The Project Gutenberg EBook of Consignment, by Alan E. Nourse

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Consignment

Author: Alan E. Nourse

Release Date: December 5, 2012 [EBook #41565]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK CONSIGNMENT ***




Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net







CONSIGNMENT

BY ALLAN E. NOURSE

ILLUSTRATED BY SUSSMAN

[Transcriber's Note: This etext was produced from Science Fiction Adventures Magazine December 1953. Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed. ]



In the jungle the vicious man-killer is king, but what chance would a tiger have in the Times Square traffic.

The three shots ripped through the close night air of the prison, sharply, unbelievably. Three guards crumpled like puppets in the dead silence that followed. The thought flashed through Krenner's mind, incredibly, that possibly no one had heard.

He hurled the rope with all his might up the towering rock wall, waited a long eternity as the slim strong line swished through the darkness, and heard the dull "clank" as the hook took hold at the top. Like a cat he started up, frantically, scrambling, and climbing, the sharp heat of the rope searing his fingers. Suddenly daylight was around him, the bright unearthly glare of arc lights, the siren cutting in with its fierce scream. The shouts of alarm were far below him as he fought up the line, knot after knot, the carefully prepared knots. Twenty seconds to climb, he thought, just twenty seconds—


Rifle shots rang out below, the shells smashing into the concrete around him. Krenner almost turned and snarled at the little circle of men in the glaring light below, but turning meant precious seconds. A dull, painful blow struck his foot, as his hands grasped the jagged glass at the top of the wall.

In a moment of triumph he crouched at the top and laughed at the little men and the blazing guns below; on the other side lay the blackness of the river. He turned and plunged into the blackness, his foot throbbing, down swiftly until the cool wetness of the river closed about him, soothing his pain, bathing his mind in the terrible beauty of freedom, and what went with freedom. A few dozen powerful strokes would carry him across and down the river, three miles below the prison fortress from which he had broken. Across the hill from that, somewhere, he'd find Sherman and a wide open road to freedom—


Free! Twenty-seven years of walls and work, bitterness and hateful, growing, simmering revenge. Twenty-seven years for a fast-moving world to leave him behind, far behind. He'd have to be careful about that. He wouldn't know about things. Twenty-seven years from his life, to kill his ambition, to take his woman, to disgrace him in the eyes of society. But the candle had burned through. He was free, with time, free, easy, patient time, to find Markson, search him out, kill him at last.

Hours passed it seemed, in the cold, moving water. Krenner struggled to stay alert; loss of control now would be sure death. A few shots had followed him from the wall behind, hopeless shots, hopeless little spears of light cutting across the water, searching for him, a tiny dot in the blackness. Radar could never spot him, for he wore no metal, and the sound of his movements in the water were covered by the sighing wind and the splashing of water against the prison walls.

Finally, after ages of pain and coldness, he dragged himself out onto the muddy shore, close to the calculated spot. He sat on the edge and panted, his foot swollen and throbbing. He wanted to scream in pain, but screams would bring farmers and dogs and questions. That would not do, until he found Sherman, somewhere back in those hills, with a 'copter, and food, and medication, and quiet, peaceful rest.

He tried to struggle to his feet, but the pain was too much now. He half walked, half dragged himself into the woods, and started as best he could the trek across the hills.


Jerome Markson absently snapped on the radiovisor on his desk. Sipping his morning coffee thoughtfully as he leafed through the reports on his desk, he listened with half an ear until the announcer's voice seeped through to his consciousness. He tightened suddenly in his seat, and the coffee cooled before him, forgotten.

"—Eastern Pennsylvania is broadcasting a four-state alarm with special radiovisor pictures in an effort to pick up the trail of a convict who escaped the Federal Prison here last night. The escaped man, who shot and killed two guards making good his escape, dived into the river adjoining the prison, and is believed to have headed for an outside rendezvous somewhere in the Blue Mountain region. The prisoner is John Krenner, age 51, gray hair, blue eyes, five-foot-nine. He is armed and dangerous, with four unsuccessful escape attempts, and three known murders on his record. He was serving a life term, without leniency, for the brutal murder in July, 1967, of Florence Markson, wife of the now-famous industrialist, Jerome Markson, president of Markson Foundries. Any person with information of this man's whereabouts should report—"

Markson stared unbelieving at the face which appeared in the visor. Krenner, all right. The same cold eyes, the same cruel mouth, the same sneer. He snapped off the set, his face white and drawn. To face the bitter, unreasoning hate of this man, his former partner—even a prison couldn't hold him.

A telephone buzzed, shattering the silence of the huge office.

"Hello, Jerry? This is Floyd Gunn in Pittsburgh. Krenner's escaped!"

"I know. I just heard. Any word?"

"None yet. We got some inside dope from one of the men in the prison that he has an outside escape route, and that he's been digging up all the information he could find in the past three months or so about the Roads. But I wanted to warn you." The policeman's voice sounded distant and unreal. "He promised to get you, Jerry. I'm ordering you and your home heavily guarded—"

"Guards won't do any good," said Markson, heavily. "Krenner will get me if you don't get him first. Do everything you can."

The policeman's voice sounded more cheerful. "At any rate, he's in the eastern part of the state now. He has four hundred miles to travel before he can get to you. Unless he has a 'copter, or somehow gets on the Roads, he can't get to you for a day or so. We're doing everything we can."

Markson hung up the receiver heavily. Twenty-seven years of peace since that devil had finally murdered his way out of his life. And now he was back again. A terrible mistake for a partner, a man with no reason, a man who could not understand the difference between right and wrong. A man with ruthless ambition, who turned on his partner when honesty got in his way, and murdered his partner's wife in rage when his own way of business was blocked. A man so twisted with rage that he threatened on the brink of capital punishment to tear Markson's heart out, yet Markson had saved him from the chair. An appeal, some money, some influence, had snatched him from death's sure grasp, so he could come back to kill again. And a man with such diabolical good fortune that he could now come safely to Markson, and hunt him out, and carry out the fancied revenge that his twisted mind demanded.

Markson took the visiphone in hand again and dialed a number. The face of a young girl appeared. "Hi, dad. Did you see the news report?"

"Yes, I saw it. I want you to round up Jerry and Mike and take the 'copter out to the summer place on Nantucket. Wait for me there. I don't know how soon I can make it, but I don't want you here now. Leave immediately."

The girl knew better than to argue with her father. "Dad, is there any chance—?"

"There's lots of chance. That's why I want you away from here."

He flipped off the connection, and sighed apprehensively. Now to wait. The furnaces had to keep going, the steel had to be turned out, one way or another. He'd have to stay. And hope. Perhaps the police would get him—


The elderly lady sat on the edge of the kitchen chair, shivering. "We'll be glad to help you, but you won't hurt us, will you?"

"Shut up," said Krenner. The gray plastic of his pistol gleamed dully in the poor light of the farm kitchen. "Get that foot dressed, with tight pressure and plenty of 'mycin. I don't want it to bleed, and I don't want an infection." The woman hurried her movements, swiftly wrapping the swollen foot.

The man lifted a sizzling frying pan from the range, flipping a hamburger onto a plate. He added potatoes and carrots. "Here's the food," he said sullenly. "And you might put the gun away. We don't have weapons, and we don't have a 'phone."

"You have legs," snapped Krenner. "Now shut up."

The woman finished the dressing. "Try it," she said. The convict stood up by the chair, placing his weight on the foot gingerly. Pain leaped through his leg, but it was a clean pain. He could stand it. He took a small map from his pocket. "Any streams or gorges overland between here and Garret Valley?"

The farmer, shook, his head. "No."

"Give me some clothes, then. No, don't leave. The ones you have on."

The farmer slipped out of his clothes silently, and Krenner dropped the prison grays in the corner.

"You'll keep your mouths shut about this," he stated flatly.

"Oh, yes, you can count on us," exclaimed the woman, eyeing the gun fearfully. "We won't tell a soul."

"I'll say you won't," said Krenner, his fingers tightening on the gun. The shots were muted and flat in the stillness of the kitchen.

An hour later Krenner broke through the underbrush, crossed a rutted road, and pushed on over the ridge. His cruel face was dripping with perspiration. "It should be the last ridge," he thought. "I've gone a good, three miles—" The morning sun was bright, filtering down through the trees, making beautiful wet patterns on the damp ground. The morning heat was just beginning, but the food and medications had made progress easy. He pulled himself up onto a rock ledge, over to the edge, and felt his heart stop cold as he peered down into the valley below.

A dark blue police 'copter nestled on the valley floor next to the sleek gray one. It must have just arrived, for the dark uniforms of the police were swarming around the gray machine He saw the pink face and the sporty clothes of the occupant as he came down the ladder, his hands in the air.

Too late! They'd caught Sherman!

He lay back shaking.

Impossible! He had to have Sherman. They couldn't possibly have known, unless somehow they had foreseen, or heard—. His mind seethed with helpless rage. Without Sherman he was stuck. No way to reach Markson, no way to settle that score—unless possibly—.

The Roads.

He'd heard about them. Way back in 1967 when he'd gone up, the roads were underway. A whole system of Rolling Roads was proposed then, and the first had already been built, between Pittsburgh and the Lakes. A crude affair, a conveyor belt system, running at a steady seventy-five miles per hour, carrying only ore and freight.

But in the passing years reports had filtered through the prison walls. New men, coming "up for a visit" had brought tales, gross exaggerations, of the Rolling Roads grown huge, a tremendous system building itself up, crossing hills and valleys in unbroken lines, closed in from weather and hijackers, fast and smooth and endless. Criss-crossing the nation, they had said, in never-slowing belts of passengers and freight livestock. The Great Triangle had been first, from Chicago to St. Louis to Old New York, and back to Chicago. Now every town, every village had its small branch, its entrance to the Rolling Roads, and once a man got on the Roads, they had said, he was safe until he tried to get off.

Clearly the memory of the reports filtered through Krenner's mind. The great Central Roads run from Old New York to Chicago, through New Washington and Pittsburgh—

Markson was in Pittsburgh—

Krenner started down through the underbrush, travelling south by the sun, the urgency of his mission spurring him on against the pain of his foot, the difficulty of the terrain over which he travelled. He was too far north. Somewhere to the south he'd find the Roads. And once on the Roads, he'd find a way to get off—


He stopped at the brink of the hill and gasped in amazement.

They ran across the wide valley like silver ribbons. The late afternoon sunlight reflected gold and pink from the plasti-glass encasement, concealing the rushing line of travel within the covering. Like twin serpents, they lay across the hills, about a mile apart, the Road travelling east, and the Road moving west. They stretched as far as he could see. And he could see the white sign which said, "Merryvale Entrance, Westbound, Three miles."

As he tramped, across the field he could hear the hum of the Roads grow loud in his ears. An automatic, machinelike hum, a rhythm of motion. Close to the westbound road he moved back eastward along it, toward the little port which formed the entrance to it. And soon he saw the police 'copter which rested near the entrance, and the uniformed men with their rifles, alert. Three of them.

Krenner fingered his weapon easily. It was almost dark; they would not see him easily. He kept a small hill between himself and the police and moved in within gunshot range. He could see the rocket-like car resting on its single rail, waiting for a passenger to enter, to touch the button which would activate the tiny rocket engines and move it forward, ever and ever more swiftly until it reached the acceleration of the Roads, and slid over, and became a part of the Road. Moving carefully, he slipped from rock to rock, closer to the car and the men who guarded it.

Suddenly the bay of a hound cut through the gloom. Two small brown dogs with the men, straining at their leashes. He hadn't counted on that. Swiftly he took cover and lined his sights with the blue uniforms. Before they knew even his approximate location he had cut them down, and the dogs also, and raced wildly down the remainder of the hill to the car.

"Fare may be calculated from the accompanying charts, and will be collected when your car has taken its place on the Roads," said a little sign near the cockpit. Krenner studied the dashboard for a moment, then jammed in the button marked "Forward," and settled back. The monorail slid forward without a sound, and plunged into a tunnel in the hill. Out the other side, with ever-increasing acceleration it slid in alongside the gleaming silver ribbon, faster and faster. With growing apprehension Krenner watched the speedometer mount, past two hundred, two hundred and twenty, forty, sixty, eighty—at three hundred miles per hour the acceleration force eased, and the car suddenly swerved to the left, into a dark causeway. And then into the brightly lighted plasti-glass tunnel.

He was on the Roads!

Alongside the outside lane the little car sped, moving on an independent rail, sliding gently past other cars resting on the middle lane. An opening appeared, and Krenner's car slid over another notch, disengaged its rail, and settled to a stop on the central lane of the Road. The speedometer fell to nothing, for the car's motion was no longer independent, but an integral part of the speeding Road itself. Three hundred miles per hour on a constant, nonstop flight across the rolling land.

A loudspeaker suddenly piped up in his car. "Welcome to the Roads," it said. "Your fare collector will be with you in a short while. After he has arrived, feel free to leave your car and be at ease on the Road outside. Eating, resting, and sleeping quarters will be found at regular intervals. You are warned, however, not to cross either the barriers to the outside lanes, nor the barriers to the freight-carrying areas front and rear. Pleasant travelling."

Krenner chuckled grimly, and settled down in his car, his automatic in his hand. His fare collector would get a surprise. Down the Road a short distance he saw the man approaching, wearing the green uniform of the Roads. And then he stiffened. Three blue uniforms were accompanying him. Opening the car door swiftly, he slipped out onto the soft carpeting of the Road, and raced swiftly away from the approaching men.

They saw him when he started to run. Ahead he could see a crowd of passengers around a dining area. A shout went up as he knocked a woman down in his pell-mell flight, but he was beyond them in an instant. His foot hindered him, and his pursuers were gaining. Suddenly before him he saw a barrier—a four foot metal wall. No carpet beyond it, no furnishings along the sides. A freight area! He hopped over the barrier and plunged into the blackness of the freight tunnel as he heard the shouts of his pursuers. "Stop! Come back! Stop or we'll shoot!"

They didn't shoot. In a moment Krenner came to the first freight carrier, one of the standard metal containers resting on the steel of the Road. He ran past it, and the next. The third and fourth were open cars, stacked high with machinery. He ran on for several moments before he glanced back.

They weren't following him any more. He could see them, far back, where the light began, a whole crowd of people at the barrier he had crossed. But no one followed him. Odd that they should stop. He centered his mind more closely on his surroundings. Freight might conceal him to get him off the Roads where no passenger station would ever let him through. He climbed to the top of a nearby freight container and slipped down in. Chunks of rock were under his feet, and he fell in a heap on the hard bed. What possible kind of freight—? He slipped a lighter from his pocket and snapped it on.

Coal! A normal freight load. He climbed back up and looked along the road. No pursuit. An uneasy chill went through him—this was too easy. To ride a coal car to safety, without a single man pursuing him—to where? He examined the billing on the side of the car, and he forgot his fears in the rush of excitement. The billing read, "Consignment: Coal, twenty tons, Markson Foundries, via Pittsburgh private cutoff."

His car was carrying him to Markson!

His mind was full of the old, ugly hate, the fearful joy of the impending revenge. Fortune's boy, he thought to himself. Even Sherman could not have done so well, to ride the Rolling Roads, not just to Pittsburgh, not to the mountains, but right to Markson's backyard! He shivered with anticipation. Pittsburgh was only a few hundred miles away, and at three hundred miles an hour—Krenner clenched his fists in cruel pleasure. He hadn't long to wait.


An hour passed slowly. Krenner's leg was growing stiff after the exertion of running. Still no sign of life. He eased his position, and stiffened when he heard the little relay box above the consignment sheet give a couple of sharp clicks.

Near the end! He hugged himself in excitement. What a neat trick, to ride a consignment of coal to the very yards where Markson would be! The coal yards which he might have owned, the furnaces, the foundry—. There would be men there to receive the car from the line, well he could remember the men, day and night, working and sweating in those yards and mills! There would be men there to brake the car and empty it. He was in old clothes, farm clothes—he would fit in so well; as soon as the car slowed he could jump off, and simply join the other men. Or he could shoot, if he had to. A little agility in getting out of the car, and a little care in inquiring the way to Markson's office—

The car suddenly shifted to the outer lane. Krenner gripped a handle on the inside and held tight. He felt the swerving motion, and suddenly the car moved out of the tunnel into the open night air. He climbed up the side and peered over the edge. There were five cars in the consignment; he was on the last. Travelling almost at Road speed along the auxiliary cutoff. Swiftly they moved along through the night, through the edge of the Pittsburgh steel yards. Outside he fancied he could hear the rattle of machinery in the yards, the shouts of the men at their work. Making steel was a twenty-four hour proposition.

Then they were clear of the first set of yards. The car made another switch, and Krenner's heart beat faster. A white sign along the side said, "Private Property. Keep off. Markson Foundries Line." Soon now they would come to a crunching halt. Men would be there, but his gun was intact. No matter how many men he met, he had to get to Markson.

The car shuddered a little, but the acceleration continued. They were rising high in the air now, above the foundries. He looked down, and could see the mighty furnaces thrusting their slim necks to the sky.

A bolt of fear went through him. How far did the automatic system go? Automatic loading of coal from the fields, automatic switching onto the Rolling Roads. Automatic transfer of cars onto a private line which led the cars to the foundries. Where did the automatic handling stop? Where did the men come into it? Twenty-seven-year-old concepts slid through his mind, of how freight was carried, of how machines were tended, of how steel was made. In a world of rapidly changing technology, twenty-seven years can bring changes, in every walk of life, in every form of production—

Even steel—

A voice from within him screamed, "Get off, Krenner, get off! This is a one way road—" He climbed quickly to the top of the car, to find a place to jump, and turned back, suddenly sick with fear.

The car was going too fast.

The first car had moved with its load to a high point on the elevated road. A thundering crash came to Krenner's ears as its bottom opened to dislodge its contents. Without stopping. Without men. Automatically. From below he could hear a rushing, roaring sound, and the air was suddenly warmer than before—

The next car followed the first. And the next. Krenner scrambled to the top of the car in rising horror as the car ahead moved serenely, jerked suddenly, and jolted loose its load with a crash of coal against steel. Twenty tons of coal hurtled down a chute into roaring redness—

Twenty-seven years had changed things. He hadn't heard men, for there were no men. No men to tend the fires. Glowing, white-hot furnaces, Markson's furnaces, which were fed on a regular, unerring, merciless consignment belt, running directly from the Roads. Efficient, economical, completely automatic.

Krenner's car gave a jolt that threw his head against the side and shook him down onto the coal load like a bag of potatoes. He clawed desperately for a grip on the side, clawed and missed. The bottom of the car opened, and the load fell through with a roar, and the roar drowned his feeble scream as Krenner fell with the coal.

The last thing he saw below, rushing up, was the glowing, blistering, white-hot maw of the blast furnace.






End of the Project Gutenberg EBook of Consignment, by Alan E. Nourse

*** END OF THIS PROJECT GUTENBERG EBOOK CONSIGNMENT ***

***** This file should be named 41565-h.htm or 41565-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/4/1/5/6/41565/

Produced by Greg Weeks, Mary Meehan and the Online
Distributed Proofreading Team at http://www.pgdp.net


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License available with this file or online at
  www.gutenberg.org/license.


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation information page at www.gutenberg.org


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at 809
North 1500 West, Salt Lake City, UT 84116, (801) 596-1887.  Email
contact links and up to date contact information can be found at the
Foundation's web site and official page at www.gutenberg.org/contact

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:  www.gutenberg.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For forty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.