The Project Gutenberg eBook of Hunt the red roe This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. Title: Hunt the red roe Author: Alan Payne Illustrator: Leo Manso Gerald McCann Release date: June 21, 2026 [eBook #78910] Language: English Original publication: New York: Stratford Novels Inc., 1953 Other information and formats: www.gutenberg.org/ebooks/78910 Credits: Tom Trussel (This file was produced from images generously made available by The Internet Archive) *** START OF THE PROJECT GUTENBERG EBOOK HUNT THE RED ROE *** Hunt the Red Roe by Alan Payne [Pseudonym of John Jakes] _Would you kill God for a few pieces of silver?_ _Regan was a professional hunter. He shot what he was paid to shoot, and the rich, beautiful young woman wanted the head of the sacred red roebuck to hang on her wall. But when the hunter squinted down his rifle barrel he looked into the eye of God!_ [Illustration> Illustrator: Gerald McCann] Some things, Regan thought, a man can do without feeling shame. Others, he cannot. And at this moment, sitting there in the dim cafe with the gray fog of Venus creeping through the streets outside, he felt that he had trapped himself into a deed which would prey on his mind for a long time. They sat at a table far back in the corner, Regan and the woman named Mrs. Holloway. They were both Terrans. He was a hunter here on Venus, a tall spare man with hairy arms and thick, strong fingers and somber, gray eyes. She, on the other hand, was slender and soft, with sharp upthrusting breasts and red, moist lips. Her greenish eyes had something of ruthlessness in them, and she clicked her fingernails nervously on the wine-glass. Her rich, green cloak contrasted sharply with Regan’s sweat-stained shirt and trousers. The barman dozed on a high stool. Regan watched the man’s head sink lower and lower. It took his mind off the problem at hand. Finally, he realized that he could dodge the issue no longer, and he turned back to Mrs. Holloway. “Does your husband know about this?” he asked grimly. She laughed, a glassy, tinkling laugh, empty of emotion. “No. My husband is in Venusburg. I do what I please and I don’t answer to him. I’ve got my own income, Regan, and I’m willing to spend part of it for your services. You were recommended as the best guide in the village.” Her eyes bored into him. “Are you?” He drained the last of his whisky. “I was, up until last season. Customers are dropping off. All the professional hunters have shipped to Mars. There are some new kinds of animals there.” She nodded with a faint hint of triumph. “You’re broke, Regan. Is that right?” “Yeah, I’m broke. Otherwise I’d tell you to go to hell.” Her hand crept out and touched his wrist, warm, faintly perfumed. She seemed to sway forward across the little wicker table. “Regan, I’ve hunted every animal on Earth. I’ve had enough money all my life to do what I wanted, and there was nothing that pleased me more than chasing a beast and downing it. It’s like playing God, Regan. A superior brain against an animal brain....” “And now you want to hunt the red roebuck,” he said. “What’s so wrong in that?” “Nothing,” he said bitterly, “except that there aren’t more than a dozen of them on the Preserve, and they happen to be the sacred animal of the Venusians. A religious animal. You know damned well....” She hesitated. Her eyes rested on the wine-glass, then raised abruptly to his once more. “Are you afraid? I’ll pay you, Regan, so why be afraid?” Her tone grew mocking. “Unless of course you’re a deeply religious man....” “Don’t talk like that,” he growled. “Then answer me! Yes or no!” He hesitated. He thought about his empty stomach, his dirty shack, his feeling that he was the last hunter in the village and that he was going to have to get money to ship out, or else starve. What the hell if it was sacred animal ... he.... “All right,” he said quietly. She nodded. “That’s wonderful. Do you think we’ll have any trouble? Guards? Anything like that....” Her eyes gleamed brightly, greedily, and Regan did not like the look in them. He pushed back his chair and got up. “No trouble at all. They don’t guard the Preserve.” “Why?” She was startled. “The Venusians are a trusting people,” he said sarcastically. “They believe a Terran wouldn’t shoot a red roe for the same reason a Venusian wouldn’t go inside a Terran church and steal a gold cross. Trusting....” He laughed shortly. “It’s sport, Regan,” she said as she followed him out of the cafe and along the gray, cobbled street through the fog. “The sport of hunting ... and stalking ... and killing....” Her voice dropped to a low, savage whisper and he saw her fingers clenched tightly until the skin of her palms was as red as the blood color of her nails. They reached the small inn. He turned quickly to her. “Be ready at six tomorrow morning. We can reach the place by noon. You know what wear. Anti-disease suit, all the rest.” She nodded. Her tiny pink tongue rested lightly on her lips for a moment. “Thank you, Regan. There may be more than hunting to be had.” Something recoiled within him. He turned sharply on his heel. “Six tomorrow,” he said without turning around. He felt that her eyes were digging into his back, watching him as he walked along the street. What the hell, Regan, he kept saying, you’ve got to ship out. Are you religious? What the hell difference does it make? ... What? ... But somehow, deep down in his mind, something was sick at the idea. He reached the wall at the edge of the village. The Old Beggar was there, a gray-skinned Venusian holy man, blind, whom the villagers believed had prophetic powers. The Old Beggar lifted his ugly, gray eyepits and raised his bowl imploringly as Regan approached. “Coppers,” he wailed, shaking his matted hair, “coppers. Lord Regan....” Regan shivered and stopped. The Old Beggar had an uncanny way of recognizing people in the village by their steps. It made him nervous. Reluctantly, Regan dug down into his jacket pocket and came up with three of the triangular shaped coins. He tossed them into the bowl and started to walk on. The Old Beggar did not utter his customary word of thanks. His sightless eyes stared down at the bowl, his mouth hung slackly open, and abruptly he turned the bowl upside down and dumped the money out onto the muddy earth. He let out a high, piercing howl and one finger pointed shakily at Regan. “Unclean!” he howled. “Defiler! Killer of the red roe!” Regan’s stomach jerked up into knots. His fists clenched and he stared down at the old man, trembling. “Unclean!” the Old Beggar shouted again. Regan wanted to hit him, silence him, but something held him back. With unexplainable terror singing through every nerve in his body, Regan turned and ran out through the wall, and he did not stop until he had reached his shack at the edge of the jungle. He raced up the steps, slammed through the door, closed it and stood with his back against it, panting. Karal turned around from the tiny stove where he had been cooking the noon meal. His gray eyes went open in surprise. “Lord Regan!” he said quickly, rushing forward. “What has happened?” “Nothing, nothing....” Regan waved his hand and then rubbed his eyes. Karal stood before him, a slender, gray-skinned Venusian boy about fifteen years old. He was Regan’s helper on the hunts. Years before, Regan had found him floundering in the swamps upcountry, and had pulled him out. Karal, lost from his family who had been slain on a hunting expedition, seemed almost dead. From the time of the rescue, Karal had bound himself to Regan with stubborn and grateful loyalty. Regan stumbled forward and sat down at the rough, jungle-wood table. “Get me some coffee, will you?” Karal hurried to the stove and returned with a cup of the steaming brown liquid. Regan gulped it hastily. He kept his eyes on the tabletop. Somehow, he couldn’t look at Karal. Finally he said, “Get the stuff ready for tomorrow morning. Load up the truck.” Karal’s eyes gleamed excitedly. “A trip? A hunting trip?” “Yeah,” Regan said quietly. “A hunting trip.” “Where are we going?” Regan stared hard at the boy. “The Preserve.” “The....” An expression of shocked horror swept across the boy’s face. “That’s right,” Regan said quietly. “We’re going to get a red roe.” The boy lowered his head. He shook it unbelievingly. “Lord Regan ... I ... the red roe ... that is forbidden ... my people and their religion....” “Listen,” Regan said sharply, “there isn’t any law says you can’t shoot one of them. I need money and I’ve got a client who wants a red roe. I know how your people feel about it, but I’m a Terran and if you want to get out, go ahead.” There was sick disappointment in the boy’s eyes. He was silent for a moment. Finally, he spoke. “No, Lord Regan. I have bound myself to you. I will go....” He rose and walked slowly to the door. “I will make the truck ready,” he said as he vanished through the door. Regan sat staring into his cup of coffee. That had been hard, hurting the boy. His mind teetered back and forth. He was walking into the Preserve and killing the animal without feeling ... destroying a part of the native religion. But what about getting out of the village? That took money. He didn’t want to starve. He.... Confused anger welled up within him. He lifted the filled cup and flung it hatefully against the wall. The cup rattled on the floor and the brown liquid spread out along the boards. Regan stared at it, his right hand opening and closing convulsively. Sweat droplets stood out on his forehead. “Goddam it,” he whispered savagely. * * * * * Before dawn the next morning Regan, Karal and Mrs. Holloway rolled out of the village in the truck. All three were dressed in the gray, rubberish anti-disease suits. The rear of the truck was loaded with Regan’s weapons, ammunition, cooking equipment and Mrs. Holloway’s three Webb-Dangerfield Tri-power magnesium rifles. When Regan saw her equipment at the little inn, he allowed himself a faint feeling of admiration. The weapons were expensive. But they were also the very best in big-game hunting rifles. It was Regan’s dream that some day he could afford a Webb-Dangerfield. The truck rumbled through the bumpy streets. Mrs. Holloway, her blonde hair brushed back and tied at the nape of her neck, looked straight ahead, smoking. Karal sat staring glumly at the dash panel. He had said few words since the previous noon, and it made Regan feel all the worse. He had lost the boy’s respect, and he knew it. “How long will it take us to reach the Preserve?” Mrs. Holloway asked as they rolled through the edge of the village. Her eyes shone with expectancy. “About two hours,” Regan replied heavily. “Good.” She laughed a tiny laugh. To the left, Regan saw the circular tabernacle where the Venusians held their religious ceremonies. Through the open cab window and above the rumble of the motor, he heard a high, reedy piping of voices. The morning ceremony, he knew. Before them the thick veil of fog lifted. The headlights, as Regan spun the wheel for a turn, struck the tabernacle door. Carved into the pillars, Regan saw the figure of the sacred animal in various poses. The red roebuck, drinking, running, standing.... He turned his eyes quickly and jerked the wheel around. The tabernacle and the singing were lost in the fog as they left the village behind them. Two hours. Two hours of silent traveling, with only the roar of the motor. Two hours, while the dank rotting jungle rolled past, while occasional slimy rain ran in gummy streaks down the windshield and was cut away by the acid-coated wipers. Two hours, with the woman stretched out on the seat beside him, her long fleshy legs reaching under the dash, her eyes hungry. Two hours, with the boy Karal hanging his head, staring out the window with eyes that were strangely dead. Regan’s fingers were tension-white where he gripped the wheel. Two almost unendurable hours. At last they made camp in a small glade. Regan cooked the meal of artificial beef and vegetables. Mrs. Holloway stalked up and down the glade, slapping her gloves on her thigh, and Karal moved noiselessly back and forth, obeying Regan’s commands but not speaking. As they drank their coffee, Mrs. Holloway glanced up at the fog-shrouded crowns of the trees. She threw down the coffee cup and got to her feet. “Look, Regan, how far are we from the Preserve now?” He pointed wearily through the trees. “About an eighth of a mile.” “Then for God’s sake let’s go. I came here to hunt. That’s what you’re getting paid for. To lead a hunt.” Regan rose, kicked out the fire, and shouldered his rifle. “It isn’t going to be much of a hunt, I can tell you that. The red roes are pretty tame. You’ll just stand there and blast one down while it looks at you.” He said the words bitterly. She laughed again. “What’s the matter, Regan? Getting squeamish about the native hymn singers?” The laugh rose, tinkling, brittle, sharp. He suddenly had a wild urge to bring down his rifle butt and smash her face in. But he caught hold of himself. Remember, Regan, the cash, his mind whispered. Cash, cash, _cash_.... He grumbled something. She glared at him, and he knew that she was aware of his feelings. Something new shone in her eyes now. It was no longer the guide-hunter relationship. There was something like personal animosity between them. They both sensed it. Regan shivered. A light footstep sounded behind him. He turned. Karal stood there. “What is it?” Regan asked. “Lord Regan,” the boy said, keeping his eyes on the ground, “I wish to ask if I may be allowed to remain here.” “Why?” The boy raised his eyes and stared hard at Regan. “I do not wish to see the red roe slain,” he whispered. “All right. Stay here,” Regan said, conscious of the tense snarling quality of his voice. He turned to Mrs. Holloway. “Let’s get this over.” He led the way out of the glade onto a narrow trail. Mrs. Holloway tramped along behind him, their boots making slogging sounds in the thick, greasy mud. Insects flitted around Regan, darting toward his face. He slapped at one and his hand came away covered with pulp and blood. He tramped on, the fog whirling in gray ropes around him, trying to forget the woman behind him. But he kept hearing the sound of her boots, kept hearing the small, tuneless melody she was humming. The tall trees thinned out abruptly, and ahead of them were smaller, younger trees, delicately formed, with large sensuous blossoms drooping in the steamy air. The colors were riotously flamboyant, blobs of green and gold and orange and sky blue hanging suspended from thin gray limbs. A heady wine-smelling perfume floated on the air. The place had the appearance of a strange and alien garden, with the fog floating close to the ground. Mrs. Holloway unslung the Webb-Dangerfield from her shoulder, threw the safety off and peered into the maze of small trees. “Is this the Preserve?” she asked quietly. “This is it,” Regan replied. Wearily, he unslung his rifle also and got it ready for firing. “We might as well go in, Mrs. Holloway.” She turned to him, her eyes narrowing in the shadowy gloom. She studied him and the harsh corners of her mouth curled upward in a little smile. “You’re afraid,” she whispered, almost wonderingly. “Regan, you’re afraid.” “That’s right,” he said softly, and started to walk forward. This was another world, this strange and brilliant garden in the midst of the gray jungles. Large fan-plumed birds sat on the blossom-covered branches, singing in high, clear tones, spreading their tail feathers and puffing out their chests. The boots of Regan and Mrs. Holloway stirred eddies of fog. Abruptly Regan stopped. A shape materialized in the fog up ahead. With a finger to his lips, Regan started forward again. They had not taken more than a half dozen steps when he stopped a second time and pointed. “There. The red roebuck.” The beast was directly in front of them, with its head turned in their direction. Regan breathed in a wondering sigh. He had never seen one before. Almost miraculously, the mist had parted and the beast stood there, its magnificent reddish coat glowing softly, its great rust-brown horns thrusting up from its head. The snout was long, and the eyes were brown-red, large, shot through with flecks of gold. They looked ... Regan shivered ... they looked almost human. The beast certainly resembled a Terran roebuck, but it was evident that this animal was much, much different. The strange glowing coat, the eyes that seemed to thrust into Regan’s soul, full of peace and gentleness ... they were not of Earth. This was a beast of a strange world. A beautiful beast. Mrs. Holloway laughed, and Regan suddenly felt as if he had been sprayed with filth. He turned toward her, to tell her again that the beast would not run, and that all she would have to do was shoot it down where it stood. There was a smile on Mrs. Holloway’s wet, red lips as Regan turned. The Webb-Dangerfield was pointed straight at Regan’s belly. “What the hell....” he whispered. “Regan, I’ve found better sport than the red roe. You!” “Listen, Mrs. Holloway....” He took a step forward. She tensed. “I’ll shoot you, Regan. I’m serious.” “What’s the game?” “Still the roebuck.” Her mouth curled into the devil-smile. “But I want you to kill it for me. I want you to shoot it down, Regan. _You!_” He let out a curse and started forward. The Webb-Dangerfield exploded. He was blinded for an instant as the sizzling ball of white-hot fire ripped by his shoulder, scorching the rubber suit. “You don’t want to die, Regan,” she said. “You want to live. You’re a weak man, Regan. Just kill the red roe, and I’ll pay you double. _Double_, Regan. And give you one of my rifles. In my world, Regan, there is nothing but sport. Pursuit of sport. I’ve never found anything like this before. I mean to take advantage of it....” “You’re crazy,” he whispered. “Perhaps I am, a little,” she replied. “But who isn’t, in one way or another?” Her tone grew commanding. The round muzzle poked at Regan. “Go ahead. Raise your rifle and kill the animal.” It would be so easy, he thought, quickly and terribly. Easy, Regan, easy, you’ll get out alive if you do it for her. And a Webb-Dangerfield in the bargain. Think, man, think.... He turned slowly to stare at the roebuck, waiting there before them, its coat shining, its eyes full of that strange, magnificent peace and gentleness. He swallowed. His stomach was cold. Unsteadily, he raised the rifle in the direction of the roebuck. “That’s it, Regan,” he heard Mrs. Holloway crooning, “that’s it, Regan, go ahead, go ahead, kill it, kill it, kill it, Regan....” His finger tightened on the trigger. The sweat ran down under his arms. The eye of the roebuck was centered in his ring sight, large, round, brown-red, flecked with gold. Suddenly, Regan thought of the Old Beggar at the wall of the village, of Karal the boy who had been his friend. He thought of the tabernacle and the reedy voices and he thought of this mad woman holding her weapon trained upon him. He squinted down the barrel. Somehow, the beast’s eye seemed to grow, grow and enfold him. That eye, so full of peace, so full of a gentle spirit, a spirit of humble patience ... a spirit.... Something whispered in Regan’s mind in a voice of terrible fear, That is the eye of God. _That is the eye of God!_ And his stomach jumped and revolted at the thought of slaying the beast. He whirled, and Mrs. Holloway’s head was in the ring sight of his weapon. She screamed and fired. The blast ripped out in white fury, blinding him, and he felt fire tear his leg. He ground his teeth together to keep from screaming with pain. Mrs. Holloway was cursing him obscenely, wildly, and readying another blast when Regan fired. The thunder echoed and re-echoed through the tiny garden. Slowly, the blinding glare vanished from before his eyes and he lowered his rifle. Mrs. Holloway was spilling her blood out onto the ground. Wearily, feeling the pain in his leg, seeing the scorched black hole in his flesh, Regan turned back to the red roebuck. It still stood there, its feet caught in fog, its mighty head raised toward the sky, listening. Regan threw his rifle to the ground. The roebuck stood still for one more split instant, and then it leaped, long and far, rising up and up in its great leap and disappearing into the fog and the blossom-laden garden. Regan took one more look at the dead, mangled corpse of the woman, and turned and walked back toward the truck. Karal rose from the ashes of the dead fire to meet him. Anxiously, he looked at the ragged black wound in Regan’s leg. The hunter stood looking down at the boy. “The roebuck is alive,” he said. “We did not kill it.” The fires of faith relit themselves in the boy’s eyes. Karal drove the truck back to the village. Regan ordered him to drive to the wall. There Regan, his body filled with terrible pain, climbed down and approached the Old Beggar. The Venusian lifted his sightless face. Regan stood before him, tottering. “I’m clean,” he gasped. “The roebuck lives....” “I know.” The Old Beggar nodded his head slowly. “Peace, Lord Regan,” he whispered. Regan turned around, the pain welling up in him, took a step, and teetered forward. The muddy earth rose to meet and swallow him.... Gradually the ragged wound healed. There was talk in the village, much talk. But one day a rocket burned down out of the gray fog, and a thin, small, gold-spectacled man in a rumpled white suit appeared at Regan’s bed. His name was Vincent Holloway. Regan told his story, omitting nothing. When it was over, Holloway told the hunter of even more terrible things, of the strange savage he had found in the woman who had been his wife in name only. Mrs. Holloway had even spent one year in an asylum on Mars. The small, gold-spectacled man had sad, regretful eyes when he went away. Vincent Holloway collected a suitcase full of clothing from the inn and got back into the rocket and vanished in a trail of orange fire among the fog-hung tree crowns. The jury of Venusian governmental inquiring into the woman’s death returned the decision of self-protection. Regan still had two Webb-Dangerfields in the truck. He sold one. That bought passage to Red Sands on Mars, for himself as well as for the boy Karal. The two of them got on the rocket, Regan leaning unsteadily on a cane, but feeling the fibres of his leg knitting, healing, growing back together. Regan stood at the watchport as the rocket rose from the village. His hand rested on the boy’s shoulder. He stared down at the jungle, glad he was leaving, tremendously glad to leave the tiny village, the jungle, the fog-world. The engines drummed as the rocket rose toward the top of the fog. Regan stared down and down into the swirling grayness, and one thought went around and around in his mind. He knew he could never forget. Something in his soul had been wrenched forever. Where he had been only stumbling before, now he was certain. There was a something in him that now told clearly the difference between good and evil in a man’s life. A something that was round, gold-flecked, full of peace and gentleness. And as the engines thundered and the rocket rose, Regan thought, over and over, _it was the eye of God_.... Transcriber’s note: This etext was produced from Avon Science Fiction and Fantasy Reader, April 1953 (Vol. 1, no. 2). Obvious errors have been silently corrected in this version, but minor inconsistencies have been retained as printed. *** END OF THE PROJECT GUTENBERG EBOOK HUNT THE RED ROE *** Updated editions will replace the previous one—the old editions will be renamed. Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution. START: FULL LICENSE THE FULL PROJECT GUTENBERG™ LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg License available with this file or online at www.gutenberg.org/license. Section 1. General Terms of Use and Redistributing Project Gutenberg electronic works 1.A. By reading or using any part of this Project Gutenberg electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg mission of promoting free access to electronic works by freely sharing Project Gutenberg works in compliance with the terms of this agreement for keeping the Project Gutenberg name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg License must appear prominently whenever any copy of a Project Gutenberg work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg™ License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook. 1.E.2. If an individual Project Gutenberg electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg electronic works provided that: • You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.” • You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works. • You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. • You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg work, (b) alteration, modification, or additions or deletions to any Project Gutenberg work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg Project Gutenberg is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg’s goals and ensuring that the Project Gutenberg collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws. The Foundation’s business office is located at 41 Watchung Plaza #516, Montclair NJ 07042, USA, +1 (862) 621-9288. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate. While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate. Section 5. General Information About Project Gutenberg electronic works Professor Michael S. Hart was the originator of the Project Gutenberg concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg eBooks with only a loose network of volunteer support. Project Gutenberg eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our website which has the main PG search facility: www.gutenberg.org. This website includes information about Project Gutenberg, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.