The Project Gutenberg EBook of Conquest Over Time, by Michael Shaara

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Conquest Over Time

Author: Michael Shaara

Release Date: March 15, 2010 [EBook #31652]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK CONQUEST OVER TIME ***




Produced by Sankar Viswanathan, Greg Weeks, and the Online
Distributed Proofreading Team at https://www.pgdp.net






Transcriber's Note:

This etext was produced from Fantastic Universe November 1956. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.

 

"Now this here planet," he said cautiously, "is whacky in a lot of ways. First of all they call it Mert. Just plain Mert. And they live in houses strictly from Dickens, all carriages, no sewers, narrow streets, stuff like that." But that wasn't all.... Travis, in reaching Diomed III before any others, found himself waging a one-man fight against more than this; he was bucking the strangest way of life you have ever heard of!

 

conquest over time

 

by ... Michael Shaara

 

What was the startling secret of Diomed III that almost caused Travis to lose his life?
And who was Lappy?...


When the radiogram came in it was 10:28 ship's time and old 29 was exactly 3.4 light years away from Diomed III. Travis threw her wide open and hoped for the best. By 4:10 that same afternoon, minus three burned out generators and fronting a warped ion screen, old 29 touched the atmosphere and began homing down. It was a very tense moment. Somewhere down in that great blue disc below a Mapping Command ship sat in an open field, sending up the beam which was guiding them down. But it was not the Mapping Command that was important. The Mapping Command was always first. What mattered now was to come in second, any kind of second, close or wide, mile or eyelash, but second come hell or high water.

The clouds peeled away. Travis staring anxiously down could see nothing but mist and heavy cloud. He could not help sniffing the air and groaning inwardly. There is no smell quite as expensive as that of burned generators. He could hear the Old Man repeating over and over again—as if Allspace was not one of the richest companies in existence—"burned generators, boy, is burned money, and don't you forget it!" Fat chance me forgetting it, Travis thought gloomily, twitching his nostrils. But a moment later he did.

For Diomed III was below him.

And Diomed III was an Open Planet.

It happened less often, nowadays, that the Mapping Command ran across intelligent life, and it was even less often that the intelligent life was humanoid. But when it happened it was an event to remember. For space travel had brought with it two great problems. The first was Contact, the second was Trade. For many years Man had prohibited contact with intelligent humanoids who did not yet have space travel, on the grounds of the much-discussed Maturity Theory. As time went by, however, and humanoid races were discovered which were biologically identical with Man, and as great swarms of completely alien, often hostile races were also discovered, the Maturity Theory went into discard. A human being, ran the new slogan, is a Human Being, and so came the first great Contact Law, which stated that any humanoid race, regardless of its place on the evolutionary scale, was to be contacted. To be accepted, "yea, welcomed," as the phrase went, into the human community. And following this, of course, there came Trade. For it was the businessmen who had started the whole thing in the first place.

Hence the day of the Open Planet. A humanoid race was discovered by the Mapping Command, the M.C. made its investigation, and then sent out the Word. And every company in the Galaxy, be it monstrous huge or piddling small, made a mad rush to be first on the scene. The Government was very strict about the whole business, the idea being that planets should make their contracts with companies rather than the government itself, so that if any shady business arose the company at fault could be kicked out, and there would be no chance of a general war. Also, went the reasoning, under this system there would be no favorites. Whichever company, no matter its resources, had a ship closest at the time of the call, was the one to get first bargaining rights. Under this setup it was very difficult for any one company to grow too large, or to freeze any of the others out, and quite often a single contract on a single planet was enough to transform a fly-by-night outfit into a major concern.

So that was the basis of the Open Planet, but there the real story has only begun. Winning the race did not always mean winning the contract. It was what you found when you got down that made the job of a Contact Man one of the most hazardous occupations in history. Each new planet was wholly and completely new, there were no rules, and what you learned on all the rest meant nothing. You went from a matriarchy which refused absolutely to deal with men (the tenth ship to arrive had a lady doctor and therefore got the contract) to a planet where the earth was sacred and you couldn't dig a hole in it so mining was out, to a planet which considered your visit the end of the world and promptly committed mass suicide. The result of this was that a successful Contact Man had to be a remarkable man to begin with: a combined speed demon, sociologist, financier, diplomat and geologist, all in one. It was a job in which successful men not only made fortunes, they made legends. It was that way with Pat Travis.

Sitting at the viewscreen, watching the clouds whip by and the first dark clots of towns beginning to shape below, Travis thought about the legend. He was a tall, frail, remarkably undernourished looking man with large soft brown eyes. He did not look like a legend and he knew it, and, being a man of great pride, it bothered him. More and more, as the years went by, his competitors blamed his success on luck. It was not Pat Travis that was the legend, it was the luck of Pat Travis. Over the years he had learned not to argue about it, and it was only during these past few months, when his luck had begun to slip, that he mentioned it at all.

Luck no more makes a legend, he knew, than raw courage makes a fighter. But legends die quick in deep space, and his own had been a-dying for a good long while now, while other lesser men, the luck all theirs, plucked planet after planet from under his nose. Now at the viewscreen he glanced dolefully across the room at his crew: the curly-headed young Dahlinger and the profound Mr. Trippe. In contrast to his own weary relaxation, both of the young men were tensed and anxious, peering into the screen. They had come to learn under the great Pat Travis, but in the last few months what they seemed to have learned most was Luck: if you happened to be close you were lucky and if you weren't you weren't. But if they were to get anywhere in this business, Travis knew, they had to learn that luck, more often than not, follows the man who burns his generators....


He stopped thinking abruptly as a long yellow field came into view. He saw silver flashing in the sun, and his heart jumped into his throat. Old 29 settled fast. One ship or two? In the distance he could see the gray jumbled shapes of a low-lying city. The sun was shining warmly, it was spring on Diomed III, and across the field a blue river sparkled, but Travis paid no attention. There was only one silver gleam. Still he waited, not thinking. But when they were close enough he saw that he was right. The Mapping Command ship was alone. Old 29, burned generators and all, had won the race.

"My boys," he said gravely, turning to the crew, "Pat Travis rides again!" But they were already around him, pounding him on the back. He turned happily back to the screen, for the first time beginning to admire the view. By jing, he thought, what a lovely day!

That was his first mistake.

It was not a lovely day.

It was absolutely miserable.


Travis had his first pang of doubt when he stepped out of the ship.

The field was empty, not a native in sight. But Dahlinger was out before him, standing waist high in the grass and heaving deep lungfuls of the flower-scented air. He yelled that he could already smell the gold.

"I say, Trav," Trippe said thoughtfully from behind him, "where's the fatted calf?"

"In this life," Travis said warily, "one is often disappointed." A figure climbed out of a port over at the Mapping Command ship and came walking slowly toward them. Travis recognized him and grinned.

"Hey, Hort."

"Hey Trav," Horton replied from a distance. But he did not say anything else. He came forward with an odd look on his face. Travis did not understand. Ed Horton was an old buddy and Ed Horton should be happy to see him. Travis felt his second pang. This one went deep.

"Anybody beat us here?"

"No. You're the first, Trav."

Dahlinger whooped. Travis relaxed slightly and even the glacial Trippe could not control a silly grin.

Horton caught a whiff of air from the open lock.

"Burned generators? You must've come like hell." His face showed his respect. Between burning a generator and blowing one entirely there is only a microscopic distance, and it takes a very steady pilot indeed to get the absolute most out of his generators without also spreading himself and his ship over several cubic miles of exploded space.

"Like a striped-tailed ape," Dahlinger chortled. "Man, you should see the boss handle a ship. I thought every second we were going to explode in technicolor."

"Well," Horton said feebly. "Burned generators. Shame."

He lowered his eyes and began toeing the ground. Travis felt suddenly ill.

"What's the matter, Hort?"

Horton shrugged. "I hate like heck to be the one to tell you, Trav, but seein' as I know you, they sent me—"

"Tell me what?" Now Dahlinger and Trippe both realized it and were suddenly silent.

"Well, if only you'd taken a little more time. But not you, not old Pat Travis. By damn, Pat, you came in here like a downhill locomotive, it ain't my fault—"

"Hort, straighten it out. What's not your fault?"

Horton sighed.

"Listen, it's a long story. I've got a buggy over here to take you into town. They're puttin' you up at a hotel so you can look the place over. I'll tell you on the way in."

"The heck with that," Dahlinger said indignantly, "we want to see the man."

"You're not goin' to see the man, sonny," Horton said patiently, "You are, as a matter of fact, the last people on the planet the man wants to see right now."

Dahlinger started to say something but Travis shut him up. He told Trippe to stay with the ship and took Dahlinger with him. At the end of the field was a carriage straight out of Seventeenth Century England. And the things that drew it—if you closed your eyes—looked reasonably similar to horses. The three men climbed aboard. There was no driver. Horton explained that the 'horses' would head straight for the hotel.

"Well all right," Travis said, "what's the story?"

"Don't turn those baby browns on me," Horton said gloomily, "I would have warned you if I could, but you know the law says we can't show favoritism...."

Travis decided the best thing to do was wait with as much patience as possible. After a while Horton had apologized thoroughly and completely, although what had happened was certainly not his fault, and finally got on with the tale.

"Now this here planet," he said cautiously, "is whacky in a lot of ways. First off they call it Mert. Mert. Fine name for a planet. Just plain Mert. And they live in houses strictly from Dickens, all carriages, no sewers, narrow streets, stuff like that. With technology roughly equivalent to seventeenth century. But now—see there, see that building over there?"

Travis followed his pointing finger through the trees. A large white building of blinding marble was coming slowly into view. Travis' eyes widened.

"You see? Just like the blinkin' Parthenon, or Acropolis, whichever it is. All columns and frescoes. In the middle of a town looks just like London. Makes no sense, but there it is. And that's not all. Their government is Grecian too, complete with Senate and Citizens. No slaves though. Well not exactly. You couldn't call them slaves. Or could you? Heck of a question, that—" He paused to brood. Travis nudged him.

"Yes. Well, all that is minor, next to the big thing. This is one of two major countries on the planet. There's a few hill tribes but these make up about 90 percent of the population, so you have to deal with these. They never go to war, well maybe once in a while, but not very often. So no trouble there. The big trouble is one you'd never guess, not in a million years."

He stared at Travis unhappily.

"The whole planet's run on astrology."

He waited for a reaction. Travis said nothing.

"It ain't funny," Horton said. "When I say run on astrology I mean really run. Wait'll you hear."

"I'm not laughing," Travis said. "But is that all? In this business you learn to respect the native customs, so if all we have to do—"

"I ain't finished yet," Horton said ominously, "you don't get the point. Everything these people do is based on astrology. And that means business too, lad, business too. Every event that happens on this cockeyed world, from a picnic to a wedding to a company merger or a war, it's all based on astrology. They have it down so exact they even tell you when to sneeze. You ought to see the daily paper. Half of it's solid astrological guidance. All the Senators not only have astrologers, they are astrologers. And get this: every man and woman and child alive on this planet was catalogued the day he was born. His horoscope was drawn up by the public astrologer—a highly honored office—and his future laid out according to what the horoscope said. If his horoscope indicates a man of stature and responsibility, he becomes, by God, a man of stature and responsibility. You have to see it to believe it. Kids with good horoscopes are sent to the best schools, people fight to give them jobs. Well, take the courts, for example. When they're trying a case, do they talk about evidence? They do not. They call in a legal astrologer—there's all kinds of branches in the profession—and this joker all by himself determines the guilt or innocence of the accused. By checking the aspects. Take a wedding. Boy meets girl. Boy likes girl. Does boy go see girl? No. He heads straight for an astrologer. The girl's horoscope is on file in the local city hall, just like everybody else. The astrologer compares the charts and determines whether the marriage will be a good one. He is, naturally, a marital astrologer. He gives the word. If he says no they don't marry.

"I could go on for hours. But you really have to see it. Take the case of people who want to have children. They want them born, naturally, at the time of the best possible aspects, so they consult an astrologer and he gives them a list of the best times for a baby to be conceived. These times are not always convenient, sometimes it's 4:18 in the morning and sometimes it's 2:03 Monday afternoon. Yet this is a legitimate excuse for getting out of work. A man goes in, tells his boss it's breeding time, and off he goes without a penny docked. Build a better race, they say. Of course the gestation period is variable, and they never do hit it right on the nose, and also there are still the natural accidents, so quite a few are born with terrible horoscopes—"

"Holy smoke!" Travis muttered. The possibilities of it blossomed in his mind. He began to understand what was coming.

"Now you begin to see?" Horton went on gloomily. "Look what an Earthman represents to these people. We are the unknown, the completely capital U Unknown. Everybody else is a certain definite quantity, his horoscope is on file and every man on Mert has access to all his potentialities, be they good, bad or indifferent. But not us. They don't know when we were born, or where, and even if they did it it wouldn't do them any good, because they haven't got any system covering Mars and Jupiter, the planets at home. Everybody else is catalogued, but not us."

"And just because they believe so thoroughly in their own astrology they've gotten used to the idea that a man is what his horoscope says he is."

"But us? What are we? They haven't the vaguest idea, and it scares hell out of them. The only thing they can do is check with one of the branches, what they call Horary Astrology, and make a horoscope of the day we landed. Even if that tells them nothing about us in particular at least it tells them, or so they believe, all about our mission to Mert. Because the moment our ship touched the ground was the birth date of our business here."

He paused and regarded Travis with woeful sympathy.

"With us, luckily, it was all right. The Mapping Command just happened to hit here on a good day. But you? Trav, old buddy, for once you came just too damn fast—"

"Oh my God," Travis breathed. "We landed on a bad day."

"Bad?" Horton sighed. "Man, it's terrible."


"You see," Horton said as they drove into the town, "not a soul on the streets. This is not only a bad day, this is one for the books. To-morrow, you see, there is an eclipse. And to these people there is nothing more frightening than an eclipse. During the entire week preceding one they won't do a darn thing. No business, no weddings, no anything. The height of it will be reached about tomorrow noon. Their moon—which is a tiny little thing not much bigger than our first space station—is called Felda. It is very important in their astrology. And for all practical purposes the eclipse is already in force. I knew you were riding in down the base so I checked it out. It not only applies to you, other things cinch it."

He pulled a coarse sheet of paper from his pocket and read from it in a wishful voice: "With Huck, planet of necessity, transiting the 12th house of endings and things hidden, squaring Bonken, planet of gain, in the ninth house of travellers and distant places, it is unquestionable that the visit of these—uh—persons bodes ill for Mert. If further proof is needed, one need only examine the position of Diomed, which is conjunct Huck, and closely square to Lyndal, in the third house of commerce, etc, etc. You see what I mean? On top of this yet an eclipse. Trav, you haven't got a prayer. If only you hadn't been so close. Two days from now would have been great. Once the eclipse ends—"

"Well, listen," Travis said desperately, "couldn't we just see the guy?"

"Take my advice. Don't. He has expressed alarm at the thought that you might come near him. Also his guards are armed with blunderbusses. They may be a riot to look at, but those boys can shoot, believe me. Give you a contract? Trav, he wouldn't give you a broom to sweep out his cellar."

At that moment they drew up before an enormous marble building vaguely reminiscent of a Theban palace. It turned out to be the local hotel. Horton stopped on the threshold and handed them two of the tiny Langkits, the little black memory banks in which the language of Mert had been transcribed for their use by the Mapping Command. Travis slipped his automatically into position behind his ear, but he felt no need to know the language. This one was going to be tough. He glanced at Dahlinger. The kid was wearing a stunned expression, too dulled even to notice the pantalooned customer—first Merts they'd seen—eyeing them fearfully from behind pillars as they passed.

Smell that gold, Travis remembered wistfully. Then, smell those generators. Oh, he thought sinkingly, smell those generators. They went silently on up to the room.

Travis stopped at the door as a thought struck him.

"Listen," he said cautiously, taking Horton by the arm, "haven't you thought of this? Why don't we just take off and start all over, orbit around for a couple of days, pick a good hour, and then come back down. That way we'll be starting all—"

But Horton was gazing at him reproachfully.

"They have a word for that, Trav," he said ominously, "they call it vetching. Worst crime a man can commit. Attempt to evade his stars. Equivalent almost to falsifying a horoscope. No siree, boy, for that they burn you very slowly. The first horoscope stands. All your subsequent actions, according to them, date from the original. You'll just be bearing out the first diagnosis. You'll be a vetcher."

"Um," Travis said. "If they feel that way, why the heck do they even let us stay?"

"Shows you the way the system works. This is a bad day for everything. Coming as well as going. They'd never think of asking you to start a trip on a day like this. No matter who you are."

Travis collapsed into an old, vaguely Chippendale chair. His position was not that of a man sitting, it was that of a man dropped from a great height.

"Well," Horton said. "So it goes. And listen, Trav, there was nothing I could do."

"Sure, Hort."

"I just want you to know I'm sorry. I know they've been kickin' you around lately, and don't think I don't feel I owe you something. After all, if you hadn't—"

"Easy," Travis said, glancing at Dahlinger. But the kid's ears perked.

"Well," Horton murmured, "just so's you know. Anyways I still got faith in you. And Unico will be in the same boat. If they get here tonight. So think about it. Let me see the old Pat Travis. Your luck has to change sometime."

He clenched a fist, then left.

Travis sat for a long while in the chair. Dahlinger muttered something very bitter about luck. Travis thought of telling him that it was not luck that had put them so close to Mert, but a very grim and expensive liaison with a ferociously ugly Mapping Command secretary at Aldebaran. She had told him that there was a ship in this area. But this news was not for Dahlinger's ears. And neither did he think it wise to explain to Dahlinger the thing he had done for Horton some years ago. Young Dolly was not yet ripe. Travis sighed and looked around for a bed. To his amusement he noted a four poster in the adjoining room. He went in and lay down.

Gradually the dullness began to wear off. There was a resiliency in Travis unequalled, some said, by spring steel. He began to ponder ways and means.

There was always a way. There had to be a way. Somewhere in the customs of this planet there was a key—but he did not have the time. Unico would be in tonight, others would be down before the week was out. And the one to land in two days, on the good day, would get the contract.

He twisted on the bed. Luck, luck, the hell with luck. If you were born with sense you were lucky and if a meteor fell on you, you were unlucky, but most of the rest of it was even from there on out. So if the legend was to continue....

He became gradually aware of the clock in the ceiling.

In the ceiling?

He stared at it. The symbols and the time meant nothing, but the clock was embedded flat in the ceiling above the bed, facing directly down.

He pondered that for a moment. Then he exploded with laughter. By jing, of course. They would have to know what time the baby was conceived. So all over Mert, in thousands of homes, there were clocks in the bedrooms, clocks in the ceilings, and wives peering anxiously upward murmured sweetly in their husbands' ears: 4:17, darling, 4:17 and a half....

The roar of his mirth brought Dolly floundering in from the other room. Travis sprang from the bed.

"Listen, son," he bellowed, "luck be damned! You get back to the ship. Get Mapping Command to let you look at its files, find out everything you can about Mert. There's a key somewhere, boy, there's an out in there someplace, if we look hard enough. Luck! Hah! Work, boy, work, there's a key!"

He shooed Dahlinger out of the room. The young man left dazedly, but he had caught some of Travis' enthusiasm. Travis turned back to the bed feeling unreasonably optimistic. No way out, eh? Well by jingo, old Pat Travis would ride again, he could feel it in his bones.

A few moments later he had another feeling in his bones. This one was much less delightful. He was pacing past a heavy drapery when something very hard and moving very fast struck him on the head.


The first thing Travis saw when he awoke was, unmistakably, the behind of a young woman.

His head was lying flat on the floor and the girl was sitting next to him, her back toward him very close to his face. He stared at it for a long while without thinking. The pain in his head was enormous, and he was not used to pain, not any kind of pain. The whiskey men drank nowadays left no hangovers, and for a normal headache there were instantaneously acting pills, so Travis on the floor was unused to pain. And though he was by nature a courageous man it took him a while to be able to think at all, much less clearly.

Eventually he realized that he was lying on a very hard floor. His arms and legs were tightly bound. He investigated the floor. It was brick. It was wet. The dark ceiling dripped water in the flickering light from some source beyond the girl. The brick, the dripping water, the girl, all combined to make it completely unbelievable. If it wasn't for the pain he would have rolled over and gone to sleep. But the pain. Yes the pain. He closed his eyes and lay still, hurting.

When he opened his eyes again he was better. By jing, this was ridiculous. Not a full day yet on Mert and in addition to his other troubles, now this. He did not feel alarmed, only downright angry. This business of the flickering light and being tied hand and foot was too impossible to be dangerous. He grunted feebly at the back of the girl.

"Ho," he said. "Now what in the sweet name of Billy H. Culpepper is this?"

The girl turned and looked down at him. She swiveled around on her hips and a rag-bound foot kicked him unconcernedly in the side. For the first time he saw the other two men behind her. There were two of them. The look of them was ridiculous.

The girl said something. It was a moment before he realized she was speaking in Mert, which he had to translate out of the Langkit behind his ear.

"The scourge awakes," one of the men said.

"A joy. It was my thought that in the conjunction was done perhaps murder."

"Poot. One overworries. And if death comes to this one, observe, will the money be paid? Of a surety. But this is bizarre."

"Truly bizarre," the girl nodded. Then to make her point, "also curious, unique, unusual. My thought: from what land he comes?"

"The cloth is rare," one of the men said, "observe with tight eyes the object on his wrist. A many-symboled engine—"

"My engine," the girl said positively. She reached down for his watch.

Travis jerked back. "Lay off there," he bawled in English, "you hipless—" The girl recoiled. He could not see her face but her tone was puzzled.

"What language is this? He speaks with liquid."

The larger of the two men arose and came over to him.

"Speak again scourge. But first empty the mouth."

Travis glared at the man's feet, which were wrapped in dirty cloth and smelt like the breezes blowing softly over fresh manure.

"Speak again? Speak again? Untie my hands, you maggoty slob, and I'll speak your bloody—" he went on at great length, but the man ignored him.

"Truly, he speaks as with a full mouth. But this is not Bilken talk."

"Nor is he, of clarity and also profundity, a hill man," the girl observed.

"Poot. Pootpoot," the young man stuttered, "the light! He is of Them!"

It took the other two a moment to understand what he meant, but Travis caught on immediately. May the Saints preserve us, he thought, they figured I was from Mert. He chuckled happily to himself. A natural mistake. Only one Earthman on this whole blinking planet, puts up at a good hotel, best in town, these boys put the snatch on me thinking I'm a visiting VIP, loaded, have no idea I'm just poor common trash like the rest of us Earthmen. Haw! His face split in a wide grin. He gathered his words from the Langkit and began to speak in Mert.

"Exactly, friends. With clarity one sees that you have been misled. I am not of Mert. I am from a far world, come here to deal with your Senate in peace. Untie me, then, and let us erase this sad but eraseable mistake with a good handshake all around, and a speedy farewell."

It did not have the effect he desired. The girl stepped back from him, a dark frown on her face, and the large man above him spoke mournfully.

"Where now is the ransom?"

"And the risk," the girl said. "Was not there great risk?"

"Unhappily," the tall man observed. "One risks. One should be repaid. It is in the nature of things that one is repaid."

"Well now, boys," Travis put in from the floor, "you see it yourselves. I'm flat as a—" he paused. Apparently the Merts had no word for pancake. "My pockets are—windy. No money is held therein."

"Still," the tall man mused absently, "this must have friends. On the great ships lie things of value. Doubt?"

"Not," the girl said firmly. "But I see over the hills coming a problem."

"How does it appear?"

"In the shape of disposal. See thee. Such as will come from the great ships, of value though it be, can it not be clarifiably identified by such pootian authorities as presently seek our intestines?"

"Ha!" the tall man snorted in anger. "So. Truth shapes itself."

"Will we not, then," continued the girl, "risk sunlight on our intestines in pursuing this affair?"

"We will," the young man spoke up emphatically. "We will of inevitability. Navel. Our risk is unpaid. So passes the cloud."

"But in freedom for this," the girl warily indicated Travis, "lies risk in great measure. Which way lie his ribs? Can we with profit slice his binds? He is of Them. What coils in his head? What strikes?"

They were all silent. Travis, having caught but not deciphered most of the conversation, glanced quickly from face to face. The girl had backed out into the light and he could see her now clearly, and his mouth fell open. She was thickly coated with dirt but she was absolutely beautiful. The features were perfect, lovely, the mouth was promising and full. Under the ragged skirt and the torn sooty blouse roamed surfaces of imaginable perfection. He had difficulty getting back to the question at hand. All the while he was thinking other voices inside him were whispering. "By jing, by jing, she's absolutely...."

The two men were completely unlike. One was huge, from this angle he was enormous. He had what looked like a dirty scarf on his head, madonna-like, which would have been ridiculous except for the mountainous shoulders below it and the glittering knife stuck in his wide leather belt. The shaft of the knife flickered wickedly in the light. It was the only clean thing about him.

The other man was young, probably still in his teens. Curly-haired and blond and much cleaner than the other two, with a softness in his face the others lacked. But in his belt he carried what appeared to be—what was, a well-oiled and yawning barreled blunderbuss.

So they sat for a long moment of silence. He had time to observe that what they were sitting in was in all likelihood a sewer. It ran off into darkness but there was a dim light in the distance and other voices far away, and he gathered that this was not all of the—gang—that had abducted him. But it was beginning to penetrate, now, as he began to understand their words, that they were unhappy about letting him go. He was about to argue the point when the big man stepped suddenly forward and knelt beside him. He shut out the light, Travis could not see. The last thing he heard was the big man grunting as he threw the blow, like a rooting pig.


When he awoke this time the pain had moved over to the side of his neck. There was no light at all and he lay wearily for a long while in the blackness. He had no idea how much time had passed. He could tell from the brick wet below him that he was still in the sewer, or at least some other part of it, and, considering the last turn of the conversation, he thought he could call himself lucky to be alive.

But as his strength returned so did his anger. He began to struggle with his bonds. There was still the problem of the contract. He regarded that bitterly. He could just possibly die down here, but his main worry was still the contract. Allspace would be proud of him—but Allspace might never know.

He did nothing with the bonds, which he discovered unhappily were raw leather thongs. Eventually he saw a light coming down the corridor. He saw with a thrill of real pleasure that it was the girl. The young man was tagging along behind her but the big man was absent. The girl knelt down by him and regarded him quizically.

"Do you possess pain?"

"Maiden, I possess and possess unto the limits of capacity."

"My thought is sorrow. But this passes. Consider: your blood remains wet."

Travis caught her meaning. He swore feebly.

"It was very nearly let dry," the girl said. "But solutions conjoined. It was noted at the last, even as the blade descended, that such friends as yours could no doubt barter for Mertian coin, untraceable, thus restoring your value."

"Clever, clever. Oh, clever," Travis said drily.

To his surprise, the girl blushed.

"Overgracious. Overkind. Speed thanks awry of this windy head, aim at yon Lappy"—she indicated the boy who stood smiling shyly behind her—"it was he who thought you alive, he my brother."

"Ah," Travis said. "Well, bless you, boy." He nodded at the boy, who very nearly collapsed with embarrassment. Travis wondered about this 'brother' bit. Brother in crime? The Langkit did not clarify. But the girl turned back on him a smile as glowing as a tiny nova. He gazed cheerfully back.

"Tude and the others sit now composing your note. A matter of weight, confounded in darkness." She lowered her eyes becomingly. "Few of us," she apologized, "have facility in letters."

"A ransom note," Travis growled. "Great Gods and Little—Tude? Who is Tude?"

"The large man who, admittedly hastening before the horse, did plant pain in your head."

"Ah," Travis said, smiling grimly. "We shall presently plow his field—"

"Ho!" the girl cried, agitated. "Speak not in darkness. Tude extends both north and south, a man of dimension as well as choler. He boasts Fors in the tenth in good aspect to Bonken, giving prowess at combat, and Lyndal in the fourth bespeaks a fair ending. Avoid, odd man, foreordained disaster."

In his urge to say a great many things Travis stammered. The girl laid a cool grimy hand lightly on his arm and tried to soothe him.

"With passivity and endurance. The night shall see you free. Tude comes in close moment with the note. Quarrel not at the price, sign, and there will be a conclusion to the matter. We are not retrograde here. As we set our tongues, so lie our deeds."

"Yes, well, all right," Travis grumbled. "But there will come—all right all right. My name shall be inscribed, let your note contain what it will. But I would have speed. There are matters of gravity lying heavily ahead."

The girl cocked her head oddly to one side.

"You sit on points. A rare thing. Lies your horoscope in such confusion that you know not the drift of the coming hours?"

Travis blinked.

"Horoscope?" he said.

"Surely," the girl said, "the astrologers of your planet did preach warning to you of the danger of this day, and whether, in the motions of your system, lay success or failure. Or is it a question of varying interpretations? Did one say you good while the other—"

Travis grinned broadly. Then he sobered. It would quite logically follow that these people, primitive as they were, might not be able to conceive of a land where astrology was not Lord over all. A human trait. But he saw dangerous ground ahead. He began very cautiously and diplomatically to explain himself, saying that while astrology was practiced among his own people, it had not yet become as exact an art as it was on Mert, and only a few had as yet learned to trust it.

The effect on the girl was startling. She seemed for a moment actually terrified when it was finally made clear to her. She abruptly retreated into a corner with her brother and mumbled low frantic sounds. Travis grinned to himself but kept his face stoically calm. But now the girl was out in the light and he could examine her clearly for the first time, and he forgot about astrology entirely.

She was probably in her early twenties. She was dirtier than a well-digger's shoes. She ran with a pack of cutthroats and thieves in what was undoubtedly the lowest possible level of Mertian society. But there was something about her, something Travis responded to very strongly, which he could not define. Possibly something about the set of her hair, which was dark and very long, or perhaps in the mouth—yes the mouth, now observe the mouth—and also maybe in the figure.... But he could not puzzle it out. A girl from the gutter. But—perhaps that was it, there seemed to be no gutter about her. There was real grace in her movements, a definite style in the way she held her head, something gentle and very fine.

Now watch that, Travis boy, he told himself sharply, watch that. A psychological thing, certainly. She probably reminds you of a long forgotten view of your mother.

The girl arose and came back, followed this time by the young man. She had become suddenly and intensely interested in his world—she had apparently taken it for granted that it was exactly like hers, only with space ships—and Travis obliged her by giving a brief sketch of selected subjects: speeds, wonders, what women wore, and so on. Gradually he worked the conversation back around to her, and she began to tell him about herself.

Her name was, euphonically, Navel. This was not particularly startling to Travis. Navel is a pretty word and the people of Mert had chosen another, uglier sound for use when they meant 'belly button,' which was their right. Travis accepted it, and then listened to her story.

She had not always been a criminal, run with the sewer packs. She had come, as a matter of proud record, from an extremely well-to-do family which featured two Senators, one Horary Astrologer, and a mercantile tycoon—which accounted, Travis thought, for her air of breeding. The great tragedy of her life, however, the thing that had brought her to her present pass, was her abysmally foul horoscope. She had not been a planned baby. Her parents felt great guilt about it, but the deed was done and there was no help for it. She had been born with Huck retrograde in the tenth house, opposing Fors retrograde in the fourth, and so on, and so on, so that even the most amateur astrologer could see right at her birth that she was born for no good, destined for some shameful end.

She told about it with an air of resigned cheerfulness, saying that after all her parents had really done more than could be expected of them. Both with her and her similarly accidental brother Lappy—now there, Travis thought, was a careless couple—whose horoscope, she said dolefully, was even worse than her own. The parents had sent her off to school up through the first few years, and had given her a handsome dowry when they disowned her, and they did the same with Lappy a few years later.

But Navel held no bitterness. She was a girl born inevitably for trouble—her horoscope forecast that she would be a shame to her parents, would spend much of her life in obscure, dangerous places, and would reflect no credit on anyone who befriended her. So, for a child like this, what reasonable citizen would waste time and money and love, when it was certain beforehand that the child grown up would be as likely as not to end up a murderess? No, the schools were reserved for the children of promise, as were the jobs and the parties and the respect later on. The only logical course, the habitual custom, was for the parents to disown their evilly aspected children, hoping only that such tragedies as lay in the future would not be too severe, and at least would not be connected with the family name.

And Navel was not bitter. But there was only one place for her, following her exile from her parents' home. A career in business was of course impossible. Prospective employers took one look at your horoscope and—zoom, the door. The only work she could find was menial in the extreme—dish-washing, street cleaning, and so on. So she turned, and Lappy turned, as thousands of their ill-starred kind had turned before them for generations, to the wild gangs of the sewers.

And it was not nearly so bad as it might have seemed. The sewer gangs were composed of thousands of people just like herself, homeless, cast out, and they came from all levels of society to found a society of their own. They offered each other what none of them could have found anywhere else on Mert: appreciation, companionship, and even if life in the sewers was filthy, it was also tolerable, and many even married and had children—the luckiest of whom quickly disowned their parents and were adopted by wealthy families.

But the thing which impressed Travis most of all was that none of these people were bitter at their fate. Navel could not recall ever hearing of any organized attempt at rebellion. Indeed, most of the sewer people believed more strongly in the astrology of Mert than did the business men on the outside. For each day every one of them could look at the dirt of himself, at the disease of his surroundings, and could see that the message of his horoscope was true: he was born to no good end. And since it had been drummed into these people from their earliest childhood that only the worst could be expected of them, they gave in, quite humanly, to the predictions, and went philosophically forth to live up to them. They watched the daily horoscopes intently for the Bad Days, realizing that what was bad for the normal people must be a field day for themselves, and they issued out of the sewers periodically on binges of robbery, kidnapping, and worse. In this way they lived up to the promise of their stars, fulfilled themselves, and also managed to eat. And few if any ever questioned the justice of their position.

Travis sat listening, stunned. For a long while the contract and how to get out of here and all the rest of it was forgotten. He sat watching the girl and her shy brother as they spoke self-consciously to him, and began to understand what they must be feeling. Travis was from outside the sewers, he had stayed at the grand hotel—his horoscope, whether he believed it or not, must be very fine. And so they did him unconscious homage, much in the manner of low caste Hindus speaking to a Bramin. It was unnerving.

Gradually the boy Lappy began to speak also, and Travis realized with surprise that the boy was in many ways remarkable. As Navel's brother—Navel, Travis gathered with a twinge of deep regret, was the big Tude's 'friend', and Tude was the leader of this particular gang—young Lappy had a restful position. He was kept out of most of the rough work end allowed to pursue what he shamelessly called his 'studies', and he guessed proudly that he must have stolen nearly every book in the Consul's library. His particular hobbies, it turned out, were math and physics. He had a startling command of both, and some of the questions he asked Travis were embarrassing. But the boy was leaning forward, breathlessly drinking in the answers, when Tude came back.

The big man loomed over them suddenly on his quiet rag-bound feet, frightening the boy and causing the girl to flinch. He made a number of singularly impolite remarks, but Travis said nothing and bided his time. He regarded the big man with patient joy, considering with delight such bloodthirsty effects as judo could produce on this one—Fors and Bonken be damned—if they ever untied his hands.

Eventually, unable to get a rise out of him, the big man shoved a paper down before his nose and told him to sign it. He pulled out that wickedly clean knife and freed Travis' hand just enough for him to move his wrist. Hoping for the best, Travis signed. Tude chuckled, said something nastily to the girl, the girl said something chilling in return, and the big man cuffed her playfully on the shoulder. Then he lumbered away.

Travis sat glaring after him. The contract, the need to escape flooded back into his mind. The eclipse might be ending even now. Unico would already be here, probably one or two others as well. And this ransom business might take a week. He swore to himself. Pat Travis, the terror of the skies, held captive by a bunch of third rate musical comedy pirates while millions lay in wait in the city above. And oh my Lord, he thought, stricken, what will people say when they hear—he had to get out.

He glanced cautiously at the girl and the boy, who were gazing at him ingenuously. He saw instantly that the way, if there was a way, lay through them. But the plan had not yet formed when the boy leaned forward and spoke.

"I have an odd thing in my head," Lappy said bashfully, "that nevertheless radiates joy to my mind. In my reading I have seen things leap together from many books, forming a whole, and the whole is rare. Can you, in your wisdom, confirm or deny what I have seen? It is this—"

He spoke a short series of sentences. Navel tried to shush him, embarrassed, but he doggedly went on. And Travis, stricken, found himself suddenly paying close attention.

For the words Lappy said, with minor variations, were Isaac Newton's Laws of Motion.


"There are the seven planets," Navel was saying gravely, "and the two lights—that is, the sun and the moon. The first planet, that nearest the sun, is called Rym. Rym is the planet of intellect, of the ordinary mind. Second, is Lyndal, the planet of love, beauty, parties, marriage, and things of a gentle nature. Third is Fors, planet of action, strife. Fourth is Bonken, planet of beneficence, of gain, money, health. Next comes Huck, orb of necessity, the Greater Infortune, which brings men most trouble of all. Then Weepen, planet of illusion, of dreamers and poets and, poorly aspected, liars and cheats. And finally there is Sharb, planet of genius, of sudden cataclysms."

"I see," Travis murmured.

"But it is not only these planets and their aspects which is important, it is also to be considered such houses and signs as through which these planets transit...."

She went on, but Travis was having difficulty following her. He could not help but return to Newton's Laws. It was incredible. Here on this backward planet, mired in an era roughly equivalent to the time of the Renaissance, an event was taking place almost exactly at the same time as it had happened, long ago, on Earth. It had been Isaac Newton, then. It was, incredibly, this frail young man named Lappy now. For unless Travis was greatly mistaken, Navel's kid brother was an authentic genius. And such a genius as comes once in a hundred years.

So, naturally, Lappy would have to come home with Travis. The boy was hardly college age as yet. Sent to school by Allspace, given a place in the great Allspace laboratories at Aldebaran, young Lappy might eventually make the loss of the contract at Mert seem puny in comparison to the things that head of his could produce. For Lappy was a natural resource, just as certainly as any mine on Mert, and since the advent of Earth science meant Mert would no longer be needing him, Lappy could go along with Travis and still leave him a clear conscience.

But the question still remained: how? He could not even get himself out, yet, let alone Lappy. And the girl. What about the girl?

He brooded, groping for an out. But in the meanwhile he listened while the girl outlined Mert's system of astrology. He had realized finally that the key to the business lay there. Astrology was these people's most powerful motivating force. If he could somehow turn it to his advantage—He listened to the girl. And eventually found his plan.

"Ho!" he said abruptly. Startled, the girl stared at him.

"Lightning in the brain," Travis grinned, "solutions effervesce. Attend. Of surety, are not places on Mert also ruled by the stars? Is it not true that towns and villages do also have horoscopes?"

Navel blinked.

"Why, see thee, it is in the nature of things, odd man, that all matter is governed by the planets. How else come explanations, for example, of natural catastrophes, fires, plagues, which affect whole cities and not others? And consider war, does not one country win, and the other lose? Of a surety different aspects obtain...."

"Joy then," Travis said. "But do further observe. Is it not so, in your astrology, that a man's horoscope may often conflict with that of the place wherein he dwells? Is it not so that, often, a man is promised greater success in other regions, where the ruling stars more closely and friendlily conjoin his own?"

"Your mind leaps obstacles and homes to the truth," Navel said approvingly. "Many times has it been made clear that a man's fortune lies best in places ruled by his Ascendant, as witness, for example, those who are advised to take to the sea, or to southern lands...."

"Intoxication!" Travis cried out happily, "then is our goal made known. Consider: from your poor natal horoscope, in this city, this land, no fortune arises. You doom yourself, with Lappy, by remaining here. But what business is this? Seek you not better times? Could you not go forth to another place, and so become people of gravity, of substance, of moment?"

The girl regarded for a moment, puzzled, then caught his point and shook her head sadly.

"Odd man, without profit. You misconstrue. Such as we, my brother and I, are not condemned by place, but by twistings of the character. My natal Huck, retrograde in the tenth, gives an untrustworthy, criminous person. It would be so here, there, anywhere. My pattern is set. Such travels as you describe are for those who conflict only with place. I, and my brother, it is our sad fortune to conflict with all."

"But this is the core," Travis insisted. "The conflict is with Mert! Consider, such travail as is yours stems from the radiations of Huck, of Weepen, of Scharb. But should you remove yourself beyond their reach, across great vastnesses of space to where other planets subtend—and in their alien radiation extinguish and nullify those of Huck—what fortune comes then? What rises, what leaps in joy?"

The girl sat speechless, staring at Travis with great soft eyes. The boy Lappy, who until that moment had been grinning happily over the news that his laws were true, suddenly understood what Travis was saying and let his mouth fall open.

But the girl sat without expression. Then, to Travis' dismay, a slow dark look of disgust came over her face.

"This," she said ominously, "this smacks of vetching."

The word fell like a sudden fog. Lappy, who had begun to smile, cut it sharply off. Travis, remembering what vetching meant to these people, gathered his forces.

"Woman," he said bitingly, "you speak in offense, but with patience and kindness I heal your insult. I control my choler, but my blood flows hot, therefore fasten your tongue. Tell me not that I have overvalued you, for your brain is clear, your courage thick. Wherefore speak of vetch? What vetch is there in travel? He vetches who leaves a certainty for another certainty, who attempts to avoid his starry fate. But you go from a certain end to an end not certain at all, to places of dark mystery, of grim foreboding. It may be that you perish, or pain in the extreme, as well as gain fortune. The end is not clear. This then is not vetching. Now retreat your words, and reply to me as one does to a friend, a companion, one who seeks your good."

He sat tautly while the girl thought it out. Eventually she dropped her eyes in submission and he sighed inwardly with relief. It was accomplished. He would have to shore it up perhaps with a little elaboration, but it was accomplished.

Ten minutes later he was standing free and unbound in the passageway. It was just barely in time. Down the round dark tunnel two men came.


Navel stopped gingerly over the bodies and gazed at Travis with awestruck admiration.

"A rare skill," she murmured, "they did flip and gyrate as dry leaves in the wind."

"Observe then," Travis said ominously, inspecting meanwhile the long slash down his arm with which Tude had nearly gotten him "and learn. And in the future receive my words with planetary respect."

"I will."

"And I," added Lappy, shaken.

"Fair. Bright. Now attend. How lies the path?"

"Through more such as these, I fear. This place in which we trouble lies at a dead end. We must proceed through great halls where many sit waiting, ere we arrive at the light."

"No other way? Think now."

"None."

Travis sighed.

"And they talk about luck. Well boy," he turned to Lappy, "give me your blunderbuss. Obtain that one's knife"—he indicated the sleeping Tude—"and let us carve our way out into the sunshine."

But as it turned out, the getting free was much easier than he had anticipated. There was only one band, the girl's own, between them and the opening, and these had fortunately just finished their evening meal when Travis stalked, black, gaunt and murderous, out of the tunnel into their large round room. Part of it was the surprise, part of it was the sudden knowledge that big Tude and the other man had already tried to stop him, but most of it was simply the look of him. He was infinitely ready. They were not, had no reason to be, and they took it automatically for granted that a man this confident must have the stars behind him. They regarded him thoughtfully as he went on by. No one moved. They were a philosophical people. When he had gone, taking the boy and girl with him, they discussed it thoroughly.

Out under the sky at last it was pitch black and the stars were shining. Travis realized that he had been in the sewer almost a full 24 hours. That meant that the eclipse was done, tomorrow would be a good day. There was not much time.

He commandeered the first carriage to come by, routing three elegantly dressed but unwarlike young men who fled in terror. He saw with relief that they thought him only another sewer rat, for if word of an Earthman robbing the local citizens ever got out there would be hell to pay, and in addition to his other troubles he could not abide that. He told Navel to head for the field where old 29 rested. Thoroughly bushed and beginning now to feel a woeful hunger, he sat back to brood.

At the ship young Trippe greeted him with haggard astonishment. He jumped forward joyfully.

"Trav! By jig, Trav, I thought we'd lost you. Old Dolly's over at the local police sta—" He stopped abruptly and stood slack-jawed as Navel and Lappy clambered fearfully through the lock. Travis glanced back. No spectators. Good.

"Now what in the sweet silly name—" Trippe began, but Travis stopped him.

"Russ, be a good kid. See if you can get me something to eat. Haven't had a bite in 24 hours."

"Sure, Trav, sure, only—what's with the Lower Depths here?"

"You might show them the showers," Travis grinned. "Or at least turn on the air conditioning. But listen, anything new on the contract?"

Trippe's face fell. "Not a thing. Even worse. Let me tell you. But ho, the food." He dashed off. Travis collapsed into a chair. A few moments later Trippe came back bearing food, but his eyes by now had begun to penetrate the dirt of the girl, and he stood watching her, bemused. Then suddenly he began to look happier than he had in several days. Travis told him briefly what had happened in the sewer, also about the brains of Lappy. Trippe was impressed. But he continued to regard the girl.

"Well," Travis said, munching, "fill me in on what's been going on. The eclipse come off?"

Trippe jerked. He focussed on Travis unhappily.

"Oh boy, did it come off. Wait'll you hear. Listen, you know the way it is now, I think they're going to kick all Earthmen off this planet. The M.C. says we may have to leave and come back a hundred years from now. Not anybody going to get a contract now."

"What happened?"

"Well, you wouldn't believe it. You have to understand these people's astrology. You know the little moon these people have—Felda, they call it—it's only a tiny thing, really only a few hundred yards wide. Well, when the Mapping Command first came by here they set down on that Moon and set up a listening post before landing, you know, the way they always do, to size up the situation through telescopes, radio, all that. Mostly they just orbit but this time they landed. God knows why. And took off again, naturally, throwing in the star drive. So today the eclipse comes off all right, but it comes off late."

He could not help smiling.

"You see what happened. A star drive is a hell of a force. It altered the orbit of the moon. Not enough to make any real difference, just a few hours a year, only minutes a day, but boy, you want to hear these people howl. And I guess you can see their point. Every movement that damn moon makes is important to them, they know where it should be to the inch. And now not only is it slightly off course, but so is every ephemeris printed on Mert. And they have them printed up, I understand, for the next thousand years. Which runs into money. We offered to pay, of course, but paying isn't going to help. It seems we've also messed up interpretations, predictions, the whole doggone philosophy. Oh it's a real ding dong. But contract? Not in a million years."

Travis sighed. That seemed to put the cap on it, all right. After all, when you start pushing people's moons around, where will it end? He brooded, his appetite gone. But he made a last effort.

"Did you discover anything at all we could use?"

"Nope. Not a thing. I finally figured the only thing to do was work on the astrology end of it, you know, maybe we could argue about interpretations. These people love to argue about interpretations. But no soap. It's too complicated. To learn enough even to argue would take a couple of years. And besides Unico is here, and also Randall, and they all have the same idea. Anyway, I don't think it would work. The eclipse is too definite. You can't argue the eclipse."

"Well," Travis said with approval, "you were on the right track. You did what you could. At least we got something out of the deal." He indicated Lappy, who was at that moment fervidly examining the interior of the viewscreen.

Trippe nodded, but his eyes were on Navel.

"By jing," he said suddenly, "your luck holds good, no matter what. I never saw the beat of it—"

"Luck?" Travis fumed, "what luck?"

"Look, Trav, what else could you call it? You fall in a sewer, you come up with Isaac Newton and a gorgeous doll. It's uncanny, that's what it is, uncanny."

Travis lapsed into wordless musing on Navel, planets, people.

Come to think of it, he thought, it is uncanny.

At that moment there was a pounding on the lock. Travis quickly shooed Navel and Lappy into hiding, then cautiously went to the door. He relaxed. It was Ed Horton.

"I saw you come back, Trav. Mighty glad. But I knew you'd make it. Old Pat Travis always comes through. Aint that right, Pat?"

He tottered in the doorway. Travis caught the sweet scent of strong brew. He stepped forward to help him but Horton stood up grandly, waving him away. His mouth creased in an amiable grin.

"Diomed," he announced proudly, "is a nine planet system."

After which he fell backwards out of the door.

Trav ran to the door, stared down into the dark. Horton sat upright at the foot of the ladder.

"Sall right ole buddy. Dint mean to stay. Only thought you'd like to know natural sci-yen-tiffy fack. Diomed is nine plan' system."

He rose on wobbly but cheerful legs.

"No favoritism there, hey? Science. I just tell you a fack, you take it from there. No favoritism tall."

He lurched away mumbling cheerily, his obligation fulfilled.

Travis stared after him, wheels turning in his brain. Fack? A nine planet system. It jelled slowly, then broke.

Nine planets.

The key.

He turned slowly on Trippe, his eyes swivelling like twin dark cannon.

"What's he say?" Trippe said, half-smiling. "Boy, he was sure—"

"Did you know this was a nine planet system?"

"Why ... sure, Trav. But what—"

"And did you take the trouble to examine their astrology?"

"Certainly. What the heck—"

"And you call it luck." Travis sighed, then broke into a radiant grin. "Why there's your bloomin' answer, you sad silly dreamin'—there's your bloomin' answer!" He sailed over to a drawer, grabbed a batch of fresh contracts, then flashed toward the door.

"Hold the fort," he bawled over his shoulder, "break out a big bottle and small glasses! We got a contract, lad, we got a contract!"

He vanished triumphantly into the night.


Old 29 was homing. Travis felt the great soft peace of deep space close over him. All was right with the world. A clean and sparkling Navel, well-bathed now and almost frighteningly beautiful, sat worshipfully at his feet dressed in a pair of Dahlinger's pajamas. Both Trippe and Dahlinger were regarding him with wonder and delight, and as he sat gazing down at them fondly he recalled with pleasure the outraged faces of the men from Unico, that robber outfit.

"Pat Travis," he chuckled, patting the fat contract in his pocket, "the luckless Pat Travis rides again." He turned an eye on the staring Trippe.

"My boy," he said paternally, "speaks me no speaks about luck, from this day forth. All the material was in your hands, there was no luck involved. All you had to do was use it."

"But Trav, I still don't get it. I've been thinkin' all night, all the while you were gone...."

"The planet Pluto," Travis said evenly, "was discovered by Earthmen, finally, in the year 1930. At that time we were approximately 300 years ahead, technologically, of the people of Mert. A similar case exists for Neptune, which was not discovered, although adequate telescopes had long been in use, until 1846." He paused and gazed happily around. "Does the light dawn?"

"Holy cow!"

"Exactly. Diomed is a nine planet system. For which 'fack' thank old Ed Horton, who returned a favor done many years ago. Luck? Only if doing favors for people is lucky. Which I suppose you could make a case for. But in the astrology of Diomed III—an astrology I took great pains to understand—how many planets are considered? Let us examine. Rym, Fors, Lyndal, Bonken, Huck, Weepen, and Sharb. And then there are also the two 'lights,' that is, the sun and the moon. But how many planets are there? Counting Mert as one, add them up. It comes out eight. Not nine. Eight. But Diomed is a nine planet system. Bless Ed Horton. What happened to the missing planet?"

Dahlinger whooped. "They didn't know they had one!"

Travis grinned. "With surety. They didn't know it existed. If they had their astrology would certainly have shown it. So it had obviously, like our own Pluto at a similar time, never been discovered."

He paused once again while Dahlinger and Trippe regarded him with delight.

"And you," Trippe said, "you showed them where it was."

Travis clucked. "I did not. For one thing, I didn't know where it was. I simply told him, very regretfully, that there was one, but the situation being what it was, I couldn't allow him to use our telescopes to plot its orbit. Unless, you see, there existed a concrete agreement between us.

"I added that I had heard that Earthmen would shortly be leaving his planet. Very unhappily I told him he could not expect to produce a telescope of the necessary power within at least the next hundred years. And even then, it would be many more years before they actually found it. I was very sorry about the whole business, so I just thought I'd drop by to offer my regrets."

"And he leaped at the chance."

"No. You rush to conclusions. He did not leap at the chance. He sat very quietly thinking about it. It was a gruesome sight. I could sympathize with him. On the one hand he had us, the unknown, moon-moving Us, with which he wanted no traffic whatever. But on the other side there was the knowledge of that planet moving all unwatched out in the black, casting down its radiations, be they harmful or good, and no way to know in what sign the thing was, or what house, or what effect it would have on him, was having on him, even as he sat there. Oh he struggled, but I knew I had him. He signed the contract. I think I may say, that it is among the most liberal contracts we have ever signed."

There was a long moment of silence in the ship. The young men sat grinning foolishly.

"So let me hear no more about luck," said Travis firmly. "In the future, sons, put your shoulders to the wheel...."

But the attention of the two was already wandering. They were both beginning to gaze once more upon the lovely Navel, who was quite shyly but very womanly gazing back. He saw Trippe look at Dahlinger, Dahlinger glare at Trippe, their hackles rising. He looked down at Navel in alarm.

Born to cause trouble?

Oh no, he thought abruptly, seeing a whole new world beginning to open up, oh no, oh no....







End of the Project Gutenberg EBook of Conquest Over Time, by Michael Shaara

*** END OF THIS PROJECT GUTENBERG EBOOK CONQUEST OVER TIME ***

***** This file should be named 31652-h.htm or 31652-h.zip *****
This and all associated files of various formats will be found in:
        https://www.gutenberg.org/3/1/6/5/31652/

Produced by Sankar Viswanathan, Greg Weeks, and the Online
Distributed Proofreading Team at https://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
https://gutenberg.org/license).


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at https://www.pglaf.org.


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
https://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at https://pglaf.org

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org


Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit https://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: https://pglaf.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.


Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.


Most people start at our Web site which has the main PG search facility:

     https://www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.