The Project Gutenberg eBook of Waltoniana: Inedited Remains in Verse and Prose of Izaak Walton, by Izaak Walton and Richard Herne Shepherd

  1633. I. An Elegie upon Dr. Donne.
  1635. II. Lines on a Portrait of Donne.
  1638. III. Commendatory Verses prefixed to The Merchants Mappe of
                  Commerce.
  1645. IV. Preface to Quarles' Shepherds Oracles.
  1650. V. Couplet on Dr. Richard Sibbes.
  1651. VI. Dedication of Reliquiae Wottonianae.
          VII. On the Death of William Cartwright.
  1652. VIII. Preface to Sir John Skeffington's Heroe of Lorenzo.
           IX. Commendatory Verses to the Author of Scintillula Altaris.
  1658. X. Dedication of the Life of Donne and Advertisement to the
                  Reader.
  1660. XI. Daman and Dorus: An humble Eglog.
  1661. XII. To my Reverend Friend the Author of The Synagogue.
  1662. XIII. Epitaph on his Second Wife, Anne Ken.
  1670. XIV. Letter to Edward Ward.
  1672. XV. Dedication of the Third Edition of Reliquiae Wottonianae.
  1673. XVI. Letter to Marriott.
  1678. XVII. Preface &c. to Thealma & Clearchus.
  1680. XVIII. Letter to John Aubrey.
  1683. XIX. Izaak Walton's Last Will and Testament.

PREFACE.

Few men who have written books have been able to win so large a share of the personal affection of their readers as honest Izaak Walton has done, and few books are laid down with so genuine a feeling of regret as the "Complete Angler" certainly is, that they are no longer. "One of the gentlest and tenderest spirits of the seventeenth century," we all know his dear old face, with its cheerful, happy, serene look, and we should all have liked to accompany him on one of those angling excursions from Tottenham High Cross, and to have listened to the quaint, garrulous, sportive talk, the outcome of a religion which was like his homely garb, not too good for every-day wear. We see him, now diligent in his business, now commemorating the virtues of that cluster of scholars and churchmen with whose friendship he was favoured in youth, and teaching his young brother-in-law, Thomas Ken, to walk in their saintly footsteps,—now busy with his rod and line, or walking and talking with a friend, staying now and then to quaff an honest glass at a wayside ale-house—leading a simple, cheerful, blameless life

We have said that the reader regrets that Walton should have left so little behind him: his "Angler" and his Lives are all that is known to most. But we are now enabled to present those who love his memory with a collection of fugitive pieces, in verse and prose, extending in date of composition over a period of fifty years,—beginning with the Elegy on Donne, in 1633, and terminating only with his death in 1683. All these, however unambitious, are more or less characteristic of the man, and impregnated with the same spirit of genial piety that distinguishes the two well-known books to which they form a supplement.

Walton's devotion to literature must have begun at an early age; for in a little poem, entitled The Love of Amos and Laura, published in 1619, when he was only twenty-six, and attributed variously to Samuel Purchas, author of "The Pilgrims," and to Samuel Page, we find the following dedication to him:—

"TO MY APPROVED AND MUCH RESPECTED FRIEND, IZ. WA.

    "To thee, thou more then thrice beloved friend,
    I too unworthy of so great a blisse:
    These harsh-tun'd lines I here to thee commend,
    Thou being cause it is now as it is:
      For hadst thou held thy tongue, by silence might
      These have beene buried in obliuious night.

    "If they were pleasing, I would call them thine,
    And disauow my title to the verse:
    But being bad, I needes must call them mine.
    No ill thing can be cloathed in thy verse.
      Accept them then, and where I have offended,
      Rase thou it out, and let it be amended.

"S.P." [2]

What poems Walton wrote in his youth, we have now no means of knowing; it has not been discovered that any have been printed, unless we adopt the theory advocated by Mr. Singer,[3] and by a writer in the "Retrospective Review,"[4] that the poem of Thealma and Clearchus, which he published in the last year of his life, as a posthumous fragment of his relation John Chalkhill, was really a juvenile work of his own. Some plausibility is lent to this notion by the fact that Walton speaks of the author with so much reticence and reserve in his preface to the volume, and also that in introducing two of Chalkhill's songs into the "Complete Angler," he does not bestow on them the customary words of commendation. This theory has been rebutted by others, who assert that Walton was of too truthful and guileless a nature to resort to such an artifice. We confess that we are unable to see anything dishonest in the adoption, as a pseudonym, of the name of a deceased friend, or anything more than Walton appears to have done on another occasion when he published his two letters on "Love and Truth." It is certain, however, that a family of Chalkhills existed, with whom Walton was closely connected by his marriage with the sister of Bishop Ken. But that an "acquaintant and friend of Edmund Spenser," capable of writing such a poem as Thealma and Clearchus, should have kept his talents so concealed, that in an age of commendatory verses no slightest contemporary record of him exists—is, to say the least, extraordinary. There are cogent arguments then on both sides of the question, and there is very little positive proof on either: so we must be content to leave the matter in some doubt and obscurity.

The first production to which our author attached the well-known signature of "Iz. Wa." was an Elegy on the Death of Dr. Donne, the Dean of St. Paul's, prefixed to a collection of Donne's Poems. Walton was then forty years of age. From this time forward we find him more or less engaged, at not very long intervals, on literary labours, till the very year of his death.

The care which Walton spent on his productions seems to have been very great. He wrote and re-wrote, corrected, amended, rescinded, and added. This very poem—the Elegy on Donne—he completely remodelled in his old age, when he inserted it in the collection of his Lives. But we have thought it well to give the original version here as a literary curiosity, and the first work of his that has come down to us. The original Lives themselves—especially those of Wotton and Donne—were mere sketches of what they are in their present enlarged form.

Walton had the good fortune to be thrown very early in life into the society and intimacy of men who were his superiors in rank and education. But he had enough of culture, joined to his inherent reverence of mind, to appreciate and understand all that they had and he wanted.

The preface to Sir John Skeffington's Heroe of Lorenzo had for two centuries lain forgotten, and escaped the notice of Walton's biographers, till in 1852 it was discovered by Dr. Bliss of Oxford, and communicated by him to the late William Pickering.

The original Spanish work was first published in 1630. The author's real name was not Lorenzo, but Balthazar Gracian, a Jesuit of Aragon, who flourished during the first half of the seventeenth century, when the cultivated style took possession of Spanish prose, and rose to its greatest consideration.[5] It is a collection of short, wise apothegms and maxims for the conduct of life, sometimes illustrated by stories of valour, or prowess, or magnanimity, of the old Castilian heroes who figure in "Count Lucanor." The book, though now no longer read, must have been very popular at one time, for there exist two or three later English versions of it, without, however, the nervous concentration of style and idiomatic diction that characterize the translation sent forth to the world under Walton's auspices.

The two Letters published in 1680 under the title of Love and Truth,[6] were written respectively in the years 1668 and 1679. The evidence of their authorship is twofold, and we think quite conclusive. In one of the very few copies known to exist, and now in the library of Emanuel College, Cambridge, its original possessor, Archbishop Sancroft, has written:—"Is. Walton's 2 letters conc. ye Distemp's of ye Times, 1680," and Dr. Zouch appended to his reprint of the tract[7] a number of parallel passages from other acknowledged writings of Walton, of themselves almost sufficient to fix the question on internal evidence alone.

In the British Museum copy of this tract is the following note on one of the fly-leaves in the autograph of the late William Pickering:—

"The present is the only copy I have met with after twenty years'
search, excepting the one in Emanuel College, Cambridge. W. Pickering."

The copy described above [i.e., the Emanuel College copy] appears to be the same edition as the present [that now in the British Museum], but has the following variation. After the title-page is printed

"Mr. Brome," &c., and the Epistle ends with "Your friend," without the N.N. which is found in this copy. But what is more remarkable, the printed word Author is run through, and corrected with a pen, and over it written Publisher, which is evidently in the handwriting of Walton. So Mr. Pickering further certifies.

The following allusion towards the bottom of p. 37 confirms the idea of Walton's authorship. Speaking of Hugh Peters and John Lilbourn, the writer says:—"Their turbulent lives and uncomfortable deaths are not I hope yet worn out of the memory of many. He that compares them with the holy life and happy death of Mr. George Herbert, as it is plainly and I hope truly writ by Mr. Isaac Walton, may in it find a perfect pattern for an humble and devout Christian to imitate," &c.

The following are the chief parallel passages in this pamphlet and in
Walton's other writings, as indicated by Zouch:—

I wish as heartily as you Mr. George Herbert having do that all such Clergy-mens changed his sword and Wives as have silk Cloaths silk clothes into a canonical be-daubed with Lace, and coat, thus warned Mrs. Herbert their heads hanged about against this egregious folly with painted Ribands, were of striving for precedency:— enjoyned Penance for their "You are now a minister's pride: And their Husbands wife, and must now so far forget punisht for being so tame, or your father's house, as not so lovingly-simple, as to suffer to claim a precedence of any them; for, by such Cloaths, of your parishioners," &c. they proclaim their own Ambition, and their Husbands folly.

And, I confess also, what One cure for the wickedness you say of a Clergy-mans of the times would be, bidding to fast on the Eves of for the clergy themselves Holy-days, in Lent, and the to keep the Ember-weeks Ember Weeks: And I wish strictly, &c. those biddings were forborn, or better practised by themselves.

And, I wish as heartily as Those ministers that huddled you can, that they would not up the church prayers only read, but pray, the without a visible reverence Common Prayer; and not and affection: namely, such huddle it up so fast (as too as semed to say the Lord's many do) by getting into a Prayer or collect in a breath. middle of a second Collect, before a devout Hearer can say Amen to the first.

And now, having unbowelled But since I had thus adventured my very soul thus to unbowel myself, freely to you, &c. and to lay open the very inmost thoughts of my heart.

A Corrosive, or (as Solomon Riches so gotten, and added says of ill-gotten riches) to his great estate, would like gravel in his teeth. prove like gravel in his teeth.

Those Bishops and Martyrs It was the advice of Sir that assisted in this Reformation, Henry Wotton, "Take heed did not (as Sir Henry Wotton of thinking the farther you go said wisely) think the farther from the Church of Rome, they went from the Church of Rome, the nearer you are to God." the nearer they got to heaven.

To make the Women, the Here the very women and Shop-keepers, and the middle- shopkeepers were able to judge witted People … less of predestination, and determine busie, and more humble and what laws were fit to lowly in their own eyes, and be obeyed or abolished. to think that they are neither called, nor are fit to meddle with, and judge of the most hidden and mysterious points in Divinity, and Government of the Church and State.

I desire you to look back Some years before the unhappy with me to the beginning of Long Parliament, this the late Long Parliament nation being then happy and 1640, at which time we in peace. were the quietest and happiest people in the Christian World.

To the present Editor the collection and annotation of these Remains has been a most welcome labour of love. Some of his oldest and most cherished memories connect themselves with the author of the "Complete Angler." That book was one of the first that he ever read with real and genuine delight; and even before reading days commenced, in the earliest dawn of memory, the place where Walton had cut his familiar signature of "Iz. Wa." on Chaucer's tomb in Westminster Abbey, was pointed out to him often by a kindred spirit now here no more. The name of Walton will also be found enshrined in the earliest prose production[8] to which the Editor prefixed his own name. R.H.S.

FOOTNOTES

[1] "Happy old man, whose worth all mankind knows
       Except himself, who charitably shows
       The ready road to Virtue, and to Praise,
       The road to many long, and happy days;
       The noble arts of generous piety,
       And how to compass true felicity.
       ——he knows no anxious cares,
       Thro' near a Century of pleasant years;
       Easy he lives and cheerful shall he die,
       Well spoken of by late posterity."

    June 5, 1683.
    (Flatman's Commendatory Verses prefixed to "Thealma and Clearchus;"
    Poems and Songs by Thomas Flatman, Third Edition.)

[2] The Love of Amos and Laura. Written by S.P. London. Printed for Richard Hawkins, dwelling in Chancery-Lane, neere Serieants Inne, 1619. Printed at the end of a volume entitled, Alcilia, Philoparthens louing Folly, &c., which, from its being signed at the end with the initials "J.C.," has been attributed to Walton's friend, John Chalkhill, whose posthumous poem, Thealma and Clearchus, he published in the last year of his life. The lines to Walton do not appear in the earlier quarto edition of the book issued by the same publisher in 1613, or in the later quarto of 1628.

[3] Thealma and Clearchus; a Pastoral Romance, by John Chalkhill. First Published by Isaac Walton, 1683. A New Edition. Revised and Corrected (by S.W. Singer). Chiswick: 1820.

[6] Love and Truth: / in / Two modest and peaceable / Letters / concerning / The distempers of the present Times. / Written / From a quiet and Conformable Citizen of / LONDON, to two busie and Factious/ Shop-keepers in Coventry./

                         1 Pet. 4. 15.
      But let none of you suffer as a busiebody in other mens /
    matters. /

LONDON, / Printed by M.C. for Henry Brome at the Gun /
in St. Pauls Church-yard. 1680.

AN ELEGIE UPON DR. DONNE.

[Juvenilia: or Certaine Paradoxes and Problemes, written by I. Donne. London, Printed by E.P. for Henry Seyle, and are to be sold at the signe of the Tygers head, in Saint Pauls Church-yard, Anno Dom. 1633 (pp. 382-384)._

Poems, by J.D. with Elegies on the Author's Death. London. Printed by M.F. for JOHN MARRIOT, and are to be sold at his Shop in St. Dunstans Church-yard in Fleet-street, 1635.

The text is printed from the revised version of 1635, and the original readings of 1633 are given at the foot of the page.]

  Our Donne is dead; England should mourne, may say
  We had a man where language chose to stay
  And shew her gracefull power.[1] I would not praise
  That and his vast wit (which in these vaine dayes
  Make many proud) but, as they serv'd to unlock
  That Cabinet, his minde: where such a stock
  Of knowledge was repos'd, as all lament
  (Or should) this generall cause of discontent.
  And I rejoyce I am not so severe,
  But (as I write a line) to weepe a teare
  For his decease; Such sad extremities
  May make such men as I write Elegies.
    And wonder not; for, when a generall losse
  Falls on a nation, and they slight the crosse,
  God hath rais'd Prophets to awaken them
  From stupifaction; witnesse my milde pen,
  Not us'd to upbraid the world, though now it must
  Freely and boldly, for, the cause is just.
    Dull age, Oh I would spare thee, but th'art worse,
  Thou art not onely dull, but hast a curse
  Of black ingratitude; if not, couldst thou
  Part with miraculous Donne, and make no vow
  For thee, and thine, successively to pay
  A sad remembrance to his dying day?
    Did his youth scatter Poetry, wherein
  Was all Philosophy? was every sinne,
  Character'd in his Satyrs? Made so foule
  That some have fear'd their shapes, and kept their soule
  Safer by reading verse? Did he give dayes
  Past marble monuments, to those, whose praise
  He would perpetuate? Did he (I feare
  The dull will doubt:) these at his twentieth year?
    But, more matur'd; Did his full soule conceive,
  And in harmonious-holy-numbers weave
  A [2]Crown of sacred sonnets, fit to adorne
  A dying Martyrs brow: or, to be worne
  On that blest head of Mary Magdalen,
  After she wip'd Christs feet, but not till then?
  Did hee (fit for such penitents as shee
  And he to use) leave us a Litany,
  Which all devout men love, and sure, it shall,
  As times grow better, grow more classicall?
  Did he write Hymnes, for piety, for wit,[3]
  Equall to those, great grave Prudentius writ?
  Spake he all Languages? knew he all Lawes?
  The grounds and use of Physick; but because
  'Twas mercenary, wav'd it? Went to see
  That blessed place of Christs nativity?
  Did he returne and preach him? preach him so
  As since S. Paul none did, none could? Those know,
  (Such as were blest to heare him) this is truth.[4]
  Did he confirm thy aged?[5] convert thy youth?
  Did he these wonders? And is this deare losse
  Mourn'd by so few? (few for so great a crosse.)
    But sure the silent are ambitious all
  To be Close Mourners at his Funerall;
  If not; In common pitty they forbare
  By repetitions to renew our care;
  Or, knowing, griefe conceiv'd, conceal'd, consumes
  Man irreparably, (as poyson'd fumes
  Doe waste the braine) make silence a safe way,
  To'inlarge the Soule from these walls, mud and clay,
  (Materials of this body) to remaine
  With Donne in heaven, where no promiscuous pain
  Lessens the joy we have, for, with him, all
  Are satisfy'd with joyes essentiall.
    Dwell on this joy my thoughts; oh, doe not call[6]
  Griefe back, by thinking of his Funerall;
  Forget hee lov'd mee; Waste not my sad yeares;
  (Which hast to Davids seventy,) fill'd with feares
  And sorrow for his death; Forget his parts,
  Which finde a living grave in good mens hearts;
  And, (for, my first is dayly payd for sinne)
  Forget to pay my second sigh for him:
  Forget his powerfull preaching; and forget
  I am his Convert. Oh my frailty! let
  My flesh be no more heard, it will obtrude
  This lethargy: so should my gratitude,
  My flowes[7] of gratitude should so be broke;
  Which can no more be, than Donnes vertues spoke
  By any but himselfe; for which cause, I
  Write no Encomium, but this Elegie,[8]
  Which, as a free-will-offring, I here give
  Fame, and the world, and parting with it grieve
  I want abilities, fit to set forth
  A monument, great, as Donnes matchlesse worth.
                                              IZ. WA.

FOOTNOTES

[1] In the edition of 1633, the poem opens thus:—
      Is Donne, great Donne deceas'd? then England say
      Thou'hast lost a man where language chose to stay
      And shew it's gracefull power, &c.

[4] As none but hee did, or could do? They know (Such as were blest to heare him know) 'tis truth.—1633.

[8] Write no Encomium, but an Elegie. Here the poem closed in the edition of 1633.

LINES ON A PORTRAIT OF DONNE IN HIS EIGHTEENTH YEAR.

[Engraved under William Marshall's Portrait of Donne, "Anno Domini. 1591.
Aetatis suae 18," prefixed to the second edition of Donne's Poems, 1635.]

  This was for youth, Strength, Mirth, and wit that Time
  Most count their golden Age; but t'was not thine.
  Thine was thy later yeares, so much refind
  From youths Drosse, Mirth & wit; as thy pure mind
  Thought (like the Angels) nothing but the Praise
  Of thy Creator, in those last, best Dayes.
    Witnes this Booke, (thy Embleme) which begins
    With Love; but endes, with Sighes, & Teares for sin's.
                                                        IZ: WA:

COMMENDATORY VERSES PREFIXED TO THE MERCHANTS MAPPE OF COMMERCE.

[The Merchants Mappe of Commerce: wherein the Universall Manner and Matter of Trade, is compendiously handled. By Lewes Roberts, Merchant. At London, Printed by R.O. for Ralph Mabb MDCXXXVIII. fol.

TO THE READER.

  If thou would'st be a States-man, and survay
  Kingdomes for information; heres a way
  Made plaine, and easie: fitter far for thee
  Then great Ortelius his Geographie.

  If thou would'st be a Gentleman, in more
  Then title onely; this MAP yeelds thee store
  Of Observations, fit for Ornament,
  Or use, or to give curious eares content.

  If thou would'st be a Merchant, buy this Booke:
  For 'tis a prize worth gold; and doe not looke
  Daily for such disbursements; no, 'tis rare,
  And should be cast up with thy richest ware.

  READER, if thou be any, or all three;
  (For these may meet and make a harmonie)
  Then prayse this Author for his usefull paines,
  Whose aime is publike good, not private gaines.
                                               IZ. WA.

PREFACE TO QUARLES'S SHEPHERD ORACLES.

[The Shepheards Oracles: Delivered in Certain Eglogues. By Fra: Quarles.
London, Printed by M.F. for John Marriot and Richard Marriot, and are to
be sold at their shop in S. Dunstans Church-yard Fleetstreet, under the
Dyall. 1646.]

READER,
Though the Authour had some years before his lamented death, compos'd,
review'd, and corrected these Eglogues; yet, he left no Epistle to the
Reader, but onely a Title, and a blanke leafe for that purpose.

Whether he meant some Allegoricall exposition of the Shepheards names, or their Eglogues, is doubtfull: but 'tis certain, that as they are, they appear a perfect pattern of the Authour; whose person, and minde, were both lovely, and his conversation such as distill'd pleasure, knowledge, and vertue, into his friends and acquaintance.

'Tis confest, these Eglogues are not so wholly divine as many of his publisht Meditations, which speak his affections to be set upon things that are above, and yet even such men have their intermitted howres, and (as their company gives occasion) commixtures of heavenly and earthly thoughts.

You are therefore requested to fancy him cast by fortune into the company of some yet unknown Shepheards: and you have a liberty to beleeve 'twas by this following accident.

"He in a Sommers morning (about that howre when the great eye of Heaven first opens it selfe to give light to us mortals) walking a gentle pace towards a Brook (whose Spring-head was not far distant from his peacefull habitation) fitted with Angle, Lines, and Flyes: Flyes proper for that season (being the fruitfull Month of May;) intending all diligence to beguile the timorous Trout, (with which that watry element abounded) observ'd a more then common concourse of Shepheards, all bending their unwearied steps towards a pleasant Meadow within his present prospect, and had his eyes made more happy to behold the two fair Shepheardesses Amaryllis and Aminta strewing the foot-paths with Lillies, and Ladysmocks, so newly gathered by their fair hands, that they yet smelt more sweet then the morning, and immediately met (attended with Clora Clorinda, and many other Wood-nymphs) the fair and vertuous Parthenia: who after a courteous salutation and inquiry of his intended Journey, told him the neighbour-Shepheards of that part of Arcadia had dedicated that day to be kept holy to the honour of their great God Pan; and, that they had designed her Mistresse of a Love-feast, which was to be kept that present day, in an Arbour built that morning, for that purpose; she told him also, that Orpheus would bee there, and bring his Harp, Pan his Pipe, and Titerus his Oaten-reed, to make musick at this feast; shee therefore perswaded him, not to lose, but change that dayes pleasure; before he could return an answer they were unawares entred into a living mooving Lane, made of Shepheard and Pilgrimes; who had that morning measured many miles to be eye-witnesses of that days pleasure; this Lane led them into a large Arbour, whose wals were made of the yeelding Willow, and smooth Beech boughs: and covered over with Sycamore leaves, and Honysuccles."

I might now tell in what manner (after her first entrance into this Arbour) Philoclea (Philoclea the fair Arcadian Shepheardesse) crown'd her Temples with a Garland, with what flowers, and by whom 'twas made; I might tell what guests (besides Astrea and Adonis) were at this feast; and who (beside Mercury) waited at the Table, this I might tell: but may not, cannot expresse what musick the Gods and Wood-nymphs made within; and the Linits, Larks, and Nightingales about this Arbour, during this holy day: which began in harmlesse mirth, and (for Bacchus and his gang were absent) ended in love and peace, which Pan (for he onely can doe it) continue in Arcadia, and restore to the disturbed Island of Britannia, and grant that each honest Shepheard may again sit under his own Vine and Fig-tree, and feed his own flock, and with love enjoy the fruits of peace, and be more thankfull.

Reader, at this time and place, the Authour contracted a friendship with certain single-hearted Shepheards: with whom (as he return'd from his River-recreations) he often rested himselfe, and whilest in the calm evening their flocks fed about them, heard that discourse, which (with the Shepheards names) is presented in these Eglogues.

COUPLET ON DR. RICHARD SIBBES.

[Written by Izaak Walton in his copy of Dr. Richard Sibbes's work, The
Returning Backslider, 4'10., 1650, preserved in the Cathedral Library,
Salisbury. See Sir Harris Nicolas' Memoir of Walton, clv.]

  Of this blest man let this just praise be given,
  Heaven was in him, before he was in heaven.
                                           IZAAK WALTON.

DEDICATION OF RELIQUIAE WOTTONIANAE.

[Reliquiae Wottonianae, or, a Collection of Lives, Letters, Poems; with
Characters of Sundry Personages: and other Incomparable Pieces of Language
and Art. By The curious Pensil of the Ever Memorable Sr. Henry Wotton,
Kt., Late, Provost of Eton Colledg. London, Printed by Thomas Maxey, for
R. Marriot, G. Bedel, and T. Garthwait. 1651.]

To the Right Honourable The Lady Mary Wotton Baronness, and to her Three Noble Daughters.

{ KATHERIN STANHOP. THE LADY { MARGARET TUFTON. { ANN HALES.

Since Bookes seeme by custome to Challenge a dedication, Justice would not allow, that what either was, or concern'd Sir Henry Wotton, should be appropriated to any other Persons; Not only for that nearnesse of Aliance and Blood (by which you may chalenge a civil right to what was his;) but, by a title of that intirenesse of Affection, which was in you to each other, when Sir Henry Wotton had a being upon Earth.

And since yours was a Friendship made up of generous Principles, as I cannot doubt but these indeavours to preserve his Memory wil be acceptable to all that lov'd him; so especially to you: from whom I have had such incouragements as hath imboldned me to this Dedication. Which you are most humbly intreated may be accepted from

ON THE DEATH OF WILLIAM CARTWRIGHT.

[Comedies, Tragi-Comedies, with other Poems, by Mr. William Cartwright, late Student of Christ-Church in Oxford, and Proctor of the University. London, Printed for Humphrey Moseley, and are to be sold at his Shop, at the sign of the Prince's Arms in St. Pauls Church-yard, 1651.]

On the Death of my dear Friend Mr. William Cartwright, relating to the foregoing Elegies.

    I cannot keep my purpose, but must give
    Sorrow and Verse their way; nor will I grieve
    Longer in silence; no, that poor, poor part
    Of natures legacy, Verse void of Art,
    And undissembled teares, CARTWRIGHT shall have
    Fixt on his Hearse; and wept into his grave.
      Muses I need you not; for, Grief and I
    Can in your absence weave an Elegy:
    Which we will do; and often inter-weave
    Sad Looks, and Sighs; the ground-work must receive
    Such Characters, or be adjudg'd unfit
    For my Friends shroud; others have shew'd their Wit,
    Learning, and Language fitly; for these be
    Debts due to his great Merits: but for me,
    My aymes are like my self, humble and low,
    Too mean to speak his praise, too mean to show
    The World what it hath lost in losing thee,
    Whose Words and Deeds were perfect Harmony.
      But now 'tis lost; lost in the silent Grave,
    Lost to us Mortals, lost, 'till we shall have
    Admission to that Kingdom, where He sings
    Harmonious Anthems to the King of Kings.
      Sing on blest Soul! be as thou wast below,
    A more than common instrument to show
    Thy Makers praise; sing on, whilst I lament
    Thy loss, and court a holy discontent,
    With such pure thoughts as thine, to dwell with me,
    Then I may hope to live, and dye like thee,
    To live belov'd, dye mourn'd, thus in my grave;
    Blessings that Kings have wish'd, but cannot have.
                                                    IZ. WA.

PREFACE TO SIR JOHN SKEFFINGTON'S HEROE OF LORENZO.

[The Heroe, of Lorenzo, or, The way to Eminencie and Perfection. A piece of serious Spanish wit Originally in that language written, and in English. By Sir John Skeffington, Kt. and Barronet. London, printed for John Martin and James Allestrye at the Bell in St Pauls Church-yard. 1652.]

That Sir John Skeffington (one of his late Majesties servants, and a stranger to no language of Christendom) did about 40 years now past, bring this Hero out of Spain into England.

There they two kept company together 'till about 12 months now past: and then, in a retyrement of that learned knights (by reason of a sequestration for his masters cause) a friend coming to visit him, they fell accidentally into a discourse of the wit and galantry of the Spanish Nation.

That discourse occasioned an example or two, to be brought out of this Hero: and, those examples (with Sir John's choice language and illustration) were so relisht by his friend (a stranger to the Spanish tongue) that he became restles 'till he got a promise from Sir John to translate the whole, which he did in a few weeks; and so long as that imployment lasted it proved an excellent diversion from his many sad thoughts; But he hath now chang'd that Condition, to be possest of that place into which sadnesse is not capable of entrance.

And his absence from this world hath occasion'd mee (who was one of those few that he gave leave to know him, for he was a retyr'd man) to tell the Reader that I heard him say, he had not made the English so short, or few words, as the originall; because in that, the Author had exprest himself so enigmatically, that though he indevour'd to translate it plainly; yet, he thought it was not made comprehensible enough for common Readers, therefore he declar'd to me, that he intended to make it so by a coment on the margent; which he had begun, but (be it spoke with sorrow) he and those thoughts are now buried in the silent Grave,[1] and my self, with those very many that lov'd him, left to lament that losse. I.W.

FOOTNOTES

COMMENDATORY VERSE TO THE AUTHOR OF SCINTILLULA ALTARIS.

[Scintillula Altaris or, a Pious Reflection on Primitive Devotion: as to the Feasts and Fasts of the Christian Church, Orthodoxally Revived. By Edward Sparke, B.D. London; Printed by T. Maxey for Richard Marriot, and are to be sold at his Shop in St. Dunstan's Church-yard in Fleetstreet, 1652.

This book reached a Seventh Edition during Walton's lifetime; but his
Commendatory Verses are only to be found in the first.]

    My worthy friend, I am much pleas'd to know,
    You have begun to pay the debt you owe
    By promise, to so many pious friends,
    In printing your choice Poems; it commends
    Both them, and you, that they have been desir'd
    By persons of such Judgment; and admir'd
    They must be most, by those that best shal know
    What praise to holy Poetry we owe.
      So shall your Disquisitions too; for, there
    Choice learning, and blest piety, appear.
    All usefull to poor Christians: where they may
    Learne Primitive Devotion. Each Saints day
    Stands as a Land-mark in an erring age
    to guide fraile mortals in their pilgrimage
    To the Coelestiall Can'an; and each Fast,
    Is both the souls direction, and repast:
      All so exprest, that I am glad to know
      You have begun to pay the debt you owe.
                                           IZ. WA.

DEDICATION OF THE LIFE OF DONNE AND ADVERTISEMENT TO THE READER.

[The Life of John Donne, Dr. in Divinity, and Late Dean of Saint Pauls Church London. The second impression corrected and enlarged. Ecclus.48.14. He did wonders in his life, and at his death his works were marvelous. London, Printed by J.G. for R. Marriot, and are to be sold at his shop under S. Dunstans Church in Fleet-street. 1658.]

To My Noble & honoured Friend Sir Robert Holt of Afton, in the County of Warwick, Baronet.

When this relation of the life of Doctor Donne was first made publick, it had besides the approbation of our late learned & eloquent King, a conjunction with the Authors most excellent Sermons to support it; and thus it lay some time fortified against prejudice; and those passions that are by busie and malicious men too freely vented against the dead.

And yet, now, after almost twenty yeares, when though the memory of Dr. Donne himself, must not, cannot die, so long as men speak English; yet when I thought Time had made this relation of him so like my self, as to become useless to the world, and content to be forgotten; I find that a retreat into a defired privacy, will not be afforded; for the Printers will again expose it and me to publick exceptions; and without those supports, which we first had and needed, and in an Age too, in which Truth & Innocence have not beene able to defend themselves from worse then severe censures.

This I foresaw, and Nature teaching me selfe-preservation, and my long experience of your abilities assuring me that in you it may in found:[1] to you, Sir, do I make mine addreffes for an umbrage and protection: and I make it with so much humble boldnesse, as to say 'twere degenerous in you not to afford it.

Dr. Donne was so much a part of yourself, as to be incorporated into your
Family, by so noble a friendship, that I may say there was a marriage of
fouls betwixt him and your[2] reverend Grandfather, who in his life was an
Angel of our once glorious Church, and now no common Star in heaven.

And Dr. Donne's love died not with him, but was doubled upon his Heire, your beloved Uncle the Bishop of [3] Chichester, that lives in this froward generation, to be an ornament to his Calling. And this affection to him was by Dr. D. so testified in his life, that he then trusted him with the very secrets of his soul; & at his death, with what was dearest to him, even his fame, estate, & children.

And you have yet a further title to what was Dr. Donne's, by that dear affection & friendship that was betwixt him and your parents, by which he entailed a love upon yourself, even in your infancy, which was encreased by the early testimonies of your growing merits, and by them continued, till D. Donne put on immortality; and so this mortall was turned into a love that cannot die.

And Sir, 'twas pity he was lost to you in your minority, before you had attained a judgement to put a true value upon the living beauties and elegancies of his conversation; and pitty too, that so much of them as were capable of such an expression, were not drawn by the pensil of a Tytian or a Tentoret, by a pen equall and more lasting then their art; for his life ought to be the example of more then that age in which he died. And yet this copy, though very much, indeed too much short of the Originall, will present you with some features not unlike your dead friend, and with fewer blemishes and more ornaments than when 'twas first made publique: which creates a contentment to my selfe, because it is the more worthy of him, and because I may with more civility intitle you to it.

And in this designe of doing so, I have not a thought of what is pretended in most Dedications, a Commutation for Courtesies: no indeed Sir, I put no such value upon this trifle; for your owning it will rather increase my Obligations. But my desire is, that into whose hands soever this shall fall, it may to them be a testimony of my gratitude to your self and Family, who descended to such a degree of humility as to admit me into their friendship in the dayes of my youth; and notwithstanding my many infirmities, have continued me in it till I am become gray-headed; and as Time has added to my yeares, have still increased and multiplied their favours.

This, Sir, is the intent of this Dedication: and having made the declaration of it thus publick, I shall conclude it with commending them and you to Gods deare love.

I remain, Sir, what your many merits have made me to be,
The humblest of your Servants,
ISAAC WALTON.

My desire is to inform and assure you, that shall become my Reader, that in that part of this following discourse, which is onely narration, I either speak my own knowledge, or from the testimony of such as dare do any thing, rather than speak an untruth. And for that part of it which is my own observation or opinion, if I had a power I would not use it to force any mans assent, but leave him a liberty to disbelieve what his own reason inclines him to.

Next, I am to inform you, that whereas Dr. Donne's life was formerly printed with his Sermons, and then had the same Preface or Introduction to it; I have not omitted it now, because I have no such confidence in what I have done, as to appear without an apology for my undertaking it.

FOOTNOTES

DAMAN AND DORUS. AN HUMBLE EGLOG.

[Songs and other Poems. By Alex. Brome, Gent. London, Printed for Henry
Brome, at the Gun in Ivy-Lane, 1661.

The Third Edition enlarged. London, Printed for Henry Brome, at the Star in Little Brittain, 1668.]

To my ingenious Friend Mr. BROME, on his various and excellent Poems: An humble Eglog. Written the 29 of May, 1660.

DAMAN.

Hail happy day! Dorus sit down:
  Now let no sigh, nor let a frown
  Lodge near thy heart, or on thy brow.
  The King! the King's return'd! and now
  Let's banish all sad thoughts and sing
  We have our Laws, and have our King.

DORUS.

'Tis true, and I would sing, but oh!
These wars have sunk my heart so low
'Twill not be rais'd.

                DAMAN.
What not this day?
  Why 'tis the twenty ninth of May:
Let Rebels spirits sink; let those
  That like the Goths and Vandals rose
  To ruine families, and bring
  Contempt upon our Church, our King,
And all that's dear to us, be sad;
  But be not thou, let us be glad.
    And, Dorus, to invite thee, look,
    Here's a Collection in this Book,
    Of all those chearful Songs, that we
    Have sung so oft and merilie[1]

  As we have march'd to fight the cause
  Of Gods Anointed, and our Laws
  Such Songs as make not the least ods
  Betwixt us mortals and the Gods:
  Such Songs as Virgins need not fear
  To sing, or a grave Matron hear.
  Here's love drest neat, and chast, and gay
  As gardens in the month of May;
  Here's harmony, and Wit, and Art,
  To raise thy thoughts, and chear thy heart.

DORUS.

DAMAN.

                   A friend of mine,
  And one that's worthy to be thine:
  A Civil Swain, that knows his times
  For business, and that done makes Rhymes;
  But not till then: my Friend's a man
  Lov'd by the Muses; dear to Pan:
  He blest him with a chearful heart:
  And they with this sharp wit and Art,
  Which he so tempers, as no Swain,
  That's loyal, does or mould complain.

DORUS.

DAMAN.

                       Go with me
  Dorus, to yonder broad beech-tree,
There we shall meet him and Phillis,
  Perrigot, and Amaryllis,
  Tityrus, and his dear Clora,
  Tom and Will, and their Pastora:
There wee'l dance, shake hands and sing,
  We have our Laws,
         God bless the King.
                            IZ. WALTON.

FOOTNOTES

TO MY REVEREND FRIEND THE AUTHOR OF THE SYNAGOGUE.

[The Synagogue, or The Shadow of the Temple. Sacred Poems and Private Ejaculations. In imitation of Mr. George Herbert. The fourth Edition corrected and enlarged. London, Printed for Philemon Stephens, at the guilded Lyon in St. Pauls Churchyard, 1661. p. 67.]

    I lov'd you for your Synagogue, before
    I knew your person; but now love you more;
        Because I find
    It is so true a picture of your mind:
        Which tunes your sacred lyre
        To that eternal quire;
        Where holy Herbert fits
        (O shame to prophane wits)
    And sings his and your Anthems, to the praise
    Of Him that is the first and last of daies.

    These holy Hymns had an Ethereal birth:
    For they can raise sad souls above the earth
        And fix them there
    Free from the worlds anxieties and fear.
       Herbert and you have pow'r
        To do this: ev'ry hour
        I read you kills a sin,
        Or lets a vertue in
    To fight against it; and the Holy Ghost
    Supports my frailties, lest the day be lost.

    This holy war, taught by your happy pen,
    The Prince of Peace approves. When we poor men
        Neglect our arms,
    W'are circumvested with a world of harms.
        But I will watch, and ward,
        And stand upon my guard,
        And still consult with you,
        And Herbert, and renew
    My vows; and say, Well fare his, and your heart,
    The fountains of such sacred wit and art.
                                           IZ. WA.

EPITAPH ON HIS SECOND WIFE, ANNE KEN.

[In Worcester Cathedral. The event is thus recorded by Walton in his Family Prayer-Book: "Anne Walton dyed the 17th of April, about one o'clock in that night, and was buried in the Virgin Mary's Chapel, in the cathedral in Worcester, the 20th day."]

                   Ex Terris
                      M.S.
         Here lyeth buried so much as
        could dye of ANNE, the Wife of
                 Isaak Walton;
                    who was
       a Woman of Remarkable Prudence,
    and of the Primitive Piety; her great
     and general knowledge being adorned
      with such true humility, and blest
     with so much Christian meekness, as
     made her worthy of a more memorable
                    Monument.
     She dyed! (Alas, that she is dead!)
      the 17th of April, 1662, aged 52.
             Study to be like her.

LETTER TO EDWARD WARD

[Preserved among the MSS. in the Library of Trinity College, Dublin.
First printed in "Notes and Queries," May 17, 1856.]

ffor my worthy frend Mr. EDWARD WARD, att Rodon Temple, nere unto Lester. Att Mr. BABINGTONS att Rodon Temple.

S'r., I came well from Winton to London, about 3 weikes past: at that time I left Do'r Hawkins well: and my dafter (after a greate danger of child berth) not very well, but by a late letter from him, I heare they be boeth in good health.

The doctor did tell me a gowne and some bookes of y'rs were in danger to be lost, though he had made (at a distance) many inquiries after them, and intreated others to doe so too, but yet inefectually. He theirfore intreated me to undertake a search: and I have donne it so succesfuly that uppon thursday the 24th instant they were d'd to that letter carryer that Inns at the Rose in Smithfeild, and with them the Life of M'r. George Herbert (and 3 others) wrapt up in a paper and directed to you at Rodon Temple, the booke not tyed to the bundell, but of it selfe. The bundell cost me 3s. 8d. carryage to London, and I hope it will now come safe to your hands.

What I have to write more is my heartie wishes for y'r hapines, for I am
y'r affec. frend and seruant,
IZAAK WALTON.
Nou'r 26th, 1670.

If you incline to write to me, direct your letter to be left at M'r. Grinsells, a grocer in King streite in Westminster. Much good doe you with the booke, w'ch I wish better.

DEDICATION OF THE THIRD EDITION OF RELIQUIAE WOTTONIANAE.

[Reliquiae Wottonianae: or a Collection of Lives, Letters, Poems; with Characters of Sundry Personages: and other Incomparable Pieces of Language and Art. Also Additional Letters to several Persons, not before Printed. By the Curious Pencil of the Ever Memorable Sir Henry Wotton, K't, Late Provost of Eaton Colledge. The Third Edition, with large Additions. London: Printed by T. Roycroft, for R. Marriott, F. Tyton, T. Collins, and J. Ford, 1672.]

To the Right Honourable PHILIP Earl of Chesterfield, Lord Stanhop of Shelford.

MY LORD,

I have conceived many Reasons, why I ought in Justice to Dedicate these Reliques of Your Great Uncle, Sir Henry Wotton, to Your Lordship; some of which are, that both Your Grand-mother and Mother had a double Right to them by a Dedication when first made Publick; as also, for their assisting me then, and since, with many Material Informations for the Writing his Life; and for giving me many of the Letters that have fallen from his curious Pen: so that they being now dead, these Reliques descend to You, as Heir to them, and the Inheritor of the memorable Bocton Palace, the Place of his Birth, where so many of the Ancient, and Prudent, and Valiant Family of the Wottons lie now Buried; whose remarkable Monuments You have lately Beautified, and to them added so many of so great Worth, as hath made it appear, that at the Erecting and Adorning them, You were above the thought of Charge, that they might, if possible, (for 'twas no easie undertaking) hold some proportion with the Merits of Your Ancestors.

My Lord, These are a part of many more Reasons that have inclin'd me to this Dedication; and these, with the Example of a Liberty that is not given, but now too usually taken by many Scriblers, to make trifling Dedications, might have begot a boldness in some Men of as mean as my mean Abilities to have undertaken this. But indeed, my Lord, though I was ambitious enough of undertaking it; yet, as Sir Henry Wotton hath said in a Piece of his own Character, That he was condemn'd by Nature to a bashfulness in making Requests: so I find myself (pardon the Parallel) so like him in this, that if I had not had more Reasons then I have yet exprest, these alone had not been powerful enough to have created a Confidence in me to have attempted it. Two of my unexprest Reasons are, (give me leave to tell them to Your Lordship and the World) that Sir Henry Wotton, whose many Merits made him an Ornament even to Your Family, was yet so humble, as to acknowledge me to be his Friend; and died in a belief that I was so: since which time, I have made him the best return of my Gratitude for his Condescention, that I have been able to express, or he capable of receiving: and, am pleased with my self for so doing.

My other Reason of this boldness, is, an incouragement (very like a command) from Your worthy Cousin, and my Friend, Mr. Charles Cotton, who hath assured me, that You are such a Lover of the Memory of Your Generous Unkle, Sir Henry Wotton, that if there were no other Reason then my endeavors to preserve it, yet, that that alone would secure this Dedication from being unacceptable.

I wish, that nor he, nor I be mistaken; and that I were able to make You
a more Worthy Present.
    My Lord, I am and will be
        Your Humble and most
            Affectionate Servant,
                               IZAAK WALTON.

LETTER TO MARRIOTT

[The original is preserved in Corpus Christi College, Oxford, and was printed for the first time in Sir Harris Nicolas' Life of Walton (Pickering, 1837), lxxix, lxxx.]

M'R. MARRIOTT,

I have received Bentevolio, and in it M'r. Her's. life; I thank you for both. I have since I saw you received from M'r. Milington so much of M'r. Hales his life as M'r. Faringdon had writ; and have made many inquiries concerning him of many that knew him, namely of M'rs. Powny, of Windsor, (at whose house he died), and as I have heard, so have set them down, that my memory might not lose them. M'r. Mountague did at my being in Windsor promise me to summon his memory, and set down what he knew of him. This I desired him to do at his best leisure, and write it down, and he that knew him and all his affairs best of any man is like to do it very well, because I think he will do it affectionately, so that if M'r. Fulman make his queries concerning that part of his life spent in Oxford, he will have many, and good, I mean true informations from M'r. Faringdon, till he came thither, and by me and my means since he came to Eton.

This I write that you may inform M'r. Fulman of it, and I pray let him know I will not yet give over my queries; and let him know that I hope to meet him and the Parliament in health and in London in October, and then and there deliver up my collections to him. In the mean time I wish him and you health; and pray let him know it either by your writing to him, or sending him this of mine.

    God keep us all in his favour,
        his and your friend to serve you,
                                       IZAAK WALTON.

PREFACE TO THEALMA AND CLEARCHUS.

[Thealma and Clearchus, a Pastoral History, in smooth and easie Verse.
Written long since, By John Chalkhill, Esq.; an Acquaintant and Friend of
Edmund Spencer. London: Printed for Benj. Tooke, at the Ship in S. Paul's
Church-yard, 1683.]

The Reader will find in this Book, what the Title declares, A Pastoral History, in smooth and easie Verse; and will in it find many Hopes and Fears finely painted, and feelingly express'd. And he will find the first so often disappointed, when fullest of desire and expectation; and the later, so often, so strangely, and so unexpectedly reliev'd, by an unforeseen Providence, as may beget in him wonder and amazement.

And the Reader will here also meet with Passions heightned by easie and fit descriptions of Joy and Sorrow; and find also such various events and rewards of innocent Truth and undissembled Honesty, as is like to leave in him (if he be a good natur'd Reader) more sympathizing and virtuous Impressions, than ten times so much time spent in impertinent, critical, and needless Disputes about Religion: and I heartily wish it may do so.

And, I have also this truth to say of the Author, that he was in his time a man generally known, and as well belov'd; for he was humble, and obliging in his behaviour, a Gentleman, a Scholar, very innocent and prudent: and indeed his whole life was useful, quiet, and virtuous. God send the Story may meet with, or make all Readers like him. I.W.[1] May 7, 1678.

FOOTNOTES

[1] The Poem of Thealma and Clearchus was left in an unfinished state: it terminates abruptly with the half line

LETTER TO JOHN AUBREY.

[The original is amongst Aubrey's MSS. in the Ashmolian Museum: annexed to it is the following note by Aubrey: "This account I received from Mr. Isaac Walton (who wrote Dr. Donne's Life), &c. Decemb. 2, 1680, he being then eighty-seven years of age. This is his own hand-writing, I.A." See Walton's Lives, With Notes and the Life of the Author by Thomas Zouch, third edition. York, 1817. Vol. II. pp. 353-356.]

I only knew Ben Jonson: But my Lord of Winton knew him very well; and says, he was in the 6th, that is, the uppermost fforme in Westminster scole, at which time his father dyed, and his mother married a brickelayer, who made him (much against his will) help him in his trade; but in a short time, his scolemaister, M'r. Camden, got him a better imployment, which was to atend or acompany a son of Sir Walter Rauley's in his travills. Within a short time after their return, they parted (I think not in cole bloud) and with a love sutable to what they had in their travilles (not to be commended). And then Ben began to set up for himself in the trade by which he got his subsistance and fame, of which I need not give any account. He got in time to have a 100£ a yeare from the king, also a pension from the cittie, and the like from many of the nobilitie and some of the gentry, w'ch was well pay'd, for love or fere of his railing in verse, or prose, or boeth. My lord told me, he told him he was (in his long retyrement and sickness, when he saw him, which was often) much afflickted, that hee had profained the scripture in his playes, and lamented it with horror: yet that, at that time of his long retyrement, his pension (so much as came in) was giuen to a woman that gouern'd him (with whome he liu'd and dyed near the Abie in Westminster); and that nether he nor she tooke too much care for next weike: and wood be sure not to want wine: of w'ch he usually tooke too much before he went to bed, if not oftener and soner. My lord tells me, he knowes not, but thinks he was born in Westminster. The question may be put to Mr. Wood very easily upon what grounds he is positive as to his being born their; he is a friendly man, and will resolve it. So much for braue Ben. You will not think the rest so tedyous as I doe this.

ffor y'r 2 and 3 q'ue of Mr. Hill, and Bilingsley, I do neither know nor can learn any thing worth teling you.

Mr. Warner did long and constantly lodg nere the water-stares, or market, in Woolstable. Woolstable is a place not far from Charing-Crosse, and nerer to Northumberland-house. My lord of Winchester tells me, he knew him, and that he sayde, he first found out the cerculation of the blood, and discover'd it to Dr. Haruie (who said that 'twas he (himselfe) that found it) for which he is so memorally famose. Warner had a pension of 40l. a yeare from that Earle of Northumberland that lay so long a prisner in the Towre, and som allowance from Sir Tho. Aylesbury, and with whom he usually spent his sumer in Windsor Park, and was welcom, for he was harmles and quet. His winter was spent at the Woolstable, where he dyed in the time of the parlement of 1640, of which or whome, he was no louer.

Mr. Herriott, my lord tells me, he knew also: That he was a more gentile man than Warner. That he had 120£ a yeare pension from the said Earle (who was a louer of their studyes), and his lodgings in Syon-house, where he thinks, or believes, he dyed.

This is all I know or can learne for your friend; which I wish may be worth the time and trouble of reading it. I.W.

IZAAK WALTON'S WILL.

In the name of God Amen. I Izaak Walton the elder of Winchester being this present day in the neintyeth yeare of my age and in perfect memory for wich praysed be God: but Considering how sodainly I may be deprived of boeth doe therfore make this my last will and testament as followeth. And first I doe [declare] my beleife to be that their is only one God who hath made the whole world and me and all mankinde to whome I shall give an acount of all my actions which are not to be justified, but I hope pardoned for the merits of my saviour Jesus.—And because [the profession of] Cristianity does at this time, seime to be subdevided into papist and protestant, I take it to be at least convenient to declare my beleife to be in all poynts of faith, as the Church of England now professeth. And this I doe the rather, because of a very long and very trew friendmip with some of the Roman Church.

And for my worldly estate, (which I have nether got by falshood or flattery or the extreme crewelty of the law of this nation,) I doe hereby give and bequeth it as followeth.—First I give my son-in-law Doc'r. Hawkins and to his Wife, to them I give all my tytell and right of or in a part of a howse and mop in Pater-noster-rowe in London: which I hold by lease from the Lord Bishop of London for about 50 years to come and I doe also give to them all my right and tytell of or to a howse in Chansery-lane, London; where in M'rs. Greinwood now dwelleth, in which is now about 16 years to come. I give these two leases to them, they saving my executor from all damage concerning the same. (And I doe also give to my saide dafter all my books this day at Winchester and Droxford: and what ever ells I can call mine their, except a trunk of linen w'ch I give my son Izaak Walton, but if he doe not marry, or use the saide linen himselfe, then I give the same to my grand-doughter Anne Hawkins).

And I give to my son Izaak, all my right and tytell to a lease of
Norington farme, which I hold from the lord B'p. of Winton.

And I doe also give him all my right and tytell to a farme or land near to Stafford: which I bought of M'r. Walter Noell: I say, I give it to him and [his] heares for ever, but upon the condition following. Namely—If my sone shall not marry before he shall be of the age of forty and one yeare; or being marryed shall dye before the saide age and leve noe son to inherit the saide farme or land: or if his son [or sonns] shall not live to ataine the age of twentie and one yeare, to dispose otherwayes of it, then I give the saide farme or land to the towne or corperation of Stafford (in which I was borne,) for the good and benifit of some of the saide towne, as I shall direct and as followeth, but first note, that it is at this presant time rented for 21li. 10s. a yeare (and is like to hold the said rent, if care be taken to keipe the barne and howsing in repaire) and I wood have and doe give ten pownd of the saide rent, to binde out yearely two boyes, the sons of honest and pore parents to be apprentices to som tradesmen or handy-craftmen, to the intent the saide boyes [may] the better afterward get their owne living.—And I doe also give five pownd yearly, out of the said rent to be given to some meade-servant, that hath atain'd the age of twenty and [one] yeare (not les), and dwelt long in one servis, or to som honeft pore man's daughter, that hath atain'd to that age, to [be] paide her, at or on the day of her marriage.

And this being done, my will is, that what rent shall remaine of the saide farme or land, shall be disposed of as followeth.

First I doe give twenty shillings yearely, to be spent by the maior of Stafford and those that shall colect the said rent: and dispose of it as I have and shall hereafter direct. And that what mony or rent shail remaine undisposed offe shall be imployed to buie coles for some pore people, that shall most neide them in the said towne; the saide coles to be delivered the last weike in Janewary, or in every first weike in Febrewary: I say then, because I take that time to be the hardest and most pinching times with pore people. And God reward those that shall doe this with out partialitie and with honestie and a good contience.

And if the saide maior and others of the saide towne of Stafford, shall prove so necligent or dishonest as not to imploy the rent by me given as intended and exprest in this my will, (which God forbid,) then I give the saide rents and profits, of the saide farme or land, to the towne and chiefe magestrats or governers of Ecles-hall, to be disposed by them in such maner as I have ordered the disposall of it, by the towne of Stafford, the said Farme or land being nere the towne of Ecles-hall.

And I give to my son-in-law Doctor Hawkins, (whome I love as my owne son) and to my dafter his wife, and my son Izaak to each of them a ring with these words or motto;—love my memory, I.W. obiet = to the Lord B'p of Winton a ring with this motto—a mite for a million: I.W. obiet = "And to the freinds hearafter named I give to each of them a ring with this motto—A friends farewell. I.W. obiet" = and my will is, the said rings be delivered within fortie dayes of my deth. and that the price or valew of all the saide rings shall be—l3s. 4d. a peice.

I give to Doctor Hawkins Docto'r Donns Sermons; which I have hear'd preacht, and read with much content, to my son Izaak I give Doc'r Sibbs his Soules Conflict and to my doughter his Brewsed Reide; desiring them to reade them so, as to be well aquanted with them, and I also give to her all my bookes at Winchester and Droxford, and what ever in those two places are or I can call mine: except a trunk of linen, which I gave to my son Izaak, but if he doe not live to make use of it, then I give the same to my grand-dafter, Anne Hawkins: And I give my dafter Doc'r Halls Works which be now at Farnham.

To my son Izaak I give all my books, (not yet given) at Farnham Castell and a deske of prints and pickters; also a cabinet nere my beds head, in w'ch are som littell things that he will valew, tho of noe greate worth.

And my will and desyre is, that he will be kind to his Ante Beacham and his ant Rose Ken: by alowing the first about fiftie shilling a yeare in or for bacon and cheise (not more), and paying 4li. a yeare toward the bordin of her son's dyut to M'r. John Whitehead. for his ante Ken, I desyre him to be kinde to her according to her necessitie and his owne abillitie. and I comend one of her children to breide up (as I have saide I intend to doe) if he shall be able to doe it as I know he will; for, they be good folke.

I give to M'r. John Darbishire the Sermons of M'r. Antony Faringdon, or of do'r Sanderson, which my executor thinks fit to my servant, Thomas Edghill I give five pownd in mony, and all my clothes linen and wollen except one sute of clothes, (which I give to M'r. Holinihed, and forty shiling) if the saide Thomas be my servant at my deth, if not my cloths only.

And I give my old friend M'r. Richard Marriot ten pownd in mony, to be paid him within . 3 . months after my deth. and I desyre my son to shew kindenes to him if he shall neide, and my son can spare it.

And I doe hereby will and declare my son Izaak to be my sole executo'r of this my last will and testament; and Do'r Hawkins, to see that he performs it, which I doubt not but he will.

I desyre my buriall may be nere the place of my deth; and free from any ostentation or charg, but privately: this I make to be my last will, (to which I only add the codicell for rings,) this 16. day of August, 1683.

To my brother Jon Ken. to my brother Beacham. to my sister his wife. to my sister his wife, to my brother Docr Ken. to the lady Anne How. to my sister Pye. to M'rs. King Dor Philips wife. to M'r. Francis Morley. to M'r. Valantine Harecourt. to Sr George Vernon. to M'rs. Elyza Johnson. to his wife. to M'rs. Mary Rogers. to his 3 dafters to M'rs. Elyza Milward, to M'rs. Nelson. to M'rs. Doro. Wallop. to M'r. Rich. Walton. to M'r. Will. Milward of to M'r. Palmer. Christ-Church, Oxford. to M'r. Taylor. to M'r. John Darbeshire. to M'r. Tho. Garrard. to M'r. Veudvill. to the Lord Bp. of Sarum. to M'rs. Rock. to M'r. Rede his Servant. to M'r. Peter White. to my Coz. Dorothy Kenrick. to M'r. John Lloyde. to my Coz. Lewin. to my Coz Greinsells to M'r. Walter Higgs. —— widow to M'r. Cha Cotton. 16 M'rs. Dalbin must not to M'r. Rich. Marryot. be forgotten. —— 22

Note that several lines are blotted } out of this will for they are twice } repeted: And, that this will is now } IZAAK WALTON signed & sealed, this twenty and } fourth day of October 1683 in the } presence of us— }

*** END OF THE PROJECT GUTENBERG EBOOK WALTONIANA: INEDITED REMAINS IN VERSE AND PROSE OF IZAAK WALTON ***

Updated editions will replace the previous one—the old editions will be renamed.

Creating the works from print editions not protected by U.S. copyright law means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg™ electronic works to protect the PROJECT GUTENBERG™ concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for an eBook, except by following the terms of the trademark license, including paying royalties for use of the Project Gutenberg trademark. If you do not charge anything for copies of this eBook, complying with the trademark license is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. Project Gutenberg eBooks may be modified and printed and given away—you may do practically ANYTHING in the United States with eBooks not protected by U.S. copyright law. Redistribution is subject to the trademark license, especially commercial redistribution.

START: FULL LICENSE

PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg™ mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase “Project Gutenberg”), you agree to comply with all the terms of the Full Project Gutenberg™ License available with this file or online at www.gutenberg.org/license.

Section 1. General Terms of Use and Redistributing Project Gutenberg™ electronic works

1.A. By reading or using any part of this Project Gutenberg™ electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg™ electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg™ electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B. “Project Gutenberg” is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg™ electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg™ electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg™ electronic works. See paragraph 1.E below.

1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation” or PGLAF), owns a compilation copyright in the collection of Project Gutenberg™ electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is unprotected by copyright law in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg™ mission of promoting free access to electronic works by freely sharing Project Gutenberg™ works in compliance with the terms of this agreement for keeping the Project Gutenberg™ name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg™ License when you share it without charge with others.

1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg™ work. The Foundation makes no representations concerning the copyright status of any work in any country other than the United States.

1.E. Unless you have removed all references to Project Gutenberg:

1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg™ License must appear prominently whenever any copy of a Project Gutenberg™ work (any work on which the phrase “Project Gutenberg” appears, or with which the phrase “Project Gutenberg” is associated) is accessed, displayed, performed, viewed, copied or distributed:

This eBook is for the use of anyone anywhere in the United States and most other parts of the world at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org. If you are not located in the United States, you will have to check the laws of the country where you are located before using this eBook.

1.E.2. If an individual Project Gutenberg™ electronic work is derived from texts not protected by U.S. copyright law (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase “Project Gutenberg” associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg™ trademark as set forth in paragraphs 1.E.8 or 1.E.9.

1.E.3. If an individual Project Gutenberg™ electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg™ License for all works posted with the permission of the copyright holder found at the beginning of this work.

1.E.4. Do not unlink or detach or remove the full Project Gutenberg™ License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg™.

1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg™ License.

1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg™ work in a format other than “Plain Vanilla ASCII” or other format used in the official version posted on the official Project Gutenberg™ website (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original “Plain Vanilla ASCII” or other form. Any alternate format must include the full Project Gutenberg™ License as specified in paragraph 1.E.1.

1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg™ works unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg™ electronic works provided that:

• You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg™ works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg™ trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, “Information about donations to the Project Gutenberg Literary Archive Foundation.”
• You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg™ License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg™ works.
• You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.
• You comply with all other terms of this agreement for free distribution of Project Gutenberg™ works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg™ electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from the Project Gutenberg Literary Archive Foundation, the manager of the Project Gutenberg™ trademark. Contact the Foundation as set forth in Section 3 below.

1.F.

1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread works not protected by U.S. copyright law in creating the Project Gutenberg™ collection. Despite these efforts, Project Gutenberg™ electronic works, and the medium on which they may be stored, may contain “Defects,” such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.

1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the “Right of Replacement or Refund” described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg™ trademark, and any other party distributing a Project Gutenberg™ electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE.

1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.

1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you ‘AS-IS’, WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.

1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg™ electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg™ electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg™ work, (b) alteration, modification, or additions or deletions to any Project Gutenberg™ work, and (c) any Defect you cause.

Section 2. Information about the Mission of Project Gutenberg™

Project Gutenberg™ is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.

Volunteers and financial support to provide volunteers with the assistance they need are critical to reaching Project Gutenberg™’s goals and ensuring that the Project Gutenberg™ collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg™ and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation information page at www.gutenberg.org.

Section 3. Information about the Project Gutenberg Literary Archive Foundation

The Project Gutenberg Literary Archive Foundation is a non-profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation’s EIN or federal tax identification number is 64-6221541. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state’s laws.

The Foundation’s business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887. Email contact links and up to date contact information can be found at the Foundation’s website and official page at www.gutenberg.org/contact

Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation

Project Gutenberg™ depends upon and cannot survive without widespread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine-readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit www.gutenberg.org/donate.

While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate.

International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff.

Please check the Project Gutenberg web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: www.gutenberg.org/donate.

Section 5. General Information About Project Gutenberg™ electronic works

Professor Michael S. Hart was the originator of the Project Gutenberg™ concept of a library of electronic works that could be freely shared with anyone. For forty years, he produced and distributed Project Gutenberg™ eBooks with only a loose network of volunteer support.

Project Gutenberg™ eBooks are often created from several printed editions, all of which are confirmed as not protected by copyright in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition.

Most people start at our website which has the main PG search facility: www.gutenberg.org.

This website includes information about Project Gutenberg™, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.