The Project Gutenberg EBook of The Old English Physiologus, by Albert S. Cook This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: The Old English Physiologus Author: Albert S. Cook Release Date: December 30, 2004 [EBook #14529] Language: English and Old English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK THE OLD ENGLISH PHYSIOLOGUS *** Produced by David Starner, Ben Beasley and the Online Distributed Proofreading Team
The Old English Physiologus, or Bestiary, is a series of three brief poems, dealing with the mythical traits of a land-animal, a sea-beast, and a bird respectively, and deducing from them certain moral or religious lessons. These three creatures are selected from a much larger number treated in a work of the same name which was compiled at Alexandria before 140 B. C., originally in Greek, and afterwards translated into a variety of languages—into Latin before 431. The standard form of the Physiologus has 49 chapters, each dealing with a separate animal (sometimes imaginary) or other natural object, beginning with the lion, and ending with the ostrich; examples of these are the pelican, the eagle, the phoenix, the ant (cf. Prov. 6.6), the fox, the unicorn, and the salamander. In this standard text, the Old English poems are represented by chapters 16, 17, and 18, dealing in succession with the panther, a mythical sea-monster called the asp-turtle (usually denominated the whale), and the partridge. Of these three poems, the third is so fragmentary that little is left except eight lines of religious application, and four of exhortation by the poet, so that the outline of the poem, and especially the part descriptive of the partridge, must be conjecturally restored by reference to the treatment in the fuller versions, which are based upon Jer. 17. 11 (the texts drawn upon for the application in lines 5–11 are 2 Cor. 6. 17, 18; Isa. 55.7; Heb. 2. 10, 11).
It has been said: ‘With the exception of the Bible, there is perhaps no other book in all literature that has been more widely current in every cultivated tongue and among every class of people.’ Such currency might be illustrated from many English authors. Two passages from Elizabethan literature may serve as specimens—the one from Spenser, the other from Shakespeare. The former is from the Faerie Queene (1. 11.34):
At last she saw, where he upstarted brave
Out of the well, wherein he drenched lay;
As Eagle fresh out of the Ocean wave,
Where he hath left his plumes all hoary gray,
And deckt himselfe with feathers youthly gay,
Like Eyas hauke up mounts unto the skies,
His newly budded pineons to assay,
And marveiles at himselfe, still as he flies:
So new this new-borne knight to battell new did rise.
The other is from Hamlet (Laertes to the King):
To his good friends thus wide I’ll ope my arms;
And like the kind life-rendering pelican,
Repast them with my blood.[1]
However widely diffused, the symbolism exemplified by the Physiologus is peculiarly at home in the East. Thus Egypt symbolized the sun, with his death at night passing into a rebirth, by the phœnix, which, by a natural extension, came to signify the resurrection. And the Bible not only sends the sluggard to the ant, and bids men consider the lilies of the field, but with a large sweep commands (Job 12.7,8): ‘Ask now the beasts, and they shall teach thee; and the fowls of the air, and they shall tell thee; or speak to the earth, and it shall teach thee; and the fishes of the sea shall declare unto thee.’
The text as here printed is extracted from my edition, The Old English Elenc, Phœnix, and Physiologus (Yale University Press, 1919), where a critical apparatus may be found; here it may be sufficient to say that Italic letters in square brackets denote my emendations, and Roman letters those of previous editors. The translations have not hitherto been published, and no complete ones are extant in any language, save those contained in Thorpe’s edition of the Codex Exoniensis, which appeared in 1842. The long conjectural passage in the Partridge is due wholly to Mr. Pitman.
Monge sindon geond middangeard
wrǣtlīc[um] gecynd[e] wildra secgan, |
Of living creatures many are the kinds
From men of wider lore of one wild beast, |
Many, yea numberless, are the tribes throughout the world whose natures we can not rightly expound nor their multitudes reckon, so immense are the swarms of birds and earth-treading animals wherever water, the roaring ocean, the surge of salt billows, encompasses the smiling bosom of earth. We have heard about one marvelous kind of wild beast which inhabits, in lands far off, a domain renowned among men, rejoicing there in his home amid the mountain-caves. This beast is called panther, as the learned | |
wīsfæste weras, on gewritum cȳþa[ð]
duguða ēstig, būtan dracan ānum;
Ðæt is wrǣtlīc dēor, wundrum scȳne, |
The panther, and in books have told of him,
A bounteous friend to every living thing
And wonderful of hue. The holy scribes His wondrous character is mild, and free |
among the children of men report in their books concerning that lonely wanderer. He is a friend, bountiful in kindness, to every one save only the dragon; with him he always lives at enmity by means of every injury he can inflict. He is a bewitching animal, marvelously beautiful with every color. Just as, according to men holy in spirit, Joseph’s coat was variegated with hues of every shade, each shining before the sons of men brighter and more perfect than another, so does the color of this beast blaze with every diversity, gleaming in wondrous wise so clear and fair that each tint is ever lovelier than the next, glows more enchanting in its splendor, more rare, more beauteous, and more strange. He has a nature all his own, so gentle and so calm is | |
milde, gemetfæst. Hē is monþwǣre,
35 Symle, fylle fægen, þonne fōddor þigeð, |
From all disturbing passion. Gracious, kind,
His heart with feasting, straight he finds a nook |
it. Kind, attractive, and friendly, he has no thought of doing harm to any save the envenomed foe, his ancient adversary of whom I spoke. When, delighting in a feast, he has partaken of food, ever at the end of the meal he betakes himself to his resting-place, a hidden retreat among the mountain-caves; there the champion of his race, overcome by sleep, abandons himself to slumber for the space of three nights. Then the dauntless one, replenished with vigor, straightway arises from sleep when the third day has come. A melody, the most ravishing of strains, flows from the wild beast’s mouth; and, following the music, there issues a fragrance from the place—a fume more transporting, sweet, and strong than any odor whatever, than blossoms of plants or fruits of the forest, choicer | |
Þonne of ceastrum and cynestōlum
55 Swā is Dryhten God, drēama Rǣdend, |
Than all this world’s adornments. Then from town
Such as this creature is the Lord our God, |
than aught that clothes the earth with beauty. Thereupon from cities, courts, and castle-halls many companies of heroes flock along the highways of earth; the wielders of the spear press forward in hurrying throngs to that perfume—and so also do animals—when once the music has ceased. Even so the Lord God, the Giver of joy, is gracious to all creatures, to every order of them, save only the dragon, the source of venom, that ancient enemy whom he bound in the abyss of torments; shackling him with fiery fetters, and loading him with dire constraints, he arose from darkness on the third day after he, the Lord of angels, the Bestower of victory, had for three nights endured death on our behalf. That was a sweet perfume throughout the world, winsome and entrancing. Henceforth, | |
on healfa gehwone, hēapum þrungon |
From every side all men whose hearts were true, |
through the whole extent of earth’s regions, righteous men have streamed in multitudes from every side to that fragrance. As said the wise St. Paul: ‘Manifold over the world are the lavish bounties which the Father almighty, the Hope of all creatures above and below, bestows on us as grace and salvation.’ That, too, is a sweet odor. |
Nū ic fitte gēn ymb fisca cynn
Is þæs hīw gelīc hrēofum stāne, |
Now will I spur again my wit, and use
Dun, like rough stone in color, as he floats |
This time I will with poetic art rehearse, by means of words and wit, a poem about a kind of fish, the great sea-monster which is often unwillingly met, terrible and cruel-hearted to seafarers, yea, to every man; this swimmer of the ocean-streams is known as the asp-turtle. His appearance is like that of a rough boulder, as if there were tossing by the shore a great ocean-reedbank begirt with sand-dunes, so that seamen imagine they are gazing upon an island, and moor their high-prowed ships with cables to that false land, make fast the ocean-coursers at the sea’s end, and, bold of heart, climb up | |
and þonne in þæt ēglond ūp gewītað
On þām ēalonde ǣled weccað,
dēofla wīse, þæt hī droht[i]ende |
The weary-hearted sailors mount the isle,
Elated, on the sands they build a fire,
Of demons, devils’ wiles: to hide their power, |
on that island; the vessels stand by the beach, enringed by the flood. The weary-hearted sailors then encamp, dreaming not of peril. On the island they start a fire, kindle a mounting flame. The dispirited heroes, eager for repose, are flushed with joy. Now when the cunning plotter feels that the seamen are firmly established upon him, and have settled down to enjoy the weather, the guest of ocean sinks without warning into the salt wave with his prey (?), and makes for the bottom, thus whelming ships and men in that abode of death. Such is the way of demons, the wont of devils: they spend their lives in outwitting men by their secret power, inciting them to the corruption of good deeds, misguiding | |
frōfre tō fēondum, oþþæt hy fæste ðǣr
50 wæterþisa wlonc, wrǣtlīcran gīen. |
From unsuspected foes, until at last
This proud sea-swimmer, still more marvelous. |
them at will so that they seek help and support from fiends, until they end by making their fixed abode with the betrayer. When, from out his living torture, the crafty, malicious enemy perceives that any one is firmly settled within his domain, he proceeds, by his malignant wiles, to become the slayer of that man, be he rich or poor, who sinfully does his will; and, covered by his cap of darkness, suddenly betakes himself with them to hell, where naught of good is found, a bottomless abyss shrouded in misty gloom—like that monster which engulfs the ocean-traversing men and ships.' This proud tosser of the waves has another and still more wonderful trait. When hunger plagues him on the deep, and the monster longs for food, this haunter of the sea opens his mouth, and sets his lips agape; | |
wīde weleras; cymeð wynsum stenc
se þe oftost his unwærlīce, |
His monstrous lips; and from his cavernous maw
So, in this fleeting earthly time, each man |
whereupon there issues a ravishing perfume from his inwards, by which other kinds of fish are beguiled. With lively motions they swim to where the sweet odor comes forth, and there enter in, a heedless host, until the wide gorge is full; then, in one instant, he snaps his fierce jaws together about the swarming prey. Thus it is with any one who, in this fleeting time, full oft neglects to take heed to his life, and allows himself to be enticed by sweet fragrance, a lying lure, so that he becomes hostile to the King of glory by reason of his sins. The accursed one will, when they die, throw wide the doors of hell to those who, in their folly, have wrought the treacherous delights of the body, contrary to the wise guidance of the soul. When the deceiver, skilful in wrongdoing, hath brought into that fastness, | |
æt þām [ā]dwylme, þā þe him on cleofiað,
Forþon is eallinga . . . . . . . . . . . |
With evil craft has led those erring ones
And[2]] altogether [right for each of us |
the lake of fire, those that cleave to him and are laden with guilt, such as had eagerly followed his teachings in the days of their life, he then, after their death, snaps tight together his fierce jaws, the gates of hell. They who enter there have neither relief nor escape, no means of flight, any more than the fishes that swim the sea can escape from the clutch of the monster. Therefore is it by all means [best for every one of us to serve[2]] the Lord of lords, and strive against devils with words and works, that so we may come to behold the King of glory. Let us ever, now in this fleeting time, seek from him grace and salvation, that so with the Beloved we may in worship enjoy the bliss of heaven for evermore. |
Hȳrde ic secgan gēn bi sumum fugle |
About another creature have I heard
Fair is that word the Lord of glory spoke: |
So, too, I have heard tell a wondrous [tale[4]] about a certain bird.[5] … fair the word[6] spoken by the King of glory: ‘At whatsoever time ye turn to me with faith in your soul, and forsake the black iniquities of hell, I will turn straightway to you with love, in the gentleness of my heart; and thenceforth ye shall be reckoned to | |
10 torhte, tīrēadge, talade and rīmde,
Uton wē þȳ geornor Gode ōliccan, Finit.
|
Refulgent, glorious, numbered with the host
Be taught to please God better, hating sin, Finit.
|
me as glorious and renowned, as my illustrious brethren, yea, in the place of children.’ Let us therefore propitiate God with all zeal, abhor evil, and gain forgiveness and salvation from the Lord while for us the day still shines, so that thus we may, in glorious beauty, inhabit a dwelling excellent beyond compare. Finit. |
End of Project Gutenberg's The Old English Physiologus, by Albert S. Cook *** END OF THIS PROJECT GUTENBERG EBOOK THE OLD ENGLISH PHYSIOLOGUS *** ***** This file should be named 14529-h.htm or 14529-h.zip ***** This and all associated files of various formats will be found in: https://www.gutenberg.org/1/4/5/2/14529/ Produced by David Starner, Ben Beasley and the Online Distributed Proofreading Team Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at https://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at https://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at https://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at https://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit https://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including including checks, online payments and credit card donations. To donate, please visit: https://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart was the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: https://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.