The Project Gutenberg EBook of Rowena & Harold, by Wm. Stephen Pryer This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Rowena & Harold A Romance in Rhyme of an Olden Time, of Hastyngs and Normanhurst Author: Wm. Stephen Pryer Release Date: May 17, 2007 [EBook #21509] Language: English Character set encoding: ISO-8859-1 *** START OF THIS PROJECT GUTENBERG EBOOK ROWENA & HAROLD *** Produced by Al Haines
In grateful remembrance of Her Most Gracious Majesty Queen Victoria's unprecedentedly long, illustrious, and beneficent reign of sixty years (1837-97), and of fifty years of service (1847-97) in the cause of National Education by Her Majesty's most loyal and devoted servant,
THE AUTHOR.
Old Ragnor's Cliffs
Sir Guy de Warre
Sir Harold Wynn
Sir Harold Spurned
The Deserted Eyrie
Sir Harold Sails
Rowena's Lonely Vigil
Rowena's Song
Sir Harold at Acre
The Saracen Maid's Secret
The Secret Assassin
The Light in the Turret Tower
Death at Ragnor's Tower
Rowena's Grief
Rowena's Lament
The Holy Friar's Consolation
Rowena Enters a Convent
Nigh unto Death
The Demon Wrecker
Old Ragnor's Dungeons Grim
Eric Entombed
The Rift in Hell Gate
The Crucified One
Eric Faithful unto Death
Eric to be Crucified
To Die or Live
Eric Escapes
The Smuggler's Den
Rowena's Fiery Furnace
The Dungeon's Angel
Rediviva
Convalescent
Rowena's Te Deum
The Lights of Home
The Lamp of Death
The Wreck of The "Holy Cross"
Grief at Wynnwood Hall
Saved
Two Lives in One
The Lost Missive
Another Dungeon Tenant
Nemesis
The Demon Exorcised
Father and Child
Reconciliation
A Royal Visitor
The Royal Pardon
The Deserted Brides
Heart Chords
Home, Sweet Home
Like some horrific Gorgon's mammoth skull,
Thrown up by Titan spade,
From out those caves
Where saurians with mastodons had played,
Before the sea had made their homes their graves,
And scared their ghosts with screech of sea-born mew and gull,
Is Ragnor's beetling brow, the seaman's dread,
That scowls by night and day
On that same sea
And with earth-shaking sound is heard to say,—
Which sound the waves roll back with mocking glee—
"What! Not enough of life ye must e'en have the dead?"
The ragged remnants of an ancient crown
Adorn his kingly head:
'Tis Hastyngs' Tower.
Here dwelt a maiden fair, so fair, 'tis said,
That suitors rich and princely sought her bower,
To sue in vain: whereat her father's haughty brow would frown.
Like Ragnor's rocks. He swore that she should wed
Sir Ralph of Normanhurst,
His sister's son.
Would not the Holy Church deem her accursed,
Dared she defy his will and marry one
Of her own choice! Were't so, 'twere better she were dead!
"Dear father, mine," Rowena pleaded sore,
On bended knee, "The heart
Belongs to God.
To wed where hallowed love can; have no part
Were sin, deserving His all-chastening rod,
Whose blessing on such tie 'twere impious to implore."
"Sir Guy, my spouse, a mother's prayers, I too
Would blend with hers. O yield,
Our only child,
Possession sweet of woman's holy field—
Affection's glebe—a virgin soil denied
When wedlock makes those one whose hearts can ne'er beat true."
Sir Guy de Warre, the fair Rowena's sire,
Of haughty Norman birth,
With pure descent,
Held Saxon, high or low, as scum of earth;
And deemed his name more worth and honour lent,
Than line directly traced from Alfred could inspire.
Dark-visaged man, his countenance repelled;
His restless eyes flashed fire;
His voice sent dread
Through every soul that felt his fearful ire.
At its fell sound both beast and children fled.
Rowena, with her mother, hid till it had quelled.
Sir Harold dared his daughter's hand to seek!
No word the fierce knight spake
But ope'd the door,
And, scowling, said—"No Saxon churl shall make
Rowena wife; and dare he woo her more,
Upon him, would Sir Guy a direful vengeance wreak."
To sue and lose, his knightly soul might bear;
But insult galled him sore.
Should he imbrue
His puissant sword in her own father's gore?
That were to do a deed he e'er must rue;
Unfit it for a place in his Walhalla there.
No, better far to don the holy cross,
As valiant knight became;
Then if he fell,
He would at least have saved his honoured name;
Could say with life's last flitting breath—"'Tis well,
For so to live or die, to me were gain, not loss."
Yet spite of all, one parting word and kiss,
From dear Rowena's lips.—
May be the last!
God knows. That when his life felt death's eclipse,
Her angel-presence would its brightness cast
And dissipate its gloom. O thus to die were bliss!
But how and where they twain could meet unseen,
Unknown! Love found the way,
The place, the hour.
Rowena with her page was wont to stray
Along the topmost dins. Here was a bower
Hemmed in by rocks, where once an eagle's nest had been.
By Eric's loyal hand a note was brought.
Sir Harold scarce could bear
To break the seal.
"To-night at nine, be at the eagle's lair;
Let Eric guide. Yours, aye, come woe, come weal."
Too slowly moved the hours with love's dear issues fraught.
They met. No eye but Heaven's the secrets knew,
That sad, sweet hour betrayed,
Their hearts nigh burst
'Twixt hope and fear. Yet now, no more afraid
To face the world and say "Yea, do your worst;
For aye, come weal, come woe, each will to each be true."
Sir Harold Wynn set sail for Holy Land
With Richard, Lion-heart,
Peerless, whose fame—
There, if he might, to act a leal knight's part
And add fresh lustre to his martial name,
Wherewith to move Sir Guy and gain Rowena's hand.
Of Saxon race, Sir Harold Wynn was fair,
Noble in mien and gait,
Stalwart of frame;
In powers of mind and heart a worthy mate
For any lady. Few beside could claim
Domains so large and rich, as could with his compare.
The first knight's sword hung high in hall,
Had healed the feud of race,
By val'rous deeds.
Beneath it in the same proud resting place,
The sons fixed theirs with other warlike meeds,
To prove their martial line had known nor break nor fall.
She sought her chamber in yon spectral keep
With ivy wreaths now crowned;
Whose casket rent
By Time's grim hand and strewn by fragments round,
Once held a jewel whose rare beauty lent
Its light to cheer the sailors toiling on the deep.
Her vestal lamp she nightly trimmed and fed,
A beacon light more true
Than stars above;
For darkness only made the light it threw
More bright—bless'd, too, as emblem of her love
For those who else might make Hell's caves their last lone bed.
"Hist! Hist!" They'd cry: and straight the plash of oar,
And creak cf sail were stilled;
And every ear
Was tent to catch the strains her sweet voice trilled.
Avast to gloomy thoughts and boding fear!
Alack the day when she should witch their hearts no more!
Sea, sea,
Bounding and free,
O soothe me to sleep with thy sweet lullaby!
As when a child,
Sportive and wild,
Thy waves and I gamboll'd, thou gem-crested sea!
Sea, sea,
Laugh on in glee;
How dear to the sailor thy sweet monody!
Soul-soothing calm,
Soul-healing balm,
For hearts beating fondly for hearts on the sea!
Sea, sea,
Tempest-lashed sea!
O spare in thy fury, smite not angrily
Hearts true and brave,
Breasting thy wave,
Who love as they trust thee, thou beautiful sea!
Sea, sea,
Bring back to me
One that thou bearest to war's pageantry!
Bear him my love,
Life-lasting love,
For him and him only, then speed him to me!
So sang Rowena, from her turret bower,
Her plaintive notes each night,
In seamen's ears.
Their hearts sank deep. They long had watched her white
And care-worn cheeks; but now they knew her fears
And wept with her to see the darkling storm-clouds lower.
Meanwhile her red-cross knight was lying prone,
Sore wounded, life nigh spent,
On Acre's plains.
He'd swooned and woke to find him 'neath, a tent.
With balm a maiden soothed his throbbing veins.
No other soul came near save she a maid unknown.
Low whispers could he often hear without.
Fresh unctions were applied;
His wounds Soon healed.
Whene'er he groaned swift flew she to his side:
At other times the maiden lay concealed.
At last she brought the news of Saladin's great rout.
What secret spring had moved this maiden's heart
To save her nation's fee,
At risk of life?
Far rather had he died than live to know
That precious secret was to be his wife.
Too well she knew that now 'twas death from him to part!
At length the lingering weeks of healing passed
He e'en must quit for aye
Her angel tent.
"Take me. Sir knight, to be your slave alway!
O leave me not, or my poor heart is rent!"
She said, and at his feet her tender form she cast.
He bade her rise! then heard her fearful tale—
An orphan doomed to be
A lifelong slave
And serve a tyrant's lust and infamy.
From such, Sir Harold swore he would her save,
Whate'er the cost the deed might to himself entail.
He smuggled her on board one darksome night.
In deepest hold she lay,
Till safe at sea.
And when at last they found the stow-away
The hearts of all rejoiced that she was free
While midst the sick she moved a minist'ring sprite.
When, too, they heard she'd saved Sir Harold's life
And why she wished to fly
Her native land,
They swore, as salt tears filled each manly eye,
To be her knight till safe on England's strand;
And happy would he be who won her then for wife!
On deck, one eve, she told Sir Harold, how,
She'd seen an English knight,
Sir Ralph by name,
Deal him his wound, then-rush into the fight
And fall. He died; so never more could claim
Rowena's hand. Now would her haughty sire relent his vow?
Rowena sings.
Burn bright, burn bright,
Dear light, sweet light,
To guide him back to me.
My knight, own knight,
Brave knight, true knight,
My love sent o'er the sea.
O light, O light,
Burn bright, burn bright,
And keep strict watch for me;
Some night, some night,
My knight, own knight,
Will come from o'er the sea.
Stars light, stars light,
My knight, brave knight,
Gone from me o'er the sea;
Shine bright, shine bright,
Each night, each night,
Till he come back to me.
The flag on Ragnor's tower hung half-mast high
Smote old and young with grief.
A death it told.
They long had watched her wither like a leaf;
Her warm hands too had grown of late so cold.
So young, so fair, so good. Alas! that she should die.
But no! It was her lady mother. She
Full long had seen her child
Slowly decay.
Her father's temper, too, had grown more wild.
She could but pray that ere she passed away,
Rowena's knight would safe return from o'er the sea.
Her mother dead! Her one true guide and friend!
Her heart seemed reft in twain.
Would she had died!
A year at least it meant ere yet again,
She needs must list to suits to be denied.
O death, or Harold, come and let there be an end!
She straightway sought the dim-lit chamber, where,
Beside her mother's bier,
Her heart might break.
So frail her bark to stem life's sea so drear.
She fain would die, yet live for his dear sake.
But then "He might not live!" she cried in wild despair.
O mother, mine, no longer minel
My life for thine, yea twice for thine!
O take it Death! Why not, O Death?
Why is our breath, life's fleeting breath,
Not ours to take, to give or take?
Life's cord will break, life's cord must break.
Why may we not, why dare we not,
Clean cut its knot, its painful knot?
A voice she hears, a tender voice,
Which says; No choice, my child, no choice
Is left for thee, for me or thee.
There's naught for thee, for thee or me,
But bear the cross, the bitter cross.
The cup of woe you now must drain,
Will bring sweet gain, for you sweet gain.
Pax vobiscum, my child; Pax vobiscum!
Heaven's peace, dear maid, be thine,
For evermore!
Go seek its home at good St. Hilda's shrine;
In holy mother's ears thy sorrows pour;
Within those peaceful gates no earthly ill can come."
'Twas thus the holy friar of Senlac spoke.
His words the flood gates burst
And tears like rain
On land whose fissures stand agape with thirst,
Now filled her soul with joy intense as pain
Before. At length her whispered thanks the silence broke.
Within Old Ragnor's walls a chapel stood;
And there, in crypt below,
With Warre's proud race,
His gentle wife they laid, while monks with slow
And solemn steps, with incense filled the place.
The stern knight's sob was heard throughout the holy rood.
Next night, while weary warders timely slept,
And snow fell thickly round,
Rowena fled;
Nor stayed till she had peace and safety found,
Where good St. Hilda's lights her footsteps led.
Meanwhile the kindly snow her dreaded secret kept.
The lady mother passed the live-long night
Beside her bed whom sleep
Deserted long.
Delirium seized her, when she'd leap
And clutch, as if she'd rend the bars so strong
Which girt the windows round, and cry "More light!"
She wanted not more light herself, but he,
Her knight, so true and brave,
Filled all her soul.
She thought she saw him drown yet none to save
Him, bent an oar. Her brain burnt like a coal.
She cried: "O let me go and plunge in yon dark sea!"
Weeks passed and still she only moaned and raved.
Nor slept by night or day.
One voice alone
At last was found the fever's course to stay;
'Twas when she heard her faithful Eric's tone,
When he in hot haste came and instant audience craved.
If grief had wrung Sir Guy's stern heart that night,
He stood among his dead;
'Twixt grief and ire,
He now a maniac grew. Sleep from him fled;
He passed the night with warders round their fire,
While every turret-room was all ablaze with light.
Days, weeks, and months thus passed, but still,
No sign Rowena gave.
She's dead, he thought;
Yon yawning sea no doubt conceals her grave.
And then his rage a direful vengeance wrought,
For him whose steadfast love had made her thwart his will.
No turret lights now burned at night, save one,
And that a feeble speck,
Straight o'er Hell Rock.
On this a noble ship, one night, became a wreck;
The cliffs resounded with the awful shock—
The Demon-Wrecker thought too well his work was done!
Hewn out of solid rock, some fathoms deep
Old Ragnor's dungeons lay.
A massive chain
Which two men scarce could move a foot away,
Joined door above to door below. Its strain
Upon the stone-cut stairs still makes the flesh to creep.
Here faithful Eric found himself immured
To try if gloom and fear
Of tortures dire
Could wring from him a secret held more dear
Than life itself. Nay! Famine, rack, and fire,
Swift death or tortures slow—all, all should be endured
For his dear lady's sake. Though but a page
He'd learn to value truth
In word and deed
From her whose noble love inspired his youth
And taught him lessons from her living creed.
Her foe had thrown the glove he dared take up the gage.
Entombed alive! A struggling streak of light
Made visible the gloom,—
His living shroud.
He felt himself alive yet without room
To live or breathe. He groaned, then cried aloud,
"O God, while in this porch of hell, be Thou my light!"
Next morn—if morn, it were—no count of hours,
The dungeon-tenant kept,—
A silver ray
Woke hope afresh, as down a cord there crept
A basket full of meats, while 'neath them lay
A lamp and tools, with hints where he might try their powers.
Henceforth work's pulses guaged his night and day,
As sandstone rock he bored.
His ear supplied,
By sound of sea, how much his axe had gored,
As clearer came the welcome rush of tide.
Hope made his feeble lamp effulgent as sun's ray!
The first hole pierced, his head grew sick and faint.
To pray he tried; no word
Escaped his lips.
Yet sure he felt his spirit's groanings heard,
As prone he lay and gasped the air by sips;
For that he'd breathed so long, was foul with dead men's taint.
His strength now grew with every stroke he plied.
At sound of sea and men,
Death's clammy sweat
Was changed for drops that told of health again,
While through his languid frame life's current swept,
It only made him feel how nearly he had died.
At last his living tomb of rock was rent;
Though but a narrow rift
He yet had made
Enough; it did a horrid monster lift,
That clutched him close and held aloft a blade;
He felt himself undone, when, lo! God had deliv'rance sent.
So wildly beat his heart and throbbed his veins,
As morn's first struggling gleam.
His rift net caught,
He e'en must follow its meandering beam,
Till something on the walls his footsteps brought
To rest. He shuddered as he saw the death-throe stains
Of some whose hands and ankles, staple-bound,
Had graved thereon the sign
Of crucified.
"My God!" he cried, "such fate may yet be mine!"
He turned and lo! close at his feet he spied
A note. A piercing wail then woke the echoes round.
"To-morrow, Eric, will decide your fate.
Confess and you are free;
Else will you die
A death of torture, marks of which you'll see
Upon the walls around. Fly, Eric, fly,
This night, this very night, or it will be too late!"
When Eric woke to thought, the light had flown,
With Hope upon its wing
And left Despair.
One thought alone could light and comfort bring—
His secret—This, not death should from him tear.
Rowena's safe retreat, he never would make known!
The rasp of grating chains and rush of air
Awoke the sleeping page
From frightful dreams.
A voice he heard. Alas! 'twas fierce with rage,
While on his sight there flashed the fitful gleams
Of warders' arms. In haste they clangour down the stair.
"Come forth, young man! Sir Guy awaits above.
We dare not tarry long;
He's mad this morn.
Keep up your heart, my son! Be firm, be strong!
A page, yet truer knight was never born!
Betray her not, brave youth, as you esteem her love!"
"Have rats and goblins eaten up your pride
And will you tell me now
What well you know?
The holy father, here, can loose your vow.
Still silent!" roared Sir Guy, "O there! Below
With him, and if rack fail, let him be crucified."
"I fear not crucifixion, master mine,
As oath forsworn from fear
Of death. No pangs
Shall ever make me breathe to mortal ear
Her safe retreat. Transfix me with your fangs
With speed; my life for hers I freely will resign."
"Fear not, brave youth, Sir Guy doth go
This night to meet Prince John,
Who claims the crown.
But we do hear our king will come anon;
Then woe to all who have incurred his frown!
For sure he'll vengeance take on John and every foe."
At least he knew his fate—Condemned to die!
He bade farewell to all,
Then went below.
The darkness closed around him like a pall
The dead. Yet drain the bitter cup of woe
For her, e'en to the dregs, he would without a sigh.
Yet did he not despair. Athwart the gloom
A gleam of hope there stole.
As clothed in light,
He saw the form that could his fears control,
And which the darkness only made more bright—
It was her angel presence lit his rock-hewn tomb!
It beckoned him; he boldly followed till,
Beside the narrow cleft,
His axe had wrought,
It stood. He saw the fissure wider reft.
To challenge death then fly—ignoble thought!—
He knelt and prayed: "O God, but show me now Thy will!"
He rose and turned a quick retreat to make,
When lo! that presence bright
Still barred his way,
And stood with hand stretched towards the rift's pale light—
A sign which Eric felt in words would say—
"What God, in mercy sends, dare you refuse to take?"
As Cherubim with flaming sword it kept
The gates of death. How could
He pass them now?
Enough, that she would know his will was good,
From, what he'd suffered for his loyal vow.
"Heaven's will be done!" he cried, and through the portal crept.
The sudden call to life from out the tomb;
Death's bands thus swiftly rent,
Life's tidal force
Undammed, had rushed with too impetuous vent,
Did not a tortuous cave arrest its course,
Ere he at length emerged beneath night's starless gloom.
Along the shore he sped nor stopped his flight
Until a burly voice,
His fleet foot stayed.
That voice he knew full well. He had no choice
But one—to yield himself—nor felt afraid,
Within the smuggler's den to rest at least, the night.
So sweetly sound his sleep, without a dream
To shorten his repose;
The watcher's eye
Could scarce perceive he breathed save as arose
And fell his manly chest with deep-drawn sigh;
Which sign the smuggler caught beneath his lantern's gleam.
His story told, young Eric found a friend
And guide in one he feared;
Who bade him stay
Until he'd seen the coast of foes was cleared,
Then to St. Hilda's shrine he'd lead the way,
Those saintly walls to him would peace and succour lend.
Now all this while Rowena struggled still,
Bound fast by fever's chain.
There seemed no hope!
No leech nor nurse could ease her tortured brain,
Or help her frail and sinking frame to cope
With all the fiery imps that sported there at will.
She sank at last in stupor so profound
They deemed her dead indeed,
And forthwith sent
A messenger to Ragnor's Tower with speed.
But as the heavens no light propitious lent,
The morn beheld the rider horseless on the ground.
Him bleeding sore, the smuggler found; his steed
Was grazing close at hand.
His master groaned,
And begged with tears, as one by fear unmanned
To die, for then his life will have atoned
For what may hap unless his note were sent with speed!
The smuggler promised, but when Eric read
The note, he knew Sir Guy
Was far away.
No need of guide, the horse did homewards fly
And at St. Hilda's gate alone made stay.
This was the night young Eric stood beside Rowena's bed.
Soon after midnight, life once more returned;
Her pulse beat full and fast.
The fever's power,
Some mystic spell had bound but not to last,
Save for one long more dead than living hour;
And now with force renewed, it once more raged and burned.
"Fly, Eric, fly," she cried, and pointed where
The morn's sweet dawning gleamed.
And as upright
She stood, the living counterpart she seemed
Of her whose presence made Hell's dungeons bright,
O God! his angel guide now raved in madness there!
"Dear mistress mine," young Eric cried and rose;
Then took and kissed her hand,
As he had done,
That night he had received her last command—
To make her place of refuge known to none.
O blessed charm which brought her life and sweet repose!
When she awoke next morn she gazed on all
Around with look so calm
And smile so sweet,
As fell upon each soul like holy balm
Of healing. Yet their eyes could only greet
Her look of grateful love with tears unbidd'n to fall.
"That voice I heard last night," she weakly said,
"Whose tones familiar sent
A magic thrill
Through all my veins and fever's fetters rent,
Was Eric's, faithful youth, whom they would kill
In Ragnor's deadly vaults! O say he is not dead?"
"He'll come anon," the holy mother said,
And kissed her death-white cheek.
"Now sleep! and while
We swiftly send your gallant page to seek,
Let holy thoughts and dreams the time beguile!"
She woke and lo! he stood 'mong those beside her bed.
She clasped his hand and whispered low. He bent
Once more to hear that voice
He must obey,
E'en though 'twixt life and death, no choice
It might him leave. She only bade him stay
Nor leave her more. The lady mother gave assent.
As flowers to sun respond with blushing hues
And grateful scents distil
Their voiceless praise;
So now as through her veins life's pulses thrill
Amid the breath of flowers and wood-choirs' lays,
She could, no more than they, her hymn of thanks refuse.
"O flowers," she sang, "sweet flowers,
Where beauty hath her throne,
Yea, smile away life's hours;
For you they'll soon be flown!
Then nursed awhile in womb of mother earth,
Ye'll rise, to taste with me, the joys of second birth!
O birds of happy wing!
With flowers' sweet incense blend
Your joyous notes and sing;
For soon your songs will end!
When summer's warmth again awakes your trills,
Ye too may know the joy which now my bosom fills!
The world seems one great heart,
Whose pulses move my soul.
I feel a feeble part
Of some mysterious whole!
Thy mighty heart, O God, 'tis thine alone,
That makes all things now breathe, responsive to mine own!"
With sails full set to catch the western breeze,
The stout ship, Holy Cross,
The Channel ploughed;
Nor dreamt those noble hearts on board of loss;
Or that those silvered waves might prove their shroud;
As o'er her staunch bulwarks they pictured home and ease.
"What light is that which glimmers on yon height?"
The gallant captain cried,
"'Tis Ragnor's Tower,"
Sir Harold said, "where dwells my lady bride.
That light she vowed should never quit her bower.
Haste, captain, haste, I pray, and land me there this night."
"Steer straight for yonder light on Ragnor's crown!"
The captain made reply.
They set the helm;
And now with wings outstretched they swiftly fly,
Where demons will with mocking laugh o'erwhelm
And dance with fiendish glee to see them sink and drown.
Sir Guy had heard afar the tidings fell
Of Harold Wynn's return
From Holy Land.
The news more fiercely made his wrath to burn.
Hence hot with hate he sought Old Ragnor's strand,
Whose peaceful haunts became again a very hell.
By Eric fed, the beacon lamp once more
Shone o'er the treach'rous sea
Which hid Death's maw.
Rowena had a secret gate whose key,
Her page had used. Her light, Sir Guy first saw.
O madd'ning sight! "If saved, Rowena dies," he swore.
The light of life, he quenched, and straightway hung
A lamp to lure to death.
His eyes shot fire
As straight he saw her come. He held his breath,
At length he heard the crash. No Nero's lyre
Across his work of death such yells of triumph flung!
The noble ship had freight of nobler men,
Whose crosses bore the stain
Of deadly strife
With Turc and Saracen, on Acre's plain
And wounded sore had scarce escaped with life.
How beat their hearts with joy at sight of home again.
At home, alas! did foes more deadly wait
Than Saladin's fierce crew.
The lamp of love
Was changed for one of hate, which threw
Its false and fatal skein of light above.
A shuddering shock, a fearful crash, foretold the vessel's fate.
For many nights before, two lonely men
Stood ready, boat at hand.
God speed them now!
As swift they row and quick return to land,
Bearing a lifeless form with sword-cleft brow,
Whose arms fast clutch a maid. They bore them to their den.
The news soon spread from coast to country round
That lost was every soul.
At Wynnwood Hall,
Sir Harold's home, their grief knew no control.
That he should be the first Wynn not to fall
In battle's heated fray; but should be basely drowned!
His helmet, cloak, and sword he'd cast aside,
To save the girl who clung
Around his neck.
These relics dear were found and silent hung
Beneath the rest. None sought grief's tears to check
To see the blood-stained cross for which he'd fought and died.
Alack! The ill-starred news had reach the shrine
Where sat mid birds and flowers,
His new-born bride.
To her the lead-winged moments seemed as hours;
And yet her bounding hope her baleful fears belied.
What tidings would morn bring. O could she but divine!
The smuggler's patient skill soon fanned life's spark
Into a feeble flame.
Sir Harold first
The solemn quiet broke to breathe the name
Of Ruth, the Saracene who had him nurs'd
And hid with all a sister's love and care within her ark.
"She's saved? Thanks be to God," he said, and wept.
"And she, my lady bride!
O can you say
She too doth live? Or better yonder tide
Now held this hopeless wreck of life its prey!"
"She lives, brave knight," they said. He smiled his thanks
and slept.
A messenger of life, young Eric sped
And death's fell courier caught
At Hilda's gate.
The sisters' tears foretold the mischief wrought,
"She's swoon'd," they said. He curs'd his cruel fate.
They led him to her couch whereon she lay as dead.
"Sir Harold saved!" Like drops of heavenly balm,
With healing quickening power,
The tidings thrilled
Her soul with joy intense as in that hour,
The rush of new-found life her pulses filled.
Her anxious fears allayed, she felt a holy calm.
Two lives in one, although they dwelt apart.
A sympathetic glow,
Each seemed to feel,
To pass from soul to soul; a constant flow
Of thought and feeling made their wounds to heal;
As though betwixt the two there beat one common heart.
Who nightly scared the darkness-loving owl
And made the hills resound
With watch-dogs' bark?
But he who faithful unto death was found;
Who'd buried been in Ragnor's dungeons dark,
While round him Death's grim shades pursued their midnight prowl.
One night as Eric rode, a bolt whizzed by,
With well-nigh fatal aim.
He faster flew,
Until, alack! his faithful steed fell lame.
He leapt aground and o'er his arm he drew
The reins. What joy to find the smuggler's den was nigh!
For Eric's belt then held in close embrace,
As erst long months ago,
A precious note.
'Twas gone! and its contents would clearly show
His lurking place and hers—Alas! who wrote
To beg she soon might see her Harold face to face.
The smuggler begged young Eric show the road
He'd come. Then armed they go;
But without need;
For where Rowena's page alighted, lo!
The missive lay. They hasten back with speed;
And as they give God thanks, more eyes than one o'erflowed.
"We e'en must quit, dear Mike, thy safe retreat;
'Tis clear, they're on our track.
Of this be sure,
That you henceforth in life shall nothing lack
That heart can wish or wealth of mine procure.
Swift send to Wynnwood Hall, a trusty man and fleet!"
"I'll go myself, Sir knight," old Michael said;
"For Eric here must stay
And hide awhile.
You'll see me back again by break of day;
With talk and sleep you can the hours beguile;
But one at least much [Transcriber's note: must?] watch,
for mischief broods o'erhead!"
When Mike returned, his den indeed was there
But tenants only one
Who bound him fast
And bade him take his leave of yonder sun,
For sure enough this look would be his last;
In Ragnor's gloomy vaults he'd find nor light nor air.
Sir Guy's dire act of awful vengeance ta'en
A ravenous brood of prey,
To make their nest,
Seemed gnawing at his heart-strings night and day;
With croaks like drowning cries they filled his breast
And raised with fluttering wing the ghosts of those he'd slain.
No dove of peace on wings of morn returned.
He watched with eager eyes
Day's amber birth
And saw, or thought he saw, a form arise;
'Twas his—Sir Harold's—just as when on earth
He came to plead his suit and was with insult spurned.
"O God, have mercy! Grant it may be true
That he indeed doth live!
Oh! warders, fly,
Proclaim—a thousand livres I will give
To know the Knight of Wynnwood did not die
In that night's fearful wreck. If found, I'll make it two!"
As beasts and lands welcome the rain they craved
And ope their parch-ed lips
To drink their fill;
So felt Sir Guy the demons loose their grips,
As warders, one by one, the news distil,
To quench their hell-lit fires—'that all on board were saved'!
Like savage beasts when bite and roar grow weak,
Seek out some lonely nook
Wherein to die;
So now Sir Guy, whose thunderous voice once shook
Old Ragnor's walls and made the bravest fly,
Would feebly cry: "My child!" then, death-like, swoon away.
Full ten days passed ere conscious life again
Illum'd those once stern eyes,
With rays serene,
Now mildly placid as the azure skies,
On which one grateful turns from sun's fierce sheen;
Refreshing, too, his milder tones as summer rain.
"Rowena, Harold, Eric, friends, forgive!
And could I hear her say
'Dear father mine,
We all forgive'—I would no longer pray
For life; but to atone my all resign
To those I've wronged: for this alone I fain would live."
"They live, Sir Guy, and ere the sun has set
Will hither come!" they said.
He crossed his hands
While o'er his face a smile complacent spread
And docile as a child to their commands
To sleep he yields his eyes with gracious tear-drops wet.
Rowena's kiss, yet sweeter far the sound
She breathed of 'Father mine'
The knight awoke;
Another moment and their arms entwine.
She checked the word ere from his lips it broke
'Forgive'! Father and child long-lost, again were found.
His outstretched hands did next forgiveness seek
Of one who long had prayed
This hour to see.
With hands close clasp'd, no words the knight essayed;
In tears he quenched a life-long enmity.
Thus did the Saxon's love triumphant vengeance wreak!
Then last, though not the least who'd borne the cross
And bravely gone to die
In flower of youth,
Young Eric caught the knight's atoning sigh,
Who joined his hands with those of faithful Ruth
Thus triumphed faith and love o'er pain and death and loss.
And what of him whose kind and skilful care
Had saved the life of three?
Forget they him?
Not so! a gracious pardon, full and free,
With thankful joy they bear to dungeons grim;
And one more doomed to die from death's fierce grip they tear.
Unfurl the banner, let it court the breeze
Once more, on Ragnor's Towers.
A wedding peal
Now ring. Come virgins, strew with flowers
Their bridal path, whose woes this day will heal!
Look bright, ye frowning cliffs and laugh ye moaning seas!
What means that wild commotion an the strand?
A stately vessel nears
Old Ragnor's port!
"King Richard comes!" Sir Guy with terror hears.
"Haste, Harold, pay our sovereign royal court;
Crave pardon for me! Say, I lie at death's command!"
"Welcome, my liege!" "Sir Harold, welcome, too,
Is sight of thee, brave knight!
But where is he.
Sir Guy de Hastyngs,—flies he now my sight?"
"Nay, nay, my liege! his sponsor will I be;
His heart for thee, his king, doth bear allegiance true!"
"Your gracious pardon grant, my liege, I pray;
He has atonement made
For all he's done:
And nature's last great debt will soon be paid;
His life may even set with yonder sun!"
"Lead on, Sir Knight, I'd see him, ere he pass away."
"Farewell," King Richard said, "Heaven's peace be thine!
And you, Sir Harold, kneel!
Hand me your sword!
Now rise, for valiant deeds and service leal,
Of Hastyngs' lands and Normanhurst the Lord!
Till on young Eric's heels the spurs of knighthood shine!"
Once more old Ragnor's rocks resound with cries,
Of grief? Nay—joy and pride!
For on the sea,
A noble, full-rigged ship doth stately ride—
The Orient Pearl—her white cross streaming free;
Whose captain Mike and crew now laugh at frowning skies!
Hearts bound so late by love's sweet hallowed chain
By war's fierce edicts rent,
Lie bleeding sore;
And scan with eyes from weeping well-nigh spent,
Love's waning signals till they see no more.
Heaven grant them soon to see those signals once again!
By Bertram's arrow pierced with fatal aim,
The Lion-heart was torn.
Beside him lay,
Of strength, by pain and bleeding torn,
One Eric whom the king had dubbed that day
A knight—no worthier yet—adorned the roll of fame!
Once more on Ragnor's brow the beacons blaze,
The Orient Pearl to greet,
On her return.
Two brides wait mid a throng of friends to meet
Their war-proof knights. The shades of rank they spurn;
They'd vowed for each a sister's love for aye and aye.
Sweet harpings break the stilly night's repose.
The seamen list once more,
As from her bower,
There fall those witching sounds they've heard before,
In days long gone, from Ragnor's lofty tower.
When hearts with voices blend what heavenly music flows!
Breathe fair, ye winds, breathe fair;
My true love's on the sea.
God, hear the lone one's prayer,
And bring him back to me!
God guide the helm, God fill the sails
And waft him with propitious gales!
Breathe fair, ye winds, breathe fair,
And bear my true love home!
Love's bonds shall hold him there,
No more, no more to roam.
God guide the helm, God fill the sails,
And speed him home propitious gales!
She flies the holy cross
That talisman divine
Shall shield from loss and harm.
Her faithful knight and mine.
"O Christ, bid thou the storm to cease
And fill our hearts with joy and peace!"
They light the beacon fires the hills around.
All eyes are eager bent
Across the sea,
To cheer the night, a hundred voices blent
To chase the gloomy hours with mirthful glee;
Till shouts of "ship ahoy!" made every heart rebound.
And now for many days round Ragnor's Towers,
Life flowed in mirth away.
"Let feast and song,"
Sir Harold said, "have free unbounded sway;
For grief and gloom have lorded here too long.
Let joy now rule the day and strew her path with flowers!"
And yet a year, the joy-bells ring again;
For sons are born to sires
Of knightly fame.
Once more the swains, light up the beacon fires;
Old Hastyngs flashed to Normanhurst the flame;
For Harold had to Eric given Ruth's hand and Ralph's domain.
VALE!
End of the Project Gutenberg EBook of Rowena & Harold, by Wm. Stephen Pryer *** END OF THIS PROJECT GUTENBERG EBOOK ROWENA & HAROLD *** ***** This file should be named 21509-h.htm or 21509-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/1/5/0/21509/ Produced by Al Haines Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, is critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.