The Project Gutenberg EBook of By Still Waters, by George William  Russell

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: By Still Waters
       Lyrical Poems Old and New

Author: George William  Russell

Release Date: August 29, 2005 [EBook #16615]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK BY STILL WATERS ***




Produced by David Starner, Sankar Viswanathan, and the
Online Distributed Proofreading Team at https://www.pgdp.net






BY STILL WATERS, LYRICAL
POEMS OLD AND NEW BY A.E.

 

 

 

 

 

 

 

THE DUN EMER PRESS
DUNDRUM
MCMVI


 

 

 

TABLE OF CONTENTS

  PAGE
Prelude 1
A Summer Night 3
Creation 4
Dusk 5
Night 6
Dawn 6
Day 7
Dana 7
Remembrance 9
The Hour of the King 9
The Winds of Angus 11
Reflections 12
The Dawn of Darkness 12
Natural Magic 14
In the Womb 15
Forgiveness 16
A Woman's Voice 17
Parting 18
A Prayer 18
The Heroes 19
Recall 21
Blindness 21
Brotherhood 22
A New Being 23
The Man to the Angel 24
Endurance 25
The Vesture of the Soul 27
The Twilight of Earth 27
The Dream 30
The Parting of Ways 30
Song 32
The Virgin Mother 32

 

 


The Manager of the Dun Emer Press has to thank
Mr. John Lane for permission to reprint ten poems
from Homeward Songs by the Way and nine poems from
The Earth Breath, also Messrs. Macmillan & Co.
for permission to reprint seven poems from The Divine Vision.


[1]

Oh, be not led away,
Lured by the colour of the sun-rich day.
The gay romance of song
Unto the spirit life doth not belong:
Though far-between the hours
In which the Master of Angelic powers
Lightens the dusk within
The holy of holies, be it thine to win
Rare vistas of white light,
Half parted lips through which the Infinite
Murmurs her ancient story,
Harkening to whom the wandering planets hoary
Waken primeval fires,
With deeper rapture in celestial choirs
Breathe, and with fleeter motion
Wheel in their orbits through the surgeless ocean.
So hearken thou like these,
Intent on her, mounting by slow degrees,
Until thy song's elation
Echoes her multitudinous meditation.

[3]


A SUMMER NIGHT

Her mist of primroses within her breast
Twilight hath folded up, and o'er the west,
Seeking remoter valleys long hath gone,
Not yet hath come her sister of the dawn.
Silence and coolness now the earth enfold:
Jewels of glittering green, long mists of gold,
Hazes of nebulous silver veil the height,
And shake in tremors through the shadowy night.
Heard through the stillness, as in whispered words,
The wandering God-guided wings of birds
Ruffle the dark. The little lives that lie
Deep hid in grass join in a long-drawn sigh
More softly still; and unheard through the blue
The falling of innumerable dew,
Lifts with grey fingers all the leaves that lay
Burned in the heat of the consuming day.
The lawns and lakes lie in this night of love,
Admitted to the majesty above.
Earth with the starry company hath part;
The waters hold all heaven within their heart,
And glimmer o'er with wave-lips everywhere
Lifted to meet the angel lips of air.
The many homes of men shine near and far;
Peace-laden as the tender evening star,
The late home-coming folk anticipate
Their rest beyond the passing of the gate,
And tread with sleep-filled hearts on drowsy feet.
[4] Oh, far away and wonderful and sweet
All this, all this. But far too many things
Obscuring, as a cloud of seraph wings
Blinding the seeker for the Lord behind,
I fall away in weariness of mind,
And think how far apart are I and you,
Beloved, from those spirit children who
Felt but one single Being long ago,
Whispering in gentleness and leaning low
Out of its majesty, as child to child.
I think upon it all with heart grown wild.
Hearing no voice, howe'er my spirit broods.
No whisper from the dense infinitudes,
This world of myriad things whose distance awes.
Ah me; how innocent our childhood was!

CREATION

As one by one the veils took flight,
The day withdrew, the stars came up:
The spirit issued dark and bright,
Filling thy beauty like a cup.
Sacred thy laughter on the air,
Holy thy lightest word that fell,
Proud the innumerable hair
That waved at the enchanter's spell.
[5] Oh Master of the Beautiful,
Creating us from hour to hour,
Give me this vision to the full
To see in lightest things thy power!
This vision give, no heaven afar,
No throne, and yet I will rejoice,
Knowing beneath my feet a star,
Thy word in every wandering voice.

DUSK

Dusk wraps the village in its dim caress;
Each chimney's vapour, like a thin grey rod,
Mounting aloft through miles of quietness,
Pillars the skies of God.
Far up they break or seem to break their line,
Mingling their nebulous crests that bow and nod
Under the light of those fierce stars that shine
Out of the calm of God.
Only in clouds and dreams I felt those souls
In the abyss, each fire hid in its clod,
From which in clouds and dreams the spirit rolls
Into the vast of God.

[6]


NIGHT

Heart-hidden from the outer things I rose;
The spirit woke anew in nightly birth
Unto the vastness where forever glows
The star-soul of the earth.
There all alone in primal ecstasy,
Within her depths where revels never tire,
The Olden Beauty shines: each thought of me
Is veined through with its fire.
And all my thoughts are throngs of living souls;
They breathe in me, heart unto heart allied;
Their joy undimmed, though when the morning tolls
The planets may divide.

DAWN

Still as the holy of holies breathes the vast
Within its crystal depths the stars grow dim;
Fire on the altar of the hills at last
Burns on the shadowy rim.
Moments that holds all moments; white upon
The verge it trembles; then like mists of flowers
Break from the fairy fountain of the dawn
The hues of many hours.
[7] Thrown downward from that high companionship
Of dreaming inmost heart with inmost heart,
Into the common daily ways I slip,
My fire from theirs apart.

DAY

In day from some titanic past it seems
As if a thread divine of memory runs;
Born ere the Mighty One began his dreams,
Or yet were stars and suns.
But here an iron will has fixed the bars;
Forgetfulness falls on earth's myriad races:
No image of the proud and morning stars
Looks at us from their faces.
Yet yearning still to reach to those dim heights,
Each dream remembered is a burning-glass,
Where through to darkness from the Light of Lights
Its rays in splendour pass.

DANA

I am the tender voice calling 'Away,'
Whispering between the beatings of the heart,
And inaccessible in dewy eyes
I dwell, and all unkissed on lovely lips,
Lingering between white breasts inviolate,
And fleeting ever from the passionate touch,
[8] I shine afar, till men may not divine
Whether it is the stars or the beloved
They follow with wrapt spirit. And I weave
My spells at evening, folding with dim caress,
Aerial arms and twilight dropping hair,
The lonely wanderer by wood or shore,
Till, filled with some deep tenderness, he yields,
Feeling in dreams for the dear mother heart
He knew, ere he forsook the starry way,
And clings there, pillowed far above the smoke
And the dim murmur from the duns of men.
I can enchant the trees and rocks, and fill
The dumb brown lips of earth with mystery,
Make them reveal or hide the god. I breathe
A deeper pity than all love, myself
Mother of all, but without hands to heal:
Too vast and vague, they know me not. But yet
I am the heartbreak over fallen things,
The sudden gentleness that stays the blow,
And I am in the kiss that foemen give
Pausing in battle, and in the tears that fall
Over the vanquished foe, and in the highest;
Among the Danaan gods, I am the last
Council of mercy in their hearts where they
Mete justice from a thousand starry thrones.

[9]


REMEMBRANCE

There were many burning hours on the heart-sweet tide,
And we passed away from ourselves, forgetting all
The immortal moods that faded, the god who died,
Hastening away to the King on a distant call.
There were ruby dews were shed when the heart was riven,
And passionate pleading and prayers to the dead we had wronged;
And we passed away unremembering and unforgiven,
Hastening away to the King for the peace we longed.
Love unremembered and heart-ache we left behind,
We forsook them, unheeding, hastening away in our flight;
We knew the hearts we had wronged of old we would find
When we came to the fold of the King for rest in the night.

THE HOUR OF THE KING

Who would think this quiet breather
From the world had taken flight?
Yet within the form we see there
[10] Wakes the golden King to-night.
Out upon the face of faces
He looked forth before his sleep:
Now he knows the starry races
Haunters of the ancient deep;
On the Bird of Diamond Glory
Floats in mystic floods of song:
As he lists Time's triple story
Seems but as a day is long.
From the mightier Adam falling
To his image dwarfed in clay,
He will at our voices calling
Come to this side of the day.
When he wakes, the dreamy-hearted,
He will know not whence he came,
And the light from which he parted
Be the seraph's sword of flame,
And behind it hosts supernal
Guarding the lost paradise,
And the tree of life eternal
From the weeping human eyes.

[11]


THE WINDS OF ANGUS

The grey road whereupon we trod became as holy ground:
The eve was all one voice that breathed its message with no sound:
And burning multitudes pour through my heart, too bright, too blind,
Too swift and hurried in their flight to leave their tale behind.
Twin gates unto that living world, dark honey-coloured eyes
The lifting of whose lashes flushed the face with paradise—
Beloved, there I saw within their ardent rays unfold
The likeness of enraptured birds that flew from deeps of gold
To deeps of gold within my breast to rest or there to be
Transfigured in the light, or find a death to life in me.
So love, a burning multitude, a seraph wind which blows
From out the deep of being to the deep of being goes:
And sun and moon and starry fires and earth and air and sea
Are creatures from the deep let loose who pause in ecstasy,
Or wing their wild and heavenly way until again they find
[12] The ancient deep and fade therein, enraptured, bright and blind.

REFLECTIONS

How shallow is this mere that gleams!
Its depth of blue is from the skies;
And from a distant sun the dreams
And lovely light within your eyes.
We deem our love so infinite
Because the Lord is everywhere,
And love awakening is made bright
And bathed in that diviner air.
We go on our enchanted way
And deem our hours immortal hours,
Who are but shadow kings that play
With mirrored majesties and powers.

THE DAWN OF DARKNESS

Come earth's little children pit-pat from their burrows on the hill;
Hangs within the gloom its weary head the shining daffodil.
In the valley underneath us through the fragrance flit along
Over fields and over hedgerows little quivering drops of song.
[13] All adown the pale blue mantle of the mountains far away
Stream the tresses of the twilight flying in the wake of day.
Night comes; soon alone shall fancy follow sadly in her flight
Where the fiery dust of evening, shaken from the feet of light,
Thrusts its monstrous barriers between the pure, the good, the true,
That our weeping eyes may strain for, but shall never after view.
Only yester eve I watched with heart at rest the nebulæ
Looming far within the shadowy shining of the Milky Way;
Finding in the stillness joy and hope for all the sons of men;
Now what silent anguish fills a night more beautiful than then.
For earth's age of pain has come, and all her sister planets weep,
Thinking of her fires of morning passing into dreamless sleep.
In this cycle of great sorrow for the moments that we last
[14] We too shall be linked by weeping to the greatness of her past:
But the coming race shall know not, and the fount of tears shall dry,
And the arid heart of man be arid as the desert sky.
So within my mind the darkness dawned and round me everywhere
Hope departed with the twilight, leaving only dumb despair.

NATURAL MAGIC

We are tired who follow after
Phantasy and truth that flies:
You with only look and laughter
Stain our hearts with richest dyes.
When you break upon our study
Vanish all our frosty cares;
As the diamond deep grows ruddy,
Filled with morning unawares.
With the stuff that dreams are made of
But an empty house we build:
Glooms we are ourselves afraid of,
By the ancient starlight chilled.
[15] All unwise in thought or duty—
Still our wisdom envies you:
We who lack the living beauty
Half our secret knowledge rue.
Thought nor fear in you nor dreaming
Veil the light with mist about;
Joy, as through a crystal gleaming,
Flashes from the gay heart out.
Pain and penitence forsaking,
Hearts like cloisters dim and grey,
By your laughter lured, awaking
Join with you the dance of day.

IN THE WOMB

Still rests the heavy share on the dark soil:
Upon the black mould thick the dew-damp lies:
The horse waits patient: from his lowly toil
The ploughboy to the morning lifts his eyes.
The unbudding hedgerows dark against day's fires
Glitter with gold-lit crystals: on the rim
Over the unregarding city's spires
The lonely beauty shines alone for him.
[16] And day by day the dawn or dark enfolds
And feeds with beauty eyes that cannot see
How in her womb the mighty mother moulds
The infant spirit for eternity.

FORGIVENESS

At dusk the window panes grew grey;
The wet world vanished in the gloom;
The dim and silver end of day
Scarce glimmered through the little room.
And all my sins were told; I said
Such things to her who knew not sin—
The sharp ache throbbing in my head,
The fever running high within.
I touched with pain her purity;
Sin's darker sense I could not bring:
My soul was black as night to me:
To her I was a wounded thing.
I needed love no words could say;
She drew me softly nigh her chair,
My head upon her knees to lay,
With cool hands that caressed my hair.
[17] She sat with hands as if to bless,
And looked with grave, ethereal eyes;
Ensouled by ancient quietness,
A gentle priestess of the Wise.

A WOMAN'S VOICE

His head within my bosom lay,
But yet his spirit slipped not through:
I only felt the burning clay
That withered for the cooling dew.
It was but pity when I spoke
And called him to my heart for rest,
And half a mother's love that woke
Feeling his head upon my breast:
And half the lion's tenderness
To shield her cubs from hurt or death,
Which, when the serried hunters press,
Makes terrible her wounded breath.
But when the lips I breathed upon
Asked for such love as equals claim
I looked where all the stars were gone
Burned in the day's immortal flame.
'Come thou like yon great dawn to me
From darkness vanquished, battles done:
Flame unto flame shall flow and be
[18] Within thy heart and mine as one.'

PARTING

As from our dream we died away
Far off I felt the outer things;
Your wind-blown tresses round me play,
Your bosom's gentle murmurings.
And far away our faces met
As on the verge of the vast spheres;
And in the night our cheeks were wet,
I could not say with dew or tears.
As one within the Mother's heart
In that hushed dream upon the height
We lived, and then we rose to part,
Because her ways are infinite.

A PRAYER

O, holy Spirit of the Hazel, hearken now,
Though shining suns and silver moons burn on the bough,
And though the fruit of stars by many myriads gleam,
Yet in the undergrowth below, still in thy dream,
Lighting the labyrinthine maze and monstrous gloom
Are many gem-winged flowers with gay and delicate bloom;
And in the shade, hearken, O Dreamer of the Tree,
One wild rose blossom of thy spirit breathed on me
[19] With lovely and still light, a little sister flower
To those that whitely on the tall moon branches tower,
Lord of the Hazel now, oh hearken while I pray,
This wild rose blossom of thy spirit fades away.

THE HEROES

By many a dream of God and man my thoughts in shining flocks were led:
But as I went through Patrick Street the hopes and prophecies were dead.
The hopes and prophecies were dead: they could not blossom where the feet
Walked amid rottenness, or where the brawling shouters stamped the street.
Where was the beauty that the Lord gave man when first he towered in pride?
But one came by me at whose word the bitter condemnation died.
His brows were crowned with thorns of light: his eyes were bright as one who sees
The starry palaces shine o'er the sparkle of the heavenly seas.
'Is it not beautiful?' he cried. Our Faery Land of Hearts' Desire
Is mingled through the mire and mist, yet stainless keeps its lovely fire.
The pearly phantoms with blown hair are dancing where the drunkards reel:
[20] The cloud frail daffodils shine out where filth is splashing from the heel.
O sweet, and sweet, and sweet to hear, the melodies in rivers run:
The rapture of their crowded notes is yet the myriad voice of One.
Those who are lost and fallen here, to-night in sleep shall pass the gate,
And wear the purples of the King, and know them masters of their fate.
Each wrinkled hag shall reassume the plumes and hues of paradise:
Each brawler be enthroned in calm among the Children of the Wise.
Yet in the council with the gods no one will falter to pursue
His lofty purpose, but come forth the cyclic labours to renew;
And take the burden of the world and dim his beauty in a shroud,
And wrestle with the chaos till the anarch to the light be bowed.
We cannot for forgetfulness forego the reverence due to them
Who wear at times they do not guess the sceptre and the diadem.
As bright a crown as this was theirs when first they from the Father sped;
[21] Yet look with deeper eyes and still the ancient beauty is not dead.
He mingled with the multitude. I saw their brows were crowned and bright,
A light around the shadowy heads, a shadow round the head of light.

RECALL

What call may draw thee back again,
Lost dove, what art, what charm may please?
The tender touch, the kiss, are vain,
For thou wert lured away by these.
Oh, must we use the iron hand,
And mask with hate the holy breath,
With alien voice give love's command,
As they through love the call of death?

BLINDNESS

Our true hearts are forever lonely:
A wistfulness is in our thought:
Our lights are like the dawns which only
Seem bright to us and yet are not.
[22] Something you see in me I wis not:
Another heart in you I guess:
A stranger's lips—but thine I kiss not,
Erring in all my tenderness.
I sometimes think a mighty lover
Takes every burning kiss we give:
His lights are those which round us hover:
For him alone our lives we live.
Ah, sigh for us whose hearts unseeing
Point all their passionate love in vain,
And blinded in the joy of being,
Meet only when pain touches pain.

BROTHERHOOD

Twilight, a blossom grey in shadowy valleys dwells:
Under the radiant dark the deep blue-tinted bells
In quietness reïmage heaven within their blooms,
Sapphire and gold and mystery. What strange perfumes,
Out of what deeps arising, all the flower-bells fling,
Unknowing the enchanted odorous song they sing!
Oh, never was an eve so living yet: the wood
Stirs not but breathes enraptured quietide.
Here in these shades the Ancient knows itself, the Soul,
And out of slumber waking starts unto the goal.
What bright companions nod and go along with it!
Out of the teeming dark what dusky creatures flit,
[23] That through the long leagues of the island night above
Come by me, wandering, whispering, beseeching love;
As in the twilight children gather close and press
Nigh and more nigh with shadowy tenderness,
Feeling they know not what, with noiseless footsteps glide
Seeking familiar lips or hearts to dream beside.
O voices, I would go with you, with you, away,
Facing once more the radiant gateways of the day;
With you, with you, what memories arise, and nigh
Trampling the crowded figures of the dawn go by,
Dread deities, the giant powers that warred on men
Grow tender brothers and gay children once again;
Fades every hate away before the Mother's breast
Where all the exiles of the heart return to rest.

A NEW BEING

I know myself no more, my child,
Since thou art come to me,
Pity so tender and so wild
Hath wrapped my thoughts of thee.
These thoughts, a fiery gentle rain,
Are from the Mother shed,
Where many a broken heart hath lain
And many a weeping head.

[24]


THE MAN TO THE ANGEL

I have wept a million tears:
Pure and proud one, where are thine,
What the gain though all thy years
In unbroken beauty shine?
All your beauty cannot win
Truth we learn in pain and sighs:
You can never enter in
To the circle of the wise.
They are but the slaves of light
Who have never known the gloom,
And between the dark and bright
Willed in freedom their own doom.
Think not in your pureness there,
That our pain but follows sin:
There are fires for those who dare
Seek the throne of might to win.
Pure one, from your pride refrain:
Dark and lost amid the strife
I am myriad years of pain
Nearer to the fount of life.
When defiance fierce is thrown
At the God to whom you bow,
Rest the lips of the Unknown
[25] Tenderest upon my brow.

ENDURANCE

He bent above: so still her breath
What air she breathed he could not say,
Whether in worlds of life or death:
So softly ebbed away, away
The life that had been light to him,
So fled her beauty leaving dim
The emptying chambers of his heart
Thrilled only by the pang and smart,
The dull and throbbing agony
That suffers still, yet knows not why.
Love's immortality so blind
Dreams that all things with it conjoined
Must share with it immortal day:
But not of this—but not of this—
The touch, the eyes, the laugh, the kiss,
Fall from it and it goes its way.
So blind he wept above her clay,
'I did not think that you could die.
Only some veil would cover you
Our loving eyes could still pierce through;
And see through dusky shadows still
Move as of old your wild sweet will,
Impatient every heart to win
And flash its heavenly radiance in.'
[26] Though all the worlds were sunk in rest
The ruddy star within his breast
Would croon its tale of ancient pain,
Its sorrow that would never wane,
Its memory of the days of yore
Moulded in beauty evermore.
Ah, immortality so blind,
To dream all things with it conjoined
Must follow it from star to star
And share with it immortal years.
The memory, yearning, grief, and tears,
Fall from it and it goes afar.
He walked at night along the sands,
And saw the stars dance overhead,
He had no memory of the dead,
But lifted up exultant hands
To hail the future like a boy,
The myriad paths his feet might press.
Unhaunted by old tenderness
He felt an inner secret joy!
A spirit of unfettered will
Through light and darkness moving still
Within the All to find its own,
To be immortal and alone.

[27]


THE VESTURE OF THE SOUL

I pitied one whose tattered dress
Was patched, and stained with dust and rain;
He smiled on me; I could not guess
The viewless spirit's wide domain.
He said, 'The royal robe I wear
Trails all along the fields of light:
Its silent blue and silver bear
For gems the starry dust of night.'
'The breath of joy unceasingly
Waves to and fro its folds starlit,
And far beyond earth's misery
I live and breathe the joy of it.'

THE TWILIGHT OF EARTH

The wonder of the world is o'er:
The magic from the sea is gone:
There is no unimagined shore,
No islet yet to venture on.
The Sacred Hazels' blooms are shed,
The Nuts of Knowledge harvested.
Oh, what is worth this lore of age
If time shall never bring us back
Our battle with the gods to wage
Reeling along the starry track.
[28] The battle rapture here goes by
In warring upon things that die.
Let be the tale of him whose love
Was sighed between white Deirdre's breasts,
It will not lift the heart above
The sodden clay on which it rests.
Love once had power the gods to bring
All rapt on its wild wandering.
We shiver in the falling dew,
And seek a shelter from the storm:
When man these elder brothers knew
He found the mother nature warm,
A hearth fire blazing through it all,
A home without a circling wall.
We dwindle down beneath the skies,
And from ourselves we pass away:
The paradise of memories
Grows ever fainter day by day.
The shepherd stars have shrunk within,
The world's great night will soon begin.
Will no one, ere it is too late,
Ere fades the last memorial gleam,
Recall for us our earlier state?
[29] For nothing but so vast a dream
That it would scale the steeps of air
Could rouse us from so vast despair.
The power is ours to make or mar
Our fate as on the earliest morn,
The Darkness and the Radiance are
Creatures within the spirit born.
Yet, bathed in gloom too long, we might
Forget how we imagined light.
Not yet are fixed the prison bars:
The hidden light the spirit owns
If blown to flame would dim the stars
And they who rule them from their thrones:
And the proud sceptred spirits thence
Would bow to pay us reverence.
Oh, while the glory sinks within
Let us not wait on earth behind,
But follow where it flies, and win
The glow again, and we may find
Beyond the Gateways of the Day
Dominion and ancestral sway.

[30]


THE DREAM

I did not deem it half so sweet
To feel thy gentle hand,
As in a dream thy soul to greet
Across wide leagues of land,
Untouched more near to draw to you
Where, amid radiant skies,
Glimmered thy plumes of iris hue,
My Bird of Paradise.
Let me dream only with my heart,
Love first, and after see:
Know thy diviner counterpart
Before I kneel to thee.
So in thy motions all expressed
Thy angel I may view:
I shall not on thy beauty rest,
But Beauty's ray in you.

THE PARTING OF WAYS

The skies from black to pearly grey
Had veered without a star or sun;
Only a burning opal ray
Fell on your brow when all was done.
[31] Aye, after victory, the crown;
Yet through the fight no word of cheer;
And what would win and what go down
No word could help, no light make clear.
A thousand ages onward led
Their joys and sorrows to that hour;
No wisdom weighed, no word was said,
For only what we were had power.
There was no tender leaning there
Of brow to brow in loving mood;
For we were rapt apart, and were
In elemental solitude.
We knew not in redeeming day
Whether our spirits would be found
Floating along the starry way,
Or in the earthly vapours drowned.
Brought by the sunrise-coloured flame
To earth, uncertain yet, the while
I looked at you, there slowly came,
Noble and sisterly, your smile.
We bade adieu to love the old;
We heard another lover then,
Whose forms are myriad and untold,
[32] Sigh to us from the hearts of men.

SONG

Dusk its ash-grey blossoms sheds on violet skies,
Over twilight mountains where the heart songs rise,
Rise and fall and fade away from earth to air.
Earth renews the music sweeter. Oh, come there.
Come, acushla, come, as in ancient times
Rings aloud the underland with faery chimes.
Down the unseen ways as strays each tinkling fleece
Winding ever onward to a fold of peace,
So my dreams go straying in a land more fair;
Half I tread the dew-wet grasses, half wander there.
Fade your glimmering eyes in a world grown cold;
Come, acushla, with me to the mountains old.
There the bright ones call us waving to and fro—
Come, my children, with me to the ancient go.

THE VIRGIN MOTHER

Who is that goddess to whom men should pray
But her from whom their hearts have turned away,
Out of whose virgin being they were born,
Whose mother nature they have named in scorn
Calling its holy substance common clay.
Yet from this so despised earth was made
The milky whiteness of those queens who swayed
Their generations with a light caress,
[33] And from some image of whose loveliness
The heart built up high heaven when it prayed.
Lover, your heart, the heart on which it lies,
Your eyes that gaze, and those alluring eyes,
Your lips, the lips they kiss, alike had birth
Within this dark divinity of earth,
Within this mother being you despise.
Ah, when I think this earth on which we tread
Hath borne these blossoms of the lovely dead,
And made the living heart I love to beat,
I look with sudden awe beneath my feet
As you with erring reverence overhead.

Here ends By Still Waters, Lyrical Poems Old & New by A.E., printed upon paper made in Ireland, and published by Elizabeth C. Yeats at the Dun Emer Press, in the house of Evelyn Gleeson at Dundrum in the County of Dublin, Ireland, finished on All Soul's Eve, in the year 1906.






End of Project Gutenberg's By Still Waters, by George William  Russell

*** END OF THIS PROJECT GUTENBERG EBOOK BY STILL WATERS ***

***** This file should be named 16615-h.htm or 16615-h.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/1/6/6/1/16615/

Produced by David Starner, Sankar Viswanathan, and the
Online Distributed Proofreading Team at https://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.