The Project Gutenberg eBook of Wine, Water, and Song This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Wine, Water, and Song Author: G. K. Chesterton Release date: January 29, 2011 [eBook #35115] Most recently updated: January 7, 2021 Language: English Credits: Produced by Jana Srna, Bryan Ness and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) *** START OF THE PROJECT GUTENBERG EBOOK WINE, WATER, AND SONG *** Produced by Jana Srna, Bryan Ness and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) [ Transcriber's Notes: Every effort has been made to replicate this text as faithfully as possible, including inconsistencies in spelling and hyphenation; no changes have been made to the original text. Italic text has been marked with _underscores_. Bold italic text has been marked with =equals signs=. ] WINE, WATER, AND SONG BY THE SAME AUTHOR CHARLES DICKENS THE BALLAD OF THE WHITE HORSE THE FLYING INN ALL THINGS CONSIDERED TREMENDOUS TRIFLES ALARMS AND DISCURSIONS A MISCELLANY OF MEN WINE, WATER AND SONG BY G. K. CHESTERTON THIRD EDITION METHUEN & CO. LTD. 36 ESSEX STREET W.C. LONDON First Published August 6th 1915 Second Edition August 10th 1915 Third Edition August 23rd 1915 NOTE The Songs in this book are taken from "THE FLYING INN," with the exception of "The Good Rich Man" and "The Song of the Strange Ascetic," which are here included by kind permission of the editor of =The New Witness=, where they originally appeared. CONTENTS Page The Englishman 9 Wine and Water 11 The Song against Grocers 15 The Rolling English Road 20 The Song of Quoodle 24 Pioneers, O Pioneers 27 The Logical Vegetarian 31 "The Saracen's Head" 34 The Good Rich Man 37 The Song against Songs 42 Me Heart 45 The Song of the Oak 49 The Road to Roundabout 53 The Song of the Strange Ascetic 57 The Song of Right and Wrong 60 Who Goes Home? 63 WINE, WATER, AND SONG The Englishman St. George he was for England, And before he killed the dragon He drank a pint of English ale Out of an English flagon. For though he fast right readily In hair-shirt or in mail, It isn't safe to give him cakes Unless you give him ale. St. George he was for England, And right gallantly set free The lady left for dragon's meat And tied up to a tree; But since he stood for England And knew what England means, Unless you give him bacon You mustn't give him beans. St. George he is for England, And shall wear the shield he wore When we go out in armour With the battle-cross before. But though he is jolly company And very pleased to dine, It isn't safe to give him nuts Unless you give him wine. Wine and Water Old Noah he had an ostrich farm and fowls on the largest scale, He ate his egg with a ladle in an egg-cup big as a pail, And the soup he took was Elephant Soup and the fish he took was Whale, But they all were small to the cellar he took when he set out to sail, And Noah he often said to his wife when he sat down to dine, "I don't care where the water goes if it doesn't get into the wine." The cataract of the cliff of heaven fell blinding off the brink As if it would wash the stars away as suds go down a sink, The seven heavens came roaring down for the throats of hell to drink, And Noah he cocked his eye and said, "It looks like rain, I think, The water has drowned the Matterhorn as deep as a Mendip mine, But I don't care where the water goes if it doesn't get into the wine." But Noah he sinned, and we have sinned; on tipsy feet we trod, Till a great big black teetotaller was sent to us for a rod, And you can't get wine at a P.S.A., or chapel, or Eisteddfod, For the Curse of Water has come again because of the wrath of God, And water is on the Bishop's board and the Higher Thinker's shrine, But I don't care where the water goes if it doesn't get into the wine. The Song Against Grocers God made the wicked Grocer For a mystery and a sign, That men might shun the awful shops And go to inns to dine; Where the bacon's on the rafter And the wine is in the wood, And God that made good laughter Has seen that they are good. The evil-hearted Grocer Would call his mother "Ma'am," And bow at her and bob at her, Her aged soul to damn, And rub his horrid hands and ask What article was next, Though =mortis in articulo= Should be her proper text. His props are not his children, But pert lads underpaid, Who call out "Cash!" and bang about To work his wicked trade; He keeps a lady in a cage Most cruelly all day, And makes her count and calls her "Miss" Until she fades away. The righteous minds of innkeepers Induce them now and then To crack a bottle with a friend Or treat unmoneyed men, But who hath seen the Grocer Treat housemaids to his teas Or crack a bottle of fish-sauce Or stand a man a cheese? He sells us sands of Araby As sugar for cash down; He sweeps his shop and sells the dust The purest salt in town, He crams with cans of poisoned meat Poor subjects of the King, And when they die by thousands Why, he laughs like anything. The wicked Grocer groces In spirits and in wine, Not frankly and in fellowship As men in inns do dine; But packed with soap and sardines And carried off by grooms, For to be snatched by Duchesses And drunk in dressing-rooms. The hell-instructed Grocer Has a temple made of tin, And the ruin of good innkeepers Is loudly urged therein; But now the sands are running out From sugar of a sort, The Grocer trembles; for his time, Just like his weight, is short. The Rolling English Road Before the Roman came to Rye or out to Severn strode, The rolling English drunkard made the rolling English road. A reeling road, a rolling road, that rambles round the shire, And after him the parson ran, the sexton and the squire; A merry road, a mazy road, and such as we did tread The night we went to Birmingham by way of Beachy Head. I knew no harm of Bonaparte and plenty of the Squire, And for to fight the Frenchman I did not much desire; But I did bash their baggonets because they came arrayed To straighten out the crooked road an English drunkard made, Where you and I went down the lane with ale-mugs in our hands, The night we went to Glastonbury by way of Goodwin Sands. His sins they were forgiven him; or why do flowers run Behind him; and the hedges all strengthing in the sun? The wild thing went from left to right and knew not which was which, But the wild rose was above him when they found him in the ditch. God pardon us, nor harden us; we did not see so clear The night we went to Bannockburn by way of Brighton Pier. My friends, we will not go again or ape an ancient rage, Or stretch the folly of our youth to be the shame of age, But walk with clearer eyes and ears this path that wandereth, And see undrugged in evening light the decent inn of death; For there is good news yet to hear and fine things to be seen, Before we go to Paradise by way of Kensal Green. The Song of Quoodle They haven't got no noses, The fallen sons of Eve; Even the smell of roses Is not what they supposes; But more than mind discloses And more than men believe. They haven't got no noses, They cannot even tell When door and darkness closes The park a Jew encloses, Where even the Law of Moses Will let you steal a smell. The brilliant smell of water, The brave smell of a stone, The smell of dew and thunder, The old bones buried under, Are things in which they blunder And err, if left alone. The wind from winter forests, The scent of scentless flowers, The breath of brides' adorning, The smell of snare and warning, The smell of Sunday morning, God gave to us for ours. . . . . . And Quoodle here discloses All things that Quoodle can, They haven't got no noses, They haven't got no noses, And goodness only knowses The Noselessness of Man. Pioneers, O Pioneers Nebuchadnezzar the King of the Jews Suffered from new and original views, He crawled on his hands and knees, it's said, With grass in his mouth and a crown on his head. With a wowtyiddly, etc. Those in traditional paths that trod Thought the thing was a curse from God, But a Pioneer men always abuse Like Nebuchadnezzar the King of the Jews. Black Lord Foulon the Frenchman slew Thought it a Futurist thing to do. He offered them grass instead of bread. So they stuffed him with grass when they cut off his head. With a wowtyiddly, etc. For the pride of his soul he perished then-- But of course it is always of Pride that men, A Man in Advance of his Age accuse, Like Nebuchadnezzar the King of the Jews. Simeon Scudder of Styx, in Maine, Thought of the thing and was at it again. He gave good grass and water in pails To a thousand Irishmen hammering rails. With a wowtyiddly, etc. Appetites differ; and tied to a stake He was tarred and feathered for Conscience' Sake. But stoning the prophets is ancient news, Like Nebuchadnezzar the King of the Jews. The Logical Vegetarian "Why shouldn't I have a purely vegetarian drink? Why shouldn't I take vegetables in their highest form, so to speak? The modest vegetarians ought obviously to stick to wine or beer, plain vegetarian drinks, instead of filling their goblets with the blood of bulls and elephants, as all conventional meat-eaters do, I suppose."--Dalroy. You will find me drinking rum, Like a sailor in a slum, You will find me drinking beer like a Bavarian. You will find me drinking gin In the lowest kind of inn, Because I am a rigid Vegetarian. So I cleared the inn of wine, And I tried to climb the sign, And I tried to hail the constable as "Marion." But he said I couldn't speak, And he bowled me to the Beak Because I was a Happy Vegetarian. Oh, I knew a Doctor Gluck, And his nose it had a hook, And his attitudes were anything but Aryan; So I gave him all the pork That I had, upon a fork; Because I am myself a Vegetarian. I am silent in the Club, I am silent in the pub., I am silent on a bally peak in Darien; For I stuff away for life Shoving peas in with a knife, Because I am at heart a Vegetarian. No more the milk of cows Shall pollute my private house Than the milk of the wild mares of the Barbarian; I will stick to port and sherry, For they are so very, very, So very, very, very Vegetarian. "The Saracen's Head" "The Saracen's Head" looks down the lane, Where we shall never drink wine again, For the wicked old women who feel well-bred Have turned to a tea-shop "The Saracen's Head." "The Saracen's Head" out of Araby came, King Richard riding in arms like flame, And where he established his folk to be fed He set up a spear--and the Saracen's Head. But "The Saracen's Head" outlived the Kings, It thought and it thought of most horrible things, Of Health and of Soap and of Standard Bread, And of Saracen drinks at "The Saracen's Head." So "The Saracen's Head" fulfils its name, They drink no wine--a ridiculous game-- And I shall wonder until I'm dead, How it ever came into the Saracen's Head. The Good Rich Man Mr. Mandragon, the Millionaire, he wouldn't have wine or wife, He couldn't endure complexity: he lived the Simple Life. He ordered his lunch by megaphone in manly, simple tones, And used all his motors for canvassing voters, and twenty telephones; Besides a dandy little machine, Cunning and neat as ever was seen, With a hundred pulleys and cranks between, Made of metal and kept quite clean, To hoist him out of his healthful bed on every day of his life, And wash him and dress him and shave him and brush him --to live the Simple Life. Mr. Mandragon was most refined and quietly, neatly dressed, Say all the American newspapers that know refinement best; Quiet and neat the hat and hair and the coat quiet and neat, A trouser worn upon either leg, while boots adorn the feet; And not, as any one would expect, A Tiger's Skin all striped and specked, And a Peacock Hat with the tail erect, A scarlet tunic with sunflowers decked, Which might have had a more marked effect, And pleased the pride of a weaker man that yearned for wine or wife; But Fame and the Flagon, for Mr. Mandragon --obscured the Simple Life. Mr. Mandragon, the Millionaire, I am happy to say, is dead; He enjoyed a quiet funeral in a Crematorium shed. And he lies there fluffy and soft and grey and certainly quite refined; When he might have rotted to flowers and fruit with Adam and all mankind, Or been eaten by wolves athirst for blood, Or burnt on a good tall pyre of wood, In a towering flame, as a heathen should, Or even sat with us here at food, Merrily taking twopenny ale and pork with a pocket-knife; But this was luxury not for one that went for the Simple Life. The Song Against Songs The song of the sorrow of Melisande is a weary song and a dreary song, The glory of Mariana's grange had got into great decay, The song of the Raven Never More has never been called a cheery song, And the brightest things in Baudelaire are anything else but gay. But who will write us a riding song, Or a hunting song or a drinking song, Fit for them that arose and rode When day and the wine were red? But bring me a quart of claret out, And I will write you a clinking song, A song of war and a song of wine And a song to wake the dead. The song of the fury of Fragolette is a florid song and a torrid song, The song of the sorrow of Tara is sung to a harp unstrung, The song of the cheerful Shropshire Lad I consider a perfectly horrid song, And the song of the happy Futurist is a song that can't be sung. But who will write us a riding song Or a fighting song or a drinking song, Fit for the fathers of you and me, That knew how to think and thrive? But the song of Beauty and Art and Love Is simply an utterly stinking song, To double you up and drag you down And damn your soul alive. Me Heart I come from Castlepatrick, and me heart is on me sleeve, And any sword or pistol boy can hit it with me leave, It shines there for an epaulette, as golden as a flame, As naked as me ancestors, as noble as me name. For I come from Castlepatrick, and me heart is on me sleeve, But a lady stole it from me on St. Gallowglass's Eve. The folk that live in Liverpool, their heart is in their boots; They go to hell like lambs, they do, because the hooter hoots. Where men may not be dancin', though the wheels may dance all day; And men may not be smokin'; but only chimneys may. But I come from Castlepatrick, and me heart is on me sleeve, But a lady stole it from me on St. Poleander's Eve. The folk that live in black Belfast, their heart is in their mouth, They see us making murders in the meadows of the South; They think a plough's a rack, they do, and cattle-calls are creeds, And they think we're burnin' witches when we're only burnin' weeds; But I come from Castlepatrick, and me heart is on me sleeve; But a lady stole it from me on St. Barnabas's Eve. The Song of the Oak The Druids waved their golden knives And danced around the Oak When they had sacrificed a man; But though the learned search and scan, No single modern person can Entirely see the joke. But though they cut the throats of men They cut not down the tree, And from the blood the saplings sprang Of oak-woods yet to be. But Ivywood, Lord Ivywood, He rots the tree as ivy would, He clings and crawls as ivy would About the sacred tree. King Charles he fled from Worcester fight And hid him in an Oak; In convent schools no man of tact Would trace and praise his every act, Or argue that he was in fact A strict and sainted bloke, But not by him the sacred woods Have lost their fancies free, And though he was extremely big He did not break the tree. But Ivywood, Lord Ivywood, He breaks the tree as ivy would, And eats the woods as ivy would Between us and the sea. Great Collingwood walked down the glade And flung the acorns free, That oaks might still be in the grove As oaken as the beams above, When the great Lover sailors love Was kissed by Death at sea. But though for him the oak-trees fell To build the oaken ships, The woodman worshipped what he smote And honoured even the chips. But Ivywood, Lord Ivywood, He hates the tree as ivy would, As the dragon of the ivy would That has us in his grips. The Road to Roundabout Some say that Guy of Warwick, The man that killed the Cow And brake the mighty Boar alive Beyond the Bridge at Slough; Went up against a Loathly Worm That wasted all the Downs, And so the roads they twist and squirm (If I may be allowed the term) From the writhing of the stricken Worm That died in seven towns. I see no scientific proof That this idea is sound, And I should say they wound about To find the town of Roundabout, The merry town of Roundabout, That makes the world go round. Some say that Robin Goodfellow, Whose lantern lights the meads (To steal a phrase Sir Walter Scott In heaven no longer needs), Such dance around the trysting-place The moonstruck lover leads; Which superstition I should scout There is more faith in honest doubt (As Tennyson has pointed out) Than in those nasty creeds. But peace and righteousness (St. John) In Roundabout can kiss, And since that's all that's found about The pleasant town of Roundabout, The roads they simply bound about To find out where it is. Some say that when Sir Lancelot Went forth to find the Grail, Grey Merlin wrinkled up the roads For hope that he should fail; All roads led back to Lyonesse And Camelot in the Vale, I cannot yield assent to this Extravagant hypothesis, The plain, shrewd Briton will dismiss Such rumours (=Daily Mail=). But in the streets of Roundabout Are no such factions found, Or theories to expound about, Or roll upon the ground about, In the happy town of Roundabout, That makes the world go round. The Song of the Strange Ascetic If I had been a Heathen, I'd have praised the purple vine, My slaves should dig the vineyards, And I would drink the wine; But Higgins is a Heathen, And his slaves grow lean and grey, That he may drink some tepid milk Exactly twice a day. If I had been a Heathen, I'd have crowned Neoera's curls, And filled my life with love affairs, My house with dancing girls; But Higgins is a Heathen, And to lecture rooms is forced, Where his aunts, who are not married, Demand to be divorced. If I had been a Heathen, I'd have sent my armies forth, And dragged behind my chariots The Chieftains of the North. But Higgins is a Heathen, And he drives the dreary quill, To lend the poor that funny cash That makes them poorer still. If I had been a Heathen, I'd have piled my pyre on high, And in a great red whirlwind Gone roaring to the sky; But Higgins is a Heathen, And a richer man than I; And they put him in an oven, Just as if he were a pie. Now who that runs can read it, The riddle that I write, Of why this poor old sinner, Should sin without delight--? But I, I cannot read it (Although I run and run), Of them that do not have the faith, And will not have the fun. The Song of Right and Wrong Feast on wine or fast on water, And your honour shall stand sure, God Almighty's son and daughter He the valiant, she the pure; If an angel out of heaven Brings you other things to drink, Thank him for his kind attentions, Go and pour them down the sink. Tea is like the East he grows in, A great yellow Mandarin With urbanity of manner And unconsciousness of sin; All the women, like a harem, At his pig-tail troop along; And, like all the East he grows in, He is Poison when he's strong. Tea, although an Oriental, Is a gentleman at least; Cocoa is a cad and coward, Cocoa is a vulgar beast, Cocoa is a dull, disloyal, Lying, crawling cad and clown, And may very well be grateful To the fool that takes him down. As for all the windy waters, They were rained like tempests down When good drink had been dishonoured By the tipplers of the town; When red wine had brought red ruin And the death-dance of our times, Heaven sent us Soda Water As a torment for our crimes. Who Goes Home? In the city set upon slime and loam They cry in their parliament "Who goes home?" And there comes no answer in arch or dome, For none in the city of graves goes home. Yet these shall perish and understand, For God has pity on this great land. Men that are men again; who goes home? Tocsin and trumpeter! Who goes home? For there's blood on the field and blood on the foam And blood on the body when Man goes home. And a voice valedictory.... Who is for Victory? Who is for Liberty? Who goes home? Printed in Great Britain by UNWIN BROTHERS, LIMITED, PRINTERS, WOKING AND LONDON SOME DELIGHTFUL BOOKS BY G. K. CHESTERTON *CHARLES DICKENS. With 2 Portraits in Photogravure. _Eighth Edition._ Crown 8vo, 6s. A famous book on Dickens which is intended as a general justification of that author. Mr. Chesterton compares the immense achievements produced by the optimism of Dickens in the realm of reform with the small results produced by the pessimistic method of later days. He treats each of the novels in turn, and he devotes the latter part of his book to a general estimate of the influence of Dickens. THE FLYING INN. _Third Edition._ Crown 8vo, 6s. Also Crown 8vo, 2s. net. THE BALLAD OF THE WHITE HORSE. _Fifth Edition._ Fcap. 8vo, 5s. A Ballad of the Reign of King Alfred. It describes that monarch's noble exploits, his character, his struggle with the Danes, the story of the White Horse, and the Battle of Ethandune. LETTERS TO AN OLD GARIBALDIAN. Crown 8vo, 3d. net. ESSAYS Fcap. 8vo. Gilt Top. 5s. each. *ALL THINGS CONSIDERED. _Seventh Edition._ TREMENDOUS TRIFLES. _Fifth Edition._ ALARMS AND DISCURSIONS. _Second Edition._ A MISCELLANY OF MEN. _Second Edition._ * _An edition in cloth, Fcap. 8vo, 1s. net, is also issued._ METHUEN & CO. LTD. LONDON End of Project Gutenberg's Wine, Water, and Song, by Gilbert Keith Chesterton *** END OF THE PROJECT GUTENBERG EBOOK WINE, WATER, AND SONG *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.