The Project Gutenberg eBook of A Dog Day; or, The Angel in the House This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: A Dog Day; or, The Angel in the House Author: Walter Emanuel Illustrator: Cecil Aldin Release date: February 26, 2016 [eBook #51306] Most recently updated: June 14, 2020 Language: English Credits: E-text prepared by David Edwards, ellinora, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) *** START OF THE PROJECT GUTENBERG EBOOK A DOG DAY; OR, THE ANGEL IN THE HOUSE *** E-text prepared by David Edwards, ellinora, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive (https://archive.org) Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 51306-h.htm or 51306-h.zip: (https://www.gutenberg.org/cache/epub/51306/pg51306-images.html) or (https://www.gutenberg.org/files/51306/51306-h.zip) Images of the original pages are available through Internet Archive. See https://archive.org/details/dogdayorangelinheman Transcriber’s note: Text enclosed by underscores is in italics (_italics_). A DOG DAY or The Angel in the House by WALTER EMANUEL Pictured by Cecil Aldin [Publisher Logo] Published by R.H.Russell. New York. 1902. ------------------------------------------------------------------------ Copyright, 1902, by William Heinemann. All rights reserved. Entered at Stationers Hall, London, England. Entered at the Library of Congress, Washington, U.S.A. ------------------------------------------------------------------------ TO W. W. JACOBS BECAUSE HE LIKED IT [Small Decoration] ------------------------------------------------------------------------ A DOG DAY OR THE ANGEL IN THE HOUSE A.M. 7 Woke up feeling rather below par, owing to disturbed rest. Hardly enough energy to stretch myself. In the middle of the night a strange man came in by the kitchen window, very quietly, with a bag. I chummed up to him at once. He was nice to me, and I was nice to him. He got me down a piece of meat that I could not reach myself. While I was engaged on this, he took a whole lot of silver things and put them into the bag. Then, as he was leaving, the brute—I believe, now, it was an accident—trod on my toe, making me yelp with pain. I bit him heartily, and he dropped his bag, and scurried off through the window again. My yelping soon woke up the whole house, and, in a very short time, old Mr. Brown and young Mr. Brown appear. They at once spot the bag of silver. They then declare I have saved the house, and make no end of fuss with me. I am a hero. Later on Miss Brown came down and fondled me lots, and kissed me, and tied a piece of pink ribbon round my neck, and made me look a fool. What’s the good of ribbon, I should like to know? It’s the most beastly tasting stuff there ever was. [Illustration] [Illustration] 8:30. Ate breakfast with difficulty. Have no appetite. 8:35. Ate kittens’ breakfast. 8:36. An affair with the cat (the kittens’ mother). But I soon leave her, as the coward does not fight fair, using claws. [Illustration] 9:0. Washed by Mary. A hateful business. Put into a tub, and rubbed all over—mouth, tail, and everywhere—with filthy soapy water, that loathsome cat looking on all the while, and sneering in her dashed superior way. I don’t know, I am sure, why the hussy should be so conceited. She has to clean herself. I keep a servant to clean me. At the same time I often wish I was a black dog. They keep clean so much longer. Every finger-mark shows up so frightfully on the white part of me. I am a sight after Cook has been stroking me. 9:30. Showed myself in my washed state to the family. All very nice to me. Quite a triumphal entry, in fact. It is simply wonderful the amount of kudos I’ve got from that incident with the man. Miss Brown (whom I rather like) particularly enthusiastic. Kissed me again and again, and called me “a dear, clean, brave, sweet-smelling little doggie.” [Illustration] 9:40. While a visitor was being let in at the front-door I rushed out, and had the most glorious roll in the mud. Felt more like my old self then. 9:45. Visited the family again. Shrieks of horror on seeing me caked in mud. But all agreed that I was not to be scolded to-day as I was a hero (over the man!). All, that is, except Aunt Brown, whose hand, for some reason or other, is always against me—though nothing is too good for the cat. She stigmatised me, quite gratuitously, as “a horrid fellow.” [Illustration] 9:50. Glorious thought! Rushed upstairs and rolled over and over on the old maid’s bed. Thank Heaven, the mud was still wet! [Illustration] 10 to 10:15. Wagged tail. [Illustration] 10:16. Down into kitchen. While Cook is watching regiment pass, I play with chops, and bite big bits out of them. Cook, who is quite upset for the day by seeing so many soldiers, continues to cook the chops without noticing. 10:20 to ... Dozed. [Illustration] 1:15. Ate kittens’ dinner. [Illustration] 1:20. Attacked by beast of cat again. She scratched my hind-leg, and at that I refused to go on. Mem.: to take it out of her kittens later. [Illustration] 1:25. Upstairs into dining-room. Family not finished lunch yet. Young Mr. Brown throws a bread pellet at me, hitting me on the nozzle. An insult. I swallow the insult. Then I go up to Miss Brown and look at her with my great pleading eyes. I guessed it: they are irresistible. She gives me a piece of pudding. Aunt Brown tells her she shouldn’t. At which, with great pluck, Miss Brown tells her to mind her own business. I admire that girl more and more. [Illustration] 1:30. A windfall. A whole dish of mayonnaise fish on the slab in the hall. Before you can say Jack Robinson I have bolted it. 1:32. Curious pains in my underneath. [Illustration] 1:33. Pains in my underneath get worse. 1:34. Horrid feeling of sickness. [Illustration] 1:35. Rush up into Aunt Brown’s room, and am sick there. [Illustration] 1:37. Better. Think I shall pull through if I am careful. 1:40. Almost well again. 1:41. Quite well again. Thank Heavens! It was a narrow shave that time. People ought not to leave such stuff about. 1:42. Up into dining-room. And, to show how well I am, I gallumph round and round the room, at full pelt, about twenty times, steering myself by my tail. Then, as a grand finale, I jump twice on to the waistcoat-part of old Mr. Brown, who is sleeping peacefully in the arm-chair. He wakes up very angry indeed, and uses words I have never heard before. Even Miss Brown, to my no little surprise, says it is very naughty of me. Old Mr. Brown insists on my being punished, and orders Miss Brown to beat me. Miss Brown runs the burglar for all he is worth. But no good. Old Mr. Brown is dead to all decent feeling! [Illustration] So Miss Brown beats me. Very nice. Thoroughly enjoyable. Just like being patted. But, of course, I yelp, and pretend it hurts frightfully, and do the sad-eye business, and she soon leaves off and takes me into the next room and gives me six pieces of sugar! Good business. Must remember always to do this. Before leaving she kisses me and explains that I should not have jumped on poor Pa, as he is the man who goes to the City to earn bones for me. Something in that, perhaps. Nice girl. [Illustration] 2:0 to 3:15. Attempt to kill fur rug in back room. No good. 3:15 to 3:45. Sulked. 3:46. Small boy comes in, and strokes me. I snap at him. _I will not_ be every one’s plaything. [Illustration] 3:47 to 4:0. Another attempt to kill rug. Would have done it this time, had not that odious Aunt Brown come in and interfered. I did not say anything, but gave her such a look, as much as to say, “I’ll do for you one day.” I think she understood. 4:0 to 5:15. Slept. [Illustration] 5:15. Awakened by bad attack of eczema. [Illustration] 5:20 to 5:30. Slept again. 5:30. Awakened again by eczema. Caught one. [Illustration] 5:30 to 6:0. Frightened canary by staring greedily at it. [Illustration] 6:0. Visited kitchen-folk. Boned some bones. [Illustration] 6:15. Stalked a kitten in kitchen-passage. The other little cowards ran away. 6:20. Things are looking brighter: helped mouse escape from cat. [Illustration] 6:30. Upstairs, past the drawing-room. Door of old Mrs. Brown’s bedroom open invitingly. I entered. Never been in before. Nothing much worth having. Ate a few flowers out of a bonnet. Beastly. [Illustration] Then into Miss Brown’s room. Very tidy when I entered. Discovered there packet labelled “High-class Pure Confectionery.” Not bad. Pretty room. [Illustration] 7:0. Down to supper. Ate it, but without much relish. I am off my feed to-day. 7:15. Ate kittens’ supper. But I do wish they would not give them that eternal fish. I am getting sick of it. 7:16. Sick of it in the garden. 7:25. Nasty feeling of lassitude comes over me, with loss of all initiative, so I decide to take things quietly, and lie down by the kitchen fire. Sometimes I think that I am not the dog that I was. 8:0. Hooray! Appetite returning. 8:1. Ravenous. 8:2. Have one of the nicest pieces of coal I have ever come across. [Illustration] 8:5. Nose around the kitchen floor, and glean a bit of onion, an imitation tortoise-shell comb, a shrimp (almost entire), an abominably stale chunk of bread, and about half a yard of capital string. After coal, I think I like string best. The family have noticed what a lot of this I stow away, and it was not a bad idea of young Mr. Brown’s, the other day, that, if I had the end of a piece of string always hanging from my mouth, they could use me as a string-box. Though it is scarcely a matter for joking about. Still, it made me laugh. 8:30. If one had to rely on other people one might starve. Fortunately, in the hall I happen on the treacle-pudding, and I get first look in. Lap up the treacle, and leave the suet for the family. A1. [Illustration] 8:40. Down into the kitchen again. Sit by the fire, and pretend I don’t know what treacle is like. But that vile cat is there, and I believe she guesses—keeps looking round at me with her hateful superior look. Dash her, what right has she got to give herself such airs? She’s not half my size, and pays no taxes. Dash her smugness. Dash her altogether. The sight of her maddens me—and, when her back is turned, I rush at her, and bite her. The crafty coward wags her tail, pretending she likes it, so I do it again, and then she rounds on me, and scratches my paw viciously, drawing blood, and making me howl with pain. This brings Miss Brown down in a hurry. She kisses me, tells the cat she is a naughty cat (_I’d_ have killed her for it), gives me some sugar, and wraps the paw up in a bread-poultice. Lord, how that girl loves me! 9:0. Ate the bread-poultice. 9:15. Begin to get sleepy. 9:15 to 10:0. Dozed. 10:0. Led to kennel. 10:15. Lights out. Thus ends another dernd dull day. [Illustration] * * * * * * Transcriber’s note: Obviously missing punctuation added. Time: . replaced by : e.g. 3.15 changed to 3:15, otherwise time display conventions left as printed. Original justification style of paragraphs not retained. Out of order pages in original re-ordered to follow time sequence. *** END OF THE PROJECT GUTENBERG EBOOK A DOG DAY; OR, THE ANGEL IN THE HOUSE *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.