The Project Gutenberg EBook of Mary's Little Lamb, by Edith Francis Foster

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org


Title: Mary's Little Lamb
       A Picture Guessing Story for Little Children

Author: Edith Francis Foster

Release Date: September 24, 2013 [EBook #43808]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK MARY'S LITTLE LAMB ***




Produced by Katie Hernandez, Jason Isbell and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was made using scans of public domain works in the
International Children's Digital Library.)






cover

1


2


3

Marys Little Lamb

5

MARY'S LITTLE LAMB

CONTENTS

Frontispiece
Dedication
How Mary found him 9
How they washed him 15
How they fed him 21
How he went to school 27
How he wouldn't jump 33
How Little Mary spun 39
How he went boating 45
How Dollabella took a ride 51
How Bossy bunted him 57
How they played hide-and-seek 63
How he saved Mary! 69
How he won a prize 75

6


Copyright, 1901, By S. E. Cassino.
Copyright, 1903, By S. E. Cassino.


7


9


11

Mary's Little Lamb.

I.

When little Mary Moffett's mother asked her to go up to the Clover Farm for some fresh eggs, Mary felt a little sorry, for she was very busy making her doll a dress, but she laid down her thimble and scissors and thread, tied on her pink bonnet, and set off up the hill, with her little basket on her arm. As she was coming home she heard a queer little patter, patter, behind her. She looked back and saw something white! Mary felt a wee bit afraid, and began to run but her foot struck a rock and down she tumbled on her nose! Before she could get up something soft and woolly was rubbing gently against her face, saying "Ba-a-a!" "Oh you darling lamb!" cried Mary, hugging it—and the little lamb snuggled close, and said "Ba-a-a! Take me home with you, little Mary." Mother was astonished. 13"Whose lamb is it?" she asked. "Oh Mother, I think it's just a wild lamb! Mayn't I keep it?" begged Mary. But Mother said she must ask Farmer Clover if it was one of his sheep, first. So back they went, and found Farmer Clover mending his fence and Mary asked him. But there were two big tears in her eyes—she did so want that dear lamb—and the kind old farmer saw them. "Well, yes," he said, "that's my lamb—but it's an extra one, that I haven't any room for. If I knew anybody who would be willing to take it and treat it well—" "Oh, Mr. Clover!" cried Mary, her eyes dancing, now, and her feet dancing, too. "I'd be willing! I'd treat it well! May I have it?" So Mary and the little lamb went dancing home together. And kind old Mr. Clover watched them and laughed till his axe danced in his hand, and his glasses danced on his nose.

15



17

II.

"Mother! Mother!" cried little Mary, running into the house. "Mr. Clover says he doesn't need this lamb—it's extra—and I may have it for my very own!" Yes, now it was Mary's little lamb—and how they loved each other! They went together everywhere—in the house and the barn, and over to Grandfathers, to play with little Aunt Hannah. Mary's Aunt Hannah was only three years older than Mary herself and they played together all the time. The two little girls thought the lamb was beautiful, but it was not very clean. "I don't want a dirty, dusty little lamb," said Mary; "I want a nice, clean, white lamb." "Then we must wash it." said little Aunt Hannah. "Father washes all his sheep in the river every spring." Out by the barn stood the faucet with the big wooden 19 trough where the cows drank. The trough was full of water, standing in the sun. Mary leaned over the edge and dipped her hand. "It's nice and warm," she said. "Now, dear little lamb jump right in!" But the lamb wouldn't jump—so Mary and little Aunt Hannah lifted him, and dropped him into the trough. Then they rubbed him with soap, and squeezed his fur with their hands. The poor little lamb didn't like it, and kept trying to get out—till, as Mary tried to hold him her foot slipped and in she fell, head first! Oh, how she screamed! And Aunt Hannah screamed, too, and the lamb cried "Ba-a-a!" as loud as he could. Little Aunt Hannah's mother came running from the house fished them out of the water, and carried them into her living room one under each arm. There she rubbed them dry, wrapped them both in towels and set them by the fireplace, to get warm.

21


How they fed him.

23

III.

Mary's lamb was too young to eat grass, as old sheep do. He wanted milk, but he did not know how to drink from a bucket. He was just a baby sheep, you see. So Mary's mother found an old tin teapot and filled it with warm new milk. Then she tied a cloth over the spout, and Mary held it while the little lamb sucked up every drop of the milk. Three times a day they filled the teapot, and he drank it all, while Mary tilted it up for him. One day Mary and little Aunt Hannah went up Clover Hill to pick berries for their mothers to put in pies. They took their luncheon in the berry- pail, and each had a tin cup to pick into. Mary's lamb went too, and of course he would want his luncheon, so Mary carried the old teapot in a basket. When the pail and basket were full 25 of berries, they started home. Along the roadside grew white flowers, and they made a wreath for the lamb's neck. Then Mary said "The sun shines so, he must be hot. He shall wear my bonnet." So they tied it snugly over his ears. Then they sat under a tree to finish their luncheon, and afterward Mary gave the lamb the rest of his milk. Two women came past, in a low carriage, and they laughed to see the little lamb drinking from the teapot. Mary did not notice that one woman held up a little black leather camera and pointed it at her. But next week a flat, square package came from the postoffice marked "For the Little Girl and Lamb who live near Clover Hill." Mary cut the string with her scissors, and unfolded the package—and what did she find inside it? A beautiful photograph of herself, feeding her lamb by the roadside!

27


How he went to school.

29

IV.

Mary didn't like to go to school and leave her lamb at home. She knew he would not be happy all alone; and how could she study her books and do sums on her slate, without her dear little woolly lamb close beside her? But schooltime came, and she had to start. If she had looked back, she would have seen the lamb trotting along behind, all so pretty, with a blue bow on his neck. He loved to follow little Mary, and he didn't know lambs mustn't go to school. Before he caught up with her, the bell rang, the children all ran in, and the door was shut; but he stood on the door- step and heard them singing. Then the arithmetic class began, and the teacher said: "Mary, if you had three apples, and gave one apple to Hannah, how many would you 31have left?" Mary was not thinking of apples. "Four," she said, "but please teacher, did you know I had a lamb?" and the lamb heard her voice and called "Baa!" outside the door, as loud as he could. "Why, there he is!" cried Mary. "He must go home," said the teacher; and she opened the door to send him away. But the little lamb came right in, and ran to Mary, so glad to see her again! "Oh, please let him stay!" said she: "I am sure he will be good!" But all the other children laughed—it was so funny to see a lamb in school—and the teacher had to turn him out. But the lamb would not go home. He wanted to stay near Mary; So he waited on the step and every time he heard her voice he cried "Ba-a-a!" At last the teacher said Mary must take him home; so she put away her books, and the little lamb jumped and danced, he was so happy, as they ran home together.


33

How he Wouldn't Jump.

35

V.

All the week the little lamb had to stay at home while Mary went to school; but on Saturday they had such good times! First, Mary had her tasks to do. She wiped all the cups and plates and spoons, dusted the chairs and made her own bed. Then she went out to play. The nicest place to "play house" was the roof of a hut by the barn. Mary and little Aunt Hannah climbed up by the fence, with their dolls and tea set but the lamb couldn't climb. They tried to carry him, but he was too heavy—and he kicked, too. So they took him up on the straw in the barn and dropped him out of a window onto the roof. Then they all had a good time playing "party", with some caraway biscuits and a little jug of milk. But at noon, when 37Mary's Mother blew the dinner- whistle, the lamb couldn't get down! They couldn't lift him up to the window, and he was afraid to jump to the ground. Little Aunt Hannah stood on the wheelbarrrow, but could not reach him. Then they brought out armfuls of straw and made a big soft haystack and Mary stood on the roof and tried to push him off into the straw but he wouldn't budge. "Come to dinner, children," called Mary's Mother. "It is getting cold." "Oh dear!" said little Mary, almost crying. "He'll have to stay up here and starve! But he's had three caraway biscuits, anyway." At last Hannah's big brother came out to find them. He laughed when he saw the lamb and the haystack but he went for a ladder, and very quickly brought the little lamb safely down to the ground. Then they all went in and had their dinner together.


39

How little Mary spun.

41

VI.

"When my lamb is big enough" said Mary to little Aunt Hannah, "my father will shear him with the clippers, like the old sheep and Mother will teach me to spin, and knit the wool; and so my little lamb will give me my gloves and socks." "Let's shear him now." said Aunt Hannah. "I can teach you to knit." "Well." said Mary. "He is very little—but we will only take a little of his wool." So she got the scissors, and they cut some wool from his back. But they found it must first be spun into yarn—and they didn't know how: so they went to ask Mary's mother. She laughed at the poor little lamb with the big bare spots in his pretty white fleece. "If you are in such a hurry for gloves and socks," she said, "we will begin them 43at once. First, you must learn to spin." So she brought out the big spinning wheel and some tiny soft threads of wool and showed her how to spin the rolls into yarn. Mary liked to walk backward and forward, and twirl the great spinning wheel with a clothes-pin; but her yarn was all uneven, and kept snarling and breaking. Soon she grew tired—and cross, too, and then the yarn snarled worse than ever. As last Mary gave the spinning wheel a great whirl, as hard as she could, and ran off to the barn. There she hid in the straw and cried, until the little lamb found her and rubbed his head against her hair. Then she stopped crying to laugh, his ragged fleece looked so funny! Pretty soon she went back to the house and said she was sorry for being cross. Then Mother gave her a nice ball of yarn and some knitting needles and Aunt Hannah taught her to knit a sock.


45

How he went boating.

47

VII.

When the time really came to wash and shear the sheep, Mary's father said the lamb wasn't big enough to spare any more wool—but he did get washed in the river. Mary and little Aunt Hannah went down in the meadow to gather cowslips—not for the pretty flowers but to boil in a pot for dinner. They took off their shoes and socks and splashed about in the wet grass, filling their bucket with cowslips. They picked some tall blue flowers too, and pulled sweet-flag to eat. To get the sweet flag, they had to cross a little bridge over the brook. The lamb followed them, but he stepped on a loose board, and it tipped him off into the water! It wasn't deep enough to be over his head, but he waded the wrong way and scrambled out on a little island in the 49 middle of the brook. They couldn't coax him to wade ashore;—he didn't like water, and would only shake his head and say "Ba-a-a! No-o-o!" "We must build a bridge for him" said Mary. "No," said Aunt Hannah "we will get the boat. The boys keep it at the mill." They followed the brook up to the mill and untied the boat. There were no oars, but they found a long pole and pushed it along to the island. The little lamb was very glad to jump in with them. But they could not push the boat ashore, for the water ran too fast. So they floated along, dipping their fingers in the water, and watching the little fish swimming below, till they ran into a fence across the brook. Then they climbed ashore and went back for their bucket and shoes and socks. "Oh, you funny lamb!" said Mary, "What good times you do make us have!"


51

How Dollabella took a ride.

53

VIII.

Dollabella, Mary's biggest doll, had had the measles, but she was getting better. "When people get better" said Mary, "they always go to ride." So she tried to give her doll a ride on the lamb's back, but he danced up and down and she fell off. Then Mary took a string and tied her on, so when the lamb danced again he couldn't shake Dollabella off. He didn't like that, so he thought he would run away from her, and off he went! The gate was shut, but he squeezed through a gap in the fence, and tore Dollabella's dress on a nail. Mary squeezed through the gap, too, and her skirt caught on the nail, and tore a great big three-cornered hole. The lamb ran across a field and jumped over a stone wall into the bushes and Mary ran after him, laughing. 55 Dollabella's hat fell off her head, and so did Mary's bonnet. The branches of the trees caught her hair and tangled them and almost pulled the doll from the lamb's back. At last they came out into a wheatfield and saw Farmer Clover at work with his hoe. "Hello!" said he. "Who's running away—you or your lamb?" "Oh, we aren't running away," said Mary, all out of breath. "We are just giving my doll a ride. She is sick!" "Well, that's a pretty fast ride for anybody that's sick!" said Farmer Clover. "Now I am going to the barn, to get a jug of molasses. Don't you want to ride home in my buggy?" Mary and the lamb were tired, and glad to have a ride—and I think the poor sick doll must have been just as glad. But when they got home Mary had to take a sewing needle and thimble out of her basket and mend her dress and Dollabella's too.


57

How Bossy bunted him.

59

IX.

As the lamb grew big and strong he got very frisky, too. He found out that when he ran at things with his hard little head down and bunted them, the things would fall down. He thought that was funny, so he bunted everything. In the house he bunted over chairs and the shovel and tongs, and nobody dared set a bucket or tub on the floor. Outdoors, he ran at the hens and chicks, to see them flutter and scream. Once he bunted little Aunt Hannah's cat—but she didn't fall down; she stood up and cuffed him with her paw, and scratched him! But Mary fell down when he bunted her, and so did Hannah, although they were bigger than the cat. One night he ran at Mary's father, bringing in the pail, and spilled all the milk over his boots. Then Mary's father said 61 if the lamb didn't stop bunting he must be tied up. So Mary tried to teach him better, but he didn't understand it was naughty, and kept right on bunting. At last one day, he bunted the cow which was tied to the fence by a long rope. Now Bossy liked to bunt, too; so when the lamb ran at her she put her head down and ran at him! And she was the biggest, so it was the little lamb himself that fell down that time! First he flew right over the fence and fell on his head,—then he rolled over and over into the duck- pond. All the ducks began to flap their wings and quack, and the big gray goose hissed at him and chased him. The poor naughty little lamb was so frightened that he ran to Mary, all wet and muddy, and hid his head in her dress. After that, he didn't bunt things any more!


63

How they played hide and seek.

65

X.

One day Mary and her lamb were playing in the barn. He would lie still as a mouse while she buried him in the hay, but when she clapped her hands he jumped up and ran to her like a dog. Then Mary began to pull out hay from the mow, and made a deep hole where they could both creep in out of sight. After supper they played hide-and-seek with Hannah. So many nice hiding-places—under the flower-bushes, behind the rain- barrel, and around the wood by the woodshed. At last Mary remembered her hole in the hay and crept in, with the lamb which followed her everywhere. Then they waited, keeping very still, till by and by Mary grew sleepy—for it was almost bed-time. She laid her head on the lamb's soft neck, as they cuddled down together in their nest, and before they 67 knew it they were fast asleep! Hannah hunted and hunted, till she thought Mary must have gone in the house, to play a trick on her; so she went into her own house a little vexed. Bed-time came and her Mother came to the door to call Mary in. "I guess she's gone home with Hannah," said father, as he came from the barn with his lamp. The girls often slept together, and Mary's mother didn't hear the "I guess," so she only said "It is naughty to go without telling me. She mustn't again." So nobody knew where Mary was, all night! But next morning she didn't come home—she was not at Hannah's—and how frightened everybody was! They hunted everywhere, and at last started to drive to the neighbor's houses. The noise of the carriage and of the horse trampling on the street waked Mary—and how astonished everybody was, when she and the lamb came creeping out of the hay!


69

How he saved Mary!

71

XI.

Once little Mary and her lamb really did get lost—and something dreadful almost happened! They had been picking berries in the bushes up Clover hill, and couldn't find the way out. The sun was setting, and Mary thought of snakes and bears! She was tired and hungry, too. She was eating blueberries from her pail, and crying, and the lamb, who would not eat berries and wanted his milk in the old coffepot was crying, too—"Ba-a-a!"—when a big, tall boy with a rifle in his hand broke through the bushes behind them. He sat down on a stump and stared at them, looking so white and scared that Mary felt sorry for him. "Did a bear chase you?" she asked. "Oh no," said he, "It's only I'm so glad you are alive!" He didn't dare tell her he had mistaken her little brown head bobbing among the 73 leaves, for a bird, and raised his gun to shoot it when he saw a little white lamb bobbing beside it and stopped to look closer! So her little lamb had saved Mary's life—but she never knew it. "Now how came you up here?" the boy asked. "Are you lost?" "Oh no," said Mary, winking away the tears, and smiling; "We aren't exactly lost—only we can't just find our home. And we want our supper, too." "You shall have it!" said the boy. "You are little Mary—I know your house—and I'm going to carry you there, quicker than a horse can trot!" So he took Mary in one arm and the lamb in the other, and the gun he left hidden in the forest under a tree. Then he quickly found the road (it was close by, after all,) and in ten minutes they were safe home again; and Mary's mother thanked the big boy and gave them all some supper.


75

How he won the prize.

77

XII.

Now Mary and the big boy with the gun became great friends. He used to bring her candy in his satchel; once he took her out in his boat to gather flowers; and he promised to take her to the County Fair. Early on that day he came for her with his horse and carriage. Mary was all ready, in her new hat, with bows on her shoes. "Where is the lamb?" he asked. " Father says he mustn't go," said Mary sadly, "so I shut him up in the barn". "Oh but he must go!" cried the boy. "He's entered—they expect him." Mary didn't understand that, but she was very glad to take her dear lamb with her. They walked about the Fair grounds and saw the horses and cows and sheep and pigs in the pens; and visited the tent where the rabbits and chickens were, in their cages. And everywhere 79 that Mary went the lamb kept close beside her; and all the people looked at them and smiled. At last the boy said, "Now we are going into the exhibit hall so we will leave our lamb in this nice little pen beside all the other lambs to wait for us." They looked at the fruits and flowers and the quilts and preserves in the exhibit hall. Then they found Marys father and mother and had dinner together; and afterward they saw the horse race, and the hot-air balloon go up, and heard the marching band play. It was a long time before they went for the lamb. Some people were looking at him, and just as Mary ran up they fastened a blue ribbon on his head. "Oh, thank you! How pretty!" she said. "Hurrah!" cried the boy. "Our lamb has won first prize! That means he's the best lamb in town!" "Of course!" said little Mary. "He's the best lamb in the whole world!"


80

lamb





End of Project Gutenberg's Mary's Little Lamb, by Edith Francis Foster

*** END OF THIS PROJECT GUTENBERG EBOOK MARY'S LITTLE LAMB ***

***** This file should be named 43808-h.htm or 43808-h.zip *****
This and all associated files of various formats will be found in:
        http://www.gutenberg.org/4/3/8/0/43808/

Produced by Katie Hernandez, Jason Isbell and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was made using scans of public domain works in the
International Children's Digital Library.)


Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.



*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License available with this file or online at
  www.gutenberg.org/license.


Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
     the use of Project Gutenberg-tm works calculated using the method
     you already use to calculate your applicable taxes.  The fee is
     owed to the owner of the Project Gutenberg-tm trademark, but he
     has agreed to donate royalties under this paragraph to the
     Project Gutenberg Literary Archive Foundation.  Royalty payments
     must be paid within 60 days following each date on which you
     prepare (or are legally required to prepare) your periodic tax
     returns.  Royalty payments should be clearly marked as such and
     sent to the Project Gutenberg Literary Archive Foundation at the
     address specified in Section 4, "Information about donations to
     the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
     you in writing (or by e-mail) within 30 days of receipt that s/he
     does not agree to the terms of the full Project Gutenberg-tm
     License.  You must require such a user to return or
     destroy all copies of the works possessed in a physical medium
     and discontinue all use of and all access to other copies of
     Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
     money paid for a work or a replacement copy, if a defect in the
     electronic work is discovered and reported to you within 90 days
     of receipt of the work.

- You comply with all other terms of this agreement for free
     distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH 1.F.3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS', WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.


Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need are critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation information page at www.gutenberg.org


Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at 809
North 1500 West, Salt Lake City, UT 84116, (801) 596-1887.  Email
contact links and up to date contact information can be found at the
Foundation's web site and official page at www.gutenberg.org/contact

For additional contact information:
     Dr. Gregory B. Newby
     Chief Executive and Director
     gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit www.gutenberg.org/donate

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including checks, online payments and credit card donations.
To donate, please visit:  www.gutenberg.org/donate


Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart was the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For forty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

     www.gutenberg.org

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.