The Project Gutenberg EBook of Mr Punch's Animal Land, by E. T. Reed This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org/license Title: Mr Punch's Animal Land Author: E. T. Reed Release Date: January 8, 2015 [EBook #47907] Language: English Character set encoding: UTF-8 *** START OF THIS PROJECT GUTENBERG EBOOK MR PUNCH'S ANIMAL LAND *** Produced by Chris Curnow, MWS and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
"Mr. Punch's"
ANIMAL LAND
·DRAWN & WRITTEN BY·
·E. T. Reed.·
·maker of "PREHISTORIC PEEPS."
:BRADBURY, AGNEW & Co:
·LONDON·
There is two kinds of prefisses one if it is by yourself and the other if you get a swell riter to do it for you. I'm going to do it by myself because I have done the talk undeneath the picktures so nice that I think people would be greviously diseppointed if Mr. Andrew Lang or someboddy was to do it instead like he did for Sybil Corbetts book (thats the other little girl what started "Animal Land"). He did it awfull nice of course and then you can get such nice things into it about your grate tallent and your emaggynation if he does it. He is so lerned and drags in illusions to other grate authers but when you can auth as nice as what I can there isnt realy no need. If you do it yourself you must appolergise for it all (they allways do) and say it shall not accurr again. I am quite at the openning of my corea (I saw that in the papers) so I want ellowances made for my stile and imperfect penship—I want it all put down to yewth.
I have done allmost all the most knowtable Animals—you cant do evryboddy when youve got musick and depportment to do too.
(I never thaught I would get to riting a Preffiss but it is abserdly easey.)
P.S. I lernt to draw off the Veenus of Mealo and that doesnt help you very much with these picktures. They are mostly a diffrent stile of art alltogether.
1. | The Hark. |
2. | The Balph. |
3. | The Shur. |
4. | The Oom. |
5. | The Mailyphist. |
6. | The Pawkywit. |
7. | The Jook. |
8. | The Benchiboss. |
9. | The Labb. |
10. | The Bujjithatcha. |
11. | The Wheedlepat. |
12. | The Goash. |
13. | The Leck. |
14. | The Stagynite. |
15. | The Ruddikipple. |
16. | The Bobbz. |
17. | The Showt. |
18. | The Painticheef. |
19. | The Tadd. |
20. | The Zolafite. |
21. | The Woolz. |
22. | The Klark. |
23. | The Jappypote. |
24. | The Bildaphleet. |
25. | The Sullivan.[8] [9] |
26. | The Skippydan. |
27. | The Aird. |
28. | The Coneydoil. |
29. | The Timm. |
30. | The Leedabar. |
31. | The Trimmadome. |
32. | The Wagg. |
33. | The Jingonite. |
34. | The Hyah-hyah. |
35. | The Kurnle. |
36. | The Yauk. |
37. | The Punchiboss. |
38. | The Morl. |
39. | The Fowla. |
40. | The Kortnee. |
41. | The Padd. |
42. | The Thrums. |
43. | The Tobymp. |
44. | The Weeda. |
45. | The Tree. |
46. | The Lorryit. |
47. | The Ellen. |
48. | The Sarabee. |
49. | The Villistanph. |
50. | The Octavus. |
51. | The Phil. |
52. | The Wunnudiddit. |
No 1.
(Sir William Harcourt.)
Jugging by his exspresion I should say he has just heard of some millyonnares that is past recuvry.
No 2.
(Mr. Arthur Balfour.)
Why. Ive left out his unkle who is a moddle of peliteness to foriners. He goes in for "Peace with—anything."
No 3.
(Mr. Chamberlain.)
This is not a flattring likness but there is a great fassination about its rite eye if you look close
No 4.
(President Kruger.)
I wonder why they say this is "mannifessly inflewnced by Landsere at his best."
No 5.
(Prince Henry of Prussia.)
The "Kyow Chyow Vissitors List" says "this is probelly a remarkable peece of portritcher." It is all theyve seen of him yet. His voige is certenly somwhat pretracted.
No 6.
(Lord Rosebery.)
I have been rather seccessfull in getting the eger hopeful look into the futesher in his eyes havnt I
No 7.
(Duke of Devonshire.)
The backround of this pickture is considered by some to be my masterpeace. They say it is just like a Corrow. I daresay it is.
No 8.
(Lord Halsbury.)
Oh! I forgot all about the Marquises—they come first. That is an ovasite! What a funny little dumpy he is!
No 9.
(Mr. Labouchere.)
I thought this would be baught for the town-hawl at northamten but some malline influense must have been at work
No 10.
(Sir M. Hicks-Beach.)
He does look a little bare and draughty. He would have looked better with his surplus on I think.
No 11.
(Mr. Gerald Balfour.)
The criticks say this is "a life-like pressenment" and the "flesh-tints are remarkeble for there lewminosserty".
No 12.
(Mr. Goschen.)
You should hear his riddle about when a lock-out is not a lock-out. It is screemingly funny and evrybody has to give it up!
No 13.
(Professor Lecky.)
It seems a grate risk for this one to ventcher out into a rough rude world. I wonder how he gets over the crossings.
No 14.
(Sir Henry Irving.)
Some people considder this riting very rude—it certenly is not foolsome in its prays.
No 15.
(Mr. Rudyard Kipling.)
They say I have idellised him rather but I cant help it if I have.
No 16.
(Lord Roberts.)
This is quite a battle-pickture. The handling seggests mysonnyer. I seem wonderfly versytial.
No 17.
(Mr. John Burns.)
This is another full-face pickture. I cant do many more of them!
No 18.
(Sir E. J. Poynter.)
I have heard he thaught the droring of this very deaft and mastelly. I should have thaught it was a oppertewnety for the Chantrey Fun but I have herd nothing as yet.
No 19.
(Mr. Alma Tadema.)
I cant help it if this did make Mister Briton Rivvyare go green with envy. It must be ennoying to see an outsighder do it so nice.
No 20.
(M. Emile Zola.)
This is diseppointing as a work of Art
No 21.
(Lord Wolseley.)
Sybil Corbett must be awfuly mad to see me droring as good as this. There is hardly a trase of the ammerchewer.
No 22.
(Sir Edward Clarke.)
This is a study in teckstchers and keeraskewroh—and a speaking likeness as well
No 23.
(Sir E. Arnold.)
I hear he has a lovly shrine to write in at the Daly Tellegraff office and the offise-boy burns Joss-sticks at him every harf hour. It helps him to write nicer.
No 24.
(Sir E. J. Reed.)
He says he did send his son to Harrow what more could he do! Spelling must have been an "extrer" I should think It is a distressing site to see the way he does it.
No 25.
(Sir Arthur Sullivan.)
I had the esistents of the leading musickle exspurts in aranging the musick on him
No 26.
(Mr. Dan Leno.)
I have had the nicest complements on this picture from Royal Ecademisians. They say it is so full of "veuve."
No 27.
(Mr. John Aird.)
The back-rownd seen of this pictture is laid at Filey-the-Bewtifull where the damms is to take place
No 28.
(Dr. Conan Doyle.)
This is a Alpyne seen. Please notise the way I have got the glare off the snow.
No 29.
(Mr. Timothy Healy.)
I find profeels ever so much easier—there is only one eye to restle with for one thing.
No 30.
(Sir Richard Webster.)
There is few drawings that has rowsed more pubblick inthewsiasum than this one
No 31.
(Sir William Richmond.)
I did enjoy doing his hair. It is done like that Cleo de Merroads!
No 32.
(Mr. Gibson Bowles.)
Mr Spielman says "this remarkable work is reddolent of the sea and the droring of the wave-forms is worthy of Hook or Eyrecrow."
No 33.
(Sir E. Ashmead Bartlett.)
Noboddy wasnt ever so pattriottic about other peoples countries as what he is
No 34.
(Sir C. Howard Vincent.)
He is a grate vollenteer too. He is a mixtcher of Moltky and Prince Ruepert at menoovers
No 35.
(Colonel Saunderson.)
I hear he has had this framed for an air-lewm.
No 36.
(Lord Charles Beresford.)
The criticks say I have "happily renderd the sea-brease bloing through his epithettes."
No 37.
(Mr. F. C. Burnand.)
This pickture and the nice ritin had a wonderfull bennyfishle effeckt on his state of helth
No 38.
(Mr. John Morley.)
It is a shame to make such a nice gentleman look so plain. There is no dowt I am not a flattrer.
No 39.
(Sir H. H. Fowler.)
The "Maggasene of Art" thinks very highly of this one—the "Morbydetser" of it is so fine it says. I seppose theyre right
No 40.
(Mr. Leonard Courtney.)
I wish the riting would not come so long but I'm ackwiring such profishensy that I cant bring myself to short ones.
No 41.
(M. Paderewski.)
Isnt it rather a sub-aubern tipe of face—not quite what you would exspeckt considdring the fuss.
No 42.
(Mr. J. M. Barrie.)
I dont mean to say he doesnt bat very nice but he might just as well go for long drives out into the country.
No 43.
(Mr. H. W. Lucy.)
I had to leave the ralings out or else you wouldnt have seen him at all
No 44.
("Ouida.")
I had no idea I could do hair so natcheral as this or I would have done it bifore.
No 45.
(Mr. Beerbohm Tree.)
Isnt he nice and willowy. It takes a very clothes study of anattemy to draw pessitions like this.
No 46.
(Mr. Alfred Austin.)
I meant to have drorn him trying to get over a very rustick stile he's got but I quite forgot. It dosnt matter does it.
No 47.
(Miss Ellen Terry.)
I am told Miss Louie Freer is very much hurt at been passed over for this one but hers is a diffrent stile of luvliness—more like a Wattow.
No 48.
(Madame S. Bernhardt.)
This one seems to combine the suttle charm of a Rumney with the deckretive effeckt of a "peraffleite".
No 49
(Mr. Villiers Stanford.)
I havnt done justiss to the quire. I havnt quite caught the look of aggytashen and holy enthewsiasum in there eyes—the mouths took up nearly all the room in the face.
No 50.
(Sir Henry Thompson.)
This is "a studdy of exspreshen worthy of the best peeriads of english art" so "the stewdio" says "The impassetoe is very fine" it says. I should never have thaught of that.
No 51.
(Mr. Phil May.)
I exspeckt I shall have to pressent this to the Nashnal Portret Gallry—then I shall be handed down as his "muniffisent dona."
No 52.
(The Perpetrator, E. T. R.)
I fear this will be a dredfull shock to some but they say I musnt tryfle with peaple's effecktions any longer. It seems a pitty to have to rellinquish my "incoggnetow."
Bradbury, Agnew, & Co. Ld.,
Printers,
London and Tonbridge.
Every effort has been made to replicate this text as faithfully as possible, including obsolete and variant spellings and other inconsistencies.
End of the Project Gutenberg EBook of Mr Punch's Animal Land, by E. T. Reed *** END OF THIS PROJECT GUTENBERG EBOOK MR PUNCH'S ANIMAL LAND *** ***** This file should be named 47907-h.htm or 47907-h.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/4/7/9/0/47907/ Produced by Chris Curnow, MWS and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution. *** START: FULL LICENSE *** THE FULL PROJECT GUTENBERG LICENSE PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK To protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license). Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works 1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8. 1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below. 1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others. 1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States. 1.E. Unless you have removed all references to Project Gutenberg: 1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed: This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org/license 1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9. 1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additional terms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work. 1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm. 1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License. 1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1. 1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9. 1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided that - You pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation." - You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return or destroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works. - You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work. - You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works. 1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm electronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below. 1.F. 1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tm collection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment. 1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE PROVIDED IN PARAGRAPH 1.F.3. YOU AGREE THAT THE FOUNDATION, THE TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH DAMAGE. 1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem. 1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PURPOSE. 1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions. 1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works, harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause. Section 2. Information about the Mission of Project Gutenberg-tm Project Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life. Volunteers and financial support to provide volunteers with the assistance they need, are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4 and the Foundation web page at http://www.pglaf.org. Section 3. Information about the Project Gutenberg Literary Archive Foundation The Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws. The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email business@pglaf.org. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.org For additional contact information: Dr. Gregory B. Newby Chief Executive and Director gbnewby@pglaf.org Section 4. Information about Donations to the Project Gutenberg Literary Archive Foundation Project Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS. The Foundation is committed to complying with the laws regulating charities and charitable donations in all 50 states of the United States. Compliance requirements are not uniform and it takes a considerable effort, much paperwork and many fees to meet and keep up with these requirements. We do not solicit donations in locations where we have not received written confirmation of compliance. To SEND DONATIONS or determine the status of compliance for any particular state visit http://pglaf.org While we cannot and do not solicit contributions from states where we have not met the solicitation requirements, we know of no prohibition against accepting unsolicited donations from donors in such states who approach us with offers to donate. International donations are gratefully accepted, but we cannot make any statements concerning tax treatment of donations received from outside the United States. U.S. laws alone swamp our small staff. Please check the Project Gutenberg Web pages for current donation methods and addresses. Donations are accepted in a number of other ways including checks, online payments and credit card donations. To donate, please visit: http://pglaf.org/donate Section 5. General Information About Project Gutenberg-tm electronic works. Professor Michael S. Hart is the originator of the Project Gutenberg-tm concept of a library of electronic works that could be freely shared with anyone. For thirty years, he produced and distributed Project Gutenberg-tm eBooks with only a loose network of volunteer support. Project Gutenberg-tm eBooks are often created from several printed editions, all of which are confirmed as Public Domain in the U.S. unless a copyright notice is included. Thus, we do not necessarily keep eBooks in compliance with any particular paper edition. Most people start at our Web site which has the main PG search facility: http://www.gutenberg.org This Web site includes information about Project Gutenberg-tm, including how to make donations to the Project Gutenberg Literary Archive Foundation, how to help produce our new eBooks, and how to subscribe to our email newsletter to hear about new eBooks.