The Project Gutenberg eBook of Bay of Seven Islands, and other poems
    
This ebook is for the use of anyone anywhere in the United States and
most other parts of the world at no cost and with almost no restrictions
whatsoever. You may copy it, give it away or re-use it under the terms
of the Project Gutenberg License included with this ebook or online
at www.gutenberg.org. If you are not located in the United States,
you will have to check the laws of the country where you are located
before using this eBook.

Title: Bay of Seven Islands, and other poems

Author: John Greenleaf Whittier

Release date: December 1, 2005 [eBook #9566]
                Most recently updated: January 2, 2021

Language: English

Credits: This eBook was produced by David Widger


*** START OF THE PROJECT GUTENBERG EBOOK BAY OF SEVEN ISLANDS, AND OTHER POEMS ***




This eBook was produced by David Widger





                        NARRATIVE AND LEGENDARY

                                 POEMS

                                   BY
                        JOHN GREENLEAF WHITTIER


CONTENTS:

THE BAY OF SEVEN ISLANDS
     To H P S
     THE BAY OF SEVEN ISLANDS

THE WISHING BRIDGE
HOW THE WOMEN WENT FROM DOVER
ST GREGORY'S GUEST
CONTENTS
BIRCHBROOK MILL
THE TWO ELIZABETHS
REQUITAL
THE HOMESTEAD
HOW THE ROBIN CAME
BANISHED FROM MASSACHUSETTS
THE BROWN DWARF OF RUGEN



THE BAY OF SEVEN ISLANDS.

The volume in which "The Bay of Seven Islands" was published was
dedicated to the late Edwin Percy Whipple, to whom more than to any
other person I was indebted for public recognition as one worthy of a
place in American literature, at a time when it required a great degree
of courage to urge such a claim for a pro-scribed abolitionist. Although
younger than I, he had gained the reputation of a brilliant essayist,
and was regarded as the highest American authority in criticism. His wit
and wisdom enlivened a small literary circle of young men including
Thomas Starr King, the eloquent preacher, and Daniel N. Haskell of the
Daily Transcript, who gathered about our common friend dames T. Fields
at the Old Corner Bookstore. The poem which gave title to the volume I
inscribed to my friend and neighbor Harriet Prescott Spofford, whose
poems have lent a new interest to our beautiful river-valley.

FROM the green Amesbury hill which bears the name
Of that half mythic ancestor of mine
Who trod its slopes two hundred years ago,
Down the long valley of the Merrimac,
Midway between me and the river's mouth,
I see thy home, set like an eagle's nest
Among Deer Island's immemorial pines,
Crowning the crag on which the sunset breaks
Its last red arrow. Many a tale and song,
Which thou bast told or sung, I call to mind,
Softening with silvery mist the woods and hills,
The out-thrust headlands and inreaching bays
Of our northeastern coast-line, trending where
The Gulf, midsummer, feels the chill blockade
Of icebergs stranded at its northern gate.

To thee the echoes of the Island Sound
Answer not vainly, nor in vain the moan
Of the South Breaker prophesying storm.
And thou hast listened, like myself, to men
Sea-periled oft where Anticosti lies
Like a fell spider in its web of fog,
Or where the Grand Bank shallows with the wrecks
Of sunken fishers, and to whom strange isles
And frost-rimmed bays and trading stations seem
Familiar as Great Neck and Kettle Cove,
Nubble and Boon, the common names of home.
So let me offer thee this lay of mine,
Simple and homely, lacking much thy play
Of color and of fancy. If its theme
And treatment seem to thee befitting youth
Rather than age, let this be my excuse
It has beguiled some heavy hours and called
Some pleasant memories up; and, better still,
Occasion lent me for a kindly word
To one who is my neighbor and my friend.
1883.

           . . . . . . . . . .

The skipper sailed out of the harbor mouth,
Leaving the apple-bloom of the South
For the ice of the Eastern seas,
In his fishing schooner Breeze.

Handsome and brave and young was he,
And the maids of Newbury sighed to see
His lessening white sail fall
Under the sea's blue wall.

Through the Northern Gulf and the misty screen
Of the isles of Mingan and Madeleine,
St. Paul's and Blanc Sablon,
The little Breeze sailed on,

Backward and forward, along the shore
Of lorn and desolate Labrador,
And found at last her way
To the Seven Islands Bay.

The little hamlet, nestling below
Great hills white with lingering snow,
With its tin-roofed chapel stood
Half hid in the dwarf spruce wood;

Green-turfed, flower-sown, the last outpost
Of summer upon the dreary coast,
With its gardens small and spare,
Sad in the frosty air.

Hard by where the skipper's schooner lay,
A fisherman's cottage looked away
Over isle and bay, and. behind
On mountains dim-defined.

And there twin sisters, fair and young,
Laughed with their stranger guest, and sung
In their native tongue the lays
Of the old Provencal days.

Alike were they, save the faint outline
Of a scar on Suzette's forehead fine;
And both, it so befell,
Loved the heretic stranger well.

Both were pleasant to look upon,
But the heart of the skipper clave to one;
Though less by his eye than heart
He knew the twain apart.

Despite of alien race and creed,
Well did his wooing of Marguerite speed;
And the mother's wrath was vain
As the sister's jealous pain.

The shrill-tongued mistress her house forbade,
And solemn warning was sternly said
By the black-robed priest, whose word
As law the hamlet heard.

But half by voice and half by signs
The skipper said, "A warm sun shines
On the green-banked Merrimac;
Wait, watch, till I come back.

"And when you see, from my mast head,
The signal fly of a kerchief red,
My boat on the shore shall wait;
Come, when the night is late."

Ah! weighed with childhood's haunts and friends,
And all that the home sky overbends,
Did ever young love fail
To turn the trembling scale?

Under the night, on the wet sea sands,
Slowly unclasped their plighted hands
One to the cottage hearth,
And one to his sailor's berth.

What was it the parting lovers heard?
Nor leaf, nor ripple, nor wing of bird,
But a listener's stealthy tread
On the rock-moss, crisp and dead.

He weighed his anchor, and fished once more
By the black coast-line of Labrador;
And by love and the north wind driven,
Sailed back to the Islands Seven.

In the sunset's glow the sisters twain
Saw the Breeze come sailing in again;
Said Suzette, "Mother dear,
The heretic's sail is here."

"Go, Marguerite, to your room, and hide;
Your door shall be bolted!" the mother cried:
While Suzette, ill at ease,
Watched the red sign of the Breeze.

At midnight, down to the waiting skiff
She stole in the shadow of the cliff;
And out of the Bay's mouth ran
The schooner with maid and man.

And all night long, on a restless bed,
Her prayers to the Virgin Marguerite said
And thought of her lover's pain
Waiting for her in vain.

Did he pace the sands? Did he pause to hear
The sound of her light step drawing near?
And, as the slow hours passed,
Would he doubt her faith at last?

But when she saw through the misty pane,
The morning break on a sea of rain,
Could even her love avail
To follow his vanished sail?

Meantime the Breeze, with favoring wind,
Left the rugged Moisic hills behind,
And heard from an unseen shore
The falls of Manitou roar.

On the morrow's morn, in the thick, gray weather
They sat on the reeling deck together,
Lover and counterfeit,
Of hapless Marguerite.

With a lover's hand, from her forehead fair
He smoothed away her jet-black hair.
What was it his fond eyes met?
The scar of the false Suzette!

Fiercely he shouted: "Bear away
East by north for Seven Isles Bay!"
The maiden wept and prayed,
But the ship her helm obeyed.

Once more the Bay of the Isles they found
They heard the bell of the chapel sound,
And the chant of the dying sung
In the harsh, wild Indian tongue.

A feeling of mystery, change, and awe
Was in all they heard and all they saw
Spell-bound the hamlet lay
In the hush of its lonely bay.

And when they came to the cottage door,
The mother rose up from her weeping sore,
And with angry gestures met
The scared look of Suzette.

"Here is your daughter," the skipper said;
"Give me the one I love instead."
But the woman sternly spake;
"Go, see if the dead will wake!"

He looked. Her sweet face still and white
And strange in the noonday taper light,
She lay on her little bed,
With the cross at her feet and head.

In a passion of grief the strong man bent
Down to her face, and, kissing it, went
Back to the waiting Breeze,
Back to the mournful seas.

Never again to the Merrimac
And Newbury's homes that bark came back.
Whether her fate she met
On the shores of Carraquette,

Miscou, or Tracadie, who can say?
But even yet at Seven Isles Bay
Is told the ghostly tale
Of a weird, unspoken sail,

In the pale, sad light of the Northern day
Seen by the blanketed Montagnais,
Or squaw, in her small kyack,
Crossing the spectre's track.

On the deck a maiden wrings her hands;
Her likeness kneels on the gray coast sands;
One in her wild despair,
And one in the trance of prayer.

She flits before no earthly blast,
The red sign fluttering from her mast,
Over the solemn seas,
The ghost of the schooner Breeze!
1882.




THE WISHING BRIDGE.

AMONG the legends sung or said
Along our rocky shore,
The Wishing Bridge of Marblehead
May well be sung once more.

An hundred years ago (so ran
The old-time story) all
Good wishes said above its span
Would, soon or late, befall.

If pure and earnest, never failed
The prayers of man or maid
For him who on the deep sea sailed,
For her at home who stayed.

Once thither came two girls from school,
And wished in childish glee
And one would be a queen and rule,
And one the world would see.

Time passed; with change of hopes and fears,
And in the self-same place,
Two women, gray with middle years,
Stood, wondering, face to face.

With wakened memories, as they met,
They queried what had been
"A poor man's wife am I, and yet,"
Said one, "I am a queen.

"My realm a little homestead is,
Where, lacking crown and throne,
I rule by loving services
And patient toil alone."

The other said: "The great world lies
Beyond me as it lay;
O'er love's and duty's boundaries
My feet may never stray.

"I see but common sights of home,
Its common sounds I hear,
My widowed mother's sick-bed room
Sufficeth for my sphere.

"I read to her some pleasant page
Of travel far and wide,
And in a dreamy pilgrimage
We wander side by side.

"And when, at last, she falls asleep,
My book becomes to me
A magic glass: my watch I keep,
But all the world I see.

"A farm-wife queen your place you fill,
While fancy's privilege
Is mine to walk the earth at will,
Thanks to the Wishing Bridge."

"Nay, leave the legend for the truth,"
The other cried, "and say
God gives the wishes of our youth,
But in His own best way!"
1882.




HOW THE WOMEN WENT FROM DOVER.

The following is a copy of the warrant issued by Major Waldron, of
Dover, in 1662. The Quakers, as was their wont, prophesied against him,
and saw, as they supposed, the fulfilment of their prophecy when, many
years after, he was killed by the Indians.

 To the constables of Dover, Hampton, Salisbury, Newbury, Rowley,
 Ipswich, Wenham, Lynn, Boston, Roxbury, Dedham, and until these
 vagabond Quakers are carried out of this jurisdiction. You, and
 every one of you, are required, in the King's Majesty's name, to
 take these vagabond Quakers, Anne Colman, Mary Tomkins, and Alice
 Ambrose, and make them fast to the cart's tail, and driving the
 cart through your several towns, to whip them upon their naked
 backs not exceeding ten stripes apiece on each of them, in each
 town; and so to convey them from constable to constable till they
 are out of this jurisdiction, as you will answer it at your peril;
 and this shall be your warrant.
                                    RICHARD WALDRON.
 Dated at Dover, December 22, 1662.

This warrant was executed only in Dover and Hampton. At Salisbury the
constable refused to obey it. He was sustained by the town's people, who
were under the influence of Major Robert Pike, the leading man in the
lower valley of the Merrimac, who stood far in advance of his time, as
an advocate of religious freedom, and an opponent of ecclesiastical
authority. He had the moral courage to address an able and manly letter
to the court at Salem, remonstrating against the witchcraft trials.


THE tossing spray of Cocheco's fall
Hardened to ice on its rocky wall,
As through Dover town in the chill, gray dawn,
Three women passed, at the cart-tail drawn!

Bared to the waist, for the north wind's grip
And keener sting of the constable's whip,
The blood that followed each hissing blow
Froze as it sprinkled the winter snow.

Priest and ruler, boy and maid
Followed the dismal cavalcade;
And from door and window, open thrown,
Looked and wondered gaffer and crone.

"God is our witness," the victims cried,
We suffer for Him who for all men died;
The wrong ye do has been done before,
We bear the stripes that the Master bore!

And thou, O Richard Waldron, for whom
We hear the feet of a coming doom,
On thy cruel heart and thy hand of wrong
Vengeance is sure, though it tarry long.

"In the light of the Lord, a flame we see
Climb and kindle a proud roof-tree;
And beneath it an old man lying dead,
With stains of blood on his hoary head."

"Smite, Goodman Hate-Evil!--harder still!"
The magistrate cried, "lay on with a will!
Drive out of their bodies the Father of Lies,
Who through them preaches and prophesies!"

So into the forest they held their way,
By winding river and frost-rimmed bay,
Over wind-swept hills that felt the beat
Of the winter sea at their icy feet.

The Indian hunter, searching his traps,
Peered stealthily through the forest gaps;
And the outlying settler shook his head,--
"They're witches going to jail," he said.

At last a meeting-house came in view;
A blast on his horn the constable blew;
And the boys of Hampton cried up and down,
"The Quakers have come!" to the wondering town.

From barn and woodpile the goodman came;
The goodwife quitted her quilting frame,
With her child at her breast; and, hobbling slow,
The grandam followed to see the show.

Once more the torturing whip was swung,
Once more keen lashes the bare flesh stung.
"Oh, spare! they are bleeding!"' a little maid cried,
And covered her face the sight to hide.

A murmur ran round the crowd: "Good folks,"
Quoth the constable, busy counting the strokes,
"No pity to wretches like these is due,
They have beaten the gospel black and blue!"

Then a pallid woman, in wild-eyed fear,
With her wooden noggin of milk drew near.
"Drink, poor hearts!" a rude hand smote
Her draught away from a parching throat.

"Take heed," one whispered, "they'll take your cow
For fines, as they took your horse and plough,
And the bed from under you." "Even so,"
She said; "they are cruel as death, I know."

Then on they passed, in the waning day,
Through Seabrook woods, a weariful way;
By great salt meadows and sand-hills bare,
And glimpses of blue sea here and there.

By the meeting-house in Salisbury town,
The sufferers stood, in the red sundown,
Bare for the lash! O pitying Night,
Drop swift thy curtain and hide the sight.

With shame in his eye and wrath on his lip
The Salisbury constable dropped his whip.
"This warrant means murder foul and red;
Cursed is he who serves it," he said.

"Show me the order, and meanwhile strike
A blow at your peril!" said Justice Pike.
Of all the rulers the land possessed,
Wisest and boldest was he and best.

He scoffed at witchcraft; the priest he met
As man meets man; his feet he set
Beyond his dark age, standing upright,
Soul-free, with his face to the morning light.

He read the warrant: "These convey
From our precincts; at every town on the way
Give each ten lashes." "God judge the brute!
I tread his order under my foot!

"Cut loose these poor ones and let them go;
Come what will of it, all men shall know
No warrant is good, though backed by the Crown,
For whipping women in Salisbury town!"

The hearts of the villagers, half released
From creed of terror and rule of priest,
By a primal instinct owned the right
Of human pity in law's despite.

For ruth and chivalry only slept,
His Saxon manhood the yeoman kept;
Quicker or slower, the same blood ran
In the Cavalier and the Puritan.

The Quakers sank on their knees in praise
And thanks. A last, low sunset blaze
Flashed out from under a cloud, and shed
A golden glory on each bowed head.

The tale is one of an evil time,
When souls were fettered and thought was crime,
And heresy's whisper above its breath
Meant shameful scourging and bonds and death!

What marvel, that hunted and sorely tried,
Even woman rebuked and prophesied,
And soft words rarely answered back
The grim persuasion of whip and rack.

If her cry from the whipping-post and jail
Pierced sharp as the Kenite's driven nail,
O woman, at ease in these happier days,
Forbear to judge of thy sister's ways!

How much thy beautiful life may owe
To her faith and courage thou canst not know,
Nor how from the paths of thy calm retreat
She smoothed the thorns with her bleeding feet.
1883.




SAINT GREGORY'S GUEST.

A TALE for Roman guides to tell
To careless, sight-worn travellers still,
Who pause beside the narrow cell
Of Gregory on the Caelian Hill.

One day before the monk's door came
A beggar, stretching empty palms,
Fainting and fast-sick, in the name
Of the Most Holy asking alms.

And the monk answered, "All I have
In this poor cell of mine I give,
The silver cup my mother gave;
In Christ's name take thou it, and live."

Years passed; and, called at last to bear
The pastoral crook and keys of Rome,
The poor monk, in Saint Peter's chair,
Sat the crowned lord of Christendom.

"Prepare a feast," Saint Gregory cried,
"And let twelve beggars sit thereat."
The beggars came, and one beside,
An unknown stranger, with them sat.

"I asked thee not," the Pontiff spake,
"O stranger; but if need be thine,
I bid thee welcome, for the sake
Of Him who is thy Lord and mine."

A grave, calm face the stranger raised,
Like His who on Gennesaret trod,
Or His on whom the Chaldeans gazed,
Whose form was as the Son of God.

"Know'st thou," he said, "thy gift of old?"
And in the hand he lifted up
The Pontiff marvelled to behold
Once more his mother's silver cup.

"Thy prayers and alms have risen, and bloom
Sweetly among the flowers of heaven.
I am The Wonderful, through whom
Whate'er thou askest shall be given."

He spake and vanished. Gregory fell
With his twelve guests in mute accord
Prone on their faces, knowing well
Their eyes of flesh had seen the Lord.

The old-time legend is not vain;
Nor vain thy art, Verona's Paul,
Telling it o'er and o'er again
On gray Vicenza's frescoed wall.

Still wheresoever pity shares
Its bread with sorrow, want, and sin,
And love the beggar's feast prepares,
The uninvited Guest comes in.

Unheard, because our ears are dull,
Unseen, because our eyes are dim,
He walks our earth, The Wonderful,
And all good deeds are done to Him.
1883.




BIRCHBROOK MILL.

A NOTELESS stream, the Birchbrook runs
Beneath its leaning trees;
That low, soft ripple is its own,
That dull roar is the sea's.

Of human signs it sees alone
The distant church spire's tip,
And, ghost-like, on a blank of gray,
The white sail of a ship.

No more a toiler at the wheel,
It wanders at its will;
Nor dam nor pond is left to tell
Where once was Birchbrook mill.

The timbers of that mill have fed
Long since a farmer's fires;
His doorsteps are the stones that ground
The harvest of his sires.

Man trespassed here; but Nature lost
No right of her domain;
She waited, and she brought the old
Wild beauty back again.

By day the sunlight through the leaves
Falls on its moist, green sod,
And wakes the violet bloom of spring
And autumn's golden-rod.

Its birches whisper to the wind,
The swallow dips her wings
In the cool spray, and on its banks
The gray song-sparrow sings.

But from it, when the dark night falls,
The school-girl shrinks with dread;
The farmer, home-bound from his fields,
Goes by with quickened tread.

They dare not pause to hear the grind
Of shadowy stone on stone;
The plashing of a water-wheel
Where wheel there now is none.

Has not a cry of pain been heard
Above the clattering mill?
The pawing of an unseen horse,
Who waits his mistress still?

Yet never to the listener's eye
Has sight confirmed the sound;
A wavering birch line marks alone
The vacant pasture ground.

No ghostly arms fling up to heaven
The agony of prayer;
No spectral steed impatient shakes
His white mane on the air.

The meaning of that common dread
No tongue has fitly told;
The secret of the dark surmise
The brook and birches hold.

What nameless horror of the past
Broods here forevermore?
What ghost his unforgiven sin
Is grinding o'er and o'er?

Does, then, immortal memory play
The actor's tragic part,
Rehearsals of a mortal life
And unveiled human heart?

God's pity spare a guilty soul
That drama of its ill,
And let the scenic curtain fall
On Birchbrook's haunted mill
1884.




THE TWO ELIZABETHS.
Read at the unveiling of the bust of Elizabeth Fry at the  Friends'
School, Providence, R. I.

A. D. 1209.

AMIDST Thuringia's wooded hills she dwelt,
A high-born princess, servant of the poor,
Sweetening with gracious words the food she dealt
To starving throngs at Wartburg's blazoned door.

A blinded zealot held her soul in chains,
Cramped the sweet nature that he could not kill,
Scarred her fair body with his penance-pains,
And gauged her conscience by his narrow will.

God gave her gifts of beauty and of grace,
With fast and vigil she denied them all;
Unquestioning, with sad, pathetic face,
She followed meekly at her stern guide's call.

So drooped and died her home-blown rose of bliss
In the chill rigor of a discipline
That turned her fond lips from her children's kiss,
And made her joy of motherhood a sin.

To their sad level by compassion led,
One with the low and vile herself she made,
While thankless misery mocked the hand that fed,
And laughed to scorn her piteous masquerade.

But still, with patience that outwearied hate,
She gave her all while yet she had to give;
And then her empty hands, importunate,
In prayer she lifted that the poor might live.

Sore pressed by grief, and wrongs more hard to bear,
And dwarfed and stifled by a harsh control,
She kept life fragrant with good deeds and prayer,
And fresh and pure the white flower of her soul.

Death found her busy at her task: one word
Alone she uttered as she paused to die,
"Silence!"--then listened even as one who heard
With song and wing the angels drawing nigh!

Now Fra Angelico's roses fill her hands,
And, on Murillo's canvas, Want and Pain
Kneel at her feet. Her marble image stands
Worshipped and crowned in Marburg's holy fane.

Yea, wheresoe'er her Church its cross uprears,
Wide as the world her story still is told;
In manhood's reverence, woman's prayers and tears,
She lives again whose grave is centuries old.

And still, despite the weakness or the blame
Of blind submission to the blind, she hath
A tender place in hearts of every name,
And more than Rome owns Saint Elizabeth!



A. D. 1780.

Slow ages passed: and lo! another came,
An English matron, in whose simple faith
Nor priestly rule nor ritual had claim,
A plain, uncanonized Elizabeth.

No sackcloth robe, nor ashen-sprinkled hair,
Nor wasting fast, nor scourge, nor vigil long,
Marred her calm presence. God had made her fair,
And she could do His goodly work no wrong.

Their yoke is easy and their burden light
Whose sole confessor is the Christ of God;
Her quiet trust and faith transcending sight
Smoothed to her feet the difficult paths she trod.

And there she walked, as duty bade her go,
Safe and unsullied as a cloistered nun,
Shamed with her plainness Fashion's gaudy show,
And overcame the world she did not shun.

In Earlham's bowers, in Plashet's liberal hall,
In the great city's restless crowd and din,
Her ear was open to the Master's call,
And knew the summons of His voice within.

Tender as mother, beautiful as wife,
Amidst the throngs of prisoned crime she stood
In modest raiment faultless as her life,
The type of England's worthiest womanhood.

To melt the hearts that harshness turned to stone
The sweet persuasion of her lips sufficed,
And guilt, which only hate and fear had known,
Saw in her own the pitying love of Christ.

So wheresoe'er the guiding Spirit went
She followed, finding every prison cell
It opened for her sacred as a tent
Pitched by Gennesaret or by Jacob's well.

And Pride and Fashion felt her strong appeal,
And priest and ruler marvelled as they saw
How hand in hand went wisdom with her zeal,
And woman's pity kept the bounds of law.

She rests in God's peace; but her memory stirs
The air of earth as with an angel's wings,
And warms and moves the hearts of men like hers,
The sainted daughter of Hungarian kings.

United now, the Briton and the Hun,
Each, in her own time, faithful unto death,
Live sister souls! in name and spirit one,
Thuringia's saint and our Elizabeth!
1885.




REQUITAL.

As Islam's Prophet, when his last day drew
Nigh to its close, besought all men to say
Whom he had wronged, to whom he then should pay
A debt forgotten, or for pardon sue,
And, through the silence of his weeping friends,
A strange voice cried: "Thou owest me a debt,"
"Allah be praised!" he answered. "Even yet
He gives me power to make to thee amends.
O friend! I thank thee for thy timely word."
So runs the tale. Its lesson all may heed,
For all have sinned in thought, or word, or deed,
Or, like the Prophet, through neglect have erred.
All need forgiveness, all have debts to pay
Ere the night cometh, while it still is day.
1885.




THE HOMESTEAD.

AGAINST the wooded hills it stands,
Ghost of a dead home, staring through
Its broken lights on wasted lands
Where old-time harvests grew.

Unploughed, unsown, by scythe unshorn,
The poor, forsaken farm-fields lie,
Once rich and rife with golden corn
And pale green breadths of rye.

Of healthful herb and flower bereft,
The garden plot no housewife keeps;
Through weeds and tangle only left,
The snake, its tenant, creeps.

A lilac spray, still blossom-clad,
Sways slow before the empty rooms;
Beside the roofless porch a sad
Pathetic red rose blooms.

His track, in mould and dust of drouth,
On floor and hearth the squirrel leaves,
And in the fireless chimney's mouth
His web the spider weaves.

The leaning barn, about to fall,
Resounds no more on husking eves;
No cattle low in yard or stall,
No thresher beats his sheaves.

So sad, so drear! It seems almost
Some haunting Presence makes its sign;
That down yon shadowy lane some ghost
Might drive his spectral kine!

O home so desolate and lorn!
Did all thy memories die with thee?
Were any wed, were any born,
Beneath this low roof-tree?

Whose axe the wall of forest broke,
And let the waiting sunshine through?
What goodwife sent the earliest smoke
Up the great chimney flue?

Did rustic lovers hither come?
Did maidens, swaying back and forth
In rhythmic grace, at wheel and loom,
Make light their toil with mirth?

Did child feet patter on the stair?
Did boyhood frolic in the snow?
Did gray age, in her elbow chair,
Knit, rocking to and fro?

The murmuring brook, the sighing breeze,
The pine's slow whisper, cannot tell;
Low mounds beneath the hemlock-trees
Keep the home secrets well.

Cease, mother-land, to fondly boast
Of sons far off who strive and thrive,
Forgetful that each swarming host
Must leave an emptier hive.

O wanderers from ancestral soil,
Leave noisome mill and chaffering store:
Gird up your loins for sturdier toil,
And build the home once more!

Come back to bayberry-scented slopes,
And fragrant fern, and ground-nut vine;
Breathe airs blown over holt and copse
Sweet with black birch and pine.

What matter if the gains are small
That life's essential wants supply?
Your homestead's title gives you all
That idle wealth can buy.

All that the many-dollared crave,
The brick-walled slaves of 'Change and mart,
Lawns, trees, fresh air, and flowers, you have,
More dear for lack of art.

Your own sole masters, freedom-willed,
With none to bid you go or stay,
Till the old fields your fathers tilled,
As manly men as they!

With skill that spares your toiling hands,
And chemic aid that science brings,
Reclaim the waste and outworn lands,
And reign thereon as kings
1886.




HOW THE ROBIN CAME.

AN ALGONQUIN LEGEND.

HAPPY young friends, sit by me,
Under May's blown apple-tree,
While these home-birds in and out
Through the blossoms flit about.
Hear a story, strange and old,
By the wild red Indians told,
How the robin came to be:

Once a great chief left his son,--
Well-beloved, his only one,--
When the boy was well-nigh grown,
In the trial-lodge alone.
Left for tortures long and slow
Youths like him must undergo,
Who their pride of manhood test,
Lacking water, food, and rest.

Seven days the fast he kept,
Seven nights he never slept.
Then the young boy, wrung with pain,
Weak from nature's overstrain,
Faltering, moaned a low complaint
"Spare me, father, for I faint!"
But the chieftain, haughty-eyed,
Hid his pity in his pride.
"You shall be a hunter good,
Knowing never lack of food;
You shall be a warrior great,
Wise as fox and strong as bear;
Many scalps your belt shall wear,
If with patient heart you wait
Bravely till your task is done.
Better you should starving die
Than that boy and squaw should cry
Shame upon your father's son!"

When next morn the sun's first rays
Glistened on the hemlock sprays,
Straight that lodge the old chief sought,
And boiled sainp and moose meat brought.
"Rise and eat, my son!" he said.
Lo, he found the poor boy dead!

As with grief his grave they made,
And his bow beside him laid,
Pipe, and knife, and wampum-braid,
On the lodge-top overhead,
Preening smooth its breast of red
And the brown coat that it wore,
Sat a bird, unknown before.
And as if with human tongue,
"Mourn me not," it said, or sung;
"I, a bird, am still your son,
Happier than if hunter fleet,
Or a brave, before your feet
Laying scalps in battle won.
Friend of man, my song shall cheer
Lodge and corn-land; hovering near,
To each wigwam I shall bring
Tidings of the corning spring;
Every child my voice shall know
In the moon of melting snow,
When the maple's red bud swells,
And the wind-flower lifts its bells.
As their fond companion
Men shall henceforth own your son,
And my song shall testify
That of human kin am I."

Thus the Indian legend saith
How, at first, the robin came
With a sweeter life from death,
Bird for boy, and still the same.
If my young friends doubt that this
Is the robin's genesis,
Not in vain is still the myth
If a truth be found therewith
Unto gentleness belong
Gifts unknown to pride and wrong;
Happier far than hate is praise,--
He who sings than he who slays.




BANISHED FROM MASSACHUSETTS.

1660.

On a painting by E. A. Abbey. The General Court of Massachusetts enacted
Oct. 19, 1658, that "any person or persons of the cursed sect of
Quakers" should, on conviction of the same, be banished, on pain
of death, from the jurisdiction of the common-wealth.


OVER the threshold of his pleasant home
Set in green clearings passed the exiled Friend,
In simple trust, misdoubting not the end.
"Dear heart of mine!" he said, "the time has come
To trust the Lord for shelter." One long gaze
The goodwife turned on each familiar thing,--
The lowing kine, the orchard blossoming,
The open door that showed the hearth-fire's blaze,--
And calmly answered, "Yes, He will provide."
Silent and slow they crossed the homestead's bound,
Lingering the longest by their child's grave-mound.
"Move on, or stay and hang!" the sheriff cried.
They left behind them more than home or land,
And set sad faces to an alien strand.

Safer with winds and waves than human wrath,
With ravening wolves than those whose zeal for God
Was cruelty to man, the exiles trod
Drear leagues of forest without guide or path,
Or launching frail boats on the uncharted sea,
Round storm-vexed capes, whose teeth of granite ground
The waves to foam, their perilous way they wound,
Enduring all things so their souls were free.
Oh, true confessors, shaming them who did
Anew the wrong their Pilgrim Fathers bore
For you the Mayflower spread her sail once more,
Freighted with souls, to all that duty bid
Faithful as they who sought an unknown land,
O'er wintry seas, from Holland's Hook of Sand!

So from his lost home to the darkening main,
Bodeful of storm, stout Macy held his way,
And, when the green shore blended with the gray,
His poor wife moaned: "Let us turn back again."
"Nay, woman, weak of faith, kneel down," said he,
And say thy prayers: the Lord himself will steer;
And led by Him, nor man nor devils I fear!
So the gray Southwicks, from a rainy sea,
Saw, far and faint, the loom of land, and gave
With feeble voices thanks for friendly ground
Whereon to rest their weary feet, and found
A peaceful death-bed and a quiet grave
Where, ocean-walled, and wiser than his age,
The lord of Shelter scorned the bigot's rage.
Aquidneck's isle, Nantucket's lonely shores,
And Indian-haunted Narragansett saw
The way-worn travellers round their camp-fire draw,
Or heard the plashing of their weary oars.
And every place whereon they rested grew
Happier for pure and gracious womanhood,
And men whose names for stainless honor stood,
Founders of States and rulers wise and true.
The Muse of history yet shall make amends
To those who freedom, peace, and justice taught,
Beyond their dark age led the van of thought,
And left unforfeited the name of Friends.
O mother State, how foiled was thy design
The gain was theirs, the loss alone was thine.




THE BROWN DWARF OF RUGEN.

The hint of this ballad is found in Arndt's Miirchen, Berlin, 1816. The
ballad appeared first in St. Nicholas, whose young readers were advised,
while smiling at the absurd superstition, to remember that bad
companionship and evil habits, desires, and passions are more to be
dreaded now than the Elves and Trolls who frightened the children of
past ages.


THE pleasant isle of Rugen looks the Baltic water o'er,
To the silver-sanded beaches of the Pomeranian
shore;

And in the town of Rambin a little boy and maid
Plucked the meadow-flowers together and in the
sea-surf played.

Alike were they in beauty if not in their degree
He was the Amptman's first-born, the miller's
child was she.

Now of old the isle of Rugen was full of Dwarfs
and Trolls,
The brown-faced little Earth-men, the people without
souls;

And for every man and woman in Rugen's island
found
Walking in air and sunshine, a Troll was
underground.

It chanced the little maiden, one morning, strolled
away
Among the haunted Nine Hills, where the elves
and goblins play.

That day, in barley-fields below, the harvesters had
known
Of evil voices in the air, and heard the small horns
blown.

She came not back; the search for her in field and
wood was vain
They cried her east, they cried her west, but she
came not again.

"She's down among the Brown Dwarfs," said the
dream-wives wise and old,
And prayers were made, and masses said, and
Rambin's church bell tolled.

Five years her father mourned her; and then John
Deitrich said
"I will find my little playmate, be she alive or
dead."

He watched among the Nine Hills, he heard the
Brown Dwarfs sing,
And saw them dance by moonlight merrily in a
ring.

And when their gay-robed leader tossed up his cap
of red,
Young Deitrich caught it as it fell, and thrust it
on his head.

The Troll came crouching at his feet and wept for
lack of it.
"Oh, give me back my magic cap, for your great
head unfit!"

"Nay," Deitrich said; "the Dwarf who throws his
charmed cap away,
Must serve its finder at his will, and for his folly
pay.

"You stole my pretty Lisbeth, and hid her in the
earth;
And you shall ope the door of glass and let me
lead her forth."

"She will not come; she's one of us; she's
mine!" the Brown Dwarf said;
The day is set, the cake is baked, to-morrow we
shall wed."

"The fell fiend fetch thee!" Deitrich cried, "and
keep thy foul tongue still.
Quick! open, to thy evil world, the glass door of
the hill!"

The Dwarf obeyed; and youth and Troll down, the
long stair-way passed,
And saw in dim and sunless light a country strange
and vast.

Weird, rich, and wonderful, he saw the elfin
under-land,--
Its palaces of precious stones, its streets of golden
sand.

He came unto a banquet-hall with tables richly
spread,
Where a young maiden served to him the red wine
and the bread.

How fair she seemed among the Trolls so ugly and
so wild!
Yet pale and very sorrowful, like one who never
smiled!

Her low, sweet voice, her gold-brown hair, her tender
blue eyes seemed
Like something he had seen elsewhere or some.
thing he had dreamed.

He looked; he clasped her in his arms; he knew
the long-lost one;
"O Lisbeth! See thy playmate--I am the
Amptman's son!"

She leaned her fair head on his breast, and through
her sobs she spoke
"Oh, take me from this evil place, and from the
elfin folk,

"And let me tread the grass-green fields and smell
the flowers again,
And feel the soft wind on my cheek and hear the
dropping rain!

"And oh, to hear the singing bird, the rustling of
the tree,
The lowing cows, the bleat of sheep, the voices of
the sea;

"And oh, upon my father's knee to sit beside the
door,
And hear the bell of vespers ring in Rambin
church once more!"

He kissed her cheek, he kissed her lips; the Brown
Dwarf groaned to see,
And tore his tangled hair and ground his long
teeth angrily.

But Deitrich said: "For five long years this tender
Christian maid
Has served you in your evil world and well must
she be paid!

"Haste!--hither bring me precious gems, the
richest in your store;
Then when we pass the gate of glass, you'll take
your cap once more."

No choice was left the baffled Troll, and, murmuring,
he obeyed,
And filled the pockets of the youth and apron of
the maid.

They left the dreadful under-land and passed the
gate of glass;
They felt the sunshine's warm caress, they trod the
soft, green grass.

And when, beneath, they saw the Dwarf stretch up
to them his brown
And crooked claw-like fingers, they tossed his red
cap down.

Oh, never shone so bright a sun, was never sky so
blue,
As hand in hand they homeward walked the pleasant
meadows through!

And never sang the birds so sweet in Rambin's
woods before,
And never washed the waves so soft along the Baltic
shore;

And when beneath his door-yard trees the father
met his child,
The bells rung out their merriest peal, the folks
with joy ran wild.







*** END OF THE PROJECT GUTENBERG EBOOK BAY OF SEVEN ISLANDS, AND OTHER POEMS ***


    

Updated editions will replace the previous one—the old editions will
be renamed.

Creating the works from print editions not protected by U.S. copyright
law means that no one owns a United States copyright in these works,
so the Foundation (and you!) can copy and distribute it in the United
States without permission and without paying copyright
royalties. Special rules, set forth in the General Terms of Use part
of this license, apply to copying and distributing Project
Gutenberg™ electronic works to protect the PROJECT GUTENBERG™
concept and trademark. Project Gutenberg is a registered trademark,
and may not be used if you charge for an eBook, except by following
the terms of the trademark license, including paying royalties for use
of the Project Gutenberg trademark. If you do not charge anything for
copies of this eBook, complying with the trademark license is very
easy. You may use this eBook for nearly any purpose such as creation
of derivative works, reports, performances and research. Project
Gutenberg eBooks may be modified and printed and given away—you may
do practically ANYTHING in the United States with eBooks not protected
by U.S. copyright law. Redistribution is subject to the trademark
license, especially commercial redistribution.


START: FULL LICENSE

THE FULL PROJECT GUTENBERG LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full
Project Gutenberg™ License available with this file or online at
www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™
electronic works

1.A. By reading or using any part of this Project Gutenberg™
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or
destroy all copies of Project Gutenberg™ electronic works in your
possession. If you paid a fee for obtaining a copy of or access to a
Project Gutenberg™ electronic work and you do not agree to be bound
by the terms of this agreement, you may obtain a refund from the person
or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg™ electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg™ electronic works if you follow the terms of this
agreement and help preserve free future access to Project Gutenberg™
electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the
Foundation” or PGLAF), owns a compilation copyright in the collection
of Project Gutenberg™ electronic works. Nearly all the individual
works in the collection are in the public domain in the United
States. If an individual work is unprotected by copyright law in the
United States and you are located in the United States, we do not
claim a right to prevent you from copying, distributing, performing,
displaying or creating derivative works based on the work as long as
all references to Project Gutenberg are removed. Of course, we hope
that you will support the Project Gutenberg™ mission of promoting
free access to electronic works by freely sharing Project Gutenberg™
works in compliance with the terms of this agreement for keeping the
Project Gutenberg™ name associated with the work. You can easily
comply with the terms of this agreement by keeping this work in the
same format with its attached full Project Gutenberg™ License when
you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are
in a constant state of change. If you are outside the United States,
check the laws of your country in addition to the terms of this
agreement before downloading, copying, displaying, performing,
distributing or creating derivative works based on this work or any
other Project Gutenberg™ work. The Foundation makes no
representations concerning the copyright status of any work in any
country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other
immediate access to, the full Project Gutenberg™ License must appear
prominently whenever any copy of a Project Gutenberg™ work (any work
on which the phrase “Project Gutenberg” appears, or with which the
phrase “Project Gutenberg” is associated) is accessed, displayed,
performed, viewed, copied or distributed:

    This eBook is for the use of anyone anywhere in the United States and most
    other parts of the world at no cost and with almost no restrictions
    whatsoever. You may copy it, give it away or re-use it under the terms
    of the Project Gutenberg License included with this eBook or online
    at www.gutenberg.org. If you
    are not located in the United States, you will have to check the laws
    of the country where you are located before using this eBook.
  
1.E.2. If an individual Project Gutenberg™ electronic work is
derived from texts not protected by U.S. copyright law (does not
contain a notice indicating that it is posted with permission of the
copyright holder), the work can be copied and distributed to anyone in
the United States without paying any fees or charges. If you are
redistributing or providing access to a work with the phrase “Project
Gutenberg” associated with or appearing on the work, you must comply
either with the requirements of paragraphs 1.E.1 through 1.E.7 or
obtain permission for the use of the work and the Project Gutenberg™
trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any
additional terms imposed by the copyright holder. Additional terms
will be linked to the Project Gutenberg™ License for all works
posted with the permission of the copyright holder found at the
beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including
any word processing or hypertext form. However, if you provide access
to or distribute copies of a Project Gutenberg™ work in a format
other than “Plain Vanilla ASCII” or other format used in the official
version posted on the official Project Gutenberg™ website
(www.gutenberg.org), you must, at no additional cost, fee or expense
to the user, provide a copy, a means of exporting a copy, or a means
of obtaining a copy upon request, of the work in its original “Plain
Vanilla ASCII” or other form. Any alternate format must include the
full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg™ works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg™ electronic works
provided that:

    • You pay a royalty fee of 20% of the gross profits you derive from
        the use of Project Gutenberg™ works calculated using the method
        you already use to calculate your applicable taxes. The fee is owed
        to the owner of the Project Gutenberg™ trademark, but he has
        agreed to donate royalties under this paragraph to the Project
        Gutenberg Literary Archive Foundation. Royalty payments must be paid
        within 60 days following each date on which you prepare (or are
        legally required to prepare) your periodic tax returns. Royalty
        payments should be clearly marked as such and sent to the Project
        Gutenberg Literary Archive Foundation at the address specified in
        Section 4, “Information about donations to the Project Gutenberg
        Literary Archive Foundation.”
    
    • You provide a full refund of any money paid by a user who notifies
        you in writing (or by e-mail) within 30 days of receipt that s/he
        does not agree to the terms of the full Project Gutenberg™
        License. You must require such a user to return or destroy all
        copies of the works possessed in a physical medium and discontinue
        all use of and all access to other copies of Project Gutenberg™
        works.
    
    • You provide, in accordance with paragraph 1.F.3, a full refund of
        any money paid for a work or a replacement copy, if a defect in the
        electronic work is discovered and reported to you within 90 days of
        receipt of the work.
    
    • You comply with all other terms of this agreement for free
        distribution of Project Gutenberg™ works.
    

1.E.9. If you wish to charge a fee or distribute a Project
Gutenberg™ electronic work or group of works on different terms than
are set forth in this agreement, you must obtain permission in writing
from the Project Gutenberg Literary Archive Foundation, the manager of
the Project Gutenberg™ trademark. Contact the Foundation as set
forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
works not protected by U.S. copyright law in creating the Project
Gutenberg™ collection. Despite these efforts, Project Gutenberg™
electronic works, and the medium on which they may be stored, may
contain “Defects,” such as, but not limited to, incomplete, inaccurate
or corrupt data, transcription errors, a copyright or other
intellectual property infringement, a defective or damaged disk or
other medium, a computer virus, or computer codes that damage or
cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg™ trademark, and any other party distributing a Project
Gutenberg™ electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium
with your written explanation. The person or entity that provided you
with the defective work may elect to provide a replacement copy in
lieu of a refund. If you received the work electronically, the person
or entity providing it to you may choose to give you a second
opportunity to receive the work electronically in lieu of a refund. If
the second copy is also defective, you may demand a refund in writing
without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO
OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT
LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of
damages. If any disclaimer or limitation set forth in this agreement
violates the law of the state applicable to this agreement, the
agreement shall be interpreted to make the maximum disclaimer or
limitation permitted by the applicable state law. The invalidity or
unenforceability of any provision of this agreement shall not void the
remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg™ electronic works in
accordance with this agreement, and any volunteers associated with the
production, promotion and distribution of Project Gutenberg™
electronic works, harmless from all liability, costs and expenses,
including legal fees, that arise directly or indirectly from any of
the following which you do or cause to occur: (a) distribution of this
or any Project Gutenberg™ work, (b) alteration, modification, or
additions or deletions to any Project Gutenberg™ work, and (c) any
Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of
electronic works in formats readable by the widest variety of
computers including obsolete, old, middle-aged and new computers. It
exists because of the efforts of hundreds of volunteers and donations
from people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg™’s
goals and ensuring that the Project Gutenberg™ collection will
remain freely available for generations to come. In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg™ and future
generations. To learn more about the Project Gutenberg Literary
Archive Foundation and how your efforts and donations can help, see
Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service. The Foundation’s EIN or federal tax identification
number is 64-6221541. Contributions to the Project Gutenberg Literary
Archive Foundation are tax deductible to the full extent permitted by
U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West,
Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up
to date contact information can be found at the Foundation’s website
and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread
public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine-readable form accessible by the widest
array of equipment including outdated equipment. Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States. Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements. We do not solicit donations in locations
where we have not received written confirmation of compliance. To SEND
DONATIONS or determine the status of compliance for any particular state
visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation
methods and addresses. Donations are accepted in a number of other
ways including checks, online payments and credit card donations. To
donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project
Gutenberg™ concept of a library of electronic works that could be
freely shared with anyone. For forty years, he produced and
distributed Project Gutenberg™ eBooks with only a loose network of
volunteer support.

Project Gutenberg™ eBooks are often created from several printed
editions, all of which are confirmed as not protected by copyright in
the U.S. unless a copyright notice is included. Thus, we do not
necessarily keep eBooks in compliance with any particular paper
edition.

Most people start at our website which has the main PG search
facility: www.gutenberg.org.

This website includes information about Project Gutenberg™,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.