The Project Gutenberg eBook of What's life worth? This ebook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this ebook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: What's life worth? Author: Clay Perry Release date: February 20, 2026 [eBook #77981] Language: English Original publication: New York: Street & Smith Corporation, 1930 Credits: Prepared by volunteers at BookCove (bookcove.net) *** START OF THE PROJECT GUTENBERG EBOOK WHAT'S LIFE WORTH? *** What’s Life Worth? By Clay Perry It Took a Girl Lawyer to Show Him What Life Was Worth No one in Big Neck would have given a nickel for the life of the hard-faced, defiant young man who was arraigned in county court on the charge of murder of “Big Steve” Laramie, the lumberman. At least, that was what almost everyone said, when they heard the story of how he had refused to give any account of himself and his movements on the night that Laramie was shot, had given a name which was palpably false, had refused even to have an attorney. The very name that he gave was a mockery. “Watts Lifeworth! Watts Lifeworth!” called Clerk Calder, holding the grand jury indictment in his hands and “calling up” the prisoner at the bar. A buzz and a murmur ran through the audience which packed the benches behind the prisoner’s dock; a rustle and a stir came among the assembled barristers and court attachés within the inclosure in front of the dock. It was true, then, that he had assumed a name that had been given him in derision by the lumberjacks in the camp where he had worked, because of an expression it was said he was fond of using: “What’s life worth, anyhow?” “Watts Lifeworth, what say you now to the indictment charging you with the murder of Stephen A. Laramie?” demanded the clerk sharply. “Guilty or not guilty?” Among the lawyers sat a very young attorney, just recently admitted to the bar, one whom the rest of the barristers did not take very seriously, one whom the people of Big Neck considered had gone outside of the usual conventions to enter the legal profession--because Lawyer Lee was a woman. Mary Lee was the only woman lawyer in Big Neck, and the youngest member of the bar. Those who smiled or sniffed at her and her pretensions at law were inclined to give more consideration to her youth and a pair of soft brown eyes and a dimple at the corner of her mouth than to the years of hard work she had done, working her way through law school, making her own clothes, caring for her widowed mother until she died, teaching school between sessions and managing, somehow, to retain possession of the little cottage which was all her father had left, except the mortgage on it, when he succumbed, a victim of one of those terrible accidents which happen in the big woods. Other barristers were very polite to her, over-polite, in a manner of extreme condescension which indicated a sort of contempt for her legal attainments. She had managed to secure only three or four cases since her admission to the bar and one of these concerned a client whose interests, at this time, she was anxious to protect. Bud Harper, an overgrown boy of seventeen, was held as a material witness in connection with the killing of Steve Laramie. Bud Harper had seen a man sneaking through the railroad yards, with what looked like a rifle in his hands, edging toward Steve Laramie’s mansion, on the knoll above the yards, aloof and in splendid isolation from the rest of Big Neck. She had managed to get Bud out of jail on bail, going clear to Hartville to see Judge Thurman and getting the ridiculously high amount of bail, placed by Justice of the Peace Calder, reduced so that Bud’s relatives could raise the amount for his freedom. This was Mary Lee’s humble connection with this case which was a _cause_ célébre_ for Big Neck, because Big Steve Laramie had been the “Pooh Bah”_ of the little Northwoods town. Other attorneys within the inclosure were there to try cases, minor cases in comparison to this one, to be sure, but Mary Lee had not even a case for trial in the county court, nor had she expected one. One or two criminal lawyers sat restlessly, waiting for the opportunity which might be offered them when an attorney was assigned to the man who was charged with the murder. It was considered likely that the assignment would go to the firm of Walsh & Wilker, and the fee, to be paid by the county, would be split between the partners, plus such expenses as they might incur in working on the case. There was not one of the lawyers there who believed this man anything but guilty--not one, that is, except Lawyer Mary Lee. And she had not dared to say that she thought otherwise. It would be considered a woman’s sentimental weakness for a bold, rather handsome villain such as this man Watts Lifeworth surely was. Mary Lee looked at him as he rose to answer the indictment. It was the second time she had seen him in the month since he had been arrested. She thought that he had aged a great deal. His face was gray, sharp and tense--others said hard and bold and defiant. A month ago, when they had brought him in from the camp, a deputy on each side of him, his wrists manacled, in a bobbing sleigh drawn by a pair of work horses, he had seemed as young as the age he had given--twenty-five. Erect as an Indian, staring straight ahead of him as the sleigh went through Main Street, curls of crisp, black hair escaping from beneath a round, woolen cruiser cap, clapped carelessly on his head by some other hands than his own, a mackinaw open at the neck, revealing a deep chest, a strong, brown pillar of a neck rising from the blue, woolen shirt that was also unbuttoned. A powerful young man who seemed something like a wild animal captured, one who loved life and freedom--so he had looked. Now he looked beaten, haggard, sullen, despairing. “Guilty or not guilty?” echoed the words of the clerk, and all the little buzzing whispers, shuffling of feet, rustle of clothing and murmurs were stilled. “Guilty,” answered the prisoner, in a dull drawl. Mary Lee caught her breath and her lip in her teeth. All around her a sort of “Ah!” seemed to rush in unison from the breasts of those who watched and waited, as if they all said, “I thought so!” Attorneys looked at one another and smiled knowingly. The prosecuting attorney and his assistant almost rushed to the judge’s bench and began talking to Judge Thurman, who was sitting in the criminal session. Everybody watched Judge Thurman closely. In Big Neck this white-haired, stern-faced justice was quite disliked. There were some of the most bitter who declared he was crooked. This was because he had rendered a decision in the famous case of the Inhabitants of Big Neck vs. the North Branch Railroad Company, a decision against the said inhabitants whose petition, headed by Steve Laramie, would have compelled the railroad company to erect a new station in Big Neck. Of course, Steve Laramie would have profited most directly by a favorable decision because he owned the land the railroad would have had to buy to build the station, but the inhabitants considered themselves injured also. So the inhabitants watched Judge Thurman for a show of leniency toward Laramie’s “murderer.” There had been a few whispers about Big Steve, of late, but these had died down when he was killed. He was spoken of now as an honest, upright man, all his sharp practices forgotten since he had been struck down by a rifle bullet fired through the window of his home. He had been there alone, his wife being in Hartville visiting a sister. Even the story about the man whom Laramie had paid five hundred dollars to leave town, at the time of the government timber contract scandal, was forgotten. Some said he had done it to protect the man; one or two doubted it. They noticed that the man’s wife had stayed on in Big Neck and had seemed to be prosperous--until her welcome wore out and she left and went to Hartville. Mary Lee, curiously enough, was thinking about this old story now. She had been too young to know the people. She had heard it, in part, from her father and in more detail, much later, from her mother, who had grown querulous, almost childish, in her latter days and harped on many disagreeable things. Mary Lee was thinking, with that probing, prying mind of hers which had led her to take up the study of law, that the motive which was ascribed to this man at the bar for killing Steve Laramie was not very strong. To be sure, he had sneered at the sheriff and his deputies when they had remonstrated with him for being so casual about the charge against him, and the sheriff had said: “You are being charged with the murder of an honest, upright citizen of Big Neck.” “Steve Laramie!” he was reported to have cried out. “He was no cock-eyed angel. He was a blackguard!” And now he pleaded guilty. The buzzing conference at the bench ended. The prosecutor and his assistant sat down sulkily. Judge Thurman spoke to the prisoner: “Watts Lifeworth, do you realize that in pleading guilty to this charge you give me no alternative save to sentence you to imprisonment for the remainder of your natural life?” The prisoner leaned forward a little, his hands gripping the rail of the dock so hard that his fingers went white. “No, your honor!” he exploded hoarsely. “I did not know that.” “You have refused an attorney,” Judge Thurman went on sternly. “Under the law you are entitled to an attorney, whether you have any funds or not. The laws of this State are jealous of the rights of all men, even he who is charged with the unlawful taking of human life. You have shown by your plea and your reply to my questions that you are ignorant of the law and not qualified to make your own defense. I am obliged to protect you against your own ignorance. You are instructed, Mr. Clerk, to enter a plea of _not guilty_ against this charge, in behalf of the prisoner, Watts Lifeworth. Mr. Sheriff, will you conduct the prisoner to the bench.” Messrs. Walsh & Wilker looked self-conscious, trying not to look so. Mary Lee looked at the prisoner and wondered why he had pleaded guilty. “Was it because he thought--that would end it all?” she asked herself. “It must have been. But when he learned that it meant life imprisonment, he was startled, horrified. It seems as if he wanted to die.” Judge Thurman looked down at the prisoner and his thoughts were somewhat the same as Mary Lee’s. She would have been astonished to know it, for she considered Judge Thurman’s mind the highest type of legal mind and she was only a green, young, woman lawyer. She was thunderstruck to hear her name called by Judge Thurman. “Will Lawyer Lee please step to the bench?” She had to struggle to get to her feet. What was it? About Bud Harper? Her face was pale as she went to the place before the bench where now stood Watts Lifeworth, the sheriff, the prosecutor and his assistant, all eyes upon her. “Attorney Lee,” said Judge Thurman, addressing her, “this prisoner has expressed a desire to have you assigned as his counsel, to defend him of the charge of murder. Do you wish to accept the assignment?” For a moment Mary Lee could not get her breath and she stammered when she answered: “Your--your honor, I--I have not consulted with the prisoner! I had no idea----” “Perhaps you would like to consult with him before you give your answer,” suggested Judge Thurman brusquely. “Mr. Sheriff, conduct the prisoner to the dock and make a place for Lawyer Lee, where she may speak with him, uninterrupted for a few moments. “The court is aware,” he continued, speaking again to Mary, “that this assignment is not an easy one nor is it likely to be a pleasing task, but it is one which must fall to some one of the members of the bar. In view of the fact that this man has expressed but one preference, it is the duty of the court to accede to his wishes in so far as is possible. You may now retire for consultation. Mr. Clark, will you call up the next case on the docket, to be considered for the time. We shall return to the case of Watts Lifeworth in due time.” The sheriff led Watts Lifeworth away by the arm and placed him again in the long, narrow inclosure of which he was the sole occupant, such other persons as were to appear before the court being at liberty on bail. The sheriff then cleared away chairs and asked a few other attorneys to move. He set a table near the rail of the dock, a chair beside it. Mary Lee went and sat down, her knees trembling. Judge Thurman had his eyes upon her, squinting a little to conceal a gleam that was in them. He was a student of mankind as well as of laws and he had learned that there is no more powerful appeal to a woman than the spectacle of a man, evidently bent upon self-destruction, especially if he be a young man whose doom is apparently sealed. He knew this is an age-old law, irrevocably bound up in the mysteries of life and sex. He had not thought it necessary to inform Mary Lee that the prisoner’s preference as expressed had been, not for her, personally, but for “the youngest lawyer you can find, your honor. That’ll be good enough.” So, as she faced Watts Lifeworth, her face showing the pent-up emotion that was in her, she seemed to catch in his gray-blue eyes an appeal. He had asked her to help him. “Did you guess,” she asked him breathlessly, “that I believe you innocent of this crime?” He smiled. It was not with his lips but with his eyes, which alone in his mask-like face seemed to be alive, capable of showing emotion. “I suppose,” he said, “a man never can be sure he is guilty ’till after the trial. But every one seems sure about me.” There was a biting, ironic touch to his tone and his words. It brought a rush of blood to her face. “Why did you plead guilty?” she asked him. “Why are you so anxious to die? I have heard that your favorite expression is the one from which you took the name you give, ‘What’s life worth, anyhow?’ What has happened to you to make you feel this way? Something has happened.” He turned another of those masked smiles upon her. “What makes you think I am innocent?” he demanded. “Because I believe there may be some one who had a more impelling motive than any which has been suggested for your alleged killing of Steve Laramie,” she said, keeping her voice low and level with difficulty, because of a rising, throbbing beat of desperation in her breast which threatened to get into her throat. “Do you think life would be worth much to a guilty man if an innocent man dies for his crime--no matter how badly the innocent man wishes to die?” A little twist of his lips, then his answer, ironic, almost gibing: “For the sake of supposing, I’d say it might be worth more to him than mine is to me. I don’t know what you think you know about this.” “I haven’t time to tell you now. I’ve got to answer the judge’s question, whether I shall accept this assignment. Before I can answer it, I have got to know whether you are going to help me--to help you. That is all.” She thought that he breathed a little faster, and that the queer gleam in his eyes was a trifle warmer. But when he spoke it was flatly, dully, and the spark of sardonic humor lay in his words: “Well, if it’s going to be worth anything to you to try to save a worthless life, sister, I’ll do all I _can_ to help you.” Lawyer Mary Lee accepted the assignment. Judge Thurman flattered himself he had known, all along, that she would accept it, but he was not cynical enough to believe that she did it because of the modest fee which the county would pay her. Other lawyers smiled, sidewise, when she announced she had decided to accept the assignment, but openly they congratulated her, warmly. Attorney Walsh of the firm of Walsh & Wilker congratulated her with, “It’s a rather hopeless case, Miss Lee. Not everybody would want to tackle it.” Which was as much as to say that he hadn’t cared for the assignment anyway, and that he pitied her--and for a consideration, a portion of the fee, he would gladly help her. But Mary Lee asked no one to help her or to split the fee with her. She was not thinking of the fee anyway. Lawyer Walsh was the one who was thinking of it. Because he thought so much of it he, believing the prisoner guilty, would have done his legal best to prove him innocent. Mary Lee, believing him innocent, would do a little better than her best, a lot better. She would have to, for she felt that she was going to have to fight, first of all, to put some little love of life into the heart of the hard-faced man who seemed to want to die and have it over with. That evening she went to the jail and gained admission to consult with her client. She was allowed to sit with him on a bench in the little, square, iron-barred room into which his cell opened, a guard beyond a near-by iron door, his rifle leaning near him, a pistol in a holster at his belt. Again she asked the question: “Why is it that you don’t consider life worth living?” “Nothing I have ever done,” Watts answered her, in an unexpected burst of speech, bitter, harsh of tone, accusing, hopeless, “nothing has ever come right for me yet. When I was five years old I had a little pup that meant more to me than anything else in the world. I played with him as if he was a brother. He slept in my crib. One night the house we lived in caught fire and the pup woke us up. Father and mother got the kids out but the pup got left inside. “I knew where he would be and I broke away from my mother and ran back to get him. He would be under my crib--or in it. Well, my mother went crazy and ran into the burning house after me. She didn’t come out. Then my father went in after her--and he didn’t come out. Some one found me--under the kitchen sink, which I thought was the crib--and got me out. The pup was burned up, too.” Mary felt her throat grow tight, her eyes smarting. “I had a brother and a sister, older than I was,” he went on. “My sister, whom I thought was an angel, fell for a worthless rascal. I tried to keep him away from her--and she up and ran away with him. He mistreated her; she died of consumption before I could find her and help her. “That left me my brother. He was ten years older than I was and a hero to me. He married a girl that was no good--a pretty, flighty girl who liked men--not a man but men--and on her account he went crooked. Got mixed up in a deal that meant he’d got to stay crooked or go to State’s prison. His wife didn’t stick by him. His wife, when I tried to help him--tried to get her to stay with him and help him--made a fool out of me and my brother grew to hate me. He was insanely jealous. I was on the square with him, but he couldn’t believe it. That woman--was crooked.” He halted abruptly. Another of those little lip-twisting quirks came, hardly a smile. “The very last thing that I tried to do for some one,” he said, “it went wrong. Understand that, by this time, it had begun to seem to me that I wasn’t good for much of anything. I got to be a sort of drifter. I drifted into one of Laramie’s logging camps, up here. It was a miserable outfit, bum tools and bad food and wretched bunks. Even the chains that they had to use to bind the big loads of logs onto the sleighs were worn and rusted so that they were weak and dangerous. One day one of ’em did break and the bohunk teamster that was driving, walking beside the load, hadn’t time to get out of the way. “I had a chance to save him. I tried to get my peavey under the logs as they slipped and hold ’em long enough so he could get out of the way. I tripped on a root and fell and rolled to a safe place myself--but the logs fell on the teamster and broke both his legs and put him out of business for the rest of the season. And Laramie was to blame for it,” he added harshly. “Then another thing went wrong,” he added. “I said I’d help you all I can, Miss Lee. I can’t tell you about this. It would make an iron dog laugh and howl. Nobody would believe it--and if they did--well, what’s the use? Life isn’t worth anything to me, Miss Lee.” He was leaning over, his elbows on his knees, his hands clasped tightly, head bent, staring at the floor. Mary Lee, biting her lip, sat a long time and stared at the floor, too. But she was thinking and thinking hard. “Don’t, for Heaven’s sake, think I don’t appreciate what you’re trying to do for me,” he burst out suddenly. “But don’t, for Heaven’s sake, try to get me off with--second-degree murder or anything that means my being locked up for life or any portion of it. I’d rather--it would be guilty as charged.” “Or not guilty?” she asked him. He gave a short, hard laugh. “If you get that verdict,” he said, “I’d think a miracle had happened for my special benefit. I’m not a man that would commit suicide,” he added. Mary Lee went away, thinking hard, knowing that miracles did not happen to save men from the gallows, except in books, but knowing that she must find something--somebody. She would take the train to Hartville, she decided, and see if by any slender chance she could get on the trail of somebody. But when she got to her cottage somebody was waiting to see her. It was a woman whom she never had seen before--a woman dressed in black, a black veil pinned to her hat, a woman who once had been pretty and who still tried to keep up the illusion by the use of cosmetics and much perfume, and who tossed her head in a caricature of what must have been, once, a fetching gesture. “Miss Lee,” she said, when she was admitted to the little sitting-room study where Mary kept her few law books and had her desk, for her home was her office, “I just heard that Steve Laramie is dead, and I was told that you are going to defend the man that shot him. I am Ellie Knowles, that was Ellie Burton. I used to live in Big Neck, years ago. Your dad and Jim Knowles knew each other. They both worked for Steve Laramie, at one time. I don’t know whether you ever heard of this, but Jim did a job for Steve Laramie, once, that he wasn’t paid for. Steve Laramie promised to pay for it, some time. He promised me he would. He was going to deed over to me one of those lots that lies just south of the railroad station.” Mary Lee stared at the woman, hard. “Ellie Knowles--Jim Knowles,” she said to herself. “Jim Knowles was paid--he was paid to leave town. That’s the man my father told me about--and this is the woman my mother told me about. Why, this is the woman I was going to Hartville about--to try to get some trace of her! Miracles don’t happen. This isn’t a miracle--it’s a coincidence. Yes, and it’s natural course of events, too. She just heard that Steve Laramie was dead? She did not just hear it; she has known it for quite a long time. But why is she in black?” She asked her: “Have you lost some one, recently?” “My husband,” answered Ellie Knowles, sniffing a little. “Your husband is dead? Jim Knowles--is dead?” Ellie nodded, dabbing carefully at her penciled eyebrows with a black-bordered kerchief. “So, you see, the lot would come to me,” she explained, apparently unaware that she was, in a way, contradicting herself, having already said that it was to be deeded to her by Laramie. “Jim came up to Big Neck,” she went on, “quite a long time ago to see Steve Laramie about it. Jim drowned himself, you know,” she added, and with a simper: “He was a fool! But then, there’s other men have been almost as foolish over me. “But what I came to you for was this, Miss Lee. I didn’t want to go to a man lawyer. You can’t trust ’em. Men are _all_ alike. I know ’em. I know you must be awful busy, Miss Lee, but I wanted to ask you if you would find out whether Steve Laramie left anything in his papers or, perhaps in his will, that would give me a claim on that lot.” “I am very busy,” Mary said slowly, thinking, thinking hard, thinking what a harpy this woman was, thinking how callous she seemed about her husband, simpering that he had killed himself because of her, even indifferent to the murder of Steve Laramie. “I am very, very busy, but I’ll do what you ask on one condition.” “Oh, I’ll pay you the regular fee, of course!” Ellie exclaimed suspiciously. “Never mind the fee. I appreciate your coming to me. The condition is a simple one. To help me--to help you--I shall need a photograph of--your husband. Have you got one?” “I should say I have!” giggled Ellie. “Jim, he was always having his picture took. I don’t know why; he wasn’t such a looker. I’ve probably got a dozen of ’em lying around in my dresser or my trunk, down to Hartville.” “Send me just one, a late one,” Mary Lee instructed, trying not to make it seem too desperately important and at the same time to impress the woman with the idea that it was necessary. “Do you wish to have the lot sold, in case I find it has been deeded or conveyed to you and turned into cash?” “No sale!” exclaimed Ellie, rising. “No sale! I want the lot. A boyfriend of mine who works for the railroad tipped me off to get hold of it if I could. My boy friend is fireman on the midnight limited. I’m going back on that train. You can address me at General Delivery, Hartville, as soon as you find out anything. I know you must be busy. I hope you can win your case, Miss Lee. Is the man good looking, that they got for shooting Steve? Well, don’t you trust him, Miss Lee. Take a tip from me. Men are all alike.” She was gone. Mary Lee sat and stared at the door. So, Jim Knowles had been in Big Neck to see Steve Laramie. A “long time ago”? And Jim Knowles was dead. He had drowned himself. He had found life not worth living. And Ellie Knowles thought that Steve Laramie would give her a lot of land upon which the railroad, some time soon, might want to build a new station for Big Neck. ------ As early as she dared Mary Lee called at the jail, the next morning, for another interview with her client. He greeted her with a sort of ironic cheerfulness. “Good morning, Miss Lee. Is this the day we find out whether or not I am guilty?” “The case will not go to trial to-day,” she answered. “It will probably not be called up again until to-morrow. That means we have got one more day left to discover whether life is going to be worth living for you. I want you to try to answer some questions that I shall ask you--and I want you to remember that I am going to believe everything that you say to me. So don’t lie to me. If you do not want to answer the questions, say nothing. The first one is: ‘What is your real name?’” He shook his head, silently. “Very well. The next one is: ‘Do you know Ellie Knowles?’” His face went bloodless. “Ellie Knowles!” he repeated sharply. “What has she been doing? What has she told you? Do you mean that she--_has she squealed_?” “You do not wish to have her brought into this case as a witness?” inquired Mary Knowles, ignoring his questions, calm and relentless, now that she had had an answer of a sort that more than satisfied her. “No,” he said emphatically, “I don’t want her to get into this. Of course not. My God! It looks as if I’d even bungled----” He checked himself, regarded her searchingly and asked in a whisper: “Has _he_ made--his get-away?” Mary Lee nodded. “Yes,” she said, “he has made his get-away. It is not going to be necessary for you to shield him any longer.” “He’s made his get-away!” mused the prisoner. “Where---- No, I don’t want to know where, even if you know. Are you sure he is safe? Are you sure they can’t get him?” “Before I answered that,” she said, “I want you to tell me where you were and what you were doing on the night that Steve Laramie was shot.” Mary Lee recognized an advantage when she had it, and cruel as she felt she was being toward this desperate and distracted man, she held to her advantage. “Believe it or not,” he answered bluntly, “I was on my way, with a rifle, to Steve Laramie’s house on the night he was shot. What do you think of that? Are _you_ going to believe me if I say I didn’t shoot him?” “But you _didn’t_ shoot him,” she responded. “Did you?” The look of distress that came into his face told her that she had roused, at least, some powerful emotion which had broken down his ability to keep that face a mask. “No,” he said wearily, “I didn’t shoot Steve Laramie, because, when I got there, _he was already dead_.” “Yes,” said Mary Lee. “You believe that?” he demanded incredulously. “It would do you no good to tell me lies,” she said. “It wouldn’t even help you to hang.” “You wouldn’t advise me to tell that to a jury, would you?” he drawled, with a suspicion of a quirk to his lips. Mary Lee did not answer. She was thinking. One thing she was thinking was that this man had a sense of humor, grim and grisly as it might be, and there was hope for him. “You found Steve Laramie already dead,” she repeated, “and did not dare, of course, to report it--because you had gone to see him, a rifle in your hands.” “That’s it,” he said, nodding. “Nobody would have believed I didn’t shoot him or that I didn’t intend to shoot him, even if the rifle I had with me had not been fired--and couldn’t be fired because it hadn’t any firing pin. Can you beat that?” he finished. “Whose rifle was it?” came her quick question. “It belonged to the bohunk that got caught under the load of logs. I told him I wanted to take it to town to get the firing pin fixed so we could try for a deer in the woods.” “Where is it now, do you know?” “I reckon it’s out at camp, ’less some one stole it.” “You did not intend to shoot Steve Laramie,” she charged swiftly, “because you knew the rifle could not be fired.” “I--I could have got it fixed,” he said, seeming to withdraw suddenly from his mood of eager confidence. “Not that late at night--and you didn’t get it fixed,” she shot at him. “You went to see Laramie with a rifle that could not be fired and--you found him dead. And the rifle that they found lying in the railroad yard was not the one you carried. It had been fired.” She rose as if satisfied and ready to go. He rose with her and his face bore a look of alarm. “What are you going to do?” he demanded. “Wait! There is something you haven’t told me. How can you be sure they won’t get the man who left that rifle?” “He is dead,” she said simply, and turned and went rapidly toward the door. Before she got to the door she stopped and turned and looked at him. He stood, staring, as still as a statue, his shoulders drooping, his hands hanging lax by his side. It was the attitude of a man utterly discouraged, beaten. Mary Lee went slowly back to him. “You see,” she said softly, “Jim found that life was not worth living. Now, Jim wouldn’t want you to hang. Think how useless it would be! Why, even Ellie doesn’t want you to hang.” “Ellie!” he exclaimed. “She doesn’t know who I am.” “No,” Mary admitted, “she doesn’t--but she doesn’t want even the stranger who is charged with shooting Laramie to hang. And I don’t want you to hang. You are not going to hang.” Mary Lee’s soul was in her eyes as she looked up at him, begging him to cling to life. The powerful, mysterious magic which Judge Thurman had invoked was working. In the dull eyes of Billy Knowles, alias Watts Lifeworth, there began to flicker a little, warm flame. He drew in a deep, shuddering breath. “Mary Lee,” he breathed, one of his hands coming up slowly, just touching her fingers, holding them as gently as if they were wax, when they crept into his and clung bravely, “Mary Lee, if my life _could_ be worth anything to somebody else--I have bungled everything. I went to see Laramie to try to do something for my brother Jim. Jim had been there--ahead of me. I was too late. Don’t you see that the least I could do was to try--to cover him? Don’t you see?” “It is going to mean a lot to me to win this case,” said Mary Lee. “You _can_ help me.” “Mary Lee,” he said in a whisper, and his eyes were like lamps newly lighted, “I’ll spend the rest of my life doing anything you think I ought to do.” “That is going to be a long, long time,” Mary Lee said, smiling tremulously. And it was. [Transcriber’s note: This story appeared in the April 7, 1930 issue of _The Popular_ magazine.] *** END OF THE PROJECT GUTENBERG EBOOK WHAT'S LIFE WORTH? *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works 1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg™ Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg™ electronic works Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support. Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.