The Project Gutenberg eBook of Where sunlight falls This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Where sunlight falls Author: Wilhelmina Stitch Release date: January 20, 2025 [eBook #75156] Language: English Original publication: London: Methuen & Co. Ltd, 1929 Credits: Al Haines *** START OF THE PROJECT GUTENBERG EBOOK WHERE SUNLIGHT FALLS *** [Illustration: Cover art] WHERE SUNLIGHT FALLS BY WILHELMINA STITCH AUTHOR OF "SILKEN THREADS," "SILVER LININGS," "THE GOLDEN WEB," "VERSES FOR CHILDREN," ETC. SECOND EDITION METHUEN & CO. LTD. 36 ESSEX STREET W.C. LONDON _First Published ... March 21st 1929 Second Edition ... 1929_ PRINTED IN GREAT BRITAIN CONTENTS A SONG TO CHEER AT A DOG'S HOME THE WAYSIDE PULPIT SPOONS ABOVE DEFEAT COURTESY BUILDING PALACES PRESERVES WHEN FRIENDSHIP DIES THE HARPIST THE STRONG WILL CONKERS THE BEAUTY-REAPER REMEMBER MAY TO MY UMBRELLA AN EASTER SONG AT A PIANO RECITAL SPRING CLEANINGS DEER IN AUTUMN COMPENSATIONS LONDON TO GREENHITHE THE LITTLE CANDLE TO A CHILD LIFE'S SONG HOLIDAY MEMORIES FAILURE HIS 21ST BIRTHDAY FELLOWSHIP IN A LITTLE ROOM DO IT NOW ON ST. CRISPIN'S DAY THE EVER YOUNG BROADCAST FRIENDS SEEKING HAPPINESS THOUGHTS WHEN BULB-PLANTING TO EACH HIS GIFT IN AN APRIL GARDEN THE QUIET HEART DREAM-STREET CRIES SPRING IS COMING SALUTE TO THE BRAVE MY VISITORS THIS WAY BUT ONCE WANDERING THOUGHTS ON HAMPSTEAD HEATH THE SEA OF LIFE THE CARAVAN SETS FORTH MARCH, THE LION PLAY THE GAME A PIECE OF PAPER AFRAID, BUT UNDETERRED TO SOME DAHLIAS STEADFASTNESS CANDLEMAS THE COBWEB'S STRENGTH A NICHT WI' BURNS MY GUY FAWKES CUPPED WINGS EVEN AS YOU AND I TROUBLE, THE TUNNEL _A SONG TO CHEER_ Here's a song to cheer us, when worry creeps too near us and burdens seem too heavy for our strength. Endurance oft grows double to match the large-sized trouble, and shorten by its presence the weary journey's length. And this there's no denying, when hearts are faint with sighing and all the future's given o'er to dread; the tiniest little ills, no bigger than mere pills, begin to swell and thicken and to spread! This thought is truly cheerful--whenever we are fearful of troubles we believe are coming fast--if they ever come at all, they prove so very small, before the day is ended they have passed. _AT A DOG'S HOME_ Said a Cocker to a Pekinese, swinging his silky ears, "What is the date, oh, tell me, please, for each week seems like years!" And his mournful eyes looked misty with a doggy's unshed tears. The Peke replied, "I understand. Your family's away. And so is mine--a foreign land!" His nose expressed dismay. "But they're coming back, I know they are, in one more night and day." A gallant bulldog sniffed the air and spoke with British pride to that depressed and homesick pair, "I let my folks decide. This is a very kindly place and here I will abide...." He sniffs, he trembles. Can it be? He wags his tail, pricks up his ears, runs back and forth--(oh, were he free!) and through the kennel bars he peers, gives two sharp yaps of glad surprise and meets his master's loving eyes. _THE WAYSIDE PULPIT_ Banks and hedgerows, woods and downs, all have felt the mystic Breath. Trees are donning lacy gowns, vanished winter's vaunt of death. The primrose lines the mossy banks; in the woods dance daffodils. Hearts are brimming o'er with thanks whilst the happy blackbird trills. Everywhere fresh signs of life; birds so busy with their nests. Shall we harbour thoughts of strife? Peace and Love would be our guests. Hum of insects fills the air, blackthorn robes the hedge in white; rosy is the flow'ring pear; daisies twinkle with delight. Bursting buds and leafing trees, catkins on the oak like lace. Voice of God on every breeze, in every little flow'r--His Face. Wayside Pulpits for His Voice! Oh, the comfort that they bring. Soul of Man, awake, rejoice! Blossom forth--for it is Spring. _SPOONS_ there ought to be a tinkling rhyme for spoons we're using all the time, for special spoons with dainty faces that live in velvet-padded cases and only see the light of day when visitors have come to stay! For spoons we use at every meal that have a homey, friendly "feel"; for wooden spoons and spoons of tin and spoons by age worn sharp and thin. Long-handled spoons, and curved and short, and those that by-gone goldsmiths wrought. Big spoons for soup and small for tea and those that serve cook's artistry and spoons we've bought on holiday to prove we've really been away! Of all the spoons I've ever seen in any place that I have been, the one I like the best of all is specially made and neat and small, its handle looped that it can fit the dimpled hand that clutches it--the spoon that makes a dozen trips to Baby's laughing, rosy lips! _ABOVE DEFEAT_ What is the grandest sight beneath the sun? To see--and this at times we all have done--a body smiling though there be no cause; fighting against great odds without a pause; fighting and smiling, knowing grim defeat, yet keeping breath enough to call life sweet! To see a body carrying his load as if it were a joy and not fate's goad, no thought of giving in, nor turning back, although the path be rough and skies grow black. Stumbling, yet singing, the while the race is run--this is indeed a grand sight 'neath the sun. Does it not make one yearn to cheer aloud, feeling most humble, yet exceeding proud, to watch a fellow-being lose a race, sore handicapped, but with a gallant grace? Indeed, it is a grand sight 'neath the sun to see defeat so very nobly won! _COURTESY_ A little poor man attired in brown (shabby the hood, shabby the gown), around his waist a piece of cord, entered the woods to praise the Lord. The feathered choir was singing loudly, above their boughs the sun shone proudly. He's coming, he's coming, into the wood, a little poor man 'neath a shabby brown hood. "Good-morrow, brother!" he bowed to the sun, "accept my thanks for the good you have done. I slept on the ground you warmed at noon. To-night I shall greet my Sister Moon." Then he turned to the birds in the leafy trees, "Good little sisters, if you please, since you have sung your merry lay, may I, your brother, have my say?" The singing ceased, and each small bird opened her heart to receive the word of gentle Saint Francis praising the Lord in a shabby tunic tied with a cord! _BUILDING PALACES_ A prison or a palace? Will you choose? For one or other is your dwelling-place, and this is regulated by your views which have the power to make a thing of grace out of a seeming dull, confined and ugly space. Don't scorn the town or village where you dwell, deeming yourself too fine a soul for it. The smallest place has magic things to tell to those who have an understanding wit, a lamp of friendliness that is forever lit. Often we hear a foolish person say, "How you can live in this place, I don't know!" And yet the sun gives of his golden ray; nor do the stars withhold their silver glow; flourish the trees, birds sing and blossoms grow. 'Tis not the place, but quality of mind that builds a palace or a prison bare. With ears and eyes we may be deaf and blind to harmony and beauty passing fair. There is no spot but Friendship blossoms there. _PRESERVES_ The pantry shelves are cool and wide, their paper covers crisp and clean. The housewife gazes with just pride--the finest jams she's ever seen! Jellies and jams; like gems they shine! Like garnet, ruby, amethyst, topaz and jade and almandine--produced by her, the Alchemist! Gold bottled sunshine in those jars, the fragrant essence of the Spring, the radiant gleam of watchful stars that shone above each growing thing. The hearty breakfast's marmalade, the strawberry jam to tempt a guest, while that from gooseberry was made--some think her cherry jam is best. All neatly labelled, row on row, and high upon the topmost shelf are placed preserves that gleam and glow and are entirely for herself. For these are Memory's preserves of beauty garnered with delight, when branches hid their gracious curves beneath spring blossoms, pink and white. _WHEN FRIENDSHIP DIES_ Nothing so sad in all the year, nothing so sad on land or sea, as friendship that we once held dear, becoming but a memory. Not e'en a memory to hold, as one will clasp a precious thing; for once a friendship has grown cold, no comfort can remembrance bring. The pleasant interchange of thought, the rush of feeling warm and true, the proffered aid, the comfort sought, and hope through laughter born anew. Ah! that desire to please a friend, how it inspires and nurtures strength, but should the friendship sadly end, its very shadow dies at length. Then there is naught so sad to see, where'er we roam beneath the sky, two who were friends but now agree to pass each other coldly by. Too sad for tears, too sad for sighs, when Memory herself seems dead and gazes with unseeing eyes at all the gentle words once said. _THE HARPIST_ Her hands! Two blossoms white that, sleeping, float like water-lilies on the harp's still breast. One petal quivers, lo! a liquid note persuades the lilies they must wake from rest. Ah, see! her hands are birds with flutt'ring wings, strong, graceful birds, circling the Ship of Gold, sweeping with passion the responsive strings that calmed a king's tempestuous heart of old. I cannot watch these birds, for I am blind; blinded with ecstasy. But I can hear the rhythmic beat of drums upon the wind, and Arabs o'er the desert drawing near. Into the room they come, loose garments flowing, and all the magic of the East comes, too. And now the Harp is sighing, "They are going, and with them goes the spellbound heart of you!" The scene is changed. The blazing East gives way to some cool spot, with trees outspread and tall. A most exquisite peace holds us in sway; parched souls revive beneath "The Waterfall." _THE STRONG WILL_ Strong of will? That's good, indeed. Nice, of course, to get one's way. Sometimes, though, one has to heed a brother's still more urgent need, allow his will to have full sway. Stout-of-will sometimes works ill for those he forces to obey. You always reach the topmost peak? Very nice indeed for you. But did you hurt the shy and meek, the inexperienced and the weak, in doing what you had to do? Did you step upon another, a weaker and a slower brother? There are many ways to gain all the things that seem most sweet, but if the getting might cause pain, better then to meet defeat. To renounce is not so ill as ruthless arrogance of will. _CONKERS_ Not in a dictionary? How absurd! Conker is such a stalwart, English word. You do not know it? Well, it is a shame to think you never played that Autumn game, beginning with the cry of "Oblionker." (Oh, magic word preceding "My first conker!") First the attack upon the Chestnut tree; the fruits fall down 'mid noisy shouts of glee. Pockets are stuffed, the robbers homeward go to polish these large seeds to ruddy glow. Then each is pierced with nicety and care and strung in readiness to cleave the air and hit a conker-foe held at arm's length, and shatter it by virtue of one's strength. Oh, joy it is to tramp the woods again and smell the earth fresh washed by Autumn rain, and hear the thrilling, fascinating sound of Chestnuts plopping on the leaf-strewn ground and cry aloud unthinking, "Oblionker," as in the long-ago, "'tis my first conker." THE BEAUTY-REAPER Rich fields of beauty 'neath the sun are yours and mine, our heritage. And there is work for every one; and lasting joy's the living wage. There is a field of lovely sights, where eyes may glean, if they but go; may garner such intense delights as only Beauty-lovers know. There is a field of haunting sounds for ears to glean if they desire: some simple phrases which may yield the music of a heart-strung lyre. There is a field of precious thought where eager minds may daily stray; where blossoms rare are never bought, but grow for all to bear away. And there is yet another field, the field of Service, far-flung, wide; the beauty that this land can yield, above all else is glorified. To be a reaper, I must try, in fields that Life has sown for me. My sheaves of beauty will I tie with silken threads of memory. _REMEMBER MAY_ Who watched May slip away last night? Only the stars with eyes grown bright with unshed tears. Only the moon, as thin and white as some young girl assailed by fright of unnamed fears. A bride May looked! Golden her hair; and fragile blossoms nestled there, fallen from chestnut trees. Golden Laburnum circled each slim wrist; her snow-white cheeks to blushing pink were kissed by tender midnight breeze. Eastward she gazed towards the dawnlit sky, and saw Queen Juno's chariot drawing nigh. Then breathed "farewell." Westward she turned, and, like a bird in flight, white arms outstretched, she vanished out of sight. Where? Who can tell? Only this song comes wafted on the breeze: "Behold the Iris and the blossomed trees, and tulips tall and gay. And when you praise the loveliness of these, though June be here and strives her best to please--you will remember May!" _TO MY UMBRELLA_ Why is it, when you come with me, there's not a drop of rain to see? But should I leave you safe indoors; ah! then, invariably, it pours. You are a nuisance, without doubt. The wind blows high--you're inside out! And sometimes when you're opened wide, you slowly down the handle slide, until you close about my hat, pressing it almost pancake flat! You won't stand up, you won't sit down; you've often made a stranger frown. (Such ill behaviour in a train, you've made me blush, time and again!) And when I'm busy in a shop on to the floor you always flop. Your virtues? Well, they're really few. I like your cover's cheery hue; your handle, too, is rather gay. Now, where on earth are you to-day? Why do you always cause a fuss--you must have stayed atop that 'bus! _AN EASTER SONG_ Easter is a gentle maiden, robed in white and meek is she; both her arms with lilies laden, all her movements graceful, free. At her breast are violets, fragrant. Stars adorn her silky hair. She is not, like Spring, a vagrant, wand'ring, care-free, here and there. Easter has a field for sowing, Easter has her goal in sight, Lenten lilies all ablowing, glorify her day and night. 'Tis the heart that Easter's seeking. There she'll sow her precious seed. Hark! 'tis Easter sweetly speaking, "I have come for your great need." Heart that is bowed down with sorrow, tree that is now bare of leaf, wait with patience; for the morrow brings an end to winter's grief. Easter's such a gentle maiden, trees for her will bud again. Hearts with sorrow, heavy laden, are, by Easter, healed of pain. _AT A PIANO RECITAL_ To think those fingers, a little while ago, were busy with small tasks, friendly and intimate; fastening a buckle of a shoe, and smoothing out a bow, groping to find a watch, for fear the hour be late! To think those fingers coiled that blue-black hair and strayed among the folds of that gold dress; and then, like restless birds, fluttering here and there, brushed each arched eyebrow with a light caress. To think those fingers deigned to do such things--they that have power to weave a potent spell to bear the heart aloft on eagle's wings, or drown the soul beneath the music's swell. Fingers interpreting the mind in pain; or dance of fairies round a moonlit tree; quarrels and love; fierce sun and gentle rain; and then the spirit's shining ecstasy. The whole of life flowing through fingers white! To think those fingers will let loose black hair, fling off gold dress, and late, this very night, lie, like good children, wrapped in dreams most fair! _SPRING CLEANINGS_ With brooms of every length and weight, of every style and varying price, from early morning until late she swept to make the house look nice. With powders, soaps, and elbow grease, she scoured each pot, she scraped each pan; she ironed away each curtain crease, and soon the house was spick and span. With sudden showers every day that spoilt our hats and damped our mirth, did April, in time-honoured way, begin to spring-clean mother Earth. She brightly smiled and then she cried and washed away the dust with rain; the trees and flowers we thought had died, awoke, and blossomed forth again. With thoughts of gladness and of cheer, with thankfulness and heartfelt praise for this renascence of the year, I let my eyes on nature gaze. And while I looked at sky and earth, I had an impulse to be kind, to do some service of real worth--spring-cleaning thus my heart and mind! _DEER IN AUTUMN_ If you would see great beauty, watch the deer, that look their loveliest when Autumn's here against a background of the deep-toned year. The distance shows a veil of misty blue, the ferns are richly-clad, a russet hue, the deer seem garbed in velvet soft and new. They are fastidious creatures when they eat, turning from verdure trampled by man's feet and seeking pastures that look fresh and sweet. They are, indeed, embodiment of grace, moving with dignity from place to place, impossible to think a deer's heart base! How eloquent and friendly are their eyes. They couch upon a bed of ferns and look so wise. Hark! What was that? The falling leaves' faint sighs. So faint a sound and yet the shy beasts hear, rise to their feet in agony of fear--to think that man would ever hurt a deer! _COMPENSATIONS_ Sad Heart says, "It's easy talking, but she doesn't understand. Luck with her is ever walking. Sorrow has me by the hand." Don't I understand, Sad Heart? Seems to me it's very plain. Life has cast you for a part; Sorrow you must entertain. But the beauty of the Dawn is for you, for your sad eyes. Dew-drops, diamonds on the lawn fill you with a glad surprise. Stars at night in vault of blue; moon, a floating daffodil--these are joys bestowed on you, yours to cherish at your will. Music is a precious gift; it is yours if you will hear. Watch the gruesome shadows lift, chased away by Laughter's cheer. Books you love? Oh! fortunate! And there's work for you to do? Cease, then, railing at your fate--Joy will find its way to you. _LONDON TO GREENHITHE_ I wish that you had been with me to Greenhithe just the other day. Enjoyed myself? Tremendously! Such lovely sights along the way. Oh! fairy pink, the almond trees; the Prunus trees were dazzling white. And every little teasing breeze was whispering of Spring's delight. But lovelier far than bud or tree were toddlers clad in woolly things. One roguish elf, he smiled at me. Strange how that memory still clings! We passed a market all ablaze with fruits and flowers of springtime's best. I dote on Nature's lavish ways--she uses colours with such zest. Then London River--misty, grey. And ghost-like steamers, doubtful, slow; and rooks a screaming "go away!" "It's time," said I, "we homeward go." But what I liked the most of all, throughout this drive of many miles, were letterboxes, scarlet, small, set in grey walls, like cheery smiles. Like laughing scarlet lips they seemed. And as we passed, oh! how they beamed. _THE LITTLE CANDLE_ Your room, you say, is very dark to-night! A little candle--and you've lots of light! Your baby pleads, "Don't leave me by myself." You place a night-light on a little shelf, and baby smiles and feels quite comforted, and thus companioned, snuggles into bed. The road seems very dark and long to you; the hand-clasp of a friend, a smile that's true, and that grim darkness is dispersed by love and brightly shines the sun or moon above. The mind that gropes in darkness for the truth, and sees a little light is rich, forsooth. A little light is what we all desire, a tiny candle for our spirit's fire. Here is a helpful thought I read to-day for us who grope and stumble on our way; there's not enough of darkness round about to put the smallest waxen candle out! So hold aloft your candle, shine or rain, that those in darkness may take heart again. _TO A CHILD_ Such a beautiful gift has this world been. Lovely the Springtime's pink and white and green, and then the summer's richer, warmer glow, followed by Autumn's tints--and then the snow. Each season brings such gifts for joyous hearts, there is no sorrow when the Spring departs. And when late summer slowly drops her leaves, signals to Autumn, there is none who grieves, knowing the beauty that will softly fall upon the earth whene'er Jack Frost may call. And there are books, dear child, such constant friends that serve with joy until the journey ends. And friends more precious still than books who give us clasp of hand and tender looks, tears for our sorrow, laughter for our joy, the golden element in life's alloy. As I do now, dear child, may you one day--review the years that seem so far away, and standing on Time's lichen-covered hill have cause to claim that life is lovely still. _LIFE'S SONG_ I bring joy, but also sorrow, all my children must know grief. Buoyant spring, then on the morrow Autumn's dried and falling leaf. Success I bring and golden laughter; Man I help to high estate. Disappointments follow after--this my way with small or great. Work I give as well as pleasure; sunshine--then the clouds and rain! No one can escape a measure of my bitterness and pain. Cause for singing, cause for weeping, rough and smooth and dark and bright. Time for work and hours for sleeping, calm and noise and day and night. Lovely gardens, barren places, stumbling-blocks and paths of ease; bread and honey, rags and laces, these I offer where I please. Joy I bring and also sorrow, light and shade and hills and vales and this gift for each new morrow--courage to the one who fails. _HOLIDAY MEMORIES_ Now, hold your breath; oh, do not talk, for Baby has begun to walk! Travel all the world with me, no greater sight we'll ever see than Baby, fat legs wide apart, smiling, gurgling, bless his heart! Left foot, right foot--well, I never, isn't he extremely clever! Yes, of course, I liked the Rhine. The castles were extremely fine. Cologne Cathedral robs one quite of the power to speak or write. Hans Sachs' house and Dürer's, too, these were sights indeed to view. A Market Place with many treasures added much to Nurnberg's pleasures. But none of this thrilled me so much as just this little human touch--a quaint Dutch house, an open door, a mother sitting on the floor with hands outstretched and eyes aflame, whilst t'ward her, swaying, Baby came. Left foot, right foot--please don't talk, for Baby has begun to walk! _FAILURE_ Ah, Failure is a curious thing! It helps to mend the broken wing and then inspires a longer flight and whispers, "Look, the goal's in sight!" And Failure is a stringent spur, pricking Ambition till it stir, a strong incentive to proud Pride o'er every obstacle to ride. Where'er we stumble, Failure stands and stretches forth strong, helpful hands, and bids us rise and try again, ignore the set-back and the pain. 'Tis Failure makes us scorn defeat and turn the bitter into sweet, and seek, yes, on the darkest day, for one bright scintillating ray. If Fate should bring a nasty shock, if Life should give the real hard knock, if everything should go awry--it's Failure urges us to try. 'Tis Failure says, "I won't give in. I have a second chance to win." Ah, Failure, you're a little word so to inspire the undeterred! _HIS 21ST BIRTHDAY_ He looks the same, he feels the same, exactly as the day before. He hasn't changed his home or name, nor has he grown one hair's breadth more. The suit he wore but yesterday he's wearing at this minute, and who is there who'd dare to say the same boy isn't in it? And yet he's changed, we must confess, for since the clock struck twelve last night (we wish him health and happiness!) he has attained to manhood's height. And Life grips fast his eager hand and says, "The midnight bell has tolled and you're a man, this understand, for you are twenty-one years old." And here's our wish and here's our hope, Oh, bold adventurer and gay! May you have courage as you grope through unlit paths along life's way. There is so much for man to do; and brains may plot and brains may plan; but this our golden hope for you, may you have strength to play the man! _FELLOWSHIP_ I love to walk on cool, ribbed sands with never a soul by my side; for then my spirit understands the murmur of the tide. But not for long does Neptune's voice engross my soul and mind. It wearies me; I would rejoice--to hear Mankind. I love to climb to some high peak and watch the stars at night. I hear the voice of Silence speak; it fills me with delight. Of this my soul soon weary grows, for always do I find the current of my being flows--towards Mankind. I'd love a house well tucked away among tall trees, wide-spreading trees; and there I'd write a song each day with no one near to talk or tease! I would not stay there very long; a crowded place I'd have to find. My heart would barren be of song--without Mankind. _IN A LITTLE ROOM_ O silly, box-like, little room, I'm very tired of you to-day. Four silent walls enclosing gloom. I charge you, what have you to say? But stop a minute! I admit I like your carpet's soft design; and from this angle, as I sit, the sideboard has a gracious line. 'Tis strange I did not note till now the depth of blue on this old plate, the lovely curve of leafy bough, the lovers standing near a gate. I wonder, was I very young--perhaps I was not even born--when first this dinner bell was rung, and now its brass is thin and worn. A lovely thing--this antique bowl; its beauty urges me to sing. I think the craftsman's very soul was melted for its fashioning. O silly, little, box-like room! Your pardon, please, you humble me. You have no space for scowls and gloom, with so much charm for all to see. _DO IT NOW_ 'Twas yesterday we thought we'd write that letter which would give delight. 'Twas yesterday we thought we'd send some money to a needy friend. 'Twas yesterday we meant to cheer; we meant to wipe away a tear; we meant to help a weaker man achieve his good, but half-formed plan. 'Twas yesterday we made it plain we'd help a failure start again; 'twas yesterday we wished to praise, commend a brother for his ways; some seeds of love we meant to sow, some kindliness we meant to show. But yesterday, alas! has fled. Not one act done, not one word said. Now, when we feel that inner urge, when o'er the soul kind feelings surge, when we are suddenly aware that we have more than just our share; when words of praise invade the heart, and when we see grief's tears upstart--oh! let us do the kindly thing before To-day is on the wing. _ON ST. CRISPIN'S DAY_ I'd love to be a shoemaker on this Saint Crispin's Day. I'd pray him for some leather that the angels gave away. (For they used to give him leather, so all the legends say.) Softest leather from the angels! Each piece of finest grain, well tanned by golden sunbeams, kept moist by sister rain. The loveliest bits of leather, ne'er bought nor sold for gain. Bright bits supplied by angels! And some would be sky-blue and some of pearly greyness with dawn's pinkness blushing through. And some would be rich crimson, like a sunset bold and new. And I'd take Saint Crispin's leather that the angels had let fall and fashion shoes a-plenty for dimpled feet and small, whilst Saint Crispin stood beside me and blessed my last and awl! _THE EVER YOUNG_ There is a path called Never-Old, a most entrancing, smiling road; and only those with spirits bold, who, laughing, shoulder life's big load, who value Beauty more than gold, who faithful are to Love's high code, can find this road to walk along. And as they walk, they sing a song, oh, buoyantly the words are sung, "We are the old, for ever young!" There is a path called Never-Old, and only certain feet may tread this smiling road, so I've been told. Those who fared forth with high-held head, whose hearts have warmed some hearts grown cold, whose hands have helped the frail and weak, whose lips the gentlest words do speak, they'll find this smiling road I know. And as along this path they go, this is the song that will be sung, "We are the old, for ever young!" All those who've laughed at hostile fate, who can a tale of Love unfold, who live for others, early, late--have found the road of Never-Old. _BROADCAST FRIENDS_ The bogy of loneliness has gone for ever. She now has friends that visit by the score. And all of them are pleasant and so clever, coming when she desires, at noon or four, and no one waits to knock upon the door! They slip into the room on magic wings borne by the ether for her keen delight. One gives her household hints, another sings, one speaks of theatres or of those who write, and she sees much that once was out of sight. For now she travels as she sits and sews, and solitude no longer hurts or palls. With world-explorers gallantly she goes, far, far beyond her four confining walls--whene'er the announcer's voice through ether calls. The world is hers and she can walk abroad; listen to music, look upon great art. The many things she could not once afford she now enjoys, in them she has a part--and thanks the wireless from a woman's house-bound heart! _SEEKING HAPPINESS_ Someone said (it might have been you or I), "I vow to find happiness e'er I die." So he sought for it high and he sought for it low; by the glare of the sun, by the moonbeam's pale glow. He sought for it far, and sought for it near. He sought for a day, and he sought for a year, but Happiness ever eluded his hand; 'twas the same on high seas as it was on the land. Back to the everyday things of life, to the turn of Fate's wheel with its love and strife; back to engrossing work he went. Laboured hard, and was well content. Gave of his brain, his hands and his heart, fulfilling with zest his destined part. Took delight in the new-born day; gloried in work and deemed it play. Found his pleasures in simple things; in a book, a tree, and a bird that sings. In a gracious curve of a leafy bough--and he quite forgot his former vow. Then suddenly someone, running fast, exclaimed, "Oh! brother! We've met at last." The sound of this voice was a soft caress. And the face--was the face of Happiness! _THOUGHTS WHEN BULB-PLANTING_ I have a rendezvous with Spring--she'll keep her word and so will I. I took a bulb, a small brown thing, and said, "'Tis here I bid you lie." A brick-red pot, some sandy soil. Now, little bulb, lie warm, I pray. A pleasant task--so little toil, all on a sweet, Autumnal day. Now let Jack Frost come back again and scatter snowflakes everywhere, and let him star the window pane with frosty breath--I will not care. For I've a precious rendezvous with one in green and gold attire and with another robed in blue--this thought sets all my heart afire. Some magic pots, bulbs buried deep, all in the sweet autumnal hours. My little bulbs now fall asleep, but soon they will bring forth spring flow'rs. With Spring I have a rendezvous, we'll meet upon my window-sill when in one pot are scillas blue and in the next, a daffodil! _TO EACH HIS GIFT_ I am so glad to be awake. So glad to feel my pulses leap freed from the servitude of sleep. So glad a deep-drawn breath to take; O heart of mine, we are awake! Hear now the vow I wish to make. Before the coming of night's sable wing I will create at least one lovely thing in gratitude for life and for life's sake. O heart of mine, what shall we try to make? These hands, you say, are dull at fashioning. Then find them service, there is much to do; some task that destiny has planned for you. O heart of mine, the morning's praises sing. "This brain," you say, "cannot create a song, nor can it weave imagination's tale." Yet in your spoken vow, you need not fail--one lovely thing--the righting of some wrong. O heart of mine, I pray you keep me strong. "These hands," you say, "have not the power to make; nor has this brain the great creative gift." But two soft lips you have through which may drift a stream of beauty, thirsty souls to slake. O heart of mine, rejoice! We are awake. _IN AN APRIL GARDEN_ There's the daffodil, the primrose, and the small forget-me-not; the ruddy, flaming, fragrant, rich, velvety wallflower; anemones and pansies, and aubrietia's purple plot; forsythia grows more golden with the passing of each hour. There's the yellow-blossomed berberis with promise of blue fruit; japonica the lovely, coral-tinted fragile stars. And a blackbird, with the sweetness of an ancient, mellow flute, is trilling thrilling quavers, and ecstatic little bars! But the glory of the garden is a stately, queenly tree, magnolia the beautiful, in robes of dazzling white. The sun into her goblets pours his golden ecstasy, and moonbeams turn them silver with their kisses in the night. Yea, lovely is the garden, beyond the power of words. But lovelier is the promise of the beauty yet to come. O sound the garden's praises, you happy, singing birds! For we, poor tongue-tied mortals, by such beauty are struck dumb. _THE QUIET HEART_ Her heart is such a fragrant room, with daffodils and bright blue squills bedecking all the window-sills, defying entry to Sir Gloom--her heart is such a sunny room. Her heart has windows east and west, and windows south and north as well; and thus she always can foretell if one in need would be her guest--her heart has windows east and west. And through these shining window-panes, the eyes of little children peer. And those in quest of warmth and cheer, stand there until the daylight wanes--and bless her heart's bright window-panes. Her heart has such a charming door. The knocker shows the face of Love; forget-me-nots trail high above; one gentle knock, no need for more--then opens wide her heart's white door. Her heart is such a sunny room, and oh! she offers all such fare, they love to go and linger there, and touch the petals of each bloom within this fragrant, quiet room. _DREAM-STREET CRIES_ In the land of dreams I heard him call upon a bright, warm summer's day. "All broken hearts, big breaks and small, will be repaired that come my way! Torn hearts to mend, torn hearts to mend," he cried while coming round the bend. "Torn hearts repaired, torn hearts repaired"--I stood quite still and stared and stared. And then he spoke and then I heard, "Good-day to you, give me your heart." "Indeed, I won't, you're quite absurd, how could I from my heart now part?" "Torn hearts to mend, torn hearts to mend----" "Oh, very well, here's mine, good friend." I gave him mine, almost in two; he made it look as good as new. And then I woke and heard quite clear, all down the street from end to end, the same old voice I yearly hear, "Old chairs to mend, old chairs to mend." _SPRING IS COMING_ Expectancy is in the air; we seem to live with greater zest; there's hushed excitement everywhere. With leaves the Honeysuckle's dressed. The hazel catkins are in flow'r; they patiently await the bees. I hear, well, almost any hour, a secret whispered by the breeze. The sun's more generous with his gold; he spilt it at my feet to-day. A happy wren was very bold and carolled forth a roundelay. The sturdy tit with sable breast, the blue tit, lovely little thing, are pecking with the greatest zest at fat a-dangling from a string! On every slender willow bough (with ecstasy this news I write) the Persian Kittens frolic now; the boisterous wind gives them delight. They jump about like anything; and how their silver fur coats gleam! They prove that it is really Spring--and not a tantalizing dream! _SALUTE TO THE BRAVE_ She'd been the live-long day in one drab room. An illness kept her chained. I never saw a more depressing gloom. And it had rained and rained. No flowers were there, no books for her to read, nothing for her caress. No heart so stony that it would not bleed to see such loneliness. Then, while I sought for words not out of tune, a fitting phrase to cheer, she told me how, each night, the friendly moon was wont to float quite near. "It came so near last night," she, laughing, said--"I really thought it meant to visit me in bed." A star had tapped upon her window-pane, and talked awhile. That day she'd watched the merry dancing rain. The raindrops made her smile. And through her window (oh! such beauty there) she'd seen, she said, a gleam of sunlight on a baby's hair, a sparrow with some bread. And thus to others often do we go through kindliest desires. And stay to warm our spirits by the glow from braver, finer fires! _MY VISITORS_ At Dawn a little rhyme appeared and whispered: "Take me, pray." "Oh, little rhyme," I softly jeered, "I bid you run away. You've sleepy eyes and child-like grace. I want a rhyme with thoughtful face." At Noon there came a little rhyme, and lisped: "Do listen, please!" Said I "Not now. I have no time. Now, little rhyme, don't tease. At Twelve-Hours-Old you are not strong to bear the burden of a song." Three little rhymes arrived at night, and sat beside my fire. I welcomed them with great delight, and asked them their desire. "We're knocking at your heart," they cried. "Oh, won't you let us slip inside?" In turn I looked at each small face. I recognized each one. For here was Dawn of child-like grace, and Noon of work half-done, and weary Night. I bid them stay, for they made up the Song of Day. _THIS WAY BUT ONCE_ Above, a very lovely bit of sky, a rosy edging to a fluffy cloud. You did not stop, but swiftly hurried by, your mind engrossed with thought, your head low bowed. Oh! raise your eyes before these glories wane--perhaps you will not pass this way again. A brother on life's lonely, stone-strewn road is standing in your sight as you advance. 'Tis clear he faints beneath his heavy load. You are so busy, you can barely glance. Oh! lend a helping hand, assuage his pain--maybe you'll never pass this way again. It would be well as we go on our way to speak the helpful words that spring to mind; to do whate'er we can each fresh-born day, and ne'er defer the action just and kind. Nor hold between our teeth the words of praise, the words a hungry heart desires to hear. A blossom at your feet? Then stoop to gaze. A soul distressed? Go forth at once to cheer. A chance to help? Then use that chance to-day--perhaps no more you'll pass along this way. _WANDERING THOUGHTS_ With thoughts for sheep, I am a shepherdess. And I must homeward bring my flock each night. For some have ranged to hills of happiness, and some in sorrow's vale are out of sight. And some have wandered far upon the road that leads to memories of long ago, and when they reached my childhood's dear abode, they frolicked with a dream-child that I know. My thoughts are sheep and pitifully stray, some here, some there, some eastward, and some west; whilst I, the shepherdess, at close of day, must bring them to the fold for warmth and rest. But some I will not call again to me--the thoughts that travel to a distant friend. They, shepherded by Love most carefully, upon their pleasant journey swiftly wend. Friend! Gather in these loving thoughts of mine; and let your heart, I pray you, be their fold; and you, the shepherd, with a magic sign, encircle them and keep them from the cold! _ON HAMPSTEAD HEATH_ There'll be a band, I know there will, just at the incline of the hill; and many folk will loiter there and clap, and stamp, and shout and stare. But little children will stand dumb, so fascinated by the drum. Ah! now guitar and flute are still--and crowds begin to climb the hill. What fun it is! Here, stalls begin. Bright paper hats and masks that grin. "Fevvers and ticklers. Buy them, boys. And golliwogs, and jumping toys." Up, up, it goes, this noisy stream of merrymakers. "Best ice-cream!" The sun's so hot, and there's no shade. "Your fortune, lady! Lemonade!" Up, up, they go. The noises swell, but why all laugh no one can tell. The roundabout begins to play and every heart keeps holiday. And as these folk swarm up the hill, it's "Two a penny, try your skill. Such handsome prizes. Come on, try. Fine fevvers, ticklers. Buy, boys, buy!" I vowed I'd never go again, but in this reminiscent strain, I see it all--and I just long to mingle with that happy throng! _THE SEA OF LIFE_ "He was the first that ever burst into that silent sea." I read this phrase in childhood's days--that poet wrote for me. For now I know we all do go like mariners in life, on seas unknown and all alone 'mid rocks of fear and strife. We bend our sails to meet Life's gales. O untried is the breeze. Our boat is slight and dark the night, uncharted are Life's seas. And it's the truth, we all, forsooth, have little ships to sail. And oft we think we'll surely sink beneath the furious gale. For each one knows as on he goes the way is rough and dim. To left or right, no help in sight, except it come from Him. Sailors are we and look to Thee, O Captain of Life's crew, for guidance kind, though strong the wind, for guidance safe and true. Then without fear; with right good cheer, although the skies be dark, harbour in sight, towards the light, we'll steer Life's sea-tossed bark. THE CARAVAN SETS FORTH Motor-cars and one-horsed carts, omnibuses, heavy vans--one expects such vehicles, they fit a city's plans. On a throbbing city street, who on earth would think to see a caravan in brave attire? I did--ah, lucky me! Purring down the street it came, newly painted, wheels and all; window-sashes ivory white, red the roof and green each wall. Seemed to me it laughed with joy, window-eyes were shining bright. Shouted at me as it passed, "I'll sleep 'neath stars to-night." "City streets I'll leave behind, country lanes are calling now. Blackbird's song is luring me to an apple bough. I'm a happy caravan, all my curtains have fresh frills. I'm going where the cool green grass is starred with daffodils." _MARCH, THE LION_ When Nursie used to say to me, "The month of March comes roaringly, just like a lion, seeking prey, but like a lamb it skips away"; when Nursie said this frightful thing, then I to her would tightly cling, and hold my breath and shut my eyes. Oh! fearsome March in lion's guise. I'd put my head upon her lap, my heart would go thud-thud, trip-trap, because I heard upon the stair a stealthy pit-a-pat. Beware! Between my fingers I would peep, just as a tawny tail would sweep around the nursery's white door. Oh! listen, how March Lions roar. But soon I overcame my fear--I longed to see the lamb appear. I left her lap, I stood upright, I watched that beast with all my might; and, sure enough, as Nurse had said, it changed its skin and changed its head, and went away, squeezed through the jamb--a little, gentle, snowy lamb! _PLAY THE GAME_ These are the cards Life dealt to you, and you must play the game. The cards are weak, that may be true, but who is there to blame? You cannot say "a mis-deal, Life!" The game you have to play. 'Tis uphill work; you're tired of strife; yet play the game, I say. Just play the game, don't fume nor fret; play each card one by one. You never know, perhaps you'll get a trick by set of sun. No matter what the game may be, if bridge or just bezique, whoever heard such futile plea: "My cards are far too weak." The other folk would scoff and jeer, and cry out: "Play the game." And from these facts you'll see quite clear that life is much the same. For Fate, the dealer, does not care what cards you get, or I. The poorest ones may be our share; to play the game, let's try. And though we lose, we still can smile--just to have played has been worth while. _A PIECE OF PAPER_ It skipped and fluttered down the street. It tripped and swirled and whirled about. It hurried past the swiftest feet--that it felt pleased I had no doubt. The panting wind was just behind; it was a very merry race. The sun peeped through a cloudy blind and smiled to see so brisk a chase. I knew for certain who would win; I backed the paper without fear! It was so light and white and thin; I watched it gaily disappear. Since then I've wondered time again: whence came that paper, whither went? Did it some secret code contain, or sharp command to pay the rent? Perhaps a gentle lover wrote a tender, throbbing, pleading rhyme to one to whom he would devote each moment of his mortal time. I hope the wind kept up the race and drove along that message sweet, until it reached its destined place, and fluttered, humbly, at her feet. _AFRAID, BUT UNDETERRED_ It's not exactly courage if you aren't a bit afraid to climb a fearsome mountain, descend into a glade, or make a swimming record or some titanic flight, or drive a racing motor-car, or jump an unknown height. But this is really courage--at least, I call it so--to say, I fear that mountain, but all the same, I'll go. And this is truly courage, to lift one's daily load, to smile though skies are gloomy and difficult the road, to view an angry river and beyond a sloping hill, to say, "That is my journey and I'll take it with good will." To cry, "I'll grant I'm fearful, a little bit afraid, but naught will stop my progress until the journey's made." _TO SOME DAHLIAS_ I have seen Beauty time again; in clouds by day, in stars by night, in trees refreshed by gentle rain, in sunbeams dancing with delight. But you, gay Dahlias, I love best. I count each one a precious friend. You seem to live with such a zest. And oh! your colours, how they blend! White, pink, and red, and saffron, too, and vibrant hues that glow like flames. Each day I pass, I nod to you. I can't remember all your names! One day (now this should make you proud) I saw a girl, too young for grief, walk down the path with head low-bowed; she's like, thought I, a wind-tossed leaf. Then suddenly you flashed a smile. I watched her stop and stand so still and gaze at you for quite a while, and of your Beauty drink her fill. I think the girl, that very night, discovered Life was not so grey--for in her room were Dahlias bright that memory had brought away! _STEADFASTNESS_ A difficult task to be done, an arduous course to be run, a dream to be shaped, a pattern spun. 'Tis steadfast does it. Rare is the genius who can leap whilst others plod and slowly creep along the stony path and steep, yet also reach the goal. Though genius is a precious thing so brightly hued, so swift of wing, yet lacking it, there is no sting, if we keep faith with our own soul. We can persist in doing, doing; preserving faith and never ruing; the hill-top light for aye pursuing--'Tis steadfast does it. When with sincerity we say, "New hope, new courage, each new day," though obstacles impede the way--'Tis steadfast does it! _CANDLEMAS_ I think to-day of candle-light, of soft and soothing candle-light, that beckons souls to come and pray on Candlemas, a saintly day. I think of golden flames so bright, of blue-gold flames so very bright, of candles standing slim and white in solemn, silent, sweet array. I thought: our spirits are like flames, like steadfast, strong and striving flames; though all around be grim and dark, they shed a penetrating spark. I mused: if all our hearts would be, if all our hearts (both you and me) could be like candle-sticks to hold a candle for a world grown cold; then as we went about the world, with shining hearts about the world, we'd bring soft light to some dark place, and there we'd see a sister's face! And thus I think of Candlemas, the ancient, honoured Candlemas, a day on which to light this earth with acts of kindliness and worth. _THE COBWEB'S STRENGTH_ A storm raged fiercely through the frightened hours, houses were shaken, chimney-pots torn down, large trees uprooted, as well as fragile flowers, e'en lives were lost in that storm-shaken town. And afterwards we saw a wondrous sight, walking beneath some trees still drenched with rain--a stretch of cobwebs silver in the light, unharmed, unconquered by the wrack and strain. Cobwebs that looked so frail a baby's breath could tear to bits their lacy filigree were quite unharmed by this attack of death beneath which fell both man and masonry. And thus it is in life; the storm-swept soul can still retain its web of lovely dreams though hostile winds deter us from the goal and oft we have to ford hate's swirling streams. Though merciless the tempests that have swept over a human life, frail as a wraith, still has the battered soul with honour kept its beauteous web of hope and love and faith. _A NICHT WI' BURNS_ Oh, Robbie Burns, if I could find a golden phrase that sweetly sings, a silvern phrase of kingly mind, a magic phrase with fairy wings--I'd weave, I'd weave each precious phrase into a song for your delight; for we who love your tuneful lays are toasting you this very night. But, after all, why should I seek unusual, unfamiliar words? So freely does your own heart speak in songs that lilt and trill like birds. A simple phrase, then, be my choice for all who toast the Bard to-night: "We drink to that Immortal Voice whose simplest songs give most delight." Oh, Robbie Burns, your deathless lyre was strung by Pity, Love and Truth. Interpreter of Passion's fire, of Friendship, Loyalty and Youth, to you, the David of your time, the Bard who gives world-wide delight, I offer up this simple rhyme--just as a toast, to you, to-night. _MY GUY FAWKES_ I made my Guy Fawkes yesternight. I'll burn him up some time to-day. He is an ugly-looking fright. I built him up in just this way: I took ten yards of witch-spun stuff, woven, you know, from threads of gloom, in colour dark, in texture rough, and hurried to my little room, and there I stitched it up one side and stitched it at the bottom, too. And then this bag I opened wide, and into it I swiftly threw a full-grown Temper, scowling thing; a cowardly Fear with pallid face, and cold starved Hope with broken wing, and Pride bedecked in silks and lace, and Moodiness and Discontent, and all the horrid things I own. Atop this Guy, a lemon went; and for its heart a dull grey stone. Ah! when the flames have eaten it, how very noble I will be. This thought, though, bothers me a bit--not one old friend will then know me! _CLIPPED WINGS_ Clipped wings! But all the same, you've wings. You cannot fly away from duty, but you can rise above drab things. Oh, little, lovely flight to beauty. Clipped wings, indeed, can take you far; well, far enough to see the sun arise, the silver radiance of the evening star, the trustfulness within a baby's eye--lovely, indeed, these little journeys are. I know, dear soul, the cage at times seems small, and you are weary of the daily round. Better clipped wings than ne'er a wing at all--at least you rise with ease above the ground. You can poise level with a daisy's head, or with a nest within an old forked bough, and on towards a hollyhock bright red, and higher, higher still--as you are now, upon a fleecy cloud with crimson dyed. Swift flight of dreams! Are you not satisfied? Clipped wings are not spectacular, we know. They do not hold the centre of life's ring. But ah! how swiftly and how gaily they can go towards the commonplace, the homely, lowly thing. Be grateful for clipped wings that carry you out of the drab into your bit of blue. _EVEN AS YOU AND I_ Two thousand million people inhabit this old earth. I saw these figures somewhere. I mused, "Just think of it. Two thousand million people--then what can be the worth of a single human being? A very little bit!" Two thousand million people, with troubles like my own, with work that bores them sometimes, with bills that must be paid, with longings for companionship, desire to be alone, and ghosts that stalk the future of which they are afraid. Two thousand million people, with burdens they must bear, with sorrows and with troubles and foes to put to rout. No wonder I, but one of these, am forced to take my share--and thinking of those millions, self-pity peters out. _TROUBLE, THE TUNNEL_ Wouldn't it be awful if troubles were like caves? Like dark and gloomy hollows where daylight never follows, and no sound ever enters but the echoes of the waves? If troubles were like caverns--ah! woe betide us all. Forever groping, groping, till fear prevents us hoping, and the journey's end is nothing but a grim and silent wall. But troubles aren't like caverns, take heart again and smile. They're tunnels, dark enough, 'tis true; but I know well, and so do you, there's always daylight coming, though the tunnel be a mile. Then let us, when in trouble, repeat this happy truth, "We're passing through a sorrow, but we'll emerge to-morrow into the sun of happiness, for tunnels end, forsooth!" _Printed in Great Britain by_ UNWIN BROTHERS LIMITED, LONDON AND WOKING *** END OF THE PROJECT GUTENBERG EBOOK WHERE SUNLIGHT FALLS *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.