The Project Gutenberg eBook of Requiem This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Requiem Author: Edmond Hamilton Illustrator: Leo Summers Release date: November 20, 2023 [eBook #72180] Language: English Original publication: New York, NY: Ziff-Davis Publishing Company, 1962 Credits: Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net *** START OF THE PROJECT GUTENBERG EBOOK REQUIEM *** REQUIEM By EDMOND HAMILTON Illustrated by SUMMERS _All during its lifetime Earth had been deluged ... overwhelmed ... submerged in an endless torrent of words. Was even its death to be stripped of dignity by the cackling of the mass media?_ [Transcriber's Note: This etext was produced from Amazing Stories April 1962 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] Kellon thought sourly that he wasn't commanding a star-ship, he was running a travelling circus. He had aboard telaudio men with tons of equipment, pontifical commentators who knew the answer to anything, beautiful females who were experts on the woman's angle, pompous bureaucrats after publicity, and entertainment stars who had come along for the same reason. He had had a good ship and crew, one of the best in the Survey. _Had_ had. They weren't any more. They had been taken off their proper job of pushing astrographical knowledge ever further into the remote regions of the galaxy, and had been sent off with this cargo of costly people on a totally unnecessary mission. He said bitterly to himself, "Damn all sentimentalists." He said aloud, "Does its position check with your calculated orbit, Mr. Riney?" Riney, the Second, a young and serious man who had been fussing with instruments in the astrogation room, came out and said, "Yes. Right on the nose. Shall we go in and land now?" Kellon didn't answer for a moment, standing there in the front of the bridge, a middle-aged man, stocky, square-shouldered, and with his tanned, plain face showing none of the resentment he felt. He hated to give the order but he had to. "All right, take her in." He looked gloomily through the filter-windows as they went in. In this fringe-spiral of the galaxy, stars were relatively infrequent, and there were only ragged drifts of them across the darkness. Full ahead shone a small, compact sun like a diamond. It was a white dwarf and had been so for two thousand years, giving forth so little warmth that the planets which circled it had been frozen and ice-locked all that time. They still were, all except the innermost world. * * * * * Kellon stared at that planet, a tawny blob. The ice that had sheathed it ever since its primary collapsed into a white dwarf, had now melted. Months before, a dark wandering body had passed very close to this lifeless system. Its passing had perturbed the planetary orbits and the inner planets had started to spiral slowly in toward their sun, and the ice had begun to go. Viresson, one of the junior officers, came into the bridge looking harassed. He said to Kellon, "They want to see you down below, sir. Especially Mr. Borrodale. He says it's urgent." Kellon thought wearily, "Well, I might as well go down and face the pack of them. Here's where they really begin." He nodded to Viresson, and went down below to the main cabin. The sight of it revolted him. Instead of his own men in it, relaxing or chinning, it held a small and noisy mob of over-dressed, overloud men and women, all of whom seemed to be talking at once and uttering brittle, nervous laughter. "Captain Kellon, I want to ask you--" "Captain, if you _please_--" He patiently nodded and smiled and plowed through them to Borrodale. He had been given particular instructions to cooperate with Borrodale, the most famous telaudio commentator in the Federation. Borrodale was a slightly plump man with a round pink face and incongruously large and solemn black eyes. When he spoke, one recognized at once that deep, incredibly rich and meaningful voice. "My first broadcast is set for thirty minutes from now, Captain. I shall want a view as we go in. If my men could take a mobile up to the bridge--" Kellon nodded. "Of course. Mr. Viresson is up there and will assist them in any way." "Thank you, Captain. Would you like to see the broadcast?" "I would, yes, but--" He was interrupted by Lorri Lee, whose glitteringly handsome face and figure and sophisticated drawl made her the idol of all female telaudio reporters. "_My_ broadcast is to be right after landing--remember? I'd like to do it alone, with just the emptiness of that world as background. Can you keep the others from spoiling the effect? Please?" "We'll do what we can," Kellon mumbled. And as the rest of the pack converged on him he added hastily, "I'll talk to you later. Mr. Borrodale's broadcast--" * * * * * He got through them, following after Borrodale toward the cabin that had been set up as a telaudio-transmitter room. It had, Kellon thought bitterly, once served an honest purpose, holding the racks of soil and water and other samples from far worlds. But that had been when they were doing an honest Survey job, not chaperoning chattering fools on this sentimental pilgrimage. The broadcasting set-up was beyond Kellon. He didn't want to hear this but it was better than the mob in the main cabin. He watched as Borrodale made a signal. The monitor-screen came alive. It showed a dun-colored globe spinning in space, growing visibly larger as they swept toward it. Now straggling seas were identifiable upon it. Moments passed and Borrodale did not speak, just letting that picture go out. Then his deep voice spoke over the picture, with dramatic simplicity. "You are looking at the Earth," he said. Silence again, and the spinning brownish ball was bigger now, with white clouds ragged upon it. And then Borrodale spoke again. "You who watch from many worlds in the galaxy--this is the homeland of our race. Speak its name to yourselves. The Earth." Kellon felt a deepening distaste. This was all true, but still it was phony. What was Earth now to him, or to Borrodale, or his billions of listeners? But it was a story, a sentimental occasion, so they had to pump it up into something big. "Some thirty-five hundred years ago," Borrodale was saying, "our ancestors lived on this world alone. That was when they first went into space. To these other planets first--but very soon, to other stars. And so our Federation began, our community of human civilization on many stars and worlds." Now, in the monitor, the view of Earth's dun globe had been replaced by the face of Borrodale in close-up. He paused dramatically. "Then, over two thousand years ago, it was discovered that the sun of Earth was about to collapse into a white dwarf. So those people who still remained on Earth left it forever and when the solar change came, it and the other planets became mantled in eternal ice. And now, within months, the final end of the old planet of our origin is at hand. It is slowly spiralling toward the sun and soon it will plunge into it as Mercury and Venus have already done. And when that occurs, the world of man's origin will be gone forever." Again the pause, for just the right length of time, and then Borrodale continued in a voice expertly pitched in a lower key. "We on this ship--we humble reporters and servants of the vast telaudio audience on all the worlds--have come here so that in these next weeks we can give you this last look at our ancestral world. We think--we hope--that you'll find interest in recalling a past that is almost legend." And Kellon thought, "The bastard has no more interest in this old planet than I have, but he surely is smooth." * * * * * As soon as the broadcast ended, Kellon found himself besieged once more by the clamoring crowd in the main cabin. He held up his hand in protest. "Please, now--now we have a landing to make first. Will you come with me, Doctor Darnow?" Darnow was from Historical Bureau, and was the titular head of the whole expedition, although no one paid him much attention. He was a sparrowy, elderly man who babbled excitedly as he went with Kellon to the bridge. He at least, was sincere in his interest, Kellon thought. For that matter, so were all the dozen-odd scientists who were aboard. But they were far out-numbered by the fat cats and big brass out for publicity, the professional enthusers and sentimentalist. A real hell of a job the Survey had given him! In the bridge, he glanced through the window at the dun-colored planet and its satellite. Then he asked Darnow, "You said something about a particular place where you wanted to land?" The historiographer bobbed his head, and began unfolding a big, old-fashioned chart. "See this continent here? Along its eastern coast were a lot of the biggest cities, like New York." Kellon remembered that name, he'd learned it in school history, a long time ago. Darnow's finger stabbed the chart. "If you could land there, right on the island--" Kellon studied the relief features, then shook his head. "Too low. There'll be great tides as time goes on and we can't take chances. That higher ground back inland a bit should be all right, though." Darnow looked disappointed. "Well, I suppose you're right." Kellon told Riney to set up the landing-pattern. Then he asked Darnow skeptically, "You surely don't expect to find much in those old cities now--not after they've had all that ice on them for two thousand years?" "They'll be badly damaged, of course," Darnow admitted. "But there should be a vast number of relics. I could study here for years--" "We haven't got years, we've got only a few months before this planet gets too close to the Sun," said Kellon. And he added mentally, "Thank God." * * * * * The ship went into its landing-pattern. Atmosphere whined outside its hull and then thick gray clouds boiled and raced around it. It went down through the cloud layer and moved above a dull brown landscape that had flecks of white in its deeper valleys. Far ahead there was the glint of a gray ocean. But the ship came down toward a rolling brown plain and settled there, and then there was the expected thunderclap of silence that always followed the shutting off of all machinery. Kellon looked at Riney, who turned in a moment from the test-panel with a slight surprise on his face. "Pressure, oxygen, humidity, everything--all optimum." And then he said, "But of course. This place _was_ optimum." Kellon nodded. He said, "Doctor Darnow and I will have a look out first. Viresson, you keep our passengers in." When he and Darnow went to the lower airlock he heard a buzzing clamor from the main cabin and he judged that Viresson was having his hands full. The people in there were not used to being said no to, and he could imagine their resentment. Cold, damp air struck a chill in Kellon when they stepped down out of the airlock. They stood on muddy, gravelly ground that squashed a little under their boots as they trudged away from the ship. They stopped and looked around, shivering. Under the low gray cloudy sky there stretched a sad, sunless brown landscape. Nothing broke the drab color of raw soil, except the shards of ice still lingering in low places. A heavy desultory wind stirred the raw air, and then was still. There was not a sound except the clinkclinking of the ship's skin cooling and contracting, behind them. Kellon thought that no amount of sentimentality could make this anything but a dreary world. But Darnow's eyes were shining. "We'll have to make every minute of the time count," he muttered. "Every minute." Within two hours, the heavy broadcast equipment was being trundled away from the ship on two motor-tracs that headed eastward. On one of the tracs rode Lorri Lee, resplendent in lilac-colored costume of synthesilk. Kellon, worried about the possibility of quicksands, went along for that first broadcast from the cliffs that looked down on the ruins of New York. He wished he hadn't, when it got under way. For Lorri Lee, her blonde head bright even in the dull light, turned loose all her practised charming gestures for the broadcast cameras, as she gestured with pretty excitement down toward the ruins. "It's so _unbelievable_!" she cried to a thousand worlds. "To be here on Earth, to see the old places again--it _does_ something to you!" It did something to Kellon. It made him feel sick at his stomach. He turned and went back to the ship, feeling at that moment that if Lorri Lee went into a quicksand on the way back, it would be no great loss. * * * * * But that first day was only the beginning. The big ship quickly became the center of multifarious and continuous broadcasts. It had been especially equipped to beam strongly to the nearest station in the Federation network, and its transmitters were seldom quiet. Kellon found that Darnow, who was supposed to coordinate all this programming, was completely useless. The little historian was living in a seventh heaven on this old planet which had been uncovered to view for the first time in millennia, and he was away most of the time on field trips of his own. It fell to his assistant, an earnest and worried and harassed young man, to try to reconcile the clashing claims and demands of the highly temperamental broadcasting stars. Kellon felt an increasing boredom at having to stand around while all this tosh went out over the ether. These people were having a field-day but he didn't think much of them and of their broadcasts. Roy Quayle, the young male fashion designer, put on a semi-humorous, semi-nostalgic display of the old Earth fashions, with the prettier girls wearing some of the ridiculous old costumes he had had duplicated. Barden, the famous teleplay producer, ran off ancient films of the old Earth dramas that had everyone in stitches. Jay Maxson, a rising politician in Federation Congress, discussed with Borrodale the governmental systems of the old days, in a way calculated to give his own Wide-Galaxy Party none the worst of it. The Arcturus Players, that brilliant group of young stage-folk, did readings of old Earth dramas and poems. It was, Kellon thought disgustedly, just playing. Grown people, famous people, seizing the opportunity given by the accidental end of a forgotten planet to posture in the spotlight like smart-aleck children. There was real work to do in the galaxy, the work of the Survey, the endless and wearying but always-fascinating job of charting the wild systems and worlds. And instead of doing that job, he was condemned to spend weeks and months here with these phonies. The scientists and historians he respected. They did few broadcasts and they did not fake their interest. It was one of them, Haller, the biologist, who excitedly showed Kellon a handful of damp soil a week after their arrival. * * * * * "Look at _that_!" he said proudly. Kellon stared. "What?" "Those seeds--they're common weed-grass seeds. Look at them." Kellon looked, and now he saw that from each of the tiny seeds projected a new-looking hairlike tendril. "They're sprouting?" he said unbelievingly. Haller nodded happily. "I was hoping for it. You see, it was almost spring in the northern hemisphere, according to the records, when Sol collapsed suddenly into a white dwarf. Within hours the temperature plunged and the hydrosphere and atmosphere began to freeze." "But surely that would kill all plant-life?" "No," said Haller. "The larger plants, trees, perennial shrubs, and so on, yes. But the seeds of the smaller annuals just froze into suspended animation. Now the warmth that melted them is causing germination." "Then we'll have grass--small plants?" "Very soon, the way the warmth is increasing." It was, indeed, getting a little warmer all the time as these first weeks went by. The clouds lifted one day and there was brilliant, thin white sunshine from the little diamond sun. And there came a morning when they found the rolling landscape flushed with a pale tint of green. Grass grew. Weeds grew, vines grew, all of them seeming to rush their growth as though they knew that this, their last season, would not be long. Soon the raw brown mud of the hills and valleys had been replaced by a green carpet, and everywhere taller growths were shooting up, and flowers beginning to appear. Hepaticas, bluebells, dandelions, violets, bloomed once more. Kellon took a long walk, now that he did not have to plow through mud. The chattering people around the ship, the constant tug and pull of clashing temperaments, the brittle, febrile voices, got him down. He felt better to get away by himself. The grass and the flowers had come back but otherwise this was still an empty world. Yet there was a certain peace of mind in tramping up and down the long green rolling slopes. The sun was bright and cheerful now, and white clouds dotted the sky, and the warm wind whispered as he sat upon a ridge and looked away westward where nobody was, or would ever be again. "Damned dull," he thought. "But at least it's better than back with the gabblers." He sat for a long time in the slanting sunshine, feeling his bristling nerves relax. The grass stirred about him, rippling in long waves, and the taller flowers nodded. No other movement, no other life. A pity, he thought, that there were no birds for this last spring of the old planet--not even a butterfly. Well, it made no difference, all this wouldn't last long. As Kellon tramped back through the deepening dusk, he suddenly became aware of a shining bubble in the darkening sky. He stopped and stared up at it and then remembered. Of course, it was the old planet's moon--during the cloudy nights he had forgotten all about it. He went on, with its vague light about him. * * * * * When he stepped back into the lighted main cabin of the ship, he was abruptly jarred out of his relaxed mood. A first-class squabble was going on, and everybody was either contributing to it or commenting on it. Lorri Lee, looking like a pretty child complaining of a hurt, was maintaining that she should have broadcast time next day for her special woman's-interest feature, and somebody else disputed her claim, and young Vallely, Darnow's assistant, looked harried and upset. Kellon got by them without being noticed, locked the door of his cabin and poured himself a long drink, and damned Survey all over again for this assignment. He took good care to get out of the ship early in the morning, before the storm of temperament blew up again. He left Viresson in charge of the ship, there being nothing for any of them to do now anyway, and legged it away over the green slopes before anyone could call him back. They had five more weeks of this, Kellon thought. Then, thank God, Earth would be getting so near the Sun that they must take the ship back into its proper element of space. Until that wished-for day arrived, he would stay out of sight as much as possible. He walked miles each day. He stayed carefully away from the east and the ruins of old New York, where the others so often were. But he went north and west and south, over the grassy, flowering slopes of the empty world. At least it was peaceful, even though there was nothing at all to see. But after a while, Kellon found that there were things to see if you looked for them. There was the way the sky changed, never seeming to look the same twice. Sometimes it was deep blue and white clouds sailed it like mighty ships. And then it would suddenly turn gray and miserable, and rain would drizzle on him, to be ended when a lance of sunlight shot through the clouds and slashed them to flying ribbons. And there was a time when, upon a ridge, he watched vast thunder-heads boil up and darken in the west and black storm marched across the land like an army with banners of lightning and drums of thunder. The winds and the sunshine, the sweetness of the air and the look of the moonlight and the feel of the yielding grass under his feet, all seemed oddly right. Kellon had walked on many worlds under the glare of many-colored suns, and some of them he had liked much better than this one and some of them he had not liked at all, but never had he found a world that seemed so exactly attuned to his body as this outworn, empty planet. He wondered vaguely what it had been like when there were trees and birds, and animals of many kinds, and roads and cities. He borrowed film-books from the reference library Darnow and the others had brought, and looked at them in his cabin of nights. He did not really care very much but at least it kept him out of the broils and quarrels, and it had a certain interest. * * * * * Thereafter in his wandering strolls, Kellon tried to see the place as it would have been in the long ago. There would have been robins and bluebirds, and yellow-and-black bumblebees nosing the flowers, and tall trees with names that were equally strange to him, elms and willows and sycamores. And small furred animals, and humming clouds of insects, and fish and frogs in the pools and streams, a whole vast complex symphony of life, long gone, long forgotten. But were all the men and women and children who had lived here less forgotten? Borrodale and the others talked much on their broadcasts about the people of old Earth, but that was just a faceless name, a term that meant nothing. Not one of those millions, surely, had ever thought of himself as part of a numberless multitude. Each one had been to himself, and to those close to him or her, an individual, unique and never to be exactly repeated, and what did the glib talkers know of all those individuals, what could anyone know? Kellon found traces of them here and there, bits of flotsam that even the crush of the ice had spared. A twisted piece of steel, a girder or rail that someone had labored to make. A quarry with the tool-marks still on the rocks, where surely men had once sweated in the sun. The broken shards of concrete that stretched away in a ragged line to make a road upon which men and women had once travelled, hurrying upon missions of love or ambition, greed or fear. He found more than that, a startling find that he made by purest chance. He followed a brook that ran down a very narrow valley, and at one point he leaped across it and as he landed he looked up and saw that there was a house. Kellon thought at first that it was miraculously preserved whole and unbroken, and surely that could not be. But when he went closer he saw that this was only illusion and that destruction had been at work upon it too. Still, it remained, incredibly, a recognizable house. It was a rambling stone cottage with low walls and a slate roof, set close against the steep green wall of the valley. One gable-end was smashed in, and part of that end wall. Studying the way it was embayed in the wall, Kellon decided that a chance natural arch of ice must have preserved it from the grinding pressure that had shattered almost all other structures. * * * * * The windows and doors were only gaping openings. He went inside and looked around the cold shadows of what had once been a room. There were some wrecked pieces of rotting furniture, and dried mud banked along one wall contained unrecognizable bits of rusted junk, but there was not much else. It was chill and oppressive in there, and he went out and sat on the little terrace in the sunshine. He looked at the house. It could have been built no later than the Twentieth Century, he thought. A good many different people must have lived in it during the hundreds of years before the evacuation of Earth. Kellon thought that it was strange that the airphoto surveys that Darnow's men had made in quest of relics had not discovered the place. But then it was not so strange, the stone walls were so grayly inconspicuous and it was set so deeply into the sheltering bay of the valley wall. His eye fell on eroded lettering on the cement side of the terrace, and he went and brushed the soil off that place. The words were time-eaten and faint but he could read them. "Ross and Jennie--Their House." Kellon smiled. Well, at least he knew now who once had lived here, who probably had built the place. He could imagine two young people happily scratching the words in the wet cement, exuberant with achievement. And who had Ross and Jennie been, and where were they now? He walked around the place. To his surprise, there was a ragged flower-garden at one side. A half-dozen kinds of brilliant little flowers, unlike the wild ones of the slopes, grew in patchy disorder here. Seeds of an old garden had been ready to germinate when the long winter of Earth came down, and had slept in suspended animation until the ice melted and the warm blooming time came at last. He did not know what kinds of flowers these were, but there was a brave jauntiness about them that he liked. Starting back across the green land in the soft twilight, Kellon thought that he should tell Darnow about the place. But if he did, the gabbling pack in the ship would certainly stampede toward it. He could imagine the solemn and cute and precious broadcasts that Borrodale and the Lee woman and rest of them would stage from the old house. "No," he thought. "The devil with them." He didn't care anything himself about the old house, it was just that it was a refuge of quiet he had found and he didn't want to draw to it the noisy horde he was trying to escape. * * * * * Kellon was glad in the following days that he had not told. The house gave him a place to go to, to poke around and investigate, a focus for his interest in this waiting time. He spent hours there, and never told anyone at all. Haller, the biologist, lent him a book on the flowers of Earth, and he brought it with him and used it to identify those in the ragged garden. Verbenas, pinks, morning glories, and the bold red and yellow ones called nasturtiums. Many of these, he read, did not do well on other worlds and had never been successfully transplanted. If that was so, this would be their last blooming anywhere at all. He rooted around the interior of the house, trying to figure out how people had lived in it. It was strange, not at all like a modern metalloy house. Even the interior walls were thick beyond belief, and the windows seemed small and pokey. The biggest room was obviously where they had lived most, and its window-openings looked out on the little garden and the green valley and brook beyond. Kellon wondered what they had been like, the Ross and Jennie who had once sat here together and looked out these windows. What things had been important to them? What had hurt them, what had made them laugh? He himself had never married, the far-ranging captains of the Survey seldom did. But he wondered about this marriage of long ago, and what had come of it. Had they had children, did their blood still run on the far worlds? But even if it did, what was that now to those two of long ago? There had been a poem about flowers at the end of the old book on flowers Haller had lent him, and he remembered some of it. "_All are at one now, roses and lovers, Not known of the winds and the fields and the sea, Not a breath of the time that has been hovers In the air now soft with a summer to be._" Well, yes, Kellon thought, they were all at one now, the Rosses and the Jennies and the things they had done and the things they had thought, all at one now in the dust of this old planet whose fiery final summer would be soon, very soon. Physically, everything that had been done, everyone who had lived on Earth, was still here in its atoms, excepting the tiny fraction of its matter that had sped to other worlds. He thought of the names that were so famous still through all the galactic worlds, names of men and women and places. Shakespeare, Plato, Beethoven, Blake, the old splendor of Babylon and the bones of Angkor and the humble houses of his own ancestors, all here, all still here. Kellon mentally shook himself. He didn't have enough to do, that was his trouble, to be brooding here on such shadowy things. He had seen all there was to this queer little old place, and there was no use in coming back to it. * * * * * But he came back. It was not, he told himself, as though he had any sentimental antiquarian interests in this old place. He had heard enough of that kind of gush from all the glittering phonies in the ship. He was a Survey man and all he wanted was to get back to his job, but while he was stuck here it was better to be roaming the green land or poking about this old relic than to have to listen to the endless babbling and quarrelling of those others. They were quarrelling more and more, because they were tired of it here. It had seemed to them a fine thing to posture upon a galactic stage by helping to cover the end of Earth, but time dragged by and their flush of synthetic enthusiasm wore thin. They could not leave, the expedition must broadcast the final climax of the planet's end, but that was still weeks away. Darnow and his scholars and scientists, busy coming and going to many old sites, could have stayed here forever but the others were frankly bored. But Kellon found in the old house enough interest to keep the waiting from being too oppressive. He had read a good bit now about the way things had been here in the old days, and he sat long hours on the little terrace in the afternoon sunshine, trying to imagine what it had been like when the man and woman named Ross and Jennie had lived here. So strange, so circumscribed, that old life seemed now! Most people had had ground-cars in those days, he had read, and had gone back and forth in them to the cities where they worked. Did both the man and woman go, or just the man? Did the woman stay in the house, perhaps with their children if they had any, and in the afternoons did she do things in the little flower-garden where a few bright, ragged survivors still bloomed? Did they ever dream that some future day when they were long gone, their house would lie empty and silent with no visitor except a stranger from far-off stars? He remembered a line in one of the old plays the Arcturus Players had read. Come like shadows, so depart. No, Kellon thought. Ross and Jennie were shadows now but they had not been then. To them, and to all the other people he could visualize going and coming busily about the Earth in those days, it was he, the future, the man yet to come, who was the shadow. Alone here, sitting and trying to imagine the long ago, Kellon had an eery feeling sometimes that his vivid imaginings of people and crowded cities and movement and laughter were the reality and that he himself was only a watching wraith. * * * * * Summer days came swiftly, hot and hotter. Now the white sun was larger in the heavens and pouring down such light and heat as Earth had not received for millennia. And all the green life across it seemed to respond with an exultant surge of final growth, an act of joyous affirmation that Kellon found infinitely touching. Now even the nights were warm, and the winds blew thrilling soft, and on the distant beaches the ocean leaped up in a laughter of spray and thunder, running in great solar tides. With a shock as though awakened from dreaming, Kellon suddenly realized that only a few days were left. The spiral was closing in fast now and very quickly the heat would mount beyond all tolerance. He would, he told himself, be very glad to leave. There would be the wait in space until it was all over, and then he could go back to his own work, his own life, and stop fussing over shadows because there was nothing else to do. Yes. He would be glad. Then when only a few days were left, Kellon walked out again to the old house and was musing over it when a voice spoke behind him. "Perfect," said Borrodale's voice. "A perfect relic." Kellon turned, feeling somehow startled and dismayed. Borrodale's eyes were alight with interest as he surveyed the house, and then he turned to Kellon. "I was walking when I saw you, Captain, and thought I'd catch up to you. Is this where you've been going so often?" Kellon, a little guiltily, evaded. "I've been here a few times." "But why in the world didn't you _tell_ us about this?" exclaimed Borrodale. "Why, we can do a terrific final broadcast from here. A typical ancient home of Earth. Roy can put some of the Players in the old costumes, and we'll show them living here the way people did--" Unexpectedly to himself, a violent reaction came up in Kellon. He said roughly, "No." Borrodale arched his eyebrows. "No? But why not?" Why not, indeed? What difference could it possibly make to him if they swarmed all over the old house, laughing at its ancientness and its inadequacies, posing grinning for the cameras in front of it, prancing about in old-fashioned costumes and making a show of it. What could that mean to him, who cared nothing about this forgotten planet or anything on it? And yet something in him revolted at what they would do here, and he said, "We might have to take off very suddenly, now. Having you all out here away from the ship could involve a dangerous delay." "You said yourself we wouldn't take off for a few days yet!" exclaimed Borrodale. And he added firmly, "I don't know why you should want to obstruct us, Captain. But I can go over your head to higher authority." * * * * * He went away, and Kellon thought unhappily, He'll message back to Survey headquarters and I'll get my ears burned off, and why the devil did I do it anyway? I must be getting real planet-happy. He went and sat down on the terrace, and watched until the sunset deepened into dusk. The moon came up white and brilliant, but the air was not quiet tonight. A hot, dry wind had begun to blow, and the stir of the tall grass made the slopes and plains seem vaguely alive. It was as though a queer pulse had come into the air and the ground, as the sun called its child homeward and Earth strained to answer. The house dreamed in the silver light, and the flowers in the garden rustled. Borrodale came back, a dark pudgy figure in the moonlight. He said triumphantly, "I got through to your headquarters. They've ordered your full cooperation. We'll want to make our first broadcast here tomorrow." Kellon stood up. "No." "You can't ignore an order--" "We won't be here tomorrow," said Kellon. "It is my responsibility to get the ship off Earth in ample time for safety. We take off in the morning." Borrodale was silent for a moment, and when he spoke his voice had a puzzled quality. "You're advancing things just to block our broadcast, of course. I just can't understand your attitude." Well, Kellon thought, he couldn't quite understand it himself, so how could he explain it? He remained silent, and Borrodale looked at him and then at the old house. "Yet maybe I do understand," Borrodale said thoughtfully, after a moment. "You've come here often, by yourself. A man can get too friendly with ghosts--" Kellon said roughly, "Don't talk nonsense. We'd better get back to the ship, there's plenty to do before take off." Borrodale did not speak as they went back out of the moonlit valley. He looked back once, but Kellon did not look back. * * * * * They took the ship off twelve hours later, in a morning made dull and ominous by racing clouds. Kellon felt a sharp relief when they cleared atmosphere and were out in the depthless, starry blackness. He knew where he was, in space. It was the place where a spaceman belonged. He'd get a stiff reprimand for this later, but he was not sorry. They put the ship into a calculated orbit, and waited. Days, many of them, must pass before the end came to Earth. It seemed quite near the white sun now, and its Moon had slid away from it on a new distorted orbit, but even so it would be a while before they could broadcast to a watching galaxy the end of its ancestral world. Kellon stayed much of that time in his cabin. The gush that was going out over the broadcasts now, as the grand finale approached, made him sick. He wished the whole thing was over. It was, he told himself, getting to be a bore-- An hour and twenty minutes to E-time, and he supposed he must go up to the bridge and watch it. The mobile camera had been set up there and Borrodale and as many others of them as could crowd in were there. Borrodale had been given the last hour's broadcast, and it seemed that the others resented this. "Why must you have the whole last hour?" Lorri Lee was saying bitterly to Borrodale. "It's not fair." Quayle nodded angrily. "There'll be the biggest audience in history, and we should all have a chance to speak." Borrodale answered them, and the voices rose and bickered, and Kellon saw the broadcast technicians looking worried. Beyond them through the filter-window he could see the dark dot of the planet closing on the white star. The sun called, and it seemed that with quickened eagerness Earth moved on the last steps of its long road. And the clamoring, bickering voices in his ears suddenly brought rage to Kellon. "Listen," he said to the broadcast men. "Shut off all sound transmission. You can keep the picture on, but no sound." That shocked them all into silence. The Lee woman finally protested, "Captain Kellon, you can't!" "I'm in full command when in space, and I can, and do," he said. "But the broadcast, the commentary--" Kellon said wearily, "Oh, for Christ's sake all of you shut up, and let the planet die in peace." * * * * * He turned his back on them. He did not hear their resentful voices, did not even hear when they fell silent and watched through the dark filter-windows as he was watching, as the camera and the galaxy was watching. And what was there to see but a dark dot almost engulfed in the shining veils of the sun? He thought that already the stones of the old house must be beginning to vaporize. And now the veils of light and fire almost concealed the little planet, as the star gathered in its own. All the atoms of old Earth, Kellon thought, in this moment bursting free to mingle with the solar being, all that had been Ross and Jennie, all that had been Shakespeare and Schubert, gay flowers and running streams, oceans and rocks and the wind of the air, received into the brightness that had given them life. They watched in silence, but there was nothing more to see, nothing at all. Silently the camera was turned off. Kellon gave an order, and presently the ship was pulling out of orbit, starting on the long voyage back. By that time the others had gone, all but Borrodale. He said to Borrodale, without turning, "Now go ahead and send your complaint to headquarters." Borrodale shook his head. "Silence can be the best requiem of all. There'll be no complaint. I'm glad now, Captain." "Glad?" "Yes," said Borrodale. "I'm glad that Earth had one true mourner, at the last." THE END *** END OF THE PROJECT GUTENBERG EBOOK REQUIEM *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.