The Project Gutenberg eBook of Newshound This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Newshound Author: Stephen Marlowe Release date: November 2, 2021 [eBook #66648] Language: English Original publication: United States: Greenleaf Publishing Company Credits: Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net *** START OF THE PROJECT GUTENBERG EBOOK NEWSHOUND *** NEWSHOUND By Milton Lesser The Fourth Estate was highly specialized in the 22nd Century; for example, a good newsman predicted coming events--and made them happen.... [Transcriber's Note: This etext was produced from Imagination Stories of Science and Fantasy July 1955 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Darius McLeod leaned back comfortably and watched the mayor sweat. His Honor popped a phenobarb tablet between his lips, tossing his head and gulping the pill down without water. His moist, nervous hands left their wet imprint on the desk top when he reached into his breast pocket and withdrew a clipping from the morning's _New York World_. "You people elected me, McLeod," he said. "Now get me out of this mess." "We merely supported your candidacy, Your Honor," McLeod said easily. "But let's see what you got there." "It amounts to the same thing," the mayor pleaded. "For God's sake, give me a break." McLeod shrugged and unfolded the _World_ clipping on his desk. "Naturally, the _World_ will oppose your administration," he began. "Otherwise they'll never be able to live down the _Star-Times'_ scoop on your election." "That's precisely what I was saying. The way I understand it, you people will have to support your man. The _Star-Times_ can't abandon me to the wolves, not now." "I'm only a reporter," McLeod explained. "We report events, not make them." "That's it. That's what I mean. The attitude. You're treating me like a child." "You're acting like one." "All I want is what's fair. Whatever you think is fair." "Then let me read this thing." The column clipped from the _World_ bore the cut-line COMING EVENTS. McLeod had always liked the _Star-Times'_ LOOKING FORWARD better, although he had to admit that the _World's_ cut of a swami rubbing his crystal ball had a certain fundamental appeal for the masses. House-written, the _World_ column appeared under the by-line of Nostradamus. McLeod scanned the printed lines quickly. There was a prediction on the outcome of the World Series. It had better turn out incorrect, thought McLeod: the _Star-Times_ had spent a small fortune building up the opposing team. There was something about the dangers of forest fires and an indirect reference to the possibility of a conflagration next week in the Adirondack Game Preserve. (The _Star-Times_ would be alerting its fire-fighting unit to prevent such a possibility, McLeod knew.) There was a talk of an impending war between Yugoslavia and France at a time when relations between the two countries were never more harmonious. McLeod wondered how the _World_ would ever swing it. He read the last two items aloud. "'We think it's high time the mayor of New York be exposed for his corrupt political dealings. We wouldn't be surprised if the mayor were forced to resign his office in January.... What ace reporter of what rival New York daily is going to meet with a fatal accident next week? Remember, you read it here first!'" "January," said the mayor as Darius McLeod folded the column and lit a cigaret. "That's next month." "They could be talking about me." "Eh? If I'm forced to resign, you'll be scooped." "Yeah, scooped," McLeod mused. "We're their chief rival. I'm the big Huck-a-muck over here. Those dirty sons--they can get me out of the way and scoop us at the same time. Listen, Your Honor, check back with me later. I've got to see the City Editor." "But I'm not politically corrupt--" "We'll decide. We'll let you know," Darius McLeod shouted, already running from his glass-walled office and through the clattering din of the City Room, disturbing the milling knot of scribes and gunmen going over last minute instructions from the Crime Editor, shouldering by the line of trim, pretty co-respondents receiving their briefs from the Society Editor, almost knocking down the Medical Editor who was either on the point of finding a cure for the _World's_ latest plague or dreaming up one of his own, McLeod didn't remember which. * * * * * McLeod found Overman, the City Editor, perched on a corner of his desk and barking orders into a microphone. "What do you mean, he won't jump? We said he'd jump. Coax him. Push him if you can get away with it, I don't care. Don't make it obvious." Overman cocked his gaunt head to one side, listening to the receiver imbedded in his ear. He looked like a walking ad for hyper-thyroid treatment, with bulging eyes, hollow cheeks and fidgety limbs. He couldn't sit still and he didn't try. "All right, we'll hold up the story. And you're the guy who asked for a raise." Overman dropped the microphone hose back into its cubby and looked up. "Sometimes I wonder what the hell they think a reporter draws his salary for. What do you want, Darius?" "The _World's_ gunning for me, chief." "I already saw it." "Then don't just sit there." "What do you want me to do, hold your hand? Of course the _World's_ gunning for you. Great story for them, and they also kill off our star reporter in the process. _If_ they get away with it." "Damn it!" McLeod exploded. "This is the twenty-second century. If the _World_ says I'm going to meet with a fatal accident, then my life's in danger." McLeod winced at his own words. In a matter of minutes he had been reduced to the mayor's level and he didn't like it. "Counter-prognostication has already taken steps, Darius. Don't go off the deep end on me. It happens like this every time. Even a top-flight reporter sheds his own sophistication when the story's about himself." "How do you expect me to take it?" "Just relax, that's all." "Maybe you want me to write my own obituary." "Don't try so hard to be funny. Excuse me." Overman cocked his head again and listened, then pulled out his microphone and barked: "All right, all right. Don't cry. We can't get them all. I'm not saying it was your fault. Report back in." "What's the matter?" McLeod wanted to know. "Harry Crippens is the matter. Remember Congressman Horner? That story yesterday?" McLeod recalled it vaguely. Something about Horner committing suicide unexpectedly. "Well, he didn't jump. The _World's_ Security Forces rescued him and got a scoop. Another wrongo for us, Darius. That's the second story Crippens bungled this month." "Maybe it wasn't Cripp's fault, chief." Crippens was a plump, owl-faced man with big, watery eyes swimming behind concave glasses. McLeod had always liked him. He was the grimmest, saddest, cryingest, most logical drunk McLeod had ever met. Wonderful drinking partner. "I didn't say it was. Just thinking, though." "If psychology flubbed a dub on Horner, you can't blame Cripp." "Not what I mean. The _World's_ prediction is vague, see? Who's a star reporter? How do you single the man out? Any big by-line guy will do, right?" "I guess so." "Crippens gets his share of by-lines, Darius." "Hey, wait a minute--" "Why spend the time protecting you next week if we don't have to? It's expensive and not a sure thing. We'd hate to lose you, Darius." "Thank you." "But Crippens is bungling. He ought to meet the _World's_ requirements. We do the job for them the first of next week. They get their story and we keep our number one man, alive. How does it sound?" "Rotten," McLeod said. "I'm not going to sit by and let Cripp take that kind of rap for me. What kind of louse do you think I am, anyway?" "Let it simmer, Darius. There's no hurry. I suppose His Honor has been around to use your crying towel?" McLeod nodded. "That's right." "I thought he would. It was your series of articles that got him elected in the first place. You saved my life, now support me. One of those deals. It was obvious the _World_ would try to show corruption after their own candidate lost." "Is the _Star-Times_ going to protect Mayor Spurgess' record?" * * * * * Overman jerked his head from side to side, the stretched, translucent lids blinking over popping eyes. "It's always easier to prove corruption than disprove it, you know that. We'd be backing the wrong animal, Darius. I've got it figured, though." "How do you mean?" "They won't have much of a story if something violent happens to the mayor between now and next month. I don't want to see it in LOOKING FORWARD, though. Just make it happen and get the scoop. See? We can't let the mayor resign. This is the surest way." "Anything particular in mind?" "It's your assignment, Darius. Whatever you do is all right with me." "That poor guy treated me like his father-image before. Well--" "You're not weakening, are you, Darius? There's no time for emotion in this business, none at all. You've got to go out and get a story before some other outfit changes it on you. Or you've got to make _their_ stories fail to happen. And whatever you do, you've got to keep the TV outfits guessing. If news starts happening according to Hoyle, we're all through. Us and the _World_ and all the other newspapers wouldn't stand a chance, not with TV right on the spot. Keep TV guessing. Confused. Never sure. Give some crumbs to the _World_, even, if you have to. "So there's no time for thalamic responses, Darius. Do I make myself clear?" McLeod bristled. "You never had to give me that kind of lecture. You think I'm a cub or something? Don't worry about Mayor Spurgess, we'll fix him up." "Splendid. But there's something else. Crippens." "I told you how I felt about that. I don't want any part of it. Talk about your Judas's--" "Crippens or you, Darius. The _World's_ gunning. You know it." "I can't tell you what to do. But I'll warn Cripp, that's all." "That would make your own assignment rather difficult." "What assignment are you talking about?" "Crippens. The way I figure it, you have a lot at stake there. We'll let you handle Crippens." "You're crazy!" "You are if you refuse. We won't give you a single Security man for protection. Remember what they said in COMING EVENTS. Your one chance is to get Crippens before they get you and then let the _World_ scoop us. I would suggest the first thing next Monday morning, but then, it's your baby." "First Mayor Spurgess and now Crippens. Are you trying to make me a hatchetman?" "A reporter, Darius. You've always been a good one." "But Crippens is my friend." "I wish we had another way out. Crippens has his place on the _Star-Times_, but we thought too much of him. We don't want to lose you, Darius. You can take that as an objective compliment and sleep easy. Your job's secure." "Thank you very much." "Don't be bitter. A man in the newspaper business is top-dog these days, see? I don't have to tell you. We're not passive receptors. We control things. We make things happen. We play God, but we've got competition. You've got to take the good with the bad, that's all. See what I mean?" All the while they had spoken, Overman had not moved from where he had perched his small frame on his desk, but his nervous legs had walked miles, his scrawny, sleeve-rolled arms had waved, flapped and gesticulated, his wide, bulging eyes had darted about the frenzied confusion of the great room where news was created and missed nothing. It was Overman's passion, McLeod knew, his alpha through omega. He suddenly wished it were that simple for himself. Less than half an hour ago, it would have been. "We'll have our obituary people compose something tender for Crippens," Overman said. "Keep me informed, Darius." "I haven't told you I'd do it." "Whose obit would you rather see them write?" "You could protect me instead." But Overman jerked his head side to side again. "It's the same as politics. Much simpler to make news than to prevent it. The one sure way to protect you, provided you don't foul things up with Crippens." "Well, I don't--" "One of you makes the obituary page next week. The _World's_ already seen to that. Take your choice, Darius." "Yeah ... sure." "And don't forget about Mayor Spurgess. You've got a busy time ahead of you. Good luck." Walking back toward his own office, McLeod saw that the flow of co-respondents had slowed to a trickle. He swore softly. The last girl in line was Tracy Kent, a tawny-haired divorce specialist with an admirable record. McLeod liked Tracy, but it was strictly brother-sister stuff. Tracy was going to marry Harry Crippens. CHAPTER II "Hey, Darius. A girl gets hungry for lunch around this time every day." McLeod smiled. "Won't Cripp be along soon?" "Search me." Tracy rubbed her stomach under the smooth, tautly drawn fabric of her dress. "When this piece of machinery starts to gurgle, I eat." "Well, I was going to head over to the Press Club in a few minutes anyway. Don't you have to get yourself caught with someone today?" "Later on. Tonight. Now I'm hungry." Tracy Kent was long and almost lean with hips angular rather than rounded and the clean lines of her long-striding legs accentuated by the tight sheath of skirt as she walked with McLeod toward the elevator. She was all woman unless you happened to look at her a certain way, when you caught a glimpse of something coltish, almost like Peter Pan, in the way she carried herself or smiled at you. She did not look like a vamp, thought McLeod, which helped explain why she was such a successful co-respondent. "One of these days I'm going to stop feeling like a brother toward you," McLeod promised as they climbed into his copter on the roof. "You're flattering but tardy, Mr. McLeod. I'm going to marry the guy." "Crippens?" "Don't look at me that way. He's your friend, too." Tracy grinned as the rotors flashed above them, then pouted. "Darius, do we have to go to the Press Club for lunch?" "Mixing business with pleasure, I guess. Got to see some people. Why, does someone bother you over there?" "That Weaver Wainwright, always staring at me like he wants to sit down at his thinkwriter and let the world know what it's like with a co-respodent. Me." "Wainwright's one of the men I want to see." "The _Star-Times'_ hot-shot reporter hob-nobbing with that riff-raff from the _World_?" "You named it," Darius McLeod said as their copter rose up from the roof of the _Star-Times_ building and retreated from the checkerboard pattern of other copters resting on their landing squares. "Why the sour face?" "Because I read COMING EVENTS, Darius. Do you think Wainwright's been assigned the job?" "It's a damned good guess. He just got back from overseas. He's been sopping up spirits like a blotter over at the club and making nasty noises while waiting for a new job. This is probably his baby." "Why, Darius?" "Because he's their number one boy." "No. I mean, why you?" McLeod shrugged. "Does there have to be a reason? It's good copy for them. The _Star-Times_ loses a guy who's been around, too. That's the newspaper business, Tracy. Don't look for any reason." "Don't be so calm about it. What's Overman going to do?" McLeod considered the question as he brought the copter down expertly through the lanes of local traffic here at the edge of the city. Off in the distance, rank on rank of hemispherical suburban homes marched off, in orderly rows, to the eastern horizon. The Press Club, almost directly below them now, had snipped half a dozen square miles from the patterned picture. It was castle, game preserve and sylvan retreat not for one monarch, but for hundreds. Newshounds, newshens, gunmen. Flashing letters swam up at them from the green woodland, blinking on and off garishly--THE FOURTH ESTATE. If he told her Overman had failed to offer any protection, she'd realize another alternative had been selected. It would be better if he lied. "What's Overman going to do?" he repeated her question. "The usual. I'll be protected. Don't worry about me." "But if Wainwright's all they say, he's like a bloodhound. Be careful, Darius." "Hell, I said don't worry. I have till next week, anyway." "This is Friday." "Yeah, Friday." Their copter alighted with hardly a quiver. Uniformed lackies were already polishing the chrome and glass by the time McLeod helped Tracy to the ground. She came down lithely, long hair whipping about her face and brushing against McLeod's cheek. A girl scantily clad as an American Indian led them across the landing field and along a path through the gnarled oaks which made the Fourth Estate resemble more a chunk of Scotland than Long Island. But while they couldn't see the acres of neon tubing from the ground, their pulsing glow spoiled the effect. * * * * * The clubhouse itself was an architectural nightmare of quarry-stone, turrets, battlements--and great, soft-hued thermo-glass walls. Music stirred the air faintly with rhythm as they crossed the drawbridge (which actually worked, McLeod knew) and entered the lobby. The pretty little squaw disappeared and was replaced at once by the weaponcheck girl, dressed in top hat and tails, but not much else. She smiled professionally at Tracy, then frisked her expertly, finding the trick pocket in her skirt and removing the tiny but deadly parabeam from her leg holster. Tracy grinned back like a yawning cat. "I'd have given it to you." "I'm sorry, m'am. They all say that." The weaponcheck girl turned to McLeod. "It's the law around here, you know that. Good afternoon, Mr. McLeod." The hands darted with quick, practiced precision over him after he nodded. He felt the sleeve-holster slip out by way of his armpit, was given a numbered check for both weapons as the girl hip-wagged away and suspended their weapons from hooks in her arsenal. They were then led to a table near the bandstand, where they ordered cocktails. "It's an awful lot of fuss just to eat lunch," Tracy said. "Every time that weapon hen paws me like that, I want to scratch her big, wide eyes out. Darius, I'm still afraid for you. Is Wainwright here?" "I haven't looked, but don't worry. I have till next week, anyway." "They could kidnap you and hold you somewhere till they're ready to kill you." McLeod tried to hide his momentary confusion by making a production of lighting his cigaret and smiling at someone he hardly knew at a nearby table. Tracy certainly had a good point--which he hadn't considered until now. Tracy glanced about uneasily in the dim light. "Did Overman think of that? I don't see any Security men around." McLeod exhaled a long plume of smoke and watched it get sucked into the unseen currents of the climatizer. "They don't let themselves get seen," he said easily. "They wouldn't be good Security men if they did, would they?" "But what are _you_ going to do, Darius? Can't you take some kind of positive action? It's not like you, just sitting around and waiting." McLeod wanted to change the subject, for Tracy had a way of ferreting out the truth even if she suspected nothing. He'd always thought she was wasting her time as a co-respondent and often told her so, but she'd always countered by striking a bump-and-grind pose and saying she had all the equipment. "Have you heard about Cripp?" he asked her now. "Only that he was going out on an assignment. Suicide I think." "Unfortunately, the guy had a change of heart. They had to tear up the obit." "Was it Cripp's fault?" "I doubt it. Suicide and murder are two different things. Psychology fouled up, that's all." "But Overman must have been furious, anyway. Poor Cripp." "Overman'll get over it. Cripp's a good man." Tracy shook her head slowly. "Thanks for saying it, but Cripp isn't cut out for the newspaper racket and you know it. A couple more flubs and Overman will begin to think Cripp belongs to the Anti-Newspaper League or something." "Very funny," McLeod told her. "I can just see it now: Cripp a subversive." "Shh!" said Tracy, raising a finger to her lips. "We shouldn't even talk about things like that. Mentioning the Anti-Newspaper League in here is like eating beefsteak in Delhi." A figure approached their table and sat down at the empty chair without receiving an invitation. "Did I hear something about the Anti-Newspaper League?" the man demanded, chuckling softly. He was tall and gaunt but well-tanned, the whites of his eyes very bright against the skin of his face. He had a long, sad nose which drooped mournfully almost to his upper lip, mitigating the effect of his smile. He was Weaver Wainwright, ace reporter of the _World_. * * * * * "We're just a couple of subversives, Mr. Wainwright," Tracy said. "So that's why the _Star-Times_ is filling its pages with wrongos these days. How do you do, McLeod?" "Never felt better. Ought to live to be a hundred, at least. Can we get you something?" "As a matter of fact, I've just had lunch. Brandy might help my sluggish liver, though." "Brandy it is," said McLeod, and gave the new order to their waiter when he arrived with a pair of Gibsons. "According to what I read in the papers, the _World's_ thinking of starting a Tong War with us." McLeod hid his impulse to smile by making a conventional toast to Tracy. He wondered how much his unexpected candor had unnerved Wainwright and decided to study the reporter's reaction carefully. But Wainwright merely grinned, making the upper lip all but disappear and the nose become more prominent. "At least you read a good newspaper," he said. "I don't think it's fair for you to say we had war in mind, McLeod. Nothing of the sort. Our Prognostication division merely indicated that a certain well-known opposition newsman was going to meet with an unfortunate accident next week. While prognostication is pretty reliable--especially coming from a good newspaper--it's hardly the last word. Ah, here's my brandy." And he began to sip and stare over the rim of his glass at Tracy. "Nice stay in Europe?" McLeod wanted to know. Under the circumstances, Wainwright's composure had been admirable. "Fair. But then, you read the papers." "You mean that business about Yugoslavia and France?" "That's right. Your man--What's his name, Kitrick?--thought there would be peace. He's wrong, you know. All you have to do is touch a spark to the right fuse in the Balkans, I always said. Kitrick was trying to put the fire out by spitting." "Wayne Kitrick didn't think there was any fire to put out," Tracy told the _World_ reporter. "As of now, there isn't." "Give it some time," Wainwright promised. "You see, the President of Yugoslavia was indiscreet in his youth, most indiscreet. With elections approaching there, he had the alternative of--well, you know what a newspaper can do to a man of position who's been indiscreet. Drink to it?" They did. In spite of everything, McLeod had to admire Wainwright. In the old days, nations went to war for economic reasons, over diametrically opposed political philosophies, because of religion. Today, a sharp reporter dug deep to unearth closeted skeletons and moral potsherds and literally blackmailed a chief of state into war. Wainwright was sharp, all right. History might one day write up the whole series of twenty-second century wars as Blackmail Wars, but meanwhile the U. N. could only gnash its collective teeth while Wainwright picked up a fattened paycheck. "I'll bet you're proud of yourself," Tracy said. "I don't see why not. Kitrick will be reamed, my dear." "And so will a few million innocent people." "Perhaps you weren't fooling when you mentioned the Anti-Newspaper League. But of course, you're pulling my leg." "I'm a co-respondent," Tracy said coldly. "I don't have to turn cartwheels over your end of the newspaper game." "Tracy," McLeod said. This was one facet of the girl's character he'd never seen before. He could almost see the gears meshing into place inside Wainwright's skull. He didn't mind talk which bordered on the subversive, as long as it came from Tracy, who was quite outspoken about a lot of things, but Wainwright might have other ideas. But Wainwright said, blandly, "From a moral standpoint you carve out your pound of flesh every now and then too, my dear. Or don't you think framing innocent men in compromising circumstances is immoral?" "You wouldn't understand the difference," Tracy said. "It is a difference of degree, not kind." * * * * * Tracy bit her lips and did not reply. It was like a revelation to McLeod. He suddenly wondered if Cripp knew how maladjusted his fiancee was. Abruptly, Wainwright changed the subject. "Are you well insured, McLeod?" "I never could figure out who to name as beneficiary." "That's a shame." "If you've planned anything now, I thought you'd like to know _Star-Times_ Security Forces are all around us," McLeod bluffed. "You underestimate me, sir. Prognostication comes up with the raw facts, which I sift for story material. I merely wait for things to happen. However, in case you have any inclinations to put the shoe on the other foot, I'm sure you realize _World_ Security men often lunch at the Fourth Estate." That, McLeod suspected, was no bluff. Tracy was still nibbling on her lip but managed to cast a worried look in his direction. They ordered and ate in silence while Wainwright swirled and sipped another brandy. "Have you heard about poor Mayor Spurgess?" Wainwright asked as McLeod cooled his coffee with cream. McLeod scalded his lips. The _World_ reporter was playing cat-and-mouse with him, taunting him overtly. Perhaps Wainwright figured he could kill two birds with one stone, getting McLeod while McLeod tried to protect the mayor's record. He hoped Wainwright had not thought of Overman's alternative. "You're a busy man," McLeod finally said. "I detest inactivity. I assume since you wrote Mayor Spurgess into office, you are going to protect his name. Miss Kent, could you excuse yourself for a moment?" Tracy waited until McLeod nodded, then stood up and mumbled something about going to powder her nose. McLeod lit a cigaret and waited. "Now we can talk," Wainwright said. "Recognize the spirit in which this is said, McLeod: you're a fine reporter." "Thanks." "But you're as good as dead. We've written your obituary." Strangely, the announcement brought no fear. Although it had only been a couple of hours, McLeod felt as if he'd been living with the idea for years. "You haven't printed it yet." "In time. But we don't have to print it. Naturally, it's news, McLeod. You have a well-known name. But there are others equally well-known. More well-known. We can come up with a wrongo occasionally. Basically, we want to kill you because you're too valuable to the _Star-Times_." "Your motive doesn't interest me. And I have some news for you: I'm a long way from dead." "Don't be melodramatic, McLeod. We'll get you. A routine assassination-accident doesn't often become a wrongo, you know that. We have decided to make an offer to you." Now McLeod's skin did begin to crawl. Statistically, the assassination-accident case was more fool-proof than any other. Gunmen commanded good salaries and did their work expertly. Ninety-five per cent accuracy could be expected. "I'm listening." "Join the _World_." "Come again?" "I'm sure you heard me. Quit the _Star-Times_ and join us. We'll match your salary, we won't kill you--" "But the _Star-Times will_!" "You'd be valuable to us, aside from your abilities as a reporter. No doubt, they've included you in any long-range plans they might have. We'll have them piling up wrongos from now till doomsday." "Which is exactly why they'll have me killed if I become a turncoat." "We'll offer you full protection." "I'm already getting full protection--from the _Star-Times_," McLeod lied. It was almost a tempting offer, although its virtues were purely negative. The _Star-Times_ had refused to offer him protection because Overman thought it would be simpler and more certain to serve up a substitute reporter for the kill. If McLeod accepted Wainwright's offer, at least he'd be able to sleep easy regarding Crippens. But if the _World's_ real purpose was to remove McLeod from the _Star-Times'_ staff, one way or the other, they might risk an all-out Tong War and still gun for him. Besides, no turncoat newspaperman had ever survived six months. McLeod knew it and was sure Wainwright knew it and guessed the _World_ reporter was promising him all he could under the circumstances--a temporary reprieve. "I know what you're thinking," Wainwright told him. "The _Star-Times_ will get you if you turn on them. If necessary, they'll drop everything else until you're dead." "Well, yes. That's just what I was thinking." "I don't envy your position," Wainwright admitted. "You believe I'm offering you a few months more of life at best. But you're mistaken, McLeod. _It will appear as if we have killed you._ We can do it, working together. But I offer you life. The accident will all but destroy you, although means of identification will remain. Don't you see what I'm driving at? We can substitute some derelict for you, then change your appearance and employ you on the _World_. The _Star-Times_ will never know the difference." * * * * * It was a daring plan. It was just the sort of thing which made the newspaper business in general--and Weaver Wainwright in particular--so omnipotent these days. McLeod did not try to hide his interest. The plan had more than negative virtues, after all. "How do I know I can trust you?" McLeod asked. "I'm afraid you don't. But let it simmer. What it boils down to is this: you're going to have to take a calculated risk either way, McLeod. No doubt, you've devised some scheme to give us a fat wrongo instead of your corpse. It may or may not work. Statistics say it will not. On the other hand, I promise you life. My plan not only could work, it _should_ work. The risk there is that I may not be telling the truth. You'll have to decide ... here comes Miss Kent." "The girl with the crooked face," said Tracy, sitting down. "Unless you tell me it's straight." "As an arrow," said McLeod, hardly hearing his own words. The more he thought of Wainwright's plan, the better he liked it. If Wainwright were telling the truth, he'd be able to get both Cripp and himself off the hook at the same time. "I'll think about it," he told the _World_ reporter, who was smiling and getting up to leave. "Call me," Wainwright said, and was gone. "What did he want?" Tracy asked. "The usual," McLeod told her, realizing a near-truth was often the best lie. "That I join up with the _World_ and get protected." "You wouldn't last a month and you know it. So why did you tell him you'd think about it?" "To let him think I was playing both ends against dead center, I guess. I don't know. I just want to come out of this thing alive, Tracy." "I was thinking. There must be something we could dig up about Weaver Wainwright, something we could hold over his head so he'd rather be guilty of a wrongo than see it revealed." "I doubt it. Anyway, you don't blackmail newspapermen." "You don't kill them, either. Darius, did you ever stop to think how--how awfully evil this whole setup is? I don't mean just about you and how the _World_ wants to make a story out of killing off the opposition. I mean everything. I mean Weaver Wainwright starting a war in Europe so his paper can get the inside story on it. I mean the President of Yugoslavia being blackmailed by a garden variety newspaperman. I mean Cripp getting chewed out because he went to cover a suicide and the man didn't jump. We ought to celebrate, don't you see? A human life was saved. I mean me getting myself caught with important men so their wives sue for divorce and we get the story. I mean disease that doesn't have to happen and medical cures held back until one paper or another can scoop them. I mean scientific discoveries which aren't made because research scientists and development engineers are on newspaper payrolls and perform their basic research and experiments, then wait for the newspaper stories to be released at an editor's leisure. I mean ... oh, what's the use? You're laughing at me." McLeod was trying not to smile but meeting with little success. "I just never heard you talk like that before, that's all. Tracy, you're like a little girl in a lot of ways--idealistic, romantic, building castles on air and not accepting the real world, but--" "Real!" Tracy cried. "It's phony from the word go. We're making it--to suit headlines." "Stop shouting," McLeod said in alarm. "People are staring at you." "I don't care about them." "Well, I do. Before you know it, they'll be investigating you for Anti-Newspaper tendencies. What's the matter with you?" "My God! Don't sound so gosh-awful righteous, Darius. You treat this newspaper business like a religion." "Maybe I like being top-dog." "So now you're going to get yourself killed. A sacrifice to the Headline God." "Stop it," McLeod said. "I won't get killed if I can help it." "And if Wainwright can help it too, is that the idea?" "What are you talking about?" "Sometimes I ... I hate you, Darius McLeod. That's what I'm talking about. They're going to kill someone else and change your face and let you work for the _World_." Tracy stood up and patted her lips with a napkin. McLeod climbed to his feet too. "How did you know about that?" "Don't bother getting up. I can find my way back alone, thank you." McLeod sat down, staring at her. "Maybe it's because I'm a spy. Maybe I work for the _World_." Tracy pivoted and stalked away, her heels click-clacking defiantly on the marble floor. McLeod gaped after her until she disappeared. CHAPTER III McLeod made an appointment to see Jack Lantrel, the Gunman Chief of the _Star-Times_, Saturday morning. He spent the remainder of Friday pondering and drinking a little too much. The combination yielded a hangover, but not even tentative conclusions. While Tracy Kent had become an unexpected enigma, he couldn't spend too much time on it. Wainwright's proposal nagged at all his thoughts, but he kept telling himself he couldn't trust the _World_ reporter. And for the first time he found he didn't like the feeling of power inherent in a newspaperman's position. Having the power of life and death over nameless, faceless people was one thing, but playing the role of the Greek hag who snipped the thread of life with a pair of indifferent scissors for Crippens was quite another. Lantrel met McLeod in the Gunman's office, greeted him and said, "Dragging me down on Saturday, this better be important." Jack Lantrel was a harried-looking little man. You always expected a great, bosomy wife to come charging in to henpeck him, although, like McLeod, Lantrel was a bachelor. He straightened the thinkwriter and the other items of office equipment on his desk with mechanical efficiency. He was an old fuddy-duddy, thought McLeod, but he had signed the death warrants for hundreds of people. "It's a job," said McLeod. "Well, that's what I draw my check for. But we work on a rigid schedule, Darius." "Then call it a priority job. Mayor Spurgess." Lantrel looked up from where he'd been drumming his fingers idly on the desk. "Motive is none of my business," he admitted. "But did you say you want to have Mayor Spurgess gunned?" McLeod sighed. "Yeah." "I'm glad my particular job is comparatively simple. You just elected the guy." "And now we want him killed. Overman would sleep easier and so would I if you did it by tomorrow night." Lantrel grunted something, prodded the intercom button on his desk and demanded in his high-pitched voice, "Will you please get me the habit file on Mayor Spurgess?" He turned to McLeod. "Sunday night, eh? That doesn't give us much time." McLeod shrugged and watched a secretary bring in a bulging plastic file envelope which Lantrel flipped through expertly. "Here we are. Subject generally dines late Sunday night, reviews his Monday morning schedule, smokes a pipe and plays with the TV set until he's convinced there's nothing to interest him, then ... oh! here we are ... takes a walk around twenty-two hundred hours, alone, without his wife." "Sounds simple," McLeod said. "An assassination-accident," Lantrel informed him with surprising enthusiasm, "is never simple. Despite the statistical expectancy of success, there are too many random factors you have to contend with. If the weather's bad, perhaps subject won't take his evening constitutional. Perhaps subject's wife will break the pattern with some company for dinner. Subject might conceivably take a friend along with him. You see what I'm driving at?" McLeod nodded. "All I want to know is this: can you do the job Sunday night?" Lantrel scanned the file again. "Subject leaves his house at twenty-two hundred, returns by twenty-two forty-five. That gives us forty-five minutes. Probably, Darius." "Good enough." * * * * * Lantrel slid a gunman form into his thinkwriter, hunched himself down in his chair and watched the machine type. Presently the sheet of paper slipped out the other side of the squat machine and McLeod read: DATE: 14 Dec 2103 NAME: Darius John McLeod ASSIGNMENT (CURRENT): City Desk JOB NO.: 03-4-12 CLASSIFICATION: Top Priority SUBJECT: Peter Winston Spurgess, Mayor, New York City DATE OF EXECUTION (APPROX): 15 Dec 2103 METHOD: Vehicular, or other, accident CODE: 4-12-DJM APPROVED: /s/Jack Lantrel JACK LANTREL GUNMAN EDITOR THE UNDERSIGNED HEREBY CERTIFIES THAT JOB NO. 03-4-12, HEREAFTER REFERRED TO AS 4-12-DJM, HAS BEEN ORDERED IN COMPLIANCE WITH THE EXISTING REGULATIONS GOVERNING ASSASSINATION-ACCIDENTS, AND THAT 4-12-DJM HAS BEEN APPROVED, ORALLY OR IN WRITING, BY THE City Editor. THE UNDERSIGNED IS COGNIZANT OF THE FACT THAT ANY FRAUD OR DECEIT IN THIS APPLICATION, WHETHER FOR PERSONAL GAIN OR OTHERWISE, IS PUNISHABLE BY SUMMARY REVOCATION OF HIS (HER) NEWSPAPER LICENSE. DARIUS JOHN MCLEOD It suddenly was no simple matter for McLeod to scrawl his name at the bottom of the sheet. He was aware of Lantrel, a puzzled expression on his face, watching him. It seemed entirely routine to affix his signature, but quite suddenly he was aware of the machinery that would put into operation. Gunmen would be selected for the job, would study Mayor Spurgess' habit file, would agree with Lantrel on the _modus operandi_. Within thirty-six hours, Mayor Spurgess would be dead. Darius McLeod executioner? Hardly. He was merely carrying out an assignment. Newspapers were active agents in the modern world. If it had not been his assignment, it would have been someone else's. You could hardly consider it murder. Murder was punishable today as it had always been--by capital punishment or a long prison term. A newspaperman was above reproach--or imprisonment. McLeod saw the parallel that he had first seen in Overman's office yesterday. He was both executioner and victim. Even now as he was signing the application for Mayor Spurgess' death, perhaps Weaver Wainwright was signing one which read, SUBJECT: Darius John McLeod, reporter, New York _Star-Times_. The _World_ Gunman Editor might now be studying _his_ habit file, weighing the various factors to determine what situation seemed most promising as a vessel for his "accidental" death. Did the editor know that McLeod often spent weekends racing across country or down to South America in his jet? It was there in his habit file in all probability. Did he know that McLeod visited the _Star-Times_ space station once every fortnight because he was being groomed to cover the _Star-Times_ dash to the moon, if ever they got the jump on the _World_ space station and could leave Earth's gravitational field without the near certainty of being tracked and shot down by a _World_ rocket? Did he know the thousand one little habits which, combined in various predictable patterns, made up McLeod's life? Unfortunately, the answer had to be in the affirmative. It left McLeod feeling a little sick. "What's the matter, Darius? Is something wrong?" "Huh? No. Nothing." McLeod signed the application. "There you are." "Fine," said Lantrel, placing the application in his out basket. "Call me at home tomorrow afternoon, Darius. I'll give you the details so you can cover the assignment. You know the number?" McLeod said that he did and left. He wondered if Weaver Wainwright would make a similar call. The worst part of it was that he didn't know when. * * * * * When he reached his bachelor apartment in the East Seventies, the door recorder told him that two visitors, one male and one female, were waiting for him. McLeod felt the comforting bulk of his parabeam in its arm holster and loosened it there. If they had entered his apartment it was because their fingerprint patterns had been included in the locking mechanism, but he couldn't take any chances. He opened the door and sighed his relief. "Morning, Darius," Harry Crippens greeted him cheerfully, bouncing up from a web-chair and extending his hand. "Shake hands with a reporter who just got a big, fat, unexpected raise." McLeod lit a cigaret and said, "I'm very glad to hear that, Cripp. Did Overman tell you?" "Nope. First I knew of it, I read it in the paper. Take a look." As McLeod took this morning's _Star-Times_ from Crippens, Tracy entered the living room from the kitchen. "Coffee in a minute, Cripp," she said. "Oh, Darius. We're making ourselves to home, as the expression goes. Did you see that crazy thing in the paper?" "I'm about to," said McLeod. "Crazy!" Crippens cried in mock horror. "I get a raise right before we get married and she says crazy." "Well, it doesn't make sense." McLeod turned to the Internal Affairs page of the _Star-Times_. With the newspaper profession supplanting Hollywood fifty-odd years ago as the world's most glamorous, articles on internal affairs had evolved from small islands of type in a sea of advertisements to a place of importance with their own daily page and special editor. "Three column head," Crippens said proudly. "Liberal quotes from the King himself. Maestro Overman." "That's what I mean," Tracy repeated. "Crazy. Only yesterday, he was chewing you out." The article said that a new star was on the _Star-Times_ horizon, and went on to discuss all the successful assignments Crippens had handled. There was no mention of his wrongos which, McLeod knew, were considerable. A two-column cut of Crippens at his thinkwriter was included and the caption rendered a thumb-nail biography. The article concluded by mentioning a raise in salary which gave Crippens more than Tracy and almost what McLeod earned. "That's great," McLeod said, finding it difficult to maintain his enthusiasm. Damn Overman, he didn't miss a trick. Fattening the calf for slaughter. "Now the girl's got to marry me," Crippens declared. "I earn more money than she does." He was flip, building effusively in the best newspaperman fashion. He was not the serious, intent Crippens McLeod had always known, although, on closer examination, McLeod realized that the owlish eyes looked quite sober. "Quit your kidding," McLeod told him. "Harry Crippens would probably celebrate by discussing his next assignment, or making a study of the moral factors involved. What's the matter?" "Not a thing," Crippens assured him easily. "Here, have a drink. It's your whisky." "In the morning?" asked Tracy. "This is a celebration, girl. There you go." And Crippens sloshed liquor into three glasses. His hands were shaking. "I said what's the matter?" McLeod ignored the drink. Crippens didn't. "Not a thing. Not a single, solitary thing." "Go ahead and talk to him," Tracy said. "Don't mind her, Darius. Have another?" Crippens poured for himself. "Darn it, Cripp. Even if it means making me feel better?" "Darius wouldn't do a thing like that, that's all." "Like what?" McLeod wanted to know. "I have to hand it to you," Tracy told him. "I thought you'd do your best to change the subject." "Like nothing," Crippens said. "I mean it, don't mind her. She had some silly idea.... I don't even want to talk about it." "Darius," Tracy asked abruptly, "what have you decided to do about Weaver Wainwright?" "Please," said Crippens. "I haven't made up my mind yet. I'm not going to let him kill me if I can help it." "Do tell. Does Cripp fit into the picture at all?" McLeod hoped he could substitute evasion for outright lying. "Why don't you ask Overman?" "Because I'm asking you." He didn't think Tracy would ask Overman. He didn't think Overman would tell her the truth if she did. He saw she was waiting for an answer and said, "If the answer to that question were yes, you wouldn't expect me to tell you. If it were no, I ought to consider it an insult, coming from friends." "We never stood on ceremonies before, Darius." "Tracy, for gosh sakes!" Crippens pleaded. "Darius is my friend." "I'm still waiting for an answer." McLeod walked to the door and opened it. Crippens opened his mouth to speak, but changed his mind. He glared at Tracy. "Get out of here," McLeod said. He was behaving like a child he realized. But more than anything else, he needed time to think. Tracy went through the doorway, staring straight ahead. McLeod wished she would look at him, or holler, or slap him. She said, "All right, Darius. If that's the way you want to play it." McLeod heard them arguing in low tones as he shut the door behind them. Just what do you do, he thought, when your whole world starts to blow up all around you? You don't kick over the remaining traces. You try to re-establish the familiar, comforting pattern in some small way. McLeod called the mayor's residence and got through to Spurgess at once. The flabby, thick-jowled face looked sickly white, like putty. "McLeod, thank God. I thought you'd forgotten." "Not on your life. I just wanted to tell you everything's going to be fine. You won't have to resign your office for political corruption. We'll see to that." "Oh, thank you," said Mayor Spurgess. "Thank you very much." "Sure," said McLeod, and cut the connection. Give or take a couple, Mayor Spurgess had about thirty-six hours to live. And McLeod? * * * * * Snow was falling in thick, slow flakes which melted on contact with the ground when McLeod went outside after lunch. Since neither the _Star-Times_ nor the _World_ was depending on the cold virus or influenza for medical headlines this season, it was comparatively safe venturing out in this weather. This, McLeod thought, seeing it for the first time in a strange, new light, was the city. Gray-white sky, overflowing snowflakes. Slidewalks, covered for the winter, conducting crowds of bovinely unaware people from place to place. Steel and glass and stone, soaring skyward, disappearing in the feathery white snow which, up above, was not feathery at all but a solid gray pall. Did the cud-munching people know the truth about newspapers? McLeod doubted it. The old name had remained--newspapers--but the function had changed. We give them each day their daily cud. We don't report. We motivate. You didn't find it anyplace. It wasn't written. It happened and it was accepted. Maybe they did know. It might make a good book, if people ever went back to reading books again. Not yellow journalism, but ROY G. BIV journalism, for all the colors in the rainbow. Concepts had changed. How? After the Third World War? The Fourth? People wanted to believe what they read. Each individual existence was precarious, cliff-edged, ready to fall or scramble back to safety. People believed. Almost, it was as if they had forgotten their Western Christian heritage, in which they moved through time from past to future, active agents in a static environment. Now they embodied the old Greek idea. People didn't flow. Time did. They stood backwards in the river of time, with the future flowing up, unseen, behind them, becoming the present, flowing on and becoming the past which lay, decipherable, before their eyes. Only newspapermen had eyes in the back of their heads. Look out, cancer's coming. I read it in the _World_. (The _World_ Medical Corps sows the seed, and the incidence of cancer increases.) Good newspaper, the _World_. Always lets you know what's coming. I see where the _Star-Times_ says the cancer rate is dropping. Hope they're right. (Newspaper Medical Corps battle mightily, offstage, and the _Star-Times_ wins. Temporarily, no more cancer.) What do you know, the _Star-Times_ was right. _Star-Times_ says we ought to have a spaceship on the moon soon. Thrilling, isn't it (_Star-Times_ astronauts prepare to launch a two-stage rocket from their space station, but _World_ astronauts intercept it with a guided missile and destroy it.) Well, looks like the _World_ was right. Space travel soon, but not yet. Senator Blundy's daughter was attacked on the campus of that there college up-state, what's its name? You read about it in the _Star-Times_? You know, it's not so bad, being small time, I always say. Things like that only happen to important people. Yes sir, we're lucky. _World_ says it's a Brinks, one of those unsolved robberies. Three million dollars from the Bank of New York! (But _Star-Times_ detectives go to work and find--or sometimes frame--the criminal.) Hey, it's not a Brinks anymore. Maybe I ought to read the _Star-Times_ more often. That Weaver Wainwright earns six hundred thousand dollars a year, but my kid wants to be a politician. Some kids you just can't figure. McLeod wandered into a bar and got himself mellowed, then found another and repeated the process. When he returned to the street and made his way to the slidewalk, the snow had finally begun to stick. Someone in the bar had recognized him and asked for an autograph. It hadn't stirred him at all. Was he maturing or turning sour? Returning home as dusk descended on the city and street lights gleamed on three inches of snow, McLeod learned from his door recorder that he had one female visitor. That would be Tracy, he thought, and prepared himself for more unpleasantness. Why couldn't they leave him alone? "Come in, Darius. Shut the door." He did both, turned, and saw Tracy pointing a parabeam at him. His hand fumbled with the trick sleeve of his jacket, but the storm-coat got in his way. Tracy's parabeam zipped audibly and McLeod turned to stone. CHAPTER IV "I'll unfreeze your head so you can talk. You realize I ought to kill you." His head tingled and he found that he could open his mouth, blink his eyes and twitch his nose. He couldn't turn his neck. From the chin down he was helplessly immobile. He was a disembodied brain with a face. He wished he were sober. "Cripp still doesn't believe me," Tracy said. "He insisted I come back alone and apologize. So I came back." "But not to apologize." "To get some information, Darius. I could be wrong. I don't think I am." "Out at the Fourth Estate yesterday, you knew what kind of proposition Wainwright had made me," McLeod said, stalling for time while he tried to summon a logical defense. His mind was almost a blank. "Sometimes I talk too much. Yes, I knew. Never mind how. I'm doing the questioning, and I want answers. When I read about Cripp in the Internal Affairs section, I put two and two together. Wainwright's assignment had been vague, so I guessed you and Overman had decided some substitution might be in order." McLeod was silent. "I advise you to talk, Darius. If I killed you now, it would be a bit ahead of schedule, but I think that would still satisfy Wainwright. Don't you?" "You're bluffing," McLeod said--and hoped. "You couldn't possibly be on assignment to kill me. So you'd be subject to the same laws which face the general public for murder." "All right. Maybe I won't kill you. But you feel no pain under a parabeam, Darius. Remember that. I could start burning your hand with my lighter and work up to your elbow and you wouldn't even know--until I unfroze you." "You wouldn't," McLeod said. "Maybe we don't see eye to eye now, but we're friends." Tracy began nibbling at her lip. Her eyes were big and watery, as if she'd been fighting back tears. "Sure--I liked you. Maybe I still do. I don't know. I'm all mixed up. You know me, Darius. I'm liable to do anything--anything ... when I'm all mixed up like this. I don't want to hurt you, not if I can help it. I like you, Darius. We've had fun together. Great times." "That's better." McLeod's confidence was returning. He'd be out of freeze in no time now. "Just unfreeze me, and we can talk about this like two sensible people." "I like you, but I'm in love with Cripp." Tracy removed her lighter from a pocket of her blouse with trembling fingers. She lit a cigarette and didn't extinguish the flame. She came closer to McLeod. "Cut it out," he said. He felt sweat rolling down his forehead from his hairline and making his eyes blink. Parabeaming did peculiar, unpredictable things to the metabolism. The room seemed furnace-hot. "Then answer my question." There was no sense being maimed, McLeod finally decided. Tracy knew the truth anyway. She just wanted to hear him say it. But now she brought a tiny mini-recorder into view from where it had been resting on a table and flipped the switch to on. "What's that for?" "Cripp. I want him to know. I want him to be able to protect himself from you. We're recording now, Darius. Answer this question: do you and Overman plan to use Cripp as a substitute corpse to satisfy Weaver Wainwright and the _World_? Is that why Cripp got his raise and all that unexpected publicity?" McLeod licked his lips and tried to look down as Tracy's hand disappeared from view with the lighter. He saw no smoke but imagined his flesh beginning to crisp. "Answer me. Did you and Overman plan to kill Cripp and give Wainwright his story that way?" McLeod read nothing in her eyes, not even hatred. He said, "Yes. That's right." Tracy shut off the mini-recorder, pocketed her lighter. She reversed the parabeam and McLeod felt his limbs begin to tingle with minute sparks of pain. "Don't try anything," Tracy said. "I'm still pointing this at you." Her voice caught. She tried to speak again but sobbed. McLeod brought his arm up slowly and examined it. No damage. "I--I guess you know I couldn't do it, Darius. I couldn't hurt you. But I don't want you to hurt Cripp. I want to give Cripp a fair chance. Have you signed an application for his death yet?" "No." "Will you?" They were friends again. McLeod couldn't sense it. Friends who might try to hurt each other, of necessity, but friends. "I don't know," he said. "Give him a break, Darius. There must be another way out. I could tell you things, if I could only trust you...." McLeod laughed easily, massaging his forearms. "Better not," he said. "Better get out of here." "Maybe someday." "Maybe. Thanks for telling me you couldn't do it. That's good to know." He shouldn't have said that. He was acting compulsively, striking back blindly. The color left Tracy's face. "That was only because you haven't actually threatened Cripp yet. Don't rely on it, though." She was striking back, too. He staggered to the door and watched her go. Crippens had himself a good woman there, the lucky s. o. b. Maybe that was why he hadn't rejected the idea of killing Crippens, McLeod thought. * * * * * Sleeping that night, after a dinner which felt like slag inside him, McLeod dreamed he had just signed an application for his own demise on the steps of City Hall while bands played and people cheered. Mayor Spurgess was there with a television camera and kept on pleading for McLeod not to renege, but Tracy clung to the mayor's arm and tried to lure him away to a co-respondent rendezvous. Weaver Wainwright and Overman lurked on the fringe of the crowd, both pointing at McLeod and laughing. Harry Crippens was the gunman. When McLeod awoke, a gray dawn was seeping in through the windows. He showered and downed some bicarbonate of soda in water, but still felt like hell. A mantle of snow covered the silent streets outside and more snow was falling. Even the meteorologist's job wasn't guesswork now, McLeod thought wryly. Predicting snow, the _Star-Times_ had sowed the clouds for it. It was suddenly very important for Mayor Spurgess not to die. Early in the afternoon, McLeod called Jack Lantrel at home, but a pert-faced girl smiled at him from the screen. "I'm sorry, Mr. Lantrel is not at home. Is there a message?" "It's important that I reach him," McLeod said. "Mr. Lantrel is out. He left no number. What is it in reference to?" "4-12-DJM," McLeod said, and waited while the receptionist disappeared from view. "You're Mr. McLeod, aren't you?" "That's right." "You don't have to worry about 4-12-DJM, sir. Everything will be taken care of." "There's been a change of plans. I want the gunmen called off." The professional smile was replaced by a frown. "Only Mr. Lantrel can do that." "That's why I want to reach him. I told you it was important." "But I don't know when he'll be back. Confidentially, sir, Mr. Lantrel just hates snow. When he read in the paper it was going to snow, he said he was leaving town. I'm sorry." McLeod asked if she knew where Lantrel usually went. "That's hard to say. He likes to forget about business, you see. He's down south," she added brightly. "Someplace down south. Is there any message?" "Yes," McLeod said. "I'll be home all day. If Mr. Lantrel calls, have him contact me at once." But as the afternoon dragged on, McLeod thought it unlikely that the Gunman Chief would receive his message. He had reached the unexpected decision about Mayor Spurgess quite suddenly and now found it almost beyond analysis. He neither liked the mayor nor disliked him. It was not the man who must live, but the symbol. Symbol? Of what? McLeod found the idea mildly ridiculous, almost as if he were drumming up trade for the Anti-Newspaper League, self-proselytizing. It wasn't that for the first time in his life, he told himself, he found an intrinsic evil in the newspaper business. It was simply that the system had hit home for the first time, unexpectedly. He had set the machinery in motion for Mayor Spurgess' death; Weaver Wainwright had done the same for him; Overman had decided the _Star-Times_ could not afford to lose his services but could manage without Harry Crippens. There was no logical connection. If Mayor Spurgess died, that was that. Flowers and a sad song for the widow. But the Wainwright-McLeod-Overman-Crippens problem still remained unsolved. Not to mention Tracy Kent. Had he become anti-newspaper? The term almost defied definition. The Anti-Newspaper League was one thing, formal, organized, purposeful. But anti-newspaper could mean a lot of things. It could mean slight deviation, non-conformity, the simple desire to earn your keep in some other line. Such a desire was never realized, however. There were only three classes of newspapermen: working reporters, corpses and retired hounds and hens who lived on newspaper farms in old-folk luxury. A newspaperman simply knew too much to be allowed to change his line of work. No, there was a fourth type. There was the Anti-Newspaper League. What was the old word--Quisling? It referred to politics or some other fields of endeavor, McLeod thought. He wasn't sure what. They were on newspaper payrolls but tried to gum up the works. Logic was getting him nowhere. He belonged to no cut-and-dry category. He wanted Mayor Spurgess to live. Lantrel failed to call by dinner-time or afterwards. At twenty-hundred thirty, McLeod zipped on an insulined jumper, checked his parabeam and went out into the _Star-Times_ snow. CHAPTER V Hidden heat-coils melted the snow which managed to drift over the slidewalks despite their protective canopies, but the streets were covered with snow now more than a foot deep. McLeod felt it crunch underfoot as he left the slidewalks and headed for the mayor's house. His breath exhaled in quick vapor-puffs against the cold, brittle air. His feet were heavy in the snow but dry. His were the only set of footsteps marring the white blanket which covered everything. It occurred to him all at once that Mayor Spurgess would likely forego his evening walk because of the weather. Which necessitated another type of accident. Lantrel's men were both experienced and imaginative. You could write a book categorizing all the possibilities.... Wind whipped around corners and sprayed McLeod's face with snowflakes. He heard a voice calling far off in the fuzzy white dimness, but soon it was gone. Finally, he reached the mayor's house--a red-brick, white-columned Georgian structure massive and secure on a large corner lot. He crouched behind a leafless privet hedgerow in the driveway and waited, peering up occasionally at the cheery yellow squares of light that were the second story windows. His ear-crono whispered the time to him: twenty-two hundred hours. The tell-tale footsteps he had left in the snow were fast disappearing as the flakes fell thicker. He slid his parabeam out through the jumper's trick sleeve and felt the cold knife momentarily into his bare arm. The feeling of warm security, so paradoxical under the circumstances, left him. If he foiled Lantrel's gunmen, Overman would learn of it. If he didn't foil them but tried--which seemed more likely--Overman would also hear. Just what was he doing here, anyway? He flexed his stiff muscles and was on the point of standing up when he saw three figures approaching down the street, vague as ghosts in the snow. There was still time. He could intercept them and say he had come to cover the story, something which was expected of him. He wondered what sort of accident they had planned. He jogged toward them through the snow, met them still half a block from Spurgess' house. Two were young, possibly still in training. They were tall and looked like soldiers in their slick jumpers. They stared at him arrogantly. The third was shorter, heavier, of calculating eye. The expression of the first two faces said: _we're gunmen--whatever you are, we're better_. The third face said: _we'd as soon kill you as spit, but we don't kill except for hire or when provoked in the line of duty_. "I'm from the paper," McLeod told them, whispering. "Here to cover the story." The three faces stared back at him through the snow, crystalizing what he had felt all day but had not been able to explain. Those faces. They had nothing against Mayor Spurgess. Perhaps they had never even seen him. If they didn't like him and had a reason and wanted to kill him, that wouldn't be so bad. That would be fine. But they were here to kill him because McLeod had signed the application along with Lantrel. They wanted to do the job and get back to warmer places and hot buttered rum or whatever they liked. "He come out yet?" the older gunman asked. "I don't think he will, not in this weather. What other plans have you got?" "We'll just wait and see. We don't have to make the plans." Had they been able to read McLeod's face as readily as he had read theirs? "I don't understand," he said. "You'll have to think of something else if he doesn't take his walk, won't you?" "You say you were from the paper, guy?" "Of course." "Well, you're not making sense." * * * * * McLeod toyed with his parabeam, then watched as matching weapons leaped into the hands of the two younger gunmen. "What paper, guy?" the older one drawled. McLeod felt his heart flutter wildly and checked a strong impulse to laugh. One of the young gunmen said, "I thought the big boy himself was covering this. Wainwright. I know what he looks like." "Come on, guy. What paper?" McLeod knew the mistake could be fatal. Somehow the _World_ had learned what the _Star-Times_ had planned for Mayor Spurgess. These men were _World_ gunmen, come to thwart Lantrel's men. Perhaps they could, but McLeod might die in the process. "Listen," he said desperately. "The other day, Weaver Wainwright made me a proposition." "Who _are_ you?" "Darius McLeod. Hold on, damn it! If you freeze me now, you'll be making a mistake. Wainwright wanted me to work for the _World_. That's why I'm here, don't you understand? I can tell you exactly what the _Star-Times_ is going to do." "We already know, McLeod. You're skating where the signs say not to, guy. I guess you know that." "Won't Wainwright be here? Ask him." "Don't know if he will or not." One of the younger gunmen had circled around behind McLeod. The other one stood facing him, pointing the parabeam at his chest. The older man seemed to be enjoying himself. "I don't want Spurgess killed," McLeod said. "That's the truth. I came here to prevent it myself." "Can you tell me why?" "No--yes. Because I want to accept Wainwright's proposition. The _World_ said I was going to die. Wainwright offered me life." "We know that you're going to die." McLeod sucked in his breath. This same wholesome trio had probably received the application for his own death, had probably studied his habit file. "Not before next week," McLeod said. "Now, I don't know. It's a gift horse, guy. They won't hold up our checks for a couple of hours either way." "No, but you'll spend the rest of your life as a gunman if you cross Wainwright." The voice behind McLeod's back seemed bodiless and as cold as the falling snow. "What's wrong with that?" "You wouldn't understand," McLeod said without turning. "He would." He would win his life the moment he won over the shorter man. His two companions did not matter. "Look. The Gunman Editor on the _World_ is near retirement, isn't he? You look like you've been around, but you won't be considered for the job if Wainwright bears a grudge." "He's pretty smooth," the young gunman with the parabeam said. "Why do you think I'm here at all?" McLeod insisted. "I didn't know you were coming. I came to prevent this thing myself." * * * * * The man behind McLeod muttered a curse and said, "You came here for the same reason you always go out on an assignment. To get the story." But the older man said, "Have you any proof?" "Only Wainwright. Ask him when he gets here." "_If_ he decides to come," said the man with the parabeam. "And if he doesn't?" McLeod demanded. "Are you going to take a chance and--" "It wouldn't be taking a chance at all," the older man told McLeod. "We could freeze you and box you and ask Wainwright about it later." "You fool! I haven't told Wainwright one way or the other yet." "Then we could unfreeze you and let him decide. Go ahead, George." McLeod could never hope to freeze all three of them before they froze him. Their actions were cut from the same Kantian categorical imperative he had expected of himself and all newspapermen--until today. He felt sorry for himself because it no longer applied, but that hardly helped. "Someone's coming," the voice behind McLeod said. He started to turn and got three quarters of the way around when the parabeam hit him. After that, it was almost like watching a melodrama on television. He could watch the action unfold. His sympathies might be directed first one way, then another, but he had no part in the play. He was a statue, standing upright as the snow drifted down and coated him with white. His body-heat didn't escape the insulined jumper to melt it and in a few moments he was an incredibly manlike snowman with a human face. The last thing he wanted to do was stand there, frozen, and watch. He stood and watched. Half a dozen figures were clustered close by the white columns at the front of Mayor Spurgess' house. Then, as if they were puppets and all their strings had been pulled at once, they darted behind the columns. The _World_ gunmen were caught in the open and knew it. Parabeams hissed as they fell toward the ground and the snow's protection. Only the shorter, heavier man tried to get up, waddling three or four yards on his knees before a parabeam caught him too and froze him. Two figures detached themselves from the white columns and ran across the snow toward McLeod, parabeams ready. "Hey, he looks familiar." "That's Darius McLeod, stupid. Familiar, the man says. They probably caught him and froze him." A beam sucked the sleep from McLeod's limbs and he was soon massaging his arms together. After two freezes in as many evenings, he'd really have a parabeam hangover in the morning. "What about those three people, Mr. McLeod?" the man who had unfroze him asked. "A natural," the other one said. "Here's our accident. Assault and robbery and accidental death. We even have the assailants. Strip these people of their _World_ identification. I'll be right back--with the mayor." * * * * * Newshounds might trick and maim and kill one another, McLeod knew, but never frame other newspapermen for civil crime. You had to keep the public happy with all newspaper people. The police, of course, never investigated very thoroughly these days, since that would be poaching on newspaper territory. They handled traffic very well, though. There was a commotion in front of the mayor's house, where only one of the gunmen was visible. Presently the door opened. There was loud talking, much pointing. The gunman's voice was pleading, the mayor's was indignant. Finally, the mayor ducked inside and McLeod hoped he would stay there. Soon he emerged, however, dressed in a jumper. He ran along at the heels of the gunman and neared McLeod just as the other man had finished removing identification cards from the three still figures. "McLeod, is that you? I knew I could depend on you. You have no idea how much better I'm able to relax now. No, sir. If you said I don't have to worry, I don't have to. What's going on out here? He said you wanted to see me but couldn't move from the spot. Something I can do? What's wrong with them?" There were not three figures in the snow, but four. "Take a look," the man with Mayor Spurgess said. The mayor waited for McLeod to answer him, then shrugged and crouched. It was exactly as if he were still under the parabeam, McLeod realized. There was nothing he could say, nothing he could do. The _Star-Times_ gunmen had sized up the situation too well. The three men from the _World_ were as good as dead now, which would make it close to impossible for McLeod to turn on the _Star-Times_ and expect help from Wainwright, even if that were what he wanted. He had better play along. It was still a show on television and he could only watch. But now he knew the outcome. The fourth still figure on the snow suddenly erupted into violent motion. A leg snaked out, an arm--the mayor grunted and fell, staring mutely at McLeod, surprised, offended and outrageously indignant the moment before he died. A knife flashed quickly, expertly, gleaming for a split second before it disappeared through the mayor's jumper. The standing gunman twirled his parabeam to full intensity and sprayed the _World_ men with what was now lethal radiation, halting involuntary actions such as blinking--and breathing. The gunman smiled at McLeod. "Well, you have your story now. We'd better get out of here while you phone for the police." McLeod had his story, all right. He felt sick. He would call the police and then go write his story about how Mayor Spurgess had chased three unidentified vandals from his house, only to be stabbed to death while protecting his family. McLeod who was visiting the mayor on business, had naturally joined in the chase, in time to overtake and kill the unidentified vandals but not in time to save His Honor's life. The police investigation, if any, would fail to uncover anything. "Thanks a lot," McLeod said. "Don't mention it." The two gunmen ran to join their companions and soon disappeared through the snow. In tomorrow's _Star-Times_, McLeod would be a hero. CHAPTER VI "Enough snow for you?" Overman asked jovially as McLeod removed his jumper the next morning in his office at the _Star-Times_. "We're ready to stop it now because the _World_ weather bureau finally owned up to its red face. Thirty-two inches." McLeod nodded. He'd had trouble reaching the slidewalk through the drifts and more trouble struggling through the few yards of high-piled snow to the _Star-Times_ building. "Rewrite showed me the story you sent in last night, Darius. Wonderful. Someone over at the _World_ must be biting his fingernails. They've got to be ready for split second changes in the newspaper business, though. If they don't, they're lost." "What's that little bit of homely philosophy leading up to?" McLeod wanted to know. Overman rarely made his point without prefacing it with some mundane generalization. The more important the point, McLeod knew from experience, the triter the generalization. "We've done a little G-2'ing these last few weeks, Darius." Overman seemed almost on the point of prancing nervously like an anxious racehorse at the starting gate. "I couldn't tell you until it was certain. Harry Crippens is a member of the Anti-Newspaper League." Overman grinned like a yawning owl. "Close your mouth, Darius. Stop gaping. It's the truth." "But that doesn't make sense, chief." McLeod figured it made very good sense if Overman said so, but he needed time to collect his thoughts. "Dirty doings at the _Star-Times_," preached Overman. "It's frightening, isn't it? If you can't trust your fellow reporters, just who in the world can you trust? You see, it's not merely Crippens. There's an Anti-News cell here. "They usually work in pairs, Darius. One to get the information, another to see that editorial policy is not carried out. Don't ask me why they do it. Mis-guided anarchistic tendencies, I suppose. The first member of the pair very often poses as a turncoat with some other newspaper." "I don't get you." "It's simple. That way, he can play two papers against each other and try to make them both wrong. In this case, _she_ can. You see, Crippens' confederate is our number one co-respondent, Tracy Kent," Overman finished melodramatically. "Tracy! That's incredible." _Don't think_, McLeod told himself. _Don't think and let it show on your face. Just listen._ "At this moment, the _World_ believes Kent is on their payroll. Kent keeps them informed of what's going on over here and draws two salaries. Crippens is her executioner. Crippens, for example, sees to it that Congressman Horner doesn't commit suicide." * * * * * Tracy had put two and two together with a blithe ease which had left McLeod wondering. Tracy had seemed to be aware of the alternative which Weaver Wainwright had offered him at the Fourth Estate. But Tracy hadn't balked because she was a loyal member of the _Star-Times_ staff. She should have favored the plan, anyway, since it meant saving Crippens' life. But she hadn't favored it at all. Because she'd held out hope for McLeod? "How did you find all that out?" McLeod demanded. "We suspected someone. We didn't know who. We planted television receivers and let them talk. Darius, I think you know my position. I'm a newspaperman because I think the public is so muddle-headed and mediocre it can't make its own decisions. Democratic governments try to make those decisions and fail because the people play too large a role and mess things up. Totalitarian governments fail because they're too obvious, especially when the guy next door happens to live in a democracy. "The answer is the obvious evolution of the newspaper to policy-making journalism. People don't associate us with policy-making any more than they think short story writers or television script writers develop schools of psychology. We're both before the fact and after the fact, but they wouldn't believe that if we ran it in banner headlines. "That's what the Anti-Newspaper League is after. They don't want us to look forward. They don't want us to predict the future and then make it happen. They make inane pronouncements about the essential dignity of man and the necessity for him to work out his own destiny. They sneer at Ortega y Gasset and deify Tom Paine. They shun authoritarianism in any form and blandly forget that Mr. Average Citizen has always yearned for his little niche in a totalitarian system because he actually wants decisions rained down on him like manna. "I hate them, Darius. It isn't logical, but I hate them. Between you and me, I would like to strangle them with my bare hands, slowly, forgetting I am a civilized man, forgetting even that we can still use them. But the opportunity is a magnificent one. You could spend all your life G-2'ing after Anti-News people and come up with nothing but wrongos. From now on they'll be playing their little game where I can watch it." "What about my obituary?" McLeod demanded. "It's the first of the week. I thought you said we were going to substitute Crippens for me." "I did. I still do. Cripp we will have to sacrifice. But--I apologize in advance, Darius, because I know you won't like this--our G-2'ing was thorough. We received in your apartment, too." "Don't tell me you can't trust me?" "Calm down. That's just it, I can. The cell is spread thin at the _Star-Times_, so thin that we'll have to watch our step until it's uncovered. You see, Darius, you are going to take Crippens' place in it. When Cripp dies Tracy will turn to someone for sympathy. If it looks like you tried to save Cripp because you believed as he did--well, I'm sure you see the possibilities." * * * * * McLeod nodded vaguely. Anti-News. He was playing the game, almost, the way he felt. But he lacked the name. It was strange how you could amble cheerfully through life accepting or ignoring certain things until you woke up one morning and everything looked different. Whoever had decided leopards don't change their spots was all wet. "... sorry if this sounds cloak-and-daggerish," Overman was saying, "but don't tell anyone. I can trust you. If the conspiracy is as big as I think, the good people at the _World_, the sensible ones, can probably trust a man like Weaver Wainwright. The rest must be suspect." McLeod grinned. "Why trust me, chief?" he said easily, "I've never been a bug for ideology either way." "That's precisely why. Newspapering is a job with you, but a good one. You're our highest-paid reporter. You have a reputation to maintain. A man gets muddle-headed if he starts delving too deeply into ideologies. He's afraid to see black-and-white because the other muddle-heads insist there are such things as grays. You follow?" "Yeah," said McLeod. He followed, all right. It was all right if you thought for yourself, according to Overman, provided you didn't think too hard. You could attend all the high-brow confabs you wanted, safe in the security of your tailor-made answers. Never doubt. Never guess. You know. You just know. This is so and this is not so and there's never any in-between. The insistence on shadings of opinion between truth and error was a stumbling-block in the path of knowledge. Gray was for people who didn't know the truth about black-and-white. "Yes, I can trust you. Thank God for that." "I ought to get a raise," said McLeod, smiling and playing the role Overman had selected for him. "Very funny. You ought to get a move on. We still have to worry about Wainwright and his men. There's no telling when they'll strike." "So I have to strike first, at Crippens." "Naturally. Have you filled out an application on him?" "No," McLeod said easily, and raised a hand for silence when Overman was about to start yelling. "It's too important. I want to do the job myself. It's my life we're playing around with." "I don't know if I approve. There's something to be said for professional efficiency. The gunmen know their work." "I don't care if you approve or not. It's my life." "You see, Darius. That's what I like about you. You always know where you stand." "Thanks. I'll need some security, though." "Now I don't follow you." "Some bargaining power. In case I'm not as efficient as your gunmen. The proof that Tracy Kent and Harry Crippens are Anti-Newspaper." "It's safe." "I've got to know more about it." "On the contrary. Simply carry this weapon with you: if there's trouble, have them contact me. Or contact me yourself. But that would ruin everything, Darius. I suppose if you have to bargain for your life, you wouldn't care." "That's right. I wouldn't." Overman chuckled. "You're a good man." "And one who knows black from white, remember? Let's be honest with each other, chief. You're lying to me. You really figure if I fail, I fail. You wouldn't be willing to bargain in my behalf with what you have, and you know it. If I can kill Crippens and give Wainwright his substitute story and win Miss Kent's confidence, you'd love it. If I can't, you'll try to find another way. Sure, you think I'm good. But you know I'm expendable." Overman thumped him soundly on the back. "Darius, we should have been brothers. Is there anything else?" "Yes. How long would you want me to play this Anti-News game?" "Until we get all the facts." "Too dangerous," said McLeod. "Unless you make it worth my while." Overman hadn't stopped grinning. "Maybe you will get a raise, at that." "Not maybe. Definitely. Twenty per cent." "Twenty?" "Twenty." "All right, Darius. Twenty it is. You'd sell your mother, wouldn't you?" "Don't have to worry about it. The Anti-Newspaper League hasn't that kind of money. You're safe." "I knew it," Overman said. "I couldn't have picked a better man." "I'll keep you informed," said McLeod, and put on his jumper. He walked out congratulating himself on the way he'd convinced Overman. Only trouble was, he now knew there was more than black-and-white in the world but wasn't sure he knew what to do about it. CHAPTER VII "I'm sorry," the recorder said when McLeod called Tracy's apartment. "Miss Kent is not at home. Is there any message?" "No," said McLeod, then lied: "This is Harry Crippens talking." "Miss Kent left a message for you, Mr. Crippens," said the recorder. "She will wait for you at the Fourth Estate. She says it is important." "Thank you," said McLeod. "If Miss Kent should check in, will you tell her Darius wants to save Cripp's life if he can? Will you tell her Darius has come to his senses?" "Darius wants to save Cripp's life if he can. Darius has come to his senses. Yes, sir." McLeod had left the _Star-Times_ after a hurried lunch in the newspaper cafeteria. He'd placed the call to Tracy's apartment from his own because the wires might or might not be tapped in his office. Suddenly he began cursing silently. Overman had rigged receivers in various apartments--including Darius'--to uncover the Anti-News cell. If Overman had heard his conversation with Tracy's recorder, Weaver Wainwright wouldn't be the only one gunning for McLeod. He found the receiver rigged to his TV set, unhooked it, but the damage had been done. He doubted that Overman would constantly monitor the set, yet Overman would see the damning evidence eventually. McLeod could save Cripp's life by simply not killing him, but then what? He smiled grimly. It posed a considerable problem for Overman too, for the City Editor wanted to dump a fat wrongo in the _World's_ lap but now would also want to see McLeod dead. One seemed to preclude the other ... unless Overman decided to give McLeod a week of grace, then kill him. McLeod was still smiling. Perhaps the situation confronting the fictional lady-or-tiger man had been more aggravating, but it was less deadly. McLeod taped a second parabeam to his right arm and took the escalator to the roof and his copter. * * * * * "Hi," the weaponcheck girl greeted him as he entered the Fourth Estate. "How are you today, Mr. McLeod?" "Never better." As she approached him, McLeod removed the first parabeam from his trick sleeve and handed it to her. "I'm ticklish today," he told her and saw that she was about to say something until she noticed the folded bill wedged between trigger and trigger guard. She nodded, patted his shoulders quickly without searching, and wagged away. It happened all the time, McLeod knew. He wouldn't be the only one. "You hurry up inside," the weaponcheck girl called over her bare shoulder. "They're doing a combo-tease." As McLeod made his way through the darkened room, he saw a well-built man and a delightfully built women performing the combo-tease on stage. Sweat glistened on their sleek dark skins as red lights shifted and flowed across the stage. It was more suggestive than French pictures, combining features of an Apache dance and a conventional strip. It had been outlawed everywhere but at the Fourth Estate and had everyone's rapt attention. Everyone except Cripp and Tracy. McLeod found them in a distant corner of the great room, hunched toward each other across a small table and talking in low tones. "Mind?" McLeod asked. "You have your nerve," Tracy hissed at him, but people to left and right were muttering angrily at them as the combo-tease neared its conclusion. "Well, I guess you're harmless enough in here." "Sit down," Cripp said. "Overman knows about you two," McLeod told them quickly. "The works." "You mean that we're going to get married?" Tracy demanded. "It's no secret." "I mean that you belong to the Anti-Newspaper League. Tracy, you're pretending to spy on us for the _World_, he knows that, Cripp, you thwart bad news when you can. You both belong to the Anti-Newspaper League. To Overman, you're both anarchistic. He'd like to see you dead." The woman on stage had seemed spent but now rallied and held her own as they danced a frenzied Apache battle from wing to wing. Tracy, who was facing the stage, said, "That's positively lewd. We've all degenerated so much, Cripp." McLeod shrugged. "Overman would say that's part of your Anti-News tendencies." "And you?" McLeod grinned. "I'm not much for spectator sports." "No, I mean about the Anti-Newspaper League. I'm not admitting anything, but I just wonder what you think." "You wouldn't believe me." "Why don't you try us, Darius?" Cripp suggested. "You don't have to admit anything," McLeod informed them. "Overman plugged a receiver into your TV sets and monitored them. Mine too, by the way. I called you a while ago. Which put me in hot water too." "You mean he'll monitor the call?" asked Cripp. "Maybe he already has. You can check with your recorder if you want to, Tracy." "Tell me what you told the recorder?" "That I was going to try and save Cripp's life. That I had finally come to my senses, I guess." "All you have to do to save Cripp's life is nothing. I was told by someone on Lantrel's staff that you hadn't applied for Cripp's death." "Another part of the cell," McLeod mused. "Just how extensive is it?" "I wouldn't know," Tracy told him coolly. "Anyway, you said Overman knows." "He does. I don't." * * * * * The Apache strippers had leaped from the stage and now were cavorting acrobatically about the dance floor. A single red spot followed them as they pounced after each other, working their way toward the rows of tables and then among them. McLeod heard quick, eager breathing in the shadowy audience. "I never knew they came off the stage," Tracy said. McLeod winked at her. "Maybe one of these days they'll want audience participation." "Very funny. If you're telling us the truth, Darius, what are you going to do?" "You tell me. Overman wanted me to kill Cripp, win your confidence and take Cripp's place in the cell. I had to make it look like it wasn't me who did the job. But if Overman monitored my TV, he'll realize I'm not his boy. He'll have to do without an informant. He knows I'm wise to him but probably doesn't want to know. Which means he'll have to act fast." "But if he eliminates you, Wainwright and the _World_ get their scoop," Cripp pointed out. "I know, I can't figure it. Overman's got a man-sized problem, but so have you. I don't think you have much time to leave the city. Get lost somewhere. Change your names. Anything." Tracy bristled. "We haven't admitted a thing." "There's no time for that. Please, Tracy," Cripp pleaded. "I think Darius is on our side. We're making a mistake if we reject him." "Unless I'm wrong," McLeod said, "Overman hasn't told anyone but me. He just doesn't know who to trust." "So he settles for Mr. Judas Iscariot himself," Tracy said. Cripp slammed his hand down on the table and drew angry oaths from the tables around them. "Cut it out," he said. "Let's listen to Darius. Can you think of anything else to do?" "Well--" "If I'm the only one he told," McLeod went on, "and then if he found out about me and decided to come here in a hurry, we can hope he hasn't told anyone else. Chances are, he hasn't. If he found out he can't even trust me, he won't know which way to turn, not until he clears this whole mess up." "What are you driving at?" Tracy asked him. "Reporter, City Editor. It's close enough. Maybe Wainwright can still get his story." "You mean Overman? You wouldn't dare." "It isn't just Cripp's life, or even yours, if you still have your mind made up about me. It's my life too. If we can make Wainwright settle for Overman, all this doesn't have to go any further." "What's your price?" Tracy demanded. "For Heaven's sake!" Cripp cried. "I can't blame her, Cripp. I was pretty nasty about it before, and I tried to be pretty tricky as well. I'm still all mixed up. I think I know where I stand now but I can't guarantee anything." "You mean after all this is over you're liable to change your mind again?" Tracy asked him, giving Cripp an I-told-you-so smile. "No. Definitely not. At worst, I'll be neutral. At best--" "At best," Cripp finished for him enthusiastically, "you'll probably be made City Editor in Overman's place. You're the obvious man for the job, and if you could see your way clear to joining us, there's no telling what we might accomplish. Don't you see it, Tracy?" "All I can see is the combo-tease. They'll be dancing on our table if they come any closer." * * * * * The team struggled three tables away to a subtle, wild, barely audible rhythm. The man had regained the offensive, but it had cost him everything he wore except for a pair of tight trousers and one billowing, ruffled sleeve which flapped ridiculously from shoulder to wrist. At the last moment, McLeod thought he saw a leather strap under the sleeve. The couple had reached their table; the man forced the woman back over it, still dancing. The red spotlight winked out like a snuffed candle flame. Tracy screamed. The audience had interpreted the darkness and Tracy's scream as the act's final, breath-taking garnish and now buzzed in isolated knots of whispered excitement before the applause rolled deafeningly across the room. McLeod leaped to his feet, groping blindly in the darkness with his hands. He heard Cripp shout Tracy's name and began to yell himself for someone to turn on the lights. Something struck his head above and behind the right ear and he felt himself falling to his knees. He grabbed at air, then made contact with two bare legs. Still yelling, he guessed it was the woman--then felt unseen hands tugging at his hair, fingers raking his face. He got up and was grappling with a supple-swift invisible opponent when the lights went on and blinded him. There were shouts and restraining arms and when he could see again the woman dancer, now almost naked, was pointing an accusing finger at him. "He deliberately attacked me!" she wailed. McLeod wiped blood from his face and said, "That's crazy." These were more than combo-strippers, he knew. They might be in Wainwright's pay or Overman's. Either way, he was in for it. "They're a couple of gunmen," he said. The male dancer was covering Tracy and Cripp with his parabeam, which had been hidden under the flapping right sleeve. "See?" McLeod said to the circle of people around them. "He's armed." The crowd parted to admit the weaponcheck girl to its center. With a quick, deft movement she found McLeod's second parabeam, withdrew it and told him, "So are you." More figures joined them, in police uniforms, the polished leather harness for twin parabeams creaking on each pair of hips, the gaudy blue and gold uniforms starched stiffly. "You're under arrest," one of them told McLeod. "You'll have to come with us." "You're no more police than I am. Since when do police do anything more than direct traffic?" "You'll have to come with us, sir." "And then get killed trying to escape? Keep your hands off me." At that moment, Weaver Wainwright made his way inside the wide circle of onlookers, his long sad nose drooping over his upper lip as he smiled at McLeod. "When our police reporter said it was you, I rushed right over." "Sure," McLeod said bitterly. "Police reporter. Why don't you admit these people are a bunch of your killers? You've really tailor-made your accident this time, Wainwright. I guess I'll be killed trying to escape." Wainwright regarded him with bland curiosity. "What I want to know is why you attacked the girl." "He didn't attack her," Tracy said. "I was right here." "In pitch darkness," the weaponcheck girl reminded her. Apparently McLeod's bribe had been topped. * * * * * McLeod let his eyes scan the crowd, seeking a friendly face. Here were the minor luminaries of the fourth estate gazing upon their fallen idol. For McLeod, like Weaver Wainwright, had been almost a legendary figure. But Wainwright had engineered the fall and now, like those South American fish which can strip the flesh from a man in seconds, they clustered about McLeod's social corpse. They sensed his demise as surely as if it had been something physical. They waited with avid eyes at the bottom of the ladder for him to fall. Then each figure would ascend one rung upward and so, each with his own capable hands and thinkwriter, control human history a little more. If only he could somehow contact Overman, McLeod thought. How much time did he have? He wasn't sure but thought it could be measured in minutes. "I'd like to call my City Editor," McLeod said. Wainwright chuckled. "A good reporter to the last. But I see Crippens and Miss Kent here." "It's my right." "The _Star-Times_ will get its story. Won't you see to that, Mr. Crippens?" McLeod stared mutely at Cripp, who finally said, "How do you know _I_ didn't attack the woman?" The stripper pouted and pointed a manicured finger at McLeod. "It was that man." "You see?" Wainwright demanded. "No," Cripp told him. "It was dark. She couldn't tell. If McLeod is arrested, they'll have to take me, too." A muscle twitched in Wainwright's face, tugging the long nose down and to the left. "Very well. But Miss Kent still represents the _Star-Times_." Cripp shook his head. "A co-respondent?" "She's capable." "Too damned capable," McLeod said. "I have positive proof that Tracy Kent is employed as a spy by the _World_." He turned on Wainwright with what he hoped would pass for righteous indignation. "Is that the kind of fair break you try to give the opposition?" The encircling crowd stirred, trembling with whispers. McLeod pressed his advantage by jabbing a finger at the captain of police. "I demand the right to call my newspaper." "Well, I don't know." The man looked to Wainwright for help. "Never mind him," McLeod said. "You tell me. I'm within my rights as a newspaperman, or wouldn't you know about that?" Someone brought out a portable phone and thrust it at McLeod. The captain of police looked at Wainwright, who shook his head quickly from side to side. It was all right. Sure it was all right. McLeod could make no accusations in public, the law said. If he started, he would forfeit his right to complete the call. He could tell Overman that Tracy and Cripp had him, instead, but he doubted if the City Editor would act on that basis. Wainwright grinned. "There's your phone, McLeod. We're waiting for you to call." "Thanks a lot," McLeod told him, and hurled the instrument at his face. He heard a thud and a startled oath and didn't wait to see the results. He whirled and struck out with the edge of his hand, slicing it expertly at the police captain's Adam's Apple. McLeod vaulted over the gagging man as he went down and plunged, head tucked against his chest and knees kicking high, into the first rank of the crowd. He fought elbows, fists, shoulders, legs, warm human breaths, reaching the front of the room and sprinting past the weaponcheck arsenal and out into the green, summery glade that surrounded the anachronism of stone and glass that was the Fourth Estate. * * * * * Protected by a force field, the grounds around the Estate knew nothing but summer. But elsewhere, McLeod thought as he plunged on toward the copter field, man's control over the elements vied for headlines. McLeod saw the figure of a man up ahead as he rounded the final turn in the path, still sprinting. The man stood squarely in front of him, blocking his way with a drawn parabeam. "Did he come this way?" McLeod cried. "Talk, man! Did McLeod come this way?" "No, sir. He, wait a minute...." But McLeod was upon him, using the same judo-cut that had floored the captain of police. McLeod wrenched the parabeam from the man's fingers as he fell, then found his copter and was airborne by the time the vanguard of his pursuers appeared as tiny dots on the field below. Less than an hour later, McLeod landed on the roof of the _Star-Times_ building, where a slowly circling plow was scooping up the snow, digesting it and spitting out great jets of steam. McLeod doubled the speed of the escalator with his own flying feet and was soon striding across the City Room, nodding briefly to the sychophantic waves and smiles which greeted him as the _Star-Times'_ ace reporter. "Chief," he said, entering Overman's glass-walled office without bothering to knock, "the wolves are after your fair-haired boy--but good!" "Wainwright?" Overman guessed, drumming nervous fingers on his desk. "Wainwright. Something about attacking the female member of a combo tease. If his police ever had a chance to take me, I'd have been killed trying to get away." "So, what happened?" "What happened, the man says. They're probably on their way here right now. In order for me to get away, Cripp had to claim he attacked the girl too." "That's wonderful. Doesn't that take care of Mr. Crippens for us? Well, doesn't it? Incidentally, that was a stroke of genius on your part, telling Tracy Kent you had a change of heart _before_ anything happened. Paving the way, eh?" "Something like that," McLeod mumbled. Then Overman had monitored his call to Tracy's apartment, but had misinterpreted what he heard-- "Sit down, Darius. There. Are you armed?" "Yes, but you don't think they'd try to take me right here, do you? That would be an open declaration of war." McLeod took out the parabeam and placed it on the edge of Overman's desk. "It would be war--unless I surrendered you to them." Overman scooped up the parabeam and thumbled it to high intensity. "At first I thought that was a stroke of genius on your part, but I wasn't sure. So I had you followed. Your conversation with Crippens and Tracy Kent was ingenius, all right. But it puts us on opposite sides now, doesn't it?" McLeod had never seen Overman so calm. His fingers no longer drummed their incessant rhythm on the desk, his legs were still. He sat motionless, like a tri-di picture of himself. McLeod said, "Not at all. I only wanted to gain their confidence." "The one thing that bothers me is this: it looks like I'm going to give Weaver Wainwright his story after all, although there's a chance I can save something for the _Star-Times_. I suspect he'll take you off somewhere and have you killed, but the moment he leaves this office with you, you'll be denounced in the _Star-Times_. Wainwright won't be killing a top reporter. He'll be killing a member of the Anti-Newspaper League." "You're crazy," McLeod said. "It might have sounded bad, but it was all part of the same thing. I wanted to gain their confidence and--" "And offer me in your place to Wainwright's hatchetmen? That's interesting." "I was lying to them." "No. You're lying to me. I'll tell you this, Darius. It comes as a great disappointment. Suddenly, all at once, a man finds his organization is riddled with subversives. That's bad enough, but at least he has one man he can trust. He thinks. He thinks, Darius. But he's wrong there, too. Now he can trust no one. Perhaps he'll have to fire his entire staff and start from the beginning again. But it's the one man, the Judas, who hurts most. Even if Wainwright gets you and gets his story--and I get mine--I'll never be able to trust anyone again. Don't you see the position you've put me in? I'm a lonely man, Darius." * * * * * McLeod stood up and leaned across the desk. "We've both been playing God all our lives. What do you think happens when a God loses his worshippers?" "I haven't lost them. Just the acolytes. There are others." "There are the people," McLeod said. "Waiting for the medical cures we promise them but never give. The farmers, praying to their own God while we ruin their crops capriciously to scoop the _World_. The dead citizens of a dozen bombed out cities in a dozen unnecessary wars. The people who haven't read Ortega y Gasset and maybe never even heard of him and can't be convinced they're too stupid to seek their own destinies." "Ortega was right. Mass man can't discriminate. He's incapable of logical, creative thought. He blunders from catastrophe to catastrophe and grovels at the feet of demagogues." "He can't be herded and led to slaughter." "He can't be the master of his own fate, you fool!" "Perhaps not. But there are people who can create, who can lead. People who pave the way and let the masses follow where they lead." "What do you think we do? We pave the way. We make the future." "There's a difference." "I can't see it." "You don't want to. The truly creative man merely does his work. The masses will follow of their own free will. Maybe they'll follow the wrong leader as often as not, but we've still come a long way in a few thousand years. It's wrong if they're led, or pushed, or tricked or--" "Sit down, Darius. Don't move. The trouble with you anti-news people is you're too romantic. You think because God or Nature created man at the top of the evolutionary ladder, man is good, man can do nothing but move forward in the long run. You think it's a mistake for one man--or a group of men, or an institution--to channel that movement. "But of all the institutions in man's civilization, the newspaper is the most logical one for the job. We inform, Darius. We are the essence of life. Life perceives and, after perceiving transmits information. Or builds machines to do the job. Sensation, perception, information--the same thing. We're at the top. We belong here." "Perception should be objective, un-colored. But there's no sense talking to you." "Perception is never objective, my dear Darius. An individual perceives. Some men are tone-deaf, others color-blind. We all taste the same foods, liking some and disliking others. I say the newspaper belongs on the top like this. I say our creation of news is no different from the hundred varied opinions of a hundred members of the rabble. Unless it's better. We're a cohesive force, Darius. We simplify. We unite." "You hamper and destroy." "We don't rule by force. Have they ever tried to overthrow us? Have they? You see, they don't dislike us. They have faith in us. They can grow roots and feel secure. They don't have a myriad of possibilities confronting them. They have only two on any given subject, except in purely local situations which we don't consider important. Either the _Star-Times_ is right, or the _World_ is." "Why are you telling me all this?" "It's very important to me. I believed in you, Darius. I still think you've made a mistake. While it's too late now--you see, we can't really control _all_ events, can we?--I would like to hear you admit your mistake. I can never trust anyone again." "If I admit it?" "I'll thank you...." "And hand me over to Weaver Wainwright?" "And hand you over to Weaver Wainwright." * * * * * There was a disturbance outside, the sound of running feet in the City Room, of many voices. Overman cocked his head to one side, listening to the tiny receiver in his ear then picking up his microphone hose and saying, "In a moment. That's right, I said let them in. But give me five minutes." He dropped the hose. "They're here for you, Darius." "I gathered." "Would you make a man who once was your friend happy before you go? Just tell me you were wrong. Tell me if you had your way over again you would remain loyal to me even if you were confronted with the same faulty philosophical notions." "At the point of a parabeam? What good would it do?" "Forget the parabeam. I'm two people now. I'm guarding you and I'll kill you if you come any closer to me, but I'm also pleading with you. I'm asking you to give me my salvation." "I wonder which one is stronger," McLeod said, standing again and leaning across the desk. "Why does it mean so much to you, chief? Let me tell you. Is it because you have doubts yourself and want me to resolve them for you?" "Keep back, I'm warning you. That isn't it at all. You've made me lose my faith in people." "I thought you didn't have any." "In a few people. Please, Darius. Don't come any closer. A man has to trust someone." "You can't do anything about your doubts. You're hoping I can." "I'm going to kill you if you come any closer." Overman was still standing like a statue, the parabeam an extension of his right hand. It was as if he would never move again unless McLeod freed him with a word. It was as if the heart too had stopped its beating and only the lips were alive, the pleading lips, begging for a reprieve. McLeod leaped across the desk, his middle slamming down on the hard surface, his diaphragm squeezing all the air from his lungs. His fingers closed on Overman's wrist and forced it back as the parabeam hissed from his cheek. Now the lips were still. Now the muscles which had remained so inert for many moments were writhing with activity, each individual cell adding its strength to the whole, to the wiry arms, the thin legs, the twisting, heaving torso. The only sound was the harsh rasping of Overman's breath as they grappled, tumbling over and over, rolling across the floor. The parabeam was between them, separating their chests. Overman butted with his head, bit, gouged, used his knees and elbows while he held the weapon. The lungs filled with air--McLeod could feel the torso lifting, the rib-cage expanding. The mouth opened to scream for help.... McLeod got a hand over it, felt teeth clamp on his fingers, very white, very sharp. The mouth opened again as McLeod rolled suddenly clear to avoid an up-thrusting knee. Knee hit elbow and hand tightened convulsively. The parabeam hissed against Overman's chest and up, bathing his chin and face and the lips which, instead of screaming, formed the words "tell me" and then closed slowly. Afterwards, McLeod always thought Overman's ears must have retained their sentience longest as the man died, waiting for an answer which would never come. The door opened. People stood around, looking down at them. Wainwright. The phony police. Tracy and Cripp. Some _Star-Times_ security agents. McLeod stood up slowly, his own muscles twitching. He looked at Wainwright, then pointed to Overman's body on the floor and said, "There's your story. You were modest in your prediction. Not a reporter, but the City Editor. Dead. And listen to me, Wainwright. It's the only story you'll ever get. Try anything else and there'll be open war between our papers. You understand?" Wainwright considered, head down, arms folded in front of him, long nose hiding lips from that angle. "They'll probably make you City Editor," he mused. "I'll take the story. You're in the clear, McLeod." "I want to be exonerated from that false charge." But Wainwright shook his head. "Do it yourself. You have a newspaper, too. Incidentally, how did Overman die?" "Say he was looking for something, something important--so important that when he couldn't find it he killed himself." "That's no story." "It's a story," said McLeod, "We can make it a story." * * * * * "There are hundreds of us," Tracy said later. "All over the country. All over the world. We're badly organized. We need organization. You're in a position to give it to us." "Not overtly," Cripp warned. "But under cover at the beginning, until we build up strength. We'll have to re-indoctrinate young reporters and then forget about indoctrination when we can. We'll be fighting a war all our lives." "Men like Overman and Wainwright are the alternatives," McLeod said. "I think even Overman knew, at the end, that he was wrong. But it went against everything he ever thought or believed. I almost could have been another Overman." "You're not," Tracy said. "You just had to be goosed." "It's going to be interesting," McLeod told them. "We'll still predict. To stay in business, we'll have to predict, at least to start with. But we'll give our scientists and social workers a free hand, and our predictions will all be practical. Do you realize there hasn't been a substantial scientific discovery put to use in the last fifty years?" Cripp seemed worried. "Their approach is more sensational. They'll draw the readers. But we have to--to stay in business." "That was your trouble all along," McLeod said. "You were a bunch of snipers. I think you're wrong. What's not sensational about a trip to the moon or a cure for cancer or controlled weather that actually helps the farmers or campaigning for the better man in an election because he truly has something to offer? We're liable to put the _World_ right out of business." "We can try," said Tracy, smiling. "Not you, young lady. No more co-respondents. How would you like to be a bonafide social worker?" But Tracy squeezed Cripp's hand and said, "No, thank you. I'd rather be a housewife." McLeod thought he'd have to settle for loving both of them like a brother--then realized he'd be too busy to do anything of the sort. *** END OF THE PROJECT GUTENBERG EBOOK NEWSHOUND *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.