues to tidy up room.)

Evangeline. Nothing much, only your crochets and quavers have sent our little ray of sunshine into a rapid decline.

Joyce (weakly). The top treble thing's a little wobbly, but I'll ink it over afterwards.

Bobbie (kissing her hurriedly and loudly). Thanks, you're a lamb. I'll try it now.

Bobbie. I shall. (He goes to piano, then turns furiously.) Well, really it is the limit. Why can't Oliver keep his rotten engine in the shed. It will scratch all the polish. (He takes the model off piano and bangs it on to the floor.)

Mrs. Dermott. Oh, Bobbie, don't break that thing. Oliver's so proud of it. I can't think why.

Bobbie. Well, I wish he'd go and be proud of it somewhere else. Look here, three distinct scratches.

Mrs. Dermott. Never mind dear. Griggs will get them out with sandpaper or something.

(Bobbie commences to play over the manuscript Joyce has just copied. Occasionally he stops and alters something with a pencil. No one takes any notice. The dialogue goes on just the same.)

(Coming down to Evangeline.) If you've nearly finished, Vangy dear, do put the typewriter away. It looks so untidy.

Evangeline (rather crossly, rising). Of course I quite see that until my room's done, I shall never be able to do any work at all. (Puts cover on typewriter, then pushes table up to back L.)

Mrs. Dermott. Don't be cross, darling. You know how worried I am over everything this morning. It's one long rush.

Evangeline (kissing her). Sorry dear. I quite understand, only I must have this story sent to the Clarion by Tuesday. If not, it won't be out until the August number.

Mrs. Dermott. You're a dear darling, and you work terribly hard. I only hope you won't overdo it.

Evangeline. Oh no, these stories are only pot boilers. They just fill in the time until my next novel is ready.

Bobbie (suddenly.). Listen, don't you think this is a ripping change? (He plays a few chords. He then sits back complacently.)

Bobbie. Only because you haven't got any ear. As a matter of fact they're quite good chords. I shall put them into the new tomb-stone cycle.

Bobbie. Not many, but the bit about "worms gnawing the grave of my beloved" is a little too gloomy. Couldn't you make it butterflies?

Evangeline. Don't be silly, Bobbie! butterflies don't live in graves. Well, you can use the first two verses as they are.

(He starts to play again, Mrs. Dermott is just going towards the stairs when there comes a ring and knock at the front door.)

Joyce (rising). My goodness, the Crombies—I must go and wash. I'm covered in ink. (Going to stairs.)

Evangeline (down L. of table). I shouldn't worry, dear, they'll be so overdressed themselves they will amply make up for any deficiencies in our appearances.

Evangeline (going to corridor). I'll be in presently, mother. I've left my note-book in the summer house, and I'm afraid of forgetting it.

Mrs. Dermott (C.). Really it's most inconsiderate of her to leave me alone like this. Bobbie darling—— (Bobbie crosses to her, kisses her.)

(Enter Mrs. Crombie, and Faith. Mrs. Crombie is a well-preserved, rather flashy woman. Faith is a very pretty girl, perhaps a shade too self-assured. She is all right when by herself, but when compared with the Dermott girls, there is obviously a little something lacking.)

Mrs. Dermott (going to her, drops quantity of papers). I'm so glad you were able to come, dear Mrs. Crombie. How are you, Faith dear? (Faith giggles, goes down to Chesterfield.) I do hope you weren't too shaken up in the Ford, but Sylvia has taken the car up to Town to meet my brother.

Mrs. Crombie (up R.C.). Not at all, we didn't expect to be met at all. It's such a little way. Well, Bobbie, have you been writing any more successes?

Mrs. Dermott (C.). He always talks like that. Fancy, he says his Rose song is bad. Fancy that wonderful Rose song. I'm always humming it. (Hums few notes of "The Rosary," Bobbie attempting to stop her.) Well, I forget it now, but I love it.

Mrs. Dermott. Now then, shall we all go out into the garden? Oliver and Vangy are somewhere about. We always sit under the big cedar in the afternoons. It's so beautifully shady.

Mrs. Crombie (walking towards door with Mrs. Dermott). I envy you your garden so much, Mrs. Dermott. I have about two rose bushes and a tennis net. Faith insists on that.

Bobbie. No, she won't. They're both jawing quite happily. I have been so looking forward to to-day.

Bobbie. Do you realize it's a whole week since I've seen you. (Dropping her hand.) I've got something for you.

Joyce. Hullo, Faith, how are you? (They kiss.) Come and play a single with me.

Bobbie (at piano). Oh, do go away, Joyce. I'm just going to play her a song—her song.

Joyce. Aren't you lucky? Well, come out presently when you feel you're rhapsodized enough. (Crosses to corridor.)

Joyce. Oh, thanks, dear, for your kind help. Sorry I came in at the wrong moment.

(Faith reads magazine and takes no notice of song. He plays and
sings a short love song.)

Faith (putting magazine down—ecstatically). Oh, Bobbie, that's simply too sweet for words. It has a something about it—did you really write it for me?

Faith. Bobbie! that's wonderful! Wonderful!! It's the best you've ever done. Now I know you are clever.

Faith (goes to him). Oh! didn't you. Well, I know you would if you had thought of it—but never mind——

Bobbie. I could tell you such wonderful things—but I don't know whether you would understand.

Faith (pouting girlishly). That's not very polite. (Coming down between armchair and Chesterfield.)

Bobbie. I mean that you wouldn't understand unless you felt like I do. Oh, I don't know how to put it—but do you?

Bobbie (by armchair—desperately). Feel as if you could ever care—even a little bit—for me?

Bobbie (in anguish—moving slightly C.). Ask mother! But that's no use. Why, my mother could never make me care for someone I didn't want to, or not care for some one I did. Don't you see what I mean. If you are ever going to care for me you will have to do it on your own. Love isn't a thing to be ordered about at will. Love is wonderful—glorious, but above all, it's individual—you can't guide it. Why, you might fall in love with a taxi driver or a dope fiend——

Bobbie (L. of Chesterfield—firmly). But if you did, your mother's opinion wouldn't have any effect at all—not if you had it in your heart—really and truly.

Bobbie. No, it mightn't—nothing could stop it. On the contrary it would probably strengthen it; opposition always does.

Mrs. Dermott. I've just received the oddest telegram. We met the boy in the drive. Do listen, I can't understand it. (She reads.) "Come to lunch Monday and discuss Royalties—Claverton." What does it all mean?

Mrs. Dermott. What on earth do they want to discuss Royalties for. It sounds so snobbish.

Bobbie (laughing). Mother, at times you're inimitable. Royalties means money, so much per cent., you know. We've explained it heaps of times.

Mrs. Dermott. Of course, dear, how stupid of me; but still it is very muddling, when they call things by fancy names like that. Put it on the mantelpiece and give it to Vangy when she comes in.

Bobbie. Yes, I know something that will banish your mother's disapproval altogether....

Bobbie. Well, she's pretty certain to want you to make a good match. I know what mothers are, they all do. I'm not a good match I know, but what she doesn't know is that I have wonderful prospects.

Bobbie. I mean to when I've told you everything. Will you listen? (Moves to R. of Chesterfield.)

Bobbie. Well, have you ever met my Uncle Daniel? (Sits by her on Chesterfield.)

Bobbie. You will to-day, he's a wonderful chap. Eighteen months ago his doctor told him that he only had three years to live. (Faith giggles.) And the day he came over from South America he gave us all a jolly good talking to—quite right too.

Bobbie. You see father had left mother badly off, and we were all drooping round doing nothing.

Bobbie. Then Uncle Dan turned up and said he'd leave his whole fortune to the one of us who made good in some way or other. Of course that bucked us up no end, and look at us now—Vangy's raking in the dibs with her novel, Sylvia's on a fair way to be a big film star, Oliver has just been made assistant manager at the motor works, which is a good leg-up considering that he started as an ordinary mechanic. I'm doing jolly well out of my songs—specially "The Rose of Passion Sweet." Why they buy the beastly thing I don't know. It's the worst of the lot.

Bobbie. Even Joyce has walked off with all the prizes at school and intends to be a great artist. You see we've all risen to the bait. Eighteen months ago it seemed providential that Uncle should only have such a short time to live, now I rather hate it, in spite of the money. He's a dear, though of course we didn't see much of him. He went back to South America soon after he'd seen us, but still he left an impression. Here we are, all working like slaves, and helping mother to keep on the house. It would have broken her heart to have given it up. There are my prospects—a huge fortune, quite soon.

Bobbie (after looking round). Ah, but there is just one more thing to tell you. Two days before he sailed Uncle Dan took me aside and told me—in the very strictest confidence of course—that I was the one out of us all that he had his eye on; he said he'd practically made out his will in my favour already....

Bobbie. Yes, but promise you won't breathe a word to the others; of course you understand he couldn't show favouritism openly.

Bobbie. Now that I have told you everything, Faith darling, will you—will you marry me?

Bobbie (joyfully—taking her hands). Oh, Faith we'll have the most wonderful times in the world—just you and me together; say you're happy, say you're excited about it.

Faith. I'm absolutely thrilled—I'm—— (Bobbie sees Mrs. Crombie. Picks up papers on floor to hide his confusion.)

Mrs. Crombie (going L.C.). You ought to be ashamed of yourselves, sitting indoors on a lovely day like this. (Faith giggles.) Heaven knows we get little enough good air in town, without wasting it when we get into the country.

Bobbie (sincere). Look here, Faith, you must let me tell her—it's my job, I won't shirk it.

Faith. Don't be silly, Bobbie, go into the garden, there's a darling—I'll come out in a minute or two.

Bobbie. Oh, all right.... (Goes up between Chesterfield and fireplace, and exits into garden.)

Mrs. Crombie. You are a little fool, Faith. Fancy flirting with that—the elder one has much more in him.

Mrs. Crombie. Oliver is a steady man with an assured career in front of him—this one——

Mrs. Crombie. Of course you are. That has been perfectly obvious from the moment I passed the window. Now of course we have all the trouble of getting you disengaged again. Really you are very tiresome. (Below table.)

Faith. Mother, how can you be so horrid, you will not understand! Bobbie has ever so much better prospects than Oliver.

Faith. Yes, but it's true; his Uncle is going to leave him a huge fortune in a year's time.

Faith. He's only got one—Daniel Davis. He landed in England yesterday, and is coming down here to-day. Eighteen months ago the doctor said he only had three years to live——

Mrs. Crombie. I've been caught like that before. (Crosses to mantelpiece for matches.)

Mrs. Crombie. Experience has taught me one thing, and that is that in this world people never die when they're expected to. (Sits on Chesterfield.) The old man will probably live to a ripe old age, then where would you be?

Faith. Well, anyhow Bobbie makes quite a lot out of his songs. (Sits in armchair.)

Mrs. Crombie. Don't be childish, Faith. You know perfectly well I should never allow you to marry a man without a settled income—prospects never kept anyone. Besides, if any of them get the uncle's money it will be Oliver—he's the eldest. (Lights cigarette.)

Faith (in chair L.C.). That's where you are wrong, mother. Just before he sailed back to America, he took Bobbie aside and told him in confidence that he was the one he meant to leave everything to. Of course the others mustn't know because it would be favouritism—don't you see?

Mrs. Crombie. There are hundreds of bachelors in South America who are absolutely penniless—whether they mine or not.

Faith. You are horrid, mother. (Sniffs.) I did feel so happy, and I wanted you to be happy too.

Mrs. Crombie (with slight sarcasm). It was sweet of you, dear. I really can't work myself up to a high pitch of enthusiasm over an uncle who though apparently in the last throes of a virulent disease is well able to gallop backwards and forwards across the Atlantic gaily arranging to leave an extremely problematic fortune to an extremely scatter-brained young man.

Mrs. Crombie. The whole family is scatter-brained, and I expect the uncle's the worst of the lot—he wouldn't have been sent to South America otherwise.

Mrs. Crombie. How do you know? He probably did something disgraceful in his youth and had to leave the country. Just like my brother, your Uncle Percy. I'm certain there's a skeleton of some kind in this family—anyhow he's sure not to die when we want him to.

Mrs. Crombie. Only to frighten him, that's what doctors are for. I believe they cured hundreds of cases in the army like that.

Mrs. Crombie. It strikes me, dear, that you had better find out a bit more before you get engaged another time.

Faith (tearfully). But I don't want to be engaged another time. I want to be engaged this time. Oh, mother darling, won't you wait a little while? Just see the uncle. If you got him alone for a while you could find out anything—you're always so clever at that sort of thing. Oh, mother, do.

Mrs. Crombie. I'll interview the man on one condition. That is that whatever decision I may make you promise to abide by it afterwards.

Faith (rises). Yes, mother, I promise. (Kisses her, remains below fireplace.)

Mrs. Crombie. Now I suppose we had better join the rest, they're being feverishly bright on the tennis lawn.

(Enter Mrs. Dermott followed by Evangeline. Mrs. Dermott motions to Evangeline to pick up papers, who does so, placing them on table.)

Mrs. Dermott. Ah, there you are, Mrs. Crombie; you were bored with watching tennis too. Of course Oliver and Joyce's efforts cannot really be called tennis, but still it's an amusement for them. (Sits in armchair.) Have you seen my knitting anywhere, Vangy darling? I'm certain I left it here.

Mrs. Dermott. Thank you so much, dear. You know, Mrs. Crombie, I imagined that all authors became terribly superior after a little time, but Vangy hasn't a bit—it is such a relief to me.

Mrs. Dermott. Oh, you belong to Boots too, I did for years—there's something so fascinating in having those little ivory marker things with one's name on them, but, of course, I had to give it up when the crash came.

Mrs. Dermott. Thank you so much, darling. Do you know, Mrs. Crombie, I started this at the beginning of the War and I haven't finished it yet? I do hope you are not being terribly dull here, Mrs. Crombie. (Drops ball of wool.) I'm afraid we're awfully bad at entertaining.

Mrs. Crombie. Not at all. You are one of those excellent hostesses who allow their guests to do as they like, it's so much more comfortable.

(Exit Faith.)

(During following scene Mrs. Dermott gets into complications with knitting. Evangeline settles herself L. with illustrated paper.)

Mrs. Dermott. Your daughter is a dear girl, Mrs. Crombie—we are all so fond of her.

Mrs. Crombie. It's charming of you—she simply loves being down here. Of course it is so good for her to get away from London for a little while.

Mrs. Dermott. I only wish we could have put you up as well, but really with all the children at home, there's no room at all. I was only saying to Tibbets—my solicitor, you know—that the one thing——

Mrs. Crombie. I understand perfectly. Anyhow, I can never leave my husband for long—men are so selfish, aren't they?

Mrs. Dermott. Sometimes I'm afraid, but still they're rather darlings when you know how to manage them. Vangy, dear, did I tell you how many stitches I set on this sleeve?

Mrs. Crombie. I was saying, Miss Dermott, that I must make an effort to get your book from the library.

Mrs. Dermott. I'm sure you'll like it, I did, though Vangy tells me I didn't understand half of it. Naturally being my daughter's work it thrilled me, though where she got all her ideas from I can't think—I've always been most careful with the children's upbringing——

Mrs. Dermott. Did I? Now what on earth could it have been? Was it a flustered ring, Griggs, or just an ordinary calm one?

Mrs. Dermott. Oh, of course, yes. Griggs, do you know how many stitches I cast on for this sleeve?

Griggs. Quite, madam, but if I might suggest it, next time an even number would be easier to remember.

Really, I don't know what I should do without that man. I believe he's Scotch, but he's quite invaluable.

Mrs. Dermott. Yes, his train arrived at Euston at eleven-thirty. They ought to be here quite soon now, unless, of course, anything has happened to the car—but still, Sylvia drives very carefully. They taught her to do lots of things like that on the films, you know—they're awfully daring—I shall never forget when they made her jump off Westminster Bridge on a horse—my sister Amy was scandalized, and I said——

Mrs. Crombie. I can quite imagine it. It was very plucky of your daughter to do it, though I'm glad Faith isn't on the films—I should be worried to death.

Mrs. Dermott. Of course I felt like that at first—but one gets hardened to anything—even my poor brother's approaching death seems less terrible now—at the time when he told us it was a fearful shock, but somehow——

Mrs. Crombie. It must be terribly sad for you. Faith told me about it this morning. What is he suffering from?

Mrs. Dermott. Well, to tell you the truth, we don't quite know, he will joke about it so—at first he said it was "Sleeping Sickness" and then "Creeping quickness" or pneu-somnia or something or other—one comfort, he doesn't seem to mind a bit.

Mrs. Dermott. Oh yes, they are careless—aren't they? Did you say "diagnosed," there now, that's the word you were trying to think of the other day for your short story, Vangy. I knew it was dia—— something.

Oliver (sitting on top of table). They ought to be here any moment now, unless Sylvia's bashed up the bus.

Bobbie (above Chesterfield to Mrs. Crombie, admiringly). Isn't he technical, the way he uses all the right expressions—it gives one such a professional air to call cars "buses."

Mrs. Crombie (rising). You must all be wondering that. (Goes to table powdering.) Faith, I shall go soon. I'm sure this man is going to be simply odious.

(All except Mrs. Crombie and Faith go out to meet Daniel. All enter together talking about their various professions. Bobbie to fireplace; Oliver behind table; Sylvia up stage; Joyce to form; Evangeline above fireplace; Mrs. Crombie below table; Mrs. Dermott C.; Daniel L.C.; Faith R. of table.)

Mrs. Dermott. Oh, Danny, darling—let me introduce you to Mrs. Crombie—my brother. And this is Faith—such a dear girl.

Mrs. Crombie. How do you do. I've heard so much about you. Are you feeling better?

Daniel (L.C., jovially). Better! Why, I never had a day's illness in my life—(look from all)—at least—that is until I had the illness. Yes, it's very tiresome. (He gulps.) A short life and a gay one, you know. (He laughs forcedly.)

Daniel. Nonsense, dear—there is no hope—but that's a comfort to me. I always imagine hope weary after a game of blind man's buff sitting on an orange—so uncomfortable.

Mrs. Dermott (sits Chesterfield, dabbing her eyes). Really, Danny, you are too absurd.... I'm so glad Sylvia brought you safely, I never really feel happy in my mind when she's out with the car. It's not really woman's work.

Daniel (sitting armchair). As far as I can gather from what she has been telling me—filming seems to require a certain amount of unwomanly abandon!

Sylvia (at back of Chesterfield, laughing). I was only telling him about that day in the middle of the village street, when I had to do three "close ups" on top of one another.

Sylvia. When they bring the camera right up to your face and you have to register various emotions—fear—suspicion—joy—yearning—sorrow—(she does them) that's a close up.

Daniel. I think they ought to film Evangeline's novel—it's chock full of incident.

Evangeline (rising, poses by mantel). Yes, uncle, but only psychological incident—they want luridly exciting episodes for a real thriller. I mean to write a scenario one day though, it's a money-making game. (Sits again.)

Mrs. Dermott. Do, dear—but please don't make the heroine jump out of attic windows or anything—it is so trying for Sylvia—I shall never forget Westminster Bridge and that horse.

Mrs. Dermott (with pride). Oh, it is. Sylvia does the most thrilling things, I assure you. She had to rescue the Rajah from a burning house in Piccadilly only last Wednesday. It caused a great sensation.

Mrs. Dermott. Oh, it wasn't a real Rajah of course—but he was supposed to be in the clutch of Bolshevists—or was that another film, Sylvia?—I get so muddled——

Sylvia. It was another film, mother, but it doesn't matter. How's your illness, Uncle Dan? You look pretty bright.

Daniel (with meaning). I always think we attach too much importance to life and death.

Daniel. I was just going to, only you interrupted me—out there on the limitless prairie, a man's life is not considered worth that much. (He tries to snap his fingers without any success.) There now, I can never do that properly—that much. (He tries again.) Damn!

Joyce. So can I. (She tries.) Oh, no I can't—Sylvia, you can. You had to when you were playing in "Spanish Passion."

Daniel (testily). I was millions of miles away from any prairie—and, anyhow, I was only speaking metaphorically.

Mrs. Crombie. There seems to be some doubt, Mr. Davis, as to what part of America you were in.

Daniel. South America—firmly South America—in the little tiny wee, bijou village of Santa Lyta—far away from the beaten track, this lonely place lies basking in the sun. Heavens, how it basked! its natives care-free and irresponsible, dreaming idly through the long summer heat——

Daniel. So it is, but there's a lake, there's a lake! We used to sit round the camp fire in the evenings and cook the fish—yes, salmon and cucumber, and sing songs—sweet little homely ditties—your Rose song in particular, Bobbie, was a great success, I must say that——

Bobbie. Don't perjure yourself, uncle, I know perfectly well that it's the worst thing that has ever been written.

Bobbie. Of course—I've made literally hundreds out of it—the public wallow in it—roses and passion, and wine, and eyes of blue—it makes me absolutely sick every time I hear it, but still one must write down in this world if one wants to get up.

Mrs. Dermott. Speaking of roses, let's go out into the garden and talk—it's so stuffy in here—you can tell me some more of your adventures, Danny.

(Every one gets up and drifts out on to the lawn talking. Bobbie hangs behind for a moment with Faith.)

Bobbie (anxiously). What did she say? (Catching her hand as she is going out.)

Daniel (comes C.). No, not now—I must unpack—I'm feeling rather tired—I have to change—I must send a wire.... The truth of the matter is, I just want a little peace.

(Exit Bobbie and Faith. Daniel comes slowly down stage—lights a cigar and settles himself in Chesterfield.)
(Re-enter Sylvia, quickly touches Daniel on face—he jumps.)

Daniel. I explained to your brother—because I felt a little tired and wanted a rest.

Sylvia. Nothing could be further from my thoughts, uncle dear, I only wondered, that's all.

Daniel. Well, don't wonder any more—it's most embarrassing—what have you been doing with yourself lately?...

Sylvia. You know perfectly well, uncle, because you sat next to me in the car and I told you everything.

Daniel. Well, tell me some more. Have you had any love affairs—girls always like to confide their love affairs.

Sylvia. Only when they haven't got any—but I don't, anyhow. The only one of the family who has got it in the least badly is Bobbie; he's mad on Faith Crombie.

Sylvia. We can't think—she's the most irritating girl I've met for years—and her mother's hateful, too.

Sylvia. Oh, Bobbie wanted them asked, and mother's much too sweet to deny us anything in reason.

Sylvia. You are rather a mysterious person you know, uncle, I should like to know lots more about you.

Daniel. My dear Sylvia—you wound me, you grieve me—I feel deeply pained. I——

Sylvia (laughing). It's no use trying to bluster out of it, uncle, you know as well as I do that it wasn't honourable of you to single me out for your money without letting the others know anything about it.

Daniel. I only told you in the very strictest confidence because I had faith in you—trusted you....

Sylvia. You see, it's so terribly unfair to the others—of course they don't know, and I shall never breathe a word, but, uncle, I do wish you'd leave everything to one of them and not me—I shouldn't feel happy for a moment with the money—not for a single moment if I'd known all the time that I was going to get it. Rule me out of the list, there's a dear—I'm earning an awful lot now, you know, on the films and I really don't need any more—promise you'll do what I ask you?

Daniel. I don't think you're quite in your right mind, but, still—(smiling) I'll see.

Sylvia. There, I knew you'd see what I meant and be a lamb. Now tell me some of your adventures and things, and how you made the money.

Sylvia. It must be so glorious out there—mining and prospecting and—by the way how does one prospect?

Daniel. How does one prospect? When one prospects one scoops up water from rivers and finds nuggets in one's hands—if one's lucky, of course.

Daniel (nettled). On the contrary I know all about it—but you wouldn't understand if I went into technical details.

Daniel (rises and goes L.). I think, Sylvia, that this lack of trust in your fellow-creatures is a very sinister trait in your character—you must remember that I am a much older man than you are and——

Daniel (turns). Sometimes I wish you were, then I could tell you what I really think of you.

Sylvia (rises and goes to him—laughing). There, uncle, I won't tease you any more, but still it must have been a wonderful moment when you discovered you had made a fortune out of your mine.

Oliver (above arm-chair). Hallo Sylvia. Mother's been looking for you—she wants you to help her pick strawberries for tea. Joyce is with her now, but she isn't much use because she eats them as fast as she picks them.

Sylvia. I'll go now. Stay and keep Uncle Dan company, Oliver. Get him to tell you some of his South American experiences. They're awfully interesting. Bye-bye for the present, uncle.

I suppose you haven't such a thing as a whisky and soda about you, have you, Oliver?

Oliver (C., fingering arm-chair). I say, uncle—can you—er—spare me a few minutes?

Oliver (awkwardly). Well, it's like this—I know it's rather bad form to talk about your will——

Daniel (hurriedly). Wait until another time, don't you worry yourself about it now. You wait until I'm dead.

Oliver (firmly). No, I must get it over—I want to ask you to leave your money to one of the others and not to me at all. It was awfully decent of you to single me out and it bucked me up a lot to feel that you thought well of me, but now—well, I'm earning steadily and I really don't need a lot, in fact, it might do me harm to feel that I needn't work—also it would seem frightfully caddish to the others for me to have known all along that I was going to get it. Don't you see what I'm driving at?

Oliver. Well, you'll do what I ask, won't you? It's a ripping feeling being independent (Evangeline passes the window) and earning money, and I want to go on at it—(He glances out of the window). Here comes Vangy. Now leave it to her. Novel writing is a frightfully precarious show and she's a woman and—anyhow, will you?

Evangeline. Ah, there you are, Uncle Daniel—I've been looking for you—I want to have a little talk with you. (Above Chesterfield.)

Evangeline. Wasn't that a little unnecessary—but still, I expect you get used to swearing over trifles out in the backwoods.

Evangeline. Well, wherever you were then. Do go away, Oliver, I want to talk to Uncle Daniel privately.

Evangeline (goes to him). Now, look here—about that will of yours—I don't feel that it's quite fair to the others to——

Mrs. Crombie. Oh, there you are, Mr. Davis—I've been wanting to have a little talk to you about South America. I had a brother out there, you know. (Behind chair R.C.)

Evangeline (a little annoyed). I'll come back later, uncle. (Moves to stairs.)

Mrs. Crombie. I hope I'm not interrupting a heart-to-heart talk between uncle and niece.

Evangeline (on stairs). It doesn't matter a bit. Uncle Daniel is going to stay with us a long time, I hope.

Mrs. Crombie (settling herself in arm-chair). Splendid—have you such a thing as a cigarette?

(He hands her a case, she takes one, goes to mantel for matches—then he strikes a match and lights it.)

Mrs. Crombie. I'm not quite sure—we don't hear from him much—he was sent out there for—for——

Mrs. Crombie. He hasn't written for ages and ages—we were wondering if he was making money or not—it seems so far away, anything may be happening to him.

Mrs. Crombie. Did you have any thrilling adventures when you were making your pile?

Daniel. Well, I mean—it's not especially a gold mine—it's a mixed mine—a little bit of everything—there's tin and silver and salt and copper and brass, and God knows what—it's most exciting wondering what we are going to find next.

Daniel. Often on weary, dark nights—filled with the cries of the jackal and the boa-constrictor.

Daniel. Only when they are upset about something. Then they can't help it. There are few animals as highly emotional as a boa-constrictor. Anyhow, as I was saying, we lay awake in the throbbing darkness—the darkness out there always throbs—it's a most peculiar phenomenon—and wondered—Heavens, how we wondered what we should find on the following day.

Mrs. Crombie. If you'll forgive my saying so, Mr. Davis, I fear that you are a bit of a fraud.

Daniel. We only have his word for it. Besides he knew his father had seen him cut down the cherry tree. That's why he confessed. Anyhow, why should you think I am?

Mrs. Crombie. Because you obviously know nothing about mining, and I happen to know that there is no such thing as a mountain in South America called the Grand Slam. I was determined to find out as much as I could about you on account of my daughter.

Daniel (rises). My dear madam, I assure you that there is nothing whatever between your daughter and me—my intentions are absolutely honourable. (Moves to fireplace.)

Mrs. Crombie (coldly). I was not alluding to you, but to your nephew—your youngest nephew.

Mrs. Crombie. He has been making love to her. This afternoon he proposed to her....

Mrs. Crombie. He also spoke about a large sum of money that you intended to leave him—I'm sure you will understand my position—I naturally want my daughter to marry well—and——

Daniel. I think matters of this kind are better discussed crudely. One thing I will promise you, Mrs. Crombie. You shall know full particulars of my finances and everything else by the end of the day. Until then I fear that you must continue to regard me as a fraud.

Mrs. Crombie. I hope you are not offended at my inquisitiveness, but I really——

Daniel. My dear Mrs. Crombie, when you have knocked about the world as much as I have—one learns never to be either surprised or shocked.

Daniel (coming forward slightly). I can only say then that my nephews and nieces are exceptions to the rule.

Daniel. I am! I never realised until to-day how absolutely splendid it was to be an uncle. How wonderfully proud I should be of the fact that they are related to me. I came home eighteen months ago expecting to find a family of irritating self-centred young people idling about—true they were idling, but I liked them in spite of it—I have returned this time to find them not only hard-workers, but successful hard-workers. There is not one of them who hasn't achieved something—even Joyce, the flapper, has set to and made good at school. I tell you I'm proud of them, so proud that I could shout it from the house tops, and may I say this, Mrs. Crombie, that if your daughter has succeeded in making Bobbie fall in love with her, she is a very fortunate young woman.

Daniel. Because he is a fine boy, so is Oliver, so are they all splendid—and she should be proud to know them.

Mrs. Crombie. It really is very lucky that you are so contented with your lot. Personally, I'm not so ecstatic. Admitting for a moment that your nephew has such a marvellously fine character—which I doubt—he should not have made love to my daughter without being certain of his prospects.

Mrs. Crombie. I should be very grateful if you would. (Rises and moves up to him.) And please understand that nothing—nothing is to be settled without my consent.

Mrs. Crombie. Thank you so much—I think I'll rejoin the others in the garden now.

(Exit Mrs. Crombie into garden. Daniel, left alone, lights another
cigarette.)

Evangeline (coming down). I know—we all loathe her. Now at last I can talk to you alone. (Sits beside him.)

Daniel. Look here, Evangeline, I know exactly what you are going to say, and I settle it all on Griggs, if you like. He'll take it, he's a Scotsman.

Daniel. I have some letters to write. Also I'm tired and I feel my illness coming on again. Also I must wash before tea. Also——

Evangeline (laughing). It's quite obvious that you don't want to, so I'll leave you alone. Cheerio for the present.

(He goes off upstairs.)

(Enter Joyce from garden dragging Faith after her.)

Joyce. Well, you've broken your word once, so you can do it again. Vangy! Vangy! (She goes to window, still dragging Faith.) Sylvia! Oliver! Bobbie!

Joyce. Faith will tell you when the others come. (Dragging Faith back to C.)

Faith. Look here, this isn't a bit fair of you. Bobbie will never forgive me....

(They wait in silence—Joyce still holds firmly on to Faith's arm. Enter Bobbie from garden—rather breathless. The positions are as follows:—Evangeline down R. Sylvia R.C. above Chesterfield. Bobbie a little above Sylvia slightly on her L. Faith C. Joyce onFaith's L. Oliver up L.)

Joyce. Very well, I will—it's most important—listen, all of you—Bobbie was flirting with Faith this afternoon, and he told her that Uncle had singled him out from us all to leave his money to....

Sylvia. Of course you couldn't. Don't be silly—now I'll tell you something. Uncle said exactly the same thing to me.

Joyce. Yes, I guessed as much when Faith told me—he promised his whole fortune to me if I won prizes and things at school.

Evangeline. I shouldn't be too sure, if he's deceived us once, he'll probably try to do it again. I don't feel that I can trust him at all now.

Joyce. Look here, when he comes down, what are we to say to him—Oliver'd better do it all, he's the eldest.

Sylvia. All right, dear, don't get crusty before the time; I expect you'll have full opportunities for that later. I'll be spokesman.

(Re-enter Daniel, followed by Bobbie, wiping his hands on a towel. Bobbie goes R.)

Daniel (C.). I feel a little like Lady Macbeth, but Bobbie wouldn't let me dry properly. What on earth's the matter?

Sylvia. I think, uncle, that you occasionally need firmness. (Coming down R. by Chesterfield.)

Daniel. We all do, it's a weakness of the human race—lack of stamina—I have it at the moment. Please may I sit down?

Daniel (sinking into arm-chair). Thank you so much. (Weakly.) I begin to feel sleepy. May I have perhaps—a small glass of water?

Sylvia. This is all useless prevarication, you know—we have some very important questions to ask you.

Daniel (rising). Perhaps I'd better stand up then, it's more imposing. (He takes water from Bobbie.) Thank you a thousand times. Cheerio!!

Daniel (amazed). I—deceive you? I'm pained! I'm hurt! You've wounded me to the quick.

Daniel. Ah, Miss Crombie, I've just been chatting to your mother. (Goes to table and puts glass on it.)

Sylvia (ignoring his interruption.) Your dastardly trick has been exposed, is it or is it not true that you took each of us aside in turn a year and a half ago and filled us up with confidential lies about your will?

Daniel. Very well, then I'll tell you. The reason was this. You were a set of idle young bounders. (A move from all.) You'd never done a stroke of work in your lives—neither have I, but I didn't see why you shouldn't. There was your poor mother left comparatively hard up—you would have to have left this house which would have made her perfectly miserable, so I determined to spur you on to do something (breaking into a smile.) I say, you must admit I've succeeded!

Daniel (still smiling). Well, not having a penny in the world with which to help you myself——

Daniel (cheerfully). Not a bob! Except on the all too rare occasions when I win a bit. (Laughing.) If it were not for the darling little horses, I shouldn't be able to get across to England at all.

Daniel. You said I had a mine. As a matter of fact I am part owner in one. Unfortunately it was long ago proved to be absolutely worthless. But please don't worry yourselves over me. I shall be all right.

Daniel (C). I didn't say you were, I said don't. I also told you, now that I come to think of it, that I had only three years to live. That was put in as a bit of local colour. I hope to live to eighty-two or even eighty-three.

Bobbie (above Chesterfield). Well, all I can say is—it's the rottenest trick I ever heard.

Bobbie. How dare you come here and stuff us up with promises that you can never keep. I'm jolly well fed up. I thought you were such a sport and—oh, what's the use of talking. You don't give a damn. Come away, Faith.

Evangeline (coming forward, moves between Chesterfield and arm-chair—contemptuously). It strikes me as being a singularly pointless practical joke—I'm very disappointed in you, Uncle Daniel.

Oliver (coming in front of Joyce). So am I—damned disappointed. I thought you were too decent to do a thing like that.

Joyce. I think you're horrid, it'll get all over the school now. (She bursts into tears and exits R.)

Sylvia. Well, uncle darling, I knew that no one with a smile like yours could ever have a bob!

(Kisses him, goes off laughing. Uncle Daniel settles himself in
armchair, smiling.)

ACT III.

Scene.—The scene is the same as the preceding acts. Alterations in the furniture are noted at the end of the play. It is seven-thirty on the morning following the events of Act II. When the Curtain rises, the sun is streaming in through the open window L.C. Bobbie can be seen standing just outside looking up apparently at an upper window.

(Bobbie comes mooching into the hall through the window. Enter Faith downstairs.)

Bobbie. I've had a perfectly miserable night—I couldn't sleep a wink. I want to know if you really meant what you said last night.

Bobbie. I'm not silly—I thought maybe it was only the heat of the moment that made you so utterly beastly.

Faith. If you're going to be rude I shall go away. (She sits down in chair by Chesterfield.)

Bobbie. Do you really care for me so little that you can give me up at a moment's notice like that?

Faith. Well, you see I'm an only child, and mother wants me to be happy above all things and——

Faith. Mother doesn't think so. You see I've always been used to having money and comforts and things.

Bobbie. Do you imagine that I shouldn't have been able to give you all the comforts you wanted whether I had uncle's money or not? Why, in a year or so I shall be making hundreds and hundreds. I mean to be successful—nothing will stop me.

Bobbie. You mean that I'm to go on working for my happiness on the off chance of your being free to accept me? Neither you nor your mother have enough trust in me to believe that I shall make a big name for myself. Good God, it was a pretty thought of your parents to call you "Faith." I suppose if you had a couple of sisters you'd call them Hope and Charity.

Faith. It's no use being angry and beastly about it. One must use a little common sense.

Faith. How dare you say that. (She pulls him round by the leg of his trousers. He brushes her hand away. She repeats this business.) Why can't we just be friends?

Bobbie. You know I'm much too fond of you to be just friends. Men can't switch their feelings on and off like bath-taps. If they mean a thing they mean it, and there's an end of it.

Faith. I wish I'd never come down at all if all you mean to do is grumble at me.

Bobbie. It's more than grumbling—it's genuine unhappiness. (Sits on form below table.) I quite realize now that you never really cared for me a bit, in spite of what you said; but still I want to find out why—why you've changed so suddenly, why need you have hurt me so much. If you'd written breaking it off, it would have been different, but you've been so—so unnecessarily brutal.

Bobbie. Is everything you do your mother's affair? Does she count every breath you take? Why, your life simply can't be worth living!

Bobbie (in a lower register). I'm afraid you've made me see too much. I didn't know people could be so callous and cruel....

Bobbie. Oh yes, you are, and you've made me determine one thing, and that is that henceforth I honestly mean to cut women out of my life for ever. (A move from Faith.) I know it's a hackneyed thing to say, but I mean it. I ought to have taken a lesson from other fellows' experiences, but of course I didn't.

Bobbie. Bitter! (Laughs satirically.) What else could I be? The one girl whom I cared for and trusted has gaily thrown me over the first moment she hears that I am not going to have as much money as she thought. I'm losing my temper now, and I'm glad of it. I shall probably repent every word I say afterwards, but that won't stop me telling you exactly what I think of you. I don't suppose you've ever been in love at all—except to the extent of having signed photographs of Owen Nares and Henry Ainley stuck all over your bedroom, but when you do, I hope you get it really badly, you deserve to be absolutely utterly wretched, as wretched as you've made me, and I hope when you do marry that you get a rotten old Scotch marmalade maker who says "Hoots!" and spills haggis all down his waistcoat.

Bobbie. Oh, Faith darling, forgive me, I didn't mean a word of it—I swear I didn't....

Faith (they both rise). Whether you meant it or not I hate you. (Pushes him away.) You're blatant and beastly, and I never wish to see you again. (She walks upstairs and pauses.) I shall have breakfast in my room. (Exit.)

(Bobbie stamps out and collides with Sylvia, who is coming in with
a bunch of freshly picked flowers.)

Sylvia. Nice sweet-tempered little fellow. (Moves to above table; puts roses in bowl. Takes "Daily Mirror" from window-seat, goes down to Chesterfield and reads it.)

(Enter Daniel downstairs with bag. He comes very quietly and doesn't see Sylvia. He stumbles and Sylvia watches him.)

Daniel(coming R.C.). To the Green Hart. I couldn't face another meal like dinner last night.

Sylvia. I know it was pretty awful, but you can't go out of the house like this. Mother'd be furious.

Daniel. I know, I was just going to except you; you've been charming, but really it was terrible. I can't stay. Oliver has such a lowering expression, and if Joyce gives me one more "dumb animal in pain" look, I shall scream.

Sylvia. I can't understand why they're all being so silly—I gave them credit for more sense of humour.

Sylvia (rising, going to him). Oh, the little beast chucked him last night, the moment she heard you weren't going to leave him a fortune.

Sylvia (returning R.C.). Personally I'm delighted. I always distrusted her, and this proves what I've said all along. But that doesn't make Bobbie any better tempered about it.

Sylvia. He ought to be jolly grateful to you for being the means of showing her up.

Daniel. Perhaps—but he won't be. I know what it feels like; we all go through it sometime or another. I'd love to wring that girl's neck though.

Daniel. With the exception of you—yes. I think it's because he's the most like me. He is, you know. If he'd lived my life he'd have done exactly the same things.

Daniel (smiling). I know. (He sits on chair, head of table.) He's got just the same regard for the truth, the same sublime contempt of the world, and the same amount of bombast and good opinion of himself that I started with, I only hope he'll make better use of his chances, and carve out a better career for himself.

Sylvia. If he does, he'll owe it all to you—first for rousing him up and making him work, and secondly for getting rid of Faith for him. Had he married her, she'd have been a millstone round his neck. He doesn't realize it now, but yesterday was one of the luckiest days of his life.

Daniel. That's simply splendid. You've bucked me up tremendously. I shan't mind the Green Hart nearly so much now. (Rising.)

Sylvia (putting him back on seat). Uncle, you're not to go to the Green Hart at all, I won't have it.

Daniel. I must. When they all sit round looking reproachfully at me, it makes me feel as if I could sink under the table.

Sylvia (patting him and kneeling by him). But they won't—they'll have got over it.

Daniel. They're all much too young to get over being made fools of as quickly as that.

Daniel. It's no use—I'm firm. I won't come back until they want me. As a matter of fact I realise I've been very foolish. I shouldn't have let things go so far. Naturally they were terribly disappointed at my wanting to live till eighty-two or eighty-three, and not having any money to leave them.

Sylvia. They're not really disappointed so much as outraged. They feel you've been laughing up your sleeve at them, as of course you have.

Daniel. No, I haven't—you're wrong there—I haven't. I couldn't help you financially. I'd borrowed the money to come over and the cheque I'd sent before. I'd just won, so I thought that the only way to assist at all was to use mental persuasion on all of you. There's always something fascinating in the idea of having money left one. It seems such an easy way of getting it. Of course it answered better than I could have imagined in my wildest dreams.

Sylvia. It was a little unnecessary to take each of us aside like you did and stuff us up with hope.

Daniel. That and a bunch of keys was all I had. It was such a wonderful situation. I—never having had a penny in the wide, (gaily), arranging to leave you my entire fortune. (He starts to laugh.) You must confess it was very, very funny.

Sylvia. Poor mother getting more mystified every minute, and bothered poor Tibbets till he doesn't know if he is on his head or his heels.

Daniel (rising suddenly). But look here, they'll all be down in a minute. (Sylvia stands up.) They mustn't find me here, poised for flight. I must go at once. (Going behind Chesterfield and picking up bag.)

Sylvia (L. of him). Yes, but will you promise on your word of honour to come back the moment I send for you?

Daniel. If you give me your word of honour not to send for me until everything's quite all right and everyone is perfectly amiable towards me. I couldn't bear any more rebuffs. I should burst into tears if anybody even gave me a look!

Sylvia. That wasn't very difficult. I've always had a good eye for hypocrites. (Daniel slaps her.) Mind you don't go any further afield than the Green Hart!

Sylvia (looking out of window after him). Bye-bye! (Coming down stage.) Bless his heart!

(Enter Griggs from R. with breakfast dishes which he places on sideboard.)

Sylvia. Yes, Griggs. By the way, get me a bigger bowl for those roses when you have time.

(He bangs loudly on a big gong, and exits R. Enter Mrs. Dermott
downstairs.)

Mrs. Dermott (taking letter from table). From Tibbets, I expect. (Sniffs at it.) No! From Isobel Harris. (Sits at the head of the table.) I do hope she doesn't want to come and stay—I couldn't bear that. (Opens it.) Oh no, it's only to say that Fanny's engaged to an officer in the Coldstream Guards. How splendid for her.

Mrs. Dermott. Why do you say poor Fanny, dear? I'm sure she's very fortunate. Now-a-days when nice men are so scarce. I was only saying——

Sylvia. She didn't say he was a nice man—only that he was in the Coldstream Guards. I said poor because I can just imagine all her awful relations as bridesmaids, and her father and mother shoving her up the altar steps in their efforts to get her safely married.

Mrs. Dermott. Isobel means well, although she's a little trying. But I've never liked Charlie—no man with such a long, droopy moustache could ever be really trusted. Besides, they're so insanitary. Sound the gong again, dear. I do wish they'd all learn to be a little more punctual.

(Sylvia does so, and returns to sideboard. Enter Joyce downstairs followed by Oliver; they are both obviously suffering from temper. They both kiss mother.)

Joyce (disagreeably, as she comes downstairs). All right! All right!—we're coming. What's the fuss? (Sits on form.)

(Oliver crosses to Chesterfield, picks up Sylvia's paper and reads,
pacing up and down.)

Mrs. Dermott. There's no fuss, darling, but it's stupid to let the breakfast get cold. I've got mushrooms this morning, specially because Uncle Daniel likes them.

Mrs. Dermott. I'm so glad, dear. It shows it's a good gong. Ring the bell, will you, Oliver? (Oliver does so.) Where's Evangeline? She's generally quite an early bird.

Evangeline (on the stairs). Here I am, mother (kisses Mrs. Dermott). (With sarcasm.) What a pity it is that the bath water isn't a little hotter. I hate tepidity in anything. (Sits on Sylvia's left.)

Mrs. Dermott. There's probably something wrong with the boiler. I'll see about it after breakfast.

Oh, Griggs, just tap on Miss Crombie's door, will you, and tell her that breakfast is ready.

Griggs. Miss Crombie wished me to say that she is taking breakfast in her bedroom, madam. I'm sending up a tray.

Mrs. Dermott. Quite right, Griggs. I wonder if she's feeling ill or anything. I'll go up presently. Oh, and will you find out if Mr. Davis is coming down soon?

Mrs. Dermott. Not? How very strange—he's probably in the garden somewhere. That'll do, Griggs?

(Bobbie crossing in front of table goes to the gong and bangs savagely
on it. Every one stops up their ears.)

Mrs. Dermott. You seem to have taken a dislike to that gong, darling. We must start without him, that's all. Do sit down, Oliver, you're much too big to pace backwards and forwards like that. Pour out the coffee, Sylvia dear, if it's ready.

(Oliver sits on Evangeline's left. Bobbie sits again at the foot of the table. Joyce drops her fork with a loud clatter—every one jumps. Sylvia pours out coffee.)

Evangeline. If you'd endeavour to cultivate a little more repose, Joyce dear, it would be an advantage.

Mrs. Dermott. It may not be fun to you, but it will be most amusing to Mrs. Harris. I do wish Daniel would come in. Where can he be?

Mrs. Dermott. How can you be so horrid, Bobbie—I did think you'd have recovered from your silly temper before this. Fancy not being able to take a joke.

Mrs. Dermott. You really are utterly absurd. Pass me the toast. I wouldn't have believed you could all have been so silly. I expect Uncle Daniel is just laughing at you.

Mrs. Dermott. I really think, Oliver, that you, as the eldest, ought to set a little better example. And the marmalade—thank you. After all, considering how good he's been to us, we might allow him to have a little joke without becoming disagreeable—even if it doesn't amuse us very much. Why, I——

Mrs. Dermott. I've never known such a set of maddening children. Pass me the paper, will you, Sylvia? I wish to read it.

(Sylvia hands her newspaper from window seat and she opens it out and reads it, ignoring the family altogether. Telegraph—with extra pages inserted.)

Sylvia (ruminatively). I did see a racquet behind the summer house this morning. Would that be it?

Oliver (furiously). Look here, Bobbie, if you go leaving my racquet out all night again I'll punch your head....

Bobbie (rising, flaring up). I tell you I never touched your damned racquet—I've got one of my own. (Knocks his chair over.)

Evangeline. Don't speak to Joyce like that, Bobbie. You ought to be ashamed of yourself.

Bobbie (jeeringly). Come on, oh strong and silent elder brother, let's be manly and knock one another about.

There, that's what happens when you let elephants loose in the house. (Picks up his chair.)

(During this, Mrs. Dermott does comic business with newspaper, repeatedly dropping sheets and attempting to fold the paper.)

Mrs. Dermott. Oliver, if you and Bobbie can't stop quarrelling you'd better both leave the table. I can't think what's the matter with you all. Just because Uncle Daniel chose to have a little fun with you, you all behave like bears with sore heads.

Evangeline. Uncle Daniel meant every word he said, mother. He hasn't got a penny in the world.

Mrs. Dermott. Nonsense, Evangeline. How do you suppose he could get backwards and forwards to America and send me large cheques and things?

Mrs. Dermott. Rubbish. No one can ever win at horse-racing. I never did. The bookies and jockeys and people don't let you.

Evangeline. Mother dear, how can you be so obstinate. I tell you he told us all about it in here yesterday afternoon—gave us his solemn word——

Mrs. Dermott. But only in fun, darling, only in fun—he's obviously a very rich man.

Mrs. Dermott. By the by, I wish one of you would just go into the garden and find him. The mushrooms will be ruined.

Mrs. Dermott (weeping bitterly). Darling Danny. My only brother. And you've driven him away—after all his kindness and everything. Oh, how could you? How could you? He must be sent for at once. (She rises and rings the bell, dropping bits of newspaper en route.) You're wicked, wicked children, and you don't deserve any one to be kind to you ever again.

Mrs. Dermott (C.). How dare you behave like you have done. I shall never, never forgive you—you're cruel and horrid and——

Mrs. Dermott. He didn't do anything of the sort—he only meant it kindly—going to all that trouble, too (she weeps again), with one foot in the grave.

Mrs. Dermott. Eighty-three, I think, was the age, dear, but that's just another instance of his dear unselfishness—so that you wouldn't worry over him. I know! I'm going up to my room—you've upset me for the rest of the day. Call me the very moment he comes. Oh, how could you? How could you be so unkind? Oh, just look at my nose, it's all red and shiny.

(Exit upstairs. Sylvia follows, standing at the foot of the stairs, looking after her. There is silence for a moment.)

Sylvia. So you jolly well ought to be. Who do you owe your position in the motor works to, Oliver? Uncle Dan. Who do you owe your song successes to, Bobbie? Uncle Dan. And you, Joyce, d'you think you'd have won a single thing if it hadn't been for him? Do you imagine Evangeline would have had the vim to have stuck to her novel if it hadn't been for Uncle Dan's faith in her? I know I should never have done a thing, either. And all we did it for apparently, was that he could die off conveniently and leave us his money—the moment he'd done that I suppose we should have stopped working. What charming characters! Waiting for a man to die, and then getting disagreeable because he says he doesn't want to. Do you think any one of you would stop work now for anything? Of course you wouldn't. I know that. Don't you see that Uncle Dan chose the one and only way of really helping us? He's worked wonders and we ought to be thankful to him until our dying day....

Bobbie (marmalade on toast in hand). It's all very fine for you—he hasn't come between you and the only person you've ever loved....

Sylvia. And that's one of the best things of all—he's been the means of showing Faith up in her true colours. Bobbie, you must realise now in your heart of hearts what a rotter she is?

Bobbie. She wouldn't have been if it wasn't for her beastly mother. Just because you found him out before us, by a fluke, you think you can preach to us about being rude to him. Well, you'd have been just as bad under the same circumstances, if not worse. The fact of you having spotted his game doesn't make it any the less disgusting. He's behaved atrociously and you know it, making fools of us all. What do you think my friends will say? Joyce's school girls? Vangy's literary nuts?

Sylvia (coming down R. to below Chesterfield). It's your own silly faults. You shouldn't have told them.

Evangeline (rising). Don't be so superior. Of course we only did in confidence. (Going up R., followed by Joyce.)

Bobbie (rising, knife in hand). I shall do exactly as I like. I'm fed up with you, Sylvia, you're as bad as he is. (Throws knife on table.) And if you think you can get round us by making excuses for him you're jolly well mistaken. I suppose all this is a put-up job! (Moves to L.C.)

Sylvia (R.C.). How dare you, Bobbie! It's nothing of the sort. Only luckily I have a little discrimination, I can see the difference between good and bad, and Uncle Dan's good, good all through. He wouldn't do harm to any one or anything in the world. He did all this out of genuine kindness. He couldn't help us in any other way, so he made us work, hoping it would improve us. And I should think he'd go back to America sick and wretched inside with disappointment having discovered that we, his only relatives, have only liked him and been nice to him because of his money—waiting for him to die like beastly treacherous ghouls.

That's what you are, ghouls! (Turning on Evangeline.) And selfish pigs, and if you don't apologise to him I shall never speak to any of you again.

Sylvia. Oh, you're very dignified walking out like that without saying anything. I hate you! I hate you all! Poor Uncle Daniel—it's rotten. (She bursts out crying, and subsides on Chesterfield.)

(Towards the end of her speech, the rest have risen and walked out with their heads in the air, R. Bobbie kicks violently at paper on floor and goes upstairs. There is a moment's pause, then enter Daniel from garden.)

Daniel (coming C.). I left the car down the drive, hoping to make a sweet lovable entrance with perhaps a few rose leaves on my coat. Where is everybody?

Sylvia (sniffing on Chesterfield). It's no use, they're still being beastly. Mother sent for you. She's frightfully upset at your going to the Green Hart.

Daniel. If they're keeping it up, I think I'd better go back. (Moving towards entrance.)

Sylvia (rising). No, you're not to do anything of the sort, you're to stay here. (Firmly.) They can be as disagreeable as they like, we'll go about together; you can come to the studio with me to-morrow morning.

Daniel (up to her). You, Sylvia, are what is described as a sympathetic character. You've been very nice to me all along. Can I leave you anything?

Daniel. If I don't joke I shall burst into storms of passionate sobbing. (Moves down C.)

Mrs. Dermott. Danny darling, why were you so silly as to take any notice of the children? They're unkind and heartless, and I ordered the mushrooms specially for you this morning. Sit down and have them now. They'll be quite hot still. (She pushes him into chair.) Sylvia, get them, if you please. I can't think why they're all behaving like this, I shall never forgive them, Danny dear. You won't let them upset you, will you?

(She kisses him. Mrs. Dermott sits in Sylvia's chair, Daniel
in Mrs. Dermott's.)

Mrs. Dermott. Bring some more toast and coffee, Griggs. Or would you rather have tea?

Griggs. Very good, madam. (Picks up remains of paper above Chesterfield and exit R.)

Sylvia (handing him plate of mushrooms and bacon). Here you are, uncle dear—I'm going upstairs. Call me if you want anything.

Daniel. Now look here, Anne, you're not to include Sylvia in your fury against the family. She has been perfectly sweet.

Mrs. Dermott. So she ought to be—and the others as well. Such nonsense, I never heard of such a thing. Not being able to take a joke better than that. I don't know what's happened to them, they were such dear good-natured children. They used to make booby traps and apple-pie beds for one another and not mind a bit.

Daniel. But you see, Anne, this perhaps has irritated them more than an apple-pie bed.

Daniel. If I had known they were going to take it so badly I should have thought of something else. I have lots of ideas. But even now, when I come to look back over everything, I don't see what else I could have done.

Mrs. Dermott. You're just the kindest old darling in the world and everything, every single thing you have done for us, has been perfect.

Daniel. Dear Anne, don't be absurd. It was nothing, worse than nothing, but I'd given it a lot of thought, and after all it has bucked them up and made them work. They're looking much better in health, too.

Mrs. Dermott. Oh, Danny, I only wish you were better in health. The shadow of your illness just hangs over me like a nightmare. I can't pass a flower shop without thinking of you.

Daniel (puts down knife and fork). But I'm not ill at all. I've no intention of dying until I'm eighty-three or even eighty-four.

Mrs. Dermott. Dear old boy, you're only saying that so that I shan't worry. (She dabs her eyes.) But it's no use, you can't deceive me, you know.

Mrs. Dermott. There, there, we'll say no more about it. It only upsets me and here's your tea.

(She takes tea from Griggs, who has entered with tea and toast. He
goes off again.)

Mrs. Dermott. Yes, they always do that. I wonder why. Your illness has nothing to do with your heart has it?

Mrs. Dermott. I'm sure I hope not, dear, but if he said that, I should really get another more expert opinion if I were you. A man like that can't be really reliable. I don't believe in doctors ever since poor Millicent Jenkins died.

Daniel. Look here, Anne, I really do want to make you understand that what I told the children is perfectly true. I haven't any money.

Mrs. Dermott. Nonsense, dear, you can't pull my leg as easily as that. How were you able to send that cheque when I most needed it, and those lovely Christmas presents, and the fares backwards and forwards to America—I believe you've got some big surprise for us all later on and you're afraid that we'll guess it.

Mrs. Dermott (rising). Now look here, dear, I must leave you for a little while. Saturday is the busiest morning in the whole week. Finish off your breakfast and smoke a pipe—or a cigar or something; if any of the children come near you, just ignore them or pretend to be frightfully angry with them. That will bring them round.

Griggs. If you please, madam, the boiler is making the most peculiar noises. Shall I send for Brown to come and look at it?

Mrs. Dermott. I don't think that will do it any good, but still perhaps you'd better. I'll come myself in a minute.

Mrs. Dermott (C.). Really, everything is going wrong this morning, first you, Danny, then the boiler; sometimes life isn't worth living—I do hope it won't burst.

(Exit Mrs. Dermott, R. Daniel sits thoughtful for a moment and then resumes his breakfast. Enter Joyce from garden. She sees Uncle Daniel and comes rather sheepishly up to him.)

Joyce (feebly). Good morning. (There is a long pause.) Uncle Daniel—we've—er—we've all been talking——

Joyce. Of course it didn't. You see—I mean to say—we—well, they sent me in to tell you that——

Daniel. Perhaps you'd better tell me another time when you are more in the mood. Have you seen the papers anywhere?

Joyce. They ought to be over there. (She points to window seat R., and goes down to Bobbie's chair.)

Daniel (rising and moving quickly to R.). Thanks. Don't you bother—I can get my own paper. (Gets newspaper and returns to his seat at the head of the table.)

(There is a long silence, Daniel reads the paper. Joyce shakes her head as Oliver strolls in from the garden and looks at Joyce for news.)

Oliver. Oh. (Moves to window, L.C., turns, catches Daniel's eye and turns quickly back.)

(Joyce continues to fidget at the foot of the table. Enter Bobbie downstairs and Evangeline, R. They look meaningly at Joyce, who shakes her head vigorously.)

Evangeline and Bobbie (together, coming forward hand-in-hand down R.C.). Uncle, we've all been—— (They stop.)

Tell me one thing, if any of you are capable of uttering a word, is this a game? Have I got to guess whether something's a vegetable or a mineral or something?

Evangeline. No, uncle, it's a much harder game than that—for us, anyhow. We've come to apologise.

Evangeline. I know we didn't, but we're all sorry—frightfully sorry—we've talked it all over. Sylvia said we were beasts and ghouls and we wouldn't admit it then, but we do now. We are terribly ashamed of the way we've behaved. Please, please say you forgive us. (Kneels to him.)

Bobbie (placing chair behind Chesterfield). And it doesn't matter about Faith, uncle, I'm glad you were the means of showing her up. I don't love her a bit now. I hate her, and we all want you to understand that we'd rather have you alive and with us than all the beastly money in the world.

Joyce (leaning forward over table). And we'll do anything you like to atone for it. We'll abase ourselves like they used to in the olden days to show they repented.

Oliver. Will you let it go at that, uncle? (He comes forward to L. of Daniel.)

(Joyce comes round and kisses him. Oliver moves down L. Evangeline
moves behind table.)

Mrs. Dermott. I've just come out of the boiler. What on earth is all this noise?

Mrs. Dermott. I'm sure I'm very glad, darlings, and I hope you're none of you too old to take a lesson from it. (Comes to Daniel's R.)

Daniel. It's from my agent. Listen! (Reads.) "Struck big vein, Santa Lyta mine—come at once!" I'm worth thousands, thousands. (Going down R. gives Mrs. Dermott telegram as he passes her. The others, except Sylvia, crowd round her C., excited at the news.)

This scene plot indicates how the scene was set at the New Theatre, London. The play can be given, of course, without a staircase.

ACT I

ALTERATIONS FOR ACT II

ALTERATIONS FOR ACT III

PROPERTY PLOT

ELECTRIC PLOT

*** END OF THE PROJECT GUTENBERG EBOOK "I'LL LEAVE IT TO YOU": A LIGHT COMEDY IN THREE ACTS ***

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Mrs. Dermott		Miss Kate Cutler.
Oliver	—(Her Children)—	Mr. Douglas Jefferies.
Evangeline		Miss Muriel Pope.
Sylvia		Miss Stella Jesse.
Bobbie		Mr. Noël Coward.
Joyce		Miss Moya Nugent.
Daniel Davis	(Her Brother)	Mr. E. Holman Clark.
Mrs. Crombie		Miss Lois Stuart.
Faith Crombie		Miss Esmé Wynne.
Griggs (Butler)		Mr. David Clarkson.

The Project Gutenberg eBook of "I'll Leave It To You": A Light Comedy In Three Acts

"I'LL LEAVE IT
TO YOU"

A LIGHT COMEDY IN
THREE ACTS

"I'LL LEAVE IT TO YOU"

"I'LL LEAVE IT TO YOU"

ACT II.

ACT III.

ACT I

ALTERATIONS FOR ACT II

ALTERATIONS FOR ACT III

PROPERTY PLOT

ELECTRIC PLOT

THE FULL PROJECT GUTENBERG LICENSE

Oliver	}	(rising and all talking at once). But look here——
Evangeline.		Uncle dear, of course——
Bobbie.		How in Heaven's name are we to——
Sylvia.		Really I don't quite see——
Joyce.		It's going to be very difficult——