The Project Gutenberg eBook of Dream Blocks This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Dream Blocks Author: Aileen Cleveland Higgins Illustrator: Jessie Willcox Smith Release date: January 29, 2013 [eBook #41945] Language: English Credits: E-text prepared by Suzanne Shell, Emmy, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (http://archive.org/details/americana) *** START OF THE PROJECT GUTENBERG EBOOK DREAM BLOCKS *** E-text prepared by Suzanne Shell, Emmy, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (http://archive.org/details/americana) Note: Project Gutenberg also has an HTML version of this file which includes the original lovely illustrations. See 41945-h.htm or 41945-h.zip: (https://www.gutenberg.org/cache/epub/41945/pg41945-images.html) or (https://www.gutenberg.org/files/41945/41945-h.zip) Images of the original pages are available through Internet Archive/American Libraries. See http://archive.org/details/dreamblocks00higg DREAM BLOCKS by AILEEN CLEVELAND HIGGINS [Illustration] Pictures by Jessie Willcox Smith Duffield & Company New York CONTENTS Page Dream Blocks 1 Stupid You 2 Anagrams 3 Doorsteps 4 The Big Clock 6 The New Dress 7 A Questioning 9 A Test 9 A Quandary 10 Spring Music 11 A Compromise 13 A Rainy Day 14 An Appeal to Science 15 The Runaway 17 Playmates 19 The Echo 21 The Sick Rose 22 Afternoon 23 The Wild 24 Bud Music 25 Frills 26 Gone Somewhere 27 The Chosen Dream 29 Home 30 Dawn 31 The City Tree 32 A Prayer 34 Cap and Bells 35 Summer's Passing 38 When You Wait 39 Punishment 40 First Pity 40 Night 41 Hover-Time 42 Treasure Craft 43 The Moon Path 45 The Ring Charm 45 ILLUSTRATIONS Facing Page Title Page ii Dream Blocks 1 Stupid You 2 Doorsteps 4 The Big Clock 6 A Quandary 10 A Rainy Day 14 The Runaway 18 The Sick Rose 22 Frills 26 Home 30 A Prayer 34 Summer's Passing 38 Punishment 40 Treasure Craft 44 [Illustration] Copyright 1908 by Duffield & Company Engravings by the Beck Engraving Co. Presswork by S. H. Burbank & Co. Philadelphia DREAM BLOCKS [Illustration] [Illustration] [Illustration: Copyright, 1908, by Duffield & Co.] [Illustration] DREAM-BLOCKS WITH dream-blocks I can build A castle to the sky. No one can shake it down, Though he may try and try, Except myself, and then, I make another one, And shape it as I please. This castle-building fun Nobody takes away, And what I like the best-- The dream-blocks change each day. STUPID YOU THERE is a shining thread To-day in my rose-bed-- A magic net the fairies have outspread To catch the dewy sweet--and yet you said It was a cobweb there instead! [Illustration: Copyright, 1908, by Duffield & Co.] ANAGRAMS TO-DAY when I played anagrams, I spelled a long word out-- A word named _sorrow_--then I tried To change it all about To make it spell another word. My mother said, "There is a way To make the sorrow-word spell peace." I've tried and tried, almost all day; I've turned the letters round and round, This way and that, to find out how, And yet I can not find the way, And supper time is coming now. DOORSTEPS I TAKE my broom and sweep my step, To make it smooth and brown; Then I sit down and wait with Jep Until the sun goes down. I think some day that I may see A little brownie elf Peep out of there, and speak to me, When I am by myself. I like my roses at the side, Much better than the flower-row Along your path where people ride. I leave my roses just to grow. I like the place that's broken, too, With splintered edges all around, And grasses growing right up through, That smell so fresh like dew and ground. Your steps are nice, but then my own Seem nicer somehow, just for me; Pine steps are more like home than stone, For once they lived and were a tree. [Illustration: Copyright, 1908, by Duffield and Co.] THE BIG CLOCK OUR Big Clock goes so slow, When I am waiting on the stairs, With nice, clean clothes on, dressed to go Out with Aunt Beth to see the bears And funny possums at the Zoo! But oh, at night how fast Our Big Clock goes! It's very rude To company, and when time's past When I must always go to bed, The hands just fly in wicked glee. It strikes out long ahead And makes them all look round at me. [Illustration: Copyright, 1908, by Duffield and Co.] THE NEW DRESS [Illustration] I HAVE a very pretty dress, It's made of pink and white, And there are ribbons on it, too, Which make it bright. And yet I think I like it less Than this dear other one-- The worn-out, patched-up blue I wear when I have fun. It clings to me as if it loved To have me wear it every day. The pink stands out so straight and stiff It's in my way. How can I get to know it well, When it's so _Sunday_-clean? Perhaps when it is old and stained With dust and grass, it will not seem So strange and dignified as now. But then I think I never _could_ make mud pies right If I had on my pink. A QUESTIONING I WONDER, when I die, If some one there will see, And hold me close, And take good care of me, As when I came on earth to be A little child? A TEST SOME day when I've had lots to eat, Then I should like to be A ragged beggar child, A little while, to see If you--and _you_--are kind. A QUANDARY WHEN they are tall and all grown up, I wonder where the children go? I wonder how one finds the place-- My mother says she doesn't know. The little boy that's I, must go To this strange meeting-place some day, When I outgrow my starchy kilts, And nursery things are put away. Must I go there quite by myself? How shall I find the proper door, That hides so close and shuts away The little children gone before? [Illustration: Copyright, 1908, by Duffield and Co.] [Illustration] SPRING MUSIC I HEARD a violin one day-- It sounded like the Spring; Like woolly lambs at play, Like baby birds that sing In snatches, when they're learning how. I know the one who played Could see pink blossoms on a bough, Where children came beneath its shade To make white clover in a crown. Then while they laughed there in the grass, Soft petals fluttered down; They hushed and saw some angels pass, With friendly eyes that smile-- The kind that I have often seen When mother sings awhile, Just as I go to sleep and dream. I held my breath and then there rose The last sweet note so high. I felt as when the sunshine goes-- I could not help but cry. A COMPROMISE WHEN I have done a Something Wrong, I feel ashamed to kneel and pray. But then the dark-time lasts so long, And God seems--oh, so far away!-- That when the lights are out awhile, I clamber out of bed once more And pour my pennies in a pile. ... I listen at the door, And then I get upon my knees, And whisper just for God to hear, To ask him, oh, just once more, _please_, Will he forgive and come back near, If I will make a promise _quick_ To give my pennies to the sick? A RAINY DAY WHEN I woke up and saw the rain In blurs upon the window-pane, I said I hated such a day, Because I couldn't run and play, Out in the sunshine and the grass. It's queer how such a day can pass So soon, before you know it 'most, And while I eat my milk and toast, Before I go to bed, I think I've never had a day so _pink_. Without the sun to make the shine, This whole day long has been just mine And Mother's, in the fireplace glow.-- Because it rained, it made it so. [Illustration: Copyright, 1908, by Duffield and Co.] AN APPEAL TO SCIENCE I WISH the clever men who made The whirly things with patents on, The telephone and phonograph, The watch that tells how far you've gone, Would just invent some bottled sleep That we could take at night, And then again when it grows light. It might keep little boys awake When there is company. All I should have to do, would be To pour a glass of sleep to take. The things I leave undone, Because I haven't time enough, The things I've only half begun-- My castle-house, my doll-queen's ruff-- I'd get quite finished in a day. I'd have some time left over, too. I'd have the chance to do new things. And first of all, I'd learn to play The games the flowers frolic through, Each afternoon, and I'd find who Has charge of yesterday. I think that made-to-order dreams Of rainbow-folk and orange-creams Would be much nicer than the kind Which on dark nights I always find. THE RUNAWAY THERE'S something that is calling me-- Far off from Here-- It calls for me to come and see, Away from Near. Sometimes it tinkles like a bell. Then echo songs above the blue, And sometimes silver whistles tell About a shining dream come true. This call sings low of wonder-worlds. It tells in runs and soft-blown trills Of hidden places near that line Where distance smooths the little hills. The call is begging me to come. It makes me dance and sing Along the meadow road, Far past the street's dust-ring. There's something waiting just for me, And I must go--_must go_, Away from houses here, to see, Where lights begin to glow. [Illustration] PLAYMATES TO-DAY I met a rabbit in the path Who stopped and looked at me, While I was laughing at a frog Hop sidewise from a bee. The little rabbit's eyes laughed too. He would have like to stay; And if my clothes had been like his, He might have come to play. I wish I had a rabbit dress, A furry one, from head to toe, Then I could go away with him From streets in line, all set just so. I think my clothes are stupid things To rob me of my friends, But then, the kind of playmate clothes I want, nobody lends! THE ECHO I LAUGHED in woods down where a brook Ran off with little leaps, An answer came from some fern-nook, And then another made me look Off in the dark tree-deeps. I ran to all the nooks to see If I could find the one Who heard me first, and answered me-- Each place was still as it could be, As far as I could run. Nurse said, "There's no one to be caught. It's just the echo's glee." But then I know that it was _not_! The little wood-elves all forgot, And laughed out loud with me. THE SICK ROSE THIS rose I picked, began to die, And so, I've brought it back again To where it used to live. I'll try To make it as it was--and then, I'll whisper to it how I care. Why _can't_ it grow now any more, A rose with other roses there, Upon the rosebush by the door? [Illustration: Copyright, 1908, by Duffield and Co.] [Illustration] AFTERNOON JUST since the night, the wind has won The last pink bud to open bloom. The long path whitens in the sun; All grown folks hunt a darkened room. Cool sweet of morning time is gone From all the leaves and grass. Here in this place the shade falls on, I wait for butterflies to pass. THE WILD I LOVE the gold-brown flutter-bird You caught for me; But from its song is gone a note I heard When it was free. And when I bring the lace-ferns home I can not bring The wood-charm too--the spell of that wee gnome Which makes birds sing. The trees you painted with your brush Are like the real, But that still harking of the soft leaf-hush You could not steal. It is the spirit of the wold--the same That's part of me,-- The gipsy wild of me without a name, Unhoused and free. BUD MUSIC I KNOW when little buds come out, And spread their colors all about, They make soft music--Yet it's true Most people never hear. Do you? There is the faintest, tinkly sound. Birds fly to listen all around, Then all the leaves stand just as still, And sunshine dances on the hill. FRILLS THE dainty frills upon my frocks Make me all twinkly smiles inside. I want to take my sweets around,-- A something in me says "Divide." I run to give my mother dear My nicest, clean-face kiss. I feed the sparrows on the steps, And think what others miss. I put some water on my fern; To every one I want to say Nice _velvet_ things. It is so queer That we can dress our moods away! [Illustration: Copyright, 1908, by Duffield and Co.] GONE SOMEWHERE [Illustration] ONE day a little boy, With a poor broken toy, And ragged clothes, went by. He looked as if he'd like to cry, To see my soldiers fine, In scarlet coats, so straight in line. Would he have liked to play with me, Here beneath my shady tree? I wonder, but I did not call him back again. I thought he'd come next day the same, And I would ask him in to play, And when he had to go away Give him my nicest toys-- The drum that makes the loudest noise, My whistle, and perhaps my sword, Or even my soldier hat with braids and cord. But though I watch here by the gate Until it grows quite dark and late, I never hear his footsteps there, The little boy is gone somewhere. THE CHOSEN DREAM IF I could choose a dream to-night, I'd choose a splendid dream About big soldiers in a fight,-- So real that it would seem A truly one not in a book, With flags and banners waving high And horses with a prancing look And powder smoke that filled the sky, And lots of swords to flash. Perhaps this dream would frighten me, More than a noisy game, If too much blood should splash, And any soldiers die. And yet I think I'd choose it just the same And then wake up and cry. HOME YOU think my home is up the street In that big house with lots of steps, All worn in places by our feet-- With tracks that look like mine and Jep's. You think it's where I always eat, Where I can find my spoon and bowl, My napkin folded clean and neat, And milk, and sometimes jelly-roll. You think it's where I always sleep, Where I get in my puffy bed, And fall right in a comfy heap, Some nights before my prayers are said. But that's not home--just roof and walls, A place that anybody buys, With shiny floors and stairs and halls.-- _My_ home is in my mother's eyes. [Illustration: Copyright, 1908, by Duffield and Co.] DAWN THERE are no sounds of feet Or wagons in the street, So still, so beautiful, With air so fresh and cool. I love the dawn to come-- But oh, I know that some Are not so glad as I,-- For they must wake to cry. THE CITY TREE A SOLEMN, dressed-up City Tree, As stiff and straight as it can be, All cut and trimmed and kept just so, Is trying very hard to grow Correctly, with its top so queer, In front of my big window here. It is not like my Country Tree, Good friend of every bird and bee, Who keep it merry company And always sing and talk to me. My Country Tree laughs all day long. Its fresh leaves whisper in a song Their secrets just for me to hear. Its branches lean so very near The ground, that grasses stretch and try To meet the boughs not swung too high. There is the place, the very best In all the world, to play and rest. The City Tree stands all alone Above the clean-swept pavement stone. No little children ever stay Beneath its trimmed-off shade to play-- They aren't brave enough to dare, Because it is so proper there. There are no lady-birds about; No crickets frolic in and out. The City Tree is very proud, It hasn't even looked or bowed. We're not at all acquainted yet-- It's just as if we'd never met. The days seem long--I wonder when I'll see my country tree again? A PRAYER DEAR God, may I _not_ dream The Dragon-dream to-night,-- And please do not forget To make it light On time again For me. Amen. [Illustration: Copyright, 1908, by Duffield and Co.] [Illustration] CAP AND BELLS THEY make me laugh and clap my hands When they run out in wide striped clothes Of white, with red and yellow bands, With pointed caps and pointed toes,-- The "funny men" at circus shows. I wish I knew just how a clown Can make his mouth up in a smile, And wrinkle in a crinkly frown His forehead all the while, In that queer circus style. [Illustration] One day when I had cried and cried Because I lost the picture book Which I had made, and mother tried To comfort me, we went and took A walk, to see how clown men look. I soon forgot my book, and though I loved it just the same, I couldn't cry and miss it so, And think about each picture's name When all the clown men came. [Illustration] I think we ought to say our thanks, To each of them who makes and sells Such fun and jokes, such jigs and pranks,-- How dull we'd be without the spells They make with cap and bells! SUMMER'S PASSING MY mother says that Summer's gone away. It seems so queer I didn't see her go, Or know till now; she didn't say good-bye-- And oh, I loved her so! Now that I know, I miss her all the time. To-day I found this piece torn from her gown. It fluttered softly down the path to me. Perhaps my nurse would call it thistledown, But grown folks often make such strange mistakes. Nobody knows such wonder-things as I. On fresh, dew mornings, when I used to play, Out where the friendly rose-hedge grows so high, The pinks and four-o'clocks would lean to me And tell me secrets of my Summer dear. It's lonesome now, and sad as it can be, Since Summer is no longer here. The Dark comes down so soon, and it is cold. I wait and watch the sunset track, But Mother says I'll be a year more old Before my Summer will come back. [Illustration: Copyright, 1908, by Duffield & Co.] WHEN YOU WAIT DO you know that when you wait To tell the truth, and fear-- Until it grows _almost_ too late-- God leans to hear? PUNISHMENT SOME days my doll-child is so bad, I have to whip her very hard. I put her in the corner there, And take away her picture-card. She's put to bed without a kiss. She doesn't have her way one bit, But then, _I_ am the one it hurts, And so what is the use of it? [Illustration: Copyright, 1908, by Duffield & Co.] FIRST PITY I'VE found a bird that's hurt. It flutters so and cries, Then looks its pain at me With such bright frightened eyes. Its feathers are so soft! How quiet it is now! I want to make it well-- I wish my hands knew how! NIGHT I DO not like to say good-night,-- I hate to shut my eyes, When fringe-beams of the stars and moon Make day-things play surprise. The night is such a wonder-world, I love it more than day. The Dark comes close and calls. That's why My prayers are hard to say. HOVER-TIME IT is the hover-time That comes between the light and dark. The little squirrels climb Into their nests in trees and hark To rustly leaves about. Far off, I hear new insect cries-- From things which never dare call out In daytime: they're afraid of _Eyes_. Out from the purply wood The first bat circles on the fly. Far things draw on a hood And shadows hide the place where sky And earth make dim their line. The trees change shape, and soon the gray Blurs into black; and that's the hour When dark comes down to stay. TREASURE CRAFT UPON the brook, for treasure-craft, I sail some petals, red and white; They always go away from me-- They float much faster in their flight, Than I can run along the bank. My precious wee bit things bear freight; Which very soon falls overboard, And sinks where miser-folk await To snatch my sparkling treasure-store. Perhaps the waters dash too high For such a little fleet of ships, And that may be the reason why My crafts do not return again. Still, I expect them any day. I've lost some things I love the best,-- My flower-chains and ribbons gay-- But, though I miss these pretty things, I love much more the sailing-fun, And launch new ships when morning sings, And rainbow mist floats in the sun. [Illustration: Copyright, 1908, by Duffield & Co.] THE MOON PATH IF I could walk along the path The moonlight makes upon the sea, I know that I should find the one Who sings the Silver Song to me. THE RING CHARM I HAVE a little charm A gypsy gave to me, To keep me safe from harm, So ugly things can't see When I am all alone. It keeps the 'Fraid all out When trees cry so, and moan, And throw their leaves about. It keeps away the Woops that creep About my bed when I'm asleep. And even by day my charm keeps anything From hurting me, and that is why I love my gypsy-ring More than the ones I buy. The gypsy put it on for me And said some words so strange I knew that they must be Some fairy charm to change The sad things into gay, And keep me safe and well. I wear it every day, For that's to keep the spell. Each morning when I wake, I kiss and turn my ring Three times for sake of luck These wishes bring. [Illustration] [Illustration: Copyright, 1908, by Duffield & Co.] *** END OF THE PROJECT GUTENBERG EBOOK DREAM BLOCKS *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.