The Project Gutenberg eBook of Justice
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: Justice

Author: J. F. Hutton

Illustrator: Mel Hunter

Release date: November 24, 2025 [eBook #77317]

Language: English

Original publication: New York: King-Size Publications, Inc, 1956

Credits: Sean/IB and Tom Trussel


*** START OF THE PROJECT GUTENBERG EBOOK JUSTICE ***




                                Justice

                            by J. F. Hutton


  Urs’ sword was not designed for a Briton’s pleasure. But to a kingly
  man Time has no boundary.

  _There are historical figures so resplendent in their legendary
  permanence that no one age can truly claim them. Their deeds ring out
  across history, for youth must eternally respond to a clarion call
  which Time’s tyranny will never silence. Give ear, then, as J. F.
  Hutton evokes from the past a marvel as mysterious as the time travel
  paradox at the core of this amazing story_.




As Urs stood facing the System Policy Board, his young face mirrored an
incredible confidence which gave no hint of the tormenting uncertainty
within him. Few of the billions watching on life-view screens suspected
the effort it cost him to remain outwardly poised and self-reliant.

For this was no departmental board, judging small matters of
discipline. This was the big one. Much more than the welfare of one
individual was involved in any matter that came before it. It was the
ultimate court. And it was motivated by one principle--absolute justice.

Before he had been summoned, Urs had spent a half hour with the
director of the Time Traveler’s Bureau. They hadn’t talked much, after
the director’s opening words of reassurance.

“Urs, all of us know we’re doing the best we can under difficult
conditions. We’ve managed to keep our problems to ourselves, so far.
Now that’s over. We’re not blaming you. It could have happened to any
of us. We’ll just have to consider it a bad break, and hope for the
best.”

Now the director and dozens of Urs’ colleagues were watching, in silent
anxiety. They were sweating it out with him, reminding themselves that
any one of them could just as well be on trial instead.

The white-haired chairman of the Policy Board stirred in his recliner.
“Third Level Time Explorer Urs, you are charged with breaking System
Policy Rule number 86, Subhead C, of the General Code of Time Travel:
‘No visitor to a previous time shall in any way allow the knowledge or
techniques of the future to become a part of that preceding culture.’

“You learned this rule in the first week of your preliminary training.
It has been periodically reviewed in your refresher courses since. And
you received special indoctrination before each of your trips.”

Standing tall and straight in his sky-blue uniform, Urs could only nod.

The five other members of the Board steadily regarded the young man
before them. Their gazes held neither censure nor sympathy. They were
of the same stamp as the chairman--pale, professional weighers of
evidence.

The chairman continued, “Specifically, you entered a primitive
society on the planet Earth in a region known as Great Britain. Your
project was to gather data for a culture-graph, in conformity with
the continuing study of a pattern which originated in that area and
subsequently profoundly affected Earth and her satellites.

“An experienced Time Traveler, you had the customary
indoctrination--costume, mores, language, comprehension levels, and so
on. Your equipment was made in accordance with careful specifications
in the duplicating shops.”

Urs spoke for the first time. To his surprise, his voice came out
strong and clear. “May I request, sir, that the record show that one
item of equipment was wrongly made? The wand. Instead of the crude
metal of the time I visited, it was made of our alloy, impregnium.”

“That fact has been noted,” the chairman said gravely. He glanced
around at his colleagues. “There was an acknowledged error in the
shops. The situation has been corrected.”

“Thank you.”

You never argued with the System Policy Board. You thought very
carefully before you even asked a question. Mostly, you just listened
respectfully, even when they were methodically destroying you. For
the Board was incorruptible. It was as nearly infallible as a human
institution could be. It represented something man had sought for
ages--completely impartial justice.

There was a kind of inevitability in such trials which--tedious though
some of them were--never failed to attract enthralled watchers all over
the galaxy. And none had ever watched more tensely than the silent
men in blue uniforms before the big life screen at the Time Traveler’s
Bureau.

The chairman’s old eyes lingered on Urs. “You are held responsible here
only for your actions in the region called Great Britain. The error you
mentioned, however, is pertinent to this inquiry. We have carefully
examined your personal experience tapes. They reveal you were aware of
the mistake in the metal in time to take corrective action before the
rule was broken. This you failed to do.”

In spite of his effort at self-control, Urs trembled. He suddenly
wanted to drown out those slow, logical phrases, to shout, “When did
any of you ever travel in time? You sit here in the splendor of your
logic--mental and physical light-years away from the event. You can’t
conceive how crude and disorganized those days were. Do you think
it’s easy to enter a world like that? It takes all the skill and care
and self-discipline you can command. And no man who ever lived could
exercise the control the manuals call for.

“If you only knew what really goes on in time exploration! You
_think_ you do. You read the manuals, you examine the rules of
policy, you see the personal experience tapes we turn in. But did you
know that most of the time we manage to doctor those tapes, to protect
ourselves?

“Ah, if you only knew....”

       *       *       *       *       *

Wearing light armor, Urs had been riding on a lonely trail. In that
time, in that place, it was a risky business--even for an Explorer. And
his luck ran out. Brigands caught up with him, charging on their wiry,
tangle-haired horses.

Urs whacked his own mount and tried to outrun them. Screeching, they
chased him over gullies and ravines, through dense scrub and under oaks
that threatened to sweep him out of the saddle. But gradually, they
gained on him.

For you can study the riding of horses. You can practice faithfully on
tire test models. But you’ll never learn how difficult it really is
till you have a living, snorting beast lunging unpredictably between
your legs.

Inevitably, Urs fell off his horse. With the shouts of the brigands
loud in his ears, with arrows plunking into the sod around him, he
dived down a steep, grassy slope. Then he jumped up and ran, twisting
and dodging among trees and rocks. In one hand he carried the shining
wand that in England in those days was called a “sword.”

Three of the robbers had left their horses to chase him on foot. The
other three circled around to head him off. Halfway down the hill, Urs
lost his footing and slid again. Flailing his arms, he fell against a
great boulder. His wand, carried forward by his weight, plunged into
the rock.

At the moment, Urs was too busy dodging the arrows and regaining his
balance to realize what that meant. The men pounced on him. One held
his arms, while another caught him around the neck from behind.

The third man gave a great startled cry. Eyes wide, bristly face
twitching, he pointed one skinny arm at the rock. His companions
looked, gasped, and let go of Urs. They stood transfixed, showing all
the signs of men half-scared to death.

The other three, hearing the first exultant shouts, had dismounted and
were hurrying up. They saw the rock, with the sword buried in it nearly
to the hilt. They stopped dead, turned pale, and began to tremble.

Urs was understandably mystified by this abrupt change of pace. Staring
at the rock, he became aware of what had happened. Had it been made of
the proper crude Earth metal, his wand could never have penetrated it.
For the first time he realized that the shops had sent him off with an
impregnium sword.

The only way out of the situation was to jerk the weapon loose, then
press the time-stud embedded under the skin of his waist. But one of
his attackers, half-hysterical, was drawing his bow. Those brawny arms
looked strong enough to send an arrow to the moon. The wand dropped out
of Urs’ mind. His fingers flew to the stud that would snatch him out of
this world and safely back to his own.

He vanished, leaving six badly frightened Englishmen blinking at the
rock and the sword so impossibly fixed in it.

       *       *       *       *       *

The chairman paused, looked courteously at Urs. The charge had been
specified. Now was the time for Urs to speak, if he had anything to say.

Urs swallowed the dryness in his throat. “Sir, the facts you describe
are correct.”

There was a stir among the watching men at the Time Traveler’s Bureau.
At millions of other locations, people in front of life screens nodded
to one another. What else could he have said?

Urs looked at the calm, intelligent faces before him. Now, if ever, was
the time for his outburst. But he couldn’t bring himself to speak. He
moistened his lips and kept silent.

The chairman nodded. “The Board will call a witness.”

A security man opened a side door of the chamber. A tall red-headed
man in a sky-blue uniform stepped hesitantly forward. He walked slowly
across the floor and stood beside Urs.

“This is Third Level Time Explorer Renar.”

Urs nodded dumbly. He and Renar were fellow-workers. They had parted at
the Time Traveler’s Bureau not an hour before. And from the look on his
face, Renar was as surprised to be here as Urs was to see him.

“Time Explorer Renar,” the chairman said, “please tell us the kind of
work you are doing now.”

Nervously, but with more assurance as he warmed up, Renar explained
that he had been working on the culture pattern of Great Britain. The
studies that he, Urs and others were making would dove-tail into a
master graph.

“And what time were you studying, with relation to Urs’ last trip?”

Renar scratched his head. “Roughly twenty years later.”

“Thank you. Now will you tell us exactly what happened on your last
trip.”

Renar hesitated, his homely face screwed up concernedly. “Well,” he
began--and stopped.

There was the faintest lessening of the sternness in the chairman’s
face. It could not have been called a smile, nor even the beginning
of one. But it matched the shade of sympathetic understanding in his
voice. “Renar, may I remind you I already know what happened. I want
Urs and the others to hear it.”

“Yes, sir.” Renar still looked troubled. “You must understand that time
travel does not always work out according to the rules. Things happen--”

“That,” the chairman said, “is the reason for this trial. Now please
describe your arrival in primitive Great Britain.”

“Well, sir, when I made my last trip, there was some slight error in
calculating the physical plane of my appearance. When I came out in
that previous time I was not on dry land, but under water.”

Not one of the Board members smiled. But there were chuckles in front
of millions of life screens.

“I wasn’t far under the surface. But you can understand I was startled
and confused. I thrashed around, trying to get to air. One arm broke
through the surface of the lake I was in. To my great surprise,
something was immediately dropped into it. Instinctively, I grabbed
hold and pulled. But the object wasn’t attached to anything.

“On the contrary, its extra weight added to mine caused me to start
sinking. I struggled a few seconds longer. Then I gave up, pressed my
waist stud, and returned to the present.”

“And the object?”

“I held on to it. It’s in my room at the Time Traveler’s Bureau.
I--uh--”


“Yes,” the chairman said calmly, “you were troubled about reporting it.
Because it meant something had gone wrong. Somewhere along the line,
the rules had been violated.”

“Yes, sir,” Renar said, a little despairingly.

Urs spoke. “Honorable Chairman, may I say that every man connected with
Time Travel is loyal and conscientious. We all try to adhere strictly
to the code. It was not Renar’s fault that this unforeseen emergency
arose.”

“Thank you, Urs.” The chairman raised a hand. A Security man approached
and held something out. “Renar, is this what you caught hold of in the
water?”

Renar nodded. Urs gasped. It was the shining impregnium wand he had
left in the rock!

Back in the Time Traveler’s Bureau, the men looked at each other and
started to talk excitedly.

The Board members leaned forward in their recliners for a closer
inspection of the sword. Urs and Renar exchanged a quick, hopeful
glance.

“You, Urs, allowed this wand to become a part of that ancient culture.
It remained there for twenty years or so. The people of that time did
not know how it was made, nor did they discover any of our techniques
from it. It has now been removed from that time.

“We are now faced with a matter of interpretation of Policy Rule number
86, Subhead C, which does not consider the subsequent removal of a
knowledge or technique inadvertently left in the past. I shall call
another witness.”

Urs and Renar turned. A short, precise man in a rust-colored uniform
came out of the side door and marched up beside them.

“Morrey,” the chairman said, “will you please describe your work?”

“Sir,” Morrey said in a businesslike voice, “I am an historical
synthesist. I take the reports of the Time Explorers and fit them
together into culture graphs. I analyze and interpret the data that
comes in, and I make recommendations for further time explorations, as
needed.”

“Thank you. Now will you please tell Explorers Urs and Renar about the
dominant personality in Great Britain during the period between their
respective visits?”

“Gladly, sir.” Morrey turned slightly toward the two. “We are not
entirely certain, yet, how much is fact and how much legend, for the
story of this man reached far forward in history. But we do know
that he became famous because he was the only man who could pull the
wand--which they called a ‘sword’--from the rock in which it was
embedded. He kept it. Because of properties which we take for granted,
the sword had a strange and wonderful appeal to the imaginations of
his time. In their superstitious way, those people attributed magical
qualities to it, and to the one who carried it.

“That man became a king. He was one of the strongest forces for good,
for order, and for justice that civilization there had seen. The
man was a giant, in mind and stature. He had a tremendous impact on
his time. As I said before, he became a legendary figure. His story
retained the power to thrill people for centuries afterward.

“We are not sure how much this man knew or suspected about the wand.
We are still studying that. But it is clear from the way he disposed
of it when he lay dying, that he may have had some insight into its
source. He sent one of his men, who bore the quaint name of ‘Bedivere’
to return it to a mythical ‘Lady of the Lake.’ Bedivere, of course, saw
Renar’s hand rising from the water at precisely the correct moment, and
placed the sword in it.”

The chairman was silent a few moments after Morrey finished. “And what
did they call this man?”

“King Arthur.”

The old man nodded. “Third Level Time Explorer Urs, have you anything
further to say?”

Urs gulped. “No, sir.”

“Then the Board finds that you have violated the letter of the General
Code of Time Travel.”

In the lounge of the Bureau, the waiting men blanched and looked at one
another in shock.

“However,” the chairman of the System Policy Board went on, “the Board
also finds that you have not violated the spirit in which the Code was
drafted. Neither, in spite of his irregular experience, did Explorer
Renar.

“A just decision must take both of these factors into proper account.
Thanks to the accident that befell Renar, and to the character of this
ancient man, King Arthur, we pronounce you free to return to your work
with your record unblemished.”

In the Time Traveler’s Bureau, men shouted and pounded one another on
the back. People smiled, in front of their life screens all over the
galaxy. “Justice,” they said to one another.

Urs bowed respectfully to the Board, then turned and clasped Renar’s
hand.

They walked back to the Bureau together.

“I owe you a drink,” Urs said.

“I’ll take it gladly,” Renar replied. “You knew you were going to
appear before the Board. They called me without warning. And that, my
friend, is a strain I hope you never go through.”

“Well, the decision helps us all.” Urs extended the impregnium wand.
“We’ll keep this in the hall, as a reminder. What was it Morrey said
they called it?”

Renar scratched his red head. “It was a strange name. Oh, yes.
Excalibur.”




Transcriber’s Note:


  This etext was produced from Fantastic Universe, March 1956 (Vol. 5,
No. 2.). Extensive research did not uncover any evidence that the U.S.
copyright on this publication was renewed.
  Obvious errors have been silently corrected in this
version.


*** END OF THE PROJECT GUTENBERG EBOOK JUSTICE ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.