The Project Gutenberg eBook of I bring fresh flowers This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: I bring fresh flowers Author: Robert F. Young Release date: December 12, 2023 [eBook #72390] Language: English Original publication: New York, NY: Ziff-Davis Publishing Company, 1963 Credits: Greg Weeks, Mary Meehan and the Online Distributed Proofreading Team at http://www.pgdp.net *** START OF THE PROJECT GUTENBERG EBOOK I BRING FRESH FLOWERS *** I Bring Fresh Flowers By ROBERT F. YOUNG _A touching tale of an Astronette--and why the gentle rain from Heaven has the quality of mercy._ [Transcriber's Note: This etext was produced from Amazing Stories February 1964. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.] You know Rosemary Brooks. You have known her for many years. It is said that when she was a little girl her favorite poem was _Barbara Frietchie_, and it is told how she would sometimes poke her pretty head out of her bedroom window, survey the suburban street with her blue-sky eyes, and cry, "_Shoot, if you must, this old gray head, but spare your country's flag!_" Yes, you know Rosemary. You know her very well. Like all little girls, Rosemary grew up. But Rosemary did not change. This is not to say that she did not turn into an attractive young lady. She turned into a most attractive one indeed. Fragilely beautiful, airy of tread, she should have been the reigning rose of every dance she went to, but she was not. Rarely did the young men of her acquaintance ask her to dance, and never did one of them approach her and say, "Come into the garden, Rosemary, for the black bat, night, has flown." She did not go to very many dances in any event, and looking back, one realizes that the few she did attend, she attended primarily to please her mother. The reason behind Rosemary's wallflowerhood is simple: the young men of her acquaintance knew that with her, God and the United States of America came first, and that accompanying her through life, or even accompanying her home from a dance for that matter, meant being relegated to a back seat. It is alright for little girls to be Barbara Frietchies, you see, but not for big ones. During her short and dedicated life, Rosemary poked her pretty head out of quite a number of windows. After the Barbara Frietchie window came the Girl Scouts of America window, and after the Girl Scouts of America window came the Young Peoples' Civil War Society window, and after the Young Peoples' Civil War Society window came the Citizens for Patriotic Progress window. Last of all came the Astronette Training Center window. * * * * * Set up by Project Rain Dance in 1969 after prejudice against women going into space had abated, the Astronette Training Center had for its purpose the finding, training, and conditioning of six female pilots for a series of six manned weather-control satellite shots, the first of which was scheduled to take place some time in February of '71. After exhaustive screening, one hundred volunteers were accepted. Fifteen of them passed the exacting physical and psychological tests, and from the ranks of the fifteen, the six astronettes were chosen. Incredibly, when one considers her delicateness (and fails to consider her patriotic fervor), Rosemary not only made the grade but was selected to accompany the first weather-control satellite to be placed in orbit. All of this is history now--faded words on newsprint, old photographs, a dozen dusty articles in as many magazines--but at the time, it captured the attention of the whole wide world. It is said that Madison Avenue nearly went out of its mind trying to circumvent the regulation that prohibited astronettes from underwriting testimonials to toothpaste, cosmetics, and cigarettes. This is not to be wondered at. If Rosemary could have been legally enticed, for example, into letting her picture appear in a cigarette ad, cigarette consumption probably would have doubled overnight. It is one thing to be an obscure Barbara Frietchie and quite another to be a famous one, and the patriotic devotion shining in a person's eyes can, through the thaumaturgy of photography and touch-up, be transmuted into a sensual gleam. February of '71 arrived at last, as all months must, and a specific date was set for the launching. Psychological winter had come and gone, but no singing of birds could be heard. Even as far south as Canaveral, gray skies were the rule, and gray rain fell intermittently. Countdown was begun regardless. And then, miraculously it seemed, the skies cleared, and the day of the launching dawned bright and clear. There is a photograph of Rosemary standing in her snow-white spacesuit at the base of the gantry, her space helmet resting in the crook of her arm. The photograph is in color, and the blueness of her eyes is not one whit different in shade and texture from the blueness of the sky behind her. This is as it should be. Looking at her hair, one thinks of sunrises and sunsets. This is as it should be too. When remembering Rosemary, it is fitting that one should think of the sun and the sky. It is equally fitting that one should think of the snow and the rain. For Rosemary is nothing if she is not all of these things. * * * * * The launching was a good one. The _Rainbow 6_ rode its Saturn booster like a bird on jet-fire wings, and the bright star of its passage seemed to linger in the morning sky long after the booster had fallen away. The television cameras caught the action beautifully, and the American public, reminded once again that the noblest thing a person can do is to risk his life for his country, looked on in awe and admiration. The orbit was a good one too: apogee--203 miles; perigee--191 miles. Rosemary radioed back that she was A-okay. She was supposed to complete three orbits, then climb into the escape capsule, jettison it and herself, re-enter the atmosphere, and parachute into the Atlantic. There, a task force waited eagerly to pick her up. Her mission was to orientate the satellite's weather-factor instruments to the existent cloud patterns and jet streams. Once this was accomplished, the telemetric readings would, through the medium of the Main Weather Control Station in Oregon, dictate future weather. Weather control had been in effect since the middle sixties, but the telemetric readings of the unmanned weather-control satellites, owing to faulty orientation, had fallen far short of the one-hundred percent accuracy needed to make the regulation of rain and sunshine something more than a half-realized dream, and it was hoped that the present satellite, given a human boost, would bring the dream to fruition. One can picture Rosemary high in the sky, faithfully carrying out her assignment. One can see her sitting there before the instrument panel of the _Rainbow 6_ looking at dawns and sunsets and stars. One can see the slow drift of cloud and continent beneath her. Australia now, and now the vast blueness of the Pacific ... and now the west coast rising out of mists of distances and air, and beyond it, the vast green blur of the land that gave her birth. Little Barbara Frietchie riding on a star.... Far beneath her now, highways wind; rivers run down to seas. Patternings of field and forest blend into pale blue-greens. Fresh-water lakes look up at her with blue and wondering eyes. Now the sea of night drifts forth to meet her. Bravely she sets sail upon the dark waves in her little silvery ship. Brief night, soft sunrise, new day. _I bring fresh showers for the thirsting flowers, From the seas and the streams; I bear light shade for the leaves when laid In their noonday dreams._ Little Barbara Frietchie riding on a star.... Jettisoning took place exactly on schedule. The weather-control satellite continued on its orbital way, and Rosemary plummeted earthward in the escape capsule. That much, at least, is known. But what took place during re-entry--whether the retro rockets failed to fire, whether the attitude controls malfunctioned, or whether the heat shield proved to be defective--is not known and never will be known. All that is known is that Rosemary became a falling star. The nation mourned. The whole wide world mourned. Project Rain Dance was discontinued. It would have been discontinued in any event, for Rosemary had obviated any further need for it. She had done her job well, Rosemary had, and in the doing of it, she had placed the weather in the palm of mankind's out-stretched hand. * * * * * That spring, the rains were soft and warm and the flowers grew riotously upon the face of the earth. Grass knew a greenness it had never known before, and trees dressed each day in lovelier and lovelier dresses. The rains fell in the cities and on the plains. In valleys and in little towns. On fields and forests and lawns. And when the land had drunk its fill, the sun came out as warm and as bright as Rosemary's hair, and the sky turned as blue as her eyes. Yes, you know Rosemary, and you are in love with her in a way. If you are not, you should be. She is the sun coming up in the morning and the sun going down at night. She is the gentle rain against your face in spring. She is the snow falling on Christmas Eve. She is every glorious rainbow you see in the rain-washed sky. She is that pattern of tree-shade over there. Each morning, when you are lying fast asleep in your trundle bed, she tiptoes into your room, her golden sandals soundless on the bedroom floor, and wakes you with a golden kiss. Sunlight is her laughter, her voice the patter of the rain--Soft you now!--she speaks: _I am the daughter of the earth and water, And the nursling of the sky; I pass through the pores of the ocean and shores; I change, but I cannot die...._ *** END OF THE PROJECT GUTENBERG EBOOK I BRING FRESH FLOWERS *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.