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THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.

VOL. 17, NO. 481.] SATURDAY, MARCH 19, 1831. [PRICE 2d.



       *       *       *       *       *




RELICS OF ARIOSTO.

[Illustration: Inkstand.]

[Illustration: Chair.]


We need not bespeak the reader's interest in these "trivial fond"
relics--these consecrated memorials--of one of the most celebrated poets
of Italy. They are preserved with reverential care at Ferrara, the
poet's favourite residence, though not his birthplace. The Ferrarese,
however, claim him "exclusively as their own" Lord Byron, in the
Notes[1] to _Childe Harold_, canto 4, says, "the author of the
Orlando is jealously claimed as the Homer, not of Italy, but Ferrara.
The mother of Ariosto was of Reggio, and the house in which he was born
is carefully distinguished by a tablet with these words:--'_Qui nacque
Ludovico Ariosto il giorno 8 di Settembre dell' anno_ 1474.' But the
Ferrarese make light of the accident by which their poet was born
abroad, and claim him exclusively for their own. _They possess his
bones, they show his_ ARM-CHAIR, and his INKSTAND, and his autographs.
The house where he lived, the room where he died, are designated by his
own replaced memorial, and by a recent inscription."

Ferrara, we should here mention, is a fortified town, and a day's
journey, _en voiturier_, from Florence to Vienna. The Tomb, as well as
the above relics, a bronze Medallion of the great Poet, and an account
of his last illness and death--the two latter found in his tomb--are in
the public library at Ferrara. This library also contains the original
MSS. of _Tasso's Gerusalemme Liberata_, and Guarini's _Pastor Fido_;
and in the Hospital of St. Anne, at Ferrara, travellers are shown the
cell where Tasso was confined.

The INKSTAND is of bronze, and its singular device is said to refer to
the Poet's amorous caution. In his Life,[2] we are told that "The amours
of Ariosto are a difficult theme for both his eulogists and his
biographers. He has alluded in his Poems to several ladies with whose
charms he was captivated, but, with the exception of Alessandra and
Genevra, the names under which they are mentioned are fictitious. His
caution in this respect is thought to have been hinted at in the device
placed on his favourite inkstand, and which consisted of _a little
Cupid having his forefinger on his lip in token of secresy_." The
evidence in proof of Alessandra's being his wife is little short of
unanswerable.

Reverting to the early life of the Poet--he studied at Ferrara, but
losing his tutor, who was called from thence, and appointed preceptor
to the son of Isabella of Naples, Ariosto was left without the present
means of gaining instruction in Greek. To this period Mr. Stebbing thus
alludes:--

"To the regret he experienced at losing his master, was added that of
hearing soon after of his decease; but scarcely had he recovered from
the distress he felt at this circumstance, when the death of his father
put an end for some time to all his literary thoughts and pursuits. He
has pathetically described his situation at this period in his sixth
Satire, which contains several allusions both to the present and
previous circumstances of his life.

  "'My father dies; thenceforth with care oppressed
  New thoughts and feelings fill my harass'd breast;
  Homer gives way to lawyers and their deeds,
  And all a brother's love within me pleads;
  Fit suitors found, two sisters soon are wed,
  And to the altar without portions led.
  With all the wants and wishes of their age
  My little brothers next my thoughts engage,
  And in their father's place I strive untired
  To do whate'er that father's love inspired.
  Thus watching how their several wills incline
  In courts, in study, or in arms to shine;
  No toil I shun their fair pursuits to aid,
  Still of the snares that strew their path afraid.
  Nor this alone--though press we quick to land,
  The bark's not safe till anchor'd on the strand.'"


Passing over the commencement of the Orlando Furioso, which
soon followed the above melancholy event--"To be the freer from
interruptions, and at the same time render his moderate income equal to
his support, he left Ferrara, and took up his residence on an estate
belonging to his kinsman Malaguzzo, between Reggio and Rubiera. He has
described this retreat, and the pleasant manner in which he spent his
time during his short residence there, in his fifth Satire; but it is
disputed whether the account alludes to this or an earlier period of
his life:

  "'Time was when by sweet solitude inclines
  The storied page I fill'd with, ready mind;
  Those gentle scenes of Reggio's fair domain,
  Our own dear nest, where peace and nature reign;
  The lovely villa and the neighbouring Rhone,
  Whose banks the Naiads haunt serene and lone;
  The lucid pool whence small fresh streams distil
  That glad the garden round and turn the mill;
  Still memory loves upon these scenes to dwell,
  Still sees the vines with fruit delicious swell,
  Luxurious meadows blooming spread around,
  Low winding vales and hills with turrets crown'd.'


"The Duke Alphonso, seeing him left without a patron, and provided with
so small an income, invited him to return to Ferrara, which he did, and
found no reason, it is said, to regret that he had once more put himself
under the protection of the house of Este. Alphonso, knowing his love of
retirement and the peculiarity of his habits, promised to leave him at
perfect liberty to pursue his studies and live in the way that most
suited his wishes. He kept his promise, and there is reason to believe
that the presents he bestowed on the poet enabled him to build the
cottage in which he resided, with few interruptions, till his death.
This favourite house of Ariosto's was situated near the church of S.
Benedetto, and stood in the midst of a spacious garden which formed both
his pride and delight. Here he continued to compose additional cantos to
the 'Orlando Furioso,' and occasionally, to relax his mind with lighter
species of poetry, sometimes writing a satire, and at others reverting
to the comedies composed in his younger years, and which he subsequently
made fit for the stage."

He again quitted Ferrara, on an appointment "by Alphonso, but again soon
returned:--

"On his return he established himself, with his two unmarried sisters,
in the house he had built near the church of Saint Benedict, and resumed
his former occupations. Of his lighter amusements, gardening was that
in which he took most pleasure; and it is curious to know that he was
as fond of altering the plan of both his house and grounds, as he was
of remodelling the stanzas of the Orlando. His son, Virginio proposed
writing an account of his illustrious father's life; but unfortunately,
he never pursued his design beyond the commencement, and a few
memorandums are all that have come down to us. From these, however,
we learn the singular fastidiousness of Ariosto in his horticultural
amusements, and some other traits of his character, which render him not
the less an object of our veneration, by showing us the simplicity as
well as power of his mind. 'In gardening,' says Virginio, 'he pursued
the same plan as with his verses, never leaving any thing he had planted
more than three months in the same place: and, if he set a fruit-tree,
or sowed seed of any kind, he would go so often to examine it, and see
if it were growing, that he generally ended with spoiling or breaking
off the bud.'

"We learn, from the same interesting document, that he had at first no
intention of building a house for constant residence in this garden,
but that, having raised a mere cottage for temporary shelter, he grew
so fond of the spot, that he wished never to leave it. The structure,
after all, was not fully suited to his taste, and he felt as great an
inclination to improve it by continual alterations as his garden. His
constant lamentation was, that he could not change the arrangement of
his house as he could that of his verses: and a person having asked him
one day, how it happened that he who could describe castles and palaces
so magnificently, had built such a cottage, he replied, that he made
his verses without the aid of money.

"In his favourite garden he passed many hours of the day, deriving new
inspiration from its green and refreshing solitudes. The Orlando was
still in progress, and still under correction, his confidence in
himself, it seems, having been little increased either by years or
practice. In speaking, however, on this subject, he was accustomed to
say, that poetry might be compared to a laurel, which sprung up of
itself, and which might be greatly improved by cultivation, but would
lose all its natural beauty if too much meddled with:--this is the case,
he would continue, with stanzas, which come into the mind, we know not
how, and which may be improved by the correction of a little original
roughness, but are deprived of all their grace and freshness by too nice
a handling."--(_Stebbing's Life._)

The life-time of Ariosto was shortened by the intensity with which he
applied himself to the production of his works. One of his last labours
was a corrected and enlarged edition of his splendid Orlando Furioso.
The printing was, however, so badly executed, as to cause him to say
"he had been assassinated by his printer." Mr. Stebbing observes, "it
is probable that this circumstance, combined with the fatigue attending
his close application while preparing the edition for the press, had a
serious effect on his health, which now began to exhibit signs of rapid
decline."[3] In the spring of 1533 he was seriously attacked with
indigestion. The constant application of medicine to remove this
complaint brought on a consumption, and on the night of June 6, in the
same year, he breathed his last, "his death, it is worthy of mention,
having been preceded only a few hours by the total destruction of
Alphonso's splendid theatre by fire;" which theatre, it should be
added, the poet had designed for his noble patron a few years before:
"so superb and convenient was the structure, when finished, that it was
the admiration of all Italy."

"Ferrara, all Italy, and even Europe, lamented Ariosto as the first
poet of the age, and as worthy of being enrolled in the same chart of
fame with the greatest that had ever lived. His funeral was rendered
remarkable by the attendance of a large body of monks, who to honour
his memory, followed him, contrary to the rules of their order, to the
grave. His son, Virginio, shortly after built a small chapel in his
garden, and formed a mausoleum to which he intended to remove his
remains, but the same monks prohibited it, and the body was left in
the humble tomb in which it was originally deposited, till the new
church of S. Benedetto was built, when Agostino Mosti, a gentleman of
Ferrara, raised above it a monument more worthy of the poet. In 1612 his
great grandson, Ludovico, erected a still nobler one, and removed the
ashes of his ancestor from the tomb of Agostino, as the latter had done
from the one in which they were originally deposited. This monument of
Ludovico, which still exists, is built of the most costly marble, and
adorned with two statues representing Glory and Poetry, together with
an effigy of the poet in alabaster."

Lord Byron illustrates a singular circumstance respecting the tomb of
Ariosto. "Before the remains were removed from the Benedictine Church to
the Library of Ferrara, his bust, which surmounted the tomb, was struck
by lightning, and a crown of iron laurels melted away:--

    "'The lightning rent from Ariosto's bust
    The iron crown of laurels' mimic'd leaves;
    Nor was the ominous element unjust,
    For the true laurel-wreath which glory weaves
    Is of the tree no bolt of thunder cleaves,
    And the false semblance but disgraced his brow;
    Yet still, if fondly Superstition grieves,
    Know, that the lightning sanctifies below
  Whate'er it strikes;--yon head is doubly sacred now.'"[4]


The transfer of these sacred ashes on the 6th of June, 1801, was one of
the most brilliant spectacles of the short-lived Italian republic, and
to consecrate the memory of the ceremony, the once famous fallen
_Intrepidi_ were revived, and re-formed into the Ariostean academy.
The large public place through which the procession paraded, was then
for the first time called Ariosto Square.[5]

We must return to Mr. Stebbing's delightful _Lives of the Italian
Poets_, which work has so frequently aided us in the previous
columns.


    [1] For these Lord B. acknowledges his obligation to his excellent
        friend J.C. Hobbouse, Esq. M.P.


    [2] In "Lives of the Italian Poets." By the Rev. Henry Stebbing,
        vol. ii.


    [3] Few persons will be disposed to question this extreme
        sensitiveness, since instances of similar effects on men of
        genius are by no means rare. Whoever has read Mr. Moore's _Life
        of Byron_ must have remarked the asperity with which he
        inveighs against blundering printers in the Letters to Mr.
        Murray, his publisher.

    [4] "Childe Harold," canto 4, st. xli.

    [5] Notes to lines 1 and 2 of the preceding stanza.

       *       *       *       *       *


FANNY.

(_For the Mirror._)


  "I saw thy form in youthful prime,
  Nor thought that pale decay
  Would steal before the steps of time,
  And waste thy bloom away."--MOORE.



  Her place of rest is mantled o'er
    With dews of early morning;
  She heeds not now the winter's roar,
    Nor flowery spring's adorning.

  Alike to her, when summer's heat
    Glows on her verdant bed,
  Or when the snows of winter beat,
    And a fleecy covering shed.

  And rarely do they mention _her_,
    Who most her fate should mourn;
  And little did they weep for her,
    Who never can return.

  But back to memory let me bring
    Her laughing eyes of blue:
  She was, on earth, as fair a thing
    As fancy ever drew.

  She lov'd and was belovd again!'
    And quickly flew the winged hours;
  Love seem to wreath his fairy chain
    Of blooming amaranthine flow'rs.

  She deem'd not time could ever blight
    That whisper'd tale she lov'd to hear;
  Alas! there came a gloomy night,
    That threw its shadows on her bier.

  He told her time should never see
    The hour he would forget her--
  That future years should only be
    Fresh links to bind him to her;

  That distant lands his steps might trace,
    And lovely forms he'd see,
  But Fanny's dear, remembered face,
    His polar-star should be.

  "O! ever shall I be the same,
    Whatever may betide me,--
  Remembrance whispers Fanny's name,
    And brings her form beside me.

  "Believe, believe, when far away,
    Distance but closer draws the chain;
  When twilight veils the 'garish day,'
    Remembrance turns to thee again."

  He's gone!--but Fancy in her ear
    Still murmurs on his last farewell,
  While Hope dries in her eye the tear,
    And bids her on each promise dwell.

  And long she hop'd--from day to day,--
    From early morn to dusky eve
  Her thoughts were wand'ring far away,
    Nor deem'd that he could e'er deceive.

  Fond maid'--he thinks no more on thee--
    He mocks at thy enduring faith;
  While the foul tongue of calumny
    Accelerates thy early death.

  This world to her a desert grew,
    The sunny heavens no more were fair;
  Fast gathering tears obscured her view,
    And only night's dark clouds were there.

  Faded and chang'd the glorious dream,
    The vision bright that floated round her;
  And death was in the ghastly gleam
    That gave her eyes unearthly splendour.

  She lingered not, to feel that earth
    Is rife with Disappointment's thorn--
  That vows of faith are little worth,
    And fleeting as the hues of morn.

  Farewell! farewell! pale lilies drooping
    On her low bed as emblems wave;--
  And see!--the angel Pity stooping
    To shed her tear on Fanny's grave!


_Kirton Lindsey._

ANNE R.

       *       *       *       *       *


THE "HALCYON" BIRD.

(_To the Editor._)

The Halcyon is now only known by the name of the King Fisher (_ispida_,
the _alcedo ispida_ of Linnaeus), a very beautiful bird, frequenting
waters, and feeding on fish. It builds in deep holes in the banks of
rivers, and lays five, or, according to some, nine eggs. It much
approaches to the Picus, or Woodpecker, in many points; but wants its
great character, which is, the having two toes behind. The legs of this
bird are very short, and are black before and red behind; its colours,
particularly its green and blue, which are its general ones, are
extremely bright and beautiful. It takes its prey after the manner of
the Osprey, balancing itself at a certain distance over the water for
a considerable space, and then darting below the surface, brings up the
prey in its feet. While it remains suspended in the air, on a bright
day, the plumage exhibits a most beautiful variety of very dazzling
and brilliant colours.

This bird was called Halcyon by the ancients. Aristotle has described
the bird and its nest; which, according to him, resembled those
concretions that are formed by the sea water, and fashioned in the shape
of a long necked gourd, hollow within, but so narrow at the entrance,
that if it overset the water could not enter. This nest was called
Halcyoneum, and had medical virtues ascribed to it: it was also a
floating one; and therefore it was necessary for the poets who have
described it to place it on a tranquil sea, and to supply the bird with
charms to allay the fury of a turbulent element during its incubation,
for it had at that season power over the seas and winds. During the days
of this bird's incubation, in the depth of winter, the mariner might
sail in full security; and therefore they were called "Halcyon Days."

_Lambeth._

WALTER E.C.

       *       *       *       *       *

(_From another Correspondent._)

In the agreeable communications of your correspondents, they seem in
their quotations to have overlooked the following, from Dryden:--

  "Secure as when the halcyon breeds, with these
  He that was born to drown might cross the seas."
  _Astraea Redux._


And again, in his stanzas on the death of Oliver Cromwell--

  "And wars have that respect for his repose
  As winds for halcyons when they breed at sea."


Cowley likewise, in his preface to his Miscellanies, says, talking of
his mind, "It must, like the halcyon, have fair weather to breed in."

The story of Ceyx and Alcyone is beautifully told in Ovid, Met. 11.
fab. 10.

       *       *       *       *       *


HOUSE OF COMMONS.

(_For the Mirror._)

In the vale of Evesham, was fought the most memorable battle recorded in
the annals of English history, between Simon de Mountfort, the powerful
Earl of Leicester, and Prince Edward, afterwards King Edward the First;
in which the earl was completely defeated, and the refractory barons,
with most of their adherents taken or slain. This important battle
restored Henry the Third to his throne and liberty. When he had ascended
the throne, he determined to still further curtail the enormous power of
the barons; and by his writs summoned together, as his advisers,
representatives from numerous cities and boroughs, as well as counties;
the battle of Evesham therefore may be considered, says a modern writer,
"_as the origin of our present House of Commons_."

The learned John Selden says, "All are involved in a parliament. There
was a time when all men had their voice in choosing knights. About Henry
the Sixth's time they found the inconvenience, so one parliament made
a law, that only he that had forty shillings per annum should give his
voice, they under should be excluded." "In a word (says Chamberlayne)
a parliament's authority is most absolute; a parliament can do all that
_Senatus populusque Romanus_ could do, _centuriatis Comitis seu
Tributis_; it represents the whole kingdom, so that the consent of
the parliament is presumed to be the consent of every man in England."

P.T.W.

       *       *       *       *       *


THE LEGACY OF THE SWORD.

(_For the Mirror._)


  It is thine--it shall win thee a wreath for thy brow
  When thy spirit seems more energetic than now;--
  It is thine in the war-cloud of gloom and of fire,
  The pride of thy kindred--the sword of thy sire!

  It is thine--let the bright rose around it entwine,--
  Let it glance in the sunbeam which smiles on the shrine,
  And sheathe it triumphant when cravens retire,
  The pride of thy household--the sword of thy sire!

  It is thine--but the warrior who bore it is laid
  Where the rose throws its balm, and the cypress its shade,
  And churls and marauders have ceased to retire
  From the star of the battle--the sword of thy sire!

  It is thine--thou shall wave it with banner and plume
  When the trumpet is heard in the war-cloud of gloom:
  It is thine to defend thee when rebels conspire,
  The choice of thy childhood--the sword of thy sire!


_Deal._

G.R.C. OR, REGINALD AUGUSTINE.

       *       *       *       *       *




SPIRIT OF THE PUBLIC JOURNALS.

       *       *       *       *       *


MAVROVITCH, THE POLE.

  "There are more things in heaven and earth, Horatio,
  Than are dreamt of in your philosophy."


It seems that Valodimir Mavrovitch, the fratricide, was the second son
of Count Baileskow, the representative of one of the oldest and most
renowned families in Poland. In his youth, Valodimir was the most
elegant boy almost ever seen, and scarcely less remarkable for talent
than beauty; but he had a peculiar enthusiasm about him, in which, as
his tutor, Father Theophilus, often said, lay his destiny. "In all other
respects, he is only," said the father, "a nobler youth than common;
but in this singular endowment he has something supernatural to man.
He is without fear--he knows not what it is; and, with a dexterity
inconceivable, accomplishes the most abstruse and difficult purposes.
In his lessons, such is his aptitude, that he learns as if he had
brought knowledge with him into the world; and in field-sports, the
chase, and all exercises, he possesses an ardour and courage by which
he outstrips every competitor. His generosity is equally unbounded; and
whatever he undertakes is pursued with an indefatigable eagerness that
knows not impediment; but amidst this unexampled energy in purpose there
is cause for fear. It matters not to him, when once interested, whether
his object be good or bad; and in this fatal inability to discriminate
the value of his aims lies his danger."

(We are compelled considerably to abridge this story to suit our
limits.--The mystical portion of it, or "the story of the Demon," as the
narrator, a Pole, calls it, is thus told to an English tourist:)--


"When I was on the eve of my departure from the castle of Baileskow,
my paternal inheritance, and the residence of my mother, to make a
tour through Germany and Italy, the carriage being at the gate, and the
servants with torches around--for it was then before the dawn of day--as
I crossed the court from the hall-door to embark, an old man met me.
He had the air of a priest, but not exactly the garb, and his eyes,
I thought--or it might be an after fancy--were luminous.

"'Valodimir Mavrovitch,' said the stranger, 'THINK!'--I would have
answered, but the torch-light which shone through the gateway upon him
shifted, and I was surprised that he too had disappeared, like one of
the shadows of the servants on the castle wall.

"I was surprised at the brief and emphatic admonition of the Demon, for
it was no less; but instead of obeying his injunction, after embarking
in the carriage, I fell asleep.

"In the course of the journey, I met with neither accident nor
adventure; but in the evening of the afternoon that I reached Munich, I
strolled out from, the hotel at which I had put up, and entered, after a
short walk, a coffee-house, in which several persons were smoking, with
ices and liquors before them. One table only was vacant--it was near the
door, and it had no light upon it. I entered and sat down at this table,
and ordered a cigar; which being brought, with a candle, I began to
smoke, and was thinking on the admonition of the mysterious stranger in
the court of the castle. My back was towards the door, when presently
feeling as it were a hand laid on my shoulder, I hastily turned round,
and at my elbow beheld the stranger again. 'BEWARE!' said he, and
withdrew.

"This incident affected me more than the former: it seemed to be couched
with anxiety, as if some danger impended; but at the same moment two
young officers came in, and seeing no vacant places, seated themselves
opposite to me at the same table. They were about my own age, of a
gallant air, and observing that I was a stranger, they addressed me in a
generous, gentlemanly manner. I was much pleased with their
conversation, and they professed themselves equally so with mine. Like
other young men, we became, while I stayed at Munich, friends, and in
their agree, able society both the 'THINK!' and 'BEWARE!'
were forgotten. On my departure for Vienna, they gave me letters to
their friends in that metropolis, by whom I was received with marked
distinction.

"I had not, however, been many days in Vienna, when one evening,
returning from a party on foot, my servant having neglected to bring
my carriage, a sudden stream of light from a window fell upon a figure
which I perceived walking before me. He turned round at the same moment,
and I beheld my warden.--'STOP!' said the apparition; I did do so;
but in a moment the light vanished, and he was gone.

"This third warning took some effect: it was mystical, and I pondered in
a vain endeavour to ascertain to what it could allude. My conjectures
were fruitless: I could only recall that in the course of the evening
I had been much excited by the beauty of a young countess, for whom,
on account of her marriage, the ball had been given. The count, her
husband, was a noble and elegant young man, and their mutual attachment
had been a theme of admiration from their childhood in their respective
families.--'STOP!' I repeated to myself, as I entered my
lodgings, 'what can that have to do with aught that I have undertaken?'
But in the course of a few days I became myself again, the admonisher
was forgotten, and I could think only of the beautiful countess. I have
just told my confessor that in less than a month her husband shot
himself, and she fled from my arms to a nunnery.

"This affair obliged me to quit Vienna more abruptly than I intended;
but instead of going to Venice, I went to Paris, taking Frankfort in my
way. Being entirely unknown at Frankfort, I hastily visited alone every
thing remarkable in the city, resolving to leave it in the morning; but
the day was sultry, and in the evening, partly owing to fatigue, I felt
myself tired and indisposed, and remained there next day. In the
afternoon I found myself better; and as a public pleasure-garden was
near the hotel where I stopped, I went to amuse myself for a few minutes
there. Whether custom or any festival had that evening assembled an
unusual concourse of people I never inquired, but the garden was crowded
with a gay multitude, and music with great hilarity enlivened the
entertainment. I walked about delighted with the scene.

"In the course of my sauntering amidst the arbours, I came to an alcove
a little remote from the more stirring cloud, and in it were several
gentlemen playing cards: two were at chess, and by their side a little
boy, seemingly one of their sons, amusing himself with throwing dice.
After looking for a minute or two, I went to the child, and in sheer
playfulness challenged the boy for a throw. At the same instant that
I took the box in my hand, some one touched my elbow; I looked round,
and the old man was there--'PAUSE!' said he. In that instant
a rope-dancer at some distance fell, a shriek rose, my attention was
roused, and I missed again the stranger; but when tranquillity was
restored, my desire to play at dice returned, and I again challenged the
child to whom I lost several pieces of money, which the lucky boy was as
proud of gaining as the conqueror at the Battle of Prague.

"That was the first time I had ever played at dice. My education
was recluse. I had no companions, and we had no dice in the castle.
The idle game pleased me. When I returned to the hotel, I ordered dice,
and amused myself all the evening with casting them, actuated by a
persuasion that there must be a mode of doing so by which any desired
number may be thrown. This notion took possession of my mind, and I
stayed several days at Frankfort, employed in attempts to make the
discovery; at last I did succeed. With a pair of dice I attained a
sleight by which I could cast what I pleased; but with it I also
made another discovery: it was only with perfect cubes I could be so
successful. I tried many, but all, in any degree imperfect, could not
be so commanded.

"I then went to Paris, where, being well introduced, I became a
favourite. The ladies could not make enough of me, and I felt no
_ennui_ to lead me to the gaming-tables. But one night, on which I had
an appointment with a fascinating favourite, when I went to her house
I found she had been seized with the small-pox. To shun reflection on
the loathsome disease, I went to a house which I knew was much frequented
by some of my friends, and, as I expected, met several. They invited
me to play, and as I was ignorant of cards, they consented to throw
dice, because, not aware of my art with them, they supposed, seeing me
out of spirits, that it would rouse me. We played for trifling stakes,
and to their indescribable astonishment, I won every throw, and,
doubling our stakes, at last, a large sum of money.

"Next day the lady died. My grief was such that I could not but look
upon her. Her waiting gentlewoman consented, and I was shown into the
apartment where she lay, at the moment when the attendants were
preparing the body. Such a spectacle! I flew in anguish again to the
gaming-house; I diced again, as if a furor had possessed me; I staked
largely, and won every thing. All the guests and the plundered were
amazed at my success, and collected in crowds around. The pressure upon
me was inconvenient. I turned to request the spectators would stand
back. At my elbow again stood the Demon, 'GO ON,' were his words.
I was petrified, and he was away.

"Unable to proceed with the effects of the surprise, my losing
antagonist imagined that I was making some sign to a secret confidant,
but not daring to express his suspicion, only requested the dice should
be changed. They were so. The new ones were not cubes, and they were
uneven in weight. I lost back the greatest part of my winnings; and
I also lost character. It was observed that I threw the casts in a
different manner from that in which I had thrown the first dice.
A suspicion arose among the spectators that I did so on purpose to lose,
and in a few evenings I was stripped of the greater part of my fortune,
for every evening the dice were changed, and sometimes often in the
course of a night. At last I quitted Paris, with the matured character
of a thorough libertine and an unfair gamester.

"I took my passage at Marseilles, for Naples, and at the time appointed
for embarkation, went to the mole to go on board.

"It was evening; the sun had set some time; the beacon of the port was
lighted; and the dawn of the moon was brightening the eastern horizon.
The populace, who were enjoying the cool air, had not however dispersed,
but were standing in numerous groups around. A feeling at the moment
came upon me that the Demon was near, and I resolved if it appeared
again to employ my sword, although at the time persuaded that it was but
a form impalpable. In the same moment I saw it before me; out flew my
sword, and in the instant I felt that it pierced a mortal heart; but
instead of the old visionary-man, I beheld a boatman dead and bleeding
at my feet. A wild cry arose. The mob seized me, and I was carried to
prison. Next day the case was investigated before the court of justice.
I related the simple fact. A glib advocate doubted my asseverations; but
the spectators, who were numerous, gave the fullest credit to the story,
and I was spared the doom of a murderer, because the judges were of
opinion that I could have no motive to commit the crime, and had
perpetrated the deed under some influence of temporary lunacy.

"That was the wanton assassination with which all Europe rang at the
time, and was ascribed to the extravagance of my reprobate nature.

"After my liberation, I proceeded to Naples, and mingling in all the
pleasures of that luxurious city, in addition to my dexterity with the
dice, I acquired equal skill at the cards. In the study of them I found
my sight possessed of a faculty not before imagined. The sharpness of
my sight soon enable me to discover at once all the cards of a pack
distinctly from each other, and I speedily was master of every popular
game. This superiority made me heedless of my disbursements; I could at
any time supply my purse at the gaming-table, and as a consequence of
that independence, I surrendered myself to enjoyment, and for years
lived in riot and revelry, unmolested by the Demon.

"An unvaried career of licentiousness was not, however, my lot. An
irascible countryman of yours, a lieutenant of the royal navy, who was
introduced to me at a party, suddenly seemed to scowl at me with the
visage of the demon, as we were in the heat of an argument, and I struck
him in the face. A duel was the consequence, and he disabled me in the
right arm. That accident destroyed my sleight-of-hand with the dice.
Thus was one source of my income cut off; a slight fever soon afterwards
left its dregs in my eyes, I could no longer distinguish the cards with
my wonted accuracy, and thus fell into poverty.

"Disturbed at the blight which had fallen on my fortunes, I shunned the
haunts of the gay and reckless, and became a cicerone to the travellers;
for my reputation as a libertine had reached Poland, and I was ashamed
to return home.

"One day, when I had conducted an English family to Herculaneum, I felt
myself a little indisposed while showing them the theatre, and, with
much charitable feeling, they insisted on my going up to the fresh air,
and leave them with the common guide. Glad to avail myself of their
kindness, I instantly retired, and at a short distance from the opening
where we descended, I sat down on the capital of a defaced Corinthian
column, to wait their return.

"While sitting on that spot, I cast my eyes accidentally towards the
summit of Vesuvius, then emitting, as if panting for breath, occasional
volumes of white smoke. As they rolled along the speckless expanse of
the calm blue firmament, they assumed various beautiful forms, and I was
watching their progress, forgetful of all but the visible poesy of their
appearance, when the voice of the Demon whispered, as if its dreadful
lips were at my ear--'YOUR BROTHER.'

"I started from my seat, and looked behind me in horror; but only the
bay, with its romantic shores, was in sight.

"When I had shaken off the consternation of the moment, I resumed my
seat, and began to examine myself as to the purpose suggested by the
portentous words. My cogitation was not long. The count was unmarried,
and was the only impediment between me and the family estates.

"You can imagine what followed: here I am, and this night I shall be
with the Demon; but I should continue the remainder of my story. When
the English travellers returned, they spoke to me with a friendly
tenderness, and something in my appearance and manners had so interested
them in my favour, that the old gentleman presented me with a purse of
guineas. That money enabled me at once to return to Warsaw, where I
consummated the instigation of the Demon."

Such was the tale told me by the unhappy man--wonderful certainly
in its circumstances, but widely different from the terrific chaos
of the popular belief, and simple in its incidents, compared to the
incantations with which the apparitions of the tremendous visitant
were invested by the people.

I would have questioned him more particularly, but our interview was
interrupted by the arrival of the ecclesiastical procession, and I was
obliged to leave the prison. After the clergy, all but one, who remained
with him to the last, had left him, nobody was admitted. The crowd,
however, round the scaffold continued all day to increase, and the bells
to toll. At last the sun set, the guards lighted their torches, and only
the black scaffold and the upturned faces of the multitude were visible
from where I stood. The prison gate was soon after opened; the culprit,
wrapped in a winding sheet, came forth, attended by the municipal
officers, and proceeded with the funereal sound of trumpets to the
dreadful spot where the two executioners, with their arms and throats
bare, lifted a covering from the rack, and took their stations beside
it, holding the handspikes, for turning the rending wheels, like
muskets, on their shoulders. The moment that Mavrovitch mounted the
scaffold, the trumpets and the tolling bells ceased; all was silent,
and he walked with a firm tread towards the engine of torture. The
executioners stepped forward, each took him by the arm. At the same
moment a wild shriek rose; but what ensued is so well known, that
I may spare myself from further recital.--_New Mon. Mag._--(_abridged._)

       *       *       *       *       *




THE TOPOGRAPHER.

       *       *       *       *       *


MONMOUTHSHIRE.

(_For the Mirror._)


  Soon round us spread the hill and dales
  Where Geoffrey spun his magic tales
  And call'd them history. The land
  Whence Arthur sprung, and all his band
  Of gallant knights.

  BLOOMFIELD'S BANKS OF WYE.


This county, the inland parts of which consist of verdant meadow or
arable land, is bounded on all sides excepting that which joins the
Severn, by ranges of hills which have generally either been covered with
woods or devoted to the feeding of cattle. The southern or Severn side
presents to the view well cultivated lands, gently rising from the
shore.

Monmouth, the capital town, is situated at the confluence of the Wye and
Munnow, "in a vale," says Gray, "which is the delight of my eyes, and
the very seat of pleasure." It is surrounded on all sides by hills,
which by affording the lowlands shelter from the bleak winds, promote
vegetation, and present a beautiful prospect of hanging woods,
interspersed with corn and pasture land.

The town consists principally of one long and handsome street, at the
end of which is an old tower, which formerly defended the Munnow Bridge.
There are a few remains of the castle in which Henry V. was born; an
elegant and highly ornamented residence "the Castle House," has been
built within its site, and partly of its materials. Monmouth is supposed
to be the ancient Blestium. Abergavenny on the Usk is situated in a spot
which partakes still more of the character of Welsh scenery: on the
south west rises the Blorench mountain, in height 1,720 feet; to the
north west the still higher mountain of the Sugar Loaf towers amidst the
clouds. To the north east lies St. Michael's Mountain, or the Great
Skyrrid, at one end of which is a remarkable chasm about 300 feet in
breadth. The castle at Abergavenny formerly belonged to the Nevilles.
The Welsh chroniclers have celebrated the Mountains of Carno, near
this place, as having been bedewed with the blood of the Saxons.

The magnificent ruins of Ragland Castle lie half way between Monmouth
and Abergavenny. Charles I. was entertained here during the first
troubles of his reign, with noble hospitality by the aged Marquess of
Worcester, who surrendered the castle, after a siege of almost three
months, to the Parliamentary army under Sir Thomas Fairfax, in 1646:

  "Majestic Ragland! Harvests wave
  Where thundering hosts their watchword gave,
  When cavaliers, with downcast eye,
  Struck the last flag of loyalty."

  BLOOMFIELD.


His son Edward, the second Marquess, was the author of the celebrated
"Century of Inventions," in which the first hint of the steam
engine appeared, which he calls "By divine providence, and heavenly
inspiration, a stupendous water commanding engine, boundless for height
or quantity;" and so delighted was he at the discovery of what he terms
"The most stupendous work in the whole world," that he returned thanks
to God for having vouchsafed him an insight into so great a secret of
nature. He died in 1667, and his remains were conveyed with mournful
solemnity to the cemetery of the Beaufort family in Ragland Church.

The town of Caerleon on the Usk, abounds with Roman remains, and is
supposed to have been built on the site of a British town. Giraldus
Cambrensis writes that "very eminent men were brought up and taught
here," which countenances the supposition that its real name may have
been Cathain Leigean, "the city of learning."

About two miles to the east of the mouth of the Usk rises Goldcliff,
a solitary hill amidst the moors on the banks of the Severn. It derives
its name from its glittering appearance when the sun beams on it.
"I cannot be persuaded," says Camden, that "there is a flower here
without fruit, were any man to search into the veins, and using the
direction of art enter into the inmost and most secret bowels of the
earth."

Caerwent, the Venta Silurum of the Romans, is now an inconsiderable
village; it was once a seaport, but at present is two miles distant
from the Severn; it occupies a gently inclining plain. Mr. Coxe, in his
"Tour through Monmouthshire," has given a plan of the Roman town, which
was defended on all sides except the southern, by a deep fosse. The
walls are from twelve to twenty-four feet in height, and from nine to
twelve in thickness. Many curious figures which have been discovered in
the pavements, have been destroyed through the ignorance of the country
people. The mounds and mouldering walls in the adjacent fields, present
melancholy memorials of the former grandeur of this place.

The village of Trelech is remarkable for three Druidical stones,
which give name to it. Harold here defeated the Britons, and from an
inscription on a pedestal in the village, we may suppose that a large
tumulus near this spot, contains the bones of the slain.

At the mansion of Courtfield, at Welsh Bicknor, the seat of the Roman
Catholic family of Vaughan, Henry V. is traditionally reported to have
been nursed, under the care of the Countess of Salisbury; a monumental
effigy of a lady in accordance with the style of that age, is in the
church.

The celebrated ruins of Tintern Abbey, on the banks of the Wye, which
are kept in high preservation by the Duke of Beaufort, afford a noble
specimen of Gothic architecture, and retain marks of their ancient
magnificence:

  "The fair wrought shaft all ivy bound
  The tow'ring arch with foliage crown'd
  That trembles on its brow sublime,
  Triumphant o'er the spoils of Time."


These remains acquire additional beauty from their romantic situation.
The roof has fallen in; but the pillars and tracery of many of the
windows are perfect. The green lawn is covered with fragments of
sculpture and memorials of those who once dwelt within this magnificent
pile:

  "But all is still. The chequer'd floor,
  Shall echo to the step no more;
  Nor airy roof the strain prolong
  Of vesper chant or choral song."

  BLOOMFIELD.


In the year 1634, Colonel Sandys attempted to make the Wye navigable
by means of locks, but as this experiment was unsuccessful, they were
afterwards removed. This river from the confluence of its mountain
streams after heavy rains, is subject to sudden inundations, which
though in many respects injurious to the farmer, greatly fertilize the
meadows in its vicinity, and especially those near Monmouth, by the
valuable matter it deposits. The tide of the Severn, from the peculiar
projection of the rocks at the mouth of the Wye, flows up the latter
river with great rapidity, to the height of more than forty feet.
"The highest tide," says Mr. Coxe, "within the memory of the present
generation, rose to fifty-six feet."

To the admirers of the architecture of the baronial mansions of the
middle ages, the remains of the numerous castles which have been erected
on the banks of the Wye to repel the incursions of the Welsh, by the
Talbots and Strongbows, and other renowned families of former days,
will afford the highest gratification, and give a silent though powerful
admonition, that human grandeur endureth but for a day:


              "On the Gwentian shore
  The regal banner streams no more.
  Nettles and vilest weeds that grow,
  To mock poor grandeur's head laid low,
  Creep round the turret's valour rais'd,
  And flaunt where youth and beauty gazed."


W.

       *       *       *       *       *

THE SELECTOR; AND LITERARY NOTICES OF _NEW WORKS._

       *       *       *       *       *


THE SUNDAY LIBRARY.

This work is intended to consist of "_Manuals of Religious Edification_,
more especially adapted for the LORD'S DAY; as containing the sentiments
of many of the more eminent Divines of the Church of England in the
_Discourses_ delivered from their pulpits:" or, in plain terms,
it is to comprise a Selection of Sermons from the most eminent Divines
of the Church of England, chiefly within the last half century. Its
editorship is entrusted to the learned and accomplished Dr. Dibdin,
who enforces the publication of a _religious_ Library, in these
energetic words:--"Let it be specially impressed upon the minds of
Christians of EVERY persuasion, that at NO moment can a work, similar to
the present, have stronger claims upon their attention and support, than
at _this precise period_, when the elements of civil society seem
to be agitated in a variety of directions, and when a sound and sober
exposition of Scriptural Truths may essentially contribute to the
support of the best interests of the COUNTRY."

The two volumes before us contain the incomparable Mount Sermon by
Bishop Porteus; Bishop Bloomfield on the Choice of a Religion; two
Sermons by Paley; prefixed to the latter is a Memoir, concluding with
these excellent observations by the Editor:--

"The Sermons of Paley were chiefly a posthumous publication. They were
preached to, as they were written for, a country congregation; they are
therefore divested of studied ornament of style, and elaboration of
argument. But they bear the peculiar impress of the author's own
powerful and unsophisticated mind; and for strength of conception, and
clearness and sometimes vigour of expression, it may be questioned
whether many in them have been ever surpassed. They are not, strictly
speaking, eloquent; but there is a force, as well us a novelty of
treatment, in many of them, that put them above all comparison. They
are familiar without coarseness, and terse without obscurity. Their
main charm may be said to consist in the simplicity and strength with
which religious and moral truths are handled; the uncompromising and
straightforward manner in which human frailties and sins are exposed;
the kindliness of exhortation to repentance and godliness of living; the
power, purity, and comfort of the Gospel-dispensation; and, above all,
the perfect absence of fanaticism, of an overheated fancy, and of a
persecuting spirit. But these qualities, which so eminently distinguish
the _writer_, ought in some degree to possess the _reader_,
of the sermons in question. For the kindly _reception_ of the
scriptural truths enforced by Paley, there must be nothing ascetic,
nothing morose, nothing self-willed and intolerant, in the mind of him
who sets himself in right earnest to the task of their perusal. In like
manner, all highly wrought, impassioned, and uncontrollable emotions,
which carry the infatuated understanding into a wide and wild sea of
doubt and distraction, must be absent from the reader. It cannot be
dissembled that, when read with a proper spirit, we rise from the
perusal of Paley's Sermons not less convinced of the necessity of
putting a guard upon the unruliness of our passions, than of living
in peace, goodwill, and brotherly love with all mankind."

Among the remainder in the first volume (in all 16,) is Bishop Horne's
_Life a Journey_, upon that touching line in Psalm cxix.--

  "I am a stranger upon the earth."


How beautifully are the consolations of our blessed religion set forth
in the imagery of the subsequent extract:--

"Although the traveller's first and chief delight is the recollection of
his home, which lies as a cordial at his heart, and refreshes him every
where and at all seasons, this does by no means prevent him from taking
that pleasure in the several objects presenting themselves on the road,
which they are capable of affording, and were indeed intended to afford.
He surveys, in passing, the works and beauties of nature and art,
meadows covered with flocks, valleys waving with corn, verdant woods,
blooming gardens, and stately buildings. He surveys and enjoys them,
perhaps, much more than their owners do, but leaves them without a sigh,
reflecting on the far greater and sincerer joys that are waiting for him
at home. Such exactly is the temper and disposition with which the
Christian traveller should pass through the world. His religion does not
require him to be gloomy and sullen, to shut his eyes, or to stop his
ears; it debars him of no pleasure, of which a thinking and reasonable
man would wish to partake. It directs him not to shut himself up in a
cloister, alone, there to mope and moan away his life; but to walk
abroad, to behold the things which are in heaven and earth, and to give
glory to him who made them; reflecting, at the same time that if, in
this fallen world, which is soon to be consumed by fire, there are so
many objects to entertain and delight him, what must be the pleasures of
that world which is to endure for ever, and to be his eternal home;
Flocks feeding in green meadows, by rivers of water, remind him of the
future happy condition of the righteous, when 'they shall hunger no
more, neither thirst any more, for the lamb which is in the midst of the
throne shall feed them, and shall lead them unto living fountains of
water.' From fading plantations he carries his thoughts to the paradise
of God, where, in immortal youth and beauty, grows the tree of life,
whose tree never withers, and which bears its fruit through the
unnumbered ages of eternity. Earthly cities and palaces cause him to
remember thee, O thou holy city, heavenly Jerusalem, whose walls are
salvation, and thy gates praise, and the Lord God Almighty and the Lamb
are the temple in the midst of thee! He who sees the world in this light
will draw its sting, and disarm it of its power to hurt; he will so use
it as not to abuse it, because the fashion of it passes away; he will so
enjoy it, as to be always ready to leave it for a better; he will not
think of settling at his inn, because it is pleasantly situated. He
remembers that he is a traveller; he forgets not that he is a stranger
in the earth."

What will the scoffers and scorners, the haters of good works, say to
the sacred truths--the soft-breathing simplicity--of this extract. How
painful then is it to turn to the idle speculations and feverish fancies
of their philosophical unbelief.

Dr. Dibdin has supplied the sketches of the Reverend Authors and the
Notes. One of the latter on a passage in the Sermon, _Scripture
Difficulties Vindicated_, by the Rev. C. Benson, relates to a noble,
but lamentably sceptical, poet.

We have looked through the second volume, which contains twenty-three
Sermons, and notice this beautiful passage from a Sermon by Dr. Townson:

"And, to take up once more the comparison of life to a voyage, in like
manner it fares with those, who have steadily and religiously pursued
the course which heaven pointed out to them. We shall sometimes find, by
their conversation towards the end of their days, that they are filled
with hope, and peace, and joy; which, like those refreshing gales and
reviving odours to the seaman, are breathed forth from Paradise upon
their souls; and give them to understand with certainty, that God is
bringing them unto their desired haven."

(_Note by the Editor._) The poetical spirit of this paragraph is
not less remarkable, than its discriminative piety. It seems probable,
that Dr. Townson had in view the fine passage of Milton:

                 And of pure, now purer air,
  Meets his approach; and to the heart inspires
  Vernal delight and joy:
                          now gentle gales,
  Fanning their odoriferous wings dispense
  Native perfumes, and whisper whence they stole
  Those balmy spoils. As when to them who sail
  Beyond the Cape of Hope, and now are past
  Mozambic, off at sea north-east winds blow
  Sabean odours, from the spicy shore
  Of Araby the bless'd; with such delay
  Well pleas'd, they slack their course; and many a league
  Cheer'd with the grateful smell old Ocean smiles:
  So entertain'd those odorous sweets

  _Paradise Lost_, iv. 152.


Another passage, scarcely less poetical, and, in moral beauty, far
superior, affords a still more striking coincidence:

  The merchant, who towards spicy regions sails,
  Smells their perfume far off, in adverse gales;
  With blasts which thus against the faithful blow,
  Fresh odorous breathings of God's goodness flow.

  _Bp. Ken. Works_, i. 494.


It is an interesting proof of the fertility of Dr. Townson's mental
resources, that in the original manuscript, he has left behind, on
a separate leaf, an equally fine illustration; to be occasionally
substituted for that which has called forth these remarks. It were
injustice to withhold it from the reader:

"In this situation, the devout Christian may be compared to a
traveller journeying towards some fair city, in which he has beforehand
established a good correspondence. He has climbed the hill that stands
next to it; and, though the distance still forbids him to take a
distinct survey of it, yet the prospect of its towers and buildings
rising before him, of its spires and pinnacles glittering in the air,
and of peace and pleasantness in its borders, revives his heart. The
consideration of his past perils and fatigues now gives him pleasure.
He is thankful to a gracious Providence, that has led him almost through
them, and brought him to a point, whence he has a downward and direct
way to a place of rest and abode; in which he will meet with a cordial
reception, and be delighted with new scenes of beauty, magnificence,
and wonder. With such satisfaction doth faith fill the heart of the
religious pilgrim and stranger, when he has nearly travelled through the
changes and chances of this mortal life, and feels himself approaching
to the heavenly Jerusalem, the abiding city."

The accomplished author, himself, like Milton, a traveller, here blends
his own observation of foreign lands, with his recollections of our
great poet:--

                 As when a scout
  Through dark and desert ways with peril gone
  All night, at last by break of cheerful dawn,
  Obtains the brow of some high-climbing hill,
  Which to his eye discovers unaware
  The goodly prospect of some foreign land
  First seen, or some renown'd metropolis,
  With glitt'ring spires and pinnacles adorn'd,
  Which now the rising sun gilds with his beams.

  _Paradise Lost_, iii. 543.

The _Sunday Library_, it should be added, is printed in correspondent
style with the _Cabinet Cyclopaedia_, and each volume has a finely
engraved Frontispiece Portrait.

       *       *       *       *       *


VENETIAN HISTORY.

The _Family Library_ Editor has judiciously enough filled his 20th
volume with "Sketches" from the History of Venice. Another volume is
promised, the present extending from the settlement of the Veneti in
Italy to the year 1406. The intention is stated to be, "to present in
detail some of the most striking incidents of the History of this great
Republic, connecting them with each other by a brief and rapid survey of
minor events;" for which purpose the Editor has freely taxed Sismondi
and the late Count Daru. The result is one of the most enchanting
volumes of historiettes that has ever fallen into our hands;
illustrating, to be sure, numberless dark points, or "damned spots" of
human history; "much of atrocious guilt, of oppression, cruelty, fraud,
treachery, baseness, and ingratitude;" yet the very heinousness of these
characteristics carries on and keeps up the intense interest of the
volume.

We select for extract the "tragical tragedy" of Marino Faliero--not so
much for its novelty to the reader, as for correcting an erroneous view
into which the license of poetry may have led him:--

The name of Marino Faliero is familiar to English ears; but the reader
who borrows his conception of the Doge of Venice from the modern drama
in our language which purports to relate his story, will wander as far
from historic truth as from nature and probability. The _Chronicle_
of Sanuto, which the poet has avowed to be his basis, presents no trace
of that false, overwrought, and unintelligible passion which, in the
tragedy, is palmed upon us for nice sensitiveness to injured honour. We
are told, indeed, that the angry old man had once so far indulged his
choleric humour as to fell to the ground a somewhat tardy bishop during
the celebration of a holy solemnity. We hear of a fiery temper,
accustomed to command, elated by success, and in which, on the
confession of Petrarch, who was personally well informed regarding it,
valour predominated over prudence. These are the unsettled elements upon
which the Tempter best loves to work; but the insanity and extravagance
with which we must charge Faliero, if we suppose his attempt to
overthrow the government of which he was chief, arose solely from an
outrageous desire of revenge for a petty insult, are entirely
gratuitous, and belong altogether to the poet. Madness of another kind,
however, that of ambition, is clearly ascribable to him; and, if we take
this as our key, much of the obscurity attendant upon a catastrophe
which has been imperfectly and inadequately developed will be cleared
away; we shall obtain a character little indeed awakening our sympathy,
but yet not wholly at variance with our judgment; and although we may be
astonished at, and recoil from the motives which prompted his crime,
they will not be altogether of a class which sets our comprehension at
defiance.[6]

At a banquet, which it was customary for the doge to celebrate in his
palace, after the bull-hunt, on the Carnival Thursday, a squabble had
arisen from some too pressing familiarity offered by one of the young
gallants of the court to his mistress. Michele Steno, a gentleman of
poor estate, was enamoured of a lady in attendance upon the dogaressa;
and, presuming upon her favour, he was guilty of some freedom which led
the doge to order his exclusion.--This command appears to have been
executed with more than necessary violence; and the youth, fired by the
indignity which disgraced him in the eyes of his mistress, sought
revenge by assailing Faliero in that point in which he conceived him to
be most vulnerable. He wrote on the doge's chair, in the council
chamber, a few words reflecting upon the dogaressa: "Marino Faliero,
husband of the lovely wife; he keeps, but others kiss her."[7] The
offence was traced to its author; it was pitiful and unmanly; yet it
scarcely deserved heavier punishment than that which the XL adjudged to
it--namely, that Steno should be imprisoned for two months, and
afterwards banished from the state for a year. But, to the morbid and
excited spirit of Faliero, the petty affront of this rash youth appeared
heightened to a state crime; and the lenient sentence with which his
treason (for so he considered it) had been visited, was an aggravation
of every former indignity offered to the chief magistrate by the
oligarchy which affected to control him. Steno, he said, should have
been ignominiously hanged, or at least condemned to perpetual exile.

On the day after the sentence, while the doge was yet hot in
indignation, an event occurred which seems to have confirmed the
chronicler whose steps we are following, in his belief in the doctrine
of necessity. "Now it was fated," he tells us, "that my Lord Duke Marino
was to have his head cut off. And as it is necessary, when any effect
is to be brought about, that the cause of that effect must happen,
it therefore came to pass"--that Bertuccio Israello, Admiral of the
Arsenal,[8] a person apparently of no less impetuous passions than
the doge himself, and who is described as possessed also of egregious
cunning, approached him to seek reparation for an outrage. A noble
had dishonoured him by a blow; and it was vain to ask redress for
this affront from any but the highest personage in the state. Faliero,
brooding over his own imagined wrongs, disclaimed that title, and gladly
seized occasion to descant on his personal insignificance. "What wouldst
thou have me do for thee?" was his answer: "Think upon the shameful gibe
which hath been written concerning me, and think on the manner in which
they have punished that ribald Michele Steno, who wrote it; and see
how the Council of XL respect our person!" Upon this, the admiral
returned--"My Lord Duke, if you would wish to make yourself a prince,
and cut all those cuckoldy gentlemen to pieces, I have the heart, if you
do but help me, to make you prince of all the state, and then you may
punish them all." Hearing this, the duke said--"How can such a matter
be brought about?" and so they discoursed thereon.

(_To be concluded in our next._)

    [6] Lord Byron's conception of Faliero's character and motives
        appears to us to be mistaken; but what is to be said to the
        countless impertinences and ingraftments upon history which
        M. de la Vigne has introduced into his French play on the
        same subject?

    [7] "_Marin Falieri, dalla bella moglie, altri la gode, ed egli
        la mantiene_."

    [8] This officer was chief of the artisans of the Arsenal, and
        commanded the Bucentaur--for the safety of which, even if an
        accidental storm should arise, he was responsible with his
        life. He mounted guard at the Ducal Palace during an
        interregnum, and bore the red standard before the new doge on
        his inauguration; for which service his perquisites were the
        Ducal Mantle, and the two silver basins from which the doge
        scattered the regulated pittance which he was permitted to
        throw among the people.--_Amelot de la Houssaye_, 79.

       *       *       *       *       *




MANNERS & CUSTOMS OF ALL NATIONS.

       *       *       *       *       *


CAMBRIAN SUPERSTITIONS.

We noticed the preparation of this work at p. 315 of our last volume,
and there gave a few anticipatory extracts. The author is Mr. W.
Howells, of Tipton, whose good fortune it has been to secure a list of
Subscribers to his work, of gratifying length and flattering rank. The
origin of the volume is curious enough, and is thus explained in the
Preface:

"My inducement for presenting to the public these tales of 'by-gone
days' was the advertisement of the very Rev. Archdeacon Beynon, which
appeared in the Carmarthen Journal, of _May_ 21, 1830, proposing
a reward of twenty guineas, with a medal value three guineas, for
the _best printed_ English Essay, 8vo. containing 500 pages, on
the Superstitions, Ghosts, Legends, &c. of _all parts_ of the
principality, to be delivered _before February_ 3, 1831. Now when
the limited period proposed for the collection of 500 pages of matter,
and the above little adjective _all_ is considered, it must appear
obvious that such an Herculean labour is not capable of being
accomplished by _one_ individual alone.--Imagining it, therefore,
to be a matter of impossibility to perform what the very reverend
gentleman requires, I cannot consistently with propriety offer myself
as a candidate, but will say--'_Palmam qui meruit ferat_.'

"I have had considerable trouble to collect the stories which appear in
the work, being also two years from attaining my majority, and having so
short a period to collect them, as the book is hastily ushered before a
discerning public, I trust they will overlook any imperfections which
may appear."

The production of the work is creditable to the enthusiasm of, legally
speaking, the infant author; and we should be happy to learn that our
insertion in the _Mirror_ of some of the pieces in this volume has
fostered its growth. We quote an interesting passage on

_Fairy Rings._

In the youthful days of an aged friend of mine, the belief in fairies
existed in many parts of Wales; and, when a "schoolboy, with his
satchel," unwillingly trudging to school, he has often observed, in a
meadow near Conwil, Carmarthenshire, three small circles of grass, which
appeared to have been weaved round the edges. Wondering much for what
purpose they were ordained, he once asked his mother the use of them,
when she gave him a severe injunction not to _approach_ on any
account, much less _enter_ the rings, for, said she, they belong to
the Bendith eu mammau (a species of fairies), and whoever enters them
can never get out, it being enchanted ground.

These rings have not only been noticed by the illiterate, but by
philosophers and learned characters, who have advanced two opinions
respecting them. Some, among whom are Dr. Priestly and Mr. Jessop, upon
practical and scientific observations, attributed them to lightning, but
their experiments did not prove altogether satisfactory. Drs. Wollaston,
Withering, and others, who had _duly_ examined these spots,
ascribed them to the growth of fungi, which opinion seems undoubtedly
the best.--The rings vary in size and shape, some having seven yards of
_bare_, with a patch of _green_ grass a foot broad in the
middle; others, of various sizes, are encompassed with grass much
greener than that in the interior. It is rather remarkable that no
beasts will eat of them, although some persons suppose that _sheep_
will greedily devour the _grass_. Shakspeare thus speaks in his
Tempest:

  "Ye elves of hills, brooks, stagnant lakes, and groves,
  And ye that on the sands with printless foot,
  Do chase the ebbing Neptune, and do fly him
  When he comes back; you demi puppets that
  By moonshine do the _green sour_ ringlets make,
  Whereof the _ewe not bites_, and you whose pastime
  Is to make midnight mushrooms----."


The following story is well known in Carmarthenshire:--A farmer going
out one morning very early to fetch his horses from pasture, heard
some delicious music, far sweeter he thought (no doubt) than ever bard
produced from his _telyn_ (harp); and being allured by it, as we
read of men being allured of old by the enchanting voices of Sirens,
he proceeded to the place whence the strains seemed to issue, and in a
sequestered retreat beheld the elves footing it merrily. Wishing perhaps
to obtain more extensive knowledge of these "dear little creatures," he
had the magnanimity to enter the ring, with the intention of joining
their matachin, and soon had his desire gratified, for there they kept
him, dancing away, night and day, without intermission. His relatives
at home were at a loss to know what had become of him, and immediately
concluded that he had terminated his existence, or had gone on a
journey; but days, weeks, and months rolled on, and no farmer appeared,
nor were any tidings heard respecting him, until it chanced one day that
a man passing by the lonely spot, saw him knocking his legs about as if
he was bereft of his reason; and going up to him, inquired what caused
him to be so merry, which broke the spell; and the farmer, as if waking
out of a dream, exclaimed, "O dear! where are my horses?" and stepping
out of the magical circle, fell down, and mingled his dust with the
earth: no wonder, for he had been dancing without nourishment or food
for more than a twelvemonth. If every fair dancer joined the Tylwyth
teg's dance, how many beings would be danced out of the world?

This is credited, he informs me, in some parts of North Wales, at the
present day. Two men travelling together, happened to be benighted soon
after entering a wood, and one of them being fatigued, sat down and
slept, but when he awoke could no where discover his companion; thinking
he had travelled on, he proceeded, but when he arrived at home, was
astonished at the inquiries respecting his fellow, and related that he
had lost him while he slept. As there seemed to be a mystery in the
case, the relatives of the absent individual went to the village wizard,
who informed them that he was in the power and hands of the fairies, but
if they would go to the place where he was missed by his companion, just
a year after that time, they would see him dancing with them, when they
were to rescue him. After the year had elapsed, they went and found it
as the conjuror had said;--whereupon one of them dragged the man out of
the ring, who immediately asked if it was not better to proceed home,
imagining it was the same night, and that he was with his companion.
One of the people presented him with some victuals, which he began
to eat, but had no sooner done so, than he mouldered away.

Wishing the juvenile author all success in his future essays, we commend
his present work to the lovers of superstitious lore, and to the
substantial notice of the very reverend personage already alluded to.

       *       *       *       *       *




THE GATHERER.

  A snapper up of unconsidered trifles.
  SHAKSPEARE.

       *       *       *       *       *


THE REFORM BILL.

(_For the Mirror_.)


The debate relating to the Reform Bill lasted _seven_ nights. There
are many curious circumstances attached to the number _seven_--viz.
the _seven_ golden candlesticks, the _seven_ wise men of the east,
the _seven_ colours, the _seven_ sounds, the _seven_ stars, the _seven_
wonders of the world. Ancient Rome was built upon _seven_ hills, &c. The
gift of prophecy and the power of healing is attributed to the _seventh_
son of a _seventh_ son. When the several members rose late, or rather
early in the morning on the _seventh_ night's debate on the Reform Bill,
the House caught the idea of Macbeth, and exclaimed, "Another yet! a
_seventh_! I'll see no more'!"--and the _House of Russell dispersed the
House of Commons_.

P.T.W.

       *       *       *       *       *


EPITAPH.


The following lines were written by my father, on the death of his first
child, who died in infancy:--W.H.H.

  Nipt in the bud, the father's hope here sleeps,
  And o'er her first-born child the mother weeps.
  Why weep! the disencumber'd soul that's flown
  Now shines another cherub round the throne!
  Ah! who can tell what cares, what hopes, what fears,
  Had been the portion of its lengthen'd years?

  A better lot proportion'd Heaven  design'd,
  And bade it leave this sin-fraught world behind!

       *       *       *       *       *


PATRIOTISM.


When Admiral Sir George Rooke, who took Gibraltar, in the reign of Queen
Anne, came to make his will, it surprised those that were present; but
Sir George exclaimed--"I do not leave much, but what I have was honestly
gotten; it never cost a sailor a tear, or the nation a farthing."

JAC-CO.

       *       *       *       *       *


SILK MANUFACTURE.

In 1734, Sir Thomas Lambe erected, in an island on the Derwent, near
Derby, a curious mill for the manufacture of silk. He brought the model,
the only one of the kind in the kingdom, from Italy, at the hazard of
his life. This machine was deemed so important, that, at the expiration
of Sir Thomas's patent, parliament voted him 14,000l. for the
risk he had incurred, and the expense attending its completion.

T.S.

       *       *       *       *       *


INN RHYMES.

The following was written under the sign of the White Horse, on the Old
Bath Road, but which has since disappeared. I believe the origin of it
was, "a poor devil of an author, who, after having had a good filling
out, found that he had not wherewith to pay; at which 'mine host' was of
course in a 'way' (as he had a right to be); when the author told him,
that if he would get a sign painted, he would try to put some lines upon
it which should ensure him custom. He did so, and the following was the
result. He had a White Horse for his sign:

  "My _White Horse_ shall beat the _Bear_,
    And make the Angel fly,
  Shall turn the _Ship_ quite bottom up,
  And drink the _Three Cups_ dry."


The Bear, Angel, Ship, and Three. Cups, were public-houses in the
neighbourhood. He succeeded, and got their custom.

On one of the windows also is--

  "His liquor's good, his pot is just,
  The landlord's poor, and cannot trust,
  For he has trusted to his sorrow,--
  So pay to day, he'll trust to-morrow."


G. ST. CLAIR.


       *       *       *       *       *


ROYAL FAVOUR.

The Prince of Orange was defeated by the French under Luxemburg, in
1677: in attempting to rally his dispersed troops, the prince struck one
of the runaways across the face with his sword. "Rascal!" cried he,
"I will set a mark on you at present, that I may hang you afterwards."

JAC-CO.

       *       *       *       *       *

_Printed and Published by J. LIMBIRD, 143, Strand, (near Somerset
House,) London; sold by ERNEST FLEISCHER, 626, New Market, Leipsic;
G.G. BENNIS, 55, Rue Neuve, St. Augustin, Paris; and by all Newsmen
and Booksellers._

*** END OF THE PROJECT GUTENBERG EBOOK 12598 ***